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davidmann95 · 4 years ago

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now that it's over, thoughts on Bendis' Superman as a whole?

pretenderoftheeast said: So, thoughts on Bendis' Superman and Action Comics' tenure altogether and separately now that it's over?

Anonymous said: Best and Worst things about Bendis' Superman run

Anonymous said: Now that it is over, what are your thoughts on Bendis' runs on Superman and Action Comics as a whole?

Anonymous said: Retrospective thoughts on Bendis' Superman as a whole now that it's, I guess, done?

Anonymous said: Hey so since Bendis’ Superman stuff seems to be done, what did you think of the run as a whole?

I decided to hold off a bit on writing on this one, if only so that I could reread the Action Comics side of it since Superman stood out in my memory a lot more. But now I have, and as we’re heading into a bold new era of Superman (and it’s coming in fast - just since I made my Superman in 2021 predictions we’ve gotten Ed Pinsent finally reprinting his legendary bootleg Silver Age Superman, Steve Orlando announcing his Superman analogue book Project Patron, an official shonen Superman redesign for RWBY/Justice League, PKJ’s Super-debut turning out far better than I ever expected, Superman & Lois’s first proper trailer largely taking people pleasantly by surprise, and my learning that there’s a Sylvester Stallone Old Man Superman analogue movie titled Samaritan coming out this summer) we’re ready to take a look back with at least a touch of perspective. I’ll lead with complaints, so everybody who’s been waiting for me to say that Bendis on Superman was Bad, Actually, savor this because it’s as close as you’ll get.

The Bad

* I hate to say it, but rereading that side of the run there’s no two ways about it: the structure of Action Comics as a whole is a mess. It baffled me from day one that it was the more acclaimed of the two books for so long - I guess people are hardwired at this point to think of ‘street’ stuff as where Bendis is supposed to be - because it was immediately clear that Superman had a well-defined story he wanted to tell, while Action was the usual Bendis off-the-cuff improvisation. It’s barely even a story in the same way, and it’s certainly not the ‘Metropolis crime book’ people took it as: it’s 28 issues of Superman and his supporting cast stuffed a pinball machine with the Red Cloud pinging off of each other as we wait to see who falls in the hole at the bottom, and partway through Leviathan and the Legion of Doom and 90s Superboy are tossed into the mix to keep it going a little longer. On an issue-to-issue basis it’s frequently really good, but the core plot of the book is *maybe* six issues stretched out over two and a half years.

* I’ve gone into this some before, but structure-wise Unity Saga also has problems: Phantom Planet rules but either it needed to be cut or the back half needed to be a year all its own in order to accommodate the scale of what it’s attempting. It’s got an interstellar civil war leading into the formation of the United Planets, family drama, Rogol Zaar’s whole deal, and Jon’s coming of age, and I’d say only that last one is really properly served. Even Jon forming the United Planets, while contextually somewhat justified in terms of 1. The situation being so far gone he’s the only one who’d even think in those terms, 2. Things being bad enough that these assorted galactic powers would be willing to try it, and 3. Him having the S on his chest to sell it, isn’t at all built up to within the run itself.

* Rogol Zaar sucks. He’s made up of nothing but interesting ideas - he’s an ersatz warrior ‘superman’ of a bygone age of empires up against the new model, he’s the sins of Krypton as a conservative superpower come home to roost, he’s while not outright said to be definitely Superman’s tragic half-brother and the culmination of everything this run does with Jor-El - but none of them manifest on the page, he’s just a big punchy dude with a dumb design who screams about how you should take him seriously because he’s totally the one who blew up Krypton. Even a killer redesign by Ryan Sook for Legion of Superheroes can’t fix that. There are lots of bad villains with good ideas who are redeemed with time and further effort, but I can’t imagine Zaar getting that TLC to become a fraction of whatever Bendis envisioned him as.

* The second year of Action Comics, after establishing itself in its first as one of the most consistently gorgeous books on the stands, leads with Szymon Kudranski’s weak output and then concludes with John Romita Jr. turning in some career-worst work. The latter is particularly egregious because for that first year Bendis writes a really collected, gentle Superman so him getting pushed into being more aggressive should have an impact, but Romita draws such a craggy rough-looking Superman in the first place that it mutes any sort of shock value.

* WE NEVER LEARN WHAT’S UP WITH LEONE’S CAR, WHAT THE HELL. You don’t just DROP THAT IN THERE and then NEVER FOLLOW UP.

The Good

* Superman got his real clothes back after 7 truly ridiculous years.

