#also plot device

[feverdreamdrifting]

sometimes you think you’re a character but then it turns out you’re actually just a plot device in a five hundred year long scheme. then when you die and come back very late in what you thought was your own story people have the nerve to say that you’re “off-putting” and “came back wrong”

[fluffyartbl0g]

Holy crap this is like world record breaking pace guys

Speedrun/Time Travel AU masterlist

[azuree1733]

I don’t think I’ve posted these doodles here

[spaceistheplaceart]

found an old ekurei comic rotting in my files, decided to finish it. upon my rewatch of mp100 i kept noticing how many times dimple was referred to as a pet- but he's not ! ! ! he's a friend :)

[velvees-archive]

can we talk about how insane 3-5 was from a narumitsu and feenris enjoyer’s perspective?

i have so many thoughts on bridge to the turnabout and miles’ top tier emotional repression throughout that case, because if the person who altered the course of my life asked ME to defend an ex they braved climbing a freezing cold mountain for and were still very obviously hung up on, i would fucking throw up. don’t even get me started on iris, miles, the psychelock scene, and the “what is mr. wright to you?” call out.

the generous use of ellipses does NOT help bro’s case.

also important: the framing of these exchanges reads like a romance novel. the love triangle? the silent resignation and unspoken words? edgeworth’s insistence that iris disclose the events of night prior with him so he can help she and phoenix reunite? the same guy who doesn’t give a damn about romance literally wingmanning phoenix for chump change?! look me in the eyes and tell me miles wasn’t even a little bit affected by this.

that “so you say” and “anyway, it seems to me like there’s something going on between the two of you” is bitter as hell. do not lie to me.

i will admit my enthusiasm stems in part from the beast that is my narumitsu getting together hc, whispering scary things into my ear like miles first subconsciously acknowledges his feelings for phoenix after larry’s call. he rushes back to the states with no intent to act on them, they simply exist in a vacuum and in perpetuity, as much a part of him as his history, or his limbs. he has no plans of exploring the tightness in his chest but then phoenix asks him for a favor. a big one. there’s a glint in his eye and his voice is tinged with desperation and oh he never had any hopes to begin with but he still feels like something’s died inside him because of course phoenix wants him to defend her and of course phoenix hasn’t removed her acolyte hood from his person and of course—

do you see the vision? the only thing that matches 3-5’s angst potential is 7 yg, and i’d say 3-5 touches upon the 7 yg dynamic already.

[mintypsii]

usopps and a sprinkle of sanuso

[mollysunder]

The Medarda arc of s2 struggled to be good, because the plot viciously smothered it. You can argue that Arcane was never about politics but you cannot say the Medardas were never explicitly a family defined by politics. So when the show shifted it's priorities from a drama steeped in political conflict where even though the setting was fantastical the stakes were grounded to a shift where magic is the end all be all threat to humanity, the Medardas are rendered largely irrelevant.

In s2 Mel's agency over her own story is both largely stripped from her and poorly communicated. Arcane has Mel abducted from the plot to be the Black Rose's captive. Even when Mel manages to free herself it's not through the traits the audience understands are her strengths, her cunning and social intelligence, it's through an innate instinct that natural to her and indecipherable to the audience.

Ambessa as a character is more or less a villain of convenience, which would be fine if she wasn't immediately following Silco's act. Once Mel is removed from the story Ambessa is largely disconnected from any emotional tension fuels conflict between the characters and previously drove the plot in s1. She's there to play the worse bad guy for Caitlyn and then give Viktor the man power for the Glorious Evolution.

It's frustrating to see the Medardas used the way they are in s2 because when they're together I can see how it could be good. When they're together Mel forces emotion out of Ambessa. In Act 1, Ambessa proved she could do circles around Piltover's court, which could actually put Mel in a tight spot.

Their final scene on paper sounds like a good idea where the true resolution to Mel and Ambessa's story was that Ambessa saw Mel's own ruthless behavior as she not only betrayed Ambessa to the Black Rose, but used her as BAIT to double cross LeBlanc. Ambessa died proud that her daughter killed her the way she did, and that's so cool and tragic, but the execution was a flop.

