#also obviously the official translations are much better

[itsabouttimex2]

I hope this isn't an odd question

But, do you think Wukong or Macaque would act or treat different their "cub" if they genders were swapped or being a female version? This is also for a Yan behavior

I don't know too much about how is the raising of a monkey from the father and mother so I was curious with this since they're both mystical demons

I was thinking about this when I saw some fanarts from the artist @/car_nimbus on Twitter, they made a neat versions of the characters with another gender

Monkey Mama

(Hmm okay let me build a hypothetical OG “Female Monkey King” to work off of here and then I’ll try to translate that into LMK’s SWK. Also, I’ll probably make a second variation of this afterwards with other characters, haha. This got a little long to do both SWK and Mac!)

Sun Wukong as a character is already heavily defined by rebellion and personal choice, so I think that making him a girl only really compounds that layer of his character.

In many older narratives, female characters are often expected to be more obedient or modest than men, and very frequently only exist as prizes or, more rarely, villains. A female Sun Wukong; assuming she plays the same role as her original incarnation, defies the expectations of how “traditional” women should behave, shirking the demure and passive “ideal” and adding another layer of rebellion to her character.

(JTTW is actually pretty great in terms of female representation, with characters ranging from the perpetually good Quanyin, the eventually repentant Princess Iron Fan, and the straight up evil White Bone Spirit. I’m a big fan of how the women aren’t slid into any one “role” throughout the story.)

I think: in story, she’d likely be viewed as a sort of “anomaly”—a woman too strong, too outspoken, and too unwilling to conform to typical feminine ideals. Her defiance and arrogance might be viewed as even more scandalous by the Celestial Realm.

Instead of being made a “stable-keeper”, I think probably she’s sent to whatever Heavenly Scullery exists in that divine realm, and put to work very quickly. She would treat this “job” with indifference or even amusement at first-after all, physical labor or menial tasks don't diminish her self-worth or confidence! She’s had a life of hard work, leading an army of Yaoguai, cultivating Flower Fruit Mountain,

So she’s fine with this… at first. Then it turns out that the food she makes with her fellow low-class workers isn’t distributed amongst the people making it, but plated up nice and pretty for a bunch of “stuffy old gods” who didn’t lift a finger! Bullshit!

So obviously, the prideful Monkey Queen goes on a destructive rampage in regards to the unfair disparity of treatment, then storms back down to Earth to throw a “feel-better” party with her fellow Yaogaui.

(Which isn’t just a party, but a symbolic reclaiming of joy and community, with her monkey tribe representing the freedom she craves and the earthly bonds she prefers over heavenly authority. It's not just an escape, but a statement of independence.)

After an extensive set of repairs, the Court sends down someone to drag her back, because, you know, the local super-powered monkey is back on the loose, and that’s not exactly great for them. This time, they offer her a “better” role- she gets to become an official Peach Maiden, lucky her!

Of course, it’s just another form of entrapment, but within a prettier cage. Even though she's given a cushier position, it's a veneer- she's still being silenced, controlled, and stripped of her freedom. The role played by a Peach Maiden is an inversion of Wukong's essence, as these women are happily serving the role of passive caretakers, nurturing with gentle smiles—a direct contrast to the free-willed, brash nature of the Monkey Queen.

(And while there’s nothing wrong with being demure, passive, and feminine, having people try to force her into that role is where Sun Wukong draws her line.)

Here, she is expected to watch in silence as others revel in the freedom and power denied to her. It's a different kind of prison, one that quietly erodes her spirit. When the Celestial Court tries to reintegrate her as a Peach Maiden, they are once again attempting to place her into a docile, decorative role, one that strips away her power and independence. Those immortal peach orchards, a symbol of immortality and divine favor, becomes a prison for her.

Surrounded by "ideal" women who embody the quiet, submissive role she despises, the Monkey Queen finds herself chafing under the pressure of conformity. Her energy, once boundless and chaotic, is now caged, and the simmering resentment builds.

The buildup to her inevitable rebellion after being made a Peach Maiden, then, becomes a very sympathetic moment because it's not just a rejection of the role forced on her, but a rejection of the very system that tries to diminish who she is at her core. Her rebellion isn’t about anger and shame- it’s about reclaiming her true self after having been suffocated by the expectations of the Celestial Court. Her rampage becomes an assertion of her identity as something that can't be confined by heavenly rules or social mores.

The Court, in its attempt to “contain" her, only fuels her defiance further, leading her once again to rebel.

It was never going to end well. But it ends all the same, and punishment is to be levied to the Queen, just the same as any other rebellious rule-breaker... actually, probably harsher.

There’s “you broke our rules and tried to lead a coup”, then there’s “you did all that, and we also find your very person to be wrong on a fundamental level”, and then she gets the book thrown at her twice over.

But! Then she meets Tang Sanzang, who sees something in her that neither the Celestial Realm nor her own band of Sworn Brothers saw. Not a heretic simian savaging a holy realm. Not a Queen to rally behind for their own gain.

But a lost soul in need of guidance.

And from there the Great Monk works on building Sun Wukong up as a person instead of leading her astray or trying to cut massive chunks of her personality out? And talks to her about the things she cares about? And teaches her about all the things she missed after spending five hundred years under a rock?

And then she meets Zhu Baije, who starts out a little too happy and carefree about having a beautiful woman around, but eventually comes to smash open heads when Wukong is disrespected, because that’s not just a hot woman, that’s his sister?

Or Sha Wujing, who helps her with even the smallest things, from trimming her claws to cutting her wild hair to preparing meals for the monk? And lets her perch on his shoulders and head so the queen can get some skinship in?

Then Ao Lie, who is every bit the “disappointment to the world at large” that she was considered? And they take turns braiding each other’s hair and wiping the mess from the other’s face, and sleeping in the same tent and same bedroom because it’s less effort?

She gets a dad and three little brothers?

She gets a family.

And then loses it and is alone again for several hundred years more.

So if we go with this theoretical “My natural existence has been rejected for being seen as ‘improper’ by a court of stuffy traditional assholes” and then “I dearly love/miss my dead found family” angle, I think she’d be portrayed as a very different sort of character in LMK.

She’s quicker to lash out and defend herself, and much less willing to sit around and let the world pass her by- because that’s what was demanded of her by the Celestial Realm.

Be good. Be quiet. Be demure. Be obedient. Be anything except you.

I don’t think she’d be as willing to “rest on her laurels” as her canon counterpart, given that a “quiet boring life” was what she had fought so very hard to escape in the first place, so instead of isolating herself from the world in the first place, she probably sets up a little “souvenir shop” at the foot of Flower Fruit Mountain, taking a human form to sell little knick-knacks that herald to the journey she undertook with her old friends.

In part, this is how Wukong works to honor them. To spread their legacy. To ensure that they aren’t forgotten, left as a footnote in the annals of history. To remember them.

In part, it’s how she justifies all the mistakes she’s made and the suffering she’s been through. Settling in to a pointlessly relaxed life is exactly what she fought against, after all. She’s heavily fallen into the “sunk-cost fallacy”, where giving up and settling in, to her, means “losing”. It means “everything I went through was all for nothing”. So she keeps at this little store instead of just retiring and isolating herself from the world, even though she’d be happier to ditch it and lounge about.

So when MK and his eccentric bunch of friends comes around with their boundless energy and mischief, she immediately goes, “Oh, okay! This is what I wanted!”

(It’s not. All she’s ever wanted is her friends back. How could there be anything else?)

The Monkie Kids are vibrant, eccentric, and full of qualities that immediately resonate with Wukong. They remind her of the energy, camaraderie, and sense of adventure that she once shared with her old companions. She sees MK's arrival not just as a chance to teach someone a few of her old tricks, but as an echo of her own life—a life she hasn't been able to truly let go of.

So she starts projecting- on the surface, MK is very much like her. He's spirited, good-natured, and curious- and reckless. Just like she was. Wukong latches onto this quickly, sort of using the kid as a proxy for herself. After all, if she can't go back to her old life, why not embrace a new one that feels close enough? In some ways, this marks her refusal to accept the passage of time, a desperate clinging to the hope that, through MK, she can rekindle the connections she once cherished.

However, underneath that initial enthusiasm is the repressed understanding that MK, despite his similarities to her younger self, cannot truly replace what she lost. The friends she fought beside, the battles they waged together, and the lessons they learned are unique, irreplaceable moments in her life. No matter how much MK’s gang reminds her of the past, he and his friends a stand-in for the companions she still longs for. But her deep desire to reconnect with her old friends clouds her ability to see MK for who he truly is: his own person, on his own journey.

It takes her a while to get to that point, though. So she’s more doting and affectionate, in a way that somewhat stifles her student’s training because she wants to be both her old carefree self and also a good mentor, and the two just get jumbled.

Sidenote: I think with the difference in actions and behavior, MK would be more open to viewing Fem!Wukong as a parental figure than the OG, especially since he doesn’t really have someone to fulfill that “mom” role.

For their dynamic, I think something like this would be the outcome:

———————————————————————-

The afternoon sun hangs low in the sky, painting the landscape in hues of varied orange and blue. With a tired hand, MK wipes the sweat from his brow.

He’s perched on one of the rocky spires dotting Flower Fruit Mountain, gazing at the view with a small smile of accomplishment. Training had been intense lately… if only because he had been doubling down on the time he spent practicing, without giving as much care to rest or aftercare.

After all, even though his powers were blooming steadily… his enemies also were growing in power and quantity, leading to the ever-creeping edge of fear that anything less than a constant one-hundred percent just wouldn’t be “enough”.

And right as he reaches back to grab the golden staff he has inherited from the Monkey Queen-

“MK! I told you to take a break, not run off to do more training!”

Her voice, uncharacteristically sharp, cuts through the formerly tranquil air, causing MK to jump. He turns just in time to see Sun Wukong strolling toward him, her hands on her hips and a look of mock annoyance on her face.

MK grinned sheepishly, shifting his grass-stained boots against the dirt. “I was just, you know… checking out the view.”

She raised an eyebrow, the corner of her mouth twitching in amusement as her eyes narrowed in annoyance. This kid... “Uh-huh. Checking out the view or sneaking in some practice when I wasn’t looking?”

Caught fast in his lie, MK rubbed the back of his neck, face scrunching up in embarrassment. “Maybe a little of both?”

In spite of herself, Sun Wukong quietly laughs, the sound echoing like a chiming bell through the mountain. Her long, golden hair flowed behind her in the wind, each strand catching the light like molten fire. Despite her legendary status- the rebellious warrior who’d fought the heavens and nearly won!- there was a warmth to her that MK had come to cherish.

“All work and no play, MK,” she said, sitting beside him on the rock and ruffling his hair with a fondness that always made him feel like a little kid again. “You’ll burn out before you get anywhere.”

He looked at her, eyes shining with admiration. “But you never stop training. You’ve been at this for centuries! I just…”

A pause, as his chest turns over, unsettled by the notion of opening up. But… it’s the Monkey Queen. So it.. should be okay, right?

“I want to make you proud.”

Sun Wukong’s expression softens, and she wraps an arm around his shoulders, pulling the boy close in a tight embrace. “You already make me proud, kid. You don’t have to prove anything.”

MK leaned into the touch, feeling a wave of comfort wash over him. Even from the start she’d been like this with him- protective, nurturing… and maybe a bit overbearing at times. But he didn’t mind. It made him feel safe, like no matter what challenges lay ahead, he wasn’t alone.

MK chuckled, turning his face up to meet his idol’s eyes.” I’ll keep up,” he triumphantly declares, pumping a fist.” I promise.”

“Good.” Wukong shifted, her clawed hand lightly missing his spiked locks. “Now, how about we head back to the shop and grab something to eat? You’ve earned it.”

MK’s stomach growled at the mention of food, and he nodded so eagerly that she wondered if his head wouldn’t ache from the motion. “You know, I won’t say no to a good meal.”

The Monkey Queen stood up, dusting off her mentee’s clothes before offering him a hand. “Of course you won’t. C’mon, my treat.”

———————————————————————-

Now, to answer your question about how she acts in regards to her own cub… in general I think she’s much more doting than the OG, willing to express herself through constant displays of physical affection, in ways that are far more varied.

Constant forehead smooching, cuddles, grooming sessions, all of it! Mama Wukong never wants to let go of her baby! Sit down and let her paint your nails! Let her comb and braid your hair! Let her make you a nice lunch (loaded with mystical drugs to keep you nice and sleepy for extra cuddles), or at least a filling snack! Let her pepper your face with kisses as she spins you in her powerful arms!

Lots and lots of indulgent fluffy days of binging unhealthy foods and watching cozy reruns of old shows, your head in her lap as she hums and does up your hair with her lazy hands.

Lots of reminiscing about old suitors as she considers the quietest and quickest ways to kill anyone who makes the futile attempt to pursue you in the same way.

Despite her obsessive behavior, Wukong struggles with conflicting feelings about wanting her child to be strong and independent, just like her! She pushes you to train hard and become powerful, but when you inevitably seek their own freedom or autonomy, she’d experience a mix of pride and heartbreak, pushing her deeper into possessive tendencies.

If you ever tried to leave or even just start to break away, Wukong’s worst traits would bubble up like hellfire. Just as she fought against an entire realm’s authority, she would absolutely wage a war to keep her child close, all while justifying her actions as love.

