#also kind of fits in this category as well

[kideternity]

Uhmmmmm soo. Over the past few months I've been seeing a lot of complaints or comments that digimon has too many designs which essentially boil down to “There are too many designs that are just humans in costumes.”

And for a while I just nodded my head and went Yeah Alright, because I Understood where it was coming from (the way most perfect + ultimate levels tend to become more humanoid over their predecessors) and thought it was a valid complaint even if I don’t agree. But eventually it got to the point where I got legitimately invested in wanting to know How Many Digimon there were that you could classify as “basically humans” and well. Here I am.

For the past week or so I came up with my own “categories” and counted how many digimon fit under each category to then later put into a graph like the one you see above ^

I did all of this for like, first and foremost My Own Interest, but I decided to share the results anyways in case someone else thinks this topic of discussion is interesting? I'll include as well under a read more a more in depth guide to the data i've accumulated as well

FYI, Important disclaimers: This is all highly subjective. Im not trying to claim these are any sort of objective categories canon to Digimon or that the results are objectively canon. You may think some or all of these categories are deeply redundant, or you will disagree with me over what counts as say, A Monster or A Furry or A Humanoid, and that’s fine. There are also digimon excluded from the total, most notably digimon that are cameo/minor characters in a singular digimon property, or recolours (ie Gabumon versus Psychemon) or which had minute design differences (Like, almost all of the different Agumons) because I thought including all of that was redundant or unnecessary. If there was a major difference in designs (ie Original Falcomon versus 2006 Savers Falcomon) however I did consider it as a separate design. Also, no X antibody designs were included, because oh my god there are already so many digimon and the X antibody designs could probably merit its own pie chart.

Baby 1 + 2:

Explicitly Creatures/Animals/Naturalistic Monsters/etc: 89

Inhuman/Monstrous in other ways (example- Robots/objects/undead): 17

Anthropomorphic animals/creatures (Furries, inclu robotic anthros): n/a

Humanoid but still inhuman/monstrous/weird in some way: n/a

Essentially humans/Humans in costumes: n/a

Rookie:

Explicitly Creatures/Animals/Naturalistic Monsters/etc: 73

Inhuman/Monstrous in other ways (example- Robots/objects/undead): 26

Anthropomorphic animals/creatures (Furries inclu robotic anthros): 7

Humanoid but still inhuman/monstrous/weird in some way: 7

Essentially humans/Humans in costumes: 4

Adult:

Explicitly Creatures/Animals/Naturalistic Monsters/etc: 96

Inhuman/Monstrous in other ways (example- Robots/objects/undead): 51

Anthropomorphic animals/creatures (Furries inclu robotic designs): 18

Humanoid but still inhuman/monstrous/weird in some way: 23

Essentially humans/Humans in costumes: 6

Perfect:

Explicitly Creatures/Animals/Naturalistic Monsters/etc: 64

Inhuman/Monstrous in other ways (example- Robots/objects/undead): 46

Anthropomorphic animals/creatures (Furries inclu robotic anthros): 39

Humanoid but still inhuman/monstrous/weird in some way: 46

Essentially humans/Humans in costumes: 9

Ultimate + Super Ultimate:

Explicitly Creatures/Animals/Naturalistic Monsters/etc: 68

Inhuman/Monstrous in other ways (example- Robots/objects/undead): 41

Anthropomorphic animals/creatures (Furries inclu robotic anthros): 48

Humanoid but still inhuman/monstrous/weird in some way: 95

Essentially humans/Humans in costumes: 17

Hybrid:

Explicitly Creatures/Animals/Naturalistic Monsters/etc: 7

Inhuman/Monstrous in other ways (example- Robots/objects/undead): 4

Anthropomorphic animals/creatures (Furries inclu robotic anthros): 6

Humanoid but still inhuman/monstrous/weird in some way: 8

Essentially humans/Humans in costumes: 7

Armour:

Explicitly Creatures/Animals/Naturalistic Monsters/etc: 40

Inhuman/Monstrous in other ways (example- Robots/objects/undead): 5

Anthropomorphic animals/creatures (Furries inclu robotic anthros): 11

Humanoid but still inhuman/monstrous/weird in some way: 7

Essentially humans/Humans in costumes: 1

[lord-squiggletits]

Pharma's place in a Functionist society (headcanon)

So I've talked in some previous posts about all the reasons that Pharma isn't a functionist because canon never showed him espousing functionist ideals + he's actually in a place to be a victim of functionism. And I've been working on a Pharma-centric oneshot that made me put into words the best metaphor I can think of for Pharma's relationship with Functionism:

He doesn't support Functionism, but is simultaneously a beneficiary of it and also marginalized by it, because his position of being forged both a doctor and a jet basically turns him into a "token minority" of sorts.

I know that sounds kind of silly or maybe like a clumsy political allegory, but hear me out. There are a couple facts about Pharma and the circumstances of his forging that put him at the crossroads between privilege and marginalization within Functionism:

Tyrest says that Pharma was "famous for being forged." Not famous for being a forged medic-- otherwise surely Ratchet would be just as noteworthy-- but famous for being FORGED. But also, note that this is an opinion that SOCIETY had about Pharma, not something that Pharma espouses about himself. (For the sake of an example, Pharma isn't Starscream, who has an explicit, deep-seated need for others' love and approval. Pharma himself doesn't express any opinions on his own popularity or convey that fame/adoration is something he wants.)

Functionism on Cybertron held that if someone was born with a certain alt-mode, they can/should only have certain jobs. For people born with flight alt-modes, those people were almost always regulated to military or transportation/courier jobs

SIMULTANEOUSLY, Pharma was forged with medic hands, which under a Functionist society were viewed as the peak of medical care and all the best doctors were forged or at least had a "special something" that non-forged hands lacked (according to Ratchet).

So taken in combination, this means that from the moment of Pharma's birth, he straddled a line of Functionism between two different "predestined" paths for him, where he was simultaneously forged to be a doctor and also forged to fly, fitting into BOTH of these categories despite norms of Functionism which say you're one or the other. And I speculate that the reason Pharma is "famous for being forged" is precisely because of those lines he straddles: his very existence is a contradiction, but he was also FORGED that way. The same creed that dictated the two different functions of "hands" and "alt-mode" also says that Pharma should be what he was born to be. What he was born to be was a forged medic jet.

In my opinion, I think that being "famous for being forged" is sort of like a token-minority situation for Pharma, where perhaps Pharma was seen as a curiosity or even something exotic, not just as a person. Maybe because he was a jet and people assumed jets were only soldiers/transportation, a lot of his achievements were put in the light of "Oh, he's a really amazing doctor, for a jet" or "It's crazy that he's a doctor AND a jet at the same time". The attention Pharma received for the unique circumstances of his birth WAS positive, but it would've likely been framed in a bit of a condescending way, as if Pharma is noteworthy and famous not for being a good doctor, but for being a good doctor despite being born a jet.

So I would say that as far as Pharma's personal experience with Functionism, he simultaneously experienced privilege and marginalization. He enjoyed the privileges of being a medic while avoiding the restrictions of being a flight frame. However, a lot of the idolization and attention he received would have also come from a place of tokenizing Pharma: he's "famous for being forged," because in this society he's defying expectations merely for existing as himself. That is to say, Pharma in a Functionist society wasn't treated as remarkable because of who he is as a person and how hard he worked to be a good doctor; he was treated as remarkable for the circumstances of his forging, something he had no control over and can't change, and apparently Pharma being a forged medic jet is such a noteworthy origin that he's "famous" for it.

The above paragraph is purely headcanon, of course, but I like to imagine that part of Pharma's reason for having a big ego isn't out of simple vanity or insecurity, but because of a sort of "gifted student" syndrome, in a sense. From the moment he was forged he was treated as a rarity and an incredible phenomenon, and he would have had to work incredibly hard to be seen as "an incredible doctor" in his own right rather than just "that forged medic jet." Maybe, as a jet, he also had something to prove; he had to show to a Functionist society that being a jet doesn't make him an inferior doctor and that his alt-mode has nothing to do with his skills at his profession.

That is to say, I don't think Pharma would have been openly anti-Functionist, or had many opinions about it at all. I actually lean towards the interpretation that Pharma basically saw himself as getting lucky with the way he was forged and being content with the fact that he'd managed to carve out a reputation for himself as being incredibly skilled. However, Pharma not getting involved politically in Functionism doesn't change the fact that he WOULD have had a very complicated relationship with Functionism, in that alt-mode discrimination would have had an effect on him even though he was in the scientific/medical class and supposedly privileged.

[cent-scratchnsniff]

More sketchy employee profile images. Mostly made to be able to replace the picrew I had in the template I made since I can draw. I did end up just putting it as back and white though but the color is just nice to have. I'm STILL trying to tweak the template since it is very finicky and there is an example of what it looks down below if you're interested. It is a lot. It will happen. I am just not the quickest

There are typos and inconsistencies I missed but in general it should be fine...

[aroceu]

honestly shout out to girls who have no actual depiction of them in most (if any) form of media. girls who can't see themselves physically represented by any fictional characters; girls who can't relate with the largely tropey writing of any female character that exists. womanhood--and frankly, general personhood--is not restricted to how it is depicted in fiction or on screen. your identity as a person and as a woman is not tied to what other people think women should be like; it is tied into your acceptance and love of yourself.

[gezellig]

wtfock is nominated for another award! they’re nominated for a kastaar in the category best fiction series. you can vote for these awards as well!

[selfdiagnosedeyemotif]

when the character is deeply hurt by something and turns to becoming bitter and taking on a personality that is to some degree not who they are but ultimately cannot escape that which they once loved

[queenoftheimps]

One thing I find interesting about The Terror's cult following is that, on the face of it, the audience that is attached to the show is not at all what I imagine people assumed when it was released.

Like, this a show specifically about history and the military/the navy, with a cast that is 95% white guys. Even with the horror elements, I kind of imagine AMC executives might've thought it would do well with the 'Dad' audience, or people who like stuff like Band of Brothers. (Tobias Menzies' latest show, Manhunt, is in this category, and I don't think it's entirely coincidental that he & Ciarán Hinds were also big main characters on HBO's Rome, something that also fits this niche.)

And instead, it seems like it was mainly embraced by a younger audience (something Jared Harris himself noticed), specifically one that's probably a lot more queer/non-masculine than might have been expected.

I'm sure there are people out there with much more astute analysis than me on why that is, but I wonder if a lot of it is simply down to tone. This isn't a show about the glory of the military or a patriotic mission, or even about men being noble/tough in the face of an ultimately tragic ending.

It's about how all that shit falls apart when it comes to push comes to shove, and how sometimes things that are framed as glorious are actually a pointless fucking tragedy on behalf of an empire that kept chugging right along without them. And the only thing to show for it is the bonds these people formed before they died.

[thosewickedlovelies]

A guide to writing fics set in museums / with a museum worker character

Hey hi hello it’s your local museum worker here, offering you some insight and tips to writing museum-related fics! This is primarily organized as a list of different jobs you could have in a museum and what their duties entail. This post might also be useful to you if you’re considering working in museums and want to know What Goes On In There. Let’s go!

For simplicity/fic-writing purposes, I would divide museums into 2 very rough groups: large national or city museums that Have Money (think the Smithsonian or British Museums, or the Chicago Field Museum or the Royal Armouries Museum in Leeds); and smaller local museums. These could be local industry and culture/history-of-our town museums, historic houses, or  really niche subject museums run by One Person With A Passion.

Big national museums have a fuckton of staff and money (museums can never have enough money. But these places are very well-off compared to somewhere small that might always be hustling and writing grant applications). If you work here you’re likely to have a specific role in a particular department, and you probably won’t do much outside this role (ex., if you work in collections management, you probably won’t also design exhibits)

The smaller the museum, the more varied your workload will be/the more likely you are to be doing a little bit of everything. You’re probably organizing collections storage, manning the front desk, and desperately running fundraising efforts, all at once. 

To this end, smaller museums are more likely to be closed one or two days a week- you’ll be there, probably cleaning displays or managing storage, but visitors won’t be.

