#also this doesn't have multiple chapters planned | Explore Tumblr Posts and Blogs

nobodyfamousposts · 11 months

Text

Scarlet Lady Essay: Frightningale

Yet another essay for @zoe-oneesama. Because you deserve it.

I’m not going to bother with a compare/contrast of canon vs Scarlet Lady Frightningale because Frightningale in canon was a pretty forgettable episode. Akuma was lame. Setup was wasted. And it’s removal from the series would lose nothing of value.

So instead, I'm going to focus primarily on the Scarlet Lady version of Frightningale and what it does that makes it memorable.

I guess to start with, I should make it clear that I’m not a fan of shows being lazy, especially when they display a lack of planning or consideration of their story and characters. And perhaps one of the greater indicators of this issue is when a series suddenly realizes they they neglected multiple plot points until it’s too late to give them all the focus they warrant so they end up shoving all of those points into one episode and try to present it like it’s supposed to be an adequate resolution of all that buildup or in any way intentional.

Penalteam was that episode for Miraculous. They had the “temporary heroes” setup going for them but then wasted so much time on filler like Frightningale that it seems like they honestly forgot about it until they were reaching a designated end point and they realized they still had four more heroes they were supposed to introduce. Whoops? Ah well, just introduce them all at once. Not like anyone will care!

And when you treat most of the cast like they’re all as shallow as a puddle, I guess that’s true.

The thing is, when you have a setup where there is a running theme of every person in a specific group getting their own episode/chapter to detail their issues and how they get a power up, it’s going to stand out whenever one of them doesn’t. Especially when that one or more are forced to share their limelight episode.

That’s not to say you can’t do it, but it’s bound to get attention if you do. It reflects poorly on the writing. It shows whom the “favored” and “unfavored” characters are. And it displays the issue with pacing—namely that it’s next to nonexistent until it hits you with the force of a freight train.

But can it be done and be done well? Is it possible to pull off such a thing and have it make sense and fit in lines with the characters?

Well, yes. Off the top of my head, I can think of two different ways to do it to make it work.

And Zoe did both of them.

If you look at Scarlet Lady as a whole, you’ll see a conglomeration of characters—each with stories and arcs attached. They have personalities. They have goals and problems and their own highs and lows. One sign of good writing is that some focus is given to highlight these other characters as people. Individuals in their own right with lives outside of the main characters or situation.

Miraculous doesn't really do this.

Scarlet Lady, however, does. Because contrary to the title, Scarlet Lady isn’t just about Chloe.

It isn’t even just about the heroes.

It isn’t just about Chloe being horrible. Or Marinette being in love. Or Adrien being in desperate need of a hug and a nap. Because while the story is centered around them, it isn’t solely about them. Other characters get focus and growth and their own arcs throughout the comics.

But the big two—the BIGGEST two with arguably the most depth and most growth and quite frankly the best storylines out of everyone in the entire series?

It’s Sabrina and Lila. And their individual stories have led up to this.

As such, this episode—which was mostly filler and all around forgettable in canon, matters here.

It’s where Sabrina and Lila reach the culmination of their respective character arcs.

Yes, it’s when they both get to become Miraculous Heroes and meet their own kwamis, but it’s more than just that! They both hang out with the girls group as full members of the crew, getting to take part in a music video together. It’s also where they both get to stand up for themselves and the city at large while calling out Chloe and Scarlet Lady. This is what their storylines have been building up to and where their growth really shows.

Sabrina started out as Chloe’s minion same as canon—albeit with more attention to her feelings and her responses, no matter how seemingly small, allowing her to feel more like her own person. And through this focus, we got to see her open up more, pull and eventually break away from Chloe and her influence, and over time stand up for herself and try to establish herself both with the class and as an individual.

Lila started off as a liar and manipulator, selfish and self centered, much like canon. Unlike canon, her lies are tied to her issues, noted to be poorly thought through, and give her more introspection as a person. After the lies are revealed, she’s not “redeemed” so much as she is “accountable”, and it doesn’t change who she is. She remains selfish and certainly far from being considered “good”, but she’s letting people in past her walls and masks in a way she hadn’t been able to before.

Both of these things? Figuring out who you are and letting people know you for who you are? They’re incredibly hard. And a lot of time was devoted to both of their journeys along the course of the comic.

Sabrina’s arc was about her figuring out who she is on her own. Outside of Chloe and her previous role of being a follower and lackey. And sometimes it feels less scary to stay with someone toxic than to be alone and facing the unknown. We see it in the way she tries to put herself out there afterwards, reaching out and risking rejection and just figuring herself out. Even or perhaps especially with those she already knows and has a less than positive history with.

And we still see the struggle of her view of herself in this episode. It was in the way she was upset that she legitimately tried to help and it still resulted in bad things happening. And it was also clear when she calls herself a “sidekick” to Marigold after the day was saved, as if it’s a role she still sees herself as and one she struggles not to fall in to. Over time, we’re seeing Sabrina learning that she doesn’t have to be attached or subservient to someone else to have an identity or be accepted.

Lila’s arc involved her figuring out who she is with people. Outside of the lies and manipulations she creates, the masks she wears, and the identities she crafts to make people like her. The “real Lila” is far from the best person and arguably not even a good person, but she also doesn’t have to be for the others to accept her as the still somewhat bad influence she is. She’s still very much selfish and flawed, but she’s less inclined to hide it or treat it like something that needs to be hidden. And isn’t that a common lesson? That it’s better to be liked for who you are than to force yourself to be someone else to be liked?

And at the same time, even with being less than a fully good person, she’s showing that she can still find better ways of acting that allow her to help others rather than hurt them or serve herself. She still hates Scar, but rather than working with Hawk Moth to kill her and risk dooming Paris and the world, she’s instead working with Alya through more legitimate (and legal) means…and hitting Scar where it hurts most. She and Adrien may not be friends, but rather than try to punish him for not going along with her, she’s instead rescued him, putting herself on the line—something that the former Lila wouldn’t have considered doing and one that canon Lila wouldn’t be capable of. Even if she’s motivated by pettiness or self-interest, what would have been straight up revenge on someone who upset her has grown to be something that is working in everyone’s better interests.

Both Lila and Sabrina hid themselves in different ways and for different reasons. So having them both assert themselves and call out both Chloe and Scarlet Lady is a show of their growth and overall a huge deal. It’s not something either of them would have done at the start of the series. Sabrina, because she was a “yes man” who wouldn’t dare to argue with Chloe and Lila because she wouldn’t risk openly doing something to make herself a target.

And now boom! Look at them both! Lila stepped up to openly and publicly denounce Scarlet Lady as not being a hero for real reasons that aren’t just about herself or her feelings—complete with receipts! The girl did her research, noting incidents from before she even came into the picture. Then follow up with Sabrina standing up against Chloe’s machinations and dismantling Chloe’s main source of power: her father. Even better, she’s using logic and knowledge she would have as a former ally of Chloe’s who would know her tricks, taking her former friendship with Chloe and using it against her.

And on top of that, each of them are given the Miraculous by the person they wronged in the past. Marinette to Sabrina and Adrien to Lila. Especially in Lila’s case, it says a lot that they’re trusted. That shows narratively that even with their mistakes and bad choices and continued struggles, they still can move forward—not necessarily to find redemption, but to find themselves and be their best selves.

This is why it makes sense for them to share this episode. It’s also why both of them speaking up matters. They are both publicly confronting their greatest foe, and the fact that their foes are really two faces of the same person further highlights this.

So they both have issues with the same person, are dealing with forming their identities without catering to others, are working out how to have/be friends, were formerly not the best of people, and have a fear of rejection. As such, this isn’t just their obligatory hero episode, this is what their individual stories have been leading up to. Almost like they’re two sides of the same coin. And the comparison between the two helps them both shine.

And speaking of shining, does anyone remember how the all girls team up didn’t get a chance to shine in canon? Zoe sure did.

I have a whole list of problems I have regarding Party Crasher, but perhaps number seven on that list is that the boys got to have an all male temp hero team up episode while the girls didn’t.

In fact, by this episode in canon, only Alya, Chloe, and Kagami actually got to be temp heroes.

To be fair, only four of the guys out of seven in canon got to be part of their particular event in Party Crasher, leaving out Ivan (who often tends to get overlooked) and Nathaniel (who has had a precedent of just literally disappearing from the episode). But originally, part of the appeal of Party Crasher was that the focus was supposed to be on the male classmates and getting to see at least some of them being part of a team against the akuma.

Why then didn’t we get an episode like this with the girls? Or at least something LIKE this?

Frightningale became that episode. And if any of the episodes were to do it, it makes the most sense for Frightningale to be the one.

All of the girls were together to take part in this event. So Zag would have had the perfect excuse to include them all in the fight or just have the girls do something to help even as civilians. I mean, we’ve had episodes do this before. Max in Robustus. Nathaniel and Alix in Reverser. Luka in Captain Hardrock. Let the civilians show their heroic traits even before they become heroes. It’s not a Miraculous, but it’s still giving them focus and expanding on them as individuals.

Instead, canon Frightningale was a filler episode. And not even a good one. For an akuma who forces people to sing or dance, it’s a waste that they just had the heroes spend the whole time rhyming. A waste of writing and talent. I mean, have you heard Christina Vee sing? If there needed to be a musical episode, I would think that the akuma who forces people to sing would certainly warrant it! At least more than it’s Christmas and they sing just cuz.

So this is yet another thing that Zoe improves with the Scarlet Lady version of this episode. Giving us the all girl team up episode so many of us have long wanted and getting to see all the female heroes together at last.

And with this, we get the full roster of friends-turned heroes.

Except for Alix. Poor, poor Alix. ;_;

Your day will come.

In this way, the end where Clara goes a different direction with her music video feels less like a half-assed fix to a half-forgotten plot point and more like something that was built by everyone involved. I don’t know about the rest of you, but given Clara’s excitement over the all girl band playing and Pigella’s gift showing Clara an idea for her video, it highlights the focus on EVERYONE being part of this—both the video and the episode itself. It kind of comes off as a lesson of its own about teamwork and giving everyone a shot rather than focusing specifically only on one or two specific individuals.

And isn’t that what separates the heroes from Scarlet Lady?

But there’s a third important aspect of this episode.

This is the episode where Chloe is smacked in the face with Scarlet Lady’s falling popularity.

Let’s remember that at the start of the comic, Scarlet Lady was fully and widely considered THE Hero of Paris. She was beloved for doing nothing and it was a point of frustration for Chat, who actually was having to pick up her slack. Initially, there was nothing he could do because him being the only real hero among the duo meant he often couldn't stick around after akuma fights to prevent Scar from telling "our story". In addition, he didn’t know who she was or who chose her and why. Then even when it was clear her getting the Earrings was a mistake, for a lot of the first couple seasons, she was so popular that they couldn’t just take the Earrings away from her lest they risk backlash from the rest of the city. It’s a backlash that seems increasingly unlikely as more and more people get to see her behavior and callousness firsthand.

