#also might talk about the other two later

[celestiamour]

‧₊˚✧ ❛[ stick with me ]❜

━━━ .°˖✧ requested by anonymous ˚₊ ⊹

ft. kang sae-byeok x f! reader — squid game

╰₊✧ finding out you’re also participating in the games & staying by your side throughout┊1.6k words

contains: mentions of canon-typical violence, open ending, season one spoilers, headcanons mainly, established relationship, sunshine (& kinda naive) x grumpy trope, sae-byeok being protective & the best gf, all of this is a little rambly like word vomit i hope you don’t mind

➤ author's note: squid game felt so empty without her like i adore all of the new women in season two but i missed her so much T-T

╰₊✧ even if she doesn’t show it through her expressions, she’s really upset to find you in this situation— not because she’s mad at you, but because she’s mad at herself. she wonders what kind of awful girlfriend she must be not to have noticed you were struggling through debt like she was. now that she thinks about it, she realizes how painfully obvious it was with your strange behavior when it came to working any freelance job you saw a sign of (you weren’t a pickpocket like her, you would never commit any crime intentionally), and being overall stingy when it came to spending money on yourself. she might unintentionally give you the silent treatment for the first few hours simply because she feels terrible about it all but still doesn’t want you to leave her side despite that.

“are you mad at me because i didn’t tell you?” you whined, sticking by her side like a baby duckling with its mama and gently holding on to her arm because she wasn’t looking at you. “sae-byeok… i just didn’t want you to worry about me when you already had so much on your plate…”

she merely blinked in response, stone-faced like usual, making it impossible to determine what was going through her mind. there was a sinking feeling in her chest, the feeling of failing one of the few people she cared about.

“it’s okay… i get it… i’ll give you some space— just come look for me when you wanna talk, i’m going to talk with some of the other people here…” 

she suddenly grabbed you by the hand and dragged you back before you could move away, wrapping her arm around your waist in a protective manner, “no, i’m not mad at you, i promise. just stick with me, okay? i wouldn’t trust anyone here if i were you.” yes, the majority of people here seemed to be middle-aged people who were simply down on their luck. no, she didn’t believe there weren’t any bad ones who would easily take advantage of your kindness in such a large group of people.

you didn’t seem to quite understand what she meant in the last part, but you still cheerfully pulled her in for an embrace once she confirmed she wasn’t upset as you always did when a miscommunication was cleared up. (you didn’t see it, but she cracked a little smile when she hugged you back.)

╰₊✧ pushes you away the second she spots deok-su and quickly tells you to stay away while he confronts her about a past you didn’t know much about, making a scene in front of everyone and progressively getting more aggressive towards her. of course, once he makes his first swing, you immediately run in and start yelling at him to leave her alone when there were clearly more pressing issues at hand. when gi-hun interrupts because he wants to also confront her about something, you had to restrain yourself from pushing him away because you were a pacifist at heart and had been taught to respect your elders no matter what all your life. 

╰₊✧ later when you two join the little alliance gi-hun formed, she makes them keep an eye on you if she has to part from you for any reason. she knows that bastard would make a beeline for you the second he sees you alone, and that bastard isn’t above playing dirty by hurting you or holding you hostage to get leverage on her. the guys find this to be so goddamn adorable and frequently tease sae-byeok for her obvious soft spot towards her girlfriend because they can tell she’s flustered despite how indifferent she may look. listening to you talk about her reminds them that she’s just another young woman who is trying to care for her loved ones and not the shady thief who works with gangsters they once thought she was. they also defend you guys from anyone being homophobic and swear that they will attend your wedding once they get out alive, noting they likely won’t have money for gifts after all the reward money goes toward paying off debt, but you tell them you would appreciate their presence anyway!

╰₊✧ after the first game when they vote all go home, she wants to make you swear on your life that you don’t ever go back to that dangerous place, but she knows how unrealistic that is. she now knows about the crippling debt you both have and it wouldn’t be long before the loan sharks will hunt you down to force you to do terrible things to pay it back. so on the last day of staying on the korean mainland, she coughs up the money to pay for a nice last date before the two of you willingly enter what you believe to be the closest thing earth has to hell.

╰₊✧ instead of the dangerous, loner vibe she has in the original, when she has you by her side, she has the aura of a mama bear— which is fitting considering you’re like a little cub. she’s very protective of you and gives everyone a look that says “hurt her and i’ll kill you” to shut down any possible schemes before they start and helps you out during all of the games because she doesn’t want to risk anything happening to you. it might feel a bit infantilizing to you, but she’s just so terrified at the concept of you getting injured or worse.

red light, green light - keeps you behind her at all times, verbally reminding you not to panic even though she can sense you freaking out. might even hold your hand and guide you through it all, telling you to close your eyes and ignore the sound of bullets as she pulls you through the finish line. 

sugar honeycombs - tells ali to keep you company while she goes into the bathroom to sneak around the vents (he’s your best friend, by the way, the energy is immaculate) and immediately has you pick the triangle shape when lining up (there isn’t too much she needs to do because it’s one of the easier games for you to do).

special game (night of murder) - wants you to hide under the bunkbeds at first, a good idea until people started tipping them over. it’s difficult to find you with the lights flickering and with deok-su after her, so she has you met up with everyone else at gi-huns bed to protect each other. this battle is also likely the first time you cause bodily harm to someone else in self-defense, which will probably fuck you up especially if they are found dead later on. you’ll have some minor injuries, maybe a fractured rib or some cuts, but you’re still alive and that’s all that matters to sae-byeok.

tug of war - might look annoyed at your optimism to win with all the women and the old man on your team, but trust me, she really appreciates it since she wouldn’t know what to do with herself if you suddenly shut down and because you seem to keep their heads ups with your infectious smile. there’s not much she could do to help you out here as it’s a team effort, but she was half-tempted to bribe you into a team with all men just in case (and also because you looked like you were about to start a fight with sang-woo over him insisting that they needed more men and wanting to kick ji-yeong off the team) yet ultimately decided against it which turned out to be the best decision. 

╰₊✧ the games strengthen your relationship through all of the blood and trauma, sticking together through it all and taking care of each other in the lowest moments. you two often share food and sometimes even sleep in the same bed if the other needs comfort, which would be very cute if your hands weren’t constantly trembling from fear and your skin didn’t have little specks of dried blood all over. sae-byeok is tough and has seen her share of violence, but it was all things she was trying to hide from you and keep you safe from ever since she entered this relationship with you. no matter how much you try to assure her that you can handle it, the sinking feeling of failure never leaves her.

“i’m… i’m really scared…” you sighed, cuddling yourself into her side. the barracks were so quiet you could hear a pin drop, yet there was the almost suffocating looming fear of death haunting the place knowing so many souls died within these walls. it always felt so cold even under the blankets with the powerful air-conditioning, but the warmth radiating off of sae-byeok’s body felt like a sanctuary. 

“i know, i know,” she assured. there was a part of her that wanted to admit that she was scared too as she rubbed circles into your back to ease you to sleep, she didn’t dare to even think of her biggest fear in case it manifested into reality. she wouldn’t know what to do with herself in case it came true, so she chose to bury the thought of it deep down where she prayed it would never show itself again.

she dreams of winning these games with you, using the money to pay off all your debts, helping her mother escape north korea, to go towards her brother’s future, to helping the both of you start new lives where you both were accepted— all things she thinks of to push back all of the dark thoughts and help her sleep in your arms, forever by your side.

request was [ Please could you do something about saebyeok x gf!reader? where they both went to the games 😪😪]

[vidavalor]

So, Aziraphale arrived in Edinburgh with a briefcase we never see him open and a hat that reads, among other things, "PRESS 66" on it, right?

And we might think that these are just Aziraphale's journalist cosplaying accessories but I think there are some hints that there's a bit more going on here than we might think-- all of it very relevant to The Finale.

We think that Aziraphale's arrival in Edinburgh is the first time that we see these things but, in true Good Omens form, the hat and briefcase are both actually glimpsed in a prior scene... rather significantly placed in that earlier scene, even.

Here they are, sitting together, the hat atop the briefcase, both in front of Jimbriel's once Fly-containing box, beside/behind the memory-wiped Muriel, in the scene below:

So, as Muriel is sitting there, not remembering Aziraphale, and as Aziraphale is sitting there, remembering Muriel and thinking all the things about the fact that they don't remember him at all? In the shot between them is the box into which Jim put his memory and brought it to Crowley and Aziraphale for safe keeping. In front of that box? Is Aziraphale's press hat and briefcase, seemingly drawing some connections between the journalist accessories and the memory plots in S2. Hmm...

What this scene also shows is that Aziraphale didn't just magic this stuff up as props when he arrived in Scotland. Even though we didn't see them in the car on the way up, they were there on the passenger seat for him to retrieve upon his arrival. He brought them with him from the shop. He packed them overnight and they were there, all ready to go, prior to Muriel's arrival, which coincided with Crowley coming over and moving the plants out of the car because Aziraphale planned to take it to Scotland. Why does this matter?

Because it might signal that there's more to the briefcase and the hat with its press credentials than we might initially suspect.

I think it would be safe to say that Aziraphale, by this point in the story, would be concerned that his memories were in danger.

He knows he's always been on a collision course with falling and this is all escalating pretty quickly in S2 in the two days prior to Aziraphale packing this press stuff and taking the car. Gabriel was The Supreme Archangel and he couldn't remember who he was and the archangels had shown up to threaten them and say that they're going to be spying on him even more closely, sending another angel to bug them the next day... the memory-wiped Muriel being quite an interesting choice, as that's sending quite a threatening message. Aziraphale also had roped Maggie and Nina into this and he knew he was likely going to have a confrontation with Heaven and Hell coming.

One of the first things he'd be concerned about would be his memories, right? and it's here where we can mention what we later learn about what Heaven can and cannot do regarding those memories... things that are new to us but that Aziraphale likely would have already known and factored into his plan, as we'll see.

Hints are given to this all season via Gabriel but it really becomes overt in this scene here:

This scene proves that Gabriel's memories aren't just in The Fly in S2-- they're also still in his mind. His memories are shown to be in two places at once. Gabriel's memories-- ones even directly related to the trauma he underwent-- actually began to come back before The Fly, in this scene. Gabriel felt safe and like he was talking with someone who could understand in this scene with Crowley so the memories began to come back for him.

The point here is that this scene shows that, when Gabriel "took his memories out" and put them into The Fly, what he was really doing was basically backing them up. He "uploaded" his memories into The Fly for safekeeping so he could retrieve them later, as a way to keep it so that they wouldn't be erased forever, but those same memories are still also on the "hard drive" of his mind. They were just mostly inaccessible to him for almost all of S2 because of trauma.

Before you say well, Gabriel might be a special case because he took his own memories out to avoid Heaven attacking him? Consider that Crowley didn't have a chance to do that-- but he tells Gabriel he knows how Gabriel feels.

Crowley has had the same experiences with his own memories. He's been able to bring some back at different times, without a lot of context, but a lot remains blocked. Crowley saying that he's been able to retrieve some memories means that those memories are still there in his mind, just very painful and difficult to access.

