#also lol the double standard

[thrumbolt]

Sometimes I forget why exactly I disliked ACOMAF as much as I did and then I see a random quote and am instantly reminded.

This is exactly the type of gaslighting that this book does that annoyed me so. fucking. badly.

'All he'd wanted to do wasn't free me, but fuck me' - ah yes, because it totally wasn't her who went for his pants first.

'He hadn't tried to kill her, hadn't crawled for me'

Excuse me? He crawled as he was bleeding out from a chest wound, still tied up. Not to mention he DID kill Amarantha in the end. (Also he couldn't kill her before, because that's how magic bonds work - none of the high lords could lift a finger against her. There was literally nothing he was able to do).

Also it makes no SENSE for Feyre to be resentful of Tamlin not rescuing her all of a sudden? Tamlin saved her already by returning her to the human realm. SHE returned to fight and die for him. She KNEW she'd most likely die but she was there to rescue HIM. It's not like she got kidnapped by Amarantha and he just watched, no she came to die for him. It's kind of weird to blame him for not getting her out when she came in to get HIM out.

So yeah, ACOMAF is awful in this regard and I just don't get it. It would have been quite easy and possible to make Feyre realize that Tamlin isn't right for her without literally making shit up about him that conflicts with book one.

[lord-squiggletits]

Reread/skimmed my oldest Pharma apologism posts (mainly the ones about Pharma not being a functionist) and it just occurred to me that possibly another reason the fandom saddled Pharma with the "functionist bigot" label is because his introduction by First Aid says that everyone hates Decepticons, but Pharma really really hates Decepticons. Mix that with the portion of the fanbase that lionizes and whitewashes the Decepticons, and I can easily see it entering common fanon that "Pharma hates Decepticons -> the Decepticons are freedom fighters wrongly maligned by the Autobots/the franchise -> Pharma must be a bigoted functionist since he hates Decepticons who represent freedom."

The simpler explanation is just that Pharma is an antagonist and therefore gets the "everything about him must be evil and wrong" black-and-white analysis so common in fandoms in general, but given some of the bizarre Decepticon takes I've seen I can also easily see Pharma's Decepticon hatred being taken as a sign of him being bigoted and evil.

Though AGAIN in this case it would still be singling Pharma out as a bigot for crimes/flaws that multiple other Autobots are guilty of like.

Oh, Pharma hates Decepticons? Well a lot of other Autobots hate Decepticons too, First Aid's narration about Pharma even says "we all hate Decepticons"; for that matter, there are a lot of Decepticons who hate Autobots. It's a massive civil war that's lasted for a lifetime causing two groups of people to be stuck in a near-permanent blood feud, you can't assume that every Autobot who hates Decepticons (and vice versa) hates them because they're a bigot. Maybe there's been a war where both sides have been building an ever-increasing mountain of reasons to hate each other, so hating the opposite faction is a social problem caused by war and politics rather than a sign of individual moral failing.

Pharma worked at the New Institute so that means he must be evil/bigoted? Chromedome and Brainstorm also worked at the New Institute, but there's no widespread fandom shunning of them or headcanoning them as bigots.

Hell, even the very premise of assuming Pharma is a functionist bigot for hating Decepticons is ignoring the very premise of Pharma's motives, which are, uh... being blackmailed by the leader of the Decepticon Justice Division, who represents the ultimate form of Decepticon ideals to the point of literally wearing their symbol as his mask? So how were we jumping straight to "oh Pharma hates Decepticons bc he's a posh bigoted functionist" when there was a far more immediate interpretation/headcanon of "Pharma hates Decepticons because he's being tortured and blackmailed by one."

That's not to say that Pharma couldn't have hated Decepticons before Delphi, and I think you could make interesting headcanons/extrapolations based on either idea. But still. It kinda feels like people saw Pharma and just wanted to make him the Token Evil Autobot who's the opposite of our Good Heroic Autobots regardless of whether evidence from canon supported it or not.

Good riddance to bigoted functionist Pharma fanon, I'm so glad that the majority of Pharma fanon these days actually gives him a chance and puts him on equal footing as other Autobots.

