#also the Cas design thing

[caricatureblue]

This song punched me square in the mouth with inspiration so I made some characters about it an got to just pile on symbolism and i love them

[bishiglomper]

Help I wanna do craft projects

But steps are in my way 😭

[neon-danger]

I stubbornly only use 2 columns in CAS as I used a laptop for so long and just got used to the scale that more columns messes with my muscle memory and autistic hatred of change. But I get why lots of people use it I just need to get over myself. UICheats and Better Build/Buy are staples to me. And like every adult mod under the sun too of course, especially the ones my friend made. My gameplay would be nothing if Alex and Jack were not sex addicts. It sounds so silly but it really is like a staple for me.

The last part 😭😭😭😭

[gemharvest]

Man I'm so glad I agreed to make a design for this ASBJKNJDSGKNG I love watching the server members work together to try and unlock the raffles.

[requinoesis]

⭐The Magic Drawing Pad! 📱✨

I was surprised to receive a Tablet from XPPen in exchange for a review. Here’s my experience! 📝✨

Initially, I thought the tablet's design, meant for drawing away from a workspace and outdoors, didn't suit my lifestyle. As an introvert who rarely leaves the house or is socially active, I decided to review it from a homebody’s perspective.

I've never drawn on a display tablet before, only on regular digital tablets like the Wacom Bamboo and my current Huion Inspiroy Ink. Now, I have the XP-Pen Magic Drawing Pad to try out!

At first, it was frustrating! Everything I drew looked crooked and ugly, and I felt like a fraud. But it wasn't the tablet's fault; it was like learning to draw all over again since I was used to the computer and had abandoned traditional art.

I was rushing, thinking I should be perfect immediately. I took a deep breath and remembered that learning a new tool takes time and patience. Once I gave myself the time to adapt, things started to work out.

I only explored the tablet's basic functions, but its interface is similar to an iPad or cell phone and works well. I transferred files to my computer via Telegram, but Google Drive could also be used.

There are several illustration apps available. I chose Infinite Painter first because it is similar to Procreate. I found it amusing that the process of creating art was recorded while I was drawing!

In conclusion, I find the Magic Drawing Pad to be an ideal tablet for beginners venturing into screen drawing for the first time. It offers a practical and enjoyable experience!

Feel free to ask any questions about this tablet, and I'll do my best to answer them!

They also told me to say that there would be up to 45% off during the Prime Day event on the Amazon store and the official store from July 16th to 17th! 🛍️✨

⭐ - US store: https://amzn.to/3L08x36 ⭐ - CA store: https://amzn.to/3VanP9W

They also recommended this keyboard!

⭐ - ACK08 smart keyboard: https://bit.ly/3VCgAYv

Thanks a lot to the XPPen team for their patience and for the opportunity to try out this tablet!❤️✨

---

I did this little speedpaint experiment too if you want to see! The function of recording while drawing is a very cool experience!

That's it, I hope you like it!✨

[kaleldobrev]

Just Right

Pairing: Dean Winchester x F. Reader

Feat. Character(s): Reader, Dean Winchester & Sam Winchester

Summary: Dean hates when you’re sick. Not only can he not kiss his best girl without the possibility of getting sick himself. But you also can’t make one of his favorite things to start off his day: his morning coffee.

Word Count: 1.9k

Warnings: Cursing (2x)

Author's Note: Apologies for not tagging people | If you liked this, don’t forget to like & reblog. I really appreciate it! Feedback is always welcome ♡

As much as you hated being sick, you knew that Dean hated when you were just as much, maybe a bit more. Whenever either of you were sick – which wasn’t often thankfully – you two had your own sick routine, a routine that Dean despised doing, but understood the reasoning behind it.

When you had found yourself sick, you would sequester yourself into another bedroom of the Bunker and curl up in your favorite blankets while wearing your designated sick pajamas. Your sick pajamas as you called them consisted of some of your favorite things that always tended to bring you comfort: a pair of Dean’s gray sweatpants, one of his band t-shirts that you borrowed with the promise of returning it but never did, one of Dean’s flannels, and a pair of fuzzy socks.

Over the course of your sick time, you had found yourself doing an assortment of different things: trying to find something to watch on Netflix that you and Dean weren’t currently watching together, attempting to read one of your favorite books, or just straight sleeping. Dean would either text or call you, sometimes even knocking on the door and talking through the door to you. If he was feeling extra cheesy, he would slip you a note underneath the door. He would always ask you the same question: Do you need anything? Your answer would always be the same, “My usual sick meal.” A meal that consisted of a hot cup of tea with lemon and honey, Dean’s version of chicken noodle soup, Ritz crackers, and a ginger ale. Whenever he made this meal for you, you would always tell him to leave the tray outside the door so you wouldn’t get him sick, but without fail, each and every time, he would come into the room with tray in hand, and either kiss you on the top of the head and forehead and say, “My gorgeous sick baby,” before you rolled your eyes and threatened to throw a pillow at him.

When Dean had found himself sick, you would still be the one to leave the bedroom – despite your beloved boyfriend being the one trying to get you to stay with him, because all he really wanted to do was cuddle with you; he was extra clingy sick. But you had to play bad guy, telling him that as much as you had wanted to cuddle with him more than anything, you didn’t want to get sick.

You would tell Dean that he needed to try his best to stay sequestered in his room as to not get you or Sam sick – Jack and Cas were the ones that you didn’t have to worry about thankfully; but without fail, Dean would always leave the bedroom, walking around the Bunker coughing and sneezing. You would be close behind him, with a couple rolls of disinfected wipes the moment he left the room, your shirt covering your mouth and nose as to not inhale the germs.

You would do the same thing that Dean would do for you, calling, texting, or slipping a note underneath the door asking him if he needed anything from you. Your usual answer would be your sickness meal, his usual answer would be: “I wanna cuddle with my Sweetheart.” When you would reject that, he would ask for the second best thing: “My usual sick meal.” A meal that consisted of a not one, but two grilled cheese sandwiches, a side of tomato soup with saltines on the side, a can of ginger ale and a tiny glass of whiskey. Although you would tell Dean not to come into the room when you were sick to drop the food off, you never listened to your own advice. You always walked into the room with the tray of food and promptly kissed him on the forehead or cheek and say, “My handsome sick boy.” Followed by him smacking your ass as you walked away.

Although Dean and you hated when either of you were sick because you couldn’t be intimate with each other, one of the biggest reasons Dean hated when you were sick in particular is because you couldn’t make him his morning coffee. Yes, Dean was more than capable of making his own coffee in the morning, or he could easily go to the café downtown to grab a cup; but ever since you moved into the Bunker, those two things just never tasted right again to him. Because once having a taste of the way you had made it, he couldn’t have it any other way.

It was one of those rare times in which you were sick, and you knew exactly how you had gotten sick too. About a few days ago, you, Sam, and Dean went on a case together in Topeka where each of you interviewed a different member of the family. Sam and Dean interviewed the parents while you interviewed their child – a child who happened to be insanely sick. While interviewing the child, she kept on sneezing and coughing and at one point had wiped her snot coated hand on your arm when trying to reach for the tissues behind you. As soon as the three of you had gotten to the Bunker, you knew that something wasn’t right, as you were starting to exhibit the same symptoms as the little girl was.

You were sequestered in your designated sick room, wearing your designated sick pajamas, completely under the covers; a combination of being hot and cold at the same time. Your phone was propped up on a pillow that was lying next to you; Dean was on Facetime with you in your shared bedroom. “I think this is the worst I’ve ever felt.” You said, your voice sounded super nasally, and weak.

“Well, you still look and sound hot to me.” Dean told you, a grin on his lips. You couldn’t help but shake your head at his comment, disagreeing with him. “What? I don’t give a rats ass if your nose is running like a faucet and you look like Rudolf. You’re still fucking hot to me.”

“Dean, I look like I haven’t slept in days and on the verge of death and I sound like a toddler. I honestly have no idea how any of this is remotely hot to you.” You sniffled, grabbing a tissue from next to you in bed and blowing into it.

“To be fair Sweetheart, I always look like I’m on the verge of death and you still think I’m hot.” Dean said, shrugging his shoulders.

“Dean, you manage to look hot no matter what you do. It’s an oddly weird talent that you have.” You sniffled again, tossing the tissue you just used into the trash can.

He shrugged his shoulders again, almost as if he was agreeing with you. “Do you need anything from the kitchen? I’m about to go make my own coffee cause somebody can’t do it.”

You rolled your eyes and coughed. “Well, I’m sorry that your barista is sick. She can always make it for you, but I can’t promise that there won’t be hints of mucus in it.”

Dean gave you a disgusted look, shivering at the thought of your comment. “Okay, okay. Please, don’t ruin coffee for me. Coffee is one of the few joys that I have in this life.”

Dean walked into the kitchen, and gave Sam a slight head nod in his direction who was already sitting at the kitchen table with a mug of coffee and his laptop. “There’s still some coffee in the pot if you want any.” Sam said, turning in his chair to face Dean who had started to make his way to the fridge. “I know it’s not how Y/N usually makes it but, I know you like the way I make it too.”

“Correction, I used to like the way you made it.” Opening the fridge Dean grabbed some milk and chocolate syrup and placed them on the counter in front of him. “Do you know how Y/N makes it? Cause she won’t tell me. And I feel like if anyone would know, it would be you.”

Sam gave Dean a questioning look. “Me? Why would Y/N tell me how she makes it?”

“Cause you’re her best friend. She tells you everything.” Dean knew for a fact that you had told Sam a lot; because more often than not, Sam would casually bring up something that Dean knew for a fact that him and you had talked about, and there would be no possible way for him to know that unless you were the one that told him.

“But you’re her boyfriend Dean. I feel like boyfriend trumps best friend in most cases.” Sam took a sip from his mug before closing his laptop and walked over to the counter, bringing his mug along with him.

“You know what they say Sammy, bros before well…hoes.” Dean gave Sam a grin, shrugging slightly.

“I think you might have insulted yourself with that one.” Sam said, finishing up his coffee. “So you really have no idea how she makes it uh?”

Dean shook his head. “No freaking clue. All I know is she puts milk and chocolate syrup in it.”

“I’ll let you in on a little secret Dean.” Sam began to say.

“What?” Dean asked.

“I…She told me to never tell you how she makes the coffee, but…she did tell me.” Sam finally confessed.

“Well? Would you like to share with the rest of the class?”

Sam grinned and walked over to the cabinet. He reached all the way into the back and took out a box of Keurig cups and placed the box onto the counter. Dean eyed the box for a moment before picking it up. “Dunkin’ Donuts?” Dean asked, sounding slightly confused.”

“Her special coffee she makes you? It’s just Dunkin’ Donuts Keurig cups with a dash of milk and a spoonful of Hershey’s chocolate syrup.”

“Son of a bitch…” Dean mumbled.

A Few Days Later…

With your sickness behind you, you were finally back to your old self; which meant that you can about your somewhat normal routine. You were excited to be able to hunt again, and you were excited to finally fall asleep to and wake up next to your beloved boyfriend. But despite the normalcy that you were excited to get back to, you knew that there was one thing that Dean was excited about – you being able to make his morning coffee again.

Quickly throwing the Dunkin’ Donuts Kuerig cup into the trash, you took Dean’s coffee cup and placed it onto the island counter in front of you; smiling as he walked in. “Morning Sicky,” Dean grinned, and you simply rolled your eyes.

Walking up to the counter, he looked at the mug and gestured toward it. “Is that?” And you nodded. He rubbed his hands together like an excited little kid before he took the mug from the counter, slowly blowing the contents to cool it down a bit. Taking a sip, he felt like he was in Heaven – not actual Heaven of course cause there were no dick angels around, but pretty close.

“Good?” You asked, and Dean nodded. As much as he wanted to tell you that he knew the secret to your coffee, he was never going to; because this was one secret that you deserved to have for yourself, even if Sam and Dean both knew.

[sacerdotessa]

Midheaven in signs

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If you’re an IG page and want to repost this, don’t forget to tag the creator: @sacerdotess4 on IG or @s4cerdotessa on TikTok

Don’t plagiarize, you were born original, don’t die a copy.

I'm back with a new post after a very long time! I missed my tumblr community so much, I'm going to post new things soon!

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Aries Midheaven:

you’re such a competitive individual and an innovator, you’re not afraid of taking risks and being bold. It’s hard for you to depend on other people, you need to be your own leader when it comes to your career. The perfect career path involves a lot of action and dynamism, following every day the same routine is not something that appeals you. As a driven individual, you thrive on challenges and are always seeking new opportunities to grow and learn. You have a natural ability to think outside of the box and come up with innovative solutions to problems. You're not afraid to take risks and push yourself outside of your comfort zone, because you know that's where growth happens. When it comes to your career, you're not content with simply following the crowd. You need to be in control of your own destiny and chart your own path. You have a strong sense of purpose and direction, and you're not afraid to pursue your dreams with relentless determination. The perfect career for you is one that allows you to constantly evolve and adapt. You need to be challenged, stimulated, and engaged in your work on a daily basis. With your competitive spirit and innovative mindset, you're sure to make a real impact in whatever career path you choose

Taurus Midheaven:

Your top priorities are stability, enjoying life and being creative. You prefer to approach your career methodically, following a routine is not something that bothers you. You have amazing taste and expressing your creativity is very important for you. You might enjoy a career path that involves aesthetics and creativity, you might also enjoy a job that revolves around food (you might be a great chef). You should choose a career that aligns with your priorities and natural abilities, for example, exploring opportunities in the creative arts. You could pursue a career as a graphic designer, interior decorator, or fashion designer. Alternatively, you may find fulfillment in the culinary arts, either as a chef or food stylist. Whatever path you choose, be sure to focus on finding a work-life balance that allows you to enjoy the stability and creative expression that you value most. Remember, the most fulfilling career is one that brings you joy and satisfaction in all aspects of your life.

Gemini Midheaven:

You’re such a curious and multitalented individual, you might enjoy exploring multiple career paths during your lifetime. You’re talented when it comes to communications, media, journalism and anything that’s connected with writing. Routine is something that annoys you, you should choose a career path that involves a variety of activities. You’re also extremely expressive, you might be a talented actor. There are many career options that could suit your unique set of skills and interests. You should also consider pursuing a career in public relations or marketing because these fields often involve a mix of writing, communication, and creativity. Another option to consider is working in the entertainment industry, where your expressive nature and love for variety could be put to good use. You could explore opportunities in acting, directing, or even producing. With your natural curiosity and multitalented abilities, the possibilities are endless. Don't be afraid to try new things and explore different paths.

Cancer Midheaven:

Nurturing and taking care of those around you feels like a life mission for you. You’re such an empathetic soul, connecting with those around you and being sure that you’re working on making the world a better place is very important for you. You might be interested in a career that involves being around children or those who need support. Your natural inclination towards empathy and compassion makes you an ideal candidate to work with individuals who need emotional support and care. A career in counseling, social work, or education could be a fulfilling path for you to explore. You have the ability to connect with others on a deep level and understand their needs, making it easier for you to provide the necessary support and guidance. Additionally, your warm and nurturing personality would be a valuable asset in any team or workplace environment.

Leo Midheaven:

You’re such an ambitious individual and you love being in the spotlight. You’re a natural-born leader and you constantly need to attract other people's attention. You might be a good actor, singer or influencer. Being popular and influential seems to be some of your biggest goals. However, it's important to remember to use your platform for good. As a leader and influencer, you have the power to positively impact and inspire others. Consider using your talents and popularity to promote important causes or raise awareness about issues that matter to you. Remember, with great power comes great responsibility. It's also important to stay grounded and humble, and not let fame or attention get to your head. Stay true to yourself and your values, and continue to work hard towards your goals while also making a positive impact on the world.

Virgo Midheaven:

You prefer a career path that brings you stability instead of one that brings you power and fame. Being in the spotlight is not something that appeals you and you prefer to help others instead of being at the center of the attention. Being helpful is very important for you, being a doctor or working in the healthcare field seems to be perfect for you. You might consider becoming a nurse, a physical therapist, or a medical assistant. You might also be interested in working with animals (becoming a veterinarian). If you have a passion for nature, you might consider a career in conservation or environmental science. Whatever path you choose, you can be sure that your desire to help others and make a difference in the world will be fulfilled.

Libra Midheaven:

You might be interested in working in a field connected with communication or art (you might be a great graphic designer), you might also be an amazing stylist or director, you know how to connect the right people and coordinate a team. You’re such a creative person and you love to express yourself, you’re also amazing when it comes to discovering other people's talents and valorizing them. You prefer facts over feelings and you have a logical mind, you might be a good lawyer. Don't be afraid to explore different options and take risks in order to find the right fit for you. Whether it's in the realm of communication, art, or law, there are countless opportunities available for those with this placement. Remember to stay true to yourself and never stop learning and growing in your chosen field. With hard work and perseverance, you can achieve great things and make a positive impact on the world around you.

Scorpio Midheaven:

You’re such a private person, being in the spotlight is not something that appeals you, and working behind the scenes seems to be a better option. You’re such a deep person who enjoys mysteries and taboos, you might be an amazing investigator, surgeon or psychologist. You’re not afraid of taking responsibility and making tough decisions, which makes you a great leader. Your ability to analyze situations and think critically also makes you an asset in any team. Your calm and composed demeanor in high-pressure situations is admirable. You have a great sense of empathy and understanding towards others, which is a valuable trait in any profession. Your dedication and hard work have helped you achieve success in your career, and your determination will continue to take you further.

Sagittarius Midheaven:

You’re an explorer and learning new things seems to be one of your biggest passions. You might be an amazing teacher, those around you love to hear you talking about what makes you feel passionate. You might explore many different career path during your lifetime and you seems to be kinda lucky when it comes to money and finding good opportunities. Your career could also revolve around traveling and exploring new places. Your adventurous spirit is what sets you apart from others. You thrive on the excitement of discovering new things and visiting uncharted territories. You have a natural curiosity and a thirst for knowledge that drives you to explore different cultures, cuisines, and ways of life. Your love for learning is contagious and people around you are drawn to your enthusiasm. As a teacher, you have a unique ability to make complex concepts easy to understand. You have a way with words that captivates your audience and makes them feel excited to learn. Your career path may take you in many different directions, but one thing is for sure – you will never be bored.

Capricorn Midheaven:

You’re extremely ambitious and kinda “obsessed” when it comes to your career. Your reputation is very important for you, being perceived as someone who is important and influential is one of your biggest goals. You have a solid work ethic. You might be interested in finance or business. You’re an amazing leader, you tend to be admired by those around you for your success. However, it's important to remember that success isn't everything. While ambition is a great quality, it's also important to take breaks and prioritize self-care. It's okay to step back and reassess your goals and priorities. Don't forget to give yourself credit for how far you've already come. Remember that being a good leader also means being able to take care of yourself and those around you. Keep striving for success, but don't forget to enjoy the journey along the way.

Aquarius Midheaven:

You’re attracted to unconventional paths, not everybody are going to understand your job. You might try many different career during your lifetime, you’re someone who gets easily bored, starting again is something that makes you feel excited. You might work with technology (you might be a software engineer) or social network, you’re attracted to every jobs that involves technology, innovation and communication. Don't be afraid to take risks and try new things, but also be mindful of your long-term goals and aspirations. With your unconventional mindset and willingness to explore, you're sure to find a career path that suits you and makes you feel fulfilled. Keep an open mind and embrace the journey ahead!

Pisces Midheaven:

You’re not such a consistent person when it comes to your career, living in a capitalistic society is very hard for you. You’re such a creative person with a deep and insightful personality, you love to take care of others and you also love to express yourself through art. You might be an amazing artist and many people could feel inspired by your creations. You might also be a great therapist who has the ability to understand and empathize with others on a deep level. Whatever path you choose, it's important to remember that your unique perspective and talents are valuable and can make a positive impact on those around you. Don't be afraid to pursue your passions and explore different avenues until you find the career that truly fulfills you. With your creativity and caring nature, there's no limit to what you can achieve.

[vinceaddams]

Early 18th (and late 17th) century fashions are so under-utilized in vampire media and I think it's a damn shame.

I don't actually think I've ever seen a single image of a vampire character in an early 18th century suit. Hardly any movies set in that era either, and hardly any historical costumers who do it. (Even my beloved gay pirate show set in 1717 takes nearly all of its 18th century looks from the second half of the century. Not enough appreciation for baroque fashion!!)