A lot of (most?) universities also have museums, so a college town setting is also doable. But the same big vs small museum disparity is still possible! At Penn State University, for example, the Palmer Art Museum is its own (recently redone iirc) building in the center of campus with a lovely plaza out front, while the Matson Museum of Anthropology is uhhhhh a couple classrooms in the Anthropology Department (which they’re currently rebuilding tbf, so we’ll see what they’ve done with it in 2025).

Types of Jobs

Curator

The one museum job that everyone can name. Nominally the person in charge. Probably laments that their job is way more admin than fun hands-on stuff now.

Actually this is the role I have the least knowledge of, but I think that’s partially because this job might vary the most from place to place? Structural organization can vary a lot between institutions, but I think the higher up you get in any field, the more your job tends to consist of meetings/overseeing, designating, and ~liaising~

A list of things a curator might do:

Planning or approving events and fundraisers, schmoozing with donors and members at said events, approving or designing a schedule of exhibits, publish outreach/advertising or research materials, oversee hiring, approve new object acquisitions (or de-acquisitions), generally make sure that the museum is working within the scope of its mission and if necessary, change or refine their mission

The curator might not necessarily control a museum’s funds; in this case they’ll liaise with the people who do, likely a Board of Executives or Board of Trustees. Once they get the money from these people, though, they could potentially redistribute it as they see fit.

 If you work in a fuckoff museum like the BM, you could also be the curator of a specific department, arranged by overarching subject, geographic area, time period, or even object type (eg Curator of Archaeobotany, Curator of Korean Collections, curator of coins from the medieval period). These categories can be more or less specific depending on what kind of holdings your museum has. I think these types of curators would still be able to do interesting things, as they aren’t the ones who Oversee The Whole Place.

You can also be an assistant or associate curator, like being an assistant manager.

Education/Engagement

These are the people who design fun extra activities (esp for kids) in the galleries or relevant events/workshops/lectures the public can attend. They might be called Engagement/Education Officer or Events Manager or anything similar

Again, the bigger the museum you work at, the more specific your role is likely to be. You might focus on web content/outreach and social media, manage the ‘friends/members of the museum’ program, or engage with shareholders, etc

Or you might do things like develop content and events to engage adult audiences. Workshops or lectures connected to new exhibits, after-hours visits. These people are also probably the ones with an eye on accessibility- you’ve probably seen advertisements for museums’ early or late hours for older visitors, or ‘quiet hours’ for people who might be overstimulated by normal museum hubbub, or tactile workshops designed for visually impaired folks.

I think most places would try to have someone specific for kids activities at the very least. They’ll be designing little activities or dress-up stations for the galleries, kiddie mascots or scavenger hunt trail kind of things, as well as, potentially, activities for any digital elements in the museum. They probably also coordinate school visits and act as a tour guide for classes, and will lead the kids in specific workshops or lessons in classrooms attached to the museum.

As a note on technology- some people would probably say that integrating digital elements into exhibits is the ~next big thing~, that museums have to get with the times in this regard, but opinions vary. Big science and technology museums are the most likely to have the most digital and techy elements in their exhibits, so if this is your setting, your character could also be a generic “tech person”. I would go so far as to say the smaller/more local the museum, the less technology you’re likely to have, but smaller museums are able to get grants, some of them potentially for specifically this type of thing, so it’s totally possibly that they have a few tablets with integrated activities, or some other Digital/Screen Thing.

Engagement Officers are probably the most likely people to be drafted for out-of-hours events, so that’s a potentially fun thing for your character to do. Some museums, particularly bigger ones, have event spaces attached that anybody can rent out, for weddings, galas, markets, etc, so they might also take care of these bookings as well.

Exhibit Design

This role has a lot of nebulous terms: exhibit coordinator, design constructor, exhibit programmer- but these are the people who design the exhibits. They’ll come up with a theme or narrative, a design scheme, choose the objects, write the text. They’ll probably come up with some marketing material as well, that matches the design scheme, or they’ll liaise with the marketing people who will.

These people might not be as familiar with the collections as the collections management folk (below), depending on how strictly divided your roles are, so they’ll likely consult with the collections people on choosing objects for a particular exhibit or theme (they say that good exhibit design builds an exhibit from the objects up, but I digress).

These people will also direct and participate in the install and deinstall (the actual terms) of exhibits- putting the objects on the right plinths/stands and arranging everything just so in the cases. Genuinely there’s a lot of psychology behind exhibit design- colors, lighting, the way you might design an exhibit to be navigated vs the path people will actually take through the gallery, people’s sight lines and where their eyes go first, how the display of any given object affects people’s perception of the importance of that object. Fascinating stuff, many books on the subject. 

There are also a lot of accessibility concerns to be considered here- how bright is the gallery, how large is your display text, at what height is the central eyeline of your cases?

Museums often loan objects to and from each other’s collections, so if you’re building an exhibit and you’d really like to include X type of object but your museum doesn’t have any, you can borrow some from another museum (this isn’t necessarily a guarantee- museums are allowed to say no to these requests, but I think manners would dictate that they should have a good reason)

Museums sometimes tour whole exhibitions as well- the objects, the text placards, maybe even the stands for super special or fragile items- and exhibit coordinator people are the ones who would handle those arrangements.

Potentially good opportunities for angst stories here- wow things come to life at your museum, you fall in love with a statue but oh no it’s only at your museum for three months

Collections Care

People who work in Collections Management have the most direct contact with the museum objects themselves. You probably work here if you prefer objects to people. When a museum gets new material, these are the people involved. They might not always initiate acquisitions, and the final approval is probably down to the relevant curator, but 98% of the time they’d be consulted (I hope).

A mind-boggling statistic is that most museums only have like 10% of their collections on display at any given time. Yeah. Forreal lol. But collections folk will know where the other 90% is and what’s in it (particularly the longer they’ve been there). 

There’s usually a head Collections Manager. Other workers might be a Collection Assistant/Associate, Collections Officer (we like calling people Officers for some reason), Registrar, or some variant of these depending on the specific flavor of your duties. 

Main job duties can be divided amongst documentation and database work, organization and storage of objects, and lite conservation. Just how much/how technical the conservation work depends on your own training, but also on the size/funding of your museum. The more money, the more likely your museum is to have its own lab with people specifically trained as conservators. More on them later. 

Here’s what happens when a museum gets new stuff!:

Ideally, it goes to a ‘quarantine zone’ first. This is a separate space or room where the objects can relax for a few weeks to a few months (ultimate best practice is actually a year, but, you know. that’s a long time) to ensure that they’re not harboring anything icky (bugs, mold, etc) that will infect the rest of the collections. It’s ideally super-sealed and climate-controlled, but the primary feature should be that it’s away from the main collections store.

Collections folk do the paperwork. They’ll give each individual object a unique number (following their preexisting system that will allow it to be identified distinct from all the other objects in the collection). They’ll create a ‘collections record’ for the object- documentation containing any and all information about the object. This includes the accession paperwork (everything that says ‘we legally own this now’); provenance info (all previous owners and everywhere else the object has been in its life); measurements and description (in painful detail); and conservation history and concerns (ie ‘there’s a crack in the side so pick up with care’, ‘this was repaired in the 70s so that glue is gonna fall apart any day now’).

(I'll say as a fic writer that this would be an great time to wax poetic over a beautiful statue or painting; you can’t write “This golden crown deserved to be worn by a great king, or maybe by that broody Roman general in the painting in Gallery B” in the collections paperwork, but you can think it.)

For fiction’s sake, your collections records could be either paper or digital, but in an ideal world a museum would have both setups, for security’s sake. So you’d fill out some long forms and/or input all the information to the digital collections management system (‘the CMS’, or referred to by your specific software’s name, as there are many out there). The CMS is not a static archive, but rather a living register that’s updated every time an object is interacted with. The object records also include where an object is at any given time (‘normally in Case E in the Fancypants Gallery, currently in Conservation Lab A for repairs’).

Once the objects are done in quarantine, they’ll go to storage. If they’re being displayed immediately, they’ll probably go to some interim storage space/shelf with other objects for the same exhibit and in that case only get a temporary setting. Every object will get labeled with their object number (directly on them, with a special pen that’s safe for this. Or if it’s really tiny, like a coin or jewelry, then their own tiny box will get the label). Small or fragile items, or items grouped together, will go in their own boxes (made of acid- and lignin-free cardboard or polyethylene plastic, like Rubbermaid totes; lined with polyethylene foam and then acid-free tissue paper). Stable ceramic vessels might sit directly on lined shelving, particularly if they’re very large or heavy, like many stone objects.

Listen, every type of object has a particular way(s) of storing that’s best for them, you’re gonna have to look that up yourself or consult someone if you need that level of detail

Ideally, before being stored away, objects are also photographed. This could be part of the Collection Officer’s duty, and/or your museum could have a photographer on staff. (say it with me:) This is more likely if your museum is really huge and/or has a backlog of unphotographed collections and has hired someone specifically, even if temporarily, to improve its collections documentation.

I would say a collections person, or anyone with a museum studies degree, should have some minimum amount of conservation knowledge that includes basic storage standards for different object materials, how to spot potential preservation problems (like if your bronze axe head is actively oxidizing or if that green spot looks the same as it always has since starting and pausing decaying), and maybe how to give objects a basic clean or deal with certain types of problems. But the nitty-gritty science is more the realm of Conservators, someone with a degree that ends in -Sci or who’s done some other certification course.

The general collections store should always be dark, slightly too cool for prolonged human comfort, and labeled to high heaven. Objects will most likely be grouped by material- ceramics/pottery, metals, precious metals and stones (jewelry or beads), stone, glass, wood, bone/ivory/other organic material like feathers or teeth or anything that can be decorative, textiles, paintings. A museum often has some paper material/documents, usually part of or related to a group of objects they acquired, but generally paper and photographic material is the realm of archives and archivists. Yet again, the bigger/more well-funded the museum, the more likely it to have a separate archive department, so your character could also work as an archivist in a museum.

Another thing the collections care folk probably do is ship objects. Remember how I said that  museums loan objects and exhibitions to each other? The stuff’s gotta travel somehow! If things are being shipped internationally, they’ll go in big wooden crates, with specifically dimensioned partitions inside. Then it will be lined with our favorite foam and tissue paper, cut so the objects sit snugly inside. I haven’t personally worked anywhere with a possibility of local shipments, so I can’t say where the threshold might be as to when a museum would just pay an employee to drive the objects over vs ship them with a shipping company. But the preparations would be similar, minus the big wooden crate but with extra-careful packing (and paperwork and insurance etc)

Conservation

Conservators are the people who work in labs with fancy equipment. Not every museum will have a formal conservator or a lab of any kind; sometimes the collections care person fills this role, or if something urgently needs care beyond the abilities of the museum’s equipment, they might send it away to a lab elsewhere, the same way you can send your old VHS home videos to a professional archive to be digitized.

If an object is actively deteriorating in a way that could harm itself or other objects (as opposed to like, at risk of fading bc the lighting is wrong, which is a straightforward fix related to the environment), that’s when a conservator would intervene.

Some methods/machinery by which you can analyze objects:

Ultraviolet (UV) and infrared (IR) light - Different materials absorb and react to light differently, which you can use to identify them. Useful for seeing things like the different layers of paintings

Stereo-microscopy (microscopes, of varying strengths)

At magnifications of x5-x100 you can see things like tool marks from an object’s manufacture, traces from wear, deposits, and coatings

At x50-x500, with a thin sliver of a sample, you can see (and hopefully identify) fibers, layers, particles, metallographic structures 

You can get information from objects without taking samples, but samples are usually worth the information. 

energy dispersive x-ray fluorescence spectrometry (EDXRF) - EDXRF allows you to identify the elemental composition of the surface layer of an object. So it might tell you what a tool is made of, and also the composition of the objects it was used on, if they left traces

scanning electron microscopy (SEM) - an SEM uses a focused beam of electrons to produce a magnified, high-resolution image of the surface of an object

X-radiography, both film and digital - X-rayy are beneficial for objects that might be covered by dirt or corrosion and can show you details of an object’s construction or hidden structural weaknesses

I’m not a conservator, so if you want more hard science-based info, ask one of them lol

Listen to me. If you take nothing else away from this post, let it be this:

 Once an object is in a museum, it is never seeing natural daylight again. Sunlight is the ultimate enemy of every object’s lifespan. If you need to see an object in the sun or moon light for ~magical spell reasons~, you will straight up be stealing that object to smuggle it outside.

