#also something I really want to see in season 2
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lupinqs · 2 days ago
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CRUSH CULTURE ━━ paige bueckers x reader
☆ ━ summary: paige has a hopeless crush on you, a cheerleader.
☆ ━ word count: 5.4K
☆ ━ warnings: alcohol consumption, kissing, this one’s tame
☆ ━ links: my masterlist, inspired by this request (lol i know this was forever ago)
☆ ━ author’s note: hiii i hope y’all enjoy—lemme know if you guys want a part 2 and if so send in ideas for it!!! i have been hopelessly uncreative recently!!! also yes i have been writing tmtc and safe and sound i promise—new chapter of tmtc should be out sometime this weekend, no idea on safe and sound because goddamn that fic takes me forever to write
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PAIGE HAS ALWAYS noticed you—though, funny enough, at first it wasn’t because you cheered. That part didn’t even register until her junior year, when she started paying attention to things off the court. But she’d first noticed you back in her sophomore year, in that one class she didn’t feel like she needed at all. She’d often zone out, either doodling in the margins of her notebook or letting her eyes drift around the room as she let her mind wander. Her gaze would skip over classmates until, one day, it stopped on you.
And, God, she remembers that moment. The way she’d blinked, like she needed to reset her brain for a second because… well, you. It wasn’t anything specific, nothing she could even name at the time. But there was this something about you that made her stomach flip. From then on, whenever she zoned out, her eyes would find you before she even realized it. You’d be focused on your notes or lost in thought, completely unaware, and Paige would catch herself staring just a little too long.
She’d think about talking to you, but for some reason, you made her nervous. And that wasn’t something Paige was used to feeling—not with girls. She’d been confident her whole life, even a little cocky when it came to flirting, and her reputation certainly proceeded her. But with you, all of that confidence vanished. Her brain would go blank, her hands would fidget, and her heart would pound just watching you, sitting across the room. The idea of walking up to you, striking up a conversation, felt almost laughable. You’d somehow managed to turn her, Paige Bueckers, into a stammering mess with just a look.
And then there was the other part—the part that kept her from making a move even when she managed to work up the nerve. You looked so…straight. She knows it’s a stupid assumption, but something about the way you carried yourself—she’d convinced herself that you had to be straight. Maybe it was the way you fit in with the other girls, how they flocked around you like they were all in some effortlessly straight, picture-perfect group. Whatever it was, Paige felt certain you’d never look at her the way she looked at you.
So she let it go, or at least, she tried to. But you kept slipping into her thoughts, distracting her in that class, making her mind wander back to you when she least expected it. Her silly little crush on you lingered all through sophomore year, and even when summer rolled around, she found herself thinking of you every now and then, imagining what it might have been like to know you outside of that class.
Then junior year rolled around, and her whole world changed with that ACL tear. Benched for the season, her focus shifted in ways she never anticipated. Instead of charging down the court, she found herself sitting on the sidelines, watching, observing things she normally wouldn’t have noticed. And it was during one of those games, one of those long, frustrating nights when she just wanted to play, that she saw you again—this time, on the court as one of the cheerleaders.
At first, she couldn’t believe it. She actually had to blink a few times, like her brain was trying to catch up with what her eyes were seeing. This was her third year at UConn, and she hadn’t noticed you were a cheerleader ever. Maybe she really was just unobservant, but it truly shocked her. You looked completely different from how you did in class—more animated, more alive, like you were in your element. And when you started that long, impressive tumbling pass down the court, her jaw dropped. She didn’t even know you could do that, and it left her staring, heart hammering in a way she hadn’t felt in a long time. (And maybe the tiny little uniform helped speed it up, too.)
From then on, Paige couldn’t keep her eyes off you during games. She’d always find herself watching you, wondering if you’d somehow feel her gaze, hoping that maybe, just once, you’d look her way. She spent so many games like that—sneaking glances, letting her mind wander, imagining what it might be like to finally work up the nerve to talk to you. But game after game, you never seemed to notice her, too focused on your routines, your teammates, and the cheering crowd around you.
And Paige? She knew she was hopelessly stuck. She’d sit there on the sidelines, feeling ridiculous, pining after a girl she couldn’t even talk to, a girl she thought she’d never really have a chance with. It was her worst crush yet—the kind that left her feeling off-balance, stumbling over her own thoughts, trying to convince herself that it didn’t matter—and she’d never even spoken to you. But each time she saw you out there, smiling, moving with that same effortless grace, she’d feel that same pull, that same quiet, persistent ache.
It’s senior year now, and Paige has one thing on her mind: basketball. It’s been more than a year since she’s played, and she’s determined to make this season count. All summer, she told herself the same thing over and over: Stay focused. Don’t get distracted. No more drifting thoughts, no more daydreams, and absolutely no more pointless crushes on girls she can’t have. And especially no crushes on you.
You, the cheerleader she’d spent too many junior year games staring at from the sidelines. You, the girl she still thought about when her mind wandered late at night, even though she knew better. No, this year, she was locking in. She’d worked too hard, too long, to let her head get all twisted up over you again. She was here to play basketball, not to chase after some unattainable crush.
But as she jogs onto the court for warm-ups, trying to ignore the butterflies that come with her first game back, her eyes somehow find you anyway. Just like they always do. And it’s like no time has passed at all. You’re laughing with the other cheerleaders, your hair perfectly styled in a half-up-half-down, a bow nestled in it, your uniform hugging you just right. The lights catch on your skin, giving you this soft glow, and your smile—God, that smile, so open and sweet and painfully distracting—has her heart skipping a beat before she even realizes it. Paige quickly snaps her eyes away, reminding herself she’s here to play, not to get lost in some imaginary world where she has a chance with you. This is her first game back, and even if it’s just an exhibition against Dayton, she’s got to make it count.
With a deep breath, she manages to brush you off. The pregame excitement kicks in, and her focus sharpens as the game begins. And it’s everything she’s been waiting for—the sounds of the court, the rush of the crowd, the thrill of moving with the ball in her hands again. She’s finally back, and for the first quarter, she’s locked in, feeling the rhythm of the game, feeling unstoppable.
Then it happens. KK makes a bad pass, and Paige is already in motion, chasing down the ball to save it from going out of bounds. She dives, stretching to reach it, but it’s just out of reach. Before she can stop herself, she’s crashing full speed into the sidelines—right into the cheerleaders.
Right into you.
The impact is quick and jarring, and she scrambles to her feet as fast as she can, heart hammering in her chest. She’s prepared to rattle off an apology when she realizes who she’s just barreled into. You’re significantly smaller than her, and her stomach drops as she takes in your wide eyes and the faint wince that flickers across your face. But you handle it with the same grace she’d always admired from afar, waving her off with a laugh and saying, “It’s fine! You’re good!” Your smile is easy, casual, and she’s even more mortified by how sweet you’re being about it.
She tries to apologize again, but you’re already brushing it off with that smile, and she feels her face heating up as she mumbles something unintelligible before hurrying back onto the court. But now her head’s a mess, all her carefully built-up focus gone, replaced by the embarrassing replay of what just happened. She tells herself to get it together, but it’s no use. Her mind keeps drifting back to the look on your face, to the sound of your laugh, to the softness in your smile when you waved her off.
The rest of the game passes in a frustrating blur. She’s off her rhythm, missing open shots she’d normally sink with ease, getting caught in rotations she usually anticipates. By the end, she’s only scored eight points—a painfully low number, especially for her—and she feels the weight of it like a stone in her stomach. She should be thinking about the game, her missed shots, how to get her focus back. But as she sits on the bench, watching the last few minutes tick away, all she can think about is you standing there, laughing off her clumsy collision, looking up at her with that easy, unbothered smile.
So much for not getting distracted.
After the game, Paige is still kicking herself over how sloppy her performance was. She lingers in the locker room, hoping to avoid any unwanted run-ins. But finally, when she’s convinced she’s given it enough time for everyone to clear out, she heads out into the quiet halls of Gampel Pavilion.
Except, of course, her luck isn’t that great. Just as she’s walking out, she spots you—still in your cheer uniform but with a UConn sweatshirt thrown over it, heading down the hall, cheer bag on your back. Her first instinct is to turn around, bolt back into the locker room, and hope to avoid any more humiliation, but it’s already too late. You look up, and your eyes meet, and suddenly she’s frozen in place, panicking because she’s actually staring straight into your eyes.
And then you smile at her. That smile, the one that sends her brain into a meltdown every time. But it’s so much worse now because your smile is directed at her. And, suddenly, you’re walking up to her and saying, “Hey, good game tonight,” and Paige is pretty sure her heart has stopped.
She tries to seem casual, to play it cool, but all she can manage is a shrug and a half-hearted, “Eh, wasn’t my best.” She’s hoping you don’t notice her stutter, but her cheeks are burning, giving her away.
You just wave it off, your dimple showing as you grin up at her. “Nah, this was just your warm-up. You haven’t played in, like, over a year. Next game you’ll drop thirty.”
Paige blinks, and the fact that you know she’s good at basketball—even though everyone knows she’s good at basketball—is enough to send her into a coma, she thinks. “Oh, gosh,” she says, rubbing the back of her neck, struggling to find words. “Gonna have to now, just for you.” The second it’s out of her mouth, she mentally facepalms. That totally sounds like she’s trying to flirt with you.
But you just laugh, eyes crinkling as you look at her, completely unfazed. “I’ll hold you to it,” you say, and that smile doesn’t waver.
There’s a pause, and Paige knows this is where you’re about to say goodbye, and she panics because, after two years of thinking and practically obsessing over you, she’s finally talking to you, and it feels too short, too fleeting. Before she can second-guess herself, she blurts, “Oh—uh, hey, about earlier… when I ran into you. I’m… really sorry about that.”
You shake your head, smiling even wider, brushing it off with an easy laugh. “Don’t worry about it. Happens all the time; more than you’d think.”
There’s something so casual and warm about the way you say it, and she feels herself relax a little, caught up in the fact that you’re looking right at her, not at all bothered, almost… endeared? And for some reason, seeing your dimpled smile has her stammering like she’s never done before.
“So… uh…” Paige stumbles, her words failing, her confidence gone. “Are you, um, going to Ted’s tonight?” She bites her lip the moment it’s out, but she presses on. “You know, a lot of people go there after the first game—it’s kinda, like, a…thing. Which, y’know, I guess you probably already know about because… you’re, like, not a freshman…” She sounds so stupid. God.
You tilt your head slightly, considering, before you smile at her again. “I wasn’t really planning on going, but…” You pause, looking at her with a bit of a spark in your eyes, and for a second, she feels like she might actually combust. “Should I?”
Paige’s eyes widen, and she’s nodding before she can stop herself. “Y-yes! I—I think you’d have a good time.” She mentally scolds herself for the stutter, but you’re just nodding, still smiling, still looking so effortlessly at ease while she’s a nervous mess.
You laugh softly, a sound she’s sure she’ll replay in her head all night, and say, “Alright. I’ll think about it. And if I do decide to go, I’ll see you there, Bueckers.”
And with one last smile, you turn and walk away, leaving her standing there in shock, her heart racing and her mind replaying every word you just said. She’s tempted to pinch herself, convinced this has to be some elaborate daydream because there’s no way she actually just talked to you.
She doesn’t move for a long moment, replaying the way you said her name, the sound of your laugh, and the chance that she might actually see you tonight.
IT’S LATER in the night at Ted’s, and Paige is doing her best to stay composed, talking with one of the guys from the men’s team. Dirty Shirley in hand, she’s feeling just the faintest buzz, not enough to loosen her grip on reality but just enough to feel the edges of her confidence soften. She’s nodding along to something the guy’s saying when, over his shoulder, she spots you walking in.
Paige’s attention falters as she takes you in. You’re in baggy jeans that hang low on your hips, and a leather tube top that clings in all the right places, dipping enough to make her gaze lower slightly. She can barely tear her gaze away as you head over to the bar with a couple of friends, both of whom Paige recognizes from the cheer team. You’re laughing, leaning into one of them, completely at ease, and she can’t stop watching.
