#also to clarify on my former post

[fkitwebhaal]

In contrast to Ulder Ravenguard, I think Gale could bring any of the Origins home as his fiancee and Morena Dekarios would be fine with it.

I am saying this not as a jab against Ulder or even claiming Morena is a better parent than him (we don't know anything about her except her and Gale seem to get along).

I say this solely because if your son gets dumped by a Goddess, has a magical orb that is stuck in his chest, spends a year in a tower refusing to leave, vanishes without a word, and then shows up months later minus said orb AND in a happy relationship? And that person talked him out of blowing himself up for said Goddess and helped him save the world? IDGAF who he brought home as long as they genuinely love him and treat him well.

Women my son is going to Hell for to fix her heart. Not an ideal place for him to be but fuck it, he's getting out of the house, as long as they send post cards.

Former warlock who was cursed by patron and is now either a duke (heck yes) or going to Hell for his bestie and my son is going with. Same as above, sounds great, did you know my son's fiancee can dance.

Warrior from the astral plane going to fight a lich queen? I cannot stress how exciting it is to see him to get out of the house and she can and will carry him to safety, zero objections.

Vampire spawn? A little blood loss is WAY BETTER than the orb situation, just make sure to watch your iron intake son. Eat more spinach.

Former cultist to an evil God? Let bygones be bygones, key word here is former.

Former leader of a cult of an evil god. KEY WORD HERE IS FORMER IT'S FINE.

[trentcrimminallybeautiful]

i have this really stupid idea in my head that im frankly a little obsessed with and the idea is this: trent crimm doing a drunk history episode on ted lasso's first tenure at richmond. is that how drunk history works? i don't think so. do i care? absolutely not. it's a special episode who cares because this image is not only hysterical to me but treasured. i treasure this image. i hold it close in my heart and also laugh and laugh and laugh.

[chaosnojutsu]

i went to another high school speech contest tonight (this time as a spectator, not a judge) and MY BABY SISTER WON FIRST PLACE IN HER CATEGORY AND WON A SCHOLARSHIP AND ADVANCED TO THE COUNTY CONTEST!! several former students were finalists tonight and i was so happy to see them (and seemingly vice versa) and overall proud of their performances. one of them — the same student who took first place in her category at the contest i recently judged — took second to my sister tonight and also won a scholarship, and the girl who took first place in the other category tonight was also one of mine!!

[tallysgreatestfan]

Another really cool thing about Uglies worldbuilding the movie didn't really managed to get across is that here we have a communist society (as in: people own the means of production, basic income, free healthcare etc, not Soviet dictatorship) and that is not just not the reason they are dystopian at all, it is presented as something good.

[vadlings]

Represention of Autistic Frustration in Laios Dungeon Meshi

Like many other autistic people, I related strongly to Laios Touden while reading Dungeon Meshi. This post isn't going to spend time disputing whether he displays autistic traits or not—while I could do that, I want to focus on why specifically his portrayal struck a chord with me in a way the writing of most other autistic-coded characters has not.

Disclaimer: as the above suggests, this post is strongly informed by my own experiences as an autistic person, as well as the experiences of my neurodivergent friends with whom I have spoken about this subject. I want to clarify that in no way am I asserting my personal experience to be some Universal Autistic Experience. This post is about why Laios' character feels distinct and significant to me in regard to autistic representation, and while I'm at it, I do feel that I have interesting things to say about autistic representation in media generally. This also got a bit long, so I'm sticking it under a read more. Spoilers for up to the end of chapter 88 below.

The thing that stands out most to me in regard to Laios' characterisation is the open anger he displays when someone points out his inability to read other people. This comes up prominently in his interactions with "Shuro" (Toshiro Nakamoto):

The frustration pictured above (Laios continuing to physically tussle with Toshiro, using crude language toward him) becomes even more notable when you remember that this is Laios, who, outside of these interactions, is not easily fazed and often exists as a lighthearted contrast to the rest of the cast. Then we get to Laios' nightmare.

In Falin's words: "Nightmares love emotional wounds. Wounds you hold in your heart. Things that give you stress, or things that were traumatic for you. They aggravate memories like that and cause the dreamer to have terrible dreams." (chapter 42, page 10.) (damn. i'm properly citing for this post and everything.)

Thus, Laios' nightmare establishes an important fact: even if he is unable to recognise social blunders while he's making them, he's at least subconsciously aware that other people operate on a different wavelength to him, and that he's an outsider in many of his social circles (both past and present). His dream-father's disparaging words stress the impact this has had upon his ability to live up to the expectations set out for him, and we also get a panel of kids who smirk at him (presumably former bullies to some degree). Toshiro's appearance only hammers home how much Laios is still both humiliated and angered by his misunderstanding of their relationship.

I've thought a lot about anger as concomitant to the autistic experience. When autistic representation portrays ostracization, it's generally from an angle of the autistic character being upset at how conforming to neurotypical norms doesn't come easily to them; as a result, they express a desire to 'get better' at meeting neurotypical standards, a desire to become more 'normal' (whether the writing implies this is a good thing or not). In contrast, not once does Laios go, "I need to perform better in my social interactions, and try to care less about monsters, because that's what other people find weird." His frustration is directed outward rather than inward, and as a result, it's the people around him who are framed as nonsensical.

The Winged Lion starts delineating Laios' anger, and Laios' reaction is to think to himself, "It can sense all my thoughts, huh?" (chapter 88, page 16.) This is the scene that really resonated with me. I'm not saying I have never felt the desire to conform to neurotypical norms that is borne from insecurity, but primarily, I know that I don't want to work toward becoming 'normal'—I don't want to change myself for people who follow rules I find nonsensical. It's the difference between, "Oh god, why can't I get it," and, "WHY CAN'T YOU GET IT?" (phrasing here courtesy of my friend Miles @dogwoodbite). And for me personally, Dungeon Meshi is the first time I've seen this frustration and the resultant voluntary isolation from other people portrayed in media so candidly. Laios' anger is not downplayed or written to be easily palatable, either.

The culmination of Laios' frustrations in this scene wherein we learn that Laios has fantasised about "a pack of monsters attacking a village" drives home just how alienated he really feels. I need not go into his wish to become a monster himself, redolent of how many autistic people identify/have identified with non-humans to some degree as a result of a percieved disconnect from society (when I was younger, I wanted to be a robot. I still kind of do.)

Obviously, wishing death upon other people is a weighty thing, but the unfiltered nature of this page is what deeply resonated with me. The Winged Lion is laying Laios' deepest and most transgressive desires bare, and they are desires that are a product of lifelong ostracization by others (whether intentional or unintentional). This is the brand of anger I'm familiar with, and that my neurodivergent friends express being familiar with, but that I haven't seen portrayed in writing so explicitly before—in fact, it surprised me because most well-meaning autistic representation I've experienced veers toward infantilisation in trying make the autistic character's struggles easy for neurotypicals to sympathise with.