Okay. That being said, you do hear (and could probably google) stories about museum employees stealing things from their museums on purpose to prove a point about security or insurance to their higher-ups, so like. Depending on your type of museum, it might not be impossible to steal from lmao. (Don’t tell anyone I said that.)

Possibly the most useful advice for you to keep in mind when writing your conservator or collections care characters would be that touching objects hurts them. It might not hurt them now, it might not even hurt them in ten years, but every time you handle an object, there’s a risk that you’ll damage it. Not on purpose, obviously, but to err is human. The simplest, most effective advice my conservation professor ever gave us was “don’t handle an object if you don’t have to.” That means don’t move an object without a plan and a place to put it, first examination should always be visual, not tactile, etc. Unfortunately, that means that your character cannot walk around lovingly handling and caressing their favorite objects (unless this is a Night at the Museum situation where the objects are caressing them back, ykwim)

Museum Technician

These people probably have a lot of different names, but basically, technicians are the background muscle of the museum. They do the technical construction of bigger pieces of exhibition material, up to and including the exhibition cases themselves. 

So they wouldn’t deal with the small mount that the object rests on, but they might build the big plinth that the mount sits on. They’ll help move things around the building, particularly big heavy things, hang big framed works, assist with exhibit installs, and generally do most things which might involve power tools/equipment or heavy lifting

I worked in a big museum that hired a third party company to supply their technicians; I interviewed at another place that hired their own. If you’re a small museum, you might just have a freelance person that comes in once or twice a week to help move things.

Other

Other miscellaneous roles one could have in a museum: researcher (for exhibits and/or collections), gift shop or cafe worker, security guard, room attendant, translator, archaeologist, consultant

Honestly, TL;DR? Just have your character be a consultant of some kind. “Oh no, I don’t work here, I’m Y’s friend. They called me in to provide some expertise on X subject that they’re doing an exhibit on.” This could work for literally any subject- history/archaeology/anthropology, art, transportation, science and technology, anything you might find pictures of in an archive, idk. This could get you into an office or meeting room of some kind in the ‘employee only’ space of the museum, or potentially all the way into the collections store if you’re giving them information they were missing about some objects. Otherwise you’d probably (hopefully) need a key or some other kind of security clearance to get into the collections store.

Whew, that was a ride, huh? I hope this guide was useful to someone! I’m always open to answering questions if you think I forgot something or if anyone wants more details <3

[fandom]

Top 23 of 2023

Have you been aching to get your hot little hands on 52 weeks of data around original posts, likes, reblogs, and searches, all weighted and ranked and tied up into categories with a nice little bow on top? Well, today’s your day! It should come as no surprise that Artists on Tumblr reign supreme: from stunning traditional art, jaw-dropping digital art, fanart, sculptures, textile art—you name it, basically—this year’s list shows that Tumblr truly is the home for art and artists. Thank you, Artists on Tumblr, for enriching our dashboards day after day. 

Rounding out the top three, we have two iconic shows: Good Omens is live-action, and The Owl House is animated, but both have a heck of a love story at their core. The second season of Good Omens blessed us with not one but two ineffably exquisite ships, while the final season of The Owl House broke and then healed fans’ hearts in equal measure. Thanks, @danaterrace! Actually, come to think of it, the Good Omens finale kinda did the same in reverse. Thanks to you, too, @neil-gaiman! We can’t wait for season 3. 

Speaking of heartbreak and healing, Our Flag Means Death’s second season offered both in droves. The entire cast gave stellar performances, and fans couldn’t have been happier to see the kinds of representation the show displayed. Last year’s #1 topic, Stranger Things, may have dropped a bit, but trust us, you wouldn’t know it from the amount of meta, fanart, and fics in the tag. And did you hear about the live-action adaptations of both The Last of Us and One Piece? They were a preeeetty big deal this year, too. Check ‘em out if you haven’t yet (lol, of course you have). And we’d be remiss not to mention the hugely dedicated fans, fanartists, and fic writers devoting their time to all things Rise of the Teenage Mutant Ninja Turtles. Y’all deserve a little pizza, as a treat.

2023 was also a year for blockbuster movies, which of course hasn’t escaped anybody’s notice here on Tumblr. Barbie smashed box offices worldwide and left us reeling with every re-watch. How can one describe Greta Gerwig’s pink-filled opus? It certainly is one of the movies of all time. Meanwhile, with its incredible animation and soundtrack, Spider-Man: Across the Spider-Verse introduced us to a whole new multiverse of Spider-People, opening the portal to a veritable flood of incredible OCs. And then, of course, we got a fresh perspective on an old classic when cinephiles introduced Martin Scorscese’s cinematic masterpiece, Goncharov (1973), to a new generation of film aficionados who resoundingly agree that it is, in fact, the greatest mafia movie ever made. We’re so glad this underrated film finally got the acclaim it has long deserved.

In the realms of gaming and tech, the long-anticipated Baldur’s Gate 3 has basically become everyone’s new favorite D&D/dating sim combination. Of course, the Pokémon franchise, games, shows, and Hatsune Miku collabs remain perennial favorites. Elon Musk’s purchase of Twitter, sorry, we mean of course X, made waves across the internet. Similarly, the Reddit blackout drove Redditors to new venues, and Tumblr users welcomed the folks from r/196 with open arms—we’re huge fans of your memes, y’all, and you fit right in. Welcome, we’re glad you enjoy the chaos. Here’s a fun fact: if we included post metadata in Year in Review rankings, #polls, introduced in January of 2023, would have been the #5 topic on Tumblr this year. Phenomenal. 

And, oh right. Taylor Swift had kind of a big year, what with the albums, the epic global tour, and the movie and stuff. Fantastic work, @taylorswift, the Swifties on Tumblr thank you for everything.

This is Tumblr’s Year in Review.

Artists on Tumblr

Good Omens

The Owl House

Barbie

Pokémon

Spider-Man: Across the Spider-Verse

Critical Role

Goncharov

Taylor Swift

Genshin Impact

Stranger Things

The Last of Us

Rise of the Teenage Mutant Ninja Turtles

Elon Musk

196

Star Wars

Our Flag Means Death

Crowley | Good Omens

LGBTQ

Cottagecore

Baldur's Gate 3

One Piece

Aziraphale | Good Omens

[maybe-boys-do-love]

Mix Sahaphap gets to perform (and has the performance chops to perform) in a style that I’ve never seen any other male actor get to embody. Mix gets to unironically play the #strongfemalecharacter. The Beatrice, the Elizabeth Bennett, the Jo March. Strong-willed, emotional, kind-hearted.

Not only do the plot points line up, but Mix, more than any BL actor I’ve seen, fully leans into the embodiment of this archetype. In his roles, he rolls his eyes, pouts, banters flirtatiously, softens his posture and expression at small details. He doesn’t over-exaggerate and imposition other characters but his face also doesn’t hold back his character’s thoughts and judgments. And when the moments arrive, he lets all the hurt and anguish pour out in shatters of tears and visible heartbreak—the star-counting scene, anyone????—in a way that harkens to the operatic emotionality of well-done melodramas, soap-operas, and their contemporary Thai equivalent of Lakorn. It’s only that these have never been men’s roles in those.

It’s no surprise that one of Mix’s roles—Cupid’s Last Wish—is explicitly a gender body-swap, and Tian in A Tale of Thousand Stars is (albeit explicitly denied within the show) heavily connected to gender body-swapping. What Mix specializes in as an actor, and does exceptionally well, has been defined as feminine. To depict a kind of queer expression in this style is novel because it’s not camp, it’s not okama, it’s not a soft or femboy, it’s not a BL twink (Mix has been mostly excluded from the schoolyards and quads of the BL universe except for a role as a senior crush in Fish Upon the Sky). It’s too sincere and too adult for any of that.

In Moonlight Chicken we get to see, without the pretense of gendered mysticism, this performance style’s seduction, warmth, wit, and explosiveness within the framework of a general gay form of expression. It says that this kind of femininity might just be a gay thing. Not all gay men exhibit it, obviously—queer men aren’t a monolith. Still, it gives us something to consider about how we observe performance of queerness on screen, especially in front of an audience that puts so much more emphasis on ships, heat, and pairing chemistry to assess how well they perform a BL role. Could we look for other features to judge performance of queerness instead of how well they kiss?

Seme and uke roles would be the major performance style categories loyal BL fans assess actors with, yet even within the archetype his character’s fill within BL narratives, Mix’s performances differ from the typical uke depiction in BL because he really doesn’t perform them as passive. Rather, Mix’s characters and his portrayal of them are dynamic and demanding. It certainly fits certain stereotypes of ukes (Gilbert!) and their gay stereotype equivalent of bottoms as pillow princesses and brats. Mix’s characters, though, have more drive, agency, and compassion than that, and he plays them with all of those currents running underneath.

We certainly have openly gay writer/director Aof Noppharnach to thank for writing this kind of queer character for Mix to play in Tian and Wen. But for Mix’s specific commitment to the performance starting off with his (debut!?) role in ATOTS, we first have Earth to thank for believing in Mix’s ability and recommending him to portray the role of Tian, and then Aof’s acceptance despite his differing initial expectations for the character. Mix, Earth, and Aof have all been open about how Mix in his personal life and nature holds a lot of similarities to both his role as Tian in ATOTS and Wen in Moonlight Chicken. Some people might knock points off his performances because he’s like them. But his relationship to the characters, rather than dampening my enthusiasm for Mix’s performances, helps me appreciate his willingness to give an authentic performance in a style that hasn’t been encouraged on screens previously. It’s made more impactful that he chose to risk vulnerability to bring something personal that had previously been excluded from screens because of its gender deviance (and in broader society explicitly condemned). This doesn’t make a claim on Mix’s actual identity, but simply shows his willingness to understand and perform the expressions of his queer characters with an effort at empathy that many other actors would feel challenged to bring.

Some actors are chameleons, but some actors have a gift of a type within which they can explore depths and range that no one else can best. For me, that’s what Mix does in his work when directors and casting understands his talent. There’s a BTS video of Mix actually fainting during a scene while in Earth/Phupa’s embrace on the mountain that immediately brought to mind the wildly famous final scene in the film Camille where Greta Garbo as Marguerite dies in her lover’s arms.

For Mix, it was a serious incident due to regrettably extreme conditions and requiring the on-set paramedics, but these levels of theatrics, for me, are emblematic of what Mix is capable of as a performer, as well. After all, he had to faint in Phupa’s arms multiple times on purpose. It’s the kinds of Old Hollywood and heightened sentimental romance realms Mix takes his performances to! Then he can turn around and make it look easy to take that same character into grounded quips or dedicated everyday tasks. It only takes writers, directors, and audiences willing to see that men can feel this way and act this way. Mix has paved the way.

[cleo-fox]

Unraveled

Summary: It was all fun and games until Loki started wearing that goddamn sweater.

Pairing: Loki x Female Reader

Warnings: Smut, 18+, Minors DNI, dirty talk, praise kink, teasing, orgasm delay, sex, vaginal fingering, godly refractory periods, kitchen sex, semi public sex, Loki in a sweater.

A/N: My explanation for this one is that I saw too many pictures of Tom Hiddleston in a sweater and it gave me thoughts.

Being an Avenger has made you pretty good at rolling with the punches. After your third or fourth encounter with some alien/wizard/android bullshit, your perspective is fundamentally altered and real life seems manageable in a way that it didn’t before. You have to call your insurance company to dispute a claim? Big deal, you’ve negotiated with terrorists; you can handle Garth from Member Services.

The thing is, having that kind of perspective means that the things that do get to you can rattle you a lot more than they should. Natasha had warned you about that, but you were riding high on the thrill of successfully conquering Blue Cross Blue Shield and you kind of got to thinking she was exaggerating.

And then the seasons started to turn and Loki started wearing that goddamn sweater.

You can recognize when someone is out of your league. When you first moved into the Tower, it had been relatively easy for you to assign Loki to that category: he was a god. He’d been featured in last month’s GQ. You were mortal and your most recent press had been a TMZ story featuring unflattering paparazzi photos of you leaving a bodega in your pajamas at seven o’clock in the morning, a bagel halfway into your mouth. You were clearly not the same.

