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shkspr · 3 years ago

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hi. on your post where you may or may not have ended on 'moffat is either your angel or your devil' did you have maybe an elaboration on that somewhere that i could possibly hear about. i'm very much a capaldi era stan and i've never tried to defend the matt smith era even though it had delightful moments sometimes so i wonder where that puts me. i'd love to hear your perspective on moffat as a person with your political perspective. -nicole

hi ok sorry i took so long to respond to this but i dont think you know how LOADED this question is for me but i am so happy to elaborate on that for you. first a few grains of salt to flavor your understanding of the whole situation: a. im unfairly biased against moffat bc im a davies stan and a tennant stan; b. i still very much enjoy and appreciate moffat era who for many reasons; and c. i hate moffat on a personal level far more than i could ever hate his work.

the thing is that its all always gonna be a bit mixed up bc i have to say a bunch of seemingly contradictory things in a row. for instance, a few moffat episodes are some of my absolute favorites of the rtd era, AND the show went way downhill when moffat took over, AND the really good episodes he wrote during the rtd era contained the seeds of his destruction.

like i made that post about the empty child/the doctor dances and it holds true for blink and thats about it bc the girl in the fireplace and silence in the library/forest of the dead are good but not nearly on the same level, and despite the fact that i like them at least nominally, they are also great examples of everything i hate about moffat and how he approached dw as a whole.

basically. doctor who is about people. there are many things about moffats tenure as showrunner that i think are a step up from rtd era who! actual gay people, for one! but i think that can likely be attributed mostly to an evolving Society as opposed to something inherent to him and his work, seeing as rtd is literally gay, and the existence of queer characters in moffats work doesnt mean the existence of good queer characters (ill give him bill but thats it!)

i have a few Primary Grievances with moffat and how he ran dw. all of them are things that got better with capaldi, but didnt go away. they are as follows:

moffat projects his own god complex onto the doctor

rtd era who had a doctor with a god complex. you cant ever be the doctor and not have a god complex. the problem with moffats era specifically is that the god complex was constant and unrepentant and was seen as a fundamental personality trait of the doctor rather than a demon he has to fight. he has the Momence where you feel bad for him, the Momence where he shows his humility or whatever and youre reminded that he doesnt want to be the lonely god, but those are just. moments. in a story where the doctor thinks hes the main character. rtd era doctor was aware that he wasnt the main character. he had to be an authority sometimes and he had to be the loner and he had to be sad about it, but he ultimately understood that he was expendable in a narrative sense.

this is how you get lines like “were the thin fat gay married anglican marines, why would we need names as well?” from the same show that gave you the gut punch moment at the end of midnight when they realize that nobody asked the hostess for her name. and on the one hand, thats a small sticking point, but on the other hand, its just one small example of the simple disregard that moffat has for humanity.

incidentally, this is a huge part of why sherlock sucked so bad: moffats main characters are special bc theyre so much bigger and better than all the normal people, and thats his downfall as a showrunner. he thinks that his audience wants fucking sheldon cooper when what they want is people.

like, ok. think of how many fantastic rtd era eps are based in the scenario “what if the doctor wasnt there? what if he was just out of commission for a bit?” and how those eps are the heart of the show!! bc theyre about people being people!! the thing is that all of the rtd era companions would have died for the doctor but he understood and the story understood that it wasnt about him.

this is like. nine sending rose home to save her life and sacrifice his own vs clara literally metaphysically entwining her existence w the doctor. ten also sending rose with her family to save her life vs river being raised from infancy to be obsessed w the doctor and then falling in love w him. martha leaving bc she values herself enough to make that decision vs amy being treated like a piece of meat.

and this is simultaneously a great callback to when i said that moffats episodes during the rtd era sometimes had the same problems as his show running (bc girl in the fireplace reeks of this), and a great segue into the next grievance.

moffat hates women

he hates women so fucking much. g-d, does steven moffat ever hate women. holy shit, he hates women. especially normal human women who prioritize their normal human lives on an equal or higher level than the doctor. moffat hated rose bc she wasnt special by his standards. the empty child/the doctor dances is the nicest he ever treated her, and she really didnt do much in those eps beyond a fuck ton of flirting.

girl in the fireplace is another shining example of this. youve got rose (who once again has another man to keep her busy, bc moffat doesnt think shes good enough for the doctor) sidelined for no reason only to be saved by the doctor at the last second or whatever. and then youve got reinette, who is pretty and powerful and special!

its just. moffat thinks that the doctor is as shallow and selfish as he is. thats why he thinks the doctor would stay in one place with reinette and not with rose. bc moffat is shallow and sees himself in the doctor and doesnt think he should have to settle for someone boring and normal.

not to mention rose met the doctor as an adult and chose to stay with him whereas reinette is. hm. introduced to the doctor as a child and grows up obsessed with him.

does that sound familiar? it should! bc it is also true of amy and river. and all of them are treated as viable romantic pairings. bc the only women who deserve the doctor are the ones whose entire existence revolves around him. which includes clara as well.

genuinely i think that at least on some level, not even necessarily consciously, that bill was a lesbian in part bc capaldi was too old to appeal to mainstream shippers. like twelve/clara is still a thing but not as universally appealing as eleven/clara but i am just spitballing. but i think they weighed the pros and cons of appealing to the woke crowd over the het shippers and found that gay companion was more profitable. anyway the point is to segue into the next point, which is that moffat hates permanent consequences.

moffat hates permanent consequences

steven moffat does not know how to kill a character. honestly it feels like hes doing it on purpose after a certain point, like he knows he has this habit and hes trying to riff on it to meme his own shit, but it doesnt work. it isnt funny and it isnt harmless, its bad writing.

the end of the doctor dances is so poignant and so meaningful and so fucking good bc its just this once! everybody lives, just this once! and then he does p much the same thing in forest of the dead - this one i could forgive, bc i do think that preserving those peoples consciousnesses did something for the doctor as a character, it wasnt completely meaningless. but everything after that kinda was.

rory died so many times its like. get a hobby lol. amy died at least once iirc but it was all a dream or something. clara died and was erased from the doctors memory. river was in prison and also died. bill? died. all of them sugarcoated or undone or ignored by the narrative to the point of having effectively no impact on the story. the point of a major character death is that its supposed to have a point. and you could argue that a piece of art could be making a point with a pointless death, ie. to put perspective on it and remind you that bad shit just happens, but with moffat the underlying message is always “i can do whatever i want, nothing is permanent or has lasting impact ever.”

basically, with moffat, tragedy exists to be undone. and this was a really brilliant, really wonderful thing in the doctor dances specifically bc it was the doctor clearly having seen his fair share of tragedy that couldnt be helped, now looking on his One Win with pride and delight bc he doesnt get wins like this! and then moffat proceeded to give him the same win over and over and over and over. nobody is ever dead. nobody is ever unable to be saved. and if they are, really truly dead and/or gone, then thats okay bc moffat has decided that [insert mitigating factor here]*

*the mitigating factor is usually some sort of computerized database of souls.

i can hear the moffat stans falling over themselves to remind me that amy and rory definitely died, and they did - after a long and happy life together, they died of old age. i dont consider that a character death any more than any other character choosing to permanently leave the tardis.

and its not just character deaths either, its like, everything. the destruction of gallifrey? never mind lol! character development? scrapped! the same episode four times? lets give it a fifth try and hope nobody notices. bc he doesnt know how to not make the doctor either an omnipotent savior or a self-pitying failure.

it is in nature of doctor who, i believe, for the doctor to win most of the time. like, it wouldnt be a very good show if he didnt win most of the time. but it also wouldnt be a very good show if he won all of the time. my point is that moffats doctor wins too often, and when he doesnt win, it feels empty and hollow rather than genuinely humbling, and you know hes not gonna grow from it pretty much at all.

so like. again, i like all of doctor who i enjoy all of it very much. i just think that steven moffat is a bad show runner and a decent writer at times. and it is frustrating. and im not here to convince or convert anyone im just living my truth. thank you for listening.

#sorry if this is repetitive or makes no sense or if i got some details of the show wrong #i simply couldnt be bothered to put too much effort into this post #lest it become a research paper and take me several weeks to answer #anyway thats all my opinions #dw #ok to rb

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therealvinelle · 4 years ago

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You or The Muffin made a post on your dream cast(s), but I’m not really familiar with those references/actors (with the exception of Bowie and Jean Claude Van Damme and Clint Eastwood I think you mentioned). Is there anyone you would choose that’s a little more recent (80s-present)?

Our dream cast.

Our dream voice cast, for those interested.

Fun fact, both those posts were composed together, so yeah we share these opinions. We composed this one together as well.

Keep in mind that this list is... well it's for Twilight as I would make it. Which means that of course we’re casting a Didyme, nevermind that she’s been dead for thousands of years, but Denali who?

And once again we’re disrupting the time-space continuum and casting big name actors you’ve definitely heard about as they were ten, twenty, or thirty years ago.

Alright, so newer and shinier Twilight fancast, this time with a few alternatives because decisions are hard:

Alice: ... Audrey Hepburn.

I'm sorry. I tried. I tried to be modern, but I got to Alice and originally we thought Saoirse Ronan, appearances be damned because Ronan is a great actress, only to realize Ronan should be Renesmée.

So we're back to the dream cast. Audrey Hepburn was a tiny, pixie-like, yet ridiculously beautiful woman. Like Alice, her growth was stunted due to prolonged starvation during the War, so she's the perfect casting in a way no modern Western actress is going to be. She was also an amazing actress, just absolutely magnetic each time she graced the screen. She would be a fantastic Alice.

Aro: A young Tom Cruise.

Cruise is an absurdly beautiful man, and at 173 cm he is the right stature as I could never cast a tall actor for Aro. He's a very good actor, so I'm sure he'd be up for it. Also, he'd look great with chalky petrified vampire makeup on. He'd pull it off. I want to see this.

Optionally: Cate Blanchett

Yes, she's a woman. But that's what acting is all about, you play someone you're not. It's more a thing in theatre than in film that men can play women and women can play men, but I say fuck the rules, we're doing it theatre style. And Blanchett absolutely have that enigmatic, ethereal, otherworldly quality I'd want for Aro.

Bella: A young Sarah Michelle Gellar

Gellar is a petite beauty, she is spunky yet adorable, and very charming, the people of Forks and the Cullens would very believably gravitate towards her. Most importantly she has the acting chops to pull it off. She would portray an amazing Bella.

Caius: Daniel Craig

The man is the right age, he's someone you don't mess with. Craig has perhaps a touch too charismatic, but he's good enough that I'm hopeful he could tune it down.

Carlisle: A young Leonardo DiCaprio

DiCaprio is ridiculously attractive and has a bad case of The Babyface™. Watching him try to convince people that he’s 30 years old and has adult kids would be absolutely hilarious, and very faithful to the books. He’s a talented actor, too, very versatile.

Optionally: David Tennant

Tennant doesn't look the part, he is handsome but handsome in that particular way when flawed features come together handsomely. He does however have the perfect charm, gravitas, and energy for the character, so I think he could make a great Carlisle.

This is where the magic of movie adaptions come in - you’re not going to be able to translate directly from text to screen, that’s impossible. If you embrace that and make some bold choices, you stand to make a truly spectacular adaption. One of the reasons why the Twilight films failed is that they were too faithful to the books while failing to understand the spirit of them, whereas the TV miniseries adaption of His Dark Materials switched a lot of things up and is absolutely amazing for it.

Demetri: Robert Downey Jr.

Ridiculously charismatic and talented actors cast in bit parts and making them shine is a passion of mine.

Didyme: Cate Blanchett

Look, Blanchett had to be in this somehow, and we could think of no one more appropriate. She has too much enigma for Esme, is too womanly for Alice, and once the idea for Didyme was had it was hard to weasel out of.

Cate Blanchett would be convincing as Aro's sister, as a woman who haunts her lover and brother even thousands of years after her passing, an enigmatic and divine woman who can never be forgotten.

Also she's my fancast for her brother, so this works out quite nicely. Why cast someone who merely looks like Aro’s actor when you can just cast the same actor.

Edward: A young Johnny Depp

Very few men are otherworldly beautiful. There are countless handsome men, yes, and many beautiful ones, but Depp has extreme and symmetrical features that come together beautifully. Robert Pattinson does too, for the record, so what makes me prefer Depp is the fact that he is an incredible actor. Pattinson is good, but Depp is the kind of talent who can power through even the worst scripts, give him nothing and he will give you the world. He’s on Al Pacino’s level, this man can salvage anything.

Emmett: Terry Crews

Terry Crews is a mountain of a man, he's massive. He'd nail Emmett's infectious cheer, too. He has a very symmetrical and attractive face that follows the golden ratio beautifully, so I could buy him being a vampire.

Esme: Anne Hathaway ten years ago. Ref one, ref two.

She’s out of this world beautiful and has the perfect Esme aesthetic. Hands down best Esme. The fact that she’s a very good actress helps.

Felix: Dwayne “The Rock” Johnson

He’s got the physique for the part and would be absolutely menacing.

James: Brad Pitt

Brad Pitt is a character actor who tragically got lost in the blockbuster scene. He’s good, he deserves cool parts. So yeah, Pitt as James. I think he’d be absolutely amazing for the part, it’d be the kind of performance where you can tell the actor was enjoying every second on set.

Jane and Alec: Child Dakota Fanning

Fanning was a good choice for Jane, it's just that she was slightly too old when she was cast (and they made her look even older!) and the screenwriters had written a different character than the one in the books (and not for the better - I’m all for changing things in an adaption! But, well, she was Marvel levels of bad villain). And as Alec is a bit part and supposed to be nearly identical to her, I’d just have Fanning play him as well.

Jasper: Clint Eastwood, every time.

Optionally: feels like blasphemy to even have an “optionally”, but here we are. If you somehow haven’t heard of the guy, then… er. No, sorry, I’ve got nothing. Know that I tried, though.

Marcus: Tom Holland

The man has such babyface, which fits since Marcus is 19.

Just Tom Holland, sitting around, looking young and depressed.

Renata: A young Natalie Portman

Yes, yes, Renata is a bit part, I know that, but this is my Twilight we're casting for so I do what I want.

Portman fits the physical description for Renata, and I find that description to be relevant to her character. She's a teeny tiny woman charged with protecting the most important man in the world, and gifted with intouchability. Portman looks is beautiful enough to fit the bill for a Twilight vampire, and tiny enough to stress the absurdity of this 5′0″ woman being anybody’s bodyguard, nevermind Aro’s.

Renesmée: Child Saoirse Ronan (Though Adult Ronan works too, she’s my cast for the hybrid gremlin period.)

