#also the pacing is terrible in both episodes

[ashtnketchup]

oooohhhh my god the new doccy who episodes suck so bad. actually so disappointed.

[absolutebl]

This Week in BL - Actually a pretty fab line up right now

Organized, in each category, with ones I'm enjoying most at the top.

NOV 2024 Week 5

Ongoing Series - Thai

Love Sick 2024 (Sun iQIYI) ep 11 of 15 - This is where the teen awkward comes to grab me by the throat. No other Thai BL does this better than Love Sick (except maybe Make it Right). And it’s always a challenge to watch because Phun is so ready to come out and Noh is so not. I love what cramming 3 eps into one (and better side BL couples) did for the tension and pacing in this particular part of this story. The new version really is excellent. I'm chronicling my experience with 2024 as compared to 2014 here. 

Your Sky (Sun iQIYI) ep 2 of 12 - They are so awkward and I love them so much for it. They are terrible at faking romance, yet Fah want’s Rak so bad. This is moving so slowly but that’s part of it’s charm. I'm not frustrated instead I’m getting Oxygen vibes from it. Or perhaps it’s is more just I feel the way I felt when I was first watching Oxygen. Which is to say, I’m totally addicted and I keep re-watching new episodes. 

Spare Me Your Mercy (Thurs iQIYI) ep 1 of 8 - Gah! JJ grew up so pretty. I love these leads. (No one is shocked.) I love the lawful good paired against (we’re not sure yet but possibly) neutral evil. I love our very sus very flirty very gay doctor. A lot happened in this first episode. I’m getting Manner of Death flashbacks but there’s nothing wrong with that. Bring on the chili. 

Incidentally, if you're interested in true crime, here's the IRL version of this story. How a Nuclear Lab Helped Catch a Serial Killer from the Science Vs podcast.

Jack & Joker (Mon IQIYI) ep 10-12 end - I got the go ahead on a safe ending, and thus I watched the last 3 eps all as one. I love how defiantly verse these two were. I also really enjoyed the final episode. I do like a finale that ends on a bang (yes, both kinds). 

Final thoughts

I enjoyed this show a lot. A caper BL starring two of Thailand's best and focusing on class struggles, corruption, and poverty, was always gonna appeal to me. But I’m not sure, ultimately, whether I liked it because it was good in it’s own right, or because YinWar were so good in it. I do wish it had been a little more Leverage and little less chaos, Dr Evils, and "watch War cry." It was a great vehicle for YinWar, and for them to prove that BL can defy its own tropes. To that end, this goes comfortably into the Manner of Death category more than anything else I’ve encountered befor (although slightly less unhinged). It's good, but it loses the plot, the side couples, and it's own mind a couple of times, and YinWar were definitely greater than the sum of its parts. Thus I feel an 8/10 is fair, especially considering I'm unlikely to rewatch.

The Heart Killers (Weds Gaga) ep 2 of 12 - Dunk is illegally pretty in this show. I gotta say I covet his skin care routine. (I love YinWar as much as the next person, but THIS boy should be the spokes-BL-rep for Laneige.)

Manwhile..... FirstKhao might be GMMTV’s best flirters. It’s a pleasure to watch them just inhabit these characters and bounce off each other. I do keep saying “what tf are they doing?!“ with this show. In this instance, it was the dancing in the bowling alley. What is going on? is it meant to be a Pulp Fiction reference?

Also this gd soundtrack is bonkers. I *can’t!* with the 70s orgy porn music and the very bad not quite metal intro music. And then, I remember, brain must be turned off! (That’s really hard for me OK?)

All that said, both the sauna and the jerk-off scenes were much appreciated. It’s nice to see this kind of visceral physical attraction depicted in a BL, we get it so rarely.  

On a side note, I entirely support Thailand’s one country agenda to put all the cute boys in crop tops. Keep it up. And up. And up. 

Fourever You (Thurs YT) ep 9 of 16 - I just don’t get the (new) main couple. They don’t work for me. I like the surprise gamer boys side crumbs though. They are v cute.

Side quest: Genius move anytime Hill comes on screen to basically have Pond make love to the camera. He v good at it. Break down everyone’s fourth wall, baby. Take no prisoners. 

Caged Again (Fri Gaga) ep 3 of 10 - That exchange! “Are you worried about me” (attempted flirtation) vrs Junior’s response “yes I am.” Just utter frankness. It’s very sweet. All in all this show is very sweet. Somewhat incomprehensible world building, but sweet. And the head lift into the lap was next level adorable. Sun’s shy smile is everything. 

Perfect 10 Liners (Sun YT?) ep 5 of 24 - This show is very silly. I love the sides so much I can’t EVEN. But I think it was a big mistake putting Tay into this show. Never let an OG out of the bottle like that. He gets all our attention because we think he’s gonna grant all our wishes. By which I mean, all I could think the whole time he was on screen was WHY IS HE SO FINE?

I’m not joking, I had to watch his scenes 3x because I kept getting distracted and losing the plot. Not that there is much plot to lose. Just Tay’s mouth. I’ll stop now, but seriously tho LOOK AT HIM!!! 

Every You Every Me (Mon Gaga) ep 8 end - Honestly I’d like to see this pair handed something much more meaty. Like a Japanese adaptation? Tokyo in April is… for example. I think they do a great job with something like that.

Conclusion

This was supposed to be a linked series about reincarnated soulmates, but ended up being more like a Y-Destiny grab bag BL with no rebirth through line, just the same acting pair. The leads were excellent. And I must praise this show for representing things I always want in my BL (and rarely get), switch, verse, communication, and safe sex. It’s just that this format with the same actors but no unifying theme (despite the pitch/packaging) made for a disappointing viewing experience. Some of the installments I enjoyed, and the visuals are on point, but I was ultimately let down by style and execution, if not acting. 6/10 

Ongoing Series - Not Thai

Our Youth AKA Miseinen: Mijukuna Oretachi wa Bukiyo ni Shinkochu (Japan Tues Gaga) ep 4 of 11 - “I won’t fall in love with you” is an easy promise to make if you’ve already fallen. I love this show SO MUCH. “Infect me just a little.” Holy fuck. This BOY. Also, so much for “not kissing.” This BL is fantastic. I’m so worried about where it’s going. Japan could very much hurt me with this. I didn’t expect to fall in love so hard.

Man, JBL...... when it gets you it really gets you (then it locks you in a basement and gets kinky). We are not safe but we must sit back and suffer enjoy it. I hate this. I love this. What a rush. 

See Your Love (Taiwan Weds Gaga) ep 7 of 13 - I think this show has a “crash into me” trope in every single ep. This ep alone had 3, plus a flash back to the first one. Still, their damn date was so flipping adorbs!!!

Teenager Judge (Vietnam Sat YT) ep 10 of ? - I couldn’t be less interested in the stuff with the mean girls. I’m annoyed we spent so much of this episode on them. Fewer bullies more smooches.

Love in the Air: Koi no Yokan (Japan Sat Gaga) ep 5 of 10 - Arashi as the doting bf was cute if sudden, also holy musical montage BLman.  Kai is my favorite character (as was Sky) but I'm still not wild about the blackmail sex start to this relationship. It does seem a little bit more like Kai went after a one night stand, also bit more switchy, which is better...... I guess. But not by much because the chemistry with these two isn't as good as the original.

I remain suspicious.

It's airing but......

Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan Tues ????) 11 of 12 eps - My source hasn’t yet uploaded 11. So…… I wait. 

Secret Love (? YT?) 13-?? of 81 eps - I don't know what's going on either.

Blue Canvas of Youthful Days (China Sun Viki) paused at eps 9-10 of 12 - I got the "stop" on this one as it's gone (no surprise) dark. Being China can not be relied upon to HEA. So I'm on pause until I'm told it's safe. If it ends sad/bad I will dnf. But for now I wait......

Winter Is Not The Death of Summer (Thai Weds YT) ?? eps - Criminals who meet in prison fall in love. I did find it on YouTube, initially unsubbed, then subs happened by which time I got distracted. The first episode seems to be only six minutes long. It is very pulp. But it is intriguing. For now its to the wayside until someone tells me what it whats to be and if it's headed in a safe direction. Occasionally Thai pulps want to be edgy and it's not a good look on them.

Bad Guy My Boss (Thai Sun Gaga) 10 eps - I DNF'd at ep 7, I couldn't make it. I'm weak. Life is hard enough right now, this show made it harder. It’s not what I want from my entertainment. Ends tomorrow.

Bad to Bed (Taiwan Sat YT) 10 eps - This is a little too low production value even for me + just very very odd. DNF

In Case You Missed it - GMMTV 2025 Line Up

There have been a ton of hot takes already, including mine.

Here are the titles and links to MDL for you (confirmed full BLs only), these are organized in order of the ones I'm anticipating the most at the top.

Dare You to Death - trailer

Boys in Love - trailer

Memoir of Rati - trailer

My Magic Prophecy - trailer

Me and Thee - trailer

A Dog and A Plane - trailer

Cat for Cash - trailer

That Summer - trailer

My Romance Scammer - trailer

Head 2 Head - trailer

Ticket To Heaven - trailer

Burnout Syndrome - trailer

Melody of Secrets - trailer

Only Friends Dream On - trailer

Love You Teacher - trailer

Next Week Looks Like This:

End of year drops:

12/4 0.5D (Japan ????) 10 eps - Sales ace, Sada, has a secret that only his junior, Daiki, knows. He has pretended to have a gf for years, resulting in him being a virgin. But now Sada has fallen in love. Confused, Sada seeks advice from his junior. I sense another queer Cyrano De Bergerac. Info here.

12/6 Be Moon - Falling for my enemy's son (China ????) movie from HBD Studio - Not much on this one just a trailer, looks intriguing...... if it's from/through Taiwan, but if it's all China, I'm wary.

12/13 ThamePo Heart that Skips a Beat (Fri YT) 12eps - A boy band member and his documentarian start a forbidden relationship. I LOVE Est and am delighted to see him at GMMTV. This was my #1 pick for 2024. I've been waiting for a Blinding Lights style idol romance and this looks like it might be it (Korea and Japan have systemically disappointed me). Bring it, boys.

12/14 & 12/21 The Renovation (Thai mini One31) 2 eps - Writer turns his blossoming romance with holiday resort owner into a novel.

12/29 Sangmin Dinneaw (Thai ????) ??eps - trailer Childhood friends (Thai & Korean) reunite after being apart for ten years. As the boys reconnect, their bond matures and feelings of romance begin to develop, in Thai.

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

THIS WEEK’S BEST MOMENTS

His smile. (Caged Again)

Look at them!

Look, I don't mean to tell you your business, but THIS? This is peak Thai BL. This is it. This is What They Do Best. Sure they dabble with silly kinky crimey-whiney fashizzal, but Thailand's true BL power is right here, in the sweet awkward school-set first love arghhhhh. Yes I said, school. Bite me. (Love Sick... damn it, 10 years later and it still has me in a choke hold.)

Hey all you idiots who thought (or think) there is ever a green flag in any Mame ever, this character if for you. This boy, THIS ONE. This is what a walking talking ACTING green flag energy actually looks like. You wanna date a dude? Find you one like him. Okay, peaches? sheesh

Meanwhile, this, this is not a green flag. This is GMMTV thinking they are being clever by calling out Thai BLs' worst behavior to make a character who has 'slightly less than worst behavior' look better. Sigh. When meta is used for ill gotten gains.

This, on the other hand is meta being cleverly deployed.

And this is language play. P'ABL's favorite.

So endeth this lesson.

(last week)

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

[qqueenofhades]

Good Omens Season 2: Some Thoughts (and also Screaming)

First, /screams

Second, obligatory disclaimer that this meta contains MAJOR SPOILERS for all six episodes. If you somehow have managed to remain virginally unspoiled, look away now, scroll past, or add "good omens s2" and "good omens spoilers" to your block list, as those are the tags I have been using for all posts and reblogs.

Third, /screams more

Okay okay okay. Deep breaths.

Anyway, so, uh, how about all that, huh? First, the good thing about the tone of the season overall was that it felt considerably darker and more adult, in a good way. We didn't have the precocious kiddies, the kitsch and literally-comphet Anathema and Newt, the so-clever narration, etc. All that was gone, which makes sense when you consider that a) the end of last season saw them reboot into an entirely new universe, and b) the fact that God has gone silent is, in fact, a major plot point for the season. We don't have Her slyly telling us the story, or indeed anything, and everyone is left to make their own judgments and take their own actions. Which, obviously, gets them into a lot of trouble, especially when Metatron (the Voice of God, aka someone acting in the belief that they're speaking for God and therefore doing terrible harm) swoops in with the ultimate buzzkill at the end of episode 6. But we'll get to that.

The downside was that the main, present-day plot (hiding Gabriel in the bookshop and trying to get Nina and Maggie to fall in love) was fairly thin, felt stretched out and at times weirdly paced, and otherwise existed mostly to get us to That Ending and the setup for season 3. But the ending was so damn good (if obviously, very painful) that I can't be TOO mad, not least because we spent six episodes with them just making absolutely no pretense about the whole thing being as incredibly homosexual as possible. I'll be honest: I did not think they were going to actually, explicitly go there. Neil Gaiman has been so consistent about "your interpretations are valid and you're welcome to read it however you want, but the only canon is what's on screen," which I think is frankly a good thing (not least since the Neil GAYman Cinematic Universe is consistently very, very good to us queers), that I just... didn't quite think they'd pull the trigger. Sir Terry is dead and can't have active input, this is based on a book published 30 years ago, maybe they didn't want to make it LIKE THAT... etc. I certainly hoped, but I didn't really think they would.