Let's also not neglect the symbolism inherent to Laios' daydream. "A pack of monsters attacking a village". Functionally, monsters are Laios' special interest—he percieves everything first and foremost through his passion for monsters. His daydream of monsters attacking—killing—humans, is fundamentally a daydream of the world he understands (monsters) overthrowing the world that is so illogical to him, that has repeatedly shunned him (other people). I joked to my friends that it's an autistic power fantasy, and it actually sort of is. And in it, his identity is aligned with that of the monsters, while his anger manifests in a palpable dissociation from the rest of humanity. This is one manga page. It's brief. It's also very, very raw to me. I think about it often.

To conclude, I love Laios Dungeon Meshi. This portrayal of open frustration in an autistic character meant a lot to me, and I hope I've sufficiently outlined why. Also, feel free to recommend media with autistic representation in the notes if you've read this far—I would really like to see if there is more of this nature. Thank you for reading. I'm very tired and should probably sleep now.

[sparrowlucero]

what's the flight rising art direction post?? I used to play that game

for everyone who doesn't know flight rising is a virtual pet site ala neopets, but with dragons. On its forums I made a thread pointing out that the dragon designs were becoming relatively more "same face" over time, with similar face shapes and often with a similar "noodly" anatomy my point being that they were both losing some of the charm of a lot of the animals they were based on (with bug, bird, and eel inspired dragons all looking somewhat similar and mammalian), and even more pertinently, not allowing for a wide variety of body types for user characters in the game - with most of the gameplay being a dressup/character creator, you see why having very few buff, chubby, stocky, etc character designs is a pretty big downside. These are the dragons released in the first half of the website's history, with the shapes outlined:

(these pairs are the same species but have somewhat different body shapes, so they were both outlined) And these are the dragons released recently. The stockier guy on the bottom left is the very oldest of these:

I also pointed out several of these designs have very similar faces, relative to the facial variety you could have with dragon designs (other two recent guys are outlined above):

In comparison, here's some of the head shapes from earlier dragon designs:

and yeah I think you can see what I mean about the shape language getting a bit more homogeneous. I expressed that I felt like the art team may have observed the popularity of the thinner, doglike dragons in comparison to the chubby reptilian ones and decided to err towards the former.

I also drew some dragons to better get across my point about shape language when people suggested I was failing to account for the fact that the "sameface" dragons weren't entirely identical:

(obviously I'm exaggerating shapes for clarity of point; clarifying here as some people believed I was knocking the art style and wanted it to be more cartoonish...) I also pointed out that you could easily draw very identifiable fanart of two breeds which people were saying looked different:

(someone told me these didn't read as fanart of either dragon. you be the judge, I guess) I did get a lot of very nice comments, both in agreement and disagreement, but also some comments that I was being disingenuous, arrogant, or (much more dishearteningly) suggesting that fat designs are simply too unappealing and that the artists can't waste their time on it because the website is a business.

yesterday they released a sneak peak at their newest dragons, which people believe are cetacean inspired. I tuned in as the initial preview (which only featured an arm) made it look pretty stocky:

but, shocker:

¯\_(ツ)_/¯

[emmahasadhd]

Well since yall have brought my attention back to my post, I may as well add another, and probably cooler reference. In the end, when Holmes arrives and Kitty basically comes to save the day, the background music is shortened orchetral part of the finale of Don Giovanni, which shows Giovanni's downfall and death, as he is being dragged into Hell to be punished for his sins.

(I still love the first one mentioned more as the aria is one of my favorites from Don Giovanni)

Also I would've just reblogged, but it won't let me add the clip lol

And also almost full story explained below

Just to clarify the basic storyline of DG. The opera starts with Giovanni trying to seduce donna Anna. Well lets just say that does not go according to the plan and results in Giovanni killing Commendatore, Anna's father. Anna and her fiancé swear to have their revenge on Giovanni and not to mary until the former is achieved. Giovanni tries to seduce another woman later in the story, also while being pursued by donna Elvira one of his many former mistresses, who hopes he will come back to her. Giovanni doesn't want to, since he just wants to vontinue with his not really a boyfriend material lifestyle.

(Also reffering to the beginning, everywhere is said "seduce" I would think it is not about seducing as he is just trying to escape from her fucking house while she wants to unmask him. And I won't believe she is just "so much into him that she doesn't want him to leave". But yeah, that on your own interpretation I guess, since many stage productions put it simply like this. In my mind she just stopped her assailant and she hates his guts for everything he has done)

So the ending comes like this. Giovanni and his servant Leporello are at the cemetery. Giovanni sees the late Commendatore's statue and invites him over to dine with him. To his surprise and terror, the statue actually shows up and offers him a handshake. Giovanni accepting the handshake and refusing to repent dies, being dragged to Hell. Anna and her fiancé eventually get married, Zerlina and her husband are happy together and Elvira decides to join a convent.

The subplot with Zerlina, the woman Giovanni wants to seduce and Elvira I will leave out to simplify the story, as well as some other things. But if you are interested, look it up, youtube has many excelent recordings of the whole production.

(I would reccomend an older one though, since it usually portrays the opera set in the original time period and doesn't include conceptional and contemporary direction and scenic elements, therefore makes it a good starting point for opera newbies. Nothing against contemporarily produced performances, but if you want to get familiar with the source material and don't want to pre-read everything, those can make it harder to grasp what is actually going on.)

[room-surprise]

what part of SA does kabru seem like he's from? i thought maybe nepal or India but idk

(To clarify for readers I think by SA they mean "South Asia." Also this post is an excerpt/remix of the information in my essay about the real world linguistic and cultural references that exist in Dungeon Meshi. You can read Kabru's section of that essay here. You can also read a tumblr version of Kabru's section here.) Kabru is the name of a mountain on the border between Nepal and India, so I agree with you, and I think he's from somewhere similar to both of those places! I don't believe any location in Dungeon Meshi is an exact copy of a place in the real world (Except Wa being Japan) so there's probably some other cultural elements mixed in there too.

I talk about this in detail in the Kabru section of my essay, in the chapter on Miscellaneous tall-men. I'll give an abridged version here, with some pictures, since this is tumblr, and I love nothing more than talking about Kabru lmao

Utaya (ウタヤ) is the name of the village that Kabru lived in until his mother’s death. It’s located in the southeastern part of the Western Continent, in an area that seems to be made up of arid mountains and cliffs, based on images in the manga, anime, and world guide.

(Utaya circled in red. As you can see it's around a mountain chain.)

Obviously the terrain information is anime-only, as Kui's map doesn't include this information... HOWEVER, Kui does give us POPULATION maps.

This is the combined population map my spouse made in 2023 to help us understand where the different races live. How does this help us?

In the real world, geographic barriers like rivers and mountains are usually what create the boundaries between different cultural groups. The person who made the anime map obviously knows this (or Kui told them) and they placed mountains and rivers based on where there are divisions between the races on Kui's map.

There's an ethnic enclave of gnomes and dwarves in the bottom east corner of the Western continent. There is most likely a serious mountain range between that population and the rest of the continent, since the World Guide says the Western Continent is dominated by elves, not dwarves or gnomes.

So, there probably ARE mountains around Utaya, in the manga, even though Kui hasn't explicitly told us so. So it's probably a region like the Himalayas, like Nepal, since those are some of the tallest mountains on earth.