She realizes she’s staring a little too long, so she quickly excuses herself, not to talk to you—God, no, she can’t even think straight around you—but to hide by her teammates before she does something stupid. Her teammates notice her the moment she approaches, grinning as they watch her flustered expression.
“You see who just walked in, P?” Azzi teases, nudging her.
Paige groans, cheeks burning. “Don’t start.”
But they’re all laughing, and Ice is elbowing KK with a smirk. Nika, who’s been listening with a barely disguised grin, rolls her eyes. “Okay, this is ridiculous. You’ve had a crush on this girl since, like, forever. Go talk to her.”
“Are you kidding? I can’t. She’s—” Paige doesn’t even finish the sentence, glancing over her shoulder just in time to see you at the bar, waiting for your drink. She’d be lying if she said her confidence hadn’t evaporated the moment you walked in, looking like that.
“Girl boo,” KK sighs dramatically, before grabbing Paige’s wrist and dragging her toward the bar. Paige stumbles after her, mumbling weak protests, but KK is determined, practically hauling her across the crowded floor until they’re standing right next to you. KK orders a Sprite, leaning casually on the bar and glancing over at you with a grin. “Hey, girly pop! You cheer, right?”
You smile, looking more at Paige than at KK, and Paige’s heart thuds against her ribs. “Yeah, I do,” you say, introducing yourself and holding out a hand to KK, but your gaze flickers right back to Paige, who’s half-hiding behind her friend, cheeks pink and looking slightly caught. “Hi, Paige.”
Paige’s voice comes out a little sheepish. “Hey.”
KK smirks, clearly satisfied, and gives Paige a quick wink before excusing herself, leaving Paige standing there alone with you.
There’s a beat of awkward silence as Paige shifts on her feet, trying to keep herself from looking like an idiot, which is hard considering how aware she is of every single thing about you—your posture, your smile, the way you’re leaning in just close enough that she can catch a faint hint of your perfume.
“So,” Paige says, trying for casual. “You glad you came?”
You tilt your head, your lips quirking up. “Hmm, not sure yet. I’m not too impressed so far.”
She nods, stifling a wince, feeling more awkward than she can ever remember. And yet, her mind’s racing, urging her to just go for it, because this is her moment. She’s Paige Bueckers—she’s supposed to be confident. She always is. Besides, if you’re not interested, at least she’ll know. And if you are…
She hesitates, then swallows, trying to keep her voice steady as she says, “Um… can I buy you a drink?”
There’s a flicker of something in your eyes—maybe amusement, maybe surprise—and she’s mentally bracing herself for you to say no when you glance at the bar and say, “Actually, I just ordered one.” Her heart sinks a little, but she forces a smile, trying to play it off. Of course you’re not interested; she should have known better—
Then you’re leaning closer, nudging her elbow with yours, and you smirk, your voice soft and playful. “But you can buy my next one, if you want.”
Paige’s brain short-circuits as your words settle in, her mouth going dry as she realizes what you just said. “Uh, y-yeah, totally,” she manages, trying to keep from looking as giddy as she feels. “I…I’d love to.”
Your smirk turns into a grin, and you’re looking at her like she’s the only person in the room. She’s trying to come up with something smooth to say when, suddenly, one of your friends pops ups beside you and Paige, tugging on your arm, pulling you off the barstool and towards the crowd with a teasing, “Come on!”
Paige opens her mouth to protest, but before she knows it, you’re being swallowed up into the throng of people—not before you send her a quick, apologetic look over your shoulder, your friend still dragging you. Paige frowns, a little disappointed, but quickly catches herself. It’s fine, she thinks, though a twinge of regret lingers. She pushes it aside, grabbing her drink from the bar and returning back to her table, telling herself to focus on celebrating. She’s finally back on the court, and after such a long, difficult recovery, tonight is meant to be about unwinding. So she does, letting her team hype her up as they cheer and clink their drinks in her honor, pulling her deeper into the night.
As the time passes, Paige’s frustration eases, replaced by a warm buzz that dulls everything except the elation of being surrounded by her friends. But even as she sips her drink, she can’t help but think about where you’ve disappeared to, if you’re still here, still laughing with your friends somewhere across the bar. She finds herself scanning the crowd more than once, looking for a glimpse of you. She tries to push it down, laugh it off with another round, but every time she looks around, her gaze seems to search for you.
Eventually, the heat of the crowded bar gets to her. She feels flushed, dizzy from the alcohol and the mass of people, so she slips out the back door for some air. The cool breeze hits her face, and she closes her eyes for a second, sighing as the sounds of the bar fade behind her. She barely has a moment to herself before she notices a figure sitting just a few feet away.
It’s you, sitting on the curb, looking down at your hands as if lost in thought. Paige blinks, unsure if she’s seeing things. But then you look up at the sound of the door closing and smile, that familiar, gentle smile that makes her heart stutter. You seem just as surprised to see her, but your expression softens, like you’re genuinely happy she’s there. And that’s all the encouragement Paige needs.
“You care if I join?” she asks, trying to sound casual, even though her heart’s racing.
“Not at all,” you reply, and she takes a seat beside you, a bit closer than she planned. She feels your warmth even in the night air, and it makes her head spin in a way she can’t blame on the alcohol.
There’s a pause, a comfortable silence stretching between you. Paige watches as you draw patterns in the gravel with your fingers, the lights from the bar casting a soft glow over your face. She swallows, summoning up the nerve to say something—anything that might keep you sitting here with her.
“Why you out here?” she starts, genuinely curious.
You shrug, glancing back toward the bar. “Got a little claustrophobic in there,” you say, voice soft.
“Yeah… me too,” Paige nods, grateful for the fresh air and this quiet moment with you. The silence returns, but this time, it’s charged, heavy with something she can’t quite put into words.
Finally, Paige finds her voice again, her words slipping out before she can think them over. “You’re a good cheerleader, y’know. You do all those flips and shit—it’s impressive.”
You let out a small laugh, looking away for a second as if flattered. Paige is almost certain she sees a faint blush on your cheeks, and the sight makes her smile a little, lips curving upward. “Didn’t know you really paid attention to the cheerleaders,” you respond, teasing.
Paige scoffs, shrugging as if it isn’t a big deal, even though she feels like she’s been caught in some sort of confession—which, she kinda has. “Well, I did sit out for a year, so… I had to find something to watch.”
You tilt your head, smirking as you ask, “So you chose to watch me?”
Paige’s cheeks warm, and she silently thanks the alcohol for the courage that lets her meet your gaze. “Yeah,” she murmurs, watching as you look away, biting your lip as if trying to hide a smile. The sight makes her heart skip in a way that’s both exhilarating and terrifying.
After a moment, Paige adds, “I think we… had a class together, couple years ago?”
You nod, eyes lighting up at the memory. “Yeah, we did. Sociology, right?” you reaffirm, nodding in tandem with her. “’M surprised you remember that—you always seemed so disinterested.”
Paige nearly blanches, genuinely surprised you’d noticed her too. She didn’t think you’d have remembered her, much less noticed her back then. The notion gives her some of her usual confidence beck and she manages a chuckle, shaking her head and tilting it slightly toward you as she murmurs, “Ah, so you were watching me too, huh?”
You roll your eyes, but your smile betrays you as you nudge her shoulder. “Shut up,” you mutter, but the blush on your face doesn’t go unnoticed.
There’s another pause, the two of you sitting side by side in the quiet, both of you lingering on the edge of something unsaid. Finally, you break the silence, voice soft and hesitant. “How come you never said anything before?”
Paige swallows, the question catching her off guard. She doesn’t know how to answer without giving herself away, without admitting the way her stomach twists every time she sees you around campus. So instead, she asks, turning the question back on you, “How come you never did?”
You don’t seem to mind that she didn’t really give you an answer. Instead, you just shrug, looking down at your hands. “I don’t know… you make me kinda nervous.”
The confession makes Paige’s heart alight, feeling like it’s on fire and might spread throughout her whole body. She’s used to people being in awe of her for basketball, for her skills on the court. But hearing you say that you feel that way too, like she’s someone more than just her reputation, shakes her. Besides, you’ve always seemed so incredibly at ease around her, never even bothering to look her way. So, almost incredulously, she asks, “Why?”
You scoff, looking at her like she’s missing something obvious. “Um, because you’re Paige Bueckers. Basketball prodigy, campus celebrity.” You raise your eyebrows at her. “I think most people would be.”
Paige feels a rush of warmth at your words, the way you say her name like it means something special. She searches your face, feeling the air grow thick around you, heavy with something she couldn’t quite name. And maybe it’s the alcohol in her system, maybe it’s the way you’re looking at her like she’s somehow both intimidating and endearing at the same time, but she’s feeling bold. Bold enough to keep this conversation going, to see where this moment might lead.
She clears her throat, a small smile tugging at her lips. “Well, if it helps… you make me nervous.”
You laugh, a little breathless, clearly surprised. “Yeah, right.”
“I’m serious,” Paige insists. “You ain’t see the way I stuttered around you earlier? Ion know, ma, you just kinda fuck with my head.”
She watches, grin widening, as you blush at her words, the color blooming across your cheeks. It’s addictive, seeing you react like that—because of her. She doesn’t even try to hide her amusement when you ask, gaze set out in front of you instead of on her, “Why would I fuck with your head?”
It’s a good question, one Paige asked herself for a long time. It never took her long to figure out the answer. Though, she’s a little nervous to explain herself.
And she gets even more nervous when your gaze slides back onto hers, your head turning towards her. Paige’s smile falters, just slightly, at the eye contact. It’s intense, the kind that feels like it’s holding the world still for a second. Paige’s heart is a drum in her chest, each beat vibrating through her veins. Her eyes slide across your face, your features, tracing the slope of your nose, the curve of your lips, the faint shimmer glitter swiped along your eyelids. She catalogues every detail as if she’s never going to get this close again—a very real possibility if she doesn’t up her game.
Finally, she leans in—just slightly—her voice low and steady as she answers you. “You got this positive energy that makes you just… stand out in front of a crowd. Big smile. Bright eyes. Mm, I just… like seeing that in people.”
The words settle in the space between you, warm and lingering. Paige hesitates, letting them wrap around you both before adding, her voice dipping lower, her boldness shooting upward, “And it doesn’t help that you’re too beautiful for your own good.”
You blush deeper this time, cheeks tinted more red than pink, and it makes Paige’s heart skip. She can’t help the way her lips twitch into a grin. She’s waited so long to see this—see you flustered because of her. It’s everything she imagined and more.
“Stop,” you protest, fighting a smile as you push at her hands, your tone not carrying any weight behind the word. Paige just laughs, soft and easy, catching your hand in hers before you can pull away. She lifts it slightly, letting her thumb brush over your knuckles as she murmurs, “Nah, really.”
It’s then that the air changes—shifting into something heavier. The space between the two of you is practically nonexistent at this point, your sides tucked right into each other. You’re staring at one another, and Paige can’t help it when her gaze flickers down to your lips, just for a second. But it turns out to be enough. Because then she sees your eyes dart to her mouth in return, lingering there. And that’s when Paige knows.
Still holding your hand, she locks her gaze on yours, her voice firm but soft when she repeats, “Really.”
It’s like that word unlocks something between you because suddenly you’re leaning in, and Paige is doing the same, her breath catching the moment your lips touch hers. It’s soft, tentative at first, like neither of you are quite sure if this is real. But then you press into her just slightly, and Paige swears the whole world tilts on its axis.
The kiss deepens, slow but deliberate, and Paige feels her whole body light up. Your lips are warm, soft, and you taste faintly of tequila and strawberry chapstick. It’s intoxicating, the way you move against her, gentle but with enough purpose to make her head spin. Paige’s hand slides up to cradle your jaw, her thumb brushing against your cheekbone.
Your fingers grab at her bicep, holding on like you don’t want to let go, and it sends a thrill through her. Paige’s lips part slightly, and when you follow, letting her slip her tongue into your mouth, it’s like a fire ignites somewhere deep inside her. The kiss isn’t frantic or messy—it’s unhurried, like the two of you have all the time in the world to explore this. She can feel the heat of your skin where her hand cups your face, and she wants to memorize every second, every sensation.