The Monkey Queen is also more willing to take routes outside of brute force if it means securing extra protection for Y/N. If Macaque or maybe Azure (or someone else like Erlang Shen) wants to try and play “suitor”, well, she’s not too interested… until the thought arises that having him around makes you extra safe! And then she’s willing to think on it.

(That’s assuming that you aren’t one of their biological kids to begin with, in which case there might be a sort of “yandere triangle”. Azure/Macaque/Erlang Shen doing his damndest to reclaim his wife, before he learns that she’s had a child while he was gone... or maybe Pigsy and Tang decided that MK needs his mentor in a more ‘accessible’ position, and plot to drag her to Megapolis…)

Lots of potential monkey mama shenanigans, basically!

[kuramirocket]

[matan4il]

I wanna share with you a small cut from a 2010 documentary about events that began unfolding in 2008. The film (which was up for an Oscar nomination, but wasn't shortlisted), followed the story of a young kid called Muhammad. He was born with an immunity deficiency that killed two of his sisters. Three other siblings didn't have it, but also weren't a match to donate bone marrow to him. To even consider the donation procedure, Muhammad's family needed 55,000 dollars (over 80,000 dollars today), which they obviously didn't have. An Israeli journalist did a TV piece about Muhammad, asking for the money to be donated. An Israeli man, whose son was a soldier killed by Palestinian terrorists, decided to do exactly that.

While Muhammad was in the Israeli hospital, his mom Raida was by him, and here's an exchange she had with the Israeli journalist who helped the family get the money they needed to save their kid's life:

I'm not sharing this because I want to demonize Raida. I'm not sharing it because every Palestinian thinks this way. I'm sharing it because some Palestinians, certainly the ones related to Islamist terrorist organizations like Hamas, do believe that if their child dies as a shahid (a martyr), during an attempt to kill Jews, then the kid would be with Allah. And that will be as if their child never died, because what's better, an imperfect and short life on this earth, or an eternal life with every good thing imaginable by Allah's side? So yes, there are parents who want their kids to die in a confrontation with Israel. There are kids who were brought up with these beliefs. And kindness and humanitarian gestures might change it, but many times they just can't compare to the promise made by this way of thinking.

That's not every Palestinian, but it's enough people to have an impact on the forming and continuation of the Israeli-Arab conflict (much like how Amin al-Husseini was one Palestinian leader, but his antisemitism had a crucial influence on the conflict, and translated into the deaths of countless people, mainly Jews). There are currently at least 30 terrorist organizations in Gaza alone (at least 5 of them are big enough to be household names in Israel), and Hamas on its own includes at least 30,000 people who think this way.

No one can understand this conflict as long as they ignore that the widespread existence of this mentality plays a factor in it. No one can bring about peace here, without getting that this is a part of what threatens it. No one can solve a problem while turning a blind eye to some of its parts.

And if you still think Raida is an exception, here are some more vids reflecting the same mentality from over the years... (I'm not gonna get into how heartbreaking it is that entire generations of Palestinian kids never stood a chance, because I think that's obvious for anyone with a heart watching these clips)

Official Palestinian Authority TV interview with the mother of a shahid, Nov 28, 2003:

"Being with Allah is better." Hamas TV on Jul 21, 2014:

Mother of murderer of 3 Israeli teens: "He was honored with Martyrdom because Allah loved him." Oct 6, 2014:

Palestinian mothers explain why they make joyful noises when their kids get killed as shahids. Apr 7, 2015:

"Death is inevitable, so why not die as shahids?" Oct 28, 2019:

Palestinian father explains his choice to expose his son to danger by bringing him to the site of violent riots, by saying his 4.5 years old wants to go to paradise. Jun 20, 2021:

"My son had nothing called a funeral, rather it was a wedding..." Official Palestinian Authority TV, Sep 13, 2021:

Shahid's mother says her son is a role model for Palestinian kids. Dec 31, 2022:

Shahid's mother shares she instructed her son on how to be a proper shaid. Official Palestinian Authority TV, Feb 21, 2023:

(for all of my updates and ask replies regarding Israel, click here)

[makeste]

BnHA Chapter 424: Detroit Tears

Previously on BnHA: You know what, fandom is way too heated about this still so we’re just going to leave that be that for now and not get involved. I have some conflicted feelings about it, but this is not the place or time. This is a happy post.

Today on BnHA: Oh right, Horikoshi still owns the rights to my soul. And I’ve just been reminded of why I willingly signed them over to him so freely.

Quick heads up that this isn’t going to be my usual style of chapter reaction post, in that it’s really just going to be a ton of rambling about That One Scene. Partly because I’m only halfway caught up with stuff, but mostly because tbh, this is the only thing that matters to me right at this moment.

Also this is your friendly neighborhood spoiler warning that I’m posting about a chapter which hasn’t officially been released yet! So proceed at your own discretion. This reaction is based on @pikahlua’s excellent spoiler translation writeup here. I’ve officially lost all of my fucks about spoilers and it’s extremely liberating.

I’m glad that Kacchan’s arm isn’t just magically better and that he’s never going to be 100% again. and also that the doctor mentions him needing to rest his heart as well. because I did feel like there needed to be at least a few lasting consequences from him LITERALLY DYING AND UNDERGOING OPEN-HEART SURGERY IN THE MIDDLE OF THE BATTLEFIELD. but I’m also glad they established that it wasn’t career-ending or anything. he’ll probably have some chronic pain and occasionally aggravate his old injuries while fighting, all of which is great for angst purposes. but it was good to see him being calmly accepting of that while also being determined to put the work in to rehab it as much as possible.

also enjoyed the doctor summing up Kacchan’s highly improbable main character resurrection and subsequent antics as basically being some wild bullshit that nobody can explain. lampshaded the shit out of it. “I don’t really understand” lol. nobody understands. in truth it’s that his secondary quirk is bending reality to his will in order to kick ass.

moving on to the main event now! so Kacchan and Izuku’s reunion was obviously the highlight of this chapter and of my life, probably. I’m not gonna sit here and pretend like it wasn’t. y’all know how it is.

what really made this scene for me was Kacchan being more upset at Izuku’s loss than Izuku himself. all those callbacks and all that guilt. that careful selection of flashback panels. the fact that Kacchan’s past bullying of the quirkless Izuku wasn’t glossed over or forgotten, and in fact is the emotional core that fuels Kacchan’s reaction here. Horikoshi didn't have to cut that deep, but he knows what he's about.

and then the crying. I need to write a lot of words about this right the fuck now. first off, having Kacchan just flat out sob while Izuku for once is the calm one (at least until All Might goes in for the emotional kill later on), is such a beautiful reversal and really shows how far they’ve come. even better is that none of it was even remotely out of character. I’m always appreciative when an author can produce top tier emotional hurt/comfort like this and have it feel earned and authentic rather than forced. well done.

also, “Na--cchan!!” fuck yeah Izuku. we’ll never let him live this down. (but also, him later trying to reconcile his forever-tough image of Kacchan with the crying, hiccupping version standing in front of him, by blaming it on Kacchan’s weakened physical state... oh, Izuku.)

also the fact that Kacchan so easily reverts to this smol crying boy even after defeating the world’s greatest evil pretty much activated every protective instinct that I have. he’s seventeen. he’s practically a man now. he’s objectively one of the strongest and toughest people in the entire world. and yet his eyes still go so wide and his face is still so young and Horikoshi still draws him so tiny and vulnerable whenever he’s like this. goddamn gets me EVERY single time. let’s be real, it’s been this way ever since the “you looked like you needed saving” scene back in the literal first chapter. just, omg. he’s still just a kid and he’s too small to contain all these feelings SOMEONE HELP HIM.

anyway so NEEDLESS TO SAY, Kacchan full on mourning in between sobs because he wanted to keep being rivals with Izuku cut me to my core. I cried too, goddammit. because in Katsuki’s mind it’s like. he wasted a dozen years of potential friendship by being a giant asshole. and they were only able to start getting things back on track less than a year ago. and that was probably the best year of both of their lives. and that rivalry meant so much to both of them. pursuing their dreams together as equals. and he wanted it to continue!! he missed out on so much, and it was his own damn fault, and now it’s all being taken away again maybe!!

and I think it’s especially devastating to Katsuki because he was trying so hard to make up for how he treated Izuku, and then this comes along and now he’s worried it was all for nothing. he’s scared that Izuku will maybe have to quit being a hero. (we know that won’t happen, obviously, but Katsuki is living this and not just reading it. he’s never met narrator!Deku and doesn’t have the benefit of all that foreshadowing and stuff.) but even more than that, I think he’s scared that it will undo all of their progress toward mending their relationship. not because Katsuki thinks any less of Izuku now, quirk or no quirk; but because of how Izuku might feel about being quirkless again, and because of the memories it might bring flooding back to the surface. I don’t think Katsuki fully believes that Izuku has forgiven him. so that’s a major fear potentially rearing its ugly head once more now.

and of course, he’s also just sad and upset on Izuku’s behalf, because he knows Izuku is sad about it too, even if he’ll never show it and will just downplay it because of his selfless nature. it’s a major loss, and one deserving of tears being shed, even if Izuku won’t shed any of his.

so yeah. it’s a lot. in Katsuki’s mind it’s the potential loss of a partner (if Izuku quits heroics), and a friend (if Izuku does cool toward Katsuki as a result of being quirkless again), and a dream (of them reaching the highest heights together), and his friend’s dream. so it makes perfect sense that all of that would overwhelm him. all of this is stuff that’s broken him down on past occasions as well.

so anyway it’s going be very cathartic when all those fears prove to be unfounded (because they better be unfounded lol). but in the meantime it’s a very moving reminder of how much he really does care and how far the both of them have come.

also Horikoshi really couldn’t resist giving Nobu one last chance to destroy everyone when this scene rolls up in the anime. that’s so reckless of him. there will be no survivors.

All Might telling both of them they’d become the greatest heroes was also the perfect chef’s kiss moment on top of everything else. we already knew it, of course. but it was good to hear him say it. and they needed him to say it. they needed and deserved to hear it.

and I really love that the qualities he specifically praised them for were the same things that each of them had struggled with the most in their respective journeys. he tells Izuku, who had such a difficult time learning how to tell the world “I am here!!”, that he inspires everyone and has become everyone’s hero. and he reminds Katsuki, who struggled with learning how to save people, and has especially struggled with his guilt over what happened to All Might at Kamino, that he saved All Might’s life and is the reason he’s able to still be there with them. both of them just really needed to hear that acknowledgement and encouragement, and it was such a powerful passing of the torch moment. All Might gets so much shit from the fandom, but he really is a phenomenal mentor when he’s in the zone, and I’ll die on that hill.

also a nice touch keeping the focus of those panels on the two boys and their reactions. even though I would have liked to see All Might’s face when he thanked them at the end, it definitely felt deliberate. this is their moment. their soft little tearful smiles afterwards punted my heart off a cliff and then picked it up and held it gently.

lastly, let it be known that I’m still convinced Katsuki has OFA (All Might vestige explanation when??), and it’s not lost on me that that would be a mighty convenient way for Izuku to potentially still go on a-quirkin’ in the end, if that’s how Horikoshi wants to play it. I'm just saying.

also before I forget, just a quick shoutout to Horikoshi for FINALLY showing all three members of the Bakufam in a scene together in which they finally managed to not be completely dysfunctional lol. my deepest darkest BnHA secret is that Mitsuki is secretly super high up on my list of favorite characters. and she was great in this chapter, and I love how she was just “WHAT THE FUCK” aghast at Katsuki using his main character powers to continuously ignore his injuries. and then she and Masaru kind of silently agreeing to step outside the room and let the boys and All Might have their moment. while still secretly listening in. because you know they were. good for them.

lastly for reals, I just want you all to remember that as great as this chapter was, the one thing that it was STILL missing which we have STILL not gotten is a HUG. we demand HUGS. I’m not leaving this manga till I get a bkdk hug goddammit. I will stay here all night if I have to.

[dorky-kawa]

As I’m waiting for tcb and the official translations to form my final opinion, I just wanted to write out some thoughts onwhy I take issue with Kusakabe said, at least from having read all the different versions of the translation of the leaks so far:  

Yes, he did tell the kids to act like kids and not feel like they are responsible because it wasn’t their fault. But what he was saying was that it’s not their (even Yuuji’s) fault that Yuuji didn’t die; that the blame lies solely with Kenjaku for his craziness and the grownups for not following through with the initial execution order. Whether or not that’s objectively true (and yeah, anyone can say that the events of jjk wouldn’t have happened if Gojo had just killed Yuuji chapter 1), that’s an absolutely shitty way of comforting anyone, which was what he was trying to do with that statement.  

Also, to have him reiterate that he was in the pro-execution camp and that they only have Yaga to thank for being here even at this point of the story is a really banana thing for him to do. Take Nanami as an example. He also originally said that even though he thinks the higher-ups are shit, he believes in abiding by the decisions of the higher-ups. But Nanami also turned out to be biggest softie there is. Nanami grew to care for Yuuji so much - Yuji made him believe in the future. Nanami would never have said something like this after getting to know Yuuji. Kusakabe might not want Yuuji to die at this point, but he still firmly believes that Yuuji dying was the correct decision from the beginning.

