#also this one wasn't really a reference but i also wanted to point out that it's MEIKO V1 in the room but MEIKO V3 in the mirror :^)

[shanastoryteller]

Congrats on finishing See Something Say Something!! I checked the notification of the first AO3 email sent out and you initially planned on five chapters.

Would you say that the ending changed considerably since you started in October? Or has that stayed the same?

thank you!

it stayed the same lol. while my fics getting wildly out of control and becoming way longer than i anticipated is pretty common, i'm pretty much never changing overarching plot when this happens. the story that i become interested in telling is typically the story then i end up telling

almost every story can be made shorter or longer. it's less about what happens and more about how that information is conveyed. things that really tend to affect writing length are perspective and breathing room

the shortest fic i have on ao3 that's not part of a series is You Were (Not) Meant For Me (posted 11 years ago, jesus T_T). the premise is that claudia was a witch who intended trained stiles to be a witch and she arranged his marriage to laura hale, the future hale alpha. this is a traditional pairing as talia's husband was also a witch married to talia in service of the pact. except claudia died before she could train stiles or tell him about the engagement. stiles starts learning magic after scott is turned. derek falls for stiles and feels like he's betraying his sister by loving him, betraying stiles by not being the alpha he deserves and not telling him about the arrangement claudia made, and hates himself the entire time, but not enough to stop himself

that's a 100k fic easy

it's 1,696 words

it's extremely limited perspective (derek's) and it's made up only of limited snapshots of moments with very little context. there's no seeing what's happening, only told, which i think would quickly grow boring if it was longer and if the real point of the story wasn't derek's self hatred and how he fails to deal with it. that's the part of the story that isn't told, really - derek does think explicitly that he hates himself, but we're also seeing it in the way he talks and thinks about himself and the people around him

by contrast we have survival is a talent, which is obviously my longest fic. we're over 500k and we've got quite a bit to go

perspective doesn't just refer to character pov, but audience pov - are you being told a story, or are you experiencing the story? this is also tied into breathing room. there's no wrong way, i've done both and will do both, but one certainly requires more words than the other in my experience

siat is told only through draco and harry's perspective, but it's all happening in real time. the audience is being taken along for this story. the thing is that that things in real life don't all come tumbling one after another, not all questions have immediate answers. when depicting character growth and a plot unfurling, i think it's really important to include breathing room to give the audience time to feel that growth and change. i'm stricter about this with siat than anything else i've written, probably sometimes to its detriment. i want you and the characters to have time to feel the effects of emotional revelations and plot hints. i want you to have the time to question and wonder about things the same way the characters do

one time a friend criticized the good place for including the portion where they were alive again on earth because it wasn't as interesting as being in hell, but i disagree. we needed that breathing room both to live with the effects of character growth of going through hell and to have time for the effects of their actions on the plot to settle before they moved forward again. i stopped watching agents of shield because we weren't given enough breathing room - there was never a chance to see the characters not in crisis, the world was always ending, ect. the alchemyst book series has the first like 3 books taking place over a day and a half. i got tired of it after that. there's no breathing room

a story where i gave up on the concept of breathing room was build your wings on the way down. i liked that fic, but i wanted it finished, and to do it with i think optimal pacing would have made it twice as long as it was. so i said screw it, avalanche time, everything is happening all at once right now. there's very little breathing room there, which i think doesn't work too terribly in part because everything is so urgent and everyone is stressed so not being able to catch you breath sort of fits

See Something Say Something did not need to be 215k, although i'm not at all complaining. i feel very happy with how i told this story. but the basic premise - sam getting his powers early, getting involved in the large hunter world secretly from his family, and dean feeling misplaced and worried about how much sam needs/wants him - could have been told a hundred different ways and all would have pulled it off, so to speak

i considered doing the the entire fic from dean's pov (as a sam girl i love his pov because all he thinks about is sam and he's so insane about it) which would have effectively cut out basically the first five chapters. i thought exploring the slow realization of what's going on purely from dean's pov, with the audience having not insight would have been really interesting, just like what I did in dumb luck or good ghost with dean slowly figuring out that sam didn't die in the crash. another thing is the inclusion of all the side characters which i did to make the world feel rich and real, but we didn't need all these outsider povs to get the basic point across. very rarely is something vital being conveyed by an outsider pov, but it reinforced and adds to the main characters. i also initially didn't have wincest, which obviously added a ton of words. i loved exploring dean's self hatred and fear and sam's obliviousness, but bringing them to a place of ignorance to acceptance to happiness is a lot longer of a journey than just dealing with dean's propriety love as an unhinged co-dependent older brother. again, i'm sticking by all these choices, i made them because i thought it was the best way to the tell the story i was most interesting in telling, but my point is that you didn't need them to tell this particular story

it was also how i told the story. we spend a lot of time wallowing in character's emotions, especially dean's and sam's, but the others as well. part of this fic is convincing you that these two brothers should fuck, actually, and doing that effectively is going to take some time, especially at this point in their lives when things are pretty normal. comparatively, fucking your brother after starting the apocalypse is pretty small potatoes. i wanted you to understand these people, to feel what they were feeling, to not feel that it was inconceivable that jess would be willing to share her boyfriend with his brother, to buy all their relationships with each other in a way that isn't purely based on convenience

part of the reason i wrote dumb luck or good ghost before see something say something was that i felt i needed a firmer grasp on who the characters are before getting into who they were and who they could be - especially john, who i feel is exceptionally difficult to write without over excusing his actions or over villainizing them. the reason john doesn't get a single pov in see something say something is that while he's a motivating and underlying factor in much of the story, the story isn't about him. it's about the effect he has on those around him, and i didn't want to sully the pureness of that effect by introducing his internal dialogue, regardless of how persecutionary or absolving it would be. it's just not about him. it's how he responds to others and how they respond to him in turn

anyway! this is another example of something ending up longer than expected, but yeah. the plot of see something say something didn't change much from posting of the first chapter and my stories rarely do - i have plot points in siat that have been there since i posted the first chapter that are still relevant and happening. "harry and draco just. cut dumbledore's fucking hand off" my beloved

[utilitycaster]

edit: thanks @wardensantoineandevka for sending me the post I reference below but couldn't find at the time, it's this one and I will also be reblogging it separately because you should all read it.

while I'm thinking about Downfall I really have been thinking extensively about the ongoing discussion of fandoms and particularly centering/prioritizing white queerness and more generally one's own experiences (and I cannot find one of the best posts about it, which is not by me) because, as I've said before, but notably about Circle of Needle and Thread and Downfall, Brennan is somehow known as The Communist DM and also at every opportunity his messages of class-based oppression get pushed aside by fandoms. In D20, the message frequently gets flattened into Capitalism Is The BBEG (to the point that D20 has somewhat depressingly caved to it) but in doing so generally erases the human element - the discussion becomes dominated by the terminally online anticapitalist types who really do want to treat capitalism as the BBEG that, once killed, everything will be fixed, rather than part of a complex system to be dismantled in a manner that preserves the most human lives. In Candela Obscura: Circle of Needle and Thread, Sean's story explicitly about losing everything to the wealthy and powerful was shoved aside by fans cranky that his character wasn't made explicitly queer and in love with Marion. In Downfall, Aeor's exploitation was acknowledged by fans but its imperialism conveniently forgotten in order to focus on those powerful within the system who hated the gods, not the poor of the city nor those on the surface, without protection, being used as nothing more than a source of cheap labor.

And the thing is: I obviously do not think that the world is lacking in empathy nor opportunity for straight cis white men, but the fact that people cannot take Brennan and his experiences as someone of a lower class - the most tame palatable version of that too, as in addition to being a straight cis white man he is educated, a native English speaker, sober, and housed his entire life - without needing to twist it into something closer to their (often middle-class) experiences or existing worldview is depressing and telling, and it has not improved. This was an issue with Campaign 2 (the post I cannot find touched on how Fjord and Veth's stories were cast aside or only engaged with using heavy headcanoning to make them more like the viewer because they were not explicitly textually queer, despite being explicitly racialized and about class) and it's gone metastatic in Campaign 3, and it really needs to stop.

I am hoping, still, that Campaign 3 serves as the endpoint of this sort of selfishness, and its fans will have some sort of realization (or, more likely if less good for the world, will leave this fandom to terrorize another) but I will say if this continues in C4 I will personally be calling it out in the moment - no more vagueing, if you say you're nauseated by someone bringing up their personal experiences with colonialism that happen conflict with your feelings about your blorbos you're getting nailed to the wall by name then and there and what happens to you is your business.

[lizardsfromspace]

The thing about Ncuti Gatwa era Who's ratings being "bad" is that they aren't bad, it's just that they're not very different from Jodie's average ratings. And five-six million a episode is actually pretty decent in a country with a population as small as the UK's (unless it's seen as drastically bad to be #12 that week, idk how UK TV ratings are perceived). It's not that they've fallen drastically, they've just failed to grow.

Which, no matter how much they pushed that this was "series 1!" and a fresh new start (to the point of declaring it an entirely new series, Doctor Who [2023 -]), was going to happen. Because there isn't a large contingent of people out there just waiting to give Doctor Who a shot. There was in 2005, when a whole generation had never seen it, and many people had vague fond memories of it but hadn't thought of it in years, and when there were many countries where it had never been anything more than a niche curiosity or straight-up hadn't ever come out, but the un-Who-evangelized ranks are p. small in 2024. No one saw it as series 1 of a new reboot, everyone processed it as what it was, series 14 of a show that's been on for twenty years

(Also, holy shit, New Who is twenty years old this year. For reference Classic Who ran twenty-six years)

They wanted to attract old viewers back, and they did come back for the Tennant specials, but I think they were banking on casual viewers being just as excited for RTD's return and. Casual viewers don't know who the writer is or really care, though, so it didn't have the same cachet. They probably expected it to grow a bit instead of just not falling off but the whole "suddenly it's putting up 2005 numbers" scenario wasn't going to happen. Anyway it's that thing I said and not whatever internet shouty men are saying

I have no idea what Disney+ expected. For Doctor Who to be the new Star Wars? Unclear. Thanks for making Doctor Who ultra high budget for two seasons I guess

[jejelovescats]

My analysis on Spy X Family chapter 111

well uhm today's chapter was something initially I though the chapter was too short to write about, but we did get valuable information, and writing isn't only about the present, it's also about the past and future so I've been thinking about this for a few hours and here's what I've found. First point I'd like to make was way back in chapter 1, we got a very brief introduction about Anya, it was stated that she was an unintentional consequence of research experiments and that she had later escaped the facility.

Now since the chapter was quite short, many statements I make can be far-fetched. Alright now, when they said, "unintentional consequence of research experiments" they could've simply meant that the woman (who Anya refers to as "mama") could have just gotten pregnant and called that "unintentional consequence" and when stated "research experiments" they could have simply meant her mother. Now I said "the woman who Anya refers to as "mama"," because she could still be a woman who Anya has grown fond of and called 'mama', this is quite unlikely and I believe that she is her biological mother, still just a thought Now we ask ourselves, in chapter 111, was that a lab? my answer: yes, I do quite think so why? if you look closely, on the back of both Anya and her (probably) biological mother, there are strings holding the dress from behind like a lot of hospital clothing..

And one panel that really stood out to me was this one. Some people theorized previously that if Anya were to have a biological parent, they'd be the reason of her being held captive in the lab. This has been debunked after today's chapter. It seems that Anya's biological mother wanted freedom just as much Anya did, she's a victim in this too. Another point I'd like to make is that Anya's mother probably helped free Anya (as stated in chapter one, all it said was that she escaped, doesn't mean no one helped her) since she knew she couldn't escape herself. The symbolism is symbolizing 🙂‍↕️

Now this is where we ask ourselves, where is Anya's mom? my answer: Probably dead. Why else would she have cried on the interview day? She appeared to be very close to her mother in today's chapter and it would explain her tears. She could also just be trapped in the lab, but I find the first explanation more logical, even though they're both a possibility, that's just my opinion.

Something else, are Anya's powers inherited? probably, they could have messed up with the mother's DNA and passed it on to Anya, and they experimented further on Anya to further develop her powers Last thing, the hair. we saw in chapter 1 that Anya had her hair in buns, as well as today with her mother, and present Anya always has those cone shaped hairpieces on her hair, we've never seen her without them. why? no idea I've gathered a bunch of theories that are plausible 1) they have some type/form of horns hidden underneath their buns 2) scars now the scars would make sense for 2 reasons 1) Donovan, who's probably a mind reader (though we can't verify Melinda as an accurate source) has scars on his head as well, now even though the placement isn't the same, they're still scars. 2) They want to convince their selves they're normal people

hear me out. A woman and her daughter are both trapped in a lab, being experimented on, they have scars, won't hiding them give them some sense of normalcy?