The idea might be that their memory loss is actually trauma-blocking. If Crowley's situation has the same effect as Gabriel's, it suggests that Heaven can't actually take people's memories-- they can only block them.

This would then be suggesting, as a lot in S2 did, that Gabriel didn't develop retrograde amnesia from taking his memories out-- he developed amnesia from the trauma he underwent.

When he felt safe enough to confront some of that trauma, the memories started to come back to him a bit.

What does this have to do with Aziraphale's briefcase, you ask?

It is connected because Gabriel's memory loss being from the trauma of Heaven trying to kill him, not from putting his memories into The Fly, proves that an angel could take his out their memories and not get amnesia from doing so.

Gabriel's story is showing that they could take out their memories whenever they want and still retain those memories also in their minds and be perfectly fine.

It's showing that Aziraphale could have backed up his memories in S2 without experiencing memory loss-- and the press hat and the briefcase are tied to just how he might have done that.

Aziraphale might have taken one look at Gabriel and his memory situation and the archangels circling the shop and thought that it would be a good idea to backup his memories and store them somewhere safe for if this all went pear-shaped.

What's interesting is that then, in a parallel shot to Aziraphale arriving in Edinburgh, we have this later scene when Aziraphale returns to London... note what's missing:

We see him park by the suit shop-- but no suitcase/briefcase this time. No hat. He's also taken off the raincoat. We never see them again for the rest of the season but we see a whole bunch of scenes that hint at where they are and why Aziraphale has left them in that location.

In this moment, we spend a strange amount of time on watching Aziraphale get out of the car and look around, hands-free, pat The Bentley, go for a little walk for a moment...

He talks to Nina, he goes back to the bookshop and greets Crowley and gets an armful of plants. The Bentley is largely the focus of the scene with Nina as well and its moving up in a scene that involves Nina and her bicycle-- another "mad 'American' woman on a bicycle", in parallel to Anathema in S1-- recalls Aziraphale miracling a bike rack onto the boot of The Bentley to transport Anathema's bike back to Jasmine Cottage. The key to getting Anathema and her bike safely home to her cottage was the bike rack Aziraphale made happen; the key to getting him and Crowley safely to the South Downs Cottage might be what Aziraphale stashed in the trunk of the car on his trip.

Here's where we can see that scenes before and around this involving Shax and Crowley show us pretty emphatically where the briefcase and the press hat are not located in the car...

They can't be on the passenger seat as they were on the way to Edinburgh because Shax wouldn't have been able to sit there when she got into the car on the drive back from Edinburgh. They also can't be in the backseat because the scene adjacent to Aziraphale's return to London is he and Crowley loading the plants back into the backseat. Crowley would have handed him his things if they were back there.

So, we have all of these shots of Aziraphale's return that are, among other things, emphasizing that the hat, the raincoat, and the briefcase are all not things he's taking out of The Bentley's trunk upon his return, even if they are his belongings and he brought them with him from the bookshop. He's intentionally leaving them all in the Crowley's car.

Aziraphale definitely did not leave his memories in a briefcase in The Resurrectionist Pub, even though that's the last place we saw the briefcase. How do we know that?

Because let's say that we're right here and Aziraphale did put his memories into the briefcase... either into something else that he then locked into the briefcase or just into the briefcase itself. What's the one problem with this?

He locked them in there for safekeeping, right? So...

He can't just leave the briefcase for Crowley-- he also needs to leave the key to the briefcase, yes? He needs to leave the combination somewhere... but he also has to hide that combination key. The briefcase wouldn't be very safe if just anyone could figure out how to open it, right? It needs to be something only Crowley can understand.

This is why Aziraphale is not a private detective in Edinburgh but a journalist because the key is in the hat.

How does one open the locked briefcase?

Press 66. 😉

The briefcase and the hat go together because the briefcase cannot be opened without the press credentials in the hat which, in very Good Omens and Crowley & Aziraphale form, look like they're one thing but are really another when you consider alternate meanings of words. Aziraphale knows that only Crowley would see Aziraphale's hat atop that briefcase and the 'Press 66' and work out that it's how to open the briefcase.

It would also be very Good Omens to nod to famous film Macguffins and then make them actually important in Good Omens' story. While a "what's in the briefcase?" thing here is very Pulp Fiction, the film that inspired the briefcase in Pulp Fiction is 1955's atomic noir Kiss Me Deadly, which is being referenced all over the place in S2.

The scene where Aziraphale picks Shax up from the side of the road is a homage to Kiss Me Deadly's opening scene, Gabriel's memory issues and his "I am in The Fly" note is similar to part of the central mystery of that film, and Kiss Me Deadly is the origin of the popularization of the word vavoom/va-va-voom.

Like basically every other film referenced in Good Omens, it's also known for innovative use when it comes to language-- particularly, coded cinematic language, in this case. Like North by Northwest, which is referenced in both parts of 1941 so far, Kiss Me Deadly found innovative ways to get around the Hays Code to tell its story. References to The Maltese Falcon in the story are also likely in relation to that story using etymology-based language to queer code aspects of its story, in a similar way to Good Omens, but also that The Maltese Falcon itself is a bit of a MacGuffin. In Good Omens, though, it seems like they're actually winking at those by making Macguffin-alluding things actually important parts of the story.

Anyway, the biggest fan theory about what's in the briefcase in Pulp Fiction is based around the combination to the briefcase being 666 in the film and the idea is that it's Marcellus Wallace's soul, which he sold to the devil. Famously, the audience never sees what's inside the briefcase. We might be saying here that the combination to Aziraphale's briefcase being 66 may be nodding to Pulp Fiction's briefcase a bit and hinting at the Satan in The Final 15 ideas. 66 is also tied to Route 66 and rock 'n roll in America, Buddy Holly, and the paralleling Gabriel & Beez flashback, maybe especially hinting at memory-related things happening with the briefcase.

I won't spoil you on what's in the briefcase in Kiss Me Deadly but let's just say that it goes along with Good Omens pretty well thematically... in a much, much darker way. The film being very bleak noir makes it very different in tone from Good Omens but the fact that the briefcase is actually is relevant to the story in the end of that film might also hint that Aziraphale's disappeared briefcase might wind up being important in The Finale, too.

Adding to this theory is also that another briefcase in The Bentley's trunk/boot was also something shown earlier in S2-- on a very significant night in Crowley & Aziraphale's history:

When Aziraphale is in Edinburgh, we see him intentionally hamming up his newspaper man persona and, in doing so, he takes the briefcase into The Resurrectionist Pub, right? Bit of foreshadowing there as to what will happen to Aziraphale and what will need to happen to bring him back?

Yes, we don't see the briefcase again after this scene but I doubt he left it in the pub because it would be useless to Crowley without the hat, on which Aziraphale has hidden the briefcase combination hidden in plain sight. Aziraphale was seen wearing the hat in one scene set after we last saw the briefcase, proving that both of them and the raincoat are in the trunk of The Bentley:

Aziraphale wore this whole get up to Edinburgh so that, if anyone was watching him, they'd think he was Muriel-like cosplaying a newspaper man. I mean... we know the trench coat is a little Columbo-esque, but why wouldn't he just be a private detective and not a journalist, if the goal was just to play a role to help solve the Gabriel mystery? Because he had to be a old movie-esque journalist so he could have the word press there in the credentials, only for its other meaning for the briefcase combination.

Aziraphale definitely had a whole other list of motivations for being the one to go to Edinburgh. He wanted Crowley to rest in the shop and to talk to Gabriel, he wanted to be the one to go tackle the mystery, and he wanted to work on his 1827 issues by going to the graveyard again... but we might find we can add to that list that he also realized it would be a good opportunity to hide his memories in a briefcase in The Bentley with actions that are right there, in plain sight of anyone who is watching-- including us 😉-- but might not be deemed suspicious.

Parallel-wise, the briefcase and The Bentley are the matchbox and the moving box and PRESS 66 is Aziraphale's equivalent to I AM IN THE FLY... all before Aziraphale and Crowley actually figured out what Gabriel and Beez did to protect Gabriel.

He's pressing on the press hat he's leaving for Mr. Six Shots of Espresso... 😂 The press card is in his hat, like a feather... Crowley's "it'd be a real feather in your cap wing" joke from the foreshadowing "I'll be damned"/"It's not so bad when you get used to it" scene in 1.01...

That demon doesn't know it yet but he's driving around with Aziraphale in the trunk because Aziraphale figured out how to get around the worst case scenario. He knew he was on a collision course with falling and he found a way to potentially dodge the memory loss by stashing his memories for Crowley in The Bentley.

His enthusiasm in Edinburgh is him barely able to contain his amusement at getting one over on anyone watching him who think they know what they're seeing but don't realize what he's actually up to.

No wonder why he was walking on air when he got back to London-- it was mission accomplished. He'd managed to leave Crowley the ability to bring him back, tucked away in the safest spot possible.

The bookseller who, like the others, is a metaphorical book/paper, left their out for Heaven and Hell trying to kill him for Crowley's safekeeping in a briefcase... the thing people use for...

...paperwork. 😂

But wait... there's one other big question, though, yes?

Why didn't Aziraphale tell Crowley this?

There absolutely was enough time and opportunity to tell Crowley he'd backed up his memories and left them in The Bentley's trunk.

The fact that this didn't come up seems wild, right, because they both know that Crowley has been having a steady anxiety attack about Heaven and Hell circling all week. We would think that, if Aziraphale had figured out this plan to circumvent that threat, the first thing he would have done would be to tell Crowley about it, yes?

Except... while I wrote this meta from the perspective of what the end result of Aziraphale's actions with the briefcase might be in The Finale, I don't actually think that was Aziraphale's own motivation for doing what he did.

Aziraphale didn't take out his memories and leave them in the briefcase in The Bentley for Crowley as a backup plan for them to elude a form of death for Aziraphale.

He left them there for Crowley to find and have after Aziraphale was already gone. Why else would Crowley need the combination on the credentials on the hat, right?

If Aziraphale had intended on his memories in the briefcase being a plan to save himself, he would have told Crowley about it so that Crowley would know. Instead, though, it's something of a suicide note. He left them for Crowley to find and have in the future.

I think The Bentley was even warning of this suicide ideation and showing concern upon the return to London for Aziraphale over what he had put in its trunk. The car is worried. [I love Good Omens-- when else am I going to type a sentence like that? 😂]

Aziraphale first parked it in front of Battye [madness] & Palm [to take]. It's a shop reflective of a lot of that depression and suicide ideation happening in Aziraphale's story and leading to his fall that I looked at in The Devil Takes The Hindmost.

The Bentley then drives itself-- and all Aziraphale's Aziraphaleness in the briefcase-- up a few feet. What is The Bentley then aligning Aziraphale with?

Death.

The car parked itself in front of the Give Me Death half of Give Me Coffee or Give Me Death...