* Bendis fundamentally gets Clark’s voice in a way unlike almost any other writer - even all-around better writers of the character almost never approach how spot-on he is with having Superman speak and act exactly how Superman should.

* Supporting cast front and center! He writes a dynamite Lois, Perry, and Jimmy (even if many of Lois’s more out-there decisions in the run don’t end up retroactively justified the way you’d hope), Ma and Pa are more fun than they’ve been in decades in their brief appearances, he manages to turn having Jor-El in the mix into a positive, and the Daily Planet as a whole has an incredibly distinctive vibe to it like never before that I hope is taken as a baseline going forward.

* The non-Rogol Zaar baddies? All ruled. Invisible Mafia and Red Cloud are both brilliant ideas executed solidly if overextended. Zod as Kryptonian Vegeta, Mongul as a generational perpetual bastard engine primed to be incapable of self-reflection, and Ultraman as “what if Irredeemable but he’d never been a good guy and also he was a Jersey mobster” are the best versions of those characters by numberless light-eons. Lex is on-point in his sparse appearances. Xanadoth as a mystical cosmic monster older than time who still talks like a Bendis character is however unintentionally a hoot. The alt-universe Parasite is a more intimidating Doomsday than Doomsday ever was. And Synmar as an alien culture’s attempt at creating their own Superman and messing up the formula when they make him a soldier can and should be a legitimate major ongoing villain coming out of this run.

* Pretty much all the art other than what I mentioned already. Fabok does a good job bookending The Man of Steel and Ivan Reis does the work of his career anchoring Superman (special props to Reis as well for drawing the first ever non-Steve Rude interesting-looking take on Metropolis), and meanwhile you’ve got Jim Lee, Jose Luis Garcia Lopez, Doc Shaner, Steve Rude, Kevin Maguire, Adam Hughes, Patrick Gleason, Yanick Paquette, Ryan Sook, Brandon Peterson, and David Lafuente doing their own parts.

* Closely related to the art, all the little flourishes with the powers. Super-speed having a consistent visual with the background coloring changing, Clark internally putting numbers to the degrees of force behind his punches and what situations which numbers are appropriate for, ‘skidding to a halt’ mid-flight before crashing through a window, the shonen-ass major throwdowns as portrayed by Reis, how his super-hearing is handled as a prevalent element. Lots of clever bits that added flavor to what he does.

* While Unity Saga has problems, the whole of what Bendis does in Superman as a means of forward momentum for Clark and his world is excellent. The sort of three-act structure of:

** Clark is led to question his place in things over the course of a few adventures

** Involvement in the larger cosmos and the impact it has had through and on his family makes him realize the answer to his questions is that he needs to step up in a bigger way because there’s no benevolent larger universe to welcome Earth with open arms, nor a cosmic precedent for everything turning out for the best without some help

** As a consequence of the lessons learned by this change in the status quo Clark is inspired to make his own personal change in revealing his identity (with Mythological basically being an epilogue showcasing a ‘standard’ standalone Superman adventure while simultaneously highlighting his new status quo and how it fits in as a summing-up of Bendis’s take)

…does a great job of shepherding through ideas that lend a lot of forward momentum to Superman of the kind he hasn’t seen in a long time. Not perfect, but far lesser stories with far lesser ambitions have made huge impacts, so I’d certainly hope at least some of this sticks around even if, say, regardless of any retcons to the main line there are always going to be stories with Clark as a disguise and Jon as a kid. Oh, speaking of whom,

* KISS MY ASS, EVERYTHING WITH JON KENT RULED

Ahem. Probably a less confrontational way of putting that.

Do I think there was more gas in the tank for Jon as a kid? Totally, making him likeable and viable was the one really good thing the Rebirth era accomplished for Superman and I expect we’ll continue seeing more of it in the future one way or another. But whether or not him being aged up was Bendis’s decision, or working with marching orders to set up the eventually-(kinda-)discarded 5G, the coming of age narrative here is fire. He keeps the essential Clark Kent kindness and bit of Lois Lane cheekiness that reminds you he’s still their kid, which is a combination Bendis is basically precision-crafted to write, but his trials by fire give him a background entirely unlike the by-the-numbers “and here’s how Superman’s great kid grew up to be a great superhero too” narrative you’d expect while still arriving at that endpoint. If superheroes live and die by metaphors then Jon in here is what it means to grow up written as large as possible: leaving home for the first time (and seeming to shoot up overnight!), getting into the muck of how the real world works, being beaten down by authority wearing faces you’ve been taught to trust, scrambling to get through with the whole world against you, and in the end getting through by learning to rely on your own strength while keeping your soul intact and your head held high, and even managing to speak some truth to power. It gives him a well-defined life story with room to go back to and explore the intricacies of each leg of for decades to come in a way Superman hasn’t had since the original Crisis - someone someday is going to write a The Life & Times Of The Son Of Superman miniseries and it’s going to be one of the greats - and negates any question that he’s earned his stature as the heir apparent.

