#Review Roundup

[fernsnailz]

January 2024 Review Roundup

hello everypony‼️ something i want to do through 2024 is a mini review series where i recap some of the media i watched/played/read at the end of every month. this was inspired by tumblr user ponett’s 2023 media wrap-up, it's a great collection of quick reviews so go check it out!

i’m doing this partially as writing/analysis practice, but mostly because my memory is really bad and i want to keep track of what i've seen this year. with that said, my thoughts on everything i finished in january 2024 is under the cut :]

Portal 1 + 2

yyyup i beat Portal and it only took me (checks watch) 13 years

the first time i played Portal 2 was at a friend’s house when i was in middle school, and i had a fuckin blast. but after all that time... it still holds up! i don’t think anything i have to say about Portal will be particularly new since people have been praising this series since it came out. the writing, the level design, even the controls feel tight and engaging the whole way through. i played on switch and expected a bit of jank, but i was pleasantly surprised at how smooth it felt to play. the only part that dragged for me were the levels through the old aperture labs, but i think i would like them a lot more on a second replay. Portal 2 is fantastic and one of my new favorite games, the artistry behind it is truly incredible and i’m really glad i finally finished it. while i was playing Portal 2, i described Glados and Wheatly to a friend and said “they’re like if a ceiling fan could be passive aggressive and if Fozzie Bear was an evil golf ball”

I Think You Should Leave

finally. i can truly understand and appreciate Subspace Dubbed Over

i think one of my favorite things about I Think You Should Leave is how it utilizes horror. beyond sitting slack-jawed in disbelief at the crazy events unfolding before my eyes, a number of the sketches dipped into bits that genuinely kinda scared me. like the one sketch that circulates on here where the guy (pig?) in a mask crawls through a dog door, which is. genuinely terrifying. but so many of the other sketches have slow, nerve-racking pacing leading to crazy shit that would be perfect in a horror film were the context different. idk i like dissecting how horror and comedy are essentially the same thing and I Think You Should Leave was very good at enabling that <3 favorite sketches are probably “then let my wife eat the damn receipt” and “55 BURGERS 55 HOTDOGS 100 FRIES 100 TATER TOTS”

Sonic Prime Season 3

man. ohhhh man. i didn’t go into this with high expectations and i still feel let down. Sonic Prime Season 3 was definitely my least favorite “season” of the batch - abysmal pacing, very few character moments i actually enjoyed, and the things i praised about the show felt very underutilized through these episodes. Nine is the shining star of Sonic Prime and i was looking forward to seeing his more villainous side, but his character took such a sharp turn into pure evil and it felt like he spent the entire season repeating the same three lines. and as much as i praise Shadow’s writing in Prime, it doesn’t really matter when he spends half of the season trapped in a hole that he just… runs out of later.

lastly, i cannot stop thinking about how bad the pacing of this season is. three episodes for a repetitive final battle feels like such a waste of time when you see just how much they rush the emotional resolutions in the last episode. however, there is one thing i truly love about Sonic Prime Season 3 - i love the Sails and Mangey fakeout death. it's so fucking funny. like you really expect me to believe that two cartoon animals in this Y-7 rated show EXPLODED?????? absolute comedy gold.

overall, i just… don’t really know what to think of Sonic Prime. anything i enjoyed in the show was often fleeting, and much of it felt like its only purpose was to waste my time. also Rouge i can’t believe they did you so dirty oh my god

Ghost Trick

i was so proud that i figured out the secret behind Sissel’s memory loss like halfway through the game. however i also kept getting caught during the prison escape sequence like an idiot

Ghost Trick is in a similar situation as Portal where 1. it’s incredible and one of my new favorite games, and 2. there’s nothing i can really say about it that hasn’t already been said or just. shouldn’t be said. Ghost Trick is a fantastic mystery game, and because of that i think it’s best to go into its story as blind as possible. the narrative unfolds in such fascinating ways - even though the actual object manipulation gameplay isn’t directly about solving the mystery (like in Ace Attorney or other mystery games), it still ties wonderfully into the story in some incredibly unique ways.

i also really love the artstyle of Ghost Trick - i love 2D character artwork with that sharp lineweight, it reminded me a lot of Sonic Battle (another game with an artstyle i love). i was also really impressed by the 3D character models and animation - despite the limitations of the camera, you get a wonderful sense of everyone’s personality from the limited body language expressed in the overworld (even though the models lack much facial expression which. i guess they don’t really need? idk that was the only thing that threw me off). anyways yeah everyone should play Ghost Trick so Ghost Trick fans can be freed from their curse and talk about it without having to tag like 10 different spoiler tags. and for Missile

Scott Pilgrim Takes Off

ok bear with me. i went into Scott Pilgrim Takes Off without reading the comics first. and i fuckin loved it

my understanding of Scott Pilgrim before SPTO was mostly from the movie (I KNOW I’M SORRY), but even with my base understanding of the series i really enjoyed this show for what it was. i found myself appreciating the time they dedicated to further develop every single character in the show - especially Ramona. she’s fantastic as the lead, i really loved watching her reconcile with her exes and seeing all of them grow instead of exploding into coins. my favorite episode was probably the one with her and Roxie - not only did i adore the movie-jumping set pieces, but you really understand the weight of Ramona’s mistakes in their past relationship and how much it hurt Roxie. despite the big climactic fight, the flashbacks are quiet, subtle, heartbreaking. Ramona’s apology is genuine, and it feels so wonderful to watch her confront her past throughout the show. also i think it’s really funny that for all these characters to become the best versions of themselves, they had to kill off Scott for most of the story

and holy shit the artstyle and animation. oh my god. i love watching something that makes me immediately go “i need to see the storyboards for this RIGHT NOW.” SPTO is such a visual delight to watch, it elevates the artstyle of the comics while also keeping what makes that style so appealing - i love the line weight on the characters, i love how much forward energy the animation has, i love the fucking. virtual boy section. as soon as i found out Science Saru was also behind Keep Your Hands Off Eizouken, everything made immediate sense. i was destined to love this show.

another worry i had going into SPTO (besides the fact that i hadn’t read the comics lol) is that the original cast from the movie was returning. i think the movie cast is fine, but i wasn’t sure how some of them would fare with voice acting for animation. however, i thought they all did a good job - i think the whole cast loves these characters and would be able to fit into them fairly easily no matter what form their performance takes, and they definitely had a good voice director in the studio with them. the only thing that felt off about the voice performances to me was that sometimes it sounded like some of their mics kept peaking?? idk some of these episodes i watched high as balls and i felt like i could hear and see every single sound and frame of the show. so that might have just been me.

god i did not. expect to have this much to say about Scott Pilgrim. i really loved this show and i’m currently reading the comics to fully catch up on the general Scott Pilgrim experience - i think reading the comics AFTER Takes Off is making me appreciate even more of the character work that went into the show. like they do so much with Mathew Patel in SPTO, a character that was. not originally around for a long time from what i��ve gathered? also i like the funny little robot. oh my GOD i cannot talk about this show anymore whatever it’s good get me out of here

Sword AF Season 1

i put on the Smosh cast’s D&D series to play in the background while i was drawing. i did not expect to think much of it. instead, i had one of the most enjoyable D&D podcast experiences since i listened to The Adventure Zone Balance???

i haven’t really enjoyed other D&D podcasts since i dropped off of The Adventure Zone, and i wasn’t expecting much from Sword AF of all things. then i saw that Shayne was playing as a druid warforged made of plants and his name was fucking Fernie and i sat my ass down and LISTENED. while i think Sword AF is currently lacking in its world and larger story, those things just. aren’t really what Sword AF is really trying to provide at the moment. it’s main focus is comedy, and the players are genuinely such a delight to watch play together and build off of each other. they mostly focus on bits and goofs for the sake of she show's comedic tone, but i still found it thoroughly enjoyable because every player embodies and performs their characters really well. idk Sword AF was an unexpected hit for me this month, i thought it was fun. and i love Fernie so much

Plastic Death - Glass Beach

so originally i wasn’t going to include music reviews in these roundups at all, but then i was entirely surprised by a new Glass Beach album and oh my god. holy shit. oh my fucking god jesus christ. holy shit. its preddy good

Plastic Death gets the low point of the album out of the way immediately. it starts with the “phone call/conversation audio” trope that i don’t particularly enjoy - HOWEVER despite me disliking this opening, 1. it sets up the overall themes of Plastic Death very quickly, and 2. the rest of the album blows this 40 second opening completely out of the water. from there, the album grows into something beautiful and uncontained, and i just. i really like it

Plastic Death captures the beauty of the temporary, asks what it means to be created for a cause you can’t fulfill, questions if you can reclaim yourself from cycles and constraints designed to destroy you. and is also about being transgender. the lyrics are abstract in a way that requires a conversation with the listener, many of the vocals obscured and smooth like waves - this album is definitely one that needs to be listened to a few times. i wasn’t sure how i felt about the vocal style at first before realizing the vocals were the main reason i was relistening to this album, allowing myself to find even more that i loved about it. the instrumentation is also incredible, i love the use of marimba in a number of songs - distant, eerie, almost skeletal. and the fucking. 8-bit section?? which kinda rules???? and that’s the only point in the album it ever shows up??????? incredible. a fleeting, somewhat silly moment that i love every time.

this album left my heart aching, in part from my connection to it and in part from the pure love and joy emanating from this music. i can feel just how much fun this music was to perform and create, a cohesion of time and sound that just clicked for me. Plastic Death made me miss playing music, which is something i haven’t felt in years. all from an album that starts with a conversation about CrankGameplay’s dead youtube channel. good lord

i like this album a normal amount. go listen to it a few times. my favorite tracks are cul-de-sac and commatose

Wish

i watched Wish with a couple of friends and knew i probably wasn't going to like it. with that in mind, i gave myself a challenge: i wanted to find one thing about this movie that i genuinely really loved. it could be anything, and loving it for ironic reasons was allowed.

here's the complete list of things i loved about Disney's Wish (2023):

i love the one shot where King Magnifico stirs an evil caldron evily. i thought it was hilarious. what was he cooking

i loved that the end credits included a reference to Dinosaur 2001 at all, and i loved that they paid homage to Big Hero 6 by showing the forgettable villain of that movie instead of their Baymax cashcow for some reason. my friends and i saw him show up in the credits and were like "who's the trenchcoat guy??"

you may notice that this list is very short and 50% of it is about the movie's credits. so yeah this movie is not very good

Wish is an empty husk of a movie. everything about it feels so, so hollow - lifeless town squares, uninspired character designs (to quote a friend: "i have all of these characters' hairstyles in The Sims"), characters whose existence is only justified to fill empty space or an overused archetype, and an "evil" villain who lacks charisma and spine in a futile effort to remind the audience of previous disney villains with actual character. even the artstyle lacks any sort of sauce, the watercolor effect they were trying to go for only makes the backgrounds and character textures run together, and the dull lighting makes things look even more faded. it's like disney was scared of making a movie that made its audience feel... anything. all to celebrate 100 years of Disney slop, baby!!!

Some YouTube videos I liked in January: 💥 An Exhaustive Look at Pokemon Brilliant Diamond 💥 TomSka's Guide to Plagiarism 💥 Paradise Bombed (this video is a great piece of journalism and i’m definitely not doing it justice by throwing it into the youtube vid list) 💥 Surprising Our Friends with Zoo Animals 💥 Did FNAF Ever Have a Good Story?

thanks for reading! next month’s roundup will be wild because i’ll likely be reviewing House of Leaves and Hazbin Hotel. can you guess which cursed house gives me a worse headache? WHO KNOWS! (hint: it's Hazbin Hotel)

[nothingunrealistic]

review roundup: billions 7x03 “winston dick energy”

place your bets on how far i’ll get into this post before my commentary shifts into all-caps!

New York Times: ‘Billions’ Season 7, Episode 3 Recap: Confidence Games

Which would be fine if Chuck were operating in a vacuum. Instead, he has an office full of lawyers champing at the bit for the opportunity to unleash their full skills on unsuspecting white-collar criminals everywhere — the kinds of cases that turned their freshly reinstated boss into a beloved man of the people. His reticence in choosing his opening salvo frustrates everyone: his right-hand man, Ira; his father, Charles Sr. (Jeffrey DeMunn); his button man, Karl; and the Southern District’s bold up-and-comer Amanda Torre (Hannah Hodson).

or, as i described it to milo in the heat of liveblogging: all of those characters (and wendy!) call chuck a wuss.

Then along comes Winston (Will Roland). A twerpy quant who’s been a core part of the Taylor Mason team for some time, largely in spite of himself, Winston quits the firm and immediately — like, within eight hours — goes into business for himself.

can’t say i expected anything better than this. correction: a core part of the taylor mason team for some time, largely in spite of taylor forgetting he’s alive, let alone that he and his work are valuable, until he quits and starts trying to make money that won’t go to them.

Acting on advice from Wendy (you can see why Dr. Mayer is concerned, no?), Wags storms into Winston’s apartment, where an attempted come-to-Jesus meeting with Taylor and Philip is already underway, and all but attacks the guy.

thanks for pointing out wendy’s role in that, at least.

Unless he comes back to Prince Cap, software in tow, as a sort of indentured servant, Wags will see to it personally that Winston’s reputation and finances are left about as intact as ancient Carthage.

“comes back to prince cap” is interesting phrasing, considering the odds are against us ever seeing him in the prince cap office again.

Watching a good episode of “Billions,” which this undoubtedly is,

not in my house it isn’t!

is like watching someone expertly play a puzzle game — solving a Rubik’s cube, say, or beating a level of “Tetris.” You gaze in admiration as skilled hands slide pieces and panels from one place to the next until everything lines up exactly where it should. Chuck’s friends and enemies inadvertently guide him to the correct course of action. Wendy’s petulance puts her on the path toward a major breakthrough. Winston’s defection provides Wags with the fresh kill he requires.