She was an extraordinarily talented child actress, and she’s beautiful while odd-looking. I could absolutely believe I was looking at an otherworldly hybrid when looking at her.

Mostly I think Renesmée is going to be a very hard part for anybody, as the given actor will be portraying one of the most ridiculed characters in recent pop culture. It’ll take major talent to get the audience to care about Renesmée, but I think Ronan, if anybody, could do it.

Rosalie: Margot Robbie ten years ago

She’s out of this world beautiful, and more importantly she’s an incredible actress. She would be incredible for the part.

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themadauthorshatter · 3 years ago

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Hi! I really like your Ninjago PG-13 AU, you're doing awesome 💖 I was just curious that, if it were a TV show, who you would cast for each part?

Thank you so much! I'm so glad you're enjoying it!!!!!

Hmmm.... Usually when I imagine the cast I see it as more of an anime with voice actors, all the same that is a really fun question.

And if any of these actors or actresses are in any kind of trouble, I deeply apologize 🙏

Also, this is going to be long because I'm going qith the easiest characters to cast to the hardest

Right off the top of my head is Sarah Paulson as Misako because the woman SLAYED in AHS and Ratched because she already has the 'way' of playing a smart and vulnerable character, which I accidentally made in the rewrite😅 And don’t tell me you'd get a pit in your stomach if you heard her as Misako screaming for Lloyd; the woman has phenomenal range.

Next is Johnny Depp as Pythor for because of his work as Jack Sparrow and Grindlewald. Plus, I think it'd be cool to hear/see him be a cunning snake man.

Next villain is Jason Davis Frank as Garmadon because he used to play Tommy Oliver in the Power Rangers series. Idk, I just find it oddly symbolic and ironic because the guy who played the hero is now playing a villain.

I'm taking a page out of the movie's book and casting Jackie Chan as Wu. He was hilarious in Shanghai Knights and I can see him being the serious and funny wise old mentor of the group.

I don't know how many people will get a kick out of this, but I'd cast either David Tennant or Ralph Fiennes as Skales. David Tennant because of his role as Crowley in Good Omens and Ralph Fiennes because he dies a good snake-y voice.

Skalidor, the Constricti general gets the actor Benedict Cumberbatch because of hiw low his voice is. And don’t tell me there are communities that would LOVE an evil snake general that constricts his opponents to kill them that has the voice/face of Benedict Cumberbatch.

Nya, like Pythor, is a tie between Maise Williams and Sadie Sink. The two have the teenage sister attitude down to a T.

Jay has two picks: either John Mulaney or Ethan Nestor-Darling(Crankgameplays). Idk, the two have such 'Jay' energy and it sticks.

Cole would be voiced by Thomas Sanders because he has a low voice, his work on his series Sandrrs Sidea and other projects is PHENOMENAL, and I can see him playing the 'big brother' or leader of the group and still have the range to have a good time, like he has the low, authoritive voice, but he still laughs and goofs around like a kid and be taken less as a threat because he has the voice for it.

Zane has three very interesting fan casts: Matthew Gray Gubler, Wi Ja-Hoon, and Bryan Dechart. Matthew Gray Gubler because he's played a smart character in Spencer Reid from Criminal Minds, who is also very talkative. Wi Ja-Hoon from Squid Game does not speak english. I don’t know if he'd learn more, but Zane doesn't talk much, but when he does I always imagine he just sounds DIFFERENT from the rest, like he's either from somewhere else or from someWHEN else. Idk, whatever makes Zane even more likable and different and more of a fan favorite.🤷😅🤣😂 Byran Dechart because I just find it funny and Inlove Connor💜

Kai has a few options. Evan Peters because of his roles in AHS and Bad Boy Charm, Cole Sprouse because of his work as Jughead in Riverdale and Will in 5 Feet Apart, Chase Stokes from Outer Banks because he has very 'Kai' energy, as in he cares about 'his people' and will do anything to protect them.

Lloyd has a few interesting options as well: David Franco(who voiced him in the movie), Ruby Pankow, who is also in Outer Banks, and David Mazouz, who played Bruce Wayne in Gotham. Franco already has the experience AS Lloyd, I feel like Ruby and Chase would play off each other well as surrogate brothers, and Mazouz does an amazing job at playing a new hero in a world that demands you to step up or step as far away as you can.

These are all my picks for my fan cast! Kinda long, I apologize, but I hope that answers your question!😁

#ninjago rewrite #pg13! ninjago #ninjao jay #ninjao cole #ninjago zane #ninjago kai #ninjago nya #ninjago lloyd #somewhat fan cast #ask post #thank you for asking!#au #ua #super long post

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cracknoir · 3 years ago

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more goddamn headcanons bc lbr me doing these posts is better than total inactivity edition

jimmy can play the harmonica. i think jimmy has a lot of stupid little skills and my justification for this is back in the day, when he was on the street, he couldn’t get a lot of drugs. with homelessness, i’m not saying this is a hard and fast rule but usually when people are homeless drugs are used more as a way to kill time and boredom rather than the cause of their homelessness. what im trying to say is what does a 14 year old homeless kid do if he can’t find fifteen bucks for acid?? he teaches himself how to juggle, or a basketball trickshot or some dumb shit. this is kind of why i write jimmy just dicking about more, i feel like this is his sort of comfort zone, just being out back fuckin messin around, except now he’s doing it in the remnants of his suit with a warm beer

i think molly’s a lot more sensible than i used to give her credit for. she is a party animal, but without jimmy around she grew a little.

rasputin makes stew out of anything and everything. he has eaten raccoon before, recently too, this wasn’t like when he was a kid or in any sort of survival situation. i mean this mans be out there eaten raccoon stew like last wednesday.

he’ll also make his own vodka out of potatoes. this is a longer process though.

while i keep most of it canon for just now, i think all the kills i had were too cool. i want to try on my next draft to sort of calm it down a bit, at least while i’m writing mob shit.

jimmy can look a little bloated sometimes. he used to be pretty prone to spots too.

another jimmyism: blowing into a tissue, showing you the bloody contents and saying “that’s a hundred bucks right there”

there are some really compromising videos of jimmy and his gang at parties and stuff. image was never as important to them like it is with the mob.

zoe has a very florence & the machine vibe 2 me. im not going to expand on that. if u kno u kno

they should make a moby dick vs jaws film. like jaws goes through a time worm hole and has to battle moby dick and maybe like jaws takes the ship captains OTHER leg so then that’s also personal and like at the end moby dick and jaws fight for a bit but then Mecha Captain From Moby Dick shows up but its like an old timey ship robot and this fuckin whale like body slams it and jaws is scranning it and it’s just chaos and right at the end a portal opens and it’s Free Willy but he has a robot arm and he’s like come with me if u want to live

man this hollywood shit easy

frankie drinks tennants in the house. he has crates shipped to his house from scotland

buck uses a straight razor to shave his head, he will regularly nick himself

also on the topic of buck he isn’t a master of self control but he knows how to manage his anger. to an extent.

buck and jimmy used to mostly work with this slimey rat boy. they were on loan from marco when they met, mostly because marco didn’t like travelling and didn’t want to deal with international affairs. Buck and jimmy and this mobster whose name i’ve forgot traveled the world together, and while they all occasionally had moments of kinship individually, the relationships there was mostly contentious at best. the mobster they were with made bad calls, made messes buck and jimmy had to clean up, and when you’re abroad -- on different turf, making moves you don’t understand, it never ends well. i think there was a lot of shit happening back then, but jimmy wasn’t paid to think, and for buck, his debts were always almost repayed.

speaking of idk if i’ve ever mentioned this but buck was a boxer who the mob are threatening basically bc he’s like, a tank and they wanted the muscle. he doesn’t want to be doing any of this shit, and he’s in fucking peru with a machete and an assault rifle when he’d rather be at home, with his kid.

also there’s a reason i forgot that mobsters name. he’s LONG dead. i like to imagine jimmy and buck getting swept up in a max payne 3 style adventure but i’ve never fleshed any of that shit out because honestly it’s past craziness, adventures i know they had and they know they had but it ain’t relevant to anything really

dmitri used to run a sandwich shop in russia. he was dragged into the russian mob cos he spoke english, and the wrong people knew that. simple as that. they needed a guy, they got a guy, it ruined his life, he just kept going.

im offskis i need a shower and i got a Pizza that needs scranned but i may be back later to actually do something other than vague vibes about stuff i’m actively refusing to write. it’s wild. i make these headcanons specifically to tell u things i’m not gonna write. this whole blog is just a writing dicktease exercise

#do i have a headcanon tag yet??#into the seaverse when

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popculturebuffet · 4 years ago

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Final Space Reviewcaps: The Hidden Light or Beelzbub’s Dad and Death Himself

Welcome back all you happy people! My regular coverage of final space continues as our Team Squad continues to be split up. Team Gary heads to the ruins of France and while HUE lives the dream, Gary finds the architect of his misery might also be the archtetcht of hope when he meets KVN’s creator. Meanwhile Team Avacato find some friends of some friends... and an old enemy horrifically reborn and just as pants crappingly terrifying as before. Find out whose back, whose just been introduced, and whose resting under the cut!

So once again i’ts time for roll call, as our Team Squad has been split into three groups so Team Gary: Gary, Quinn, KVN, HUE Team Avacato: Avacato, Little Cato, Ash, Fox, Sheryl. Team Bollo: Bollo, Mooncake

Same as last time and if your wondering why some names are missing from Avacato’s team, we will get to that. And since our three plots are entirely seperated from the start this time...

Team Gary: The Father of Beelzbub is A Moderaltey Tolerable Guy Picking up where we left off, Gary and Quinn gaze at earth though we do find out, naturally, the other half of the team is okay when Avacato buzzes in, confirming he’s alive at least. So with half the team stranded in the depths of final space, Gary’s next idea is naturally to plummet to earth and pick up a ship to pick them up. HUE has some flaws in the plan, i.e. the earth’s gravity field but KVN proves useful for once and helps carry them down to earth, our heroes ending up in Paris.

We get a fun subplot of HUE thoroughly enjoying his dream of visiting Paris in a body.. even though Paris itself is pretty fucking horrific, littered with floating corpses and with a smokey, unnerving atmosphere. But the contrast works.. what dosen’t is the ships our heroes fine, which are junked, likely due to months of having no mainteince coupled with the destruction brought on by the titans.

Gary does find something.. his worst nightmare.. a bunker FULL of KVN’s “I always thought i’d die like this”. They thankfully don’t want to kill him, and he finds a dwarf ventrixian whose a fan of his as are the KVN’s. As it turns out they somehow watched all his video logs to Quinn, and the little guy saying Quinn is even more beautful than he imagined lets him live when Quinn shows up. Gary is naturally puzzled why someone would create his worst nightmare, an army of kvns who know his personal details... until we find out who created the bunker: Kevin, the genius scientest who created the KVN’s.

Naturally Gary has as mature, sensible and calm reaction as you’d expect and he goes to see Kevin’s dad without innocent....

Had you there for zero seconds. No he has a fairly fluid and incredibly well voiced freakout ending in him wanting to burn the place to the ground in cleansing fire. It’s.. actually a very good thing Quinn’s the one who went with him as everyone on the other team except MAYBE Avacato would’ve gone with operation BURN THEM, BURN ALLL OF THEM.

So while Gary can’t burn them he does go to shoot Kevin’s creator in the head after finding out he’s alive and still in the bunker. And.. he actually is alive. It’s a nice change of pace as in most sci fi stories where we find the robot first the creator is long dead. But no Kevin.. is alive. It takes a bit for him to accept this is really happening due to a combination of Gary’s transmissions..and Nightfall having contacted him to make a ship. I’ts only when he tries throwing something at Quinn does he realize that nope these are real peoples and gladly welcome them for some rest so theyc an go find the ship he made for Nightfall. Relately the one major flaw I have with this episode.. is that it takes Gary and Quinn an embarassingly long time to put two and two together. Gary I get, he’s kind of distracted being caught in a waking nightmare and finding out he needs to rely on the man who ruined 5 years of his life. He’s also Gary. It’s okay. Quinn though, even with months of trauma stuck in a hell dimension.. is still the resonable one and still should’ve figured “Hey maybe the alternate future verison of me who was around back then did this”. The reveal is well done towards the end when it happens.. it’s just very weird it didn’t happen sooner.

So the couple are FINALLY alone.. for about 5 seconds because Kevin gets into bed with them. And while part of his loopiness is probably the horrifying isolation for the last few months, after all Gary wasn’t exactly the most coherent after his stint in prison, I do feel that at least part of it is just him. It just makes the most sense: the infinity guard massed produced the guys and Kevin was one of their top scientests. He likely didn’t half ass a project of this size or importance.. so it’d make sense that instead the KVN’s suck at their job because the person who made them really dosen’t get humans, or personal space and the KVN’s are simply degraded copies of him.

We do get a sweet moment with Quinn and Gary before Kevin decides they’ve rested enough time to go. They use the KVN’s to head to belgium, where the ship is, but have to fight Landfish, horrifying monsters that feast on the remains of dead worlds. So we get a fun and tense action sequence as our heroes sorta zipline through the monsters and KVN suprisingly turns out ot be useful twice in one episode. Our heroes make it to the ship, though HUE is down two arms and his self esteem, with Kevin asking why an AI would WANT to put themselves in a garbage bot. HUE admits he just wanted to experince life but it comes at a cost.. which granted the loss of arms seems rushed.. but it’s not like pre-AVA most of his life as a robot was that happy or fufilling so it dosen’t come out of nowhere and the person who MADE it better... is now dead and gone. He has no real reason to stay in the body anymore: He’s tasted life, he’s loved, and he’s lost.

So naturally he goes back to being the AI on their new ship, which Quinn Dubs the Galaxy 2 because naturally Gary’s name tries too hard and Kevin’s is nonsensical.. though really Galaxy 2 itself just.. isn’t a great name. Seriously call it the purple rain or something. Still it’s a cool looking ship and while i’ll BADLY miss the crimson light as Olan designed a really fucking cool ship there, the Galaxy 2 is none too shabby. So our heroes have there ship, HUE has his old Job back, and we get a sobering scene as Quinn and Gary finallyg et the nightfall thing, and Kevin leaves to go get the portal up and running and he’ll call them.. they don’t have his number but he’ll be in england where the project is so it’s not like they can’t find the crazy man when the time comes. So we end with Team Gary heading off to a huge energy signture to hopefully find someone. Who it is, if it’s even one of our groups, is unknown.. but given the stinger it’s probably Bollo and Mooncake.. but we’llg et to that. First

Team Avacato: FUCK

So on their astroid Sheryl wonders if the plan is to just stand around and wait for Gary. Tribore however.. wants to leave again. Despite being in an edltrich space nightmare, he decides to take some paternety leave and cuts off part of the asteroid to go bond with his son leaving us with five heroes who all quickly get abducted by teleportation.