[madockisser]

Why do you wanna kiss Madoc?

not sure if ppl are actually weirded out by my user or not, which most certainly is not my intention, but i feel the need to rant abt my thoughts on madoc! i also don’t wanna deter anyone bc of my user 😭! btw i totally understand if u hate him w all your guts like truly i get it but don’t hate on me for not! my user is mostly a joke! (also i LOVE cardan and jude sm more than madoc obviously just the “madockisser” user is funnier and so few ppl talk abt madoc so i feel the need to 😭)

madoc raised 3 children that weren’t his, was willing to risk quite literally everything to become king so his poor mortal daughters will be treated like princesses in a world where they’re treated like garbage. madoc has his faults(like trying to make poor oakey pokey king), but a lot of them can be chalked up to his redcap nature, being bloodthirsty and power hungry and just not understanding jude and her morals since their morals and life experiences are just SO different

him and jude have the same goal, except madoc and his nature, his morals, make the execution of that goal and the endpoint a bit different. jude is trying to save oak from being king so he won’t have to grow up bloodthirsty and drenched in blood like she did, while madoc is trying to make oak king, which he thinks is obviously the best thing he can do for him since madoc is so power hungry.

in their own eyes, they each think what they have planned for oak is best, and obviously to madoc making his son king after slaughtering nearly the rest of the greenbriar bloodline which solidifies his succession to the throne is a great boon, and in his eyes, jude isn’t trying to keep him from doing that to protect oak, (since he doesn’t understand that jude grew up so miserably) he sees jude trying to take/keep oaks throne from him.

jude says in her inner monologue at some point that she’s sure that madoc would relinquish the throne to oak when he’s of age, since he’s a man of honor or wtv, and madoc obv thinks this is just the best course for oak. why wouldn’t madoc want his children powerful and bloodthirsty? he wants them to be like him, and more than that, he doesn’t want them to slave away for a greenbriar like madoc did to eldred and balekin and dain(which he reveals in the stolen heir duo)

another thing is his morals when it comes to dain. he was livid in a way oriana had never seen when he heard about what dain did to oak and liriope. which makes perfect sense for him because he has honor enough to not slaughter a woman for being pregnant and by extent taking the life of the child inside just to remain in power and in favor.

dain did something that madoc inherently disagreed w. so madocs decision was obviously to betray him and run him through after replanning. it’s just in his nature. he replans, betrays, and resorts to murder when it matters lol. he does the same (sorta) w balekin by using him as a ploy to get oaks throne. balekin who has human slaves treated terribly, while madoc had a human wife and human children. i’m shocked balekin didn’t see madocs betrayal coming.

and even tho jude did something he inherently disagreed w/ and didn’t try to understand (which frustrates me sm) he gives her so many chances to come back to his side, he gives her advice, he gives her chances, betraying his nature for his daughter until qon, when he finally resorts to murder. fucking devastating.

on a lighter note, i do think it’s funny tho that despite it all he was still a better father than eldred and dain, and better guardian than balekin. though i will say that i do NOT excuse so many of madocs actions (bc he causes my poor baby jude so much pain), and when i’m actively rereading esp during qon i do in fact hate that mf, …i just think he’s dilf-y.

unrelated but he’s like the lead of a monster romance. holly black actually has another green sweetheart-chemist murdery bf, in her book valiant, but he’s too niche like nobody knows abt him which is so sad bc he’s sooooo cute and sweet. “ravuskisser” would be my user

i love reading his and jude’s dynamic, i love reading abt him and eva and him and oriana. i love in tpt when he FINALLY says something abt eva, finally understanding why she left him, and him owning up to his mistakes, but then saying , “but if it were not for my mistakes, i would not have the family i have today.” 😭😭😭😭😭

ALSO, the exile. it was so necessary. madoc living amongst humans helps him realize so much about eva, jude and taryn. “since humans have a shorter lifespan, they would risk much for happiness.” he says (not word for word) in tpt when speaking of eva, but ofc it also applies to jude and taryn.

anyway i guess moral of the story i like madoc bc daddy issues ig and also his complexity, holly black is a genius at writing morally grey faeries w diff mindsets! also how jude describes him to be a “tall man” the second he’s on the page like damn i get it eva and ori! anyway even holly black supports madoc kissers like me so don’t judge me!