“the people around chuck help him make the right choice. wendy’s character flaws help her make the right choice. winston is thrown to wags for him to tear apart like a side of beef. these are all comparable and equally indicative of good writing.”

Notably absent from this episode, barring a pointed glance or pained look here and there: Taylor, Wendy and Wags’s quest to stop their boss’s rise to power.

you could have ended that sentence at “taylor” and it would still be accurate.

Perhaps, chastened by Axe’s rejection last week, they’ve taken his “if you can’t beat him, join him” advice to heart, at least temporarily.

if you can’t beat him, beat the guy he wants to sue with hammers!

Before Wags takes charge of the operation, there’s some concern in the Prince Cap inner circle about destroying Winston publicly. Mike is running for president, after all, and America is a very pro-labor environment these days.

really makes you wonder why the last commentary anyone offers on winston is “spread this tale [of his humiliation] far and wide to anyone who will listen.” ?????

Vulture: Billions Recap: Hamster Wheel

It’s pretty hard to beat “Winston Dick Energy,”

haha hard to beat dick energy

Case in point, the best storyline of “Winston Dick Energy” is Wags’s orchestrated humiliation of Winston, his highly inappropriate brand name, and his risk-management software.

😒😒😒😒😒

Classic Billions sabotage and I loved every minute of it, but I don’t see how or if this plot device will affect Mike Prince’s presidential campaign.

on the one hand, it could set up a revenge plot for winston that negatively affects prince and his campaign. on the other hand, it could just be the result of the writers wanting to kick winston around for more than thirty seconds before writing him out and/or give wags someone to destroy, with no payoff intended ever.

On that note, the Wendy storyline this week is relatively straightforward: Ben Kim lets it slip that everyone at Prince Capital is cheating on Dr. Wendy Rhoades with Holland Taylor’s Dr. Eleanor Mayer — and that Mayer is the bee’s knees.

everyone except winston, of course!

And I have to suspect that someone is pulling the strings behind Mayer … (Axe? Prince?)

what??? why would you assume either of them is pulling her strings at this point? (especially axe — there’s no way he bothered to plant a therapist for taylor to consult and then recommend to their coworkers more than six months ago. he was busy war profiteering and not giving a fuck about the united states.)

The next morning, Wags hijacks Winston’s big pitch meeting right before the COOs show up. In front of Kate Sacker, Taylor, and Philip, Wags stages a twisted version of This Is Your Life (an old TV show enjoyed by members of the Greatest Generation), though Winston only has himself to blame for his pathetic internet search history — and his hacktivism.

oh my god! literal victim blaming! i should have put *that* on my season 7 bingo card!

And it’s not like MPC’s deal is that shabby: If Winston cooperates, he can come back and run the software himself.

first of all, he’s not going to come back to mpc in any meaningful sense. second of all, winston’s whole goal was to not have to work for mpc (or anyone else) ever again. being dragged back onto the hamster wheel — even if he isn’t physically in the cage — against his will is, in fact, a shabby deal!

What does work is a late-night intervention at Grant’s Tomb with Kareem Abdul-Jabbar. (Ah, Billions — they do this because they can.) 

rarely has billions been more aptly and concisely described.

I do like how Billions deliberately avoids any mention of the name “Trump”: Senior’s story only needed the words “Bedminster golf club,” and “his first wife,” to get the point across.

ironically, i didn’t understand that joke at all until first reading this portion of this recap. my bad for not remembering the significance of bedminster golf club, clearly.

Fan Fun with Damian Lewis (Damianista): Billions on Showtime, Season 7 Episode 3: Winston Dick Energy

The first Axe-less episode in the final season has three storylines that are light-hearted compared to those in the first two.

oh, yeah, for sure. so glad we could take our minds off the looming threat of a fascist presidential candidate by watching half a dozen people (some of whom are ostensibly opposed to said presidential candidate) work together to stalk, assault, and blackmail their autistic former coworker because their ringleader desperately wants to RETVRN to the good old days when he could treat anyone he wanted like that. how lighthearted!

Even Rian, who seems to be the only one that will be missing Winston, finds it weird that she will miss her colleague, but then he was the only one that looked at her the same way after they were forced to move to the main floor which Rian calls “Princident.” Haha.

Talking about Rian, I wonder whether Prince put her name on the list he submitted to Bradford in the last episode…  but he is now in his office, I find him not attending Winston’s party a bit rude, talking to Bradford about his SuperPAC FEC disclosure that he will share with Chuck.

that is NOT what “princident” refers to, and you should realize that given that you referred to rian’s tryst with prince — the actual meaning of “princident” — in your very next thought.

It turns out WDE is an AI-based risk management software that can give a considerable bump to returns – exactly what Bradford asked Prince to do in their first meeting.

gee whiz! sounds like winston and his work are pretty valuable and prince et al should have tried harder to keep him around!

Wags follows Taylor and Philip, without asking for permission, to Winston’s apartment and adds  his “scaring him out of hiding” to carrots (“head of risk management”) and sticks (“a potential lawsuit”) Taylor and Philip use to have Winston surrender the code.

sure used the carrots & sticks analogy myself to describe everyone’s approach to winston this episode. pretty shortsighted of taylor to not realize that offering him another job at mpc would be a pathetic carrot. if he wanted to run his software for you, he’d have stayed and showed it to you, not left and sold it on his own.

I said it before and I will say it again. I do not get why Kate is still on Prince’s side. Is it really the future prospects she has when Prince is in the White House?

that, and the money, and the greater freedom she has when not under chuck’s thumb. she always saw her work at the sdny (and later, the nyag) as a launching pad for her future ambitions, not a calling in itself. that work was holding her back instead, so she left.

I do not buy it since Kate has always been very cautious in every step she has taken. So I cannot wrap my head around her staying with him even after she has found out about his untaxed billions in crypto! Could it be that she is a double agent of sorts?!?!

i highly doubt that she is a double agent at this juncture. (and she stayed with chuck for a long time even knowing he’d engaged in illegal conduct.)

Entertainment Weekly: Billions recap: Chuck and Prince's old rivalry re-emerges

[…]

you guessed it: no mention of taylor at all! normally i’d be mad, but in this case it seems quite appropriate.

The whole plot is wonderful, from Winston's epically tedious and uncaring "going away" party, to the scene where Wags lets loose on him at his apartment, planting a bug that eventually allows Wags and the team to track who Winston plans on pitching and ruin his chances.

wonderful! who wouldn’t be having tons of fun watching everyone’s collective boot stamp on one guy’s face forever!

Still, this is the best episode of the season so far because it does have quite a few entertaining scenes, and a lot of focus on character motivations.

sean and kyle have both expressed this opinion. we may as well be living in different worlds.

Fan Fun with Damian Lewis (Gingersnap): The Unbeatable, Unstoppable, Unparalleled MVPs from Billions Season 7 Episode 3 ‘Winston Dick Energy’

Gingersnap

Overall Episode MVP: Dr. Eleanor Mayer. What a rich character. Small but mighty! It’s that very allure why you don’t see her coming.

Wendy accuses her of rustling up her cattle (patients) but Dr. Mayer counters they weren’t noticeably branded until she dug deeper and found their burns. Ouch!

i took note of that line as well! the exact phrasing:

WENDY: You rustle someone’s cattle, they’re gonna come looking. Was it the welcoming literary patter that helped you snare my patients? DR. MAYER: I didn’t see your brand on them. At first. After talking to them, the burns became more visible.

get her ass, eleanor!

The Scandoval Award – And the winner is….Rian…for giving us a new portmanteau by combining Prince + incident into “Princident” to describe their *ahem* tryst.

at least someone at ffwdl realized what that referred to.

Food for Thought:

Hey Ben Kim, you can’t drink alcohol and take Wellbutrin. Next time lay off the Heineken at farewell parties. Tuk’s on Adderall and Ben’s on Wellbutrin. Is Dr. Eleanor Mayer an over-medicater???

i sure looked up whether or not it’s safe to mix wellbutrin and alcohol myself after this episode. (answer: it’s not advisable, since wellbutrin can reduce your alcohol tolerance, and both of them make seizures more likely. but you might be able to have small amounts of alcohol without it being a problem.) but you’re not supposed to mix mdma and alcohol, either, and somehow prince and rian managed just fine doing that in 6x10. (also, ben hadn’t taken his wellbutrin that day, which was why he approached wendy about it.)

without Getting Into the ethics of psychiatry and psychiatric medication, because i’m not qualified to talk about that: i don’t think “this psychiatrist has at least two patients who are each taking at least one medication” is really grounds to go “is this psychiatrist an over-medicator???” (also, we don’t even know if tuk’s adderall was prescribed or not.)

Lady Trader

[…]

The Most Loyal: When every other Prince Capper has cheated on Wendy with Mayer, Wags makes sure Wendy knows she will always be his “Dr. Mojo”. This is why you want Wags in the trenches with you!

well, wags is probably also the only prince capper that wendy would never screw over for her own benefit, so that’s no surprise.

The “Tell Me You Wrote Your Pitch Presentation with AI, Without Telling Me You Wrote Your Pitch Presentation with AI” Award: Winston. As someone who has read and had to write pitches, that description slide was as Auric Goldfinger once said “words you may have overheard which cannot possibly have any significance to you or your organization”. It said nothing at all. You disappoint me Mr. Winston!

here’s the full text of his pitch, for anyone who wants to judge it by this standard. as for my take on it, well…

The Tired Old Trope Award: “hold the rich and powerful criminality accountable”,  trading and earning is an “addiction”, blah, blah, blahdy blah. We get it, the writers hate wealthy people, but I don’t see them doing what they do for free!

AHAHAHAHAHAHAHAHA. oh, lady trader. you’re never going to figure out who that sign is for, are you?

The “Do Your Research” Award”: Wendy would not have been able to give Ben Kim his prescription for Wellbutrin with a prescription pad – beginning on March 16, 2017 all prescriptions in NYS must be electronic.  Also, Philip states that Winston’s risk management software is using ASI for risk mitigation. However ASI doesn’t exist yet. If I’m going to give credit when the writers get it right, well I got to call them when they flub too.

fair enough.

TheTailThatWagsTheDog

[…]

Biggest Absence – Dave?  No Dave?  Is she out of the picture now that Chuck has his own authority back? I still don’t buy Chuck getting the SDNY position back so easily. Who was occupying that spot before, and what happened to them? Too convenient for me.

i wondered about that as well. her absence in this episode and sacker’s in 7x02, despite both of them being series regulars, is a little concerning. as for chuck’s sdny spot, his quick return frankly was overly convenient, but billions is like that sometimes. and it’s possible that it was occupied by an acting / interim us attorney who wouldn’t have been around indefinitely anyway.

And now my update on the analogies/cultural references …

Worst Analogy Moment – Kate Sacker bringing up Phil Mickelson to Prince. This is exactly the kind of nonsensical reference that they have introduced ad nauseum over the past couple of seasons. It’s there because they want it there, not because it makes any sense. It feels totally out of character for someone like Sacker to bring up a person like Mickelson, and Prince’s response is so obvious.  Their writing can be so clever – they have proven this time and time again – and yet they too often fall back on these tired clichés. I wish they would stop.

Most Encouraging Analogy Moment – I did not hear one analogy out of Dr. Mayer.  Maybe she’s too old to do them? I don’t know – but it was wonderfully refreshing.  I hope she stays clean.

the references have always been there because the writers want them there. they’re entertaining themselves first and foremost.

the first line out of dr. mayer’s mouth was a quote from a room of one’s own, by virginia woolf, and wendy pointed this out twice within the next thirty seconds. did you not notice, or does this not count because it wasn’t in the form of an analogy?

Ending on a Good Note – I love the “three-dimensional game of chess” Chuck is now playing with Prince. That is the fun stuff. I do not know how this is all going to play out, but I am definitely invested – and that is what I want in my shows – keep me aching for more. So more of this intrigue, just less culture please!

highly entertained by someone asking for a tv show to have “less culture please!”

Fan Fun with Damian Lewis (Lady Trader): “From the Trader’s Desk”: Crisis of Confidence?

I was asked why MPC is claiming ownership of Winston’s software. If he developed it how does MPC have the rights to it? Well, the type of risk management software Winston is trying to sell would most certainly take months (if not years) to develop, code, back test, and debug. Which means there is no way he could have developed it overnight. If what Taylor says is correct, (that Winston used data to test his software using MPC trader transactions) then that also would make it property of MPC. By using data and equipment owned by MPC, legally Winston doesn’t own it. Could a court possibly rule that he co-owns it? Yes. Also, most funds would have a clause written in his contract that he would not be able to market any type of software for a stated period (usually 6-9 months). His best course of action would have been to offer it to MPC first to either buy him out or lease the program. If they passed, he then could have tried to get permission from MPC to market it to other firms. Just another example of unnecessary greed killing a golden goose.

lengthy, yes, but this is a helpful clarification on the (il)legality of winston selling his risk management software on his own. until the last sentence, which i’m guessing is referring to winston’s greed rather than mpc’s greed. can you perhaps think of any other reasons why winston would have wanted to sell his software on his own rather than via mpc? perhaps something he said outright, such as “i’m done working for other people”? take your time! i’m here all week!

It was good to see Wags, Wendy and Chuck get their belief in themselves back, all in different ways.

can’t say i agree!

Winston agrees let MPC license a watered-down version of the software to other firms, and Winston is a Prince Capper again, as Taylor will let him run it.

again, winston is not A Prince Capper Again in any meaningful sense, and it wouldn’t automatically be a good thing if he were!

Out of the three characters who are having confidence issues this week, Wendy would be the last person I would think would have any issues. It was very surprising to me to see her going on this journey, and she has always been the glue that held everything and everyone together.

skill issue.