Yes I love late 18th century fashion as much as anyone, and 19th century formal suits are all very well and good, but if you want something that says old, dead, wealthy, and slightly dishevelled, then the 1690's-1730's are where it's at.

(Retrato del Virrey Alencastre Noroña y Silva, Duque de Linares, ca. 1711-1723.)

There was so much dark velvet, and so many little metallic buttons & buttonholes. Blood red linings were VERY fashionable in this era, no matter what the colour of the rest of the suit was.

(Johann Christoph Freiherr von Bartenstein by Martin van Meytens the Younger, 1730's.)

The slits on the front of the shirts are super low, they button only at the collar, and it's fashionable to leave most of the waistcoat unbuttoned so the shirt sticks out, as seen in the above portraits.

(Portrait of Anne Louis Goislard de Montsabert, Comte de Richbourg-le-Toureil, 1734.)

Waistcoats are very long, coats are very full, and the cuffs are huge. But the sleeves are on the shorter side to show off more of that shirt, and the ruffles if it has them! Creepy undead hands with long nails would sit so nicely under those ruffles.

(1720's-30's, LACMA)

Embroidery designs are huge and chunky and often full of metallic threads, and the brocade designs even bigger.

(1730's, V&A, metal and silk embroidery on silk satin.)

Sometimes they did this fun thing where the coat would have contrasting cuffs made from the same fabric as the waistcoat.

(Niklaus Sigmund Steiger by Johann Rudolf Huber, 1724.)

Tell me this look isn't positively made for vampires!

(Portrait of Jean-Baptiste de Roll-Montpellier, 1713.)

(Yeah I am cherry-picking mostly red and black examples for this post, and there are plenty of non-vampire-y looking images from this time, but you get the idea!)

And the wrappers (at-home robes) were also cut very large, and, if you could afford it, made with incredible brocades.

(Portrait of a nobleman by Giovanni Maria delle Piane, no date given but I'd guess maybe 1680's or 90's.)

(Circle of Giovanni Maria delle Piane, no date given but I'd guess very late 17th or very early 18th century.)

Now that looks like a child who's been stuck at the same age for a hundred years if I ever saw one!

I don't know as much about the women's fashion from this era, but they had many equally large and elabourate things.

(1730's, Museo del Traje.)

(Don't believe The Met's shitty dating, this is a robe volante from probably the 1720's.)

(Mantua, c. 1708, The Met. No idea why they had to be that specific when they get other things wrong by entire decades but ok.)

(Portrait of Duchess Colavit Piccolomini, 1690's.)

(Maria van Buttinga-van Berghuys by Hermannus Collenius, 1717.)

Sometimes they also had these cute little devil horn hair curls that came down on either side of the forehead.

(Viago in drag Portrait of a lady, Italian School, c. 1690.)

Enough suave Victorian vampires, I want to see Baroque ones! With huge wigs and brocade coat cuffs so big they go past the elbow!

[devoursbears]

ITS BEEN FOREVER

ive been busy dissecting cow legs and raging about US Healthcare

but i havent stopped think about this and I HAVE CONCEPTUALIZED THE TATTOO I WANT

but I haven't had the spoons to draw it yet

so you'll have to wait!!! but until then I did finally finish my relisten notes :D (of course i'll have to reconsider my life choices when MYTH comes out but this is what we got so far :3) not gonna include Jam Mechanics things in the TNC cannon at this moment bc to me that is the playground, and this stuff is the things Matt hasn't excised from the Finished Fridge Celebration Wall (every day I crave the hidden songs that were once finished then pulled from bandcamp and only that one friend has)

anyhow - more art to arrive on the art thread of this soon <3

OKAY ITS TATTOO DESIGNING TIME eventually I am going to gt a @narcissistcookbook tattoo and I have decided to document my overly involved design process. Here's the first step!

I am going back through the Whole Discography I can find and writing little notes about how I connect to the songs :> From the things I connect with more and the imagery I like I am gonna start designing stuff I am going to combine into and Unholy Amalgam to put on my body.

For now, Behold! Text!

[dotthings]

Some spn Cas history (because yay facts!! Facts are fun!!)

Misha was a guest star in S4. Castiel was originally planned to be a 3 episode and done character, but Misha was so electrifying as Cas, had great chemistry with Jensen, and Cas turned out to be such a compelling character, the show kept him around.

Misha was promoted to regular in S5 and continued in S6.

He was dropped from the show for S7 because Gamble and Singer decided to write out Cas. The network did a lot of fans a solid for once, called up the EP's, and went "hahahaha you aren't really planning to get rid of that fan favorite pretty angel are you???? hahaha ok no really bring him back" and literally refused to let spn get rid of him.

There was for sure a listlessness factor in S7 once Cas was removed. J2 were the anchors in the early seasons. In later seasons, J2M really became the show's center supports, more than just J2. (No, this is not arguable. This is reflected in canon story, and Cas's growth as a character and plot role and emotional role and in promotion for many years. No, I don't care who is offended that I said it. It's not a point of argument).

Jeremy Carver took over as showrunner in S8 and brought Misha in for an 8 episode arc, so Misha was a guest star in S8. Carver wanted to rebuild the character and in S9 Misha was promoted back up to series regular, and he stayed at that status the rest of the series.

Originally, Misha's regular status was denoted by having him third in opening credits after Jared and Jensen, before the "guest starring" section. Eventually Misha was given an "and" credit.

The "and" credit is a contract status thing. It's for series regulars of particular note, usually for a particularly noteworthy performance. Tony Head was "and" status on Buffy the Vampire Slayer. When he stepped back to recurring, Alyson Hannigan became the "and" status.

Some have tried to paint Misha's "and" designator as a sign of his lesser importance, but it's the opposite. It's a promotion and a sign of respect.

A further note, zero fans have attempted to supplant Jared and Jensen as the "top leads" of the show, but it's abundantly fair to label Misha a 3rd lead, given the proportion of Cas's plot and emotion impact on story and Misha's longevity and status. It's semantics, really. If someone gets offended if you say he's a 3rd lead, they're aren't worth your time. Eh, okay, "main character" isn't wrong either, but I'm suspicious of people who break out in hives over calling him "3rd lead"--but main character is a descriptor for Cas's role. SPN at times had 3-4 series regulars, with J2 as the only two constants the entire run of the show, which is why we say J2 are the 2 top leads. But Cas and Misha's importance are also facts.

Misha was "guest star" in S4, 7, and 8. Eventually he got "special guest star" credit during his guest starring era on spn, another indicator of an actor/performance/character of note, but not a series regular. He was a series regular for S5, 6, 9, 10, 11, 12, 13, 14, 15. (No this is not arguable. These are production facts. Some people still, after all this time, try to erase his regular/main character status on spn, and they aren't working in facts).

[plasticferal]

keeping score | matt & chris sturniolo.

prologue: 'they say love is the sixth sense that destroys all other five senses’

authors notes: 1.9k, explicit language, reader discretion is advised. welcome to my first series, please enjoy the ride.

they both want you. the only way matt and chris can agree to settle who wins is through competition, one where you’re the prize. your own heart is torn between the two brothers. the thing is though, love doesn’t keep score.

they have two very different experiences to offer. two sides of the same coin. a coin you refuse you flip and settle on.

matt is the first to catch your eye in any room. he makes you nervous. butterflies, awkward laughs, stuttering over your words. all of it. you like him. you’re unsure if he feels the same toward you.

however, you also like chris. the compliments he showers you in, the subtle flirting, the way he softens his tone around you, how giving he is, the way he’s so shamelessly himself. the list goes on. he’s different. 

it’s a weird triangle of intrigue and unrequited feelings that lingers and is never acknowledged.

you’re already convinced it’ll never happen. with either of them. you’d be putting too much at risk considering how deeply you value your friendship before anything else. the fear of falling in love, and losing them both. 

which might just be your karma for being into both brothers. 

they occupy the living room. you’re upstairs, using nick’s bed to take a nap while he showers, and he takes long showers. he’s always given you a safe space in the house, to make it feel like home. 

you love to annoy chris and matt by stealing their clothes, blankets, soft drinks out of the fridge, tagging along to every late night drive and fast food pick up. 

they share everything with you, but you designate yourself in nicks’s room as to not stir up any terrible, rash decisions on your accord.

being fast asleep and tangled up in crisp, cold, silk sheets, it’s a deep sleep. completely escaping into your dreams.

you’re left unaware of the chaos that’s about to ensue in the living room between the two brothers who occupy your mind. chaos is the score in which reality is written upon.

“you like y/n, right?” matt asks chris. 

you’ve had a strange feeling for a while now that matt is trying to set you up with his brother. which, as flattering as it is, it’s bittersweet. 

matt is sinking lazily into the lounge while scrolling through his phone, on the furthest left. chris is on the furthest right with his feet kicked up on the coffee table. 

they’re in direct view of each other on the L shaped couch. not in a literal sense, just in proximity. neither brother is actually looking up from a screen of some kind.

“what?” chris snaps his head toward matt, diverting from the television for a moment. 

“just answer the question.” matt huffs.

“of course i like y/n. she’s the closest person in our life besides like, nick” chris shrugs, going to look back at the screen again. 

matt groans in disappointment at his response. 

“you know i don’t mean it like that.” matt sits up slightly, readjusting his position and posture.

“god here we go again.” chris runs a hand down his face, fearing his brother's next words. 

“how do you really feel about her?” matt pries. 

unusual for him. out of character even, chris is usually the one who needs to know everything all the time, and is never afraid to ask the hard hitting questions, as annoying as it may be. but not with this topic of conversation.

the difference is, chris does it because he’s genuinely curious. matt asks questions for his own selfish reason, to chris’s oblivion. 

chris needs reassurance that he’s making the right decision in not pursuing you. matt needs to know if or when he’s going to have to compete. little does he know that time is nearing. 

“man, i don’t know. i just- i like her. can’t we leave it at that?” chris’s tone is anguished. 

“you’re avoiding the question-”

“i answered your question!” chris cuts matt off before he can fully form his sentence, and matt’s jaw tightens. 

“fine, whatever.” matt waves his hands in the air with defeat before diverting back to his phone, leaving chris to linger on his words.

“i’m never gonna make a move. i know how you feel about her, too.” chris huffs, as though he’s annoyed at the response he’s had to give.

“what’d you mean?” matt gives chris a glare, like he’s daring his next words.

“you know exactly what i fuckin’ mean” chris scoffs, shifting in his seat, crossing his arms over his chest and pulling the sleeves of his gray hoodie past his knuckles.

matt takes a loud inhale through his nose and exhales through his mouth 

“we can’t just keep pretending that we both don’t want her.” matt drops his phone onto his stomach face down, being slightly slumped. 

“i’ve been fine pretending” chris throws the hood of his sweatshirt over his head to hide his eyes more from matt, a natural reaction to not enjoying the grilling. 

“well if you don’t make a move, i will.” matt’s tone is serious.

“you wouldn’t.” chris deadpans, a sincere tone of disbelief seeping from his lip that he’s now biting the corner of.

“you’ve been saying you’re gonna make a move forever and haven’t done shit."

he knows it’s not nice, but there’s something about the lack of passion from chris despite the obvious crush just makes matt's skin crawl. if someone is going like you and not do anything about it, matt is more than willing to shoot his shot, give you what you deserve. 

“that’s not fair” chris twists his face, glaring at his brother. 

"i think it’s more than fair play at this point, kid.” matt scoffs.

if looks could kill, matt would be dead.

all those times you’ve perceived matt bringing up chris to entice you have just been a ploy to gauge how both of you feel. he knows it’s manipulative, but no harm, no foul.

the worst part is, chris isn’t actually even sure he wants a relationship. he’s infatuated by you, undoubtedly. matt on the other hand would marry you with a paper ring. 

they’re both scared of their own feelings, and the intentions that might come along with them. they don’t ever want to hurt you, but their carnal desire is misleading their moral compass.

“alright then,” chris starts, matt’s words hitting a nerve for him. he slaps his hands onto his thighs and sits up in his spot. 

“how do we settle this? who gets her?” chris continues, staring at his brother intently now.

“i don’t think we get to make that decision.” matt shakes his head, bringing his hand to his mouth as he begins to bite his nails, which muffles his words.

“you’re right, we don’t. but we’re gonna have to compete for it to even be an option.”

“compete” matt repeats chris’s words with a sour huff, a slight arrogance in the sense that he doesn’t view his brother as a threat. 

not when it comes to you, and there might be a small part of that statement that’s correct. you have a sweet spot for matt, which fires up chris even more. he is conscious that he’s the underdog, as much as you try to show an even amount of attention to the both of them.

“what’s wrong? you scared you’ll lose?” chris taunts. 

“that’s the least of my worries.” matt scoffs, his mind traveling down every possible path this terrible idea could go down. 

“fine, then you won’t be afraid of a little competition.” chris says nonchalantly, pushing back with the same energy matt’s been giving, turning the tables.

“what’s your plan here? we just tally up the moments we get with her until someone wins? to boost our own egos?” matt speaks with his hands.

“i do love to have my ego stroked” chris grins to himself, the thought of you crossing his mind as the words leave his mouth. his train of thought tends to wonder easily.

“seriously, chris, how do we plan on settling this?” matt rubs his hands together, like the action you do when you’re trying to stay warm. 

“i think there’s only one answer to that.” chris responds, in a “duh” tone, without explicitly sharing what’s on his mind.

their sixth sense of being able to unpack each other's minds sparks like an electrical fault in the moment. of course, neither of them hate the thought of getting you in bed. they just hate the thought of you being unaware. 

somehow it’s more challenging than falling in love, or securing a relationship. betting to sleep with you is actually the hardest challenge of them all, let alone covering all the bases in order to attain it. 

the intimacy, the intensity of it all. it just seems so unattainable. it requires them, and you, to be completely and utterly vulnerable. 

“that seems kind of, objectifying.” matt shifts his demeanour, ironic considering he sparked the conversation. 

“it wouldn’t be a competition without a challenge.” chris acknowledges, and unfortunately for the both of them, he’s right. 

“this sounds so fucked up” matt says, running his hand through his scruffy hair.

“first brother to five points takes all. all of her.” chris speaks, confidently setting up the challenge. 

essentially their plan is to see who can get the closest to you, and let the other brother suffer in watching it happen. which occurs points. loser has to back off of you completely. unless someone gets to you first, in which case all their hard work flies out the window. they won’t be making it easy for each other.

“points won’t matter when i get her into bed first.” matt’s smug, knowing it’ll make chris go insane. 

“so i take it that you’re up for the challenge?” chris ignores matt’s words with a prompt, because if he doesn’t disregard it, he’ll lash out. 

matt considers it. at least he acts like he does. he knows his answer. if he wants you, if either of them do, they have no choice but to compete. neither of them are sure if it’s love or lust, but they’re about to find out. 

they are certain of one thing though. they like everything about you. the way you look. the way you smell. the way you sound. they know exactly why they want you. it’s the first time ever someone has been able to grab the attention of both brothers. hence the severity of the agreement.

“when do we start keeping score?” matt responds, and that’s all the reassurance chris needs in his brothers answer. 

as if on command, you trudge down the stairs in a sleepy state. their eyes snap toward you simultaneously, and you blink repeatedly to make sure you’re seeing them right. 

you are their favorite part of every day, so it’s not out of the ordinary for them to acknowledge your entrance, but you can feel the intensity of their eyes on you with a different energy. 

with foggy vision still clearing as you rub your heavy, tired eyes, you let a small yawn escape. they both melt at the sight, despite you feeling like you’re in your least desirable state. 

you’re not even paying attention to their back and forth bickering. the sound of their voices muffling through your ears. whatever it is they’re saying, they’re not saying it loud enough for you to hear before you even make it down the stairs.

“now.” chris states, eyes snapping back at his brother as they both raise off the lounge.

all is fair in love and war.

tag list: @luverboychris @floofparker @fake-sturniolos @letstripsturniolo @imwetforyourmom @mattsneezing @mattslolita @breeloveschris @rootbeerworshiper @mattstattoo @mxqdii @tay-laaaaa @pettydollie @lacysturniolo @annamcdonalds67 @landrysflannel @goandcomebsck @sleepysturnss @call-me-ninaaa @lustfulslxt @txssvx

[gallus-rising]

the most important thing abput Lancer as a game is that every single one of the mechs is fuckable. every single one. even the mechs following design conventions you're not usually a fan of? still fuckable

and then you start reading the Lore™ and oh. these things aren't just fuckable, they're also deeply deeply erotic. fucking any given Lancer mech wouldn't just be a sexual encounter, you'd also have some kind of freaky psychosexual religious epiphany. you know those paintings and statues of ca*tholic saints depicting their Big Saint Moment (looking at you, St Sebastian) that seem oddly sexual?? that's you approximately 6 seconds in with a Iskander or a Swallowtail or whatever

[innerfare]

Random Mihawk Headcanons

Summary: a random collection of Mihawk headcanons

CW: None // SFW

———

Can’t stop adopting strays to save his life. He’s a sucker for a mangy cat or unwashed pirate. Perona was quite literally the only hygienic guest he’d ever had at his castle. Zoro’s bathhouse allergy only further endeared him to Mihawk. 

Also such a cat person in general. He’s introverted, too. Prefers the peace and quiet, enjoys sitting with a glass of wine, a good book, and a purring cat in his lap. That being said, for whatever reason, he just can’t help but gravitate toward rambunctious dogs who get mud on the carpet (i.e., Shanks). 

In general, has a magnet pull toward things he disdains and even outright despises. In relationship terms, this means he claims to want someone who will make him better, but he will really only go for someone who will make him worse. King of guilty pleasures.

Suffered the loss of someone he loved dearly when he was quite young. Shanks knew the person, too, thus their bond. The person died at the hands of a marine who saw no consequences, thus beginning Mihawk's reign as the dreaded Marine Hunter.

Is actually a horrible shot. Can't fire a gun or bow and arrow to save his life. Claims to dislike these weapons and refuses to fire them because an honorable fight can only take place in close quarters (or something like that) in order to save face. Only Shanks, Beckman, and Zoro know he can't shoot.

Smells so good. Has a fondness for jewels and shiny metal, fine wine, and other such luxuries, but expensive perfume has always been his weakness. A bottle was the first thing he purchased after his first big score as a pirate. 

Complains incessantly about being bored but is such a creature of habit that it’s a cage of his own making, low key. He wants excitement, but he also doesn’t like sleeping in a bed that isn’t his own or sipping wine he doesn’t like from a glass he did not hand select. He’s only grown more particular with age. 

Has a sentimental side. The type to keep small mementos to remind him of various events and people. Sometimes goes back through these mementos when he'd had a bit too much wine to drink. These include everything from his first sword to a copy of Shanks' first wanted poster.

Hates how people act around him- the infamous Mihawk. Be it kissing his ass or tripping over their words because they’re scared, he hates being ogled. Actually bonded with Crocodile over how annoying the masses, as he calls them, are in that regard. 

Claims to hate it when the Red Hair pirates come to stay because they always make a mess of things, but smiles to himself every time he passes the tapestry a drunk Lucky Roux somehow managed to rip a hole in despite its place so high on his wall. 

Though he had a perfectly logical reason for telling Crocodile to spare Buggy, he would have gone to bat for the Clown regardless due to his connection to Shanks, not that he would ever admit to this. Why Shanks is soft on Buggy is completely lost on Mihawk. 

Doesn’t do anything half-assed, and part of that means reading up on everything he does. Gardening? Stack of books. Cooking? Another stack of books. Interior design? More books. 

Total wine snob (obviously). Likes his wine as red as blood and dry as Alabasta. If it’s sweet, he doesn’t consider it to be a wine and scoffs at it. Only respects wine drinkers who share his particular taste. Nearly died when he found Buggy’s cellar full of rosé. 

Has repaired roofs and walls, but is a bit lost on how to decorate his castle beyond high-quality basics (silk sheets, fine glassware, etc.). Would appreciate someone’s thoughts on wall art, fine china, and furniture. 

If Beckman were not in the picture, would take his place as Shanks’ first mate in a heartbeat. Would also never admit this, pretends to hate the idea of being on a crew. Also has sexual tension with Beckman that has never been addressed, probably never will be.  

———

Hope you enjoyed it! If you want more, you can check out my masterlist here!

[lil-fungus]

I’ve been seeing a lot of ‘PonyNatural’ on my feed and I have had my creativity sparked soo I decided to make my own versions!