[lucienne-thee-librarian]

Just to minimize my chances of being genuinely misunderstood OR deliberately misinterpreted, and crucified for something I don't think, How Dare You Say We Piss on the Poor website etc...I'm gonna say this right up top. I absolutely understand why people don't like Thessaly as a character, if anyone does completely unironically stan her as some kind of feminist hero who Did Nothing Wrong uwu, I personally see it as a bit of a red flag. I don't like terfs real or fictional. In a vacuum, I could even completely sympathize and agree with the people who want her cut.

HOWEVER.

It's really something to me to see people clamoring for her to be cut, because she carries and expressed an ugly indefensible prejudice (transphobia) in words towards (1) person. Meanwhile Hob fucking Gadling enacted one of the most violent forms of antiblack racism I can even think of against thousands no, millions of people, the ripple effects of which still affect billions more today. Just a little light idk, profiting off the fucking slave trade and had to be told by someone else that it was bad...and he's a fan favorite.

People are saying Thessally being Dream's love interest reflects badly on him or is somehow endorsement by the narrative (?!?!?!?!?!? Didn't she (SPOILER ALERT AS IF IT MATTERS BY NOW) help participate in his extended assisted suicide? She's not painted as a great person to me just another character what are y'all SMOKING whatever fine. It's fine this is fine.) But shipping Dream with Mr. Former Slaver is not only not verboten or frowned on widely in the fandom but its THEE most popular pairing by far. So...why the difference?

Like where are the same fans who are saying Thessaly shouldn't just be more clearly shown to be wrong, she shouldn't even be in the show at all when it comes to Hobert's crimes??? Yes, transphobia is indefensible. Isn't racism?

And I hear the cries of "it's fiction!!!" Already rallying (if anyone who needs to hear this even sees it lol) to which I say:

HORSESHIT. I KNOW you don't, deep down, really agree because if you did, why get upset about Thessaly being included??? Why does what she said to one person matter if it's Just Fiction You Guyze. Fictional characters are allowed to do bad things and fiction isn't reality sweaty....except when you only apply that standard to fictional racists you like and simp for, but fictional transphobes you don't are SO HARMFUL they shouldn't even be portrayed in fiction.

Like. Give me a big fat BREAK. This looks like bullshit, no? I'm sorry, but I'd love for someone to try and give any other explanation besides one personally offended you or hit home for you, and the other doesn't.

And if that bothers you or you feel like it says something negative about you...idk what you want me to say??? You can't control how other people perceive you and that's how people outside this majority-of-the-fandom bubble see it. You don't need to respond, I just wish and genuinely hope this gives you a moment to think about why fans who ARE bothered by both (and not just paying lip service to being bothered by the one but railing against the other) are so frustrated with people saying everyone is welcome but in practice only bending over backwards for the comfort and emotions of themselves, and people they can easily relate to.

You don't have to like Thessaly (I don't. I find her an interesting antagonist, I don't stan her. And frankly imo likability is not. the point of her character) but you'll pardon me for feeling more than a bit cynical and side eying people's motivations for what seems a...pretty obvious double standard, on what fictional crimes related to real world issues matter to y'all, and which clearly don't. Either actually bring the same energy to the table for fictional people who committed atrocities, even if against a group you're not part of and thus don't feel the need to empathize with, or just carry on, but accept that you don't have the SLIGHTEST room to talk about cutting characters who do immoral things. And you also need to accept that you look like a hypocrite when you do.

[chaoticlandworlder]

It's on sight @ those who say Max only won because of the safety car (yet didn't say shit about Miami).

[randomnameless]

I really want to get into Unicorn Overlord because that prologue slaps and it sounds like an interesting gameplay experience

but

the designs are just...

Camel toes, battle thongs and bouncing boobies that would straight up be from some of the worst FEH alts, furry baits (forget the sniddies, we have foxtits and... owl boobs...) and leg art that would make Duo!Doro look tame in comparaison.

What to do...

[creativity-deficient]

The funny thing to me about the “creek is forced” argument is that it literally defeats the purpose of the episode??