We’ve seen hints of it in other episodes, but none of them were so blatant to Chloe that she couldn’t ignore it or shrug it off or otherwise make excuses to protect her ego.

Prime Queen wanted to focus on Marigold and Chat Noir for their “romance” to try and boost ratings. Alya and Lila made some snarky comments, but Chloe could easily dismiss them both. Nadja also made a comment that nobody cared about Scarlet’s love life, but a lack of interest in her love life isn’t a lack of interest in herself and Chloe despises both of her “sidekicks” and wouldn’t want anyone trying to pair her with them anyway. And Nadja reassures her that they’ll focus on her after they’re done with Chat and Marigold. So yes, she can dismiss that as well.

Reverser has Chloe faced with both of her identities are made as villains in art and a story. However, she clearly looks down on Nathaniel and Marc barely registers to her. So she can dismiss them.

Look at Despair Bear, the Intermission, the interactions with the various other heroes, and the fact that only Chat Noir and Marigold are privy to the Guardian’s secret existence and allowed to pass out other Miraculous. Much has been shown of the other characters being less than impressed with her, snarky towards her, or showing the process of how they discover the truth about her and how she actually handles akuma attacks…namely in that she doesn’t. And Chloe can dismiss all of that because to her, none of them really matter to her.

But Chloe can’t dismiss the fact that a renown celebrity dedicating a music video to the “Heroes of Paris” isn’t including her. Bad enough her sidekicks are taking center stage but she’s not even in the music video at all?

And when someone she despises calls out the reasons why she’s not a hero in an openly public setting surrounded by a multitude of people who all agree with her? You could say it’s insult to injury. But some would say it was a long time coming.

Some Rando: Scarlet Lady sucks! Alya: Marigold and Chat Noir do all the work, not her! Kagami: She’s barely even necessary at this point. Clara: This video and song are to celebrate hope and love. And Scarlet Lady lacks both when push comes to shove. Chloe: ARGHHH! WHATEVER!

It further shows the turning tide of public opinion against Scar. What was once a trickle has grown into a wave, and now Chloe is forced to acknowledge her image and status aren’t as ironclad as she thought. Sure, she could denounce Lila as a liar like she’s done before, but Lila is bringing up instances that Chloe can’t deny: being late (as she’s just plain been a no show to several fights), endangering civilians, and being caught live on camera being willing to let someone die in a particularly horrible way because it’s easier.

This is the episode where it’s not just people seeing Scar is horrible, but acting on it and letting Chloe know they know she’s horrible. It’s reached the point where Chloe can’t just disregard the claims or discount and ignore her critics. And we’re seeing Chloe starting to lose control as a result. To the point she has to force her dad to ruin a previously sanctioned event in what has to be one of his most flagrant displays of abuse of power to date just to shut down her detractors.

And even that would come with more consequences for Chloe if it had been allowed to continue. Sabrina herself points it out that Clara is very popular with a lot of fans—people who would be aware she’s making a music video and whom would be very disappointed if word got out that it was cancelled due to an issue with the Mayor. And given all the very unhappy people we see in the comic in question where she points that out, it stands to reason that the word would get out. Heck, I’d be surprised if someone wasn’t recording it.

Then there’s the love square/hero shenanigans.

Remember how in canon, the whole “playing themselves/risking identities” bit kinda just dropped out halfway in? The kwamis were the only authority figures involved to call out on the risk and of the two, Plagg didn’t care and Tikki gave one knowing stare at Marinette before turning around to gush about the suit. Even though Marinette offers the alternative idea to the music video by the end, there’s no further comment or notice of how she and Adrien nearly blew their identities….or alternatively a comedic take where nobody recognizes them regardless and they worried for nothing. Honestly, I would have taken either setup.

Having Fu present to call them both out shows there is a responsible authority figure watching, makes it clear there are rules they are expected to follow, and reinforces that this was, in fact, a horrible idea. Sure, Marinette and Adrien worried enough to hide their masks, but it should have been obvious that wouldn’t work long term. They are risking their identities, not just to Paris but to each other. And he calls them out for doing it on purpose.

Then there’s the beautiful crescendo of the love square dance in that the two both pretty much have figured out the other’s identity and just want an identity reveal to make it official—which Fu won’t allow. We see it in their playful banter that gets mistaken for “getting into character” and in Adrien in particular pushing Marinette to take part.

This is a point where we are seeing them be teenagers. Foolish of them? Yes. Should they have known better and not done it? Yes. But is it in character and the sort of teenage shenanigans we would expect of teenage superheroes? Definitely. And that’s part of the point. Because they are teenagers. Teenagers in love, no less. Teenagers in love with secret identities to dance around. Which is half the fun of secret identities!

It’s just another aspect to this episode that makes it enjoyable.

So overall, the episode matters in ways that the canon version didn’t and was fun in ways that the canon version wasn’t, making it stand out not just as an episode or a remake of the canon episode, but as its own standalone episode AND a noteworthy point in the overall story.

#scarlet lady au #scarlet lady essay #scarlet lady is better than canon #for zoe

1K notes · View notes

dragonsbluee · 6 months

Text

So I've recently been re-reading TCF And chapter 196 is such an excellent example of how Cale interacts with the people around him, how he views himself and how they view him. This is also at the point in the novel where he hasn't really accepted that he is Cale now, not KRS, because he doesn't feel like he can.

So anyway, we start the chapter seeing the people of Rain City react to Cale's shield and they say something important!

"Won't he faint is he uses such a large shield? Why doesn't he just activate it when the northern bastards come?" "Can't you tell? He doesn't want to see us or the territory getting hurt at all."

At first, I thought this was just the regular drama of people reacting to Cale, but then Choi Han, the kids, and Ron tell him he's being ridiculous, and I realize the townsfolk are right.

The Wyvern Battle is only the 2nd or 3rd major battle Cale has been in so far but only as Cale. As KRS, he's done this before, and having read later chapters, we know Cale holds so much guilt over those battles and how he wanted to keep those he cared for away from it all but couldn't. After all, record only gives him information to guide them and make plans; he often couldn't physically protect them. How many times has he defended a shelter or teammates and wished he could have just covered them all with a shield instead of giving commands from the back? We know how guilty he feels over Choi Jung Soo and Lee Soo Hyuk's deaths.

He knows he doesn't have to keep it up, and he's the one who spreads a rumour that it's taking all of his energy, but he's already considering himself a "bad person" for taking military command and only giving orders. (except that's what it means to take military command?) There is absolutely another motive for keeping the shield around the city. Cale wants the opposing forces to view him as weakened, or he doesn't want people to think his power is as strong as it is. However, at the same time, he's absolutely protecting them because, just like the townsperson says, he doesn't want to see any of them get hurt by an attack he could have blocked.

Cale is doing what he can to undermine himself while claiming he's going to make everyone else the hero of this battle, but he won't drop the shield, which means no one can disregard or forget his involvement. It's not intentional! He's just literally made himself the first line of defense as a direct parallel to every time he was the last line as KRS. He wants to stay at the back, he does not plan to get involved unless he has to, but Cale won't let himself stay out of it. So the shield goes up and stays for multiple days.

Meanwhile, all Choi Han, Ron and the kids see is Cale surrounded by paperwork (because taking command of the entire Northeast is a lot of work), keeping a shield up that's known to make him cough up blood (they don't know about it getting stronger or the vitality of heart), and only sleeping 1 to 2 hours a night (thank you crybaby), so they assume it's a combination of work and concentration to keep the shield up. As usual, they're worried and frustrated at Cale's self-sacrificing tendencies.

We haven't even gotten to the actual battle yet, but this is such a great setup of how it's going to go and how the novel goes.

543 notes · View notes

libraryofgage · 9 months

Text

Addams Family B-Side (3)

Part of: Steve Deserves Good Parents, Actually Debbie and Fester Addams One | Two | Three (you're here!) Rick and Evelyn O'Connell One | Two (on the way!) Harley Quinn One 10th Doctor and Rose One | Two (on the way!) Scooby Gang (there are plans for this one lmao, so plz be patient with me orz)

Did I already post today? Yes. Did I also post two chapters of Modern Steve in 80s Hawkins today? Yes. I am just incredibly productive today, who knows when it's gonna happen again lol

Anyway, finally! The next B-Side! This bitch has been stewing my guys, so I hope you enjoy it lol

There are two memes at the very end of this one, so definitely stick around

As always, if you see any typos, no you didn't 😘

--------

For four weeks, Eddie feels himself losing his mind. He finds gifts in his locker every other day, and he's convinced they're from Steve Harrington. He now has a taxidermied bat, a fancy-looking vial with a skull and crossbones embossed in the glass and filled with mysterious liquid, an actual human skull that Eddie immediately incorporates into his next campaign, and a spider. An actual spider. A live spider that, after a little research, he learns is a fucking Black Widow that seems unnaturally friendly.

Eddie can't stress that part enough. Multiple people have mistaken the spider for an intricate vest patch because it just sits perfectly still over his chest pocket. It only moves to rub its head against Eddie's fingers whenever his hand passes over it, and even then it's careful to avoid hurting him with its pincers.

He names her Nox.

Those aren't the only gifts he's received, but they're the most notable, and Eddie is overwhelmed and flustered by the positive attention he's suddenly receiving.

The other thing driving him crazy is Pubert Addams, a guy Eddie had never paid much attention to before but now considers his mortal enemy. He's convinced Pubert is, at worst, potentially abusive or, at best, delusional and taking advantage of Steve's kindness and inability to brutally turn him down. Or maybe Eddie is the crazy one; he doesn't actually know. Whichever it is, Eddie is ready to take the very nice dagger he now has (gift number 15; yes, Eddie has been counting) and stab him with it.

Because he can't get more than two minutes alone with Steve before Pubert appears out of nowhere. Eddie runs into Steve in the hall while everyone else is in class? Pubert shows up with a hall pass two seconds later and literally waltzes Steve away from him. Eddie finds Steve camped out in the library during study hall? Pubert materializes in the chair next to Steve before Eddie can sit down, leaning far too close as he asks Steve to explain something from their shared Gothic Literature class. Eddie, by some miracle, is behind Steve in the lunch line (and he calls this a miracle because Steve always brings his lunch in a pink box with black skulls, which Eddie considers incredibly brave of him to carry around like it's nothing)? Before Eddie can do more than say hi and get a blinding smile in return, Pubert fucking Addams shows up and drags Steve away while promising to share his lunch.

