#also me the one who allowed this to happen: WHO ALLOWED THIS TO HAPPEN????

[ladyofthecreeddraws]

They're doing mirror shit.

[certaimromance]

𝜗𝜚 The Three-Month Rule.

Spencer Reid x BAU!reader

Summary: The first time you decide to skip the celebration and go to bed early, and the first time Spencer decides to drink and open his heart to you after knowing you're leaving for three months.

Words: 5,5k (very long).

TW: fem!reader. spencer from the first seasons with glasses meow (my fav)+also he is a little drunk and lovesick puppy. english isn't my first language (sorry for my mistakes, be kind please).

Note: These two are probably one of my favorites, this felt so warm to write and before you ask, yep, I've been thinking about a part two (maybe even more, who knows).

♡ Enjoy! ♡

I. Moonlight ⏾

The night after closing a case with a positive outcome often involved celebratory drinks and lengthy discussions about everyday topics. For you and your colleagues, it was a rare opportunity for relaxation. It was a way to temporarily distance yourselves from the challenging situations you had encountered. A great way to relieve stress.

Typically, you would choose to remain in the chair situated in the center of the bar and sip your drink at a leisurely pace, allowing it to last all night as you chatted and shared lighthearted banter about various topics, though you would never discuss work. You were always smiling, as if nothing unfortunate had ever happened. And you always looked beautiful, so distant and impossible to catch.

Spencer always looked at you, biting his tongue to keep from sputtering out all the words that struggled to come out every time his eyes fell on yours. He didn't even take a sip of the drinks that were offered to him. As a rule, he didn't drink alcohol at all, and he liked it even less when he knew it could affect how he saw you. So clearly. So real. As if you were the most amazing work of art he'd ever seen, even if he wasn't very familiar with art.

Tonight, sadly, everything was different.

He had not been able to indulge in that particular pleasure of admiring you because you had chosen to return to your room rather than stay with the rest of the team at the hotel bar. It was a lie to say that it had not caught his attention. You had always stayed, even for a glass of water. But now you were...away from everyone. And then he was too.

The time passed rather quickly after he had a couple of sips of different fruity cocktails, which he didn't think would have any effect. Spencer was very mistaken. He found himself walking to the elevator before he had a chance to think things through. It didn't take him long to reach your hotel room. His footsteps were soft but urgent enough to go to the outside of the door. He just wanted to see you, needed to see you, and was already anxious about the reason why he wasn't allowed to do it now.

His knuckles knocked softly on your door with a certain caution, as quietly as possible, but just loud enough for you to hear, as he did his best to keep everyone else from hearing it as well. His hair was slightly disheveled, his glasses were out of place, and the top buttons of his shirt were unbuttoned, revealing a glimpse of his collarbones underneath.

“It's me. Reid.” He spoke just loud enough to be heard through the door, his voice slightly raspy but still as soft as ever. “Can I talk to you?”

The sound of his call echoed too loudly inside the empty hotel room. Everything in the place was silent, still, with no lights or air conditioning. The room was almost dark, except for the streaks of city lights filtering through the curtains that ran over the large windows. You had been lying quietly and staring at the ceiling for no more than a minute and thirty seconds, your eyes blank and fixed on the ceiling after waking up so suddenly.

You gradually rose to a seated position and proceeded to the door. Without hesitation, you opened it to find his eyes filled with concern.

“Is everything okay? Are you okay?” Your voice was a little hoarse, and your eyes were still adjusting to the bright light in the hallway.

“I'm fine,” he replied, barely looking at your appearance. Your hair was a mess, and you looked sleepy. He hadn't realized how late it was. “Oh, sorry, did I wake you?”

Yes, of course. It was two o'clock in the morning.

You couldn’t hide the frown of confusion. It was late—far too late for a casual check-in—and yet here he was, standing before you with an air of unease that was so unlike him. “Don’t worry. What’s up?” You asked, leaning against the doorframe, trying to mask your concern.

Thousands of ideas crossed your mind at that moment. Maybe there was a new case, some new clue that would have reopened the four-day investigation that had just ended a few hours ago, or who knows what. The job was as unpredictable as your coworkers.

“I…” Reid’s words faltered before he even began, as if his thoughts were racing far ahead of him. His eyes flitted between you and the hallway, but he couldn’t seem to find the courage to make sense of his feelings, let alone speak them aloud. The alcohol was doing little to help his clarity of thought. It had been a few small sips; he had convinced himself, but now it was doing its work on his resolve. He was here. And he couldn’t walk away. “I was just…that.”

That's when you noticed something: he seemed a little off-balance, with a subtle flush on his cheeks and a lingering smell of alcohol. “Are you under the influence of alcohol, Dr. Reid?”

Oh. Oh. Oh.

If he was surprised to see you so sleepy, he got even more surprised by that question and by how close you've gotten to him. His eyes slightly widened at the close proximity between you both, his mouth slightly agape, and his brain almost completely frozen for a moment, before he shook his head quickly as an attempt to pull himself together. He cleared his throat before speaking, his words stumbling and incoherent.

“What? No, no, I’m not drunk.” He stammered, shaking his head as though trying to convince himself. “I just took a sip.”

Just a sip, two or three, after mentally rereading that ridiculous article about love he had read in one of the magazines in the lobby. The one that made him think about you and how you made him feel, the same one that revolutionized his emotions and his rational part to the point that he drank out of the wrong glass all night long.

“I see.”

Your gaze seemed to linger on his disheveled hair, unbuttoned shirt, mismatched glasses, and the subtle hint of color in his cheeks. You arched an eyebrow in response and took a small step forward to examine his face more closely. This was a version of him you were not entirely familiar with because Spencer Reid wasn’t a drinker.

“You seem a little nervous and flushed. Are you sure you're not drunk?” You asked with concern, noticing his demeanor.

Reid had to suppress a shiver when you moved even closer, nearly reducing his entire nervous system to a puddle of goo. He was incredibly aware of your proximity, like his brain had suddenly become hyperfocused on your existence and every move you made.

“Ah…y-yes, I'm s-sure I’m not-” He stuttered the words, feeling like a complete mess of nerves.

Something feels wrong…different.

You stepped forward, your eyes narrowing in on him, still uncertain but unwilling to leave him in such an odd state. “You’re sweating,” you observed quietly. “Come in. Sit on the bed. I have water.”

Without giving him the chance to refuse, you turned and walked into the room, leaving the door open for him to follow. He didn't even have a chance to react before he found himself inside your room, feeling like he was in a whole different world. Even though he was familiar with the space, as his room was exactly the same, somehow yours felt more comfortable and cozy.

Spencer followed you to the bedside table, still feeling a bit shaky. The scent of your perfume and the quiet of the room made him a bit nervous, but before he could say anything, you offered him a glass.

“Thanks.” He said, taking the water and sitting on the edge of the bed.

As he sat down, the bed sagged slightly under his weight, and he felt a surge of nervousness. Being alone with you in your hotel room suddenly felt incredibly intimate, and he found himself taking small sips of water to keep himself grounded. The drink was refreshing, but it didn't do much to calm the pounding of his heart in his chest. He avoided looking at your figure standing in front of him, focusing instead on the glass in his hands, fidgeting and nervously bouncing his leg.

“Okay, I have to ask now. You showed up at my door out of nowhere, looking like you'd just run a marathon, flushed like a tomato, and reeking of alcohol to boot.” You said, sitting down on the bed next to him. “So what brings you exactly here?” Your voice seemed to ring in his ears.

You. Only you. Forever you.

“I, uh, I came here to...I came here to...talk. I wanted to talk.” He managed to stammer, his eyes fixed on the glass of water.

“To...talk?” You repeated, your voice bringing back his attention. He suddenly felt tongue-tied, like he forgot everything he wanted to say right then and there. “About what?”

You, again.

Reid fiddled nervously, bouncing his leg up and down, and he suddenly felt the urge to pull at his shirt, feeling his skin too warm and overheating under his clothes. Why did it suddenly feel so hot in there, in your hotel room? He found himself unable to maintain eye contact again, but this time he found bravery in the depths of his mind and he managed to speak.

“I, uh…” He paused for a moment, his words becoming shaky. “I just...I just wanted to talk about you.”

Your eyes widened slightly, not expecting that answer. But before you could say anything, Spencer spoke again as his thoughts burst out unfiltered.

“You’ve been quiet. I mean, since the case, and you left the bar early. You’ve been...different, sort of...I mean, not different-” His stammering was cut off by a frustrated sigh as he ran a hand through his hair. He was rambling, and he knew it; he could feel how warm he was under the heat of your gaze, but he couldn’t stop his words from coming out. “I heard about the job offer in New York that you've accepted.”

In that moment, you frowned, confused by the drama that perhaps the influence of alcohol in his system was bringing. The job offer was more of an internship than anything else, something temporary, just for three months, not a permanent change of scenery. But for some reason, hearing his words made your heart sink.

You hadn't really expected anyone on the team to be so affected by your leaving for a while; everyone seemed too wrapped up in their own business to wish you anything more than a good trip. After all, the world didn't stop spinning, and serial killers didn't stop killing because you weren't around. You didn't consider yourself that indispensable.

“I just, I don't know...” He mumbled, rubbing his face again, tired of his own thoughts. “I just...I feel like...I might miss you a lot.”

His eyes closed for a split second in fear, but then he looked at you and saw that you were smiling.

“You really drank quite a lot today.” Your tone was gentle as you carefully adjusted his glasses and took the empty glass from his hands. He hadn't even noticed that he had already finished all the water.

The feeling of your fingers on his glasses made his brain buzz for a moment, and he found himself wishing it would last for just a few seconds more. But then the glass was gone, and he was left there fidgeting with his hands.

“I know.” He muttered weakly, feeling the heat and alcohol taking a toll on him. His mind felt foggy, his thoughts swirling around and getting more tangled by the second. “But that’s besides the point.”

“Spencer, you’re being impulsive and emotional.” You said it bluntly, leaning forward slightly. “You were drinking earlier; you're all sweaty, and you're rambling. That's what alcohol does to you…you get overly reactive.”

His gaze shifted to the floor, his fingers gripping the edge of the bed as he let out a shaky breath. “Maybe you’re right,” he admitted quietly, his voice barely above a whisper. “Maybe I am being impulsive and stupid, but…it doesn’t make it any less true.”

The weight of his words hung in the air between you. There was a vulnerability in his tone that caught you off guard, like he was peeling back layers you hadn’t seen before. You studied him for a moment—the disheveled hair, the flushed cheeks, the way his shoulders slumped slightly under some invisible weight. This wasn’t the person you were used to—the analytical, composed genius who always seemed to have an answer for everything. This was someone raw, someone caught between logic and emotion, struggling to make sense of it all.

“I’m sure you’re incapable of being stupid,” you offered lightly, your tone tinged with a gentle tease, hoping to pull him back from the edge of his spiraling thoughts.

His head lifted, and his eyes locked onto yours with an intensity that took your breath away. “I think I love you,” he said, the words tumbling out in a single breath, unpolished but heavy with sincerity.

Your heart stopped for a beat, your breath catching in your throat. “Oh.”