Like the two of them were CLEARLY uncomfortable with people making art of them together and only became a couple AFTER accepting themselves and realizing there could genuinely be something there. The town may be what pushed them together in the first place but in the end it was ultimately their own decisions.

Also by that “logic” Tolkchole would be forced as well (since Cartman is the one who pushed them together) but I see no one complaining about them 🤔🤔

[nikki-tine]

Hi guys! Sorry I haven’t been posting as much lately. Been prepping for artfight and juggling irl stuff on top of it.

[c-kiddo]

keep thinkin about in late cr2 when people were sooooo mad that liam said caleb didnt trust essek (yknow, because of the everything* 🤨) but were also Especially mad that he'd trust astrid and also that he still had a lot of (complex) feelings for her (because he grew up with her and they were groomed by the same person and he was in a relationship with her and she's basically a shadow of what he couldve become etc)..... cr fandom top 10 misogyny moments

[lumiilys]

What if I just rambled in the tags rn?

[zeynatura]

You see everyone in bg3 tells me mindflayers have no souls, they're monsters and deserve to die but then Omeluum is right there and is the opposite so I beg to differ

[jinxed-sinner]

Alright here's my full (possibly hot) take on redesigning Hazbin Hotel characters and making a video showcasing those redesigns while you criticize the official designs.

First and foremost, you are redesigning someone else's OCs. Hazbin Hotel is, in essence, a passion project for Viv. How she talks about it makes that incredibly clear to me. The only difference between Hazbin Hotel and, for example, the story I'm developing surrounding some of my D&D OCs is that Hazbin Hotel got picked up by a streaming service and is significantly more popular than most passsion projects get.

Personally if someone wanted to redesign my D&D OCs, I wouldn't mind it, in fact I'd probably think it was really cool that someone would want to redesign one of my OCs to be closer to their tastes in terms of what they like to draw. I would, however, be made incredibly uncomfortable if someone made a video redesigning them where they also pointed out everything they thought was wrong with the designs. I didn't design these specific D&D characters to be 1-to-1 accurate to their classes in D&D or to look professionally designed. I designed them how I wanted them to look for the story I'm telling because I don't plan to ever play them in a campaign. The main character Avlan is a paladin, and I can acknowledge that his design might not look exactly like a paladin. One of the tabaxi in the story (Ice) is a bard and the other (Spark) is a ranger, and I acknowledge that their classes might not come across well in their designs. The single tiefling I've designed for this story (Tragedy) is a cleric but might not come off as one in their design. But I specifically designed them to be easy for me to draw because I want to be able to tell this story through my art. Having someone say "oh, Avlan's armor isn't paladin enough!" or "Avlan's fur colors and patterns should be closer to a wild rabbit's because harengon shouldn't be based on domestic rabbit colors!" would fucking hurt (especially because I'm so attached to Avlan, but it would hurt just as much if similar comments were made about Ice, Spark, or Tragedy). I am so passionate about these characters and being told their designs are bad or wrong in some way would be like a stab in the heart, and it would still feel like a stab in the heart if this story ever got a massive fandom behind it. Giving Avlan more complex armor because you think it'd look cool or just want to see what it'd look like? Sure, if I could draw more complex armor I'd give him more complex armor too. Giving him more complex armor but also shitting on the armor I decide to draw him with? My motivation to draw him in his armor, potentially draw him period, would be dead for WEEKS.

Why is it suddenly okay just because someone's passion project was picked up by Amazon Prime? Why is it suddenly okay to be "fixing" someone's character designs just because the project has a much bigger budget than most artists get and is on a popular streaming service? It's not. I don't care if you're a professional character designer, or think a specific character would look better with certain traits, or just don't like the character designs.

Hazbin Hotel is still Vivienne Medrano's passion project, and redesigning her characters and making videos talking about everything you think is "wrong" with them is, honestly, disgusting. You can make videos explaining your choices in your redesigns without putting down the designs that already exist, whether you like them or not. Me thinking Lucifer looks better with his tail not restricted to his full demon form doesn't suddenly mean I don't like his official design, because I fucking love it. If you wouldn't do it to an artist whose passion project is just a webcomic here on Tumblr, don't fucking do it to an artist whose passion project got picked up for a cartoon by a big streaming service (or any company for that matter).