Eddie is just about to lose the last shred of patience he's struggling to maintain when Steve finds him. Ironically, it's the same bathroom where they first talked, the one with mysterious mold growing in the corner that Eddie is convinced is some new species. It's the only bathroom with a busted smoke detector, and Eddie goes there to get high during his free period.

He's halfway through a joint, smoke curling around him as he sits on the sink counter and tries not to think about what else has been there, when the door swings open, Steve walks in, and Eddie chokes on his inhale.

"Don't die like this," Steve says, stepping closer and patting Eddie's back like they know each other, "It's no fun."

Eddie finally gets himself under control, taking a deep breath and wincing at the way his lungs burn. "No worries," he croaks out, regretting the departure of Steve's hand on his back. "What are you doing here? Please don't tell me you plan to use this bathroom."

"As curious as I am about the bacteria teeming on these toilet seats, no." Steve sounds genuine, like he really does want to swab the toilet seats and see what grows. Instead, he places his bag on the sink and pulls out a familiar vial with a familiar skull and crossbones. "I just came to drink."

"Oh?" Eddie says, leaning forward with a grin. He looks Steve up and down, taking in the pale blue sweater vest and immaculately pressed jeans. "You don't look the drinking type, Stevie."

Steve hums, popping the cork out of the vial and taking a swig from it. "This isn't exactly hard stuff," he says after he swallows, distracted enough that Eddie thinks he misses his eyes lingering on Steve's throat as it bobs.

"Just beer then?"

"What?" Steve asks, looking at Eddie like he's delusional. "No, it's cyanide and vinegar."

He says it with such conviction that Eddie believes him despite knowing cyanide is poison. "Metal," he says, looking away to take another drag of his joint as he struggles to break through his own awkwardness and hold a conversation that will somehow sweep Steve off his feet and make him forget all about Pubert Addams.

Before he can think of something clever and smooth and funny, Steve leans close and raises a hand to his chest. Eddie is about to warn him that Nox is, in fact, real when the spider scuttles onto Steve's fingers and settles in his palm. She does a little up-and-down motion, circles in his hand twice, and rubs her head against his wrist. "You've been taking good care of her," Steve says.

"Uh, yeah. How is she not biting you right now?" Eddie asks, remembering all the times Nox has warningly snapped at others who tried to touch her.

Steve snorts and allows Nox to return to her spot on Eddie's vest. "I raised her," he says, his tone casual like he isn't admitting to showering Eddie with inexplicable gifts for the past four weeks, "of course, she won't bite me."

"So, it has been you," Eddie replies, wanting to hear it from Steve himself.

With a soft hum, Steve takes another sip from his bottle. "Who else would it have been?"

Eddie licks his lips, takes another drag of his joint to brace himself, and hops off the counter. "So, uh, does that mean you li--"

Before the rest of the question can be asked, the bathroom door swings open again, and Eddie feels his eye twitch as Pubert Addams frowns at them. "So, this is where you were," he says, walking over to Steve and putting an arm around his shoulders.

"I told you I was going to the bathroom," Steve says, rolling his eyes as he stuffs the vial back into his bag.

Pubert looks Eddie over, a derisive huff escaping him as he dismisses Eddie and looks at Steve. "On the other side of the school? Really?" he asks, and Eddie would be overthinking what that means if he weren't sure his veins were about to burst.

"We were talking, you know," Eddie says, gaining Pubert's attention again. Steve looks at him, too, his eyes a little brighter.

"I'm sure," Pubert replies, rolling his eyes as he takes Steve's bag. "And now we're leaving." With that, he leads Steve out of the bathroom, the door swinging shut before Steve can do more than smile apologetically and wave.

Anger surges through Eddie, and the shaky drag he takes to finish off his joint does absolutely nothing to soothe it.

He's going to kill Pubert Addams.

--------

Funnily enough, Steve's mother doesn't learn about his crush until he's five weeks into it. When Debbie finally does discover the crush, it's because she walks in on Fester and Steve decorating homemade cookies shaped like anatomically correct hearts. She pauses in the doorway, looking between the two covered in flour and raspberry jam, and asks, "What on earth is going on here?"

Steve looks up, sees this as his chance to finally tell Debbie, and smiles brightly at her. "I'm in love, Mother. He's allergic to raspberry, and Father agreed to help me make him cookies with raspberry filling, so he can feel the same breathlessness I do when I see him," he explains, using his thumb to wipe raspberry jam off his cheek.

Debbie stares at him for a few seconds before looking at Fester. "How long have you known?" she asks.

"Five weeks," Fester admits, looking apologetic. "I wanted to tell you, Pumpkin! But Steve asked me not to so he could tell you himself."

She sighs and walks over to the island, sitting on the edge of a stool and taking one of the cookies for herself. She bites off a pulmonary vein, looking thoughtful as she chews. "I must admit, these are damn good cookies," she finally says, taking one more bite before passing it to Fester to finish. "Tell me about him."

And Steve does. He gushes about Eddie for a solid hour without taking a single breath, spilling everything he's seen Eddie do and how he's reacted to all of Steve's gifts and how he gets so obviously jealous when Pubert butts into their conversations. He tells Debbie about Eddie not screaming when he saw Nox, about him selling drugs, and about his interest in music. Steve laments his hair but eagerly describes the treatment routine he already has in mind.

By the time he's done, the cookies are decorated and his mother's expression has grown a little pained. "Steve, darling, come with me," she says, getting up from the chair and leading him out of the kitchen while Fester starts to clean up.

Steve waits until Debbie has brought him to her spare room to ask, "Did I do something wrong?"

"Well, did you remember my rules about crushes?"

"Yeah. I've talked to him a lot."

Debbie smiles and brings Steve over to the bed, sitting him down and straightening his hair before perching next to him. "Then, you're not in trouble, but you've been going about this all wrong, dear."

"Should I tell Pubert to stop making Eddie jealous?"

"Absolutely not," Debbie says, shaking her head firmly. "In fact, he could try harder. Nothing gets to a man like someone he can't have, especially if he thinks they're in distress."

Steve blinks, frowning slightly as he tries to figure out where, exactly, he's gone wrong. Eddie seems perfectly enamored with him, after all, and Pubert's goading is encouraging his affections, which is the only reason Steve has allowed it to continue. "Did I give him a live spider too soon?" Steve asks, figuring that's the problem here.

"No, that's not...," Debbie trails off, mutters something about Fester being an idiot, and clears her throat. "Steve, your father is the last person you should approach for love advice."

"But...you agreed to marry him, so he must have done something right," Steve says.

Debbie barks a laugh, waving her hand dismissively. "I married your father for his money. I attempted to kill his entire family and only stopped when he promised to give me everything I asked for. I would hardly call him a casanova."

Steve nods along, smiling a little as she speaks. He's heard their great love affair many times, but he doesn't get tired of it. "But you actually love him anyway, right? Father says it's because he showered you with gifts. So, that's what I'm doing."

"I...do love your father," Debbie admits, sighing as though she doesn't know how that happened either. "But it's less because of his gifts and more because...he gave me the devotion I wanted. Anyway, if you learn anything from us, it should be that love comes second."

"What comes first?"

Debbie smiles, the expression positively devious, and Steve can't help returning it. "Obsession," she says, her shoulders rolling back some as pride fills her. "Occupy his every waking thought. Make yourself irresistible. Make him dream of you at night. Overwhelm him with desire until he simply must act on it."

"Oh," Steve says, thinking of how his father acts around Debbie and realizing that obsession never quite went away. But it's worked out well for them, and he knows his mother has experience with luring men into her arms. He nods once and asks, "So, what should I do?"

"I'm so glad you asked," Debbie says, her smile bright and her eyes filled with excitement. "You'll have Eddie falling to his knees before you in no time."

--------

Eddie didn't think it could get worse. He was already attracted to Steve, already distracted by every little movement.

He was wrong. So incredibly wrong.

Because here he is, his mouth dry and his palms sweaty and his cheeks warm because of Steve. He's not even doing anything. Well, that's not true. Steve is curling his tongue around a lollipop before sucking it into his mouth like he'll die without it. But it's more than that. It's the painted-on jeans that hug his legs; it's the pastel pink hoodie (with little bats on the cuffs) that rides up whenever Steve moves to show off a strip of skin just above his waistband; it's the way he finishes the lollipop and pulls out lipgloss, casually telling Pubert it's raspberry flavored as he puts it on.

Eddie swallows around the dryness in his mouth, gripping his locker door so tight that his knuckles turn white as he looks inside it. Sitting innocently on top of everything is a Tupperware container of cookies with raspberry filling (according to the label), and Eddie is ready to eat one just so he can die knowing what Steve's lips taste like.

That's not even the worst of it. The worst is that Steve transfers into Eddie's Music Theory class, smiling innocently while the teacher introduces him and then directs him to sit at the empty desk next to Eddie. When he's close, Eddie realizes Steve smells like cookies and cream ice cream, and he's tempted to ask if Steve smells like his favorite flavor on purpose.

The teacher saves him from the embarrassment of blurting out the question by announcing a project. The teacher then dooms him by telling everyone they're required to work with their desk neighbor. Eddie grips his pen tightly when the teacher tells them to spend the rest of their class time discussing the project.

"So," Steve says, getting Eddie's attention. When he looks over, Steve is leaning forward on his desk, chin propped in his hand as he looks at Eddie. "Want to come over to my place after school? To work on the project, I mean."

Eddie stares at Steve for a few seconds, his tongue stuck in his throat. To his credit, Steve doesn't say anything or call Eddie out for staring at him. He just waits patiently with a little smile curling his lips. Eddie finally clears his throat, his voice coming out a little strained when he says, "Yeah, sure, sounds good. After school. Your place. Project."

Smooth. Real smooth.

When Steve just smiles wider and stretches his arms above his head, pulling his hoodie up, while suggesting they do the project on the evolution of heavy metal music, Eddie realizes he's probably going to die after school.

He can't wait.