The way you tilt your head just a little, giving her more access, nearly undoes her. Paige tilts her own in response, deepening the kiss further, her fingers slipping from your jaw to the back of your neck. The touch is light, almost reverent, but the closeness makes her heart race.
Your other hand moves, grazing against her side before resting lightly on her hip. Paige’s stomach flips at the contact, her body leaning instinctively closer to yours. She swears she can feel the warmth of your breath between kisses, the subtle hitch when she nips at your bottom lip.
It’s slow, it’s sweet, but it’s intoxicating. Paige swears she’s never kissed anyone like this before, never felt this much just from simple lip-locking. When you pull back slightly—not breaking the kiss entirely, just catching your breath—she can’t help herself. She follows you instinctively, her mouth chasing yours in a way that feels both vulnerable and utterly fearless. You allow her to, tongues half entwined between your swollen lips.
When you finally part, Paige keeps close, her forehead gently pressing against yours, her hand still cradling your neck. Neither of you moves far, the space between you so small your breaths still mingle, soft and warm against each other’s lips. Paige’s eyes flutter open, but she doesn’t look away from you, her gaze locked on yours like you’re the only thing in the world that matters—which, right now, you might as well be.
Her voice comes out lower than she intends, husky and laced with something she can’t quite hide as she murmurs, “You gonna let me buy you that drink now?”
Your lips curve into a slow, easy grin, and Paige feels her chest tighten, her heart skipping a beat at the sight of it. You’re so close she can see the faint glimmer of mischief in your eyes, the way they soften as you look at her.
“Yeah,” you say, your voice soft but sure, “I’d like that.”
The way you say it, the way your smile widens just slightly after, makes Paige’s heart race all over again. She can’t help the small, satisfied smile that spreads across her face. Paige leans back just enough to take in the sight of you—your flushed cheeks, the way your hair’s slightly mussed, and that lingering, breathtaking smile she knows will haunt her in the best way.
“Good,” she murmurs, her thumb brushing your jaw lightly one last time before she pulls away completely, standing up and offering you her hand. When you take it, she holds on a little longer than necessary, leading you back into the bar, already planning how she’s going to keep you smiling for the rest of the night—and, hopefully, much longer afterwards.
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perdvivly · 3 days ago
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Not waiting for chance or fate to dictate the terms of how annoying I’m allowed to be on the internet. I am choosing to answer them all now, unasked as I am.
1) This is mildly variable depending on the amount of effort I’m willing to expend. Typically the common theme is no adulterants. No sugar, no milk, no queen of England. If I’m getting fancy with it I’ll make an effort to time the brewing duration, 3mins for a black tea, 5mins for a green tea, 7mins for a herbal tea. But honestly the sort of depression chic I’ve been serving lately has been leaving the bag in and drinking it straight, tannins be damned.
2) Mandarin. Just seems like it’d be the most useful innit. Also, relatively harder to pick up non-magically given my native Englishhood.
3) God. I try not to honestly. No, but seriously, my sleep schedule has been all sorts of out of shape recently. I should work on that. At the moment it varies wildly day to day and depends on my responsibilities the days before and after the sleep. I’ve pulled a couple of all nighters recently and it gets screwy.
4) Maybe atla? I remember really liking it when it came out but not fully understanding the whole plot because I didn’t see it serialised until later. Maybe the simpsons? There’s something to say here about the earnestness of the earlier seasons and seeing a deeply dysfunctional family care about each other in ways they struggle to express—that gets glossed out as the production value rises in the later seasons—that’s like heroin to someone trapped in an irony poisoned world. But maybe that’s cope? Maybe it’s just the show I had the easiest access to as a kid. I guess I didn’t watch a whole bunch of tv or at least not a whole bunch that stuck with me.
5) Summer ez. (Have you seen her baphomet pics? 🥵)
6) In general, I doubt very much that either the optimist or the pessimist considers themselves such. It’s not really the sort of thing that admits of self-diagnosis in that way… Philosophically, the broader question is what? Do I align with Schopenhauer, Voltaire’s Leibniz, or Russel’s Leibniz? I’m not sure the tumblrinas care about the history of philosophy. I guess I’ll say to the extent that Schopenhauer relies on Indian mysticism, which I think is typically underrated, he’s simply mistaken about the world as will and representation. I’ll say that, I’m *not* a Buddhist. I think the doctrine of dukkha misses fundamental aspects of human existence. I’ll say that people have richer inner lives, deeper felt internal experiences, than you might assume from reading their little words on the internet. And that, on the whole, these are good things.
7) I mean, both ideally. Variety is the spice of life. If I had to choose I suppose it would be sunshine. But I’m terribly glad I don’t live in a world where I have to choose.
8) I have the cutest little book marks. My primary two at the moment are the sun and the moon, which I use for main text and end notes respectively. Though, I have been known to dog-ear in my time. I once got yelled at by my aunt for turning the corner of the page on my copy of Harry Potter and the order of the phoenix because it was a first edition and she was under the impression that it may be valuable some day. I was like, come on man, I’m 7. Don’t even piss. <- I didn’t say these things, but I was *like* that.
9) For the longest time I *only* wore steel toe capped boots because I ran myself over with an electric pallet stacker and tore my toenail off and decided I didn’t want that to happen again. I don’t do that anymore because I interact with heavy machinery less than I used to. Now all that matters to me is that they’re waterproof.
10) *My* signature scent like, I produce it? Or like I like it? I guess one of my favourite scents is lavender. But I've been told... Okay, it's important you guys know I do *not* have a yeast infection... I've been told some parts of my body naturally smell like bread, like, that sort of doughy yeasty (I s2g I do *not* (I did not hit her. I did not! oh hi mark)) smell that you get with bread sometimes. Is that what the question was asking?
11) I mean... That's broadly not for me to decide right? Unless the sort of dragons you're imagining have some sort of glamoury illusion magic, which seems plausible. Anyway, do you guys remember in Moby Dick when he goes on this wild tangent about how St. George and The Dragon was acutally about whales? And St. George's horse was actually a walrus or something. What was that about??
Okay, author's note, there's a time skip here. I've been scrolling through lists of dragons in popular culture for a while now and there are a pretty neat and widely varied selection of designs. I'll get back to you on this one.
12) It depends on why I'm writing! If it's a quick note to myself for future reference it'll generally be cursive, if it's an important document that will be read by other people generally it'll be print. If it's time-sensitive it'll be cursive. I remember writing essays for undergrad that I'm sure were totally illegible by the end of them, I think literally just a line on a page with occasional lifts and dips.
13) There is more information on wookieepedia than existed in my philosophy but a few minutes ago. The typology I've discerned is thus: blue - jock, green - nerd, yellow - geek, red - edgelord. And I'm a little bit of all of these, so I think any would be fine. Realistically though, I'm not sure a lightsaber is the best weapon in fantasy space-past-future where spaceships and lasers are common. Like, I'll let it slide because the original trilogy was doing a kirkegaardian faith thing and the prequels were doing a logic doesn't matter it's cool thing, and those are both respectable motivations to leave logistics aside for a bit.
14) Sad
15) Ice skates! I love ice skating!
16) I'm a youngest. I have an older sister, I think I talk about her here from time to time.
17) Well, how I would use it would depend massively on what it was. If the question is which superpower I think is the best then why not ask that? Which superpower would I have has a faint ring of incomprehensibility about it. It's really not clear which counterfactual is under consideration. *If* what?
Anyway, I think time control powers are up there right? Top five at least, easy. Imagine what you could do if you could stop time and sleep whenever you felt like it. I feel King Leerish about the ability to just be well rested. I would do such things, what they are yet I know not.
18) The problem with romantic relationships is that eventually, all of your most interesting clothing will end up in someone else's closet. I think my day-to-day wear tends to be mostly blues, blacks and whites. Not hugely interesting colourwise.
19) Snake, I think, they have fewer demands and I can't really handle any more pressure in my life than I already have. I would hate to be a bad bird mom... I would hate to be a bad snake mom too, but I think it's easier. Typically regarded as easier. I don't know.
20) Okay, so, it's like this right: medieval battle = will probably die. And it's also like this: behind city walls = safe, my friend and lover and confidant. And so, for very obvious reasons, it's gotta be a bow right? Like, I'm standing way out of the action and I'll shoot some arrows long range. But if that's against the spirit of the ask then it's gotta be some kind of polearm, like a halberd or something. Not even close. The advantage you get from distance is hard to overstate. Yeah, polearm for sure.
21) Mint choc chip, it's just such a classic. But also, I had a "london fog" flavour recently that was really compelling. It's just earl grey and vanilla but it's so good.
22) I'm more of a herbs person than a spices person. Like, hmm, I do really enjoy paprika and ginger and stuff like that, don't get me wrong. But it doesn't really hold a candle to the sheer universality of parsley or basil or oregano or mint. Herbs stay winning.
23) These days it's aptos because I am the worlds most basic bitch. And yes, I do still have a fondness for arial.
ask game that tells a lot about you.
how do you take your tea / coffee?
if you could be fluent in any language at the snap of your fingers, which one and why?
when do you wake up?
what was your favourite tv show as a kid?
summer or winter?
realist, optimist, or pessimist?
rain or sunshine?
how do you mark your spot in a book?
what are your favourite shoes like?
what would your non-perfume/cologne signature scent be?
if you were a dragon, what would you look like?
is your handwriting more print, cursive, or a mix?
what colour would your lightsaber be?
what is your defining personality trait?
roller skates or rollerblades or ice skates?
are you an only child? oldest / middle / youngest?
what would your superpower be? how would you use it?
what’s your clothing colour palette?
pet snake or pet bird?
weapon of choice in a medieval battle
the best ice cream flavour
what spices do you always use when cooking?
default font when typing?
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deathbxnny · 22 hours ago
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Helloo!! Arcane is ending soon, so I was wondering if I could request the Arcane cast reacting to a reader who suspiciously seems to know everything that’s gonna happen in the plot? They always appear where the action is, and they warn about dangers before they happen, trying to ”subtly” change the outcomes of horrible events. Tragedies are a core element of the story, so I feel that the narrative would create another disaster if one event got prevented, but the thought of these characters being safe and happy after all they’ve been through would be so healing :3 It’s up to you which way you want to take it 🐁💖 I’m fine with both platonic and romantic, but I’d love to see Vi, Jinx and Caitlyn if that’s ok :)
I love love love your writing, reading your HC’s before bed has become an important part of my day and it’s always a joy to see your work pop up in the tags <3 Thank you for letting us read your creations 💖 I can’t wait to read the second part of your Caitlyn fic!!
The Timekeeper. | Vi, Caitlyn, Jinx x Gn!Reader
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I absolutely LOVE this idea, Anon, and I appreciate your request so much!! Also, thank you for your kind words. It really means the world to me reading something so sweet!<33
Content: Angst, can be read as either platonic or romantic tbh, time traveling, fluff, bitter sweet, cursing, spoilers for season 2?, sfw
Reader has no set pronouns.
((Not proofread))
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You were always a mysterious figure to them. One that appeared at the right time in the right place whenever they needed you the most.
You never revealed a thing about yourself. You never even told them your name. But one thing they did know was that you had always looked out for them, like a guardian angel in a way.
And on one fateful day, after another evaded tragedy, they finally caught up to you just before you could leave again.
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》VI
"Who the hell are you?" She asked completely out of breath after having practically chased you down through the dense crowd of the undercity. She had seen you so many times before. So, so many times. And every time she did, you were somehow able to save her from certain death by subtly showing her the right way to survive.
It took her a while to piece together that you must've known the outcome of every situation she had ever been in beforehand. That was the only logical answer to the many questions around your existence she could come up with, but it wasn't enough to satiate her desperate curiosity. There were times she had chosen against your signs, and the consequences ended up being almost grave. So whoever you were, you must've had otherworldly knowledge about everything and everyone.
Because whilst she didn't know a thing about you, you certainly knew everything about her.
Raising your hooded head, you idly played with the pocket watch in your hand, piercing eyes meeting her own. "Does that matter?" You ask, and truthfully, it shouldn't. Who cared about your identity when she knew she could trust you? But that wasn't enough. "Yeah, it does to me. Now tell me who you are already. I... I've been seeing you everywhere for years now. You have always been there and I..." She trailed off, suddenly losing her confidence.