Up until the sweater, you’d managed to keep your cool around Loki and keep your attraction confined to daydreams and the occasional surreptitious lustful glance. Hell, you’d even had the nerve to be proud of yourself for keeping your shit together in front of him.

The sweater lays waste to all of that.

On the surface, it doesn’t seem like a sweater that is capable of completely destroying your carefully constructed composure. It’s a fairly standard crew neck in a deep green so dark it almost looks black at a first glance. But on Loki it just…does things to you. The fabric is well fitted, clinging to his biceps, pulling taut across his chest, emphasizing the line of his pectorals. It somehow accentuates how muscular he is while also still making him look lean and lithe.

The first time he wears it, you find your eyes just trail to him of their own volition, like an incredibly horny moth to the flame. It’s a day of catching yourself staring, panicking, pretending that you were actually looking at something else, and then repeating the process five minutes later when your gaze inevitably wandered again. It almost would have been funny if it didn’t put your blood pressure into the stratosphere.

To make matters worse, at the end of that day’s debriefing, he rises from his chair and raises his arms to the ceiling in a long stretch. The hem of the sweater creeps up, exposing the firm, flat muscles of his stomach, lightly dusted with a trail of hair that meanders in a tantalizing path down to his belt buckle.

You promptly choke on your own spit. Clint claps you hard on the back and asks if you’re okay, which is a question you don’t know how to answer (ultimately, you stick to a thumbs up and mumble something about dust getting caught in your throat). Loki is too preoccupied complaining about the entire concept of office furniture to notice. Or at least you’re pretty sure he doesn’t notice.

You might have been okay if that had been the only incident, but the sweater makes a repeat appearance on Friday. The following Tuesday features the deadly combination of the sweater with a pair of tight, dark wash jeans that nearly send you into cardiac arrest. Your fantasies suddenly become much more frequent and detailed.

You are not really sure what to do about this—it’s not like you can talk to anyone about it, nor can you ask him to stop wearing it without prompting some very uncomfortable questions. The idea that you’ll get used to it is laughable. 

You look at your calendar and note that spring is six months away. At least.

Fucking hell.

*

It’s a Saturday afternoon and in a strange quirk of scheduling, almost everyone is out of town for a mission or a personal obligation, leaving the Tower unusually quiet. As much as you enjoy the daily clatter and chaos that comes with living here, you find a lot of comfort in these moments of quiet, however infrequent they may be.

You intended to make yourself a late afternoon snack. That was the plan, anyway. But as you’re standing at the kitchen counter and cutting up the fruit you just washed, you realize that you’re not entirely alone. From this vantage point, you can see Loki lounging on the couch in the next room and reading.

He’s wearing the sweater. Of course he’s wearing the sweater. And the so-tight-they-should-be-illegal dark wash jeans.

Goddammit.

You have the sense to set the knife down at least. The last thing you need is a trip to the hospital because you got too distracted by your hot colleague while handling a knife.

You let your gaze travel along the firm muscles of his chest. It’s just a sweater. It shouldn’t look this good. It shouldn’t prompt these kinds of thoughts. And yet…

He shifts on the couch and the hem of the sweater creeps up. His hand drops to his belt buckle. It’s entirely appropriate, but the way his long, long fingers are splayed against his stomach makes your mind drop straight to the gutter and wonder what they’d look like wrapped around his rock hard co—

“You know, it’s rude to stare.”

His voice comes from behind you and adrenaline surges through you like an electric shock. The Loki on the couch looks up at you and smirks before disappearing in a shimmer of green.

You wonder if it’s possible to die of embarrassment and a heart attack all at the same time. It certainly feels like you’re about to.

You take a deep breath and try to collect yourself, which feels largely futile. Come on, get it together. You’ve negotiated with terrorists and insurance companies. Shake it off.

You slowly turn around, cheeks burning. Loki is standing right behind you, arms folded across his chest. You swallow.

“I um. I was—I was just…” Words escape you as your brain fires in every direction except a helpful one.

“You were just what?” His expression is intense, but you’re not sure that he’s angry.

“Spacing out,” you say, trying to infuse your voice with confidence that you absolutely do not feel.

He places his hands on the counter behind you, intentionally caging you in with his body. You are overwhelmed by the scent of him—a masculine, wintery musk that makes you want to bury your face against his chest.

“Try again,” he says. His voice is deep enough to rattle your bones.

You swallow. Everything you could possibly say seems wildly inadequate.

Loki has never been one to be at a loss for words, though, and after a moment of terrified silence from you, he continues speaking.

“I’ve noticed something curious over these past few weeks,” he says. “When I wear this sweater, you can’t seem to take your eyes off of me.”

Your heart is pounding. Fucking hell. Have you really been that obvious?

“Now why is that?” he asks, his voice a low purr.

You briefly consider trying to lie again, but the piercing green of his eyes instantly makes you rethink it. “I um…” You swallow hard. “It’s just…it suits you. You…you look good.”

He raises an eyebrow. “I look good?”

You nod.

“Interesting.” His lips twitch in a slight smirk as he looks you up and down. “And how does that make you feel?”

Your heart thuds in your chest, your stomach contorting with a strange combination of fear and desire. You’re still humiliated, but the sound of his voice and the dark intensity of his gaze is intoxicating and incredibly arousing.

“I don’t—I don’t know how to answer that question.”

“Oh, I think you do.” There’s a rawness in his voice that makes your cunt clench.

You shake your head, eyes wide. You’re pretty sure he’s not really mad, but you also don't know where this is going. Surely he’s not making a pass at you…right?

“How does it make you feel to see me in this sweater?” he continues, his voice a low whisper. He pauses for a moment and when you don’t answer, he continues. “Does it…arouse you, perhaps?”

Holy fuck.

This can’t be happening.

You try to think of something clever or sexy, but the bluntness of the question and the fire in his eyes kills whatever remaining brain cells you have left. Mutely, you nod.

There’s that smirk again as he licks his lips. “Are you wet right now?”

Your cheeks burn. You give the tiniest nod possible.

“Hmm.” His hand alights on the button of your jeans. “I believe you Midgardians have a saying that is appropriate here: trust, but verify.” He slips the button free and your heart pounds like a war drum in your chest. 

You cannot believe this is happening.

“You haven’t been entirely truthful in this conversation.” His palm presses flat against your stomach, the tips of his fingers slipping under the waistband of your underwear. “So I’m afraid I’m going to have to see for myself.”

His hand is achingly slow, creeping lower and lower. He watches you intently as his hand cups your sex, seemingly cataloging the way your breath hitches and all the little shivers that run through you.

His middle finger finally slides between your folds and you can’t help but moan.

“Oh, you did lie to me,” he growls, his index finger joining his middle, both sliding up to circle your clit. “You’re not wet, you’re soaked.”

Your legs are already starting to tremble and you grab on to his shoulders to try and steady yourself. The fabric of the sweater is softer than a cloud against your hands.

“Sopping wet,” he continues, trapping your right leg between his thighs and the counter, the heavy weight of his erection pressing eagerly against your hip. “And this is all for me?”

Wordlessly, you nod. There’s no point in denying it—and you don’t think he wants you to, either.

“What am I going to do about this?” he muses. His index and middle fingers lightly circle your clit again and you whimper.

“Don’t stop,” you gasp. “Please don’t stop.”

“Don’t stop?” he says. His tone is one of light curiosity, like you’re just chatting casually about the weather. “But if I continue, you’re almost certainly going to come.”

“Yes,” you gasp. “Please.”

“Oh, you want me to make you come?” You can hear the smirk in his voice. “Right here in the middle of the kitchen?”

You nod.

“Anyone could walk in, though,” he purrs. “Anyone could come in and see me with my fingers buried in your dripping cunt. What would they think if they saw you so utterly debauched and at my mercy, begging for me to make you come?”

“Don’t care…” you gasp. How are you already so close?

He raises an eyebrow. “You don’t care what they’d think if they saw us like this?”

You shake your head.

“Oh, you must be desperate.” He adjusts his hand, his thumb taking up the rhythm on your clit while his index finger sinks into your slick channel, making you gasp.

“Loki, please—”

“Begging already,” he says, not letting up in his rhythm. “Has it been a long time, sweetheart? When did you last feel this good?”

It’s not a question you can answer. You don’t know that anyone ever has made you feel like this. You moan, your hips bucking hard against his hand.

“Poor thing,” he tuts. “You’re clearly desperate for it. What kinds of filthy thoughts have you had about me?” he purrs. “I’ve seen you staring, I’ve heard your breath hitch. Have you touched yourself while thinking of me?”

You manage a nod and his smile turns feral. “When was the last time?”

“Last…last night,” you gasp.

“How many times did you come?”

“F-Four.”

“Filthy girl.” His free hand slides up to cradle the back of your head, his fingers tangling in your hair as he tips your head back. “Next time, all you have to do is ask.”

His mouth covers yours, his tongue pushing past your lips as he slides a second finger into you. You moan into his mouth as the pressure in your hips increases.

“Oh yes, let me hear all of those pretty noises,” he murmurs. “Are you going to let me fuck you against the counter after I make you come?”

You nod, whimpering.

“Good girl,” he purrs. “I think you need to be fucked properly and hard. Is that what you need?”

“Yes,” you gasp.

“Mmm, that’s what I thought. This cunt is just too wet and needy for any other treatment.” He draws back to look at you more fully, giving you a lazy, hungry smile. “You’re about to lose it all over my fingers, aren’t you?”

Your orgasm is cresting, the tingling pressure in your hips becoming unbearable. You nod, lost for words.

With one more smirk, he curls his fingers inside of you. “Come for me, pretty girl, let me see you.”

Your cunt spasms around his thrusting fingers and your whole body shudders as your orgasm overtakes you, your head tipping back as you cry out.

“Oh, that’s it,” he murmurs, “there’s my good girl.”

A shiver runs through you at his words, your hips still moving against his hand, trying to draw out every last ripple of pleasure.

He kisses you as you come down from your high, and you take the opportunity to run your hands over his chest and tentatively feel the hard planes of muscle that you’ve been staring at these last few weeks. But after a few moments, he takes your hand and guides it to his cock.

His preference for leather pants or those sinfully tight dark wash jeans made you suspect that the size of his ego might actually be proportionate to the size of his cock and your initial assessment seems to confirm that theory. You rub your fingers over the denim that covers his thick shaft, feeling yourself grow even wetter at the low groan he makes in the back of his throat.

“Take my cock out.” His voice is so deep and his eyes are so smoldering, it feels like the command goes straight to your cunt. You are practically trembling with anticipation as your shaking hands  make quick work of the button, buckle, and zipper.

You can’t help but suck in a breath when his cock comes into view. He’s long and deliciously thick—big enough to be a little intimidating, but not overwhelmingly so.

He guides your hand to wrap around his shaft. He barely fits in your hand. “Look at what you’ve done to me,” he says, his voice raspy as he guides your hand to stroke his cock. “Feel how hard I am for you, feel how much I want you.”

His cock practically pulses with need, the tip slick with pre-come and you grasp him more firmly, your cunt pulsing as he gives a deeply satisfying groan.

You stroke him from base to tip, squeezing lightly. He groans again. “They told me to stay away from you, you know,” he says.

You aren’t so far gone that you can let this information slip by. “What? Who?”

“Stark. Rogers. Romanoff. My brother.” He reaches behind you and shoves the fruit and cutting board into the side, the knife clattering into the sink. “They saw how I looked at you,” he says. “They saw that I wanted you. They told me you were too good for me. Too sweet.”

You feel your jeans and underwear melt away in a shimmer of green and he lifts you easily onto the counter.

His eyes flash with desire. “I wonder what they’d say if they knew you’d let me fuck you raw in the middle of the kitchen?”

For a brief moment, frustration almost wins out over your lust. “We could have done this sooner?”

His gaze turns serious. “Darling, we could have done this the moment we met, but I’m told a handshake is more appropriate.”

You take a breath, about to embark on a rant about the individuals he’d named and how they hadn’t even asked, they’d just assumed, but Loki puts a hand up against your mouth.