You can say he is just stating objective fact and that he is actually the most sensible one in the series, but this inability to be moved by the kids to try to fight against what is “right” and for something bigger is my issue with Kusakabe being one of the few adults left to be a teacher/mentor/adult figure in the lives of the students. 

Saying that ‘well, I don’t think anyone was right or wrong - everyone had their truths and all those truths led us here, oh well’ doesn’t make it better. Because it’s such a wishy-washy (but in-character) thing for him to say - which brings me to my problem with him: that Kusakabe ultimately doesn’t have it in him to risk everything and stand up to injustice and the status quo. 

It’s easy to say “kids should be kids” and to be a “nice” person. It’s harder to stick with those beliefs under massive resistance and opposition, and that’s where I think Kusakabe falls short. 

I don’t think that Kusakabe is a bad character. He is someone who both Gojo and Nanami referred to as "kind." When the world was in chaos, he stepped up and put his life on the line to protect the students. He obviously cares about students, but I think he also takes the easy way out when something doesn't concern him personally, and he limits what affects him personally quite strictly (we've seen that can do things that go against orders, ie. freeing panda, to repay his debt to Yaga). He is a character that finds it hard to stand up for something on his own, to be at the forefront of something without other forces pushing him. 

Kusakabe hasn’t demonstrated his potential to be revolutionary, to have the will to fight for something because he wants to see change, and maybe that’s not necessarily a character flaw inherently. But the jujutsu world (and Japan) is in upheaval. Gojo got rid of all the higher-ups. Now is the time to change things, break the cycle, and build a better world. He’s one of the few left who is in a position to do it. He cares about the next generation. But I don’t see Kusakabe stepping up in the same way as Gojo, Nanami, or even Yaga would have in his position. So yeah, I really don't like his stance this chapter.

[fishing-lesbian-catgirl]

There are times I think about playing Arknights just to see if it's as gay as your posting makes it seem.

Actually it's probably better just to ask it here. How gay is Arknights?

Well. The answer depends on how willing you are to read into subtext. If you’re the type who only cares about extremely explicit gayness to the degree of them literally saying it out loud or to have their relationship with another woman described in text as a relationship, then I guess the answer would be not that gay. There’s Tomimi who professes her love to Gavial in The Great Chief Returns event, and there’s Scavenger whose operator file describes how she was in love with a woman but they got separated, and by the time she was able to return to her her partner was dead. I think that might actually be it from the “turn to the camera and say ‘I’m gay’” level of gayness.

The reality of Arknights is that, despite all the things it does well (and there are seriously a lot of those, that’s why I’ve become kind of obsessed with it for better or worse), it is still a gacha game. And when the profitability of a game is tied directly to how much you can convince your audience to spend money to get the characters they want, it unfortunately makes them make so frustrating decisions to avoid any potential loss of profits. Specifically I’m referring to how characters are not allowed to be in relationships in text, as self-shippers are a potential revenue source (despite the fact that a character having a girlfriend vs a character being single is a much smaller roadblock to dating then the fact that they’re not real). Also it suffers from the very common problem of lack of body diversity and skin colors, fanart that you see that seems otherwise is likely fanon.

But if you like queer subtext, there’s quite a lot to work with. Especially since so many characters and their relationships with each other lend really well to lesbian readings with fascinating dynamics. Women will straight up flirt with each other in text somewhat frequently depending on the characters. Some women have relationships that are really really hard to read as anything other than lesbian (but people will always find a way, usually by not reading in the first place). It very often turns into a “there is no heterosexual explanation for this” situation. And the important thing to know is that ~80% of the characters are women, a lot of whom are very real characters with stories and everything that is well written and respecting of them (with a few exceptions). The majority of their interactions are with other female characters. If you’re picky about it any only want heavy subtext with minimal reading into it, you’ll have a number of good options of characters and relationships to enjoy, like Margaret Nearl and her two very obviously girlfriends/wives (depending on your interpretation), or Skadi and Specter, or Franka and Liskarm who got an official manhua dedicated to their relationship as mercenary partners that was so gay that the scanlators who put it on mangadex tagged it “Girls’ Love” only for the official translation to make it gayer.

It really is a your mileage may vary situation. If you’re like me and can read into the potential yuri in even the slightest interaction, it’s an unending feast. But if you’re only in it for the explicit canon then you might want to look for something else. Regardless, it is a gacha game but also it is a game with a majority female cast of usually well written characters in stories where they are the focus. Seriously, the first like 6 chapters of the main story only have a few men, most of whom are nameless npcs or antagonists, and even the main antagonists get to be fascinating women a large portion of the time. I know it might sound like I’m scraping the bottom of the barrel here but misogyny is an extremely present force in storytelling and the bar is really low. I can elaborate more if you want me to, but as you can probably tell I’m not good at being succinct, and any further elaboration would be as long and rambly as this

[yarameijer]

On Keshin and Hissatsu

OKAY SO BUCKLE UP Y’ALL CUZ I’M GONNA RANT ABOUT KESHIN AND HISSATSU, or at least my interpretation of it, SO LET’S GO. Also I apply anime logics so shhh some things will be questionable (but we’re literally talking about GIANT SPORT AVATARS AND MAGICAL SUPER SHOTS so what did you expect????)

(This does not take the games into account, by the way, so there might be inconsistencies.)

I guess the place to start is simple: what are Keshin?

According to the Inazuma wiki, officially Keshin are described as “the ability to show a user's spiritual energy”, literally translated as their “fighting spirit”. This, obviously, doesn't tell us much. From the Keshin development we see in the anime, mostly from Tenma, this ‘’spiritual energy’’ seems to be a thing that people already have, just unused and out of reach until they are adequately motivated to use it. Tenma shows signs of his Keshin aura in the very first episode, when he stops Tsurugi’s Death Sword, a moment where he was highly determined and completely focused on one task - requirements for ‘unlocking’ a Keshin. Shortly after Shindou unlocks his Keshin, again during a moment with very high stakes and his resolve is clear (‘’fighting spirit’’).

It’s safe to assume that before a Keshin is unlocked as a Keshin, it’s already present simply as spiritual energy that’s not noticeable in daily life. Through training and willpower, it can be mastered and revealed and take on the shape of a large avatar that is specific to its user, which is classified as a Keshin.

This idea is again further supported by comparing Tenma and Shindou’s situation - both without any prior Keshin training but responding to a very high stakes moment, and yet Shindou is the one who actually manifests a Keshin while Tenma merely shows signs. Why? Because Shindou is an experienced soccer player and Tenma, while having done his own training, is still a newbie. Tenma begins showing more signs of Keshin usage throughout the anime while also becoming a better soccer player and likely increasing his stamina.

Which is one of two parts that I imagine is necessary for Keshin usage. Willpower/determination and physical training. Using a Keshin - controlling this spiritual energy - will take its toll on the physical body. After all, it’s stated multiple times in the anime and the movie that you can only call forth a Keshin a limited amount in a short time and that SEEDs can increase this limit through training - furthermore, whenever Keshin users say they’re at their limit, it’s coupled with them being out of breath, looking tired, sometimes kneeling on the ground. Clearly, using a Keshin is demanding on the body. Therefore to use a Keshin, someone needs to be physically fit enough to handle the strain.

The second part, willpower, is likely why not every adequate soccer player has a Keshin. It takes tremendous resolve and especially Fifth Sector’s type of soccer - controlled, decided, flat - does not bring the type of situations where someone would find themselves in a position to reveal their Keshin. I imagine that after Fifth Sector has been demolished, Keshin usage increases. But not only does a Keshin take willpower, it also takes focus. That was Tenma’s problem in the anime; he wasn’t focused enough in situations where he otherwise showed signs of Keshin usage, which makes sense.

Remember when he first gains his Keshin? Endou puts him as keeper, to get him to focus. Tenma is a midfielder, a dribbling expert, and ‘the wind’ is literally used as a metaphor for him, all the time. Tenma’s fluid, constant movement, flowing around obstacles rather than hitting them head-on; he’s an incredibly dynamic player and the whole field is his stage, there’s no standing still for him, there’s no pure, single-minded focus when he’s constantly looking for new places to move towards. Putting him as keeper grounds him in a way nothing else does. He can’t move away because he’ll leave the goal vulnerable, and when faced with a frontal attack? He finally focuses.

So that’s how someone gains a Keshin. To be honest, I quite enjoyed the slow buildup we got for Demon God Pegasus - Tenma showing signs, not even realizing it himself in those moments, training for it, having specific training to handle the blockade - I would’ve liked to see more of that with other characters, rather than them getting their Keshin with no prior warning. Would’ve been very interesting and also given more insight to their character and playing style!

But now for the next question - what designs a Keshin? They’re all highly diverse, yet some people have the same ones. And ooh this is a part I like.

Who have diverse Keshin? The entire Raimon cast. Strong individual players of other teams.

Who share Keshin? Nameless SEEDs.

Yeahhh. Fifth Sector obviously has an interest in Keshin - they’re ridiculously powerful when you don’t have a Keshin yourself - but as mentioned before, their soccer leaves a lot to the imagination. It's not a great way to stimulate developing a Keshin. However, Fifth Sector has a specialized secluded training facility for SEEDs. Yes, I'm talking about God Eden. 

God Eden, where these types of scenes are apparently normal.

I quote. “Bring out your Keshin. If you don’t, you will lose your life!” What kind of training is this? 

Also, who did we see with “standard” Keshin? Oh, I remember! Zero and Dragon Link. Teams that are both about as indoctrinated as they can get.

Brainwashing, abusive training, who knows what else Fifth Sector does to make their perfect soldiers. Whereas everyone who's developed a Keshin naturally has their own individual Keshin, with bright colors and details that match their person, these SEEDs seem to have been stripped of their entire identity for the sake of gaining a Keshin - ones that, I headcanon, might even have their own specific training regimes with the purpose to gain that specific Keshin.

As for everyone else… their Keshin are, above all else, individual, and fit their personality. Tsurugi has a knight. Shindou has a music conductor, a puppet master, someone who ‘leads’ and instructs other people - and Shindou is a strategist before all else (with a musical background too). Taiyou, literal sunshine child, has the Greek sun god as his Keshin.

Anyway, I’m getting back into Keshin designs in a bit, because I first need to talk about something else.

Hissatsu.

What are hissatsu, and how are they related to Keshin? Officially, they are simply described as “special techniques”, nothing more. One thing we can,  however, gather is that they’re very similar, and both involve some sort of energy that somehow can be manipulated and visualized. I assume that at the very least, they’ve got the same source, and if Keshin are ‘’spiritual energy’’ then hissatsu are, to a certain degree, the same thing.

Remember how I mentioned everyone has spiritual energy, despite not having a Keshin? This ties into that.

Hissatsu, while having technically the same source as Keshin, are applied in different ways, ‘easier’ ways. Less control is needed. Rather than bringing out and visualizing all of your spiritual energy like with a Keshin, you just manipulate part of it; you visualize something and combine it with physical movements (to varying degrees), in which the physical movement is either a way to center yourself for said energy manipulation or actual part of the technique.

Like, in some cases of hissatsu you've got these movements in which people are just standing still and doing something seemingly unnecessary. The easiest I can come up with is Manabe in Galaxy with his ‘’Defense Equation’’.

See? He stands there and simply writes an equation in the air, he doesn’t do anything considered ‘useful’ in soccer; doesn’t tackle anyone, doesn’t try to get in their way or interfere physically.This is genuinely just a way for him to focus and center himself in order to manipulate and shape the energy however he wants to. Then, when the opponent is distracted, he just takes the ball from them.

However, a lot of other hissatsu actually incorporate the movement in how they function! For example, Soyokaze Step - this hissatsu focuses a lot more on Tenma's actual movement, and doesn't even have that many ''special effects''; in this case the energy manipulation is less obvious, rather in increasing his speed/agility and giving himself a boost of speed. The actual outcome, however, is fully dependent on his actual movement.

And then there's something that’s used by both types of hissatsu that I wanted to mention: misdirection. What Manabe does is both a way to center himself, and also part of the technique to confuse or distract his opponents - and some hissatsu specifically have the aim of distracting opponents without having any physical effect. Shindou’s Olympus Harmony is actually a pretty good example for this!

Does Shindou actually do anything physical? Nah, but getting a blast of light to the face is gonna throw you off for a couple seconds either way, right? This is misdirection in its simplest form, and there are several shots that work this way - Kidou's Illusion Ball, for example.

But more physical-based hissatsu do this too, all the time!

You've got shots like Mach Wind, where the energy doesn't seem to have any purpose beyond putting on a fancy light show (which I imagine is an aesthetic choice), but you've also got hissatsu, like the penguin shoots, in which there's an actual specific and recognizable form to it rather than just a blob of energy. The “energy manipulation” in this case both serves a function and adds to distracting the opponent. Other shots, like Tsurugi's usual shots, could also function as an intimidation technique.

So that's the mechanism behind hissatsu, with varying degrees of energy manipulation, physical movement and misdirection, ranging from almost fully energy manipulation-based techniques like Shindou's Olympus Harmony to Tenma's physically based Soyokaze Step.

Basically, someone thinks of a technique that uses energy manipulation, whether as a distraction or to enhance themselves or the ball, and then they sort of work it out in terms of energy manipulation and physical movements until it works, which would also explain the 'upgraded' or 'remastered' shots - they're technically the same shots, but with small differences that improve the way they work without actually being noticeable.