She had thought of this moment for years now, imagined exactly what she would say to you. And yet, ultimately, she found herself speechless in your presence that seemed to drown out everyone else around you two. "I see... but my apologies, we were not supposed to meet yet." You said calmly, seemingly undisturbed by her appearance. "Time and fate... they both are so tightly intertwined and yet also so far apart from each other... how odd that the timeline changed so suddenly again, no?" Your words made zero sense in her mind, but that just added to your mystery.
"What-" "-Are you happy with the way your life is going?" You ask, and that made the woman pause in thought. The answer was positive, of course, but only because you had a strong hand in it once she accepted your help. She thought of Powder back home, who was probably happily tinkering away with the young girl Isha they recently took in, and that made her finally nod. "Yes. All thanks to you." "Not at all. It was you who chose your fate. I only showed you the alternative paths."
You two stood there in silence for a moment before she shoved her hands into her pockets and looked over to a nearby bar she liked to frequent in-between missions. "Let's go grab a drink and talk. It's on me." Deciding to accept this new path the timelines had given you, you accept her invitation with a smile.
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》JINX
"You're terrible at your job." "Am I? I like to pride myself in my good work ethic, actually." Jinx was idly swinging her gun back and forth on her index finger whilst she rested up in the ceiling above you, clearly having followed you around secretly. But she knew that you already knew that from the start.
Scoffing at your words, she jumped down and landed in front of your indifferent figure as she pointed the gun right at you. "Pah! You're a funny one... so what are you? A time traveler?" "Ah, I like the title Timekeeper more." You were aggravating but at the same time a familiar face she had grown to appreciate deeply. You were the reason she was doing well in life now, even if she ignored you for a very, very long time. She thought she knew better despite all the odds pointing against her, especially you. Ultimately, she learned her lesson when she finally just listened to you.
"Ugh... whatever. Can't ya at least tell me your name?" "No." "Man, you're such a pain in the butt!" "Likewise." Rolling her eyes, she lowered her gun and lazily leaned against a wall, arms crossed tightly as she observed the crowds passing by from outside the abandoned building you were in. An admittedly comfortable silence fell between you two, one that relaxed her shoulders and made her sigh in defeat after a while. Your presence was always so comforting.
"So, you let me catch up to you this time. Finally tired of the cat and mouse game we've been playing?" You lowered your head at her question, a sly smile on your face that made her narrow her eyes in interest. "Perhaps. Or maybe I just wanted to ask you how you're doing?" What an odd question, considering the context of your meet-up. And yet, it was somehow fitting coming from you specifically. Wasn't your whole mysterious mission revolving around her well-being anyway?
"Shouldn't you know the answer to that, oh so esteemed 'Timekeeper'?" You found no offense in the mockery of your title. Just pure amusement. "I'm afraid that mind reading was not in the initial job listing." Jinx took a moment to think about your question carefully then, deciding to indulge you despite her better judgment. Things were good now, after all. She, Isha, and Vi were together again as a family, including Vander, even if they had yet to find a way to turn him back properly. But everything was happy otherwise... because you made sure that the end to her story wouldn't be a painfully tragic one.
"... I'm fine. Everything's fine." She muttered, and your smile widened at that answer. "So... I'm not terrible at my job, after all?" Pressing a playful hand to her chin, Jinx acted as though she was in deep thought. "Hmmm... I guess I'll need more convincing than all of this to decide." "Of course... then how about we start with running away before the Enforcers show up to raid this place in approximately... 2 minutes?"
Jinx rolled her eyes again with a grin but agreed to follow you, very much glad to have learned her lesson at your side throughout the years.
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》CAITLYN
She was ignorant towards your judgment from the start, especially as she was able to analyze very quickly that you weren't all you claimed you were. You were too smart, too fast, too aware of everything. It was clear that you already knew how her life story especially would come to an end. But that didn't mean that she'd always listen to you.
Caitlyn believed to know better, even going as far as to protest against your word, which she had learned to be fate itself. And sometimes she'd nearly get away with her life, and on others, you'd be the one to show up just in time to save her. It was embarrassing and at times even near humiliating, but you never judged her, just silently left every time she attempted to confront you.
And this time she had finally succeeded.
Now dressed in a formal uniform, she watched your still form stare out of a window in her estate, as though you weren't practically trespassing. But Caitlyn was used to that. "It's going to rain soon. I wonder if the construction workers will get done with the restoration on time today before the first drops fall." The navy haired woman came to stand next to you, ears finely tuned to your calming voice she had heard in her dreams and mind for so many years. It felt surreal to stand next to you at last.
"You already know the answer... but I think Mother will send out guards soon to retrieve them." Her mother, who had only narrowly escaped her death, if it wasn't for you. She had only gotten a little injured from falling debris, but that was all that happened. All of the councilors and people in the building had survived the Jinx attack. No grave injuries. All because you prevented it by throwing Jinx slightly off balance enough to make her shot not as precise.
"... Thank you." "For what?" The right answer would be absolutely everything, but she refrained, noting that you didn't seem keen on praise. You saw it as your job. As your duty to her for a reason unknown. "For saving my mother." That should do.
You nodded at her words in acknowledgment as your eyes spied Ambessa retreating with her troops in defeat. They were practicing chased away by the council since their help was unwelcome. Served them right for meddling with the business of other nations. You had exposed their ulterior motives in secret, and that's all it took for the tide to turn against them. "Just my duty." "I knew you'd say that... but I want to reward you for all you've done. If it wasn't for you... then I... I don't want to know what I would have become."
You glanced at her with an unreadable look in your eye, and that reconfirmed her suspicions regarding how deep she would have fallen otherwise. It's best not to think of it.
Humming to yourself in thought, you gave her a small smile. "Very well, if you insist... you can treat me to some fine tea and cookies." Caitlyn weakly mirrored your grin, relief filling her senses at you accepting her offer. She was worried you wouldn't. "Of course. Follow me." Linking your arms together carefully, you made your way through the dim halls.
A chuckle left your lips when it indeed began to rain.
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kokiriri · 2 days ago
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Time in Emrub vs. The World of Twelve
Soo I was scrolling thru Pinterest and found a manga screenshot that caught my attention.
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Now I haven't actually read the Wakfu manga (I need to read it, I know) but I found enough screenshots to piece together an idea of what happened leading up to this scene. From what I've got, the manga covers when Chibi and Grougal are kidnapped by Jiva, the guardian of the months in the Wakfu/Dofus universe. The Brotherhood of the Tofu try to find a way to safely retrieve the Ebony twins and on the way, they stop by Emrub, the dimension where the Eliatrope people live.
Now here's where things get interesting: as shown in both the manga and television series, all the Eliatropes residing in Emrub are children. Qilby mentions that time flows differently in Emrub than it does on the World of Twelve, but not much else is said besides that. This scene in the manga however, sheds more light on just how large the difference is between the two dimensions. The dragon character on the left page asks the Brotherhood "what took them so long" to which Amalia retorts they had only been gone for "a few hours." The dragon then explains that nearly a year had passed on the World of Twelve, which obviously shocks the Brotherhood.
Now what am I getting at? Well, because I was bored and wanted to do something besides my homework, I decided to do a little math to see if the manga accurately explores the difference in time flow between the two dimensions. Keep in mind, a lot of this math is approximate and based on various contextual assumptions, but yeah, let's get into it.
For starters, we know that all the children living in Emrub have resided there since the Eliatrope War that took place thousands of years prior to the events covered in Wakfu. They all are still clearly children when Yugo visits them during his confrontation with Qilby in Season 2, meaning that despite having thousands of years gone by, they haven't really aged at all. There are toddlers amidst the crowd as well, looking around 3-5 years old. Based on this observation, the children couldn't have stayed in Emrub for over 3-5 years, otherwise the existence of those younger children simply wouldn't make sense.
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Now, another thing to keep in mind; back in Season 1, Yugo asks the specifics behind his and Adamai's most recent rebirth, to which Grougaloragram explains that since the Emerald twins made the greatest sacrifice during the Eliatrope War, it then took them thousands of years to regenerate wakfu within their dofus. I'm assuming that the Eliatrope children were sent to Emrub shortly before Yugo and Adamai died in combat. This, in part, means that the Eliatropes have lived in Emrub for thousands of earth years. From here is where we apply the math from the manga, as well as where I begin to make some approximations.
For the sake of convenience, I'll be assuming that it took roughly 10,000 years for Yugo and Adamai to reincarnate. I'll also presume that the Brotherhood of the Tofu spent 3 hours in Emrub, since no number is explicitly defined (the only point being made was they spent "a few hours" there, meaning not one, but multiple hours.)
Now let's break it down.
The dragon stated that nearly a year had passed on the World of Twelve while Emrub only experienced 3 hours (again, I'm approximating here.) I'm guessing that "nearly a year" means 11 or so months, but I'll be rounding up to a year because I'm lazy. Therefore, 3 Emrub hours = 1 WoT (World of Twelve) year.
Based on this, 10,000 WoT years = 30,000 Emrub hours. Covert those hours into years, and you get 3.4 years.
During the 10,000 WoT years it took for Yugo and Adamai to be reborn, it was only 3.4 years for the children in Emrub. Pretty crazy.
Here are some other comparisons between the two dimensions to help you wrap your head around the difference:
Sleeping for 9 hours in Emrub takes 3 years on the World of Twelve.
The time it took for Yugo to grow from 0-12 years old on the World of Twelve took 36 hours (or 1.5 days if you prefer) in Emrub.
In the Wakfu OVA, Joris Jurgen is 598 years old. That's 74.75 days (~2.5 months) in Emrub.
And we can break it down even further if you'd like:
15 minutes in Emrub = a month on the World of Twelve
1 minute in Emrub = 2 days on the World of Twelve
1 second in Emrub = 48 minutes on the World of Twelve
(Again, I’m here to remind you that these are all approximations)
These numbers align with what I was discussing earlier -- as the youngest children in the audience appear to be 3-5 years old, 3.4 years is an entirely plausible conclusion. Now, this math is heavily simplified, and I honestly doubt Yugo and Adamai took 10,000 years to reincarnate. ((Grougal's choice to use "thousands of years" as opposed to "TENS of thousands of years" has me thinking that they spent under 10,000 years in their dofus. I simply used 10,000 to show that even at the maximum amount of time Yugo and Ad could've spent in their dofus, the mathematical differences between the two time zones still make sense.)) You get the point.
It's pretty cool to see a piece of media that takes the time to consider details and accuracies like this, because I feel like so often I see plot holes and inconsistencies that books or shows don't bother to cover up. (Don't get me wrong, Wakfu has its fair share of plot holes, it's just nice knowing they took time to think about this small detail.) And although no amount of hours or months are explicitly defined in the canon material, the series recognized that the difference had to be such that the World of Twelve had to experience a year in the time it took Emrub to experience a couple of hours in order for certain developments to make logical sense.
Anyways, that's the end of my insane ramblings. I did this math at like 1 am, so there's a good chance I made a mistake somewhere in my calculations. Don't be shy to correct me if you see any errors or whatever.
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idolomantises · 18 hours ago
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Thoughts on Arcane season 2
I didn’t like this season
It’s not bad, but I found it incredibly rushed, cramped and deeply unsatisfying
While season 1 had several protagonists it was also pretty obvious that Vi and Jinx were the emotional core of the entire show so why on earth was their dynamic barely explored here
Vi went from being my favorite character to a character I found deeply frustrating and annoying. What the hell is her personality of getting her sister back and fucking the hot lesbian. She has no consistency whatsoever and it’s something I don’t think the show realizes how batshit the constant flip flopping in. What do you mean you sister tells you she’s going to kill herself and then you start fucking your messy situationship
I don’t really care for Jayvik but I found Jayce’s confession very sweet.
Mel my beautiful queen they’re gonna call you a Mary Sue
What the fuck was with all that Witch shit and Ambessa’s death was incredibly unsatisfying
Victor fans who kept begging the team to not make him a hot buff robot so he can still be a skinny twink pisses me off so bad because now we have an inferior twink robot design. I know fans probably didn’t influence this but I also need to complain about their lack of taste like what do you mean you didn’t want to see a hot buff robot man.