* Coming out of this, Superman’s world is fascinating. He’s out but rather than giving up his day-to-day life he’s openly spending part of his life as CLARK KENT: SUPER-REPORTER and part of his job on the cape-and-tights side of things is now KAL-EL: SUPER-SPACE-DIPLOMAT, Lois Lane coruns a foundation helping people whose personal continuities have been fucked over by Crisis shenanigans, Jimmy Olsen owns the Daily Planet but is still doing Jimmy Olsen stuff because that’s how he gets his kicks, and Jon Kent is going to college in the future. I’m not anywhere near naïve enough to think that’s how things are going to be forever, or shortsighted enough to think there’s no value left in the traditional setups, but god I hope these developments stick around for a long, long time to come and potentially become the new ‘normal’ as far as the ongoing shared universe stuff goes, because it all feels like the right and promising next steps to take for the lives of these characters. However it got here, for all the pluses and minuses along the way even if I maintain the former very much outweighed the latter as a reading experience, Bendis has a lot to be proud of if that’s the legacy he leaves on these titles.

* The recap pages at the desks!

#Superman #Brian Bendis #Jon Kent #Opinion

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chiseler · 3 years ago

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Putzi

In Hitler’s inner circle of thugs, lunatics, imbeciles and perverts, Ernst Franz Sedgwick Hanfstaengl stood out as an oddity among the oddballs. Where they tended to be snarlingly parochial bumpkins, he was a cosmopolitan man – a Harvard man – with an international set of high-placed friends and associates that included not only Adolf Hitler but Franklin Roosevelt. It wasn’t that he didn’t look the part of the Aryan goon. He stood a mountainous six foot four, with broad shoulders, a barrel chest, huge hands, and a boulder of a head with a lantern jaw and lidded eyes designed for the threatening glower. But he was a big man who only wanted to be liked, aggressively ingratiating as a golden retriever. He was universally known by his childhood nickname, Putzi.

Putzi was born into a prosperous and cultured home in Munich in 1887. His German father was well-known dealer in fine art reproductions, with galleries in London and on Fifth Avenue in Manhattan. His mother was an American of fine New England pedigree, with a Civil War general in her family tree. They sent him to Harvard in 1905. In 1911, at 24, he moved to Manhattan to run Galerie Hanfstaengl at the corner of Fifth Avenue and 45th Street. Yet his first love was music. He was an accomplished pianist if a sometimes overenthusiastic one who, it was said, occasionally banged the keys so hard with his sledgehammer hands that he broke strings. Many mornings before opening the gallery he could be found at the Harvard Club around the corner, playing the piano there. That was where he met another grad, state senator Franklin Roosevelt, who breakfasted at the club. Putzi was an assiduous cultivator of the celebrated and influential; he’d later write that “the famous names who visited me” at his gallery “were legion,” including “Pierpont Morgan, Toscanini, Henry Ford, Caruso, [the aviator Alberto] Santos-Dumont, Charlie Chaplin, Paderewski, and a daughter of President Wilson.” He also made friends with the artists and writers in Greenwich Village, including an affair with Djuna Barnes.

The coming of the Great War made life very difficult for him in New York, as it did for many German-Americans. The Justice Department investigated him; his Harvard Club fellows turned cold; the gallery’s windows were smashed more than once; and then, toward the end of the war, the government seized the gallery as “enemy property” and auctioned it off for a pittance.

In 1921 he returned to Munich with his wife and infant son. The following year, a Harvard classmate at the American embassy asked Putzi to go hear a political speech and give his impression. The speaker was Adolf Hitler, and Putzi was definitely impressed. He immediately ingratiated himself with Hitler, becoming his constant companion, his court minstrel and court jester. He saw his role as introducing some culture and refinement to Hitler and his loutish crew. He played Wagner and Liszt to soothe Hitler’s nerves, and tried to get him to grow out his moustache, which Putzi called his “snot-catcher.” He provided Hitler an entrée to upper-crust Germans and their money, and personally footed the bill for expanding the Nazi newspaper Völkischer Beobachter from a thin weekly to a thriving daily.