... until Aziraphale told it to go back to where he parked it. Then, The Bentley backed up a few feet to Battye & Palm and all the madness that is the rest of the season. The car was foreshadowing the end, parking itself right along where it would be parked the last time we'd see it in S2.

The trunk is aligned with Give Me Death in The Final 15...

...fulfilling the foreshadowing of the end of S1.

[narnian-neverlander]

Your Villain [Viktor x GN!Reader]

Preview: It’s a few hours and a doctor’s visit later that you’re settled into your bathtub, back pressed against Viktor’s chest and hands stretched out in front of you to examine them in all their bandaged glory. Nothing vital had been injured, thankfully, a bit of rest and some medicine and you’d be good as new. “This is ridiculous.” you complain in a huff, pushing some wet strands of hair out of your face. “I was supposed to be taking care of you.” His arms tighten around your middle in response, chin coming to rest on your shoulder. “I am overworked. You had a panic attack and accidentally sliced your hands open. Which one of those sounds like it should be higher up on our list of priorities, hm?”

Genre: hurt/comfort, light angst, fluff

Word Count: 5k

Warnings: blood, injuries, panic attack (reader accidentally hurts themselves during an attack), talk about neglectful/abusive parents & human trafficking, mildly suggestive (Viktor is a menace)

This is part of a series of stand alone One-Shots that all feature the same reader, you can find the masterlist here :3

A/N: Just in case I haven’t made that clear enough in all my fics, I love Jayce. Jayce haters have no space on my blog, bye 👋

“So what did you think?”

Jayce beams at you from up on the stage in the otherwise empty auditorium, you his only audience. You’d literally run into him on your way to deliver the boys’ food and without waiting for your approval, he’d immediately dragged you off to have someone to practice his presentation for some potential investors with. Most of the technical terms are lost on you of course, but the golden boy manages to make it all engaging and thrilling nonetheless, as you knew he would. There’s just one tiny little thing.

“It’s great. Except you look like you’re about to fall off the stage and start snoring any second.” His smile falters and it only serves to accentuate the dark circles under his eyes, his disheveled clothes and messy hair. If that’s the state he’s in, the one out of the two Hextech geniuses just a tiny smidge better at taking care of himself, you don’t even want to think about the other one. Unfortunately, it is kind of your job to think about the other one. “When did Mel say she was bringing over those potential new investors?”

“Soon.” he answers as he hops of the stage to join you. “Soon as in a few weeks, or a few days, or…?” The way he flinches makes you dread the worst. “Soon as in I think they might already be in her office.” Shaking your head in fond exasperation, you quickly gather your things and head back towards the lab with him. “Cutting it a bit close this time, aren’t we?” He groans as he walks alongside you down the hall. “There’s just been a lot happening at once recently, alright? Besides, they’re only coming by to talk to Mel today, the actual presentation from our side isn’t for a few days.”

He holds the door to the lab open for you and you quickly thank him as you duck inside, immediately zeroing in on the man sat at one of the desks, furiously scribbling into one of his notebooks. Greeting him happily, he replies with, “Ah, you’re back. Hand me those notes you took with you.” Jayce digs through his pile of papers for said notes and leaves them on the desk before coming to stand beside you. “Does he— Has it resgistered with him that I’m here…?” You’re trying your damn hardest not laugh as you pass a sandwich from your bag to the tall brunette; he shrugs while unpacking it. “Eh, maybe. 50/50 chance.” He takes a quick bite and then calls out to his partner again. “Hey V, your lover’s here.”

“That’s great, Jayce.” Deadpan, monotone. So Jayce ups the ante. “Yeah, we thought we’d maybe go on a date later? Or better yet, we skip that and just do it on a desk right here, you don’t mind, right?” A dismissive wave of a slender hand. “Yes, yes, whatever you want.” And you’re laughing while Jayce fondly shakes his head and continues to eat. Grabbing a thermos, you also snatch one of the stools scattered across the room and drag it over to where Viktor’s sitting. You sit down beside him, unscrew the bottle and pour some of the steaming contents into the empty mug still in front of him, then settle down sideways on the desk, arm tucked under your head for comfort as you watch him.

5 seconds. 4. 3. 2. 1. And there he is; blinking as the smell hits him and draws him out of his own little world. Works every time. You snort as he reaches for the mug. “At least now I know where I stand - and it’s below the sweetmilk. Disappointing, not surprising.” He startles, not really expecting anyone else in the lab, much less so close to him, eyes locking onto you and his gaze immediately grows soft. Mumbling apologies, his hand finds the back of your neck, practiced fingers drawing familiar patterns into the skin as he presses a quick kiss to your temple. Placated for now, you get back up on your feet and hug him from behind, arms around his shoulders and lips next to his ear. “How is the most handsome man in Piltover today?”

“Bone tired. But you knew that already, I guess. Pretty good, considering the stress, but it’s all gonna be worth it when—“ he cuts himself off when he finds two sets of judgemental eyes with raised brows on him, matching expressions conveying clear amusement. “And you were talking to Viktor.” Snickering, you answer, “Yes, Jayce, I was talking to the man I’ve been dating for months. I can see how you got confused though, considering our earlier bit. And I’m glad to hear you’re doing well, all things considered, but maybe some rest isn’t the worst idea? Get your mind working properly again?” And because the poor man doesn’t feel bad enough yet, Viktor brings a hand to his heart, clutching at his chest in mock offense and chimes in with, “Oh don’t be too hard on him, we can’t blame him; it’s only natural he’d assume you’re talking to him. Who would ever look at me when Piltover’s very own golden boy is in the room?”

Jayce opens and closes his mouth, failing miserably at trying to come up with a retort; both of you grinning at him like cats playing with their favorite toy, so he simply throws up his hands in surrender and settles on: “Oh, you both suck. You deserve each other.” Still laughing, you plant a quick kiss on your boyfriend’s cheek and then walk back over to the table where you left your bag, intending to grab his lunch. Not that you get very far, as the very familiar handle of a cane loops around your waist and drags you backwards in stumbling steps and before you know it you land in Viktor’s lap with an ‘Ooff!’

“And where do you think you’re going?” he complains, trapping you with him, arms tightly wound around your middle. “To get your food so you actually have the energy to go home with me?” You can feel the protest coming before he even opens his mouth and you’re absolutely not having it right now, not with the way he currently looks. “Darling, your eyebags have eyebags, you’re already about halfway out of your clothes and quite frankly, you reek. So you’re coming home with me, you’re gonna take a bath and then a nap and you’re not gonna argue about it. I just saw the presentation on your current project; it’s perfectly fine, your work is done and you have no reason to stay cooped up in here any longer today.” Tired, amber eyes blink at you owlishly several times before he cocks his head to the side and a sultry smile tugs at his lips and you curse yourself for not just slapping your hand over his mouth when you’d had the chance. “And when do we get to the part where I get to have you for dessert?” An eye roll at his boldness. “Maybe we can talk about it after your nap. Maybe.” His nose wrinkles in disapproval and he buries his face in the crook of your neck before you can stop him, warm breath fanning across your neck, leaving goosebumps in it’s wake when he speaks again. “Eh, I do not like that order.” You just barely manage to tangle your fingers into his hair and forcefully tug his head back before he manages to sink his teeth into the column of your throat. “Viktor…” you warn, only halfheartedly. He’s even worse of a menace than usual when he’s sleep deprived and you know that. You should know that. And yet you still make the mistake of looking at him.

With the first few buttons of his shirt undone, vest and tie discarded long before you even came into the picture, strands of his chestnut hair sticking up in every direction, partly courtesy of your fingers still keeping his head in place, and pupils blown so wide there’s only a thin ring of gold left, he damn well looks like you’ve already done something indecent. The ‘What…?’ he whispers is perfectly innocent, while the smile on his pretty lips is perfectly sinful. Your lover turns your brain to mush more often than you’d like and he likes to do it at the most inopportune of times. Unintentional, of course, he’d assured you. Right.

“Oh for the love of— I’m still here!” It’s your saving grace, the reboot your brain had sorely needed. “There are times when I liked it better when you two weren’t dating, do you know that?” You get your feet back on the floor and yourself off Viktor’s lap as you teasingly shoot back with, “And do you know that you get mean when you’re sleep deprived? You had a good hand in getting us together, you know, you’re only reaping what you sowed.”

Jayce flips you off with an equally teasing, gap-toothed grin, and of course that’s the exact moment the heavy doors open and Mel walks in. The three of you scramble to look at least somewhat professional in the young councilor’s presence, which includes Jayce immediately shoving his hands behind his back and you putting a good distance between you and Viktor by meandering back over to the table with your things, luckily positioned in a back corner of the lab mostly hidden by machinery, so you simply try to make yourself as invisible as possible; her visit always means business and that really has nothing to do with you, so you try to stay out of it to the best of your abilities.

“Councilor! I didn’t expect you today, what can we do for you?” She trails an elegant hand along one of the desks as she answers Jayce. “Oh nothing much. Your next potential investors were wondering if they could maybe sneak a peak at what they might be investing in.” The two scientists exchange quick glances. “With all due respect, our presentation wasn’t supposed to be until later this week. And to be honest we’re in no shape—“ She interrupts him with a call of his name, soft and amused and the air in the room becomes lighter, less professional. “Their little one asked to see the lab, that’s all. She was quite excited about the entire prospect of you two making actual magic happen here.” Viktor’s shoulders slump in relief as Jayce laughs lightly. “O-oh that’s… yeah, sure, why not.” Mel nods in thanks and then returns to the door, inviting the people waiting inside.

What happens next is mostly political pleasantries and introductions being exchanged, so you don’t really pay much attention, except… you know these voices. At least, you’re fairly certain you do, even if your mind can’t place them in this very moment. Trying to inconspicuously steal a glance at the visitors, you peek around a corner of machinery. You can’t see much, with their backs turned to you; two human adults with graying hair, in fine clothes, adorned with gold and jewels, and a little bouncing ball of energy hopping around them, trying to take in everything in the lab all at once.

“Mama, Papa, look! What’s that? And what do you use this for? Oh, why do you have that thing?”

A soft chuckle.

“My, your mind is as insatiable as always isn’t it, dear?”

And the glass bottle in your hands slips from your fingers and shatters into a thousand little pieces on the floor.

Mama, Papa, look! I’ve never seen any food like that! What do you think it tastes like? Can we get this back home, too?

My, your mind is as insatiable as always isn’t it, dear?

The blood’s roaring in your ears, ‘Oh that’s just a friend who brought over some food, nothing to worry about’ the last thing you hear from Jayce before the rest of the world gets drowned out. You’re on your knees, gathering glass shards in mechanical movements as your heart rate picks up enough for it to be considered worrisome. No matter how hard and deep you gulp down air, it can’t seem to fill your lungs and your breaths turn sharp, shallow, gasping.

Meanwhile Viktor is drumming his fingers against the wood of the desk in irritation and anxiety and the very instant these people are out the door, he’s up and walking across the room. Something’s wrong with you; he can’t explain it, but he’s absolutely certain nonetheless. As he rounds the corner of the lab equipment you’re hiding behind, his stomach drops and the breath almost gets knocked out of him.