The difference with Keshin is that Keshin utilize all of a person’s spiritual energy; they manifest and visualize all of it, whereas hissatsu just extend a little bit of it (maybe even energy from the surroundings, depending on how you imagine the “spiritual energy” works). Furthermore, hissatsu are always action-based, whereas Keshin are not. Keshin can be visualized and not utilized in any way beyond that; but a hissatsu has a very specific method and order and while their end result may vary (Tenma saving the goat), they can't just... pull it up and push a 'pause' button, Tenma can't just stop in the midst of Soyokaze Step, or Gouenji with Fire Tornado, they have to complete the movement for it to have an effect. Whereas you can just pull up a Keshin and sort of have it just hover behind you ominously, and then you can decide what to do with it - Keshin hissatsu are the result of that, because in that case you first pull up your Keshin and then actively guide it into a hissatsu - which obviously makes it more powerful because you're putting a Keshin's energy (AKA all of your visualized spiritual energy) into it.

And this explains why Keshin can be trained. Someone who's new to their Keshin would likely visualize it and then use that energy all at once, like you’re bringing down a wooden pole with a wrecking ball, whereas someone who's had training can visualize all of their spiritual energy but only actually use a little bit of it if they so desire - and therefore maximize the productivity of it. AKA, that's why Shindou passed out after he used his Keshin for the first time. There was very little finesse in what he did there, he just used it all up at once.

If we then get back to specific Keshin designs, this is a direct result of hissatsu techniques.

To have a Keshin is to visualize all of your spiritual energy, so why does it take the shape of some fantasy game avatar? For soccer players, who have learnt energy manipulation in the form of hissatsu, it actually is the most likely way they'd express it. They manipulate Keshin energy the same way they'd manipulate hissatsu energy.

The standard Keshin form is also likely caused by the way that Fifth Sector developed and taught it. They were likely involved in the research on Keshin and the methods in which they are used. To be honest, Keshin actually look like they might have been inspired by Endou's hissatsu techniques. Big giant godlike creatures? Sound familiar? I imagine Fifth Sector would have studied hissatsu, and realized that hissatsu techniques that brought out a lot of a person's spiritual energy had one thing in common: giant avatars hovering behind them. And so they tried to enhance that even more, and thus Keshin were discovered.

Anyway, like I said, the way spiritual energy is manipulated for Keshin usage is based on the way you'd use hissatsu. No one learns a Keshin first - rather, they learn hissatsu, they design hissatsu, they figure out what works best for them, they basically develop this sort of ''style'' - Endou with his personas, Tenma and Kazemaru with wind, Fubuki with snow and ice. And that depends on a person’s creativity and imagination.

(And that’s without mentioning any specific talents they might have - strategy, or attack, or defending, or dribbling.)

When learning how to use a Keshin, the goal is to ‘bring out all of your spiritual energy’ with no clear image beyond a giant floating avatar. In this process the energy is sort of allowed free reign in 'designing' it and thus will ‘flow’ in a way that comes natural to them - the way they use it for hissatsu. Therefore, a Keshin will mimic whatever style someone has developed for themselves. I imagine the specific shape will then be a mix of how they’d use their hissatsu and the underlying perception of themselves, or perhaps the desire of what they want to be.

And that is why Taiyou’s Keshin is a sun god whereas Shindou’s is a music conductor and Tsurugi’s is a knight.

Well, that was my take on Keshin and hissatsu, I hope you enjoyed it! I hope to eventually upload more of these rants of mine on other topics as well, if people are interested.

[prentissluvr]

sitting next to sam during a class in stanford and you both sneak glances at each other when the others focused on taking notes. sometimes you ask each other for something you missed and he’s so huge but his voice is so soft and small when he speaks to you and he always has those puppy eyes when you talk to him. of course he invites you to coffee to share notes after you miss a day of class. i just wanna get coffee and go on walks around campus and start a small book club with him 🥲

wAHHH ANON I CRYYYY i want him so bad stanford era sam my beloved <3 esp after coming back to school this fall like :,)

but yes!!! this is so so so perfect ughhhhh especially him being so soft, with those puppy dog eyes. like he's not even tryna make them he just instinctually looks at you like that . like :,) crying about him.

he's all, "hey, i noticed you missed last class. i can send you my notes if you want :)))" and you're like "ahh, yeah, that would be great! thank you so much :)))" and then he's like "of course ... if you're not too busy, we can go over them together. yknow, only if you wanted to." so obviously you agree because duh.

and he's so giddy to be sitting in a cafe with you that it takes him a second to get into the content of the class, but once he does he gets all absorbed in it and you're just watching and listening to him like *major heart eyes* and also wow he's so intelligent and articulate and would make an incredible professor because he explains everything in like 10 minutes better than the actual teacher. you nod along with his words and you're all "ahhh, okay" "gotcha, that makes sense." and you give him a sweet grateful smile and you're all, "thank you so much, sam." and he blushessss of courseeee ahhh and he's like "oh, it's no trouble. i'm happy to help." because for real he's sooooooo so happy to help lol

and of course once you're done with class stuff, you spend the next while chatting, immediately realizing that the way you click well in class translates to everything you talk about. and you just have such a great time talking to each other, it feels so natural to spend time together <33

so you start walking around campus and to class and cafes together pretty often. and the idea of starting a book club with him is THE CUTEST EVER !!! and i really really adore it <33

sam picks the best books ever and he'll also rave about your choices and will sit and talk with you about it for hours. i think he's less likely to make an official student organization (plus stanford already likely has one) so it's just you two and a few friends meeting up a dorm room or apartment and being cute nerds. he won't say this out loud (maybe he will someday) but his favorite book club days are the ones where no one else shows up because they're busy stanford kids and it's just you two talking for hours <333

[lost-technology]

Trigun Maximum - What the Gender???!!! Okay, so I'm sitting here doing a re-read of Trigun Maximum Vol. 5 and I get to the last chapter. I am reading the print edition from Dark Horse - Japanese publication in 2001, English language translation publication in 2005 according to the back of the book. Anyway, I got a little confused by something I hadn't remembered that is apparently there: The page where Elendira is dumped out onto the ground from the Ark (and wants to gut the helmsman) Meryl says: "A transvestite?! (He has a nicer figure than I do...)" I had forgotten that because I believe that most people tend to refer to the Trigun Manga Overhaul fan-translation for that, which is here for that chapter: https://www.trigunoverhaul.com/TVol5Ch06.html and has Meryl saying: "A trans-woman?! (But she has a better figure than I do...)" One is official (comic-licensed), one is fan-translated (but is said to be very accurate, done as dedicated fans rather than people just paid for a task). I am wondering which is more accurate? Specifically, I am wondering if the latter one "cleaned things up" for the sake of modern sensitivities or if it really does carry more of the gist of the original. I mean, I found myself with a bit of confusion at that chapter when skimming Overhall and seeing Legato say "She saved me," when my Dark Horse book has "He saved me" which had led me to believe that Legato had been referring to Knives (Knives chose to spare him, by order) - while "She saved me" (referring to Elendira) completely changes the meaning. Legato *does* have one of his "fanatical" facial expressions there, thus leaving me confused as to whether he is surprised that Elendira the ("he" in DH or "she" in Overhaul) saved him or if it might have been "he" referring to Knives ordering him spared? I am not asking for people to cancel Nightow... (ugh, please don't). I don't even know if pronouns work the same in Japanese as they do in English (I heard that they do not). Having been alive in 2005 and having read the volume back around then (either that or I got it in 2006 or so, anyway, I was alive back then AND old enough to read a very bloody, adult-oriented manga), well, I seem to remember "transvestite" being a more common term then / the basic common before "transgender" "transwoman" and "transman" came into common usage. Not being a part of the trans community, I do not know if it was more "the accepted common term" then or if it was always a slur and I thought it used to be the common term before new terms were created? If my recall is accurate, "transgender" / trans - man/woman was coming into play then and "transvestite" was fading out as it was more often used in a derogatory fashion than as a descriptor. (I honestly do not know very much about the culture of the words, so forgive me if I am getting things wrong).* *There was a similar process that I saw in real time regarding what is now known as the R-word for certain disabilities. I was alive (a child) back in the 1980s when the word was actually a medical descriptor but was ALSO a slur and by about the 1990s other medical terms were used and "R" had become exclusively insulting. - It is one of those things that one must be mindful of when encountering old media. (I watched a Twilight Zone 1985 episode I hunted up having vaguely remembered it from my childhood on Youtube some time ago that treated the condition and a character that had it with sensitivity, but had his parents and medical staff using the term and it felt like a shock / I had to remind myself "that was the term back then"). I'm just left wondering about the bias DH translators might have had back in the day having been jumpscared by that when most of today's manga-readers are obviously reading Overhaul.

[toychest321]

(I wanted to apologize for my lack of activity on this page. I had so many plans for posts I wanted to make for Ramadan, but this past month has been so horribly stressful. Whenever I have time free from schoolwork I'm so incredibly burnt out I lack the motivation to post. Now there's barely any time left before Ramadan is over, even though there were other posts I wanted to make. I'll probably still make them in the future, though, and highlight Islamic culture through dolls however and whenever I can!)

With that said, I'd like to introduce you to the most recently-released Muslim doll, Umm Amirah!

As far as I can tell, Umm Amirah was released in February of 2023 by the company Allova, a family-owned company based in the UK.

While the name "Umm" literally translates to "Mother" or "Mother of", it can also be used as an additive prefix for whatever trait follows. "Amirah", meanwhile, means "Princess", so (as far as I can tell) her name roughly means "she who is like a princess".

And that name certainly fits! While her outfit is relatively simple (which makes sense, since her primary demographic is those aged 3-7), the sparkling tulle outer skirt shows that subtle princess-y influence!

The doll comes in pink and purple outfit variants, and comes with a prayer mat, a pink bag to carry it, and a pink hairbrush. She has fair skin, blue eyes, dark or blonde hair beneath her hijab, and 11 points of articulation! Umm Amirah's is meant to be a cultural education tool, and introduce the practice of Salah to children.

As I mentioned in a previous post regarding the Morning (Fajr) and Evening Prayers (Isha), Salah is the daily process of giving prayer to Allah. It is the second pillar of Islam, and must be done facing Mecca.

A couple of months ago in February 2024, Allova also released this Princess Fashion Set. While it's not an official Umm Amirah fashion pack, I still feel like it could somewhat be classified as such with its name and their doll used for modelling.

The pack comes with 6 dresses: pale pink with dotted skirt; pink with puffed sleeves and ruffle skirt; blue with silver detailing, top, and belt; a blue summer dress with white and yellow pattern; purple; and black and white with white flower buttons and a polka-dot skirt. It also comes with four headscarves in blue, lilac, black, and gold, 3 handbags (tan, white, and pink) , and 3 pairs of shoes (black, silver, and fuschia(?))

I obviously cant post for each outfit combination, but I would definitely say that the blue summer dress is my least favorite of those available. The material looks the cheapest out of those in the pack, its design is comparatively simple, and the pattern is sorta tacky. I feel like the central concept could've been executed better.

My favorite looks, though, would have to be:

The full black and white look sorta gives me girlboss vibes, like something she could wear at her desk writing articles or modeling for the cover of a magazine! The blue dress, meanwhile, is sooooo elegant, like she's going to a fancy party in the evening! My absolute favorite though would have to be the gold hijab with the pink frilly dress, which takes the "princess" part of Umm Amirah to a whole new level!

In spite of my thoughts on the summer dress of the pack, I'm in love with this doll and its outfits as a whole! It's been fun putting out this post I'd been meaning to make for a while. A lot of the Muslim dolls I've found, while impressive, unfortunately don't seem to be in production much in the current year, so it's nice to see there's still options available! If you're still looking for a potential Eid gift, I'd highly recommend getting her from Allova's website!

Ramadan Kareem!

[ntls-24722]

Bolur's mountain cows! Debu still read as "cows" to me, even though nothing about them reads as such, and as aliens, none are actual cows. Essentially the lineup of everything in the Debu's family, all members sharing the double sails, failed ungulacy, mouth-glow (either flashing or constant), and the lack of a tail.

Also, their scientific names are english translations! Even if common names suck to make, making meanings for their names is at least a little fun to play with.

The Freak of the lineup, the malmou (yeti yeti). It's the largest and most elusive mountain cow there is, originally not even thought to be real but a mythical equivalent to the "yeti" in the northern parts of their planet. It's also the only carnivore, with its tusks curving to make a sharp beak for piercing prey, its "hooves" becoming sharp claws, and flashing its mouth-glow to attract prey underwater. They actually still have their double sails, though often covered up by their thick fur. They're the 3rd closest relative to Debu, which lends to the uncanny valley impression debu get from its prescence. When it was officially discovered, it was named after their monster name, "malmou."

Debu, one of the homo mousike, and one of the two sophonts of the family. Obviously, they're not in genus homo, neither is the next guy, but their genus was named the same - "man." Debu earned their specific name "mousike" as their emergence as a species was signified in the prescence of instruments, just like the other 2 music men. They also sport the most vibrant mouth-glow, a constant white. I've talked enough about them but since these are the mouthglow champions, I'll explain why the family has it in the first place.