Uh. Well.

As I said in my various semi-coherent liveblog posts, I honestly don't think there was a single straight person in the entire season, among both major and background characters. Aziraphale/Crowley and Maggie/Nina are the obvious paralleling couples, but Beelzebub (using "they" pronouns and addressed as "Lord" despite presenting as femme/femme-adjacent) is clearly nonbinary and therefore also queer, and the countless gay/queer side characters were just /chefs kiss. From Job's son making a sassy pass at Aziraphale, to the random Scottish goon with Grindr on his phone (which he then gives to Aziraphale, because what is subtlety), to the interracial couple with the trans spouse at the Pride and Prejudice ball, there was just a lot of casual, unremarked, non-story-critical queer representation visible at every turn. It's like the NGCU saw the bigots wailing about Sandman season 1 being extremely gay and went CHALLENGE ACCEPTED, LET'S MAKE GOOD OMENS 2 EVEN MORE GAY.

God bless.

Obviously, Jon Hamm as Amnesia!Gabriel stole the show (he was SO fucking funny) and it was also incredibly fun to watch Miranda Richardson repurposed as a scheming demon. Nina Sosanya also reappeared as Nina the coffee shop owner, which leads us into the Maggie-and-Nina subplot. They're obviously, wildly, incredibly clearly an analogue for Aziraphale and Crowley themselves, but they're also each, crucially, a mix of both. On the surface, Maggie is Aziraphale: the plump, blonde, earnest, sweet-natured one owning a slightly dated book music shop and somewhat clueless about emotional nuances, while Nina is (also on the surface) Crowley, the hard-edged dark loner who doesn't want to open herself up to people or be spotted caring. But emotionally, Maggie is Crowley: the one openly pining, clearly besotted, only wanting to hang around their crush and do whatever they can to make themselves useful, while Nina is Aziraphale. Interested but reticent, attracted but conflicted, trapped in an abusive relationship with a demanding offscreen "lover" (Lindsay/Heaven) who tries to constantly control and shame them without ever offering much, if anything in return. By the end, they bring themselves around to what Maggie/Crowley are offering, but by then, well. We've got a lot more problems on our hands.

As I also said in my earlier posts, this entire thing has always been a metaphor for religion, queerness, and what religion -- especially abusive, fundamentalist, organized religion -- does to queer people, but they really cranked the FUCK out of that metaphor this season. Aziraphale is guilt-tripped, controlled, and shamed for his attraction to Crowley at every turn. He is torn between his imagined duty to Heaven, in all its ignorant, uncaring, bureaucratic, gratuitously cruel system that he still insists on seeing the best in because he can't bear the alternative, and the chaotic and sometimes grey but genuinely more good morality that Crowley offers him. (Can I just say, we were explicitly shown that the two of them together doing "just a little miracle" are more powerful than Heaven AND Hell combined.) And at the end, he's told that the only way he can be with Crowley -- what Metatron explicitly blackmails him with -- is if they both go back to heaven, submit themselves to the cruel system again and give up everything that has made them who they are: their home in London, their human friends, their reliance on each other, their independence, their own ways of doing things. You can be queer in this (religious) framework, but only the limited, watered-down, controlled, controllable, constantly-under-supervision kind of queer, which relies on both you and your lover "converting" back to the true faith. And if you don't cooperate, they will literally kidnap you, lie to you, manipulate you, take you from your soulmate, and force you right back into doing the one thing (destroying the world) that you never, ever wanted to do in the first place, because in their minds, that is still better than this. It's for your own good.

Ouch.

And the thing is: that's why the ending a) hits so hard and b) is so fucking painful, because of course Aziraphale agrees. He has no conception of being able to defy Heaven on his own; he has always, always needed Crowley for that. In the flashbacks, when Aziraphale is faced with an order from Heaven that he desperately does not want to carry out (such as letting all Job's children get killed), he still relies completely on Crowley to "outsmart the rules" and find a better way. Crowley is A Crafty Demon; that's what he does, and so Aziraphale rationalizes it to himself that therefore that must be fine. Even in season 1, when he really didn't want the Apocalypse to happen but initially thought it was his duty as a good Heaven footsoldier, he relied on Crowley to talk him out of it and allow him to do what he really wants instead. That's their whole dynamic in a nutshell, as exemplified in that scene in episode 2, where Crowley tempts Aziraphale with the "pleasures of the flesh" while sprawled on his back in Ravish Me mode like the giant walking gay disaster that he is. (Sorry, buddy. That beard. Can't do it.) Everything that Aziraphale's existence is, that makes him who he is, that he loves and cherishes the most (in this case, food and wine) comes from Crowley. Everything else is just background noise.

Throughout the season, what we see is Aziraphale increasingly coming around to the fantasy of being with Crowley. He's coy and flirty; he talks about "our car" and expects Crowley will let him (which he does); he wants to have a Jane Austen ball and for them to dance together (oh my heart); he even thinks, at the crucial moment, that the best way for them to be together is to go back to heaven just like they were in the beginning, once more perfect angels, as if those entire six thousand years of struggle and grief and pining and separation and falling didn't happen. And Crowley -- poor, poor, brave, devoted, heartbroken Crowley -- has just heard for the first time in said six thousand years that actually telling the person you love how you feel is an option. Maggie and Nina tell them point-blank that their whole stupid plan failed because people aren't chess pieces who can be moved and automatically achieve the desired result. And of course this gobsmacks the dearest and dumbest Ineffable Husbands, because they can't conceive of anything else. People are chess pieces in the Great War of Heaven and Hell; Aziraphale and Crowley themselves are chess pieces who have been desperately trying to get out of being moved by external forces, but that doesn't change the fact that that's what they are. They don't have volition or agency aside from that which they can sneak for themselves in brief and stolen moments. That's it.

Until, well. It's not it. They discover that this whole would-be war is actually an elaborate ruse to cover up another angel-demon romance, that of Gabriel and Beelzebub. (I'll be honest, I'm 99% sure they did this storyline because they saw the fans crackshipping them, but I appreciate a fictional narrative that values and incorporates its fans' input, rather than trying to constantly "trick" or "outsmart" them or "do what they don't expect.") And Gabriel and Beelzebub get to be together, but only by leaving their world forever. They have to desert their homes, their structures, even their own identities, and never return. And Crowley and Aziraphale are so rooted in their "precious, perfect, fragile" life in their little corner of Soho, with their bookshop and their Bentley and their dining at the Ritz (which they didn't get to do in the end because METATRON /shakes fist), that that just doesn't work. Neither of them can conceive of doing that. So Aziraphale thinks "go back to heaven and try to make the terrible system do some good and take what we can in terms of being together" and Crowley just... pours out his heart. He's ready to fucking propose. He barely stops himself from saying something to the effect of "I want to spend eternity with you." He begs, he pleads with Aziraphale to go away not in the literal sense, but the emotional/metaphysical: to finally break this toxic dependence on Heaven and tell them once and for all where to stick it. And because he is desperate to make Aziraphale understand, he finally throws all caution to the winds and recklessly, desperately, adoringly kisses him, the one thing he's wanted to do for ages and...

Gets. Shot. Down.

Ugghhhhh. I'm suffering all over again. Aziraphale wants him, hungers for it, for them, and yet he's been so abused and so conditioned by Heaven (he's still blithely repeating to Crowley's face that "Hell are the bad guys!") that he just cannot accept that kind of desperate, blind, limitless, lawless affection. He even forgives Crowley for this "transgression," just to really twist the knife, and Crowley just can't take it, can't face up to how terribly this has all gone up in flames, after he went to heaven trying to find the answer for Gabriel's situation. Gabriel, who he fucking hates. Gabriel, who tried to kill the angelic being he loves (and for which Crowley has transparently never forgiven him). And yet at one pouty puppy-eyed look from Aziraphale and a warning that whoever is harboring Gabriel might be in danger, Crowley leaps headlong into the Bentley again and rushes to the rescue while "Good Old Fashioned Lover Boy" is blaring. He stoutly protects Gabriel; he does a miracle to disguise him; he lets him have hot chocolate and stay in the bookshop; he guards him from the literal demonic horde outside. All because of Aziraphale. That's it. And then, it still doesn't work. Not only that, Gabriel's absence and decision to forego Armageddon gives Heaven the one tool they finally need to take Aziraphale away from him.

I repeat: Ugghhhhhhhh.

(In a good way. Ngl, I love this angst. This is the kind of angst my brain Thrives on, the Thematic Parallel Romantic Character Arc kind. Nom nom nom. But also: AGONY.)

I also need to talk about Aziraphale driving the Bentley, aside from the obvious metaphor of him being in Crowley's home while Crowley is in his. Last season, we had the "you go too fast for me, Crowley" scene with them sitting in said Bentley, which was Aziraphale saying he's not ready for a relationship. In this season, as noted above, we see Aziraphale increasingly embracing the potential fantasy of being with Crowley. But here's the catch: when he's in the Bentley this time, driving it, setting the pace, acclimating to the idea, he's driving his own idea of what the Bentley/his relationship with Crowley is. It's not the real thing. He plays classical music; he supplies himself sweets; he turns it yellow; he drives too slow. Crowley calls him in another old-married-couple snitfit to complain that Aziraphale's messed it up, but what Aziraphale has actually messed up (or will, by the end of the season) is far more consequential than just a car. He's changed the entire shape of their relationship to the one he thinks can make it work, and it just doesn't. It has to be them -- "we could have been... Us" -- or it's not even close to the truth. It's not worth their time.

I repeat: Ouch.

Speaking of the writers validating fan theories, I know we all picked up and screamed about on Crowley's idea of Peak Romance Guaranteed To Fall In Love being sheltering from rain and gazing into each other's eyes, which confirms that that poor bastard was indeed ass-over-teakettle gone as soon as he met Aziraphale (again) in Eden. I also need to talk about the 1941 redux, because wow. This time, the danger comes from Hell, which we see being its usual self: gleefully, pointlessly cruel, pettily backbiting, dirty, sniping, tedious, endless, determined to mindlessly destroy because They're The Bad Guys and they like it. So they blackmail, spy on, miracle-block, illicitly photograph, and try to prove that Aziraphale and Crowley are secretly a couple, right after Aziraphale himself has just had the Light From Heaven realization that he's in love (which we all also picked up on in s1). They're forcibly outing them (to speak of more Religious Queer Trauma) in order to break them up/get them into trouble with their authorities/families. Aziraphale and Crowley manage to escape it mostly by dumb luck, but Crowley having an altogether freakout, hands shaking, barely able to actually point the gun at Aziraphale even in the knowledge that it's supposed to be fake, is just... wow. He can't even fathom the idea of ever trying to destroy him in earnest, especially when he knows on some level that Aziraphale also finally just realized his own feelings. So I just need to --

/screams

Anyway, Aziraphale's entire arc this season is doing what he thinks is the right thing and then inadvertently causing harm and damage as a result. In the Edinburgh flashbacks (live slug reaction of me: SEAN BIGGERSTAFF???!!) he tries to stop Elspeth from stealing bodies and gets Morag killed and Crowley drinking the laudanum to save him (though that part with David Tennant just riffing left and right, using his natural Scottish accent, and being Tiny Crowley/Huge Crowley was hilarious). He invites his neighbors to a Pride and Prejudice ball and makes them all the target for demonic attack. And of course the Job episode: Aziraphale, horrified at Heaven's callous cruelty, desperate not to get Job's children killed, willing to go along with Crowley's tricks to save them somehow, tempted by Crowley to do the fucknasty with their angel bits eat some food and decide that he likes it. As mentioned, the whole thing about God being silent this season is a major thematic choice. The only time we see/hear God is Her communing with Job from afar. Aziraphale enviously imagines the answers he must be getting (he's not, he's baffled and perplexed), while Crowley longs beyond words to even have the opportunity to ask the question: why? Why do this? Why is this your plan?

And of course, this absence culminates in the Metatron, the Voice of God, the person arrogantly claiming that they're speaking for God and know exactly what Heaven wants, being able to seize Aziraphale by the short hairs and absolutely fuck him over. Gabriel is gone/decommissioned/eloping with Beelzebub, so Heaven needs a Supreme Leader (God apparently is no longer a factor in the equation). And what this Supreme Leader needs to do is finally unleash the Apocalypse that Gabriel decided to pass on (the Second Coming). Aziraphale needs to be punished, taken away from Crowley's influence/love, and put back under Heaven's explicit control, so Metatron spots a great opportunity to do all three at once. It's not an accident that the exact tool he uses to get Aziraphale to agree is "now you can actually be with Crowley!" Aziraphale and Crowley have been trying so hard to hide out from their respective Head Offices, but now all at once, there's this seemingly miraculous opportunity for them not to have to do that anymore! They can be together! They can be sanctioned by Heaven! They can give up all this hiding and sneaking around and lying! Isn't that better?

... As long as, of course, they give up absolutely everything that makes them who they are. No big deal. Minor catch. Probably nothing.