I could understand why maybe Taylor would see someone else (Wendy did burn her pretty good with Taylor’s Dad back in S4E7) but the rest of the gang is shocking. They all see her as just a performance coach who only cares about results, and not a therapist they can talk to about anything. Wendy is wounded by their words.

have you seen the way wendy’s treated ben and tuk and rian in the past? it’s not at all surprising that they’d go to another therapist. and sacker and philip haven’t known wendy long enough to have any reason to trust her, especially after reading the draft of her book. the only one i’m at all surprised by is dollar bill.

But Mayer doesn’t think they do the same thing. And this is where Mayer loses me. She basically says that Wendy’s just a dealer keeping her addicted patients “on the hamster wheel”. What complete and utter bullshit. It can’t be that these people like what they do? It can’t be that they enjoy the feeling of being alive doing what they are good at?

THAT IS THE POINT. THAT’S THE QUESTION BEING ASKED. wendy and dr. mayer have different opinions about the reasons that the prince cappers do what they do! are you always this affronted when someone suggests that maybe working at a hedge fund isn’t the greatest job in the world? hell, have you registered any of the misery that these characters have experienced as a direct or indirect result of the work they do?

This doctor wants Wendy to free her patients, but I ask from what? You can want to improve yourself (and go see Mayer) but at the same time enjoy what you do and want to be the best at it (and see Wendy). I don’t see it as an either/or situation.

i put years of hard work into getting my capitalism degree at capitalism college & now everyones like “oh capitalisms bad”,“its ineffective” fuck off

I’m just afraid this “doctor” is going to mess with Wendy’s head. And a sharp and focused Wendy is what’s needed for Axe later in the season.

what’s needed *for axe*??? do you think she exists just to serve him??? in this of all seasons???

[musicshelfwithmustard]

Music Shelf's Review Roundup - 3/17/23

JSM and Gimpleg review some new music they recommend you listen too!

Coolie Ranx – Oh Girl Review by: Gimpleg Coolie Ranx has released the 4th single from his upcoming record Days Gone By and it’s another great track. This reggae track is so much more than what I was expecting with the title of “Oh, Girl”. Instead of being a love song, or a song about someone having a crush on a girl, this song is about a person making bad decisions in bad situations. When the…

[thegamecollection]

‘FIRE EMBLEM ENGAGE’ - REVIEW ROUNDUP!

What with all the excitement of the Fell Dragon rising this Friday for the launch of Nintendo’s Fire Emblem Engage, we know there’s some of you guys and girls that prefer to wait for reviews before making that pre-order commitment! As always, we get it and we’ve got it. “It” being reviews of course... Right this way:

IGN - 9/10

“It’s no small feat that Fire Emblem Engage is able to tell a simple-but-fun story that celebrates the vast history of its series in a way that doesn’t rely on prior knowledge of that legacy.”

Read the full review here.

Eurogamer - Recommended

“This is a fine RPG that further innovates an already rich combat system, and while long-term fans will get more from this, newcomers might be inspired to check out the rich history of this strategy series.”

Read the full review here.

GameInformer - 9/10

“It’s one of the most gripping games I’ve played on Switch and, ultimately, one I struggled to peel myself away from. If Three Houses was an experiment with where Fire Emblem’s social mechanics can go, then Engage is doing the same for the series’ evolving combat, and excelling just as much, too.”

Read the full review here.

NintendoLife - 9/10

“If you're coming to this one looking for the depth of content in the downtime between battles that Three Houses provided, you're going to be disappointed, simple as that. But if you're here for the combat — if all you really want from Fire Emblem is to test your mettle against super smart adversaries in some of the slickest and most satisfying turn-based combat around — Intelligent Systems has got you well and truly covered. We doubt you'll play many better tactical RPGs in 2023 than this one.”

Read the full review here.

GodIsAGeek - 9.5/10

“Fire Emblem Engage is a masterpiece of tactical gameplay design. Varied enemies, classes, combat systems, and more make it feel like the best the genre has to offer. An interesting story runs through everything, and there’s even multiplayer options to keep you coming back, should you somehow tire of the exquisite combat.”

Read the full review here.

Destructoid - 9/10

“When Fire Emblem Engage was first announced I was wary of the visual style, but it grew on me once I saw it in action. The strategic bits are smooth, the customization element is deep, and I’m a sucker for the tasteful fan service that we’re getting with the appearance of past franchise heroes.”

Read the full review here.

We told you we had “it”.

Last chance to pre-order with us here at The Game Collection!

-Jack

[fangirlx]

Review Roundup - August 7th to October 1st, 2023

I told myself that, in this most recent return to blogging, I wouldn’t make any excuses for delays. I didn’t want to make any more posts where I’d have to acknowledge my return, because life is life and things really do happen. But August was a bit weird, and sometimes you really do have to sit down with yourself and say, “There is a problem here, and the least I can do is fix what I can and…

[rinkmason]

XGIMI Elfin Mini Projector Review

Are you searching for a portable projector that combines powerful performance with compact design? Look no further than the XGIMI Elfin Mini Projector. This innovative device is here to solve the problem of enjoying a big-screen experience on the go. With its exceptional features and versatility, the XGIMI Elfin Mini Projector is a game-changer in the world of portable projection. Let’s delve…

[hgejfmw-hgejhsf]

2023 Writing Roundup

I had to scroll back pretty far to find the tags for this, so if I missed someone who did this already and tagged me, I'm sorry if I double tag you at the end! But thanks to @kiwiana-writes and @inexplicablymine for tagging me in this roundup post!

As the post is going to reveal, I, uh, only just got back into writing a few months back, after taking almost ten years off due to, honestly, a lack of inspiration. I'd lost my voice, and I didn't suspect I'd ever love anything enough to write again, until this little pink book came barrelling into my life in June, followed swiftly by a little Amazon Prime movie in August, and both changed my life forever.

So without further ado, here's my writing roundup for 2023:

January

Nada

February

Zilch

March

Nothin'

April

Not a damn thing

May

Nope, nothing here either

June

Keep right on going, my friends

July

29th - The Lake House The night following the election, Alex has a surprise planned for Henry. A chance to make some new history.

August

8th - What If I Do? What was Henry thinking when he left Alex at the lake house? What were the days that followed like for him before Alex showed up at his door and forced him to face not only Alex, but himself?

18th - Gravity The first time that Henry enters Alex's orbit, at the Melbourne Climate Conference, and all of their subsequent meetings leading to their "violent altercation" at the royal wedding. Inspired by a post about how Henry very pointedly chose not to shake Alex's hand in the receiving line after the wedding and what that could have meant.

19th - The Rope Henry's reaction to Alex nearly telling him that he loves him at the lake house in Texas.

19th - A brief spark of a moment: A Red, White & Royal Blue drabble collection These drabbles are simply my personal challenge to contain myself to 100 words when I've always been…long-winded.

20th - Retaliation Alex and Henry, now dating, attend another state dinner, where they're unexpectedly seated directly next to each other.

21st - Every Version Alex does a magazine photoshoot, and the day that the magazine arrives, he wants Henry to look at it first.

23rd - On my heart just like a tattoo Alex and Henry are married, and on the day of the ceremony, they decide to do something special.

23rd - Ghosts After Henry leaves the lake house, Alex does not go after him. He doesn't storm Kensington in a fit of pique to call Henry an "obtuse fucking asshole." Instead, the pair spend nearly a year apart, both wrecked and miserable, until they find themselves on the list of speakers for an international conference.

27th - Darkest before the dawn The immediate aftermath of Henry discovering the email leak in the movie-verse.

28th - When I taste tequila Henry’s drunk. If the growing mountain of empty shot glasses, drained and discarded lime wedges, and gritty layer of salt on the table in front of him are any indication, he’s very drunk. Only, his brain is having a difficult time catching on to the fact that he’s drunk. And when his brain is this far behind the rest of him, Henry tends to find himself in precarious situations, with no real conscious thought as to how he got there or how he might have avoided them.

September

4th - The Maldives Inspired by a conversation about the zoomed-in and transcribed article about Henry in People Magazine from the movie and how the photos look like they could have been faked.

After their conversation with the king and greeting the crowd at Buckingham Palace, Alex and Henry ride back to Kensington. Alex mentions that his offer to fly to the Maldives is still valid, and Henry admits that he's never been, which sparks a discussion about some of the lengths the crown would go to in order to convince the world that Henry was straight. Alex considers what Henry must have gone through, and the two of them discuss their past and how it might have been different.

11th - Modification to the map of you Henry comes back from a month-long trip with his ear pierced, and Alex has no idea.

14th - Et Max Laryngitis Alex gets laryngitis, and Henry decides to have a bit of fun at his expense.

23rd - How bizarro is that Alex gets food poisoning, and Henry takes care of him…sort of.

27th - Royal Assent “If the boyfriend of a prince of England fails English Legal History, you’ll be the one to blame,” Alex murmurs as Henry sucks a bruise on his neck. Henry had arrived home from the shelter to find Alex buried under a mountain of books, his glasses askew and his hair wild, wearing the same bewildered expression Henry had seen as he walked out the door earlier that morning.

As he climbs into Alex’s lap, jumping a little as a particularly sharp corner of a hardcover book pokes him in the arse, he can feel the tension in Alex’s shoulders relax, ever so slightly.

“You aren’t going to fail. In fact, I’m going to help you,” Henry says, each word separated by a kiss to Alex’s chest, neck, cheek, and finally lips.

OR

Alex is trying really hard to study for a law school exam, and Henry takes it upon himself to...assist.

28th - 5 Times Henry Hated New Year's + 1 Time He Didn't “This is my curse,” Henry mutters, and Pez laughs across from him.

“You can hardly be responsible for the weather.”

“So the glaring fact that every single New Year’s Eve on record in my life has been an utter disaster means absolutely nothing to you?”

“We’re going to make it, so no, it means nothing to me,” Pez says with cheerful optimism despite the constant fluttering of white beyond the plane windows.

OR

5 times throughout his life that Henry's New Year's countdown has been ruined, and 1 time that it isn't.

29th - Stars in the sky are the stars in my eyes The ding of a notification sounds in the otherwise silent living room. As Henry’s eyes continue to scan the page of his book, ignoring his phone, Alex can’t help but glance down at the illuminated screen between them on the couch.

“Is that…a horoscope?” Alex asks, immediately retrieving the phone to confirm his suspicions at the exact moment Henry grabs for it a beat too late. He watches the bright shade of red crawl up Henry’s neck to burn just beneath the skin of his ears.

“Perhaps,” is all he supplies, his voice muffled as he buries his face far too close to the book’s pages to realistically read anything written there.

***

Henry gets his daily horoscope, and Alex is intrigued, so Henry shows him the constellations.

30th - What started in beautiful rooms Henry’s never taken any extra care in his appearance when playing polo. Certainly, he’s given an adequate amount of time and effort to ensure that he appears composed, but the sport itself lends to a bit of chaos, between the pounding of hooves and the whipping of the wind in a frantic rush. It’s all incredibly…well, wild.

No, Henry’s never taken any extra care in his appearance when playing polo…except today.

OR

Henry's point of view during the charity polo match.

October

1st - Do we still have forever? Alex has a sudden, serious allergic reaction, and Henry can't help but think about losing him.

2nd - Dear Dad I should start from the beginning, or rather, I should start by telling you how I got here, to this moment, writing you this letter.

OR

Henry writes a letter to his father on his wedding day.

3rd - Liquor was the only love I'd known June finds them at some point and steals Henry away to gab at the bar. Alex watches them from afar, wondering what they could possibly be talking about that has June nearly falling off her barstool laughing, until the crowd overtakes him again.

3rd - Then came a baby boy with long eyelashes Following their initial spirited entrance into Alex's hotel room following the DNC, Henry asks Alex about his encounter with Miguel in the bar.

13th - Volume Control Prompt Fulfillment: I need someone to write a FirstPrince fic where Henry overhears Alex saying "Henry is so annoying I can't stand him" so Henry says "kneel then" and it short circuits Alex's brain.

20th - 5 Times Alex Made a Disney Movie Reference + 1 Time Henry Did Alex and Henry have watched a significant amount of Disney movies, and well, Alex tends to have questions.

20th - You can't escape this drying ink “There’s…a matter…that requires your attention, in the Red Room. I’d be happy to escort you there.” She glances sideways at Henry’s PPOs, who shift in place, readying themselves to follow where she leads. Henry nods again, uncertain what other options lie open to him even if he wished to take one.

OR

Henry's thoughts at the state dinner as Amy leads him to the Red Room.

31st - Save a horse Alex convinces Henry to dress up as cowboys for Halloween and quickly realizes that Henry dressed as a cowboy was not something he was entirely prepared for.

31st - I'm not a robot without emotions, I'm not what you see At the royal wedding, Alex drinks and dances and contemplates both of the princes.

November

1st - The Candy Tax Ten-year-old Alex has invited his new friend Henry, who just moved to Texas from England with his family so that his movie star dad can be based in the US to shoot more movies, over for a sleepover the night before Halloween.

1st - Through the summer and the fall, we had each other, that was all The mountains are on fire. Red, orange, and yellow leaves cover thousands of acres of land, and the peeking of the sun over the distant horizon illuminates the hovering fog, creating the illusion of a persistent fire burning brightly without causing any damage. Instead, it paints a masterful landscape for an early morning riser to gaze at as he sips at a cup of Earl Grey and marvels at the fact that this beauty is a sight he has somehow been blessed to see.

2nd - Heart enough "...there are very few of us who have heart enough to be really in love without encouragement."

Instead of Alex flying to London, Henry is sent to D.C. to do the post Cakegate damage control just in time for Alex and June's annual Halloween party.

2nd - Life is a maze, and love is a riddle Alex, June, and Nora take Henry to his first haunted corn maze.

3rd - All at once, everything is different, now that I see you Alex throws out some possible suggestions for his and Henry's first ever couples Halloween costume, but Henry has something else in mind.

3rd - Halloween at Kensington The Fox-Mountchristen-Windsors may not be able to go out trick-or-treating like a normal family, but they can still celebrate Halloween in their own special way.