These red cliffs Kabru is standing around in the first anime opening are likely meant to represent Utaya, since there is no place on the island or in the dungeon that looks like this. It's where Kabru comes from and what happened there is both vitally important to his character, and the Dungeon Meshi story as a whole, so it makes sense to foreshadow its existance in the OP.

Utaya (pronounced “uthaaya”) could be Hindi (उठाया) or Urdu (اٹھایا), but it’s also the name of a Yakut/Sakha village in Siberia (Утайа). So the village's name is either Hindi or Urdu (both Indian languages which are mutually intelligible) or Turkic. I think it's most likely the former.

The appearance of Utaya, especially the red cliffs that the anime has shown us, looks a lot like a remote part of Nepal called the Mustang District.

Mustang (मुस्ताङ) District straddles the Himalayas and extends northward onto the Tibetan Plateau. The district is one of the remotest areas in Nepal and is second in terms of the sparsity of population.

Geographically, Mustang is a cold, high-altitude steppe that is a part of the Tibetan highlands.

Upper Mustang (the northern part of the district) was once part of the Kingdom of Lo-Manthang, isolated from the rest of the world by some of the tallest peaks on earth. From the 15th to the 17th century, its strategic location granted the Kingdom of Lo-Manthang control over trade between the Himalayas and India.

We know that dungeons only grow large and dangerous if a lot of humans visit them, and dungeons that don’t have a lot of traffic tend to wither away. If Utaya was a trade hub that saw a lot of people and goods moving through it (lots of desire) like Lo-Manthang, it would make sense for a man-made dungeon to grow out of control there.

Being major trade hubs might even be something that Utaya and Merini have in common, since Merini was once the major port of entry to the Eastern Continent from the West. That may be part of why both of them grew such catastrophically dangerous dungeons.

Now obviously these houses are drawn REALLY roughly and without a lot of detail... But Kui generally doesn't seem to enjoy drawing houses so I'm not surprised. Nepal has both steepled and flat-roofed houses though, and villages that are built on the side of a steep incline aren't uncommon.

Additional reasoning:

In the Daydream Hour book, there is a comic about various characters presenting sweets from their home regions. Kabru attempts to share a dessert from Utaya that looks like white oblong balls on a plate.

These are probably an Indian sweet called rasgulla (literally "syrup filled ball"). Rasgulla are a dessert popular in the eastern part of South Asia (an area that includes the Himalayas), made from ball-shaped dumplings of chhena dough, cooked in light sugar syrup. Rasgulla are also popular in Nepal, where they are called rasbari.

The Nepal sky caves have a passing resemblance to parts of the Ancient cities that Kui shows us towards the end of the manga, where there are homes that look like they are built directly into cliff walls. Since Utaya had a man-made dungeon beneath it, there was probably an Ancient city located there... Just like these ancient ruins in Nepal.

The Ancient cities even more closely resemble Phuktal Monastery, a Buddhist monastery located in the Lungnak Valley in the Himalayan region of Ladakh, in Northern India. Phuktal is in a region very similar to Upper Mustang, on the border between North India and Tibet.

And finally, I think there's story significance to Kabru coming from a place like Nepal.

The way Kui describes dungeons and the villages that grow up around them are similar to real world gold-rush or boom towns. The ability for people to make a lot of money in a hurry, with very little initial investment, attracts poor and desperate people who use the dungeon as a way to lift themselves out of poverty. This transforms the local areas from whatever their normal lifestyle was into a service economy that is completely dependent on the unstable dungeon.

In the real world, a huge amount of Nepal’s economy depends on tourism in the Himalayan mountain range. Nepal is a very poor country, and working as a porter at Mt. Everest, a Nepali can make nearly double the nation's average wage.

The Himalayas are an extremely popular tourist destination, and the amount of people who want to visit and attempt to climb the mountains far outpaces the local ability to support it. This makes me think of the dungeon of Utaya, and the dungeon of Merini, and how people have overcrowded it in their desire to conquer and exploit it for economic gain and glory.

Dungeons as an unsustainable way for locals to make a living, that leads to the destruction of their homes when the dungeon inevitably collapses, is a major plot point in Dungeon Meshi, so I think the parallel is likely intentional. Characters often talk about someone “conquering” the dungeon, and “conquer” is also the terminology commonly used for climbing a mountain.

This phrasing obviously has a hostile, imperialist subtext in the real world, since it’s most commonly used by outsiders talking about proving their strength by climbing a mountain in some exotic, foreign place. I think it has the same subtext in Dungeon Meshi. People want to assert themselves by proving they are stronger than the dungeon.

[mariamegale]

More clarification on Dybowski's position within Ice Pick Lodge today from IPL ex-employee Luchin, after yesterday's comments.

Sorry for posting so much in the patho tag, but unfortunately it's what's best for visibility. I have, and will be, using the "Dybowski Allegations" tag for any post on this, so please block that tag if you don't want to see it.

Since my post yesterday on Alexey Luchin's comments/allegations against Dybowski, he has given Reddit some updates and clarifications. I'll summarise the Reddit thread, but quote Luchin in full for transparency.

The thread is on the topic of Dybowski's current involvement with IPL/Pathologic 3. Commenters stated that he has sold the company, and hasn't been very involved with the games since The Void (2008). Whether this is a valid interpretation of Luchin's earlier statements was discussed, and the fact that he's been a main P2 writer and involved with a lot of promo stuff over the years was brought up. Luchin, after being pinged, showed up to clarify:

Russian companies often use a "fake owner" for various reasons, this is the case here. Motivations may be to avoid alimony, to ease money transfers between the main company part in Kazakhstan and the original main company and it's Cyprus subordinary. It is not illegal, and even not a loophole, though. I wouldn't dwell on that much. It's important what people work in the studio factually.

and,

Yep, I'd say it's up to the currently employed to shed light reliably. But in general around after the Void he was more of an broad ideas guy — and a good one, it wasn't my intent to downplay him in that regard. At the same time, game development is a multistage process, and from my personal knowledge, I can attribute a lot of the new games qualities to "fresh blood", and the other co-founders acting more professional. E.g. Alphyna has covered a decent chunk of actual writing on Pathologic 2 and had a pivotal role in maintaining the timeline of events of the game, charater motivations, etc together. Ivan Slovtsov carried the detailed game design and balancing with his team — which gave him a good position in tinyBuild after, etc. IPL is to some extent an autere game company, with the source and numerous modifications coming from Nikolay, but in my time his input was irregural, disrupting, and in my personal opinion wasn't often for the good of the game. At the same time, the fresh blood in the studio grew on the principles on which the studio was founded and successfully carries its legacy already. This is an opinion, though, still. Personally, I'll still play Pathologic 3, it's great, from what I know / have seen. And all my posts here are done with a heavy heart — it's not easy to be dissapointed in a talanted figure such as Dybowsky myself.

So, based on this (keep in mind Luchin himself has stated to have no contact with Dybowski himself since 2018, although it feels fair to assume he'd still be in contact with other former coworkers) the exact role of Dybowski in the creation of these games seems a little unclear. But I also don't think anyone's been debating whether he's been involved up until p3, as much as how deeply involved he is in p3.