Metatron doesn't let Aziraphale have time to escape, or think it over, or reflect, or anything. He pressures Aziraphale to come with him immediately, or be once more subject to Heaven's implicit wrath/destruction/judgment. Believe me, Aziraphale already KNOWS he's made a huge mistake, as soon as he hears what Metatron really wants: bringing him back to unleash the Apocalypse that Aziraphale and Crowley have given up literally everything to prevent. He doesn't need time to reflect. By the time my man is in that elevator, he's well aware of what a catastrophic misjudgment he's made, and yet --

Aziraphale needs this. He has, as noted, literally always relied on Crowley outsmarting Heaven's cruel orders in order to prevent himself from having to do them. He's relied on Crowley rescuing him ("rescuing me makes him so happy," WELL BUB, IT'S BECAUSE YOU ALWAYS NEED IT). He admits to Crowley's face that "I need you!" He hates Heaven's sadistic meanness, but he has absolutely no framework, in and of himself, to defy it. When the rubber hits the road, he will crumple and try to go along with it, and now he's been put in a position where he's going to have to stand up, defy Heaven, and make the break once and for all BY HIMSELF. He doesn't have Crowley around to do it for him, he has no support, he is going to arrive in Heaven and be shuttled straight off to the Apocalypse 2.0 War Room. The only way he gets out of this is if he actively stands up, if he chooses himself and Crowley and their life, and he has to.

The thing is:

Aziraphale has lived his entire eternal existence Looking Up. Up is the direction of Goodness and Heaven. Up is where Angels go. Up is where Aziraphale comes from and where Demons and Hell are not. But now he's going Up, in a position to take over the whole shebang, and it's the last thing he wants.

So he's going to have to come back Down.

He's going to have to Fall. He's going to have to get back Below at all costs. He's going to have to finally, once and for all, understand what led Crowley to make the choice to leave Heaven and never come back. It's only then that they can possibly be together on any kind of conscious, equal, deliberate footing, claim their own agency, reject Heaven AND Hell, and try to really earn that South Downs cottage and that happy-ever-after, and it's gonna hurt so good.

Now if you will excuse me, /screams

[a34trgv2]

Top 10 Cartoons I Hate But Many Others Like

#10. The Amazing Digital Circus: Yes, I'm aware only 2 episodes have been made of this cartoon. I'm also aware that both episodes have been praised by viewers and critics alike. As much as I would love to join in on the fun, I cannot ignore how badly structured it is. From the unlikable characters, the poor world building, the unfocused narrative to the lackluster jokes, poor handling of themes and lack of stakes, this it the kind of unmitigated mess that more infamously bad cartoons are ripped to shreds over. I will say that the animation and voice acting is well done so it's not all bad.

#9. The Owl House: Many people were disappointed by my disappointment with this disappointing cartoon. But no one was more disappointed that I was left cold by the show than me. I love fantasy, magic, mystical creatures and enchanting worlds. The Owl House should've been up my ally, yet in practice I wouldn't even spit in it's direction. With an irritating cast of characters, bad world building, formulaic plots, the writing was already on the wall. Then Amity showed up and it made the show unbearable to sit through. I'm all for LGBTQ rep, but I draw the line at a bully and their victim becoming and item. I'm sure Amity has some sappy sob story about how her parents pressured her into being an entitled brat, but she's still and entitled brat that shouldn't even have friends, nevermind a girlfriend, because her attitude STINKS!

#8. The Loud House: I've made it no secret that despite the warm reception and continued popularity of The Loud House, I was never a fan. I never found it funny, well written, or relatable. All I got from The Loud House was this is one of the most annoying dysfunctional families I've ever seen. I do think it's well animated and I commend the crew for moving forward with the show despite the disgraced creator's termination.

#7. Moon Girl and Devil Dinosaur: I consider myself a big Marvel fan thanks to the MCU and Spider-Man franchises. I never heard of Moon Girl or Devil Dinosaur before this show was announced, so I was genuinely curious to see how this would play out. Needless to say, I was not impressed. Despite having dazzling visuals and really good voice acting, the show is just badly made with terrible writing, unfunny jokes, dull characters, and repetitive action scenes. This show clearly has its fans, but unfortunately I'm not one of them.

#6. Jurassic World: Camp Cretaceous: Those who know me know I love dinosaurs and am a huge Jurassic Park fan. You'd think a cartoon based on the series would be as exciting and interesting as the movies. Well like so many of the dinosaurs victims, you'd be DEAD WRONG! This show shoots itself in the foot by having 6 unlikable and annoying characters, and not one gets eaten by a dinosaur. Not to mention it's sluggishly paced, the animation is stiff, and the score only reminds me of the movies I'd rather be watching. Clearly I'm in the minority here as I had a blast watching ALL the Jurassic Park movies, even the ones critics didn't like at all, over this.

#5. We Bare Bears: I like bears as much as the next guy, with my favorite cartoon bear of all time being Winnie The Pooh. Despite my fascination with this big, furry creatures, We Bare Bears never made me like the main trio, much less love them. They're all varying degrees of unlikable and the show isn't funny or well written to keep me engaged. They also did San Francisco dirty by making the people so unlikable. The one element that I think would've made for a much more interesting show is Chloe Park. Her character was utterly wasted on this stupid show as she's a kid with a high IQ and is in college but still wants to be a kid. She deserves better.

#4. The Mitchells vs The Machines: As much as I like Sony pushing for more expiremental animated films lately, this expirement didn't succeed in my book. Sure, the animation is amazing and the voice acting's mostly good, but tells such a generic story, has such incompetent and unlikable characters, and I will never get over the fact that Aaron Mitchell sounds like a middle-aged man and not, you know, A CHILD! The worst part about this film is despite it's best efforts, it is just NOT funny. It relies so much on cringy, outdated memes, weak slapstick, and dull visual gags and I never once found it funny.

#3. El Deafo: I was confused as to what this show was supposed to be based on the trailer. Watching it for myself, I found that it was more frustrating than anything. Don't get me wrong, I commend author Cece Bell for turning her personal struggles with impaired hearing into a comic turned cartoon and I fully understand wanting to tell a story from a deaf person's perspective. That said, though, I just despised the execution from the awful writing, the unlikable characters to the terrible sound mixing. As pure as the intentions were, they were sorely lost in the execution in my opinion.

#2. Frog and Toad: When I was a kid, I loved reading the Frog and Toad books. They were simple, yes, but the characters were so interesting and the illustrations were well crafted. This show should've been exactly what I was looking for in an adaptation of the books. What I got instead was a prime example of how NOT to adapt a beloved children's series. Despite having spot on voice acting, the abysmal writing, the incompetent characters, and the lackluster animation really soured the experience. I know the author's children were involved in this, but I don't think they did the books justice. The show didn't take full advantage of the medium and played more like mediocre live reading of the books.

#1. Summer Camp Island: I clearly struck a nerve with fans of the show when I said I hated it. Well, y'all will be please to know that your efforts to change my mind were all in vain. I just couldn't get passed how badly written it was, how hatable the characters were, how grossly unfunny it was. The worst part is that this is a world where anthropomorphic animals and mystical creatures exist, yet they can't tell anyone about the magic on the island. To this very day, I CALL BOLONGA!

Conclusion: I'm not saying y'all are wrong for liking these show and you definitely won't see me call them "overrated." I just wanna offer a different perspective on these popular and well liked cartoons. Some honorable mentions include Miraculous Ladybug (many people love it, I can't stand it), The Ghost and Molly McGee (you all know how I feel about that chatterbox), and the "adult" cartoons that received critical acclaim such as Rick & Morty, Smiling Friends, Bob's Burgers and The Simpsons. Agree? Disagree? Let me know in the comments and I'll see you next time.

[miraculouslbcnreactions]

"Him guilting Ladybug into staying quiet is why Lila is able to maintain her power for 4 more seasons."

I mean, I would blame more the writers for taking way too long to have Adrien realize his advice was bad.

(Post the quote is from)

Reminder that I am never actually blaming the characters, they are not real people. That's why this is explicitly a writing blog. In the context of the writing, yes, the pacing of everything Lila was terrible and is the real source of the issues. That doesn't change the fact that Adrien is the main narrative tool used to keep Marinette in line, thus me "blaming" him.

As you said, Adrien looks bad here not because he didn't understand how to handle the situation and gave bad advice, but because it takes him so long to realize that his advice was bad and apologize.

During Lila's first appearance, we see Adrien chastises Ladybug for being too mean to Lila, never once acknowledging that it was valid for Ladybug to be upset (S1E26). She is painted as fully in the wrong even though Lila was actively manipulating him and Ladybug arguably protected him here:

Adrien: Wait! Lila! (Lila runs away) Hey, what was that all about? Uh, I mean, weren't you kinda harsh with her? Ladybug: I...I don't put up with lies, especially when they're about me. (yo-yos away)

During Lila's second appearance (or, at least her second appearance where she actually interacts with the cast) he further drives that message home by telling Marinette to let Lila lie to people because he's more worried about hurting Lila's feelings than he is about removing Lila's power (S3E01):

Adrien: Are you going to tell everyone? Marinette: 'Course I am. Lila is— Adrien: (interrupting) A liar. Yes, I know. But do you really think exposing her will make things better? If you humiliate her, she'll just be hurt more. Making a bad guy suffer has never turned them into a good guy. Lila: Ladybug and I are like two peas in a pod. Marinette: So we just stand by and let her lie? Adrien: As long as you and I both know the truth, does it really matter? Marinette: You're right, maybe it's not such a big deal.

We'll circle back to how terrible this advice was in a second. First lets finish off going through the sequence of events.

And finally, at the tail end of season five, Adrien openly acknowledges that he's been giving terrible advice (S5E20):

Adrien: I'm sorry, Marinette. I was wrong. I shouldn't have told you to not act against Lila. If you give the slightest opportunity to people like her, they'll grasp at it and cause disasters in no time. And now, you're the one who looks like a bad person. Marinette: (reaches out to hold his hand beside her) You thought you were doing the right thing. Just like with Chloe. That's another reason why I love you, Adrien. You always want to see the good in other people. But sometimes, the good we think we see in some people is just a reflection of our own, and we end up being fooled by our own kindness. (They squeeze each other's hands.) But we'll find a way to expose Lila eventually.

If we look at these three moments in a vacuum, this is honestly a good character arc for a character like Adrien. He's a peace keeper, which is a wonderful match to Marinette's blind justice approach. It's good that Adrien is there to balance her out! It's also good for him to learn that his approach doesn't always work and that you can't always keep the peace.

The problem is that Adrien didn't actually get a functional character arc where he learned those lessons. The episodes are so drawn out that it doesn't feel like we watch him grow and learn. His apology is almost three full seasons after his second bit of bad advice, leaving us to wonder when he changed his mind because Lila does a lot of awful things during those three seasons. What moment made him realize that he was in the wrong here? We don't know, so this feels less like growth and more like the writers throwing in a scene to shut up fans who were still complaining about Adrien's terrible advice even though it had been four real world years since he actually gave it.

There's also the issue that Adrien tells Marinette, "making a bad guy suffer has never turned them into a good guy." This line implies that Adrien's goal is to help Lila change. The problem is that we never see him do that. He doesn't try to help Lila. The most we get is him making a deal with Lila to protect Marinette, but that's not him helping Lila change. He doesn't approach that conversation as if he's trying to help Lila see that what she did was wrong. He approaches it as if he knows that she won't change. It's less trying to make Lila a better person and more a deal with the devil:

Adrien: (sits next to Lila) I warned you once already, Lila, but you didn't listen. You hurt my friend Marinette, and that's not okay. Lila: Me? Hurting Marinette? But she's the one who- Adrien: I don't know how to prove you lied, Lila, because you're good at it. So you'll just have to come up with another lie, just as convincing. Only this time it's gonna prove Marinette's innocent. Lila: Why would I do that, Adrien? Adrien: Because we're friends, aren't we?

Minor Chloe rant incoming:

This is yet another situation where it would be so much better for the show if Adrien had actually done something to help Chloe change and succeeded. If he did that, thought it was a good path for everyone, and then tried to do the same thing for Lila, then this could have been a really great way to set him up for dealing with his dad. To teach him that you can only help people who want to be better without having everyone he tries to help stay "evil" as that's pretty depressing. As-is, we've literally seen him say that Chloe will never change so why does he believe that Lila can change? They're not portraying him as an optimist, they're portraying him as delusional. Terrible writing. Zero stars.

Rant over.

By the way, the above quote was the 24th episode of season three, roughly two seasons before Adrien's apology to Marinette. If he's viewing Lila as the devil here, then this should be where we get that apology. Or Adrien should approach this as him trying to make Lila better and Lila should play along, making Adrien think that he's right and that he's helping her change. Either approach would be better than the nonsense canon gave us.

In a well written show, this would all go down over the course of a single season or even just a few episodes. As-is, the season five apology feels like too little too late. What little kid is going to be able to follow this "character arc" and learn the lesson that Adrien maybe sort of learned? Casual viewers will likely not even remember that Adrien gave Marinette bad advice back at the start of season three because why would they? This is not how you do a good subplot. It's almost as drawn out as the Gabriel plot and that's insane! A subplot is supposed to be a short story within the story so that things feel like they're moving forward.