His confession hung in the air, electrifying the space between you. For a moment, neither of you moved, the words settling like a weight in the room. Spencer’s eyes widened slightly, as if realizing the enormity of what he’d just said, but there was no taking it back now. He swallowed hard, his Adam’s apple bobbing as he awaited your response, his vulnerability laid bare.

“You can be stupid, then.” You say it in a kind of joking tone, trying to process.

Does he love you? The same person you were afraid to touch so much for fear of making him uncomfortable. The same one who looked at you funny when you tried to fall asleep on the jet after drinking too much tea and said incoherent things. The one who always questioned your words with his statistics and exact data. Does he really love you? Can he do it?

It was impossible. Completely impossible.

“You’re a little too drunk to be saying things like that now,” you added gently, a note of concern creeping into your voice.

Carefully, you stood up, moving closer to him, your heart softening as you saw the way his fingers gripped the bed. He looked like he was already treading on the edge of something, but you weren’t sure he was in the right state to navigate it.

His brows furrowed slightly, a conflicted look crossing his face. “I’m fine,” he mumbled, though his words slurred slightly, and his eyes seemed unfocused. He shifted slightly but his balance was off, and his hand wavered as he reached for the glass that had once held water, only to stop and let it fall back onto the bedside table.

“No, you’re not,” you said softly, taking a step closer and placing a gentle hand on his shoulder. His warmth was comforting, but it only made you more aware of how fragile he seemed at that moment. “You’re exhausted, and you’ve had too much to drink. You need rest.”

He tried to look at you, his gaze unfocused and blurry. “I don’t want to sleep…not yet. I want to…I want to stay awake with you.” His voice faltered, as if the words were fighting to stay coherent. “Forever with you.”

Did you hear that right? He said…? Really?

“You’re not going to stay awake all night,” you say, talking firmly but kindly. You could see the drunkenness in his eyes, and you knew he needed more than just a glass of water or a few minutes to collect his thoughts. “And you’re staying here for sleep.”

His lips parted in confusion, but you didn't give him a chance to argue. You led him to the bed, supporting him as he swayed slightly. He was too drunk to protest in that moment. Then, you helped him lie down, adjusting the pillows behind him so that he was comfortable. And you also took the time to remove his glasses and shoes, placing them on the bedside table and the floor.

“I’m fine,” he murmured again, but this time it was barely audible, and his eyes were fluttering closed as he relaxed into the bed, his breath evening out. He was fighting sleep, but the weight of his exhaustion was too much for him to push back any longer.

After a brief period of reflection, you sit on the edge of the bed and observe him as he moves slightly. His face appears relaxed, and the tension from before seems to have dissipated. However, there is still a subtle vulnerability in his demeanor: open, unprotected, and exposed in a way you had never seen him before. This only serves to deepen your desire to care for him.

You gently reached over, tucking the covers around him and brushing a lock of hair away from his forehead. “You’re too drunk to be making big decisions tonight, genius,” you whispered softly.

His eyelids fluttered open for a moment, his bleary eyes locking onto yours with a faint sense of clarity. “I didn’t…mean to make you uncomfortable,” he mumbled, his voice thick with sleep. “I care about you.”

A small smile appeared on your face, your heart aching as you brushed another strand of hair from his forehead. “I know,” you whispered.

His hand reached up weakly, grazing your wrist before falling back to the bed. He blinked a few times, his words coming slower now, as though the weight of sleep was already pulling him under. “I care about you so much,” he repeated, his voice quieter this time, as though he were fading away in the middle of his confession.

You let out a gentle sigh, your thumb brushing his knuckles in a soothing gesture. “I care about you too,” you said, your voice calm but filled with warmth, though you kept your tone soft to keep him relaxed. “But right now, you just need to rest. Tomorrow, we’ll talk about all of this, okay?”

Spencer nodded weakly, a small smile playing at the corners of his lips. “Okay...” He murmured, his breathing muffled even more as his body relaxed on the bed and his gaze rested on you, on every feature of your face. “I think you're very pretty, and not just physically by genetics...you're very, very pretty. I could look at you forever, even if, technically, forever doesn't exist for humans.”

At any moment, your heart would leap out of your chest, or you'd probably vomit butterflies. It was too much sweetness in a Spencer way.

You remained by his side, sitting on the edge, keeping watch over him for a few moments. It felt strange, being so close to him in this way. You hadn’t expected this moment, hadn’t expected his confession.

But for tonight, all you could do was let him rest and let him find peace in his sleep. You brushed one last strand of hair away from his face, then, with a soft sigh, you stood and pulled the blankets up around him.

The silence of the room enveloped you as you settled into bed, careful not to disturb him. You remained seated for a moment, watching the rhythmic rise and fall of his chest, his features softened by sleep. In the darkness, Spencer seemed different, more fragile, more human. His usual confidence in every word that came out of his mouth, the brilliant mind that made him so formidable, gave way to something more tender.

You cautiously stretched out your legs and leaned against the headboard. Sleep still seemed a long way off, even though the fatigue of the long case closed in the afternoon weighed heavily on your body. But your thoughts refused to calm down and leave you alone for a moment. His confession kept repeating in your mind, driving you and your heart crazy.

Not knowing what else to do, you let out a long, slow sigh, your fingers brushing the edge of the blanket wrapped around him. He stirred slightly, moving closer to your side as if subconsciously seeking your comfort and closeness. He tilted his head in your direction, a faint smile on his lips, and the sight brought a pang to your chest.

“What am I going to do about you, Spencer Reid?” You murmured to yourself, with a curious sensation in your chest.

You leaned your head back, staring at the ceiling as the questions began to tumble one after another. What if he hadn’t been drinking? Would he still have said those things? Did he even fully realize the gravity of what he’d shared, or was it just a moment of emotional release brought on by the late hour and the relief of a solved case?

And then there was your own reaction. The warmth in your chest, the protectiveness that surged when you saw him looking so vulnerable—it wasn’t new. You’d felt it before in smaller ways: a fleeting moment of connection during a case, a shared glance that lingered just a little too long. You’d always chalked it up to admiration or friendship, but now…

Now it felt like the beginning of a bridge you weren’t sure you were ready to cross.

Another sigh escaped you, and you tilted your head to glance at him again. His hand had slipped out from beneath the blanket, resting loosely against the mattress. Without thinking, you reached out and let your fingers brush against his, barely touching. His skin was warm, his presence grounding in a way you didn’t quite understand but didn’t want to question.

II. Sunlight ☀︎

The first thing you noticed when you woke was the soft warmth of sunlight spilling through the blinds, bathing the room in a quiet, golden glow. It was a still moment, the world outside almost silent, save for the faint hum of traffic far below. For a second, you weren’t sure where you were. The unfamiliar bed, the softness of the sheets, the absence of noise..it all felt distant, like a dream you couldn’t quite grasp.

But then you felt it, a slight weight on your arm. You turned your head slowly, your eyes softening as you took in the sight of Spencer still asleep beside you. His face was turned towards you, half-hidden by the pillow, a lock of hair falling over his forehead. His hand lay just a breath away from yours; his body curled slightly, seeking warmth and comfort. The usual lines of stress and guardedness that creased his features during the day were gone, replaced by a peace you rarely saw. He looked unguarded, almost childlike in his vulnerability, and it made your chest tighten in a way you couldn’t explain.

For a moment, you just watched him, your mind replaying the events of the night before. Especially the way he’d reached for your hand, even in his half-conscious state, like it was instinctive and natural.

And now, here you were, lying next to him, watching him sleep like it was normal and meant to be.

You shifted your position slightly, being careful not to disturb him, and sat up, propping yourself up on your elbow. The room was silent, except for the faint hum of traffic. That stolen morning moment felt intimate to you, and you found yourself wondering how much Spencer would remember when he woke up.

Would you regret it? Would you want to go back and erase it all? Would he stop talking to you forever?

But then, it was almost as if he was meant to give you all those answers because he stirred. His hand moved, his breathing changed, and slowly but surely, his eyes opened. At first, Reid was dull and unfocused as he blinked in the morning light, feeling a sharp headache. Then, as he realized where he was, you saw his expression change: confusion, a flash of concern, and finally recognition.

“Morning,” you said softly, trying not to startle him.

He blinked again and frowned, feeling a twinge in his head. “Morning,” he replied, his voice groggy. He glanced around the room, taking in the unfamiliar surroundings, the tangled blankets, and then you.

You were sitting on the bed next to him—the first thing he saw when he woke up and the first person to greet him. It was just like the kind of dream he'd been having lately—only this time he wasn't asleep.

A brief silence fell as the pieces seemed to click into place in his mind. His lips parted slightly, his eyes widening just a fraction. “Wait,” he murmured, his voice low, almost hesitant. “Last night…”

You gave him a small, reassuring smile, though your heart was racing, unsure of what he might remember, or worse, what he might regret. “You remember?” you asked, your voice quiet but steady.

His hand came up to rub his forehead, trying to shake the lingering fog of sleep. “I think so,” he said slowly. “We finished the case. We went to the bar.” His voice faltered, and his eyes dropped to the bed, as though searching for something solid in the scattered blankets to steady him. “I came here and said…some things, didn’t I?” His words hung in the air, filled with hesitation and a growing sense of discomfort. His cheeks flush, and he quickly looked away from you, almost embarrassed.

You tilted your head, your smile softening. “You said a lot of things.”

Spencer’s cheeks deepened in color, his hand dragging down his face as if that could somehow shield him from the weight of the moment. “I’m sorry,” he said, his voice barely above a whisper. “I shouldn’t have…I didn’t mean to put you in that position.”

You frowned, leaning forward slightly. “You don’t have to apologize. Not for talking to me.”

His eyes flicked to yours, searching your face for any hint of reproach or discomfort, but all he found was warmth. Still, he hesitated, his fingers playing nervously with the edge of the blanket. “I was drunk, and that’s so embarrassing,” he murmured, his tone tinged with self-reproach. “I don’t even know if what I said came out right.”

“It came out right,” you assured him gently, reaching out to cover his fidgeting hand with yours. The touch stilled him, his wide, uncertain eyes locking onto yours. “And it was just the alcohol talking…I know, don’t worry.”

He stared at your hand covering his, his throat working as if trying to form the right words. He didn’t pull away; if anything, he seemed to steady himself in your touch, though his voice wavered when he finally spoke. “It wasn’t just the alcohol,” he said, his tone quiet but firm. “I don’t want you to think that it made me say something I didn’t mean. Everything I said was true.”

You opened your mouth to respond, but the vulnerability in his eyes made the words catch in your throat. He held your gaze, his fingers unconsciously brushing against yours as though grounding himself in the moment.

“I’ve felt this way for a while,” he continued, his cheeks still faintly pink but his voice growing steadier with each word. “I didn’t know how to tell you. And then last night, I guess…I couldn’t hold it back anymore.”

His honesty was like a punch to the chest, leaving you breathless and unsure of how to respond. You hadn’t expected this level of candor, not so soon, and certainly not first thing in the morning. You pulled your hand back gently, needing space to think, though the warmth of his touch lingered like an echo.

He really meant every word.

“Spencer,” you began, your voice cracking. You bit your lip, searching for the right words. “I don't know what to say. It was all so sweet and nice to hear, but I'm not sure I'm ready to find out what this means, especially not with–”

“The distance,” he finished for you, his voice soft but resigned. He looked down, nodding slightly as though he’d anticipated this. “You’re leaving for New York soon.”