4th - No fear, no fences, nobody - no reins Henry takes Alex to a nearby farm outside Austin to teach him how to ride a horse. Eventually, they stop at a log cabin in the words for the night, and they decide to try another form of riding.

4th - I don't know why all the trees change in the fall Alex has had a terrible day. It's raining, it's cold, and he's absolutely miserable. All he wants to do is dry off and collapse in bed. But when he walks through the door, Henry is ready and waiting to take care of him. He even has a surprise that he's cooking up in the kitchen. And Alex gets to take a trip down memory lane.

5th - A-gourd-able “Oh, so that’s the reason you wanted a child so badly. Not for the opportunity to nurture and guide and love another human being that you helped to create, but for the perks of walking around to strangers’ homes asking for candy that our baby can’t even eat.”

OR

Alex and Henry take their daughter trick or treating for the first time, and it's Henry's first time as well.

5th - I want to play a game Alex and Henry agree to watch all of the Saw movies to determine if one or both of them will end up too scared to continue. Do they make it through the series? Or does one of them give in and lose the wager that they've made?

5th - Barbecue Sauce "I want to see your mouth covered in barbecue sauce. And then, I want to lick it off."

6th - With magic soakin' my spine, can you read my mind? What happened after Alex, June, and Nora played their little HRH Prince Henry Fact Sheet drinking game? Well, in this version of events, Alex finds a mysterious bottle containing what appears to be a magic spell for "Clarity of Mind." As dumb as it seems, he does the ritual and reads the incantation and moves on, flying to London for damage control. But when he shakes Henry's hand, suddenly things change, and Alex realizes that maybe magic is real after all.

6th - Don't need no butterflies when you give me the whole damn zoo (podfic included) Henry takes Alex on a trip to visit...a couple of old feathered friends.

6th - It's autumn in New York; it's good to live it again It's the first day of fall in New York, and Alex comes home from class with a special surprise for Henry.

6th - Reciting to the Waterloo Vase: Drabbles for the RWRDrabblePrompts Tumblr

13th - Wind me up, fill your cup like a river, drunk on watching me drown Henry sighs. "Is that the time you threatened to push me into the Thames?"

OR

That time Alex threatened to push Henry into the Thames.

23rd - The injury of finally knowing you (a birthday present for @ships-to-sail) Henry's thoughts just before and immediately after the countdown to midnight on New Year's Eve.

23rd - Smutsgiving 2023 Alex's heart rate monitor on his Apple Watch alerts him to some strenuous activity…at the worst possible time.

December

1st - We need a little Christmas The one where I let a random Christmas word generator choose a drabble prompt for a Christmas advent. Enjoy!

20th - Four Christmases From Washington to Austin, London to New York, Alex and Henry spend Christmas with different members of their families from 2020 - 2023. Funny couples' Christmas sweaters, festive swimsuits, statement-making ties, and family pajamas all bring lots of laughs, some tears, and a bit of fun to be had by all along the way.

25th - Oh what a laugh it would have been When Alex dresses as Santa Claus on Christmas Eve, their five-year-old daughter makes an extra special, last-minute Christmas wish.

AND

Alex leaves his Santa suit on for a private evening with Henry while everyone else is snug in their beds.

Unpublished but Completed

December 30th - Take Your Time A New Year's Eve AU set in New York City (and that's all I'm willing to give away...for now)

January 1st - NYE Gift Exchange Fic

Tagging all of my lovelies who may or may not have already done this (please ignore this if you have!): @adreamareads @affectionatelyrs @anincompletelist @cha-melodius @clottedcreamfudge @cricketnationrise @daisymae-12 @duchessdepolignaca03 @gayrootvegetable @getmehighonmagic @happiness-of-the-pursuit @heybuddy-drabbles @indomitable-love @indestructibleheart @leaves-of-laurelin @leojfitz @littlemisskittentoes @lizzie-bennetdarcy @magicandarchery @ninzied @priincebutt @read-and-write- @rockyroadkylers @roseharpermaxwell @ships-to-sail @songliili @ssmtskw @statueinthestonetoo @stereopticons @suseagull04 @thinkof-england @tintagel-or-cockleshells @user-anakin @vanillahigh00 @violetbaudelaire-quagmire @whimsymanaged @wordsofhoneydew

[fictionadventurer]

Many men had offered her many things in the past, love and friendship, luxury and jewels, entertainment, dogs, amusements, homage--some she had accepted, some refused, but no man before had offered her work. Peter had offered her that, he had offered her a share of his--not noble or inspiring or fascinating work, just his work, what he had. He had offered it her, called her great energies into play, and set her to work beside himself in a furrow. And she was glad; for some reason she found it very good.

--Desire by Una Lucy Silberrad

[fibula-rasa]

Watch More Movies Notebook: September ‘24

(and a few things from August because I didn’t have the time to update last month!)

This month's blog journal features two contenders for best new-to-me films of the year (from Argentina and Brazil respectively), a handful of Depression-era shorts that range from absurdist comedy to Jungian fable to psychological actuality, plus one for the Sad Clown Hall of Fame (I've decided that's a real thing). Also included: a round up of recent posts and a preview of what's coming up this month.

Favorite New-to-me Films of the Month

(listed in order pictured above, L to R)

As always, if any other films catch your eye, but you need specific content/trigger warnings, feel free to ask and I’ll try to oblige!

READ on BELOW the JUMP!

I, the Worst of All / Yo, la peor de todas (1990)

[letterboxd | imdb | kanopy (US)]

María Luisa Bemberg’s film adaptation of Octavio Paz’s study of the life and work of Sor Juana Inés de la Cruz. Sor Juana was a 17th century polymath from (what is now) Mexico and the film recounts her struggles to continue her work and her relationship with the vicereine of New Spain.

This is easily one of my favorite new-to-me movies of the year so far. Biopics often feel formally stodgy to me, but Bemberg’s film is highly visual and plays with time, space, and symbolism, revealing emotional truths in ways that avoid going artificially melodramatic. The relationship between Sor Juana and the vicereine unfolds beautifully and both actresses, Assumpta Serna and Dominique Sanda, are fantastic. I would recommend checking this one out even if you haven’t read any of Sor Juana’s work—in fact, watching this movie will likely motivate you to get reading! 

——— ——— ———

La cartomancienne (1932)

[letterboxd | imdb]

An experimental short about a lovelorn young woman seeking advice from a fortune teller. Jerome Hill’s first directorial outing is a Jungian fable peppered with references to supernatural folk beliefs. It’s evocatively constructed and has a great rhythm to it (paired with Hill’s original score). It’s a real gem!

——— ——— ———

Little Geezer (1932)

[letterboxd | imdb]

Theodore Huff took a mess of New Jersey ragamuffins, dressed them up as grown ups, had them act out half-remembered scenes from pre-code crime movies, and gave us the gift of Little Geezer. I found it genuinely funny, but, even if you don’t vibe with Huff’s sense of humour, you might get a kick out of how clearly the kids enjoyed playing gangsters or the shocking novelty of the kids smoking, drinking, carrying tommy guns, etc. Greta Garbage’s impression of Garbo was surprisingly great though??? Might not recommend this one as freely as the two above as Huff so densely packed Geezer with references you may need to have seen all of the movies referenced to pick up what Huff is putting down.

——— ——— ———

The City (1939)

[letterboxd | imdb]

A short, five-part documentary about American city planning produced for the New York World’s Fair of 1939 might be a hard sell for some, but with its truly outstanding creative team, The City is more compelling viewing than you might assume! The City was conceived by housing advocate Catherine Bauer, written by documentarian Pare Lorentz (The Plow that Broke the Plains) and Lewis Mumford, directed by Ralph Steiner (H2O, Mechanical Principles, Surf and Seaweed) and future MoMA director Willard Van Dyke (Hands), assisted by Henwar Rodakiewicz (Portrait of a Young Man in Three Movements), and scored by Aaron Copland. I might have some personal bias here as I grew up in NJ and have lived in New York and Pittsburgh, but as a modern viewer, I found The City to be an interesting window into the past.

——— ——— ———

White Paradise / Bílý ráj (1924)

[letterboxd | imdb | Watch at Národní filmový archiv]

Looks like Christmas X Criminals also has a tradition outside of the English-speaking world! Anny Ondra plays Nina, a whimsical young orphan under the guardianship of a nasty tavern keeper. On Christmas Eve, Ivan, a man framed for a crime against Nina’s parents, escapes prison to spend one last holiday with his ailing mother. Together, Ivan and Nina with the aid of a travelling puppeteer uncover the true bandit, exonerating Ivan and freeing Nina.

Bílý ráj is a charming film shot on location in the Šumava forest in Bohemia. Don’t be put off by the overly literal English translation of the title, the connotations are off by modern standards! This will be a solid recommendation for the coming winter months and I’m thinking about putting together a little list of some of the best Christmas X Criminals movies out there. If you have any underappreciated/underseen instances of the trope please suggest them to me! Bonus: it has a wonderful poster!

——— ——— ———

Seeing the World, Part One: A Visit to New York, N.Y. (1937)

[letterboxd | imdb]

This cheeky short by Rudy Burckhardt is a mock travelogue about visiting New York City. Referencing both Traveltalks shorts and the city symphony films, Burckhardt playfully jumbles genres and the film’s acerbity doesn’t overstay its welcome with a ~10 minute runtime. Also, Seeing the World features Joseph Cotten’s first screen role!

——— ——— ———

The Golden Clown / Klovnen (1926)

[letterboxd | imdb]

The great Gösta Ekman turns in one of the best silent film performances I’ve ever seen in this. Ekman plays Joe Higgins, a talented young clown in a travelling circus. Joe is in love with Daisy, the stunt rider and daughter of the circus’ owners. A twist of fate results in Joe becoming a top performer, headlining his own theatrical production in Paris. Unfortunately, Joe becomes a workaholic and Daisy gets romanced on the side by a caddish fashion designer. Both of their lives fall apart after they decide to divorce. A.W. Sandberg does a phenomenal job of heightening personal tragedy to an epic scale. I was astounded at how smoothly Ekman performed twenty years worth of aging in two hours. As much as I enjoyed this film (and cried over the finale), it did leave me wondering if they make movies about happy clowns? CW/TW for suicide.

——— ——— ———

April Fool (1924)

[letterboxd | imdb]

An occasional habit of mine is to watch silent comedy shorts during my lunch break. One afternoon this month, I watched three Charley Chase/Jimmy Jump shorts. They were all winners, but April Fool was my favorite. On the first of April,  Jimmy Jump gets blindsided by pranks when he arrives at work. Jimmy swears he won’t get pranked again and makes a bet with his coworker (Noah Young). Chaos ensues. The other shorts I watched, Publicity Pays (1924) and A Ten-Minute Egg (1924), were also good, though not as tightly constructed. Publicity Pays features an especially sweet and well-behaved monkey BTW.

——— ——— ———

Footnote to Fact (1933)

[letterboxd | imdb]

A harrowing short by Lewis Jacobs documenting The Great Depression in New York City. Originally intended to be part of a series that wasn’t completed, Footnote to Fact survived on its own (thanks to Anthology Film Archives) as a stream-of-consciousness rhythmic portrait of the quotidian horror of the Depression. Honestly, I can’t believe I hadn’t seen this earlier, but I’m glad to have finally remedied that.  Worth checking out, if you’re in a place to handle it. TW/CW for suicide and depictions of real dead animals (in a butcher window).

——— ——— ———

The Hole in the Wall (1929)

[letterboxd | imdb]

After a major train accident, The Fox (Edward G. Robinson) and his crew are forced to rework their phony psychic scheme. When Jean (Claudette Colbert) knocks on their door, fresh off a prison sentence for a crime she didn’t commit, she takes on the role of their faux medium. Jean has her own revenge plot in mind: kidnapping the granddaughter of the rich woman who framed her. 

I came across this movie when reading about Robert Florey’s feature films and I’m glad I did—as a big fan of both Robinson and Colbert. Robinson doesn’t have all that much to do in the movie, but he’s very charming in it. Colbert gets the most to do with the conflicted Jean—a woman who chooses a life of crime only after a life of crime was chosen for her. But, the real reason this overlooked pre-code made this list is that the climax of the film was such a shock to me! I won’t give it away in case you decide to check it out yourself, but I never anticipated that!

——— ——— ———

Quilombo (1984)

[letterboxd | imdb | kanopy (US)]

I’ve had really great luck working through my watchlist lately. Yo, la peor de todas is certainly on my best new-to-me list for the whole year and so is Quilombo! Quilombo is a fantasticized telling of the true story of Palmares, a free community of escaped slaves in colonial-era Brazil. The film primarily focuses on the events surrounding the fight to remain free of Portuguese authorities while Ganga Zumba and later Zumbi led the settlement. As I’m not Brazilian, this history was largely new to me and it’s been enriching to learn more about it. To me, this film seems like a great entry point. It’s stylish in a meaningful way, has a fantastic soundtrack (which I’ve already listened to twice since watching the film), and the production design, editing, and performances are all super. Also, Quilombo is a film worth studying if you want to see how a filmmaker can artistically condense a large span of time to fit feature length without awkwardly hopping along a timeline of events like a slideshow brought to life.

——— ——— ———

Monthly Round-up

In case you missed it, I spent the better part of the last few months constructing and heavily researching “Cosplay the Classics: Nazimova in Salomé.” There were so many compelling avenues to go down that I split the cosplay into two and a half parts!

Part One: “The Importance of Being Peter” covers Nazimova’s creative decisions in adapting Oscar Wilde’s play for the silent screen—illustrating both her filmmaking techniques and her keen awareness of her core fanbase: young/independent women.

Part Two: “Artists United?” details the struggles Nazimova had in getting Salomé released and finding its audience. This part describes how the American film industry was growing and changing in the early 1920s and how Nazimova’s independent productions fit into (or didn’t fit into) that landscape. I also aimed to complicate the oversimplified narrative of Salomé as a flop by collecting and analysing data surrounding its release in comparison to her Metro films.