[hallowpen]

There was a lot of destructive criticism surrounding My Marvellous Dream is You, but I actually thought the series was quite good despite its shortcomings. I'm a lot more forgiving than most when it comes to Thai GL series, and that will have absolutely affected my viewing experience. But... every time I would see a comment that just read "This is boring/terrible/stupid" without ever elaborating, I felt very much like Khun Pu's character from Be My Favorite hehe

*WARNING*: There will be minor spoilers for the final episode of My Marvellous Dream is You, should that be something you wish to avoid.

I will be the first to admit, that I was very skeptical about this series in the first handful of episodes. So let's just get my personal negatives out of the way first... I think, by now, it's no secret that I do not support where a lot of Thai GL adaptations source from. So, this series already had an admittedly disadvantaged subjective expectation from the get go. It wasn't really surprising to see pacing issues within the first 5ish episodes, that seems to be a common occurrence in Thai GLs produced by IDOLfactory. Whether that is a result of the novels the series have thus far been adapted from OR from a choice in direction is up to you. I, personally, think it's a bit of both. Where I believe certain productions struggle in letting their narratives breathe, I find the complete opposite problem to be true with IDOLfactory. There were a lot of plot points that needed restructuring or to be removed entirely in order to have a stronger cohesive story that focused on the main characters' relationship more so than it did.

Now, while I stand behind my opinion that the series could have benefited from tighter and better organized storytelling, a lot of the groundwork was there to make a decent character driven narrative. And that's what I've chosen to focus on. Wan and Kim are both deeply flawed characters. There were so many inferences to be drawn from character relevant visuals and their joint backstory that truly informed their current dynamic.

The👏🏾character👏🏾focused👏🏾visuals👏🏾in👏🏾this👏🏾show!!!

One of the most interesting parts of watching a series, for me, is having to pick up on certain character cues in order to understand and delve deeper into the core of their behaviors.

Wan and Kim share a trauma, and it's easy to see how they both became so dependent on one another to fill the void their fathers left.

In flashbacks, Wan is presented as egoistic and headstrong since high school. She is also shown to be extremely protective of Kim before she even realizes her feelings. Kim, on the other hand, is a bit more sensitive. She cherishes Wan's attention and affection to a point where she would be willing to play a little dirty in order to keep it for herself.

All of these emotions become heightened once they are forced into adult life with adult problems. Wan is struggling with her mental health. While trying to balance fame and the repercussions her actions might have on her career, Wan must also deal with her mother's alcoholism... which has essentially caused her to check out from Wan's life. Her need to have Kim by her side, and never leave her, has become less protective and more possessive. Kim's desire for approval and affection has led to an over devotion of herself to Wan and constant worrying about disappointing her mother. She's neglected her own wants and needs for so long, that she's afraid putting herself first would be considered too selfish...too much like her dad. Her mother's cancer diagnosis further pushes Kim to continue to place her mother's wishes over her own desires. Even though comments about Wan and Kim being 'annoying' or 'frustrating' were aiming to be negative... they weren't exactly wrong. The audience was supposed to feel that way. Heck, even the surrounding characters called out their behavior on more than one occasion. Because in an effort to not lose one another, Kim and Wan fell into a cyclically unhealthy dynamic where their actions and reactions were actually pushing each other away. Their inability to communicate their true feelings to each other beyond their (unbeknownst) shared dreams prevented them from making any true progress toward a romantic relationship that they both so desperately wanted, but were each terribly afraid to pursue. Their feelings for each other were put up against the reality that their love being unreciprocated could spell the end of their relationship altogether. There was an added pressure of being unfairly compared to their fathers, where any romance between them might be found 'unacceptable'. Couple that with societal views of same-sex relationships, and you can understand why these two were so hesitant to reveal their truths.

(Quick sidenote: I did not agree with the idea that what Kim and Wan did was exactly the same to what their fathers did. They did not leave and abandon their families. Marwin didn't make it easy for them, and given the glimpse we saw into his family's cruelty, it made all the sense in the world to have him react in the way he did. Kim and Wan were at least willing to stay and face the hard consequences of their choice, no matter the outcome.)

I think them having to work through all of their issues made the moment of Kim and Wan finally deciding to be together that much more satisfying... And that was the point Kru A was trying to make when he explained his direction for their relationship on social media after hearing viewer feedback (He was subsequently rudely criticized by interfans for that decision, to the point where he alluded to the fact that he might take a break from directing... but that's a whole other discussion).

That final scene of them being married purposely not clarifying whether it was in a dream or in reality alluded to the fact that their shared dream world and their real life were no longer at odds, finally. I thought it was very fitting.

The frustration caused by KimWan's lack of communication reminded me of a similar dynamic between Team and Win in Between Us, a series that suffered from a lot of the same problems (not enough focus on the two leads and irrelevant plot points). However, those characters and the actors that portrayed them didn't receive even half the amount of negative reactions. They existed, trust me, but there were a lot of positive reviews to balance it out. I'm not going to get into what that means, because I think you can make the inference for yourself.

All in all, I don't think this series deserves to be completely written off. Is it perfect? No... but an effort was made, and it wouldn't hurt to make the effort in return to understand the vision. Fay and May did an incredible job for their first go around as main leads. And I hope they get the chance to develop their craft further.

[brunnerasposts]

The List

S.H. x Female Reader

Summary: Steve is struggling to comprehend how he feels, so Dustin and Lucas help him make a list

Word Count: 3.6k

Warnings: angst, meanie headed boys, takes place between S3-S4, crushes to ???, minimal use of Y/N

Additional Note: this is the same idea as The One With the List episode from Friends, but with Stranger Things characters

"I don't know what I'm gonna do." Steve panted as he continued to pace back and forth in his living room. "I mean, what am I gonna do?" He turned to Dustin and Lucas, who were trying to watch TV.

"I'm attracted to both Nancy and Y/N and I think they might feel the same. Now, I don't know what to do. This is so frustrating!" Steve groaned, gripping his hair.

"I mean, you have Nancy, who I've been in love with for three years now, and then there's Y/N who entered the picture once we started dealing with the upside down shit. And I..." He leaned against the wall, looking to both boys. "Is it possible to be in love after knowing someone for such a short period of time?"

"Yes." Both boys said, glancing at each other before their attention was drawn back to the movie. Steve nodded a little, remembering that they both had girlfriends. Lucas and Max always had trouble and Dustin had his girlfriend, Suzie, who was recently proven real through musical means.

"She's so different from Nancy, and yet I just want to be with her constantly. But then Nancy has also been there for me through my whole change of King Steve..." He trailed off, knowing he could keep going.

"This is terrible. I'm a terrible person." He groaned, hiding his face in his hands.

"I mean, I know Nancy and I have had our issues, but recently she... I don't know. She's been very flirty now that Jonathan is in California." He sighed, scratching his head.

"But then there's her." He smiled, remembering when you first entered the picture.

It was the middle of the school year, right after the Snow Ball. Steve was just becoming a new version of himself and trying to prove to his fellow students that he was capable of change. So, he was looking through the halls and that's when he saw you.

You were digging through your locker, reaching for something in the back which caused all of your things to fall and spread out on the floor.

Steve instantly went over to help, and you had been friends ever since. How you got involved in the upside down stuff was a different story. But when you found out about all of it, you didn't run and hide. You wanted to help. You wanted to protect Hawkins as well as everyone else in the group. You wanted to protect Steve.

"She was the first person to treat me differently."

"What's going on?" Lucas asked, only half paying attention as his eyes fixated on the cartoons he was watching.

Steve, realizing that he's been talking to a wall, glared at them both. "I'm talking about Y/N and Nancy."

"Oh no! Two women are attracted to Steve Harrington! Shocking." Dustin rolled his eyes, Lucas shaking his head.

Steve stared at them before grabbing the remote. He turned the television off, causing a commotion from both teenage boys. "What am I gonna do?" He asked, now having their full attention.

Lucas sat up.

"Here's an idea. Why don't you make a..uh, uh, a list! Yeah, a list of things you like and don't like about both of them." He suggested, tossing a piece of popcorn into his mouth.

"What like a pros and cons list?" Steve asked, his hands on his hips as he continued his pacing. "Yeah, yeah!" Dustin chimed in.

"Should we be doing this?" Steve asked, moving to go sit on the couch. He wasn't sure why, but something didn't sit right in his stomach with the idea of writing down things he didn't like about both girls. Especially when all he could focus on was the good.

"It might help." Lucas shrugged.

"Y/N versus Nancy: Pros and Cons." He said as Dustin stood, going to find some paper.

"Let's start with the cons!" The teen came barreling back into the room with pieces of paper and a pen. "Those are more fun." He grinned.

Steve rolled his eyes, leaning back into the couch. "Am I writing these down?"

"Nope, let me. Let's start with Y/N." Dustin said as he sat on the floor, using the coffee table as a desk. He looked to his older friend, ready to start writing some cons down.

Steve sighed, eyes moving around the room as he searched for one. "I don't know. She's amazing." He reached for some popcorn. "She's in love with you, so there must be something wrong with her." Lucas teased, ducking as popcorn was thrown at him.

A glare was sent Lucas' way before Steve resettled into the couch. "Well," His mind wandered, "I guess she can be a little ditzy." He chuckled nervously, fidgeting with the strings on his ripped jeans. This felt wrong, but he was desperate to try anything.

"Ditzy. That's good!" Dustin said, scribbling it down. "What else?"

"Um," Steve swallowed, rubbing his palms on his pants. "I guess she can be a little spoiled. But that's also because of me." He smiled, starting to feel better as he continued listing them.

Dustin wrote it down just as Lucas chimed in. "Don't you complain sometimes about how long she takes to get ready?" He asked. Steve thought about it and slowly began to nod. "I mean, I guess. She likes leaving a good impression with people, so she focuses a lot on making sure she looks nice." He shrugged.

"Too into her looks," Dustin spoke slowly as he wrote down each word. Steve winced, sucking air through his teeth. "I don't know if I'd word it like that, Henderson. Maybe like," He thought for a moment, "just say, 'takes a long time getting ready' or something."

Steve watched as Dustin drew a line through the previous bullet point and wrote the new phrase next to it. Dustin then set aside the other papers so he had more room for the one they were working on.

"Oh, her ankles are a little chubby!" He said, receiving a glare from both Lucas and Steve. "What? I thought we were all chiming in." The young teenager frowned but wrote it down anyway, his hat being knocked off his head by Steve. Dustin stared at him with annoyance before going back to the task at hand.

"Give me one more so we can have five total."

Thinking, Steve began to stand up. "I'm not sure. Let me grab a soda really quick. You guys want one?" He asked, both boys nodding.

Steve stood, going over to the kitchen. He looked around, hoping something would give him an idea as he grabbed a can of soda for each of them. He looked to the dining room, china cabinet, and his pool outside.

He never struggled with anything other than having a good relationship with his parents. They were a wealthy household, and it helped Steve turn into an asshole for a while. That is until he got involved with the group of nerds and their older siblings... and you.

"Well, Nancy and I both grew up comfortably, so we have that in common." He said as he reentered the living room. "But Y/N didn't. I mean, she has to work as a waitress to support her family." He frowned, knowing how much you hated your job but always did what you had to for your family. It was something he admired.

"Okay...and done! Now, what about Nancy? What's wrong with her?" Lucas asked. The question sent hundreds of different things he could say, but they all added up to the same point.

"She's not Y/N." He realized. As soon as he said that, everything just clicked. His feelings for Nancy were nowhere near the same as his feelings for you.

His eyes darted to the house phone. Steve then ran over to the phone, startling Dustin, who was in the middle of writing. "Dude, come on! Now it's not even her name!" He groaned but left it be.

"What are you doing?" Lucas asked as Steve dialed the phone number to the Wheeler's. The plan was forming slowly as he held the phone to his ear, letting it ring. "I'm telling Nancy the truth." He took a deep breath. God, he hoped now that she knew how to shoot a gun that she wouldn't use it on him.

"Wheeler's residence, this is Nancy Wheeler."

"Nancy!"

"Steve? Is everything okay?"

"Yeah! Well, for the most part."

"What? Do I need to come over?"

"No! No, uh, I just wanted to talk later."

"Okay... where?"

"Is it cool if I come over?"

"Oh...oh! Sure! Yeah, definitely. Uh, does ten work?"

"Sounds perfect. See you then."

He hung up the phone, looking to both Lucas and Dustin. "Are you actually going to tell her that you guys are done?" Dustin asked. "I mean, we've been done for a while. But the whole flirting thing that's been going on is going to come to an end tonight." Steve felt confident in this and he prayed Nancy would be understanding.

The doorbell rang, and Steve was not paying it much attention as he was precelebrating. Dustin joined in on Steve's celebratory dance, both unaware that Lucas went to answer the door.

Everything felt right in that moment. Steve was going to close up an old passing fling and open doors to someone he was committed to. You.

"Steve?"

Steve's head snapped up as he heard a voice from the doorway. Speak of the devil.

"Sweetheart?" He was met with you staring at him, almost frozen where you stood. Memories of your kiss from last night flooded back in his mind.

The memory was met with butterfly feelings in his stomach. Or was it a gut feeling? He didn't know, and he didn't care. All he cared about was the fact that you were right here in front of him.

"Hi." He spoke breathlessly.

"Hi." You grinned, cheeks rosy as you awkwardly showcased the cookie tin in your hands. "I brought these for your parents." She told him, walking up to him.