[babacontainsmultitudes]

[just venting a bit into the void you understand you understand 😌] Lately I've been feeling very caught between "I have a lot of thoughts on Sparrow and Normal and all that with the ending and teen talk and feel like I need to get them out and voice them for my own piece of mind and resolution" and "I am lacking the strength and energy to actually sit down and write it all out and kind of really just want to fully move on to other things (AUs, fics, anything else)" but my brain can't seem to commit to either and that's quite frustrating cause it's just left me very restless. *Sigh*. Idk! Just needed to complain about that a bit ig, it's silly but this is what has been ailing me as of late.

[musclesandhammering]

I like Laufeyson better than Odinson because Loki deserves to claim/retain some tiny connection to his heritage even if it’s the last name of his shitty birth father.

And considering he rejected his adopted name because his adoptive father was genuinely trash toward him, it seems invalidating and dismissive of his pain (especially for a character who has a theme of being invalidated and dismissed) to be so adamant about him accepting the ‘Odin’s son’ label again.

I also like the narrative symbolism of him finally standing alone as a character and building an identity for himself outside of his connection to the Thor family.

In addition, even if complete reconciliation had happened between all of them, the events of Loki discovering his parentage/actualising his feelings of being different/dealing with the shift in dynamics in his life and family/etc were so impactful for everyone involved, it’s nice to have a silent reminder and acknowledgement that those things happened instead of having them just pretend nothing changed, and calling him Laufeyson does that perfectly.

[randomnameless]

Drankengard done (land 2!)

A lot of nice things in this part, so far it feels like the most FE-like land, and some characters from this land are really interesting!

l firstly love how the plot starts with "we have to rescue this midget prince from 100k soldiers" in one of the few defend maps of this game with various catapults and other engines to attack/defend against a cluster of loldiers coming at you - that was nice compared to the nigh useless ballistas and other engines in FE.

Granted, Gilbert's defining moment after being revealed is basically protecting his vassal from a gotoh-like character who's twice his size and more or less recruiting her for the defend map -

(localisation thingie : no "kisama" for eng/fr script Gilbert, sure it's kind of complicated to put it in words - like an agressive "you" - and yet it gives some nice characterisation, after Amalia rekts Leah and while Gilbert is standing seconds before being surrounded by 100k peons in front of someone who's basically stronger than anyone else around, he is still angry and pissed for his friend's sake) -

Just before being upset at asking our party - aka a foreign nation who was at war with his for the last few decades and revealing that his dad only granted asylum to the princess of said foreign nation to marry her to his heir to conquer it later on - for help.

Hopefully for him his game is no Triangle Strategy, so no one will actually tell him to eat shit because he wasn't the one who liberated the land even if he participed to instead worship the "foreign" person who led the liberation army.

Hell, idk what kind of PR campaign Gilbert and his few loyal soldiers pulled out, but some NPCs are really acting as if he liberated his kingdom single handedly lol

His relationship with his elder brother was sort of developed in the main plot - but more in the equivalent of the support convos - but as I said in another post, I really loved that part where he feels like he's still a second prince, and if his older brother returns, older brother should get the crown even if older brother feels like dirt for failing his country and his father, and became a wandering... mercenary who's busy saving priestresses from jails (and leaving them in the middle of battlefields).

Ultimately, they reunite and more or less solve their issues, and Ludwig manages to tell him that he wouldn't be half the king Gilbert is, because Gilbert is the one who led a rebellion and ultimately led Drakengard free, is loved by this people etc etc.

TBH, while it was short, this was a nice character arc -

(complete with the support/rapport convo just after the final map I unlocked where Gilbert, wanting to know how the common people live in his kingdom, gets plastered with the a random worthless bandit/merc who's freaking out from the entire situation lol)

The other major character from Drakengard is Virginia, the MC's older cousin!