-------

Tag List (I think there's still room for a few more people ^_^)

@estrellami-1, @itsall-taken, @mugloversonly, @fandomcartographer, @hippielittlemetalhead, @agree2disagre-kicks, @ledleaf, @just-a-tiny-void, @goodolefashionedloverboi, @ink1177, @maya-custodios-dionach, @littlebluejane, @steddieonbigboy, @ravenpainter, @read-write-thrive, @deadontheinside20, @yeahhhh-suga, @nectandra, @mogami13, @mx-jinxous, @thoughtfulbreadpolice, @anne-bennett-cosplayer, @xoxoladyclara

@zaddipax, @dycte, @breealtair, @geekymagicalpotato, @janea-grill, @juliasthename-adhdismygame, @yikes-a-bee, @wayward-people, @st-fics, @disrespectedgoatman, @bipusssy, @cottagecorebutnaturescaresme, @nightowl14028018, @that-binchh, @your-confused-friend, @irethsune, @goosesister, @strawberryyyenthusiast, @irregular-child, @theverywest

And, finally, a two-for-one meme special because I couldn't decide which was funnier:

#steddie #steddie fic #addams family b side #addams! steve harrington #steve harrington #eddie munson #pubert addams #fester addams #debbie jellinsky #steve deserves good parents actually #my writing #sorry it's been so long the inspiration took a while to hit for this one hfdjks

527 notes · View notes

pkg4mumtown · 1 month

Text

Medicine at Midnight

Pairing: Aaron Hotchner x GN!Reader

Rating: Explicit (18+ only)

Summary: A night out with Hotch and his team leads to either the best or worst mistake you could have made.

Content Warnings: smut 18+, alcohol, GN!reader (no Y/N), friends with benefits, strong language, first person POV

A/N: My entry for @imagining-in-the-margins Criminal Minds Friends with Benefits Challenge. It also happens to be the first CM fic I’ll be posting but certainly not the last! I’m currently working on a multi-chapter Hotch x Male!Reader fic, so stay tuned. I’ve also added the playlist I used for Hotch inspiration at the end of the post.

Also available on AO3

I barely managed to enter my apartment and drop my gear to the floor when the shrill ringtone of my cellphone broke the otherwise pleasant silence.

Fuck. Me.

I plead to whoever is listening that it’s not my section chief calling about a case. I ripped the cellphone from my pocket, too frustrated to even look at the caller ID as I snapped out my last name.

“Rough night?” came the deep, soothing voice on the other end.

Oh.

“Hey, Aaron,” I sighed and relaxed. “Sorry, I thought it was another case.”

“It’s okay. Are you busy?” He asked and I could hear the slightest hint of hope in his voice.

“Depends on what you’re going to ask me and...what I’ll get in return,” I stressed. “I just got home.”

“I can promise free drinks,” he chuckled, the vibrations buzzing through to my end of the phone. “The team is going out and Dave just went out of town.”

Hotch doesn't need to say more than that for me to understand what he’s asking. He wants a social buffer and for free drinks I’ll do just about anything for him.

His team had helped the DC Field Office with a case that I oversaw about six months back. The case had quickly spiraled out of control with multiple unsubs, and I begged my chief to let us call the BAU in for help. While they didn’t swoop in and solve the case in a matter of days, they certainly got it back to a manageable position. What would have taken months of work was quickly cut down to two weeks.

Since it was still relatively local, Hotch’s team would go home every night and come back bright and early. One of the first nights with them on the case, I waved them goodnight; standing like I would be leaving shortly after them. As they disappeared out of sight, I sat back down and stayed firmly planted at my desk. I was still flipping through files over the umpteenth coffee of the day when soft footsteps stopped in front of my desk.

“You’re still here?”

Hotchner.

“Yea, I’m just...” I gestured vaguely to the files. “I don’t really know what I’m looking for anymore. Just hoping I can find something.” I gave him a tight smile as he hovered by my desk. His bag was nowhere in sight, so it was clear he had no plans to leave either.

The grim smile on his face confirmed that he was doing exactly the same.

“I’m sure he's waiting for you at home,” he nodded to the picture on my desk as I went back to looking at the files in front of me.

“That’s my cousin,” I stated without having to look. “No one’s waiting for me, I promise you that. Plus, you don’t seem like you’re leaving either, so...”

“Got me there,” Hotch smirked, shifting his weight nervously as I paid half-attention to him. “I won’t snitch if you won’t? My son is with his aunt, so my apartment is a little depressing.”

At that confession, I looked back up at him as his expression turned crestfallen.

“Deal. You can pull up a chair, if you want.” I suggested, seeing that the floor was pretty much empty now and it seemed cruel to make him sit by himself wherever we were able to stuff his team on the cluttered floor.

This went on for the next two weeks that the BAU worked with us and each night the ice broke a little more. That extra hour or two after the team left progressed from talking about the case to talking about ourselves. It was surprisingly easy considering his personality on a case, but once his defenses came down, he was more relaxed and even threw in a smile that I began to notice was quite rare.

I began noticing his nearly imperceptible antics when he was stressed. His tight expression would feign focus but his white-knuckled grip on whatever was in his hand told a different story. I caught myself pressing a finger to his tight fist throughout the day, making him aware of what he was doing before removing my fingers as soon as his fist loosened. At some point, he stopped straining his hand muscles, but I’d feel his finger pressing firmly against one of mine whenever he was near me. It was usually brief, just enough to feel the ridges on each other’s fingers before his touch was gone.

After the case was over, I never expected to hear from him. Hotch’s number stayed saved in my phone from the case, but never once did I expect to see it flash across my screen while driving home one night. Drinks became a nearly weekly occurrence between the two of us—provided neither of us were on a case—and while nothing more ever happened, I couldn't tell what his endgame was. We chatted about the weeks we both had, family, sorrows—all of it—all the while our hands pressed against each other just to feel another person.

I chalked it up to anxiety for him and loneliness for myself.

Despite our nights out together, we never went out with his team, and I hadn't seen them since the case all those months ago. So, it was a little unnerving to accept his invitation. How would he explain us being on friendly terms now despite not knowing each other prior to the case? Would they even care? Does it even matter?

“Uh, sure. Where at? I just need to change,” I answered him.

“I’ll pick you up in twenty?” he asked, and I shouldn’t have been surprised at his need to drive by now.

Control freak.

“Okay.”

“See you soon.”

I changed into something more comfortable, but not too comfortable. I didn’t want to look like I wanted to stay home curled on my couch.

Even if that sounded heavenly right now. Hotch could come, too.

When Aaron sent a text to tell me he was here, I was out the door in a few seconds. The inside of his SUV lit up as I opened the door, revealing him dressed in a dark, long-sleeved sweater and jeans.

“Hey,” he greeted me as I climbed in.

“Thanks for picking me up.”

Once I was seated and buckled, I rested my arm on the center console next to his. His sleeves were pushed up to his forearms, his hair tickling my skin as he took off. At the first red light we hit, he adjusted the radio and brought his hand back down to land directly on mine.

He didn’t move it, and I didn’t want him to.

The air was thick with booze and sweat as we entered the bar. It was different from the one Hotch and I usually frequented, preferring something quieter and lower key than this one. It’s crowded, not surprising for a Friday night, but it sure did make it more difficult to locate his team. This time, I'm the one initiating contact, pressing two fingers into his palm as we approached where the team was tucked into a back corner booth. I removed my fingers before they noticed our approach.

“Hotch!” They all greeted him at varying levels of excitement with empty glasses already littering the table.

How long had they been here already?

Morgan had begun moving the team deeper in the booth to make room for us when I recognized a member of their team who I had only seen via a computer screen.

“Hey, nice to see you again,” I greeted everyone, having to raise my voice as the music battled with the overlapping conversations around us. “You must be Garcia,” I reached over and shook her hand as we slid in.

Her excitement was contagious, and I couldn’t help myself from grinning as she spoke and reintroduced the team by first name. There were looks and eyebrows exchanged between the others as they likely wondered exactly what I’d feared, but none of them expressed their questions verbally.

“Drink?” I heard Hotch ask as a waiter came by and I nodded to him, knowing it’ll help my nerves.

I didn’t even need to tell him what drink to order at this point.

“Thanks,” I smiled and felt him shift closer to me until our legs were practically glued together.

It must have been my lucky day because the team kept the conversation topics relatively light as the night wore on. There were plenty of shots going around—Hotch only agreeing to have one with them in solidarity—coupled with food, a few spill mishaps, and raucous laughter. Hotch laughed and smiled with them but not nearly as loudly. He did surprisingly well anxiety-wise, so I wasn’t entirely sure why he wanted me here in the first place. I was having fun, though, and he’d insisted on paying for me, so I didn’t think too hard on it.

My hands were both above the table fidgeting with the condensation on my glass as we loudly discussed the current topic. Hotch tapped his fingers on his glass rhythmically with one hand while the other dropped below and landed on my leg. I jumped at the contact and hoped everyone was too inebriated to notice.

No dice.

Spencer's glassy eyes snapped to my movement briefly, JJ made eye contact across the table with Penelope, Emily stared me dead in the eyes, and Derek stared at Hotch. If I wasn't also in the same line of work, it might not have been so noticeable considering they hadn’t stopped the conversation.

Hotch played it off, slouching back against the booth and laughing at whatever Emily was recanting, looking a little more at ease with the touch.

Now, I notice the difference.

As nonchalantly as possible, he relaxed his arm, slipped his hand between my knees, and tucked his palm under my leg to cup where my hamstring met the bend in my leg. I could feel his warmth through my pants and the way his thumb obsessively traced the inner seam near my knee.

I almost thought they would ignore the way he was leaning noticeably closer, and I was sorely disappointed when Penelope spoke up after Emily finished.

Penelope's eyes were perceptive, and she leaned forward playfully while Derek leaned into her with his arm draped over her shoulder, “So, you two,” she began. Her eyes were twinkling with far too much mischief and now I believed every word from Hotch about how much trouble her and the man next to her got in to together, “You’re...?”

I grinned, laughing off her intrigue and kept my voice as steady as possible, “We’re friends.”

Derek in this state was even more blunt, teasing Hotch further with a smirk playing on his lips, “With benefits?”

Penelope gasped that he followed up with that line while the others hid giggles behind their drinks.

Hotch’s brow furrowed and he lifted his drink off the table as a flush rose up his neck to his cheeks. He took a sip while looking in my direction and I held his gaze. There’s a look I didn’t quite recognize there. “Without sex?” he finally said once he swallowed and set his glass down, “Then, what’s the benefit?”

The entire table erupted into laughter. Derek and Penelope were practically laughing on top of each other, Emily was laughing behind the hand clasped over her mouth with huge, surprised eyes, and Spencer was laughing into JJ's shoulder.

I was just as surprised as them and hadn’t broken eye contact with Aaron yet. His hand had reassuringly squeezed my leg as he smirked to let me know he was joking. With a challenging glint in my eyes, I finally responded as the laughter died down a bit. “My delightful company, asshole,” I shoved him with my shoulder. “And someone to talk to and...did I mention my winning personality?”

Hotch laughed, closing his eyes and leaned heavily back into me. He moved his hand from my leg to wrap his arm around my shoulders and pulled me into his side.

“Dick,” I murmured playfully through a fake frown.

Aaron just slid over a leftover shot as consolation.