You exhaled slowly, relieved that he understood but also pained by the way his shoulders seemed to slump ever so slightly. “It’s just three months,” you said gently, though the words felt hollow.

“I know, since I found out I did the math, and it's three months and four days.” He pointed out, almost not noticing that your cheeks had flushed slightly. “What I need to know is if you...if you have feelings for me, as more than friends.”

“Yes, I do.”

At that moment, it seemed that after almost a year of hiding his heartbeat for your sake, he could finally let his heart beat as much as he wanted.

But then you talk again.

“But it’s not fair to either of us to make any big decisions now, when I have to leave soon. I don’t want to risk ruining what we already have if we…if something doesn’t work.”

He looked at you, his expression serious. “But what if it works well?” Reid asked, his voice barely above a whisper. There was no despair in his tone, only quiet hope. “What if it's so much better that we have between us now? Isn’t that worth the risk?”

His question settled between you, heavy and unanswerable in the moment. It wasn’t desperate or pleading—it was simply Spencer, laying his heart bare with a quiet hope that made your chest ache.

“I'm not sure,” you replied, your expression thoughtful. “Three months is a significant amount of time,” you added, striving to acknowledge his feelings while maintaining a degree of caution.

“I can wait if it's for you. I can.” He replied without hesitation.

The unwavering certainty in his voice and the calm patience he offered you were more than you expected. Perhaps even more than you thought you deserved.

“You shouldn’t have to wait for me,” you said softly, your gaze falling to the sheets. “It’s not fair to ask that of you.”

Spencer shook his head, a faint smile playing on his lips. “You didn’t ask,” he replied gently. “This is my choice.”

“What if the distance changes things? What if we lose this…connection?” you asked, the words tumbling out before you could stop them.

“Then we’ll figure it out,” he said, his voice steady but kind. “Like I said, it’s not like I haven’t done the math before. Three months isn’t forever, and if what we feel is real, then it won’t fade.”

In that moment, it was like a light bulb went off in your head, and the perfect solution just came to you.

“Exactly.” You pointed out with a small smile. “You know the three-month rule?”

Never before had you seen Dr. Reid confused, denying knowledge of any subject. It was as if the alcohol of the night before had caused a circuit breaker in his brain, or else you had no explanation for having to explain something he didn't know, and you did.

“A few weeks ago, I was drinking coffee and overheard a woman at the next table talking about how the first three months between two persons are enough to indicate whether they have a future or not.” You began to explain quickly, feeling a bit strange at how the usual roles between you seemed to have been turned upside down. “You know, if they're going to make it as a couple.”

Spencer’s brow furrowed, his lips pressing into a thin line as he considered your words. “You mean…is like a trial period?” he asked, a hint of doubt in his voice.

You nodded, feeling a flicker of nervous energy coursing through your entire body. “Yes, that's exactly it. So we don't have to put a label on it right away or rush into it. But we could call, text, talk, maybe visit...just see how it feels. And when I officially come back, we'll know if it's something we really want to pursue.”

He was silent for a moment, his eyes studying yours as though weighing the sincerity in your suggestion.

“Okay,” he said, his voice soft but resolve. “Three months. We’ll figure this out.”

Relief flooded you, though it was tempered by the uncertainty of what lay ahead. “Three months,” you repeated, a faint smile tugging at your lips. “And we’ll talk. Be honest. No expectations and the assurance that we can be friends again if we want.”

Spencer’s smile grew a fraction, and this time, when his hand reached for yours, it was deliberate. “Honesty,” he echoed, his thumb brushing lightly against your knuckles. “I can do that.”

For the first time that morning, the tension between you eased, replaced by a fragile but undeniable sense of hope. It wasn't a resolution, not quite, but it was a step forward, a promise to try. And for now, that was more than enough.

Because night before, you'd gone to bed early, thinking you didn't have much of a future at the BAU. But now you had Spencer with you in a way you'd never thought possible, and everything feels right.

[help-itrappedmyself]

Liminal Jason part 2

And, the plot bunny strikes back.

Red follows easily as Jason leads to the safe house. He spares a moment of thought towards whether Red is chatting with the whole family in the comms right now But then he focuses back on the kid in his arms. The kid is practically falling asleep, even as they grapple across buildings.

The instant faith this kid had in him was startling, and Jason has his concerns about why. But the part of his brain able to focus on concerns is trying to figure out how he trusts the kid so much already. The only information they have about him is that he can make unknown sounds, which is apparently a language Jason can communicate in. And yet Jason already knows that he would not let anything happen to this kid.

 Hopefully, the kid also speaks a language the rest of the group can speak. If not they can always leave it to him and Cass, as the kids’ body language seemed close enough to normal for her unique language skills to be used. 

They arrive quickly, entering through the fire escape into what could pass for a living room, in a very minimalist world. There was a couch though, and Jason went straight there to lay the kid down on it. 

The kid seemed very hesitant to let go though, waking as Jason tried to put him down. A whimper leaving his mouth as he latches on to Jason’s clothes.

Jason glances quickly at Red, and then picks the kid back up and sits down on the couch himself, with the kid in his lap. Red drags one of the two folding chairs by the folding table over in front of the cough and sits down himself.

“What is happening?” Red asks. Jason gives him a withering look through the helmet, then realizes that’s not enough, and he would like to be able to speak to the kid without the voice modulator potentially freaking him out. So, he takes the helmet off and places it on the floor next to the couch. Gives Red a look he can actually see, because really what does he think is happening? Then looks down at the kid.

“Hey, kid?” Jason asks gently. The kid looks up at him. “You got a name?”

“Danny.” The kid does his best to sit up, and scooch over to his own seat on the couch, now aware of his surroundings and situation. But a rumble comes from Jason, and he doesn’t let Danny go, so he settles back down. “I’m sorry about the trouble. I didn’t mean to be so loud.”

Red looks confused at that, but Jason chooses to ignore him for now.

“I’m glad you were, so that I could find you. Are you okay?”

Danny shrugs. He lets out a hum of sad-fine. “I’m fine now. Or I will be, once I get settled.”

“Kid, you were in distress. Can you tell me what happened?”

Danny took a deep breath, and then slid away from Jason. Jason allowed it this time, and the kid curled himself into the corner of the couch, knees up to his chest and hugged them.

“My world was collapsing. Timeline deconstruction, leading to total meltdown. We were trying to get everyone to the portal, but… They thought the portal wasn’t safe. They wouldn’t listen to us, and they wouldn’t stop… One of my mentors got me through the portal. They sent me to this world. But my world is gone now.” 

“Hood, can I talk to you?” Red nods his head towards the hallway. 

“Right now?” Jason looks between Red and Danny, who is crying silently, that high pitched keen of distress grief-alone starting and stopping, hitching with his breath.

Jason growls, deep and strong,not-alone-mine-now.

“Yes.” Red hisses.

Danny sniffles, using his sleeve to wipe his face as he starts to give Jason a small smile.

Jason huffs. “Danny, will you be okay for a second?”

Danny nods, humming an agreement.

Jason chuffs a quick safe-promise and Danny gives him a small smile. Red taps Jason's arm, and he grunts, but gets up to follow him anyway.

“Be right back, Danny.”

Red and Jason go into the bedroom, Red closing the door behind him.

“Hood, something weird is going on.” 

“Obviously, did you not hear what that kid just said?”

“No, well… yes. But that’s not what I meant.” Red starts wringing his hands together. “I don’t know how you found Danny, Hood. You said you heard a noise, and I believed you, but I didn’t hear anything that whole time. And you two keep looking like you’re communicating, but neither of you are talking, and the only things I can think of to cause something like that is telepathy or mind control.”

“Woah, wait.” Jason holds a hand up to stop Red from starting to ramble, and once he’s silent runs his fingers through his hair. “You can’t hear the kid? The noises? I mean I don’t know how I’m making the noises, that came as a surprise. But you can’t even hear them?” 

“No, Hood!” Red seems very frustrated. “And if you don’t think it’s telepathy, then we have to look into other options.”

“Hey, now, wait a second.” Jason puts his whole body in front of the door, which makes Tim tense. Jason wants to tense as well, but he is trying not to escalate the situation. “Danny is not malicious. He’s a kid, and he needs help.” 

Red squared himself, preparing to argue, but Jason heard a cry from the living room and was out of the room immediately, heading towards the living room with his heart pounding frantically in his chest. 

Something ran into him, pushing him back against the wall, and before he could realize what it was, a syringe was in his neck and his head was getting fuzzy.

He tried to focus, keening out for Danny. Hoping Danny was okay, that he ran. He pushed away from the wall, keening again. But he didn’t hear a response before he was collapsing back. He would have fallen to the floor, but someone grabbed him. And then he was asleep.

[azaharinflames]

I still don´t get what they thought they would achieve with Brad but it seems to never have crossed their minds that people would actually NOT care for the character. It is wild how much screentime he got, in a mid-season finale no less, and this public ass kissing of cast and the official account after he left is so weird. Nobody piled hate on the character or the actor they just were not interested, so why the need for this outpouring of support all of the sudden?

When the next character making eyes at either Buck or Eddie comes around and this lot decides to stay silent again we will all have our answer without a shadow of a doubt. That they hang the LI out to dry because they are scared shitless of Buddie backlash, but will jump into action for the next bit part player who just wasn´t as popular as they thought he would be.

I really started to dislike them, not gonna lie. I like Tommy, I like bucktommy but I will cheer on who ever comes next for Buck or Eddie just out of spite now. Because whoever plays them will be treated like shit by the fandom and will get no help from the mean girls clique that is the 911 production

Hi, Nonnie! Thanks for the ask. I see what you're saying, and overall I have to agree.

Here is my take. I try to play devil's advocate and give grace as much as possible. But earlier today I went on Twitter, and I saw a hate tweet (disclaimer: I've blocked hundreds of BD accounts by now, and I have blocked many, many words to not find a new one, but a BT account I follow had quoted it, so I saw it). In it, they were essentially laughing and having a party at the goodbye comments Callum had received, because that 'confirms' for them that the cast hates Lou. That they knew before, but now it's confirmed.

And the thing is... I've said it before, Lou is not a defenseless little boy. He's a grown man that, in my opinion, has a great head on his shoulders and knows very well what he's doing. And he's a busy man. So I honestly don't think he gives two craps about some losers on Twitter claiming his co-workers hate him - he knows better (he knows what happened), and he's the one with a career in acting and loving fans, so. Does he deserve the harassment? Hell, no. But I don't think he cares if some loser claims the cast hates him.

However. This behavior is only enabling hate. Not addressing the hate the LIs go through and the harassment the actors receive isn't just 'ignoring the hate so it goes away'. Ignoring that behavior and then showing support for other guest stars tells the deranged fans that they are good to go. That their bullying and hate is allowed, justified.

Is that the truth? Well, no. But it is what has happened. Because all the people being this hateful and sending harassment or death threats fully believe the show has their backs because nothing has told them otherwise.

Is it the intention of the show? No.

Is it still what they're accomplishing by their lack of response? Yes.

I don't overall dislike the cast as people because I don't know them. But the representation of themselves they're giving right now,? Not exactly a fan of that.