Part Two Point Five (a.k.a. Cosplay the Classics: Post-script) will be up soon. It’s a slightly shorter piece covering Salomé’s place in cinematic Orientalism. Stay tuned!

——— ——— ———

Since the last notebook installment, I made themed gif/still sets for:

The Golden Clown (1926)

Salvation Hunters (1925)

(which I talked about in the last installment of WMM Notebook)

Danse Macabre (1922)

Yo, la peor de todas (1990)

A Day in Santa Fe (1931)

(which I talked about in the last installment of WMM Notebook)

I also made some gifs of my Salomé cosplay, because I was so pleased with how the wig turned out I needed to show it in motion!

——— ——— ———

In addition to the follow-up to “CtC: Salomé,” I’m working on a quick how-to rundown of the cosplay, in case you need some Halloween inspiration! 

I’ve also got a slate of spooky-season appropriate gifs/stills to post here on tumblr for October. 

Until next time, Happy Halloween and Happy viewing!

——— ——— ———

☕Appreciate my work? Buy me a coffee! ☕

[euphreana]

2023 in a nutshell.

We've got a pretty good variety here; Close To Home, Refuge, Nimona, and two one-offs. 2023 DID feel really busy, and looking back I guess it was!

Plans for next year include doing two more Nimona comics and printing them all as a collection, doing some CTH and Tourmaline strips, and creating an original comic I can try to sell to a publisher. (Whether that'll be Refuge or another comic is to be seen.) Who knows what'll actually happen though - I certainly hadn't foreseen the Nimona brainrot last year!

[fernsnailz]

February 2024 Review Roundup

well i sure did watch some stuff and read one book this month

the things i finished this month reminded me that for every incredible piece of art i find myself enjoying, i end up watching some Hot Garbage immediately after to balance things out again. idk why i do this.

i have quite a bit to say about both the things i enjoyed and the things that brought me physical pain this month, so there is um. a lot under the cut. any previous desire for brevity i had in january has been completely thrown out the window as i use these roundups as an outlet to gush about things i like and complain about things i didn't. fair warning, if you open the readmore you will be scrolling for a while. enjoy i guess

House of Leaves

does any other book out there have the balls to write a completely fake interview with stephen king

House of Leaves is a novel you gotta throw around a little bit. It feels really weird that my copy is still in the pristine state I bought it in - It seems like it should have water damage and smell like mildew with its pages falling out and spine cracked into pieces. Getting the full story from this book requires flipping back and forth, turning it around, searching for answers. All things considered it’s not that difficult of a read, but its format still allows you to feel like you’re discovering every hidden piece for yourself, and I really liked that interactivity. I was engaged pretty much the whole way through.

I don’t really think I’ll be able to revisit this book anytime soon though. It’s difficult for me to format what else I’d like to say about it because to be honest, it caught me off guard and disturbed me on a fairly personal level. There’s a relief I feel when I remember that I don’t actually know what was going on with the house - maybe that was intentional on the book’s behalf, maybe I just didn’t look hard enough for answers. I don’t know. But the implication that something divine was down there was enough of an answer for me. The book's good. read it if you want a spooooooky time or if you never want to look at a hallway the same way again

Doctor Who (Series 1-4) (rewatch)

ok so this is a fuckload of doctor who to cover so i’m gonna give some thoughts on a few of the characters and my favorite + least favorite episodes

9th doctor: My favorite butch lesbian. Christopher Eccleston truly embodies the concept of The Doctor so, so well: otherworldly guy who knows too much, genuinely cares about life across the universe, and also has a bit of deep, unresolved rage. His moments of joy and careless fun stick with me the most, he absolutely radiates with life and brings so much to this character.

Rose: I first watched Doctor Who when I was in middle school, and I didn’t like Rose that much back then. And guys. I have bad news. I'm still not really much of a Rose fan

I definitely understood her more this watch through - that desire for adventure and some sort of control over her life, emotions so strong that she’s willing to throw near everything away. That’s just what being 19 is like sometimes. I think Rose is a very compelling character who just happens to frustrate me a bit. And that’s kinda the point, her co-dependent relationship with the Doctor is doomed to fail and it's meant to hurt. Ultimately, I think when I first watched the show I was too young to understand Rose, and now I’m just too old to relate to her.

Captain Jack: Jack is my favorite character. I fucking love this guy. Dude has the worst luck in the whole universe and still cannot be stopped. Legendary. Every episode with him is a goddamn delight because he has so much chemistry with every single cast member. No notes 10/10 i love my problematic bisexual king

10th doctor: About four episodes into David Tennant’s run I realized that he dresses like a Hazbin Hotel character and it made me very sad. Still, there’s a reason this guy inspired every middle schooler to buy a pair of converse in 2008. He has style, he has depth, he’s got the sauce. It’s genuinely terrifying to see his anger, I like that a lot of 10’s run is about his denial of godhood and power over life in the universe, something that the rest of the time lords desired. idk i like my sad pathetic little weasel but he's also a huge fucking asshole sometimes which sucks. especially when it's directed at Martha.

Martha: Martha I am so sorry for what this show put you through. Martha was my favorite companion when I first watched the show, and I still have a huge soft spot for her. Her ability to hold her own and navigate foreign worlds using her own intelligence absolutely rules, and her drive forward is unbreakable. But the show seems to put her down at every possible opportunity, most notably with how 10 treats her. Her struggles and wants are constantly ignored, and she's often treated as a rebound from Rose. And I like that she eventually chooses to end it by not traveling with 10 anymore, but it hurts because it feels like she was never given the same chance or care that Rose and Donna were. This era of Doctor Who really doesn’t treat its black companions well because Mickey goes through something similar - both Martha and Mickey are characters designed to be ignored or left behind, and it sucks.

Donna: Donna Noble is one of the greatest fictional characters to ever exist. Despite seemingly living a fairly average life and working a fairly average job, Donna reflects the idea that no one is truly "average" and every single person is brimming with personality, life, and love. I love that her relationship with 10 is purely platonic, personally their friendship feels like it has a lot more depth than either of the romance-oriented relationships 10 had with Rose and Martha. 10 and Donna bounce off of each other so well and it's delightful, Donna brings so much humor and life to every world she's taken to and it's incredible. I wish her and Captain Jack could have interacted more.

My favorite episode: The Runaway Bride is hard to not choose as my favorite. I have a blast every time I watch this episode and it’s such a good introduction for Donna. Also the Tardis car chase kills me, I love when it cuts to the kids in the back of another car clapping and cheering. I was also surprised by the episode Midnight - it’s dreadful to watch and I kinda loved it. So much spirals out of control when shit hits the fan, even though no one has any idea what they’re trying to fight against. Really interesting exploration as to how fear can drive people apart.

My least favorite episode: It’s Love & Monsters. I wish I liked this episode - stories that follow regular ass people living in this world are often some of the best episodes in the series (Weeping Angels and all that). And this episode definitely has some of that. It’s honestly really touching to see this group of nerds get together and enjoy life in the first part of the episode. I think the antagonist of “guy who absorbs people” ends up dragging down any charm this story had because he just. eats all of the interesting characters. But despite me disliking this episode, I honestly have a deep respect for it - it’s fucking crazy. It ends with the main guy telling us about his sex life with his girlfriend who is now stuck in a piece of concrete. Where else are you going to get a story like this. It fucking sucks and that’s hilarious

oh also the production design: GODDDDDD I FUCKING LOVE THE PRODUCTION DESIGN AND SETS ON THIS SHOW. I love how dirty and rundown a lot of the spaceship sets look with wires and lights scattered everywhere. And a number of alien designs also go CRAZY with the prosthetics - I keep thinking about the Hath from The Doctor’s Daughter and how every head prosthetic had liquid inside it that could bubble. Absolutely crazy. I also love the moments where you can clearly see they did not have that much time and just had to throw something together or pain a bald cap green. Jank is the nature of sci-fi production design and I dearly love and miss that Doctor Who jank.

Rebuild of Evangelion

Last year after finishing the original Evangelion series + End of Evangelion, I remember going through the Evangelion tumblr tag and being very confused by the number of slice of life/found family-esque fanworks of the cast. It left me puzzled and thinking “...did we even watch the same thing??”

APPARENTLY NOT

[spoiler warning here because these movies are very good and i give the best parts away. if you want to watch these movies then DO IT NOW!!!!!!!!]

I honestly never expected a world where these characters got a happy ending. I so, so badly wish I could see 3.0 and 3.0+1.0 in theaters - these movies are stunning. I know I say things “go crazy” a lot, but man. They go fucking CRAZY.

While I have a few issues with how the first two movies adapted the original show, I do think the changes they made better serve the story this rebuild is trying to tell. For example, my favorite episode in the original Eva series is episode 18, where Toji is chosen to pilot Unit 03. It’s absolutely terrifying because Shinji doesn’t know who 03’s pilot is, yet he’s forced to be inside Unit 01 as it tears 03 apart. His resolve not to kill anyone despite not even knowing who’s in danger is an aspect of that episode I love and speaks to Shinji's inherent humanity, and when he learns Toji was in there it hurts even more. The rebuild movies change Unit 03’s pilot to Auska, and Shinji knows she’s in there from the start. I think this choice works for the movies and is still an effective emotional beat, but personally I still prefer the version where Shinji had no idea who was in there. That lack of knowledge is infinitely more terrifying to me.

I really like what these movies did with some of the angel designs though. The sixth angel (the fuckin. blue diamond cube thing) works really well in 3D/CG animation. The way the thing warps and moves is otherly and terrifying - and it’s just a fucking cube. I’ve always really loved how the Eva series approaches angel designs and the divine - despite the alien-like designs, there’s often something extremely familiar about them. They’re often reminiscent of an animal, a machine, or a human. This is also how they approached the anti-universe in these movies, I loved how it takes the form of various locations from the series and turns them into a movie set. It’s deeply familiar, but ultimately just an illusion of familiarity like the angels and the divine.

Also I gotta say. I fucking love Mari. I think she’s hilarious. She first meets Shinji by accidentally parachuting into him and then immediately starts crawling on all fours to sniff him. This girl also introduces “Beast Mode” where the Eva pilots can go wild turn their mechs into a fucking. superpowered beast of some sort. And also she defeats a whole army by using the Eiffel Tower as a spear. She’s such an absurd character and I honestly kinda love it. The only thing I knew about these movies before watching them was this gif of her Backing That Shit Up and she truly lives up to the insane nature of this shot.

My favorite section of these movies is definitely the first part of 3.0+1.0 where the pilots are basically just living a domestic life in a small town - it’s truly beautiful. The growth that Rei’s copy goes through here is fantastic, I love stories about seemingly emotionless beings learning how to live. And right after she dies, we get the shot that absolutely broke me the first time I saw it:

This shit. The way you can just barely tell he’s been crying from the red around his eyes. They don't talk about it, they barely linger on it, but it's allowed just enough time to punch you in the gut. I don’t know why this shot got me as hard as it did but goddamn. jesus christ. i want to throw up

There’s some goofy shit in these movies. The infinite synch rate. Misato’s stupidass hat and sunglasses. Some goofy ass 3D animation that doesn’t age super well. The rainbow that shows up every time an angel dies. But these things really didn’t take me out of the core of these films, and there’s so much genuine emotion and beauty in this series that had me absolutely hooked - especially in the last two films. They go crazy. My favorite line is 100% “The only thing a son can do for his father is pat him on the shoulder… or kill him.” and man. ain’t that what Evangelion is all about. i love these movies

High School Musical 3

kinda slaps just a little bit

High School Musical 3 starts with a finale number. The last high school basketball game of Troy Bolton’s life - and it goes kinda hard. The classic pep band brass that’s essential to so many High School Musical numbers returns, and the constant theme of two feuding cheer teams in the background? Genius. This is truly art. I love listening to Now or Never without visuals because in the middle Troy just starts coughing and gagging seemingly out of nowhere

Unfortunately, starting the movie at such a high point means that the rest of the runtime doesn’t quite match up to it. The story lags and meanders quite a bit, but part of me kinda appreciates that - it’s their last semester of high school, which is always a time of confusion and turmoil. However, I do have a pitch for how they could have countered the constant falling action this movie seems to go through:

The Wildcats should have lost their last game at the beginning of the movie.

What if the game is instead the inciting incident that leads Troy and his besties through their tumultuous last semester? Troy is still torn between basketball and theater, but his identity would be even further challenged here - is winning and success all that matters for him, or is it the love of sport and performance that keeps him going? idk whatever this movie came out 16 years ago i can’t be out here writing AUs for it jgnfsgfnjdksg

Some miscellaneous thoughts about this movie that i don’t care about formatting into larger paragraphs:

Ryan and Sharpay’s number (I Want It All) slaps as usual. The part where Ryan shouts “MADISON SQUARE GARDEN!!!!!!!” makes me so happy every time i hear it

The production design and sets go absolutely fucking crazy. I still have no idea how they pulled off the spinning hallway in Scream.

One of the classic staples of HSM is Chad’s shirts. Most of them are fairly silly and like something you would expect to find in the walmart clearance section. However, there’s one shirt he has in this movie that confused the hell out of me. It’s this one:

What the FUCK does Greenster mean. Is it just a combination of Green and Monster?? Why??? What green monster are we talking about here????? Where the fuck did this shirt come from?????????

Avatar The Last Airbender (2024)

There’s really only one word I can think of to describe what this show is like: sauceless. No flavor. No depth. No character. No sauce. This show is honestly so fucking boring and seems to fundamentally misunderstand what the appeal of the original Avatar series is - not necessarily because things are changed or removed from the original, but because nothing of substance is added in return. 