Firstly, all credit to @chxrrylungs , @anntova and @kisris who made their own versions and gave me the inspo! :)

I decided to make Cas a little taller than Dean because I just Imagine him as this really majestic Alicorn (is that the right word?) and I dunno they just seem like they’d be tall

Deans cutie mark was the hardest to come up with because I also wanted to show he was Micheal’s vessel and was going to give him a secondary cutie mark that only the angels can see but I really didn’t like em so I managed to come up with this and I like it! It’s the Color of Micheal’s eyes when he takes over Dean and the tear I just fits Dean, always hiding his feelings and having ran from his true title of the archangels Vessel for so many years. It’s not what he really wants but it’s “destiny”.

Sam’s matches but is reversed, like two sides of the same coin. I thought it made sense seeing as one was the vessel for an angel and the other, the devil himself. Once again, the Color of the eye is similar to Lucifers when he is in a vessel, and the tear too is ofc reversed. Despite at first not really liking it (it still looks like an alien to me), I like it. Sam was more willing to accept Lucifer and didn’t really fear it as much because he knew Dean would be there to save him when things got bad. He had a shoulder to rely on whereas Dean didn’t really have that same stability due to him being the older brother.

And lastly, Castiel has two feathers, one pointed up and is healthy, a reminder of his time as a soldier of heaven and a feather pointed down and broken, his fall and his wings being destroyed in the process. They each have a halo on them, the one in tact is when Cas was just another mindless robot doing everything that was ordered of him. The broken halo is him gaining his own free will, becoming his own individual. One of the breaks too looks like a broken heart which is ofc a link to love being what freed him, both familial and romantic.

Anyways, I’m having to deal with my dog and snake being idiots rn so I’ll probs talk about their coats next post 😪

Additionally, I drew this of @chxrrylungs design of Dean in June! :) I did post it but I wasn’t happy with my style 😭 as you can see I changed it a little ! Thought I’d just add it anywho !

[zepskies]

Smoke Eater - Part 19

Pairing: Firefighter!Dean Winchester x F. Reader 

Summary: Dean Winchester is the cocky, but well-respected Lieutenant at Firehouse 25. He leads by example, but he’s also known to break a few hearts. He’s starting to crave something he’s never had, though. Something stable. Something real. 

That’s when he meets you, on a truly terrible day, trapped in a rickety old elevator.

🔥 Series Masterlist

AN: Deep breaths, my friends. We’re almost to the end. ❤️

Word Count: 5,800 Tags/Warnings: Violence, peril, blood and guns, character death…

Part 19: “Sacrifice”

“Hey, sweetheart,” he greeted…but you didn’t answer.

“You there?” he asked. There was a pit forming in his stomach when he glanced up at John. His father met his gaze with furrowed brows that betrayed concern.

The line was silent for one more painful moment. Dean opened his mouth to call out to you again, but a smooth voice interrupted.

“Dean, Dean, Dean,” a man replied. “Forgetting something?”

Dean’s heart began to pound. His mouth parted, but for a moment, the words wouldn’t escape.

“Who is this?” he said. His voice was a hint unsteady.

“I think you know, son,” the man replied.

Dean’s wide eyes flicked up to John’s, and the other man sprang into action. He shot a look and a whispered order at Cas, who went running for some IP tracking equipment back in the police car.

Meanwhile, John guided Dean to sit down on the couch. Sam followed them on his brother’s right, while John sat on Dean’s left.

Dean put the phone on speaker between the three of them.

“You’re Daniel Savage, huh?” Dean said. He tried to inject some more control into his tone, like he wasn’t freaking the fuck out. “Man, do I feel special.”

“Oh, don’t flatter yourself, Dean-o. I’m doing the same thing your dad’s doing. Hooking the bigger fish.”

Dean’s lips pursed. He glanced at his father, but his attention on the phone turned steely.

“What the hell do you want?” he asked. “Your lackey’s on lockdown. So’s your bastard son. If you want to help him, I’d suggest you turn your ass over to the cops.”

“Yes, Nick’s an idiot. But family, right?” said Daniel. He breathed out a sigh.

But then his voice was firm and calculating. It made Dean’s skin crawl.

“Cards on the table, son. Your daddy’s got something of mine. I’ve got something of yours.”

Dean’s face hardened, but John raised a placating hand; a warning to keep calm. Dean tried to take a breath.

His heart clenched at the mere thought of you being in the same room with that man. Having been taken and hauled to God knows where. He couldn’t imagine how scared you were. And if you were hurt…

Fuck. There was a roiling pit forming in his stomach, his head starting to pound in time with his heartbeat.

Already Cas was back with a laptop and program designed to track the caller’s phone. He connected a USB-like cord to Dean's phone and began fiddling with the settings, trying to get a read. Dean knew he had to keep this fucker talking.

“You have her with you?” he asked.

“Sure do. She’s a pretty little thing.”

Dean’s jaw clenched in a furious glare. “Don’t you fucking touch her, you son of a bitch.”

“Quid pro quo, Dean. What can you do for me?”

“What do you mean?” he asked, as desperation began to escape him. “There’s no way they’re letting Nick go before the trial. It’s out of my dad’s hands.”

“Your dad has no real evidence that my son is anything more than a successful businessman,” said Daniel. “If you really need someone to pin these unfortunate murders on, you had your man in custody…but, oh wait. You gave him immunity.”

Dean’s eyes were desperate when they met Sam’s worried ones, then their father’s. It didn’t matter that John and Cas did have evidence besides Alastair’s testimony. All Dean cared about was you.

He swallowed. “What do you want me to do?”

“Nothing. It’s what I want John to do.”

Dean took a moment to close his eyes, pull himself together. His hands squeezed his knees to brace himself. When he next opened his eyes, he let out a sharp breath.

“What do you want then? Aside from Nick somehow breaking loose,” he asked.

“I want your dad to back the fuck off, once and for all,” Daniel said. His voice was more edged, with both warning and a hint of frustration. “Or I’ll make his son live the same pathetic existence he does.”

Dean’s next breath came out harsher, as both John and Sam sharpened at the threat.

“That’s right, Dean. These are my terms of engagement, else I’m gonna have a bonfire with your girl here.” 

It all gripped Dean at once.

Panic, anger, and desperation.

He grabbed the phone and spoke harshly into the speaker.

“Put her on the damn line," he said. "I wanna hear her and know this isn’t a trick.”

Daniel sighed, like he was getting bored. “Oh, all right.”

There was some shuffling, the sound of Daniel’s steps echoing in what sounded like a large room. Dean’s brows furrowed as he heard sounds of your struggle, then your labored breaths, as if a gag had been removed from your mouth.

“It’s okay, sweetheart. Go ahead and talk to him,” said Daniel.

Soon enough, your tremulous voice reached him.

“Dean?” you said. You sounded like you were fighting tears; maybe even losing. Dean’s heart broke all the more for it.

“Yeah, it’s me. Are you okay?” he asked.

“Yeah…yeah, I’m okay,” you said, though your voice shook. He hoped you weren’t lying for his sake.

“I’m so sorry, sweetheart.” He raised a fist to his mouth, ignoring how it shook. “You’re gonna be okay. I’m going to find you—”

All too soon, the phone was taken away from you.

“Rule number one of negotiations, kid. Don’t make promises you can’t keep.”

Dean’s eyes widened. The next thing he heard was a hard slap. It echoed into the speaker, along with your shout of both surprise and pain, a chair toppling over.

“You fucking bastard!” Dean seethed. “When I find you—”

John interrupted this time, taking the cell phone from Dean. He shot his son a look that was meant to be reassuring, but Dean was too incensed. Sam gripped his shoulder and earned his brother’s gaze. Dean’s chest heaved with the effort of calming his breathing.

“What do you want?” John said into the phone. His voice was clipped and direct.

While he continued to speak, Cas was frowning in frustration over his laptop.

“Anything?” Sam asked.

“I can’t get a lock on his signal. He must have something throwing off the scanner,” Cas replied.

Dean growled in frustration and pushed off the couch. He began to pace the living room, all while he tried to keep an ear on what John was saying lowly into the phone.

By the time he hung up, Dean was raging.

“Fuck this, I’m gonna find her,” he said. John tried to stop him from going anywhere with a hand on his shoulder. Dean knocked him off angrily. Sam also stood, for once on the same page as his father, no matter how much he sympathized.

“Dean, you need to calm down,” John tried.

It was the wrong thing to say.

“I didn’t ask for this!” Dean shouted. The force of it echoed on the apartment walls. “Matter of fact, I’ve never asked you for a damn thing until now. Only that you’d keep me in the loop on Azazel, and keep her out of this. But you couldn’t even do that, could you?”

Sam was at a loss, looking between his father and brother. Cas was also caught in between, watching the scene with concern, and bated breath.

John’s broad shoulders sunk a bit, along with the deep breath he expelled.

“You’re right,” John said. "You're right, son. And I'm sorry."

His eyes held the weight of his words. Of sincerity. And by degrees, Dean’s anger lessened.

Again, not by much.

“Let’s fix it,” said John. “Once and for all.”

Dean wasn’t fully recovered from his TBI. He’d been cleared for driving, but not yet for full physical exercise, let alone going back to work. The stress of all this was giving him a powerful headache, but there was no way he was going to be sidelined now, on any part of it.

Sam was forced to withdraw the case against Nick Savage, citing lack of evidence to support a trial at this time. The judge gave Sam permission to refile when he was able to build a better case.

John was then tasked with escorting Nick out of prison. Cas, meanwhile, was sitting in his personal car outside the county jail with Dean in the passenger seat. Cas didn’t trust what his friend would do behind the wheel once he saw Nick.

“What happens after Nick gets out?” Dean asked. “Dad’s been cagey about the whole deal.”

“We’re escorting him to the airport,” Cas said. “There we’ll wait for Daniel and make the exchange.”

Nick, for you. That was the deal.

“And then?” Dean asked, his teeth already clenching.

Cas blew out a sigh. “We’ll have a unit waiting on standby. We’re going to try and get ahold of whoever has her, though I doubt Daniel will come himself.”

“What if you can’t catch him?” Dean pressed.

Cas didn’t want to have to tell his friend something he didn’t want to hear, but he didn’t make a habit of lying to Dean. He wasn’t about to start now.

“Then it’s over, for now,” he replied. “We each go back to our corners and regroup.”

“Dad’ll never stop hunting this guy,” Dean said.

“That may be,” Cas nodded. “But he does have a line.”  

“My father’s an obsessed bastard,” Dean groused. “He doesn’t have a damn line.”

Cas looked over at him then. He was calm and sympathetic, and yet, still disagreeing in his silence. Dean knew he was probably wrong, but in the moment, he didn’t care. He was still angry.

He perked up, however, when the prison doors slid open. Out came John escorting Nick and his lawyer, Amelia. Nick looked as smug as ever now that his cuffs were off. He was given the clothes he was arrested in—a blue silk shirt, pants, Italian leather shoes, and a silver Rolex watch.

Screw this, Dean thought. He unlocked the car from his side and climbed out. He didn’t care that he could hear Cas mutter a curse behind him and follow suit.

Nick saw Dean coming and couldn’t help but smirk, even as John grasped his arm and led him to his police car.

“Hey, fireman,” Nick taunted with his waggling brows. “Where’s our girl?”

Dean’s lips edged at a dangerous smile. Cas came up just behind him, ready to restrain him if need be.

“You can finesse your way out of this, but remember our little chat,” Dean said. His eyes burned with a thinly veiled threat. “Not a dime in this world can protect you from me.”

Nick pretended to shiver.

“Ooh, I’m so fucking scared,” he snarked. He resisted John’s manhandling and ripped his arm out of the other man’s grasp to step further into the open, leaving just a few yards between him and Dean.

“You can’t touch me,” Nick taunted. “You won’t dare. Not unless you want—”

Three shots rang out in the open clearing.

All heads ducked, but Dean’s eyes widened. He watched Nick crumple to the ground as scarlet red plumed in the man’s silk shirt. The shock etched on his face drained along with his life, leaving blue eyes staring up at a clear sky.

Forensics at the scene found traces of a sniper on the rooftop of a building directly across from the county jail.

John and Cas already were mounting an entire unit search in locating Alastair Rolston, but he had apparently moved out of his apartment as soon as he was released from prison with his immunity deal. (The police officers escorting him into witness protection had been found dead at the scene of his designated safe house.)

The detectives were later called into the medical examiner’s office on the case of Nick Savage—not to examine the body, but the bullets that had carved into his heart, right lung, and throat.

One of the bullets had a special casing. Inside was a rolled-up note, not unlike a carrier pigeon. It had a simple message:

JOHN — STULL STORAGE. COME ALONE.

Once again, Dean refused to sit idly. He’d pushed back hard enough that John had eventually relented. This time, however, Sam stepped in to make sure his brother was reigned in. Dean’s knee was already bouncing with anticipation and nervousness.

It was nearly midnight on a Tuesday. The brothers sat in the surveillance van with Jody Mills, all wearing protective Kevlar vests as precaution. The van was removed from the immediate site of Stull Storage, which was made up of a main warehouse and several rows of storage units on the other side. 

Cas was leading another police unit on standby, but John was going into the warehouse. He wore his usual leather jacket over his rumpled shirt, pants, and boots, but also a protective vest and hidden wire under his collar.

Sam, Dean, and Jody were able to listen in as John entered alone.

He had a flashlight positioned over his raised gun as he walked into the building. He found some light switches along the wall and was able to turn on half the room’s fluorescent ceiling lights.

He heard a whimper.

Moving towards the sound cautiously, John soon found you tied to a chair. You looked a bit worse for wear; though you were dressed for an interview in black slacks and a blouse, your hair was in disarray, your cheek still sported a fading red mark, and you likely had other bumps and bruises.

Your eyes widened with hope when you saw John. You made sounds of surprise around the gag tied in your mouth, but he shushed you with a finger held to his lips.

He went over to you after lowering his gun, cocking back the safety, and re-holstering. He went to untie the gag first. You breathed deeply when it was gone.

“You okay?” he asked, touching your arm in comfort.

“Yeah,” you nodded, but your widening eyes still darted behind him.

Another safety clicked back. John immediately drew his gun again and turned. He was met with the man of the hour.

Standing mere feet away with his own gun was Daniel Savage. AKA: Azazel.

“Ooh, you’re getting old, John,” he said with a smirk. “Wasn’t expecting to get the drop on you so easily.”

John subtly moved so he was standing in front of you. He hadn't had time to untie you from the chair. Your breathing came out shallow as you tried to spy around John to your captor.

“Daniel,” John greeted. “It’s about time, wouldn’t you say?”

“You cheated though,” said Daniel, despite his cocky smirk. Like father like son. “I know you’ve got a team waiting in the wings.”

“If you wanna get technical, you cheated first,” John pointed out.

Daniel shrugged. Behind him came around ten of his own hired men, armed with their own guns. “Hate the player, hate the game, my friend.”

John’s lips pursed, but he didn’t lower his gun. He had a straight shot at Daniel’s chest.

“Even if you do get off a shot, you’ll be Swiss cheese where you stand,” Daniel said. 

“Small price to pay for ending your miserable fucking life,” John remarked.

Daniel’s brows rose. “Are you gonna make her pay for it too?”

He gestured behind John, where he glanced back at your face. Your red-rimmed eyes were shining with tears. And John knew that once his gun fired, his body would hit the ground. Yours wouldn’t be far behind.

His brows furrowed, and the hands holding his weapon wavered.

“So how you do think this is gonna play out?” John asked.

“Well, for starters, you’re going to drop that damn gun,” said Daniel. He cocked his own weapon. “Then, you’re going to get down on your knees and take this bullet, like putting down a rabid dog. Then maybe, I’ll let her go before the cops rush in.”

John’s hesitation was mere seconds. He clicked the safety back on. He set down his gun, and lowered to his knees in slow movements.

Your eyes widened further as incredulous tears slipped down your cheeks. You shook your head.

“Don’t!” you said shakily. 

John didn’t look back at you this time, but he did answer you.

“It’s all right, sweetheart,” he said.

Daniel’s grim smile made you shiver.

“What a caring father-in-law,” he said, and he slowly stalked forward. “You know, I prided myself on delegating my operations well. Oh, it was a well-oiled machine back in the day. But some things…well, some things are just better handled yourself. Know what I mean?”

He tilted his head down at John.

“For example: I really regret the way I had your wife killed,” he said. “For all the trouble you’ve given me, I wish I’d actually burned the bitch myself.”

John glared up at the man with pure fury and hatred.

Though his eyes widened when the first shot split the air, and buried a bullet in Daniel’s left arm. Daniel shouted in pain as he unconsciously dropped his gun. John dove for it, and everything started to happen at once.

Daniel kicked at John’s chest while holding his wounded arm, tossing the other man back. John rolled onto his feet, and their full out brawl began. Meanwhile, a unit of police officers swarmed into the warehouse and sparked a shootout with Daniel’s men.

And in all of this, Cas came out from behind your line of vision to untie you. He wore a protective vest over his usual white dress shirt, now rolled up to the elbows.

“Cas!” you gasped. He gave you a smile, then used a pocketknife to cut through the zip ties holding your wrists behind you and your ankles to the chair.

“Come on, let’s go.” He helped you up and guided you out the back of the warehouse.

The last coherent sound Sam and Dean heard was a bullet fired and hitting its target. They couldn’t tell if it was John or Daniel that had been hit, or even you.

Above all things, Dean was a man of action.

He just couldn’t take it anymore.

“Fuck this,” he growled. He got to his feet and went for the door of the surveillance van, but while Jody voiced her protest, it was Sam who reached him first.

“Dean, stop! You can’t go out there!” Sam said.

“The hell I can’t,” Dean said. The punch he reared back and threw was precise when it cracked Sam in the cheek. He went down hard. It was all Jody could do to keep him from knocking his head on the metal floor, but Sam was out cold, with his hair flopped over his face.

"Dean!" Jody yelled after him. She stared after the open door of the van with wide, worried eyes.

There were rows upon rows of storage units behind the warehouse. It felt like a maze in itself, one that you and Cas were forced to navigate alone in the crisp January night. Both of you saw your breath on the air as you tried to move quickly, but quietly.

Until a long arm reached out on the other side of a unit, and a hand closed on Cas’s gun, pushing it down and ripping it out of his hands. An elbow cracked into his face, making him grunt and stumble.

Your scream of surprise echoed in the night. You stared up into the familiar face of Alastair, whose mouth formed a sly grin.

“Hey there, beautiful,” he said.

Cas distracted him with a blow that Alastair blocked, but it gave Cas room to break the taller man’s stance and knock his head against the unit wall—once, twice, until the man stumbled and fell. He wasn’t knocked out, but Cas didn’t wait for Alastair to recover. He grabbed you and forced you to run.

“I thought he was in protective custody for the trial,” you said, through huffing breaths.

“Evidently he escaped,” Cas replied.

“God, Cas. You really need to hand out some pink slips,” you said, with a tremor in your voice. The police were supposed to have been watching you as well, before you were kidnapped. Cas conceded your point.

“We really shouldn’t have given him immunity,” he grumbled.

Dean knew he was being some kind of idiot.

Knew it as he carefully approached a side door of the warehouse. His vest wouldn’t protect his whole body if he entered the no man’s land shootout he could hear happening on the other side of the door.

Already he could see policemen escorting some of Azazel’s captured team around the front exit. Dean kept to the shadows, and he cracked the side door open.

There was still plenty going on inside. A few bodies were already strewn across the dusty warehouse floor. Large crates stacked up to the ceiling offered meager protection for both sides of the siege, including Dean as he kept to the wall and slid his way inside and behind a formation of wooden crates. He scanned the room until he found his dad.

John was fighting hand-to-hand with who had to be Daniel Savage. Even though the latter had blood dripping from his arm, John had his share of bruises and scrapes, including a long cut across his cheek from the knife clenched in Daniel’s non-injured right hand.

What the hell do I do? Dean assessed the situation, his eyes darting quickly between the men. He came in here without a weapon (another smart move). He went through most of the training a million years ago, but Dean wasn’t a police officer. He was a firefighter.

However, when he spotted a forgotten Glock on the floor, just a few yards away where the men were still tousling, Dean inched his way closer. He’d have to leave the relative safety of the crates and throw himself out into the open to reach the gun. At this point, Daniel was closer.