Also, as for Brad... I just have to laugh. They fully thought the Facebook moms would fall deep in love with him, and didn't take into account their hearts were already taken by Tommy, and that they'd be heartbroken enough for Tommy to not care for a character that doesn't have nearly the same charisma or depth.

Anyway. Thanks for letting me rant, lmao.

My inbox is always open for venting, ranting, and to discuss any topics <3

Take care!

[meansevika]

okay so very long thinkpiece about meljay and jayce' treatment of mel / the writers treatment of mel and how i think that all things considered she hasnt really won as much as we think she did

the thing about this that makes me so mad or rather sad (both, actually) is that we learn in season 1 how mel was brought up, that she didn't get to be soft and kind, that her surroundings were hard and rough just like her mother was, that love isn't a thing she knows like that especially not in relation to vulnerability. now if you think about media in general there is a pattern we know. the black woman is always the strong woman, the independent woman, the woman who doesnt get to be vulnerable bc of the first two points. so here comes this man she's trying to use not just for her own endeavors but for the good of piltover, clearly having a different mindset than her mother, and he cracks her open just like that. he's vulnerable with her and he lets her be vulnerable with him and it allows this woman this kind of vulnerability that she was never allowed to feel. she feels and she loves and there is someone who holds her and looks out for her when things go bad. he is his first thought after the bombing and hes so loving and endearing unlike her mother who is concerned, of course, but straight back to business too. and oh what a lovely thing that was to watch as a black woman who to this day still doesn't get to see this as often as we really should

so mel gets to experience something she hasnt before and you can tell it means something to her because when she gets back in act 3 the first reaction to him is an excited, hopeful one.

this is the man she cares deeply for and it is also the man who shes comforted before many times. something she needs in those very confusing times too. something she might be looking out for. something she might hope to get herself. some comforting after what shes been through for months. someone to share what is going on with her and how confusing it is to find out all those lies and secrets about herself.

until she notices how changed he is, how different he looks, so instantly she is worried. of course! who wouldnt be! she very likely didnt even know he was missing since its the first time we see her back in the city so she must've assumed he has been here and well for the whole time being (does she even know how long its been?) but it isnt fine as we know. she puts herself second! immediately! (and rewatching that scene now it actually makes me mad how she does that. and how anyone can question any of her feelings for him when shes immediately all jayce. or how in general people think shes only interested in her own goals) she asks this man who has shown her to be vulnerable around him and it BEING FINE, what happened, shes opening herself up to him, again, over and over, and he not only tells her it doesnt matter (what happened to him) but TURNS HIS BACK ON HER. he is literally shutting her off. he is saying with his body she does not get to do that. and for someone who has grown up like this, with a mother cutting off any kind of displays of weakness, this must be a familiar feeling, something that goes off like a bell

but she still tries! she still tries! she sees something is wrong but she tries to get comfort anyway, because this is jayce, right, this is the man she cares for deeply, the man who has opened this door for her and the door she's let herself through, the man who has always had compassion for her. of course she tries again. why wouldn't she? so she starts that something has happened to her but he doesn't even let her tell him what happened (actually it makes me so mad seeing this again and how crazy hostile he is towards her, its like im looking at the mel hating part of arcanetwt and him repeating beat for beat what theyve been saying for years) he doesnt give her room to speak, just takes it for himself, prioritizing himself and his own feelings. and, yes, figuring out the bombing thing and wanting to talk about it is valid and i think in general this could've been a great angsty way to deal with this topic IF they would've had the opportunity to talk this out properly but what happens instead is that the man that makes mel feel safe starts INTERROGATING her like she is a criminal that should be held for trial FOR SAVING HIM something she doesnt even undestand herself. and suddenly she is in a whole different position and i think by now she knows that this kind of compassion and understanding and room for vulnerability isn't part of their conversation anymore

she loses her composure and that of course isnt a first because she has started to be less put together around him, allowing her more room to "sway" but this kind of destruction is a different one because she feels at trial, feels cornered, feels like she has to explain herself but - and thats what is important - isnt heard. and i think that is something she knows very well, something shes grown up with, trying to explain herself and not being heard.

all of that happens while he is, mind you, still holding onto that hammer. something she surely notices too. the man who's usually quick to let down his defences around her, who isnt councilor talis or mister talis but just jayce around her, is holding onto that hammer like shes a threat. so he tells her he thinks shes lying and she asks him why he would think she'd do that, obviously, because her understanding of their relationship and their trust is a different one than his or at least this jayce that has come back from the arcane, because clearly this kind of understanding comes from somewhere and it comes from the times they've spent together alone throughout season 1 and a little in the beginning of season 2.

he throws at her that shes been using him, something that surprises her, because clearly she doesnt know what has happened, but she tries to explain anyway, because she doesnt know what has happened at least not in full (as you can tell by her reaction to viktor appearing, sensing the hostile mood between both, but also the way she reacts when viktor mentions the noxians intentions), and you can see that these thoughts of his are a result of months in the arcane alone with them and imagining conversations over conversations (although for me its still hard to understand how he grew that hostile towards her this quickly as if she were responsible for everything that happened but those are thoughts for a different post). he crashes out during that conversation, his face is warped with hatred and that is. all. for. her. to. see. and then BOOM goes the hammer off. mid conversation. a conversation that should feel safe with a man she should feel safe with but none of that is there. there is no space for her. (and yes i know hes aiming at viktors puppet but that isnt somethng mel is aware in that moment)

it all leads up to a fight and eventually they walk together and he apologizes, although very distantly and without much explanation, and despite it all, despite having good reasons to shut off and not share what she's feeling, she does. she talks to him about what is on her mind and they have a short, bittersweet exchange but it's just nowhere to what they've established in the first season. as a shipper of course that is super frustrating, but as a mel fan it's just sad to see that the person she felt safe enough to seek comfort in is just so closed off. but not only that, it's obvious they're parting ways and it's very obvious this is coming from his side and i think that is also why she so wilingly accepts it. she doesn't fight much back throughout their whole fight earlier either, she tries to explain herself, but doesnt demand that room for herself even though in this relationship she should be able to take just as much room for herself and her feelings as he does, but she doesn't. she just lets it happen and i understand it bc you have this man you trust and probably love and his first reaction to you is hostile when hostile has never been a response to her. he made a complete u-turn and of course that's off putting, maybe even scary, of course it shuts her down, makes someone who's so good with words and fighting just try to cause as little damage as possible because that is how she's grown up, isn't it?

and that is why i am sad about this. she learned that love doesnt have to look like her mothers and that being vulnerable isnt a weakness and its his doing but here she is met by this kind of hostility she only knows from noxus and it hurts even more that it COMES FROM HIM and over something as SAVING HIS LIFE when its clearly was an act out of love and not investment bc if i'd would've been just that than she would've saved viktor as well? but it wasnt about that. it was her subconscious making a decision and it was something her mother would describe as an act of weakness (theres a reason she gets renni to attack him bc she sees how fond mel of him is maybe even because shes been fond of a man herself once and she knows what itll do) and i think the worst part about it is that she doesnt ever get to truly articulate this or anything else and now that jayce is gone (dead? in a stone? who knows?) she won't get to ever probably. she won't get to say what she thinks and explain herself truly and she won't have anyone to confide in, to be comforted by or comfort. elora is dead, kino wasn't real and the real one is actually dead too, jayce is well whatever he is, and her mother died in her arms. yes, mel is a mage and that is fucking awesome and i was so happy to see her go off and get so many spotlights in battle, but shes also so fucking tragic actually. because here she is with a fuck ton of weight on her shoulders, the noxian army looking up to her, the whole name, not knowing who her father is or what any of her powers mean, the whole black rose thing, everything unresolved between her and jayce, the death of the people she loves, and shes all alone with it. shes all alone with it and she gets no one. man im just fucking sad that this woman got a glimpse of what it could be like to be loved and have someone to "come home to" just for her to have literally no one left like why do you hate black women so much why cant they get a fucking good ending and why cant they be fucking loved even when things get hard

also im lowkey mad that jayce got to find comfort in her lap so many times and not once did she get that in return, not even a squeeze of her shoulder, but dont let me get started on that....

[wheneverfeasible]

Wiggly Wednesday?

The brain worms are here again.

I honestly hate Christmas and avoid doing too much for it. However, an idea came to me suddenly and I can’t stop thinking about…

Secret Santa Steddie AU.

In one of Steve’s high school classes senior year, they’re assigned a Secret Santa project. They all put their names in a Santa hat and have to draw one out (returning it for another if it’s their own) and that’s the person they have to secretly give a gift to, either homemade or purchased, but there’s a cap of like…whatever the equivalent of $20 today is back then. Idk.

This is supposed to be a team building type of exercise, something to foster camaraderie, after say maybe a huge argument/fight broke out between Tommy and his group and the Freak, Eddie Munson, as well as some other nerds. Steve is exhausted and doesn’t care for Tommy’s bullshittery anymore, so he didn’t really get involved, though Eddie did throw a few digs his way. Which was hurtful but probably deserved.

Anyways, Steve draws out Eddie’s name.

For the next week or so the last fifteen minutes of class are devoted to questionnaires and such where the students answer questions about themselves directly or they fill in answers to widely asked questions, all used to let the Secret Santas learn about their recipients. Some people take it more seriously than others.

Steve gets to know more about Eddie, who is more blasé about it all, obviously not expecting anyone to give him something good (if they give him anything at all) since he has no friends in the class and most people don’t like him. So Steve, who has never paid Eddie any amount of attention before in the past but has been now and finds himself intrigued, starts observing Eddie outside of class.

Steve knows he could buy Eddie something music related. An easy cop-out gift. But the more he observes Eddie, the more he gets to see the tiny cracks in the Freak persona whenever he spies on him, sees the nerdy but also kind person beneath the leather jacket. And…okay…maybe he starts to develop a sort of crush without realizing that’s what happens.

Maybe he bribes other nerds about Hellfire Club and Eddie and makes certain they don’t squeal about him asking (he doesn’t realize he comes off as threatening, he just thinks he’s being urging), maybe he hears Eddie mention things and then he goes and asks Dustin what they mean, learning it’s from a book series about midgets and some jewelry or whatever, and so an idea forms.

While shuttling the kids about after school, Steve asks Will if he’d be willing to draw something for him, which Steve would pay him for. Will, obviously excited because it’s his first commission job and Steve pays him fairly, agrees.

(Steve may also purchase a patch at the record store they stop at—Will’s request as he wants to buy something for Jonathan—because it reminds him of Eddie, but that doesn’t matter.)

Yadda yadda ya, it’s time to exchange gifts. The teacher has allowed them to drop them off leading up to the Friday before winter vacation to keep the mystery alive.

When Eddie gets his, he’s expecting something more like a prank gift. Instead, he’s gifted a colored drawing (sadly not enough time for a painting) of Eddie dressed as someone named something like Spider or Arrow Gone or whatever, Steve doesn’t really know, but it’s him fighting off a horde of monster things with a flaming eyeball in the background and further back is an erupting volcano.

Steve doesn’t know what the hell is going on, not really able to absorb the massive info dump Dustin gave him, but Will assured Steve that the dude was cool and the battle depicted was awesome and important when he dropped off his old yearbook for model reference. Will’s opinion was enough for Steve of course. He just hoped Eddie liked it, and the patch that he rolled up with the picture.