One, their final fight is completely unimportant to the actual Glorious Evolution, Mel's grief can't even be a highlight because it's interrupted by Viktor's mind trap. Two, their fight didn't rely on any of Mel's actual strengths, just magic and the poorly explained MacGuffin LeBlanc gave her. How did Mel even know it would do that?

It's like the writers had the bones for a great story for the Medardas, but then they're like the world's worst archeologists and fit those bones together in the worst way possible because they were convinced the bones made a stegasaurus instead of a T-rex or something.

[columboposting]

genuinely insane to me that Torchwood gave Jack a secret evil brother and somehow he is the least interesting character in the entire goddamn show. No character traits allowed. His one outfit is BEIGE??? What if Hayden Christensen like, actually couldn’t act. Sucking black hole of charisma. Jack having a fucking secret evil brother should be the campiest wildest shit imaginable and instead its like watching fucking paint dry. Unreal. (It does not help that John Hart is standing next to him the entire time serving cunt). How did they fuck that one up that badly.

[cucumberteapot]

The first thing I noticed was the bodies of Spider-people the Spot has either killed or exhausted. You can even see Spider-Plushie in the left-hand corner was a casualty.

Then we see a few frames of Miles fighting the Spot, which I feel is self-explanatory.

But then we get into the interesting part of the vision with Inspector Singh saving the little girl in the red dress, and while we're told these events are of the future. What we see with Jefferson saving the child wouldn't be the first time the Spot's visions show past events, i.e. when he reveals his origins.

I say this because I don't think the vision of Jefferson saving the little boy who is also wearing a red (Spider-man) top - the only time we see colour besides black and white in this scene - is foreshadowing the future.

Because this is the past. And what we're seeing is E-42 Jefferson saving Miles G Morales as a child.

[venriliz]

did @birdietrait's random cas challenge again °-° yeah... they're quite random lol. rolls/prompts are below the cut! :]

Marius/Sim 1: punk, fantasy, blonde hair, no makeup, gap teeth Nylah/Sim 2: favorite tv show*, bratz (completely missed that one i think lol), brown hair, long hair, gap teeth Sachiko/Sim 3: cyberpunk, prom, red hair, white eyes, gap teeth

-> * ok ok ok! for favorite tv show i picked The Tribe bc i've been obsessed with the show since my early teens BUT... why have so many ppl never heard of that show? v.v it's literally so good, it's basically the first time i experienced media abt post-apocalypse/dystopia and it became my comfort tv-show to watch. °-° rant over.

[molinaskies]

Lanolin: Designed to be Dislikable.

Hi friends. I’ve had a number of people in my digital face over the last few months trying to “show me the light of Lanolin,” but I’ve kept these interactions private because there’s no need to put them on blast. Of course, they're mostly respectful and I’m often reminded that I have a right to my opinion, but there is always an undercurrent that I might have just missed this one small tidbit that could blow the case wide open because how could I possibly not like her? How could I not understand her character and be empathetic to her plight?

But I’ve watched the videos. I’ve read the think pieces. I’ve seen it all. But my opinion hasn’t changed and that does not mean I’m wrong… nor does it mean I’m right! We have two different opinions that should be allowed to co-exist.

I’m being a touch cross here, I recognize. Please forgive me for that, this once. But frankly, I am frustrated—not because people like Lanolin, but because many seem incredulous to the fact that I dislike her. And I can only assume that means I simply have not made myself clear.

Consider this my final take on Lanolin the Sheep until there is some significant development for this character.

I am allowed to dislike Lanolin because she is a fictional character whom I’ve done the research on and have come to that conclusion. Done. That’s all she wrote. Go home.

That aside entirely for the sake of argument, I am allowed to dislike Lanolin because she is supposed to be unlikeable as per her role in this story.��I dislike Lanolin because I dislike assholes, but I also like Lanolin because she is doing her job very fucking well! lol

Lanolin is not supposed to be in the right. She is a character who is making major mistakes due to her lack of experience combined with her arrogant dismissal of others, and she will eventually be punished by Mimic’s betrayal to teach the audience some sort of lesson. If half of this comic’s runtime has been about punishing Sonic—the titular character—for his mistakes, then Lanolin can get punished once. I would bet real world money that this will happen.