Despite mountain cows' opprotunistic eating habits, they actually have really shitty detox systems, they're particularly susceptible to poisonous plants (some trees actually have evolved against mountain cows specifically!) and what sucks even worse is that their eyesight is piss poor, so they can barely tell the minute differences in what will or won't kill them. Instead of taking the normal route in, yknow, getting better livers and kidneys, instead they evolved this mouth-glow and eyes that prioritize color over sharpness to pair with it, beaming UV light and visible light to see the minute differences in the color of their food. This worked somehow and it also came with a lot of other advantages, like recognizing eachother within social groups, getting ladies, and attracting prey.

The Simmon, Homo ignis, the 2nd sophont in the family who live in the tropical rainforests of Bolur, which aided to their smaller size and sails. Interestingly, this species doesn't have as much sexual dimorphism as the other species do, retaining the back hairs that are usually reserved for the females of the species and both sexes being generally the same. They were almost named something along the lines of "homo minor", or "lesser debu" as a common name during the very racist climate that bolur's taxonomy and naming conventions really began to take off. It was thankfully very quickly shut down, and Simmons were officially globally recognized as "Simmons" and their scientific name became "homo ignis," something along the lines of "fire man" to honor that they are the "bovine" credited with discovering and using fire first.

The frazi, "brooj imperator", the closest living ancestor to the Debu and Simmons. The frazi and the next cow have more "alien" scientific names because I don't think there would be an english translation for them - "yeti" makes sense for the yeti mountain cow and "homo" makes sense for the alien version of "mankind". They live in the same environment as the Debu, so they're just as wrinkly, they have the same hump, and their sails are just as long. Male frazi have this section of hair in front of the hump that they prick up to impress the ladies, and their flashy sails, facial hair, and actual mouth-flashing do the same.

The Cloe-mena (per bec), aptly named after their tusks, jutting forward into a flat "beak" because these mountain cows actually graze more than the others, who usually eat entire trees and shrubs and any small animal that crosses it. The cloe-mena actually is beginning to evolve away from mountain-climbing as their population begins to drift towards the plains again, and perhaps it's the fact their new environment is so large and less densely populated that they are one of the loudest land animals on Bolur, for their obnoxious mating calls can be heard for miles on the flatlands, to everyone's dismay. Albeit annoying, it's damn successful.

Metric (meters + decimeters) and imperial (feet) height charts

[not-that-syndrigast]

F2 is not F1 and people need to start realizing it.

I see it again and again, people trying to judge things that happen in F2 by the measurements in F1 and i understand that the official titles and descriptions are misleading many fans into believing they are the exact same but they are not so here is a small explanation;

What is the goal in F1? Obviously, winning titles, both drivers championship and constructor championship. How do you achieve that? Build the fastest car, get the best drivers, and make the most points. Now what's the goal in F2? You’d think it's winning the title, but actually it's showing off skill and attracting F1 teams. How do you do that? Again, you’d think you would win and get the most points, but that hasn’t been the focus in years, today it's showing off your skill.

But shouldn't skill translate to wins? Well, technically yes, but there's two more huge differences between F1 and F2. First of all, the drivers are younger, they are more reckless and crash more often. The drivers DNF a lot more and oftentimes they are not at fault but they don't get points, also there's things like the reverse grid which are active tools so drivers can show off their overtaking skills too. 

More importantly though, is the fact that F2 is a spec series while F1 is also an engineering contest. For explanatory reasons; in F2 every driver has the same base car, the teams can change set-up and such things but generally the cars perform very similarly. There's still some performance differences because certain teams work better with the cars but it's not comparable to F1, where every team more or less builds their own car.

Now here is the point where a lot of people misunderstand the use of F2; F1 teams look at F2 drivers and choose who they want for their teams and this year, Oliver Bearman and Kimi Antonelli are closely discussed while Paul Aron with more points is pretty much ignored. A lot of people expect the F2 champion to get an F1 seat, but in this year, even if he makes less points, Antonelli is proving himself to be a world class driver with overtakes like this one. Antonelli suffered through, with multiple DNFs, getting involved in crashes and other things out of his hand, while Aron was very lucky, at least until Spa where we could see how even good drivers can get really unlucky. 

In the end, F1 teams know the best which driver is really good and which drivers fit their cars the best. They are observing the drivers in all the younger categories, so if Aron is really good enough for F1, a team will pick him up, but at the moment he doesn't show the results.

The same goes by the way for F3 

[fcble]

Post format inspired by Dulce @almostyours and JJ @chcrryade. Thank you to everyone who let me mention their OCs!

"I stopped my pace and wanted to shout. / Wings, spread out again! / Fly. Fly. Fly. Let me fly once more. / Let me fly just once more." — The Wings by Yi Sang, translated by Ahn Jung-hyo

깃털 (FEATHER) is the debut mixtape of INTAK, of fictional boy group FABLE. It was released digitally through streaming services and SoundCloud on August 16, 2024, seventy-nine years and one day after the liberation of Korea from Japan's colonial rule. Unlike his work as a member of Fable, he released it under his previous SoundCloud username WND3QUD, from the phrase 중3병 typed out on the Korean keyboard. Deriving from the somewhat derogatory Japanese term "chuunibyou," his recent usage of the name is meant to be an acknowledgement and greater understanding of the person he was at fourteen when he identified strongly with it. With the album's themes of the self and the meaning of money, it is also loosely inspired by Yi Sang's 1936 novel The Wings.

The record boasts an impressive array of features from other idol groups, surprising fans who were previously unaware that Intak "knew people like that." In line with Fable's concept and what Intak sees as his due diligence as member of the group, a few of the songs contain Fable's signature traditional instrumental sound. This was a decision that went over well with the majority of the group's fans. The vocal minority are a few Haksu solo stans, who realized that the teased solo debut of this year went to Intak, and not Haksu.

There was little promotion prior to the album's release, aside from a few social media posts with the title and release date, and one Weverse post from Andrew almost two months in advance spoiling the eventual release.

▶ PRESS PLAY

YOU SEARCHED FOR...

TRACK 001. 한국 (KOREA)

"@1:32 ik he was mad as hell in the recording studio. andrew count your days?" ─── A comment on the official music video, August 16, 2024

"Intak released his mixtape a couple of days ago and to say I'm obsessed is an understatement. For everyone else who missed their old sound, this is for you. KOREA is obviously the most Fable song of them all. Between the lyrics and the instrumental, the song posits Intak, Fable, and their music as representatives of Korea. I was under the impression that was their goal from the beginning. These past couple of years haven't shown that, but Intak is bringing it back." ─── 'Old Fable is back and I'm living for it' by bangchanslefttoe on r/kpopthoughts, August 18, 2024

"Ah… isn't it too much? How can he call the song KOREA and then release it under a Japanese name? He should know better. Really, it's disappointing. He said the album was inspired by Yi Sang too. Doesn't that just make it more embarrassing? F*ck I want Haksu's solo album instead." ─── '[enter-talk] WHAT CULTURE IS FABLE REPRESENTING, ANYWAY?' by pannchoa on pannchoa.com, August 19, 2024

TRACK 002. 꼴통 (BASTARD) ft. NOAH of DEEPDIVE @bluwavez

"[checking calendar] ya we still have time for BASTARD summer" ─── @kcdjification on Twitter, August 16, 2024

"I think BASTARD had a lot of potential. I wish there was a little more in the lyrics. One Yi Sang pun in this song and it's in Noah's verse? Come on, Intak, you're better than that." ─── A comment on the album's official discussion post on r/kpop, August 18, 2024

"I know Intak's 'Feather' flew under a lot of people's radars, but I tuned in. 7/10 if I'm being generous. My favorite song is definitely BASTARD. Is it because Noah is there? Um. No comment." ─── 'ranking every kpop comeback (august 2024),' shineesback on YouTube, September 1, 2024

TRACK 003. CASH

"just listened to CASH. close enough welcome back karl marx!" ─── @h4nd__dr4wn on Twitter, August 17, 2024

"What did I write? Nothing. This is Intak's solo album. He's always written our music. [pause] If he asked, I would have. If not, it's patronizing. If I wanted to release a solo album, would you expect Intak to write one of the songs? [pause] Rhetorical question. Let's listen to CASH." ─── Andrew via Weverse Live, August 17, 2024

"For my solo album, I want Andrew-hyung and Intak-hyung to both write it. They're both important to Fable, and I can't image what we'd be like without them." ─── Haksu via Weverse live (immediately after Andrew's comments), August 17, 2024

TRACK 004. GOAT ft. CYRUS of XPLOIT @ripsoff, JC of LITTLE HOUSE @okmgi

"did anyone else have flashbacks to 2013 goat remixes or was that just me" ─── @yjuntual on Tumblr, August 17, 2024

"Let's talk about the worst song by far. GOAT was certainly a choice. It's the most generic track on the album. Any rapper can call themselves the goat. It's a jarring disappointment right in the middle of an otherwise decent album. And of course I can't forget the worst part. What on earth possessed Intak to make him think it would be fun to make goat noises on the track? Easiest 0/10 I've ever given." ─── A Rate Your Music review, August 19, 2024

"i know it says ft jc in the title but tell me why i still jumped when i finally heard his voice at the end 😭😭" ─── @GOLDFlNCHS on Twitter, August 20, 2024

TRACK 005. 태권도 (TAEKWONDO) ft. ANGEL of LUCKY @lvcky0ne

"Did everyone listen to 'Feather' yet? If you didn't, go listen to it now and then come back and tell me what your favorite song is. I like TAEKWONDO. Eolssu~~~~" ─── Byeonghwi via Weverse, August 16, 2024

"not to be overly parasocial or anything but intak and andrew's arguments in the fable dorms must go crazy bc andrew would never write a song like this. open discussion does andrew even know what TAEKWONDO is." ─── @kkotcheoreoms on Twitter, August 17, 2024

"promotions for this album are literally so bad if i wasn't locked in to literally everything lucky does i would've missed out on angel content 😔" ─── @.cheonsarang on Twitter, August 19, 2024

TRACK 006. BUCK ft. HERO @anqelblccm

"🔥🔥🔥" ─── Mingeun via Instagram stories, August 16, 2024

"you guys don't understand how badly i need a live performance of BUCK hero would eat that shit UP please please please please please" ─── @hrts4hero on Twitter, August 17, 2024

"Ever since Fable's Intak released his mixtape earlier this month, I've been hooked on a handful of the songs. I know everyone likes Fable for their traditional concept, but they have some extremely solid b-sides in their discography. Enter BUCK. Went platinum on my Spotify last week." ─── 'recent underrated bg b-sides you should listen to,' evvnemoon on YouTube, August 27, 2024

TRACK 007. 무리야 (FLAKER)

"3. FLAKER. Introverted king. He's so me. #intakforpresident2k24." ─── 'ranking every feather song! (nothing to do with sabrina carpenter lol),' @flwrble on TikTok, August 17, 2024

"everyone is clowning intak for putting a song about introversion on an otherwise deep album but i think there's a deeper meaning here where he's trying to be a different person except this is his nature and he can't escape that and anyway it ties back to the wings bc that protagonist is in a pit of self-deception so deep he might as well be six feet under and intak's interpretation moves past that to the slightest glimmer of self-realization like bro looked in the mirror so yes i've connected the dots" ─── @cyb3rn1ghts on Threads, August 18, 2024

"'You're Intak's token extrovert.' I see everyone's listened to FLAKER. You mean his friend. That's how friendship works." ─── Kiyoung via Instagram live, August 20, 2024

TRACK 008. 날개 (FLY) ft DIAZ of VARSITY @ncrdyboyz and EUNJUN of ARM CANDY @hearthr0b

"idk why but this part of the song always makes me tear up 🥹🥹 fable ur sooo important to me" ─── @berryseop at 1:42 on SoundCloud, August 17, 2024

"Another Feather factoid: The Korean title of FLY is the same as the original title of Yi Sang's novel that inspired the album." ─── @prodbyfable on Twitter, August 17, 2024

"FLY is a dreamy collaboration between Fable's Intak, Varsity's Diaz, and Arm Candy's Eunjun. The trio delighted us with the back-and-forth narrative between Intak and Diaz, paired with Eunjun's smooth vocals. Although a b-side, it definitely has title track potential." ─── '10 of Our Favorite Recent Kpop Collabs' by S Kim for Soompi, August 31, 2024

TRACK 009. 풍각쟁이 (PUNGGAKJAENGI) ft. JAESEOP and EUNSU of FABLE, ???

"he credited eunsu as eunsu of fable. brb i'm gonna break down NO ONE TALK TO MEEEE 😭😭😭😭" ─── @twosuluvr on Twitter, August 16, 2024

"PUNGGAKJAENGI is a really fun song because every verse is in a different dialect. Jaeseop's uses the Gyeongsang dialect. Although he was raised in Seoul, he was born in Gyeongsan, in North Gyeongsang. Intak's is Jeolla's dialect, given that he considers the South Jeolla province home. Eunsu's uses his Gangwon dialect. As a side note, this might be the first time Eunsu has so openly spoken satoori. If I didn't know he was from Taebaek, I would have thought he was born and raised in Seoul." ─── @prodbyfable on Twitter, August 17, 2024

"crediting the pansori singer as a bunch of question marks is certainly a decision! not sure what they were thinking there" ─── @haksubak on Twitter, August 17, 2024

[dear-mrs-otome]

Silvio Ricci - Engagement Event - Another Terrible Summary

(Silvio: "W-what the?")