And also, the fact that Anya asked Yor if she could read her mind, the poor kid is looking for anything that might remind her of her mother, in the chapter, her face wasn't shown, just like Loid's flashback. I also noticed while Anya was dreaming that she held bond quite tightly, I think that's because she was trying to hold out to her mother.

well, I did NOT expect to write this much given the length of the chapter😂 can you tell that this was VERY rushed? Since loid did mention that she was sleeping before her bedtime, that probably means that when Anya sleeps again, she'll dream of her mother once again. well, that's me rambling! hope you enjoyed! please feel free to share your thoughts or any more thoughts you might have! okay but isn't baby Anya just adorable? SEE Y'ALL IN 2 WEEKS<333

[buck-up-buttercup]

So we all know how protective and possessive Caleb is. I want to write some head-canons on how he perceives and responds to people showing interest in MC (you) throughout the years.

As a child, Caleb had a fierce obligation towards protecting you from bullies. He even went so far as to lock you in an attic to prevent you from getting caught up in a fight with those twerps (reference Rain's Embrace). Especially with how fool-hardy you could be, he knew to keep you out of it completely. The bullies he mentions fending off would have been more than eager to play with a cute girl such as you. Caleb didn't like how rough they could be with you, obviously lacking respect towards a young girl who wanted to "run with the boys" as you so claimed. And of course, you only wanted to because Caleb could. But Caleb could handle himself and unfortunately, he couldn't juggle fending these kids off and keeping you unscathed in the mix of things. He needed to prove to these kids that he was not to be messed with and neither were you. That day, he made it doubly clear that no kid was to mess with you. He never fully explains to you the scuffle he went through to gain this sort of respect, but he won't ever forget learning to take advantage of his Evol to use against someone for the first time... and of course, that first time was for you. Everything he did was for you, somehow.

As a high-schooler, Caleb had many admirers and thus received many gifts and notes in school. You were always a little put off by it. You always thought Caleb was cute, but you didn't realize just how cute until his admirers showered him with attention. You also joked with him about being jealous that he received so many gifts on holidays from secret (or sometimes not-so-secret) admirers while you were left with none. He'd quickly play it off with a smile, claiming you could have all of his gifts if you wanted them since he had no interest in any of his admirers. Besides, he always provided you with the most thoughtful and personable gifts, so was it really so bad? Quality vs quantity, after all. He'd be sure that you would never know about him going behind your back to scare the life out of any teenage boy who so much as looked your way. One instance would have been in PE when the boys were having their typical "locker talk." Caleb wasn't one to join in on such conversations... until you were brought up one day. Some dumb boy would talk about checking you out and Caleb would immediately chime in, "keep her out of your filthy conversation. If I hear anyone say anything demeaning about her, they're going to regret it. Got it?" The boys would be wide eyed and agree not to speak about you. Even if there were some jocks involved, they knew better than to try to one-up someone with Caleb's stature. Not only was he a well-liked and high-achieving student, he was very athletic and a fairly large guy. Caleb also intercepted any guy who tried making a move on you. At one point, you had a sweet guy start to show a liking towards you. You expressed your disappointment to Caleb when this guy suddenly avoided you after his feelings were admitted to you. Caleb would just shrug his shoulders and say, "his loss, pipsqueak." Meanwhile, he'd secretly be proud of himself for scaring the poor guy off after Caleb posed a light-hearted threat at him. "So, you like her?" The guy would confirm and Caleb would nod thoughtfully before adding, "then you need to stop. She's not for you to have." He'd smile politely but his eyes would be sharp as daggers, "Kay?" The guy would take the hint real fast and run.

As a college student, Caleb has some good friends from the Aerospace Academy. One of the boys would say something about the "pretty girl in Caleb's photos" on his moment posts. Caleb wouldn't respond much to this, though he would say something if they followed your profile. "Don't be weird," he'd warn. When meeting you for the first time, they'd be chivalrous. Afterwards, they would definitely tease Caleb for not letting them have a chance with you. He'd roll his eyes at this but would definitely need to take his frustrations out later, whether it be through working out or diving into his schoolwork to distract himself. It bothers him that others see how precious and pretty you are. On the one hand, it makes him proud to know and be so close to such a beautiful and lovely person. On the other hand, he wished he lived in a world where it was just the two of you so no one else could come in between you. His anxieties would only heighten once he thought about the potential pursuers you had at your own college. His head hurt as much as his heart just thinking about it.

As a colonel, Caleb would have strong jealousy towards the multiple men in your life. When he finds out how close you've grown with Zayne after the explosion, he'd feel regretful. He wanted to be the one to comfort you, especially as he harbored the guilt of causing you such pain from disappearing and having you believe him dead. Once he learns about your partnership with Xavier and how he's neighbors with you, he'd feel annoyed. He wouldn't like how often you'd need to work with Xavier, and now you two could even walk home together or see each other at your own apartment complex whenever? Ugh. Frustrating. Rafayel would get on his nerves as well, making his temper flare up. Why do you even need to be around this famous artist? Especially one with a bounty. He would not like the messages he'd see on your phone from Rafayel. He'd contemplate blocking his number on your phone but didn't have a good enough excuse to... so he simmered with anger silently. Sylus is by far his least favorite person you're associated with, though. Being in cahoots with the leader of Onichynus only spelt out trouble in his mind. He would chastise you on the sort of company you keep. He'd be adamant about knowing your whereabouts and to never go into the N109 Zone without him knowing of your exact location and an itinerary of what you'd be doing and who you'd be seeing. This is only because you refused to have him escort you himself since this was "Hunter business" and you could handle yourself... which he highly doubted, but he knew better than to belittle you now that you were an adult and a capable Deepspace Hunter. At the end of the day, Caleb just wants you safe and the only way he can curb his anxieties is by keeping you under his watch and care as often as possible.

Though the man is endearing, he can be downright suffocating. But why wouldn't you want to drown in all the love and care he showers you under? MC doesn't always realize just how deep his love runs for her.

[ask-trashhunter]

Ok folks!!! OOC post!! I have 16 Trash Hunter designs now, which means I should be able to run a bracket tournament that lines up pretty neatly! :D

First though I wanna introduce you to all the designs I've done so far!!

All of these have a unique name for voting purposes, but don't worry about remembering them all I'll show pictures of them every time!

Human Hunter 1

Starting off simple, this is Human Hunter 1! The OG, the classic, my pfp! Honestly I kinda rushed this design bc I made this blog on a whim, so I had to make the design super quick! I spent like a little over an hour on this, and I had only really spent 15 extra minutes beforehand thinking about their design, so that's around 1 and a half hour total...... Idk how long I spent on the others. Anyway, basically their top half is pretty human looking, EVERYTHING about them is as green as I managed to get it (green is Their Color to me) and then their bottom half is basically meant to just be a trashy sludge that sort of melts and merges with their landfill. It's hard to tell where the landfill starts and where Trash Hunter ends. Oh yeah- and I have like 3 drawings of them in this style, their skin tone varies a LOT between each drawing lol. um. you haven't seen. the third one btw haha. it's totally not of me and trash hunter holding hands why would you even say that

Human Hunter 2

Alright, this is my second "human" Trash Hunter design. I wasn't quite happy with my first one, so I wanted to change it to something more like this. However!! I never actually got to finish my design until I watched something that changed the way I thought forever. I finished this drawing just this monday actually, because I'd forgotten I had no finished drawing of Human Hunter 2. I want you to remember that giant grapply arm they have and those spider legs. Also, you'll notice there's a line next to them, and it says "Cop" under. That's how tall Copper would be (per my headcanons) next to the various Trash Hunter designs. They really vary in size. For reference, I headcanon Copper as 152 cm, or 5 feet. I'll add a size chart in at the end- they won't be 100% accurate to the pictures but it'll be in the same area at least.

Trashbag Hunter

Ok this. This is where my life changed. I watched the hodgepodge audio new year's patreon video and got friggen mentioned. Hi Raddagher if you're seeing this I'm still not normal about Trash Hunter. I started feeling a bit insecure about my designs like I'd been boring about them so I was trying to redeem myself. When I started imagining Trash Hunter as a fucking trash bag with grillspyd- er- collapsible grilling skewer thingies- for legs. And holy FUCK I could not get the image out of my head it's hillarious and adorable. Relisten to the episode and imagine Trash Hunter like this TRUST ME /nf

Either way, this is where I started to expand my horizons. The trash bag and the grillspyd are sort of reocurring atp. Also this was my Discord pfp for a while, now I've changed it. Might change it back eventually honestly? I don't do that. I don't repeat profile pictures ever. Ok I might have done that at some point. But for now my pfp stays the same. This is my PFP over on bluesky though!

Anyway this is the cutest shit I've ever imagined- the drawings that follow are mostly random doodles I've made at D&D or during class. BUT FIRST!!!

Pony Hunter

Ok so I play ponytown. I played a bit ages ago and then I almost forgot it existed, then my friendo kept showing off what they were doing on there and I'd seen a few vids on it recently and long story short I've made 16.5 new ponies on there and most of them are Hodgepodge Audio themed. Ponytown Pony Hunter doesn't usually wear that turtle but in this screenshot they do. The drawn version shows a bit more how I actually view them though. Oh and that IS a croissant behind their ear, thanks for asking!! (I've been waiting to say that for months, I'm overjoyed now)

Their tail is a compact mirror btw! And that tarp they have in game, those are actually wings, teehee! Oh and I forgot to say why they have croissants behind their ears- basically I was looking at the horns and realized one set of horns was kinda curvy in a croissant-y way. So I was like eh, heck it. Croissants.

Seagle Hunter

This is where the chaos started. I was at DND, and we were on a quest to help a god. We met a seagull who was definitely not a fucking seagull. I ended up getting downed and when we were like what, 5 hp away from killing whatever creature was wrecking our shit, our 2 remaining teammates fucking left us. My character Thomoras only survived because one of our teammates asked the seagull to intervene, and the seagull fucking killed the creature. Thank you, seagull. I called you Karl but I never got your real name. I'm sure you wouldn't have answered if I asked. Anyway!! All that talk about seagulls that session got me thinking "Seagull. Trash Hunter. Trash Hunter seagull." this is an accurate depiction of how I think Always. So yeah I drew them as a seagle (<- that's how I prefer writing seagull) and I was like hell yes let's draw them as more silly things because I focus better when I draw!

So I started asking people for ideas.

Goblet Hunter

And this is officially were I lost it I think. I mean, I learned to disregard canon with this. I have a few different Little Guys as I call them, and they're definitely not canon at all, BUT THEY'RE SO CUUUUTE HELLO!!! 😭😭 I asked my DND buddy to give me a random item and so I drewed this bc they said goblet....... I fucking love these so much honestly

Soup Hunter

I love soup. What more is there to say? They call me the soup enjoyer. I switch in whenever we're about to have soup. I soup my faves. I spam the soup emoji (🥣) when I get too excited for words. It had to be done! It just had to! If you want you can imagine the soup is garbage soup. Or you know those witch potions a lot of people made as a child? Using acorns and grass and flowers and whatever you could find? Could be that too. Or maybe it's brogle soup becos it's my fave and they are my fave :)

Perfectly Generic Object Hunter / PGO Hunter

It had to come eventually. The Homestuck reference. My friend said for me to make them cube and I was like "I heard Homestuck, yes? Homestuck it is."

So yeha they're a green cube now :3

Egg Hunter

They're an egg now. They're just a huge fucking egg and they roll around. They just roll around.

I'm not allowed to add more images hold your horses for the reblog, I'll get image IDs done before I post this though so next reblog should be up in not all that long

[oxymoroff]

Putting the answers to all 37 MEIKO references I put in this drawing after the read more! :)

Near Future City by SuzukazeP

Exhausted by Kuchisaki

The Candelabra Microphone from Meikonic (MEIKO compilation album)

The throne from Elegant Record (MEIKO's 10th anniversary album)

Colorful x Sexy by MOER (no official upload, sadly)

Modern Girl module from Project DIVA designed by Shino

Rose Record t-shirt from Project DIVA Megamix designed by yours truly

Blink by OneThoughtRemains

Pocari Sweat bottle in reference to MEIKO being a Brand Ambassador™

Piano x Forte x Scandal by OSTER Project based on the Project DIVA PV, where MEIKO steals this necklace

Kimi to Boku no Resonance by NanameueP

One Cup, MEIKO's character item (originated by OneCup-P)

Starry Sky Chronograph by MINO-U

NOISE by MIJIPIN-P

My honey by IMO

Sunflower by yanagi

RED ROSE by Hatanaka Music Factory (credit for creation of MEIKO Robo to Nippori)

El rebaño de Gish by Maubox

Fräulein=Biblioteka by nyanyannya

Kowase Kowase by E.L.V.N (based on the album art)

Various Feelings by shu-t (based on the album art)

AKATOKEI album by Aoto Kei

Pierrot Play by No.D

Electric Intoxication by BingoBongoP (based on the album art)

REALITY by Minus-P

Mameiko (豆イコ, or bean Meiko) is a pun on the word for bean (mame) + MEIKO's name, and she's a derivative character similar to Shiteyanyo, Tako Luka, or Larval Rin, etc. Created by Nashi.