Ultimately, it's up to everyone to decide for themselves where they stand in terms of opinion on p3, buying the game, sticking around in the fandom, supporting the studio, et cetera., but that's the new info.

To just give my own personal two cents: I am still in the position I was yesterday, which is that I believe IPL has to make a statement on all of this, and cut ties with Dybowski, before I'll be completely comfortable giving them money. However, I do also want to acknowledge the fact that this is not a black and white situation, and that the discourse surrounding this does warrant some level of nuance. I'm, of course, speaking in relation to the other people working at IPL.

It's incredibly easy to say both, "Dybowski is not his team; they should never be punished for his actions," and "they may have helped cover for him for twenty years; they should be held responsible." Silence is, to a degree, complicity, and if Luchin is to be believed not just in his "open secret" statement but also here, in reference to the student grooming allegations:

That's the Nema-Soda episode around the same time previous accusations surfaced. Well known in the Russian segment of the internet.

That's bad. If this truly has been this out in the open and known, that's really fucking bad, and I want this company - at least its management - to be held responsible for their potential silence and complicity in this.

But, at risk of sounding like I'm excusing any of this, I do also want to remind you that according to Luchin, as well as earlier testimonies including Renata's, this is also a person who is apparently incredibly vindictive. He is also pretty rich by Russian standards, and has held some level of influence in academia and the Russian game dev community for many years. I don't know exactly how his vindictiveness would take its form, especially not against employees, but I've been in toxic workplaces before - it can be scary, downright terrifying, to go after or even up against someone like this. No matter how shitty they are, especially if you're not in a country with good whistleblower laws (and just, in general, a system which will take the original allegations seriously, which... I'm not Russian, but I'm allowing myself some possibly problematic doubt that you'd be able to comfortably know that. I come from a significantly more progressive country, and I would absolutely not take it for certain) it can be incredibly difficult to stand up for what's right and take that risk to your livelihood, safety, and future job prospects. Especially in a job market so (relatively) niche as Russian game development. I'm also pretty damn sure there's not a union, or anything like it, to back you up if you get inofficially retaliated against.

Human being end up in abusive situations and find themselves, for one reason or another, not doing anything about it all the time. SA victims don't always report their perpetrator. Fraud victims don't always come forward. People subjected to wage theft don't always call their union reps. And others, those who witness it, don't always do it either. Sometimes because it's not their place, sometimes because they don't care, and sometimes because they're afraid. I don't think it's fair to assume everyone is in the second category, just as how I wouldn't think it's fair to assume everyone is in any of the others - it'd be absurd to assume every IPL worker doesn't want to out someone else's victimhood, which is why they haven't said anything publicly, for example. However, not reporting is an incredibly common blame to put on a victim or witness, because it's assumed that by not reporting it, they're essentially enabling the perpetrator to do it again. And I personally just don't think that's just - not without knowing what else weighed into a person's decision not to speak up.

I'm not saying this absolves all of IPL. I especially don't think it absolves the people at the top with Dybowski, who would have been more protected than the bottom-line workers. I simply am asking for some honest-to-god nuance. Personally, I'm still not happy to give IPL any money - not until I know Dybowski is not getting any of it, and measures have been taken to protect their other employees. But I'm also not interested in broad brushing an entire company of twenty years as evil, because the employees haven't made (english) publically available attempts at getting this guy out. We know, by his own accord, Luchin didn't - we know nothing of the others. A conversation with a manager that went badly is not likely to become public knowledge. People lamenting their powerlessness to stop someone to their colleagues or friends won't reach us. Someone quietly resigning because they can't do this anymore, but not being willing to put themselves on the line, is not a detail we're going to have.

I'm happy the silence has, hopefully irrevocably and undeniably, been broken. I'm hoping some people, Dybowski in particular, will face justice, or at least consequences. I hope Renata and her son, as well as Dybowski's other children, are safe and happy. I hope that IPL will do something, and move forward as a better company.

I want them to make a statement about this. That's non-negiotiable, for me, personally. I also want to see a change, and a better company with a better work culture going forward, making games and nurturing a community safely away from all this shit.

However, I accept the grim possibility that this will never happen, and am trying to decide on what that means for me personally moving forward with the fandom. I don't have any moral qualms about piracy, that's not what this is about. And that's the wider conversation I think I personally will need more, moving forward, in regards to my relationship with Pathologic.

That's my two cents.

[luxiomahariel]

Hey hey! Wanted to share an experience n get it off my chest if that’s okay, you don’t gotta post it if you don’t want to. This experience is what led me to discover transandrophobia and devour as much as I could of it and I’m also reading so much intersectional feminism as a result!

Ages back, a group of former “friends” that were all adult lesbians of varying transfem and nonbinary genders, unironically Exploded at me due to a conversation that I’ve since showed a vast amount of people who have all confirmed that I was being respectful and agreeable throughout. The gist of the convo was that I “wasn’t listening to transfems” because I, as someone who grew up as a brown arab woman, simply MENTIONED that Imane Khelif was being attacked through racism as well as transmisogyny. For context, I agreed multiple times that she was being attacked through both, but the group was immediately vehemently accusing me of denying transmisogny as a “tme”.

They kicked me from the server, and the owner dmed me a link to @/transmisogny-explained so I could “better myself”, which is a blog that has plenty of good posts, but is so deeply transandrophobic that it makes it difficult to even look through. During the aftermath of this whole thing, my partners had dmed some folks from the server to clarify what had happened for them to react so intensely, and I’ll quote some of the things I noticed from them/their responses:

- every single one of them was white.

- ONLY used he/him for me during this despite rarely/never doing so otherwise. I use any pronouns.

- described me reblogging transmasc positivity posts on my personal blog afterwards as “going on a reblogging rampage” and describing my emoji-filled, friendly, worried messages as “aggressive” and “lashing out after being criticized by a trans woman Once”.

- one said that they’ve been wanting to cut me off since they found out I support trans men lesbians. Because I call myself a multigender dyke and am a man as well as a woman.

- same person also spread that I was calling trans women slurs because I had once reblogged a post where someone mentioned “b/aeddels”

- shortly after they all blocked me on all platforms, my partners showed me their reblogs were absolutely full of the most transandrophobic slop I’ve ever seen, mixed in with good posts about supporting transfems. They also masked off about other queer infighting, such as being on the wrong, cruel side of ace discourse and also needlessly hating on mspec lesbians, anyone using Achillean or the “toothpaste flag” or anything that “appropriated lesbian culture”, and stuff like that.

- turned on my partners as well (tho with less vitriol thank god) for being associated with me. Which they didn’t deserve to be cut off for :(

Basically I’m more than glad to be cut off from them cuz I had no clue of the sheer hatred they were holding for queer people that were different from them, but also I can’t ever help but keep in mind that one of the quickest ways I’ve ever gotten to be called a man, or had he/him used on me, was alongside being called “tme” and being painted as an aggressor.