Ekko feels like an incredibly unimportant character and I’m pretty sure fans only like him because of what he can do for Jinx. A part of me wished he actually did hold a grudge just to see how fans reacted.
Season 1 was all about setting up emotional complexities and how nobody was truly evil and the show made it seem like there was no way for anyone to fully recovery from this but everyone is holding hands and singing kumbaya’s so alright nevermind then
This show was honestly a little too in love with Jinx. I did not enjoy her writing in acts 1 and 2.
The jokes were really bad this season
The songs oh my god the SONGS. I didn’t mind them in season 1 but in season 2 it started to remind me of love is blind and anyone who has watched that show would know what a massive insult that is.
Caitvi lesbian sex scene and I couldn’t even enjoy it because the writing was pissing me off
Caitlyn should’ve continued her little fascist arc.
Mel’s arc this season felt like weird fanfiction.
A bunch of random side characters die off unceremoniously after the show gave them so much unnecessary screen time
I hated Isha sorry. I’ve never seen a character more clearly made to die.
Jinx death means nothing to me because I know she isn’t dead so why even do all that lol
I will never call this show sexist but it has done a massive disservice to its female characters.
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arcane-ish · 1 day ago
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I know it's not a fun thing to think about it, and we have one more arc to think about it, but my worry is that the correct take from this is that the writers just have a different, more negative read on the relationship of Silco and Jinx.
Some interviews with cast members give me the vibe that they weren't that comfortable with the too positive read some fans had on Silco. (ie Ella Purnell for example)
My read on Silco as a character, as a person is that he was a guy who suffered trauma, who hardened, and it was important for his character development to grow to care about Jinx. But he's not the subject of this season. Jinx and Caitlyn and Vi are.
And it's not so much that there isn't enough time to do a montage to show Silco's softer side, it's that from Jinx's point of view, from her character development, Silco just isn't as positive a factor. (for the record, this imo doesn't just affect Silco. With Warwick we also didn't really get much about his torture and what it means to him to become the beast, his role also is heavily dictated by what his existance means for Vi and Jinx, like when the flashbacks of his past seemlessly roll over into the montage becoming about Vi's point of view of her mother and sister)
I read the writers interview with things like:
SCIFI VISION:   Yeah, it's definitely going to make a change, it sounds like. Talk about the fact that Jinx doesn't, I guess, at least right now, have anybody, now that Silco's gone, too. I mean, is that a good thing? Is that a bad thing? I mean, his influence isn't there, but I do think he actually cared about her, as crazy as he was. CHRISTIAN LINKE:   Yeah, I mean, it's the first time in Jinx's life where there isn't someone else telling her who she's supposed to be. In the beginning of her game, it's Vi, her big sister, who she really wants to impress and please. Then it's Silco, who really wants to make her, like, the most potent version of the talented weapons tinkerer that she is.
So, suddenly, the voices are gone, and she has to figure out for herself who she wants to be and what she wants to do, and that is a true first for her.
This reads like they see Jinx being "free" of Silco and figuring herself out as the positive aspect and I think in the show this being represented as her forming relationships and having some happiness and maybe even glipses of "Powder" showing up (when Silco insisted Powder was gone) or Jinx trying to reject being Jinx.
I think there's a good chance that it can't stay that way and Jinx goes back to being Jinx, but the issue is whether that is being portrayed as a bad and tragic thing. Because Act 2 certainly seems to feel wistful about the way Jinx is in it. (that said, there's certainly maybe some meta meaning to be mined on how Viktor's community seems beautiful but it's likely the wrong path/not the real deal)
From the show it's still clear that Jinx cares for Silco, but again in regards to his influence on her it seems to be a more mixed bag. Or even the show leaning towards Silco represents Jinx represents violence and it's something that makes Jinx unhappy and that she tries to back away from a bit.
Now there's a good chance that the death of Isha might put her in a vengeful state and have her go deeper into Jinx as a personality. But again with the open question being whether that makes her happy or actually unhappier.
Right now it feels like going deeper into Jinx seems to be more liked to her losing emotional connection from others (because she's withdrawing deeper into herself and becoming more abrasive with others).
I guess we will see in Act 3 if she goes more Jinx if she comes to enjoy it more and if Silco shows more up in connection to it. (I could see maybe a glimpse of Silco and Jinx's past relationship showing up at like a fundamental transition moment, like giving fully into Jinx or when she is close to death)
I think the problem is that for fans of Silco his relationship with Jinx represents a softening of his hard stance, while the writers from Jinx's point of view seem to mostly be casting as him representing her hardening. Rather than let's say, the softer aspects of their relationship being something that is guiding her out of a dark or hopeless moment.
(which again doesn't mean that Jinx feels negatively towards Silco or that what she takes from it is negativity. And I think there's still plenty of room to tell a story of his having positive influence on her. It starts with her letting go of him and one can argue that having the strenght of let go is an important thing to teach a person (especially if I see Jinx being haunted by the ghosts of Mylo and Claggor being symbols of her inability to let go). And even when Silco fans joke about Jinx's line about how things might have been different if Silco had found the letter, to me that is still a representaiton of Jinx having softer feelings, a softer read on Silco. Maybe it's an unrealistic take on him, but it's a softer take on him rather than her reading him as a negative and oppressive force in her life)
Okay, I'm rambling and not making much sense and we will know soon enough if Silco's role in regards to Jinx becomes more pronounced as she maybe embraces her Jinx side more. Or if the writers have just an a lot more mixed or negative view on his role in her life as it relates to her development. Or if they want to specifically write a story of her emancipating herself from both Vi and Silco and if she makes her choices towards violence or whatever she decides on they want it to be on her own terms rather than just being what Silco wanted. Because they want it to be truly HER story and her choices and not "actually this is the story of badass Silco who formed attachments, sacrificed himself for his daughter and triumphs from beyond the grave because she is finishing what he started because of his badass influence on her".
I guess what I want to say is that I don't think that there being no young Jinx & Silco flashback so far doesn't have to do with lack of time, but them going with a specific characterization for Jinx where her might for whatever reason (too fresh, emancipation, Silco being associated with violence and she is still in the grief phase, her memories not being as positive [people might not like it, but I get the impression if we compare how Jinx interacts with Isha if maybe her childhood with Silco she felt lonely despite his best efforts]) doesn't want to go there yet.
Can I get something off my chest? I was really hoping we'd get more flashbacks of Jinx and Silco together.
their backstory holds so much potential for deeper exploration, expanding on how he raised her after Vander's “betrayal” could have given more insight into how Jinx became who she is, and the complexity of their bond.
Scenes that truly delve into how he cared for her, how their bond was built over time.
I wanted to see those tender, fractured moments where he helped her navigate the chaos in her mind, whether through tough love, quiet support, or simply being there when she had no one else.
Moments where his stern but protective demeanor softened just for her. Maybe a glimpse of him patching her up after a dangerous mission, or the way he'd indulge her quirks when no one else could.
He wasn’t just her dad, he was her anchor in a world that had abandoned her, and it would’ve been fascinating seeing more of how he filled that role. Their bond was so complex god
There’s so much we don’t know, and so much that could have been shown, and I can’t help but feel like more flashbacks could have given it even greater depth.
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phantomrose96 · 1 day ago
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Aromantically rotating this quote from Jon "The Silt Verses" Ware from the Season 2 Q&A (bold emphasis mine)
Question: I love what Paige and Hayward have going on. How would you describe their dynamic? ​ JON: I saw someone online talk about the, “the paladin and the prophet.” Which I think is a really nice way of looking at it! Whereas I saw them as two people who…both of them have come to the end of the road in their old lives. [...] I think maybe there’s also an implicit question there about whether there’s something romantic going on – maybe I’m reading into it, but that is something that’s on my mind a lot, so I’d love to talk about it more. ​ Because shipping is fantastic and it’s wonderful and it’s cool, but as a writer who’s way too online in a parasocial world, I’m really wary of how I respond to it and how I process it. ​ I personally, I don’t like writing fictional characters where the most important moment in their narrative arcs is when they get together with the person they were always meant to get together with. Generally, it’s just a bugbear of mine in fiction and I’m not sure I agree with the underlying message. ​ But I think if any writer who’s way too online sees, hey, people are getting excited about these two characters hooking up and falling in love and they keep coming back to this idea of them hooking up and falling in love, there’s a real rodent voice in the back of your head whispers, "give the people what they want. Get those likes, get that fanart." ​ Which is the wrong response! Because we don’t understand that maybe people are just having fun exploring these characters or their own interpretations of these characters, we think they must be anticipating a pay-off from us. ​ And again, I think it can send you in the wrong direction, one that ends up being essentially flattening – we don’t think, "if these characters hook up, OK, what new opportunities does that give us to explore them, to understand them in greater depth?" Instead we think we need to perform a climactic moment of love and comfort and happiness to get the audience’s approval. Which can be very much to the detriment of the complexity of the characters, but also, afterwards, where do you go with it? ​ And after we released maybe one episode of The Silt Verses, I saw a couple of folks online going ‘oh, god, I hope this isn’t going to end with Carpenter and Faulkner hooking up,’. And you go, "oh my god, I hadn’t considered that as a possibility for a second, that’s not who they are and that’s not what the relationship is here" - but of course all of us are primed for it, that enemies-to-lovers thread that is so common. ​ [...] ​ So it felt like I could introduce a connection there [with Paige and Hayward] and we could see a different way that they begin to be around each other that hopefully feels like it’s adding new dimensions to both of the characters without me looking over my shoulder going, “Am I in danger of turning this into something a bit stock by turning it into quite a straightforward romantic situation?”
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guiltycorp · 14 hours ago
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Damn i really want to know tf happened in the writing room of arcane s2. Some of the downgrades were inevitable due to the show's corporate limitations (not being able to progress the class war story in a meaningful way, having to tie things back to league of legends in terms of making playable characters more appealing to well, play... rip Mel and Viktor in particular), sure. But i still feel like it's even worse than that? There are so many bad decisions that i couldn't even start listing them all... the characters, plot, pacing, themes, it's just such a mess? Even the dialogue writing, it feels much more mm Marvel at its worst i suppose. What i am most bothered by is probably just the straight up harmful messaging so um... Cycles of violence and abuse can be broken by individual decisions to become a better person! Got nothing to do with systemic oppression, living conditions, mental health issues, you can just conveniently ignore aaall the social context, live laugh love and then things get better automatically yep, oppressors famously stop oppressing you when you show them that you're harmless and won't put up a fight anymore. Literally three out of three suicidal characters dying to redeem themselves? Not even in a tragic/cathartic way but in a bittersweet 'they finally atoned for their mistakes' way? Groundbreaking lmao. Romantic relationship between Vi and Caitlyn including no communication about their biggest fight, just conveniently skipping to sex and getting back together - would have loved that if it was framed as the unhealthy fucked up thing that it is, skipping over Vi's hurt and her background to once again become a cop, her girlfriend's direct underling at that (!) due to her not having any other support systems... But nope that was our cute lesbian romance wrapped up, a good thing all around, not concerning at all. Jayce telling Viktor that what he 'always admired about him' was his disability and his deadly disease (??? from a character who spent the whole s1 and first act of s2 desperately trying to help Viktor find a cure? sure) and that those imperfections don't need fixing, just wtf truly. Magic bullshit was also weird, some implications of 'natural magic is ok, but achieving that power through other means corrupts you into a crazy robot bitch or just wilts your trees i guess', but tbh it was written in such a weird and inconsistent way that we can skip this one... Yeah actually a lot of things were just such a mess that I feel silly pointing to specific moments or lines I didn't like, I mean duh, it barely makes sense as a story at all... I am happy we have s1 which comparatively was a masterpiece, and i also really enjoyed s2 act1, i truly believed it would lead somewhere good at the time, my mind still kind of cuts off the story at that point when i think about it, that WAS the open ending of the show to me (is it possible that there were rewrites? targeting act 2 and 3? idk, wishful thinking perhaps). Despite my extremely negative feelings about this season's conclusion i remain glad that so many people appreciate the show regardless, it is clear that there was STILL a lot of love in the process of its creation (although i'd argue that even some of the visual aspects of the show suffered in quality, once again i have to wonder about behind the scenes mood of it all) and i get very upset when i see creatives online despairing over reception of their projects even when i'm absolutely in the disgruntled crowd hahaha... ...however yeah, this wasn't great In a world that increasingly grows more and more right-wing politically... we really needed something different i think.