"Oh," Steve's smile grew as he saw how delicately the tin was wrapped in a pink ribbon, "Thank you. I'll go put these in the kitchen. Um," He looked around, "Did you want to stay for a little? I wanted to talk to you about something." He fidgeted with the corner of the cookie tin, hoping she'd agree.

"Talk? Am I in trouble?" You joked.

Steve chuckled. "No, no. I just wanted to talk to you about Nancy. I just called her." He grinned.

Your smile faltered, and Steve quickly realized his mistake. "No, no, I plan on talking to her to tell her how I feel."

A groan escaped Dustin, hiding his face in his hands from pure second-hand embarrassment.

You glanced to Dustin, eyes switching between the three of you now as your eyebrows furrowed. "Tell her...?" Your voice quivered as you trailed off.

Steve was too excited to say. He turned into a fumbling mess as he tried to explain himself. But the more he failed to explain, the clearer it was that you were getting the wrong idea.

"He's gonna tell her he's not interested!" Lucas exclaimed impatiently.

Steve sighed in relief, silently thanking Lucas for saving him. Your concerned expression turned into one that held surprise. "Really?" You asked, slightly breathless.

Steve moved to stand in front of you, tucking a loose strand of your hair behind your ear. "It's always been you, sweetheart." He promised, making you gush as you both hugged each other tightly.

"Aww," Dustin and Lucas spoke in unison, giving each other a side hug as they watched the happy pair.

A small creak noise was made as Steve accidentally touched the cookie tin to your back. "Damn it, sorry, let me go put these away." He smiled widely, placing a quick kiss on your cheek before walking into the kitchen.

Steve was on top of the world. Nancy was going to be out of his hair, you'd be at his side, and nothing else could possibly be better.

Especially with a break from all things Upside Down related, Steve could enjoy what it was like to have a real and serious relationship. He'd have his person. His other half. Maybe even his future.

As he set the cookie tin down, he began to hear a commotion from the living room.

"What's that?"

Hearing those words sent Steve's stomach churning. He knew exactly what had been found.

The List.

He scrambled out of the kitchen to see Dustin and Lucas holding the list as you chased them around the coffee table to grab it from them.

"I saw my name! What are you keeping from me?" You ask, getting slightly frustrated.

"Hey, what's going on?" Steve asked nervously, placing his hand on your back so everyone would stop chasing each other. You turn to Jim. "Those two have my name on a piece of paper, and they won't let me see." You said as you looked to him.

From behind you, Dustin and Lucas began pointing at the list in their hands, Steve gulping. "They won't. They won't?" He changed his tone, "Isn't that the...the story you were writing?"

"Yes, yes it is! It's a story... I needed to write for class!" Lucas suddenly exclaims, taking the list from Dustin before sticking it in his pocket.

That made you stop. "A story? Well, let me read it."

"No!" All three boys shout at once, making you look between them with bewilderment.

"Hey, why don't you read it to her?" Dustin asked, Lucas slowly turning to face his friend. Oh, if looks could kill...

Lucas cleared his throat, keeping away from you as he opened the paper. "Uh..it's kinda short." He said as you were led to the couch by Dustin and Steve.

You looked between both guys, Steve giving you an awkward smile before turning to Lucas. The boy shakily opened the paper, staring at the few words on it.

"It was summer..." He started, Steve unsure of how much Lucas was going to be able to come up with at the top of his head. "and it was hot." He glanced at everyone before looking to you. "Y/N was there," both Dustin and Steve nudged you, hoping you believed what was going on.

"A lonely gray couch," His voice hitched, getting higher as the lie continued. "And that's all I have. The End." He smiled widely, holding the paper behind himself.

"That's it?" Dustin spoke a little loudly. "That's all you wrote?" Steve chimed in. "You're the worst writer in the whole world!" He spoke through gritted teeth.

"Alright, alright. This isn't funny anymore. There is something about me on that paper, and I want to see it." You said as you stood and snatched the paper. Steve took it from you, who had the paper taken from him by Dustin.

"No, you don't." Lucas promised.

Steve's attention turned to you, seeing a plan form in your eyes. "You know what, you guys? I don't have time for this behavior. Alright? If you want to be children about it, that's fine." You said as you began to walk past them.

"We're all mature here." You moved away from the couch. "And I do not need... to see it!" You suddenly exclaim as you snatch the piece of paper from Dustin, all three boys yelling out in surprise and chasing you around the house.

You eventually make your way back into the living room as Lucas and Dustin dive for you on the couch, landing on each other. Steve stopped at the arm of the couch, out of breath from the jog.

Now the successor, you smirked and moved to stand several feet away before unfolding the wrinkled page.

Absolute silence.

Steve could hear his heart pounding in his ears as he saw your frustration turn to surprise and then a sudden sadness at what you were reading.

"What is this?" You whisper.

All three boys stood, pushing themselves away from each other.

Steve rubbed his sweaty palms against his jeans, watching as you analyzed the paper in your hands. Lucas and Dustin both fumbled over their words, trying to help cover up for Steve what they could.

"Oh, that's—"

"My mom needed groceries so—"

"No, no, no—"

"It was a—"

"Steve, what is this?" You ask again, angrier this time. That was the cue for both Lucas and Dustin to leave the room and head upstairs. They pat Steve on the back as a sign of good luck before their feet pattered up the flight of stairs.

Steve waited until they were gone before trying to approach you.

"Sweetheart, just... just please remember how crazy I am about you—"

"Ditzy? Spoiled?" You read, hands gripping the paper so tightly. Your voice shook with each word. You gasped softly, looking to him with watery eyes. "Too into her looks?" You ask.

"No, no, that's not true." Steve promised. "That's why it's crossed out." He chuckled nervously, following you as you paced. As you reached the next bulletpoint, you stopped in your tracks and turned to him.

"J-Just a waitress?"

Steve hesitated, unsure of what to say at this point. "Now that was..uh—" He watched as you walked past him, eyes still glued to the paper in your hands. "You know, as opposed to the uh... you know." He cleared his throat, panic setting in fully now. "Is this over now?"

A gasp escaped your lips, making you turn to Steve in full rage. "I do not have chubby ankles!" You growl before storming out of the house.

Shit.

"No, no, sweetheart, wait!" Steve begged as he chased you out of the house. He grabbed your arm gently, turning you to face him. "Look at the other side. Look at Nancy's column!" You flipped the paper, looking at it in confusion. "She's not yum?" She asked in bewilderment.

Steve gulped. "What? No, no, it says—"

"Is that some fancy phrase I don't understand because I'm just a waitress?" You ask, crumbling the paper up in your hands before shoving it right against his chest as hard as you could.

"No, sweetheart, please!" Steve called out as you walked off.

"Maybe we should go." Dustin said as he appeared next to him.

"No, you guys stay. I'm leaving." You promise as you continue walking. Steve couldn't believe how everything flipped so fast since you arrived. One second, he was excited to tell you that he wanted to be with you, and next, he's begging for you to hear him out.

Once you reached your car, Steve knew he had to attempt one last time.

He ran over, shoving his hand against your car door just as you began to open it, so it closed again. "Come on, sweetheart, I know how you feel—"

"No, you don't, Steve!" You snap, startling him. Realizing you had, you took a breath. "Imagine the worst things you think about yourself." You started, lip trembling. "Now, how would you feel if the one person that you trusted the most in the world not only thinks them too but actually uses them as reasons not to be with you?"

Steve shook his head, reaching out to hold your hands. "No, no, but see, I want to be with you in spite of those things." He promised.

You scoff, removing his hands from yours. Steve flinched, knowing he screwed up. "Oh, well, that's mighty big of you, Steve." You spoke sarcastically before looking over his shoulder.

"I said don't go!" You snap, making Steve turn to see Dustin and Lucas picking up their bikes. They instantly dropped them, awkwardly standing by the garage.

Steve looked back to you, unable to believe this was the argument you were having. Everyone has flaws. He had them, too. Not only that, but he felt like this argument was hypocritical. "You know what?" His voice hitched as it raised.

"You know what? If...If things were the other way around, there was nothing you could put on a list that would ever make me not want to be with you."

"I guess that's the difference between us." You whispered as you moved past him, getting in your car.

You turned the key in the ignition, the car engine roaring to life. "See, I wouldn't have made a list." A tear rolled down your cheek, making you wipe it away.

"Sweetheart, please." Steve whispered, eyebrows furrowing as he held himself in the open part of the door. His eyes watered, his fingers digging into the sleeves of his sweater.

You then shut the car door and began to reverse out of Steve's driveway, driving back home.

Steve let out a deep and aggravated sigh. What was he going to do now? That conversation was heavy, even for him, and he knew they all felt in the wrong for making the list.

How could something go wrong so quickly?

More importantly, you were probably never going to speak to Steve again. Of course, the universe decides the day he's mature enough to figure out his feelings that he has to go ahead and mess it all up.

What was Steve going to do now?

The End.

[waitmyturtles]

THE MORNING AFTER: ONLY FRIENDS, EPISODE 11 -- 1 OUTTA 3 AIN'T BAD

Preamble! I had a HELL of a day yesterday, woof. So if this comes out garbled, y'all will know why. I'll try to keep this short, but... I'm likely lying to myself, let's see.

TW: FORCEBOOK -- I'm going to say a few words about ForceBook below, so if words about ForceBook are not your thing, please move along!

I'm gonna start this post with thoughts on the three main pairs, and then get some last little thoughts out at the end.

a) I have a feeling that I don't need to write THAT much, because the lovelies @lurkingshan (here), @neuroticbookworm (here), and @chicademartinica (here) all covered the top points of this episode nicely: this episode was a BostonNick WIN. On Nick, dear Chica nailed it so hard that I will have to link AND screenshot her m'fucker:

And Boston, BOSTON, MY MAN! MY MAN! MY MAN!

(Nick says the first line below, with Boston saying the second:)

Fuckin' a. There are two reasons why I STANNED BostonNick in this episode.

1) First of all, as you see above, Nick still had to be a tiny bit of a shit. Nick was in Atom's shoes once. Nick remembers the feeling of having feelings for someone who didn't have feelings back for him. So Nick took a little passive aggressive dig at Boston by calling Boston's sex and predilections "terrible."

And Boston shot back at Atom -- and maybe indirectly at Nick -- with his perspective on sex: "[h]ow can you love me after sleeping together just once?"

I've written before (and forgive the foggy mom brain, but I believe @emotionallychargedtowel has also written on this), that the hormonal experience of sex can impact people in incredibly different ways. Some people, like Boston, feel no connection with the person he's slept with after sex; other people, like Nick and Atom, catch feelings. All of it is normal.

What happened in the dialogues that we were privy to earlier in the series vis à vis Nick and Atom was that WE, the audience, heard THEIR perspectives, and the narratives allowed US to contemplate sympathizing for them -- by playing off of a general assumption that an audience would JUDGE people like Boston for having casual sex. Boston's positions on sex (heh) pissed off people like Nick and Atom! So Boston got fuckin' wiretapped and smeared by these dudes.

However: BOSTON REMAINED CONSISTENT, CONSTANT, AND ACCOUNTABLE to his position, AT ALL TIMES, that he wasn't someone who caught feelings after casual sex. I am sure for many sectors of the Only Friends audience, that this may not have been easy to parse, especially considering the very early and popular judgements levied against Boston. (For the record, I never took Boston as a predator, and I established my thoughts early in the series run on this as rhetoric about Boston's "badness" around sex was flying around. I'm a Khai girlie. Boys, girls, and non-binary friends can be playas, too, and deserve to enjoy their sex lives without judgement.)

What I UTTERLY admire about the pace of this series vis à vis BostonNick is that it took its TIME in establishing Boston's AGENCY to be able to LEVY his position on sex SO STRONGLY and CLEARLY, with Nick's support. While much of the series allowed the popular and condemning rhetoric to swirl around Boston, this scene put a fuckin' NAIL in that coffin. I believe this scene said: you can't only listen to one side, the crying, sobbing side of a person who wants another person after a one-night stand. You HAVE to listen to both sides. The hormonal aspect of wanting to be close to your sex partner is valid, but also -- if the other side is talking, you MUST listen to what the other side is SAYING.

Boston was always clear about his position -- and Nick and Atom HAD to take responsibility for their unreasonable demands from Boston after their one-night stands with him; unreasonable, because Boston CLEARLY stated to the both of them that he wasn't a relationship guy, and would not be forced into it. And both of them ignored those statements, and all hell broke loose, TWICE.

2) HOWEVER! Boston realized, after spending more time with Nick than with any other sex partner, and after he lost his friends, that he HAD caught feelings for his fave, his Nick! Remember last week, when I got all mewdy that MONOGAMY might be the dramatic device that the show would use to "redeem" Boston? BLECH.

DAMN, did this episode SPIN THAT AROUND for me. GOD, I LOOOOOOOOOOVED THAT CONVO WITH NICK AND BOSTON ABOUT FIGURING OUT THEIR STATUS!!!!!

Paraphrasing! "I want to spend the next few months loving on you," or whatever Boston says?! FUCK, YES! Nick, all OVER this, setting boundaries, allowing himself TIME and SPACE to figure out what's best for him, with both Dan and Boston! SHIT, MARK PAKIN SHOWED UP! Omg, BostonNick for the win.