So many characters are sus of Duo by now and have tried to do something about it but Lanolin gets in the way because she can’t listen to reason. The only reason Silver and Whisper “go rogue” is because Lanolin wouldn’t listen to reason—and her response was still disproportionate because when Whisper tried again to explain herself, Lanolin made her hit the deck.

Lanolin is Sonic with some pieces missing. We know this because Lanolin directly cites Sonic as her inspiration for getting involved in the restoration. However, Lanolin looks at Sonic, sees his behaviour, and emulates it without any understanding or regard for how he has earned the right to do what he does. Sonic is insolent, not arrogant, because he only denies authority when it isn’t earned. Sonic is defiant, not self-righteous, because he believes there are multiple ways to solve a problem. Sonic is empathetic, not sympathetic, because he takes the time to learn and experience what it means to live on the other side. Lanolin has modelled herself off of Sonic because Sonic is a hero, but she’s missed the bigger picture of what that actually means.

Lanolin is cold, unkind, and unwilling to be wrong because she thinks she knows everything she needs to be in this game. That is inherently unlikable to some people and therefore justified.

But there’s more to this, isn’t there?

A huge defence of Lanolin as a character is that “she has baggage that makes her rough around the edges,” and you know what? Fair! You would not believe how empathetic I am to that, trust me. Imma get into it. But the reality of the case is that Lanolin is her own keeper, and if Sonic, Tails, Knuckles, Amy, Rouge, the Chaotix, Tangle, Whisper, Silver, Blaze, Jewel, Belle, and many others can carry their baggage around and still treat others with respect and without verbal and physical abuse, then there’s no excuse. Yes, it takes time to get there, and the whole point of Lanolin as a character is that she hasn’t learned the “everyone is useful just the way they are” and “a leader is nothing without her team” lessons, yet.

But allowing Lanolin to lash out at the world only to let her hide behind her trauma is a deeply reductive portrayal of trauma survivors that I find aggressively problematic. Further, it is a failure to Lanolin as a character because, again, that is not the fucking point of her.

This is the one time I will ever ask anyone here to just “take my word” for something. I’m not comfortable airing out too much of my personal issues on the internet. But below is what I can share.

I come from a very, very broken home that instilled a lot of unproductive defence mechanisms within me. In short, I used to be very mean because I was neglected, and acting out against my peers and showing off my skills gave me attention.

The big ticket, though, is I thought I was good. I thought I was Great. Awesome. Outstanding. AMAZING. I was a natural-born leader with a drive for justice who was good at a couple things. I thought I was doing everything right because teachers liked me and I was getting opportunities. What I never saw—never could have possibly seen until it was spit right in my face—was how I was treating everyone around me as beneath me because I thought I had it in the bag.

It wasn’t until I learned about a very public smear campaign against me that I got a wake up call. When I saw what people were saying, it shattered my entire paradigm not because of just how heinous it was, but because of how much of it was true—and that broke my heart. All I have ever wanted to do was help people. Fight for people. Protect people. Elevate people. Support people. For me to learn I was doing the exact opposite of what I set out to do absolutely destroyed me.

After that, I immediately switched up my game. I pulled out all the stops and really focused on being kinder, empathetic, and encouraging. I started to become more self-aware and mindful of how my emotions and behaviour impacted others, but it still took years to even start to comprehend that I was traumatized, let alone the ways my trauma impacted my relationships and behaviour.

I used to be Lanolin. I was a mean girl getting progressively meaner from ages 11-17, and I am still in active recovery. I still make mistakes. I still fall from grace occasionally, but I am working on it. I’m almost 24 now.

Remember when this used to be about a cartoon sheep? Back on track LOL.

I promise you that while Lanolin has some moments of clarity, she is not largely aware of what she’s doing. She’s not evil. She is not unworthy of love. She just needs time for the story to let her learn.

I am not saying Lanolin does not deserve a redemption. What I am saying is that down her current path and with her current behaviour, she has not yet earned one. And here’s the thing: even though what I’m about to say probably will not happen because this is a kids comic directed at 12 year olds, just because Lanolin might eventually get her punishment, see the light, and apologize for her wrongs while acting on solutions, no one she hurt owes her forgiveness. Whisper can still tell her to fuck off. Silver can send her to outer space, Sonic 06-style. Tangle can yeet her back to kingdom-wherever the fuck she-come from (hush, I know it’s Riverside). 