Most of the characters are mere echoes of their original counterparts when compared to their source material. Sokka is reduced to a guy who wants to fight good, Katara’s stubborn and confrontational nature is very rarely utilized, and Aang’s mischievous antics and love of fun is sorely missing. One of the major reasons for the dull interpretations seems to be the directing - While I have faith that most of these actors are trying their best (especially since a number of them are kids/young adults), the direction seems to be incredibly lackluster and takes away nearly every cast member’s stage presence or personality. There’s a number of reaction shots of the main trio that just look like this: 😐😐😐 as if they were just told to ���look concerned” at the events unfolding before them. And these issues are apparent in the majority of the performances - for example, General Zhao talks like he’s in a board meeting up until the last episode, and it’s an incredibly flat performance. He talks somewhat monotone in the original series as well, but this live-action take on the character often meanders with his dialogue and lacks that sharp, terrifying quality that I think this character needs. Uncle Iroh also feels incredibly stiff in this adaptation, and it’s a goddamn crime that they took away the cunty little outfit and chains he was originally wearing when he gets captured by earthbenders. wait who said that

Credit where credit is due, there’s a few cast members that seem to be giving their best. It’s clear that Aang’s actor enjoys the role and does pretty well despite the lackluster direction and dialogue he’s given. On top of that, I think Zuko’s actor is honestly the best part of the show. His take on Zuko leans much more into teenage tendencies and sarcasm, which, although it can be silly, is a welcome take of the character in my opinion and pretty fun to watch. There’s this one line he has at the beginning of episode 2 where, in an incredibly whiny tone of voice, he goes “He RAN! The ultimate warrior! He’s a Coward :((((“ and the read is so. fucking funny

The case of bad direction isn’t limited to the performances, however. It’s also stunningly apparent in how everything is shot. Despite being in a widescreen format, most shots are incredibly centered - you could crop the entire runtime into a 4:3 frame and you wouldn’t be cutting out much of anything. I’ve seen some speculation that this was an intentional choice to make things more adaptable or readable for TikTok/phone video, but honestly I think that’s a dumb take. I think the issue stems from a lack of creativity and thoughtless composition. Keeping everything staged in the center can make shots feel disjointed, lacking much depth, or completely empty. It’s a boring way to shoot and indicates that the show lacks any unique vision at all.

Overall, this show doesn't really seem to understand what makes Avatar interesting in the first place. It's more interested in spectacle and action than the characters' relationships, emotions, and mistakes. I try not to compare it too much to the original since it's allowed to take liberties with its adaptation, but very few of its changes add much to the end result or give it a unique voice. It's just sauceless and boring.

Some YouTube videos i liked in February:

💥 My House.WAD - Inside Doom's Most Terrifying Mod (some supplemental House of Leaves material for ya) 💥 Martha Jones Deserved Better (this video explains how Doctor Who did Martha dirty better than i ever could) 💥 bringing JUSTICE to the worst garfield game 💥 Selling Kids for Clout: The Downfall of Family Channels

And that’s my roundup for February! Thank you for reading, I promise there are no more reviews left to scroll through below this goodbye. Nope, nothing else I watched this month. Bye!

…ok is everyone gone. phew, i’m glad no one noticed i pulled an hbomberguy and hid the largest part of this post under a false ending. Anyway holy shit i need to talk about hazbin hotel

Hazbin Hotel

well i didn’t like it

Hazbin Hotel is a weird, fascinating mess of a show. Every episode left me wondering what creative decisions (or lack thereof) led to the sequence of images I just watched. There’s been a lot of discussion of this show recently and I’m not interested in covering every critique I have, but there’s a few things that I'd like to talk about somewhat in-depth.

Hell is real and it's just Red Chicago

The setting of Hell is kinda boring in this show.

Let me try to put this into perspective. Aside from the hotel, here’s a list of the locations we see in Hell:

A boardroom

A video store

Vox’s evil lair (it has cyber sharks which is kinda cool)

Various streets

Another boardroom

A BDSM club

Carmilla’s house (it’s gray and has. balconies?)

A porn studio

A bar

Another bar

A town square (full of cannibals)

None of these locations really take on any sort of otherworldly form besides some vague demonic imagery scattered throughout (and the cannibals. i guess. whatever). In short, Hazbin Hotel’s setting resembles Chicago more than it does Hell.

I can see a world where that’s intentional. Perhaps making Hell resemble a modern city could be used as a thematic tool or point of relatability? But Hazbin doesn’t really do anything like that - since the characters rarely ever interact with their environments, these locations end up seeming like they lack creativity, like they’re just cardboard sets where characters go to swear. They all start to blend together after a while - every street feels the same, every boardroom fades into the background, and every bar feels like a google image search result for the word “club.” This world feels stunningly empty despite the busy designs and colors. Even though the backgrounds are painted and designed fairly well, nothing of substance is ever really added to them through the story.

However, a few musical numbers take effort to break away from these settings. This felt like a weight off of my shoulders whenever it happened, it was nice to see some interesting setpieces and backgrounds that weren’t red. I liked the bombastic and over-the-top broadway lights in Loser and the glowing alternate world in Charlie and Lucifer’s song. But these moments are few and crowded by the dull locations in Hell - or worse, the Hotel itself.

Despite being the namesake of the show, the actual Hazbin Hotel is… lifeless. Which, yeah, it’s a hotel where dead people go in the afterlife, but it’s missing any sort of personality or history besides “it’s old and falling apart.” I expected the hotel to be full of secrets - like maybe some hidden passages or rooms, or mysterious cabinets full of rotted meats, or old valuables hidden under the rugs by the previous owners. Something for the cast to explore and discover, and as they get closer to each other they also start to understand the hotel more. Alastor seems very intent on keeping the physical hotel standing for some reason, but I never really understood why. There’s nothing there. And that nothingness is fully realized when at the end of the show, they just rebuild the entire hotel to be grand and beautiful - an emotional beat that didn’t hit me at all because I never felt like I knew the hotel in the first place. Despite rebuilding it from the ground up, it will feel just as empty.

3 SHOTS THAT DRIVE ME CRAZY

I was truly baffled at how some of these scenes are timed and put together. Multiple sequences left me feeling nauseous and dazed - the camera moves like it’s being swung on the end of a rope, and there’s so many misplaced or meaningless cuts scattered through these episodes.

There’s a sequence of three shots in the first episode that I want to dissect. I will fully admit that I'm breaching nitpicking territory here, but the shot composition issues in this show are pretty rampant and my analysis here is just a hyper-specific look at a single part of that larger problem. Hopefully you can also use it as a quick storyboarding lesson too idk

First, we see Adam teasing Charlie.

Then, it cuts straight to this shot:

A few things here. 

Shot 2 is just closer on the characters, which is not a great idea to cut to after the previous waist-up shot. On top of being a jarring jump cut, there is no purpose for this new shot. All the information we see here (Adam laughs, Charlie fake laughs) could have just been conveyed in the previous shot.

Despite the characters being in the same position as the last shot, the background changes. This straight up just feels like an error. I think the idea is supposed to be that the camera is at a different angle, but the position of the characters does not convey that. It looks like reality changes behind them.

And if that’s not enough, this is the shot we get immediately after those two:

In this shot, the residents of the hotel sit on the couch as Vaggie walks into the shot, framing them between her legs. But there’s something… off.

Vaggie either looks like she’s floating or she’s three stories tall. Quick storyboard lesson as to why:

The main problem with this shot is that the perspective of the background doesn’t match up with where Vaggie is placed. The couch is framed as if the camera were above it, but Vaggie is framed like the camera is floor-level below her. I’ve traced the shot and added a perspective grid to hopefully better illustrate this:

Do you see what I mean? If the camera WAS actually on the floor like Vaggie’s position in the shot suggests, the composition would look more like this:

Notice how much closer the floor grid is to the bottom of the frame and how you can see the underside of the couch.

And to be fair, this is probably what the original storyboard for this shot looked like! Personally I think something went wrong in the compositing stage - this might be a couch background from another shot that was reused here to save time, or whoever approved this shot just let the error slide since the shot is so short (i've been there. sometimes you let the jank slide). Most animated shows will have some poorly framed shots and continuity errors because mistakes are bound to happen, but two egregious ones right next to each other like this is. pretty bad. It's so noticeable from a directing perspective.

Here’s the thing: these three shots happen in the span of like 10 seconds. Most viewers probably wouldn’t notice these issues, and that's fine. But even though these errors are quick, they stack upon each other so fast that even if you can’t pinpoint exactly what’s wrong, something still feels wrong. There’s so many other moments where the show breaks extremely basic shot composition, continuity, and staging rules - for example, the second musical number of the show breaks the 180 rule like four times for no good reason. The whole show feels like a dizzy, nauseating mess because the shots rarely feel like they form anything cohesive.

MY ROOMMATE TOLD ME TO GO TO BED SO HERE ARE SOME FINAL THOUGHTS

Here’s a rundown on some other thoughts that I don’t care to format into larger sections:

The show seems to lack much to say about sin and redemption other than “redemption good.” like sure, but what are they being redeemed from? Is heaven truly the place they deserve to go after being redeemed, even though it’s shown to be unjust? Are there sins that are too great to be redeemed from, or others that shouldn't be considered sins at all? I asked myself a number of questions like this, but never got many answers from Hazbin.

This show has a bad relationship with kink and sex. Both are mostly used as a punchline or a form of control. I didn’t like it. Perhaps the reason Hazbin never really comments on the nature of sin is because it needs you to consider sex and kink sinful or otherly for these jokes to hit.

Some of the animation is crazy good. I will praise any animator that even attempts to make these character designs move. A number of extremely talented people worked on this show, a few of the musical sequences in particular have some incredible movement.

Alastor is a very boring character. It’s wild that most of the side characters in this show only exist to talk about how much they like or hate Alastor, he mostly just stands to the side of some shots or kills random nameless goons. I expected him to have a much larger role in the story, but he just gets his ass kicked in the final episode and then crawls back to the hotel.

Episode 4 is the most cohesive, and i think Angel is the best character in the show. Unfortunately, the fact that Hazbin takes so much effort to show Angel’s misery left me… concerned? None of the other characters get treated as poorly as Angel by the narrative. There’s a few smaller explorations of trauma, but nothing remotely compares to what Angel is put through on-screen. This isn’t to say that I think the whole cast needs to be extremely traumatized and constantly miserable, but rather that I find it concerning that the only character subjected to incredibly graphic abuse and torture (that we see or hear about) is the gay sex worker. Which sucks, because I think the concept of hypersexuality resulted from sexual abuse is an important topic worthy of discussing in adult media. I just think they tried to execute this theme without much critical thought beforehand.

I think the voice cast does a fantastic job for the most part. Keith David is way too good for Husk.

I really liked the one shot where Charlie opens her phone and we see that she has a contact for every individual egg minion.

I was very brave and got through this whole review without talking about my new least favorite character of all time, Vox. here’s what I think of him:

The overall vision and end result of Hazbin Hotel is just mediocre. While I don’t know what led to the messy state this show ended up in, my guess is that it was probably the result of inadequate direction, sloppy writing, and lacking creative support from the studios involved. Because of this, please understand that I have no desire or intention to put down any individual artists that worked on this show - I hope it's clear that most of my criticisms are directed at the larger vision these artists were given to execute and/or the lack of creative support they received while working on this show.

I also don’t really have much desire to participate in any further Hazbin discussion or discourse because it has wasted enough of my time already and I want to be free of this curse. please spare my inbox from hazbin hotel discourse. please. i'm begging.

You want to know what the most fucked up thing about this is though? Despite everything I said about Hazbin, Avatar the Last Airbender 2024 is still the worst show I watched this month. I would take Hazbin over Avatar 2024 literally any day.

well if you got this far. thanks for reading. also sorry you read all that. whelp alright back into my hole i go bye bye

[nothingunrealistic]

review roundup: billions 7x12 “admirals fund”

here we are at the end of all things billions! at least until the spinoffs start! what did reviewers think?

New York Times: ‘Billions’ Series Finale Recap: The Last Battle

Am I at a loss for words over the series finale of “Billions”? That depends. Do hooting and hollering count as “words”?

REAL.

There’s no other way to put this: In its final hour, “Billions” delivered, and delivered, and delivered. It saw what it needed to do — spend 45 minutes beating the living snot out of Mike Prince, and the remaining 15 minutes depicting beloved characters being really nice to each other for a change — and by God did it.

i think it could have delivered a little better on both fronts, but good efforts were made.

It’s clear from the confidence on the faces of Taylor, Bobby, Chuck and Wendy in the first shot that things are nowhere near as dire as they seemed at the end of the previous episode. Kate’s arrival on the scene moments later only confirms what I’d come to suspect last week: The forces of good had an inside woman, who for two months has been undermining an oblivious Prince. But wait, there’s more! Philip, too, is a double agent, and has been from virtually the moment Prince ruined Philip’s mentor. His big show of distancing himself from Wendy’s scheme was just that, a show. And while Kate really did ferret out the anti-Prince conspiracy on her own, she ratted it out to Mike as a way of furthering it, not destroying it. Every move Kate and Philip have made since — most importantly allocating sole control of investing power to Philip, then outsourcing all investing decisions to Winston’s algorithm — has been made with the destruction of Prince in mind.

and we love that for everyone involved! …except winston. who was, inexplicably, not involved despite being essential to the success of team kill prince.

Prince’s subsequent meltdown, climaxing in tossing a printer through Wendy’s glass wall — a scene teased in the season premiere — is an absolute joy to behold.

yes!!! it was a printer!!!

Even Scooter’s bacon gets saved. Following Prince’s defeat, the man Wags calls the best second-in-command he’s ever seen quits the ex-candidate’s employ to go it on his own, leaving Mike completely alone. He now finds himself with $100 million — the exact same amount left to Prince — thanks to his nephew Philip. The two men patch things up before Scooter leaves to pursue his dream: to become an orchestral conductor at last. All our heroes get that kind of emotional send off. In pair after pair, they make their peace and call it a job well done: Axe and Taylor, Axe and Wendy, Wendy and Taylor, Scooter and Wags, Wags and Axe — and of course Chuck and Axe, who shake hands and agree that while they may once again cross swords in the future, they’ll do their best to keep it clean in the interim.

hmmm seems to me like there’s a pretty important pairing of two characters mentioned in these paragraphs that Didn’t get a much-deserved sendoff!