My head's spinning, because that was seriously one of the BEST conversations I've seen written in a drama about the consideration of a relationship and a status check. That impressed me as much as Pharm asking Dean for a break in UWMA -- and then Pharm straight up LIVING HIS LIFE, BBQ pork grills and all, without Dean for a few months.

And. Boston was cool with Nick's boundaries and thoughtfulness. Boston knows what he wants, but he's not gonna push Nick into anything. Boston knows time is ticking, but will wait for Nick's answer.

It was so cool to see. My heart was full.

So that pairing, the NeoMark/BostonNick pairing -- SOLID.

b) Moving on! Thanks to @lurkingshan, I got clarity on what the fuq was happening with Sand and Boeing. At first, I thought Boeing was a little SHIT for showing up to Sand and stirring unnecessary drama in his ex's life after getting rejected by Mew. (Mond, though. 🤤)

But, as Shan pointed out to me in my insane day yesterday: Sand has a problem saying no to dudes. (Homey, RELATE.) So like, then they all go back to Ray's place, and Ray KNOWS that Sand has trouble setting boundaries and saying no, because that's what Sand's mom said to Ray, but also, that's the way Sand's been engaging with Ray himself, and Ray will DEF know what will be up if Sand gets closer to Boeing again, and Ray's like, uh, come into my pool so we can nip this in the bud?, but no, we know what Jojo's thinking, so.

I mean, have sex already, you three, chop chop. I see the FirstKhao gworls on my dash not happy about not having a complete episode of SandRay peace, which I get, but also, this continues to reiterate my bleh on Sand, which like -- get a backbone, Sand. You have a literal boyfriend now, and you're still not saying no to dudes? What if Mild strolled in for a foursome? (NO, DON'T TURN THAT DOWN, SAND, DON'T.) But I'm just saying -- maybe listen to a person in your life, like your mom, to set some boundaries, like your roommate. I'm throwing my hands up in the air on this one, but at least we may get our threesome, and, Mond.

c) Okay, last pair! TopMew. For a hot second, I was impressed with Top.

I liked this, ::waves index finger in a circle::, this worked.

But I have decided. I'm done with ForceBook. I just -- please remember the TW, FB girls. I'll get back to TopMew in a second as characters, but this was my first ForceBook show, and it might be my last. Watching them is as exciting to me as breaking down Amazon boxes.

We have seen Mew waffle this whole dang series. (WELCOME BACK, THE ONLY FRIENDS VENGEFUL WAFFLE! HEART YOU, @starryalpacasstuff!)

And there was more Mew waffling, more talking to moms, and Top is just like, I'm gonna peace out, DEUCES, and then, OF COURSE, HE COMES BACK INTO THE KITCHEN, LIKE HE NEVER LEFT THE HOUSE AFTER SAYING HE WOULD (I cackled), and then they're together in bed. And now they'll move in together.

This was a BIT of a storyline ride. But -- and I HAVE TO ADMIT, part of this is my tiredness talking -- I'm just kinda bored of ForceBook at this point. Do I actually get the sense that Top is *excited* about Mew moving in? Do I get the sense that Top and Mew *love* each other? I.... don't! Is it the chemistry between ForceBook? I.... I think so? I think so!

And, so... Mew will try to convince Ray to accept Top in the next episode? I dunno. (Episode 12 previews, we've learned to distrust them.) As much as I want to try to sit here to analyze TopMew at this point, I kinda just wanna throw my hands up in the air and be like, I'll leave these characters to fiction. And I think it's because I was unfortunately spoiled by the FANTASTIC chemistry emanating out of Neo, Papang, Mark, First, and Mond in this episode (MARK! MONNND. PAPANGGGG.).

I have to admit it, and I'm sorry to admit it. ForceBook do nothing for me, acting-wise and chemistry-wise, and I am done struggling with analyzing TopMew. I'll let 'em be.

d) Last thoughts! Bye, Cheum. We haven't had enough of Nonnie in this series, and I wanna see Nonnie as April dump Cheum's ass and break shit in episode 12, the way Nonnie's real-life brother goes and breaks shit on social media. Way to hold no one, including yourself, truthfully accountable, Cheum.

(What in the. I would love a Soonvijarn episode on Jojo's thoughts on Cheum one day.)

Anyway, bye, B.

THAT'S ALMOST IT! Ephemerality? I hope Boston makes a whole bunch of righteous new homies in NYC. This whole series has made me sick and tired of proximate friends, lol. We'd better see Mond suck face with Khao and First. Andddd, bleep, bloop, that's all I got!

HOME BASE NEXT WEEK, FAM!

[EPHEMERALITY SQUAD, second-to-last weekend meta for ya! @slayerkitty (SK... I am so tired, lol), @ranchthoughts, @chickenstrangers, @twig-tea, @neuroticbookworm, @lurkingshan, @distant-screaming, @clara-maybe-ontheroad, @thatgirl4815]

[mitigatedchaos]

Revisiting The Origin

Finished watching Mobile Suit Gundam: The Origin again a bit ago. A few thoughts.

The animation quality is fantastic. It's well-shot, written, and paced. The music is spot-on. The plot is moving. It's amazing.

One aspect that stands out more on this viewing is the way each character is intensely his or herself. Every line of dialogue reveals something about the character's nature, and just about none is wasted. The series gives you reasons to sympathize (if only for a little while) with characters like Degwin or Kycillia even though their actions are power-hungry and cause terrible consequences.

Ghiren Zabi especially stands out - he shows an incredibly fluid ability to manipulate ideology, and actually seems to get more skilled at this over time, yet at the same time he's as slippery as an eel. You can easily see how he could get people to follow him, and also how he can figuratively broadcast on the national mental wavelength.

It's actually less political than I remember. For some reason, I thought that there was more content covering the oppression of Spacenoids, the internal factions within Munzo (which became Zeon), and the formation of ideology. There was actually much less oppression of Spacenoids than I remembered, though there is certainly plenty of rioting and sending tanks to suppress riots.

That said, the series is still highly political. This gets into the whole 'politics in media' thing.

The Origin is a sequence of events leading up to a gigantic space war, proceeding through the early phases of the war until right before the first episode of the original 1979 Mobile Suit Gundam (though with a few tweaks). It's a thrilling story of escapes and intrigue and murder and violence!

However, it all generally feels quite natural. A mobile suit may be an absurd form of military unit, but other than this, everything has its proper weight and momentum. It's a story told with great consideration, by someone observant and experienced.

I originally wrote that last line as a guess based on watching the series. The eye with which the author observes the characters suggests a great deal of life experience, and an understanding of individuals, their nature, and their course of development. In fact, there was an interview of the now 77-year-old author Yoshikazu Yasuhiko, who was on the staff for the 1979 original:

It was over 10 years of hard work, but I could depict the outbreak of the war in the prehistory of 'Gundam' and the absurdity of the elitism advocated by the Principality of Zeon to some extent.

He appears to believe that the idea of newtypes was over-emphasized in later series after 1979, resulting in confusion and support for elitism.

Just watching five minutes of one episode of The Origin was enough to help a concept click in a peace theory I have been working on. I don't mean a related episode. I had left it on pause a week or so before, and when I returned, after a few minutes of watching Char and his comrades, it came to me that I could reapply the tension and officer models that I use for ideology.

The Origin has an interesting contrast with Mobile Suit Gundam Unicorn, another incredibly dense series set in the Universal Century, set sixteen years after the war that The Origin shows us the beginning of.

Where in The Origin, newtypes are of relatively little importance, in Unicorn, they take center stage. Where The Origin is a story told by an old man who cherishes people, Unicorn shouts at you as loudly as it can. So loudly that it fills your senses. So loudly that you can finally hear.

Between the two, it's my opinion that Unicorn is more dense. I found myself coming back to watch different scenes repeatedly, pause, and then pace and think deeply about the nature of the world.

I recommend both highly. However, I don't know what it would feel like to see either while having no familiarity with the Universal Century timeline.

There was an argument on Twitter probably a year or so ago. Is fiction valuable? I think that depends on which fiction we're talking about, at what time, for whom, and for what purpose.

[iztarshi]

Viktor observations (S2, Act 2)

The first interesting thing about Viktor talking to Jayce through Salo is that Viktor’s body language is a lot more his in Salo’s body than in his own body right now. It might be partly a function of only Jayce being present, but the Herald doesn’t act the way Viktor did in front of crowds, either. In Salo’s body Viktor moves like he and Jayce are in the lab, restless, curious, pacing around his project and looking between it and Jayce. He talks like they’re in the lab too, excited to share his new research and ideas.

Aside from being in Salo’s body the thing that’s off here is that Viktor seems unaware of Jayce’s hostility towards him. The question is whether this is something the hexcore is doing to his perception or far more mundane denial. Potentially going to go with denial because that parallels how Jayce was acting when Viktor came out of the cocoon, saying things he’d clearly been planning to say and not paying attention to the lack of response.

Salo’s state is, as most things are at this point, ambiguous. His breath doesn’t steam in the air, implying he’s not breathing, which doesn’t necessarily mean he’s dead although it means he’s been changed beyond having his legs fixed. Personality-wise his speech and body language aren’t unlike him, although “Who else could mend such a broken creature” and “I owe Viktor everything” are weird sentiments from someone as entitled as Salo. It seems like at best light mind-control and at worst the hexcore puppeteering Salo’s corpse, but either way Viktor doesn’t seem aware of this. It also leaves me with a lot of questions about Viktor’s relationship to gratitude. The idea that people would be grateful enough to him to change their entire lives to live a way he approves of, to let him enter their bodies at will, that’s weird. But also, Viktor is someone who undoubtedly had expectations of gratitude placed on him for being allowed to remain in Piltover, and I don’t know that he was grateful, but this feels not unrelated to him having been taught some messed up ideas about it.

“I was clouded by emotions,” Viktor says to explain why he said he was done with hextech and with Jayce. Undoubtedly, yes, although he had very good reasons to be angry with Jayce, but Viktor always thinks he’s being rational in the present and he’s also acting on emotion right now.

Viktor’s so excited to share everything he’s been doing with Jayce and it’s interesting that, despite the mystical trappings we’ve seen, in this situation he talks about it all as science. New breakthroughs to share with Jayce, progress that’s “somewhat beyond where we left off”. They both conflate their friendship with their work, but Viktor does it especially. He left Jayce when he wanted to give up on hextech, now he’s convinced hextech can help people he immediately wants to share it all with Jayce.

Did Viktor just give control back to Salo so Salo could compliment him and then take over again?

It’s Jayce rejecting hextech that makes Viktor finally notice something is wrong and want to know what happened.

Huh. Jayce is not doing a terribly good job of explaining anything but he does try to talk to Viktor. Announcing that hextech is a curse and they have to end it with no explanation is not all that convincing - but, rather than ask Jayce why he thinks that, Viktor concludes that Jayce’s mind has been damaged by the Arcane and then immediately switches back to Salo who tries to leave. At least part of the lack of communication here is on Viktor for being so certain of his own rightness he takes Jayce’s disagreement as a sign of damage rather than trying to hear him out.

*

I am… unsure whether episode 6 begins with a flash-forward or with Viktor having a vision of his own death. Or with Viktor having a vision of contextless elements of what will turn out to be his own death. It seems like it might be a vision since we are seeing from Viktor’s POV for the all the other scenes here, which would potentially give a different context to the gear if he’s carrying it around partly because he had a vision about it.

“That isn’t Jayce. There is another will at work within him.” This declaration is made with great confidence and we never receive any evidence that it is true. I think pretty much everything Viktor says from now on requires fact checking, but this one was especially confusing on a first time viewing, because Viktor’s hanging out in the Arcane, he seems to know what he’s talking about, so it’s easy to take him at his word. The simplest answer, however, turns out to be that this is Jayce and Viktor just can’t handle the idea of Jayce killing Salo. Then again, Jayce will spend a lot of act 3 insisting that Viktor isn’t Viktor and I’m not sure either of them actually believe it, so they’re just being weird about being at odds with each other in the exact same way.

Viktor’s appearance in the Arcane is much more like himself than the Herald is. His body is almost abstracted away (and I would be fascinated to know whether that’s the nature of the Arcane, since people are just spirits within it, or some effect Viktor’s having on his space within the Arcane since he’s not very comfortable with any version of his body) but his face is his own, including expressive golden eyes. He’s much less sad and withdrawn than the Herald and talks to Sky in a similar way to he would talk to Jayce in the past.

Although Viktor clearly does feel some attachment to his body, shown by wanting to meet Jayce in person, this almost feels like some kind of magic assisted dissociation. The core of Viktor is in this safe place with all sorts of things to explore and Sky as the perfect, non-judgemental partner. The Herald is acting as a public figure while constantly hurting himself to heal others, but part of Viktor can just escape from all that and watch it through a screen.

Viktor is so excited about the wildrune. I wonder whether he’d feel differently if he knew about Ekko’s tree? It’s a big contrast with Jayce taking one look at it and going, “what have we done?”

Huck does not react normally to having a weapon drawn on him. Also, Viktor’s commune really does not seem to have any way to defend itself except asking people nicely to leave their weapons outside.