Everyone involved is safely out irl, and knows fully that I am deeply closeted for safety irl. They spoke plenty of my “tme privilege” while knowing I was at home closeted against my will for my safety and suffering from it on the daily. They labeled me as a rampaging, lashing out tme man, despite rarely using anything but she/they for me beforehand. They cut me off from a huge portion of online community, knowing full well how unsafe my position was and how much I needed the support. I’ll never forget that they saw a closeted brown trans man mention racism alongside transmisogny and immediately jumped him and slandered his name with accusations and aggressive behavior.

jesus christ thats awful

bigotry always seems to come in bunches huh? transandrophobia, aphobia, homophobia, and exorsexism/enbyphobia.... yeesh.

im glad you got away from that server and hopefully my blog can be a safe space for you 🫂

[bekolxeram]

Long sigh......

I've heard that one of the most problematic bnf from the other side of the fandom claimed on Tiktok that Tommy wouldn't be part of the emergency landing rescue because "the controls (of a helicopter and a jet airliner) are different". I know I made a whole thing out of Tommy being a helicopter pilot instead of a fixed wing one. (I even made up a sunshiny airplane pilot ex boyfriend for Tommy, that was fun while it lasted) I have no idea how that bnf makes the logical leap that if Tommy isn't physically solo flying that plane, then he won't be involved at all. He's still a firefighter working with aircrafts at an airport. Unless the writers for some reason don't want Tommy to be in the episodes at all and pull the "not on duty" card, it would actually make less sense for him not to be there.

You know the drill. Don't read further if the discussion of Tommy not being able to fly everything bothers you. Block the tag #aviation realism if this whole topic doesn't interest you. I've hesitated a lot whether I should post my thoughts on this, but I guess this is the last chance to speculate, so here goes nothing. This is my specs for Tommy's involvement in the plane disaster.

First, I want to clarify something. I never said Tommy wasn't on the plane in 2x14. If by flying that plane, you mean actually taking the pilot seat, grabbing the yoke and executing risky low altitude maneuvers over mountainous terrain, no, I don't think Tommy can do it. The thing is, operating an aircraft that size requires a whole team, up to 5 in this case. I can totally imagine Tommy onboard sitting behind the pilots, helping out with navigation or precise drop coordination.

It's possible, even common to transition from flying rotary to fixed wing. JetBlue and Frontier both provide rotor transition programs to veterans, I've also seen a former Army Blackhawk pilot now flies the C-130 for the Coast Guard. Training ex-military pilots to become commercial airliner pilots has a higher success rate and takes less time than training a regular civilian. But you see the problem, none of them have been working as an active firefighter for the past 20 years.

Let's cut to the chase, I don't think Tommy will be landing that plane. In the original film, they decide transferring an Air Force pilot into the crippled 747 is the only option, because they think woman dumb Nancy can't handle it. Aviation technology has come a very long way since the 70s. This MythBusters episode from 2007 proves that not only is it possible for a complete novice to land a jet airliner by following verbal instructions, modern planes are so advanced that they can practically land themselves.

Sure, there probably will be some major damages to the systems needed for a normal landing (landing gear, flaps, brakes, thrust reversers) rendering an autoland impossible, because drama. But then you run into the problem of where the hell is the Air Force. Last season, the Coast Guard was busy rescuing other ships stranded at sea so some LAFD firefighters had to steal a helicopter to search for a cruise ship that didn't call for help. This time, a passenger airliner without its flight crew has a very real possibility of crashing in a densely populated urban area, the whole incident is also reported live on TV news, how can they explain the absence of the Air Force? Even assuming no commercial pilots in the area, including the ex-military ones are willing to do such a dangerous stunt and tether into the cockpit from outside, what's stopping the AIr Force pilots?

I don't think Tommy will be the one instructing Athena through the landing either. You run into basically the same problem. There are plenty of flight instructors of that exact model of aircraft out there better suited for the job. Flying a modern airliner, especially an Airbus, is more like flying a computer than an actual plane. You need someone with intimate knowledge of the plane's flight control systems in order to talk a non-pilot through operating it.

I know, I know, I'm being a killjoy right now, I'm worse than the Tommy haters and I should shut the fuck up, but even if we're going 100% realistic, referring to real life aviation incidents of this scale (Yes, I'm talking about JetBlue 292 again), Tommy is especially going to be part of the rescue.

Real!LAFD deployed a few helicopters in the JetBlue sideway nose gear incident to monitor the airfield and to help coordinate ground personnel/equipment, with a couple more standing by on the ground in case anyone on the plane needed emergency medevac.

I think the first officer might need a chopper ride if they want to save his femoral artery.

In the same incident, a local news copter also helped survey the landing gear issue from the outside. Tommy's helicopter can do that as well.

It's getting too long, but I have a few out-of-universe reasons for why Tommy will likely not play a super major part in this plane disaster arc, I'll just speed through them: Tommy's not a main character when screen time is already tight for the mains (I'd prefer to see him more in later Buck centric eps), he's already saved the day last season, I think production has blown all their budget on the airplane sets, the new trucks and the CGI bees already that they can't fit a helicopter in. (Let alone to replicate the original pilot transferal scene, it was a real stunt, they really got an AIr Force helicopter to dangle a stuntman in front of a flying 747. It was dangerous and hella expensive)

I actually hope Tommy would be working on the ground this time, I would kill to see him working with Buck and the 118, and not in the sky doing his own thing.

[blackkatmagic]

hiii def wasn't trying to argue against you sorry, more like i have had a lot of thoughts and your post inspired more thought and putting them all down coherently isn't easy hahaha

i guess what i meant (along the lines of savage is what some people believe anakin to be), that because anakin is the main character ( of the entire franchise really ) some take that as anakin had it the absolute worst, out of everyone in the galaxy, and no ones story is as tragic as his etc. etc. etc.

but for my reading i always saw anakins as one sad story amongst many sad stories, he is just in the center of sidious plans and the one to ultimately tip the scale

and it was the fact that he had ( atleast some ) agency whereas someone like savage had none and savages story gets forgotten and is unknown etc. etc. etc.

there is so much there which is why its interesting to think about, totally didn't mean to dump that on you sorry and def wasn't trying to argue was just unraveling it all and got lost in the process hahah

No worries! Like I said, my migraine is making me very stupid today, so I appreciate you clarifying. xD

But yeah, I very much agree - Anakin's story is a tragedy, given how he grew up, but there are so many characters in SW with equally or more tragic stories, and Maul, Savage, and Feral are absolutely among them, imo. (Also, Anakin wasn't even the only former slave in the Order itself; Aayla and Eeth both had the same backstory. Which doesn't make the circumstances any better when Anakin lived it, but it provides for understanding afterwards. Savage and Maul didn't have that, and didn't have any way to process what they dealt with, since both were very different experiences. And like you said, Savage truly had no choice in any of what happened to him, from the moment he was born until he was manipulated into going after Maul.)

Basically, yes! You are, imo, fully correct in your reading, and I also have a lot of feelings about all of the Zabrak bros' everything. xD

[lxmelle]

Geto was loved even in death.