And he’d noticed the gun too, at the same time that John glanced up and saw his son. His eyes widened, and just for a moment he lost his grip on Daniel. The other man went for the gun at the same time Dean dove.

John yanked Daniel back by his collar and kneed him in the stomach. But Daniel had the longer reach. He cracked an elbow into John’s face and followed by a swift punch to the gut. John grunted and doubled over at the impact to his already battered ribs and stomach.

Daniel threw him head-first into a pile of nearby crates. He was breathing hard, but his lips twitched in satisfaction at the way John fell into a heap of broken wood. The detective was clearly waning.

Daniel stalked forward. Ignoring his still bleeding shoulder, he grabbed John by the jacket and collar of his shirt and hefted him up to his feet, prepared to deliver another blow. The cocking of a nearby gun made him pause. But in a moment, he twisted John in front him with an arm wrapped around his neck to face his next attacker.

While Daniel had been distracted, Dean had managed to dive and roll across the concrete, scooping up the gun on his way back onto his feet. Now he’d had the time to take aim and wait for his moment, which was right fucking now.

Slowly, Daniel tilted his head to look past John’s shoulder. He was met with Dean’s smirk and a gun pointed directly at his head.

“I think I’ve got something of yours,” Dean remarked. His fingers slid over the trigger.

Daniel tilted his head. A dry smile edged at the corner of his lips. “All right, Dean. Well played. But…”

He tightened his arm around John’s throat and held the knife poised at his neck.

“We’re at what you’d call an impasse, don’t you think?” Daniel asked.

“Dean,” John said. He met his eldest’s gaze as uncertainly crept into Dean’s stance. His hand was still held aloft, but there was an almost imperceptible shake.

“Just shoot him,” said John, with full conviction. “Don’t worry about me.”

Dean’s mouth pressed into a line, his brows furrowing. He wasn’t doing that.

“See, I don’t think he’s got it in ‘im,” Daniel said, speaking lowly in John’s ear. His knife tightened against John’s neck. “You’re out of your fucking depth, Dean.”

Dean flinched as a bullet zoomed past his head from across the room. He was reminded that there was still a fight going on, and the three of them were very much out in the open. John’s face turned more urgent, with thinly veiled worry.

“Dean, either shoot him or get the hell out of here,” he said tersely.

“I’m not leaving,” Dean said, with a small, stubborn shake of his head. But he was nervous. Despite how close he’d come with Nick Savage, Dean had never shot at someone, let alone taken a life. The gun was heavy in his hand.

“Running out of time, son,” Daniel taunted.

“I’m not your fucking son,” Dean gritted out. “Speaking of, did you have Alastair do your dirty work, taking out Nick, or did you pull that trigger yourself?”

Daniel’s smirk faded, his gaze tightening with resignation.

“Sacrifices, Dean,” he said. “We make ‘em to survive. To make sure our legacies survive.”

Dean’s eyes widened as he looked at this man, and he finally understood what his dad had been trying to tell him.

He ain’t a man. He’s a monster.

The gun was heavy in his hand…

“Come on, Dean!” Daniel shouted. “Make a decision—”

Dean still remembered most things he’d learned at the Police Academy. He’d lived, ate, sweat, and breathed those drills and tests for months. And yet, there was only one score he’d truly been proud of. It was the one record of his dad’s that he’d managed to beat.

You could guess which one.

Dean let his fingers squeeze the trigger on some instinct he couldn’t name. Daniel was forced to choke on his words.

Cas pulled you around the corner of a storage unit that blocked the light of the moon. It was just in time for a bullet to rip past where his head used to be.

You leaned heavily against the wall and heaved for breath, but Cas held a finger to his lips while he tried to calm his own breathing.

You held a hand over your mouth to try and stifle the sounds from getting out. Your eyes were wide and panicked, but Cas could only reassure you with a brief hand on your shoulder. He nodded and signaled with his free hand. Wait.

You gave a jerky nod in return. So he reached for his belt and brandished the only weapon he had left—the knife he’d used to cut through your bonds. The air was quiet, except for the distant shouts of police officers; it sounded like Azazel’s men were finally being rounded up.

Cas had called for backup earlier, but he didn’t think they could wait for it. Nor would he know if they were coming. He’d long since turned off the radio on his belt so that it couldn’t tip off his position with you.

He chanced looking around the wall of the storage unit. The coast looked clear, though he knew it wasn’t. Still, the best Cas could hope for was to cover you on the way back to the police barricade. He leaned back and reached for you. He guided you, both with his eyes and a hand on your back.

On the count of three, run, he mouthed. You wordlessly agreed. He saw the fear shining in your eyes.

One…two…

An arm shot out to grab Castiel’s collar the moment he stepped out from his cover, making you scream. The first punch came swift; Alastair was taller, perhaps stronger, but Cas recovered quickly.

He ducked the other man’s arm and delivered an uppercut that had his adversary careening back. With a well-placed jab to the wrist, Alastair’s gun clattered away across the ground.

Cas managed to shoot you a quick look. “Run. Now!”

You paused for a mere moment while Cas continued to grapple with Alastair. Then, in your frozen fear, you finally managed flight. And you took off running, even though Alastair tried to grab at your hair. Cas held him back and continued the fight.

You’d only managed a few yards of distance though, before you couldn’t help but look back. Something in you just couldn’t leave Cas behind.

You took cover behind another storage unit and watched Alastair slowly get the upper hand. He managed to pin Cas against the ribbed metal wall of a unit. He winced as it dug into his spine, but he had bigger problems.

He spat blood after the third blow to his jaw and tried to blink dark spots of his vision. Alastair looked down on him with the lean look of a predator. His smile betrayed the enjoyment he took in his work.

“Contrary to what you might think, I’ve never killed a cop before,” he said. “Just a cop’s wife.”

Cas’s eyes widened a fraction. Alastair’s smile deepened. He raised a bloody fist to finish his work, but he winced and weakened with a shout as a knife embedded deep in his thigh.

It was Cas’s knife that you’d found on the ground.

Alastair’s angry eyes looked down and met your scared ones. You let go of the knife and scrambled back. He backhanded you roughly. You cried out and fell hard on the pavement.

Alastair reached for the knife, but Cas grabbed it first. He twisted as he yanked it out, then jabbed it into the taller man’s neck. It choked his scream as he stumbled back. And yet, even that didn’t manage to kill him.

Cas dove for the fallen gun. It was mere feet away from where he’d forced it out of Alastair’s grip. Cas felt a hand grab his shoulder. He reacted fast—he turned and shot two rounds of hot led into Alastair’s gut.

His gray eyes went wide. Blood gurgled in his mouth.

And slowly, Alastair slid to the ground.

Cas was bloody, his shirt stained and torn, but he was still standing with ragged breath. You had managed to sit up, though your shocked eyes were trained on the body you’d just seen fall into a heap. The horrific spell of it broke when Cas gently touched your shoulder.

You gasped and raised your head.

“It’s okay,” he said, reaching a hand to you. “It’s over.”

Cas escorted you back to the police barricade. There you found Sam, and the mere sight of him relieved you so much you didn’t realize you were crying when you stepped into his embrace. He hugged you tight and asked if you were all right.

You couldn’t give him an honest answer, but at least you were alive.

“I’m okay,” you said tremulously, but you pulled back at grasped his arms. “Where’s Dean?”

Sam looked anxious as his gaze flit between you and Cas.

“That goddamn idiot, he went in there! They won’t let me through—”

“What?” Cas said incredulously. “Into the warehouse?”

Your tears fell anew as a new frantic worry took hold, churning in your stomach and making you feel sick. You turned, and both Cas and Sam had to stop you from heading towards the warehouse.

“Get him out of there!” you cried. “Dean!”

You tried to push past Cas and his attempts to calm you, but you stopped the moment you saw him…

Dean was helping John limp out of the warehouse. Jody was on John’s other side, supporting him as well. John looked beat to hell, and exhausted, but there was no mistaking the calm look on his face. Like he’d finally sleep tonight.

Dean, on the other hand, looked pale, haggard, and worried. However, his head perked up as soon as he heard your voice. His eyes widened. He turned to Jody to make sure she could support John on her own, and she nodded at him.

It let Dean make his way straight for you.

Sam and Cas finally released you, like a horse waiting to bolt out of the stables. Your tears blurred your vision as you went to him.

When Dean swept you up into his arms, you were able to throw yours around his neck and cling to him for all you were worth. You buried your face into his neck and sobbed your relief.

You wouldn’t know that Dean’s eyes were shining and red, his mouth trembling slightly as he sucked in a breath and held you as tight as he dared. His hand came up to cup the back of your head, over your wild hair. His lips pressed to the side of your head as he closed his eyes for a moment.

“You okay?” he asked, when he was able to speak.

“Mhmm,” you nodded, though his question prompted you to pull back and find his face. Your heels came back to the ground, and you reached up to stroke his cheek and search his gaze.

“What about you?” you asked tremulously. “Your head?”

“’M fine,” he said. Though the truth was, he was reeling. His ears still rung from the bullet that hit Daniel between the eyes.

The weight of that decision was almost too fresh to be real, but it was heavy on Dean all the same. He could even get in legal trouble for this. He wasn’t supposed to have entered that building. Hell, he’d picked up a gun and shot a man.

Though he already knew what Sam would say.

Justification. Imminent danger. Self-defense.

Dean just didn’t know if that would fly here, especially with the Fire Department.

Right now, however, you were his lifeline. You grounded him in reality when you held his face in your hands. Just beyond you, he could see the relief on both Sam and Cas’s faces.

Dean gave them a smile, but he focused back on you. He held your hand to his cheek.

“Promise me you’re gonna stay put for a while,” he quipped. “Preferably where I can see you.”

You scoffed at him through the tears glittering in your eyes.

“Dean Winchester, if that isn’t the most hypocritical thing that’s ever come out of your mouth!” you said, punctuating your words with a slap on his chest.

“Hey!” he protested, but you ignored him. You gripped his shirt and felt the Kevlar underneath. It might’ve protected his chest, but he hadn’t had anything to protect his damn head.

“You run into fires, not bullets, you idiot,” you said, now wiping frustrated tears from your cheek.

Dean’s tension began to ease with a smile. He held you more securely, pulling you flush against him.

“You sound like Bobby,” he teased.

“Good!” you snapped. “You’re not allowed to scare me like that. Do you hear m—?”

He didn’t think he’d ever miss you giving him shit, but this time, it just made him smile until the corners of his eyes crinkled. Shortly before he cut you off with a searing kiss.

You made a sound of surprise, even as you gripped at his shirt, then his face to keep him there. You both knew this night was long from being over. An even longer way from recovering.

But for now, this was a good start.

AN: And so, we're drawing near to the end. 🥹 What did you think of the respective ends of Nick and Daniel Savage, and even Alastair? And of course, her and Dean's reunion. 💗

Soon (this weekend), we have the epilogue...

Next Time:

“So…I’ve gotta tell you something,” said Dean, after he parted from your lips for a moment, and allowed you to breathe. His tone made you tilt your head in suspicion.

“It’s nothing bad,” he said, though he looked a bit nervous.

Your brows furrowed. You led him to the couch, where he took your hands in his. It took him a moment to get started. He seemed stuck on what he wanted to say, or maybe just how he wanted to say it.

“Whatever it is, I’m sure I can handle it,” you teased.

Dean gave you a smile. His shoulders relaxed a little...

Keep Reading: THE EPILOGUE

Dean Winchester Masterlist

Main Masterlist

Series Tag List (Part 1):

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@vanillawhiskeyflavoredkisses @roseblue373 @this-is-me19 @emily-winchester @spnexploration @deans-spinster-witch @deans-baby-momma @iprobablyshipit91

@melancholictearz @nic-kolas @sleepyqueerenergy @wayward-lost-and-never-found @thewritersaddictions @just-levyy @samanddeaninatrenchcoat @deanwanddamons @antisocialcorrupt @lacilou @adoringanakin @theonlymaninthesky @teehxk @midnightmadwoman @brianochka @branj19

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[immaturityofthomasastruc]

Miraculous Ladybug Season 5 - An Overview

Well... that certainly was... the fifth season of Miraculous Ladybug.

While I was overall mixed on Season 4 with how much it varied in quality, I think I have a more concrete opinion of Season 5.

Yeah, this season was a real pain to review, but not for the reason you'd think. Most of the episodes were either dull or average, so there wasn't a lot for me to really talk about. Of course, when things were bad, dear lord, were they bad. This analysis is somehow longer than my Season 4 one and the ranking post. Other than real life stuff getting in the way, there's a damn good reason why this took so long to finish. I basically wrote a college thesis on this season.

The Things I Liked About Season 5

Let's get all the good things about this season out of the way first.

For one thing, one of my biggest complaints about Season 4 was sort of rectified, the portrayal of Adrien. While I still have problems with him (which I'll get to in a later section), they're more about his impact on the story. As for his personality and attitude, it's a big step up. There's much less complaining, he's more active in the action, and is far more intelligent. Compared to Season 4, where Cat Noir was affected by an Akuma's powers or taken out of commission in order to raise the stakes eleven times (Lies, Mr. Pigeon 72, Mega Leech, Guiltrip, Optigami, Sentibubbler, Wishmaker, Simpleman, Ephemeral, Penalteam, Risk), here, funnily enough, it only really happened five times in Season 5 (Jubilation, Illusion, Derision, Emotion, The Final Day). It's honestly amazing. There were times where I thought he was going to be taken out or get portrayed as an idiot, but that almost never happened this season. Even some of the weaker episodes this season featured Adrien in a more active role, like “Passion”, “Reunion”, “Elation”, and “Deflagration”.

Also, as much of a problem that I have with Cat Noir trying to Cataclysm his enemies, I'm glad that the show at least tries to acknowledge this by showing his worst nightmare is a world where everyone is dead because of him. It's not handled well, and it's only done just to bench him for the finale, but I'll at least give the writers credit for putting in the effort to give him more nuance. It's a hell of a lot better than what they did with Gabriel, but I'll get to him later. By extension, his relationship with Ladybug is much more tolerable. The two work together well, talk about the conflict with Monarch more often, and for the most part, feel like actual partners. Yeah, that dynamic falls apart towards the end of the season, but again, I'll give the writers an A+ for effort.

Another thing I like is that this season tries to focus more on character pieces, with episodes focusing on characters like Nathalie (Passion), Kagami (Perfection), Luka (Migration), and Zoe (Adoration). They're not handled the best, but I'm glad the show is at least trying to give the supporting characters time in the spotlight, even though they don't have their Miraculous anymore.

Speaking of, I like the idea of the Alliance rings. It's really the only time Gabriel actually takes advantage of his status as one of the most influential people in Paris to push the use of something specifically designed to help give his Akumas more power. Given how prevelant the marketing for Alliance rings is, it's easy to see his plan working in the long term.

We also had a couple decent new Akuma designs, like Safari, Bugfighter, and... uh... Yeah, I got nothing else. This is pretty much the most praise this season is going to get from me. Sure, I'll go into some other aspects I like during later sections, but other than that, this is it. Hell, even the parts I listed earlier are only mentioned for the ideas they present, not the way they're executed.

The Final Season... Of Filler

We've finally made it to Season 5, the climax of the conflict with Monarch. This is going to be epic, with all kinds of compelling stories that can be used for episodes, leading to a final product that will go down as—my God, why is this season so boring?!

Like I said earlier, this season was a lot harder to review than Season 4 was, and this was one of the biggest reasons why. As bad as that season was, I at least had stuff to talk about. Here? Almost nothing. A good chunk of the episodes I reviewed just didn't leave an impact on me. Most of them were either forgettable, mediocre, or just okay. Some of the episodes had decent ideas and a handful of good scenes, but it wasn't really enough to reach the highs of earlier seasons, including Season 4.

It's strange, because at first, it seemed like the show was learning from its mistakes during the first three episodes of this season. “Evolution”, “Multiplication”, and “Destruction” were far from perfect, but you could at least tell the show was trying something different. There was tighter continuity, clever mind games on both sides, a rare instance of nonlinear storytelling, and major changes to the status quo. They explained why Monarch can't just beat up Ladybug and Cat Noir himself, why the Rabbit and Rooster Miraculous can't be used to end the story, and why the Alliance rings were created.

When Ladybug got the Rabbit Miraculous after failing to get the other fourteen back, you would think that this would lead to an arc where Ladybug and Cat Noir gradually reclaimed the Miraculous from Monarch until the final battle, but what did we get instead in terms of plot development?

For what was supposed to be the final season, it felt like almost nothing happened. Sure, as always, the show tried to trick us into thinking stuff was happening, but several plotlines introduced this season were either abandoned or rushed through after a few episodes. The Resistance? Only relevant for five episodes, and even then, they didn't do much (Illusion, Deflagration, Confrontation, Revolution, Representation). Trying to discover how Monarch is giving the Akumas Miraculous powers? Only relevant in a single episode (Illusion). Felix having the Peacock Miraculous and being a total wild card? Only relevant for three episodes (Emotion, Pretension, Representation). The reverse Love Square? Only relevant for four episodes before it petered out (Determination, Passion, Reunion, Elation). Lila manipulating Kagami for some reason? Only relevant for two, maybe three episodes if you count that one scene in “Emotion”, and that was dropped in favor of her learning Monarch's identity offscreen (Perfection, Protection).

You'd think for a season with stakes this high, there would be bigger stories or more character drama, but we got nothing. The only real ongoing story we got was the Love Square finally happening, and trust me, I'll get to that later. There were plenty of ideas for story arcs here, but the writers pretty much ignored all of them.

Retcons! Retcons Everywhere!

This one's shorter, because it's a problem with the show in general, and I'll go into more detail about specific examples of this later on.

Miraculous Ladybug is a show that has always struggled to be consistent with its lore, worldbuilding, characters, story, and... well, a lot of things. I've talked about how often the show retcons things in order to justify whatever story they need to tell, not just for individual episodes, but story arcs too. There were so many episodes with stories that contradicted previous events or changed the motivations of certain characters on a whim.

In case you didn't keep track, here's a little highlight reel of some of the retcons this season.

Evolution: After both him and Ladybug were able to use multiple unifications last season with no problem, Monarch can't use too many of his powers without collapsing in pain. It also goes against what was established in “Kwamibuster”, the idea of using multiple Miraculous being enough to damage your sanity, where here, Monarch's body is damaged.

Multiplication: Adrien's reason for falling for Marinette was due to all the times she helped him, when it was usually the other way around in earlier seasons.

Determination: Adrien reveals he's had feelings for Marinette since the events of “The Puppeteer 2”, even though it never influenced any of their interactions between that episode and this one. It also contrasts the previous episode, where it said that Adrien was just starting to fall for Marinette for different reasons.

Derision: Chloe's bullying of Marinette had severe psychological damage that explains why she acts the way she does around Adrien... but ignores the romantic feelings Marinette has had for Luka and Cat Noir, and didn't act the same way around them, to say nothing about how she acted around Nathaniel when he had a crush on her during “The Evillustrator ”.

Intuition: The Snake Miraculous somehow makes Gabriel's Cataclysm wound worse even though the form of time travel it uses is mental, not physical.

Protection: Gabriel and Tomoe want their children to be in a relationship, yet Adrien and Kagami kept it a secret while they were dating.

Adoration: Zoe suddenly has feelings for Marinette despite showing no signs of it beforehand.

Emotion: Felix reveals he's doing everything for Adrien's safety, even though in his previous few appearances, he's done nothing but screw his cousin over by smearing his public image.

Pretension: Felix is against using a Sentimonster to defend himself and Kagami due to not wanting to force an innocent creature to follow his orders, yet he had no problem using a Sentimonster in the very last episode and in his next appearance.

Revelation: Lila has multiple secret identities she uses while pretending to be the child of several women, which had never come up at all during the last four seasons.

Representation: Kagami apparently learned Marinette was Ladybug right before she was akumatized in “Perfection”, yet Monarch didn't learn this like he did with Luka.

Do you see the problem here? Hell, I didn't even list every single retcon, or else we'd be here all day.

I don't get how a show that wants to be serialized can keep changing details like this. It's not even a case of the show replacing its writers with new ones who don't know as much as the old ones. This is mostly the same writing team for almost four seasons at this point.