Their abductors.. are Arachnitects, the last ones left in final space who intially confuse them as part of of Invictus unholy horde before Little Cato brings up Jeremy, and thus they free them and explain what’s up: as said their the last ones left in final space, the only ones who weren’t slaughtered or escape and try to offer our heroes hope and shelter.. before brutally being slaughtered by telekensisis... and it’s with that... HE has returned. While the trailers made no attempt to hide it and it was blatant from the start of last season he woudl return.. it dosent’ make his return any less chilling or impactful or David Tennant’s performance any less terrifying after being gone for a bit: Lord Commander HAS RETURNED

And make no mistake, hopefully, this is OUR Lord Commander, as he comments on the new additions.. and is GLEEFUL to have new toys to play with. Avacato is naturally horrifed he’s back and tries to just shoot him but that’s as effective as it’s always been, and he simply force lifts all of them, and naturally, being a sadsitic bastard, brings LIttle Cato forward as he wants to know where Mooncake is, though Little Cato makes a valid point: he dosen’t know where Mooncake is and even if he DID he wouldn’t tell him. And.. that’s where this part of the plot ends till next week. I”m fucking terrified. Nice to have David back though. Especially with Ducktales over. And as a side note... it’s notable Ash doesn’t try triggering her powers. Either she can’t and Lord Commander’s even stronger than her, or she just hasn’t yet. Or third horrifying option i’m going with thier powers come from the same source.

Team Bollo:The Forge

So with Gary hopefully coming to the rescue and the rest of our heroes trapped by a sadistic bastard who will likely gleefully kill at least one of them.. we find out where Bolo went after getting his ass kicked. He surivived.. but clearly needs a leg up.. so naturally for a charcter voiced by Keith David he goes about it in the most badass way imaginable: he has mooncake do the thing on a dwarf star so he can FORGE IT INTO A FUCKING BADASS SPACE SWORD TO SLAY THE TITANS WITH. My.. my body is ready for next week.

Final Thoughts:

This episode was excellent. The premire while not BAD had some issues with pacing and tone, where as this one found the perfect places to inject the series humor.. while keeping the stakes incredibly high and having the chilling return of it’s most terrifying antagonist. and yes tha’t swith the people posseing murder face out there. This episode returned Season 3 to the right track. It also continues to be seralized like season 1.. but I feel at least so far they’ve learned their lesson from Seasons 1 and 2 and combined the two better, having basically one big story, but having the pacing be more on par with Season 2 where things move along at a nice clip and we get more character stuff peppered in. It’s a nice combo. if it’ll hold out I do not know, especaillly with a longer runtime but we’ll see as we go won’t we. For now.. this episode was fucking awesome.

If you liked this review join my patreon, my current stretch goal is for a darkwing duck episode a month and i’ll be putting up a patreon exclusive review soon for 5 dollar or more patreons so check that out, follow me for more and if there’s any episodes of the show from seasons 1 or 2 you’d like me to cover we can discuss that in my ask box and dm,s only 5 bucks an episode. See you at the next rainbow.

#final space #the hidden light #gary goodspeed #quinn airgone #avacato #little cato #ash grayven #fox #KVN #sheryl goodspeed #the lord commander #bolo #mooncake #kevin van horn #Biskit #reviews #adult swim

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good-omens-classic · 5 years ago

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Hi Good Omens fans, ever since making this blog, and trawling through the archives for old art, I have been thinking again about trends from before the TV-show, and the way people draw Aziraphale and Crowley. I wanted to make this post addressing it but this is not “discourse” or to start a fight, in fact I would be perfectly content if all I did was make people think critically about what I am about to say and not even interact with this post at all, but I feel like I need to say it.

Talking about any racist undertones to the way people draw our two favorite boys usually makes people dig their heels in pretty fast. This is not a callout post for any artist in particular, this is not me trying to be overly critical of artists especially since they have more talent and skill than I do, and I’m going to address some common counterpoints that I frankly find unsatisfactory. Let’s just take a moment to set aside our defensiveness and think objectively about these trends. It took me a while to unlearn my dismissive attitude about these concerns so maybe I can help others get over that hurdle a little faster. Now let’s begin.

I’ve been kicking around the Good Omens fandom since maybe 2015 and for art based in book canon, whether it was made before the TV show came out, or because the artist is consciously drawing different, original designs, I’m going to estimate that a decent 75% of all fanart looks like this

Aziraphale is white and blonde and blue-eyed while Crowley is the typical “racially ambiguous” brown skin tone it’s become so popular to draw podcast characters as nowadays.

And the question is why? With the obvious answer being “it’s racist,” but let’s delve a little deeper than that.

A common thing I hear is that people get appearance headcanons fixed in their mind because the coverart of the book pictures the characters a certain way. My first point is this only shifts the question to why the illustrators drew them that way, when there aren’t many physical descriptions in the book. My second point is that while there definitely are cover arts that picture Aziraphale as cherubic, blonde, and white and Crowley as swarthy, dark-skinned, and racially ambiguous...

(side note: why is Crowley’s hand so tiny? what the hell is going on in this cover?)

It’s much more common for the covers to simplified, stylized, and without any particular unambiguous skin tones

I don’t know about the UK but the most popular version in the United States is the dual black and white matching covers

And while you could make an argument that the shading on Crowley’s face could suggest a darker skintone, it seems obvious to me that lacking any color these are not supposed to suggest any particular race for either of these two, and the contrasting colors are a stylistic choice to emphasize how they are on opposite sides. If anything, to me it suggests they are both white.

In short I simply do not buy the argument that people are drawing Aziraphale and Crowley this way because that’s how they were represented on the cover art of the book. If you draw them the way they are on the cover then whatever, I don’t care, but I don’t believe that’s what’s driving this trend.

The second thing people will say is that Good Omens is a work of satire, and it’s based in Christian mythology which has this trend of depicting angels as white, and it is embodying the trope of a “white, cherubic angel” paired with a dark-skinned demon for the explicit purpose of subverting the trope of “white angel is good, dark demon is bad” since Aziraphale is not an unambiguous hero and Crowley is not a villain. “It’s not actually like that because Crowley isn’t a bad demon, and Aziraphale isn’t actually a perfect angel” is the argument. This has a certain logic to it and allows some nuance to the topic, but to this I say:

Uncritically reproducing a trope, even in the context of a satire novel, is not enough to subvert it. Good Omens is not criticising the racist history of the church, and while the book does have some pointed jabs at white British culture (such as Madam Tracy conning gullible Brits with an unbelievably ignorant stereotype of a Native American) it is not being critical of the conception of angels as white and blonde or the literal demonization of non-white people. That’s just not what the book is about. So making the angel white and the demon dark-skinned, playing directly into harmful tropes and stereotypes, is not somehow subversive or counter-cultural when doing so doesn’t say anything about anything.

Please consider fully the ramifications of the conception of white and blonde people as innocent and cherubic and dark-skinned people as infernal and mischievous, especially in modern contexts...

Black people are more likely to be viewed as violent, angry, and dangerous. Priming with a dark-skinned face makes people more likely to mistake a tool for a gun. Black people are viewed as experiencing pain less intensely by medical professionals. Black men are viewed as physically larger and more imposing than they actually are. The subconscious racial bias favoring light skin is so ingrained it’s measurable by objective scientific studies, on top of the anecdotal evidence of things like news stories choosing flattering, “cherubic” pictures of white and blond criminals while using unflattering mugshots for non-white offenders.

This is why I say that if you’re going to invoke the “whites are angelic” trope, you better have a damn good subversion of it to justify it, because this idea causes real harm to real people in the real world. And Aziraphale being a bit of a bastard despite being an angel, I just don’t see that as sufficient. I am especially cautious of when it’s my fellow white fans that make this argument, not because I believe they do this out of any sort of malice or hatred of people with dark skin, but because I know first-hand it stems from a dismissiveness rooted in not wanting to think about it for too long because it makes us uncomfortable. Non-white people do not have the luxury of not thinking about it, because it’s part of their life.

Now the strongest textual evidence people use, in the absence of much real descriptor, is this:

"Many people, meeting Aziraphale for the first time, formed three impressions: that he was English, that he was intelligent, and that he was gayer than a tree full of monkeys on nitrous oxide. Two of these were wrong; Heaven is not in England, whatever certain poets may have thought, and angels are sexless unless they really want to make an effort"

This piece of art has circulated in the fandom for so long I don’t know the original artist and it’s been used for everything from fancovers to perfume. This is where I found it and it’s one of the first things that come up when you google this quote about Aziraphale.

Doesn’t it just feel like this is the man that’s describing, some blonde effeminate gay man? Well guess what, there’s the “blonde as innocence” trope rearing its ugly head again, because the stereotype of gay men and effeminacy as being a white and blonde thing is--ding ding ding you guessed it--racism. And why would intelligent suggest a white and blonde person, except if the stereotype of a dark-skinned person is less intelligent?

Now the point of “people assume Aziraphale is British” is another sticking point people will often use, claiming that the stereotype of a British person is white and blonde. I guess this has some merit, since the British empire was one of the biggest forces behind white colonial expansion, and it seems disingenuous to assign “British” as “nonwhite” as soon as we’re being satirical, in the same way I found it distasteful that the TV show made God female when so many of the criticisms of the church are about its misogyny and lose their teeth as soon as God is no longer male.

However consider that 1.4 million Indian people live in the UK. I heard a man say aloud once that the concept of a black person having a British accent was a little funny, as though Doctor Who doesn’t exist and have black people on it. And I’m not overly familiar with the social landscape of the UK, but I understand they’re experiencing a xenophobia boom and non-white Brits aren’t considered “really British.” The stereotype of non-white people not being British only exists because of reinforcement in media. If you really want to be subversive, drawing Aziraphale as Indian goes way further than drawing him as white IMO.

Now let’s talk about Crowley. He is almost always drawn with a darker skin tone than Aziraphale, even when they are both white, and while I’ve outlined above how this is problematic on terms of linking light skin with innocence, I think it does have an extra layer. I think it also has to do with the exotification and fetishization of brown skin and non-white people.

This artist’s tumblr is gone now but their art is still on dA and while it’s definitely beautiful and well-done, I think this is a very good example of what I’m talking about.

Crowley and Aziraphale necessarily contrast each other, so describing Aziraphale as “British” might suggest that Crowley is “foreign-looking.” I also know *ahem* that the fandom generally thirsts over Crowley to hell and back, so making him a swarthy, tall dark and handsome is not necessarily surprising.

An interesting thing happened when the TV show came out, and everyone started drawing Michael Sheen!Aziraphale and David Tennant!Crowley more and more often: It’s not ubiquitous, but it does happen that sometimes artists will draw David Tennant’s skin darker than it actually is. The subconscious urge to see Crowley with dark skin is for some reason that strong for many people. And I really encourage people doing this to think about why. Not naming any names but I’ve working with fanartists before for collabs who I had to ask to lighten “bad guy” demon’s skin tones because it looked like they were making the skin darker on purpose to make them look scarier. This person is a perfectly pleasant person who tries not to be racist! And we both still fell into it accidentally, and it took me a while to notice and point it out, because the ingrained stigmatization of darker skin is pervasive yet often goes unnoticed.

What is the solution? I don’t know, and as a white person I’m not really qualified to make that call. Do we draw them both with the exact same skin tone? Is it better to make them both white? Should we make both of them non-white? Should we only make Aziraphale non-white? I am consciously aware of the fact that the Good Omens fandom is mostly white people, so most of the art we make is being both made by and consumed by white people, so I don’t feel comfortable saying “draw these characters of color specifically” because that can also veer into fetishization territory very quickly. This is not specific to good omens but I think we should pay attention to what fans of color say in all fandom spaces and weigh our choices even if they seem insignificant. And it’s important to realize that fans of color will not be a monolith in their opinion either, and it’s our responsibility to recognize that everyone can be affected by racism and social issues differently, the same way all women are affected by misogyny differently so just because one woman says such as such is misogynistic and another says it’s not. I’m sure there are non-white fans who think it’s perfectly fine to draw Aziraphale as white and Crowley as ambiguously non-white. I’m not saying they’re wrong. And I’m not saying you can’t reblog this kind of art, or that people who make or made it should feel bad about themselves. But so often this sort of thing goes unaddressed just because people don’t like thinking about it, and well, avoiding hard questions never really goes well I think.

#?#voice of mod #?????

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aion-rsa · 4 years ago

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The Pandemic in Pop Culture Trends

https://ift.tt/32wrfZT

The first year of the COVID-19 pandemic was both a universal and incredibly personal experience. While not everyone’s life in the first year of the pandemic looked the same, there have been some common joys, struggles, and tragedies. And there have been stories that have helped get us through the first year of pandemic. The global COVID-19 pandemic is not over, but it has hopefully reached a turning point. Multiple vaccines protecting against the worst of the virus have been developed and have begun to be (unevenly) distributed around the world, with Israel, the U.K., Chile, and the U.S. currently with the greatest percentages of their populations having received at least one dose. As we hopefully move into a less deadly phase of the pandemic, we’re taking a moment to look back at the TV series, games, movies, and other pop culture moments that brought comfort, distraction, critique, and catharsis for many in the pandemic’s first year, as well as some of the major trends and news stories that shaped the industry itself between March 2020 and February 2021.

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March 2020

NBA To Suspend Season Following Tonight's Games pic.twitter.com/2PTx2fkLlW

— NBA (@NBA) March 12, 2020

The NBA Suspends the Season (March 11th)

Many use the NBA’s March 11th announcement that the 2019-2020 season would be suspended until further notice as an unofficial start of the COVID-19 pandemic in the United States. The season would continue four months later in the “NBA Bubble,” but no one could know what the future would look like, only that things were indeed very serious for the billions-dollar professional basketball and media industry to shut down.

Everyone Watches Contagion

Though Steven Soderbergh’s pandemic thriller came out in 2011, Contagion jumped from Warner Bros.’ 270th most digitally rented movie in December 2019 to their second most rented one in February, and that trend would only continue into March. As the pandemic continued, we would see audiences turning towards more “escapist” fare, but, in the early days of this international crisis, people turned towards this matter-of-fact, fictional imagining of how a global pandemic might play out to help process their new and frightening reality.

Movie Theaters Essentially Go Dark

In addition to the immense loss of human life the COVID-19 pandemic has caused, there has also been an economic cost that will no doubt continue to impact human health and livelihood in the coming years. On March 17th, the movie theater chains Regal and AMC announced their temporary closures, an early sign of just how bad the pandemic would be for the movie theater business.