Blood. All over the floor, smeared over your thighs and dripping from your trembling hands, glass shards clutched between your fingers. He shouts for Jayce to get the first aid kit immediately and then he’s down on the ground with you, desperately pleading with you to open your hands and let go. But it’s like you can’t even see him, much less hear him; breaths barely a shivering wheeze and glassy, unfocused eyes staring off into nothing. If he forces your palms open he’s only going to hurt you and himself, so he brings his hand to the back of your neck instead, gently coaxing you to him and leaning his forehead against yours; whispering quiet reassurances to you, hoping to pull you back from whatever dark place you slipped into.

“It’s okay, miláčku, you’re okay.”

“I’m with you, you’re not alone.”

“Breathe, please just breathe for me, my love.”

It takes several long, agonizing minutes, but your breathing slowly returns to normal and you finally unclench your hands, glass still sticking to your tender, bloody skin. Blinking, your eyes swim back into focus and you can’t remember how exactly you ended up on the floor, or why you feel so exhausted and light headed. Or why Viktor’s kneeling on the ground in front of you, looking like he just witnessed his very own personal hell play out in front of him; Jayce standing a few feet behind him with the first aid kit in his hands, equally concerned and horrified.

“V-Vik…?” you whimper and that’s when the pain finally hits and your gaze falls to the bloody, disgusting mess that is your hands and the sobs and tears start before the situation fully registers.

The both of them get you up and sitting on the nearest desk, Viktor next to you with an arm around your shoulders and your head nestled in the crook of his neck, tears staining his shirt as he shushes you gently. Jayce gets to work on your hands in the meantime, picking out glass shards from your skin with a pair of tweezers as carefully as possible. By the time he’s applying disinfectant to your wounds and starts slowly wrapping them in gauze, the lab’s silent except for your quiet hiccups. Gingerly, apologetically, Viktor makes you sit up so he can get a look at your face and while he doesn’t necessarily like what he finds, eyes red and puffy and glassy, still with the same empty faraway look from earlier, he deems it safe enough to question you. “Darling, can you tell me what happened…?” You open your mouth, you want to answer, but try as you might, nothing comes out. So he helps you along. “Did you know the people who were here?” A nod.

Jayce knows about the… unique circumstances you’d had to endure when you first came to Piltover. Not in as much detail as Viktor, he assumes anyways, but he’s your friend and you’d confided in him about it long ago. And with his partner’s usually sharp mind clouded with worry, he’s the one that connects the dots first. Not that it makes getting the question out any easier, so when he speaks it’s slow and hesitant. “Were they… were they some of the people that… bought you when you were a kid…?” To his surprise, or maybe relief, he’s not sure, you shake your head no. Short lived relief as your answer makes his blood turn to ice. “They’re the people that sold me in the first place…”

“Those were… those were your parents…?” Jayce asks carefully as he finishes wrapping up your hands and you don’t actually answer his question, only mumble to yourself under your breath, and what he manages to hear breaks the inventor’s heart. “They have a kid… they have a kid…”

In direct opposition to his partner, Viktor’s blood is boiling. If you weren’t entirely reliant on him to keep you upright at the moment, he would be out of the lab and after your birth parents already. And it’s not hard to tell what he’s thinking, with the sharp, deadly glare directed at the door, so Jayce calls his name. No reaction. Again. Same result. Third time’s the charm, this time a bit louder, with more force behind it, and the Zaunite’s narrowed golden eyes flit from the doors to his fellow scientist. He’s gotten up from the stool he’d been on to treat your wounds, now packing up the medical supplies and subtly inclines his head towards you. “Someone should get them to a doctor. And then home. And stay with them.”

The raging fire in Viktor dies down to flickering embers as he takes in your trembling, hunched over form, little whimpers still leaving your lips every once and again. “Of course…” he replies and he could kick himself. Of course. You’re in pain, you’re suffering and you need him right now. Whatever he might think of your birth parents, however much he’d like to throw some choice words on your behalf at them, your wellbeing comes first. So he ushers you to your feet, arms linked and starts steering you towards the exit. Jayce’s ‘Keep me in the loop, okay?’ receives a decisive nod right before the doors close behind you both.

It’s a few hours and a doctor’s visit later that you’re settled into your bathtub, back pressed against Viktor’s chest and hands stretched out in front of you to examine them in all their bandaged glory. Nothing vital had been injured, thankfully, a bit of rest and some medicine and you’d be good as new. “This is ridiculous.” you complain in a huff, pushing some wet strands of hair out of your face. “I was supposed to be taking care of you.” His arms tighten around your middle in response, chin coming to rest on your shoulder. “I am overworked. You had a panic attack and accidentally sliced your hands open. Which one of those sounds like it should be higher up on our list of priorities, hm?” Unconvinced, you grumble further objections under your breath and poke at one of the dwindling bubbles in the steaming water, careful not to get your hands wet, lest you need to re-wrap them again this evening. “I’m sorry you had to see me like that… I’m not usually—“

“Stop.” He silences you with a kiss to your jawline. “You have nothing to apologize for. I’m just sorry you had to go through that in the first place.” With a defeated sigh, you scoot down further into the tub, nestling into his embrace and nosing at the slope of his neck. Silence falls between you for a while, except for the soft music from your phonograph over in the other room. You haven’t talked about anything that has happened and he hasn’t pried, hasn’t pushed and you know he won’t. Just like you know that you probably should talk about what’s weighing down on you so heavily. “Their kid. She seemed… happy. Well taken care of.” Ah, right, that’s why you’d refused to talk. You’re already crying again, swallowing around the growing lump in your throat. “Which means they can be good parents. Nurturing. Kind. They just couldn’t be that for me.” A sobbing hiccup is a precursor of what’s to come. “Why— Why couldn’t they just be that for me?!” You curl in on yourself, tucked against his chest, dissolving into a whimpering, crying mess. He stays mostly silent through it, only comforting little nothings between soft kisses against your skin. He waits for you to calm down, quiet sniffles the only thing left of your outburst, before he speaks. “It is not your fault, my light. They’re the fools who never gave you the love and care you deserved and in turn gave up the chance to see the wonderful person you would become.”

The grief and pain in your chest slowly turns into something else entirely; bitter and ugly and hateful.

“I want them to see. I want them to see what I accomplished, the person I turned into, without their help. In spite of what they did to me. I want them to look at me and recognize that they messed up; groveling and begging for forgiveness that I won’t grant.” And a part of you does want that, more than anything. Wants to see them humiliated and crying and broken, just like they left you once, long ago. But that’s just one part of you. Another one thinks of the little, bubbly, starry eyed girl you’d seen sprinting about the lab; happy and joyful to be experiencing, sharing, something new and exciting with her beloved parents. A heavy sigh leaves you as realization which part of you will win out in the end hits. “But it wouldn’t change anything. The only thing it would accomplish is ruin the image an innocent girl has of her parents. It would change things for her, not for me or for them. I’d be destroying the foundation parents are supposed to be for their children and it would make me just like them.”

“You’re a stronger person than I ever could be. If not for you and Jayce, I would’ve gone after them today. Given them a piece of my mind.” A kiss to his pulse point. “It’s the thought that counts. Besides, there was a time when I would’ve needed them in my life. Not anymore. I had a parent; a dad who raised me and supported me and gave me all the love and care I ever needed. And while he might not be around anymore, I still have people who love me. That’s more than enough.”

What you’re about to say next doesn’t come as easily to you; it’s inappropriate and you hate the fact that you even consider asking, but not mentioning it at all doesn’t sit right with you either. “Viktor, I… I don’t wanna ask this of you, I shouldn’t be. It’s presumptuous and selfish and my personal life shouldn’t be interfering with your work, but… please, just…” You can’t bring yourself to actually finish that sentence, not that you really have to, you both know what you’re implying. He doesn’t immediately reply, you don’t expect him to and you definitely don’t expect him to agree. What you’re asking is audacious at best, downright offensive at worst and you wouldn’t blame him if he got upset with you over it. What happens instead leaves you utterly baffled, because he carefully takes hold of one of your hands and presses a light kiss to the bandaged knuckles and says, “I still remember the last time I saw you when we were kids, you know.”

“You came bounding down to the riverbed, almost tripping over your own feet, yelling my name and waving your hands. Telling me all about how your parents were gonna take you to Piltover for the first time the next day. How you were gonna try every food you’d be able to get your hands on. How you were gonna bring me back a new toolbox. Gods, you were so excited, you were glowing.” A fond, soft chuckle. “I want a future where every child in Zaun can look and feel like that all the time. That’s the kind of future I want to create with Hextech. People like your parents, who will sell their own flesh and blood, who will sell Zaun’s future, for their own gain? They will not be a part of that. Not as long as I have a say in anything Hextech. So please don’t worry.”

Water splashes over the edges of the tub as you shift, straddling him and cupping his face. With glassy eyes and shaky breaths, you bring your forehead to his and whisper your thanks. He gently takes a hold of your forearms as he speaks. “Not for this. Not for anything that has transpired today.” Shaking your head slightly in disagreement, you grab one of his wrists and leave a kiss on his palm. “Yes, for this. For everything you did today. I’d never take that for granted, I’d never take you for granted, but I feel like I don’t actually tell you enough. How glad I am that I have you. How happy it makes me that you decided I’m the person you’d like to share your life with. How fortunate I consider myself to be with someone I can always rely on, no matter what.” His eyes seem to glow in the candlelight, warm honey taking you in with pride and affection as he moves his arms to wrap around you in a loose hug. “I hope you know that feeling’s mutual.” Humming in acknowledgment, you manage to ignore the part of you that disagrees with him. That little, nasty voice in the back of your head is always there, but it’s been getting quieter in recent months, easier to handle. So instead of questioning yourself and wether you truly are a support for him as much as he is for you, you kiss the mole under his eye, run your nose along his sharp cheekbone, press another kiss to the mole right above his mouth and then your lips finally find his, sweet and chaste. “Yeah, I know…” you mumble and kissing becomes virtually impossible with how much he’s smiling so you pull back with an overly dramatic huff to pout.

“So, considering the day did not at all go as planned and your precious order of things got… eh, kicked right out the window: Have you changed your mind on dessert yet?” Truly, it takes you a few very long seconds. It’s the suggestive raise of a thick brow that finally makes all the pieces click into place and the flush of your skin can’t be attributed to the hot water alone anymore as you try to dunk him for that. When that doesn’t work, you settle for splashing him instead, wet bandages and bathroom floor be damned, and try as you might to seem offended, you’re smiling and laughing right along with him. “Oh so that was your intention all along? You’re a fiend; a vile, treacherous fiend, Viktor.” He manages to get a careful hold of your flailing hands, before you hurt yourself further, with one of his own, using the other to push wet hair back and out of his face, some droplets still clinging to his long lashes as he grins up at you. “You wound me, my love, I would never. My only intention with this was to make you laugh. Is that truly such a vile and treacherous deed?”