The rest of the night passed in a blur, but the sudden mention of sex has me sweating underneath my clothes. Hotch’s heavy arm and sweater did nothing to help that. It wasn’t like I was unaware of his attractiveness; I was simply unsure of his intentions considering we had never spoke about our relationship. There were plenty of times I had to talk myself out of kissing him despite how easy it would have been, but the look in his eyes when he said that had me digging up all those thoughts again.

It wasn’t a terrible idea. We were both single, busy, and hung out enough as it was. I liked to think were both mature enough to handle something like that. I took another long swig of my drink with a deep frown that I didn’t realize was there.

“You okay?” he dropped his head to murmur close to my ear.

He snapped me out of my thoughts, and I gave him a reassuring grin, “Yea.”

The bar crowd grew thinner and thinner as time passed. Reid looked like he could fall asleep any second and JJ was the only barrier holding him up. The team soon rose, promising to take cabs home to reassure their boss that they were all responsible adults.

Derek gave Aaron one last sly smirk before following Penelope and the others. Hotch just shook his head at him with an amused sigh.

“Thank you for coming with me tonight,” Aaron murmured once they were gone, his voice low now that the bar was much quieter than it was hours ago.

“Of course. It was fun,” I leaned my head on his shoulder.

Despite the absence of the others, he didn’t retract his arm, and my heart started pounding a little faster at the thought. His touch felt more intimate after all that and it made my thoughts race.

How much was I reading into this? How wrong was I? And did I want to do something about it?

“Ready to go? It’s almost midnight,” He asked.

I nodded, finishing my drink.

The drive back to my place was quiet and I fiddled with his hand the entire drive. Between that and my constant looking over at him, he definitely knew something was wrong.

“What’s on your mind?” He raised an eyebrow and gave me a quick glance but refocused his eyes back on the road immediately.

“Hmm?”

“You’re being weird. Is it what I said back there? Because I’m sorry if I made you uncomfortable,” he gave me his full attention once he pulled up in front of my building.

“No, no, you’re fine,” I squeezed his fingers. “Just a lot on my mind,” I sighed. I looked out at my apartment building next to us and pursed my lips.

Fuck it.

“You—uh—wanna come up?”

There was absolutely no other reason for me to ask that. He had to know why I was asking without me saying it outright.

Right?

My nerves were on fire and my mind raced with all the possibilities he could come back with. Silent, Hotch took a beat to think and reached for the keys in the ignition, “Sure.”

Oh.

I was hyper aware of Aaron’s presence as he followed me upstairs to my apartment door. My hands were practically shaking with anticipation as I fiddled with the keys. Once I was inside, I left the door open for him and heard him lock it behind me. The click cemented my determination on the matter.

“Make yourself at home,” I nodded toward the couch and started flipping lights on. “Want something to drink?”

“I still have to drive,” he declined, his eyes following me to the kitchen.

“You can always stay here,” I reached up into my cabinets for two glasses and poured a drink for myself and a scotch for Hotch.

“Is that so?” His voice rumbled behind me, much closer than he had been a few seconds ago.

When the hell did he sneak up on me?

I turned to face him, finding him far closer than I imagined. I passed him his drink, which he took a tall sip of, and I hurried to catch up.

That sip must have given him the courage he needed because he set the glass back on my counter and took another step forward. His hand found my waist with a light touch. It wasn’t hesitant by any means, but light enough to ask permission to continue. Unlike the nervous movements in his hands earlier, his hands were confident and intentional now.

“Is this okay?”

“—eah,” I struggled to say as my voice got caught in my throat.

Hotch took the glass from my hand and set it behind me, crowding what little space I had left. We were tense with anticipation as we both leaned in, giving each other enough time to back out. His nose brushed mine, then his lips, before he was fully pressed against me. His tongue flicked out making me gasp and open mine wider. My hands slid under his sweater, feeling his warm skin beneath my fingers. We stayed like that; exploring, consuming, devouring until there was a pause between us. The was air heavy with desire and our breathing.

As I caught my breath, I reached back and grabbed my glass, taking the opportunity to throw back the last of the liquid. Aaron did the same, keeping his eyes fixated on the way my lips wrapped around the glass. I left my glass on the counter and took his hand, tugging him toward my bedroom. I heard his glass clatter on the counter as he left it behind in a rush to follow me.

I threw him a look over my shoulder and tugged my top off, throwing it off to the side. Aaron didn’t need to be encouraged anymore further and ripped his hand out of mine to follow suit. Clothes and shoes were haphazardly discarded until there was nothing left between us. I barely had time to sift through my drawer for the essentials before he was grabbing me around the waist and tugging me onto the mattress. His mouth reconnected with mine, his fingers digging into the mattress as his hips ground down against mine.

“Fuck me, please,” I panted as soon as our mouths separated.

“Gladly.”

He blindly reached for the condom I tossed near him. Once he located it, his oversized fingers fumbled with the packaging. The task was eventually accomplished with minimal difficulty and only a couple giggles as he accidentally pinched himself. The laughter eased the butterflies in my stomach, and I hoped this wouldn’t fuck up whatever we had going for us prior to tonight.

Aaron quickly snatched the bottle of lube and coated his fingers generously. As his fingers pressed against my entrance, I whined in anticipation and wriggled my hips to get him moving. I watched his eyes flutter shut as he put more pressure, jaw dropping in concentration as he focused. As soon as his fingers breached, he couldn’t help himself.

I felt the wet heat of his mouth descend on me, his tongue swirling and lips sucking on my overly sensitive skin. I was torn between tilting my head back to enjoy the feeling and wanting to watch his mouth work. I finally decided to look down, my breath catching as I saw his eyes already trained on me through his lashes. His cheeks hollowed ever so slightly as he sucked making me reach to grab his hair for any sort of purchase. The noises that came from him were sinful and I eventually had to pull his head away once I felt myself ready.

“Need you, please,” I pulled him up to me, feeling him pull his fingers out gently.

We were both understandably impatient with the mix of alcohol and lust. He reached for a pillow with his clean hand and stuffed it under my hips for a better angle. With one last pass of lube over the condom, I felt the blunt press of him against me.

“I’ve got you,” his breath stuttered as he guided himself inside slowly.

My fingers dug into his shoulders as he bottomed out before moving down his back and urging him to go. I let out a moan of relief as his hips started moving, rocking into me slowly at first. Without warning, his mouth sealed over mine and swallowed the gasp I let out as he sharply thrusted, hitting exactly where I need him to.

“More,” I mumbled against his lips.

Aaron was efficient, even now, and repeated himself until I was a whining mess underneath him. He sat up, making enough space to slip his hand between us. I clenched involuntarily as his calloused fingers stroked me, bringing me that much closer to release.

“You feel so good,” he panted. “Squeeze me again.”

I do as he asked, squeezing around him each time he pulls out. The groans pulled from his chest only added fuel to the fire and I didn’t know how I ever survived without hearing them. My hands couldn’t stay still, moving from gripping his arms to running across his collarbone and chest.

“I’m gonna come, I—” I had cut myself off by bringing Hotch’s mouth back down to mine. My muscles tightened as my release washed over me, fingers digging into whatever I can reach while I clenched around the cock still driving inside me.

Aaron removed his hand from between us, doubling down on his efforts to finish himself. His head tucked into my neck, giving me an even better opportunity to hear Aaron’s moans as he reached his orgasm. His hips stuttered as his release pulsed throughout his body, making him tremble in my arms. When he couldn’t handle the overstimulation anymore, he let himself slip out of me.

He let out a deep hum as we caught our breath, pressing one last kiss to my neck before pushing himself up to his feet. He cleaned himself with a grimace with me not far behind, eager to get the slick substance off my skin. I headed straight back to bed, flopping on the slightly sweaty sheets.

I’m too tired to fix that, I decided.

“I meant it, you can stay,” I mumbled in the dark as I heard his movement pause somewhere between the bed and the bathroom. “Don’t need you getting behind the wheel right now.”

“Mm, thanks,” his sleepy voice returned.

The bed dipped beside me and soon the length of his body was pressed against my back.

A sharp jolt pulled me out of my deep slumber. Through the haze I finally I heard the piercing ringtone of a phone. It’s not mine, I realized as I listen to it a second longer. The bed shifted next to me and frantic footsteps thudded across my floor as Aaron looked for his phone.

If he ended up with a case, it was going to massively suck for his hungover team.

“Hey, Jess,” he answered in a far less panicked tone than his feet originally suggested. “Uh, yea. Yea, one is good. Okay, see you then.”

He came back into the room with a more relaxed posture than when he left. He sat on the edge of the bed on the side I was still curled up on, watching him move with sleepy eyes.

“Just Jessica letting me know she’s dropping off Jack at my place at one,” he relayed.

A quick glance at the clock let me know it was only 10:00 AM, which wasn’t bad considering the night we had.

Aaron's hand found my ankle through the sheets, letting his hand glide up to my calf and back down. His face was contemplative though not as outwardly noticeable as the way I chewed the inside of my cheek.

He spoke first.

“That was,” he started, letting a smirk spread over his features, “fun.”

“It was. I…wouldn’t mind if it happened again.”

“Me either,” he punctuated with a squeeze of my calf.

There was a comfortable silence for a minute until he spoke up again, “I’m just—I'm not really looking to—.” He stopped and started again, “Since Haley died I—I’m just not...”

He didn’t have to explain to me the fact that his ex-wife slash high school sweetheart being murdered had done a number on his psyche. I didn’t blame him.

“I get it, Aaron. I’m not either. I’m way too busy and—I just don’t want to,” I replied. It wasn’t a total truth, but it also wasn’t a total lie. I was too busy but that didn’t mean I didn’t want to.

For Aaron, though? I would take what he gave me.

He relaxed a little, his eyes a little sad and I wondered if he could see right through me.

I hope he didn’t.

“I should go,” he murmured, leaning forward and pressing a chaste kiss to my cheek while the other side was pressed into my pillow.

When he pulled away, I turned my head to really look at him head on, not expecting him to come back down and kiss me again. This time on my lips, slowly and sensually; a far cry from the desperation last night. When my eyes opened, he was already up and looking for his clothes.

“I’ll see you next weekend?” I rubbed my hands over my face, sitting up as he gets dressed.

He flashed me a look as if to say “obviously” and threw my discarded top at my face.

“Be careful,” I called after him.

“You, too,” he paused, patting his jeans to make sure all of his belongings were in order. When he was satisfied, he gave me a gentle smile and headed in the direction of my front door.

“Lock the door behind me!” he yelled back before opening the front door and shutting it behind him.

I rolled my eyes and flopped back over onto the bed on my side. I still smelled his scent on my sheets and wondered how I could have thought that this would be a good idea.

Ever get the feeling nothing else will do?