“Don’t make me wait any longer,” he says. There’s a sincerity and a need in his gaze that you’ve never seen before and it’s enough to calm your anger for just a moment.

“Okay,” you say, wrapping your legs around his waist and angling your hips toward his, “but clear your schedule because I’m gonna need you to fuck me a lot to make up for all that time.”

His grin is feral as he pushes into you.

You shiver at the blunt stretch of his cock, your hands gripping his broad shoulders. He indulges in a low groan as his hips press flush against yours.

“If I’d known they were keeping me from this tight cunt, I would’ve done something sooner,” he rasps. “You feel absolutely perfect.”

“Please,” you breathe, “I need—please.”

His hips snap hard against yours and you moan, your head tipping back.

His eyes glitter as he pulls you close, pressing his mouth against your ear. “The next time I have you, I will be sweet and soft.”

“And this time?” you ask, though you think you already know the answer.

“This time—” His mouth presses against the curve of your neck, teeth scraping just this side of too hard against the tender skin. “—I’m going to utterly ruin you.”

His pace is fast and rough—the word possessive comes to mind. You twist the luxurious fabric of his sweater in your hands as his cock hits that sweet, aching spot inside of you, pressing against your sensitive cunt in a way that makes your muscles spasm and clench around him. You moan, a shiver rolling through you as you inch closer to release.

“I’m…fuck, I’m getting close,” you gasp.

His pace abruptly slows and his grin is wide and his eyes are dancing with mirth when he raises his head from your shoulder.

“That was unnecessary,” you say with a scowl.

“Oh, I just want to savor you for a little longer, my love,” he purrs as he settles into an easy and slow pace that still makes your toes curl. “You’re going to take me right over the edge with you and I’ve waited so terribly long to have you.”

“I feel like you’re probably omitting the fact that you like being a tease,” you say.

He grins again, increasing his pace ever so slightly. “Both things can be true.”

He does this a few times—taking up a wicked pace that almost sends you hurtling over the edge, only to slow at the last possible moment, silencing your whimpering protests with a deep and slow kiss that is good enough to make you forgive him until a few minutes later when he does it all over again.

You hold out for as long as you can, but eventually, the ache in your hips overwhelms you.

“Loki,” you breathe when his pace again begins to increase. “Please don’t stop.”

“Don’t stop?” he rasps, somehow finding the concentration to raise an eyebrow. “You’re quite sure?”

You nod.

“You want to come all over my cock?”

Speech is slightly beyond you at this point, but you manage to gasp a desperate plea as you hurtle into the final plateau, right before the fall.

Loki regards you with that same playful look as he fucks you. You wait, unsure of what he’s going to do, your body desperately crying out for your release.

His lips curl into a smile. “Come for me, sweet thing.”

At the sound of his voice, every one of your muscles is tensing and releasing, the slick walls of your cunt clamping down hard on the thick girth of his cock as you shudder and moan.

The remnants of Loki’s composure are fraying, his eyes closed and his jaw slack as he chases his own end. His brow furrows and he throws his head back, letting out a low groan as he comes and you think it might be the best sound you’ve ever heard.

You sag against him as you both come down from your respective highs, his heart beating hard under the soft fabric of his sweater. He reaches for your face, tilting your head back so he can kiss you, impossibly slow and soft.

You’re in the middle of the kitchen. You understand this. In a wholly rational world, you would be quick to hop off the counter, quick to try and negotiate the return of your jeans from whatever pocket dimension he’s sent them to.

Instead, you find yourself wanting to stay in this moment, with his arms wrapped around you, his cock still pulsing inside you as he kisses you breathless.

You count to ten, then twenty. At forty, you draw back slightly, only to have him pull you back into the kiss.

It’s somewhere after one hundred when he trails his lips to your neck and you manage to say what you intended: “We should probably…” you trail off as he sucks at your pulse point, sending a shiver down your spine.

“We should probably what?” he murmurs against your neck, before tracing a lazy figure eight with the tip of his tongue.

It takes you a moment to find that sentence. “Get dressed and such.”

You feel the sharp press of his smile against your skin. “I think not.”

Before you can open your mouth to say anything, the kitchen is fading in a shimmer of green to an unfamiliar bedroom and the two of you tumble into a bed draped in green silk.

“I’d like to stay like this for a while,” he says, a smile playing at his lips as he slowly rolls his hips against you, somehow still impossibly hard. “In fact, I think I need to have you again.”

“I can live with that,” you say. You tug at the fabric of his sweater. “But this is going to have to go.”

His gaze is smoldering and his bare skin is suddenly pressed against yours as the sweater and the rest of your clothes disappear in that familiar shimmer of green.

“Will you like me as much without it?” he asks, rolling his hips against you.

You drag your fingernails up along the firm muscles of his back. “I think I’ll manage.”

“Good,” he says, leaning in to kiss you, “because as I understand it, we have quite a lot of time to make up for.”

[winterdeepelegy]

Vanilla Gpose Tips

I get asked occasionally how I make my screenshots if I'm not using shaders or mods. The short answer: Patience. Gpose's suite of tools is a lot more robust than it used to be when it was first released. But if you want a screenshot to really shine without using third party add-ons, it's not something you can just go into gpose, take a printscreen and get back out. You might capture a moment with nice lighting that way, but it takes more than that. 1. Choosing a location and time of day is job one. What kind of mood are you trying to convey? Does your intended screenshot have a theme (or a prompt?) or are you just looking at your new glam and marveling at how fine your character looks in it? Does a lighter or darker setting suit the character better? Setting, time of day, and weather can affect this. 2. You can stop time and weather from changing. I keep this on by default because it can take upwards of 30 minutes IRL to fine tune a screenshot. The middle button below. Make sure it's highlighted.

3. Toggle battle effects on/off. It's the button right next to the time/weather stop, the icon of the guy holding the sword. If the icon is highlighted as it is in the screenshot, your battle effects are on. If you want to capture pure motion and not worry about battle effects, turn this off. 4. Wet effect. Use it, use it, use it. It doesn't just make clothes look wet and make skin glossy, it actually helps to bring out texture and detail on the character's outfit. Especially since the graphics updates in 7.1. I've found it also adds shine to hair and can help the eyes stand out more.

5. Sticker Mode. Yes, there are oodles of cute minion stickers, flags, and numbers, but there are also some great effects to be found in the Decorations category! Sparkles and twinkles, lens flare, among other things can help enhance metallic points on a glamour, AND they can be resized! So if you want a more subtle twinkle on the edge of your spectacles or earrings, you can tilt and downsize your desired sparkle. There are also cute flowers and hearts. 6. Quick Keys. If you're playing on a keyboard, the 1 on your top number row freezes the screenshot. This is extremely helpful if you're trying to catch a battle emote right at a specific moment. If you miss it, keep trying because emotes will continue to cycle until you change them. R and Scroll Lock will both hide/unhide the gpose controls. X will turn on lighting. Space Bar will toggle your character to stop them from facing the camera and vice versa. 7. Lighting Intensity is Dependent on Distance. The closer you're zoomed in on your character, the brighter the light is going to be when you turn it on. Try adjusting your zoom in or out and toggling the light to see if the illumination is to your liking. You can also adjust the RGB on the lights to fit the mood/environment. I also recommend turning on Manual Brightness. 8. Color Filter and Screen Effect. These two features, in my opinion, require the most patience. Not every color filter and screen effect will work well together in every scenario. Click through and preview all of them in your screenshots and see if some SE's work better with your preferred CF. You might find an unexpected combination that you love. Trailer and Echo color filters are great for flashbacks (no one uses Aetherometer, it's an eye bleeder). Use the Pencil or one of the monochrome CFs and Noise 2 SE to create a nice black and white film or photo effect. 9. Frames. Frames are one of the more limited features and not always needed in order to capture a great screenshot. Action poses benefit from the Cinema frames, however, while more lighthearted moments play well with the photo options.

10. Emotes. Before you enter Gpose, be sure to /groundsit to clear your most recent emotes. Summoning mounts and minions also count as emotes for the sake of Gpose. By the same token, you can use battle abilities before entering Gpose, and this is what it will cycle through. You can't activate a battle ability while IN Gpose. You will have access to all of your non-battle emotes and facial expressions, though. You can combine any emote with any facial expression by choosing the action first, and expression second, so you can /prettyplease and /awe at the same time to make your character look hilariously horrified. If you enter Gpose with an active battle ability, you can still apply a facial expression to it from within the tool. 11. Bits and Bobs. Enable Manual Focus and Depth of Field will help bring out the details of the background more, and will help to make a more cohesive screenshot. Manual Focus is great if you want your character in the frame, but you want to shift the focus elsewhere, to an object or another person in the background for example. In the same menu where you'll find emotes, click the second eye button to "Track Camera". Your character's eyes will follow the position of the camera. Lastly, again, have patience. Allow yourself time to play with all the tools Gpose has to offer. You're probably not going to get the winning screenshot after clicking Printscreen just one time, you should take multiple shots from different angles with different lighting and effects, then compare them all and pick the ones you like best. And remember, even if it's the true endgame, it's not a competition. Your screenshots are not "worse" or "boring" just because you're not using third party tools. I look forward to seeing what you create, and you should too.

[keresnotceres]

Good, Good, Great

Ghost x Fem!Reader (And they were roommates)!

[nsfw] cw(s): Jealousy, alcohol consumption, references to smoking, strip club, rdr calls ghost ‘big boy’ several times, suggestive content, non-explicit sex (it’s mentioned), rdr is highkey a brat lol, mention of dumbification.

PART TWO

3.4k words I don’t understand how UK currency works so i guessed, ALSO! Reader is kind of a slut!! Because we don’t get enough readers that have BEEN AROUND TOWN (iykwim) and I am hellbent on fixing that :) ALSO ALSO this kinda sucks and it’s prolly OOC but I spent like four days on it so here u go <33

You’re not dating — but he’s not keen on sharing. He sees you serving another table drinks, scantily dressed, hips swaying with every step, and can’t help but watch with a glare as some other man sets a 20 between your tits.

How Laswell convinced both herself and Price that a strip club was the best place to meet and discuss information on a new mission was beyond Ghost. It wasn’t until two blocks away from the venue did he begin to recognize the surroundings, the streets, and damn it, even the people.

He forwent the skull mask and the skull-patterned balaclava for a plain black surgical mask that left him feeling bare and exposed. Only a thin piece of fabric was between him and his anonymity; two strings that held together the Ghost façade from falling into Simon.

He’d be damned if he told the others that he recognized the club — that he frequented it. Not for a certain stripper, no, not for the girls performing at all. He knew every staff member from the amount of times he’d come to pick you up after your serving shift.

You always smelled like alcohol and someone’s blueberry vape, sometimes weed; you claimed that just came with the job. He’d respond asking if he smelled like gunpowder and metal, if that was the case. He remembered how you shook your head.

“You smell like cigarettes and aftershave.”

He grimaces as they approach the shining lights of the club. Myth is a looming building; five floors, only two used for actual club affairs. The other three were offices or something equally as boring; even if you would prattle on about your outlandish suspicions of a mafia being run up there.

The first floor had the basics; a main stage that was across from the full bar, a plethora of sleek tables and uncomfortable leather chairs filling the space between the two attractions. On the far wall, a few booths with itchy velour couches separated by fake bushes. Doors sat on either side of the four booths, both led to some sort of VIP room that Ghost had never stepped foot in.

The second floor overlooked the stage section of the first, only the dancers could see the people decorating the steel railings. It was usually reserved for the rich people, the important men who had had wives and didn’t want to be seen in the public eye, the men who were desperate enough to pay extra to pretend they could get some, and the people staff liked. Ghost happens to fit into the latter category.

There was a second stage on the upper floor, it wasn’t often dancers were up there performing, they were usually lounging around with someone they knew would paid them well. The was a second, smaller bar which served the singular purpose of storing new bottles, which caused you to complain about having to go up and down the stairs every time you had to get another round for a table.

His constant presence had led to him “befriending” the bartenders (if getting a free drink counted as being friends) and getting half-hired as security (he was roughly the same size as the men they already had for the job), even the hostesses knew to assign him to your section each time he walked in.