Movies in Theaters Begin Going to VOD

With movie theaters closed, studios needed to get creative about how best to distribute their movies still “in theaters.” Universal Pictures was the first to make the decision to move its new releases to a video on-demand model, bringing The Invisible Man, The Hunt, and Emma to VOD on March 20th.

Animal Crossing: New Horizons is Released (March 20th)

On March 20th, Nintendo released Animal Crossing: New Horizons for Nintendo Switch, allowing players (most of whom where stuck at home) to digitally move to an island and nurture their own community. The fifth game in the Animal Crossing series, New Horizons would go on to major commercial success. It broke the console game record for most digital units sold in a single month, became the 15th best-selling video game in history, and the second best-selling game of all time in Japan. It was also the most blogged-about subject on Tumblr in 2020!

Tiger King Drops on Netflix (March 20th)

Netflix remains the largest streaming service worldwide, with over 200 million global subscribers and roughly 74 million of those subscribers in the U.S. Because of this, when a Netflix Original becomes a hit, it usually becomes a major part of online discourse, especially in the United States. This was the case for Tiger King, the true crime (and truly wild) documentary series that dropped on Netflix on March 20th. With most watchers stuck at home, the online discourse around the show felt even more intense than usual. For a few weeks, you couldn’t throw a stone without hitting a Tiger King meme.

April 2020

Quibi Launches (April 6)

While not necessarily pandemic-specific (did Quibi ever really stand a chance?), 2020 saw the launch (April 6th) and death (December 1st) of Quibi, Jeffrey Katzenberg’s short-form streaming platform that squandered $1.75 billion in investment capital and star power like Sophie Turner, Kiefer Sutherland, Idris Elba, Chrissy Teigen, Karlie Kloss, and Laura Dern before bowing out in December.

Trolls World Tour Becomes First Movie to Break Theatrical Window (April 10)

Remember when it was radical for a movie to break its theatrical window? Yeah, that was in April, when many media professionals were shocked with Universal’s decision to release Trolls World Tour, the computer animated musical comedy sequel to 2016’s Trolls, as both a limited theatrical release and via video on demand services. The move led AMC Theatres to temporarily announce that they would no longer be distributing Universal films, but the two companies quickly came to an agreement shortly after.

Extraction was a Thing (April 24)

Honestly, every week in 2020 felt like its own lifetime. Remember when Extraction, the Chris Hemsworth-helmed action-thriller, became the most watched original film in Netflix’s history? Directed by Sam Hargrave and written by MCU vet Joe Russo, the film follows a black ops mercenary who must rescue the kidnapped son of an Indian drug lord in Bangladesh. As self-reported by Netflix, the movie was watched by 99 million households in its first month of release.

May 2020

TikTok Pops

TikTok was already firmly a thing heading into 2020, but the pandemic was when more people found it—especially the olds… by which I mean millennials. In October 2019, TikTok had almost 40 million U.S. users (and 507 million global users in December 2019). By June 2020, that number was at almost 92 million in the U.S. (and 689 million globally by July 2020). This was part of a larger trend over the course of the pandemic that saw people spending more time on their mobile devics than ever before: According to a report from mobile app intelligence agency App Annie (via Social Media Today), by the end of 2020, Americans spent more time on TikTok than they did on Facebook, and the average American now spends more time per day on their mobile device (4 hours) than they do watching TV (3.7 hours).

Avatar: The Last Airbender is Released on Netflix (May 15th)

In many ways, the pandemic has been an accelerant of global processes, and this applies to pop culture as well. While we were already seeing the rise in more foreign-language TV, including anime, and the return to some major nostalgic properties due to broader and easier accessibility because of platforms like Netflix, the pandemic really ramped that process up. When all three seasons of Avatar: The Last Airbender became available on Netflix in May, the American animated TV series that originally aired on Nickelodeon from 2005 to 2008, was discovered or re-discovered by millions of viewers, becoming one of the top Tumblr fandoms of 2020. It was indicative of a larger trend of old shows becoming new again through release on major global streaming platforms.

Avatar: The Last Airbender – What Can We Expect From the New Avatar Studios?

By Shamus Kelley

Avatar: The Last Airbender Co-Creators Exit Netflix Live-Action Series

By Shamus Kelley

June 2020

Buffy Lands on All4 (June 1st)

In a year where what’s old was necessarily new again, all seven seasons of Buffy the Vampire Slayer came to UK streaming platform All4, and were broadcast on E4 every weeknight at 11pm. Elsewhere in the UK streaming market, the BBC iPlayer saw its best-ever quarter from April to June with 1.6 billion requests, an increase of 59% on the same quarter last year (according to a BBC press release).

Staged Premieres (June 10th)

As it became apparent that TV and film production would not be going back to normal anytime soon, many creators got, well, creative and began making things in lockdown. One of the best and most high-profile examples was BBC’s Staged, in which David Tennant and Michael Sheen play fictionalized versions of themselves, trying to rehearse a performance of Six Characters in Search of an Author via video chat, alongside director Simon Evans. The low-budget, high-charisma series is filmed in the actors’ real-life homes but, unlike some celebrity efforts during the pandemic (see March), strikes the right tonal note in relation to its subjects’ privilege.

July 2020

Ray Fisher Speaks Up About Alleged Abuse on the Justice League Set (July 1st)

Actor Ray Fisher raised his voice on July 1st in a tweet, calling out director Joss Whedon for alleged abuse on the Justice League set, and WB execs Geoff Johns and Jon Berg for “enabling” that alleged behavior.

Joss Wheadon’s on-set treatment of the cast and crew of Justice League was gross, abusive, unprofessional, and completely unacceptable. He was enabled, in many ways, by Geoff Johns and Jon Berg. Accountability>Entertainment

— Ray Fisher (@ray8fisher) July 1, 2020

Later, in December, Fisher would add WB exec Walter Hamada’s name to that list, following a December 11th announcement by WarnerMedia that their investigation connected to Justice League “has concluded and remedial action has been taken.”

Hamilton Blows Us All Away (July 4th)

One of the deepest cultural cuts during lockdown was the necessary elimination of live, in-person theater, which is probably one of the reasons why Hamilton, the Pulitzer Prize-winning stage musical that originally came to Broadway in 2015, made such a splash when it became available in its filmed format via Disney+. Even without a pandemic, Hamilton (and all Broadway theater) is only accessible to a select group of people, making the addition of the pop culture phenomenon in a more accessible form so very important.

From Bridgerton to Hamilton: A History of Color-Conscious Casting in Period Drama

By Amanda-Rae Prescott

Movies

Hamilton: Thomas Jefferson Controversy Explained

By David Crow

Host Becomes the Most Zeitgesty Movie of 2020 (July 30th)

Another particularly impressive entry into the “filmed from lockdown” genre that sprouted up during the first year of the pandemic was British found footage horror film Host. Written and made over 12 weeks in a pandemic and based around a haunted Zoom call, few pandemic-made stories managed to nail the balance between both frighteningly topical and escapist quite so well.

The NBA Bubble Begins

Professional sports went into their bubbles, aka tightly controlled settings in which pro sports players live, practice, and play their respective seasons—to varying degrees of success. The NBA’s Disney World bubble went into effect on July 22nd for exhibition scrimmages, before launching into the final eight games of its regular 2019-2020 season and then the 2020 NBA playoffs. Twenty-two of the NBA’s 30 teams were invited to participate and ended the bubble in October with no recorded cases of COVID-19 amongst its participating players. The MLB bubble was… less successful.

SDCC @Home: WTF Was That? (July 22)

San Diego Comic-Con is one of the most important and lucrative pop culture events of the year, bringing hundreds of thousands of people into downtown San Diego to celebrate and discuss some of the largest franchises in the world. SDCC was one of the many in-person conventions that attempted to transfer its programming online in 2020 and… it didn’t really work. Part of the fun of Comic-Con is in the excitement of the crowd and the exclusivity of the events. (Though not on Thanksgiving, thank you very much.) There is nothing quite like getting to be part of a major Hall H announcement, and watching via video chat is just not the same.

August 2020

Tenet Comes Out in the UK (August 26th)

In what was largely a year without theatrical cinema in the U.S. and the U.K., a brief respite in COVID-19 cases and therefore lockdown meant a proper theatrical release for Christopher Nolan’s latest in August 2020. Sci-fi blockbuster Tenet hit U.K. theatres on August 26th, bringing in $5.3 million domestically in its first week of release and marking the first major studio release since the pandemic began.

American Sports Leagues Go on Strike to Protest Jacob Blake Shooting

Many professional sports in the U.S. came to a temporary halt when some players and teams refused to take the field or court following the police shooting of Jacob Blake, a 29-year-old Black American who was shot in the back and paralyzed by a police officer in front of his sons on August 23rd in Kenosha, Wisconsin. The incident re-ignited ongoing protests over racism and police brutality, with which many players and teams stood in solidarity. The NBA, WNBA, MLB, and MLS all postponed games as players protested Jacob Blake’s shooting.

Chadwick Boseman Passes Away (August 28th)

In a devastating loss to American culture, Chadwick Boseman, the star of Black Panther and many other films, passed away due to complications from colon cancer, a condition with which he had been living and working since a 2016 diagnosis. Boseman was one of the most successful Black actors and creators working today.

“He … knew that his voice was now strong and people were listening and paying attention,” wrote Kelley L. Carter in The Undefeated. “And he knew that even as this moment was victorious, Hollywood still needed to be called to task on the things that make this industry problematic, even as it was in the infant phases of creating a groundbreaking blockbuster with a mostly Black cast.”

September 2020

Tenet Flops in the U.S., Hollywood Abandons Ship for Fall 2020 (September 3)

While Tenet may have been a hit in the U.K., the Nolan blockbuster flopped upon its release in the U.S., where many theaters remained closed or empty through the summer and fall. The film would make around $58 million in the U.S. and Canada, prompting Hollywood studios to further push back major releases slated for the fall.

Mulan Becomes First Disney “Premier Access” Release (Sept. 4)

After several pandemic-caused release delays, Disney’s much-anticipated, live-action adaptation of Mulan became the first “Premier Access” release for Disney+, causing a bit of a stir. In the U.S. and in some other markets, Disney forwent releasing Mulan in theaters, instead offering a “Premier Access” window on Disney+ that viewers could access for an additional fee of $29.99. While the film received middling reviews from western critics, it was not received well in China. Additionally, a #BoycottMulan movement, which started out as a response to social media comments star Liu Yifei made in support of the Hong Kong police in their (sometimes violent) suppression of pro-democracy protestors, gained some traction in the lead up to the release.

Movies

How Mulan Maintains The Animated Film’s Queerness

By Natalie Zutter

Movies

Mulan: Disney Plus Grosses Exceed $200 Million? (Report)

By David Crow

I’m Thinking of Ending Things Makes People Go “Whaaa?” (Sept. 4)

As our Rosie Fletcher wrote in the “Ending Explained” for I’m Thinking of Ending Things: “[this story is] a movie, and a book, which really requires you to watch/read twice to actually fully understand.” It’s a gloriously confusing movie, and many in September dove right into the mystery chiller adapted by Charlie Kaufman from a novel by Iain Reid. As Fletcher put in her review, the film is “a perfect storm of philosophy, ambiguity and wankery.” What’s not to love?

October 2020

Trial of the Chicago 7 Debuts on Netflix (Oct. 16)

However you may feel about Aaron Sorkin, the man knows how to make a taut political drama. Trial of the Chicago 7 is a dramatic retelling of (as it says on the tin) the 1969-70 trial of the Chicago Seven, a group of anti–Vietnam War protesters charged with conspiracy and crossing state lines with the intention of inciting riots at the 1968 Democratic National Convention in Chicago. The movie has an all-star cast of dudes, and is both written and directed by Sorkin. It made many critics’ best-of-the-year lists and made a cultural splash when it dropped on Netflix in October, after a summer of American and global protests ignited by the killing of George Floyd and other Black Americans.

Borat 2 Makes (a Bigger) Fool Out of Rudy Giulilani (October 23rd)

Rarely do the paths of pop culture and politics so explicitly intersect as they did in Borat 2. The mockumentary comedy sequel came out in October, in the long, plateau-ed height of the lead up to the presidential election, and featured a scene in which Republican politician Rudy Giuliani puts his hand into his trousers in front of actress Maria Bakalova, who is impersonating a conservative journalist. While Giuliani attempted to spin the event in both the lead up to and following the release of the film on Amazon Prime, Sacha Baron Cohen told Good Morning America in an interview after the film’s release: “It is what it is. He did what he did.”

Movies

Maria Bakalova is Ready to Do Borat 3 in ‘Five Minutes’

By David Crow

Movies

Borat 2: Sacha Baron Cohen Reveals Dangerous Deleted Scene

By David Crow

The Queen’s Gambit Turns Everyone into a Chess Player (Oct. 23)

Odds are that, in October 2020, you either knew someone or were someone who watched The Queen’s Gambit and then fell hard into the world of chess. The Netflix period miniseries tracks the highs and lows of fictional chess prodigy Beth Harmon (the brilliant Anya Taylor-Joy), from her upbringing in a Kentucky orphanage in the 1950s to her time at the top of the competitive chess world in the 1960s. In its first month of release, The Queen’s Gambit became Netflix’s most-watched scripted miniseries, and sent chess set sales soaring—yet another sign of just how commercially and culturally powerful Netflix has become.

November 2020

PlayStation 5 Alleges Launches, But No One Can Get Them (Nov. 12)

Even if you aren’t a gamer, you probably heard about the release of the PlayStation 5. Though the PS5 technically became available in Australia, Japan, New Zealand, North America, Singapore, and South Korea on November 12th (and worldwide a week later), the limited supply of the console made it almost impossible to find.

As Matthew Byrd wrote in his November article on the subject: “We know that the initial PS5 shortage can at least partially be attributed to a shortage of the console’s chips (as well as distribution and manufacturing problems caused by the complications related to the COVID-19 pandemic), but as we’re already seeing in Europe where some who pre-ordered a PS5 were warned they may not receive their console until 2021, Sony faces some notable additional issues moving forward.”

This is partially a story of supply and demand, and the growth of gaming in general. According to a report by market researcher SuperData (via Venture Beat), the game industry grew 12% (to $139.9 billion) in 2020, with console games revenues up 28% from 2019. While growth is expected to be slower in 2021, as fewer people will hopefully be stuck at home, more people than ever are gtting their story fix in the world of gaming.