Everyone in the cult does show emotional reactions but extremely muted ones and ones that are unrealistically productive, if that makes sense. It would be nice if people didn’t react badly to someone clearly having a bad time getting startled, even if they’re a large wolf-man, but… yeah, that’s not what happens. Viktor’s whole thing feels very naive, it’s the sort of community building done by someone who doesn’t see why you’d need conflict resolution because people could just be reasonable. The idea that humans are basically good so if you take them away from all the bad systems then they’ll do everything right.

Viktor’s commune is so pretty in a way that is clearly inspired by the wildrune or the Arcane in general and Huck describes it as “the Herald’s vision” so it does seem this is coming entirely from Viktor. It’s, um. Cute? That he wanted everyone to have pretty homes and everything. It’s not the same understanding we see in Ekko’s commune that people need a chance to play and to create art, everyone seems to be working at all times. But it’s at least an attempt in the direction of enrichment.

At first I thought Viktor’s blanket didn’t cover any less than his followers’ robes, but it’s just that his body doesn’t exactly look like a body so the fact that the blanket only covers half of him doesn’t show the same way it would over flesh. I’m not sure whether it’s a sign that Viktor doesn’t feel like this is his body enough to be modest about it or whether… he does still seem to have emotions, although muted as the Herald, but he seems to have lost any sense of embarrassment. I think that’s what’s hardest to imagine about season 1 Viktor starting a cult, he’s got too much of a sense of humour not to find that a bit silly and be embarrassed.

It’s fascinating that the hexcore seemingly can’t stop Viktor from burning himself out trying to save Vander. Sky tries to talk him out of doing it, and there’s certainly no advantage from the hexcore’s perspective, but Viktor can’t be swayed from doing what he believes is right. He’s still got agency here, it’s just that he’s been convinced to go along with the hexcore so far because it seemed like the right thing to do.

It is kind of adorable just how much Viktor admires Vander. I don’t think it’s really helping him get along with Vi and Jinx, since his admiration for Vander’s dream is so different to why they care about Vander and also because Viktor’s talking like he knows things about Vander that they don’t.

Jinx manages to annoy him! I think it’s good for him to interact with real people. Maybe it would be better if they liked him a bit better, but at least it’s something to react to. It’s easy to not have feelings when everyone around you is just doing whatever you want. (I don’t think Jinx and Viktor were ever likely to get along. The things they have in common - sharp-edged pride fighting a fragile desire to be useful - aren’t things they like about themselves and the ways they differ - Jinx’s vengefulness, Viktor’s pacifism - are only likely to make them despise each other.)

I think the gear isn’t the original from when Jayce and Viktor invented hextech because it’s not the same shape and it probably is just from the machine Jinx broke. But as for the reason Viktor’s carrying it around, that’s either because he had a vision of it, because it reminds him of the invention of hextech, or both. It’s also slimed with corruption which I think might be a sort of arcane lichen? It feels like a side-effect of Viktor feeding his commune on magically grown plants. Which seems to be a sort of theme with Viktor (and Jayce, but Viktor continues it with projects where Jayce isn’t there) that he uses magic he doesn’t really understand and ignores the side-effects.

There’s something so innocent about the version of Viktor in the Arcane, treading through Vander’s brain with the same wonder as a cathedral. If there’s anything that indicates he’s not yet destroying the people he heals, no matter how strangely some of them are acting, it would be this I think. That he finds people’s minds beautiful. And he genuinely does seem to do some good for Vander.

Jinx’s estimation of whether this could work is “maybe when Piltover slides into the Sump” which makes her smarter than Viktor. He doesn’t seem at all prepared to defend himself here.

Fascinating that Viktor rubbing his hands when they start sparking is maybe the most natural body language the Herald has had. I don’t know if it hurts, but there’s something about his body failing that makes him more grounded in it.

The revelation that Singed is doing this for someone he loves and isn’t quite what Viktor thought him, combined with the realisation that Vander and Viktor himself are still like Rio to Singed, just experimental subjects. This time I think Viktor’s lack of visible emotion is entirely intentional, his defences are going up against Singed. It’s certainly the first time we’ve seen him subtly fidget with something (the gear).

No one knows what evolution is although Singed describing it as “forever in flux” is better than the absolute bullshit Viktor is talking.

They do fight over Vander the same way as over Rio - what to Singed is an experimental subject is to Viktor someone he cares about and wants to help.

“If you perish, this community is soon to follow.” I wonder if Singed is right that Viktor realises that? When Singed says it it sounds like a threat. Ambessa will destroy the community as soon as Viktor is gone because he’s the only one Singed is interested in preserving. But in retrospect it’s not a threat, doesn’t need to be a threat, everyone will die as soon as Viktor does. And I suspect Viktor doesn’t know that because he’s willing to martyr himself here to save Vander, but I can’t see him being willing to take others down with him.

The church music combined with Jayce being led by a child is referencing “and a little child shall lead them” right? Viktor is about to remake the earth and bring about a new age.

The trust Viktor shows in Jayce is astounding. Jayce has been aggressive and unstable on his way through the commune but he still gets led straight to Viktor, and with a weapon in his hands too. Viktor isn’t even in his own body to receive him, meditating with his eyes closed as if Jayce couldn’t possibly be a threat to him.

I’m not sure why Viktor’s death affects Vander the way it does. I’ve heard it said Singed injects Vander with something earlier, but to me it looked like Caitlyn stopped him injecting Vander. It might be because Viktor hadn’t finished healing Vander? The ones fully assimilated just keel over, but because Vander’s not fully healed he’s also still alive but wounded.

“I understand now. The message hidden within the pattern. The reason for our failures in the commune. The doctor was right. It's inescapable. Humanity. Our very essence. Our emotions… Rage. Compassion. Hate. Two sides of the same coin. Inextricably bound. That which inspires us to our greatest good… is also the cause of our greatest evil.”

I feel like this revelation isn’t as deep as Viktor thinks it is, but he’s certainly not wrong. (Also I feel that maybe using weird magic you don’t understand on a bunch of people to create a hive mind is a bigger reason for the failure of the commune, but I digress.) It’s important to Arcane’s themes, anyway, since a lot of what works about the characters is that their virtues are the same as their flaws, just in different circumstances.

Even if not having had this revelation until two thirds of the way through the second season makes me think that Viktor is very naive, it does make sense for his character specifically if I look back through the lens of him not realising this. The assumption that good people will do good things for good reasons and bad people will do bad things for bad reasons goes some way to explaining the complete refusal to make weapons, which are designed to do harm, but lack of concern with possible side-effects from things intended to do good. Also his confusion at some of the things Jayce does, because Jayce is a good person in Viktor’s eyes, so it’s hard to understand when he does bad things.

Viktor also remains not very self-aware about this revelation, since he continues to not see how damaging his own compassion can be despite realising that people can be motivated to do harm as much by “good” emotions as “bad” ones.

[misty-slays-blog]

Okay I'm going to give my quick, abridged thoughts on Haladriel/Saurondriel this finale (could be better, could also be worse), and some ramblings about the series going forward, before taking a couple of days to let it all sink in.

We have been fed. Was it a lavish six-course meal? No. But I hadn't expected it to be, and it wasn't crumbs either. We did get Sauron admitting he cares about Galadriel (his Queen of Light) and that he doesn't want to kill her. So what Charlotte Brandstrom said - Sauron loving Galadriel - yeah, I can see it. And that gives me hope going forward. Saurondriel isn't dead at all (despite what they may claim on reddit).

I dreamed of a Dark!Galadriel arc but never expected it outside the realm of fanfiction. In fact, what went down is pretty much what I envisioned they would do. I am okay with it. Also let's not forget that they had written S2 already before the release of S1 and before the huge fandom reaction to Saurondriel.

(And mark my words, I think the wound in Galadriel's shoulder will play a role going forward - side note, did anyone else love Gil-Galad's line when Galadriel woke up? He's so done with her antics, bless him, I love them both).

But my critique of the fight is the same critique I have had for the entire season: it's way too rushed. I can see what they were going for, I can stand behind what they wished to convey, but the execution was just way too hasty. It's like we got all the pieces ("his queen", him not wishing to harm her, Galadriel faltering when she saw Halbrand, also really loved how Galadriel actually put up a fight against a literal god and even had the upper hand at one point, etc.) but they just didn't dwell long enough on them to really mean something. This is the result of having too many storylines crammed into too little time. I would much rather have them spread their budget over 10 or even 12 episodes instead of 8 because now, so many characters sadly lost their place in the spotlight, and certain emotional scenes lacked impact.

Another critique that I have is that the women didn't shine this season. Galadriel was captured by a man for a huge chunk of the season and then rescued in the end by three other men. We lost Bronwyn, Estrid only existed as love interest, and Míriel, Nori & Poppy hardly had anything to do. The only female characters who weren't really reduced, were Disa and Eärien.

I didn't really keep track but did they even pass the Bechdel test this season?

Seriously, they would do well to hire more female writers and fix this.

They are rejoicing on reddit right now, that the finale seems to mark the beginning of a "wise" Galadriel who will forever steer clear from the battlefield. Honestly this misogynistic mumbo jumbo makes me sick and I hope, hope, hope that the writers don't think this would be a good idea. Yes to wise(r) Galadriel, character development and growth, no to domestic, perfect Galadriel staying at home while the men around her go to battle. Please let her be flawed, let her be tempted by the darkness, let her be a warrior. She is one of my favorite characters and I dread the idea that they might actually reduce her to a side character.

I know I might be in the minority, but I actually liked season 1 more for that reason than season 2. Yes, it had its flaws, mainly in pacing and editing, but the world just felt more alive and fleshed out.

Overall I'm rating this season not great, not terrible.

[gotinterest]

I Want To Watch Kamen Rider, Which Season Do I Pick?

I'm going to focus on Heisei Era shows because those are the easiest to access and the ones most fans have watched so it's easy to find people to talk to about them. Every season of Kamen Rider is a different story with a different cast and vibe, so determining which season you should start on is largely dependent upon your personal taste. This list is based mostly on the shows I have watched or know a lot about, so it's not exhaustive. Some shows will be listed under more than one category, just depending upon what might be most important to you. Guide is located under the read more!

DO NOT START HERE: Kamen Rider Decade, Kamen Rider Zi-O, Kamen Rider Gaim. Decade and Zi-O are anniversary shows that lean HEAVILY upon Rider lore and referencing past seasons. You don't need to watch those seasons to understand the story, BUT you may get spoiled on key plot points from past seasons by watching them. Gaim is on here because it is almost universally hated and thought of as a terrible show.

WARNINGS FOR THE SHOWS RECOMMENDED HERE: Kamen Rider Blade is heavy in the flashing lights department and the opening in particular is known to bother photosensitive folks! All the seasons have flashing lights, but Blade is the one that people have straight up said they couldn't watch through because of how many flashing lights there are.

Kamen Rider Kuuga has a pretty gross transmisogynistic caricature in two of the episodes.

Kamen Rider OOO has a cafe that is nicknamed the "cultural appropriation cafe" by fans because the servers are frequently made to dress up in outfits from other cultures and it can be a bit offensive from time to time. It's not the worst I've seen in terms of "people dressing up as other cultures" and there isn't any black face or brown face but I still felt it worth mentioning since the cafe is a major part of the show.

Kamen Rider Faiz has a black character in it for a few episodes who is written in a way that gives "big dangerous strong black guy" stereotype. It's uncomfortable to watch.

RECOMMENDATIONS:

I don't really like kid's shows and I'd prefer something a little more mature: Kamen Rider Kuuga, Kamen Rider Ryuki, Kamen Rider Hibiki (eps. 1-29 only). If you are looking for a show that feels more mature, these are where you should start. The pacing of these shows is a bit slower and more thoughtful. Kuuga and Ryuki are both HIGHLY beloved. Kuuga is good if you really like monster of the week shows, Ryuki is more for you "overarching story driven" types. Ryuki is a bit more silly in places than Kuuga, but largely maintains a serious tone. Hibiki is very creative and experimental, but it doesn't really give you an accurate picture of what most Kamen Rider seasons are like because it is very different. BUT if you can't stand musicals do not watch Hibiki. ALSO stop watching Hibiki on ep. 29. After that there was a show runner change and the end of the show sucks. Ep.29 is largely considered a satisfying enough end to the show.

I like mature themes and concepts, but I'm fine with kids show silliness: Kamen Rider OOO, Kamen Rider Build, Kamen Rider W. If you constantly feel guilty for wanting things and taking up space, watch OOO. If you had a rough childhood and complicated feelings about your family watch W. If you want to watch a show about war, watch Build.

I love kid's shows give me silliness and fun!: Everything recommended in the second category + Kamen Rider Den-O, Kamen Rider Fourze. Den-O is a time travel story that is heavy on slapstick humor and has a lot of heart. You may have seen a a red horned guy named Momotaros dramatically swing his leg up to rest it on the bench of a booth- that's from this show. Fourze is a high school story about friendship and space!

I like to watch things that are bad but also good: Kamen Rider Blade. You can basically ignore almost the entire lore built up in the first half of the show. The writers certainly do. If you've seen people memeing on a guy named Tachibana... this is that show. This show is very easy to post about. Deeply funny but not on purpose in many places.