You’re left gawking at him in awe, because even after all this time, you still can’t fully comprehend how well he knows you. “Well…?” A slender finger pokes your cheek. “Am I still the villain?” Of course he’s not. He never could be. Not in your story, anyways. But you and your wounded pride aren’t quite willing to admit that yet. So you turn your gaze away, cause you can’t possibly stay even fake mad at him if you have to look at his stupid face with that crooked grin you adore so much, before you answer. “Yes, yes you are. A devious, troublesome, terribly handsome—“ Your face scrunches up in annoyance; at yourself and your brain’s inability to function properly around this man and the bastard actually has the audacity to laugh at you while he hugs you closer and tucks his head under your chin so you can’t get another opportunity to soak him yet again. You loop your arms around his shoulders and bury your hands in his hair and fiddle with the wet strands instead.

“Eh, well, at least I’m your villain. For as long as you’ll have me.”

Your hold on him tightens, the grip on his hair almost painful, your answer immediate and certain. “Always. I… I’ll always want you. Villain or not.” A tad much maybe, a little silly, you’re only joking around after all, but you can’t help it. You have the love of your life right here in your arms, of this you’re certain, and as long as he still wants you in return, you don’t plan on letting him go. And you’d take any chance to tell him as much.

He doesn’t seem to see it as too much or silly, though. Not with the way he presses a lingering kiss to your chest, right where he can feel your fluttering heartbeat under your wet skin and hums in contemplation and gratitude. “The rest of the world can have me as their villain, as long I get to have you in return.” Carding your fingers through his hair softly, he receives a small chuckle as his answer. “Silly. You already have me.” You use the fingers already tangled in his chestnut locks to tip his head back and get his eyes on you, beautiful amber like a warm, familiar fire. “I’m yours, now and always. And nothing is ever going to change that.”

“Nothing…” he echoes, gaze already on your lips. The kiss is passionate, loving and oh so tender. A newfound promise between lovers, sealed to last an eternity.

[triglycercule]

who asked for this. nobody. but unfortunately as a creator i actually have to CREATE for my au 😞😞😞😒😒😒 jk fashion au ink and swap designs ig,,,,,,

ink. ink. ink. she's totally not holding a gun to my head as i type this,,,,, because she CANT break the fourth wall ok she totally doesnt realize that she's forever gonna be stuck living life as a high schooler with no chance of ever graduating or progressing in life,,,,, BECAUSE THERE'S NO ANGST IN JK FASHION AU HAAHAHAH 😁😁😁😁 anyways she's soooo silly :3333 i'm not a connoisseur of anyone that's not the mtt (biased 🙂🙂🙂) but i wanted her to be silly but also a bit freakish,,,, ya!

what do the people think about INK???? featuring everyone in jk fashion au so far 😇😇

dream: "ink is another one of my close friends. she's been there for me when even nightmare couldn't, and i've supported her likewise. sometimes her head is in the clouds, so i send her texts to remind her of things like homework and such. maybe she forgets lunch sometimes, so swap and i give her a share of ours. and when ink wants to talk about anything she's thinking of, whether it's a painter's use of color or the reason we exist, i'm always open to listening. she's an amazing person, really."

nightmare: "ink. ah, that girl is an enigma, truly. somedays she supports me on my path to world domination, and other days she just laughs at me and says as if it were a fact that i would never achieve it! ugh... but despite my slight grievances, she's dream's friend, and i've grown fond of her. quite often, without me even requesting, she gifts me paintings. now, they may seem normal at first, but recently i've discovered a pattern with them. as if ink had peered into the mind of god and depicted it visually, the paintings assist me in handling dream appropriately. i must say, she's skilled as well..."

killer: "see now ink? she's my type of gal. we get along pretty well, hehe! we're on the same wavelength or something, i dunno. not like she can predict what i do, but i wouldn't be surprised if she could, but ink and i just click. we talk about all sorts of silly stuff; similar sense of humor, after all. ink and i can yap about different shows and movies we've watched and stuff, she gives really good insight on the more technical stuff like color psychology and framing, and she once drew me art for one of my big follower milestones on twitter! she's suuuuper cool, haha!"

dust: "okay, just... keep this between me and you, but i think ink has some sort of secret sixth sense? i dunno. nothing against her, she's a fun person. just that, uh... sometimes she just comes up to me when i least expect it and starts asking me about my progress on my writing. which is... confusing. i've only ever told killer and horror about my writing, so i don't know how she knows...?"

horror: "y'know, dust and i have a bit of a bet going on. all jokes and all, but i've got a feeling ink's pulling some sort of elaborate spying prank with how much she knows about us... dust doesn't think so. but i'm betting 20 bucks she does. like, once i was at a vending machine and the stupid thing didn't give me my goddamn candy bar, ugh. i had to stay cool. but then ink just pops out of nowhere, says its okay for me to drop the act and get mad around her, and then does some sort of vending machine trick to get the candy?? yeah, she's definitely a wizard or something. in a nice way, i guess."

NOW SWWAAAAAAPPP she's silly. i included the bit of her getting into trouble because of her good will SOLELY because swap gets bullied a lot in other aus 💀 (askerror, something new, etc,,,,,,) i also read a canon underswap doc??? SWAP IS SO SILLY!!!!! i cant really explain her personality through text i'd need to draw comics for her which uhhhh,,,,, (looks away)

THOUGHTS ON SWAP????

dream: "ah, swap! she's one of my dearest friends, i truly care for her deeply. out of sheer coincidence it seems, that she, ink, and i were chosen to be the star students of the school, but surprisingly it works out well... swap's truly a delight. she's a great motivator, and she's saved me from a few situations that would've ended up terribly had she not been there, hehe."

nightmare: "sometimes the world hates me. ah- well, what i meant was, the path of fate has me set on a predetermined path of struggle! and yet, when even i, the queen of negativity, could not stop my kin from slipping on a ridiculously placed banana peel and almost breaking her neck, swap was her knight in shining armor and caught her. needless to say, just as fate despises my bloodline, fate also has angels sent down from heaven. i do suppose swap is one of those, bless her soul."

killer: "heh, swap?? that girl's a riot! couple years ago i tried convincing her to show me some of those sick moves she learned at kickboxing, or karate, taekwondo, whatever... she broke my wrist, haha! but then i pulled a knife on her and then we both got in trouble. hah, good times, good times. no, i didn't stab her?! in fact, she's very good friends with mr. mew and the grumpen, thank you very much! a friend of my kitties is a friend of mine!"

dust: "she's nice. her type of energy is something you only see is like... a sugar-rushed ink, and killer normally. but anyways, swap's a good help around the school. she's a bit ridiculous every now and then with all her "the magnificent swap" and how she's a bit of a showoff, but whatever. aren't we all? anyways, at least the scavenger hunts she makes during school dances are fun."

horror: "swap is uh... she's something. gotta admit, she's pretty normal compared to some of the people at this school. but man... enthusiasm, much? eh, whatever. i'm not the type to complain when her burritos are to die for. we're partners in cooking class... let's just say, she carries us hard."

anyways jk cross and epic soon. sooner than you think heheheh

[buskingalbatross]

AmazingPhil channel marathon musings

during a pre-show q&a back in november, in response to a question about what show someone should binge next, dan said they should watch all of the AmazingPhil channel from the start. I was not the person who asked this (nor was I at this show), but regardless I did decide I wanted to take dan’s suggestion seriously. just a few days ago, I finished watching all of AmazingPhil in chronological order. and now i really want to talk about what it was like and why I would recommend marathoning his channel to pretty much anyone—because it was a blast.

I watched all of the 369 currently public AmazingPhil videos over the course of 35 days, which is from my perspective a pretty casual marathon. 369/35 = roughly 11 videos a day, though due to algorithm and monetization policy stuff, phil’s videos became longer in duration around 2015-2016; for many years, most of his videos were around 4 minutes long or less, which for me meant that early on in this marathon I was watching more videos per day, and then later on my pace slowed. phil’s videos with dan are usually pretty long as well, so if I had something like a baking video or wdapteo up next to watch, I might have only watched one or two videos that day. 

unsurprisingly, watching all of phil’s videos in order in a relatively short span of time gave me a really cool perspective on how phil has grown as a person and as a YouTuber over the past eighteen years. surprising to me, though, was how I felt like watching his channel in such a linear way felt a bit like coming to know who phil is for the very first time, again. despite having watched his videos for over a decade, i feel like i understand his style and creativity and personality more fully, and in general better, than I did before. watching 2007 phil become 2009 phil become 2011 phil and so on in the span of a few days or a week meant seeing clearly how his sense of humor evolved, how his editing and creativity developed, how his perspectives on life and relationship with his audience shifted. much as when you binge an entire tv or book series and immediately afterwards feel like you’re brimming with information, and have all the context, that’s sort of how I felt. and it was new for me because I’d never done that with phil’s content before—I’d never followed the course of his life the way you might a fictional character’s. 

AmazingPhil is also an incredible capsule of 2000s, 2010s, and 2020s Western internet culture, obviously. it’s like an anthropologist from the future with a very hyperspecific thesis topic’s dream treasure horde. what a person can learn about one corner of the world, and one corner of society, from AmazingPhil’s videos is, well, a lot. I see so much cultural value in AmazingPhil, it’s insane. his videos are not sketches, essays, and commentaries on society and life like Dan’s, but I’d make the argument (as I’m sure most of you would) that they’re just as important and critical to helping people understand themselves and the world they live in. and the kind of people they want to be, too, perhaps.

there were also certain videos that stuck with me more than they had in the past. I discovered new favorite videos and videos that I considered more interesting than I previously had. (I tried just now to make a list of some of these but it rapidly got too long, so instead I’ll restrict myself to mentioning only one, a new favorite, from 2021: “I Got Catfished.” - which i think is a fantastic example of phil’s storytelling style). dnp have both said before that they view life as a performance – and phil is without a sliver of doubt a magical and incredible performer. he knows so well how to tell stories with words, pacing, structures, and effects that are hilarious and entertaining; he turns anecdotes from his life into these amazing whimsical pieces of art made in a way no other person has ever made things. YouTube has from the beginning presented him with the perfect way to be creative in a way that suits him. and more than that, i found that it was never even remotely unpleasant to watch his videos every day for over a month. there is simply not an AmazingPhil video that doesn’t bring me joy and make me sit there smiling like a fool. my cheek muscles are probably stronger than they were 35 days ago. 

so, to you I say, go: watch all of AmazingPhil, draw your own conclusions from his current oeuvre and deepen your parasocial relationship with Phil Lester in ways you cannot yet comprehend. I really recommend. 

(final notes: one side effect of watching all of phil’s videos was being unexpectedly yet thoroughly convinced he does indeed possess psychic talents. even though i don’t believe in magical anything, i do now believe phil lester inherited prescience from his grandmother.) 

(also dan is completely right that every time phil changes his hair, he regenerates into an entirely new man.)