Games

PlayStation Bets on Big Games as Game Pass Slowly Wins a Console War

By Matthew Byrd

Games

Why PlayStation Store Closing on PS3 Should Matter to You

By Matthew Byrd

December 2020

WB Announces HBO Max Release Hybrid Model (Dec. 3)

In a move that seems to be paying off, in December, Warner Bros. announced that it would be moving to a release hybrid model through 2021, putting its entire 2021 film slate on HBO Max. As David Crow explained in our film section: “The move will put all 17 of WB’s scheduled 2021 films on a ‘hybrid’ model where films will premiere on HBO Max the same day as their theatrical release in the U.S. Technically speaking, the films will still be playing in theaters, particularly in international markets without HBO Max as a streaming option, but for the first (and most lucrative) month of their release, they’ll also be available on WarnerMedia’s streamer.”

People Actually Get to Play Cyberpunk 2077, Immediately Realize It’s Broken (Dec. 10)

Hooboy, Cyberpunk 2077. In December, after literal years of anticipation, CD Projekt released action RPG video game Cyberpunk 2077 to disastrous results. While the narrative and design of the game is ambitious and has its rewards, the rollout was plagued by performance issues (particularly in the console versions) that led to player backlash and actual lawsuits.

Games

Cyberpunk 2077 Lawsuits Explained

By Matthew Byrd

Games

Cyberpunk 2077 Roadmap Proves the Game Should Have Been Delayed to 2021

By Matthew Byrd

The Mandalorian Finale Breaks the Internet (Dec. 18)

Um, spoilers.

The second season of The Mandalorian may not have technically been the most-watched series of 2020, but it certainly felt like the most-talked-about, proving that, even in the era of streaming, there’s still such a thing as appointment television. This all came to a culmination with The Mandalorian Season 2 finale, “The Rescue,” which featured an appearance from Luke Skywalker himself.

Could Durge’s Star Wars Return Lead to a Role in The Mandalorian or Book of Boba Fett?

By Joseph Baxter

How The Mandalorian Challenges Star Wars’ History of Bad Dads

By Lacy Baugher

Wonder Woman 1984 Premieres (Dec. 25)

Wonder Woman 1984 dropped on Christmas Day in the United States, and quickly became the most-watched straight-to-streaming title of 2020 (knocking Disney+’s Hamilton out of the top spot), despite its middling reviews. In the U.S., it would be the first of WB’s “hybrid model” releases, getting a simultaneous release in theaters as well as on HBO Max.

Movies

Wonder Woman 1984 Star Connie Nielsen Defends Patty Jenkins’ Vision

By Don Kaye

Movies

Does Zack Snyder’s Justice League Set Up Wonder Woman 3?

By David Crow

Bridgerton Gets Saucy (Dec. 25)

Bridgerton, Netflix’s deliciously addicting period romance based on the Julia Quinn novels, also dropped on Christmas Day, and went on to become the streamer’s most watched series ever, reaching #1 in 76 countries. The Shondaland produced drama made leading man Regé-Jean Page a global star, so much so that the announcement that he would not be returning for Season 2 (as each season focuses on a different romantic pairing featuring a member of the Bridgerton family) into a bit of a meltdown. Bridgerton has already secured another three seasons—a post-Season 1 announcement that is unprecedented for a Netflix original.

Why Bridgerton Had to Let Regé-Jean Page Go

By Amanda-Rae Prescott

Will Bridgerton Become the Next Game of Thrones?

By Kayti Burt

Soul Brings on the Feels (Dec. 25)

Called Pixar’s “most ambitious movie in years” by Den of Geek film editor David Crow, Soul was another Christmas release that brought solace to people stuck at home, many without their families, for the holidays. Directed by Pixar vet Pete Docter (Up, Monsters, Inc., Inside Out) and co-directed by Kemp Powers (One Night in Miami, Star Trek: Discovery), the film follows middle school music teacher and pianist Joe Gardner as he seeks to reunite his soul and his body after they are accidentally separated, just before his big break as a jazz musician.

January 2021

The Little Things Kicks Off WB’s 2021 Film Slate on Streaming (Jan. 29)

Fans of crime thriller and/or Denzel Washington and Rami Malek flock to HBO Max and theaters for the hybrid release of The Little Things, the first of WB’s planned 2021 slate.

Movies

The Little Things is Better Than a Seven Copycat

By Don Kaye

Movies

The Little Things and the Mystery of Denzel Washington’s Character Explained

By David Crow

February 2021

WandaVision Ensnares Us

Stop hogging the zeitgeist, Marvel!

In February, Disney+ released its first MCU show, WandaVision, and it broke the internet. The miniseries, created by Jac Schaeffer and starring Elizabeth Olsen as Wanda Maximoff/Scarlet Witch, wowed audiences with its clever use of the sitcom format and superhero tropes to tell a story about grief that, for all of its fantastical elements, was oh so relatable.

How WandaVision’s Doctor Strange 2 Connection Evolved

By Joseph Baxter

WandaVision: The Unanswered Questions From the Marvel Series

By Gavin Jasper

Judas and the Black Messiah Debuts (Feb. 12)

Daniel Kaluuya and Lakith Stanfield lead an all-star cast in this 1960s period piece that follows the real life story of Black Panther Party chairman Fred Hampton, who was the victim of a targeted assassination by the FBI. In a year that saw an increased mainstream awareness of Black trauma, the Oscar-nominated Judas and the Black Messiah shone a cinematic light on yet another state-led historical injustice against Black Americans.

Charisma Carpenter Speaks Her Truth

In February, actress Charisma Carpenter came forward with allegations about Joss Whedon’s alleged abuses of power during her time on Buffy the Vampire Slayer and Angel, inspired by Ray Fisher’s own efforts to seek justice and systemic reform for Whedon’s alleged behavior on Justice League.

My truth. #IStandWithRayFisher pic.twitter.com/eNjYcJ6zwP

— charisma carpenter (@AllCharisma) February 10, 2021

— Ray Fisher (@ray8fisher) July 1, 2020

Pokemania Returns

Many older millennials have spent their time during quarantine reconnecting with their childhood faves. This culminates with a massive renewed interest in Pokemon cards to the point where McDonald’s Happy Meals with Pokemon cards as toys sell out instantly.

Sponsored

Why Pokémon Has Endured For 25 Years

By Alec Bojalad

Did we miss anything? What have been the stories and pop culture trends that have helped get you through the pandemic so far? Let us know in the comments below.

The post The Pandemic in Pop Culture Trends appeared first on Den of Geek.

from Den of Geek https://ift.tt/3tFxFBF

#aion-rsa #Den of Geek

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ddaenggtan · 6 years ago

Text

KEY

☽ - angst | ♡ - fluff | ꕤ - smut | ⛒ - dark

i’ll be updating this as I go! this will be the first place i announce the actual publishing of fics, so y’all know when to expect them officially, but i do also have a wip list for you if you’re curious about what i’m actually physically writing. every series i post will also have its own masterlist page, which is always going to be linked with the story’s blurb and in the actual post for the fic.

✧ 666 masterlist

stories that feature you, a millenia-old vampire lovingly nicknamed Medici by your friends, and the somewhat debauched and very interesting adventures you all have.

✧ monsters and gods masterlist

a series of oneshots, each centering around the greek gods and legends. learn the truth behind the myths, and see how some of these deities and creatures of old navigate the modern world.

✧ lay me gently | greek god!au | ♡ ꕤ | 12.9k | monsters and gods pt 2 | 9.7.2019

there is no time for loneliness among the fires of your forge, no room in your buzzing mind for thoughts of anything but your next invention and the pain in your leg. your life is tilted off its axis, though, when your parents arrange a marriage without your knowledge or consent, and your new husband begins to situate himself into your life despite protests from either of you. you don’t know what zeus and hera have planned, but a volcano is no place for a love god like seokjin.

✧ 666 butterfly kisses (666verse) | vamp!reader, fae!jin | ꕤ | 4.7k | 6.10.2019

✧ birthday candles | ꕤ | vamp!reader, werewolf!yooongi, fae prince!jin | 4kish | 11.11.2019

you’re a vampire in renaissance italy who likes earning favors from the most powerful men in the country. you just aren’t used to meeting handsome men that might be assassins and definitely give you the best orgasms of your life.

or; the first time you met the fae prince, but certainly not the last. | 666 masterlist

a few of your friends help make your birthday extra special. | 666 masterlist

✧ half-baked holiday | ♡ ꕤ | baker!jin, grump!mc, f2l, i2l | 12.6k | 04.12.19

Granny Park’s Gossip:

That Seokjin, don’t get me started on him. He’s worked hard to open and run that bakery of his, you know, and I’m so proud that it’s so successful now. Wish he would find a nice person to settle down with, though, he deserves it, as long as he’s been on his own. Well, I guess you can’t really call it alone when he’s got that grump of a best friend always hanging around him. He really should be paying her, what with all the time she spends at the bakery with him. She’s always waking up on the wrong side of the bed, but she’s not so bad when she brings me some of those cookies of his, or just around Seokjin in general, if I’m honest. Too distracted by staring at that pretty face of his, I suppose, though who can blame her? | part of The Snowball Effect Collab

✧ monachopsis | ☽ ♡ | namjin | selkie!jin, marine biologist!joon | 5.7k | 16.03.20

seokjin knows - has known, for years - that his life will be like this forever. there is no more sea, there is no more swimming, there is no more of anything he used to know. this is life - wake up, go to a shoot, try not to piss giho off, go home, sleep, wake up again. because he was caught. because giho owns him. because he can’t.

but then he meets namjoon. and seokjin starts to realize that maybe…just maybe. he can.

✧ from eden | greek god!au | ♡ ꕤ ☽ | 15.6k | monsters and gods pt 1 | 16.6.2019

you’ve been in the dark a long time, overworked and exhausted. the only bright point is your gatekeeper, hoseok, your closest friend and the man you love but can’t have. you’ve accepted that loneliness is inevitable for you. when a voice calls to you, though, and moves you so deeply that you rip open the earth to help them, you meet a mint-haired boy that changes everything you thought you knew about your prison. | ft jhs | alternate ending

✧ penguins | boyfriend au | ꕤ | 3.5k | 18.7.2019

your long-time boyfriend takes you on a cute date to an aquarium, but gets a little jealous when you run into an old friend. it becomes his mission to set you back on track and remind you just who you belong to.

✧ backalley brawl (666verse) | werewolf au | 3.5k | 23.9.2019

You've been followed by a werewolf all day, and you're done being stalked in the night. Somehow you didn't expect him to need you to help him with a rather sensitive problem.

or; yoongi’s in rut and needs someone to help him out | 666 masterlist

✧ birthday candles (666verse) | ꕤ | vamp!reader, werewolf!yooongi, fae prince!jin | 4kish | 11.11.2019

a few of your friends help make your birthday extra special. | 666 masterlist

【ｍｉｎ　ｙｏｏｎｊｉ】

✧ as we go along | ♡ ꕤ | neighbors au, e2l, pining | 10.4k | 24.12.2019

Four years ago, the beautiful stunning attractive frustrating Min Yoonji came into your life. Ever since, it’s been a competition between the two of you to win the HOA’s Holiday Decorating Contest. The fiery looks she gives you paired with the pointed insults throw you off your game every year, but not this time. This holiday season, you’re determines to win; and along the way you might just find that Yoonji’s been trying to win something else.

;OR the queer hallmark movie of your dreams. | part of the 25 Days of Christmas: A BTS Anthology

✧ amae | neighbor!hobi | ♡ | 6.7k | 28.05.2019

amae - japanese. the way you act when you want to depend on another person. relying on someone’s goodwill and love to help you. frequently thought of as wanting to be loved and taken care of.

when someone new moves in next door, you don’t expect to become friends. everyone on your block was friendly, yes, but none of you gave more than a courteous wave when you spotted each other in passing. that changes with jung hoseok; a literature professor with sunlight gleaming out of every pore, who enjoys complex lectures, random coffee trips, and…sleeping in your hammock? curiosity gets the better of you as you befriend him, but just what could have this man sleeping in your garden hammock every night?

✧ from eden | greek god!au | ♡ ꕤ ☽ | 15.6k | monsters and gods pt 1 | 16.6.2019

✧ hearts on fire | hanahaki au | ♡ ☽ | 6.5k | 02.02.2020

Hoseok has been in love with you for as long as he can remember, and he’s beyond excited to see you married and glowing.

He just really wishes that he was the groom.

✧ give and take | mechanic!au | ♡ ꕤ | 10.5k | 18.05.2019

when your beloved jeep breaks down, you have no choice but to take it to a mechanic for once instead of trying to fix it yourself. you fully expected to empty your wallet or get told to just buy a new car. you don’t expect to meet kim namjoon, nor do you expect him to be hot like burning, sweet as honey, and interested in you.

✧ backseat memories | mechanic!au | ♡ ꕤ | ongoing drabble series | 18.05.2020

A collection of memories between you and the mechanic who saved your Jeep.

;or, the give and take sequel | on ao3

✧ 666 medici drive | supernatural!au | ꕤ | 4.5k | 30.08.2019

you decide to help garden witch kim namjoon gather ingredients he needs from local incubus kim taehyung, in a much more fun way than the two originally planned. | ft kth | 666 masterlist

✧ forever rain | ghost!reader au | ☽ ♡ ꕤ | 18.8k | 12.09.2019

being dead isn’t anything exciting. just a lot of walking the same halls of the same apartment day after day after day. things change when the new tennant arrives, though. kim namjoon isn’t anything you could have expected; not the way he’s so careful and gentle with his plants because he breaks so many other things, not the way his friends joke that he’s psychic because you refuse to let him get in the face one time, and certainly not the way he comes after literal months spent moving things away from table edges for him and announces that he knows he’s being haunted and he has some questions for you. you didn’t know ghosts could fall in love, but he makes you feel alive again, like you’re standing in the rain while thunder crashes around you. you should’ve known nothing good would come of falling in love with someone living, though. you should’ve known that heartbreak was the only way this could end. that the rain doesn’t last forever.

✧ midnight wishes | roommates/coworkers/fwb au | ☽ ♡ ꕤ | 10.3k | 21.12.2019

Granny Park’s Gossip:

That boy. Never met anyone as prone to disaster as he is while being so damned smart, except maybe that roommate of his. The two of them could probably cure cancer if they wanted to, but you leave them alone for more than a few seconds and you’re liable to come back to disaster. Jiminie did say they’ve been acting a little different, though, maybe they finally wised up and made things official instead of just humping like bunnies around that apartment of theirs. Oh, am I not supposed to say that? | part of The Snowball Effect Collab

✧ monachopsis | ☽ ♡ | namjin | selkie!jin, marine biologist!joon | 5.7k | 16.03.20

but then he meets namjoon. and seokjin starts to realize that maybe…just maybe. he can.