Starlight Mist by Lystrialle

Lefty High by Namonaki-P

Stay With Me by shu-t (Noel Rouge module design by Asami)

Palette by Palette-P

Evil Food Eater Conchita by Mothy

Cookie by Gozen-P

Nostalogic by yuukiss (Blue Crystal module design by Anko)

The Starfishers by UG/Snowboot-P

Boukyaku Shinjuu by 0-9 based on the Project DIVA module for the song, Lorelei, designed by Anko

Tsugai Kogarashi by hinayukki

Whistle module from Project DIVA designed by 7:24

finally finished the drawing I was working on for MEIKO's birthday! 💖

It was made with lots of love, not just for MEIKO, but also all the people who keep her alive by making music and art with her!

[valalice]

Hello there!! I really love your work! Could I request some older! gf caitlyn with some subtle and soft dominance? Doesnt need to be nsfw [but won’t complain if it is ;))]

It could just be about how she acts with the reader when in public, at home, etc. [i.e: cooking for reader when they’re busy for exams, putting her hand on reader’s thighs when sitting in public, or big spooning reader when they head to bed.]

That’s all. Please remember to stay hydrated and take frequent breaks! Keep being you and don’t overwork yourself :)).

— 🐢

ꪆৎ HEAVEN, HEAVEN. ft. 𝓬𝓪𝓲𝓽𝓵𝔂𝓷 𝓴𝓲𝓻𝓪𝓶𝓶𝓪𝓷.

ʚɞ summary. subtle ways your older girlfriend caitlyn shows dominance towards you.

warnings. fem!reader. reader is in college. age gap (10 years or more). no use of y/n. modern au! where cait is an office worker. fluff. in one headcanon there's a mention of curly hair (it's all for inclusivity and bias tbh—coming from a girl with curly hair). pet names ie: darling, love, baby, ect. smut nsfw. bottom!reader. dom!cait. hair pulling. mommy kink (reader calling cait mommy & cait calling herself mommy). squirting. cait had a bush. reader is a brat kinda. slight exhibition. fingering (r!receiving). orgasm denial. oral (c! receiving). strap (r!receiving). the strap is referred to as cait's cock. not proofread. wc. roughly 2k to 3k

an. thank you for the request, lovie! and i'm happy that you're enjoying my work ☺️ i decided to take this request and turn it into a headcanon format so i hope that's okay! you are too cute with your kind words and i hope you are taking care of yourself, drinking lots of water and eating yummy meals <3 i also decided to add some nsfw headcanons 🙈 so i hope you guys enjoy them. and for any of these headcanons i am willing to expand on them if you guys are interest :) remember to support your writers by reblogging & commenting !

m.list. | arcane m.list.

࣪ ˖ SAFE FOR WORK.

‣ straight away with caitlyn you notice her dominance. even before the two of you started dating and she was courting you, as she'd say when reminiscing with you or her friends on the early stages of you two, she exuded an air around her that's nothing less than confidence, pride, and dominance. she's already tall at 6 foot, but her posture is always upright, her appearance sleek, and she reveled in maintaining eye contact. and before her you usually didn't find people who were overtly dominant attractive, but when it comes to caitlyn it's completely different, natural. it's the way she carry's herself and it rubs off on you.

‣ the first subtle way of cait's dominance you noticed was her ability to make decisions. she's knows what she wants and how she wants it, and that's something you're relieved about, being too indecisive at times. so being able to let caitlyn reign free on decision making was something that gave you peace of mind. and it wasn't that she was a control freak (she kind of is, but that isn't the point), she helps level out the playing field when you're iffy.

"what would you like to eat for lunch, darling? my treat." she ask, clicking on her keys to unlock her car, taking the bag from off you shoulders to hold it in her hand.

"hm," breaking away from cait to walk around her car to the passenger seat, just before your slide in. "i don't really know." you cringe, you couldn't even count on your fingers how many times you've said this phrase in your relationship so far.

you hear caitlyn hum and the sound of her swinging open the back seat door and the shuffle of her setting your bag in the backseat before you enter your seat. she joins you in the driver's seat, clicking in her seat belt, her gaze settling upon you scrolling away on your phone. "would you like to eat out somewhere or pick up fast food and we can take it back to my place?"

your head darts up to look at your girlfriend, lips twisting up, thinking about your options. "i want something good."

that's earns a chuckle from cait, "i know that silly," her hand coming up to boop you on your noise, which caused you to scrunch it and giggle, swatting her hand away. "but what is exactly good?" she presses.

"well what do you think is good?"

"that wasn't the question."

you grumble, "you're so difficult."

"says you." she teases.

"'m always the one who picks. what would you like." you ask turning in your seat towards her as best as you can.

"i'm fine with whatever you'd like. you know that."

biting your lip you think about the choices she gave you earlier. "i think we should go back to your place."

"that's a start. do you have a taste for anything."

"i already answered that."

"darling." she sing songs in a tone similar to a warning.

she starts the engine, finally, and you immediately connect to the bluetooth.

"y'know we haven't had chinese in awhile." she proses, eyeing your expression from the corner of her eye.

"oh, that sounds really good actually."

cait perks up in the drivers seat, "you're usual?"

"yep!"

"alright," she stretches forward to twist the volume nob lower. "i'm going to call it in and we'll pick it up on the way home."

‣ cait also does the general dominate things; like opening up doors of any kind for you when she can, interlocking your fingers when the two of you walk together, walking slightly in front of you at all times as well as guiding you. you secretly love it though when instead of guiding you through a crowd by being in front of you, you love it when she does it by standing behind you, a hand or both hands securely on your hips as she leads you forward from behind. she's also a firm believer of switching places when walking, on the street and you're near the road? she's switching with you. in the parking lot and your facing the intersections? she's using her hand on your lower back to guide you to be the closest near the parked cars.

‣ she will also never let her girl look out of place, so she fixes anything that is "off" with your appearance. like fixing a certain stand of hair, taking that fallen eyelash off of your cheek and raising her finger with the piece of your fine hair on it in front of your lips so you could wish and blow it away, fixing your jacket so it's straight or the neckline of your shirt or dress, the straps of your bra will never be showing when you're wearing thin strapped items as long as caitlyn's around. holding your little compact mirror while you fix up your makeup or reapply your lipgloss. your necklaces will always be facing the correct way. picking off lint or stray hairs from your clothing. and she somehow always notices when your sneakers are starting to untie before your, pulling you aside so she can get on a knee and pat her propped up knee so you can place your foot there and allow her to tie your shoe, when she's done she pats your foot to let you know and she dust herself off before leaning down to give you a kiss.

‣ when out in public she'll usually always keep one hand on you at all times. in a comforting way for the both of you, especially if the two of you will be around her friends or people her age. she knows you get antsy around them and there's anxiety about being the youngest in a room full of older people. so, there will always be a comforting arm wrapped around your waist or a hand in or lap or on your thigh.

you look around the room, there's people you've met before. caitlyn's friends and a few colleagues, but for the most part a majority of them are new faces. and you can't help but feel like everyone is looking at you.

you've never been insecure about being with caitlyn. yes she's older than you, but it's never stopped you from feeling head over heels for her and that feeling overpowers any doubt or insecurity you could ever have. it's the fact that it seems like you're the youngest in the room, there's nothing inherently bad about that. but everyone here is successful, and you're well. . . a college student working a job that has nothing to do with what you're going to school for.

a warm hand snaps you out of your thoughts. lifting your head, caitlyn's already looking at you with a soft expression. "you're shaking your leg, love."

"oh," looking down at the leg with cait's hand on it, still shaking. you stop it on command, focusing your gaze back on your girlfriend.

"are you okay?" she tilts her head, her eyebrows furrowing and the ponytail her blue hair is in swishes behind her, cute.

you give her a tight smile, nodding your head. "hm." you hope you're convincing enough.

caitlyn takes in a breath, breaking her gaze from you to look around the room. "y'know that woman over there went for the same major as you." she points out.

"really?" observing the woman who's talking with a few of their colleagues before turning your wide gaze back to your girlfriend.

"hm. she doesn't do work with it," she pauses, turning her head back to you with soft eyes. "but, what she does now is something she loves."

her hand smoothing up and your thigh, comforting you. "what i'm trying to say is that don't worry about your path right now being different from others around you." she reassures. reaching out to take a hand from your lap to take it in hers, bringing your hand to her lips and pressing a kiss.

flushing at her gesture, "thank you, cait." your voice small enough for only her to hear in the chatter of the room. your hand stays up near her lips and she presses a few more kisses, causing you to giggle.

"there she is." she muses.

you bring her hand holding yours down down into your lap to clasp her hand in between yours. leaning forward, a few inches from her face.

"kiss?"

caitlyn leans forward to meet your lips, not connecting them just yet. "any thing for my darling." she whispers against your lips.

‣ it was also established pretty early that caitlyn is the big spoon in the relationship. she enjoys and you love it. caitlyn also finds it pretty cute whenever the two of you are laying anywhere whether it's the sofa or in bed that you turn your back to her and keep shifting until she notices your moving form, coming up to wrap herself around your backside. not really big spooning but caitlyn enjoys the feeling and pressure of your laying on top of her, always telling you how it grounds her whenever she pulls you along to the bed and flops you on top of her. but you never complain because you find it comforting too, the side of your head press against her soft chest, focusing on the steady rise and fall of it and the buh dumbs of her heartbeat, you usually fall asleep quickly like this.

‣ older gf!caitlyn knows how draining it is to be in college. you get so focused on your education by sainting grades or completing assignments, not to mention the exams. so, she's always doing her best to help you out and make sure that you keep yourself in check rather that be mentally or physically. during hard times where you have midterms or finals or just back to back exams caitlyn will always tell you to not worry about picking up shifts at your job, she already knows you're overworking yourself by studying and doesn't want you to exhaust yourself further by working long hours. because she knows you and that if you could study then work a shift and study some more afterwards you would, but she knows that isn't healthy for you. so she always reassures you by saying that she'll support you financially for a little bit, transfer sums of money into you bank account for rent, bills, groceries, ect. it gives her peace of mind to know that she able to take a weight off your shoulders and provide for you. cait is also an insanely amazing cook and you always rave about her cooking, so she began taking a day out of her week every week to cook you some premade meals. she always comes stocked and ready on a weekend to your place with her tote full of meals to pile into your fridge. and during exam season it became pretty common for you to send time at hers for a few days. she does it to watch over you to make sure you're not running on fumes, but you like to think of her as a built in study buddy for reviews. during these days cait will come home from work to most likely find you at the dinning table studying, she'll kiss you on your forehead, and she'll head straight to the kitchen to cook dinner. as much as you dread exam season you don't dread spending this time with cait, there's just something so inherently domestic about cait providing for you. coming home and cooking dinner for the both of you, it makes your mind go numb. and it makes her feel successful when at night when she drags you to bed and for her to wake up to begin getting ready for work that you're still in bed soundly sleeping and that you didn't sneak off somewhere to study.

"dinner's ready." caitlyn chims, poking her head into the dinning room where you sit.

you lift your head up from your notes to eye her. sniffing the aroma around you. "chicken alfredo?"

"hm. you said something about craving it last week, so when i went shopping i picked up the ingredients."

"you're so sweet, cait." you hum, watching as she exits back into the kitchen. you prop your elbow up the table to rest your head in your hand, eyes flicking back down to your notes. you needed to understand—no—absorb this material into your brain for your exam coming up in a few days. listing off multiple curses within your head for taking this course and major and your professor for being a difficult teacher.

there's crinkling of sheets of paper around you. cait's suddenly bending across the table to organize the scattered papers in her hands. "c'mon, love. you can study a little more later."

fixing your gaze back up causing your eyebrows to raise, dumbfounded as you watched her. releasing your head from your hand to reach it out for the papers. "but—"

"but?" her tone is questioning and harsh. blue eyes narrowing at you.

"just a few more minutes, please, baby. i almost have this down."

you watching her graceful figure walk to the edge of the table where the rest of your materials lie and she places the stack down. she stands tall, placing a hand on her hips. "you can always study some more afterwards," she begins to walk over towards where you sit. "your notes aren't going to miraculously grow legs and run away, love. they'll be here." she assures. you blink and look back down at the notes in front of you, then back up at caitlyn. and for the first time you notice her attire, her hairs in a messy ponytail, still in her work attire but she's discarded her blouse and is only in her under tank top and slacks, she too has has had a long day.