It baffled him, to say the least. Even after he was gone for 11 months the one time, (what a god awful time that was), the Myth staff knew who he was.

Ghost didn’t even register Price trying to tell him to stop as he walked to the shiny glass doors of Myth. The thing that dragged him out of an absentminded state was Soap’s obnoxiously loud laughter, Ghost stopped dead in his tracks and spun around to face the rest of the task force.

“Yae walkin’ right in like ye own the place, eh, Lt?” He had a conniving grin on his face. “Didnae take you for that kinda guy.” Gaz looked like he was trying to picture Ghost in a club, Price only looked at him with mild amusement on his face.

Ghost glares at Soap, embarrassed. “I’m going where we were told to go.”

“Wasting no time, either.” Gaz manages to crack a smile from Price with his chide.

“Are we going in, or not?” Ghost’s eyebrows raise in questioning, his patience already running thin. He looked over his shoulder at the bouncer, who he wishes he didn’t recognize as Paul.

Gaz had already fished his ID out of his pockets, the graying white background of the Royal Air Force card reflecting the sign lights. Soap wasn’t far behind him, most people who see someone with a mohawk assume it’s a teenager who lost a bet. Anyone could look at the Captain and know he’s over the age of 18, no college student could rival the man’s facial hair.

And Ghost? All he had to do was look Paul in the eyes and he was let though without even a second glance. It was no different than if he were just coming in to pick you up, although it was considerably earlier than your usual 2 AM clock outs. Ghost forgot the club was even open at 5 PM.

He got an odd look from Soap at the lack of identification, but odd looks from Soap were a daily occurance.

The club looked the exact same as when he’d left 4 months ago, the same blue-purple lighting, same ugly silver bead curtains hanging over the walls, and the same Thursday night bartender. His name was something along the lines of Tony (Tim?); Ghost hadn’t particularly cared about him, he’s never at the club on Thursdays anyway. Your shifts are normally on the weekends, only the occasional Thursday if there was an event.

The hostess seems to be familiar, too. She’s either Camille or Angelica; he could never really remember who was who. The two have the same bleach blonde, blue eyes, and freckles; they’re practically the same person to Ghost. He really only pays attention to you when he’s at Myth.

The hostess stares at Ghost for a second, as if trying to recognize him. Before she could try to speak, Price cut in.

“We’re meeting someone here. Blonde hair, a little older.” His eyes scan the half-empty floor of the room. “She might be upstairs?”

The hostess perks up at the mention of a woman. “Right. Follow me, please.”

The blonde led the group of them upstairs, two of the 20 tables had people at them. Only one of them had a Laswell-looking woman at them. The other was a group of seven men; each in a suit, and each with a glass in their hand.

Once the hostess set a few menus on the table, she spoke a final time. “Your server will be right over.”

Ghost let the others sit down before him, eyes lingering on the group of men across from them before they slid over to Laswell. She looked as comfortable as any other person in a strip club by choice, lounging back in her chair with a cocktail in her hand.

“You look disgruntled,” she notes, eyes resting on Ghost.

“You had us meet in a strip club,” Ghost mutters. “This isn’t my usual scene.” It was quite the lie, really. He’s spent more time here than any other pub in the Manchester area at this point.

“It’s close to home.” She takes a sip of her drink, completely at peace. “And it’s unsuspecting. Who comes into a strip club to talk about top secret information?”

Ghost looks at her, unamused. “Us.”

Laswell ignores the distaste in his voice. “You don’t have to worry about that group,” her head tilts in the direction of the rowdy group of men. “They’re all drunk or too focused on the girls to even bother listening to us.”

The distant sound of heels against the floor catches his attention, his eyes fly towards the staircase. And there you are, flouncing up the stairs with three glasses in one hand and a bottle of Blue Label in the other.

You make your way to the group of men, a customer service smile plastered on your face. Ghost can’t hear your words, but he watches you set the bottle down in front of the most important-looking man, along with two of the glasses you were carrying.

He watches as your shoulders bounce when you laugh at something he says, though it looks like the fakest giggle you can muster.

He watches as the man takes a 20 pound note from his pocket and tucks it right between your tits. On instinct, Ghost’s hands tighten into fists and he glares. It’s a sharp glare, one he’d give to some idiot recruit that tried being cocky. You gasp, then smile brightly at the man, he can tell you’re saying thank you profusely from the way your mouth is moving.

You step away from the man and Ghost’s eyes fly from him to you, and his glare drops into a normal enough look, but his fists are still tight; his fingernails dig into the palms of his hands.

Ghost’s eyes roam your body, how the little black skirt you’re wearing rode up just enough that it would be considered a tease, how the black shirt you’re wearing is just a little too tight around your tits, and the 20 pound note that was stuck right between the two of them. He had to consciously unclench his fist before anyone would notice.

Then you come prancing over, hips swaying almost hypnotically as you walk, a glass of bourbon nestled in your hand.

You smile sweetly as you bend down in front of him, showing off both your tits and the note right between them, and set his glass on the table.

“I believe that’s for you, big boy.” Fuck, he missed hearing your voice, the nickname flies over his head through his stupor. Even if it was the faux, sultry version of it you used for work. “Can I get the rest of you anything? A beer? Whiskey?”

It was almost impossible for Ghost to tear his eyes away from you, rather, that damn note between your breasts. He wanted to pluck it out and throw it right back at the other man, replace it with something bigger, better.

When he notices Gaz’s disturbed stare, his eyes avert from you.

Gaz’s eyes trail from his to yours, “I’ll take a Manhattan.”

You smile at him, “of course, is Sazerzac okay?” Gaz nods shortly, glancing away from you to avoid Ghost’s stare. “Anyone else?” You pivot towards Price, shifting your weight from one leg to the other.

Price angles his head to meet your gaze, squinting through the LEDs of the club. “Gin and tonic,” his eyes don’t leave yours, “Hendrick’s.” An offhand comment from Soap entertains the liquor’s Scottish origins.

You nod along with his words, then tilt your head towards Soap. “Can I get you anything?”

“I’ll have a Coke.”

“I hope you mean the soda,” you muse. You didn’t get any reaction out of the group, not a single smile — how disappointing. “We have the cherry kind, if you’re into that.”

Soap shakes his head, a small frown on his face. “Just normal Coke’ll do.”

You hum absentmindedly, “alright.” Your eyes flicker to Ghost, the smile on your face contorts into a little mischievous one. “Are you going to be wanting the bottle, Simon?”

You really are a vixen, aren’t you? Through grit teeth, Ghost spits out, “no.”

“Alright, then. I’ll be back with those drinks, boys.” A single wink, and you were off. Low heels clacking against the tile floor, hips swaying side to side. Ghost was all too aware of every detail of your retreating body, from the way your hair bounced with each step you took, how the skirt you wore rode up just slightly enough to make his grip on his bourbon tighten.

Ghost fights the urge to get up, grab you by the waist, and pull you onto him. Both his experiences and his logical reasoning say it’s a terrible idea, yet the idea of reminding you who you ultimately belong to is so enticing he could be drooling.

He’s seen you cockdumb; it almost always comes after you pull a stunt like this. Of course, he knows you do it just for the sake of getting him bothered and getting fucked stupid. But he also likes the idea that you do it just for him. You put on a little show.

He finally put it together years ago. Back when you would bring over some pathetic-looking hookup just to see his reaction. When you’d fake moan loud enough for the whole damn neighborhood to hear, then look at him the next morning through your eyelashes all innocent.

At some point, the hookups ended, and you began flirting with customers right in front of him. Just like you had done a moment before.

When your head disappears from view, Soap is the first to attack him vocally, almost gawking after you. “You’re on a first name basis with the bottle girls at a strip club?” He looks incredulously at Ghost, almost jealous.

“Is that why you were in such a hurry to get inside? You knew this was where your flings worked?”

Soap leans in closer, “how often do you come here, LT?” It was question after question from the Scotsman, and despite his inclination towards him, Ghost was getting slowly more fed up.

Ghost set his glass down, “I’m going to the bathroom.” He put his hands to his knees and stood up from the plush seat, eyes scanning the other group one more time before he left his teammates at the table.

It doesn’t take long for him to find you, leaning up against the doorframe to the server’s closet while you wait for another cocktail server to put in a ticket, twiddling your coworker’s Elfbar in your hands until she reaches behind her for the vape.

You hand it off to her and turn to face Ghost, a catty smile adorning your lips. “How can I help you, sir?” Ghost stops a few inches before you and a hand darts towards your cleavage. He tugs the 20 pound note from between your tits, your hands following his to grab for it.

You give Ghost several noises of grievances as he holds the note away from you, a look of slight disgust evident in the ways his eyes narrowed and his brows furrowed.

By the time you gave up trying to reach the banknote, he’d begun digging in his back pocket. “I’d like my tip back, asshole.”

Ghost says nothing in return, no noise or gesture to acknowledge he had heard you. Instead, he tugs a 20 and a 50 pound note from his pocket and tuck the two bills into the space between your breasts. The money from the other man was crumpled and shoved back into his pocket.

You don’t stop him, you’re a bit too turned on to even think of stepping away from him.

“There,” he mutters. “your tip.” He steps back from you, like he was going to leave and go back to his table. You, however, were having none of that.

“Hold on.” Your hand twitches, stopping before it could shoot out to grab his wrist (but you’re smarter than that, you know him). “You didn’t call or anything.”

Ghost frowns under the mask. “I’m not home.” It was a clipped reply, not one you wanted.

“What?” You match his frown, annoyed.

“I’m here for work. You saw the others,” his hand gestures vaguely to the upstairs, “they’re my coworkers.”

You raise an eyebrow, “you work with someone who has a mohawk?” Disappointment flickers in Ghost’s eyes, if it was from your question or just the thought of Soap’s haircut, you didn’t know. The poor man isn't even there to defend himself.

“Is it that hard to believe?” Ghost knows that, yes, it is hard to believe that he worked with a Scotsman with a terrible haircut while continuing to be the infamous Lieutenant ‘Ghost.’

The look on your face screams ‘yes.’

Ghost relents, “listen.” His voice has a certain sadness in it that makes you calm down a bit. Truthfully, you’re pretty damn pissed at him for just showing up out of the blue from God-knows-where, but your expression softens after a few seconds.

“You’re gonna be the death of me, Riley.” Your coworker nudges your shoulder to let you know it was your turn to use the kiosk. “Go back to your friends,” you wave your hand in a dismissive fashion. “I’m working.”

Ghost doesn’t budge, even after you’ve ducked between the bead curtains that dangle at the top half of the doorway. You pop back out of the doorway, an unsurprised look on your face.

“Don’t flirt with him.”

Your eyebrows fly up, an incredulous tone flooding your voice. “What?”

“Don’t flirt with him,” Ghost repeats, his eyes boring into yours.

You set a hand on your hip, annoyed. “I’m making money.” The look in his eyes doesn’t change, he’s utterly serious about some random man you’re flirting with for extra cash. A thought crosses your mind, and your annoyance melts into mischief.

“You’re jealous over him?” The way his eyes widen a bit is enough to tell you that, yeah, he is. “Really, big boy?”

And fuck, if you didn’t have him wrapped around your finger by the way you walked, you had him now. All it took was one stupid nickname and Ghost is crumbling into Simon.

“Not jealous,” is his defense. You just soak it in with a grin on your face. You step towards him a little, shoulders forward and leaning down ever so slightly so that your cleavage is a little more obvious, so that the money he stuck between your tits is poking right out at him.

“You sure?” You look up at him, still grinning like your coworker once had when she got a free vape from a customer. “Seems like you’re a bit jealous.”

All he can do is stare down at you, clenching his jaw shut lest he say something he really shouldn’t. But God, does he wish he could.

Really, if it weren’t only 5 PM, he would’ve let you get to him. Let you drag him into an empty VIP room and fuck your words right out of you, leaving you a whimpering, babbling mess. But Ghost — Simon — knows better than to incapacitate you when you’re working.

All he’s left to do is watch as you give him little smirks from across the room, as you adjust your clothes to be just a bit more revealing, as you get close enough that he can smell the remnants of your perfume when you ask him aimless questions. And that’s just what he’ll do once you prance off to get his teammates drinks.