Sometimes, the show will retcon stuff in order to justify stories when it doesn't need to. Remember how at the beginning of the season, Marinette was feeling guilty about her failure at the end of Season 4, and that influences her hesitance to accept Adrien's advances? The writers sure didn't, as “Derision” exists to give Marinette a whole new reason to not be comfortable around Adrien. Why the hell would you give Marinette a perfectly valid reason to not want to pursue Adrien, only to write an episode that gives her a different reason to not want to pursue Adrien? There was literally no reason to do this, especially during the last season of your first major story arc!

This season is clearly trying to be the most serialized of the bunch, yet the writers keep changing details about the story like that one Wallace and Gromit meme.

Season 5: The Show's Greatest Hits Album

Something I've noticed about this season is just how repetitive it can be. I know that sounds weird given this is a show that literally gave us the Status Quo-Yo, but please hear me out.

So many major story arcs and focus episodes are just rehashed versions of older things in this show, and not just the reused Akumas. Not only does the first half of Season 5 restate how complicated things are for Marinette's love live and how she can't love Adrien after what she did (something she gets over rather anticlimactically once Adrien confesses). Then there are other times where even plotlines established this season will get reused, and more often than not, it's worse.

In “Perfection”, Kagami is akumatized thanks to Lila's lies, and manages to break free from Monarch's influence thanks to her friends showing that they care for her. And then four episodes later, Kagami is akumatized again thanks to Lila's lies, only this time, she isn't able to break free. What... what was the point of having that emotional scene in “Perfection” if you're just going to treat her like a run of the mill Akuma a few episodes later?

And it's not just that. Big moments that happened in earlier seasons are pretty much redone but with a few changes to make it seem like they're different. Did you like seeing Adrien give up being Cat Noir in “Kuro Neko”? Well how about seeing Adrien and Marinette give up being superheroes in “The Kwamis' Choice”? Did you like seeing Chloe break off her friendship with Adrien in “Queen Banana”? How does seeing Adrien break off his friendship with Chloe in “Derision” sound?

But the worst of this has to be in the last seven episodes of the season. So much of what is essentially the culmination of five seasons' worth of story is just recycled. Let's go over why. In “Confrontation”, Marinette (and by her, I mean Sabrina with help from Marinette) manages to outsmart Chloe and Lila and put an end to their tyranny in the classroom. What are the next two episodes about? Marinette needing to outsmart Chloe and Lila, only now, they have reign over the city. This feels like something that should have been one major story, not something split up into two two-parters. Hell, you can't even say it's original to see Chloe in control, because this is also something that was done back in Season 1's “Rogercop”, only with the titular and the police following his orders for no reason instead of Chloe and her bootleg Daleks.

But hey, if an army of robots capable of using Miraculous powers, at least we can expect something even more creative for Monarch's ultimate plan, right? Yeah, Project “Perfect Alliance” is just a combination of Chloe's murder boxes and the exact same plan in “Heroes' Day”. People are brainwashed like in “Heroes' Day” and they get Miraculous powers like the robots in “Revolution”. Seriously? Nobody took a look at this and thought “Didn't we do this already?”

What's the point of making these two different evil plans when they're essentially the same thing? Why not give Chloe's robots various weapons instead of Miraculous powers if you're going to have an army of villains who have the same Miraculous powers two episodes later? Why not make it so the Miraculized are really the robots designed to help Chloe, only here, they have the ability to turn anyone wearing an Alliance ring into one of them, sort of like the Borg from Star Trek?

It's clear that after four seasons, the writing on this show has gotten incredibly stagnant if the major plotlines are just reused from earlier seasons. At best, it comes across like blatant fanservice, and at worst, it's a symptom of the writers struggling to come up with new ideas for stories. Either way, this is one of many reasons why not a lot of people are looking forward to Season 6. How can you expect interesting stories in the future when the writers keep recycling their old ones?

Felix and the Struggle With Sentimonsters or: This Is Starting to Sound Like a Bad Comic Book Plot!

Before I get into the problems with Felix this season, consider this: With Chloe (who I'll get to later), she was an example of someone who wouldn't get a redemption arc. Felix? This is the writers intentionally trying write a redemption arc. How did that turn out?

The obvious problem with Felix is mostly due to, like a lot of things in this show, poor time management. He only had three focus episodes, and in that time, the writers needed to explain his motivations, establish him as a wild card, have him realize the error of his ways, develop his relationship with Kagami, and help out Marinette. They really wanted to do a lot with Felix, yet with how rushed his arc was, I have to wonder if there was some trouble behind the scenes that prevented him from getting more focus.

It doesn't help that what little we got was confusing as all hell. I've already gone into detail about the problems with Felix's motivations not explaining his actions, but here's a list of all the problems with Felix.

If Felix wanted to get the Peacock Miraculous from the start, why didn't he try stealing that in “Felix”?

If Felix cared about Adrien, why did he spend most of his appearances mocking him and ruining his reputation by impersonating him in “Felix”, “Gabriel Agreste”, “Risk”, “Emotion”, and “Representation”?

If Felix knew who Gabriel was, why did he come up with this elaborate plan to get the Peacock Miraculous in a trade with him instead of going to Ladybug for help in “Strikeback”?

If Felix realized Gabriel was dangerous and capable of wiping him out, why did he decide to give him fifteen Miraculous in exchange for a single Miraculous without doing anything to stop him in “Strikeback”?

If Felix could easily get rid of Gabriel with a single Sentimonster like he did in “Emotion”, why didn't he immediately do that as soon as he got the Peacock Miraculous in “Strikeback”?

If Felix wanted to stop Gabriel, why did he decide to wipe out all of humanity alongside him in “Emotion”?

If Felix cared about innocent lives, why did he decide to wipe out all of humanity without showing any remorse except for when he had to get rid of Red Moon in “Emotion”?

If Felix didn't want to create any Sentimonsters just to end their lives in “Pretention”, why did he do just that in “Representation”?

If Felix knew Marinette was Ladybug, why did he choose to tell her who Gabriel was in an unnecessarily complicated way instead of telling it straight to her face in “Representation”?

If Felix really hated his abusive father, why didn't he show any hatred for Gabriel (who gave Colt the damaged Peacock Miraculous and did nothing to stop the abuse) as well during his little play in “Representation”?

If Felix cared about stopping Gabriel, why did he only decide to go to Ladybug for help when Gabriel was getting in the way of his relationship with Kagami in “Representation”?

If Felix was willing to tell Marinette about Gabriel being Monarch in “Representation”, why didn't he do anything else to help her stop Monarch in “Comformation” and “Re-Creation”?

With how many flaws his plans have, I'm surprised Felix hasn't said anything along the lines of “My pwan is gweat!”

For someone who claims to be doing a lot of things for Adrien, Felix tends to either screw over his cousin as part of his plans or forget him entirely. I don't mean he screws over Cat Noir, as his identity is one of the few things he doesn't know, but rather, how little his plans actually benefit Adrien. Putting aside his previous appearances in Seasons 3 and 4, in the span of a single episode, Felix pretended to be his cousin and smeared his public image, used a Sentimonster to wipe out all of his friends and loved ones while needing to be told by Adrien that doing so wasn't cool, and after that, he pretty much abandoned caring about Adrien.

Yeah, starting with “Pretension”, the writers once again change gears so Felix's primary goal is to help Kagami, not Adrien. It's Kagami that really helps inspire Felix's true turn to good, it's Kagami who he chooses to visit when she and Adrien are taken to London, and it's Kagami that helps him decide to tell Marinette Monarch's identity. Even though he only has three major appearances, the writers still decided to shake up his character arc for some reason. How does a team of paid writers struggle to stay consistent with any story or character arc they've written?

The worst part is that for a redemption arc, Felix shows little to no remorse for his actions. Not once does he apologize to anyone he's personally wronged, like Adrien, Marinette, or Kagami. He doesn't see anything wrong with giving Monarch more power and depriving Ladybug of almost all of her allies, and he had to be told that wiping all of humanity from existence was a bad thing. Felix has done so many terrible things in his quest for freedom, which isn't a bad idea, as it could make for an interesting discussion about whether the ends justify the means, but the show doesn't go that route. Instead, despite doing almost nothing but making things worse for Ladybug and Cat Noir, we're supposed to see Felix as a great person who just wants to have friends. Sure, having good social skills is a big part of being able to manipulate others, but let's just ignore all the people he's tricked and assume he doesn't know how to properly socialize with someone without stalking them.

It doesn't help that of all the characters this season, Felix makes the most progress in stopping Monarch. Puting aside his little genocide attempt in “Emotion”, he actually made an attempt to take Gabriel out of the equation, and later on, passed on intel about his true identity to Marinette. Think about that for a second. Marinette, despite being a hero with the ability to deduce what to do from simple clues given to her, isn't the one to figure out Monarch's identity. Instead, she has to be told who Monarch is, and is able to beat him only because Felix told her what to do. The worst part is that Felix doesn't even take part in the final battle when he has no excuse to not get involved. Remember, he doesn't have to worry about getting snapped away by Gabriel, so even though he cares so much about Adrien and Kagami, he does nothing to save either of them from their glorified solitary confinement.

Felix isn't a character. He's a glorified plot device who only shows up to advance the story instead of letting any character make progress by themselves. While Marinette and Adrien are focusing more on their love lives this season, Felix is the one actually getting things done. Because God forbid the two characters the show is named after actually do anything to stop the villain this season, am I right?

And that's not even getting into the Sentimonster stuff. Yep, to our collective horror, not only is Felix a Sentimonster, but it's also hinted that Adrien and Kagami are Sentimonsters too. I'm not sure why the writers are so hesitant to flat out say the latter two are Sentimonsters after all the obvious hints, especially when this is a show that loves to overly explain every plot detail and character trait. I don't know. Maybe they're just hedging their bets in case things don't go over well with audiences, but I can't possibly see anything bad coming from this. After all, how can you think of any uncomfortable implications stemming from the three major victims of child abuse literally being inhuman monsters who are physically unable to resist their abusers' orders?

With the Sentimonster “reveal”, Adrien and Kagami, two characters who were previously doing their best to be independent from their parents as they could at their age, are now physically incapable of even having a single negative thought about them without being ordered around while showing no resistance. Like I've mentioned before, it's a blatant retcon because it's never explained why Gabriel and Tomoe didn't do this during Seasons 2 and 3. It also gives the writers the opportunity to remove any agency Adrien and Kagami have in the plot, even though one is one of the two main characters, and the other plays a crucial role in helping another character expose the main villain's identity.

We're supposed to see Gabriel and Tomoe as wrong for ignoring their children's protests and forcing them to do things they don't want to do, but it doesn't lead to an arc where Adrien and Kagami rebel against their parents and break free from their influences. As soon as either Gabriel and Tomoe touch their respective rings, Adrien and Kagami are completely helpless, and there's no way for them to resist because of how powerful the link with their Amoks is. There's no hint that they have the potential to break free from their Amoks' influence, and the only time we saw that happen, it was a complete accident that Felix didn't even cause (Representation). Adrien and Kagami are both reduced to damsels in distress thanks to being Sentimonsters, and even though the show is trying to say they're trapped in a terrible situation, there's never a way out.

The most Adrien and Kagami do is express frustration with their situation, but most of the progress made in escaping their bad relationships is done by their respective love interests, Marinette and Felix. Yes, support systems are important, but rather than help Adrien and Kagami earn their freedom, Marinette and Felix do pretty much all of the work to save them during the latter half of this season. Hell, they couldn't even get that completely done by the time of the finale! Gabriel dropped dead and Adrien thinks he's a hero and Kagami's still living with Tomoe, only now she has her Amok ring. We're supposed to see this as a happy ending when they're both still influenced by their abusive parents, even if they don't have any physical control over them. The whole idea behind making Adrien and Kagami Sentimonsters should have been something about them, but with Gabriel and Tomoe, the writers only see them as helpless victims who can't do anything to save themselves. Sure, both of them have fought supervillains before, but we can't have them actually showing agency, can we?

I'm going to get into other ways Adrien and Kagami's characters were butchered this season, but for now, let's get into all the uncomfortable things this plotline implies. Now before I go any further, just remember that I am far from an expert on abuse or child psychology, so please take what I say with a heavy grain of salt. If there is anyone reading this who is a victim of abuse or knows someone who was, please don't be afraid to speak your mind about my analysis or correct me if I get any details wrong.

I get that making Adrien, Kagami, and Felix Sentimonsters was probably done so it'd be a way to explain the concept of child abuse to younger audiences, specifically to show how helpless the situation can be for victims, but the problem is how the allegory is handled. It wants to show how cruel the idea of child abuse is, but it doesn't want to outright vilify abusers like Gabriel or Tomoe. They usually try to sugarcoat it by saying that the two have good reasons for doing what they do, but that's a common problem with abusers. Abusive parents almost always believe that they're doing the right thing while their children think that they're just being punished for their own good, and the season ultimately takes that stance by the end.

The show is clearly trying to use the Sentimonster concept to tell a story about abuse, but I have no idea what exactly it's trying to say about it. “Child abuse is bad”? Okay, then why aren't you going to condemn the abusive parents for being abusive parents? And no, brief mentions of abusive parents who we never actually see onscreen don't count (Derision, Pretension, Representation). “Help out abused children”? Big talk coming from the season that only has two people actually fight to help the victims of child abuse, while treating another victim of child abuse as getting her just desserts (Revolution). “Parents have good reasons to do what they do”? Yeah, that normally applies to stopping your kid from getting a tattoo, not forcing them to whatever they want against their will.

The thing about writing abuse is that you need to acknowledge just how unhealthy it is, and do whatever it takes to take them out of the toxic environment. Here, nobody ever tries to remove Adrien from the toxic environment or tell him that what his father is doing isn't right. Sure, Felix tries to take Kagami away from her abusive mother, but that was only for like an hour at most, and then he just let her go back to her mother. Adrien doesn't even get that luxury. Hell, he isn't even allowed to know just how terrible his father was because he's just a sensitive baby according to the show. Portraying abuse victims as too emotionally fragile to know the truth is a pretty bad idea because, like I mentioned before, a big problem that abuse victims go through is that they're conditioned to see their treatment as normal at best, or see it as their fault at worst.

Like so many other serious topics discussed in this show, the writers clearly want to tell a story about abuse, but they're too afraid to actually take a proper stance on it, so they kept trying to play it safe in an attempt to not get backlash from audiences. Of course, because of that, they ended up portraying victims of child abuse as soulless husks who have almost no free will of their own, while ending the season by having them still under the influence of their abusive parents, even the dead one. Real bang-up job, there, writers. It says a lot when a Spider-Man PSA from almost 35 years ago did a better job tackling child abuse than you did.

And finally, let's talk about how this season's treatment of Sentimonsters indirectly influences our perception of them across the past two seasons. Even though the Sentimonsters created have shown almost no individuality from Seasons 2 to 4, only now are we supposed to see them as sentient beings, with Felix himself even taking offense at the idea at being called a Sentimonster. Never mind the fact that Felix never actually comes up with a proper alternative, so he just comes across as whiny when we're supposed to see him as a champion of the Sentimonsters.

In regards to the narrative the show decided it now wants to tell about Sentimonsters, I have two questions.

First, why should I care about Sentimonsters if the previous two seasons have portrayed them as nothing but soulless killing machines? If you're going to write a plot twist that changes the way we see Sentimonsters, you need to explain why we were wrong to only assume they're dangerous, especially since Argos' first Sentimonster literally wiped out all of humanity. For comparison, Ultraman Z did a similar plotline by having the main character realize that several of the monsters he killed as the titular hero weren't intentionally trying to harm humanity, so it caused him to doubt himself as a hero before he vowed to start finding non-violent ways to stop monsters if he could, while viewing the act of killing monsters that couldn't be reasoned with as a necessary evil. This show has no such arc and just expects us to ignore all the damage the Sentimonsters have caused since the end of Season 2.

Second, what about the Sentimonsters whose lives have been snuffed out by Mayura, Shadowmoth, and even Ladybug? The writers want us to sympathize with Sentimonsters and believe they get a bad rap? That's fine, but even if we did, what about the ones who were already wiped out of existence? Are we just not going to talk about them? Why should we only value the lives of Felix, Adrien, and Kagami and not any of the other Sentimonsters created in previous episodes? What, because they're not main characters, their lives don't matter?

All in all, everything about the Sentimonster was either poorly thought out or too preachy to take seriously, and Felix is emblematic of those problems with how he and the Sentimonsters are written. Oh right, I forgot Felix had a sidekick too, Kimberly—I mean, Kagami.

Kagami Never Hesitates to Be a Complete Idiot

If you read my overview of Season 4, I sang high praises for how Alya was written. Season 4 managed to take a character I had previously disliked and turn her into one of my favorite characters in the show. Now, with that being said, I want you to imagine the opposite of that happening to a different character, and you have my feelings on Kagami this season.

It's weird how, after she had made it through the past three seasons with her character somewhat intact, the writers decided to give her even more prominence by involving her in two separate arcs this season... and only made her nothing more than a damsel in distress who constantly needed to be saved in both of them. I'm not saying that Kagami should be able to beat the crap out of Monarch with her bare hands, but my point is that Kagami just lost so much agency this season.

When she wasn't being manipulated by Lila (Perfection, Protection), she was playing second fiddle to Felix and acting like he didn't hand over almost every Miraculous in Ladybug's possession to Monarch (Pretension, Representation). It's really strange, considering a defining character trait of hers is her hating liars like Marinette does, since it's why she dumped Adrien, yet here, she gets tangled up in the schemes of two different liars, Lila and Felix. I can at least get Lila (as dumb as her episodes are), since she's supposed to be seen as this master manipulator, but she just brushes all of Felix's crimes aside because he “doesn't know how to express himself”. Because even though she's always been loyal to Ladybug, she has no problem working with one of the only two people to betray her trust. But she loves Felix, so that makes it all okay.

What made Alya's arc last season work was that even though she was primarily Marinette's confidant, we also got episodes showing her struggling to balance her own desires with what needed to be done for the greater good (Optigami, Sentibubbler, Hack-San, Rocketear). She had to step up and become more than just one of the many temp heroes Ladybug called on, someone trustworthy enough to temporarily use the Ladybug Miraculous. Yes, she made bad calls, but when things went south because of her bad decisions, she normally took responsibility for her actions and vowed to do better. With Kagami, we don't get any internal conflict like that at all. She just blindly goes along with whatever Lila and Felix say, and even when bad things happen as a result, she never even thinks to call out either of them other than rarely saying something along the lines of “Hey, not cool.” (Protection, Pretension).

Kagami just doesn't get to do anything on her own terms this season. Her entire arc revolves around following Lila and Felix around like a lost puppy. And just remember, we're seriously supposed to act like Kagami is trustworthy enough to see that her defending Felix from Ladybug is enough to prove that he's a good person deep down... when this same season showed her easily falling for Lila's lies and getting akumatized twice as a result. It's like believing Dr. Nick can perform a life-saving kidney transplant after seeing him botch an open-heart surgery.

Even Kagami figuring out Marinette is Ladybug, something that should be a big deal like with Alya and Luka learning last season, is something we learn through a flashback and is, you guessed it, is only relevant to one of Felix's plans. And yeah, reveal your friend's secret to someone who someone who betrayed her. What could possibly go wrong? Again, when Alya screwed up, she was at least able to admit it to Marinette's face. Kagami never tells Marinette that she knows, and never faces consequences for throwing her lot in with Felix. What's her excuse, that she has too much love in her heart for Felix?

Speaking of which, let's talk about the biggest problem I have with Kagami this season, the way her relationship with Felix is handled. Let me make one thing clear: my problem isn't with people who ship the two together. Much like with the Love Square, my problem is how the show handles this romance. The two had almost no episodes together, and from what little we saw of them interacting, Kagami didn't like him, and for obvious reasons. But then “Pretension” came. Not only did Felix develop feelings for Kagami offscreen, all it took for Kagami to fall for Felix was a single conversation where he showed basic human decency. Yeah, Marinette fell for Adrien for similar reasons, but at least she and him took a while to actually get together. These two shared a handful of conversations, and now they're just made for each other.

The problem with this is that the relationship basically reduces Kagami to Felix's girlfriend and sidekick. All of her major appearances post-“Emotion” were in relation to Felix. She only helps him because of their relationship, and their relationship was the whole reason why Kagami convinced Felix to do what he should have done from the start, tell Ladybug who Monarch was... even though Astruc said this kind of relationship was toxic when discussing Lukloe.