"okay." you agree.

caitlyn smiles, showing off her toothy grin and her front gap you adore. she takes the material in front of you and places it with the rest.

"we're eating at the island. i have a sneaky feeling your cute bum has been sat on that chair all day." she teases.

you stand, bones cracking. your eyes shoot straight to look at cait, the both of you bursting into laughter. the noise proving her suspicions correct.

she sways back towards you, "come before the food gets cold." she muffles out, taming her laughter.

beelining to the kitchen island you sit back down, but now on a high top chair. lifting yourself up by your hands on the counter to eye the dish of chicken alfredo on the other side of the counter.

"looks s'yummy, cait."

"hope it is."

"always is" you correct.

watching as she stands on the other side, empty plate in hand with tongs in the other, dishing up some pasta and chicken.

"good?"

you eye the plate, "hm" you nod.

she heads behind her to the stove where steamed broccoli lies, piling some onto you plate. opening a drawer next to the stove, grabbing a fork and slamming it shut with her hip. she turns around and walks around the island. the clank of the plate landing on the counter, placing the fork down next to it.

"dig in, darling." pressing a kiss into your hair before going to fix her plate.

‣ she takes care of you in softer domestic ways. such as taking off your makeup for you after a long day or a night out with friends. bathing you and carefully washing over you in the shower. washing your hair, even going as far to learn the type of products you use and buying spares for her place so she's always stocked if you happen to spend days at her place and it's a wash day. she even learns how to care for you hair type if you have curly hair, hearing you complain endlessly about the process of washing and styling it, so she'd take it upon herself to observe you and learn so that way she can help and maybe even completely take over the process to give your poor arms a break. a certain domestic thing she does is call her place home. not just her home but your home too. whenever you're spending the night and the two of you out she'll always say "alright, let's head home, love." at the end of it. and it never fails to make your heart skip a beat that she views her space as your guys's collective space. she makes it knows that she's ready for you to move in whenever you feel most comfortable, and the day that you announce that you're ready to live together she is beaming.

࣪ ˖ NOT SAFE FOR WORK.

‣ a subtle way she asserts dominance is maintaining eye contact with you. she relishes in being able to make you flustered from simple eye contact, watching you get all fidgety and stumble over your words. but it's also her silent cue whenever you're acting out in public. a tilt of her head, dark gaze, heavy lids and a narrowed eyes will usually set you in place.

‣ caitlyn knew a lot about herself before she met you, she kept a list of all things she liked and didn't like, and those things rarely changed. but what she didn't know is that she'd find being called mommy so attractive. she knows she can be assertive and demanding at times, always the one with the plan. she was even deemed the "mom friend" when she was younger, but not once in any of her other relationships had anyone called her mommy. and maybe it's because she's never dated anyone, before you, with a large age gap. but the first time the word escaped between your sweet lips it was when cait had you face down, ass up, drooling into a pillow. fucking you at a particular angle with her cock that caused you to go dumb and roll your eyes to the back of your skull. realization didn't strike you when it muttered out, you were too far gone, but of course caitlyn heard it, she hears everything. her hips stilling. "what was that?" you barely heard her question, only worrying about the fact that she stopped fucking you, pressing your hips back to gain her attention to begin thrusting again. "please—mommy." oh. she liked that.

‣ older gf!caitlyn expects nothing but the best behavior of her sweet darling. she finds it intolerable and disrespectful when you decide to be a brat and act out, and when you take it further and push her past her warnings? she's seething. but two can play that game.

cait lets out a laugh along with her friends. the two of you were where at this restaurant for hours now. you didn't mind your girlfriend's friends, you loved and enjoyed their company. but you didn't expect to be here for this long and it's getting antagonizing having to sit and pretend like your understanding anything any of them are saying, especially when cait looks like that, blue hair flowing down her back, dainty silver jewelry decorating her body, in that black silk dress the one with the modest (you don't think do) slit. you begged her to cancel the moment you saw her, but she persisted, and now you're suffering.

she's even been uptight today, shutting down your sly advances, saying something about acting out and wanting to enjoy a night with her friends in a long time when the two of you took a bathroom break. the bathroom break had backfired too, you prosed the question about going to the bathroom hoping she'd shuffle you into a stall and finger you, but that was a bust.

when you peak down to look at the time on your phone you catch something interesting from the corner of your eye. caitlyn's exposed thigh from the slit, her dress is bunched up a little at her waist so the amount of skin showing is more.

your nimble fingers trace down her thigh, smirking at the feel of goosebumps rising on her skin. settling your hand on her thigh, not too far low and not too high, just yet.

cait turns her head to peer down at the hand on her thigh, your pinky rubbing back and forth on the soft skin. then to your face, you flash her a smile and she does the same, pressing a quick peck to your lips before she turns her attention back to her friends. you feel as though a grey gloomy cloud was cast over you in that moment.

in a burst of inspiration you begin to inch your hand high, little by little until a few of your finger tips are dipping past the slit of that dress towards her clothed cunt.

her head instantly snaps towards you, eyes narrowed.

"what do you think you're doing?"

"i want to play." you shrug.

"and i told you not here."

"but i really want it," your gaze on caitlyn growing dark. "mommy." purring out the name so only the two of your could hear it

caitlyn's eyebrows raise in shock before they settle back down, turning her head to see her friends are still deep in conversation. her hand pulling yours from between her thighs. there isn't a harsh grip around your hand but it is tight, and with that hand she pulls you forward.

"fix your attitude and behave. maybe i'll think about touching you when we get back home."

you sit up straighter a grin forming on your face. nodding your head "m'kay." caitlyn squints her eyes at your sudden sudden change, releasing your hand.

a few moments pass by and you're already thinking of defying cait again. this time your hand finds her shoulder. you're bored so you begin to trace shapes on it, but then that gets boring so you start toying with her dress strap.

"stop that." her voice startles you.

you roll you eyes, confidently, because caitlyn isn't even looking at you.

"'m not even doing anything."

"yet." the pronunciation of the word is precise and harsh.

she turns back to you, "you're thinking of doing something. so i suggest before you do, that you don't."

"cait." you whine.

"what's going on with you, hm?"

"i told you."

"you're never this bad in public." that's true, but you've never had to wait this long for your girlfriend to touch you.

"you don't get it."

she eyes you. "no, i think i do," leaning forward her lips ghost yours. "seems as though i've spoiled you rotten which is causing you to act like a little slut in front of all my friends."

her voice dropped to an octive, enacting a reaction of chills down your body, wetness pooling between your thighs.

"be quiet or you won't cum for a week." she commands, pressing a kiss to your lips and refocusing herself.

"wha—"

suddenly caitlyn's hand dismisses the fabric of your skirt to between your thighs. fingers getting to work by rubbing at your clothes clit. you look up to see that cait now has her drink in her other hand, bringing it up to her lips to take a sip. her peripheral vision catching you and flicking her eyes to you, corking an eyebrow up at you.

as she is finished with her drink and sets it down her fingers push past your panties, spreading your legs a little wider to welcome her large hand. slow lazy circles on you clit was all you got for awhile, but it was enough to simmer your ache.

without warning cait bullies a finger into your sopping heat, causing you to let out a loud gasp. the entire table turning to you.

"are you okay?" one of her friends asks.

"yeah. you feeling alright, love?" her voice is laced in false concern. slipping another finger into your greedy cunt, observing your reaction.

you shuffle, looking around the table, then down at your empty plate. you can see cait's hand flexing as she pumps fingers in and out of you.

"uh— none of us has ordered dessert yet! it's not a dinner without dessert," you prose. "hm, right?"

the table agrees, and someone beckons the waiter over.

while everyone is occupied, caitlyn leans forward to your ear. "quick thinking, little one." she praises, watching as the waiter takes everyone's dessert orders. "order up, love."

"and what would you like?" the waiter asks.

biting down on your lip, hard. "hm, what's good?" there was an infliction on your voice from cait pressing her thumb against your clit as she fingers you.

"the molten lava cake is our most popular—"

you cut them off. "i'll take that!" a muffled moan escaped through your mouth, "hmm, sounds very delicious." hoping that saved yourself.

the waiter writes it down on their pad, turning their attention to caitlyn. "and for you ma'am?"

"oh, her and i will share." she confirms.

as the waiter walks off your head turns to cait, glossy eyes boring into her cold blue eyes. "cait—"

"i know" she shushes, she already knows you're close by the way you're desperate sucking her fingers back in. you're not sure if it's all in your head, but you swear cait fingering you underneath the table is causing the obscene squelches from your messy cunt to reverb and echo through the restaurant. to combat the noise you squeeze your thighs around cait's hand, but she persists.

flinging a hand down to grip at the hand between your thighs, you're so close that you don't even care if her friends caught on. not when her slender fingers that spot so deep within that only cait can reach.

just as you legs begin to shake uncontrollably, caitlyn whips her fingers from you needy cunt and between your thighs. grabbing the cloth napkin to wipe off your juices from her fingers, an icy glare is sent your way as she sets it back down, one that tells you everything.

brats don't get to cum.

‣ going back to spooning with caitlyn, she also loves to place you in her lap while the two of you watch tv. your head in the crook of her shoulder and a hand of hers in your hair, playing with it. until suddenly when she was innocently twirling a piece of your hair you'll feel a tug at it, causing you to gasp unexpectedly. or she'll get straight to it, so a her hand will find its way on the nape of your neck, slim fingers threading themselves through the underside of your hair before she yanks, now this will cause you to moan out, head falling back so she's cradling it in her hand. wet lips finding their way to your exposed neck, kissing and nipping away at the sensitive skin. you'll whine out, only for cait to shh you, "let me have my fun, love."

‣ there's something intoxicating about you being naked while caitlyn is completely clothed. the contrast between your crumbling figure and her composure. she also loves seeing how your sensitive body reacts to the feeling of her clothes on your body. her favorite is to press her clothed chest to your bare one while the two of you are messily making out, your nipples immediately hardening. even the way she can feel your slick soaking through her slack covered thigh, tainting the material. it drives her insane when she makes you squirt, your juices all over her button up making the material darker.

‣ when you're particularly needy and need something to shut you up she'll shove a few fingers in your mouth, watching the way your eyelids drop and you focus on sucking on her fingers. on other occasions she'll order you on your knees, grabbing a cushion for them. and she'll strip slowly and teasingly for you.

you watch her hips sway, raking in her naked body. her blue bush in your face and you feel drool pool into your mouth, gulping. a hand comes to your chin, pushing your head up to look up at her.

"you've been needy," she begins. "but, you've also been good. so i was thinking of putting your neediness to use, i want your mouth."

nodding your head aggressively, eyes dropping back down.

"words."

a hand still on your chin tips your head, peering up with wide doe eyes, cait's expression is cold as she stands over you. "yes, use me mommy, please."

her face relaxes and she smiles down at you, "good girl." your chin is released and her hand smooths over the back of your head, pushing it forward.

taking her clit in your mouth, you moan into her. lapping her up, you free your hands from your lap, placing them on her hips to burry yourself further between her pretty thighs. eyes fluttering shut, savoring the taste of the woman standing above you.

"ah, that's it. s'good." cait's noises of pleasure sounds like music to your ears. opening your eyes to view up her body, she truly is a stallion. her eyes are shut, her shirt long discarded on the floor as she toys with one of her breast, her hand still on your head keeping you pressed up close to her, and her mouth is agape.

your wet muscle working away at her, gliding through her sticky folds. slurping up all her arousal, not wasting a drop.

"so—" she begins. but gasp when you take her clit and suck on it. "shit. so," she gasp again, "so eager to please."

nodding into her, not wanting to let up. releasing a moan into her, causing the grasp in your hair to tighten.

"c'mon, love. make me cum," doe eyes staring back into her drowsy eyes as she lazily talks. "make mommy cum."

caitlyn addressing herself as mommy made you clench your thighs, the ache between your thighs becoming very apparent.

your pushed so far into her that your nose is up against her bush, her scent only enhancing your eagerness.

cait begin to slightly rock back and forth in your mouth maneuvering your head so she's practical long dragging her cunt against your face. your finger nails grip into her hips, adding to her movements. her juices dripping down your chin to dip down your neck.

"fuck!" she yelps, her sweet release washing over her shuttering body and you quickly slurp it up.

the grip in your hair releases. when your satisfied you let up, but quickly you place a kiss upon cait's clit, letting up with a mwah. a shiny sheen covering the bottom half of your face, even the tip of your nose.

cait's hand finds it's way on your face once again, but it cradles you jaw this time, thumb swiping over your plump, slick cover lips.