You pat him on his covered cheek patronizingly before you slink away, outstretching your hands for the three drinks cluttered at one side behind the bar. You pass him by, drinks in hand.

“If anything,” you look up to his eyes as you pass him, “it’s the guys you’re with you should be jealous of. You know I like older guys.” That’s enough for Simon to be reclaimed by Ghost.

He follows after you, glowering at your back. You don’t have to look back at him to know he’s scowling at you, but it brings you a slight bit of satisfaction.

“C’mon, big boy,” you hum, “I’ll get you another drink if you tell me his name.” You look back at him once you reach the staircase and climb a few steps ahead of him.

Ghost stares into your eyes like a dead man, you almost think you’ve gone a bit too far. “No.”

You give him an exaggerated pout and turn back to the front to see where you’re going. “If you aren’t jealous, you shouldn’t have a problem with it.”

“No,” he huffs, irritation growing steadily. “Ask again and I’ll have your head.”

You quicken your pace on the last few steps, skirt bouncing from the motion; Ghost doesn’t bother to look away. He follows you back to the table where Laswell and the others are chatting quietly.

You lean down to set the drinks on the table, and Ghost takes his chance. His hands hover around your hips, bulge brushing against your ass as he moves behind you to sit down in his seat.

“Sorry,” he muses in the most unapologetic tone you’ve ever heard from him. It’s Simon’s eyes that look into yours, like a challenge. A really, really horny challenge. “Had to get past you.”

[httpsryu]

the cc; campus crush : 2

pairing: kim minjeong x fem! reader

summary: kim minjeong feels her heart rush at the sight of the cold-hearted rich girl

category: enemies-to-lovers(in minjeong's head)

genre: this part is ANGSTY

warnings: y/n is kind of mean (ITS IN HER BLOOD)

a/n: i had no clue that cc would have this much support! thank you so much guys <3

The second the professor ended the lecture, students bombards the door. Jimin turns back to her shoulder to check up on Minjeong and see if she's going to hang with her and the others. However, seeing you still next to her gives her other ideas.

Her phone lets out a small buzz, having her look at it and she smiles while typing back an 'alright, have fun! i'll inform the others'.

"Think Minjeong is going to be with someone else today." Jimin informs Aeri and Yizhou while closing up her notebooks and putting them in her extremely large and heavy black backpack.

Aeri swears that backpack can be used as a dumbbell workout at this rate.

Both Aeri and Yizhou nods, putting two-and-two together.

"I admit, I'm surprised that Minjeong is managing this far with Hong Y/N." The Japanese amusedly turns back to look at her friend and the cold-faced rich girl. "I kind of thought they would just sit next to each other and that would be it."

The Chinese besides her throws her head back in a fit of laughter. "Come on! Give some hope in our Jeongie."

On the other hand, Minjeong patiently waits for you as you finish typing out the rest of the lecture's notes. However, she can see the slight confusion resting upon your very attractive face at some of the points given in today's lecture.

She assumes it's probably because you're not here for every class so confusion would make sense.

"Hey..um..if you always need help with anything, feel free to ask me. I can always help assist you." The short-haired offers, a bit shy, of course.

This reaction of the intriguing female sparks sort of a frenzy in you. Of course; you cannot pinpoint what it is.

"I don't need your help." A blunt yet short response comes from you.

You aren't sure if what you said was offensive, as you've always are used to that tone while growing up. However, to Minjeong, it seems a bit too honest. But then again, she understands it. You are a cold person like everyone else said. She can stand it.

"Ah." She can only respond, nodding as she doesn't want to push any boundaries on you.

With a slam from closing your laptop, you shove the device into your backpack. With no care if it breaks or not because less work for you to do. You look up after zipping up the bag.

"You should close that more gently." Minjeong suggests, seeing you raise your eyebrow at her suggestion. "Just because your hand can get hurt."

If anyone can see the way your eyes soften for a glimpse second, it would be the heavens from above.

"It's whatever." You reply, getting out of your seat.

The short-haired doesn't move, still frozen at where she is sitting. Unsure of whether you'd still want to grab coffee with her or not. It seemed like she pushed your buttons, judging from how you respond.

"Are we getting coffee or not?" You ask, sounding a little bit impatient as you couldn't help but to swing your bag in a sassy manner as you also don't forget to fix your hair with a swing of a finger.

Minjeong's eyes widens, immediately getting out of where she was sitting and rushing over to your side. "Yeah we are."

"She's like a puppy. A bit cute." You can't help but to mumble under your breath, walking ahead of her, a smile kind of crept to your mouth as you hear her following swiftly behind you.

Minjeong shoots her friends a small smile before disappearing out the classroom to catch up with you.

"You know what?" Yizhou stands up, ready for a snack break before her 12 PM class starts. "I kind of ship it."

Aeri gets what Yizhou means. "Honestly, it's like a cute love-smitten nerd and her bossy mean girlfriend."

Both Minjeong and Y/N kind of clicks well, looking good to the eyes too.

"Can we stop by the vending machines so I can get some more energy drinks?" Jimin asks, pushing her glasses up on the nose bridge.

The Japanese and Chinese look at each other, sighing before shaking their heads NO.

"PLEASE!"

"NO!" Both girls say in unison, getting up from their seat.

"Hey! Where are you guys going? Wait for me!" Jimin pushes up her glasses on her nose bridge once again before hastily putting the rest of her supplies in her very heavy backpack in a frantic.

Minjeong cannot believe she is sitting right in front of THE Hong Y/N. How does one get lucky with their campus crush? Certainly Minjeong must've been a hero in her past life because what do you mean Y/N is here having coffee with her?

Feeling a pair of eyes on you, you divert your eyes from the coffee cup in your hands to the short-haired female.

Minjeong flashes her eyes to somewhere else, not wanting you to catch her staring, enamored by you.

You hate to admit it but Minjeong is pretty cute.

Your phone rings, having you span your attention somewhere else as you grab it from your bag. With a sigh, you decline the call before stuffing it in back into your bag.

"If you have places to be, we can end the day here."

Furrowing your brows at the other sitting across from you, you shake your head. You don't want to seem rude, especially after someone treated you out. "No. It's fine."

"I understand that you're a busy person." Minjeong responds back, reaching over to take a sip of the sweet-looking frappe (you try your best to not cringe at how sweet it is).

"Minjeong-shi?" You call her name and the church bells started ringing in the other girl's head at the way you said her name. "I don't leave my appointments hanging."

Oh.

Appointments.

That's all Minjeong would ever be to you.

While she's over here thinking it was a chance to know one another, you see her as an appointment. A one-time thing. Minjeong knew it was too good to be true. Why would someone like you ever be into someone like her?

You seem to take notice of the sudden dejection of the other sitting across from you. However, you did not want to ask her if everything is alright. After all, you don't have the time to do anything yet alone, try to get to know someone else. After four years of university, you'll never see anyone from campus again.

There's no point in getting to know someone.

Just even getting coffee with this girl is a lot of time taken from you.

"I think it's best if we cut it short." You look down at the watch on your wrist, already dreading at the fact that you need to be at the department. You can already hear the scolding from both your father and sister.

Time is a limitation to you, Minjeong assumes.

"Oh. Yeah, I understand!" The red haired is about to stand up from her seat to greet you out but you stop her from doing so.

"No need for that." Disliking the idea of someone walking you out, especially if it's someone that does not work for the family. You pick up your handbag, giving the other a small half-smile. "I enjoyed this."

Minjeong can only smile back in response, unsure of what else to say. It's quite evident that you don't want to waste your time with someone like her. She takes the hint, she gets it.

She feels foolish, honestly.

"Well then, I am off now." You turn, ready to walk away with your signature Valentino heels, that make quite a presence to themselves. However, you turn back around to lock eye contact with the puppy-eyed girl. "See you around."

"Yeah. See you.." The puppy-eyed girl responds quietly to your farewell.

A sad sigh escapes from her, her shoulders falling beside her as she slumps herself in the chair. Wondering why someone as pretty as you have to be such a busy person.

Was there a need to call her your appointment though?

It's quite clear that Minjeong wants to know you better, hell, you probably already knew.

And yet; you called her an appointment.

Everyone's right.

You are a cold-hearted soul.

But why does Minjeong still like the idea of you and her? Even though it's clear you're not interested in her the same way she is in you. Why does Minjeong still want to keep trying?

Tip-toeing between the many different stores in the department, you check a quick scan-looking around for any sights of a Hong Haein. You let out a sigh of relief before running fast to another store across from you.

"Why are you late?"

Startled at the sudden voice, your heart starts wanting to leap out your chest at the voice of your older sister.

"Hi..." You force a smile, turning around to be met with Haein, her brows furrowed from frustration, pout evident on her lips and her arms are crossed as she repeatedly taps her right foot as she waits for your reasoning. "I just had an appointment."

Haein lowers her gaze, meeting with your height. "You missed the meeting for an appointment?"

"Yeah...?"

The older stares straight on, not caring if it made you feel small nor vulnerable. "An appointment isn't going to be there in the future like this department store is."

"Yes, I know that." You're tired of hearing anything to do with the department and the business that comes from it.

Haein clenches her jaw, not wanting to lose her patience in front of the customers. "If you knew that, why did you miss the meeting? Do you not care about your future?"

"I do care..." Your voice suddenly becoming quiet, blinking fast while looking away from your sister's gaze to not let the tears fall.

The older Hong can only let out a sigh. "Look, someday, I'll stop being the CEO of this department store and I want you to take my place. How can I trust you for this position when you don't even show up to these important meetings we have?"

"I'll do better."

"You always say that to get out of me nagging you." Haein tsks, her patience getting less with you. "How is Soocheol more reliable than you?"

Digging your nails into the palm of your hands from withstanding the awful and horrible words you were about to say to your sister, you can only nod.

"There was no point to even show up." Your sister looks down at her watch, staring at the time which means it was pointless to even try to talk sense into you. "Just go home or wherever you came from."

Before you could respond, the older puts up her hand to answer a phone call. You can only look away in frustration at the way she doesn't care about your feelings. Why would she try to understand?

She's the most successful out of the three of you.

Of course, she doesn't understand.

She loves being in this business, that's how much she loves the company.

Why couldn't it be the same for you?

"Grandfather wants to see us tonight for a family meeting tonight." Haein puts her phone away, looking at you with a stern look but her eyes softened for a quick glimpse at how tired you looked. "Y/N, you know I love you more than Soocheol. I don't want to nag you, but it's my job to make sure you'll do well in this business. Do you understand?"

Staring down at your heels, you can only sigh.

"Aren't you going to answer me?"

"Alright."

With a final nod and a small tight lipped smile, Haein turns around and walks away on her heels.

Knowing that you're not actually allowed to head back home until everyone else leaves, you can only gather yourself together before standing up with your back straight and face held high. Letting out another deep breath before composing yourself to continue the act you've perfected for years, you walk off towards the elevators.

Making sure each step of your heels are seen with confidence, like how your family wanted to be known as. Staring straight on, ignoring the passer-by's attention that are naturally drawn to you.

You see your secretary waiting for you at the elevators ready to give you your assigned orders given to you by both your father and sister.

"Hi Secretary Park." You open out your hand, waiting for the iPad to be given.

The older lady in front bows. "Good evening, Miss Hong." Handing you the iPad which shows the stocks, shares and information regarding of each store in the department. "The CEO wants you to write an analytical summary of each store regarding their sales."

And how in the world do you do that?

"Without Director Baek's assistance." Your secretary says with worry.

Hong Haein is doing this on purpose! What the hell?

"Got it." You look down at the screen in your hands, wanting to just throw and break the device displaying the graphs in front of your face. "Inform her that I'll try to get that at the end of next week."

Noticing the uncomfortable yet concerned expression on Secretary Park's face, you tilt your head. "What?"

"She wants this all done by tomorrow."

Fucking hell.

"Oh. Ok."

Minjeong types on her laptop in the dimly-lit library on campus, of course, with her best friends by her side because who needs girls when she has three awesome people.

But, in spite of that, the short-haired ejects a small upset sigh to where she can't even focus on her assignments. This, of course earned her three friends to turn to her, pitying the other.

"There's other of plenty pretty women on this campus, you know?" Aeri softly says, tapping her pen on her notebook as she tries to think of someone's name. "What about Ryujin?"