Wouldn’t it be nice if he were judged by his intentions in the afterlife - wherever that was? He had suffered living with the love he had. We see through the eyes of those left behind, that the ill deeds didn’t define him, as strange as that may be to us as readers in the real human world we live in. Geto’s influence and loving nature were far reaching; Gege certainly made him so treasured by many even after his death. If Gojo was touched by his caring influence, this was also Geto’s will he passed onto his students.

NOT spoiler-free as I’ll be referring to the recent chapter, 255.

I wrote this the other day:

And honestly it’s long enough; here’s part 2.

Is it obvious I’m suffering from brainrot? All my drafts from jjk brainrot are rivalling my thesis/dissertation from way back (lol)

Here is more under the cut:

I’m really moved by the reasons for why Miguel and Larue have decided to join in the risky fight against Sukuna.

It’s very obvious that Miguel is reluctant at first. He says he he’d rather terrible curses arrive at his shores than to fight with Sukuna, adding that he doesn’t see himself having any ties with Japan any longer.

We can deduce that this was part of Gojo’s plan for the possibility that he dies/loses, and I had a post about this saved in my drafts - but I guess I never got around to finishing it. Basically, in sum, he will achieve giving Geto a cremation (avenging him) and gets to show off to his students (which he does enjoy) by going all out (soo satisfying), and in the worst case scenario, he loses but gets to go all out, weakens Sukuna (for the rest to handle), and idk if he really is that romantic (so it’s really stsg headcanon fantasising) he will die on the same day as Geto.

The Opening theme is rather beautiful in that it interprets Gojo having the words, “we’ll meet again” stuck in his throat, which he doesn’t say. But I’m a bit weird and tend to separate anime from manga. But it’s worth noting that here.

I digress. Back to Miguel and Larue who have moved to speak privately without Yuta.

In a previous post I wondered aloud about what Yuta knew about Geto from others aside from being villainous and I guess this implies he doesn’t know much, since he wasn’t close to Miguel enough to sit around to chat with them. It makes sense.

Miguel and Larue both agree they followed Geto in jjk 0 because they wanted to see him become King. What does this even mean, really? Gege, you’re missing stuff out again!

Nevertheless, we understand how reluctant Miguel was. He enquires that Larue intends to do, clarifying: is it for revenge or to take Geto’s body back?

And it seems like their main motivation for putting their lives on the line... is to honour Geto’s memory. Like a traditional ritual one makes for the dead (customary in Japan on death anniversaries - not limited to the year, but also number of days).

It’s incredibly moving how much they love him. This is actually what led Miguel to reconsider. We see him go silent as he thinks “...” before he reaches a moment of clarity/a decision.

Tbh I have issues with interpreting his statement in between the two panels (re: hell) in Japanese - it doesn’t directly indicate if he is referring to the former part of the conversation (whether he thinks Geto is in hell), or the latter (he thinks the battle will be hell). The phrasing goes like this: “no matter how I think about it: it’s hell.” - I’m not a native speaker so it’s difficult for me to be certain which is right. But the consensus is as translated above. Larue thinks Geto is in heaven, Miguel thinks it’s hell, and we see the airport scene where presumably Haibara and Riko with Kuroi have been there for over a decade. lol. Who knows!

So the bottom line is… regardless of where they think Geto ends up in the afterlife, Miguel is willing to give Geto a send off that’ll even reach hell. Or, despite it going to be hellish, he will do it. It also seems so heartwarming how they still emphasise family and friendship in wanting to fight together - perhaps things we can surmise had meant something to Geto.

They will fight Sukuna because it is for Geto. Geto was so loved that they would risk themselves - not for a title, not for revenge, but out of … love. Again. That’s pretty damn loving. Can we imagine what Geto did and was to them, for them to experience such loyalty and reverence?

Sadly, it goes without saying that Geto’s body being used as a vessel and puppet by Kenjaku has possibly evoked an emotional response by those who cared for him - namely Mimiko and Nanako, and also Gojo. Arguably, even if it were a death without his body being hijacked, Gojo did refuse to cremate his body or have it processed “by the book” of jjk high through Shoko. If that’s not out of a form of love (or “consideration” as Kenjaku put it), I don’t know what is.

The twins went against what Geto wanted for them (to carry out his will) to fight against immensely power beings in hopes they could bring him home. Those were their reasons to fight. Gojo scheduled 24th December - this was after he teleported to Kenjaku immediately upon unsealing so he could bury Geto. We saw Larue and Miguel’s. Toshihisa is alleged to be quite weak, and despite potentially being considered a son to Geto (if his life situation did mimic that of the twins’ - source: jjk character book), he opts to follow the inherited will as prescribed by Geto.

It’s all love. Geto was loved, I’m telling you. I want to shout if off the rooftops because that man just looked so darned sad and deranged after he lost it.

So. Continuing where I left off: Everyone thus far has had a reason to go into battle with Sukuna. I wonder what / who will actually reach him? I hope it’s Yuji ... and that Megumi will react again at some point. They have their own themes relating to love and purpose. I’ll leave them to someone else more familiar with their characters to write about!

And now I’m going offside quite a bit, but it’s still of relevance to Geto and the theme of love that seems to surround him. Way back to jjk 0 and Hidden inventory.

I wanted to just bring this into the picture as well now that I’m already writing a post on that topic, but please feel free to stop if you’re bored now.

So. Jjk 0!

There were direct parallels with Yuta & Rika and Gojo & Geto. This was also confirmed by the director when discussing their vision for the movie. The light novel also drew a link between Geto and Yuta where they were described as being too sincere for this world.

There is a direct theme of love - the type, is open to interpretation.

Kenjaku also makes reference to this in the Shibuya arc. So to me, it remains relevant. Love in its many forms is somewhere in what Gege wishes to convey thematically.

Within jjk 0, Geto seemed to pursue power but this was also a symbolism where power = love. It is twisted. In light of recent events, we know that the pursuit of power leads to the dilution and even absence of love. Love that gives birth to power becomes cursed. So it seems.

As we know, Yuta bound his lover to himself to gain power.

If only he had Rika (metaphor for love: Gojo) he probably wouldn’t have had to skulk around the shadows consuming curses which he hated doing. Geto was lamenting on the past in the above panels. He probably was determined to carry on, as he vouched to give it all he got (Haibara’s last words to him echoing here).

A flashback to the past:

Geto doesn’t do things in half-measures. To avoid hypocrisy, and I headcanon that it was a merciful killing to protect them from him, he kills his parents. To die by his hands than to be used as a pawn to get to him. For them to see the horrors their son could be capable of. It is so very wrong, and we can see the twisted nature of his love in this interpretation.

And Gojo delivers the ultimate blow that leads to Geto reflecting - depicted by the mysterious ellipses “…..” (gege really likes the reader to work hard huh) - insinuating it is impossible for Geto, so don’t even bother trying. The blossoming possibility of discourse was nipped, as the strength differential was implied - you’re the strongest now, whereas it used to be “we”. There was no more place for Geto; it was probably a misunderstanding. Gojo was protecting everyone in his own way, and the only way he knew how.