"my baby always knows how to care of me, doesn't she?" she purs, droopy eyes sparkling down at you with a dazzling smile to match.

‣ whenever cait is strapping you she prefers to be gentle with you. it'll take a lot of begging and or pressing your luck to get her to be really rough with you (like the first time you ever called her mommy). she also just prefers it. she likes taking it slow with you whenever she fucks you with her cock, in missionary so she's able to see your twisted up face from pleasure. she's also just a plain sucker for intimacy, the two of you so close that you're not even sharing space the space you two take up is its own completely new thing. everything of the outside world just washes away, and she gets to focus on you and only you. she loves being able to look you in your eye and dip her head in the crook of your neck to litter kisses and love bites across it and down your collarbones to your tits. and she really loves when you cum, your back arching off the bed your chest pressing further into hers, your head falling back, mouth agape and releasing pretty moans and whines of your climax, even your toes curling and uncurling. she eats it up. she loves it. she loves you.

[abyssembraced]

Mainly asking because I know the change might make things annoying with tagging and stuff.

You can read the tags if you want some extra info!

[palskippah]

Hi! Nimona told him to do a thumbs up (also I hope you get the reference image because I couldn't find it ajkdsad)

There's some mpreg headcanons and drawings under the cut! :D

By the way the limit of images is 30 so I had to make some longer images with comics to save space and put more drawings 😭

-Also, small continuation from the previous drawing:

(I wrote baby album but maybe it should be those albums that people keep of the pregnancy process ajskd)

-When Ballister first started showing, he was a bit insecure about it, but Ambrosius helped with that, in the romantic sense of worshipping and whatever, but also like this:

Translation (did my best to see how to translate it sorry sdjksd it works better in spanish)

1 Ballister: I think it's too soon to be getting fat- Ambrosius: You know what else is getting fat? 2 Ambrosius: Who said that

-Ballister goes through the denial of needing new clothes, so imagine him still wearing the stuff he usually wears and Nimona coming from behind and picking at the clothes by his shoulder and going in a high-pitched voice, as if the shirt was talking - I'm tired, boss while Ballister swats her away and say, leave me alone, it still fits me >:(

(it doesn't)

>Also Ballister absolutely refusing to wear maternity clothes, the only one he got he was like, wearing it and looking very unimpressed, and Ambrosius' like, you don't like it? :( and Ballister says, No. It's ugly as fuck >:(

>So, he just gets bigger shirts and stretch-ier pants and that's it. Also he gets an oversized hoodie and he says that's gonna be his best friend the rest of the pregnancy, and both Nimona and Ambrosius gasp offendedly at that.

So-

Ambrosius (turning to look at Nimona): What the- hey, I am his best friend. Nimona: Course not! You lost that privilege with what happened that one time (she means the movie events, more than five years ago) Ballister: Ambrosius' my best friend, Nimona. Ambrosius: HAH >:D Nimona: Aw :( Ballister: Because you're my sidekick :) Nimona: :D Ambrosius: Hey, what now- that sounds better than best friend :(

-Ballister during most of the pregnancy is like, woo baby :) but at the very last months he's at least half of the time pissed off, tired and done with being pregnant.

(my incredible math skills in the next point)

>70% of that time he's mad at Ambrosius (who made him pregnant), 20% mad at Nimona (who consciously (and sometimes unconsciously) gets on his nerves) and the remaining 10 he's pissed off at Baby (and he gets sad about that one, because he's just a baby, so he redirects it at Ambrosius instead 😔)

>Ambrosius does his best to be of help but usually there's nothing he can do aside from being there (and sometimes getting out of Ballister's sight, if he's really angry- in the sense of 'I don't even want to see you now')

>Most of the time Ballister just cools off.

-Also Ambrosius giving him massages, sometimes randomly on his shoulders or his feet, and sometimes something more elaborated, like Ballister laying down and him using body oil, setting the ambient and all to massage his back (and Ballister almost always falls asleep in those).

>Sometimes tho he just does a 'chop chop chop' at his shoulders (it doesn't do anything besides amusing Ballister and keeping him company)

>Also Nimona said that of course he'd just randomly start chopping Ballister while Ballister does nothing about it, so Ambrosius starts chopping her instead

(made these two drawings with like three weeks of difference ajdkad)

(N/SFW thingies on the next four points and the next four images)

-Also with that previous point imagine Ballister waking up all angry, and Ambrosius just not knowing what he can do for him to stop being mad, but it turns out that Ballister had just woken up horny and pent-up.

>And once he realizes, he's like Ambrosius... (with intentions of getting some), and Ambrosius is like 🧍? because a second ago Ballister wasn't even looking at him.

-Also with this, Ballister is just very much hornier now (after the first trimester which was the worst) and Ambrosius doesn't mind at all - except when his jaw gets sore or he's running late for work because they lost track of time and also other situations ajsdks but usually he's delighted.

>(In the drawing Ballister just crossed one leg over the other once he heard Ambrosius coming in, because he can't maintain the position too long without getting uncomfortable sdjksj)

-Whenever Ballister is like >:c and looking in Ambrosius' direction, he immediately assumes that his husband is angry at him.

>Y'know when you look intensely at someone so they feel your gaze and look at you back? Ballister here is trying to apply that, but it doesn't work bc of the previous point askdad

-I had written sometime (I think) about them blaming Baby on literally anything that has more or less to do with him. If Ballister's crying, if he forgets stuff, if Nimona coddles Ballister too much and pisses him off, if Ambrosius wastes all the cleaning product in two weeks because he had been cleaning too much (he's nesting and realizes that sometime later), if Nimona and Ballister eat the weirdest stuff that at least he wouldn't eat in normal circumstances- and a long etc.

-During Ballister's pregnancy, Nimona works the most she had ever worked in her existence (in the biscuit factory):

-Both Nimona and Ambrosius are the most supportive c: yippie. Supportive husband/best friend and supportive sidekick/friend/sibling/etc

>An example would be of Ballister being tired, and if the time allows, the other two will immediately suggest a nap.

>Their collective naps usually last hours and they wake up disoriented, sweaty, with drool and the sheets marked on their faces.

>Also they wake up almost always stacked, Nimona always under the other two.

Translation

Nimona and Ballister: (snoring) Ambrosius: Fuck- what year is it? (tries to lift himself up)

-Also Nimona is the self-assigned pregnancy pillow, and at first Ballister had refused to let her do that, but as a sidekick she took it upon herself to make sure that her boss was comfy and could sleep well - and Ballister reminded her that that's not what sidekicks are for. She said, fuck off I'll do it anyways >:c

>Anyways he sleeps great with her help and earns himself a huge told you so from Nimona.

>I had written a thingy where just when she woke up she was like good morning boss :D while Ballister also said good morning and she hugged him while pushing Ambrosius away, even out of bed. I can't remember where I left it but once I find it, I'll see if it's good for posting pipipi Also Ballister and Ambrosius are corny husbands

>Also here I drew my vague idea of a bear bc I was too lazy to look for Nimona bear references sowwy

-Nimona sometimes shapeshifts into Ballister to make fun of him.

(This one joke gets lost in translation which is a shame but I'm gonna share the comic anyways sdjs)

>(She's messing around about names, doing a play in words using Gloreth's name while Ballister is already warning her to stop)

>Nimona urges them to get a name soon because Baby is almost born, and they're like yeah chill we're on it - and they're both sitting on the sofa, with Ballister's legs over Ambrosius' lap, while Ballister goes through their list on his tablet and Ambrosius focuses on giving him a massage on his feet.

They're like-

Ballister: So, Cyril? Ambrosius: No, my horse at the Institute was called that. Ballister: Right, then not that one... What about Casper? Ambrosius: Hmm... no. Ballister: Why not? Ambrosius: I don't know, I just don't really like it. Do you? Ballister: Eh, it's alright, I guess. I don't think Baby looks like a Casper, though Nimona: You don't even know how he looks yet! Ballister: You shut up, kid >:v Ballister: So, what about…

And they're making nearly to none progress but yeah sjdsd

>Also imagine Nimona (as Ballister) imitating what he does now that he's pregnant but x10 times more.

Translations

1 AUGHH- MY BACK 2 FUCKING AMBROSIUS! 3 Ambrosito? Can you get me a sweet treat? �� 4 I'M HUGE WAAA

>And while Ballister is like wtf I don't act like that, he turns to Ambrosius like, do I act like that? 😥 And Ambrosius, who was laughing to himself, goes, well... not so intensely, which is good enough for Ballister.

>But Nimona points out to what Ballister is eating with a mocking smile (and it is weird to be mocked by a version of himself that has a pink strand on his hair, but whatever), and he's like ? what? and realizes that he did ask for a sweet treat almost like Nimona depicted he does, because he did pull the big sparkly eyes and he did call Ambrosius Ambrosito while at it.

>Then he's wondering if he really complains about his back like that (he does, but as Ambrosius said, he isn't so intense about it, usually just holding his lower back and throwing his head back as he winces. Normal)

>(the yelling insults at Ambrosius is definitely not true. But he does throw daggers at him with his eyes when he's angry, he has to admit to himself)

>Now, about crying because he feels huge- yes. Very much true, but he doesn't wail. Just sobs and cries a river like the sensible, serious adult he is.

-Also that thing of knights don't cry and whatever. This one knight does cry, and he cries a lot (at least while he's pregnant).

>He cried once because he dreamt that Nimona was a little spider and even though he warned Ambrosius to be careful, he accidentally crushed her and he woke up not only incredibly sad but also upset with Ambrosius, even though he was aware that it was silly to get mad with him over a dream.

>Nimona was like boss :( while hugging him, and Ambrosius had to scoot a bit away because Ballister didn't even want to look at him as he wept. Ambrosius said a lot of reassuring words of I'm sorry, I think I didn't see her :( while Ballister was like, but I warned you so many times :'[

>Then he was like, I promise you, I'd never hurt Nimona. And Nimona herself said, yeah boss, I'd crush him first, don't you worry about it :) and Ballister said, but I couldn't protect you :''[ while hugging her harder.

>And both Nimona and Ambrosius are (internally) like, ohh, so that's what it's about.

>Anyways, just a bunch of hugging and comforting gets him to feel a little less sad and also Nimona saying, but you're great at protecting me now :D so, there's all that sdjksd

-Sometimes Ballister just breaks down over seemingly the most trivial stuff too (which is usually just the last straw over a bunch of other stuff going on)

Translation

1 Ambrosius: Balli? What happened? D: Ballister (with one eyeline going up and the other going down): Ambrosito, my eyeline's crooked* *the straw that broke the camel's back (his hair isn't cooperating) (his back hurts) (done) (clothes feel uncomfortable) (the baby won't stay still) 2 Ambrosius (doing Ballister's eyeline): Stay very still, love (focused) 3 (they're in front of the mirror) Ballister (laughing his ass off): BUT HOW DID YOU MAKE IT EVEN MORE CROOKED?! Ambrosius (embarrassed): Aw Ballister (holding his belly): Ow, Baby, don't kick me, sorry, sorry! I'll stay still now-

>(Y'know when a pregnant person laughs the baby inside gets all shaken skdsd I find it funny, so imagine Baby being like ??!! because Ballister keeps laughing too hard and shaking him all around and his kicks are like him going, stay the fuck still D:<) (Ballister's still weepy but now he's crying with laughter, which is better than him crying from being overwhelmed)

-Also Ballister's very scared of giving birth but he's very good at pretending that Baby will simply materialize in his arms rather than him having to push him out.

(Drawings based over this)

Translation

1 Ballister happy because his baby is almost born 2 (Remembers that he has to give birth to him)

-The day that he was in labor and all, imagine the water just breaking and stuff and Nimona being like 'okay everyone DON'T PANIC' while panicking and also Ballister's panicking too (Ambrosius' at work and when he's told he also panics and arrives at the hospital in record time still wearing his armor. The power of first-time father panic)

(But someone gotta be not panicking in the situation, so Ambrosius calms the fuck down and becomes the calming presence that Ballister can rely on c: also Nimona calms down too and goes back to being herself and is very good at distracting Ballister while he goes through contractions and the hours before pushing.)

>Also y'know how in TV sometimes someone else imitates the pregnant person's breathing exercises by going huff huff huff quickly ajsdkjd

>Also Ballister going Nimona what about the bags and also don't carry me there?! and her going shit right and ignoring the second half, then returning for the bags and grabbing them, all while holding Ballister like a doll (a doll with a little doll inside SJDS pregnant barbie)

En español pensaba que fuera = AYÚDENLO, SE LE SALE LA WAWA - NIMONA DEJA DE HACER SHOW

-Wrote a lil something about Baby's birth and Ballister going through kinda a rollercoaster of emotions because at the very beginning of the pushing stage he almost had a panic attack, but then everyone in the room helped him calm down, and when he thought everything was going great, the doctor offered Ambrosius to receive their baby, and of course his husband was very excited about it and said yes, getting dressed up in the medical gown, the facemask, the gloves and all that.