Why? Because the reality is that even if you are a changed person and have learned and grown from your past discretions, you still hurt people. Even if they do forgive you, they may never trust, and they will never forget. That is the reality I and many others like me live in daily, and to be frank: I think it’s entirely fair. I made mistakes, and I gotta pay the consequences. I deserve grace and patience, but that can only go so far. The people around me are human the exact same way I am.

I personally believe that I have never misunderstood Lanolin as a character. She’s snarky and inexperienced and abrasive entirely by design. She is meant to showcase the “wrong” ways to be a hero and will be corrected. But just because she is a rough-and-tumble person who had a bad day at work does not mean she can come home and treat the world as her personal shitter. No one has that right.

And if you disagree with me, good! Welcome to MolinaSkies.

[stagefoureddiediaz]

Interviewer: Are BT still together?

Tim: Well they are but let me talk about Eddie and then tell you that Eddie will be hanging out with them but also being left out…

It will never not be funny to me.

Petty jealous Eddie working out Tommy is Eddie lite - but also gay and dating Buck - means an Eddie spiral into realising he’s gay and in love with his best friend arc and I am preparing to hurl myself into the sun

[repmet]

@rwrbmovie & @rwrbsource’s rwrbweek: Day 7 | Location/Set

Hospital forced proximity broom closet

[super-who-locked-me-in-here]

Hannibal being unable to not talk about Will while lying naked in bed with Alana is the same to me as Arthur being on a beautiful picnic with Gwen talking about his dream of running away to a farm with just Merlin

[papayafiles]

singapore was CRAZY bc wdym carlando held off a two-pronged mercedes war machine on brand new mediums, hungry for blood, hunting them down, nipping at their heels, with nothing but 42-lap-old hards and the good old power of friendship??!

this is cinema. that is main character behavior.

[xxplastic-cubexx]

Charles representation enjoyed here again! I’ve not read much of the comics bc I can’t afford them but I just rewatched FC and I was wondering if Charles being paralyzed is the same in the comics (Erik doing it)? Do they often include that part of his story?

hello my inquisitive friend :] !!!! im more than happy to give some more info bout the origins charles' disability in the comics- to the best of my abilities that is !

while they don't include an origin for his paralysis in EVERY story/run, as far as i know there are three major ways charles loses his mobility (though like yourself, i havent read many of the comics so far, so i could be missing a few. this is the part where i invite readers to submit additional info if im leaving any out)

the very first manner of charles losing his legs was relayed to us in the original X-Men run of the 60's in issue #20

(X-Men #20: "I, Lucifer!")

before magneto was regarded as charles' main adversary there was the extraterrestrial lucifer (who sported the same color scheme, ironically. it wasnt as though lucifer came before magneto so it was definitely A Choice..) who charles would have a semi-reoccurring feud with for a bit early on in the series. during their first encounter, charles would corner lucifer in his lair only to have a stone slab dropped on him, disabling his legs indefinitely

the second manner in which charles loses his mobility- and the time where erik is the most involved and is most deliberate- comes from. Our Favorite Universe in 2001: The Ultimate Universe

(Ultimate X-Men #1: "The Tomorrow People")

as is typically how charles x magneto team-up arcs go, while charles and erik worked together for some time it wasn't very long before erik wanted to pursue more Dramatic Measures for mutantkind. and As This Story Goes, amidst trying to escape the savage lands sanctuary he and erik built, erik drove a metal spike through charles' spine, leading to his disability in this verse

lastly, we have the House of M- or more specifically its prequel miniseries, Civil War: House of M- verse in 2008:

(Civil War: House of M #2: "Revolution")

(Civil War: House of M #3: "Reign")

similar to Ultimate and the movies, this is another timeline where charles and erik team up. this time however, charles is more willing to follow erik's ideas after seeing the horrors of genosha upon reading the mind of a mutant who escaped the island, and the two seek to liberate the other mutants left behind. unfortunately, during their mission, a sentinel collapses the building charles and co. are infiltrating, leading to the loss of his legs

hope you had fun reading- i had fun typing up everything and looking back at these issues :] !