(also also I made an AmazingPhil spotify playlist that is highly specific to my music tastes but that anyone is welcome to listen to all the same) ✨🐗💙🥱

[earlycuntsets]

"mikey way

"me and gerard, we're the best friends in the world"

Once again, we meet Mikey Way. But this time this guy talks soooooo much. Hi hi hi! Never thought Mikey could be this chatty!

Long coat and black jeans, that's the outfit worn by Mikey Way when he met W at the Malia Hotel, Thursday afternoon, January 31, 2008. Wow, he looked really neat. But when watching MCR's concert a few hours later, it turned out that Mikey was also wearing the same costume, he he he. It's very clear that his long coat and all-black jeans are not just a style but an important part of his identity.

Anyway… Mikey looked relaxed as he shook hands with W. As a small talk, W of course asked him what he thought about Jakarta. He answered honestly. "So far, great. But I haven't been here long. Only 12 hours, only half a day. So, you know." He said as he took a large white plastic cup of coffee from the table in front of him. His hands looked a little shaky.

Gosh, Mikey, the conversation has become so serious, huh, he he he. W reminds me that the name My Chemical Romance was taken from one of the books Mikey read when he was still working at Barnes & Noble bookstore, namely Ecstasy: Three Tales of Chemical Romance by Irvine Welsh. mentioned by Mikey, here. Wow, it seems so funny to imagine Mikey being a bookworm, huh? Apart from Gerard being the vocalist and frontman of My Chem, he is still Mikey's 'big brother'. So, let's just start asking about Gerard, shall we?

Mmm, maybe we can start with a question that's not too direct, huh…

What's the most annoying thing about Gerard?

"Him? There's nothing bad about him. Even if there's something annoying, it makes me love him even more. Ha ha. Even if there's something bad about him, it's endearing. Gera is a very talented and admirable individual."

What is the annoying side of you in Gerard's eyes?

"Me? Well, I don't know. Ha ha. Maybe you guys better ask Gerard directly, haha ​​ha."

Have you two ever fought?

"We have. It's natural. But not too often. In a few years maybe."

Can you tell us a little bit about how you and Gerard are actually brothers? what kind?

"We're the best friends in the world. We always hang out together. We always talk. Especially when we're on tour, we always share a room in a hotel. only once we fought, ha ha ha. We barely fight."

Do you still have time to read a book?

"Yes, I still am. Right now I'm reading Needful Things by Stephen King. This is actually my second time reading it, he he he."

Wow, you really like horror stories, huh?

"Ha ha ha, yes. I like horror novels and also horror movies. Stephen King is a great horror writer. Many of his books are horror themed. I really like Stephen King."

From early on, it seemed like Gerard did most of the talking.

"I only talk when necessary. Not only me, Frank, Bob and Ray have also. But more often than not we have to take care of our own musical instruments, so we leave that responsibility to Gerard, he he he."

Totally agree, Mikey Unfortunately, Gerard isn't there, hu hu hu!

On stage, Gerard is the same. Have you ever joined in the conversation with the audience?

"Well, yes sure. I have."

Anyway, really happy to chat with you. Lately, MCR has been using piano players a lot at concerts, huh?

"We do everything like other big bands do."

Are there plans to make James Dewees a permanent member of MCR?

Oh, James. He's already become My Chem family member since ama. Even though he is not a member of MCR, he is our friend. We have also known him for a long time. Besides, we like the sound of our concert piano. So, we keep using it.

Why, the hell, is the sound of the piano so important to MCR?

"Piano is the basis for all music. Since we know a cool piano player like James Dewees, we might as well include him in the line-up. Unfortunately, James is currently at sound check, so he can't be here."

My Chem, that's how Mikey shortens the name My Chemical Romance. Frankly, W also knows nothing, he he he. When asked when My Chem (yikes, I'm following Mikey) will release a new album, Mikey said it would be around early or mid 2009. Wow, that's still quite a long time away, huh. When W asked about My Chem's three previous albums, this guy remained enthusiastic, cas cis cus.(?)

Tell us about the metamorphosis from the first to the third album…

"Sure sure"

Album: Bullets

"We were still very young. We were in our early 20s and we had only been in the band for about 10 months. Every song that was created at that time was indeed in accordance with our condition at that time. If you listen to it, you will definitely feel the nuances of My Chem now. The songs on the first album are like 'the younger brother of The Black Parade,

Is the creative process different?

"Let's see… The first album, / was really green, he he he. Gerard was also very young. We felt more spontaneous. The second album, Three Cheers… was more mature, more aggressive. The longer it went on, the clearer it became in The Black Parade. The difference was probably with the presence of Bob on drums. He is one of the phenomenal drummers. Many people say so. Because of Bob, The Black Parade seemed touching on many musical genres."

What if someone says that The Black Parade sounds smoother than previous albums?

"Technically, yes. The first album was made in the basement. The sound was rough. But eventually we had a bigger studio and had more time to prepare the material."

adhika annisa, marti photo: yudha

08/2008 kawanku (indonesia) from mcrhollywood

english translation done by google translate

[zariahthechocolatecookie]

Alrighty, done with season 7! That was quite the season - so many things happened! And it was a pretty darn good season, too; for me, I'd say this was a solid 8/10 season. So many parts of it were phenomenal, but some parts, especially in the earlier episodes, just didn't do it for me. So, yeah, let's get into it! Beware, there are spoilers beyond this point, read at your own risk!

Alright, so, let's start with the awesome parts - because there were a lot! Claudia has always been one of my favorite characters, but this season moved her all the way up to #1 favorite. Her character arc in this season is absolutely phenomenal. The way she came to terms with her struggles and her grief and loss. How she was able to do what she felt was right, and trust in her own choices - even if us, the viewers, or other people don't agree with them.

I fully intend to make a longer post about Claudia later because I haven't seen NEARLY enough people talk about her story, but that's probably enough ranting for now.

Probably because of Claudia, all the characters that were part of her story (Soren, Terry, Aaravos) really shone this season. Terry's choice this season, as well as Soren's, were just spectacularly done. And, surprisingly, my opinion on Aaravos really changed. I came into this fully believing he was a manipulative, lying bastard - and he totally still is! But he has a heart now, and I felt oddly sad when he died.

Now, let's see here, other good things... Ezran's whole storyline was pretty good. I feel like it could have been made better in a few places, but it was enjoyable! The second half of Callum's arc - basically everything after Astrid showed up - was done wonderfully, we could really see his struggles. The last two episodes were amazing, I don't have any complaints. Oh, and Astrid was great - can't forget about her!

As for the not so great parts... I feel like my struggle is that the stakes didn't feel high enough, all of the time. This is supposed to be the "dark" season - yet Rayla and Callum spent half of it happily picnicking in the Silvergrove. The only people that died were the Archdragons, despite them baiting us with the deaths of Lujane and Callum. I might make a post about this later, it'll depend on how irritated it makes me. Also, the Nova Blade just... Came out of nowhere, and didn't really do anything. That part also felt kinda pointless.

But, despite my complaints, I really enjoyed this season!! It was absolutely wonderful, and I'm sincerely hoping they make an act 3.

[dream-thief-forever-amen]

I love that the “hero” is still the absolute worst in season 2.

Let us explore the evidence.

Spoilers below:

1. Does not get on the plane to be a father to his child… his supposed motivation to earn money in the first place. Even when he has billions. In fact he’s become even more distant and unreliable, not even communicating with her any longer.

2. Promises to care for that girl’s younger brother but dumps him off on an old woman without explanation and a bag of cash. Continues to watch this old woman raise this random kid while working her old bones off in an outdoor market. Just like he watched his own mother work herself to death to care for his fully grown butt.

3. Does not use his considerable fortune to get the kid’s mom out of North Korea - just does the bare minimum with one broker.

4. Hoards his wealth to pursue his private obsession. Spends two years wasting away in his private hobby hotel and still does not have a solid plan or even good ideas about how to handle the murder island - and has not attempted to outsource this large problem to others better equipped to solve it.

5. Still has not realized the old man’s gamble at the end of season one with the homeless man only required that HE go down and help the dude or go down and get someone else to work with him to help the dude instead of just watching and hoping something would happen (This is arguably the theme of the show).

6. Gets back into the game but does not tell a single soul it’s a murder machine until AFTER they have all signed up, been photographed, and marched onto the field to be slaughtered.

7. Did not check in on or help his friend from season one, even though they were still in the same city and his friend was struggling. Now that poor sod is also in the game.

8. Doesn’t make his impassioned speech to convince others not to continue the game after round one - nope, not until over half have already voted and his own side is losing.

9. When the majority votes to continue the game, he makes no attempt to try to reason with or plead with those who voted to stay, even though they only lost by a narrow margin. The entire group stays divided and refuses to work together. Ironically it is two characters from the other, majority side who make a point to reach out to him. One of them shares his personal story of why he voted the way he did - swaying hearts and minds - which is ironically what our “hero” should have done. Except he doesn’t have a sad story of circumstances - he is the sad story.

10. Later our male lead finally thinks it’s time to perhaps attempt to sway some hearts and minds and is instantly talked out of it cause it might stir up trouble… in the murder game… the irony…

11. The completely haphazard plan to take over the facility by disarming the uniformed guards. Even though he knew they were outnumbered, there is surveillance everywhere, and he had zero plan of what to do next. Leaving the majority of his “team” to fend for themselves (and be murdered) while he secured the strongest among them to hide in wait.

HE IS THE WORST.

Is it a case of being your own worst enemy, of mental illness, of selfishness, stupidity? Is it soupical tendencies born from disappointments? Is it just in our DNA?

I don’t know. But I do think this show has gone to great lengths to show us repeatedly that the male lead is someone who doesn’t know how to care for others.

His sweet daughter loves him dearly but you could already see she was old enough to be disappointed in him. There was pity there too.

Money can’t change your bad habits or your crap personality.

This man didn’t even invest his money so that at least the interest could fund a few orphanages or homeless shelters in perpetuity. Nope, he’s got it sitting around on a mattress.

I also find it interesting how many older women are still trying to raise fully grown men in this show. The male lead’s mom. The mother of his dead friend who our male lead tosses another son onto. The mom contestant in season 2. There’s too many for it not to be commentary.

I’m glad we have shows like this though. Cause there are no easy answers. This island is just a symptom of a larger problem, one that can’t be fought alone. It will take many heads coming together to even start to unravel the mess we are in.

Anyways… looking forward to the finale. I would not be surprised if our lead male becomes a new commander of the games at the end.

[just-a-little-silly]

New year, New Arundhati (??) [lmao not really but hey!! small redesign!!]

Taglist!!

@queengiuliettafirstlady @ike-garden2024 @sh0jun @welp-back-on-my-bs @colourless-hydrangeas @oda-princess @obeymetalesandikemen

Yippee!! And as always please let me know if you want to be added or removed from the list💛!!

More about Aru under the cut!!

To be entirely honest, there isn’t much I’m changing about her apart from her appearance (slightly). I also feel like I could have done a better job talking about things than I did in her previous bio but for the most part, things stay the same. I might just not be great at writing these lmao.