Standard Disclaimer: I do this for fun. I don’t, and never would, claim to be proficient at JP. There will be mistakes herein. There will be dialogue I choose to smooth out or change, because it feels choppy just straight translating. There will be the occasional snarky aside and irreverence and just plain summarizing. If you’re looking for 100% pure accuracy, without commentary or localizing, this is not for you. If you don’t mind that…then proceed, and I hope you enjoy! And please, support your local localizer (they make this stuff look easy) and Cybird by playing the games and routes when they come to English.

Things to know before this (THIS CONTAINS SPOILERS FOR SILVIO’S MAIN STORY):

It follows the romantic (or ‘canon’) ending to Silvio’s route, which means that he and Emma are already engaged seeing as how they were at the end of his route. It also references the circumstances surrounding that - how Emma posed as a disgraced noblewoman and rescued Silvio from his father and prison by demanding Silvio take responsibility for ‘debauching’ and rescue her honor via marriage. Silvio has also been officially named the king’s successor, and will be the next king of Benitoite when his fathers steps down. It also references the epilogue where Emma works herself ill, and how horrible of a person Silvio's mother was.

~~~~~~~~

The Jewel of the Ocean has been passed to Silvio - recently the news of this has begun to make the rounds through Benitoite, and the topic seems to be on everyone’s lips. The merchants especially are thrilled with this…but that’s not the only tea everyone’s spilling.

We open on a couple of merchants chattering away down by the docks about the approaching engagement ceremony for Prince Silvio where everything is made Official, and the two men are talking about the lucky lady in question. They say how rumors have it she’s a beautiful woman, on par with any national treasure - gifted too, and having had studied at Rhodolite’s court. She’s kind and dang near a saint.

One of them mentions too how he heard how crazy in love with her Silvio was, and how anytime the prince opens his mouth it’s to say something about her, and the other seems impressed and says how much he’s looking forward to the ceremony.

As they pass by and on their way, a figure darts into a nearby alley as if to make an escape…and we find Emma crouching down there, groaning about a stomachache and freaking out in her thoughts over why the heck everyone seems to think she’s some sort of PARAGON.

Silvio’s there, hand on her back and asking if she’s alright, and she confesses she might not be alright. Didn’t he hear all that?? Whose girlfriend are they talking about, this PARAGON OF BEAUTY AND GRACE AND TALENTS, this SAINTLY WOMAN.

Silvio says they’re talking about her, obviously, and Emma says is that really how I seem?!

She’s freaking out, clearly. She’d been super excited to come out on the town with Silvio when he’d asked, their first actual date in awhile, but she’d been totally unprepared for the rumors that are apparently going around about them. 

“Doesn’t seem off to me,” Silvio says, matter of factly, and Emma’s over there like PRESS X TO DOUBT. Asking him how that’s so.

He kind of hems and haws a bit, awkward silence and he can’t look her in the eyes as he says she’s beautiful, and plenty capable, and other than being the whole being a bit sassy thing she’s got a pretty decent personality.

Emma’ stunned at actual legit compliments from Silvio, still processing as he points out that it’s better than them gossiping about things that aren’t true or are nasty isn’t it?

“But what about when I’m presented at the engagement ceremony and everyone’s got this sky-high expectations…” she frets. “Everyone will be disappointed when I don’t measure up, and they might say ‘She’s not good enough for Prince Silvio.’”

Of course she’s been giving it her all, ever since they decided to formally announce the engagement alongside the formal declaration of Silvio as the king’s successor. She’s been working her ass off from morning to night studying etiquette and everything else she might need to know as a princess, alongside getting her wardrobe ready and planning the details of the ceremony and the reception party…she’s exhausted, mentally and physically. But even so she wants to be woman worthy of Silvio, the next king.

She tackles him practically with a hug, setting Silvio spluttering and redfaced and reminding her for the umpteenth time she’s supposed to warn him before she does something like that - to which Emma rebuts that if she warns him he still sometimes tries to escape, so it’s best to surprise him. 

Burying her face in those hella nice-smelling man tiddies, Emma takes a deep breath of Silvio-scent and is reenergized. 

“Where’s your usual sass?” he asks. “Don’t let something like this intimidate you.” He tells her that if everyone’s saying good things about her, all she’s gotta do is be confident and stand tall. But he also chastizes her for being too stubborn and reminds her she doesn’t have to go so dang hard on all this.

“No, no,” Emma argues, saying that if she doesn’t work hard now when will she work hard?

“Not your whole life long,” Silvio counters. “I didn’t bring you here from Rhodolite to make you work yourself like a madwoman. I already told you what the gist of your most important job was, didn’t I?”

His words are a reminder of that day on the beach (at the end of his Romantic route) where he had told her what her most important duty was, as the woman of the next king: to dedicate all that she was to him, and in return he’d love her till she couldn’t stand it. 

She's fluent enough in Silvio-ese to see those imperious words for what they really meant - he wants the kind of relationship where he can love and be loved in equal measure. And she realizes she must seem pretty exhausted if Silvio is worrying about her this much. He's bossy as all getup…but he's hella overprotective.

She lifts her head and there's those sea-blue eyes right in front of her - along with a suspicious Silvio. Who has right to be because she surprise kisses him. He's left wide eyed and surprised as she tells him she was thinking how she loves him.

He points out that came from left field and she’s just shrug - and then Silvio has his revenge by taking her chin in hand and laying a passionate kiss on her that has her scandalized. They’re still in public technically and all! He laughs at her hnnng face and she’s silently fuming over how only a few seconds ago it was him all embarrassed and now he’s Mr. Cocky, pouting as she looks away and he tousles her hair.

“Anyway, you get what I’m sayin’?” he asks. 

She asks if he’s referring to her trying too hard, and he confirms - only to get angry again when she says she’ll accept his sentiment at least but she’s gotta be able to stand proudly beside him if he’s going to love her, and although he might worry about her she asks him to please let her do her best for now. 

He’s glowering silently, and she tells him he’s got his scary face on.

He says it’s probably because she’s totally missing the point of what he’s trying to say, and she fires back that he’s too overprotective. 

“Shaddup,” he scowls. 

“But I love that about you too!” she declares, and he turns red and tells her not to get carried away. Clearly not disliking her claim - he’s just obviously embarrassed by it.

The whole situation might be literally making her feel ill, but she’s not about to back down from this challenge. If she’s gonna share a life with Silvio, she’s got to be able to handle something like this.

~~~~~~~~

The next day, Rio stops her in the hallway and asks if she’s doing alright. He’s gotten his memory back now and works as Silvio’s aide, but still never hesitates to show concern for her as well just as he always has. 

He asks if she has a fever, and she’s dklsjfds HOW DID HE KNOW?? She had woken up that morning lethargic and unwell, but it’s nothing major - more like the bit of fever she’d come down with when she’d overworked herself when first coming to Benitoite. 

She assures Rio she’s fine it’s nbd, but he’s not happy with that answer,worried it might get worse and urging her to take a day off or so - before he cuts himself off and realizes she can’t.

A fact she confirms, because she’s supposed to be hosting a party today to meet and greet many of the young noblewomen of the country before the engagement ceremony. It’s hella important for her to lay the groundwork of future relationships here, and to help her make friends and ease into Benitoite society better. So even if she has to push herself, she’s gotta make it through today at least. 

“Rio, pleeeeaaase. Don’t say a word to Silvio,” she begs him.

“...If he finds out, he’ll lock you up for sure,” Rio agrees with chagrin. He’s clearly not thrilled with her request, but she knows he can’t deny her, and reluctantly he agrees to keep mum on this - but he tells her he’ll have medicine ready, and reminds her if she gets any worse to cancel things, consequences be damned. He and Silvio can more than handle the fallout, and it won’t reflect badly on her. 

She thank him, glad that it was Rio who noticed she was sick. If it had been Silvio, she’s positive things wouldn’t have gone this smoothly…and she vows to herself to be sure to avoid him at all costs today. 

~~~~~~~~

…Only for us to open the next scene aboard a ship, with a silently staring Silvio, and an oh shit Emma.

Given that she’s to be royalty, and given the traditions of Benitoite amongst the elite to throw parties not at mansions but on board ships, she’d asked Silvio to arrange one to host her party on. This particular vessel is one of Silvio’s own, and it wouldn’t be strange to see the owner aboard - if it had been a day without business meetings or other things on his agenda.

Why is he here?!?!

She’d been making the rounds, greeting all the ladies aboard before the ship was set to depart, when the tyrant himself had appeared all of a sudden and grabbed her by the hand. “Let’s go.”

She vehemently protests this idea, and he scowls over the fact that she can put up such an argument when she’s feverish - which has her now wondering how the eff does he know about her being sick?! No wait, more importantly, she KNOWS he’s got a packed schedule today!

She’s digging in her heels just as hard as he’s trying to drag her off, insisting all the while that he’s just imagining things.

“If you think I’m gonna buy that, you must have a flower garden for a brain,” he fires back. (Hello Motonari?)

“Flower garden or whatever, read the room!” she scolds him, At first, most people didn’t seem to know what to make of her as the next king’s fiancée…and now they’re all just looking on this scene in shock. The whole party is ruined!

He scoffs at the need to do anything of the sort, and as she keeps trying to resist he finally just picks her up and goes to make off with her.

“Knock it off,” Rio sighs. “Can’t you see she’s not having any of this?”

Now Emma’s stunned, realizing Rio is there too and blocking Silvio’s path, shaking his head. Silvio says he doesn’t give a shit if she doesn’t like it, and Rio reminds him he should and urges him to put Emma down. 

“If I put her down, she’ll run away,” Silvio counters. 

“If you know she’s gonna run away, then you clearly know you shouldn’t be forcing her,” Rio frowns.

“Shut up. I don’t need you telling me what to do,” Silvio argues. 

Emma realizes it’s no use when Silvio’s gotten himself worked up like this, and if she throws a fit and ends up getting herself hurt it’ll just make him all depressed. She tries to shoot Rio a wink to say it’s alright, and seeing this Rio immediately goes into crisis-containment mode - apologizing to all the guests for the fuss his ‘idiot brother’ has made with his usual charm and charisma.

In moments he has all the ladies gathered there eating out of his hand, showing off his now-practiced socialite face, the one he’s been honing more now that he’s in the public eye as Silvio’s aide.

While a grateful Emma watches him charm them all, she suggests to Silvio they take this somewhere else to talk and he seems to agree. Still pissy though as he kicks in the door to a nearby room on the ship and carries her inside the space as luxurious as any fine room on land. 

The silence though is so absolute you could hear a pin drop, only the sound of the wind and the waves, before Silvio finally speaks.

“Did you take any medicine?” he asks, taking a seat on a chair. Still holding Emma in his arms. 

She tells him she did, before she came aboard, but realizes that if he doesn’t know whether she did or not he clearly must not have talked to Rio. Not to mention she highly doubts Rio would break his promise to her.  “How did you know I was sick?”

He says she just doesn’t seem to have her usual vim and vigor, and that has her taken aback slightly to realize that Silvio’s been paying close enough attention to her to take note of such a minor change. 

“When would you have noticed that?” she asks, baffled. There shouldn’t have been any occasion for him to see her that morning. 

“When you were talking with everyone back at the port,” he explains. 

“You’ve been watching me for awhile then, I take it?” she asks, but he refuses to answer that. “What about your work?”

“...It’s all finished,” he finally replies. 

She’s still in disbelief at that, because the day is hardly even close to over, but Silvio waves it off as merely being damn good at his job. Emma’s not buying this though, and she points out that even if he IS hella capable it seems impossible he’d have the time to come by the port after his work was done. 

Scowling he tells her to knock the line of questioning off - he’s clearly not interested in spending any more time on the topic, and he tells her once again they should leave. 

There’s still a million things she wants to say, but she settles on this. “Do you really not trust me?” He wants to know why that’s even a question, and she goes on to elaborate. “Even if I say I’m fine, you seem to refuse to believe me at all.”

He lapses into a shocked silence at that.

It’s the same thing as yesterday, Emma thinks. Silvio worries about her more than anyone else in the world, and he’s trying to shelter and protect her as his fiancée…but that’s not what she wants. If she back down here, if she lets him have his way, he’ll spoil her for the rest of her life. 

Meeting his displeased gaze, she cradles his cheeks in her hands. “Is your fiancée such a frail woman? Did I not once rescue a prince locked in prison?” His expression sobers as she goes on. “I love ‘Overprotective Silvio’ too, but…trust me now. And when it’s all over, you can tell me ‘good job’ all you want. I’m not marrying you to be cosseted - I want to be your betrothed so that we can stay by each other’s side and be there for each other in the hard times and the good.”

Silvio remains silent, and she can’t read his expression well enough to tell if he’s convinced or not. So, feeling as if she has no other choice…she takes him off guard with a swift kiss to the deep frown carved in his forehead and slips off his lap as he’s still stunned, racing out the door and back to freedom outside.

“Ah, damn it, she ran away.” Silvio curses aloud in the empty room…before he quietly states that she hasn’t said anything he doesn’t already know.