I could hear you singing

I can’t explain, I need

Medicine at midnight

But it ain’t no cure

Medicine at midnight howling

But it ain’t no cure

I may be sick but you know I’m yours

-Medicine at Midnight, Foo Fighters

#mentioningmargins #criminal minds fanfiction #criminal minds fanfic #criminal minds x reader #aaron hotchner x reader #aaron hotchner fanfiction #hotch x reader #gn!reader #hotchner x reader #aaron hotchner smut #Fic: medicine at midnight #my art #hotchner x you #Spotify

153 notes · View notes

genericpuff · 7 months

Text

All the cool kids use ComicFury 😘

Hey y'all! If you love independent comic sites and have a few extra dollars in your pocket, please consider supporting ComicFury, the owner Kyo has been running it for nearly twenty years and it's one of the only comic hosting platforms left that's entirely independent and reminiscent of the 'old school' days that I know y'all feel nostalgic over.

(kyo's sense of humor is truly unmatched lmao)

Here are some of the other great features it offers:

Message board forums! It's a gift from the mid-2000's era gods!

Entirely free-to-use HTML and CSS editing! You can use the provided templates, or go wild and customize the site entirely to your liking! There's also a built-in site editor for people like me who want more control over their site design but don't have the patience to learn HTML/CSS ;0

In-depth site analytics that allow you to track and moderate comments, monitor your comic's performance per week, and let you see how many visitors you get. You can also set up Google Analytics on your site if you want that extra touch of data, without any bullshit from the platform. Shit, the site doesn't come with ads, but you can run ads on your site. The site owners don't ask questions, they don't take a cut. Pair your site with ComicAd and you'll be as cool as a crocodile alligator !

RSS feeds! They're like Youtube subscriptions for millennials and Gen X'ers!

NSFW comics are allowed, let the "female presenting nipples" run free! (just tag and content rate them properly!)

Tagging. Tagging. Remember that? The basic feature that every comic site has except for the alleged "#1 webcomic site"? The independent comic site that still looks the same as it did 10 years ago has that. Which you'd assume isn't that big a deal, but isn't it weird that Webtoons doesn't?

Blog posts. 'Nuff said.

AI-made comics are strictly prohibited. This also means you don't have to worry about the site owners sneaking in AI comics or installing AI scrapers (cough cough)

Did I mention that the hosting includes actual hosting? Meaning for only the cost of the domain you can change your URL to whatever site name you want. No extra cost for hosting because it's just a URL redirect. No stupid "pro plan" or "gold tier" subscription necessary, every feature of the site is free to use for all. If this were a sponsored Pornhub ad, this is the part where I'd say "no credit card, no bullshit".

Don't believe me? Alright, look at my creator backend (feat stats on my old ass 2014 comic, I ain't got anything to hide LOL)

TRANSCRIPTS! CHAPTER ORGANIZATION! MASS PAGE UPLOADING! MULTIPLE CREATOR SUPPORT! FULL HTML AND CSS SUPPORT! SIMPLIFIED EDITORS! ACTUAL STATISTICS THAT GIVE YOU WEEKLY BREAKDOWNS! THE POWER OF CHOICE!!

So yeah! You have zero reasons to not use and support ComicFury! It being "smaller" than Webtoons shouldn't stop you! Regain your independence, support smaller platforms, and maybe you'll even find that 'tight-knit community' that we all miss from the days of old! They're out there, you just gotta be willing to use them! ( ´ ∀ `)ノ～ ♡

#comicfury #support small platforms #webcomic platforms #webcomic advice #please reblog #also i'm posting my original work over there so if you want pure unhinged weeb puff that's where you can find it LOL #and no this isn't a 'sponsored post'#but i have been paid in the currency known as good faith to promote the shit out of it #because i don't wanna see sites like this die out #we already lost smackjeeves #comicfury is one of the only survivors left

343 notes · View notes

cherryxblossxms · 6 months

Text

🔞 Having thoughts about Minhyeok thanks to chapter 5........

[NSFW, minors DNI; fem reader, rough sex, mentions of oral (f and m receiving), fingering, dacryphilia, creampie, overstimulation, multiple orgasms]

Pathetic Minhyeok, always mocked by the devils because he's the only one that hasn't gotten a taste of you yet. Even when he's providing you with human energy, it's still disconnected, carried by another vessel rather than how he'd prefer to give it, how he aches to fill you with it.

Pathetic Minhyeok who, when he finally has you in his bed underneath him, no devil to come between you and no attacking angels, can't wait to give you his energy the way he wanted to all along, and he's prepared to spend all night making up for it.

Pathetic Minhyeok who relishes in the surprise on your face when he first strips in front of you, proud of his physique for once when your eyes keep traveling between his chest and his aching dick, already leaking and colored an angry red at the tip. He doesn't miss the way you squirm and squeeze your thighs together, the way your pupils dilate and you're practically ready to drool.

Pathetic Minhyeok who takes his time memorizing the sight of your bare body, to fuel his future fantasies but also already planning in his head how he's going to make you melt for him, how he'll make you scream.

Pathetic Minhyeok who knows exactly what you want in bed, what you want to explore, thanks to all the porn you've watched on his computer. He's spent more hours than he can remember studying every detail, having it down to a science on what to do and how to do it.

Pathetic Minhyeok who's still nervous at first initiating this with you, crossing this boundary from childhood best friend to lover after pining for years. But the way you respond to his touches encourages him, makes his heart pump faster and his body light on fire.

Pathetic Minhyeok who doesn't miss the chance to explore your whole body, no crevice or curve left untouched by his fingers or his lips. He makes sure to spend his time truly finding and investigating every sensitive spot on your body, memorizing the way you twitch with a pinch to your nipples, or your pussy slicks up as he nibbles on your inner thighs.

Pathetic Minhyeok who feels like he's ready to cum when you first moan his name, as his face is buried between your thighs, lapping and sucking at your sensitive clit while he curls his fingers inside you. It's a struggle to stop humping the bed, his dick begging to be inside you already, but he refuses to do so until you've cum for him first.

Pathetic Minhyeok who feels a burst of confidence and pride when he feels your pussy squeeze around his fingers just barely five minutes in, who's captivated by how sensitive you are and the way you moan. Even if the devils had you first, he's the one that knows you best, knows exactly what you want.

Pathetic Minhyeok who struggles not to cum down your throat when you return the favor, your tongue teasing around his foreskin and tears in your eyes when you take him just a little too deep. Praises are tumbling from his lips as he fucks into your mouth, shivering when he feels the back of your throat and sees the tears sliding down your cheeks, fighting the urge to make you cry more.

Pathetic Minhyeok who's itching to mount you like a beast in rut, flipping you over onto your stomach as he straddles your hips, pulling your hips up to rut his length against you as he shoves your head into the pillows. He can hear a faint protest at his choice of position, saying you want to see his face, but not yet, he tells you. He wants to see you from every angle first.

Pathetic Minhyeok who wants to be slow and gentle during his first time with you, but the second he's inside your hot cunt, it's over for him. He starts slow to test the waters, but once he feels how well you fit him, like your cunt was made and waiting for him, he wastes no time in increasing the pace, filling the room with the sound of skin slapping skin.

Pathetic Minhyeok who's obsessed with the way your ass jiggles as he thrusts into you, who thinks your moans are like music to his ears. His hand comes down to slap a cheek almost automatically, drawing the most gorgeous cry from your lips. He loves the way your cunt squeezes him in response, and decides to give a few more slaps.

Pathetic Minhyeok fighting the urge to cum when he feels you suddenly squeeze tight around him, your orgasm blindsiding you as you shake beneath him, your body desperately trying to milk him in turn. He almost laments the fact your moans were muffled by the pillows, and that he can't see your face in its ecstasy, but knows a way to fix that.

Pathetic Minhyeok who stops and pulls out for a moment, relishing the needy cry of protest from you, before he flips you onto your back and wastes no time sliding back into your sensitive cunt. He makes sure to angle your hips up into his lap, getting him as deep as possible, almost painfully so, and this time he doesn't miss your reactions as he fucks you into his mattress.

Pathetic Minhyeok who knows you're overstimulated, that your sore pussy needs a break, but assures you he's almost there (at least for this round). It's hypnotizing the way your eyes roll back as his thumb finds your clit, toying with the nub as he pounds into you, balls aching to release. He's tired of only ever giving you himself through those little vials, but now, he can pump you full himself. Just the image of his cum leaking from your hole is enough to make him burst, slamming his hips a few times before seating himself deep inside you, leaving his seed no room to escape, and the feel of his hot cum sends you into another orgasm of your own.

Pathetic Minhyeok who stays deep inside you, rocking his hips as he softens inside, his thumb still playing with your clit as you try to squirm away. He can't miss the hearts in your eyes or the way your legs have wrapped around his hips, keeping him pressed against you. Where he may have had doubts before, he knows now that no matter how far away you go, you're sure to always remember his touch.

#minhyeok x reader #whb minhyeok #what in hell is bad #what in hell is bad minhyeok #whb smut #the minx can write ✍️#spicy minx 🔥

365 notes · View notes

emersonfreepress · 5 months

Text

help i'm alive

So! Long time, no see. 2023 was a whole goddamn lot lol

I don't have a demo update to share yet, but that's because I had to scrap nearly everything I managed to write during a very, very, very bad stint of writer's block last year. I hadn't even realized it had been a block like that until I went over my work so far last month and realized it was bad -- like, trust me; a slog to read that didn't even sound like me. It's been extremely frustrating but I've finally broken free of that and it's been easy and actually fun to write again for the first time in actual years. I just hate giving updates that have no actual news in them. And I really had nothing to share other than: I deleted thousands of words and feel so much better now 😅

Anyway, little about my demo plans have changed: I'm still putting out the Chapter 3 demos in Choicescript/on Dashingdon and then will be going dark to move things over to Twine. Where I am in the process right now is... feeling like 35% done with the overhauled version of this chapter and 50% done for the next demo update.

As far as asks, I'm... not really sure what to do?? I believe I've read them all (I love you guys), but so much time has passed since getting most of them that I'm not sure if it's, like... still pertinent??? To go back and answer them?? I suppose some of them like character asks could be, but all the nice messages of support -- that feels weird since I've practically ghosted this blog since August! Idk. Y'all tell me what to do with 'em and I'll do it. Maybe I should make a poll.

Uh... that's really all there is to say regarding the game! I've added some personal stuff after the cut, but if you're done here: Thanks for reading and sticking around. It means the world, for real.

So what has occupied my time all this time? Doctor, therapy, money, and friends. And improv! But especially the first two. There was a lot of non-writing related stuff fucking up my ability to focus and write, so hopefully with my mind and body both feeling a lot better, I can get back to being present and active with the game. I didn't realize how physically unwell I was until last year and it's been like... life-long issues I've been treating. It turns out it's not normal to feel exhausted enough to sleep at any given time, at all times, for your whole life! wow!!