We first see her being kind of pushy and overbearing, sometimes taking the initiative to do rather extreme stuff (wanting to fetch her axe instead of recruiting the earlier worthless bandit/merc), but she's still deferring to the MC, save for a certain mission - because, and kuddos to the game for going there, while Virginia's story is basically a tragic Marth's, aka, when her kingdom was invaded she had to run away to a foreign state for asylum but without any Jeigan, she believed for 10 years and never stopped believing that she was the only one who survived, and thus it was her role and duty to restore the Cornian line on the throne and take back the country from the evil Empire.

And... MC pops up, as the rightful - aka the son of the late queen as opposed to her mere niece - heir thus Virginia's hopes of becoming the Queen and the one to restore her nation vanish.

So kuddos for the game to basically have Virginia tell her cousin that while she was happy to see him and learn he was alive after all those years... she also felt jealous, because the 10 last years she spent having this dream and hope to be the one to restore the country... vanished in 10 minutes lol.

She's not going to challenge Alain's claim to the throne and instead will support him.

Granted, this moment becomes ten times more interesting if you do her own mission before - aka the one where she zerg rushes against the dude who slaughtered her retinue against the advice of Jeigan Joseph and becomes a dreaded green unit (who loses her promotion somehow???), running in a battlefield full of catapults to have her vengeance.

Remember when I said one of her first defining moments is when she asks to be handed her axe to get rid of a worthless merc instead of recruiting him? Well, her words back then were something like "your men died for you, so you can't beg for your life" or something like that, we learn in her own mission that she was basically talking about herself.

Basically, kid!Virginia was supposed to have her Jeigans and Cain/Abel/Draugs and they were supposed to escape and run away together to Drakengard... but they were slaughtered by some general of the evil empire who thought bringing her head would make a good offering to the evil emperor, so the Jeigans, Cains, Abel, Draugs etc etc laid down their lives to allow her to escape - we have a voiced FB with a few images and a battle cinematic, where the knights basically say they will die to make sure she'll be able to escape, and will slow down the evil general with their corpses if needed.

The entire platoon of knights died, and Virginia has been carrying this trauma for ten years, dreaming of having her revenge but never once confiding in anyone from Drakengard about it - not even in her (Gilbert's) vassal Leah who she seemed to be close too earlier.

Short story, the general holds a fort and is supposed to be called back to the evil empire's capital for some reason, and instead of waiting for his departure to recapture the fort, Virginia storms at the general to have her revenge (accompanied by the knights who were just squires when she had to leave, and thus couldn't be there when their senior knights were slaughtered and want revenge as much as she does!).

You have to send Joseph to talk to her to have her turn blue again (and promoted again thank gods) and the re-recruitment scene is cool for 2 things :

1/it's Joseph, not Alain who talks to her because her beef and the one who talked to her and the one whose plan is ignored is Joseph - I love it when the MC isn't at the center of everyone's universe

2/Virginia during this convo notices her friends/knights are injured (they have the injured sprite) and realises she was going to send to their death the last remaining members of that platoon, chastises herself and her next battle lines are something like "I won't let them die/bleed anymore" or something and it's fucking powerful because hey, besides some "vengeance is empty" that she will get later on herself, part of what makes her see reason is the realisation that her allies are injured and were going to die in her quest, and she can't have that anymore (nice ludonarration moment here, Virginia is a tank, if her allies are injured, it's because she wasn't tanking well enough!).

"Vengeance is empty" moment : the evil general who slaughtered her former knights doesn't even remember the people he slaughtered, or the mission where he hunted her, aka, she's been obsessing for 10 years over something her so called "nemesis" forgot.

End of the map, the realisation that her vengeance was nothing + she put her close allies' lives in danger (+ the little bit of salt when she mentions that Alain is the Cornian Royal people should follow because he is royalty) make her want to leave the army as fitting punishment - which, you know, coming from a series where some lord basically goes 1VS1 against the guy who killed his dad and who was followed by his kid sister who put herself in mortal danger but only receives a scold from his not-mom and slap on the wrist just makes me side-eye FE Tellius' writing even more.

Anyways, while I read on redshit that some people were pissed because "wah wah Virginia is a character who does foolish things and there are consequences about it she should be exiled forever or something", she obviously doesn't leave the army because, all of her close allies ask her to stay. Hell, Alain only gives one or two sentences that are dispassionate compared to the other 4 - again to show that MC privileges aren't everything at least plot wise - but the main voice is Leah's - aka her (well) Drakengard retainer!