On November 8, 1923 he was inside Munich’s Bürgerbräu Keller when Hitler launched his failed putsch. Escaping the chaos of the next day, Hitler fled to Putzi’s country home some 40 miles south of the city. The American journalist Dorothy Thompson, who knew Putzi, showed up, pursuing a rumor that Hitler was hiding out there, but the police had gotten there first. “HITLER SEIZED NEAR MUNICH,” the front page of the November 13 New YorkTimes reported. “Found in Home of E. F. Hanfstaengl, Ex-New York Art Dealer.” [November 13, 1923]

Putzi maintained loose ties with the Nazis during their low ebb in the 1920s; then, when Hitler’s fortunes seemed to be reviving in 1931, Putzi re-hitched his wagon, joining the party – a commitment he’d resisted until then – and convincing Hitler to let him be his foreign press spokesman. He certainly had the international press contacts, from Thompson to Quentin Reynolds to William Randolph Hearst, though Thompson would dismiss him as “an immense, high-strung, incoherent clown,” and Reynolds sneered, “You had to know Putzi to really dislike him.”

One evening in 1935 another Harvard man, the New York writer Varian Fry, stepped out of his hotel in Berlin to witness “a band of some 200 Nazis, clad in civilian clothing but many of them wearing Storm Troop boots and trousers,” surge along the fashionable Kurfürstendamm, attacking anyone they thought was Jewish. They yanked people out of cars and cafes to beat and kick them senseless. They smashed the windows of Jewish shops and restaurants, as they sang the “Horst Wessel” song and chanted anti-Semitic slogans. Fry saw one young man “whose eyes became filled with blood so that he could not see where he was running,” and the Jewish proprietor of an ice cream shop badly beaten as his shop was wrecked. Fry returned to his hotel room, telephoned his report to a wire service, and the next day it was in the Times and other newspapers.

The Völkischer Beobachter, unsurprisingly, blamed Jews for inciting what it described as the spontaneous disturbance Fry witnessed, supposedly outraging good Germans by hissing at an anti-Semitic Swedish film in a Kurfürstendamm theater. To Fry, the riot “gave every evidence of careful planning” and was clearly led by storm troopers. The morning after, he went to Goebbels’ Ministry of Propaganda for some answers, and was ushered into Putzi Hanfstaengl’s office. At first Putzi went into boola-boola overdrive, one Harvard man to another, but when Fry resisted, Putzi deflated. Apparently he was finding his job of explaining the Nazis to the world rather daunting and frustrating. He was remarkably, even recklessly candid with Fry. He confessed that it was most likely storm troopers who had hissed at the Swedish film as a pretext for the rioting. More amazing still, he told Fry that two factions in the Nazi Party leadership were arguing over how to deal with Germany’s Jews. The moderates, in which he counted himself, maintained that the answer was to segregate or send them all away, perhaps to Madagascar. The radicals, who he said included Hitler and Goebbels, preferred exterminating them. Fry reported this conversation to the Times as well, seven years before the Nazi hierarchy formally adopted the Final Solution.

Putzi grew increasingly uncomfortable with making excuses for Hitler over the next couple of years. By 1937, Hitler and his inner circle harbored doubts about his loyalty. Fearing that Hitler planned to liquidate him, Putzi fled Germany for England, where he was hoping to be embraced as a political exile. Instead, the British interned him as an enemy national.

In 1942, Roosevelt took pity on him. He arranged with the British to have him transferred from a POW camp in Canada, which was reducing Putzi to a miserable sliver of his jolly old self, to a house outside Washington. There, under house arrest and constant guard, Putzi was kept busy writing voluminous psychological profiles of Hitler and other Nazi leaders for possible use by American intelligence and propaganda services. For a while his guard was his own son, Sergeant Egon Hanfstaengl, who had also fled Germany, come to America, and enlisted in the U.S. Army.

After the war Putzi was allowed to return to Germany, where he submitted to the humiliating process of being “de-Nazified.” He spent the rest of his life trying to convince anyone who’d pay attention that he’d been a “victim of Nazi political persecution,” even asking for cash reparations from the German government. In 1974 he made the news again when he was allowed to return to Harvard for his 65th class reunion. He died the following year.

by John Strausbaugh

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afaimsarrowverse · 4 years ago

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Arrowverse Update 2021:

(No, I won’t call it The CW-Verse).

Yes, I promised you one of these ages ago, but then RL turned everything around on its head, and I did not want to make one before all the shows were back in production and there was anything solid to tell you. So now I have lots.

Only facts here, not politics, and only slight speculation regarding future developments, as always.

Batwoman

Season 2 will start airing on the 17th of January and return to the shows usual time slot. They are planning to produce 19 episodes for this season. However given the times we are living in another production shutdown could prevent that number tob e fullfilled again, so take it with a grain of salt.