✧ coming soon ✧

✧ 666 medici drive | supernatural!au | ꕤ | 4.5k | 30.08.2019

you decide to help garden witch kim namjoon gather ingredients he needs from local incubus kim taehyung, in a much more fun way than the two originally planned. | ft knj | 666 masterlist

✧ black irises in the sunshine | greek god au | ☽ ♡ ꕤ | 14k | monsters and gods part 3 | 31.12.2019

anger is everything. other gods tease you for the short fuse, but it comes with the territory. people have called you stupid, have called you dumb, oafish, useless, incompetent, insolent, rude, arrogant. all of it. insults and mockery flung at you, but even your skin isn’t thick enough to deal with constant abuse. it’s the exact reason you keep going to the underground, knuckles bloody and bruised, fighting anyone that dared enter the cage. it’s the reason you go to the clubs, surround yourself with mortals and their writhing bodies. it’s there that you see him the first time, voice husky as it rolls through the room. it’s there you find someone who treats you differently than the rest. you just never expected him to be one of the muses.

✧ chasing butterflies | nerdy!jk | ♡ ꕤ | 12.7k | 01.06.2019

you never meant to be a jock in school. the volleyball team had just needed people and you were there and then you had a knack for it. you just happened to be good at it and went with it. similar to how you saw jeon jungkook in your friend’s orientation group and thought he was absolutely radiant and just went with it. for two years. you’ve spent the entire time pining from afar, mostly because you always seem to make a fool of yourself when he’s around, but also because jungkook is part of that exclusive crowd, the ones that you never can seem to penetrate: the weebs. that is, until your friends get sick of your hopeless pining and decide to do something about it. | sequel drabble posted 01.09.2019

✧ birthday candles | ꕤ | vamp!reader, werewolf!yooongi, fae prince!jin, small kook feature at the end | 4kish | 11.11.2019

a few of your friends help make your birthday extra special. | 666 masterlist

#masterlist #ddaenggtan

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invisibleicewands · 5 years ago

Text

Michael Sheen (old) interview

He’s played the prime minister and the messiah – now Michael Sheen is plumbing the psyche of the original man in black. Caroline McGinn asks him about the dark side.

It’s been a big year for Michael Sheen. A lifechanger, in fact. The 42-year-old actor is widely admired for his uncanny ability to play real-life characters: a Bambi-ish Tony Blair in a trilogy of films that included ‘The Queen’; David Frost for Peter Morgan’s play-turned-movie ‘Frost/Nixon’; and most recently, a demon-ridden Brian Clough in ‘The Damned United’. But no previous role has come close to the Christ-like leader Sheen played in ‘The Passion’ in his South Wales home town this Easter: an epic 72-hour piece of community theatre which ended in Sheen being crucified on a local roundabout.

‘The Passion’, a local take on the Gospel commissioned by the storming new National Theatre of Wales, was more than just a play. It was a collective story that Sheen probably couldn’t have told anywhere but in Port Talbot, a town divided by the roaring M4 and dominated by a giant steelworks that was once the largest employer in Wales; a place where churchgoing and storytelling are still alive. It’s also his parents’ home. Sheen was so moved that talking about it makes him choke up. ‘I did this seven-mile procession with the cross,’ he recalls, wiping his eyes with the back of his hand. ‘It was boiling hot. There were 12,000-15,000 people. And I was seeing these bare-chested tattooed blokes standing outside pubs with pints, with kids, with tears in their eyes going, “Go on, Michael, you can do it!” It’s quite rare to be in the middle of an experience knowing it is probably the most meaningful one I will ever have in my life. Something in me relaxed after that, I think. I could say, “If I died tomorrow, I did that.”’

Over a glass of red wine in the bar at the Young Vic, where he is about to play Hamlet, Sheen does seem completely relaxed: eager, open and very Welsh, with his squiggle of dark brown hair and his neat, expressive hands. He has a shapeshifter’s face: mobile, not memorable, too blurry and mercurial for a romantic lead. And it is a pleasure to hear his real voice: un-damned by Clough’s nasal, northern scorn or Blair’s prim inflections, it is a gloriously unstoppable lilting flow which seems, to my English ears, to come straight from the Valleys.

Sheen currently lives in LA to be close to his 12-year-old daughter with ex-partner Kate Beckinsale. He is an unlikely denizen of La La Land, with his bike helmet, his puppyish friendliness and his lack of pretensions. His spectacular return to his roots at Easter has, he says, redefined who he thinks he is, and what he wants to do with his work: something which he expresses in probably the longest sentence I’ve ever heard anyone deliver. ‘“The Passion” did for me what I hoped it could do for everyone in the town, potentially, which is to experience your life and your home in a different way, because I think there is a tendency – and I have it, and I notice other people have it too, probably everyone has it but certainly people who come from quite challenged areas – there’s a sense that your life is of no interest, that your story is mundane and there is no, for want of a better word, numinosity, no transcendence, and so to be able to tell a story about the biggest things there can probably be, a version of the “greatest story ever told” in the town that is seen to be the least likely town for that to happen in, then the people in that town, every time they go around that roundabout, which is many times, can go, “Not only is that where I get fish and chips, it’s also where the crucifixion happened,” and the everyday becomes transcendent – to something that is miraculous.’

Thanks to Sheen’s great-grandfather, street preaching runs in the family. But the starry-eyed idealism behind doing a passion play in Port Talbot, to reach thousands of people who would never set foot in a theatre, might easily have backfired. It was an unglamorous risk for a local bloke-turned-Hollywood big shot to take. You can’t imagine the area’s other famous filmmaking sons, ultra-cool customer Antony Hopkins or hard-living Richard Burton, pulling it off – though Burton did enjoy making a splash on the local beach with Liz Taylor and his private helicopter. ‘The Passion’ was supposed to shine a light on the miracle workers who do what Sheen calls the ‘unseemly’ work of care: for the old, the sick, the battered wives and the young offenders. For it to work, its makers had to gain the trust of the town.

‘After the Last Supper, when the Manics played, I was put on trial on the back of a truck and the crowd took over,’ he says. ‘It was at that moment I realised they understood it was their story. It was frightening and exhilarating. We didn’t know what was going to happen. Along the procession route people put photos of things they’d lost. Then, on the cross, I did a litany. Of things I remembered, or that I’d gathered from people, of people and places that don’t exist any more.’ It was Sheen’s epic personal connection to South Wales, where his dad once worked as a Jack Nicholson impersonator, and where his great-grandfather got rich when God told him to buy a tin mine. Sheen’s codirector Bill Mitchell and writer Owen Sheers spent a year getting stories from locals, and fed them into the piece. ‘I was just a participant: we all were,’ he says. ‘My mum and dad said a woman came to their house and told them I’d called her mother’s name when I was on the cross, and it had changed something for her. The need that drama first came from was community, witness, celebration and catharsis. We were trying to find a way for that to happen on a large scale.’

The Port Talbot ‘Passion’ has already gone down in theatre history. So where do you go after scaling the twin messianic peaks of Blair and Christ? Down into the doubt-ridden depths of Hamlet, naturally, the biggest role that a young (or young-ish in this case) actor can play. Judging by Sheen’s wordflow, those famous soliloquies won’t be a problem. After all, the actor made his name on stage: he won his first professional role at the Globe opposite Vanessa Redgrave in 1991 before he had graduated from Rada.

His CV is full of monster roles: Caligula, Peer Gynt, Amadeus (playing Mozart was his break into Broadway in 1999). Clough, and even Blair and Frost, creep into that list – though he’s obviously bored of talking about the factional film roles that made him famous: ‘I’ve done relatively few characters based on real people,’ he protests, just a little bit too much. ‘I’ve been working on stage now for more years than I care to mention.’

‘Project Hamlet’ has been on the cards for a while, but Sheen was waiting ‘for the right director and the right theatre’. Unlike recent celebrity Hamlets David Tennant and Jude Law, he didn’t want to do conventional West End Shakespeare, hence the Young Vic, with its younger, mixed audience and its imaginative approach, which includes – mysteriously – reconfiguring the playing space so that ��Hamlet’ audiences must arrive 30 minutes early to take a ‘different route’ in. Sheen’s director of choice is Ian Rickson, the ex-Royal Court boss who has helped actors achieve career-defining roles (Kristin Scott-Thomas in ‘The Seagull’; Mark Rylance in ‘Jerusalem’). Hamlet tends to demand something very personal from actors: one reason why so many of them crack up over it, though Sheen seems remarkably unfurrowed by the prospect. ‘It is,’ he says, ‘good not to have to worry about people saying, “He doesn’t sound like Hamlet.” It’s me: I’m not doing a voice or playing a character, so to speak. It’ll sound like me and look like me, a bit of Welsh mixed with a bit of posh.’

Sheen sees ‘Hamlet’ as ‘like a portal. Or a living organism in some way. Other Shakespeare plays don’t have that quality of seeming to change. “Hamlet” works on you and sucks up everything you have. It’s a bit like looking into the abyss. What “Hamlet” makes everyone confront are all the things that are most frightening: irrationality, betrayal, madness and abandonment. It is very, very dark, and it dances along through that darkness.’

Sheen’s prince promises to be darker than most. Not just a mad Hamlet, but maybe even a bad Hamlet. ‘Me and Ian have taken a completely different approach,’ he explains. ‘The most interesting way to approach it is not to trust anything that Hamlet says, to assume that he’s an unreliable narrator. And once you do that, you realise how many assumptions there are about the play.’ Sheen cites Philip K Dick, David Lynch and Edgar Allan Poe as influences. The production will be set in a world ‘that feels as if we’re in some sort of institution’. Madness will be the keynote: ‘I discovered when working on it,’ says Sheen, ‘that it’s the first time anyone used the phrase “the mind’s eye”.’ Horatio says, “A mote it is, to trouble the mind’s eye.” Meaning a piece of grit. It sums up what I think the play is. It’s a bit of grit in the mind’s eye of the Western world. We’ve tried to expel it, by smoothing out its inconsistencies and by stopping it from being irritating. That’s a way to neutralise it and make it safer. But actually it’s the most dangerous of plays.’

Rickson and Sheen have found unorthodox inspiration in anti-psychiatrist RD Laing and G Wilson Knight, the twentieth century scholar who wrote an off-beam but brilliant essay on Hamlet, the ‘ambassador of death’ in the land of the living. ‘Laing said that if you take mad people on their own terms then maybe they’re just talking in a sort of heightened language about their lived experience,’ says Sheen. ‘And our take on “Hamlet” definitely questions the boundaries of what you would consider madness to be.’

So where do you go as an actor, after the heights of being crucified, and the depths of Hamlet’s psyche? ‘The answer to that is that I just don’t know,’ says Sheen. There are a couple of projects: Sheen says he was ‘roped in’ on a set visit to a new untitled film by cinema’s man of mystery, Terrence Malick, starring Sheen’s girlfriend and ‘Midnight in Paris’ co-star Rachel McAdams. And there’s also Wales-set thriller ‘Resistance’, out this month. But he has his heart set on directing a film about Edgar Allan Poe. ‘He was an extraordinary character. Very dark.’ The legacy of this life-changing year is a sharper, stronger passion for a live Welsh tradition: storytelling. ‘I just don’t know where you go after “The Passion” and “Hamlet”,’ says Sheen ‘But I do know that I want to tell stories that are powerful, that can reach people and equate to Greek theatre now. People still do need that. They respond to it. But you have to take risks to find them.’

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#Michael Sheen #Interview #Hamlet #The Passion #old interview

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ernestsinclairs · 6 years ago

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How Rich are You?? - Bloodbound Edition

Welcome to the MONEY Series, where I draw up how rich everybody is. Here, I estimate how rich ALL the Bloodbound LIs are because literally everyone likes cash, not just me.

ADRIAN: Literally one of the first details about Adrian we ever got was that he’s a billionaire. And from the way PB stresses it, it seems like he’s one of those super-billionaires or something. I doubt he’s at the Jeff Bezos level (publicly at least), but this guy has some serious numbers in his bank account. Now, CEOs

like him don’t have billions in cash sitting in some bank vault somewhere. Most of their money is made up of the amount of their company that they own and how much that slice is worth. Seeing as Adrian probably founded his own company, it’s pretty fair to say he has a good chunk of it. And Raines Corp. seems to be like the golden child of a capitalist mother. MC mentions that the Raines Corp. was one of the fastest growing companies in America (in the job interview with Nicole), Adrian was voted ‘CEO to watch’, and she also said ‘like no one knows how profitable Raines Corp. is’ in Marcel’s library. Plus Adrian’s other assets like a private jet and great car and stuff, that’s a CRAZY amount of money.

Net Worth: $40 - $50 billion (the company’s had a lot of time to grow and rake in profit and value, seeing as vampires are, you know, a little thing called immortal)

But wait, there’s more! There’s this super shady thing that rich people do called offshore accounts! Basically, they shovel their cash to places like Bermuda and the Cayman islands to avoid paying taxes and hide their boatloads of cash from the feds. I’m pretty sure Adrian does that, not to avoid taxes, but to hide money he made in the other centuries he’s been alive, like the lucrative mega-businesses of the Gilded Age, that he otherwise wouldn’t be able to explain.

COMPLETE NET WORTH: $80 - $90 billion (includes previous profits in offshore accounts, physical things like gold and artifacts, real estate, international company investments).

Probably Owns: Obviously his private plane, which seems quite large and luxurious (Gulfstream perhaps?). He definitely has that decked out penthouse with a prime view of the Manhattan real estate market and a car described as a ‘slick sports car’ in Book 1 when you’re rescuing him. I am 100% sure he has a giant wine collection spanning centuries old as long as multiple estates around the US. In Book 1, Kamilah mentions she didn’t know about Adrian’s colonial estate, implying that there are others. So, if you like jet setting to giant mansions with centuries old bubbly, there’s that.

KAMILAH: Our vampire queen is not just the queen of literally everything, she is also the queen of raking in the sweet sweet cash. She’s in finance, and if it’s one thing I’ve learned, finance is profitable. Now, it’s obvious she’s extremely wealthy, but the curious things is that it’s not emphasized as such. It’s stressed that Adrian is a billionaire and has a private plane and whatnot, but there’s no mention of the extent of Kamilah’s wealth. So here’s what probably went down: Kamilah’s public wealth is lower than Adrian’s, but her hidden wealth is a lot higher. I literally would not be surprised if she could go to Egypt, dig a random hole in the desert, and turn up a motherlode of gold she hid thousands of years ago.