When earlier Virginia told her that this story and her choice had nothing to do with Drakengard - because it's about Cornian knights who died during her flight from Cornia - Leah now reminds her that she became someone important for Drakengard too, and you know, the 10 years she spent here ? It's not just only background to give some fluff for a teatime line, no, it has more implication, if not only to have this moment where Leah says that Virginia's pride, bravery and hope to restore her country also influenced and inspired people (Gilbert, the second son who had to assume the role of the King when no one else was left!) around her and made the people of Drakengard also hope to liberate their country - if she leaves now, the named character from Cornia will miss her, but also "Drakengard" in general.

To cement her words, after this map we can talk to some Drakengard NPC who's all "wow Princess Virginia is so cool she defeated the bastard in charge of this fortress!" and while idk if Leah's speech + that NPC were added to make the ending where she becomes the queen of Drakengard (save for Alain marrying his cousin) more plausible, but it was a really nice addition.

Adding to that the fact that Virginia is the one who's basically telling Alain (and informing the player) about various map hazards like geysers around the land, giving some backstory about the desert along with Leah and also the one who tells the party about a sort of shortcut/secret passage and yes, we get it that she lived for 10 years in that land and knows it enough to act as a guide, but also that the people around know her.

I mean compare with a game where some dude apparently went to a school in a foreign capital but when he marches on said foreign capital or talks to people who also attended that school he never mentions it - it's like night and day.

Final "daw" moment that is both tied to her character but also, another example that Alain isn't the center of the universe... Virgnia is the one who tells Alain to talk to Aramis (the eldest prince who became a merc!) and ask him to talk to Gilbert to put his worries aside about the throne and the succession and ust, to reunite with his younger brother.

The characters concerned (Gilbert and Aramis) thank Alain for giving them the occasion and push to talk to each other - not knowing this was something Virginia planned, because while hers and Gilbert's issues are sort of similar (the not "legitimate" heir who took the mantle of restoring their country to glory and believed it so for the last decade, only for the legitimate one to return), she has a good enough read on Gilbert to know that he needs to talk to his brother to put his doubts and questions about his legitimacy aside and accept that he is the King.

Coming from a series with "avatar scissors", the bonds and links between the characters was really something I enjoyed, Alain will not pop up and tell Gilbert that he is a good king and should get over/or deal with his doubts about his brother, Alain isn't the one who gives the most meaningful speech about why Virginia is important to Drakengard and hell, we don't even see the exchange we know he had with Aramis to convince him to talk to Gilbert, because the most important scene here isn't the Alain-Aramis dialogue, but the Aramis-Gilbert one. Gilbert doesn't want to free his Kingdom because he envies Alain or Alain told him to do so, it's something he wants to do being inspired by Virginia.

In a nutshell, Drakengard's major characters were a good surprise and their stories and quests were cool.

More minor character wise...

We get the Drakengard version of the same plague we saw in Cornia, but instead of having "clerics" perform experiments on infected people to find a cure, the accent here is put on a wyvern knight who was to enforce a lockdown, to prevent the plague from spreading and well... no fines in this setting, instead she runs them through with her spear.

IDK how that game would have been received just after Covid lol

All jokes asides, just like the Cornian version of this plot heavily suggested, the plague was devised by the evil empire to cut down the forces of the rebellion and make sure this land would be able to be conquered easily.

Why are the imperials killing people? Well, it might have to do something with the fact that the totes-not-gharnef old sorcerer guy is a necromancer...

Leah's quest explored a little more the background info that "Drakengard and Cornia used to be at war" thingie, with random green units also mounting a liberation army but refusing our help, and we know how this ends with green units, we basically have to save them.

Map ends with some Drakengardians - who swore allegeance to the evil Empire? - still willing to fight us, and Alain asking Leah to please ask them, as a Drakengardian (?) to surrender because if someone from Cornia asks them they will refuse.