~~~~~~~~

PREMIUM END: HIS POV

Ever since I fell in love with that woman, I’ve been saying strange things. Even though I know it’s all just a burden on her…

From the shadows of the back alley, Silvio sneaks a peek at Emma chatting with the women at the port. The dress she’s wearing today is supposed to be a simple, refined design - but when Emma wears it she’s stunning, like a rose in bloom that charms everyone with its beauty. It’s a sight he could stare at forever….but he sighs when he feels the presence of someone else in the empty alley.

“Hey, don’t follow me, damn dog,” he grumbles at Rio.

Rio scoffs at that. “It’s my job to bring back the idiot prince who left his job.”

Silvio’s annoyed by that, as Rio comes to stand beside him and look over at him incredulously. Silvio defends his leaving by saying he’s done the essentials at least, but Rio points out there’s still a bunch of paperwork left to tackle.

“It’s fine if it waits until tomorrow. I’ve got more important things to do,” Silvio argues. 

“You’re too overprotective, no two ways about it,” Rio sighs. 

“Shut up,” Silvio retorts. “ She doesn’t exactly take very good care of herself, so better overprotective than not.”

Rio doesn’t say anything in reply to that, and Silvio lapses into musing to himself how Emma just casually does reckless things - she’d already worked herself into collapsing from fever once before. And when he’d taken her out on the town the other day, it was obvious the pressure and exhaustion were getting to her. Trying to reassure her about the rumors the merchants were spreading due to his own infatuation had only seemed to make things worse, and made him worry more. Hence his clandestine party watching.

He was right to come, though, he reasons as he clicks his tongue with irritation at the distant Emma and observes she’s def not feeling well.

“You noticed?” Rio asks, and Silvio points out to him how Emma’s lacking her usual spark. Rio seems surprised that Silvio can tell that from even this far away…but to himself, Silvio thinks how it’s not any wonder he could see that, given how much time he spends watching Emma.

But…can he really let her go to that party in such a state??

He takes a step forward as if to follow her onto the boat, only for Rio to stop him. “Hey! Don’t interrupt! You know Emma doesn’t want your help.”

That just pisses Silvio off, that Rio thinks he knows what Emma’s thinking. But most of all, he hates this - he can’t stand seeing Emma in pain or suffering.

~~~~~~~~

After the party, in the carriage he’s stuffed Emma into the moment it was over, the world’s longest and most awkward silence reigns until Emma’s finally fed up.

“Ahhhhrgh! What’s with the silence?!” she cries.

Silvio can’t think of what to say though, wracked with guilt as Emma’s words keep coming back to him. 

“Do you really not trust me?”

It’s not that he doesn’t have faith in her, things just sort of ended up this way, and he’s frustrated trying to think of what else he should have done. Is she really trying to tell him that leaving her to her fever was the right thing to do?? He’s got things he wants to say to her, but he can’t seem to get his thoughts together well enough to articulate it no matter how desperately he wants to…and he only grows more frustrated with himself for not being able to put his feelings into words. 

“If you have something to say, just say it!” she tells him.

“Sick people shouldn’t be shouting,” he scowls.

“I am not sick,” Emma argues. 

He tells her not to lie, even as he concedes that her complexion’s improved at least. Putting a hand to her forehead to test her temperature, which seems normal now.

She suggests it might be due to her stress finally having ended, but to himself Silvio still vows to have a doctor take a look at her when they get home. 

“You had a stomach ache the other day, and a fever today,” Silvio frowns. 

“It’s fine to be a bit under the weather, as long as you get through it,” Emma counters. To himself he thinks that he’d do something about it long before it got to that point, but his train of thought is cut off when she prompts him again. “So, back to the subject -”

He’s still silent, unable to find the words, and feigns ignorance as he pointedly stares out the window to avoid her. The sea outside the carriage is calm, but his heart is in turmoil, as if struck by some great storm. 

“The ocean is beautiful today, isn’t it?” Emma asks, seemingly having given up on the conversation as she looks out at the scenery as well. 

“You wanna stop and see?” he offers, and she asks if that’s okay.

He tells her he’s got nothing else going on today…but he’s thinking how much he knows going to the beach makes her happy. And he’ll get this all straightened out, he’s determined.

With the sunset for a backdrop, he and Emma stroll along the beach - but he can’t stop the frown from creeping back onto his face, and Emma is too sharp to miss the expressions he makes.

“Are you angry?” she asks finally.

“Not with you,” he replies.

“Then, who are you angry with?” she presses.

“Myself of course, I guess,” he admits, and falls into his own thoughts again.

He knows the sort of woman Emma is, and yet he dared try and stomp all over her will. And worst of all, even though he was aware of it, all he could seem to do was annoy her.

Truth be told he, he’s really pissed at himself.

Emma comes to a stop, and he does as well a few steps later. The sound of the crashing waves seeming to chide the silence.

“I know it’s a selfish worry,” Silvio begins. He says that he knows being exhausted or anxious isn’t any sort of reason to shirk your role, and that he knows she wants to fulfill her duty as the king’s consort perfectly. Even though it’s not easy, he shouldn’t have thought trying to escape it was the right thing.

“You realize all that, and yet you still tried to take me away today?” Emma presses. 

He admits that he does, he gets all of this and he knows all of it, but he still can’t help what he thinks. “I don’t want you to have to suffer because of me…” Silvio says, resigned. “I honestly don’t know how to make the woman I love happy.”

In the past, he was always surrounded by nothing but money. Never truly wishing to make someone else happy, so he’s clueless in this regard. But…Emma’s happiness is the only thing he ever wants. If money could buy it for her, he’d gladly spend every last penny he had…but that would never work. 

He’s at a complete loss, fumbling like some kind of child. And that feeling has only grown stronger as the preparations for their engagement ceremony began and the burden fell harder on Emma. Working herself half to death like this, is she really happy?? True happiness should be her having the freedom to laugh, foolishly carefree, all the time.

He’s well aware that he’s hopelessly lost here, because he doesn’t understand the happiness of others.

“Sometimes, it occurs to me…” Emma begins, and he looks at her quizzically. “That you’re pretty adorable, aren’t you, Silvio!”

Scowling and redfaced, he asks if she’s trying to pick a fight - here he is, tying himself up into knots over this and she’s over there grinning?!

He grabs her head and musses it a bit, and she laughs out apologies.

“Quit grinning,” he grouses.

“People tend to do that when they’re happy,” she tells him, and he wonders aloud what exactly about what he just said made her feel happy. “All of it.”

He’s baffled, but Emma goes on to tell him she’s happy every day, actually. 

“That’s coming from the woman who was on the ground with a stomachache yesterday?” he argues.

Emma says she was mostly joking around, and he was egging it on kind of too even, wasn't he? He’s still confused how that would make her happy, and she tells him it DOES, because it’s obvious how Silvio loves her with every bit of himself…a revelation that only leaves him stunned.

“I can do my very best every day because of you, and I want to work through it,” she explains. “You are my happiness.”

He’s unable to process this, reeling as he tries to puzzle it out. Emma is adored by so many people, unlike him - he never considered that something as simple as being loved would bring her happiness. 

Aloud, he wonders if his worries seem stupid, and if something that simple is really enough to make her happy.

“It’s not that simple,” she assures him. “You’re the first person who makes me happy just by being there.”

He’d thought…that it was just him that felt like that. That surely Emma, who is used to being loved by everyone, would feel differently. 

Or so he’d thought.

Without even realizing it, a smile comes to his face.

“Silvio…are you happy?” Emma asks.

He gives her crap about her eyes being blind, before admitting that he wouldn’t be smiling if he wasn’t happy right? She joyfully agrees, and offers him a smile brighter and more dazzling than the setting sun. The look of someone truly happy.

He does have something he wants to say to her - it’s finally hit him. Even with his worry for her, the overprotectiveness and being a burden on her, there’s just one feeling he wants to be sure she’s aware of. 

“I’ll say this just one time,” he tells her, schooling his expression to seriousness. The midsummer sun shining on him, so hot he’s practically sweltering…but he wants to be sure he shares this with her before the ceremony. He takes a deep bracing breath of the sea breeze, and blows it out. “You’re the only one I’d ever be such a fool in love for.”

I can’t remember who I was before I met you, he thinks. That’s how crazy he is about her. 

“I’m only going to say that once in my life,” he prompts her again, as she remains utterly silent. Vaguely affronted as her face remains turned down at the words he’d thrown away all his shame and pride to utter. “How can you not say anything?”

Now it’s just getting embarrassing, and he’s silently pleading with her to say something, anything at all. Grasping her chin and tilting her head up  - only to find Emma’s face bright red, the deep blush covering even her ears and neck. Not a trace of her usual sass to be found.

“D-don’t look at me!” she sputters.

He’s blown away by her face, before he grins and tells her she’s 100% adorable, which only has her gasping that it’s a low blow to say something like that now.

He’ll take the cheater accusation though, gladly, he says…and to himself he’s thinking how gd frigging much he loves her as he steals those warm lips. Kissing her to keep her from realizing how head over heels he is too.

This moment, mesmerized and lost in her, with the sound of the waves crashing distantly - this is the most priceless of treasures. Something he could never ever buy, not with all the riches in the world.

~~~~~~~~

A few days later, the ceremony takes place to name Silvio heir and Emma his fiancee properly. Thanks to her efforts, the party goes off splendidly…

For some reason, the soon-to-abdicate king stops Silvio in an out of the way corner. He’s frustrated at being kept from Emma, but he bites back the urge to lash out over the waste of time. 

“Hey, old geezer. If you don’t have shit to say, I’m gonna leave,” Silvio warns. 

“Still talking like that? If you’re going to be king, you should at least clean up that filthy mouth,” the king warns. 

Silvio says he only talks like that to the king, and he dismisses him, ready to leave, when the king stops him. He tells Silvio they’re not finished talking yet, and he offers the prince a drink. Practically shoving it into Silvio’s hand and filling it to the brim - a tradition for greeting and for blessing happy occasions in Benitoite.

Unhappy but unable to refuse, Silvio drains the glass in one go…and the old man does the same. 

“You…” the old king begins. “Aren’t really like ‘her’ after all, I guess.”

The ‘her’ in question is his mother, Silvio knows. And just thinking of the woman who laughed as she tried to murder the current queen countless times makes him feel sick to his stomach. “Who’d wanna be like that bitch? I have no interest in being some kind of beast. Course, I’ve got no interest in being a nasty old codger like you either.”

The old king angrily says Silvio’s got a real gift for distracting him. “I thought I’d congratulate you even if it’s just a formality, but I guess that’s not necessary.”

“Ha, just now figuring that out?” Silvio scoffs.

The only one the king’s ever given a shit about was that fucking dog - it seems too late to try and be putting on an air of fatherly concern now, Silvio thinks. He slams the glass down on a nearby table and turns away.

“Do a good job, Silvio,” the king says to his back. “...It’s hard work making a woman happy in this position.”

He doesn’t need to be told something like that, he thinks. He already knows. The current queen has had her life threatened many times because of her position, and the king can’t keep her safe from everything. “Don’t worry, old man,” he tells the king as a parting shot. “Unlike you, I’m plenty capable.”

I’ll never make you unhappy, is his silent vow to Emma.

~~~~~~~~

Back in Silvio’s room, he’s got a new trial to deal with - the fact that by the time he escaped the old man and made it back to Emma, it was clearly too late. His fiancee is utterly obliterated after being toasted by so many well-wishers, and is uncharacteristically rather tipsy. Giggling at him and generally acting drunk now that they’re safely in private, although she’d managed to keep it together at the party and present a sober front. 

She pleads with Silvio to acknowledge how well she did after drinking so much, and he grudgingly does - scowling though as he says how everyone in Benitoite is used to this sort of thing as a celebration but she’s from Rhodolite and not yet, so she shouldn’t overdo it. 

“Okaaaaay,” she draws out.

“Can you drink some water?” he asks, and she proudly agrees she can manage that, downing a glass…but she’s getting as much of it on herself as she is in her mouth, spilling out around the edges.

“No, clearly you can’t. Are you doing that on purpose?” he asks suspiciously - it wouldn’t be the first time Emma has pretended to be drunk around him. (She does this in his route and forces him to carry her back to the carriage) But he’s pretty sure she’s not faking it this time…and he’s trying real hard not to be a perv and ogle the way she’s gotten the whole front of her dress wet.

He pushes the naughty thoughts aside and takes a nearby cloth to dry her off, which leads to her smiling up at him all dazedly and hugging him tightly. 

“W-what the?” he asks, flustered. 

“Silvio…tonight…is the first night since we got engaged,” she points out.

He’s still redfaced and silent as he notices the Benitoite gem winking on her ring finger, the one he’d given her as an engagement ring. An unmistakable reminder of the way their relationship had officially changed that leaves him reeling. 

“I—I want to tell you that I love you a lot,” Emma goes on. “I love you so much Silvio!!”

And he’s left at an utter loss as to what he should do now…

TBC in epilogue!