Eddie is, of course, gobsmacked and trying his hardest not to show it. He scans the classroom to try to figure out who could have given him such an amazing gift, but no one even looks at him. There’s no way he would ever suspect the truth.

Steve ended up getting a can of Farrah Fawcett spray, which everyone laughed at and assumed was a joke gift for a jock, but Steve noticed a small twitch of a smile on Tommy’s face, the only one besides Dustin now who knows his secret.

Later, Eddie’s battle vest is adorned with the patch he received in his gift, a red and black Leviathan cross, but Steve doesn’t know what happened to the drawing. He hopes it didn’t get trashed.

It’s not until later, after everything with Vecna and recovering what was salvageable from the trailer, that he found the picture safely secured behind a glass frame hidden in Eddie’s room. It’s only then that Steve realizes that he might have been a little bit in love with Eddie “the Freak” Munson all this time.

~

Aaaaaaaah sorry this is a little bit of a nebulous ending here. Does this story follow canon and Eddie is dead, never knowing who his Secret Santa is? Or is Eddie recovering from his injuries, fated to recognize Will’s art style and thus learning the truth behind one of his most prized possessions? Who’s to say 🤷

I’m just gonna tag my perma list because I’m lazy. Anyone can be happy to consider this a tag for their own future brain worms tho!

Hostage Hotties:

@derythcorvinus @katyawriteswhump @honeii-puff @scoops-aboy86 @dotdot-wierdlife

@everywherenothere @bumblebeecuttlefishes

[hermesserpent-stuff]

Potential script idea for billy batson s radio show segment

The whizz radio intro tones-

Billy Batson then starts speaking through a slightly crackly radio as Fawcett is a city someone lost to time, given its connection to the Rock of Eternity.

---

Welcome to WHIZZ Radio: where we give the latest news, truths, and view in Fawcett City. Brought to you by your host, me, billy Batson.

Starting off with community news, make sure to visit the shrine of Atlas sometime this week with an offering. Cap mentioned that there might be a need for endurance next week, and we should all probably listen. Additional reminder, the festival of Zeus will be happening this Saturday. Stay away from odd looking geese, metal poles and don't fulfill any selfcrearting proficies in a fit of hubris.

Onto traffic!

Main Street and Fifth Avenue are both still under construction from Dr. Sivannas attack and the demon portal last Thursday and Friday. Ms. Marvel and Cap. both played a role in clearing the debris, but there are still major cracks and fissures to Hades. Expect delays.

Now the weather.

Today's forecast includes thick over cast clouds; a good time for summoning souls. Be sure to greet both the living in the dead while going about your day and don't for get that umbrella! There is a slight chance of curses with intermittent showers.

Alright! Time to quickly cover the Capes and Crooks news bulletin. Dr. Sivanna is still missing after his recent bout with Cap. Since he interrupted one of Mercury's races down at the track, no one is quite sure when the Roman god took him. If you happen to see him, please be sure to give Cap a ring to come pick him up.

Keep your eyes peeled for Mr. Mind. The worm escaped prison… again. Holy moly. You'd think they'd make better prisons for him. What is this, the fourth time in two weeks?

*Noise indistinct*

I know, I just figured that out listeners would likely have the same comment. I don't see why I shouldn't point it out of its true

*Indistinct noise again*

Alright! Fine. Moving on from that.

Today's radio broadcast is brought to you by Saturn's candy. Nothing so sweet as a stick of magic you can eat! Try their Caramel cookie candy bars, now with cooked in bloodline curse protect. If your looking for a spot of luck, try their cinnamon apply candy sticks. Saturn's candy. A proud sponsor of WHIZZ Radio!

*Little jingle*

Welcome back to the program. Time for our sister citys segment.

This reporter has just been told by his producers to issue an apology to Black Adam for statements said during this segment of yesterday's broadcast.

*An aside*

Do I have too?

*Indistinct noise*

Fine.

I am. Sorry. For calling you a craized up old fart with too much free time.

There.

Moving on!

Kahndaq currently is continuing negotiations with both the Justice League and the UN to gain a seat at the UN table. Or be allowed in the UN room. While Fawcett recognizes Kahndaq as sovereign, the rest of the world stills sees the country as illegitimate.

Aside from tense meetings, and Black Adam being a kook who keeps coming to mess with Cap due to having a grudge unbecoming of a literal king and ancient man child, Kahndaq is doing fine. The economy is flourishing, despite limited imports and exports due to sanctions. The letters sent by Fawcetts finest and kindest citizens were well received and we should hear back soon if Mercury has anything to do with it.

It's time once again for Billy's opinion of the day.

This week!

Cans and their many used.

Not only do cans offer one of the best ways to have long term storable food, but they also make awesome weapons! We got to see this on Friday when Marvel Jr. and Captain Marvel went toe to toe with demons using a barrage of cans. And the food was still good to eat after the fight!! I love it when things are multi purposed. Now if only they could close the rifts down to Hades…

*Chimes*

Oh! Mercury just dropped a fresh bit of mail! Thank you Mercury! Watch out for old men wandering around. It seems like the Greek and Roman gods are looking to bless and curse some folks today.

Do good, and good will follow.

And keep an eye on the sky for lightning!

This has been Billy Batson, signing off!

[bird-inacage]

The Heart Killers EP1: Kant & Bison's Desire for Agency

I recently wrote a post around Kant being the vehicle for Bison's freedom, but I'm spotting a bigger theme that these two lovebirds share in common. Both feel stripped of their agency, their ability to dictate their lives freely on their own terms and by their own ideals and desires.

For that reason, they're respectively struggling with where they are versus where they want to be, as factors beyond their control currently inhibit that from being attainable.

"I've cleared my name of car theft. My hands are so damn clean now." Kant is keen to put his past behind him, however Captain Chris has him cornered under the threat of re-opening his previous felonies and possible jail time, dangling custody of his brother as a bargaining chip. "If you get this done for me, not only will your criminal record be swept away, I'll wipe it clean." "If you go to jail, who'd take care of your brother?" This leaves Kant with no choice but to begrudgingly concede.

Bison feels similarly trapped by a life he didn't choose, clearly eager at any opportunity to 'clock off'. "I do what I have to do. Now I want to do what I want to. Can't I just live a little?" "If being hitmen makes it so hard to live, shouldn't we just quit?" "I don't want to kill people for a living my whole life... I just want to live my life." He just wants to enjoy a normal life - to have fun, to be frivolous, to embrace being a 24 year old.

TOGETHER WE BREAK FREE

Their relationship serves as temporary relief or escape from the situations they both find themselves in. Bison finds Kant's company a break from routine and monotony, a welcome distraction in between killing and working at the burger bar (neither of which he chose for himself). Dating Kant is an insight into the joys of life he fears missing out on. 'When I'm with you, I'm not a killer, I'm just a boy'.

By some poetic irony, Kant's mission to instrument Bison's capture would grant him access to the freedom he is seeking - allowing him and his brother to truly start afresh. There is absolutely more backstory to come as to why Kant wants this so badly, that he’s willing to throw so much in. Dating Bison may begin as a means to an end, but Kant does find himself falling in love, despite his objective.

Once everything is out in the open, I do think they'll aid one another in acquiring the agency they each so desperately desire. No one can better understand how it feels to be trapped than someone who is also fighting against the bars of their own cage.

OVERCOMING YOUR RESTRAINTS

On their first official date, Kant shares the following with Bison: “Would you believe me if I told you that I'm afraid of the ocean? Something happened when I was a kid. I almost drowned. Now I'm still afraid of it." One could argue that we don't know if Kant's admission is true, but I don't see any reason for him to lie about this specifically.

This promptly takes me back to this moment from the trailer, which has prominently stuck in my mind. I still get the impression that they are working together when Kant jumps in. If Bison was on the offensive, I don't think he'd be as stationary or calm. Maybe he's performing under someone's watchful eye, or his gun is aimed at something out of shot, or they're practicing a specific stunt.

Whatever the context, this scene now has considerably more weight. The fact that Kant jumps in whilst his hands are bound, when he has a fear of drowning is an indication he's putting his complete trust in Bison (who is adept at swimming), to rescue him if needs be. The implication here being that Bison may quite literally, mentally and symbolically free Kant from his restraints, helping him to overcome what he’s most afraid of.

BDSM: THE PLEASURE OF CONTROL

Funnily enough, this duo's exploration of BDSM even aligns with their shared desire for agency. From the few snippets we’ve been shown, Bison likes being the one in control. Your partner consents to be at your mercy, affording you the power to enact pleasure and/or pain. And there’s a heady thrill in being handed that control. (It's worth noting the inherent power play in taking a life, but whether Bison derives any pleasure from this, I'm not 100% sure. Kant also knows Bison is capable of killing, so letting him dominate actually says a tonne). During their one night stand, Bison even quips, "you're not doing this solo, you know," which teases that he's no passive participant.

Kant seems happy to indulge Bison in taking the reins. Having his agency taken away during acts of passion, but on his terms is completely different to feeling forcibly pushed - because you've chosen how and who you forfeit that agency to. This is partly why I suspect Kant actually gives Bison permission to tie him up in that boat scene (above).

You can keep tabs on bird-inacage’s BL meta directory for other long-form posts around The Heart Killers, which I’ll be updating as the show airs.

[anarcho-smarmyism]

This is even worse for patients who are institutionalized, even voluntarily. They can also go through your stuff they confiscate including your phone (one Black woman I met had her dentures thrown away and ended up suing the place over it, but some people can't sue), mislead you about how long they can hold you against your will when you've signed up for a "24 hour emergency hold", gossip with each other or with people in their social circle about your symptoms after telling you they're not allowed to due to HIPPA, take advantage of having a literal captive audience to proselytize their religious beliefs, lie about drugs showing up in your system/whether false negatives are possible/what symptoms can or can't present without previous drug use, show favoritism to patients to the point where they're ignoring threats, deliberately claim a patient is actively suicidal when they're not to get them involuntarily committed against their will (or coerce them into "voluntarily" committing themselves in order to avoid the long-term legal consequences of involuntary commitment) and much more. Every single thing here is something that happened to me or to someone I know personally, and nine times out of ten people are too afraid to complain at all because when you get "non-compliant" put in your file (or any of several other conditions that exist basically to mark certain patients as problems like 'BPD' or 'hypochondriac' or anything relating to addiction) you can be refused any treatment of any kind by some hospitals, sometimes even for non-psychiatric conditions.

For example, you could get diagnosed with "oppositional defiant disorder" and "alcoholism", and go in to a hospital with a broken bone with the wrong nurse on duty, and be deliberately denied pain relief of any kind in lieu of breathing exercises and recommendations of prayer because to do otherwise would be "enabling an addict".

One major factor that makes the nature of psychiatric treatment intrinsically violent is the fact that the boundaries of the patient is considered an obstacle to treatment. The lack of consent of the patient is considered an obstacle to treatment. These obstacles are abhorred by psychiatry and considered things that much be broken down. If the patient has a disagreement with the treatment, or objects to it, this is considered a symptom and therefore is seen as something not to be validated or respected. Thoughts, behaviors, beliefs; these are all considered symptoms if they are in opposition to treatment and must be broken down. However, compliance with treatment is almost never seen as disordered or symptomatic, even if the patient is fawning or similarly complying to avoid more harm done to them. The fact that only extreme compliance is accepted by psychiatry is inherently violent and conditions people to accept abuse. Isolation and violence are not vectors of healing.