You see, the difference between Lukloe and Feligami is (MAKE UP EXPLANATION LATER AND DON'T ACCIDENTALLY LEAVE THIS SPOT BLANK). And that's why we shouldn't see this as blatant hypocrisy on Astruc's part.

While it's par for the course, given how almost every female character in this show is connected to a male character in some way, the way Kagami is written this season is still part of a bigger problem. Kagami is not everyone's favorite character and not one people fiercely discuss as much as Marinette, Adrien, or even Chloe, but it's still baffling that out of all the characters in this season, Kagami would arguably sustain the most damage out of the entire cast. Given that this is the same season as Nino becoming the braindead leader of the Resistance, Chloe's brief stint as a tyrannical mayor, Nathalie choosing to do nothing about Gabriel until she was about to die, the baffling reveal of who Lila supposedly is (again, more on these later), or... really, a lot of things with both Marinette and Adrien, this is actually saying a lot. If you want to look at it at a particular angle, Kagami's actually a direct victim of practically all of the biggest problems in this season and I've had to mention her a lot more in this analysis than I anticipated. Then again, I suppose that's me showing more care to Kagami as a character than the writers did.

The Story of The Resistance (In Name Only)

I've already gone on about how underdeveloped most of the temp heroes are, so you can imagine the season where they try to help Ladybug without superpowers doesn't really change my opinion of them.

Remember how in episodes like Season 1's “Antibug”, Season 2's “The Dark Owl”, and even this season's “Jubilation” made it clear that trying to be a superhero without a Miraculous or proper training was essentially suicide? You know, how it was better to leave things to the actual superheroes? Well the writers sure didn't, as now we get to see a bunch of idiots try to take on supervillains with paintball guns and whatever they can throw at them. I'm pretty sure the writers put more effort into all the codenames themed after condiments than actually coming up with creative ways to fight Akumas. Because we all know how hilarious (citation needed) the flower codename gag from “Gigantitan” was, so let's do something like that, but for multiple episodes this season.

I'm just going to be blunt here when I say the Resistance this season sucked. Putting aside the fact that the writers couldn't come up with a less generic name or a name that wasn't already taken by the Ox Miraculous' power, this subplot was just so pointless. You have a team of former heroes who want to find a way to help Ladybug and Cat Noir stop Monarch, and rather than do things like pass intel along or find ways to stop people from getting akumatized, they decide to try taking them on themselves with their most powerful weapons being paintball guns. Congratulations, you now have all the equipment you need to take on Bart Simpson in a fight. Sure, they try to pass on intel to Ladybug and Cat Noir in their first episode, “Illusion”, but Nino's plan was so stupid, they ended up helping Monarch in the long term by letting his civilian identity into their team. Oh, I'm sorry, did you forget how Gabriel and Lila were inducted into the Resistance at the end of “Illusion”? It's okay, the writers did too.

And the idea of them passing on intel could have worked, as it would give Marinette a support system to help solve problems she can't figure out on her own, following up on her character arc from Season 4 where she learns to put her trust in people, but like a lot of things this season, the writers got bored halfway through and decided to change up this plotline. Now, they're prepared to fight anyone who gets akumatized. How many Akumas did the Resistance manage to stop completely on their own? One, and it was offscreen (Deflagration).

Trying to make the Resistance seem competent and effective comes at the price of making the villains look like idiots who can't handle a few teenagers without superpowers. Monarbug, someone who managed to unify with the Ladybug Miraculous, lost it thanks to the Resistance dogpiling him. Then, later on, they managed to stop Nightormentor, an akumatized Gabriel, by just throwing stuff at him. Do you have any idea how lame this makes Monarch look? It's like that scene from Robocop 3 where that kid somehow managed to make ED-209 as loyal as a puppy in a matter of seconds. It's not cool to see it happen. It diminishes the threat the formerly menacing villain posed.

The show loves to play up the Resistance as this amazing underground organization Nino is so proud of, but it doesn't work because you can count the number of times they've actually helped out on one hand, and even then, that's being that word Chloe doesn't know the meaning of (Deflagration, Revolution, Representation). Even then, they still fall for Lila's lies which, like Kagami, doesn't help establish any of them as trustworthy. The whole Resistance subplot is basically an excuse to make it seem like the former temp heroes aren't just sitting around, which again, isn't a bad idea, but nothing comes of it. We don't get to see any of them worry that they can't do anything without their Miraculous, we don't see where or when Nino got the idea to form the Resistance, and we don't even get any scenes where the worry about the captured Kwamis. The show just has them all operate under the same goal and makes it seem like they're making a difference when they barely do anything. None of them really feel like characters, and it shows this season.

Nino, despite labeling himself as the brave leader of the Resistance, is anything but. He constantly brags about how effective he is, but not only does he let anyone into his top secret organization without even thinking if they can really be trusted, all of his genius plans amount to, you guessed it, throwing stuff at the brainwashed people with superpowers. He's also so confident that he was awesome as Carapace when all he did was occasionally help Ladybug out with his Shelter, and then whines about not being chosen by Tikki and Plagg when Scarabella and Kitty Noire temporarily take over (Illusion, Deflagration). He's also so poor at gathering intel that not only did he fall for Gabriel's ruse and act like he figured out how the Akumas have Miraculous powers, he didn't even know his best friend was going to London until he got on the plane (Representation). I wasn't kidding when I said Nino was such a terrible leader, he makes Zapp Brannigan look competent by comparison.

And remember when Alya was a major character? Neither does the show! Out of the entire season, she was really only relevant to the plot when she became Scarabella for a few days, and even then, she didn't think that maybe she should take off the Alliance ring that monitors her every move if she's going to be a full-time hero again (Transmission, Deflagration). There is absolutely no follow-up to anything that happened to her in Season 4. She doesn't regret blowing her cover, she doesn't worry over not being able to help Ladybug as Rena Rouge, she doesn't worry about the safety of Trixx, she doesn't even consider the fact that she's not used to going back to full-time hero work after half a season of being undercover as Rena Furtive. At best, the whole thing with Alya exposing her cover to Nino last season gets played off for the sake of a cheap joke (Illusion).

Then there's Zoe. Like Season 4, I can definitely say that out of all the supporting characters, she was certainly one of them. They clearly try to give her these big moments in an attempt to endear her to the audience, like her brief stint as Kitty Noire or her coming out to Marinette, but because of how nonexistent her character development has been, these don't feel earned. I can't buy her friendship with Marinette or anyone else because of how little she appears. Hell, she was specifically introduced to act as a good counterpart to Chloe, and she did nothing to really contribute to her ultimate downfall other than sharing a single conversation during “Revolution”. That's how little the writers care about her, they don't even have her interact with the character she was designed to replace. I take back what I said about her being a Mary Sue way back in my “Sole Crusher” review, because at least those types of characters get plenty of focus in the narrative. All I can really say about Zoe after two seasons is that at least she's more interesting than Socqueline, a character so boring, this is the only time I'm going to mention her in this entire analysis.

And that's it for the Resistance. Only three side characters are actually worth talking about this season. That is how pointless of a group they are.

Chloe’s Arc That, in Case You Forgot, Was Totally Planned From the Start

I really don't know what else to say here. Remember, this entire blog was started because of how upset I was by Astruc's response to criticism of the Season 3 finale, specifically how Chloe's “damnation arc” was claimed to have planned out from the start.

For the sake of argument, let's go over this arc and just what happened with this character over the past eight years. In Season 1, Chloe started out as a standard high school mean girl who used her father's influence to get whatever she wanted, but wasn't that much of a threat compared to Hawkmoth and the Akumas. In Season 2, we got to see a different side to her that started a character arc, showing she was capable of changing and becoming a hero in her own right. In Season 3, while it seemed like Chloe was changing for the better, the finale had her betray Ladybug and go back to being the same mean girl she was before. In Season 4, we were introduced to Chloe's never before seen half-sister, Zoe, who only existed to replace Chloe as the user of the Bee Miraculous, and even though the very same episode where Zoe first got the Bee Miraculous hinted that there was still a chance of Chloe changing, the rest of the season acts like she's always been a menace to society with no redeeming qualities. In Season 5, Chloe was portrayed as a heartless monster who is worse than the main villain of the entire show, is simultaneously smart and cunning enough to bully Marinette in a way that would leave lasting mental scars for a year and also too incompetent to take seriously, and even though the season has made a big deal about how terrible child abuse is, her being sent off to live with her verbally abusive mother is seen as a perfectly suitable punishment for her.

I don't know what's worse, the fact that none of the writers had second thoughts about this character's “arc”, or the fact that Astruc probably thinks he made an antagonist as complex as Lady Macbeth. I also love how, despite all this supposed planning, not once do we get any explanation as to just why Chloe hates Marinette so much other than the fact that one's a rich person and the other is the main character in a cartoon.

Chloe's character was already going in a downward spiral in Season 4, but with Season 5, it feels like the writers just abandoned all attempts to be subtle and were determined to stop people from liking her. Like, it's amazing just how much time was spent hammering the point home. She got more focus as a villain than Lila and even Gabriel. We had about eight episodes this season that featured her in a major antagonistic role: “Determination”, “Deflagration”, “Derision”, “Adoration”, “Revelation”, “Confrontation”, “Collusion”, and “Revolution”. Almost a third of this season is dedicated to showing how evil Chloe is, as if she's somehow worse than people like Gabriel or Tomoe. And that's not even counting episodes where she got a line or two to remind the audience of how bad she is, like “Multiplication”, “Passion”, and “Reunion”.

The weird thing is that even though this was supposed to be the season where Chloe was at her worst, it still seemed like the writers couldn't make up their minds on what they wanted to do with her. For example, let's take a look at her relationship with Monarch. In “Multiplication”, she believed that Ladybug and Cat Noir should just give Monarch what he wants, implying she's still on his side. Then, in “Determination”, she blamed not having the Bee Miraculous on why Monarch was able to win, implying she wants to stop Monarch. And then in “Deflagration”, it's hinted that she once again willingly accepted an Akuma out of a desire to get revenge, implying that she's still on good terms with Monarch. Finally, in “Revolution”, she initially wanted to arrest Monarch when he arrived in her office, and had to be convinced to work with him again. Seriously, this is almost two seasons after she started working with Monarch in the first place. How the hell are the writers not sure if she's working with the villain or not?!

Of course, that's the least of my problems with Chloe this season. One such problem that it seems like the writers specifically went out of their way to ruin the few positive relationships Chloe had just so her fans would have less ground to stand on. Her friendship with Adrien? He finally decided to write her off as irredeemable just as he learned just how miserable she made Marinette (and only Marinette) at the end of “Derision”. Her friendship with Sabrina, as one-sided as it is? She doesn't even see Sabrina as a friend anymore, specifically referring to her as an underling starting with “Adoration”, and then Sabrina turns against her after she finds one specific scheme to be going too far. The sympathy Ms. Bustier had for Chloe, even though it wasn't relevant to her character after “Zombizou”? Chloe basically ignores any attempt made to reach out to her, and we're supposed to act like her wanting to help Chloe get a decent education because it's her job as a teacher is the stupidest idea in the world. Chloe's relationship with her own father? This season decided to make Andre out to be a man mentally broken by the bad treatment he gets from his daughter and totally not a corrupt politician, and outright disowns her in favor of adopting someone who isn't even his biological daughter.

It already felt like Season 4 exaggerated Chloe's negative traits, but now, the show doesn't want anyone to like her in-universe, as if showing basic human decency to her in the first place was off the table. Remember, in “Revelation”, Marinette's speech to Adrien was basically copied and pasted from one of Astruc's tweets, as if this was meant to address anyone who still liked the idea of Chloe changing for the better.

And trust me, I'll get to the characters who actually got redeemed later.

For now, let's talk about the main issue I have with her portrayal: The writers want her to be seen as a threat... but they don't want her to actually be a threat. Almost all of Chloe's appearances this season had her acting as a pawn to either Gabriel or Lila. This season also started to use dumb blonde jokes in order to show how incompetent she is, like having her struggle to understand the concept of the word “generous”, making her out as an idiot. The whole point of the “irredeemable villain” archetype is that the character is usually so big of a threat, there is absolutely no way of talking them down, so they need to be stopped through the use of force. Chloe is far from a threat, which is why all this talk about her being a monster falls flat.

At the end of the day, Chloe is easily at the bottom of the hierarchy of the villains on this show. She has no Miraculous like Gabriel, she has no advanced technology like Tomoe, and she's nowhere near as cunning as Lila is. The problem is that the show wants the audience to see Chloe as if she's the worst of them all. Fine, she may have the most obnoxious personality and least amount of redeeming qualities by the writers' standards, but this is a superhero show. You don't just rank villains on how mean they are, but also by how much of a threat they are to the hero. The moments where we're supposed to take Chloe seriously, the show keeps reminding us that she's only getting as far as she has because she's being used by other villains. It makes the moments where the heroes triumph over her ring hollow.

I'm not even joking here when I say that out of the show's entire rogues' gallery, Chloe is literally the only one who actually gets punished. Sabrina was able to wash their hands of her association with the bully, Andre was more than happy to give up his position as mayor and kidnap Zoe, Tomoe was never even exposed, Lila only faced a minor setback when she was exposed, Nathalie was healed by the wish, and even though he died, Gabriel died a martyr who never actually answered to any of his crimes. But Chloe? As fucked up as it was, she was the only one who received some form of punishment for everything she did. Congratulations, Ladybug and Cat Noir! After five seasons, you finally managed to defeat the Ringo Starr of your rogue's gallery, and all it took was unlocking the full power of your Miraculous.

I was initially angry at the show for just throwing away a character arc and mocking anyone who was interested in it, but now, I'm angry at the show for a different reason. Even if we were to assume that everything about Chloe was planned from the start, that she was supposed to be a fallen hero turned enemy, the show did nothing with it. If you're going to make Chloe a full-blown villain, then go nuts with the idea! Have her dedicate her life to beating Ladybug out of hatred, maybe even through a suit of armor like Princess Morbucks. Instead, this is the writing equivalent of intentionally setting your house on fire, but deciding you don't need the insurance money.

I'm actually going to say something that might sound blasphemous, especially coming from someone who has spent a lot of time talking about Chloe's character assassination, but I'm just going to admit it: I think Chloe should have been the next Hawkmoth, not Lila.

Yes, that's probably what you're thinking, but I'm serious. Think about it. Between her and Lila, who has the closer connection to Marinette as an enemy? Who has a more fleshed out reason to hate Marinette? Who got more focus as a villain this season? Who has more resources at her disposal? Essentially, the show put so much effort into making Chloe out to be Marinette's most personal enemy, that it makes no sense for them to not just go all the way and make her the next big bad. The writers already go on and on about how irredeemable she is, so why not make her an actual threat for a change?

But no. Instead, let's just keep her as comic relief who somehow gets more screentime than almost every other villain this season. That's a good way to tell our story, right?

Now You See That Evil Will Always Triumph Because Good Is Dumb... And So Is Evil, Apparently

This section should be relatively easy for me to get through, since not much has really changed with the villains since Season 4. They're all still idiots even though the show wants us to see them as a threat to the equally idiotic heroes.

Let's start with our only newcomer to the show's rogues' gallery, and definitely the weakest, Tomoe. I'll give the show a lot of credit with the foreshadowing for Tomoe here. Unlike other plotlines where the show bashes you over the head with obvious hints like with the Sentimonster stuff, the hints leading to the reveal of Tomoe being in leagues with Gabriel are far more subtle. They spend a lot of time in Seasons 3 and 4 discussing things offscreen (probably about some version of the Alliance rings), and both of Tomoe's akumatizations happen offscreen as well (since their conversation would give away their alliance). It's handled pretty well... which is more than I can say for Tomoe as a villain.

Tomoe is just such a confusing character, both conceptually and the way she was used this season. She's meant to be Gabriel's new confidant after Nathalie decided to stop being a villain while still mooching off him, but she pretty much does the same things Nathalie does, including the constant nagging about how inefficient he is. She even serves the same role Nathalie served in earlier episodes as Gabriel's technical advisor. Tomoe is basically a second Nathalie, with the only differences being that she's blind and that she wants Kagami to be with Adrien. Of course, this makes no sense because, like I mentioned in the retcon section, Adrien and Kagami tried to keep their relationship secret before their breakup. How could Tomoe not notice this? What is she, blind—oh right...

There's also the issue I have with the way Tomoe's nationality and disability is portrayed here, and how it really highlights how terrible this show is with representation (not to be confused with the episode of the same name). Like with my Sentimonster section, if there's anyone reading this who is disabled or a person of color, and you'd like to say anything about this part or how this show's representation is handled, feel free to voice your opinion or correct me if I get anything wrong.

With Tomoe, it feels like the writers slapped on every Japanese stereotype you could think of and called it a day, because we've seen all of these before. She's dressed in very traditional Japanese attire, is named after a famous Japanese warrior, uses a kendo shinai as a cane instead of a walking stick, is a strict parent to her child who expects the best from her, makes references to Japanese culture like samurai (Pretension) and taiko drums (Protection), is a technological genius, forces her child into an arranged marriage, and uses Japanese honorifics while talking with Gabriel even when they're not speaking Japanese. I'm not saying Japanese people can't talk about their culture at all, but when you're writing a character who happens to be a person of color, you need to do more than make references to their heritage.

With Tomoe, almost everything she says is referencing her heritage, which makes it come across like the writers cared more about her being Japanese than anything else. Because somehow, the writers were worried kids wouldn't pick up on the fact that she's Japanese... when she's wearing something that makes her look like she just stepped off the set of an Akira Kurosawa movie.

But hey, at least they say Tomoe is Japanese. I don't think there's a single indication that she's blind. At most, they give her the stereotypical superpower every blind person in superhero media seems to have, enhanced hearing. Of course, while characters like Daredevil and Toph Beifong have in-universe explanations for how they're able to “see” without their eyes (Daredevil's enhanced senses came from the same chemicals that blinded him in the first place, while Toph learned an advanced Earthbending technique that gave her the ability to sense others through vibrations in the earth), Tomoe just has them because the writers thought it would be cool. I know it might seem strange to say this after I talked about how too much focus was given to Tomoe's Japanese heritage, but you'd think more would be done with her being blind, and how it would factor into her motivation to create a better world through technology or her ideology about self-discipline. Instead, she acts like every other character on this show, to the point where all three times she was akumatized, she got her sight back.

The main problem with Tomoe is how other than her heritage and disability, she has almost no personality other than being a strict mother to Kagami (something that is also a negative Asian stereotype) and her vague ideology about suppressing her emotions. She's basically a female Gabriel, and because she's a woman in this show, lacks any depth or redeeming qualities. There just wasn't enough time to really develop Tomoe as a character in the same season she was revealed to be a villain. Sure, they try to hint at her having history with Gabriel, but that never goes anywhere, and we never even learn just why she's working with him in the first place other than some vague desire to make the world more technologically advanced in spite of also being a traditionalist who loves honoring old beliefs. Just remember, Chloe got eight focus episodes as a villain this season, yet Tomoe only got one.

Now for Lila, the most competent of the villains... by comparison. The show clearly wants her to be seen as a master manipulator in the same vein as David Xanatos from Gargoyles, but how they show it is just poorly executed. Sure, sometimes she would get ahead in clever ways during episodes like “Illusion” and “Revelation”, but other than that, a good chunk of her plans rely on contrivances that we're supposed to see as part of her plan when she would have no idea if it would actually happen or not. In fact, let's go over all the things Lila did during her last five episodes of the season and see how her master plan played out.

Step 1: Revelation – Convince Ms. Bustier to hold another election for class representative, lie your ass off to get the position while making it seem like you rejected an Akuma, and win the election.

Step 2: Confrontation – Tamper with confidential school documents while hoping your enemy doesn't plan anything to stop you, and if your plan falls through, abandon your identity entirely and hope nobody ever tries to look for you.

Step 3: Collusion – Convince your pawn to record a conversation between the mayor and the man you somehow know is Monarch and then after the conversation leads to an Akuma forcing him out of office, tell your pawn to accept an offer from Monarch's civilian identity that you somehow knew he'd make, leading to your pawn becoming the new mayor by force who everyone is too stupid to even think of opposing.

Step 4: Revolution – Tell your pawn to take an offer from the same supervillain she's willingly worked with before, watch her go mad with power and assume that Ladybug and Cat Noir will defeat her, and then in the chaos from her defeat, assume that one of Monarch's associates will randomly leave her computer behind for you to use.