Also it's a bit of a character exploration, for once the usually demure + always in the back behind Virginia asks the Liberation Army to do something and insists even if people refuse, straight up saying that in that case (if they refuse) she's going to help the green NPCs herself since she's strong enough to do so and it's cool because I think at one moment Virginia sighs/laughs, but not in a derogatory way, but more in some "damn she's becoming like me" way - which is alluded to in ther rapport conversation, Leah seeks to emulate her bold and fearless (being a green unit) behaviour.

I haven't seen a lot of convos with the desert people we recruit - thank goodness we're far from Hyzante's clichés even if the "people in the desert are bandits and former prisoners" trope is still here, but given how the ones who attack us were brainwashed by the evil Empire, it's not as aggravating as, well, Nopes or Hyzante.

Gameplay wise :

Damn if promoting your units cost medals, but it's so worth it to have more than one action (at least) per turn ! It also means we can use entire new strategies because now the turns are at least longer than one round each!

Drakengard fills the Jugdral quota with the group of units coming all at once at you sometimes lol, but I loved the aesthetic difference that ultimately became gameplay difference between this area and Cornia, basically we have more mountains to less space to manoeuver the non flying units, the enemies use AoE engines to ruin you or at times, AoE map abilities from their own units to deal some annoying amount of damage.

The cities are larger so instead of fighting in a meadow with one or two small buildings here and there, at times the fight takes place in an entire city, so again, it means reduced mobility and of course, desert sucks because, just like FE, you can't move well in the sand.

Lolcalisation wise :

Virginia "I have never been fond of court formalities" says a desert full of bandit isn't a place for "royalty like us"? When the "us" is both her and her cousin reknown for their martial abilities?

What the fuck does it mean ?

At least in FR it's "a lot of people avoid this place" and not just "royalty like us" - which doubles as ridiculous because in the "people avoid this place" it's again the trend of Virginia being a tour guide of Drankengard, telling Alain that people from Drakengard think about the desert, eluding this part is also, in part, eluding part of the knowledge Virginia has about Drakengard.

I think the localisation took the "royal pride" that defines her and exaggerated it to "royal arrogance".

IDK if the meaning is the same in english, cretin is an insult like in french, but damn if you say to someone the are a "crétin" they will feel offended and insulted because that's way more rude than calling someone an idiot!

:/

And I also have a bone against whoever thought it was a good idea to throw "pseudo elvish" words in the localised script (sadly we followed this :'() when the japanese audio doesn't use them at all, was it to pretend the evles from Fevrith have a different language because Tolkien shall be universal, or what?

Elf land doesn't see that interesting plot wise compared to Drakengard, and I'm not saying this because of my Alcina bias lol but I'll just have to wait and see!

(poor hodrick is being slaughtered by those pesky pointy ears and their hybrid attacks, tfw armor not withstanding magic is universal, I'll have to promote Miriam asap to protect him or just bench him :/)

[britneyshakespeare]

so i was back subbing at the elementary school today. i had fourth and fifth grade lunch monitoring duties.

i may have mentioned this last may or june or so, but there was this one fourth grade class they put me in several times when that was not on my schedule. from my understanding the main teacher was having some health problems so she would sometimes have unplanned absences or have to leave abruptly. but this class had like a reputation.

because there was like, a pretty identifiable group of like six or seven boys who were all varying degrees of troublesome. i actually do well w the kind of troublesome boys that other educators often have a bias against. it very much bothers me how many boys people just kind of give up on, and so young. it causes so many problems down the road but that's another rant for another day.

and yeah, these boys definitely earned the reputation they gave their class. there was one day i had to send four different boys down to the principal before lunchtime. and im pretty gentle, but when you're the only adult in the room like that... it's impossible to win. you can be kind or you can be cutthroat but everything about the environment is working against you. and most of the time i didn't even have like a para assisting me. awful awful awful.

but anyway on lunch duty today i was talking to them again, because they're fifth graders now. they were all asking me like "do you remember me? do you remember my name? do you remember MY name?" that sort of thing. and i was like "yes, you're ____, you're ____," and they were like, a little shocked but also like. kid it's only been a couple months.

and then i was like. wait a minute. do you guys remember MY name?

and none of them did. LOOOOOL