For power, Gojo was a source - but Geto couldn’t do that in Shinjuku, nor earlier in the arc, when Gojo himself was on the brink of insanity and deferred to Geto about annihilating humans as he held Riko’s dead body. Geto in the scene above acknowledges their different paths they needed to take - Gojo had a place as part of the elite at the school - Geto was already facing an execution order.

And after hearing Gojo’s condescending tone in an emotionally-fuelled attempt to reach out to him. He turns away to protect his friend from himself, and himself from his friend. Anyway, I touched on this in my previous post. Geto feels they had fought and didn’t deserve a place next to Gojo. But deep inside, even his body remembers the sound of Gojo’s voice, reacting to it when called despite his soul no longer being there.

sigh. Moving on... back to jjk 0:

After witnessing the bonds through willingness to sacrifice and the love between these students, Geto was really moved. Gojo trusted Geto retained his sense of humanity / love / idealism - even if it would lead to him sacrificing himself.

He was finding it difficult anyway:

He could always empathise with love. I suspect he tried his best, but the binding vow for Yuta’s life was also just the cherry on top to make Rika super saiyan.

Kenjaku knew Geto probably could’ve won though, had he been more selfish.

Geto conceded without a fight with Gojo. Maybe it was a matter of trust in that they both knew his living on borrowed time. As the light novel insinuated, this was the only way it could ever end. And Gojo would have to carry the curse that was Geto. This seems... so cruel.

He did his best. He perhaps always wanted the love but set it free.

He did so many things for others in spite of himself, in sacrificing himself, in staining himself with blood drenched hands.

Avenging Riko by killing Sonoda. Note how manipulative “humans” are by using Jujutsu rules against them.

He embraces a life of smoke and daggers. Living in lies and half truths in order to live, survive, and find justice in a wicked world.

Watch me closely, I’ll protect you, I’ll avenge you, this is how you protect yourself.

This is the path I’ve chosen.

I’m not saying he was right or justifiable. His character is just tragic. The system had set him and others to fail.

The worm foreshadows Geto’s maternal nature. Calling him “okaasan”. I mean, this very worm had a binding vow with Toji. And now it calls for a new owner? I’m not sure if Gege had anything else in mind with this... is the womb protrusion domain Geto’s? But that’s tied to a sorcerer’s soul…. Anyway, I digress again. (Sorry). Geto did have a martyr complex and was written captivatingly well by Gege. The extra touches where how he has been perceived by others and the effect he has (and continues to have) on those we see.

And I just want to leave this heartbreaking thing here:

Source from twitter/now X:

Wouldn’t it be so sweet for Geto to get one (love declaration) at the end of his life, regardless of the way you perceive Gojo and Geto’s relationship?

Wouldn’t it be nice for him if he could know that his family who he instructed to flee had all loved him, adored him, and would honour his sacrifice in differing ways...

Instead, a form of love meant his body was desecrated and used by Kenjaku. His girls were killed, and his full potential was not quite realised at all.

If only things were different.

Gojo should have kept him in his basement!

But at least, I think, Gege is giving Geto some love even after his death.

For that I’m thankful.

And thanks for reading if you made it this far with my rambling!

If you want something more light hearted I have a fluffy fic up on AO3 (it isn’t great but i enjoyed writing it to fantasise about what happens at the airport) and if you want more angst and pain, please browse my tags (lol).

[cuppajj]

i read the FAQ post you made for the beast ancients au, but i'm still curious as to how the cacao kingdom... functions, i guess. if at all. frigid cacao has the power to control the licorice sea and its monsters, but... he just sits on his throne and does nothing, right? does he have underlings / followers / people he forced to tend to what's left of the citadel? would his surviving citizens outside of the citadel despise him for what he's let happen to their kingdom and their communities, or are they still holding out to survive for a better future? something in between maybe? i can imagine it would be pretty hard to flee (you said the republic is a safe haven, but it's very far away). considering all of the awful circumstances surrounding their broken world, it doesn't seem like the remaining folks have much left going for them.

(sorry if this was too much at once... i'm half-working on my own oc inserts for this au (as i've seen many others do) so i'm really just trying to clarify this stuff for my own reasons)

it’s been a bit of a slope trying to flesh cacao’s saga out rn so don’t take this as gospel, but i can give you the current ideas i have for now:

The cacao kingdom is very quiet. All citizens who lived outside the citadel have been trapped in permafrost. None can reach out to Cacao, save for his advisors and other staff who have already been answering to him. The cacaoians’ opinion on their king isn’t hate but extreme uncertainty and weariness; they are still loyal to him as is their culture, but they know that he’s changed. It’s not even clear if he’s the one who froze the kingdom over as he’s also the one who prevented the ice from breaching the citadel, and on top of that, him taming the licorice sea (which happened before his corruption) was an incredible and widely celebrated achievement. He’s just eerily hands-off and, well, living up to being the Beast of Solitude.

(i am saying that most cacao citizens are frozen, if there are some alive then they live either in the frozen kingdom outside or within the citadel walls. likely the former since the citadel is still restricted. imagine trying to get by in a kingdom that feels abandoned surrounded by the frozen bodies of people you know, hoping when they’re thawed one day, there’s still life in their eyes.)

the kingdom is isolationist just on the principle that it’s very hard to leave because of the natural barriers (endless blizzards, the permafrost, even stray licorice creatures who patrol the region). you can leave but you need to be prepared to.

think of it as a kingdom where a terrible curse has been placed upon everyone, from the citizens to its king. No one knows how it happened, and all attempts to cry for the king to help have gone unheard. the king seems ill and distant and dangerous, but to consider him the beast he is… many are hesitant. many just want to see him as Dark Cacao.

[humanelemental]

Different anon, but yes to everything you've said! I'm still so disappointed we got absolutely nothing in the flashback. Like not confirming Rio as the other parent and not getting to at least see the happier times between them (this could have easily been a quick montage). I think this is where 95% of my issues with the Agathario storyline fall. Without Kathryn and Aubrey's incredible chemistry, this pairing would have fallen completely flat. And no comment on Billy lol Such a bland character.

This got away from me so I’m tucking it under the cut.

Yes! That’s why Jac saying all of this post show high key pisses me off! Because from where were we supposed to draw these conclusions that she supposedly wanted to be very obvious. Surely it wasn’t the script. Surely it wasn’t the cut content. Surely it wasn’t how the character’s are written with each other.

For God’s sake, Agatha says Rio’s name one time and it’s not even to her. I was starting to wonder if she even knew her by that name. There’s no terms of endearment, not even angry name calling. She never addresses her at all. And to me that’s such a frustrating detail! Like this is your ex wife? Agatha has a pet name for everyone, good or ill. But nothing for Rio?

Like we had that scene in episode four, which to this day will go down as the most longing I’ve ever scene. And not even a whisper of baby? Sweetheart? Honey? Like Agatha was locked in and fucking cradling the mother of her child and nothing? Same with episode 8. Rio pushes Agatha to the point that after their meeting she crashes out on the road and we don’t even get a “thats enough Rio!” They’re talking about Rio taking their dead son’s soul and we get no reference to this not just being an ex or a former friend but her fucking wife??? Not even a, “you killed our SON!!!” Which wouldn’t have been accurate but it would have fit with what is clearly Agatha’s narrative.