I also uninstalled Tumblr from my phone back in February, so you could say I'm sort of generally focused on offline life. (And what an interesting coincidence that my writer's block dissipated shortly after that...) I also just moved!! The last two weekends have been so expensive and stressful -_- But I can't even compare the old place to the new. We're basically paying the same price for idek how much more space. The cats are so happy; which means the house humans get to be happy.

My schedule is finally freed up from constant medical shit (there was a 3-month stretch this winter with multiple doctor appointments literally every fucking week 🙃🙃🙃). My mental health is doing a lot better -- literally incomparably better compared to where I was this time last year. There's live comedy now (which I dabble in, to be clear lol), but I've finally found myself able to like... balance it all. The physical and creative energy that goes into it all, anyway. The lovely thing about improv is that you kinda just show up and do your thing -- it doesn't cut into my writing time so much as it costs energy. Unless I end up in this comedy debate show thing next month, which I am very excited to give up writing time for

So like... Life is life-ing and I'm just vibing. Or something? I'll be around.

Thank you all again so much for your interest, support, patience, and readership <3

#oh and if anyone knows where i can stream mob wives uncensored without paying any extra money i'd love you forever lol #that is unimportant- unless y'all find it important that i have access to all of my most influential pieces of media at all times IJSAYING!#jk jk ofc <3 thank you for reading #conspiracy in emerson #if cie #progress #cie ch 3

132 notes · View notes

piracytheorist · 14 days

Text

Twilight Eyes Project: "Secure a Wife" (part 2)

First part here

Naturally, "Twilight eyes" stay on during his side mission with Franky. Then he bursts into Camilla's party, wounded and disoriented enough to mess up his introduction.

And thus... slightly different expressions from manga to anime.

In the manga, it's full-on Twilight eyes. Brow going downward to the center, focused and narrowed eyes. The anime has the first two, though as of focused eyes... they make use of animation to show he's so shaken he can't focus his eyes on one place. His slip-up does look funnier when he's trying to present himself as Very Put Together™ as he does in the manga, but I think it's funny either way. Also, I appreciate the small extra whump bone from the anime.

Continuing on the humorous aspect, he switches all the way to reassuring Loid eyes as he tells everyone how absolutely, definitely normal his situation is. No biggie. Just a head flesh wound. He sleeps those right off.

"Loid eyes" stay on as he continues his ploy. Nothing to see here, please continue, are you having fun, my dear wife whom I definitely did not meet just a couple days ago?

Those eyes keep up until Camilla tries to embarrass Yor in front of everyone with details about her "past job"... and here goes.

Loid eyes. He will show everyone how proud he is of his wife.

But then, slowly, his eyes don't look so strained anymore...

... until they're outright sad eyes.

The direct proof (along with the short flashback) that what Twilight says there is the truth for him: he doesn't judge Yor, instead, he honestly supports and praises her for her dedication and her strength.

And when he finishes his praise, he looks towards the others... and the audience doesn't get to see his eyes.

Yor does.

And the truth she sees in his eyes is enough to not only bring tears to her eyes, but to also stay with her and give her strength multiple chapters/episodes later.

This smile isn't the one he actually gave her. But it's the one she remembers.

(Wrong angle in the anime, but we can forgive that)

They leave Camilla's party, get attacked by the smuggling ring, Twilight knocks a few of them out and tells Yor to run for it, Twilight eyes on as he keeps himself alert for any possible attack.

Yor voices her worries about the well-being of his "patients"... and what else can he do but put on the Loid eyes. Which I'm actually sure weren't necessary with her, lol.

Unstoppable force (Yor believing everything she sees and hears) meets immovable object (Twilight suspecting everything and everyone).

Subtle Twilight eyes as he starts to question... well, his own judgment, at this point 😆

They get attacked, and Yor kicks a guy into another dimension before he can hurt Loid. And!

I would just really like to know what his thought process here was. This look is on the verge between "Loid eyes" and "real eyes". But this next panel/shot feels like it's closer to "real eyes".

He was actually amused by how far she kicked that guy, huh 😆

They kick a few more guys' asses, then Yor drops the "why don't we get married" question. Twilight is, understandably, shocked and confused. It's actually something he'd planned for, but it came unexpectedly and just so freely and willingly from Yor.

When his mind picks up from the shock, he puts on the thought process.

And we get investigative eyes.

Twilight accepts, gives her the best marriage proposal to ever grace a screen, starts with Loid voice for "Even in sickness, or in sadness," and switches to Twilight voice for "No matter what hardships await us, let us be there for each other."

Twilight eyes as he finishes his vows,

And... this, as he thinks "Until my mission do us part"

I want to make it clear that I completely doubt he'd already grown any feelings for Yor already. Probably the only thing he'd feel for her at that point was that he sympathized with her mental fortitude and willingness to sacrifice herself in order to protect and support someone she cared about. The pleasant face he has at the end could be merely his expression of relief that the mission was going smoothly.

But then, isn't that what becomes the foundation of the feelings he'll grow later? The relief that she is the kind of person who will protect the peace he fights so hard to maintain himself? A relief that will grow strong enough to lead him into revealing true parts of himself to her?

There's definitely a lot to take away just from the way Twilight's eyes are drawn, in any case.

(anime only fan here, don't spoil me for the manga)

#Spy x Family #Loid Forger #sxf meta #sxf tep #blood tw

105 notes · View notes

ckret2 · 4 days

Note

If you were to want any scene in your fic drawn (that you haven’t drawn yourself. Your art is amazing btw) which would it be?

You can give multiple answers! This is not a trick at all. Totally not planning anything!

someone asked a while ago and i was like "fuck if i know, anything would be great!!" but SINCE THEN i've thought about it so i have some actual answers by now

I wanted to draw the girls summoning a demon but ran out of time

i really wanted to draw Bill menacing Gideon in his bedroom—peak manipulative creep

Bill's harrowing nightmare being interrupted so Bud Gleeful can try to sell him a car

one of Bill & Ford's physical altercations. Maybe the one where they end up covered in eggs

i've never actually drawn his cultist, she deserves to be illustrated

those are the top ones that occur to me, here's some more i thought of while glancing over the chapters:

the moment after his haircut when he sees himself in the mirror and his mood switches from >:D to D8

I've always wanted to draw something for chapter 9, but since the entire chapter is just bill & ford sitting there talking, i never came up with anything i feel like is interesting

bill having a showdown with shmebulock

bill being caught after nearly falling out the window on summerween

bill hollering at waddles to free him, while waddles doesn't care

Dipper terrified about what Bill might be up to after "escaping," just in time for him to find Bill in the saddest most pitiable state he's ever been in

some of Ford's fight with Journal 2

I also write a lot of the jokes & humor imagining how they'd work if they were in the show, so they're very visual... without visuals. so any joke you think would work drawn out would be appreciated

#f0rtsykkun0 #ask #bill goldilocks cipher

69 notes · View notes

dungeonfood · 7 months

Text

Hi!

I was reestructuring the chapter layout for the LaiosxBeastkin!Reader fic and found myself at multiple crossroads, so I decided to make a poll to see what you guys thought!

First, a link to said fic, in case you haven't read it and would rather do so before spoiling yourself here. There's three posted chapters at the moment, and a fourth old one posted on the collection, if you can't wait until the rewritten one.

Then, I've made a small layout of the chapters so far, outlining the character's feelings so far (which I hope I managed to convey, otherwise this is all useless haha)

Chapter 0 - reader and laios meet

Reader is suspicious and wary, but joins the team with hopes of a better life while the party is there

Laios is interested in them, but mostly as a monster/beastkin

Chapter 1 - preening -

Via exposition, it shows they had some trouble at first, but it's better now

Reader trusts Laios - even enough to ask for help and letting him touch the.

Also explores the fact that they’ve felt lonely and untouched for a long time - with feelings possibly developing from this newfound contact?

Laios is interested in them as a monster, but also sees a bit of the person side, humanizing them in his eyes. Feels mostly pity (projection from his own past, ostracized?), but also enjoys spending time with them.

Chapter 2 -

Reader trust on Laios has evolved - they feel comfortable around him, deeming him a safe space

Laios feels a little crush - For one, this monster person likes his smell!

But more than that, even if he doesn’t really rationalize it, he feels good at the thought of someone feeling safe with him- liking him. He doesn't dwell on it much though.

Chapter 3- it won't expand much on their relationship. but i'm preparing for the next ones!

My planned paths forward are:

Focus on their developing feelings and build their relationship. Plenty of fluff (and some smut!)

Make a more drama-driven story, with less focus on the relationship. More lore and contemplation of the philosophical kind

Of course, both paths will explore both 5heir relationship and the lore, since they are both integral parts of the story.

But i'm debating between a more simple, fluffy, (horny), feel-good story, and a more dramatic, high-stakes, lore-driven story, with more complex relationships perhaps, and some angst, since realistic relationships aren't very easy (so it might tackle some character flaws and such that might make things more complicated)

And then, there' the second crossroad:

Horny reader can be:

A more submissive, helpless type

A more dominant, predator style

I do have my personal preference, and of course I'll still end up writing what I like best, but i would like to know your thoughts!

Sorry for the long post! Here's the poll!