I want to emphasize that Aru is playful, warm, and at times, silly though she can be distant at first. Yes, the transition to the Sengoku Era was rough and Arundhati is fundamentally changed by it ( I believe anyone would be) but while she does become distant / detached at first, she manages to overcome that in time. Her “ruthlessness” and “tunnel vision” (as I put it in this post) all stem from the fact that she was thrown into a hostile world so unlike anything she’s ever known.

I think it’s also worth mentioning that she spent two years with her first mentor/guardian/teacher/boss Mochizuki Chiyome and even though she ended up being a mother-figure to Aru, was not particularly motherly. Chiyome’s training was harsh and it is somewhat of a miracle that Aru could pick up anything at all but it gave her the necessary skills to survive as a ninja in the Sengoku Era.

However, Aru at heart ( and to those who are close to her) is a compassionate person though she struggles to express it initially but give her time and she will find a way to show you she cares by taking the time to learn what it is you like. She’s observant, awkward and if she’s just met you but stick around long enough and you’ll see that she’s actually pretty silly, playful and genuine too.

Now for some Arundhati trivia because it’s important to me:

• She LOVES thrifting

• She has insanely sharp hearing.

• Very fast, agile. Not as strong. She can use a sword pretty well but she really does prefer her poisons.

• Has horrid handwriting. Even Yoshimoto, a man who manages to find beauty in almost everything, is taken aback.

• Her handwriting is so bad that Shingen came close to hiring a member of the Mitsumono specifically to decipher Aru’s reports because they were starting to drive him up a wall.

• The part of her backstory where she’s engaged to a man named Gaël remains the same (you can read more about it here though its not very much as I haven’t written all of it out)

Its worth mentioning that it was an extremely toxic relationship (I simply don’t go in depth in the previous writing of it) that had been falling apart for a long, long time.

• She’s strategic but sometimes said strategy will go out the door if she’s hit with an intense emotion. It’s rare but it happens and when it does, she has to rely solely on whatever skills she has at her disposal to get out of the mess she threw herself into.

(Im bolding the next one bc its so so important (= funny) to me)

• She can keep up with Sasuke’s STEM jokes. Has used physics related pick up lines on him before.

ie. “Sasuke, are you a quasar? …because you’re the hottest thing in the known universe.”

And that’s when he knew she was the one.

They really match each other’s freak in every sense.

Though there are moments where he’ll fluster her and she’ll shut down + vice versa.

• She has tattoos!!

—> A sun design on her left shoulder. Her name written in Tamil in her grandmother’s handwriting on the back of her hand. An intricate flower and another sun pattern on the right side of her hip going down her thigh (a pretty large tattoo at that.)

• She’s allergic to peaches. (but she has eaten some to prove a point to Kenshin. she regretted it afterwards).

[I’ll add more later!!]

[denizenhardwick]

trk ch 11 is such a brilliant chapter on so many levels. here is an in-depth analysis.

tw rape

the chapter starts with kevin buying neil a heavy racquet. we learn that heavies are popular with defense, that riko uses one, and that goalie racquets are even heavier. this is setup for both later in the chapter and the end of the third book.

neil and andrew's conversation in the store is absolutely loaded. it also has neil seriously questioning the narrative about andrew that we have been uncritically fed by literally everyone for two books at this point, that he's violent and dangerous to others. he has noticed the way no one really treats andrew like a full person, how they're always more concerned by protecting other people from him than any danger he might be in, and he's frustrated by it.

this is massively, MASSIVELY important. neil came into the story with the same view of andrew that everyone else has and therefore that view has been largely treated as fact by the narrative; neil has realized it might not be true at this point, enough for the readers to know, but he hasn't fully let go of the notion of andrew as the aggressor. keep that in mind.

there's also this bit. which they decide could mean nothing but is important to their whole Thing.

when they get to nicky's parents' house, neil tries to leave the racquet in the car, but andrew grabs it, saying he's going to vandalize luther's car with it. he lets nicky take it, nicky hands to back to neil, and neil brings it into the house.

at this point, the tension is palpable. andrew and aaron are standing side-by-side for the first time. neil, kevin, and the audience are all outsiders, and there's a lot of weight to this dinner. we have nicky's story, that's our main context, and he's talked about aaron as well, but andrew is still a complete enigma. we largely know about him from what other people have said, his behavior seems nonsensical and erratic, and he's made no attempt to share his side of the story, presumably because he doesn't care enough.

that's the perception of andrew that's been built over the past book and a half. andrew is the aggressor. he is violent, dangerous to others, and completely apathetic to pretty much everything. he doesn't care.

the interactions with nicky's parents are uncomfortable on every front, but there's also another level of strangeness that neil picks up on but can't understand because of lack of context:

luther is not interested in reconciling with nicky. he's more interested in andrew.

and then they sit down for dinner. the hemmicks each take one end, and there are three chairs on each side: nicky takes the middle on one side, with aaron sitting next to him as a buffer between him and his mom, and neil and kevin take the other side with andrew between them. neil comments in the narration that they do this to keep an eye on andrew. what is a defensive, protected position for nicky is used to keep andrew constrained.

andrew is the threat here. he's the aggressor.

they talk, the conversation goes sideways, aaron steps up to ask neutral questions until nicky calms down, and then andrew leaves the table.

neil values nicky's conversion with his mom, thinks it's important but doesn't personally care about it so we the audience don't get to read it. which is absolutely baffling the first time you read this, because this chapter is supposed to be about nicky. it's about his attempt to reconcile with his mom! right? right???

it's not. and the chapter is starting to show its hand and cue you into that. because neil is thinking about andrew. he accepts but doesn't care about nicky's reconciliation; he is deeply invested in whatever andrew is talking about with luther and is already thinking about how he can get andrew to tell him later since the eavesdropping isn't working. but also, look at how neil is thinking about andrew here.

"if luther screamed in pain they'd hear it no matter how loud nicky and maria were."

he is still thinking of andrew as the threat! he is worried that andrew might hurt luther! this is such aggressive framing with a book and a half to back it up and only a couple passages of doubt. andrew is the aggressor.

after a while, neil gets concerned that andrew is making good on his threat earlier to destroy luther's car, but his racquet hasn't been moved and andrew is nowhere to be found. maria says that he's speaking to drake, and luther reveals that this whole dinner was set up by drake.

neil puts the pieces together immediately and launches into action with an almost mindless efficiency. and then the narrative shifts, just a bit.

"either drake was dead or andrew was in serious trouble."

he grabs aaron (literally grabs him, and picks aaron solely because he was closer to neil than kevin was), grabs his racquet, and books it up the stairs. he doesn't tell us what he's thinking, he doesn't have time. his singular mission right now is to make sure andrew is okay, because while it does occur to him that drake might be dead he sure as hell isn't planning on using the racquet against andrew.

i love this section a lot. this is neil in his element, completely focused and streamlined. he identifies what kind of wood the door is made of on sight and doesn't elaborate; presumably, because this is something he's done many, many times in his life. he also instinctively calls what he sees a "fight" before he actually processes what he's seeing, because that's what he was expecting, that's what he has experience with.

he was expecting mafia. we were all expecting mafia. the book is about to talk about sexual abuse in the foster system.

it's shocking. there's no way you could have seen this coming and, as is the style of these books, it just throws you in the deep end and keeps going.

this scene is extremely hard to read, because of the content and because of the way the prose changes because of it. neil has a very unique narrative voice. he's very to-the-point, he doesn't use figurative language very often, he hones in on what he finds important to the exclusion of everything else.

this is remarkably vivid sensory detail for neil. the image is burned into his head, everything slows down, he's possibly going into shock. he describes what he's seeing. he notes every little noise and speculates on what it is. and the words he uses are visceral and uncomfortable.

the heavy length of his body. ear-deep in a blood-splattered pillow. ghostly white and bloodless. a wet crunch. blood sloshed against the wall. a meaty thud.

neil does not describe anything in this much detail. that juxtaposition makes what is already a very graphic and disturbing scene even more jarring and impactful for the audience.

he also describes what he is hearing as "[his] world crashing down around him" or saying it "had the entire world tilting underneath his feet."

we hear kevin's reaction, neil walks through the whole thing without even turning to look because he is intently focused on pulling the sheet up to cover andrew because it's important to him to give andrew as much privacy as he can, even if it isn't much.

with that, i have reached my image limit, so stay tuned for part 2.

[brittle-doughie]

Part three HERE WE GO-

TW: love

As the weeks pasted by the trust between Black Pearl and Y/N’s crew strengthened. Tho not by much. Despite that, most of the crew started to notice something about Black Pearl. If she was talking with one of the doctors or cooks off duty, they’d sometimes talk about Whitebeard Y/N even if they aren’t related to the topic. This led to the doctors taking notes of her with or without Y/N around. What they found was odd to say the least.

Black Pearl acted strangely towards Y/N. Always talking with them, laughing at their jokes, sometimes she’d just listen to Whitebeard Y/N talk. But that’s what most of the crew saw. The doctors found notable changes in behavior… ones that concerned them a little.

Her tail would move side to side a little in their conversation, they’d look out for anything valuable in the lake or sea to give to Y/N. And most of all, her pupil would dilate if she was near Y/N. Even Whitebeard Y/N would note that sometime her voice sounded more gentle sometimes and their colors were more pinkish at times. The doctors tried to hide this information. 

One day, Whitebeard Y/N had finished came back to the lake where Black Pearl stayed at. Talking about how a fleet from the House Oyster tried to take control of the Duskgloom sea and lost. Black Pearl just listened to Y/N talk while making a few comments. But it soon came to an abrupt end when that feeling came back, feeling it her heart expanded ten fold while trying to burst out of her chest. This caused a great physical but mostly mental pain inside Black Pearl, who escaped to the deepest part of the lake. 

Y/N didn’t know what was happening at first, they tried to first jump into the lake to see what was happening before their crew stopped them. Y/N theorized that maybe their trust was broken somehow. Which only made things worse(for Y/N). Hours later the medical team takes to Y/N about the things they noted. Theorizing that maybe Black Pearl had fallen in love with Y/N. Possibly because they are the closest with Black Pearl… or because of his heritage.

Days pass and Black Pearl continues to hide within the lake. Y/N falling into a shallow depression, feeling slight guilt consume him over their trust believing to be broken. They didn’t know what has happened to Black Pearl. But they’ll wait by the lake to hopefully get another chance to talk to her. One last time…

In the deepest part of the lake, the gem mermaid slowly changed. endless hatred and boundless kindness reaching a perfect equilibrium. A perfect balance. And in that eclipse of the two forces, came a nihilistic love. The rebirth of old and new.

On one night, one where a new moon was present. Whitebread Y/N laid on the grass as they looked at the starry sky. Ignoring the fact that something big was moving in the water until it emerged from the water. A darken shadow towered over Y/N. Who felt a great sense of fear yet relief as the looked at the figure. In a twist of fate, their plea for one last talk was answered. But not who they’d thought it would be. As in the darkness of night, a grey pearl shined as bright as a full moon. As Grey Pearl Cookie stood there. Eyes of both Kindness and Hatred stared down at the person who had reignited her old love.