Net Worth: $20 - $30 billion (as far as the outside world knows. But if you factor in all her hidden wealth and earnings and random gold statues and hundred carat diamonds floating around the world, I’d estimate it at about $200 billion. This insanely high number is yes, due to the amount of previous earnings and valuables like precious metals and artifacts she has, but also their age and rarity)

Probably Owns: A really nice residence in Manhattan (I’m thinking a penthouse apartment similar in concept, but different in style to Adrian’s), along with apartments in every city she has an office in. I’m also sure she also has a walk in closet stacked wall to wall with custom made suits. I’m also quite sure that she still owns a few artifacts that are stored in private holdings around the world, like on in Egypt perhaps, and maybe some in remote areas like the deserts of Nevada or Argentine Patagonia.

JAX MATSUO: Okay, what I know about Jax is that he was basically a college dropout in the 80s who spent his tuition dollars on LSD trips and bad disco clothes. And the last time I checked, disco clothes aren’t that valuable anymore (and never should have been). Now, I theorize that any personal wealth he gained was redistributed to help the Clanless and others that he took in. So, he’s not crapping blocks of gold and hundred dollar bills like Adrian and Kamilah. He’s crapping out those rolls of quarters you get at the convenience store and the occasional fake diamond earring from Claire’s. However, his new position on the Council is definitely bringing in some much needed cash.

Net Worth: $3 - $4 million (mostly due to him reinvesting in his Clan, and being relatively new to business and Council duties)

Probably Owns: I don’t think Jax has as much material wealth and homes/properties as Adrian and Kamilah. I think he has a nice, safe, and comfortable quarters in the refurbished Shadow Den so he can be with his people at all times. He probably scraped up enough for a respectable car due to nagging from Lily, but other than that, I theorize that he prefers to live a little more under the radar.

LILY SPENCER: The only piece of info I have about her was that she was able to buy us 10 pizzas when we first met (flashback in Book One). Now, the price of pizza in NYC is rising, with the average being $16.98. Ten pizzas is roughly $170 dollars.

Net Worth: $170 (but in reality, I estimate about $35 - $60k with any debts fully paid off. Running with Jax is definitely drawing in income, and I won’t be surprised if she’s drawing a salary from her service or a commission from Fangbook.)

Probably Owns: 0 delicious pizzas because she ate them all. But seriously though, we know she still lives in the apartment with us, so that hasn’t changed. I don’t see a need or means for a car or private jet or anything like that, and I can’t see Lily buying hugely permanent things. She seems much more of a ‘spur of the moment’ person, and purchases reflect that. Like one of those ten foot teddy bears from Costco. Or a signed David Tennant photo from eBay. Or a Teenage Mutant Ninja Turtles mask worn by the stunt man. Take your pick.

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@bailey-choices @europeanguy @furiouscloddonutpeanut

#bloodbound #bb #adrian raines #adrian x mc #adrian raines x mc #kamilah sayeed #kamilah x mc #kamilah sayeed x mc #jax matsuo x mc #jax matsuo #jax x mc #lily spencer #lily spencer x mc #lily x mc #adrian raines headcanons #kamilah sayeed headcanons #lily spencer headcanons #jax matsuo headcanons

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thebraxiatelcollection · 5 years ago

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so naturally i hate this different species all along business. ALSO the 'traumatised lab rat that escaped' scifi backstory HAS BEEN DONE! doctor who was like no other scifi show (save star trek, i suppose) to just be - so mind-blowingly original! the doctor was better than any superhero because they weren't the product of an experiment or secretly an alien - they were an ordinary person who justdecided to Be Better - and i just loved that.

Following on from the first ask:

Absolutely. The Doctor started off as a grumpy old man who was exiled from his home and with the help of his companions (Ian and Barbara and so many others), they taught him to be compassionate and curious. He was a renegade, outcast from his own kind who were stuck-up, who wanted to help others and we could look up to that. I feel like Chibnall has just completely disrespected William Hartnell and his entire beginning of the show.

It’s not only that but I really do not think Jodie is the right cast as the Doctor. With that scene between her and Jo Martin, Jo Martin was a far, far better choice to be the Doctor. Ruth!Doctor had more charisma and development than I had seen from Jodie’s Doctor over the last two seasons. They should have cast Jo Martin as the Doctor. She would have been a far better choice and I don’t even care for the pre-Hartnell stuff.

I get that Chibnall and Jodie were friends before the announcement but Jodie is not passionate about the show (she talks about it in the podcast with David Tennant and how little research she actually has done) and she copies the mannerism of the Tenth Doctor too much.

I was also just bored throughout the entire episode. There was too much exposition and talking and I didn’t even care for the guest’s stars, I didn’t even remember their names after five minutes and Chibnall has made them such paper-thin characters that I was half hoping the Cybermen would kill them off one by one.

I was half-hoping when Yaz and Graham dressed up like Cybermen, they got stuck or converted or something interesting along those lines to make it a little more exciting but…I was just so bored. (Also, don’t get me started on Yaz’s response to Graham wonderful speech about Yaz being wonderful and she just sits there and goes: “You’re not so bad yourself. It’s a love letter from Yorkshire..”)

I’m also sick of the moral of the week storylines we had throughout season 12. Doctor Who has always been political, let me say that and it has always handled it well to a wide range of audience but I feel Chibnall and the BBC are certainly pushing the morals of the week in a preachy and patronizing way that it turns people off and are putting it out for a certain type of audience and it’s not healthy. It’s one of the main factures why people are stopping on watching Doctor Who. (I’ve had many friends not finish episodes in season 12 run because of this).

Listen, my favourite Doctor Who episodes are when they get political. I love Gallifrey, I love I, Davros, trial of a timelord, the whole third Doctor Era. But Chibnall way of handling Doctor Who being political does not do it for me.

I also get Doctor Who has always had plotholes but the Timeless children has really, really took this to the next level of plotholes. Chibnall has destroyed a 50-year-old show’s legacy within minutes and not in a good way.

#asks #doctor who #anti-chibnall #dw criticism #doctor who criticism #aziraphalesbian

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popculturebuffet · 4 years ago

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Ducktales Reviews: The Town Where Everyone Was Nice! or Scrooge Is the Lindburgh Baby

Saludos Amigos! The Ride of the Three Cablleros has at long last come to the last stop before it’s final phase. It’s been a hell of a ride so far: Our boys have tried to woo some ladies, performed some black magic, had some sort of drug trip, dealt with Donald’s ego, helped goofy ungoofy himself...

“SEASONS CHANGE, TIMES CHANGE BUT UNGOOFY IS FOREVER AND ALWAYS HE IS ALWAYS THERE” ... I created this magificent stalion.. kinda I think he came out of a styigan hole in the universe from the darkest dark in the dark of the dark... I can’t be sure. Our heroes fought an arrogant prince, found a lost city and helped donald get his smile back. All culminating in our heroes going to Spain for some reason, soundtracking Goofy’s win against Horace in Flamico Dancing, somehow that wasn’t a Covid induced fever dream I had but the actual premise of the episode, and then played some soccer with Daisy’s cousin and Pancho Pete. All in all we’ve had some good times getting here and I feel acomplished having made it this far. While I’ve still got quite a ways to go, getting this far means I really made something.. and not just the 80 something dollars it took to comission all of this. And I genuinely just want to thank all of you for reading these as these have easily been some of my most popular reviews and @weirdkev27 for comissioning all of this. It’s been easily one of my faviorite projects so far and I look forward to the final leg of it soon. For now though we have one last adventure before the biggest one starts. But before we can dive into it you probably have a few questions, and since I don’t really need to give Ducktales 2017 a lavish introduction as unlike most stuff so far this show is well and familiar: it’s what got me started reviewing animation on this blog, it’s what got me into the duck community as a full member, and it’s what caught Kev’s attention leading to this entire series. So I have time to answer the questions your probably asking and if your not.. well here’s the answers anyway Wait aren’t you going to cover Louie’s Eleven?: Nope. While I love that episode, I already did a full review of it earlier this year. I saw no reason to completely and utterly redo the entire thing when my opinions toward the episode haven’t really changed. That being said since I didn’t touch on the boys characterizations in that one too much and since I do want this retrospective to be comprehensive, I will talk about Panchito And Jose’s characterization there briefly during this review at the right time as a compromise.

Wait why isn’t THIS the last stop since it came out AFTER Legend of the Three Cablleros: Simple.. it felt unsatsfying to both me and kev to end on this one. While their apperance here IS a good one and a big deal... it’s also ANOTHER guest apperance. It’s something I didn’t quite realize for now but outside of the movie.. every apperance after is them guest starring in another series. Their aperances in Don Rosa’s Duck Comics, while awesome and treating them with proper respect, were still them showing up to shake up Donald’s stories and formulas. They were LITERAL guest stars in House of Mouse, and Roadster Racers was entirely just “let’s shove them in there because we can”. Legend.. is their story. Their moment in the sun after too damn long with all three as main characters and while being a lead is normal for donald, Jose and Panchito really HAVEN’T had that shot outside of their home countries. To be the hero of their own fully realized epic adventure. So it just fits best to have the road lead there instead of have all that happen.. then go back to yet another guest appearance. The other major factor.. is that while Legend came out around the same time as ducktales, to the point many compared and contrast both shows treatment of Donald, this episode is what most non-latin american audiences saw first as it took Disney WAY too damn long to air the series over here.. i.e. until Disney Plus launched, finding it somewhere online was the only option despite the series being produced in america with some really big american names voice acting wise. Point is this came first to some people, so i’m using that as a flimsy excuse to put it ahead so we get a better finale.

Now all that’s settled, let’s dive into “The Town Where Everyone Was Nice!” and see what one of the best duck propeties period makes of our boys.

We open in a remote town in Brazil. It’s the Festival of the Flower.. which is a bit off to me. While it DOES kind of make plot sense.. the problem is the lure was written to Panchito and Jose.. Jose whose a brazil native and could’ve possibly been supscious that a tourist invintation wasn’t in Brazilian Portugese, the countries national language and something I specifically researched just to see what it’d be called. For the record it’d be O Festival da Flor acording to google translate, which still sounds neat, Webby could’ve still said it means festival of the flower. It just feels like a missed opportunity from a creative team that’s taken such pains to make the series feel as authentic as possible and clearly put a lot of hard work and research into making each location feel like it’s real world counterpart. But it’s a minor thing and we soon get our two plots for the episode: Our B Plot.. is that Dewey can’t stay the fuck off his phone and is taking pictures rather than actually getting experiences with Louie enabling him, while Webby gets increasingly frustrated at Dewey not actually botherting to experince this unique and obscure culture. We’ll get back to this in a bit.

Our main plot naturally concerns the reason our heroes are here: Donald is reuniting with The Cabs, who in this continuity are his old College friends who Scrooge hates due to having to listen to them practice constnatly and tells the kids they’d hate it worse than his playing the bagpipes.

Bagpipes are objectively the worst insterument on earth. They are loud, unharmonic and generally just obnoxious. I do respect how important they are to Scotland, home of David Tennant, Grant Morrision and .. Alan Cumming and James Macavoy? Wait what? that’s awesome! Point is Scotland is great but I do not like the bagpipes except when Bugs Bunnny is murdering them. Honestly Donald’s college band was probably more like this. Nothing bad at all just mildly pathetic and mildly pathetic is what got Donald a girlfriend, so it’s not a bad look

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That brings me to another point: Scrooge is pretty obnoxious in this episode. It seems like his sole reason for coming was to bitch about Donald’s old college band. He could’ve just sent them a stern letter like the pros at being a cranky old geezer do.

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I do GET why he’s here as there are some REALLY damn funny bits with him in the a-plot, it just feels like they could’ve justified it better. But on to better things as Jose and Panchito enter the scene after Scrooge claims they “weren’t so cool”.. with Panchito diving from a plane and drifting down on his umbrella

And Panchito shows up dramatically playing the guitar. A truly awesome and worthy intro to our boys. So let’s talk about them in this series. Honestly the two really aren’t that diffrent from usual, though Jose’s lady chasing is given to Panchito, his footloose world traveling lifestyle remains in tact as does his genuine charm while Panchito remains the peppy one, just with his outbursts gone as his guns are replaced with cell phones..

Yeah while I do get replacing the pistols because let’s face it the mexican of the group being a gun nut was pretty damn unfortunate, though Don Rosa toned it down and justifed it well, and frankly guns are a hard no for family shows these days unless their laser guns so replacing them I get. But instead of I dunno giving him knives or turning his holsters into pouches carrying his stuff.. he just has two Cell Phones. It’s weird. It dosen’t really make sense other than for him putting on a big shot act and even big stars probably don’t have two phones on them at all times. It’s just a VERY weird update that makes not a whole lot of logical sense and I belivie is thankfully gone by the next ep. The only real issue I have is the two just sorta blend together personality wise instead of being distinct like usual, but that’s also happened in other apperances, so it’s not exactly a new or unique problem, and the two’s voice actors do a great job making both feel like they should.

Speaking of which let’s just go ahead and discuss that elephant in the room: The Cabs were recast for the first time in ages, which didn’t sit well with friends of legend as Eric Bauza, who’d replaced rob Paulsen, was himself replaced by Arturo Del Puerto and Bernado Del Paulo replaced Jamie Camil and Carlos Aquazi as Panchito. And I have mixed opinons on this one: Replacing Eric was a no brainer: while he’s a terrific voice actor.. he’s not brazilian and the crew of Ducktales 2017 perfer to cast actors who match their characters backgrounds, which again adds to the authenicty of it’s globetrotting and scope. They don’t ALWAYS, Cree Summer isn’t, as far as I know, Egyptian and Catherine Tate, while wonderful, isn’t italian. But for the most part it adds a nice flavor to things and frankly I personally prefer it when Jose is voiced by an actual brazilian man. So that change i’m fine with. Not using Camil though... I do not get. Jamie Camil is a throughly talented voice actor, having done TONS of great work lately , vocing Globgor for star vs and not getting nearly enough screen time as the loveable demon dad, and stealing the show as Don Carnage earlier in the series. While that episode is one of the series weakest, he’s still easily the best part of it and I hope Carnage shows up one last time before the finale.

So it really makes.. no sense to me to replace him. Not only is camil a bigger named actor, but he was already on the show and even the defense of “well they don’t want actors playing multiple rolls” ended up utterly destroyed by the end of the season, as Christ Dimatopolus not only reprised Storkules, but went on to play Drake and Melon, and picked up a FOURTH role in season 3 as Hades. My point is the show has no real issue with doubling up on voice rolls, so I scratch my head as to why Camil wasn’t given this part too despite being the obvious choice. Del Paulo isn’t a bad actor and is great in the role.. I just scratch my head why he was needed when a perfect actor for the part was right there and already had experince with the character.