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eerna · 12 hours ago
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i was one of the people who saw the early leaks post and i remember trying not to read too much of it but i had a moment of being like wow this cant be real but also it definitely could be. i remember reading about the damn caitvi sex scene and i thought to myself thats so ass why would they do it in a prison and then i realized the writers probably thought it was some meaningful parallel or something about vi being able to transform being imprisoned with something good
then the act dropped and i saw the damn parallels with cait finding her in the cell and i was like ok yeah. they basically had that as an idea. amanda overton was talking about it in a watch party and said they love their parallels and it was meant to symbolize vi addressing her trauma and im like. i see what they were going for and i get it I GUESS narratively but i really feel like this is such monkeys paw shit like we got this scene at what cost. and like the scene ITSELF was very good and sweet and lovely but like could it not have happened ANYWHERE ELSE?
i feel like the biggest problem with arcane s2 was that the creators rlly wanted to push the bar with animation storytelling. amanda talked about this too and like i feel like it kind of highlights the problem. where bc this show is so amazing graphically the animators wanna highlight that with as much action as possible instead of focusing on smaller scenes and more intimate quiet moments. i watched arcane s1 all at once after it came out and there were def parts that felt a little rushed in certain acts but it was nothing like s2. it just feels like they had all these story beats they wanted to hit but didnt give it the time it deserved and it sucks bc they said they always meant it to be 2 seasons so like why does it feel like this. they wrote them back to back around the same time what happened between s1 and s2. i just feel like the caitvi sex scene is a microcosm of the larger problem. they had these emotional beats and story moments that in isolation are really powerful but its almost like we didnt get a proper A to B transition. its like we skipped several steps for sooo many story beats.
such complex characters with real ass lives causing real ass problems. cait's privilege being an issue, how gratifying that could be to have explored. viktor's experience being explored more in depth. just so much more about zaun. like all of it was there in tiny slivers but it was never given the depth to GROW or properly BREATHE bc five million action scenes and plot points had to be squeezed in.
ultimately i love arcane overall. i think it has broken boundaries and done some amazing things. but its blemishes are really... painful at the same time. and knowing how the writers did such a good job in s1 makes me just like. cmon guys. you had it. YOU HAD IT
anyways sorry for blowing up your ask with so much rambling i just... idk. what are your thoughts on this stuff do you agree with my assessment or do you think the culprit is something else
No prob, welcome to the symposium~ Yeah, I totally get what the writers were going for with Vi. Which is why I am so shocked they thought it was a good idea. Like, okay, she is addressing her trauma in the sex scene... But why should her trauma get addressed by being locked in a jail cell by her sister, who just spent days being wrongfully imprisoned in there by the girl she's about to have sex with, and who then told her she was gonna off herself. If anything, the thing I was feeling was pain because it happened again, a Zaunite was thrown in jail by the Enforcers after she helped and saved them without any rights, and she was reminded she was less than them and her life is worth nothing... Mmmmm, the perfect memory to overwrite prison abuse!
I too felt s1 had some strange pacing choices, Vi and Jayce teamup comes to mind first, and that was, surprise surprise, a fight scene. But those were pretty minor, and still left time for other scenes to develop properly. It only becomes a real problem when it happens scene after scene, character after character, until no one is acting in character and you constantly feel like you have skipped a scene or two. I too remmeber them saying they wrote the seasons back to back, but. Dare I say it. I think s2 was so majorly rewritten by the time it went to recording that only the bare bones remained. In fact, that might be why we feel this way - maybe they DID have a frame they wanted to follow, but the rewrites warped and twisted the characters so intensely they ended up making no sense in the context of that frame. That's right, I'm talking about the way they decided to more closely follow and collaborate with LoL in s2. Jayce's final speech to Viktor only makes sense for game Viktor, and goes completely against s1 Viktor. Vi deciding police brutality doesn't really matter all that much makes sense for game Vi, and foes completely against s1 Vi. Jinx giving up on ever being loved or accepted by others makes sense for game Jinx, and goes completely against s1 Jinx.
So yeah my thesis is: Arcane knows it looks good, and sometimes it prevents it from being well written. It also decided to throw in its lot with LoL in s2, and no amount of good intentions from the writers could have saved it from crashing and burning.
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fyeahnix · 18 hours ago
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Ok lemme talk about this season of Arcane, the ending, and most importantly, Sevika. If you don't want spoilers, back away now but I'm leaving this open because people have a tendency to not open or read my posts with read more cuts after them 🙃
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First off, I will say that I like Arcane a lot. Like a LOT. I've watched the first season 4 times (rarely do I watch anything more than once) and I think it's a masterclass in adult animation. Fortiche really put everything into this series.
That being said...
While I did like season 2, I don't think it was enough. Animation wise it was phenomenal, writing wise...I think it could have been better. As I've learned through doing research for my Sevika fics, the League of Legends universe, lore, and worldbuilding is fucking MASSIVE and even if I don't give two shits about that community or game, I have to give it props in that department because they really put a ton of work into it to make it feel alive. Maps? Short stories? Timelines? Race and culture? Apex could never...
That ofc is why it's hard for me to say that the writing is amazing. We had far too many characters to keep track of in season 2 with far too many plot threads to finish in two seasons. I think ideally, this series should have been 3 seasons instead of 2. Acts 1 and 2 could have been its own season, and Act 3 could have been its own season. If not that, then at least one more episode per act would have helped a lot. Things just progressed and wrapped up far too quickly for my liking.
Also not a huge fan of how quickly video game related media tends to dip into the whole timeline and multidimensional business. It def works well for some games but here? Idk I guess it was bound to happen given some League character's abilities, but the stakes just elevated far too quickly for me. Not a fan of Viktor becoming one of the main antagonists at all, and DEFINITELY not a fan of the conflict between Piltover and Zaun being sidelined for an "enemy of my enemy is my friend" thing with the war against the Noxians. It makes sense, I just wish "war with the Noxians" came at a later date so we could focus on the twin cities.
And speaking of the generational conflict between Piltover and Zaun, let's talk about Sevika.
As I said before, Sevika is the most qualified person to become the leader of Zaun and I stand by that even after the ending. But first....what about her found family? Isha sacrificed herself and Sevika gets no on-screen reaction? The last two episodes just progressed SOOOO FAST that we and some of the characters didn't even have time to breathe. Did Sevika even get time to mourn for Isha? What about Jinx, who is now gone? Sevika barely even encountered Vander! I would have loved to see some of the aftermath there because I think season 1 did a better job of allowing characters time to process their emotions and grief, even if the pacing was still kinda fast. It was acceptable!
I am sad af she didn't get more lines, but remember, Sevika has always been a side character in this series. An important side character but a side character no less. The promo shot of her now feels like...what was the point? (more on that in a sec) but considering how many characters and plot points and plot threads they had to account for, I am not surprised she didn't get more screen time. Hell, Vi and Caitlyn didn't even get a chance to have a full conversation on eveything that happened and Caitlyn didn't even apologize on screen. The fuck bro.
Now about Sevika's ending....I am very happy she isn't dead. Like dawg, you have no fucking idea how happy I am about it. SHE FUCKING LIVED. But....
I am seeing some people saying they're not happy or they're confused or that her ending doesn't make sense. And I just disagree with those points. Let me explain why.
I posted something earlier today about it, but again, as people don't open my read mores, I'll repost it here:
We absolutely do not know how much time passed between the war and the final few shots of the season. So Sevika joins the council. I DO NOT THINK she would do this unless there's a good reason for it, and that's why I'm guessing she will be Zaun's ambassador on the council. That war probably significantly changed the relationship between Piltover and Zaun and while old wounds will take more than a fucking war to heal, her being on the council now means she directly has a say in Zaun's future. Remember, the council was literally about to hand Zaun their independence before Jinx blew it up, and Mel was in support of it. As I said before, Sevika is respected down there at a bare minimum with all the factions. She would know better than anyone how to lead Zaun at this point. So yeah I get the hesitation, but it makes sense in my eyes. And it makes it likely that Sevika could show up again in a future League animation, if not become a whole champion.
I like her ending. I am sorry but it just makes fucking sense. Sevika is extremely loyal to her home and her people of Zaun. We've seen that time and time again. She was willing to go to war and die for those people not just against Piltover but also the Noxians, so why on fucking earth would anyone believe she's making a bad choice here?
She is now in the best possible position anyone in Zaun could be to advocate for their independence and support their growth. She knows the chem barons and brought them to peace, she gained the respect of the Firelights with Scar leading them in Ekko's absence, and she even got the Jinxers together with them before the Noxian attack on Zaun. Sevika has experience, she has the ear of the people, she knows what it's like down there, she is made to lead and help advocate for them!!!!
Believe me I get that whole "changing things from the inside" angle doesn't work more often than not, but this doesn't feel like "changing from the inside," it feels like "let me advocate for my people's actual independence so we have a starting point to become self sufficient." Again, Piltover was literally about to let Zaun gain their independence, and while none of the previous council members that agreed to it are there, Mel is/was. Who's to say she didn't help negotiate for Sevika to sit on the council and start (or complete!) the Zaun independence process before she left for Noxus? I can't imagine Sevika would just show up to the table and sit there if she didn't have a damn good reason. Like come on now. This woman has seen first-hand what Piltover is capable of and does not like them nor looks like she wants to be there. But she's seen what Piltover has done to her people first-hand, and after learning from both Vander and Silco, this is how she feels she can best protect her people.
She IS the new leader of Zaun and their ambassador at the council.
And lastly, we've been told that some characters will be returning in future League animations. Mel seems like an absolute given, but what about Sevika? Zaun's story is only just beginning, and yeah they said they'd like to branch out to other regions, that doesn't mean a cameo or maybe another medium can't be used to continue that story (a book, perhaps??).
Anyway yeah those are my thoughts...
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Maybe this'll be really unpopular (guess that's what this blog is for lmao), but with all the new spoilers dropping I'm starting to get a little glad we didn't get season 2. I'm sure they'd do everything really well, and I'd love to see the gay bar episode, but bringing back Esther and the Cat King? I had such a visceral negative reaction to both those pieces of news.
To explain myself: I think there is a massive problem in series', across a lot of different types of media, of having recurring villains, people who come back just because no one can be bothered to think up a new villain, and it ruins a lot of things for me. Imo Esther was really well dealt with in season 1; considering she'd technically immortal, I think they got rid of her really neatly and in such a beautifully appropriate way. She's being punished by the goddess whose gift she used to feed hundreds of little girls to her giant snake. That's such a wonderful ending. It's fanfiction's job to bring her back over and over, just like it's fanfiction's job to put Edwin in Hell over and over; it's the show's job to come up with a new villain.
I very much don't ship Catwin - I like the Cat King as a character but I am very strongly against the ship for reasons I have given before (the Cat King's loneliness means he needs friends, not a boyfriend, and I don't think it would set a good precedent for Edwin's future relationships to sleep with the guy who tried to coerce him into sex) - so that might be colouring my thoughts against his reappearance in season 2, but I just... I think he's served his purpose with the Agency. Maybe a spin-off or something about him, Monty, and Tragic Mick making friends and dealing with the fall-out from Esther's end would work, but I don't want him becoming part of the Agency or even really interacting with them much because, to me at least, it would just feel forced.
And also, it just feels like both Esther and the Cat King are very rooted in Port Townsend. They've been there for centuries. And now that Niko has 'died' and Jenny's considering moving to London, there's no reason for the Agency to ever go back there. I know a lot of people are attached to Port Townsend as a location because that's most of what we see in the show, but I'd love to see the Agency in London, where they've been already for years. They must have quite a large network of supernatural acquaintances, if not friends, in the UK and I think it would be a shame for the show not to properly explore all the potential that has.