Step 5: Re-Creation – Develop an immunity to magical nightmare dust, hack into the heavily-guarded mansion you know where Monarch lives while the city is being swarmed with supersoldiers, hope you don't run into Monarch or any heroes trying to stop him on the way there, take the hole created by a Cataclysm you know would be there, assume that Monarch will lose, and seize his Miraculous from the ruins of his lair that you somehow know how to navigate after surviving all of reality being rebooted.

General Patton, eat your heart out. I think we all know who the real tactical genius is here.

Seriously, how the hell did she even know half of the stuff involving Gabriel and Tomoe would happen? Yeah, she had Tomoe's laptop after the events of “Revolution”, but she didn't see how their final fight would play out. You could also argue that we technically never saw her go into Monarch's lair during the final battle (all we got was a shot of her looking down into the hole Bug Noire created with her Cataclysm), but why didn't she go down if she disguised herself to infiltrate Monarch's lair? Was she just scoping out the area? Was her entire plan just to steal Monarch's Miraculous? There were so many ways this could have blown up in her face, so let's go over all of them, shall we?

What if Ms. Bustier didn't agree to hold a reelection for class representative?

What if Marinette won the reelection anyway?

What if Lila wasn't able to escape during the chaos caused by Monarch's Megakuma targeting Mr. Damocles?

What if the school managed to contact one of Lila's moms and tell her about what her “daughter” did?

What if Chloe wasn't able to record the full conversation between Gabriel and Andre?

What if Andre agreed to use the police robots without any manipulation?

What if Miss Sans-Culotte wasn't able to get Andre to resign?

What if Andre did resign, but managed to appoint a interim mayor until the next election?

What if Chloe didn't accept Gabriel's offer?

What if Chloe didn't accept Monarch's offer?

What if Chloe managed to arrest Monarch with her robots and got all of the Miraculous herself?

What if the French military was sent to stop Chloe's abuse of power?

What if Ladybug and Cat Noir weren't able to stop Chloe and lost their Miraculous to Monarch?

What if Chloe double-crossed both Lila and Monarch and managed to get Ladybug and Cat Noir's Miraculous herself?

What if Tomoe didn't carelessly leave her laptop behind during the final battle with Chloe and her robots?

What if Tomoe realized she lost her laptop and sent someone to track it down?

What if Tomoe installed a kill switch on her laptop to make sure nobody would be able to do anything with it in the event it got stolen

What if Ladybug didn't learn Monarch's identity?

What if Lila fell victim to Nightormentor's nightmare dust?

What if Lila was attacked by some of the Miraculized before she could make it to the Agreste Mansion?

What if Gabriel caught Lila while she was attempting to sneak in?

What if Ladybug caught Lila while she was attempting to sneak in?

What if Nathalie caught Lila while she was attempting to sneak in?

What if the Gorilla caught Lila while she was attempting to sneak in?

What if some of the Miraculized caught Lila while she was attempting to sneak in?

What if Lila got caught in the crossfire during the final battle between Bug Noire and Monarch?

What if Bug Noire didn't Cataclysm the floor and beat Monarch at the entrance of the mansion?

What if Bug Noire wasn't able to defeat Monarch?

What if Ladybug managed to find the Butterfly Miraculous before she did?

What if Ladybug caught her while she was trying to find the Butterfly Miraculous?

Do you see why I only think Lila is the most competent villain by comparison? A good chunk of Lila's “plan” amounted to her waltzing over and reaping the benefits from every coincidence she's around to see. And she's supposed to be this criminal mastermind who thought this all out from the beginning?

Lila's planning makes about as much sense as her motivation. Why does she hate Marinette and Ladybug? They both called her out on her lies back in Season 1 and 3 respectively (Volpina, Chameleon). That's it. This is enough for Lila to want to become a supervillain and terrorize Paris. I get that the idea is to contrast with the more noble goal Gabriel had as a supervillain, but you need to give more of an explanation if you want the audience to care about Lila becoming the next Hawkmoth.

At the very least, if the writers wanted to build intrigue about Lila, have this be the season where she first appears. Build her up as this mysterious new girl who wins over Gabriel's trust, only she has an agenda of her own. By having most of her appearances be this season, it's more obvious that she has a bigger role to play, and would eventually become the next Hawkmoth. Instead, it seems like the writers put a bunch of names on a dartboard, Lila's name was the closest to the first dart they threw, and that's how they decided who Ladybug's next arch-enemy would be. And once again, Lila hasn't even touched a Miraculous in five seasons, yet we're supposed to believe that with the help of that vague glowing light she saw as soon as the first put on the Butterfly Miraculous, she'll be able to take on eighteen superheroes who have plenty of experience fighting Akumas?

Speaking of, let's get into the final main villain, Gabriel. Compared to the others, he had a pretty decent start. He felt a lot smarter than he usually did, like how he used his influence to market the Alliance rings in order to boost his Akumas' powers, or once again trick Ladybug and Cat Noir into thinking he isn't Monarch. He even managed to outsmart Scarabella and Kitty Noire by using the Alliance rings to learn their identities, and almost got their Miraculous as a result. For the most part, Gabriel was a pretty clever villain who capitalized on every screwup the heroes made, and actually came across as a threat... that is, until “Protection”.

Starting with “Protection”, Gabriel decided that even though he has only a few weeks to live at best, he needs to focus more on meddling in his son's love life instead of getting Ladybug and Cat Noir's Miraculous in order to save his wife. It comes across like he cares more about stopping Marinette than he does stopping Ladybug in the latter half of the season. Hell, Gabriel doesn't even set up any plans for what would happen to Adrien if he died despite once again claiming to be doing everything for his family. Also, for some reason, he really wants Adrien and Kagami to stay together and become a couple for reasons that I can only assume is because of some kind of social commentary on the rich. Is Gabriel trying to start a eugenics program? Is this how Khan was born?

The abrupt detour Gabriel's motivations take is connected to one of the bigger problems with this season: How Gabriel's Cataclysm wound is handled. We're supposed to sympathize with Gabriel and how his days are numbered thanks to what happened, all while he's desperate to achieve his goal... when not only did Gabriel Cataclysm himself at the beginning of the season, he almost never brings up his wound until the writers want to add unnecessary drama to the story. At most, he'll either flinch in pain a little because of the wound (Elation, Perfection, Intuition, Protection, Emotion, Confrontation), or show his purple hand to show how serious it's gotten while saying he doesn't have much time left (Passion, Pretension, Revelation, Collusion, Conformation). At least, we're supposed to see it as serious, as the injury never really gets in the way of his plans.

Rather than a painful injury that's slowly killing him, the show treats Gabriel's injury with the seriousness of a sprained ankle. Yeah, it's painful, but nothing serious. Aside from one episode (Intuition), we don't see Gabriel struggle that much with his deteriorating health or how it gets in the way of his plans. Compare this to how Nathalie's condition has been portrayed. As Season 3 progressed, Nathalie got weaker to the point of forcing Gabriel to abort his second outing as Scarletmoth (Ladybug), she became so sick, she had to be benched as Mayura by the end of Season 3, and needed cybernetic crutches just to help her walk during Seasons 4 and 5. While I criticized her sudden wrinkled appearance by the events of “Representation”, the show still made it clear that Nathalie was struggling to go about her everyday life over the course of the last three seasons. As for Gabriel, whose condition is supposedly more serious to the point where not even the Ladybug Miraculous can heal it? At most, it's less something influencing his belief that he has nothing left to lose, and more a mild injury at best.

Another problem I have with Gabriel is the same one I have with Tomoe and Lila: The lack of a proper backstory. Yes, we know the basics of it (his wife is comatose and/or dead, so he became a supervillain to get Ladybug and Cat Noir's Miraculous and save her), but we know nothing about his life before that. Thanks to “Revelation”, the most we get is that before he became a fashion designer who took an interest in discovering the Miraculous, he used to work in fast food like Skeet from Jimmy Neutron. Hell, the two even have similar haircuts.

Whether Gabriel knows the difference between salt and sodium chloride is still up for debate.

The show wants to say that Gabriel used to be different, but we don't get to see that side to him. If you want to say Gabriel used to be nicer, then give us a flashback to show how much Emilie's death affected him. That way, it would also give the scene in the finale where he breaks down have more weight to it, as it would show him letting down his emotional defenses.

Also, why was Gabriel so interested in the Miraculous in the first place if he found the Butterfly and Peacock Miraculous before Emilie got sick? The show establishes that Gabriel went exploring with Emilie and Nathalie, but why? What were they looking for? How did this lead to them getting into fashion? How did Gabriel and Emilie get so rich if Amelie inherited the Graham de Vanily fortune? This was the season that was supposed to wrap up the storyline regarding the Agreste family drama, yet we still know so little about them or how Gabriel and Emilie even met.

Finally, let's get to the Akumas. The season makes a huge deal about how dangerous Gabriel is now that he has almost every other Miraculous at his disposal, how hard the battle against him will become. How do the Akumas reflect that idea? Very poorly. Twelve of the season's Akumas were reused models (Ikari Gozen in “Multiplication”, Darker Owl in “Jubilation”, the Collector in “Illusion”, Glaciator in “Elation”, Sole Destroyer in “Deflagration”, Dark Humor in “Derision”, Riposte Prime in “Protection”, Vanisher in “Adoration”, Matagi Gozen in “Pretension”, Hoaxer in “Revelation”, Reflekta in “Confrontation”, and Nightormentor in “Representation”), and only ten of them were original (Manipula in “Determination”, Safari in Passion, Kikou in “Transmission”, Ryukomori in “Perfection”, Gold Record in “Migration”, Bugfighter in “Intuition”, Miss Sans-Culotte in “Collusion”, Queen Mayor in “Revolution”, King of Plastic in “Action”, and the Miraculized in “The Final Day”). I've also gone over this several times, but despite the main gimmick being that the Akumas have Miraculous powers now, the show never really explains why Monarch can't just give them those kind of powers himself, especially when he could easily recreate Miraculous powers as far back as Season 1 (Copycat, Antibug, Volpina).

Most of the Miraculous powers didn't actually feel like upgrades and just excuses to recycle Akumas on the basis of acting like they have new powers when it's almost always just giving them the same old powers. Either that, or with the new Akumas, they'll just make it so their only powers are related to their Miraculous powers, like Safari getting all of her gear thanks to the Goat Miraculous' Genesis, Kikou and Ryukomori's only abilities being related to their respective Miraculous powers, or Queen Mayor getting the power to control robots with multiple Miraculous powers. There were exceptions like Manipula getting the Ox Miraculous' Resistance as an added precaution, or Vanisher mixing her stealth with the Dog Miraculous' Fetch, but they were few and far between.

Overall, almost every villain this season was just so underwhelming. While the Akumas were once again mostly reused character models, we learned almost nothing about the villains other than the fact that they're idiots. Oh, I'm sorry. I forgot the fact that by the show's logic, almost all of the villains aren't really villains. Let's talk about how the show handles redemption arcs now.

The Redemption Misconception or: The Power of Love Always So Strong?

While younger readers might not understand this, there was once a time on the internet where one of the most debated shows was Steven Universe, and mainly for one reason: How it handled the topic of redemption. Pretty much every major antagonist had changed their ways by the end of the show, including Lapis Lazuli, Peridot, the Cluster, Bismuth, Spinel, Jasper, and even the Diamonds. While the quality of each of these redemption arcs varies from character to character, as is the moral status of each character, there's one thing I can say about how the show got the moral about redemption across: It was consistent. Aside from one or two characters like Eyeball or Aquamarine (who were more ignorant than anything else), there was never a case about someone being physically incapable of changing their ways, which tied into the overall theme of how important compassion is. With the way Miraculous Ladybug handles its redemption arcs, I unfortunately can't say it does it the same way Steven Universe does.

Pretty much every major villain, antagonist, or associate in the show gets a redemption of some kind. This includes Nathalie, Felix, Sabrina, Andre, and even Gabriel, while Chloe, Lila, and Tomoe are all viewed as beyond saving. The problem is rather than actually acknowledge the things any of them did as wrong before they start to change their ways, pretty much every “redemption” in this show amounts to downplaying their crimes. If the writers don't retcon the story so characters like Nathalie, Sabrina, and Andre were forced to help a greater threat instead of being willing accomplices, they'll retcon the story so characters like Felix and Gabriel were perfectly justified in their actions due to having a tragic backstory. Yes, while the point of a redemption arc is to have a former antagonist realize the error of their ways and turn a new leaf, it doesn't mean that the character who goes through this arc was never bad in the first place.

Like a lot of problems with this show, this is obviously contradicted by the way it handles Chloe. Any argument made on why every villain who was redeemed this season was stated to not apply to Chloe for some reason.

“Felix is a victim of child abuse and has a lot of emotional baggage!” Funny, because I remember in “Derision”, Mylene made a point about Chloe having a deadbeat parent not being enough to justify her actions, so by that logic, Felix shouldn't be getting away with anything.

“Sabrina and Andre were being forced to go along with Chloe's evil plans, so it's not their fault!” Chloe was also a pawn in Gabriel and Lila's schemes, yet we're still supposed to see her as evil. “But she still went along with Lila's plan!” By that logic, so did Sabrina and Andre, since they still listened to Chloe for a while instead of distancing themselves from her far earlier than they did.

“Gabriel and Nathalie are doing everything they can to help Adrien while they're both in poor health! Chloe didn't actually care about Adrien!” Sure, it's clear that (according to the retcons in Season 4), Chloe only cared about Adrien as a meal ticket, you can't say Gabriel and Nathalie care about Adrien either, since one is an abusive parent and the other did nothing to actually stop the abuse. Also, why should I feel bad for either of them when they routinely endanger lives and are only on death's door because of their own terrible choices?

I'm not saying that the show doesn't make decent points about why Chloe can't be redeemed. The issue is that these rules are never applied to anyone else who does get redeemed. The show tries to use characters like Chloe and Lila as a cautionary tale about how easy it is for your kindness to be taken advantage of, yet we never get any examples of compassion being a key factor in any major redemption this season.

Pretty much every villain who changes their ways only does so out of self-interest. Nathalie was fed up with Gabriel's constant failures and her own declining health, Felix only cared about doing things that would benefit himself like hooking up with Kagami, Andre was more than happy to resign even though he was forced to do so by an Akuma, Sabrina chose to stop helping Chloe after one particular plan goes too far (without actually apologizing for all the times she still went along with Chloe's schemes, no less), and Gabriel only stopped trying to hurt people once he got exactly what he wanted and died a martyr.

For a show with the lyrics “The power of love always so strong!”, why do we never actually see the power of love in action? And it's not just them. Whenever a character shows some form of compassion for an enemy, it's usually met with a dismissive attitude or fails miserably, and if it's not that, it's all lie to trick someone else.

In “Illusion”, Gabriel's plan to throw off suspicion that he's Monarch involves pretending to let Ladybug and Cat Noir get through to him.

In “Derision”, Rose pointed out Chloe's relationship with her mother as an excuse for why she's so mean, only for Mylene to argue against that despite being in a different boat than Chloe is.

In “Revelation”, Lila kept lying about having a caring attitude and believing that anyone can change, which was obviously meant to mock anyone who had that kind of viewpoint.

In “Collusion”, Ms. Bustier tries to reach out to Chloe after everything she's done, only to lose her job as a result.

In “Re-Creation”, the whole reason Bug Noire manages to beat Monarch was by putting him in a situation that would take advantage of his compassion for his wife, and later on, Gabriel manages to get the upper hand by taking advantage of Marinette's own compassion for him.

For a magical girl show, these writers are really terrible at teaching the lesson about showing kindness to your enemies, because more often than not, it's just violence that solves everything. Just ask the citizens of Paris in “Revolution”.

It doesn't help that the morality in this show isn't a complicated spectrum that weighs every action a character does and allows for other stances besides good or evil. Instead, it's like a light switch with two settings: “So good, you volunteer at the local children's hospital” and “So bad, you voluntarily send children to the hospital”. Characters in this show are either good or bad, and there's no room for in-between. Even when characters supposedly do change their ways, the show goes out of its way to claim that this is what they've always been like, which completely undermines the idea of what a redemption arc sets out to accomplish.

The thing is that I've actually seen examples of “Character X was only doing bad things as part of their plan!” and “Character X was only forced to do bad things for the villain!” done with one character, and it was a very recent example too. In the recently concluded Ohsama Sentai King-Ohger, one of the major villains was a tyrant named Racules, who took advantage of several monster attacks to secure more power for his kingdom, but later on, it's revealed he had a reason to do so. Long story short, Racules was the latest in a long line of rulers who was essentially blackmailed into carrying out a war by an immortal being from space named Dagded. However, Racules had a plan to secretly find a way to kill Dadged, and it involved playing along by pretending to be a heartless tyrant. By playing up his persona of a villain, not only did Racules drive his brother Gira (who was revealed to be an immortal creation of Dadged) to gain the weapons necessary to fight Dadged, Dagded trusted Racules so much, he decided to give him the power to kill an immortal. Guess who Racules chooses to kill as soon as he gets that ability.

While the reveal that Racules was good all along happened very late into the series, it worked far better than any redemption in this entire show for one reason: Racules isn't let off the hook for what he did. Everyone, Racules included, acknowledges that he did terrible things for years, and as soon as the situation is resolved, Racules is imprisoned for his crimes. Racules even admits to going mad with power at one point before he focused on his goal again, and he doesn't complain while he's in prison.

We never get any moments like this with the other redeemed characters. Nobody ever acknowledges that they went too far. They do one or two good things, and therefore, they're perfectly okay in Marinette's eyes.

Like a lot of topics it covers, this show wants to have its cake and eat it too when it comes to redemption. It wants to show characters changing their ways, but it doesn't want to actually hold those characters accountable for their actions. It wants to explain that not everyone can be redeemed, but it doesn't want to explain what causes people to want to redeem themselves. It wants to have an idealistic view of solving problems with compassion, yet it goes out of its way to mock those with that same ideology while claiming that violence is the only answer.

Maybe if Astruc spent less time arguing with people on Twitter over the concept of redemption, he and his team could have put more effort into fleshing out the all of the half-baked redemption arcs this season.

Adrienette Is Finally Canon! The Love Square? What’s That?

Well, it finally happened. After seven years, five months, fourteen days, 115 episodes and three specials since the show originally premiered in France on October 19th, 2015, Marinette and Adrien have finally gotten together for real. No cop-outs, no reset button, no misunderstandings, this is real. Credit where credit is due, the writers could have easily kept stalling and wait until the very end of the season for Marinette and Adrien to get together and called it a day, but they gave us over half a season of them in an actual relationship. Unfortunately, this also meant the writers had to rush the development of the relationship in order for Adrienette to become official in the first place.

Like a lot of stuff in the first half of this season, the writers pretty much speedran through the plotlines building up to Marinette and Adrien getting together. During the course of a mere eight episodes, we got a plotline about Marinette feeling guilty for letting her feelings for Adrien make her screw up, a plotline where Adrien realizes he has feelings for Marinette, a plotline where Marinette falls in love with Cat Noir, a plotline where Adrien stops having feelings for Ladybug, and finally, a plotline where Marinette stops having feelings for Cat Noir. These are all plotlines that we should have gotten over the course of the past four seasons, but instead, the writers are just cramming them all into less than a dozen episodes.

Considering how this was meant to be the final season originally, you can tell the writers realized they actually had to actually resolve the “Will they or won't they?” plotline instead of just padding things out like they normally do. But that's the problem. This was something fans, shippers, and general audiences were told to look forward to for years. Keep in mind, one of the biggest arguments you could make for just why the writers waited until Season 5 for Marinette and Adrien to officially get together was because they had something HUGE planned. This is a big deal for the show, something you can't take too lightly. If Astruc and the other writers were so intent on hyping up Adrienette for over four seasons to the point of showing two alternate timelines where they get together to tide viewers over, they needed to make sure they had a payoff so incredible, so satisfying, that their audiences would see it as more than worth the wait.

Just how was the big moment where Marinette and Adrien officially got together this season after so many years of buildup?