Minjeong stops typing, looking up from the screen and at the Japanese. "No, she's too much of a flirt and besides, her and I would clash in the worst way possible."

"Plus she's in a situation-ship with Yeji..." Yizhou mumbles, trying not to let Jimin hear.

The oldest of the four picks her head up from the medical book she's buried in. "You don't have to walk on eggshells around me when you talk about Yeji, alright? She wasn't out the closet during that time and I completely gotten over it."

The short-haired can only stare at her best friend, never forgetting the night when Jimin, the most composed and mature of the group lost her chill that night when Yeji and her ended things. Perhaps, it could be the case for you. You probably weren't into women.

Minjeong glances over at Aeri, wondering when the Japanese would just confess to Jimin already.

"Hmm..what about Yunjin?" Aeri suggests the pretty red-haired music major.

Minjeong shakes her head in agony. "I'll never find someone like Y/N."

"Obviously. She's a rich woman whose family earned their way up. She knows how to hold herself well." Yizhou points out the obvious, not surprised at all for Minjeong feeling the way she feels.

Jimin sighs, looking up from the book she's burying her face into. "Minjeong, I'm saying this to you as your best friend. It's okay to have an ideal type, but it's also alright to accept potential candidates too. Why do you seem to be interested in Hong Y/N so much?"

"I-I don't know where I should start. For starters, she's a very pretty girl. One of the most pretty girls, if not-the prettiest girl I've ever laid my eyes on. She somehow, despite being busy with her family, she's always balancing work-school life. Like yeah, she's kind of mean but I kind of like that about her. I don't mind her being mean to me at all."

"Oh." Jimin can only react with. "You're in pretty deep."

Minjeong can only sigh, putting her head into her hands with frustration. "She made it clear that she isn't interested in anything but why do I want to keep trying?"

"Good luck." Aeri snorts, dismissively going back to studying.

The puppy-like female brings her head back up at Aeri's dismissive attitude leaving Yizhou laughing. This results in Minjeong flicking a pencil at the Chinese's teasing.

"OW!"

Minjeong can only shrug. "You all think its funny that I'm pining over someone who wants nothing to do with me, right?"

"Yeah."

"Maybe."

"Let's have some faith in our Minjeong, come on."

Minjeong wants to bury herself in a hole for even being like this over a girl. But it's not just any girl...ITS you.

"Guys, I think I'm going to keep trying." Minjeong announces with full determination in her eyes.

Jimin, Aeri and Yizhou can only sigh in response.

prev. part

august 2, 2024; publishing date

hey...how is everyone doing...?

taglist: OPEN

[cy-cyborg]

Tips for wring amputees: its ok if your amputee can't repair their own prosthetics

There's a trope in fiction for amputees to always be these mechanical geniuses who can make and repair their own prosthetics, endlessly tinkering away and improving them. This isn't a particularly trope, and i dont think its harmful or anything, but in reality, prosthetics are REALLY, REALLY complicated, and a lot of amputees cant do their own repairs. And thats ok. Like, prosthetic creation and repair is way, way harder than I think people expect. Well outside the skillset of your standard mechanic, handy man or craftsperson.

People who make and repair prosthetics are called prosthetists. To become a prosthetist, most countries around the world today require you to have completed a bachelor's degree in specifically in prosthetics and orthotics, which covers not only how to make a prosthetics (and orthodics) but a great deal of medical knowledge, physics, how different forces impact "non-standard" bodies, the additional biological wear-and-tear that comes with being an amputee and so much more. This will qualify you to do the job of fitting/making the prosthetic socket (the part that attaches to your body) and putting premade components together to make a functioning device. On top of this, many prosthetists are also expected to have artistic skills, sewing skills, good physical strength and dexterity, IT skills, and more recently, knowledge of 3D modelling and printing.

You want to make all the high-tech components the prosthetists put together to make the full prosthetic? The requirements for that vary country to country, but most will require at least some level study in the field of engineering and/or medicine, on top of what was already required for the prosthetics course.

The reason for all this is because even "basic" prosthetics are extremely finicky, and messing up one thing will have a domino effect on the rest of the body, especially in more complicated prosthetics. It can also result in people getting severally injured if anything is even slightly off. many leg amputees for example end up with spinal issues due to extremely minor issues with their prosthetic that weren't caught until years later, and by then the damage had been done.

Some amputees do learn to do basic repairs. This is most common in places like the US, where a visit to the prosthetist can cost hundred to thousands of dollars (depending on your insurance), but it's also quite common in rural parts of countries like Australia, where cost isn't an issue but access is due to vast distances between major cities. I was personally in this category; as a kid, my nearest prosthetist was 6 hours away. My prosthetist was able to teach my dad, who later taught me, how to do some of the simple repairs, but we still needed to go in every few weeks for the more complex stuff (Kids prosthetic need more adjusting than adults because they're still growing. Also I was rough on my prosthetics and broke them a lot lol).

But even after being taught how to do repairs and having my prosthetics for 20+ years, I only ever did these sorts of repairs to my below-knee prosthetic. I will not do any repairs of any kind to my above knee leg, which is much more technologically complex. Every time I tried, I made it worse to the point where the leg was unusable. I just leave those repairs to the guy who went to university to learn how to do it, and sometimes even he needs to send it off to someone with even more specialist knowledge when it's really badly messed up lol. Last time that happened Australia post lost the package. Not really relevant to this post, I just find the idea of it being sent to the wrong place by accident hilarious, it was one of my more realistic legs too so someone probably had a heart attack when they opened that package lmao.

Anyway, back on track lol.

This isn't even touching on the fact that on some more advanced prosthetics, many features are actually locked behind a security barrier only prosthetists can access. My prosthetic knee has an app on my phone I can pair it to, that allows me to change certain settings and swap between certain modes for different activities that tell the leg to change its behaviour depending on what I'm doing (e.g. a mode for running, a mode for cycling etc). but most of the more in-depth settings I can't access, only my prosthetist can, and he can only gain access to those settings with a security key given to him by the manufacturing company that requires him to provide proof of his credentials to receive it. I don't really agree with this btw, something about being locked out of my own leg's settings makes me feel a bit of an ick, but it's set up like this because people used to be able to access these settings and they would mess with things to the point their leg was virtually unusable. Because altering one setting had a domino effect on all the others, and a lot of folks weren't really paying attention to what they were messing with, all their prosthetists could do was factory reset the whole leg, which causes some issues too. Prosthetic arms are often similarly complex, as I understand it and have similar security barriers in place for more advanced arms. I don't know for sure though, so take that with a grain of salt.

All this to say these are incredibly delicate, finicky and complex pieces of equipment. There's nothing wrong with having a techy amputee character who can do their own repairs, but in reality, that is pretty rare, and its ok to have your character need to see a prosthetist or someone more knowledgeable than them. It's a part of the amputee experience I don't see reflected very often in media. In fact, the only examples I can think of in fiction (meaning not stories based on real people) where this is reflected are Full metal alchemist.

technically I think Subnautica Below Zero also mentions prosthetists are a thing in that world, but its a very "blink and you'll miss it" kind of thing...in fact I did miss it until my last playthrough lol.

[speaking-riddlish]

Thinking about how Riddlish is handled in cannon and in fics. I've seen people just put random things that happen to ryhm anytime they want someone to be speaking Riddlish and it's like, a minor pet peeve of mine? But every time we see Riddlish spoken in cannon, it kind of makes sense in a way? Like, if you think about what is said, and try to piece together any symbolism based on context, you can kind of understand what they're saying. Like Maddie said, "Riddlish is not an exact language". Putting together the metaphor and symbolism gives you the general idea of what they're getting across. And whenever a fic does this well, it's like an instant favorite.

Let's look at and dicect some cannon examples (I've always kind of found these facinating):

"Feathers and Friends, together alone!"

"Feathers" could refer to Raven, since she's named after a bird. She also has feathers fairly prominent in her character design, so it'd make sense for Giles to say this even though he doesn't know her name yet.

"and Friends" probably refers to Maddie, since she's known him for a while and is presumably his friend. It could also refer to their friendship, and maybe even be a way of including Raven in.

"together, alone" They're here with him, joining him in his solitude.

Putting it all together we get "Raven and Maddie, you're here! You came to visit me!" Which lines up pretty well with Maddie's translation of "he says it's nice to have us here!"

"Can a musical chair change its tone, when the tablet of granite is inscribed with a bone?"

"Can a musical chair change it's tone" The music in musical chairs is integral to the game, yet the song played does not come from the chair, but from the people playing. The tone of a musical chair is something fundamental about itself, and also something imposed by something outside itself. Can it change? Can something change something about itself that someone else has decided is fundamental?

"When the tablet of granite is inscribed with a bone?" A tablet of granite inscribed with something is literally that thing being written in stone, another reference to destiny and inevitability. And what's written on that stone is a bone, is death. Death is what is written in stone. Death is supposedly inevitable here.

From Raven's tone and terrified body language when asking Maddie to translate for her, it's fairly clear that the thing that wants to change is referring to Raven.

Putting it all together we get "Can Raven change from what others have said she's supposed to be, or is death the inevitable consequence of that like we've been told it is?" Which lines up pretty well with what Maddie was asked to translate: "What'll happen to me if I don't sign the book, am I really gonna disapear?"

"The king that sings with pages of sky fears too much the dawn that rises with lies"

"pages of sky" is in reference to the book, and maybe the fairytales themselves. The sky is often used to symbolically reference heaven and the divine. The book, determining people's destinies, fits fairly well into that category. It's almost like he's referring to the book as being from above.

"The king that sings with pages of sky" would then be Headmaster Grim. He's in a position of authority over the students like a king is to his subjects. He "sings with" the book/the stories with his constant insistence that people must sign the book and follow their stories, speaking in unison with them.

"fears too much" this part is fairly clear, Milton's paranoid. The consequences he thinks are inevitable aren't as inevitable as he claims.

"the dawn that rises with" would mean something like "the consequences of" or "the fallout from". Then there's one of two ways the rest could be. "lies" could refer to that which is contrary to what the stories say will happen. If you take the stories as "truth" then changing the stories would be "lies". Or, "rises with lies" could mean the consequences coming from Milton's lies being brought to light. The dawn rises as Milton's lies rise.

Yet the whole thing sounds rather foreboding, giving the impression that something is seriously wrong.

Bringing it all together, we either get "Headmaster Grim told you to follow your destiny because he's paranoid about what'll happen if you don't. But those fears are unfounded. Also something is very wrong." or "Headmaster Grim told you to follow your destiny because he's afraid of what will happen when people find out why you don't need to (and its emplied that that reason is something very bad)" This lines up fairly well with Maddie's translation of "There's something wrong with the book, and if you don't sign, your story will continue... I think". I like the touch that Maddie wasn't as confident in this translation, since the last phrase is more ambiguous. It's not really clear how the foreboding tone integrates into the message without more context than Maddie has, so Maddie doesn't really know what it means.

"The baby bird flies. The snake, it slithers. But the cage holds both, to die and to wither."

"The baby bird flies. The snake, it slithers." The baby bird and the snake are two very different creatures, they move and interact with the world in two totally different ways. Most people also would look more favorably on the baby bird than on the snake.

"but the cage holds both, to die and to wither." the cage doesn't care what is inside of it, it will indiscriminately hold them both captive. The things that make the baby bird different from the snake, and the adorable charms of the baby bird will not free the baby bird from the cage, nor will they protect the baby bird from the grisly fate that awaits it in the cage.

The context is also relevant, since she's talking to Alastair and Bunny, two of her subjects who have just been arrested, but also two of her daughter's friends.

Putting this all together we get "Yes, you enjoy privileges that others do not have, but my affection for you will not compromise my judgement. You are not above the law. I am not above punishing you like I would anynother citizen." While we don't have a cannon translation to compare this to, it seems to make sense. Its immediately followed up with her letting them off with a warning, and despite this interaction, Bunny later tells Lizzie that her mom really is a good queen, but that the curse has stressed her out. I think the Queen of Hearts probably made exploring illegal to protect people from the curse. If she really is a good queen, then this type of objectivity ("I don't care if you're my daughter's friends, crime is crime") would make total sense.