[riddles-n-games]

Hey guys, I've been seeing another rift going on in the fandom regarding TGG and TIG characters, so I've decided to make a statement that can hopefully make things more cohesive.

I understand that not everyone likes the new spin-off and honestly, I'm considering just stopping after GU. Personally, I don't have anything against the characters of TGG but my problem is that they sound too much like our old mains. However, that's not their fault. It's the author's. There's nothing wrong with JLB wanting to expand the TIG universe but it is problematic when you are repeating the same character arcs of the old characters that are also present and interacting with these new mains. The problem that we face is the fact while even in The Naturals there are similar characters, they are divided by different series. However, that is not going on here with TIG and TGG. TGG is a continuation of TIG and our TIG characters are still present. Heck, one of our old mains is a player and a love interest here to one of the new mains. And therein lies the issue. When you have a connected series, it's important to have distinguished characters with different voices, not carbon copies.

What I expected for TGG characters was that she would move from the character tropes we've seen already in the series and come up with new ones. I mean, come on, she's a psychology major, we bring that up so often but what's the point when she keeps going in circles and never brings up anything new? I pointed a lot of this out pre-read because I already correctly guessed where this was going within just a few pages of reveal. Don't get me wrong, if she wanted to, she could do it but it doesn't feel like she has new plans or plots. Be honest with yourselves and don't just praise because she's your favorite author. You can be a reader, a fan, and a respectful critic all at the same time. Don't lower your expectations just because they can't deliver every time.

The trouble is that when you go back to TFG, in the acknowledgments, she herself wrote she wasn't sure there was going to be a third book. And now look, suddenly two books were announced a month or two after she released the last book of the trilogy which introduced our mains and not the most fashionably. I do believe she had ideas but I don't think they were the best fleshed out. You have to realize that just reading TGG, how many of you recognized the obvious plots, the romantic subplots, the character arcs, and even the semi-hidden plots just getting to the halfway point? And how many of you said, hey, wait a minute, we've had this plotline before? You did, didn't you? I want to give Jennifer the benefit of the doubt but I truly think she is in over her head because I don't believe she quite thought that this is how long the series would go.

In fact, I think that she is making more trouble for herself in trying multi POV for this new series when really I think it should have just been Gray taking over. It would have allowed us to see how he's grown especially after the heartache and mental health issues he's had to go through to get here. It felt like the obvious next step, even the summary for TGG made it sound like that. However, the only thing that seems new to me is the hypersexual atmosphere which also makes no sense to me because teens may go through attraction but that doesn't mean they're horny all the time and anyone who's gone through puberty can attest to that. So I ask again, like one reviewer on Goodreads put, were the romantic moments in the room with us? 12 hours is not love or romance, it's lust, that's it. Couldn't summarize it clearer. If she wanted to make it better, it could have been that she made the book stretch over a series of weeks which is why I wonder what the heck will happen to any character development if this book series is done in like 3 days?

As I said, a lot of things feel very repetitive, the plot, word choice, thought processes, quotes and sayings, etc. We are in a loop. She's in a loop. I think that the best thing JLB could have done is leave TIG alone for a few years after TFG, make a new series or whatever works outside this series she wanted to, give herself time to truly see if she has new stories to tell for TIG by writing a spin-off and then come back to give us that content. Because it's really telling how forced things have been in the last two books, even here with GU and I really think this empire is toppling. As they say, quality over quantity and thoughtful than full of thoughts that are just a variation of one another. That's what makes me think more and more she should have left it at TFG.

Thank you for reading and I hope this gives a new perspective that can help you see some things more clearly.

[timkontheunsure]

A CBT look at Blitz's core beliefs

Boring explanationy bit

Ok first off a core belief is this how the world works sort of thought. It has a ton of evidence on it side, or some big life altering event. Acting within is designed to kept you safe. And everyone has good and bad ones.

Think of it as of a short bit of base code running in the background, helping you go with your gut. A quick a short cut, but one that's got a lot of logic and past facts behind it.

They're mostly set up in childhood. So if you have an abusive parent, or trauma, you can get ones that become unhelpful for you in other situations. Like with people that really care about you.

A distortion is a little different. They affect how you look at the wold based off your mood, and are always negative. They specifically don't have a lot of evidence on their side. Like a prism that makes things a little different than what's really there.

They are an action to do based on your mood: catastrophizing (when everybody I love leaves me next year)

Black & white thinking (yes there's all this evidence showing Stolas cares, but that doesn't count as it just sex).

Thought spiraling (this one goes to Moxxie heh)

Or snap judgments based only only how your mood is (Ghostfuckers is fun and sexy, so we should take the case when I know they don't exist).

Blitz's core beliefs

So 'all royals are assholes' and 'no royal will care about an imp' are a core beliefs. Because this is definitely true, the 1% don't give a fig. (Stolas and Ozzie are basically round errors from what we've seen).

"I'm going to die alone" is also one.

So is "I make everyone's lives worse"

But his good ones are: "we don't get rid of family",

Ok with these two good ones we're going to have to go into rules for life. Blitz core belief is about family sticks together and protects each other. That's his code that always wants to run.

But he's also got evidence that family will kick you out for not being good enough, and hurting/killing people on accident. When you get code clashing you get cognitive dissidence, which physically hurts.

So you do a patch to reduce that pain. A rule to live by. 'If X is right and Y is right, then the variable that off is me.'

'We don't get rid of family, but we do get rid of me = I'm the only one who we can get rid of'.

With Loona it's we get orphanage lady saying words that could have come straight out of Cash's mouth. (I want Blitz to get a song telling that git off so hard).

Those hit Blitz hard, so hard he changed his mind on adopting a small little child, to a older teenage. CBT says that when something hits that hard it's because it hit at least 1 core belief. He sees himself in Loona in that moment, and never want another kid to be gotten rid of.

And other one could be bad or good depending on what's around it. 'I will be of use to family/people I love'. Blitz needs to feel useful to the people he loves, especially with growing in a family business working from being a kid.

And the rule Blitz has made for himself between the "I'm going to die alone" + 'I will be of use to family' = 'But maybe if I'm useful they won't abandoned of me yet'

(Also how sad it is that Blitz feels he's only allowed help, and support if it's a tit for tat, favours for favours exchange).

So everyone has a mixed bag of these good and bad. The problem happened when trauma responses give you ones that don't help you in a new situation. Like say a demon prince falling head over heels for him.

The idea of CBT is that if your struggling to look at what's changed since the core beliefs were set up. And if it isn't keeping you safe anymore, then you try to replace the old one with a new one; that has new evidence that backs it up. A update.

Like how Millie shows Blitz concrete examples of him improving her life. Just telling him he hasn't wrecked her life wouldn't work.

(This is one of reasons why Stolas' confection doesn't stick with Blitz. Blitz needs to know reasons why someone like Stolas loves him. It why he asks him in apology tour. Stolas tell your boy why he's so amazing for flips' sake).

Millie shows how joining IMP positively improved her live. "He gave me so much...A career, a husband, a future. And now...He's my best friend."

And Blitz helping Millie through alot of her own negative self talk she had. That 'she's not good enough', 'she's only the muscle', 'that Pride's too fancy for imps', and 'no imp works for them selves'.

These we're all Millie's core beliefs before joining IMP, if she still had these Rolando's words would have hurt her. But through having the support and example of Blitz she's removed those old bits of code.

When see her mum it obvious where and why she has these ideas about herself. Lynn describes her full time job, being employed direct by a company; as "Freelance". Because Imps can't work for themselves. (Even if she is impressed by Blitz). It's like different between working for Uber, instead of taxi firm. No protections, and an unsafe unstable job.

She pulls up her daughter's valid explanation why she lost the fight as "Excuses!", because Millie was "'raised better than that' as the muscle of the team.

She's very against Moxxie for being too week, and not having the same melee skills as Millie.

It obvious that she wants her daughter to have a similar life as her, where she keeps her head down, and has a partner that is able to defend Millie. This because there's a level of safety in this crab bucket attitude. She'd very unlikely to come to the notice of higher-ups. Like how Stolas being very involved in IMP and with Blitz.

But Blitz talked Millie round, and also showed her that she doesn't have to pigeon hole herself like that. She has years of evidence that Blitz could do it, and him pointing out how good she is when she fell back into thinking of herself as just the muscle.

Rolando's trying to exploit vulnerability that she's updated against. (It's super ineffective).

Ok after that sight side tangent of with Millie's head, back to Blitz's.

The "your going to die alone" has become a self-fulfilling prophecy, tripping Blitz up alot. Because it comes twofold for his fear of hurting his loved ones, making their life worse, and his fear of abandonment. Because he was abandoned, that did happen.

Making him feel like he has it to push away the people he love for there own, and that they'll leave him eventually so might as well push them away now. He's got a lot of previous evidence tied to this.

It's going to take more then Fizz and Millie telling him he didn't ruin theirs, for him to start to be able to unpick this. Because he's still certain it's true. Even if he's improved the lives of most of the people he knows.

And even Fizz who were directly effected by the mistake Blitz still punishing himself for, has told him that being made disabled didn't ruin his life.

There's a whole debate in my head whether Barbie would have had such trouble with addiction; if she wasn't assuming/told that her brother started the fire on purpose, that killed their mum. I'm honestly not sure. But it does seem like her resentment over it has made it harder on her. And that all seems to stem from Cash abuse. (I'm sure Cash is the one to tell Blitz Fizz said he'd die alone).

Ok on to how the these are interacting/fucking up his relationship to Stolas. Blitz is definitely is afraid to love Stolas for a number of reasons. (You knew I'd get there at somepoint right 😛).

Cus a whole load are clashes together for him, making it really difficult for him because about see things from the outside. with the "royal demons don't give a shit about guys like us" one.

Making Blitz rationalize that it's gotta be about the sex, and being of use. Anything that shows this assumption is wrong has to be disregarded with distortion.

But when Stolas takes sex off the table, and still talking about feeling, and relationships; it makes Blitz's fear of abandonment go turbo. It's not rational but it's the only rule Blitz has that might make Stolas keep him.

He feels like that sex is all he has to give to a prince after all. And he wanted Stolas to stay for a long while now. It's not a grimoire his hallucinations put on a golden pedestal after all. And there a a lot of similarity to how Stolas and his Mama vanish.

(Debøra pør favør pointed out this emotion damage so now you have to suffer too 😭https://x.com/_Choco_torta/status/1859028103772955135)

"I'm going to die alone" and 'I must be of use' Blitz freaks out badly in queen Bee after Ozzie's. Blitz believed that he's be rejected by Stolas, he's been shoved back into the box of it just being about lust.

Because he wants more, but feels he's unworthy, it's got him hurt coming and going. He's got to shut down any attempt by Stolas to have something real. But he was also hurt constantly feeling sex is all that he's got to offer, and all Stolas would want.

"I make everyone's lives worse" and "We don't get get rid of family". Ok this is into theory level but think Master Mind and Sinsmas are going hit these last two harddddd. (We're one week from mastermind).