I do think Puerto and Paulo are terrific and do the characters justice, issues with Paulo being there at all aside, and they do a great job and more than earned the roles and I don’t think the mass critcisim of this version of the characters is entirely warranted.. for this episode. This episode while they can meld into each other... that happens in most of their apperances anyway, so it’s not unusual or unique to this series. I will say however that the way their written in their next apperance is utter garbage: they aren’t really given any chances to be distinct, are basically written as one person even worse .. and that one person is a greedy asshole who takes advantage of their friend and never apologizes. I do get why people did not like them in that episode. I do think it has no baring on this one and people should stop bashing these versions as a whole for one terrible episode, especially when Louie has been written pretty badly for the bulk of season 3, yet is still not a bad character. It’s unfair to paint the series as painting them soley as selfish jackasses when it didn’t at first and hopefully wont’ again when they presumibly show up for the finale’s big avengers endgame sequence I hope is coming. For now they aren’t bad and the colors are crisp and the animation nice and bouncy on our boys.

Since we have two plots here, I’m just going to go ahead and split em since honestly, the b plot dosen’t really impact the a-plot until really the last minute and is basically happening right along side it and in concert with it. Sooooo...

The Trite B-Plot: As you can probably gather I didn’t really like this one. It’s basically 5-7 minutes of me wanting to punch a child in the face. Or rather Webby wanting to have fun experinces and actually take in the culture while in town, while Dewey just wants to take pictures of everything, make it seem like he did stuff, and generally is obnoxious to webby while Louie supports him wholeheartdly. That last part is really one of the few good parts of the plot as it’s nice for one of the brothers plots to NOT be about them being in conflict or squabbling but just hanging out and having some fun, doubly so since i’ve had to spend a season watching Louie , outside of a few good exceptions be an absolute dick to Huey and also Dewey once. It’s nice to just see him and Dewey bond over a shared intrest: posting shit online and getting good photos.

And it’s not without GOOD gags: Dewey’s obnoxious captions at one point while Webby continually looses her shit, Louie continually saying “that’s so wise” at Dewey’s bullshit philosphies, Webby’s continued annoyance is delivered great by Kate as always, and the best bit is Webby, utterly pissed at Dewey for refusing to eat Local Cuisine, wolfing down the entire fucking plate, all the dumplings in her mouth at once while Dewey, naturally, takes a picture. Otherwise this is just.. grating. It’s utterly grating to watch Webby GENUINELY try hard to absorb the local culture and really enjoy a once in a life time experince.. while Dewey jackasses about and basically acts like she’s wrong for it and treats his best friend like garbage. Just because i’ts nice it’s not Louie this time doesen’t make one of the kids being a dick without any nuance or character stuff suddenly great. It’s just tiresome.

And SOMEHOW , despite already not liking it the first time watching the episode.. it’s even WORSE now afterlast years. No not because I watched it while having to put up with Coronoavirus induced Chills, but because another show did this plot 100 times better: Close Enough. One of the best new shows of the year, Close Enough had a plot where exes Bridget and Alex, aka yet aother great set of Kimiko Glenn and Jason Mantzokus characters, went on vacation together, but their attempts to have some ex sex fell flat due to longstanding issues we found about through this plot: Bridget has a bad habit of doing what Dewey did, focusing way more on her social than actually enjoying her vacatoin while Alex has a bad habit of befreinding random weirdos who agree with his worldview. Keep in mind this is the same worldview that spent an afternoon connecting garfield to jesus while pissing in a jug for some reason. Point instead of a character just being a smug dick, it ties into actual character flaws that helped us not only learn more about them but lead to a really heartwarming scene where the two admit they jsut can’t sleep together casually with allt heir baggage, and that they still have a lot to sort out. Before given the show their on having their friends show up from the a plot and all of them getting kidnapped by a robot because Josh skipped a bunch of ads and a 5 year old has to solve some issues and prove she’s not dumb to blow up said robot. What i’m saying is it’s even more insufferable watching this after seeing it done a thousand times better, and fucking watch Close Enough. Thankfully unlike Inifnity Train it’s not reliant on you to get a second season as it’s been renewed proving that even in a cluster fuck like 2020 miracles can happen, but it’d still be nice for it to get more fans during the presumably long wait for Season 2. Let’s move past this, i’ll get to the plot relevant bit for the climax when we get to the climax, and onto the reason your all here.

The Main Event: A Life Not Wasted

Okay onto the actual plot. Rewinding quite a bit, the boys meet our boys, and we get some good bits. The boys cool new handshake leaves Huey wanting one only for Louie to simply lick his hand. See this is Louie dickery I can get behind because what did Huey expect? I do take comfort in the fact he has actual friends now who will likely do a handshake, fenton very much included. I’m sure Gyro didn’t want one either so he’s had plenty of time to workshop. We also find out one of the boys was dropped as an egg and well.. given Dewey opens and closes his eyes one at a time for this one moment, the ohter triplets just sorta.. silently agre it’s Dewey. IT does explain why he thought Champ Popular would get over..that and Santa Claus is Going to Highschool being his favorite movie.

So both Jose and Panchito claim to be sucessful: Jose being a sucessful jetsetter and trendsetter, and Panchito being a world famous pop star, never stop stopping. So Donald being donald panics and runs into a alley where Scrooge and Huey join him. Donald is fully convinced he’s wasted his life and has nothing to show for it. Huey rightfully points out he raised three wonderful children and isn’t that enough? Naturally given Donald clearly has some issues related to this subject and Scrooge has develoved into old man yells at cloud, he agrees it’s not important as money. So Huey decides to help his uncle because he’s the good son.. and because the two are easily the most alike out of Donald and his Kids. It’s something I haven’t really been able to bring up before so I was delighted to realize i could now: Besides the obvious people bring up constnatly, I.e. Huey having inhereted the most of the family rage out of his brothers, there’s the fact both are kind of obessive, both tend ot spiral into panic when a situation goes wrong, both are awkward with women, both are frequently ignored or taken for granted by those around them, and both are awkward adorable dorks who I will give my life to protect. It’s why I think Huey has the best relationship with his uncle of the bunch: He’s the only one who at least TRIES to empahtize with him and support him. While the other two do love him, and Webby of course likely has an insanne and horrifying shrine of him, and scrooge and probably della now in her closet.. and of course lena but that’s less out of hero worship and more out of her insane, over the top, very webby version of love. Point is, he’s the one who genuinely sees his uncle as a person who needs help and love. This was best demonstrated in the scene at the bank back in “Who Is Gizmoduck” as Huey tries to get his uncle a loan using the guidebook and is there soley to help the guy and taking time out of his day to visit the bank. Let’s face it though this is huey: he probably loves visiting the bank. They just got new pens! So Huey decides to put his improv badge to good use... so far the only use he’s gotten is Louie laughing at the fact he actually earned an improv badge and urges donald to simply ACT like he’s sucessful. Scrooge balks at this, because as Wonder Woman 1984 taught us nothing good comes from lies.. or from banging your ghost boyfriend while he’s possessing someone’s body without said body’s consent and plan to fully live out the rest of your lives togehter without ever considering how fucked up this is. I will..deal with that movie ... soon. But he soon changes his turn and agrees to go along with it to avoid Jose getting upset and them having to pay for everything.

So Huey suggest Donald keep the lie small, but belivable. Given the law of sitcoms when it comes to anyone saying that and the fact this is Donald, he instead panics and lies that he’s taken over McDuck industries and scrooge has gone full abe simpson in the other direction.

Which is why i’m not enitrely annoyed by Scrooge’s presence: while they don’t even handwave him being here, Scrooge putting on an old man act, and sometimes getting back at donald for it is solid gold the whole damn time and some of David Tennat’s best comedic acting on the show, so it makes up for him being a grumpus. And while i’m not usually not a fan of liar revealed plots, this one works for me.. mostly because it’s rooted in character. Here Donald is lying.. but because of deep seated neurosis he’s yet to fully tackle. While he loves his boys and is proud of htem every day... it’s very clear Donald hates his life and how it turned out. We got bits of this back in House of the Lucky Gander, with Donald’s first thought upon thinking he’s about to die is “I wasted my life” and feeling entirely like a looser. This episode brillinatly builds on that: it shows a Donald who simply feels.. he acomplished nothing. It’s easy to see why as his parents were happy and sucessful at whatever they did from the looks of it and how well taken care of the kids were, his uncle is the richest duck in the world and it’s greatest hero and explorer, his sister is the only one who could rival that record, and his cousin constnatly gets riches and fame handed to him. Donald.. by comparison.. is just a normal guy whose house is in his rich uncle’s pool, who has no job, no partner, and only really the love of his family. He spent his life on adventures he didn’t want to have living int he shadow of someone he grew to resent before the Spear of Selene incident blew things up for a decade. And then when he was free instead of becoming a big sucess... he blew the rest of it being overprotective of his boys and bouncing from dead end job to dead end job. It’s easy to see why he sees himself as a failure despite having lived a good life: compared to everyone else, even his sister who mooned herself, in his life.. he feelsd far behind. And as someone whose felt they were far behind countless times and only now is realizing they haven’t and it’s a marathoon ot a sprint I naturally relate. So his wanting to play big shot for just ONE day, to be the big hero like scrooge, teo be a sucess for five minutes with his best friends.. it’s understandable and relatable.

So Donald continues the ruse, leading to a great bit where the cabs all try to avoid picking up the check “WE can’t all keep whistling nonchalantly” before Scrooge is forced to give Donald the money to in the best joke of the episode.. and I mean FORCED. He and donald get into a fight with their hands under the table and Huey eventually gets fed up with that and has to BITE his uncle’s hand just to get him to do what he shoudl’ve done ruse or no given he’s the richest person there. The reason I take special offense to this.. is that my fairly wealthy grandpa and grandma, my mom’s dad and his wife for the record, would buy us dinner EVERY TIME they were near town, a nice steak dinner with whatever we wanted to most of the time. They knew we couldn’t afford such luxury half the time and wanted to treat us and spend time with us. Since my grandpa’s passing, my Grandma and her New Husband have continued the tradition since then, if obviously not this year for damn obvious reasons, thought hey sent us a really nice dinner to cook for christmas in the same spirit. What i’m saying is when you know your relatives arne’t as stacked as you , you pay for the fucking meal especially since i’ts a special occasion, and even for someone as stingy as scrooge, it comes off as a dick move.

We then get the best scene with the episode, just inching out the climax as the three simply talk, remince on old times, have a good rib like old friends would. It feels natural and wonderful to watch and gets even better when the three hear the radio and end up having an impromptu dance and musical number. Also Jose’s umbrella is also a flute somehow.

Point is the boys have a good time and Donald gets carried away, with the boys planning a world tour. Huey, while happy to endulge his uncle in a badly needded ego boost, isn’t happy to endulge this and scrooge is unwilling ot pay, more resonably this time. Huey eventually talks him out of being a moron and tells him he has to tell the honest truth and while that dosen’t work this does.

So as Donald goes to face the music, we have come to our climax. Phrasing.

The Finale: Ay Carumba

So we come to our finale. Backing up a scene or too to the B-Plot, webby is interviewing a local about the festival when she gets stuck in a loop. So far in the episode we’ve had hints something is up with the people as they go all yellow eyed.. and webby finds out why as she notices the “person” she was interviewing is, in a hilarious and disturbing review.. a horrignly realistic hand puppet.. and upon stealing Louie’s phone, she points out there’s no shots of anyone’s feet.. and the reason why is that the giant flower the feast is about is a mean green mother from outer space and he’s bad. And Webby finding that out’s got him fighting mad. Webby and the boys naturally run to warn the remaning boy and scrooge and they all run out only to get blocked out of town and captured. Dewey looses his phone inside the plant monster.

In a great joke, Scrooge ended up actually throwing his back out with the old man act, so our heroes are all captured and it’s up to our stars to save the day. So while his family is in peril, Donald finally comes clean with Jose and Panchito naturally being upset.. for a second before Jose admits he lied to and an irate panchito.. is forced to admit he also lied. Jose is a flight attendant, hopefully he’ll get his own mini series where he accidently murders a dude on disney plus, which is a nice update of his globe trotting ways, as it’s a resonable way for someone with no money to get around the world these days and Panchito is a birthday party muscian. They all however chuckle over this realizing they haven’t come as far as they thought.. and they still have each other. It’s a nice way of modernizing Rosa’s jobs for them and their hard luck lives he set up and I love this. IJt’s just a sweet emotoinal scene that makes donald, and his friends, realize they aren’t faliures and life isn’t just about reaching some arbitrarity goal.. just like Soul taught me aka the actually great movie I watched on Christmas Day. But since Donald’s family is in peril Jose suggests theys till play the gig.. just like they did ion acapulco thus we get the second best scene of the episode and another worthy rendition of The Three Caballeros as our heroes beat the shit out of the plant, free the kids and the plant straighens out scrooges back.

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It’s beautiful, psycadelic, and utterly awesome. Seroiusly the bright boldend colors are awesome and so’s this sequence. Easily one of the show’s best.. and it’s a show that contiains the greatest scene in television history

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So that masterclass concludes with Donald signing.. badly.. and blowing the plant hte fuck up. Our heroes win and head off in the sunchaser. No idea what Launchpad is up to, probably has another ex in the area. Point is our heroes win, Dewey deletes his photos because “If there was no pics it didn’t happen” (So wise) and Donald decides to get the band back together, prompting scrooge to do an animal house on Panchito’s guitar... you.. you know you have to pay for that right? you aren’t a loveable frat man and he wasn’t ‘singing and I gave my love a cherry. Your obligated to get him a new guitar. You know that right?

So with that the episode wraps. This is a pretty good episode. While the subplot is bad and it should feel bad the main plot is emotional, well done and really adds more depth to Donald’s character while giving us a hell of a show with the cabs. The College Band background gives the boys a unique flavor this time around, not musically but in how they know each other and helps set it apart from the countless other reunions. It’s a truly bright, colorful and fun episode with some great gags and great performances. As I said Puerto and Paulo really knock it out of the park as the boys and while I would’ve preferred Jamie Camil, Paulo was still utterly excellent, though Puerto was the clear standout of the two. While their second apparence would be disapointing characterization wise, overall this was a fun introduction to two of disney’s best into it’s best universe and one of Season 2′s Standouts.

Next Time on the Ride of the Three Cablleros: we begin our massive finale look at The Legend of the Three Cablleros. Donald gets dumped by a nightmare of a person and finds an inhertance, new friends, and some sort of hot adventure god in his new cabana. Good times. Until then goodbye, goodbye, goodbye.

#ducktales #donald duck #panchito romero miguel junipero francisco quintero gonzalez #panchito pistoles #Jose Carioca #webby vanderquack #scrooge mcduck #dewey duck #huey duck #louie duck #Abe Simpson #the town where everyone was nice #The Three Caballeros

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