Chuck and Wendy are happy. Axe and Wags are happy and possibly moving to Miami for a spinoff.

😏😏😏😏😏

You could complain that this is all too pat, too easy. You could say it’s not reflective of how things work in the real world. You could make an argument that Prince should have won, or that Axe and Chuck should have gone out in a metaphorical murder-suicide situation, like Will Graham and Dr. Lecter at the end of “Hannibal.” You could say all of that, and I’d simply ignore it. Long one of the most sheerly entertaining shows on television, “Billions” closed out its run by doing the most entertaining things it could. If we in the real world have so far failed to defeat our Prince-style villains, so what? The central conceit of “Billions” is that Chuck Rhoades and Bobby Axelrod are, each in their own way, the cleverest people in the game. The game is over, so let them sink that battleship, let them connect four, let them pass go and collect $200. The message of “Billions” is that you need great people to defeat Great Men.

fair enough. i can respect that brian & david decided to end things by making the fans happy rather than making them mad, whether for Realism or for schadenfreude. i’m just annoyed that their mental picture of True Billions Obsessives Who Deserve Fanservice is so narrowly drawn.

The awful compliance officer Ari Spyros gets a big reward from Axe, despite never having done a single decent thing in the course of the series. (Or in the course of his life — am I the only one who remembers he weaseled his way out of sexual assault charges in college?)

you’re not the only one! really makes you wonder how the writers chose Which characters, exactly, deserved to be in the finale and become fabulously wealthy about it.

In this cameo-heavy season, were there any characters from the past you wanted to see again but didn’t? I missed Lara Axelrod (Malin Akerman), who was initially a quarter of the show’s core foursome; Dr. Gus (Marc Kudisch), the bombastic performance coach I once thought was as valuable an addition to the cast as Taylor, introduced at the same time; Oliver Dake (Christopher Denham), the officious government watchdog who seemed every bit as canny as his quarry right until the moment he was beaten; and Catherine Brant (Julianna Margulies), the Chuck Rhoades love interest lost to pandemic logistics.

this list manages to miss out my entire list, which boils down to “every previous character primarily or solely relevant to taylor.” oscar! sara! douglas! lauren! winston once he was fired and in a context that let him interact with taylor again! (also, lol and lmao at sean having once thought dr. gus was as valuable an addition as taylor.) OH ALSO: i would have loved to see the return of savion, the kid who lived in axe’s former house and whom axe promised to be there for if he ever needed help.

I adored the way Axe revealed that his destruction of Mike’s fortune was a fait accompli: “Not doing, Mike. Done.” It reminds me of “Watchmen,” and (spoiler alert) Ozymandias’s jaw-dropping statement at the climax of Alan Moore and Dave Gibbons’s seminal superhero comic: “I did it 35 minutes ago.”

yeah, that was fun.

Watching Philip emerge from the rubble of Prince Cap intact while his superiors fled in disgrace, I suddenly realized what the purpose of this character is in the context of the larger Mike Prince story line: He’s the guy who wins. In the end, he’s simply smarter and cannier than his uncle Scooter and would-be mentor Mike. I suddenly find myself hoping he sticks around for one of the rumored “Billions” spinoffs.

philip is a winner because he wins! he motherfucking wins!! (of course, if the writers knew what was up, he could have been “the guy who’s a Peer / Partner / Equal to taylor in a way no one else really has been,” and maybe even “the guy who goes with taylor as they walk away from the rest of their life.” i would love to see him in a spinoff too, especially if taylor is there.)

Vulture: Billions Series-Finale Recap: Take the Money and Run

five stars!

Ladies and gentlemen, presenting the warmest and fuzziest episode of Billions ever!

hey, could you say that first part again?

Ladies and gentlemen,

yeah. that’s what i thought.

Sure, co-creators Brian Koppelman and David Levien, who wrote the series finale, gave us the expected tension-filled hour featuring a super-elaborate scheme, a Steve Miller Band soundtrack, and no shortage of double-, triple-, and quadruple-crossings.

i don’t think it went beyond double-crossings. triple- and quadruple-crossings would only really come into play if we got something like the fake reddit spoiler ending wherein, quote: “Chuck arrests Axe and from prison Axe uses a burner phone to have Wags leak the contents of the flash drive to that reporter guy. Chuck gets arrested and disbarred and ends up in the same cell as Axe.” but the warmth and fuzziness didn’t really allow for any of that.

While Wendy and Taylor demonstrated evolution by forging new career paths — with even Wags hinting he won’t stick around Axe Global for long — Chuck and Axe are literally back to doing the same things they were up to when Billions began: Axe, for all his talk of freedom at the start of the season, is now … the head of his namesake hedge fund.

i do enjoy the irony that the three people who were desperate to bring axe back at the start of the season are all leaving, or looking for ways out, now that he’s back on his throne. not so great when he’s sticking around long-term, is he?

After seven seasons of selfish, mercenary plays, this was the one time when (nearly) everyone worked together for the greater good, proving the season’s overarching theme: Nurture your friendships because you never know when you’ll need those friends to help vanquish your enemies.

which is almost exactly what axe told prince at their first standoff in 7x10! and prince should have listened, because his failure to focus on his supposed friends and allies brought him down!

Taylor hacks into Michael Prince Capital’s risk-management algorithm (thanks, Winston!) and reprograms it to “zig when it’s supposed to zag.” Philip then merely follows his boss’s orders by deploying all capital and insisting that the algorithm do its work.

here’s how taylipton can still win

As part of the tension build-up, we get more warm and fuzzy farewells between Wendy and Taylor, and even Chuck and Dave Mahar, the latter of whom is also part of the Mike Prince takedown: The New York State attorney general played a key role in ensuring the SEC didn’t let Prince or Scooter put a stop (or reversal) on any of the trades made by MPC that day.

dave & chuck’s last interaction > wendy & taylor’s last interaction.

Philip may have turned on Prince, but Scooter will always be his family: He protected his uncle’s account while draining Prince’s coffers, leaving Scooter with about $100 million and a fitting term of endearment: “Maestro.”

:')

It is a rare feat where one of the most abhorrent characters in recent television history can make me cry. So I have to give the highest accolades to Koppelman and Levien for writing such an impeccable scene — and to Jeffrey DeMunn, who managed to get my tears flowing without losing one hint of Senior’s repugnant essence (comparing Chuck to Phil Spector? Typical Senior).

skill issue.

Axe gives both Wendy and Taylor the hard sell, but neither will be swayed. The one consolation is that this version of Axe lets Wendy and Taylor go with grace. He even offers Taylor the old Axe Global office for a philanthropy organization. When they arrive at the empty location, there’s one last gift waiting for them: a placard reading “The Taylor Mason Foundation” with a familiar TM logo. Stop making me cry, Billions!

yeah, that got me. especially when i figured out it had to have been axe who had that sign put there.

It took seven seasons, but Billions eventually got the memo: Work doesn’t have to be the center of your life.

that’s not the impression i got from this episode, lmao. basically everyone is either returning to their old job or moving on to a new job. the closest we get to anyone going “fuck this, i’m quitting and going to hang out on the beach” is wags’s plan to Maybe go down to miami for unspecified purposes.

So much for my theory that Dr. Mayer was secretly working with either Axe or Prince. But I agree she’d make a great Wendy replacement at Axe Global.

i would be shocked if she even accepted the offer to work there. after all that about wendy keeping her patients imprisoned on a hamster wheel, why would dr. mayer take up that baton? and how many of the axe globetrotters who’d had her as a therapist and been dumped by her in favor of wendy would want to let her back in?

Fan Fun with Damian Lewis (Damianista): Billions on Showtime, Season 7 Episode 12: Admiral’s Fund (Series Finale)

We now go back to eight weeks ago: Kate invites Wags to a meeting after their elevator talk in Episode 6 The Man in the Olive Drab Tshirt. Wags arrives at his favorite burger place Joe Junior with a big appetite but loses it as soon as he sees Wendy there also waiting for Kate! And Taylor joining them in a few minutes means they have been busted. However, thanks to Wendy’s super human persuasive powers, Kate decides to put her country before her personal interests and joins them.

wendy’s superhuman persuasive powers that we had to imagine for ourselves since the writers didn’t show us one word of sacker Actually Being Convinced to join team kill prince! for some reason!

And, lo and behold, Philip is in! Wendy just makes sure that the two of them have a meeting in Wendy’s office in which Philip openly says he would not participate in whatever Wendy, Taylor and Wags are plotting against Prince and so Prince keeps him close.

correction: philip says he won’t participate in “Whatever [Wendy], and Taylor, and I don’t know who else are thinking about doing” — no mention of wags, likely because there’s no plausible way for philip to have theoretically sussed out wags’s involvement on his own, and mentioning him would give away too much. (i still wish we’d revisited the waiver that philip allegedly signed, whether or not it was real.)

Remember Season 4 Episode 12 Extreme Sandbox where Axe sends Rebecca on a retreat with Wendy and destroys her business while she is off the grid? And now the rebels are doing the exact same thing with Prince.

well that’s also tied to prince and scooter going off the grid earlier this season at the killer mike listening party. which is how wags and then philip acquired the signoff power that’s central to destroying prince's billions while he’s off the grid again. bit more relevant.

As MPC is taking major hits, Philip says that their “the infant car seat of algos” will protect them.

while you were studying the blade i studied ISOFIX so i could make you the very best infant car seat in the world <3

And the two of them, finding their way back to who they were when they first met, make Bryan’s dream come true and have his law license reinstated. I remember that Orrin Bach is Bryan’s professor from law school and, who knows, his law firm may have a spot for him!

not sure if it’s “his” law firm now that bach is officially axe’s general counsel, but hey, maybe!

When Prince gets into the office yelling at Peach to find Wendy fucking Rhoades for him, he realizes that she is actually here. And he grabs a printer and throws it through Wendy’s glass walls!

yes! it was a printer!

Remember that Prince had Winston change the algorithm parameters in Episode 11: Axe Global to reduce profit temporarily as an objective to protect the downside.

sacker had winston do that, actually, though on prince’s orders. seems like a relevant distinction knowing that sacker was on team kill prince at the time.

Prince finds his way to see the one man whom he still trusts. I admit I was wrong about Scooter. I think I have read too much into the “Murder on the Orient Express” reference that Wendy made to Wags in Episode 4 Hurricane Rosie.

YA THINK?

That is why I firmly believed that Scooter would join the rebels, but he did not. He was loyal to the end but now he wants to go find his own way. And when Prince insists that their mission was righteous and they just hit a snag, Scooter has a few words to say: “I can’t say I committed blindly to it but I was blinded along the way by my sense of fealty. Loyalty to you.” So he knew there was nothing righteous about the mission. He was just loyal.

billions characters (and writers. and actors.) love to emphasize Loyalty as one of the highest possible virtues, and billions fans love to go right along with that in their assessment of who is or isn’t Worthy. this is a great illustration of why i disagree. what’s admirable or virtuous about loyalty to a bad actor or a bad cause?

And here is the dozen I believe that have actively participated in taking down Prince! [PHOTO GRID: Taylor, Chuck, Wendy, Axe; Wags, Dunlop, Philip, Sacker; Dave, Mafee, Ira, Senior]

once again you are reading too much into the Murder on the Orient Express reference and it’s making you forget, or leave out, people who actively participated in taking down prince! allerd! hall! derek! bach didn’t do much but he was at the team kill prince extended edition meeting at chuck’s house in 7x11! winston didn’t deliberately participate but his work was crucial to taking down prince!

So the plan is to siphon the employee money into the Admirals Fund and buy the natural gas stocks when the price hits the  bottom. I believe this is the algo that Taylor works on when Axe enters their office and tells “the kid” to work with him going forward. 

no, that was winston’s risk management algorithm that was reworked to put prince’s money at risk. moving employee money to the admirals fund was mafee’s job. see, right after the news about collusion in natural gas starts hitting:

TAYLOR: The account’s available to you. You poised and ready for when it’s time? MAFEE: Hell yes, I’m ready.

and this is shortly after spyros confronts philip over a long-dormant account that mysteriously contains cash.

With the Admirals Fund play, Taylor has probably exceeded their $1B target so they are determined to leave the world of finance to go into philanthropy. So putting aside his dream of “you and me, together again, kid” and, as a last act of charity, offers his protege the Axe Global HQ in the city. When Taylor arrives there they find “Taylor Mason Foundation” written over itAxe and Wendy has been the most intriguing relationship in Billions. I know that a lot of fans wanted them to get together as a couple, and they were close in Season 5. But I have always admired their deep friendship and written a 10-part series on their relationship – go figure!

i copied and pasted this paragraph exactly as it appears in damianista’s review. she started talking about axe & wendy quite literally in the middle of discussing taylor’s ending. great work. now everyone brace yourselves for a terrible sentence written about this show that isn’t about rian, amazingly.

I believe that a man and a woman can have a relationship based on care and trust without any sexy time.

straight people are really something.

Dr. Mayer. I was wrong about her. I thought she was sharing information with Scooter. And I also thought Rian would use the fingerprints she collected from Prince somehow. Billions has made me such a cynical person! 😀

once again: skill issue. there were no fingerprints!!!

While I am happy to report that the final season has granted almost all of my expectations, wishes, and fantasies, the scene that makes me the happiest is to see Wendy and Chuck say these words: WENDY: I hoped you’d be here. CHUCK: I’m always here. As they have a family dinner at the Hibachi complete with Bryan’s show their smiles are genuine. These two belong together.

can anyone out there conceive of the most important relationships in wendy’s life not being with chuck and axe? or any other shitty men? hello? it’s so dark in here

Entertainment Weekly: Billions recap

yet again no entertainment weekly recap. anticlimactic!