(Initially everything after that was supposed to go swiftly, but I thought, no, what if Ambrosius faints like some dads do? and after watching a TikTok of a woman whose partner did faint and they had to pause her birth to hold him up because he was like over 6 feet tall, I was like hell yeah that's it)

>When Ambrosius finally got between Ballister's legs to look, his blood pressure went the fuck down. And since he's pretty tall and the nurse that tried to catch him was pretty short, the other one had to join in and then the doctor too to avoid him slamming on the ground. The thing was that Ambrosius was clearly fighting very hard against unconsciousness, giving the three people holding him false hope about him finally holding his own weight, making them almost drop him multiple times.

>Sensibly, the situation was kinda scary, because the three people assisting his baby's birth were busy trying to hold his husband from fainting. Said husband was clearly fighting with everything he got to keep himself conscious, and Ballister could very much feel his baby crowning.

>But seeing three short people trying to hold Ambrosius up and yelping when they almost dropped him several times, and remembering that Ambrosius had been so excited about it but hadn't been able to even stand the view, and feeling pretty nervous because his main emotional support couldn't even keep himself awake-, made him crack up.

>So, he's laughing out loud and going every once in a while, owfuck- because it still hurts like a bitch, while the other three keep going, YOU'LL DROP HIM. BE CAREFUL, SIR?? SIR, CAN YOU HEAR ME? and Ambrosius' like, yea- (faints again)

>(they're well aware that they gotta deliver the baby, so they're doing their best to hurry Ambrosius to get out of the way)

>The whole thing had made Ballister's body feel weak from the laughter, and he had to try and calm down to have strength again and push the baby out.

>As you'd guess, Ambrosius didn't receive their baby, and had to sit down and eat something sweet to not faint again, but he managed to stay on his feet well enough to cut the umbilical cord yippie.

>So anyways, Baby out, wrapped and all that, Ballister kept laughing more quietly about it and saying that they should mark the date in the calendar to celebrate Ambrosius fainting over almost delivering their baby. And Ambrosius' like hmm, I don't know Balli, maybe we could use this date for our son's birthday, don't you think? and Ballister's like OH RIGHT and now started laughing at himself.

I keep thinking of new stuff that contradicts what I already have posted, sowwy

>Imagine Ambrosius practically begging Ballister to not tell Nimona, while the other says she'd love to know but also is aware that she'd never let Ambrosius live it down, so he agrees on not telling her. Both eventually tell both Nimona and Baby when the latter is older and inquired about his birth, and indeed, Nimona loved the anecdote, and never let Ambrosius live it down, since then.

-Ideas about Nimona infiltrating the room in the form of a nurse after Baby is born and blowing up her cover when she commented on the baby's nose being just like Gol- Mr. Goldenheart's. And also, his hair being black like Bo- Mr. Goldenheart's.

>At the beginning when they had been admiring their baby, Ambrosius had said, he got your hair D': pipipi (he cried the second Baby got placed in his arms, got a drawing of that but I don't like how it came out wah, Ambrosius' wearing a facemask and being all tear-eyed pipipi) and Ballister had said, he got your nose :D but Ambrosius had said no? that's just a baby's nose, how can you even tell. But after Nimona commented on it, Ballister's saying told you so, it's your nose, while Ambrosius' like, Mr. Goldenheart could be either of us (both smiling amusedly because Nimona's too silly and they clearly know it's her, but she's all idk who's Nimona?)

-Also, I don't know how to make that work with the idea that when she got kicked out to the hall for the pushing bit, she went to steal some flowers and balloons with 'it's a boy!' on them for Ballister. But anyways, I'll write that bit too.

-Also this is Goldenheart with their baby, and I drew it a while back but realized that I don't like it anymore, so I'll do a redrawing someday sdjksd

>Imagine that Ambrosius was in the hospital bed with Baby while Ballister was getting ready so they could leave to their home, and Nimona said pictures timeee and then took that pic, with Ballister pointing at Baby and being all :D Also, Ambrosius looked pretty good and all, and Ballister was all unshaven face, kinda messy hair, the hospital band with his name still wrapped on his wrist as he pointed at Baby, and yet there were some people online that were like ??! Ambrosius Goldenloin Goldenheart was pregnant??

>And the people that knew even if a little bit about the Goldenheart's life, and also because they still went out and whatever, were like ? no? didn't you see Ballister like, a week ago? (Where he was very obviously pregnant and Ambrosius clearly wasn't sdjkdj)

>Every once in a while, Nimona would remember about this and repost it again, even after Baby is much older.

And that's it! If you read till here, bless you ajsdkadj

I've got more stuff about mpreg, both written and drawn, so I hope to make another post like this sometime, they're very fun to make :D

[solarplanet2]

Little Eldritch Creature part 2

DCxDP Prompt/Drabbles

Chirp! Chirp!

Bruce expected many things when Oracle suddenly told him in comms that Jason's tracker went to the cave.

He expected something might have happened to Jason since Oracle had told him that his comms were gone, cut off.

He did not expect a little glowing creature chirping, almost in concern, around Jason.

"Get it off me!"

"Todd! I won't tolerate you hurting the little creature!"

"Why is it so cute?"

"What is that thing? It's not a fish right?"

"A worm maybe?"

"Ugh....bright.."

Little. Cute.

The said creature was small, with a green tail for legs, white hair that floats and blue skin, from closer inspection, he looked like he was wearing a long sleeve black shirt with white cuffs. Their ears were slightly pointed but still visible.

And also big wide green eyes that reminds Bruce of puppy dog eyes.

Bruce should be really freaking out right now. An unknown entity is in the Batcave and it seems to like Jason and charmed his family.

Which usually is not a good sign.

Bruce cleared his throat, gaining everyone's attention, that includes the little creature.

"Jason." Bruce says slowly, it made the said man grimace. "Where did you find...him?" Bruce took a moment to look at the creature who was clinging on the side of Jason's helmet, looking at Bruce as if he was listening. When Bruce hesitantly said the pronoun as if acknowledging the little creature, the said creature nodded.

Well, He understands him. One question out of his list.

Jason clicked his tongue. "I found him where Oracle reported about the disturbance in the satellite. That's when my comms started to loose cignal. I saw something glowing by the dumpster and when I took a look...I found him."

The little creature chirped in cue, as if he knew Jason was referring to him.

"And then he went in and smack into my face." Judging by Jason's tone, it wasn't good experience.

"And he just what? Stuck with you?" Tim asked suspiciously.

"I tried getting him off but he won't--!!" Jason did try. He tried grabbing the little creature off him but Jason's hand went through him or even letting go from Jason's helmet and floated around him as Jason tried to catch him. Then went back to holding on to Jason's helmet on the side.

"See!? Get him off! I have other things to do!"

The little creature chirped as if he was amused.

Bruce sighed. He should call Constantine even if he doesn't want to, this is clearly magic stuff.

Bruce takes off his cowl and grabs his com. "Let me call Zatanna about this."

"Uhm....B?"

Bruce blinked at the green eyes staring right back at him. The little creature suddenly let go of Jason and floated towards Bruce. The Small thing was staring at him before tilting his head, from Bruce's observation, it seems like he was confused, debating.

"Dad?"

Bruce blinked.

What?

: )

Part 1

[kinardsevan]

i wrote a whole ass psychology breakdown (for the first time in FOREVER) about the break-up. enjoy (if you so choose):

so I've been reading a lot in relation to Tommy's speech during the break-up (and have actually gotten through the scene several times now, mostly as a creative reference for these fix-it fics. I think one of the first things that I've seen completely tossed aside (that bothers the shit out of me as someone with over a decade of therapy treatment and a psychology degree) is whatever trauma Tommy carries.

We know that there are issues with his dad. We know Lou's lore behind him is that he spent a lot of his childhood alone. We don't know anything in relation to his mom, but she may or may not be the cause of more trauma. We know that his way of dealing with abuse of authority is to shut down and follow the leader, which is likely a mix of his military time and growing up in his father's household (and when I say this, I mean from what we saw of him under Gerrard's command). This is a person who has put years into getting himself into some version of okay after all that he's endured, and we know he still generally does it on his own.

To that end, here, have my breakdown of the break up (roughly right about the time Buck says "I want you to move in with me"). (with pictures!)

Prior to the offer, we watch Tommy process through Evan's explanation about his relationship with Abby, things being transformative for him, etc. We have to bare in mind that this is where we also start to get what I've dubbed "starry-eyed Buck". He's so in the throes of what he's saying that I don't think he's really considering the connotation of his words. At the same time, Tommy doesn't know what lore Evan is about to drop him about this prior relationship. Remember that he now has to contend with the fact that they both have strong opinions on their relations toward Abby, and Tommy can't know if their feelings toward her as a person will be the same. I think Lou played this beautifully, appearing anxious and apprehensive as Tommy listened to Evan explain that Abby was transformative for him. Then he shifts into how Tommy has been transformative for him (which, he has, and we as the audience know this, but we understand it from a bigger POV than what Evan is saying with his words.)

There have been posts about Evan putting Tommy up on a pedestal throughout this speech (and really, possibly even sooner, but this is where we really get it expressed). Tommy tries to rectify this to a degree by countering "I wasn't always that way".

To that end, we then get Evan telling him "I know, and it just makes me admire you more." Tommy gives a bashful smile, clearly heartened by the statement, and even opening his mouth as though he's going to respond to it in some form. It would be interesting to know what was on Lou's mind of what (if anything) he thought would've been said there. Are there lines that were removed in this scene? Was 'I love you' actually going to come up? We can't really know. However, there's this part of me that thinks that Tommy thought that they were having a discussion on the depth of their relationship which would've possibly brought those 7 letters to the equation. Either way, this entire bit of facial acting is SO important, because it speaks volumes about how Tommy feels about how Evan feels about him.

From there we get the "I want you to move in with me, and this, THIS, THIS is such an important point for this ENTIRE scene. It's two seconds, but it holds SO much for the narrative. This man, who seems to be on the verge of ...something, clearly (who knows if I Love You was on his mind, or if it was just the fact that Evan was expressing how much he cares about him.) The reason this is all so important is THIS REACTION:

Now again, we don't know Tommy's trauma, but the joy literally drops out of his expression and shifts to panic. Now, speaking solely from the standpoint that these two haven't even said "I love you" yet, his boyfriend steamrolled over him from a possible declaration of love straight to moving in together without discussing semantics. Further, it's not even "I want to live together", it's "move in with me". We don't know much about Tommy's house (because these shitheads haven't built him a set yet), but we know that he has a HOUSE. With a GARAGE. Buck lives in a LOFT. Regardless of how much of an asshole this makes me sound like, it's crawling with red flags. It comes across as "fit more into my life" instead of "lets do this thing together". Further, if that's not bad enough, mention of getting engaged and married is thrown at Tommy as well, which holds two major bits of information: One, these are on Evan's mind. We've NEVER heard him talk about getting engaged or married to anyone. This speaks to the importance of their relationship to him, but the lack of I Love You also speaks on his own trauma. If we truly are getting the rom-com trope, at some point there's likely to be a conversation about why he lept over it (*cough* Taylor, his parents *cough cough*). Meanwhile, as he's continued in his starry-eyed speech, this is what Tommy is giving:

Now for those who don't know how to spot it, this my friends is a PANIC RESPONSE. The shift forward, the move to get up, the literal deep breath. He's having a panic attack. Now, obviously we don't know what brought this on, but god-willing, we WILL get the answers.

Now, to his own point, Tommy doesn't just straight up pop Evan's pink bubble. He does express that it's a sweet sentiment, but that it's a bad idea. To which point we get:

"Evan, that is so sweet. But I can't move in with you." "And why not?" Because. I know how this ends." "Uh, what-what's that supposed to mean?"

At which point, we clearly get the qualities about Evan that Tommy likes. "Incredible guy. Big-hearted. Hot as hell. Impulsive." I don't feel that the expression here matters as much as his tone of voice, because we can see on his face that he's expressing these qualities from a good place. The next point of reference isn't until Tommy's next line, when he says that Evan's reaction is out of things being "new and exciting".

To that end, the way Evan is talking to him makes this statement valid. He's not talking to Tommy like they've been together for six months and have built a relationship that should be moving in this direction. (For the tenth time I will repeat, he couldn't even dignify whether he was in love with Tommy when Josh asked).