It looks likely that Stolas is going to lose Via, face punishment for the illegal deal, and be dragged for the affair. With Via swallowing a lot gaslighting about not being loved by Stolas (lines from the trailer).

Blitz will probably going assume it's another another life he's made worse, where he's caused them to lose their own family. Don't think this will play well with last guy he fell in love with he blow up.

It's going to make it much harder for him to remove the idea; that that him loving some will only hurt them.

Alot of the reasons Blitz thought it was ok to get close to Stolas are tied up in these beliefs. He assumes Stolas was powerful and immortal, so couldn't be hurt physically like Fizz or Mumma.

He assumed that a prince would never fall for an imp, so only he could get hurt emotionally. It couldn't end the same way as Verosika. Blitz thinking he's the only one to be able to be hurt, and get to be useful not just to Stolas, but provide a better life for his whole family. It would seem like a bargain. (And the self punishment aspect probably wasn't going be a off for him, cus Blitz thinks he deserves it).

This season seems slow be eroding that pedestal Blitz put Stolas on (and vice versa). It's hurts, and it's knocking the stuffing out of both of them; but it's bring Stolas to earth for Blitz. Making his more of a real person in his eyes.

Eh probably a lot way to go, but I'm here for it.

(was very loosely based on this post, because it got me thinking about distortions vs core beliefs. But then I went off on a whole thing, so thought it would be weird to put it as a reblog. Still loved @akirathedramaqueen analysis and would recommend giving it a read 😀)

[cicadabooks]

aaaaa finally i feel justified for reluctantly finishing the first Monk and Robot book with a :/ face, and then feeling even more :/ :/ :/ about reading the 2nd book. Which I did not read, and it looks like this was the correct choice, for me.

"Underbaked" is a decent summary of the first book - people (....often white people I feel like....) would recommend the book and how they loved it, and when I finally read it, I was just like.... This author is over-reaching and floundering around in areas she doesn't know much about. (And also this book felt very White Person writing world building to me.) Even the final pep talk by Mosscap rubbed me the wrong way. It was obvs just Not the Book For Me. (Also winning a Hugo.... It's not the worst book, but...? I think people are being bamboozled a bit.)

I remember the author's approach to nature was weird. I remember thinking "people live in nature, we're part of nature, and to just have the two drastically split is disturbing. Also I don't think this author has ever actually walked through the woods, or at least not more than three times."

OP's line above ("The Robot Side is kept wild and humans are discouraged from going in there because humans can't be trusted not to ruin Nature.") is making me specifically remember what I didn't like. :( wtf. Are indigenous people and their land stewardship a joke to you. Where were you when the Dakota Access Pipeline protests were happening last decade. That was a large amount of news. At this point, this is a you problem, Becky Chambers.

Also shoutout to "also tbh I think Becky chambers has also just never gone fishing in her life and was not curious enough about her own concept to research how you're supposed to kill a fish" in the comments section from OP -

Because, as I mentioned earlier, I had the same reaction even in book one!? About doubting if the author actually spent time in nature, or considered nature a lot, or knew much about nature (for a book that... spends time in nature...). Neither the first book's vibes, or this wretched fish thing, are the vibes of people I know who spend time in the wild (as a hobby or professionally).

(Also, I think those people I know, and me, and many other humans, would be miserable being cut off from wild nature. Some things are just in the blood. I was always yearning for the ocean growing up, and I swear it was handed down to me by blood from my mother who grew up on an island. When I finally lived in a place near the ocean and got to be in ocean waters a lot more, I was like YES I AM HOME and happy in my bones. Every time I get too sad it's because I have spent too much time away from ocean and some proper wilderness.)

(and we're not even getting into how much human culture, esp indigenous cultures, have cultural transmissions tied in with nature.)

(Like I know OP's essay was more examining passivity and the implications at large in these books.... Whereas looking back, I think I got stuck on "Humans aren't allowed to go into nature" in book one and I was horrified by this and I never got past this part. This book was a dystopia for me.)

Anyway OP thank you for summarizing the 2nd book, yikes and also that was fun to read.

Also this is all ironic/sad because I actually liked the author's first book! When I read it years ago. (A Long Way to a Small Angry Planet) It was fun! I love me a motley crew of people in space ships becoming friends and having adventures. I had issues with the handling of sex/gender stuff, but at the time I gave it a pass. The rest of the books in that series didn't stand out to me, but I picked up whatever the author wrote anyway. I was disappointed when I picked up these monk robot books more recently. We're not even having, like... having that much fun here :( There's apparently fish dying in bizarre ways.

ykw i am having so much fan watching you be a hater, that i’ve decided to ask for more. PLEASE give us a rant about a book you hated.

Haha aw I'm honored. And uh I hope you don't have any particular attachment to Becky Chambers. Sorry in advance.

But A Psalm for the Wild-Built won a Hugo and I do not get the love. Book 1 was nice enough, yeah. Book 2 had me tearing my hair out.

Sibling Dex is a restless Tea Monk who serves the God of Small comforts on the science-fantasy planet of Panga. I genuinely love the idea of a tea monk - part therapist, part confessor, travels around to the different towns, mixes tea blends for people, lets them talk about their worries and fears and stresses, and gives them, if not advice, then sympathy and a listening ear and some calming tea. This is meaningful work but they're unhappy. After doing this for a while they're still unsatisfied with their life, so they go into the woods searching for self-actualization, and meet a robot named Mosscap, a wild robot that lives in the woods. See, hundreds of years ago, all the robots "woke up" and became sentient one day, then they staged a quiet rebellion against humanity's greed and industrialization by walking into the woods and never coming back. Now, the continent is split in half: humans stay on the Human Side, and robots stay on the Robot Side. The Robot Side is kept wild and humans are discouraged from going in there because humans can't be trusted not to ruin Nature. The rpbots are welcome to come to the Human Side, they just never have. Dex is the first person in a While to venture into the woods of the Robot Side, and the first human since the great walkout to see a robot. Mosscap gives Dex a lot of philosophical pep talks about not pushing themself so hard, about allowing themself to just rest and appreciate the world without feeling like they need to be Providing A Service to justify their existence. It's a nice theme. Underbaked, imo, but nice. Relateable.

Book 2 was a goddamn mess.

Book 1 mostly takes place in the wilderness of the woods, so it's okay if the nice utopian human community Dex comes from was sketchily-built. It Just Works, and everyone Is Just Nice, this is a science-fantasy parable. There were some issues I had with it - like the strict ideological and physical divide between Nature and Humans, and the fact that Dex's religion seems to be the Only Religion In The World, and it's vaguely secular-humanist with the gods being not "really" gods but names given to primordial forces and philosophical concepts, and the religion not really making any demands of its adherents in any way except to become their best selves and devote themselves to what they like... it's potentially interesting, but overall kinda lazy. It felt like Becky Chambers was aware of the idea that having an enlightened-atheist sci-fi utopia is Problematic, so she made there be a central religion, but she also didn't want it to have any of the ~icky~ things religions have, like belief in anything supernatural, or dietary restrictions, or creeds, or codes of behavior, or expectations to make any kind of sacrifice in any way. All the gods "ask" is that humans observe and appreciate the world. But whatever.

In book 2, Dex and Mosscap return to Dex's society, and the book seems to want to explain how the world works, and oh my GOD is Chambers not prepared to do this.

"Observe and appreciate" is all anyone is asked to do. Book 2, A Prayer for the Crown-Shy, is an ode to ultimate virtue of Doing Nothing. There's this attitude I see in a LOT of utopian fiction, where the author is bluntly just not a good enough author to imagine a utopian society where people act like people, so in the world of Panga, utopian society is achieved through 1) homogeneity 2) no one giving a crap about anything.

As far as I can tell, there is the one religion. Most people are Fine with this. Most people are Fine with anything. There are no characters with distinct personalities. There's no money, except there is, except it's not real money and no one will deny you anything if your balance is in the red, even though your balance is available to be seen by anyone - this does not cause any kind of shame or pride or competition in any way, and Dex doesn't understand why it might. There are no hierarchies or governing bodies, people just volunteer to step up when things need doing (this is portrayed as great and not deeply concerning). There are different communities, but in them, everyone is uniformly nice, friendly, and helpful at all times. There are some parts of nature, like the seashore, where people are not allowed to go because they'll ruin the environment, and this is accepted as correct and necessary. Most people live in hippie, pro-recycling, high-tech, end-of-history green communities; there's one group they visit, however, that doesn't trust technology, and lives in a vaguely sci-fi-Amish way. You might think, Dex travelling around with a robot, this might cause conflict! It does not. The people from this community calmly explain their anti-technology position, Dex calmly explains their pro-technology position, and they politely respect each other. "Not bothered either way" is a phrase that turns up in various permutations a lot and is held up as the good, mature, responsible way to be.

There's a scene where they catch a fish for dinner, and instead of killing it, the scifi-Amish guy says "We let the air do that for us, and they let the fish slowly suffocate to death in the air while they all look on solemnly and sadly. This is portrayed as a deep, beautiful moment of them witnessing and honoring the final moments of a living being's life. And not. y'know. them torturing a living being to death so they can keep their own hands clean.

This is what I mean about the valorization of passivity: observing is all you are ever obligated to do. Letting a fish die in the air is better than killing it quickly and humanely, because doing things gets your hands dirty, while letting things simply happen is the Correct way to do it.

At the end, Mosscap and Dex blow off all their promises and appointments and just hang out at the beach chilling out instead, because do what you want forever, you don't have to do shit. This is the happy affirming ending. Mosscap you fucking said you'd meet with the city leaders as the robot ambassador to the humans, did you tell them you were blowing off this commitment because you didn't feel like doing that anymore??? Did you even let them know??????

It is SUCH a baffling book. The theme wants to be "you are more than your job, you deserve to just Be" and ends up feeling like "you don't have to do anything ever, and no one can make you do anything you don't want to do if you don't feel like it, and you don't owe anyone anything and searching for a purpose in your life is just making you stressed out so chill at the beach instead."

The thing that drives me crazy is like. Mosscap cheerfully tells Dex about robots that spend twenty years in a cave watching stalactites form because they think it's beautiful, and those robots are just as much a valued part of society as anyone else. Appreciating beauty and wonder is good enough, you don't need to be productive. And I'm just. fuckin. like. Humans are not robots! Robots don't need to eat or sleep! Humans need food, and clothes, and shelter, and medical care, and if we don't have SOMEONE working to provide that, we Die! Nice as it would be, we CAN'T just all do nothing forever until we feel like it! We can't do that!

And at the same time, the book bizarrely treats wanting a purpose in life as like... almost disordered. If you are seeking a purpose in life it's because you just haven't let go of your guilt and relaxed enough. It's bizarre. Valorization of passivity. Humans aren't meant to be in nature so we just Shouldn't. Doing nothing and having no strong opinions is the most self-affirmed you can possibly be. Letting a fish suffocate is more moral than quickly breaking its neck or spiking its brain. Someone else will do it. Who, if we're all supposed to be resting and only doing what we feel like? Don't worry about it.

"The heart of this book is comfort [...] There is nothing in it that can hurt you." YOU LIAR BECKY CHAMBERS THE FISH SCENE STILL DISTURBS AND UPSETS ME TO THIS DAY

[gotorux]

Fandom Discourse Analysis

Mentions of aging up, enjoying villian characters, and disliking popular characters.