Also also, if we’re crashing out anyway and I’m telling the love of my very long life that she only brings me pain and I never want to see her again? I’m absolutely throwing it in her face that she left me with our son’s cold dead corpse to bury alone with my bare hands in the fucking woods. And, I hate to say it, I think Agatha might be pettier than me. So there’s no way she’s letting that shit go. You cannot convince me that this show wasn’t just being written off the cuff. There are too many moments that just fall flat in really weird ways for this to have been the vision from the beginning.

Also^3 what the fuck was with them giving us no information about the Darkhold, how Agatha got it for real, when she got it, why ect. I mean we can assume, God I’m tired of that, that she was trying to bring Nicky back based on how she acted with Wanda. But beyond that, we have no information on this very pivotal part of her history. And it kept getting brought up, so I hoped we would see something on it.

I completely agree that Kathryn and Aubrey, and the other talented actors and actresses, carried this show in spite of the script. So much of both of their characters come from their physical acting it’s insane. Like can you imagine how bland Rio would be if it wasn’t Aubrey’s adorably unhinged self playing her? Girl said she was eating flowers on set. Like ma’am that’s in zero shots of the final show. She was just out there literally chewing on the scenery. And Kathryn can say more with an expression than most soliloquies. Plus she so consistent with how she physically plays Agatha it’s nuts. Like yes on set for AAA is understandable, but she brought the same mannerisms from WV. Like the finger thing she always does. It’s so crazy impressive.

As a final note, I really liked teen when he was a kind of goofy/sarcastic sidekick that kind of gave off the same vaguely unhinged vibes that Agatha and Rio give. Like the parts where he’s helping blackmail Jen only to turn around an hour later and offer her stale party favors? Peak Teen for me. Also I want to clarify I mean no hate whatsoever to Joe Locke. He’s brilliant and has a wonderful future as an actor ahead of him. I just hated that we lost half the show to him.

[dranosh-haran-of-paleoworld]

About your post, I always imagine that if Sasuke really liked someone outside any distinguished clan, his clan would only accept them (the very base line anyway) IF they're already resembling an Uchiha (which is typically dark haired and dark eyed, though I'm sure they're willing to make an exception depending on how much potential Sasuke's chosen has to add on to the Uchiha bloodlin) and does have genetic skills/techniques they could've passed down to any kid they might've.

Even better if they could add any improvement to the issues the Uchiha bloodline already has, namely something that could repair the blindness and lessen the stress the Sharingan was known to add to the user's eyes.

Sa///kura ain't that at all. All she got going for her was her chakra control, which was something anyone can master iirc, and that Tsunade accepted her because Sa//kura demanded her to (I think? Been a hot minute, sorry). In fact, she was also the only one that Tsunade didn't say would surpass her at all (that even stood out in my poor memory anyway, so feel free to correct me on anything I said here) when Jiraiya and Orochimaru both already stated their respective students already had early on. (If anything, Tsunade did seem a little...too impersonal with Sa//kura far more often while Jiraiya and Orochimaru were way more invested with Naruto and Sasuke.)

In fact, Sa///kura never even revived herself from being torn apart when Tsunade already had, from the top of my head?? And hell, if we're speaking medical skills, Kabuto would've surpassed Sa//kura EASILY. There are a bunch more reasons than what I've listed but it'd be too long (poor fighter against major enemies [relying on Chiyo against her one major 'solo' fight against Satori], poor battle logics, inability to let go of unhealthy attachments [Sasuke] for loyalty, etc.)

As you've said, Sa//kura was never raised in a clan and had NO manner or understanding on how to lead, much less care for, a major clan like the Uchiha. The clan politics are far more complicated than most people believed (it's literally nothing like directing a hospital, it's both more hand-on and personal than that). Sa//kura doesn't have any emotional capacity to head a family, especially with how bad her temper can get and Sarada's neglected upbringing in the favor of her career and Sasuke. Honestly, Mikoto and Fugaku might actually hate her guts over time with how rude Sa//kura can be, though they'd do a good job of masking their feelings.

Anyway, sorry for rambling, just wanna add on to your wonderful post with my thoughts. :)

There is no need to apologize for the rambling, anon. I do it all the time myself so no need to worry. I agree with what you're saying, but I will clarify and / or correct some things here.

Firstly, I don't think appearance would matter much to the Uchiha, and by that, I mean that Sasuke's future wife, if she came from outside of the clan, wouldn't have to resemble the Uchiha in appearance. She'd just have to come from a distinguished family or clan. Again, Karin and Ino, especially the former, are prime examples of this.

I do agree that Sasuke's future wife if she came from outside the clan would also have to contribute to the gene pool, although I don't see or understand what you mean by issues genetically speaking within the Uchiha, the base 3-Tomoe sharingan doesn't put any strain on the user if it's utilized by the Uchiha as it's meant to. As I said in my post, the Uchiha are the ONLY clan to have inherited the potent chakra and dojutsu of the Shinju through their progenitor Indra, and as such their bodies are the only ones fit and suitable to bring out its full potential. The Mangekyo Sharingan does put a strain on the user, hence why the Uchiha do eye

Sakura actually begged Tsunade to take her as an apprentice, literally being the only one to do so. Naruto was the first to be trained, and Jiraiya only trained him out of respect for Minato. Sasuke was actually sought out by Orochimaru, the best of the sanin, and as I was discussing with someone else for all his faults Orochimaru was only adult outside of the Uchiha in canon that gave a damn about Sasuke. Sakura is literally the only one who had to beg Tsunade to train her, and she only did that after Naruto and the others failed to bring Sasuke back.

It's worth noting that Tsunade outside of her healing doesn't have much going on for her. She's not genetically distinct, and as Madara and the databooks state, she inherited nothing from Hashirama and, like Sakura, has pitiful reserves of chakra. Tsunade herself is jaded following the deaths of her lover and brother.

In the medical nin department, Kabuto has surpassed Tsunade and Sakura. The guys' skills are unmatched. He invented his own version of mitochondrial regeneration on his own and nearly killed Naruto by severing his chakra network or something like that. His medical expertise is what kept the dying Kimimaro alive and Orochimaru's body from literally falling apart when his immortality jutsu ran its course. He invented all sorts of medicines and poisons for Orochimaru, took edo tensei to a whole new level greater than Orochimaru or Tobirama had accomplished. He also strengthened his body and life-force through genetic engineering to learn Dragon Sage Mode, and incorporated the bloodlines of several people and made their abilities his own.

I definitely agree with you there on Fugaku and Mikoto hating her but masking their feelings, lol. Honestly, I don't know how'd either of them react if Team 7 was created in the AU I presented, although I'm sure they'd be upset with all the stress and bullshit Sasuke would have to deal with in this scenario. Maybe Fugaku would step in and intervene since again in this AU I presented the Uchiha's power, representation, and influence in Konoha is as it should've been from the start. Neither he nor Mikoto is letting Sakura or Naruto near him. Hell, Fugaku would probably have Sasuke assigned to a different team, who knows, to be honest.