Overall, I don't know. I think Dead Boy Detectives is an amazing show that deserves to have loads of seasons exploring lots of different characters and locations, and the number of characters that feel like they should have been a one-off in the first season but were apparently going to come back in season 2 suggests to me that it was only going to get one or two seasons anyway.
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alexxncl · 2 days ago
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‼️NIGHTBRINGER LESSON 55 SPOILERS‼️
masterlist | all lessons | season 3 | lesson 54 | lesson 55.2
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not they ended last lesson on the cliffhanger and barely addressed it in this one 🧍🏾
honestly that's on par for someone as closed off as raphael but FUCK i wanted some insight on how he's actually feeling. what's up with angels and not letting themselves show weakness ???
also the fact that this part of the lesson is called "back to the sorcerer's society" ??? mc's had too many death scares i can't keep doing this
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gotta get all the mammon crumbs i can now that i know that the stupid date feature is 30 FUCKING DOLLARS 😐 i'm semi p2p but this shit is getting more and more ridiculous as the days drag on. like i'll just use character and and fanfiction atp
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it's the way that i forgot the fact that mc's existence can literally tear apart reality at the seams. like that whole thing that happened in season 3 (4?) of og when simeon had to steal lucifer's ring and ended up becoming human bc of it
i feel like his punishment would've been way more lethal if the stakes weren't so dire. mc having lucifer's ring was the only sure fire way to ensure stability within and between the human, celestial, and demon realms without having any of them implode
this also explains why magic sickness is so concerning for mc specifically. to quote marvel, kayden is probably this universe's anchor being. if they go down, so does everything else in the timeline
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me and sol got beef now bc what /lh
like yes he did what had to be done but did he HAVE to do what had to be done ????
also the fact that mc broke the measuring device after solomon had to fix it with reinforcements bc he himself broke the device before is so ??? like how fucking strong is mc ??????
this brings even more of a concern to the fact that a war breaking out between any of the realms would literally be life and death. if any of the brothers or their friends family get hurt, mc would cause irreparable damage to whoever or whatever is closest to them, whether the target caused the problem or not. like that's terrifying
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this is why i love satan
he's almost more no-bullshit than lucifer is, which makes sense all things considered. in his eyes they still don't know anything about mc's power. all this is to satan is an educated guess, and when it inevitably gets disproved, then what? what if they do end up hurting someone
i doubt that'll happen since there's so little time left in this season but idk. it's not entirely out of the realm of possibility
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i'm very glad that they used the very obvious answer as to why mc's powers are going haywire, bc the whole "it's just bc they're so loving and kind" thing just seemed like a cop out to me. like where are the stakes. what about the first 40 lessons of the game
ANYWAYS i'm very interested to see how this'll play out. part of me thinks diavolo and lucifer already know bc 1) they're not stupid and 2) dia is in close enough proximity to the time demon himself to know when something happened to the time stream (or as barbie himself called it, "time soup")
like look at the way barbatos reacted and the way diavolo immediately changed the subject. they both know something's going on, but whether or not diavolo knows the specifics is up in the air
satan is also the funniest mf on the planet idc argue with the wall. he really is the product of all his brothers bc this SCREAMS mammon and levi
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:((( poor raph
i honestly can't even imagine what it feels like. the only angels he probably has left that he's actually close to are michael and maybe luke. even then, he probaboy sees luke as someone he can't confide in and feels like he's losing his brother(s) all over again
at least with simeon in purgatory hall, he can delude himself into thinking that simeon's still an angel. but if he's not there anymore, it's all but set in stone that he's lost what little connection he had left to simeon and, in a way, the other brothers, bc luke wasn't around or old enough to remember pre-war times
on a brighter note...michael lore. kinda. and mephisto being a kisser of multiple asses (mephisto fans i'm sorry he's so fun to dog on)
i wish he could get his head outta his ass though. like actually. just pay your boyfriend a visit ffs, he'd be beyond happy to see you
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of COURSE he's not in his room and of COURSE this is how the lesson ends
watch lesson 60 end with a michael-related cliffhanger. like watch them tease his design reveal and then just cut the shit off right before he's shown
but i need the michael design asap i'm so serious. solmare count your days
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sinfiltrate · 18 hours ago
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Act 3 spoilers
I just wanted to voice my opinions on the entirety of act 3, I will be making another post focusing on Jayce because I am disappointed with his story specifically.
Let's start with what I'm happy with!
The display of Mel's magic was amazing. All her scenes were so powerful.
CaitVi is canon! (which was predictable for obvious reasons but i'm still happy for them)
The music choice was perfect, as well as the quality of the episodes, as expected. No matter the storyline's flaws, the art style itself is undeniably gorgeous.
Maddie dies IMMEDIATELY after betraying Piltover, so I'm happy with that. Don't get me wrong, I think the season looked rushed, but the instant karma of that scene was enjoyable. It's well executed shock value.
The Caitlyn/Mel and Ambessa fight sequence was SICK. They really emphasized Ambessa's strength and battle IQ here, and while I dislike her, it was satisfying to watch.
The JayVik ending. Now, I am very conflicted with this, but I'll focus on the positive part. THIS MOMENT WAS SO TENDER!! It revealed how much Jayce truly loved and cared for Viktor, and that Viktor thought Jayce to be the only person who could ever make him acknowledge the importance of humanity. Jayce was his last and only hope, and Jayce proved Viktor right in every timeline.
Jayce defenders, we won. We got an entire episode dedicated to what Jayce and Ekko/Heimerdinger went through, and it proved that JAYCE WAS RIGHT AND HIM AND EKKO ARE OUR SAVIORS THANK YOU 🙏
Jayce looked fine asf. That is a beautiful man and I'm expecting many more edits (pretty please).
Alright, now let's get to what I'm upset about.
Jayce's wasted potential. The way I see it, they just reduced him to a pawn in Viktor's character arc, considering that his life begins and ends with Viktor. It's sweet, yes, and can be counted as a win for JayVik shippers, but I really wanted more for Jayce. And yes, I will most definitely come back to this on my Jayce-centric post.
The lack of reaction to Jinx's and Jayce's "death". I'm honestly not sure if either of them are dead (I am also somewhat in denial). Mel lost her lover, of whom brought out a softer side of herself that she didn't even know existed, and there's no reaction? Not even a scene of her finding out? The same goes for Caitlyn, since she literally saw Jayce as an older brother. Then there's Vi, who's seen completely fine with Caitlyn, and Ekko, who's having the only appropriate reaction, but even so, it's too calm. We'd have to assume that there's been another timeskip, but it couldn't have been long since the war. ALSO XIMENA, Jayce's MOTHER, she's seen putting a paper of Jayce's name to burn and honor him after his supposed death, but her expression is blank. Just simple resignation. I don't know, the lack of reaction had me questioning why I was sad.
No proper reunion scenes besides Ekko/Jinx and Mel/Jayce?????I actually liked Ekko and Jinx's reunion, but Mel and Jayce? Not even close to what I expected or wanted.
This season was rushed; that's something everyone can agree on. I think it was very focused on action rather than the complexity of these people's relationships and minds, while the first season had a balance between both. There just wasn't enough time for that balance with all the information they had to give us.
Honestly, and this is gonna sound horrible but hear me out, I would've preferred it if they had episode 6 be the last episode instead, and used the act 2 to explore Caitlyn's dictator arc and truly emphasize how long Jayce, Ekko, and Heimerdinger had been gone. I know how this sounds, but I really wanted to see more of Caitlyn and her mindset during the whole fascism plot rather than have her throw it all away three episodes later. It would've helped others understand her more, while also acknowledging how blinded she had become with anger and sadness. Also, this would've given more time for people to grow an attachment to Isha and see how she reminds Jinx of Powder!!! Just imagine it, the season closing with Jayce "killing" Viktor, no sign of Ekko or Heimerdinger, and Isha dying would have been even MORE devastating; the ultimate cliffhanger. There's no denying people would've been angry and shocked, but it would've made us want more, just like the first season did. I would be 100% willing to wait 3 or more years for the next season than have such an underwhelming ending.
Okay, I think that's it. Might add more to this post later if I come up with any other critiques, be prepared for the Jayce post because I NEED to talk about him.
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deathbxnny · 1 day ago
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May I request some headcanons about Victor, selika, Vander and Vi about caring and being with a S/O with ADHD.
Please and thank you
Arcane characters with an s/o that has ADHD. | Viktor, Sevika, Vander and Vi
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Thank you for your request, and I hope you'll enjoy this!<3
Content: No spoilers for season 2, season 1 Viktor, established romantic relationships, fluff, sfw
Reader has no set pronouns.
((Not proofread))
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》VIKTOR
He was the first to notice and accommodate to your ADHD, mainly as he knew what it's like to live with something that makes life a little harder in general.
Viktor is very patient and gentle with you when you're having a hard time focusing on tasks or are procrastinating on projects. He understands it just fine and works with you to find strategies that make everything a bit easier. Whether it's studying with you or helping you out on research papers, you both spend a lot of time together, to say the least.
You two enjoy working on your own things in eachothers presence, as it helps you get over your lack of motivation and gives you a chance to talk his ear off freely. Thankfully, he's good at multitasking when it comes to you. Some may think your talking is excessive, but he finds it cute.
Whenever you're a bit more fidgety than usual, he'll hold your hand or give you a reassuring smile, yet doesn't stop your body from regulating itself naturally.
Viktor takes your diagnosis as a simple fact, nothing that defines or undermines your ability to be his s/o. If you need a little help, then he's very clearly okay with that.
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》SEVIKA
She doesn't initially understand the concept of ADHD and doesn't care much about it either. Sure, she gets that it affects your day to day life, but she was going to help you out with anything either way even without the diagnosis. So, in other words, she's ready to learn and do as you please.
Your fidgety nature was something she definitely had to get used to, as she mistook it as fear or nervousness rather often. This typically meant that she'll ask you if you're alright a lot or if there was someone bothering you. Over time, she learns to look past it and see it as a natural part of you. If you can't sit still, then she'll let you roam around whilst her eyes watch you closely.
Your endless ramblings and deep interests about the most nichest topics also needed some time for her, but what got her the most was your procrastination issues. She did get not want to do things at all, but she would still attempt to make work as fun as possible in her own way. She'll accompany you everywhere and take care of the heavy lifting.
When she said that she was loyal, she was definitely not kidding around. Your ADHD changes nothing about the way she views you, and so she doesn't make a big deal out of it either.
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》VANDER
Probably the most patient and understanding of your ADHD and its symptoms by far. He sees them as a part of you in a good way and simply accepts them as they are.
Whenever you procrastinate on chores or work, he'll try and make it more enjoyable by either helping out or promising you a nice treat after. If it's really bad, though, he'll just do things himself to not stress you out about them too much.
He's the same with your lack of focus, although he sometimes does get concerned about you zoning out when things get serious. Vander will still find his own innovative ideas on making you focus when he needs you to.
He loves listening to you talk to him about the most random things possible, mainly as it shows him that you're comfortable enough with the care he gives you. He also just enjoys weighing in with his own opinions about the many various topics you bring forth at rapid speed.
Either way, he skillfully navigates your diagnosis with ease and doesn't ever let you feel like you're burdening him with it.
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》VI
Well, she certainly may have outlandish ideas at times when it comes to working with your ADHD, but she definitely at least has the spirit for it!
Your natural fidgeting and inability to stay still gets interpreted in you just needing to power yourself out. This makes you often find yourself in front of a punching bag with an excited Vi telling you to go ahead and let it alllll out. Whether it works or not is up to you, but you appreciate the effort even after you had explain it wasn't that easy.
Vi will make it her mission to help you out on projects or with work whenever the procrastination gets too bad. She'll also help you out with simpler tasks when she can but will otherwise try to make things fun, at least.
You two enjoy rambling away with each other, and it is her favorite thing. You're both bad at focusing on one topic at a time, so your talks can go on for hours, which she loves very much.
Your diagnosis is just a part of you that she very much loves, even when it gets difficult at times. She never wants you to feel left out or liked less because of it and does her best to never let you think that.