~~~~~~~~

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[adhdtsukasa]

because nene's full yoru ni kakeru alt releases in LESS THAN A WEEK!!!! and i'm sooo so sane about this cover (a lie!), i just can't go on with my life without RAMBLING!!! and i'm rather surprised that it hasn't been done before (or maybe i just can't search properly. also very possible. anyways), so here it is — an analysis? of how yoru ni kakeru's lyrics correspond to ruinene's relationship so much that it HURTS (and why nene got this cover instead of rui, even though it's about suicide).

quick disclaimer: i will be using the lyrics from vocaloid lyrics wiki, because i'm uh. not a fan of the official english ver. and because it had to be somewhat changed so the english translation could fit the rhythm, it's also just not the same as original. hope you understand.

also this is not neccesarily a ship post. feel free to view it as such, but i'm interpreting everything here as fully platonic and how it is in canon.

starting with basically one of the first lines, it immediately connects with rui and nene losing contact during middle school — even moreso, to their unfamous scramble crossing conversation, where rui tells nene that he's now doing shows alone. they talked just like normal (did they, though?) and rui was still polite and kind towards nene, yet his goodbye was carrying something else with it: they're not best friends anymore. hell, it's not even clear if they're still friends, or did they simply become complete strangers to each other.

a throwback to their first meeting, so i'll also say it now: i see the whole song as kind of a messy retrospection, actually. the lyrics basically escalate in a present (as of main story) -> middle school -> childhood -> middle school -> present (still as of in main story) way, but i think it's rather easy to spot on? so i'm not gonna talk about it too much.

whatever, let's get back to the topic: it's important to remember that nene was rui's first friend, the first person (outside of his parents, obviously) that accepted him for who he is. obviously rui had a lonely gaze when they first met — because he was lonely. he was alone.

the first two verses can be referencing how rui's peers treated him: they were scared of him, they called him a weirdo. for a child like him, these words surely were enough to make him cry, as he only wanted to have friends — that's why nene is here for the rescue! they're together, so he doesn't have to be scared anymore. as long as they're together, everything will be just fine.

the happiness they want to find is ordinary, but that's because rui wants to be treated as an ordinary human being, too.

nene wanted to be rui's friend, sincerely. he was and still is such an important person to her, her very best friend. she wishes for him to finally be happy, to finally have friends, to finally give her the sincerest of all of his smiles. and she wants to be a part of his happiness.

as long as they have each other, the sun will surely rise for them. but...

...as the years pass by, everything starts to fall apart. rui is getting more and more stigmatized and him being in middle school now is definitely not helping him in any way. in this moment, we're back to their conversation mentioned at the very beginning: rui tells nene everything, and nene tries to believe it. she really does! if rui didn't beg for her to get closer to him again, then he surely must be fine being alone, surely.

but there is doubt in her heart, and it's sickening. it cannot be true. this is in no way what rui wanted.

she still hopes that they can go back to what they used to be. one day, rui will surely trust her again. and maybe one day, she'll finally understand his struggles. she wishes for that out of the kindness of her heart — but rui's middle school self is just unable to fulfill this wish.

but the days are still passing by, and nothing is going for the better — everything is actually deteriorating. everytime nene tries to approach rui, his answer is always the same. he doesn't want her close. and soon, rui isolating himself from her is not her only problem (or you can even say, her only trauma). her stage incident happens and she's left with nothing, as well as with no one to turn to. rui is already tired of everything, and nene is slowly becoming tired too. the days are getting duller and more gray for both of them.

their hands are just like parallel lines. somehow, they also can never meet.

so now, nene is just like rui. traumatized. alone. scared. she's just like that until she starts her first year of high school, because then she suddenly sees rui again. oh, god, she sees rui again. he offers her to join wxs, and he's actually smiling. his smile is just like a cure for all of her problems. it's a smile she has always wanted to see... a smile that he has offered her when he finally reached out to her.

so, nene joins wxs. and it's not the end of their problems, but also surely a new beginning for their relationship. the damage has been already done and they both suffered because of it, so they're still racing into the night, but at least they're together—

there's one thing that differs them from the yoru ni kakeru story, though (and i'm talking about the lyrics exclusively here. and, well, the end of the mv. but nothing else, none of the references that the song used) — yoru ni kakeru is about suicide, after all. the mv ends with the main character committing, that's a dead end. but it's nothing like that for rui and nene; ever since they joined wxs, their lives slowly started to get better. they managed to achieve their happy ending, despite the circumstances.

they're friends again.

so, why is not rui covering this song? after all, his middle school self just screams depression, suicidal thoughts, stuff like that, he'd be such an obvious pick. but... from the perspective of the lyrics, there's something more to the song than just the theme of suicide. the lyrics are going in the direction of being unable to help the person you love, of being forced to only look at how they're becoming worse and worse each day, of finally getting overwhelmed by it as well. that's precisely what middle school nene was. suicide is not enough to give it to rui. he wouldn't fit the lyrics at all, since his relationship with nene didn't look like that from his side.

was nene actually suicidal during middle school as well? i believe that's a question that should be left to one's own interpretation. but i think it's worth considering, especially since proseka's line distribution usually implies some things.

oh, obviously, they could've just picked her because she was the most accurate vocal to sing this song. but you cannot say that it doesn't fit her. it does. a lot.

middle school rui kamishiro and nene kusanagi, i hope you explode.

[aihoshiino]

Oshi no Ko 150: Mistranslation or Miscommunication?

Something I was surprised to see in the aftermath of OnK 150 were accusations from the English fanbase that the chapter had been mistranslated or that the content of it had been misrepresented somehow. I fully admit that I was extremely skeptical of this assertion when I first saw it crop up given but MangaPlus's translations do have an unfortunate habit of flubbing minor details in places that do lead to pretty major cascading errors with the English script. It's possible it could have happened, especially in a chapter operating on dream logic as this one does, so I decided to take a look at the JP text myself and see if this was the case. And what I took away was… no, the English translation is more or less fine. A bit stiff but nothing has been lost or changed from the original text. But since there seems to be a lot of misinfo on this topic going around and I have nothing better to do on a Friday morning I guess, I thought I'd do my best to clear some of it up.

First of all: credentials, I guess? I'm the translator of 45510 and Viewpoint B and I was also part of the team working on Spica, The First Star where I contributed translation efforts as well. Basically I just want to assure folks that I'm not pulling this stuff out of my ass lol

Also apologies that some of these caps from the manga are fucking shmeared with Vaseline, tracking down the JP raws in decent quality was a fucking nightmare this time around for some reason. Anyway!

Black Eyes

The first major point of confusion seems to surround a line from Gorou at the start of page seven, while warning Aqua off from 'Sarina'.

「俺の目が黒い内はさりなちゃんに手ぇ出させねえ からな？」

In initial TLs, this line was translated literally and rendered as "You're not allowed to touch Sarina while your eyes are black!" which immediately caused a flurry of speculation among fans that this was a lore drop, meant to indicate that Aqua was 'not allowed' to be in a relationship with Ruby so long as he had his black hoshigans on - and thus, pursuing a relationship with her would restore them to white. When this line was rendered as "I won't let you make a move on Sarina-chan for as long as I live!" in the official TL, a lot of people assumed this was a mistake or an active omission on the part of MangaPlus. I regret to inform everyone that there was a mistranslation here… but uh, it wasn't MangaPlus!

First of all, Gorou is referring to his own eyes, not Aqua's - and furthermore, he's actually using a euphemistic idiom in the vein of 'over my dead body' or 'when hell freezes over'. There is a bit of missing subtext here in that Gorou is specifically expressing a sort of paternalistic expression and the obvious visual pun of Aqua's black hoshigans but MangaPlus's line gets at what Gorou is actually saying here. So no, unless Akasaka is playing a Ryukishi07 Umineko tier wordplay foreshadowing trick on us, I think we can take this at face value as just a brief gag.

'Good Enough'?

Another point of contention from this same page is a seemingly minor note of potential ambiguity with regards to Aqua's feelings for Ruby. When discussing their relationship at Gorou's prompting, Aqua states that Ruby is 'his precious little sister' with the following phrasing:

「世界でたった一人の大切な妹。それだけで良い。」

MangaPlus renders the 「それだけで良い。」 part of this line as "That's all that matters". Pretty much since the moment this chapter dropped, I've seen people insist that this is a mistranslation and that initial pre-official TLs of "That's good enough for me" are more accurate - that there is some sense of 'settling' or resignation on Aqua's part, that he does want to be with Ruby but he'll settle for being her brother and that the official TL erases this nuance.

My take on this is… eh. That's kind of a stretch.

Obviously, context is everything but if that sense of 'settling for good enough' is what Akasaka was wanting to convey, 「それだけで良い。」 feels off to me - I would say that 「それで十分だ。」 would be a much more natural choice of words and in fact, we already have at least once instance of this phrasing being used in OnK to express a similar sentiment and being rendered similarly in official TLs as "That by itself is enough."

When it comes to 「それだけで良い。」, "that's good enough" is a perfectly fine TL for it… but so is "that's all that matters", honestly! Depending on context, anything from "That's all there is to it", "That's plenty by itself", "That's all I want" or even "Just that is enough" are all perfectly fine ways to render this idea in English and I don't think the official TL is missing any nuance not suggested by the art. If I can be frank, this attachment to the 'good enough' phrasing in the English seems to come from this being the wording that was initially used by leakers and that it is just slightly more favorable to Ruby in terms of potential to be an endgame heroine.

The Japanese text is just as favorable or unfavorable to Ruby as the official TL is and any ambiguities in that regard exist in both versions of the text. Do with that as you will.

Tensing Up

This is moreso something I've see on Twitter as opposed to the sub but I thought it was worth addressing: when discussing Aqua's supposed feelings for Kana, Gorou phrases it as such:

「星野アクアとして、思春期らしい年相応の恋愛感情を抱えていた。」

MangaPlus translates this as "As Aqua Hoshino, you have romantic feelings that are appropriate to your age as an adolescent." This is pretty much exactly as he phrases things in Japanese (i.e, he specifically says 恋愛感情 renai kanjou, romantic feelings not just vaguely defined 'love'), but the point of contention sees to be whether this is still the case and that Gorou was specifically talking in the past tense about something that is no longer the case.

This is actually the opposite of what Gorou is saying here: in the part of the sentence that refers to Aqua having these feelings, Gorou uses the phrasing of 抱えていた, which indicates that this state or action is present tense and ongoing.

If I can speculate, this insistence on past tense phrasing seems to come from the fact that feeding Gorou's original line into MTLs such as Google Translate or DeepL returns this past tense phrasing… oops lol.

Bits and Bobs

Just some smaller bits of confusion I've seen floating around that didn't really warrant their own sections…

There seems to be this weird misinfo scrap going around that Aqua switches to referring to himself as 「僕」 (boku) as his first person pronoun after waking from his dream as opposed to 「俺」 (ore), which is what he'd been using in his dream and what Gorou had been using too - thus implying that 「僕」 (boku) is Aqua's 'true self' with no Gorou influence. This… uh, is flatly not the case! Putting aside that Aqua doesn't say anything at all after waking up, (I FUCKED UP, YES HE DOES SAY SOMETHING AND DOES SWITCH TO BOKU, I'M SORRYYYYYYYY) codeswitching between 'boku' and 'ore' as a first person pronoun is not super uncommon and is more to do with context and politeness than anything else - 'boku' is more polite and more appropriate for formal environments whereas 'ore' is always informal. You might switch back and forth between the two depending on who you're talking to - busting out an 'ore' at work would be like going "hey boss, ya boy just finished those financial reports, bitch" so…!

In addition, Aqua has used 'boku' before when distinguishing between "the reincarnator" and "the identity of Aqua Hoshino", so until we see the next chapter and get more Aqua dialogue, I don't know to what degree (if any!) it indicates about pronoun usage differentiating between Gorou and Aqua.

The other bit of discussion I've seen as pertains to the translation is whether Kana's line in the final page - translated by MangaPlus as 'I'm seriously in love' - was a reference to LoveNow's title or if she used the word 'gachikoi' there in Japanese as Ruby does in 143. The answer to both of those is a resounding 'nope'. Kana's line in that final page is 「私は本気の恋をしている。」, while LoveNow's Japanese title is 「今からガチ恋始めます」. Specifically, Kana describes her feelings as 本気の恋 (honki no koi), i.e, seriously, earnestly, truly in love, whereas both LoveNow and Ruby use the term ガチ恋 (gachikoi), a slang term referring to a fan who considers themselves to be legitimately in romantic love with a celebrity/idol/etc. Gachikoi is also how the first generation of B-Komachi are described in both Viewpoint B and 45510 in the original Japanese text.

Shakers of Salt

This is pretty much everything I saw floating around and I am not personally super interested in litigating every line of text in this chapter, BUT - if there's anything you feel was confusing about this chapter's TL in particular or anything that felt off or crunchy, I'd be happy to clarify stuff in the comments!

Ultimately my motivation here was to sooth the itch triggered by seeing my pet peeve pop up, which is people spreading misinfo about the original language text of a work lol. As I said up top, I was immediately skeptical once claims like this started popping up because "actually, this was mistranslated and the original Japanese text just so happens to word for word support my argument actually" is a song and dance I've done a whole lot of times before. I did my time in the Persona fandom, I'm not going back to this!!!

That being said: absolutely fact check me on this! If any of this smells stinky to you, get a second, third and fourth opinion from other parties, do your own research and come to your own conclusions. "People in fandoms will misrepresent the original language text of a work to support their agendas" is not something I am exempt from just because I have done my own translations and the last thing I want is to inadvertently perpetuate bullshit about a language or culture that is not mine. If you take anything from this, it's to do your own research and ultimately see where you come down on this sort of thing.