#dungeon meshi #delicious in dungeon #dungeon meshi imagine #dunmesh #laios/reader #laius x reader #laios touden #laios touden imagine #laios x reader #polls

194 notes · View notes

ohcorny · 6 months

Note

hey corny. so i always see people recommending to outline their story before starting it, but could you talk a little bit more about what that means? what is an outline and how do you structure one? how long are the ones you write, depending on the project? do you focus on plot beats or feelings? how specific do you get? can u recommend any readings for learning more?

up front i don't have any resources for this, only experience. and outlines feel like one of those things where it's like... there are a million ways to do it and the way that works for me might not work for you. i have a friend who writes out all his ideas on index cards and that, for me, is insane. but he's also a better writer than me so who can say what is right or wrong.

anyway an outline is essentially a sketch but for a story. you go through the whole thing, start to finish, and figure out what goes where and what happens when. the idea is that this is the stage where you work out all the big picture stuff and make sure it all fits together, now, and not after you've drawn twenty pages and suddenly go "wait shit that doesn't work" and have to do it over. it is much easier to delete and rewrite a paragraph than to redraw several pages.

doing anything more, ie including dialogue or feelings, depends entirely on how useful that information is to you at that point in the process and whether the purpose of the outline is for your own guidance, or so somebody else can tell what you're trying to achieve.

this got really long with multiple examples

here is an excerpt from the original outline i used to pitch Hunger's Bite to publishers. this one had to be polished to a professional standard, because somebody else was going to read it and decide whether they wanted to give me thousands of dollars to tell this story. (also several of the details are no longer accurate. for instance it now takes place 9 years earlier lmao)

this paragraph represents the first eight pages of the book. the final book is 264 pages long, and the outline was 12 pages of paragraphs as dense as this one.

it establishes where we are, who's there, and what they're doing. i describe their conversation, but i don't commit to the dialogue. i will occasionally include snippets of literal dialogue, but usually only if it's Important Dialogue, or i just don't want to forget a good idea i had while outlining. it's not expected at this step.

an outline written as part of a pitch to a publisher should tell the whole story, with all the important details, and leave nothing ambiguous. they need to know the tone, shape, and the arcs. no secrets! all the spoilers. outlines for yourself should do this too, but outlines for others need to be as clear about your vision as possible. again, an outline like this exists for the purpose of getting you paid thousands of dollars. you should write it like that.

in comparison, here's an excerpt from the outline i wrote for revisions to my WIP prose novel, so i could show it to my agent (who already read the draft) to be like "do these changes sound good?" i'm not selling it to anyone yet, just making a guide so i can have a conversation about it. so it doesn't need to be neat, it just needs to be functional and clear. the first chapter was entirely new stuff. the second bit was just writing down what was already in the chapter that existed.

i have historically been very bad at outlining things when i don't think i "need" to, and only wrote this one after having written like 60k words of the book without any overall plan. i gave what i had to my agent for feedback and then sat down and figured out how i could apply it. it's made the whole revisions process significantly less daunting. now i have a checklist for things i need to do! this one was a paragraph or two for each chapter, with the ones that needed a lot of rewriting given a bit more detail.

lastly, here's a bit of the outline for the first roger crenshaw book. i was the only person who had to see this, and since the story was planned to be very short i didn't have to worry about a whole lot. as long as i knew what was supposed to go where, it would work. honestly it's not a whole lot different from the previous example.

this one was like five paragraphs and it did the job, and this story was like 15k words. you only need as much or as little as will actually help you on the page.

basically if you take nothing else from this, it's that there are multiple ways to write an outline, that it does not need to be perfect if you're doing it for yourself, and that it only needs what you think is important (unless it is for other people. then it should have everything). and also it's a good idea to do it earlier in the project than after you've written 60k words or drawn--jesus christ i got up to 12 chapters in never satisfied? it's amazing i didn't quit sooner

128 notes · View notes

aeithalian · 1 year

Text

Rick. Buddy. Amigo. Explain something to me. Real quick, I promise.

[The Trials of Apollo: The Tower of Nero, Chapter 4]

Good genetic package, Rick/Apollo? Are you sure about that?

Listen.

Estelle's physical description *clap* makes *clap* no *clap* sense. Why on earth does one of the only fully human characters in this series have to have unique and weird physical traits? Also, it makes no sense in the larger scope of Rick's writing style to have chosen this unless he had some sort of larger intention behind it. Not to mention the theories by fans haven't really done much to fully flesh out any perceivable reason as to why this might be:

Poseidon blessed Sally when she was pregnant - By far, this is the most believable to me, but it's still eh, because this feels very weird and I don't get the vibes from Poseidon that he would have done so to the extent that it shows up in Estelle's physical traits. Also if that were true, it doesn't make sense for Rick to just fully drop it in the story without the intention to flesh it out further, because to my knowledge he doesn't have plans for another novel that takes place after ToA.

Paul isn't Estelle's father - Firstly, this is out of character for Sally, and this doesn't fully justify why Estelle has Percy's eyes. PLUS, salt-and-pepper hair still wouldn't be natural for a newborn

Paul is Poseidon in disguise - This explains her traits the best, but Paul's character is so much more satisfying if this isn't true. It's also total bullshit.

Enter me. I have a theory. Yay. But first, we must discuss.

Firstly, I want to talk about her eyes. Going back to the theories, and based on my fair amount of knowledge of genetics (clarification: I write this as I procrastinate studying for my final genetics exam), the eyes are mostly interesting because Apollo specifies that they are immediately similar Percy's. The thing about eye genetics, though, is that they are what we consider to be 'complex traits', meaning that they are influenced by the interactions of multiple genes from both parents. What I mean to point out here is that Sally could definitely have the genes to produce two children with 'sea-green' eyes, considering her canonical eye color is blue. We don't know what Paul's eye color is, which makes my job a whole lot easier because I can assume that it doesn't directly contradict the possibility that Sally just has really strong eye genes (?). ALSO, who's to say that Poseidon didn't just change his eye color to match Percy's when he was born? Ah, yes, the perks of having a shapeshifting dad who seemingly loves you and your eye color a lot (but is still absentee, WHOOPS).

But what I actually found the most interesting about Estelle was her hair color. More specifically, the fact that Apollo says he's never seen an infant with that color hair. And we know Apollo is somewhat of an unreliable narrator (although this rarely affects his descriptions of people other than himself, and has also mostly evolved into a more honest narration since the end of book 3), but I believe we're supposed to trust this dude who just so happens to have been alive for over four millennia. Based on Apollo's previous descriptions of his own powers (see his conversations with Percy in TTC, when he pulls a Mufasa and basically admits to seeing everything the light touches), we know that Apollo knows and has seen a lot of stuff. So, how is this the first time he's seemingly witnessed this type of hair mutation?

I did some research, as one does. To me, it seems as if Estelle has what's called Griscelli syndrome, which is a type of rare autosomal genetic mutation that typically results in phenotypic hypopigmentation of the skin and hair. (It can also result in neurological disorders and immunodeficiency, based on the type, but I digress.) It's also pretty rare, considering both parents have to be carriers, and even then the child still has a one in four chance of being affected. Current statistics from the NIH say that Griscelli syndrome currently presents in less than 1000 Americans, and is rapidly fatal in 1-4 years without aggressive treatment.

That sad note aside, it's weird to me that the way Rick wrote Estelle's physical description makes it seem as if Apollo had never seen anything similar. I feel like a god of both medicine and knowledge would probably be a bit more up to speed with rare genetic disorders, especially because he's so old. The only explanations are that Apollo, in his mortal state, can't make a diagnosis, OR what he's seeing isn't actually something he can diagnose.

FURTHERMORE, from the same chapter, Apollo says something that muddies the waters even further:

It doesn't make sense that Apollo thinks that Zeus would take such an interest in Estelle. Her nature alone doesn't make me think that the king of the gods would take a sudden interest in a literal newborn, regardless of how much Apollo loves her (and honestly, I don't blame him).

What I think? Rick pulled the strings just tight enough that he has a very interesting plot point to go off of if he ever decides to pick up the pen again and write a new book.

What I think? Estelle doesn't have Griscelli syndrome, she is in much more danger than anyone realizes, and Apollo's subconscious put this together from the second he saw her.

Actually, let's rewind. I'm in the process of writing a fic (stay tuned!) and I had a random thought: do the Greeks have an apocalypse story? You know, like Ragnarök in the Norse mythos, and the Revelation stories in the Bible.

The answer? They don't. I guess that's what you get when the Greco-Roman gods are fully immortal and literally can't be killed.

That didn't stop the rabbit hole, though, and what I found was actually very interesting and I couldn't believe what I was reading.

I give you: Hesiod. More specifically, his poem Works and Days. More more specifically, his 'ages of man'. More more more specifically, the iron age.

For context, Hesiod was an ancient Greek poet who lived in the 8th century BC, and was walking right along with Homer in terms of fame at the time. The poem Works and Days is actually more of a really long Facebook post where he complains about anything and everything, especially in his section on the ages of man.

In summary, Hesiod wrote about what he perceived to be the five stages of human life since the creation of mankind by Zeus' hand:

gold: perfect in every way, pious, and blessed by the gods

silver: real bitches, the ugly middle child, so Zeus killed them

bronze: were so violent they wiped each other out

heroic: golden child, contained the heroes of the Greek mythos

iron: middle-aged men still living in their mom's basement

Hesiod wrote his poem during what he perceived to be the Iron age (it's really just him complaining about being born in the wrong generation), but he ends up listing a lot of qualities: 'everyone works too hard, the gods hate us, nobody respects family values anymore', blah blah blah.

I know what you're thinking: Tia, what does this have to do with an apocalypse?

Well, dear reader, bear with me. You see, every time Zeus didn't like an age of mankind, or it became too violent, or it generally wasn't pious enough, Zeus wouldn't hesitate to destroy that race and start over. Basically, an apocalypse.

So, you may ask a new question: what is the criteria for Zeus to destroy the Iron age? And, assuming that this is the age we're currently in, what would it take for Zeus to destroy everything our beloved Riordanverse characters know and love?

My friend, that is where Estelle comes in. Yes, a baby.

Take this excerpt regarding the Iron age:

"And Zeus will destroy this race of mortal men also when they come to have grey hair on the temples at their birth."

I think you see where I'm going with this.

My theory? Estelle, in her unique position as a bridge between not just the mortals and the demigods (eg. her relationship with Percy), but also the mortals and the gods (eg. her great impression on Apollo), is a living, breathing prophecy. A prophecy that the end is nigh for this current age of mankind.

Furthermore, I also think that Apollo made this connection, somewhere in the back of his mind, the very second he realized that her hair was entirely unique. According to Hesiod (who Apollo also mentions later in the book, so we know he knows who Hesiod is), the day that babies are born with gray hair (or, salt-and-pepper for the sake of the theory) is the second Zeus basically get the go-ahead to commit genocide.

This also brilliantly explains why Apollo suddenly, and seemingly without reason, makes to keep Estelle's existence a secret from Zeus, because he knows that it might be the easiest way to get everyone he knows and loves killed by his own father for "the greater good" as I'm sure Zeus will put it. Plus, in his mortal state, Rick didn't have to explain why Apollo did what he did, since Apollo's been having memory issues since the beginning of the series: why would he remember one line from a poem written almost three thousand years ago?

Frankly, Zeus doesn't care about mortals: the only reason he really cares about anyone is if they have enough power to threaten his own, or if they have some sort of power he can benefit from. This, certainly, falls under the category of the latter. Wouldn't you want a chance to remake humanity into the perfect image that it used to be? You would, if you hadn't gone through a five book long grow-a-conscience speedrun like our lovely Apollo over here.

Fortunately for Rick, this is such an outrageous theory that if it never comes to fruition, I won't be surprised. If he ever writes something similar, though, know I called it first.

EDIT: here's the fic i mentioned i was (am) writing

EDIT: a masterlist of my other metas

#riordanverse #trials of apollo #apollogists #also that fic i mentioned will definitely be including this #estelle blofis #theory #fan theory #also if you were wondering my genetics exam went well thanks for asking

698 notes · View notes