Fan Fun with Damian Lewis (Gingersnap): The Unbeatable, Unstoppable, Unparalleled MVPs from Billions Season 7 Episode 12 Series Finale, “Admirals Fund”

Gingersnap Honoring Our Fathers Award – I don’t know whether to bequeath this to Charles Koppelman in memoriam, Brian Koppelman the writer/showrunner, Jeffrey DeMunn and Paul Giamatti the actors, Charles Sr. the character, or all of the above. It is not lost on me that the scene between Chuck Rhoades (Giamatti) and his father Charles Sr. (DeMunn) could be a nod/final send off – a hug to and from the beyond, so to speak – from Brian Koppelman to his father Charles Koppelman whom he lost in November, 2022.

please don’t besmirch brian’s dead father’s memory by comparing him to chuck senior. (according to brian, people often assume chuck senior was based on his father. he was not. but brian did put one (1) thing his father had said about him into chuck senior’s dialogue.)

Breaking the Fourth Wall Kudos – Wags when he seemingly sent a good-bye message to us, the viewers, but said it to Prince: “Hey man, endings are tough. Someone always ends up unsatisfied.” This one, however, wasn’t tough; this viewer is satisfied.” I’d almost bet a billion dollars the writers and showrunners were telling us fans and Billions‘ Obsessives good-bye through Wags.

they absolutely were.

Terrific Tune – Take the Money and Run by Steve Miller Band.

cosigned!

The Heinz Ketchup Walk of Shame Honor – Prince for throwing a printer through the glass walls of Wendy’s office after learning she and The Avengers have wiped out the company portfolio, locked him out of his company account and sealed the fate of his presidential run.

yes! it was a printer! (the ketchup thing is explained by the rest of the paragraph, but i don’t care enough to copy and paste it.)

The Sopranos Finale Kindred Award – This award goes to the Billions writers and showrunners for the final scene where Wendy, Chuck and their children enjoy a meal together, along with hibachi chef Bryan Connerty. Fade to black. This gave me all the feels of the The Sopranos final scene of the series where Tony, Carmela and their children enjoy onion rings together at the New Jersey diner. Albeit, no mafia hits.

just like the sopranos finale without the deliberately escalating tension or the abrupt cut to black or the implied mafia hit! so, people in a restaurant! groundbreaking!

Damianista […] Dangerous Dozen – The Revolutionaries [PHOTO GRID: Taylor, Chuck, Wendy, Axe; Wags, Dunlop, Philip, Sacker; Dave, Mafee, Ira, Senior] These men and women have actively participated in the successful revolution against Mike Prince, beating him at his own game, collectively impoverishing him and finishing his presidential campaign. I do not think anyone in their right mind wants to mess with any of them.

hey, could you say that first part again?

These men and women

and remind me who that first picture is of?

[PHOTO GRID: Taylor,

🤔🤔🤔

The Ship – Chuck and Wendy No other words needed. These two belong together.

[EXTREMELY LOUD INCORRECT BUZZER]

Lady Trader The Great Nephew Award – I think Scooter will certainly make sure that Philip gets an extra piece of pie at the next holiday get together! Philip making sure Scooter’s account was out of the fray and kept whole shows that sometimes blood is truly thicker than water.

the BEST nephew!!!

TheTailThatWagsTheDog Most Poignant Wendy-Chuck Connection? – The very first “Previously on Billions” intro was spoken by Maggie Siff in season 1, episode 2 (they obviously wouldn’t need it for the pilot). For the final episode, it was spoken by Paul Giamatti. I wouldn’t be at all surprised if that was done purposefully.

incorrect! the first “previously on billions” was spoken by lara! i double-checked just to be sure!

Time Travel Award – To Spyros, who apparently went from Manhattan to Camp David to confront the Marines and try and warn Prince and then got back to Manhattan all in the course of an afternoon. It’s 240 miles one way – even if he had Prince’s helo he couldn’t have done that in time.

the antics of the episode spanned several hours. spyros left mpc in the morning, while prince & co were still At camp david and oblivious to team kill prince’s scheming. chuck’s press conference probably happened around 1:00, since the stock prices of the companies under investigation rebounded shortly after that time, and that was after prince & co had to travel all the way back from camp david. spyros then returns right around the time axe tells everyone about the admirals fund and philip turns the tv to cnbc’s closing bell, which airs from 3:00 to 4:00 on weekdays. a cursory google for “how fast does a helicopter go” gives a range of answers that, for civilian helicopters, roughly center on 150 mph. if spyros had managed to secure a helicopter, he could have traveled the 240 miles there and back (so, 480 miles total) in 3.2 hours. up it to 3.5 hours to account for driving at both ends of the journey and getting beaten up by marines, and that’s still doable in my opinion.

Best Film Homage – I know our fearless leader Bahar likens the plot of this season to Murder on the Orient Express since Wendy references that film early in the season, but I wonder if it might also relate to other, “gather the troops to thwart a common foe” film like The Sting or Oceans 11. I could definitely see Koppelman being a fan of, and inspired by, The Sting. I half expected to see Chuck and Bobby do a little nose swipe at the end.

[brian koppelman tiktok voice] no, not Ocean’s Eleven, dude. Levien and I made the movie Ocean’s Thirteen with Steven Soderbergh.

Best Sci-Fi Reference – Taylor with the mind-meld comment to Bobby. You would figure they would be a trekkie. I assume Taylor is Spock in this case and Bobby is James Tiberius Kirk.

you don’t understand spock or kirk or vulcan mind melds and should never speak about any of them ever again.

Fan Fun with Damian Lewis (Lady Trader): “From the Trader’s Desk” All’s Well that Ends Well Billions S7E12 “Admirals Fund”

I was so happy that the show got back to it’s roots and the demise of Prince was financial and trading in nature. The series went in a political direction this season with Prince running for President, and it really wasn’t my cup of tea.

heaven forbid the show about power politics in new york get political! (frankly i wish it had gone harder on that. show us one specific policy prince wants to implement! one plank of his political platform! any part of his recurring televised speeches that isn’t just Both Parties Are Bad For Unspecified Reasons! show us a prospective prince voter and tell us why they’re voting for him!)

Kate joining the conspiracy was key. Once she was on board, she was able to let Wendy, Taylor and Wags know about the video taping Prince was doing in the office.

another thing that was implied that i wish we’d actually seen!

Mafee is ready to buy the names at the bottom, because he knows that Chuck will hold a press conference to tell the world that there is no collusion, and the stories were just rumors. Those nat gas names will take off and Axe Global will make billions. As an aside, if I had been in on the plan, I would have shorted the names before the open, cover them before Chuck’s press conference, then buy them up at the lows of the day. That way you would be making money both on the downturn and the upswing.

i would think shorting the names beforehand would open you up to allegations of insider trading, but i’m not sure how much that matters when the outcome here is already “sure there were a bunch of crimes involved in taking prince down but what’s he gonna do, sue everyone? with what money and what lawyers?”

Because Kate had Winston recalibrate the risk management of his algorithm to focus away from profit, the algorithm most likely stopped the accounts from closing the position earlier. In my strategies, I have hard stopped built into the trades. For example, if I have a position that takes a loss of 8%, it closes the position, no questions asked. It protects me from scenarios like what was going on at MPC. However, I also have a way of manually closing positions if I see a news/event that would cause a sharp decline in my position. Something Bill and Victor would have definitely done once they saw the stories around the sector. As active managers they see things that quantitative algorithms don’t see.

the algorithm did that because taylor actively reworked it to make damaging decisions, not just because Algorithms Are Insufficient.

I really loved the callbacks to earlier seasons/episodes. Whether it was Axe jumping on the desk, his wearing a Metallica t-shirt, the Talyor Mason logo, or just the whole “caper” feel to the episode, I enjoyed the nostalgia!

talyor mason. sigh.

This season Taylor has talked several times about just wanting to keep making money and keep building their reputation. That Taylor would have jumped at the chance to do amazing and vicious things with Axe at Axe Global. But Taylor must certainly remember the last time they worked with/for Axe, and not with the fondest of memories. There was a reason Taylor stole Axe’s clients (and $3.5B of possible client funds) in Season 3. They both know that things start off well between them, then take a turn for the worst (which is usually Axe’s fault). They both have changed, but not enough to make it work. Taylor has always wanted to make money and do good. Axe just wants to make money. They both realize it, and I don’t think it was a surprise to Axe that Taylor wants to do their own thing. Why else would the Taylor Mason Foundation sign already be up at the old Axe Global offices? Axe knows people, and he didn’t have to mind-meld with Taylor, who I’ve compared to Mr. Spock many times, to know that was the path Taylor would take.

again: you don’t understand spock or kirk or vulcan mind melds and should never speak about any of them ever again.

Axe will always be my spirit animal,

don’t say that again either.

but the character of Taylor will always be the one I want to have on my team. I will really miss them.

i’ll hand it to you. once.

[musicshelfwithmustard]

Music Shelf Review Roundup - 3/10/23

Mustard and Gimpleg review some new music they recommend you check out.

Baccuda (featuring Katie Canning) – State of ur life  Baccuda (along with Katie Canning) have created something remarkable. On the surface, “state of ur life” is a commentary on twenty-somethings trying to navigate the world. The human world Mustard has observed is unforgiving. Adulthood, and by extension, capitalism does not care about your mental or physical well-being. Which sucks as humans…

[thegamecollection]

THE LAST OF US (TV) - REVIEW ROUNDUP!

We’re all a bit anxious about Joel and Ellie being on our telly, aren’t we? At least in a very human, non-video-game capacity. This fan-favourite of truly pandemic proportion has delivered so much to us as gamers over the years, with multiple remasters dropping on top of the two parts to this tale of heartbreak.

There’s been an element of faith from our side when it comes to Pedro Pascal’s involvement. What with his “whatever I touch turns to gold” effect that he’s mastered in recent years... But what are the critics saying about The Last Of Us ahead of its TV debut in less than a week? We’ve compiled a mix of the big names for you below:

EMPIRE - 5/5

“Comfortably the best adaptation of a video-game ever made: one that deepens the game’s dystopian lore, while staying true to its emotional core. Like the game, it’s a masterpiece, too.”

Read the full review here.

IGN - 9/10

“HBO’s The Last of Us is a breathtaking adaptation of one of the most impactful stories told in video games and brilliantly brings Joel and Ellie’s journey to a whole new audience. Taking the essence of what made the original tale so enduring, it builds out the world of the game while also switching up some aspects to almost entirely stunning effect.”

Read the full review here.

RADIO TIMES - 5/5

“So, we'll say it again: The Last of Us is the best video game adaptation of all time, and it's also a fantastic TV drama in its own right. If you're on the fence about watching it, do yourself a favour and get involved as soon as possible. Trust us, you'll be infected in no time... infected, that is, with a hunger to watch the next episode.”

Read the full review here.

NME - 4/5

“When The Last Of Us was announced, a vocal corner of the internet exploded into anxious anticipation, some sniping that Ramsey didn’t look enough like Ellie. Gamers have been burned before by poorly conceived adaptations of their favourite titles, so they were naturally skeptical. But they needn’t have been. The Last Of Us might lack novel ideas, but when it’s this good it can get away with it.”

Read the full review here.

GAMESPOT - 9/10

“It stands proudly as one of the best video game adaptations ever, and a clear signal that PlayStation is right to pursue a future where its already reputable video games are reborn on TV. The show is brought to life by a cast and crew that seems hellbent on living up to its name and their own already-glowing reputations.”

Read the full review here.

DIGITAL SPY - 5/5

“While diehard purists might balk at some of these changes, that silence you can hear is us not caring because this show will transcend all that. Like Joel and Ellie themselves, The Last of Us is gloriously defiant and strong-willed, always taking the path that makes the most sense for it rather than the path others might want it to go on. And the story is all the better for it.”

Read the full review here.

Yeah, looks like we’ll be alright...

The Last Of Us finally hits our screens next Monday 16th January!

-Jack

[fangirlx]

Review Roundup - July 31st - August 6th, 2023

Recently, a friend of mine asked how I have the time to watch all these dramas. The answer is that I don’t have dependents.  Another answer is that short dramas make the best sense. They don’t have to fill a bunch of space, so they tell only the story that they meant to and get to the point quicker. I still like a good epic, though. You really can’t beat a fully fleshed-out story.  Continue…

[recurring-polynya]

My Tumblr Year in Review 2023 (homebrew edition)

Per this post, I guess they aren't doing the personal Tumblr Year in Review this year, which made me very sad, so I decided to DIY as much as I could using JetBlackCode's Tumblr statistics tools.

I had 313 original posts this year, and got 12,405 notes. (JetBlack's numbers don't exactly match up to previous years' Year in Review, but it's close enough). This is a little lower in posts than last year, but a little higher in notes.

Top 5 Posts:

5. Mid-Century Menos

4. some shinigami and their hobbies

3. Sowing/reaping, but make it fanfic

2. Do shinigami have blood transfusions?

Some Oddly Specific Comparisons Between Renji and Ken Barbie Movie

Big year for posts for me! #1 and #2 both blew up because other people added stuff to them (and then #2 got reblogged by a Tumblr-famous person), but that's how Tumblr works, so thanks, friends, for inflating my notes for me! #3 was really strange because it has accumulated notes very slowly, but steadily. Every day, I get notes on that post. Also, every day I think about the person who reblogged it with the tags "I would simply write my fanfic from start to finish and not have this problem." Imagine, having a brain so functional (couldn't be me).

I am very happy that I had two fanarts in my top 5 again this year, especially considering that I didn't draw all that much this year. I guess that makes the shinigami hobbies post my all-time #1 fanart. Not bad, considering I didn't even color it!