Something I have noticed about anime becoming more popular and mainstream and also the rise in minors in certain spaces is a constant level of discourse over certain topics. I truly believe it’s a good thing anime has become more popular. However, as it brings in more viewers, I think it’s important too open up the conversation surrounding the necessity of distinguishing fiction from reality. There is a lot of posts I see while browsing tags and although I don’t post often I think something needs to be said about three very specific topics that, for me, mean a lot and seem to have a lot of discourse surrounding them. 

One of the things I see happening a lot lately within the community is the hatred against people for liking fictional characters who happen to be minors in their respective animes. The aging up dilemma. First off, let me start by saying that a fictional pixel on a screen does not = minor. It can not be a minor because it is a drawing that was made up whenever the author wrote it. And in a lot of these instances, these characters are crafted by the authors with traits that appeal broadly to audiences, transcending their canon ages. This is particularly evident in shonen anime, where characters are often depicted with maturity, wisdom, or exaggerated physical features that align more closely with adult aesthetics rather than with children. This stylistic choice by many authors is done purposely to cater to a wide demographic, enabling viewers to form connections with characters regardless of age. 

It's important to recognize that a great majority of the time it is NOT the age that attracts viewers to the character which differentiates them with people in real life who are attracted to minors. Having a crush on, or writing about a fictional character that, like I said previously more closely align with adult aesthetics, does not make someone a pedophile. I think when it comes to loli and shota, then yes maybe we can open up this conversation as those characters are made to look like children. But that’s another topic. Acknowledging the fictional nature of these characters and their resemblance to adult fictional characters should be taken into consideration and not be misconstrued as indicative of real-life inclinations towards minors. Not to mention many of these authors don’t want them to be minors which is why they write about them as adults. Again, these are NOT minors. They are drawings and their ages can be changed depending on who’s writing them. An author could come out tomorrow and say the character has always been an adult and that would make it canon. It is not the same as pedophilia. Most people like characters like Sukuna that doesn’t reflect their real life tastes. Which brings me to my next point. 

Liking a villainous character does not correspond to endorsing those actions in real life. Anime often portrays "evil" characters with a depth that makes them appealing through usually through some form of tragic backstory, a charismatic or confident personality, or having extremely complex motivations. I think this makes people often misunderstand that liking them is a reflection of one's real-world values. That is not the case. 

Some people even like these characters just for being attractive and due to the fact they are fictional, and again an authors way of getting people to appeal to said characters, it can not be misconstrued of saying that those actions would be okay in real life scenarios. These characters allow viewers to explore themes of conflict, redemption, and moral ambiguity that can be explored in safety because it’s fiction. I think one of the main reasons people find themselves drawn to them is that villian characters are often created with flaws and authors give them depth to explore said flaws. This is why anti-hero characters are also often seen as more relatable and engaging. Anti-heroes, like villains, aren't bound by the usual moral constraints and often make decisions that are more realistic than heroes would. They can express doubts, conflicts, and vulnerabilities that mirror real human experiences. This makes them intriguing and allows audiences to connect with them on a deeper level.

All that said I think the attraction to villainous or morally grey characters often stems from their complexity and the opportunity they provide for viewers to engage with difficult ideas and emotions in a safe, controlled setting. These characters challenge our perceptions of good and evil by navigating a blurred line between the two which is appealing for most people. 

The last thing I want to bring up which kind of ties in with liking villainous characters is that disliking certain characters beloved by others is not necessarily a negative stance. Anime characters are crafted with diverse backgrounds, personalities, and motives, which naturally produce varied reactions among viewers. Understanding a character's motives yet still disliking them is completely valid and should stop being treated as inherently wrong or a negative reflection of someone. 

People are allowed personal preference and I think that encourages a a better discussion within anime communities whereby differing opinions can coexist. It is through these discussions that fans can dig into character analysis and conversations revolving around characters. Recognizing that disagreement over characters is totally normal and that people can be cool with each other, or be friends and disagree is important in both real life and fiction. 

At the end of the day there is also the block button which I will admit I use when needed, if you disagree with someone’s take. Instead of sending them hate and being a horrible person on the internet. 

[acommonanomaly]

I’ve seen a lot of criticisms of how the Crows are portrayed in The Veilguard, the biggest one being that they are “sanitized,” and while I can sort of see why people think this, I personally don’t see it. 

I was thrilled with the Crows in the Veilguard. My Crow Rook playthrough was so satisfying, and I came to love the Crows even more than I did before. 

Maybe that’s because I don’t feel the need to be constantly reminded that they are assassins who kill people for money. Or maybe it’s that I love them because they are assassins who kill people for money. I thoroughly enjoy morally gray characters, those who struggle against or give in entirely to the darker sides of their natures. I enjoy them because they are a warning of what any of us could become under the right (or wrong) circumstances.

And that’s why it’s so vital to me that they are not dehumanized. 

Of course some of these people who have gathered together as a group are going to form found families. I LIVE for that shit. Them being assassins doesn’t mean they're incapable of seeking friendship, family, and love. They’re people. Of course they’re going to fight for the freedom of their city and their people when Treviso is occupied. That doesn’t mean they aren’t assassins anymore and it doesn’t mean they’re knights in shining armor. It means they’re people fighting for what they love.

Zevran told us about the horrible recruiting methods of house Arainai and their torture of children. But it’s also heavily implied that he really cleaned house and stirred up change. I like to think that his campaign against his house made waves, that it changed some things. Not to mention, I find it very likely that each house has its own methods, its own way of doing things. 

And really, there’s no reason to believe that there isn’t dark shit still going on behind some closed doors just because the Crows don’t open those doors to Rook, especially a non-Crow Rook. The Crows not showing dark shit to this ally who is helping them doesn’t mean they don’t have dark shit going on. The Crows absolutely have their infighting and betrayals, look what happened with Illario!

(As a side note: I would have loved for Caterina to have been called out for her abuse of Illario and Lucanis, but Lucanis has been through a crap-ton of trauma and probably feels like Caterina is all he has left, especially after Illario’s betrayal. It makes sense that he’s not ready to face that just yet.)

What I find really fascinating is how a lot of the Crows seem to see themselves. The Crows grow up in a place where being an assassin has become completely normalized. Antiva has no standing army and relies on the reputation of the Crows to deter other nations from engaging in open conflict with them. Many of the Crows seem proud to be Crows.

And they have their own code they live by, even if we in the real world wouldn’t find it a particularly moral one. 

It’s illustrated most clearly in regards to Jacobus:

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.

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Imagine the chaos that would ensue if Crows were allowed to just kill willy nilly? How would they look then? They do not want to be seen as mindless killers. They don’t want their new recruits to fall into the habit of killing without a contract, as this would make them something other than what they would like to see themselves as. 

This makes sense and I like seeing it examined.

I love the Crows being explored more deeply and given more depth. I love seeing them as people as well as assassins. I would love to see even more of it, to see how these people who go out and kill for money behave once they’re not on the job. 

This is good stuff and I’m all for it. 

[bellowsmith]

List of things I'd find compelling in Tarn fics and have 0 time to write.

1. Religious mania, this mf has been high off his ass on every single substance and indoctrinated in a war cult from hell for 4 million years. Bro is having more visions than the goddamn oracle of Delphi at this rate. I think the implicit slow burn horror of realizing how fucked up he is either from his point of view or from another character's would be so goddamn interesting.

2. I just think the DJD being lost in deep space by themselves and forced to escape from some eldritch monstrosity that's beyond mortal comprehension a la annihilation style would be so interesting. Like how does a man who's already got a loose grip on reality with vocal weaponry gonna handle space cthulu?? How's a gaggle of space murder hobos gonna handle a prometheus/alien type of monster invasion? Bonus points for maximum body horror.

3. The implicit message that is Tarn being obsessed with classical music and perhaps able to play it, but never being able to write his own until something breaks him away from Megatron. Maybe he gets into new kinds of media, I feel like once he opens up his horizons he seems like a punk music scene kinda guy.

4. TAKE AWAY HIS T COGS AND DRUGS. I'm serious, put this man in critical condition and going through extreme withdrawals and see what happens when he is no longer capable of having his vices. Does he experience an epiphany? Does he realize how pathetic he is and do something about it? What's the DJD think about it? How does his personality change?

5. I just wanna watch him and starscream stab Megatron to death while holding hands. They've been through 4 million years of absolute shit while both thinking the other one is the "other woman". I just think they should be allowed to make each other worse and also hold hands about it. What better partner for a man seeking global domination than the most loyal bodyguard ever built?

That's the main gist of it for now. I have a master list of things that fascinate me about gods stupidest war criminal, but I don't feel like typing them all up right now. Perhaps I'll make a second post idk. Feel free to use these as you will, just let me read the damn thing.

[vaya-is-dead]

Hour two of my delusional city

Let's talk about Timebomb

* arcane act three spoilers under the cut don't read it if you haven't watched it you have been warned*

HOUR ONE HERE FOR YOUR VIEWING PLEASURE

*Note* I am not personally a Timebomb fan. I don't really care for it, but I think there is a lot of nuance that can go with it, especially considering that it happens in an alternate universe.

As a sidenote to the whole jinx might be alive thing. I wanted to touch upon the now sort of canon ship TimeBomb. I say sort of purely because it became real in an AU.

I see a lot of people complaining about it, becoming Canon, but I think this is a good demonstration for Ekko and Jinx as characters.

Think about it this way, in the AU there is no jinx, there is only Powder. Everyone but Vi lived. This means, specifically for Jinx, she didn't have to go through some of the most traumatizing events in her life. This allowed her to fully become who she was probably meant to be. A brilliant young woman named Powder with ideas that would change the world.

In the main timeline, Ekko and Jinx are at odds there is no room for the relationship that could've developed to be there. Even after the fact, after Ekko talking to jinx and convincing her to do one final strike with the fireflight (think the name might be wrong. Please excuse it.) Jinx is still extremely traumatized and at this point, her goal is to make sure her remaining family, Vi , to be happy. in her mind that means without her.

So I think Ekko and Jinx would never work, at least not with an intense amount of therapy or self-discovery for Jinx.

But as we see in the AU, it works with powder.

Powder is what jinx could've been, had given the chance to live a normal life. She still has the same sass and charm, but instead of it being a coping mechanism, it becomes just something that naturally is a part of her personality. She is still deeply hurt by the loss of her sister, but she has the network to cope and to heal while still remembering her, which gives her the room for a romantic relationship in her life.

And as for Ekko, there is a flashback to a time where he actually killed jinx on the bridge but he rewinded time (it might've been a hallucination too, so correct me if I'm wrong)was this just reaffirm that he still cares for her and hasn't given up on her like he's so claims to. It is a show of his compassion for others and for the cause that he fights for. There is also the parallels between season one episode seven "boy Savior" which gave us the fight scene of The fireflight against Vi and jinx which gave us older Ekko, and episode seven of season two which gives us an explanation for where he's been for majority of season two.

On a sidenote, I also wanted to add that I think the talk with Ekko, made jinx realize that Isha sacrificed herself for her to live. And I like to think that maybe somewhere in her mind, she thinks that it would've done a disservice to Isha's sacrifice for her to die. (yes this is relating back to my delusional our number one theory.)