Furthermore, I think when you consider this part of the scene, you also have to consider the strain in Tommy's voice. Something about those concepts (living together, getting engaged, married) is terrifying. It definitely gives the impression that Tommy has been faced with some version of this before and he got burned. Why is this important? Because of this:

"I'm saying no matter how bad I want it to be, I'm not your last." Those 9 words are important on their own, but when you couple them with the expression on Tommy's face and what we've just seen him go through, there's a clear point to the fact that he's been through this before. I also think that there can't be enough importance placed on the way he intonates "how bad". This is not a man saying no because he doesn't want to. He's backpedaling because he's sure that he's going to get burned. We get this point further driven home with this exchange:

"I'm your first." "But hey, they can be the same thing." "But, they usually aren't."

See this doesn't read to me as someone who's scared because he knows Evan has never been with another man. They're both fully grown adults who have had multiple relationships. What this speaks to me (now) as, is someone who has let someone convince him before that he would be their forever, that they were all in, and then broke him. When you include his childhood trauma and whatever abandonment issues it's left him with in correlation with all of this, yes, it's still an extremely biphobic set of lines. But in the context of what he's expressing and why, it's not about telling Evan he needs more experience, it's about telling him that he doesn't believe that he'll want to stay settled down with him six months, a year, etc., down the road. And THAT my friends, is abandonment issues 101. "Everyone else has left, so it doesn't matter that I'm in love with you, because you will leave too, and I need to protect myself from that."

Following that, we get this: "if I were to move in with you, you wouldn't mean to, you wouldn't plan for it, but you'd end up breaking my heart."

This line is SO important, right next to Evan's exchange with Josh about his relationship with Tommy. Why? Because even though neither of them have said it, it spells out that these two are in fact in love with each other, even if they haven't said it.

"I don't think I could deal with that." Tommy is fucking GONE on him. He's expressing that if he gave himself fully over to what Evan's referring to, losing him would break him. Again, we don't have the full picture on his trauma, but we know there's a mountain there. It's also worth noting again, that the intonation he uses in these statements clearly come across as someone trying to reign in their emotions and keep it together. That says to me that we're dangeously close to touching his trauma.

I don't feel like I have to include the final few bits of the scene in gifs because they're all over the site now, but the next line gives over the fact that he hasn't really been open about his trauma to Evan, given that his immediate response to expressing all of this is "I should go". This kind of reaction is generally brought on as not being accepted for having certain feelings. Now, obviously Evan is caught off guard by the entire interaction, the same way Tommy was (but for different reasons), so we have to take all of that into account when we think about the fact that instead of countering Tommy's logic, he asks instead if Tommy is breaking up with him.

Body language is also so important here for Tommy. His shoulders are hunched in, we see him wipe his face (meaning there are likely tears), and when he turns around, he's so caught up in whatever wave has taken him over that it takes Evan asking him for Tommy to state "yeah, I guess I did" about breaking up. Further, there's the fact that he states that he didn't see the break-up coming, which goes back to my point at the top of this post, that he clearly thought the conversation was going one direction, and instead it goes the other. From this point, we have Evan reeling, because he wants to create more of a life with Tommy, while Tommy is shutting down because of whatever is holding him back.

Finally, as I've referenced before, we get this line:

"Should've known that parking spot was too good to be true."

That line makes zero sense out of context, but in consideration of someone trying to lighten the weight they're carrying (which you can literally see by the way he has his hand on his neck, which you generally only see people do as a stress response). You can also double entendre this statement that getting to be with Evan was too good to be true. We get that little inhale with the smile, and I swear to God the only time I've seen that kind of reaction is right before someone cracks.

And then in closing, we get the "I'll see you 'round, Buck," our closing gut punch. Evan is still reeling, clearly. His face is very "what the hell just happened". Tommy is clearly not okay. This entire scene has opened an entire can of worms on them without a whole lot of answers.

Now, I've owned the fact that basically from the end of 806, I felt like this had to be a swerve, and that there has to be more to the story. I've also pretty much owned the fact that if the writers did actually just do this for kicks and don't have a resolution for it, I may not keep watching. However, in the context of the fact that, for the moment, I'm choosing to put hope in some kind of resolution, these lines make so much more sense. It is worth noting though, most people in the fandom, let alone the general audience, aren't going to psychologically break this shit down line-by-line. They're not going to lean into whatever trauma Tommy has that we don't know about yet. Its why the internet has been a mess since Thursday night. But it's also why I talk about how, when this situation gets resolved (because right now I refuse to say if), Buck has to give up the loft and give more of himself. Tommy, by the nature of the show, has fully immersed himself in Evan's life, but we haven't seen or heard mention of Evan doing so at all in Tommy's life. That doesn't mean he hasn't, but we haven't gotten any version of that. So when I say Evan needs to give things up... it's about matching what he's asking Tommy to give up. Because at the end of the day, when this circles back around, he's effectively going to be asking Tommy to trust that he won't break his heart like others have, and when you have a lifetime of abandonment issues and have learned to cope by being hyper-independent and alone, moving in the opposite direction is more terrifying than anything else. ESPECIALLY when you love that person, which we saw Tommy spell out. Evan has the ability to break him (and probably already is via this cut-off-at-the-quick break up.)

So, I'm really gonna need these shit heads to figure out that they'll be more miserable apart than they'd ever be together.

That's all. Thanks for coming to my TED talk.

[jetpackgeneratedcat]

It took literal months, but I finished it!!

Top left: linked universe logo

The jojo's lu logo is sooooo detailed. It is one of the things I love about Jojo's asethetic with linked universe. The detail she adds brings so much life and information about the world of Linked Universe. Great example is all the embroidery on the chain's clothing. Let's you know about civilization, that an item may be magical, etc. It is difficult to keep small details in watercolor, but I think I caught most of the main details in the painting.

Middle left: Soulful legend

This was the fourth of the images I did for the painting, and the first image I really started to get into the painting. I think legend is my favorite to paint because he makes composition so easy. The red tunic adds an easy focal point. I did learn from this that I do not like masking fluid and likely won't use it again. It added to many hard edges that I wasn't intending. Very happy with the sky!

Bottom left: Evening snack

In this image, I liked the idea that wind and sky don't know what Ramen is because their worlds don't have enough space to produce wheat. So sky and wind are super excited about this new food, while legend has no idea why they are so hyped for noodles. I also liked the idea that four found a green pepper in the ramen as a topping and is a hater (this is from a note that jojo left somewhere saying that the chain will eat anything but four in the Manga does not like green peppers, idk where this note is to link it though....). I didn't end up drawing the Ramen noodles as it was just getting too small of a scale for me to be comfortable drawing the thin lines for the noodles in.

Bottom right: Testudo

I am very hyped in the future when we see more collaborative fighting with the chain and them working together effectively. I absolutely love the scene in shifting shadows part 3 where lenged and hyrule work together with the beam and hookshot.

Middle: Legends storage

This is a reference to one of jojo's earliest works where the chain goes to legends storage for him to pick up some gear. I love that scene and I tried to put as many references as I could. The one thing I need to figure out is how I want twilight to look. I can't wrap my head around it. Need to sit down and just try out a bunch of different faces for him. My Pinterest inspo for twilight is all over the place. I want twilight to look different from time because when Malon was trying to guess who was the descendent, she did not consider twilight (she looked at wars and wind (so I typically draw time, wind, and wars looking similar). For my own personal headcannon, twilight and time are very similar in their manner (the way the walk, stand, etc) and personality (their stubbornness (as seen in sunset pt3)) but not necessarily in looks.

Middle right: Boat boys

The first image I did. I like how the water turned out, but I will not be using masking fluid for the same reasons I noted earlier. I did trace the boat (i think this is the reference [L240632 Hornet Class. J. Arthur Dixon Ltd. Beken and Son]). I do regret not doing anything creative with the boat, but I just wanted to get into painting and needed some confidence by working directly from a reference. I also forgot that legend might not be so keen to be on a boat again based on a comment jojo left in 2022 or something. I think she mentioned something in a discord event back then about legend not too willing to be on a boat again. But that doesn't really matter, I put that boy in a boat whether he likes it or not lol.

Top right: Winter storm

Second image I did for this painting. I did trace most of the horse because I do not care to learn horse anatomy (ref. [Winter Save By David Stoecklein]) Favorite part about this is the lighting on the rope from the lantern. I think it turn out well.

Top middle: Heavy armour

Third image I did for the painting and the one I realized I need to spend more time painting people in neutral or back lite lighting. But for my first time I think it is good. I really want to see what jojo does with the armour sets! I like the idea that war's armour is clean and pristine while wild's armour is rusted and beaten from the calamity. In this painting I played with adding pink to the golden armour and I liked it. In the middle picture of the collage (legends storage), you can see i added pink to time's armour.

That's everything! ❤️

[oddballwriter]

Calling Them your Husband

Warnings: nothing really 

Author’s Snip: I just wanted to make some tooth-rotting fluff so enjoy

I’ll shut up now. Enjoy! And don’t be afraid to request.

Steven Grant

When you call him your husband, it was originally a joke, sort of

Your friend called you while you were out doing errands with Steven and they asked what you were doing, to which you said "I'm out with my husband getting stuff done."

Steven just blushes and does that goofy little smile he does because he's never heard you say that but now he wants to hear it all the time now

You guys are in a long committed relationship together and you two have been living together for some time now but he's been too anxious to ask about possibly getting married some day. Not knowing if that's something you want or if you just want to cohabitate as a couple instead

But now that he heard you refer to him as your husband (even if it was a little joke) he wants to marry you in a heartbeat so that you can actually call him your husband and he can call you his wife/husband/spouse

He just thinks about it the whole day but doesn't say anything to see if you will call him that again in case pointing it out will cause you to stop. He is a bit more affectionate though, sneaking in a pick on the cheek or something and secretly making goo-goo eyes at you

When you get home and you aren't in range of seeing it Steven starts looking up engagement rings and prices to see which one would look nice on you and try and save up money

Steven also starts to subtly, at least as subtle as he can be, ask you about if you want to get married someday

He's such a dork though, bless his soul, in his brain he's just kicking his feet and giggling. He's looking at prices for venues and planners already.

Marc Spector

Marc has it in him to get married, we know that

But in his mind he doesn't really see himself as "husband material". He thinks that he's got too much baggage that you'd have to deal with if you were married

He acts like you two haven't been living together and splitting the bills and stuff, which is sometimes what marriage is, in the most domestic way possible

To him, he can't really see himself being able to do the whole marriage thing all over again

That was until some drunk creep was hitting on you while you and him were on a date and you told the guy "I'm with my husband" which warded that guy off

For some reason you calling him your husband while you locked your arm with his just washed those feelings of doubt out. Something about it just made him feel so confident

Like "Yeah I'm their husband! Back off!"

After that Marc was more open with himself about the idea of letting that title back into his life and getting to call you his spouse too

He more so likes the ability to call you his spouse. Possessiveness is in him and by god does getting to call you his spouse feed it

Marc will ask about the idea of marriage sometime after that just to see if you like it

If you want to get married then he's on board. But if you think cohabitating suits you better then he's fine with that too

So long as you're there together and you love him then he's content and happy

Jake Lockley

Damn right he's your husband

Honestly ever since you two got serious with your relationship, became committed to each other, and moved in he's just been like "We are married now" in his head

He's never said that out loud but he knows that the feeling is there with you too

It wasn't until you semi-jokingly called him your husband when some girls were checking him out and you huffed and puffed about it

"What's the matter? I wasn't flirting back." "Well, excuse me for not wanting some giggling college girls to be eyeing up my husband."

And that just... made him feel something, in his heart and in his pants

No but seriously. After that night cohabitating and acting like a married couple wasn't enough. He needs to put a ring on you and vice versa

He will go down to town hall and get those damn papers and buy the rings right now

Jake was originally just going to wait until you said that you wanted to get officially married, but he just can't anymore

In the morning you guys are going to buy rings, get the papers filled out, and planning the wedding

He's got the wedding planner on speed dial and a house with a picket fence in the nice part of town ready to go, just say "I do" please

Honestly at this point he never wants to hear his name come out of your mouth ever again. To you, it's either "hun" "hunny" "dear" or "sweetheart"

Light of his life, air in his lungs, fire in his loins

Taglist: @my-secret-shame-but-fanfiction

[momentomori24]

Look at the way Damon describes the events of the mock trial:

And now look at what he ACTUALLY said:

They didn't hate him for "speaking the truth" or being realistic-- they hated him for being a jackass, objectively. For using an insanely vulnerable moment, where people where already on super edge and Grace literally got shot at to knock them all down further for the sake of elevating his own talent. For making that situation all about himself. Even if that "wasn't his intentions" (his words, not mine), that's what he did in plain text, and he never once describes it like that because he doesn't see a problem in the way he talks down to people. He spits on their talents, on their genuine desire to stand together to defy Tozu, and on all their contributions during the trial to make himself look better--- THAT'S what everyone got so pissed about. They literally SAY SO after his little egotistical speech here. WOLFGANG literally spells it out for him in Chapter 1 that THAT'S the reason he doesn't trust him. And still, STILL, Damon can't see the error of his ways to save his life. He still thinks he has the right to be mad at THEM for the mock trial. For what? For "not accepting the truth"? The "truth" that he's sooo much better than them? That they're all inferior to him, and their talents are of no worth at all? For not taking his bullshit lying down in that already tense situation?