To be perfectly honest with you, I had absolutely no goddamn idea that the end of “Transmission” was meant to signify them finally starting a relationship. It just felt like the writers were doing the same thing about them being friends with a hint of something more on the horizon, but then the opening of “Deflagration” made it clear that here was major progress made in their relationship, though Marinette denied it due to her own anxiety, and by “Perfection”, it's confirmed that the two are dating. I just... really? This is how the two finally get together? It just... happens? No big dramatic confession? No romantic first date building up to this? Not even a kiss? The two talk for a few minutes, watch an Akuma fight, and now they're an item. Are you kidding me? Sure, most of the big moments in their relationship are saved for after they get together, but there's the problem: the writers half-ass the moment where Marinette and Adrien get together! It's more or less an afterthought in a two-parter involving a battle with Monarch where nothing was really accomplished.

You'd think for all the uncertainty Marinette felt over her feelings for Adrien this season, them getting together would be seen as a big moment, but it just doesn't for some reason. While you could argue it's a lesson in your fear of confessing being harder than the act itself, not much attention is given to Marinette growing closer with Adrien, because, for some reason, the writers decided to hold off the love confession and the first kiss for far later in the season (Pretension, Revolution). That's right, even after Marinette and Adrien finally get together, the show still needs to find a way to draw out the development of Adrienette.

I don't get it. Why couldn't the confession and kiss be what cements Adrienette, so more focus could be given to other plots? You can't say the “Will they or won't they?” stuff is the only draw to Adrienette, because there are plenty of plots you could write now that Marinette and Adrien are together. You could have an episode where Marinette invites Adrien over to breakfast with her parents in a follow-up to “Weredad”. You could have an episode where Marinette and Adrien try to go out on a perfect first date, only to struggle to balance their superhero lives getting in the way. You could have an episode where both Marinette and Adrien worry they're not good enough for each other, only for them to realize they love each other for who they really are. You could have an episode where Marinette and Adrien finally get closure on their former relationships with Luka and Kagami respectively. There were plenty of options for stories here, yet rather than do literally anything like that, not only did the writers drag out Marinette and Adrien's first kiss, they had the main villain take a break from trying to get the Miraculous to focus on breaking up the two.

As I mentioned earlier, we get a new arc all about Gabriel trying to break up Marinette and Adrien so Adrien can start dating Kagami again. Now I know what you're probably thinking: “IOTA, wasn't it implied that while Adrien and Kagami were dating, they were keeping their relationship a secret from their parents? Why are their parents suddenly obsessed with them getting together?” Well, you see, the answer to that is... that I have no answer because this makes no sense and is yet another excuse for a story arc that is somehow relevant to the overall plot. It's because of Gabriel's irrational hatred of Adrienette that Adrien is sent to London, and as a result, is absent from the final battle.

The sad thing is that I honestly thought Marinette and Adrien had some cute moments as a couple this season and had some believable chemistry. It's nothing groundbreaking, and there are plenty of flaws that I'll get to later, but for all intents and purposes, they still made a decent couple. It's just too bad that everyone else won't shut up about how amazing they are together. When their friends aren't trying to set up these cinematic scenarios for Marinette and Adrien that keep failing (Perfection, Protection,), they're gushing over how amazing of a couple the two are (Transmission, Deflagration, Revelation). At best, it comes across as the writers saying “How do you do, fellow shippers?”, and at worst, it comes across as the writers taking a victory lap while treating Adrienette as the greatest thing since sliced bread.

Adrienette just dominated the latter half of this season, and it really got in the way of the overall story regarding the conflict with Monarch. What's that? You're saying I forgot something, like the other three sides of the Love Square. Ah, good eye, my friend.

SO DID THE FUCKING SHOW.

For the thing that got a lot of people interested in the show in the first place, the rest of the Love Square is criminally underutilized this season. Marinette randomly develops feelings for Cat Noir for a handful of episodes, Cat Noir randomly moves on from Ladybug, and I don't think we even got a single Ladrien scene this season. It really felt like the writers realized this was meant to be the last season, so not only did they have to get Marinette and Adrien together as quickly as they could, they also had to acknowledge the other sides of the Love Square. Of course, they did that without actually doing an identity reveal.

There are theories that the reveal was going to happen this season with how much Marinette and Adrien only talked about each other and not their superhero partners (implying they both knew who the other was), but the writers changed it at the last minute because they got renewed for more seasons. I suppose it makes in a meta sense, but what about the in-universe explanation? What's stopping Ladybug and Cat Noir from learning each other's identities when literally every other hero in Paris can get their Miraculous back, even the ones who had their identities discovered? Were the writers so uncertain if people would still watch the show if there wasn't any mystery in Marinette and Adrien's relationship? What exactly is there left to explore with the Love Square when Adrienette is canon, while Ladynoir, Marichat, and Ladrien are all dead in the water?

Like a lot of things this season, the handling of the Love Square started off strong and gradually petered out to the point where I just don't care anymore. I started this season assuming the reveal would actually happen, but of course, the writers just won't let this subplot die already.

Adrien Who?

While I don't really have a lot of bad things to say about Adrien compared to last season, this is unfortunately part of the bigger problem with how he was handled this season.

Like I said earlier, it seemed like the writers actually learned from their mistakes last seasons with how Adrien was written during the earlier episodes last season. He stopped whining about how he was totally important and started pulling his weight in battle. He was very active in fighting Akumas and actually felt like an equal to Ladybug. Yeah, Ladybug still called the shots, but the two stopped bickering over stupid things and had more conversations about other things. It didn't matter if they were more casual chats about their lives (Perfection) or discussions on the enemy's plans (Intuition, Revolution).

The problem, like a lot of things this season now that I think about it, comes in the second half. Remember how last season made a big deal about how wrong it was to leave Adrien out of the loop with so many secrets? Once again, the writers seemed to have forgotten this major story arc that they wrote themselves. Now, not only does Gabriel crack down on his horrific treatment of Adrien through his ring, not only does Adrien's character regress to being nothing more than Marinette's trophy boyfriend, by the end of the season, Adrien is literally reduced to a damsel in distress who needs to be saved, instead of, you know, A SUPERHERO. And remember, the writers were very proud of how this was planned for almost a decade, all because they got to supposedly subvert fairy tale tropes.

I feel like this whole “Save Adrien” plotline could have worked if Adrien wasn't already a superhero, and was just a civilian Marinette knew. Yeah, it would still be using an overdone trope, but at least if that happened, Adrien would have an excuse to not be able to fight back as opposed to the several he made during the finale. Instead, for the majority of the season's second half, Adrien takes a backseat to a major story arc revolving around his family and isn't even given proper closure by the end.

“But IOTA!” You might say. “The show's called Miraculous Ladybug, not Miraculous Cat Noir! Of course Ladybug has to save the day! She's the main character!” That may be true, voice in my head, but here's the thing: If Adrien wasn't going to be part of the final battle, why wasn't this about Marinette's family? Why not make Monarch Tom or Sabine trying to bring back their spouse? Marinette is the main character, yes, but so much of the backstory in this show is connected to Adrien's family. The show tries to connect Marinette to this through her relationship with Adrien, but with how often she and Gabriel fight over what's best for him, Adrien kind of just sits around, not protesting against his father in the slightest. I'm not saying Adrien should be the main character. I'm saying that Marinette should be tied more into the story if you were going to base a lot of the drama on her perspective during the final battle. It's almost like making it so Adrien physically can't rebel against his father was a stupid way to keep him out of the conflict.

Why the hell couldn't we have gotten a scene where Adrien's connection to Gabriel was broken? There were plenty of options the writers could have used. You could have had Nathalie steal the other ring back from Gabriel to give to Adrien, have Argos use the Peacock Miraculous' powers to override Gabriel's commands, or have Adrien unlock a new form of Cataclysm that severs the bond with his Amok. And that's not even getting into the excuses the show made for why he can't get involved, because God forbid one of the two main characters in the show's title get to take part in the final battle.

In fact, I'm pretty sure this is why Felix was introduced, to do the things Adrien should be doing. Felix is the one who has a vendetta against Gabriel, a deeper connection with Kagami, knowledge that he's a Sentimonster, and an overall influence in the plot. The writers are so obsessed with coddling Adrien that they created an entirely different character to fill in a role for him, and Felix wasn't even in the final battle. And just remember, Adrien was originally created to replace Felix in the story, so Felix taking over Adrien's role as the character who helps advance the plot makes even less sense.

Even if the final battle is meant to be over Adrien, it comes across less like Marinette and Gabriel are fighting over his freedom and more who gets to control him. Gabriel doesn't use his wish to free Adrien from the shackles of the rings. He just gives Marinette the rings and hopes she won't do the same kind of things he did with the rings. Nothing changed over Adrien's treatment except who gets the keys.

It'd be one thing if Adrien at least chose Marinette over his father, but Adrien isn't even allowed to know the full story on anything, not even the Sentimonster stuff. Okay, putting aside the fact that Adrien has lots of friends and family to help him cope with this, maybe I can buy not telling him about Gabriel. Not telling him he's a Sentimonster is something I can't excuse. This is like not wanting to tell someone they have diabetes and hoping they know how to use their own insulin while they're downing Pepsi after Pepsi. It's not just a matter of hurting Adrien's feelings. His fucking life depends on those rings. He should obviously know to keep them safe and not trade them for magic beans or something stupid like that.

But the biggest problem with Adrien this season is how it goes against everything the show has said about him and his relationship with Marinette/Ladybug the last four seasons, and especially Season 4.

For the past four seasons, the show has loved to say that no matter what happens, Ladybug and Cat Noir will always be here for the other, even against the world. Put aside how unlikable Adrien was last season, that was the ultimate lesson, about the two reaffirming their bond. And yet, here we are in the Season 5 finale, when literally the entire world is against Ladybug and Cat Noir, and Cat Noir is nowhere to be seen.

One of the main reasons why Adrien jumped at the chance to be a superhero was the freedom it gave him from his restrictive lifestyle, and how it led to him making more friends at school. And that very same story ends with Adrien admitting it's a good thing for him to stay inside and never acknowledge the fact that his father was kind of a dick. Remember, this was planned in advance for YEARS, and absolutely nobody thought it contradicted one of the most important aspects of Adrien's character: his desire for freedom. Now the same person who would demand to not be kept in the dark about so many things (Lady Wifi, Syren, Lies, Sentibubbler, Rocketear, Risk) is now sitting around like a coward while everyone else saves the world instead.

I still think Adrien was at his worst in Season 4, with how much of an whiny and insufferable idiot he could be, but Adrien in Season 5 is a close second. Yes, I wanted him to stop acting out and demanding that the world cater to his every whim, but I also wanted him to prove he was as valuable as he says. The first half of this season seemed to understand this kind of criticism and reminded the audience that Cat Noir was still useful, but when the actual story kicked in, the writers were so determined to keep the secret identity bullshit going, Adrien somehow got less focus as a hero than the Resistance, a group of temp heroes who actually lost their Miraculous. And consider the fact that this season wrapped up the drama with the Agreste family, so for all we know, Adrien will get even less screentime next season.

If Adrien is supposed to be an invaluable ally to Ladybug, then why doesn't the writing accurately reflect it?

The Problem With the Biggest Idiot of Season 5: Moronette, “Of Course I Know What I’m Doing!” Royal-Pain, AKA, Ladydumb

You know, it's funny. I kept defending Marinette when the writing kept making her out to be a terrible hero last season while Adrien got by without a single criticism, to the point where I considered Adrien to be the worst part of the entire season. Oh, how the tables have turned with dear old Marinette, as the season that chose not to criticize every single action she took is when she's arguably at her worst.

You have to wonder if the writers finally realized how much crap they put Marinette through over the last few seasons by having her always forcing her to learn some contrived lesson and were like, “Oh yeah, she's supposed to be someone the audience is supposed to root for.” Unfortunately, they went way too far in the other direction with how they handled Marinette.

The way Marinette was written this season felt eerily similar to what happened with Adrien last season. Suddenly, her personal drama is of the utmost importance (Determination, Passion, Reunion, Elation, The Kwamis' Choice, Perfection, Migration, Derision, Adoration, Pretension, Representation), she's making incredibly stupid decisions in battle (Evolution, Destruction, Determination, Pretension), she becomes the moral compass of the show who lectures others on what to do (Revelation, Confrontation, Collusion, Revolution), and she's never really called out for her actions by the other characters despite how often she makes things worse.

So much of the first half of this season is the exact same crap over and over again. Marinette complains about how hard things are for her and her conflicting feelings for Adrien. I wouldn't really mind something like this if it wasn't for two things.

First, there's no real arc involved with this. Marinette keeps complaining about her love life, and she never really learns anything from it. She doesn't even get to confess to Adrien and show her growing as a character. Adrien confesses to her, and bam, the two are a couple now. Glad to see all the discussions about Marinette's anxiety was completely pointless since she doesn't get to be the one to really confront her inner demons. Well, there was one time in “Derision”, and we all know how well that turned out, right?

Second, more often than not, it seems like Marinette is prioritizing her personal life over the situation with Monarch. You know, the guy who has access to fourteen different Miraculous? After you only managed to get one back? I'd understand if we got this kind of arc in the earlier seasons, but by doing this, you're undermining the current threat Monarch poses. She's even willing to give up being a superhero if it means being with Adrien. That is how important her love life is to her. She's willing to let Tikki force the responsibility onto someone else if it means she can be happy. Of course, this isn't too surprising, as Astruc once said that the show is supposed to focus primarily on romance, not superhero action.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.

Just like with Adrien last season, the show seems to care more about Marinette's personal issues at the expense of other characters. Do you want to know how many episodes this season focused on Marinette's love life in some way? EIGHTEEN (Multiplication, Jubilation, Determination, Passion, Reunion, Elation, Transmission, Deflagration, Perfection, Derision, Protection, Adoration, Emotion, Pretension, Revolution, Representation, Conformation, Re-Creation). Literally two-thirds of the season includes Love Square drama. Even if you want to be generous and count both two-parters as single episodes, that's still more than half the season. This is yet another problem with waiting until what was originally supposed to be the last season to resolve your plot. You need to force all of this development through almost every episode until people get tired of it.

Because of this, Marinette basically took over the narrative of Season 5. Almost every major conflict revolved around her, even the stuff with Adrien. Rather than make a story about Marinette and Adrien working together to break free from Gabriel's influence, Marinette is the one who has to do the heavy lifting and save Adrien herself. I've already talked about this with Adrien, but it bears repeating, as this is same issue I had with Season 4. Just like how Adrien got more focus during a story arc that should have been about Marinette last season, Marinette is now getting more focus during a story arc that should have been about Adrien, to the point where Marinette gets to use Adrien's Miraculous during the final battle with Monarch.

I'd at least be somewhat forgiving towards the shift in focus if Marinette actually got to do anything to advance the plot herself. Because of how often the show focuses on Marinette's love life, very little time is dedicated to showing Ladybug making an effort to actually stop Monarch. The closest we got was in “Illusion”, and that was a plan spearheaded by Nino. Like I said earlier, Felix does more to advance the plot out of any character, even Marinette, THE ONE THE SHOW IS NAMED AFTER!

We have three separate episodes where Ladybug has Monarch at her mercy, but she decides to talk about how she's totally won and that Monarch can't get away at all, and then Monarch gets away in a matter of seconds. I just... this is “SHOOT THEM WITH THE DEHYDRATION GUN!” levels of stupid here! The only reason Monarch gets as far as he does is because Ladybug can't just grab any the Miraculous he has all over his body.

We're seriously supposed to see Marinette as an amazing hero when she keeps screwing up every opportunity she gets to stop Monarch. In the span of one season, Marinette went along with being forced to retire because she got a chance to date Adrien (The Kwamis' Choice), chose not to form a temporary alliance with an Akuma even if it meant possibly getting the Peacock Miraculous back and stopping a potential threat (Pretension), had absolutely no plan to stop Lila until someone else came forward with information on what she was doing (Confrontation), decided to let another Akuma force the mayor out of office (Collusion), and failed to stop Gabriel because she got tricked again and was completely helpless as the entire universe was recreated before she took credit for defeating Monarch afterwards in the new reality and then decided to honor the insane supervillain's wishes and keep her boyfriend completely in the dark about the truth even though she learned not to keep secrets from others (The Final Day) and MY GOD, I HATE THIS SEASON SO MUCH.

When Marinette isn't making terrible decisions, she's lecturing others on how to act around their enemies, and when I say “how to act”, I mean “refuse to give them even the slightest bit of respect after doing the bare minimum to help them try and change”. Marinette really lets her own personal biases toward Chloe and Lila get to her this season with how the latter half of the season had her tell others not to even consider trusting them because of how easy it is for them to take advantage of kindness. You know, something you'd hear someone like Superman or Spider-Man teach kids about.

In fact, here's a little game any aspiring writer can play when writing superhero characters: If you can't imagine someone as noble as Superman saying something like this...

Marinette: But sometimes, the good we think we see in some people is just a reflection of our own, and we end up being fooled by our own kindness.

Unless your intent is for them to be flawed or in the wrong instead of a complete paragon of virtue, you need to go through your drafts.

And just like Adrien, even though Marinette keeps screwing up, she's never held accountable for her actions. She's never allowed to be wrong, and is almost always the one who gets to lecture people, mainly towards the end of the season. A good example of how poorly written Marinette is this season is when she whines about Ms Bustier not punishing Chloe enough when not only does she fail to understand that Chloe is still being punished, but she did absolutely nothing to bring Chloe's cheating to her teacher's attention when as class representative, it's her job. I don't care how stupid that idea sounds, that's what the show goes with, and it makes Marinette's inaction come across as very irresponsible.

But then again, neglecting her duties at school is nothing compared to acting like Marinette didn't fail to save all of reality while not showing the least bit of remorse for it. I'm just saying, when even Ben 10: Omniverse of all shows does this kind of story better, you know you've screwed up. Again, we're supposed to see it like Marinette won because the universe is in one piece, when, once again, SHE FAILED! Like I said, she failed at pretty much everything she set out to do this season and didn't stop Monarch outside of warding off his Akumas. This is seriously how the show was supposed to end, with Marinette failing to save the universe and the audience just needing to accept it. Well, in case it wasn't obvious on my front, I don't. Hell, forget Ben 10: Omniverse. Even Star vs. the Forces of Evil had the main character save the day, even if it meant potentially screwing over countless lives by destroying all magic in the world. Marinette? “Well, everyone I know and love is technically dead and the madman I spent five seasons trying to stop gets to die a martyr, but everything looks like I saved the day, so that technically means I didsave the day! Man, I'm a great hero. Good thing the other characters basically exist to remind the audience of how amazing I am.”

If there's one thing to take away from everything that's happened, it's that this was the season where Marinette has arguably become one of the biggest examples of a show failing to make the audience like their main character. There was much time dedicated to rationalizing and trying to justify the worst possible decisions she could've made and acting like she's still an amazing hero. Stuff like this only serves to further validate the criticisms people have had for her as a character ever since Season 5. And remember, this is coming from someone who went out of their way to defend Marinette last season. In an attempt to show her at her most heroic and virtuous, Season 5 pretty much cemented Marinette as a terrible main character, a terrible superhero, and a terrible role model for children.

Eight Years for This?

I'm going to be perfectly honest with you guys. This season just broke me, and there was a good reason why this analysis took so long to write.

While there were a number of outside factors that made it hard for me to get the time to write (work, the holidays, family gatherings, etc), there were still times where I either didn't have a lot of material to work with, or I just couldn't find the motivation to work on the reviews. I guess throughout all these years, I figured that after all this buildup between the Love Square and Adrien's relationship with his father, there would at least be something I could find this season that would allow me to say this was worth the wait. Unfortunately, it was just disappointment after disappointment this season, with a universally hated finale to boot.

To me, this was the season that burned away the remaining goodwill I had for the show, because there's just no salvaging it at this point. The writers pretty much butchered every single character in some way, excused the main villain's actions for a sorry excuse for a heroic sacrifice, and literally reset the universe so all of the characters we've come to know for almost a decade technically don't exist anymore. Even the cliffhanger for Season 6 really excites me, because why should I care about a character we still know nothing about becoming the main villain? Why should I care at all when the writers have made it clear they don't care either? They don't care about writing character development, they don't care about writing consistent lore for their world, they don't care about approaching serious subjects with the delicacy they deserve and they certainly don't care about telling a consistent story.

Season 5 of Miraculous Ladybug was a failure in every conceivable definition of the word. It failed to deliver a satisfying conclusion to any of the stories that had been set up for years, and if this was how the main story ended, I don't really have a lot to look forward to when Season 6 premieres.