I want to watch one of the ones that are especially known for homoeroticism: Kamen Rider Kuuga, Kamen Rider Ryuki, Kamen Rider Blade, Kamen Rider OOO, Kamen Rider Build, Kamen Rider Faiz. Blade isn't initially very homoerotic until it very much is. Kuuga is for you if you want a more sweet and sincere vibe. OOO, Ryuki, and Build are more for if you like watching men bicker with each other homoerotically. Ryuki also contains a couple of side characters who read very much as a domestic couple (if you are big into the "loyal dog" type dynamic you will enjoy these two). Faiz is for you star-crossed lovers enjoyers that can also tolerate a stunning amount of heterosexual love drama (Blade is also a bit star-crossed). Watch Blade if you want to have a very personal grudge against a bench for the rest of your life. Kuuga and OOO are the most homoerotic.

I like weird shows where I don't know what the fuck is going on: Kamen Rider Kabuto, Kamen Rider Blade. If you watched Hannibal and were really into the way they talked and made a bunch of food, watch Kabuto.

I want something that leans more into horror: Kamen Rider Kuuga, Kamen Rider Agito. Kuuga can lean pretty hard into horror in places. Agito is a bit lighter, but still has more of a horror vibe to it.

I like mystery stories: Kamen Rider Kuuga, Kamen Rider Ryuki, Kamen Rider Agito, Kamen Rider Build, Kamen Rider W. There are other seasons with elements of mystery, but these are the ones where the mystery really takes more of a front seat. W in particular is actually a noir-inspired.

I want to watch the one with that blond curly haired Ankh guy that I keep seeing on my dash: Kamen Rider OOO

I want something that's a bit artsy and I also like or don't mind musical numbers: Kamen Rider Hibiki (eps. 1-29 only). The only Kamen Rider season where characters regularly break out into song. The sound track, editing style, and aesthetic of the show are so unique. Really strongly written. Do not watch past ep. 29 because of studio mandated changes ruining everything that made it worth watching.

I want to get a good intro to Kamen Rider: Kamen Rider W, Kamen Rider OOO, Kamen Rider Build, Kamen Rider Agito. Kamen Rider W and Kamen Rider OOO are considered great starter seasons. They give you a pretty good feel for Kamen Rider's formula while overall being pretty solid shows. Build gives you a good vibe for how Kamen Rider seasons with bigger casts feel while giving a good balance of serious and silly. It also gives you a bit of a better feel for what some more recent Kamen Rider seasons are like stylistically. Kamen Rider Agito is just a solid early Heisei show that gives you a feel for the tone of a lot of early Heisei shows WHILE also being a good starter show for you to dip your toes into the works of the infamous Toshiki Inoue. Inoue is a prolific writer of tokusatsu shows that most fans have a love/hate relationship with. He is the main writer for several Kamen Rider seasons, specials, and movies and has written several episodes even in shows that he wasn't the main writer for.

WHERE TO WATCH:

Legally: Ryuki and Kuuga (along with the original Kamen Rider from the 70's which is good cheesy fun) can be streamed on Tubi (at least in the US). If you understand Japanese and have a VPN (or are in Japan) I believe most of the seasons are on Hulu.

*I actually wouldn't recommend watching Kuuga FOR THE FIRST TIME on Tubi because the Grongi subtitles are baked in and you can't turn them off. I strongly believe that a key part of the first watch experience is not being able to understand the Grongi, as was the original intention of the show's creators. You can buy the blu-rays for Kuuga and toggle the Grongi subtitles if you really think its worth it to spend the money*

Alternative: You can watch them on most illegal streaming sites, lol. The only season I've seen where that has been an issue so far is Den-O, with the uploads being kinda wonky and partially missing.

There is... another source but I shan't link to it directly here (loose lips sink ships!) Please reach out to your nearest Kamen Rider blogger for the goods.

[chimneyz]

the writing for season 8 has kind of been annoying me. the pacing has been off and the character arcs have been, well pretty short in my opinion. if it were me i personally would have character arcs and storyline take up half a season or a whole season. i understand tim likes to write each episode last minute without planning a head but i think this season has proven that is just not the way to go.

before the season started there was some mentioning of hen and chimney having a bit of a strain on their friendship with the whole mara situation, we never got that. the mara storyline (with ortiz and gerrard) should of been a half season thing, it could allow that angst between hen and chimney (which could strengthen their friendship in the end) as well as exploring ortiz as an antagonist and also gerrard shouldn't of had his happy ending. even with the gerrard story we could of had interesting stories with bobby figuring out who he is outside the 118 and could of had a storyline of buck spying on gerrard to get him fired. and going back to the whole mara storyline we could of had some great dynamics to explore with hen chimney maddie and karen. having that arc end in the fourth episode of the season made it rushed.

then we have the athena storyline at the beginning with dennis jenkins and the blackbook which could of made for an interesting storyline for a half season, get to know dennis, him and athena reconciling, athena realizing that he did do the work to be a better man before she arrested him, how they system doesn't always work (especially for the rich and powerful) and gell you can even throw in that rookie and the abusive of power (credit 911 doesn't have the best storylines when it's cop related and do a terrible job at showing how brutal cops are :/)

the eddie accepting himself storyline was way too quick, it was resolved in one episode, that really should of been more of a half season arc. and we really didn't get much of the eddie and christopher arc either and will probably be rushed as well.

i honestly am not sure where they are going to go with for the maddie pregnancy arc but I was suprised on how quick it went with her revealing to chimney that she was pregnant. personally I think it should of been extended to both of them realizing they wanted a second kid, them discussing how to proceed and maybe some internal conflict of being concerned about it all.

then there is the whole bucktommy breakup, if this is really final that they are done there should of been some indication at the very beginning of the season that there are cracks in the relationship. and those cracks should of grown more and more apparent. also, if it's final (i really don't want it to be but who knows at this point) the ending shouldn't of been so open ended (but also how it seems so far is more similar to the third act of a rom com (i also could be very wrong hand have on my clown makeup)).

overall, the storylines and arcs this season have been bothering me, everything feels so rushed and that there has been no growth. do i think that it will stay this way, yeah it will but i just wish for more fleshed out overarching storylines.

[almacambiondaughterofsaleos]

Hii

I'm just a lurker on your blog first of all I love your work

I just watched the sinsmas episode

It's terrible

First of all octavia...my baby my ange child none of the writer or character around her deserve her especially stolas

She has every right to leave him after him cheating on his wife and essentially forcing blitz to essentially be raped into a contract

But I can already tell that the fans will do it to her because stolas is shown to be the character the fans will sympathy for because he's an uwu baby who has a terrible childhood and is in a forced marriage

And here's the thing

Both of those situations are not bad at all

But that is no excuse to do the shit he did to his daughter

It dosent matter that he is gay

Cheating

Is

Wrong

Full stop

And the episode just...tried to justify it because of love

Why couldn't they do actual research on how these arranged marriages go and well you know focus on the person cheating and being a duck instead of the person being cheated on

Uggggh

Anyway next thing the pacing was so...fast the hell

I got so many twist and turns I could not keep up

Lastly..Millie

Why

Why is she preggers

I'm shocked but not surprised

The writers don't know how to make her interesting so boom make her pregnant to be shocked

Stella my fave while I love her cuntyness as always she is a reminder of a writing that could have been

To be honest after this episode I'm done

I'm done with this show I will only be accepting the rewrites at this point

Sorry if this came off as weird or more ramble I had to sit down and just write all of this down

As a recommendation for a new show

Go and watch Tadc and murder drones

Agreed. I might continue on in season 3 to continue to thrash it but it's obvious this show is beyond any redeeming qualities with how apologetic it is about Stolas and everything he does. Also really had to be dramatic about the pregnancy and maybe make it joyous for the M's and maybe have them start planning and maybe have it be an excuse for Loona to do more missions.

[thedirtiwalkoniswet]

I watched Ahsoka... I have notes.

Disclaimer: If you liked or even loved the show that is amazing. I am not as positive about the show - but you can absolutely state your opinion or tell me I'm wrong.

To start I'd like to note that the show is most definetly not enjoyable for anybody who didn't watch rebels. I honestly really liked rebels.

Let's just dive into the critiscism. For one, every moment lingers a little too long. The pauses between the spoken dialoge are also so jarring. It's like they really wanted to drag everything out as much as possible.

I'm not saying it has to be fast paced neccessarily. Andor also has moments linger on, but the difference is, is that either these moments matter, it's beautiful to look at, or it gives you a moment to breathe after the most intense dialoge you've ever heard, but it's never boring.

With Ahsoka I feel like so many scenes don't matter. They could've put the entire show in half the time and it would have been more enjoyable. It lacks substance.

The writing overall is not good, it pains me to say. The entire "live or die" thing sounded terrible. It is stale, forced and boring. And bad dialoge can't create good performances, so the actors very much appear to be bad at their job. Genevieve O'Reilly is an incredible actress, and yet you can notice the slight difference between her performance in Andor vs in Ahsoka. It is not a bad one, but it is different.

On a positive note: I do think that the casting is actually really good. ESPECIALLY for Sabine & Ezra, I think they really nailed them, from the voice, to the face to the mannerisms. In that department I give them praise.

And I think the make up is also largely fine, I think Ahsoka looks great, Thrawn does too, only Hera I see issue with. Her look was never easy to be translated into live action, but I think it could have been at least a little better, in some scenes it really looks cheaply painted on.

Another thing is that the villains are boring as hell. Thrawn is the main dish, for sure, but I despised Morgan. And that is so rare in Star Wars that a villain is not even a tiny bit interesting. Worst of all, I've seen Tales of the empire and the episode in Mandalorian where she appears, and yet is she still a nothing character that is nothing but annoying.

On the other side, Baylan and Shin weren't annoying, not at all, but I have felt such indifference anytime they came on screen. They look cool, the actors are pretty good, but there is nothing about them. However, I do believe they can be set up to be interesting in the future, I don't think they are wasted yet. It just would have elevated the story if they gave us any backstory about these two. Like, yeah we know Baylan was a Jedi, but how did he survive? When did he find Shin? Why do these two matter at all?

They also missed the mark with Thrawn. He didn't come across as intelligent as he should, he fails over and over, making mistakes he would have never made in the past. We are talking about Thrawn. He is arguably the most intelligent Star Wars character in the canon universe, he outsmarted the Emperor. I really hope they will at the very least take him in the right direction, not as the heir to the empire. His plan was always to help the Chiss get back to their glory and power, that was the only reason he joined the empire in the first place.

So I do think that season 1 can be a good jumping point from which they can make an amazing season 2, but they need to work on these aforementioned flaws.

Because as of now, the show is only good when it references previous projects. I see a lot of people get excited about small details, and that is great. I'm not saying they need to make a show that doesn't cater to fans, no that would be stupid. I must admit I squealed when Ventress was only mentioned. But that doesn't mean I think the show as a whole is good enough to be enjoyable.

I think you should be able to have both. The parallels, the cameos, the references and a good story, good writing, good cinematography. But it's like they knew that they wouldn't have to try. They knew that as long as they distract fans with familiar characters and such it wouldn't matter how lackluster the rest is.

If you have to shove every familiar character into the show, how confident are you in your work? Nobody would care about Ahsoka if it wasn't for those familiar characters. And that is a shame.

[subject-beam]

Would you recommend watching Earthsea, reading the books or both?

DO NOT WATCH EITHER ADAPTATION OF EARTHSEA (american miniseries and ghibli movie). I cannot stress enough that they are both supremely terrible adaptations of the books, as well as being arguably quite bad as standalone pieces of media. I believe there are some well-liked radio drama adaptations available on Youtube though!

But really, I can’t recommend the books enough. A Wizard of Earthsea is widely beloved for a reason, but imo the rest of the series as a whole far surpasses it. There are good audiobook readings as well, though I’ve found that they can be hard to follow in that format. They’re short but dense so they move at a quick pace and it’s easy to miss significant details and implications.

The first trilogy (A Wizard of Earthsea, The Tombs of Atuan, and The Farthest Shore) is very episodic. Each concerns the coming-of-age of a different adolescent protagonist, so you could really read them in any order; chronological is probably the most rewarding, since the protagonist of Wizard is a major character for the whole series, but if you’d prefer to read a book with a female protagonist and/or have a penchant for slow-burn psychological drama, I’d start with Atuan. It’s my favorite book of the first trilogy (and also the shortest!)

The second trilogy (Tehanu, Tales From Earthsea, and The Other Wind) takes a sharp turn into darker, more mature subject matter. It’s messier than the first but far more complex and thematically rich. Sex becomes a major theme—not in the GoT “high fantasy that FUCKS” sense but in the sense that it deconstructs the patriarchal and erotophobic social structures that are presented uncritically in the first trilogy, and often taken for granted as the foundations of high fantasy worldbuilding. These you need to read in chronological order, as they’re far more dependent on your knowledge of the previous books, though a friend of mine has confirmed that Tehanu (my favorite book of the series and one of my favorite books, period) is still powerful as a stand-alone novel.

The illustrated “Books of Earthsea” omnibus also includes the four short stories in the series, two of which she wrote before Wizard (“The Word of Unbinding” and “The Rule of Names”) and two which she wrote after The Other Wind (“The Daughter of Odrin” and “Firelight”), as well as the essay “Earthsea Revisioned.” I highly recommend reading “Revisioned” after Tehanu, as that’s when it was written and that’s the book it chiefly concerns. I read the short stories in chronological order after finishing the novels, which offered a nice retrospective microcosm of the development of the whole series. Whatever you do, save “Firelight” for last.