Same thing goes for Eva as well. She didn't get scolded for no reason that Chapter. Just like Damon, she was also in the wrong and utterly refuses to acknowledge it. She says they both got rejected for "not going along with Wolfgang", but let's actually look at what she said that got the group to scold her.

She didn't just have a different opinion than Wolfgang-- she deliberately twisted his actions that were to keep everyone's hopes up, actions that were in good faith, to accuse him of malintent and attack him in fucking public about it. She accused him of trying to kill them all and dent his credibility based on nothing but her own distrust of him (wow that sounds familiar huh), and it obviously backfired because up until this point Wolfgang hadn't done anything wrong. The only "crime" he committed that entire chapter was be passionate about the brutal murder of a woman he didn't know as a fucking Lawyer, but other than that all he did was support everyone and be kind and considerate. She had no reason to immediately jump the gun the way she did-- but she did, and that was the mistake she made.

Both Eva and Damon have something I'd like to call "Can't-Tell-When-To-Shut-The-Fuck-UP-Itis" (which. y'know what they're teenagers i'll give them that). They both make decent points and try to be realistic about the situation, but for all the wrong reasons. What should've stopped (or started in general, really) at concern for the wellbeing of the group, they ended up weaponising for their own gain and at the expense of others (Damon trying to elevate himself and Eva trying to knock down Wolfgang).

Damon was also on about Wolfgang encouraging "blind trust" leading to a murder, when unironically his unwillingness to cooperate with the group and placing blind trust in Eva was what contributed to Wolfgang's death. If Damon had actually given Wolfgang his blackmail, he wouldn't have been baited to the boiler room. If he had actually told the group about the poster Eva had found rather than keeping it a secret, there would've been a greater chance at them figuring it out the password together and smaller chance at Eva getting the perk. If he had encouraged Eva to share her blackmail with Desmond instead or at least alerted him of the weapons in his room, he could've gotten rid of the taser.

In fact, Eva probably wouldn't have even gotten her hands on the blasted perk thing if it wasn't for Damon's intervention (at the very least without people being completely in the dark about it). Remember, when Eva actually suggested telling the others about the poster, that smug dumbass says this:

("For being honest" god he makes me want to pelt him with rocks christ almighty 💀) Trusting people is not what got people killed here (or at least, it's not the biggest component). Damon trusted Diana, and it ended up saving all their lives. The group trusted each other, and they didn't kill each other. Wolfgang distrusted Eva, yet she still managed to kill him. What ended up contributing to the tragedy that was Chapter 1 was Damon's distrust. His repeated unwillingness to cooperate with the group ended up being the root cause of Wolfgang's death. Trusting Eva wouldn't have done the damage it did if he had actually tried to do better by everyone, rather than stay bitter and angry and encouraging her to do the same. He doesn't want to keep the poster between them cuz he trusts Eva, he wants to keep it hidden cuz he doesn't trust THEM. Their faith in each other was strengthened through the mutual "us vs them" mentality they had trapped each other in, and THAT is what was wrong here.

And about Eva's talent-- that's another thing that Eva misconstrues. They didn't bully her for lying about her talent. They hated her for deliberately trying to sabotage the group and make them miss potentially valuable information in order to hide her real talent, which she wouldn't have had to if hadn't lied and given herself such a dangerous and attention-grabbing Ultimate Title in the first place. That's very different. Let's not forget that when faced with Wolfgang's rightful protest about blindly trusting her-- the former "Ultimate Liar"-- she lies about having been truthful the entire time and doubles down on that lie (not without trying to take a stab at Wolfgang's credibility again). If she hadn't done that, they wouldn't have teased her nearly as much, or at all if she hadn't hidden her talent in favour of "Ultimate Liar" from the jump. There's a difference between "they hated her for lying about her talent" and "they hated her for sowing discord and sabotaging their investigations in favour of covering up her lie", just like how there's a difference between "they hated them for speaking the truth/being honest" and "they were mad because they belittled and spat on them for their own agenda". Eva and Damon don't want you to see that difference, but actually reading and paying attention makes it painfully obvious they exist.

Eva cries about having been shunned from the group and how the kindness of those trying to have her included wasn't enough to "make her forget everything they'd done to her", and that's hypocritical cuz she never made an attempt to actually gain back the favour of the group yet remained bitter over their lack of tolerance of her because of it. She's aware of how Wolfgang and the rest must've felt about her; unwilling to accept someone who you perceive to have wronged you. Unwilling to accept someone who you perceive to not care about you. Yet unlike her, Diana actually made an effort to reach out to her and try to convince Wolfgang despite the ways Eva has shaken their group, despite being well within her rights not to do so. Even Cassidy was good to her, allowing her to be part of the gang and roam without the constant worry of suspicion (need I remind you she gave Eva full control over things in preparation for the tournament). But Eva makes zero attempt to actually reflect on herself and see where the group is coming from, let alone trying to genuinely reach back-- instead, she takes the traitor perk, kills the one guy keeping their group together and tries to frame two (actually three) of the few people willing to see the good in her the most. Both Eva and Damon repeat how they were shunned for "not going along with the lawyer" or "having different opinions" or "lying about their talents" or "people just not caring about them", yada yada, unwilling to recognise their own parts in the actions that have left them alone.

Also this might just be me, but calling Wolfgang a hypocrite for what was realistically self-defense is the most Damon thing I have read yet. No, Wolfgang taking the knife is not evidence of him not trusting the group-- it's literally just him being a reasonable intelligent person. It's not as if Wolfgang got approached in a public area and invited to chat in private about his so called blackmail in a harmless and friendly manner. You know, the way he said they should do it? The way he did with Jean? Nah, he got blackmailed into a secluded, dark, isolated area by an anonymous person in a killing game right after murder motives were handed out. Wolfgang's whole thing was trusting others and encouraging everyone else to do the same, but there were no good intentions from the start and Wolfgang isn't an idiot. He knew what that was. Anyone in his situation would've known what that was. That was an insanely obvious attempt at his life. No matter how much you preach of trust, it doesn't mean you should turn a blind eye to genuine malicious intent. That's not being trusting, that's being naive. That's being stupid. And believe it or not, trust and stupidity are not synonymous, no matter how much Damon acts like they are.

What really bothers me about that mindset that taking the knife was a hypocritical choice is the way it ignores the fact that Wolfgang went to the boiler room anyway. He took the knife because he could tell something was up (and he was right), but just like Diana, still tried to meet whoever called him just in case it really was legit. And that perfectly encapsulates Wolfgang's faith in the group. There are instances prior to the motives where it was obvious Wolfgang wasn't blindly trusting when it came to the others. Namely, the pharmacy:

He's obviously thinking what we were all thinking. That someone would absolutely steal something and misuse it. But he still decides to keep it open anyway, because he wants to trust that everyone will be moral and only use it when they need it. Wolfgang's trust isn't blind; it's not based on the idea that no one is capable of committing harm. He knows that they are all able to do bad things, and can be motivated to do bad things, and still makes the decision to believe in them regardless. He places faith in them so that they can have faith in themselves and in each other, because knowing that someone, someone whose opinions you value, believes that you can be better is a strong motivator to live up to that expectation. His perspective is still a bit overly optimistic, sure, but it's a lot more grounded than Eva and Damon give him credit for. Especially since they reciprocated his faith. He trusted the group, and none of them took advantage of the pharmacy being unguarded. The only person who used it was Toshiko, and that was to get Ingrid medicine cuz she was sick. The one person who misused it for murder was one the only people unwilling to trust anyone and to try and be better, and that was Eva.

I'm not even gonna touch on Diana being a hypocrite for following Wolfgang because... no. No, she's not a hypocrite for that. She supported Wolfgang because he was keeping the group hopeful and together during tough times, but she was willing to challenge him when it came to Eva and Damon. She wasn't a hypocrite for liking Wolfgang while trying to be friends with Eva because Wolfgang didn't dislike Eva for no reason. Eva wasn't right for resenting Diana for looking up to Wolfgang despite the fact that she didn't like him, when the reason they didn't get along was her own fault in the first place. Just. No.

I cooked up this whole mess for multiple reasons, but mostly to get across my first point: Damon is unreliable as hell, and people don't seem to realise how much and take his side in things where he was objectively wrong. You mentioned in your tags that Damon has to be objective because he's the Ultimate Debater-- but let's be real here, his talent has done the OPPPOSITE of making him impartial. In fact, he uses his talent multiple times to validate his own biases. This is the most obvious during the trials. He repeatedly states how "he's the only one who can solve the case" and how "he's the one carrying everyone through the trials" and how "everything depends on him". But he's not the most important person in the trials, nor is he the only one who contributes. The whole cast carries their weight in driving the trial forward, giving testimonies and presenting evidence and making arguments. Damon specialises in doing the debating, but he wouldn't have been able to do that were it not for the assistance of everyone else. Sure, he ultimately drives the debate, but the momentum is provided by everyone else and he doesn't see it as being worth anything. It's the clearest example here of his talent doing the opposite of what it's supposed to; making him more bias in favour of himself when he should be objective and stating the facts. Like, right next to him lying to Wolfgang's face in order the win the "argument" when literally being a debator and feeling so pleased with himself that Wolfgang was speechless about Damon apparently doing the bare minimum and defying his below sea level expectations like brooo that's not the flex you think it is 💀💀

Ngl, playing from the perspective of the antagonist and disruptive character in the group is both a blessing and a curse. It's a unique and refreshing experience that I really enjoy, but goddamn some people really do be chugging that Damon delulu juice a little too much. "Beneath a veil of hypocrisy" is the title for a reason.

[itsquakey]

NextGen Q&A! (Again)

Here we go, some more asks with an illustration this time like it used to be! I'm excited to do this one as I'm now able to post actual new art.

Yes, Metadede is canon. It's just incredibly vague and secretive in how it's written in this AU. I believe the earliest hint at Metadede being a thing is in the introduction to Pike Knight comic, where it is pointed out Dedede took Meta's sacrifice the worst out of them all (well..maybe not as bad as Pike but). Because I'm currently metadede brained there will be more open references to them.

Also fun fact: The reason Dedede has a feather-beard in Nextgen is because Meta isn't around anymore. Dedede could've grown it at any point but Meta hated it so much Dedede could shave it for him.

vvv More asks below! vvv

Pike Knight took over (or attempted to moreso) because he believed Kirby wasn't ruling over Dreamland as its new king good enough, and believed he could not only do a better job but bring back Meta Knight himself. Something that the others didn't seem interested in which frustrated her to such levels that she did what she did. But tdlr Pike did it out of grief.

Chuchu in Nextgen is a canon lesbo, so they were never really together. They were and are just friends.

Just want to put this here no real need to answer anything

So to explain this- normal souls in the afterlife have to stay in the afterlife. They are unable to go to the real world or interact with the real world without breaking the rules made up by Necrodeus to prevent chaos from happening in the living realm. The only way a soul is allowed to enter the living realm is if a reaper accompanies them, and that usually isn't all that common. There's a limited amount of reapers in comparison to souls in the afterlife. That being said Morpho brings Meta to the living world often and when they do they take the form of bugs. Morpho and Papi are both reapers and can changes forms as they please and talk in the living world. Meta however cannot. He's stuck as a beetle and couldn't talk to anyone even if he tries (that is until he himself trains to and successfully becomes a reaper as well but that's another time). Kirby knows early on thanks to his communication with Morpho but doesn't want to say anything because he's worried about what could happen if they spilled the beans about it. The aforementioned "Necrodeus incident™" helps reveal to everyone that Meta knight was this strange beetle the whole time. After this happens Metabeetle and the others can communicate normally after he is granted reaper status.

The staff King Kirby carries contains the crystal from Kirby 64! I was gifted to him by Ribbon during his coronation. It's one of his main weapons, though he usually just uses it like a normal staff. It does a hell of a good job keeping malicious dark matter away though.

Meta Knight would probably feel guilty about it all, thinking he was responsible for what went down when he really wasn't.

(Referring to a really old early image of Marx and Castella)

I like to imagine Castella can/could wield Galaxia just for a joke. I'm sure Meta Knight and Kirby are not the only ones worthy enough to use the sword.

That's all for now! Would you like your baby waddle dee loaf bagged or would you prefer to carry it?