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l0serg1rls · 3 days ago
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today i wanna talk about the big brawl.. season 6, episode 10 and the sekai taikai.. basically how eye would change some things.
this is gonna be an extremely long post .. i like to yap. clearly. so yeah.
initially, when i first watched i loved it.. but rewatching that specific scene. it’s giving lacklustre? i mean the choreography was good that’s for sure but i don’t know.. i feel like it could’ve been done so much better .. also feel like it didn’t really have to end in kwons death either.
the reason why it fell short for me and felt a bit anticlimactic was because it was just random? russian dojo came back and punched gunther in the face, everyone else started fighting.. like okay💀
the thing is there was no reason too really. (have the massive brawl breakout THAT way) a brawl is fine, but the way it was carried out isn’t. also the actual tournament way too short.
i have an idea; so gonna share it here for you all! this might be dumb but i don’t like a lot with this season 6 part 2 after initial thought. anyways here we go 😖:
start off by saying sekai taikai was too short. like a world tournament only being around 30-40 minutes. i would’ve had the episodes longer with a runtime of an hour or over an hour.
i think CK could’ve benefited from longer episodes and more episodes anyway and better writers. but i digress
each international dojo is introduced through short videos or flashbacks as the teams all join together in the arena or whatever, showcasing unique abilities and talent.
cobra kai and miyagi do both face frictions with other teams in the tournament. an aggressive and brutal dojo accuses cobra kai of being frauds who can’t live up to their intimidation tactics (blame kwon for that one, him intimidating others outside of the mat.) leads to that sort of confrontation.
miyagi-dos defense style is mocked by other dojo who sees it as way too soft. tension brews between alllll the teams. it isn’t just a cobra kai and miyagi do thing against all, all dojos have issues w each other.
several preliminary matches are shown, including standout fights featuring (sam, hawk, devon) and (tory, yoon, kwon) other cobra kai teamates deserved to be mentioned more.
tensions rise between tory and another dojos female fighter. tory isn’t balanced and dealing with the grief of her mother still. this girl from the other team is aggressive and fast. forcing tory to become the same. letting out her anger and almost gets disqualified.
johnny and daniel struggle to keep the peace between miyagi do. they’re fighting well, but not as good as they possibly could be. they’re losing a lot of matches and the team becomes completely divided. one side saying to fight aggressive; other side saying to defend
things begins to get a lil heated OUTSIDE of tournament.. rival dojos begin sabotaging each other outside the matches. a lot of street fights if you will. or just them fucking with eachother. an example: miyagi do member is ambushed completely by another dojo.
sam is targeted by a rival fighter in a dirty off the matt attack. causing noticeable, bad injuries, miguel jumps in to defend her and makes himself a target for specific dojo.
the brawl: a rival dojo manipulates tensions between miyagi do and cobra kai. possibly spreading a false rumour. like cobra kai plotting to sabotage a miyagi do fighter by injuring them with an illegal move they could disguise as not an illegal move lol.
yada, yada, yada. something happens, someone could hit someone else, the big brawl happenes!
during big brawl, tory could intervene to protect devon and takes a severe hit leaving her threatened with life changing injuries.
let’s get to kwon real quick: instead of him being an asshole and just getting killed. it’s established that kwon is one of the best fighters on the tournament. during brawl kwon gets ambushed by a jealous rival dojo or just a rival who wants to quite literally take him outta commission 😵.
kwon could also have a personality, so just not an asshole.. or not an asshole all the time , so he’s NOT a bad person and his team actually fw him.
say the ambush is so bad it triggers people from cobra kai to try and rescue him.. another way tory could get critically injured trying to protect him.
‘why tory?’ you may ask.. and why not? kwon was just introduced. it gives off more shock factor that a main character got hurt instead of him.
the impact of tory’s injury:
shock factor- tory being critically injured instead of kwon would exceed expectations.. like NO ONE could’ve seen it coming. her injury would create an emotional gut punch for characters like devon, sam, robby.
next, a full tournament arc. this would give the series time to delve into each fighting style, all the dojos. here’s how they could do it:
establish rivalries. cross-dojo friendships and betrayals .. this one could be interesting. inner team drama.
different fights during the sekai taikai:
tag team matches.
weapon kata demonstrations
survival matches
free for all battles
team relay matches
speed challenges
lastly, activities that the captains of each dojo would have to do or all the kids in the comp:
1. leadership seminar; captains are required to give speeches or participate in discussions about their dojos philosophy, training style, discipline, skills.
2. demonstration matches; captains are required to participate in matches to show their skills and set an example.
3. coaching workshop; leadership skills between the captains would be tested. captains would have to try and coach fighters from the other dojos.
as you can see if you’ve read up to this point, there’s A LOT .. i am a professional yapper. relaying back to my point. all this couldn’t fit into 5 episodes between 30-40 minutes, that’s why everything should’ve been bigger, longer.
CK doesn’t have the budget im aware so most of these are just headcannons unless someone wants to write a fic and do a whole rewrite.. which I might be up to do.. however i cant write for shit😭
uhm yeah 👌
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burstbubbbles · 2 days ago
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SEASON 3
- okay the camping trip + camino arc is like 3 naruto arcs in one (kota hating heroes and getting saved by deku = that kid from the land of the mist hating heroes and getting saved by naruto, a troop of some bad guys taking bakugo, the deuteragonist, because they want him to join their league = orochimaru's lackeys taking sasuke away, the fact that they had a competition and some exams in order to be able to go to the camping trip = the different parts of the chuunin exams).
- here's the thing i've noticed, before anyone says im comparing bnha to naruto too much: i think horikoshi uses a lot of popular shonnen tropes and pays a bunch of homages to other shonnen manga on purpose. what purpose? the subversion of expectations. here's the thing, if you're a new watcher who has already watched a bunch of different shonnen animes (like me with naruto), when you see bakugo being taken by the league, even if you don't immediately think of sasuke, you still might guess that now bakugo is going to turn evil, because that's how the story usually goes. instead, horikoshi reminds us bakugo isn't sasuke or your average shonnen deuteragonist, and reestablishes the core values of this character. the reason i draw so many parallels to naruto is because it's the shonnen anime im most familiar with, but im sure a one-piece/hxh/bleach/dgbz/etc fan could do the exact same thing.
- tl;dr: what im trying to say is that the ways in which horikoshi draws inspiration from other shonnen anime isn't lazy; it's not that he doesn't have ideas so he copies. i think he's actually very clever in the way he handles all those influences. thank you for coming to my ted talk.
- anyway back to plot
- i can't believe deku's mom gets hate for literally being a good parent. of course she's not going to want her son at UA after everything she's seen. not all anime single mothers can be mito-san (hxh), and they don't need to be.
- deku's arms are like. about to die. and im not saying that this is never brought up again, but i feel like in the later seasons he didn't exactly hold back. although he's literally trying to come up with a technique so that he can use them again, so idk. iida's hand injury hasn't really been brought up yet either.
- i forgot to mention this before, but shigaraki uses a lot of videogame analogies (he calls big heroes "final bosses", for example) in the same way that deku uses a lot of comic book analogies (if this was a comic book, he would be the protagonist" said by deku about todoroki).
- but it's interesting because, in shigaraki, i think this is used to showcase his immaturity: we associate videogames to kids, and so by using these sort of analogies the author reinforces the childish characterization of the antagonist.
- deku, on the other hand, uses comic book analogies for the sake of meta jokes with the audience (saying todoroki would be the protagonist when he's actually the protagonist of his comic book), which goes back to all the different homages and references horikoshi does to other shonnen manga and anime. i think bnha doesn't get enough credit for how meta it is.
- i like how you can tell bakugo is changing during the provisional license exam, not just in regards to his relationship with deku but also with other classmates. like when he's about to be turned into a weird meat-like thing (some guy's quirk) he tosses his weapon to kaminari because he's confident that kaminari will know how to use it.
- lmao deku vs. kacchan pt 2 is really bakugo going "hey btw im traumatized due to recent events but mostly i've always been severely insecure and that's why i bullied you so why did you always follow me?" and deku replying "bitch bffr i hate you but you're like the coolest guy i know"
- i know i've said it a lot but i really love the foil-like relationship of bkdk and how it's written.
- something idk if i have mentioned at this point or not is that i love uraraka and tsuyu. they're my favorite classmate-characters. but honestly, i appreciate much more the effort that the author put into writing each individual character and making them consistent in their personalities, at least up until the end of the third season.
things im noticing as i rewatch bnha, an ongoing thread:
SEASON 1
- deku really was such a nerd lmao he's just like me fr (like i KNEW but i didn't remember how much i could relate to it. oops.)
- it's also interesting that he always fights back against bakugo and calls him an idiot a lot. idk why (probably because of fandom characterization) i remembered early-seasons deku as a lot more innocent and scared of bakugo. like, here's the thing, deku is scared of pretty much everything at the start because he's shy/anxious. he gets nervous talking to most of his classmates (especially, but not only, girls) when he first meets them and starts trembling when he gets elected as class president before handing the role to iida. so basically, his anxiety isn't reserved to bakugo like i remembered – if anything, he seems to get over his fear of getting bullied by him pretty quickly once he realizes he can fight back.
- kaminari tried to ask uraraka out in their first or second day of school and she was like "uhhh i like to eat... uhh... WAIT DEKU CAME BACK FROM THE NURSE'S OFFICE" lol i really didn't remember that
- bakugo's insecurity was always there. as you're reading this you might be thinking i first watched mha with my eyes closed or sth, and you're not very far from the truth. here's the thing, i first watched it when i was like 14-15, so all i knew back then was that bakugo was insufferable and i didn't think further than that. of course, he ended up becoming one of my favorite bnha characters after reading all of the manga, but it's cool to realize his character arc was foreshadowed from the beginning and didn't just magically start around season 3.
- but yeah, anyway, bakugo's insecurity and his envy over deku's natural noble nature was always there, since season 1. also, deku's real admiration over bakugo was also there. like, going back to my other point, deku wasn't just Not Overly Scared of bakugo, he actually looked up to him despite knowing he was deeply flawed. tbh they were always a bit crazy about each other.
- uraraka is so funny i love her.
- all of class 1A was so chaotic good coded
- like they collectively made fun of bakugo on the bus to USJ for being rude lol. they really bonded over their shared dislike for the guy.
- bakugo gets fucking HUMBLED all of s1. i would also be irrationally angry ngl.
- the dialogues in the first season sometimes are so unnatural for the sake of exposition, like all might telling recovery girl: "do you mind not talking so loudly ab OFA? only you, a close friend, the principal, and midoriya know about OFA. but most professors and some pro heroes also know about my condition and not being able to fight for more than 3 hours a day" like WHO TALKS LIKE THAT ??!1?1?
- deku had to go to recovery girl's office a total of 4 times (if i counted correctly) for broken limbs of fingers in HIS FIRST WEEK of school. which is funnier considering no one else from class 1A had to go even once.
- damn shigaraki was a skinny legend before he got OP
- aizawa did not react at all when he first saw kurogiri (about the shirakumo thing). that was surprising.
- also. AIZAWA IS SO BADASS?? like yes i knew he was badass from the later seasons, but i genuinely didn't remember his first fighting sequence at USJ where he single-handedly fights like at least 20 villains.
- i had also forgotten that shigaraki calls eraserhead "really cool" so early on in the anime, i thought it was a later-seasons thing.
- this is really obvious but i had forgotten the all might theme's resemblance to superman's theme. it's such a cool little detail tho!
- uraraka and deku definitely were crushing on each other when they first met, but i think it's nice that they ended up developing a really strong friendship instead of getting together after hori didn't consistently develop them romantically. it also makes a lot more sense narratively, like why would we care who deku ends up with at the end of his first year of UA when the story actually ends 8 years after that, and it's very unlikely that you marry the same person you started dating when you were 15. idk, i liked that. i like that you can have two characters who maybe have a crush on each other but can't focus on that due to Circumstances and eventually move on and become good friends. it's a win for the platonic department!
- the animation was kinda bad in the first season 😭 but it's understandable and i had fun watching it regardless.
okay im done with s1 tune in for s2 !!
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