Authors noted and extra info:

AAAAAAAAAAAHHHHHHHHHHHHHHHHH-

I spent a long time figuring out what Grey Pearl would look like. I eventually went for an old 1800s royalty dress like outfit. And also a few things taken from other cookies and costumes as references.

I kinda wanted to expand on the fact Black Pearl eventually found a lover again. I tried my best. To be honest I think I overcooked this and some arts don’t match what I wanted to convey. Either way I’m at least happy it went out fine.

Also, about the name “Grey Pearl.” Yeah I got kinda lazy and just decided to just make a persona that combines both Black and White Pearl. I might continue this? But perhaps to expand on the concept of Grey Pearl.

Perhaps Black Pearl could learn to love again, hopefully with no pearls switching hands this time.

[morningsharksworld]

Oh my goodness I can't believe I didn't say this before but I just saw your piercings headcannon for Haz and oh man 😮‍💨 just THINKING of his dick piercings I'm weak. I'm imagining he's like "ye wanna see what else I got?" *wink wink nudge nudge* when talking about his piercings with him

Pin Cushion PT.1

Hazard x Reader [NSFW WARNING]

A/N: The amount of piercings that I put on this guy is insane he probably looks like a pin cushion, SHIT his pp also might look like a pin cushion. BUT AM I COMPLAINING???? No, not at all :], part 2 may be my first AO3 post.

Summary: you got curious about Hazards piercings…a little too curious…

“You’ve been starin' at me all night” he teased, one brow quirkin’. “Somethin' ye wanna get off yer chest?”

You hesitated, fiddlin’ with the hem of your shirt before blurting, “How many piercings do you even have?”

Hazard’s grin widened. “Aye, so that’s what ye’ve been wonderin' about, eh? Buckle up, Love. Ye’re aboot to get the full tour.”

He reached up to tap his ears first. “Let’s start simple. Got the lobes done when I was a wee bairn—thought it made me look tough.” He laughed, shakin’ his head. “Turns out I was just a wee punk wi’ bad decision-makin’ skills.”

Then, without hesitation, he added, “Oh, and I’ve got these too.” He pointed to his lower lip, where two piercings rested—snake bites. “These were more for fun than anything else. Bit o' a rebellious streak, y’know?” He grinned, the piercings catching the light.

You didn’t even get a chance to respond before he lifted his hand to the bridge of his nose. “And this one” he said, tapping the thin bar of metal across the bridge of his nose. “Thought it added a bit o' character. Not exactly comfortable, but it suits the vibe, right?”

Hazard let the information hang in the air for a moment before he tugged at the hem of his tank top, pullin’ it up just enough to expose his toned chest—and the metal glintin’ from his nipples. Your eyes widened, and he chuckled at yer reaction.

“These?” He grinned as he let the tank top fall back into place. “Bet gone wrong” He chuckled. “The piercin' part sucked, but they’re surprisingly fun. Just don’t yank on ‘em, or we’ll both be in trouble.”

Ye were still recoverin' from that reveal when he pulled down the waistband of his pants just a little, showin' off the piercings on either side of his hips. “Lost another bet for these” he admitted with a shrug. “Apparently, I’m really shite at poker. But hey, they add to my charm.”

Before ye could respond, he leaned closer, stickin' out his tongue. That’s when ye noticed it—split right doon the middle. He flicked one side, then the other, the movement so precise it left ye momentarily speechless. Then, ye caught sight of the piercin' glintin’ on one side of the split.

“This one?” He clicked the piercin' against his teeth, smirkin’ as yer jaw dropped. “Got the tongue split just for the hell of it. The piercin’? That’s just the cherry on top. People never expect both, but that’s kinda the point.”

Ye stared, yer words stuck in yer throat as he flicked his tongue again, the piercin' catchin’ the light.

“Oh, and ye missed these.” Hazard grinned, running his hand over his collarbone, and sure enough, there were two surface bars on either side, the metal gleaming under the light. “Got these a while back. Had a bit o' fun with the placement. Kinda a pain to heal, but totally worth it.”

Then, his eyes twinkled as he gave a mischievous smile. “Oh, and there’s one more thing I’ve never told ye about.” He leaned in closer, his voice low and teasing. “A Prince Albert. Ever heard o' it?”

You blinked, confused. “A… what?” You stammered, trying to make sense of what he had just said.

Hazard chuckled, clearly enjoying the confusion on your face. “A Prince Albert, mate. It’s… well, a bit much to explain here. But hey, if yer curious, I wouldn’t mind showin' it to ye later.” He winked, a playful smirk dancing on his lips.

Your face flushed as you quickly tried to move past it. “Uh… yeah, maybe later” you muttered, not quite sure how to respond.

=====

after lying awake thinking about what he’d said, you finally decided you couldn’t let it go. You knocked softly on Hazard’s bedroom door, your heart pounding with a mix of curiosity and nervousness.

“Who’s knockin’ at this hour?” Hazard called from inside, his voice muffled.

You swallowed hard. “It’s me” you replied, trying to sound casual. “Can I talk to you for a second?”

The door creaked open, and Hazard stood there with a raised eyebrow. “What’re ye doin' up this late, mate? Somethin' on yer mind?”

You took a deep breath, trying to calm your nerves. “I was thinkin' about what you said earlier” you started. “About the… Prince Albert thing.”

Hazard’s smirk returned immediately, and he leaned against the doorframe. “Oh? Ye finally curious, eh?”

Your face burned, but you pushed through, trying not to let the awkwardness get the best of you. “Yeah… uh, I was wondering… if ye wouldn’t mind showing it to me, like you said.”

Hazard’s grin widened, clearly amused. “Oh, ye want the full tour, huh?” He stepped back, gesturing for you to come in. “Alright, mate. If ye’re up for it, come on in.”

You stepped into Hazard’s room, feeling the weight of the moment settle in. The door clicked shut behind you, leaving the two of you alone in the dimly lit space. Hazard was still leaning against the doorframe, eyes sparkling with amusement as he watched you closely.

“So, ye really want to see it, then?” he teased, a mischievous glint in his eyes.

You nodded, still unsure if you were entirely ready for this, but something about the casual way he was handling it made you feel a bit more at ease. "Yeah, you mentioned it earlier, and now I'm curious” you said, trying to sound more confident than you felt.

Hazard chuckled softly, the sound low and smooth. “Alright, love Just don’t blame me if it leaves ye a bit flustered, yeah?” He grinned, clearly enjoying the situation.

He walked over to the side of the room, pulling off his shirt and revealing the tattoos that lined his torso. With a quick, almost theatrical movement, he unbuttoned his pants just enough to reveal the piercing. You could see the faint outline of a small metal ring through the waistband of his boxers, but it was clear he was waiting for you to take the initiative.

“Go on then” he said with a wink, “Take a closer look.”

[starscream-is-my-wife]

Sometimes a day makes you want a Starscream to bite and squeeze

[aaasdgnklm]

tw for *described* blood and gore, stabbing, drowning (mentioned)

spoiler alert for epic : the musical the vengence sags

———————————————————————

OH MY GOD

THE VENGENCE SAGA

holy SHIT guys its WILD

ok ok so not sorry for loving you was oretty much what I was expecting calypos va is amazing and the song is so pretty and I almost feel bad enough for her to like her

dangerous was a BANGER I didnt know about the more calm bits at the beginning and end and the pause when the crew usually replied in the 600 lives bit fucking HURT but then hermes shows up and its like WOOOOO PARTYY FUCKIINGGG TIMMEEE AM I DIONYSUS OR WHAT CAUSE WE ARE HAVING A RIDEEEEEE!! the anamatic with ody fighting all these monsters and hermes busting it down was HILARIOUS I love him SO MUCH troy eats every time and its amazing

charybdis was EVEN BETTER THAN I EXPECTED tbh ik a lot of people were really excited for get in the water and dont get me wrong I was too! but I was REALLY excited for charybis and it met my expectations perfectly the vocals and how just fucking DONE ody sounds is PERFECT I love it

get in the water. holy SHIT get into the water. it was what we knew was coming UNTIL IT WASNT AND THEN IT HURT THE BIT WITH HIS DEAD CREW/FRIENDS/MOM WAS OUCH and a fucking jetpack I CANNOT take that seriously bcuz omg thats so funny that he used a JETPACK to fight posideon AND IT WORKED

six hundred strike ima be honest didnt love the 3d render thing it wasnt for me but the water physics were sick but the MUSIC IS AWSOME I HAVE SO MUCH TO SAY EEEEEE

first off the crews voices coming back to accompany odysseus as he avenges each of them is GREAT but then

then

the end

HOLY SHIT THE END I

I dont even KNOW what to say because OH MY GOD

posideon basically saying yeah whatever you win but ur fucked you dumbass and ody replying with youre calling that storm off. and posideon going or what bitch

and then the danger motif starts

AND THEN ODYS FUCKING RAMPAGE

STABBING HIM OVER AND OVER AGAIN WITH HIS OWN TRIDENT

THE PRONGS TEARING THROUGH HIS LUNGS FILLING THEM WITH BLOOD INSTEAD OF WATER HOOKING BEHIND HIS RIBS AS HIS OWN TRIDENT SINKS INTO HIS IMMORTA BODY OVER AND OVER HURTING MORE THAN ANY MORTAL WEAPON COULD

and the things odysseus is saying? holy fuck theyre almost more painful then the trident because DAMN

you can hear all the rage, the misery, the grief, every single goddamn thing odysseus has been through every person hes lost every person hes fail every. single. emotion. odysseus has felt is so raw and painful and THERE and its awful and amazing and its perfect for that moment

and th animation for that portion is amazing too. the glowing stripes on posideons sides and the flashes of lightning and the blood on the trident and the way posideons body lurches as odysseus stabs him AH and ofc that final line. THAT LINE HOLY SHIT

“with everything youve done… how will you sleep at night?”

“next to my wife.”

so good. im in love.

[the-acid-pear]

Y'know this little throwaway gag is so bizarre to me and I know this game is a bit very different to 2 and 3 but look at Matt's reaction when Jack raids the place in 3:

You'd argue he's simply stopping Jack bc he hates this guy and he also hates this job which Could Be True but i highly doubt bc overall despite his virginity and overall cursed vibe, Matt seems to be a good employee, by all means (I mean, Peter literally gave him a vacation instead of firing him in 2, so that says a lot).

Plus, Dave hates this guy as much as he hates him! He literally always calls him creepy and, AND!

This is the only footage you get of the prize corner in 2. Which is also the first game to show Matt and Dave's disdain for one another, Dave being likely more scared of Matt than Matt will ever be of him.

Which is all very curious. 2 does set a drastic change for Matt too with him going from being just strange to outright creepy, so was the old pizza place closing something that actually affected him or was he consistently that creepy all along? And if the later, did he just start hating Dave after that or did they always have beef and they simply had some sort of arrangement (or even higher word from Steven who tended to let Dave do whatever he wanted in general) that let him do so?

[enbysiriusblack]

lego batman is SO remus lupin.