One of these 19 episodes will be part of this years Crossover-Event, which is a two parter and crosses over with „Superman& Lois“. Characters from the other shows are set to appear as well, however who that will be is unknown at this point. The Flash will probably be in it, aswell as someone from „Supergirl“, however if this someone is Kara is up for debate right now. John Constantine, Mick Rory, and Nate Heywood are the most likley candidates for someone from „Legends“. „Black Lightning“ is most likley not participating in the crossover. However someone from „Arrow“ might show up in it instead.

Ruby Rose is off the show and so is Kate Kane.

Just to clearify: Ruby Rose was not fired from the show , the higher ups at Warner and The CW were as surprised as we were about her decescion to leave, and Season 1 did not fail, quite the opposite actually: Until „Stargirl“ came along, „Batwoman“ was Number 3 on The CW, only „The Flash“ and „Riverdale“ did better. If the ratings of „Batwoman“ would have been bad, the whole network would be forced to shut down. Yes, the ratings dropped after „Crisis“ (but they dropped for all the shows except for „Arrow“ after the crossover), but they recovered, and overall „Batwoman“ was doing a lot better than let’s said fan favourite shows like „SPN“. The Powers That Be had every intention to go forward with Season 2 as originally planned.

Ruby Rose hurt her back a while back and had an emergency surgery after which she returned to the set of „Batwoman“, thereby disregarding her health. She has been suffering from chronical pain ever since. Thanks to Lockdown she was able to live the difference, a life without Batsuit, stunt work, and shooting days – and decided to quit. On the long run this might have happened eventually anyways. The actress has a history of depression and has been bullied online since the day it was announced that she got the part – by her own community as well as by Alt.Right Fanboys, who hate woman, LGBT-Characters, The CW, and the idea of anyone but Bruce Wayne being a Bat-Hero. Add that to physical pain, hard working hours, and a dislike for Vancouver, why should someone do that herself on the long run? However, it would not have happend between Season 1 and 2, and the writers would have had a chance to write Kate out of the show gardually and to build up an heir to her mantle at the same time. Now none of this will happen.

The producers decided against recasting Kate Kane as well as against making an established character into the new Batwoman. They even decided against bringing another Batfamily character from the comics into the show or introduce someone with ties to the established cast into the show for that purpose (like a cousin of Kate or Luke Foxs sister). Instead the quickly made up a brand new character – Ryan Wilder.

Ryan Wilder was invented for the show. Yes, she has shown up in a recent „Batgirl“ Comic, but make no mistake, she was inserted into that comic to make it look like she is a character from the comics, even though she isn’t. The Scripts for Season 2 predate that comic appearance by quite some time.

Javicia Leslie will be the new Batwoman, who has no ties to anyone in the show, but will witness whatever happens to Kate. So this will be a Miles Morales kind of situation, by the sounds of it. However we were told Kate won’t be killed of. Instead the Bat-Eating Monster that ate Batman will get her. Well kind of, she will disappear like Batman before her.

Ryan Wilder will have ties to Scarecrow though. If that means that somewhere along the line he will replace Alice as the main villain of the show is unknown. Safiyah is going to show up though, and will be played by Shivaani Ghai. She will face of with Alice, which seems to be one of the few preplanned elements, that will make their way into Season 2 after all. A female assassin named The Whisper will work for her, and a guy called Ocean will show up.

Pictures of the new Bat Suit have been released online. The most important part about the new look seemd to be the fact that you can tell that it’s an Afro American Woman by the silhouette. Juding by this the main focus of the show will shift. Discussions about DADT and Coming Outs are in the past, BLM it is instead. Ryan Wilder is supposed to be lesbian though. And a (former?) drug addict and goofy and „not the right person“ for the job of Batwoman at „this time“ of her life.

Given that there is a „Kate has disappeared“- storyline – either offscreen or via body double – it would make sense to have the character return to the show at some point in the future. However don’t expect that to happen in Season 2. As long as the two week quarantine period for people coming into Canada is in place guest stars won’t come cheap and might prefer to work in the US instead.

Also don’t expect to get Kate Kane back as a main character any time ever for that show. If she returns it will only be to wrap up her storyline and to give the new Batwoman her blessing.

Season 2 is currently filming in Vancouver. „Batwoman“ was one of the first shows to return to filming and has had a small filming break forced on them already, due to testing issues. However those seem to have been resolved. The production has been running smoothly for the most part.

Expect a proper trailer around December time and expect Season 2 to be treated like a new show by the network. Because that’s bascially what it is. (International distrubiton deals will however remain the same, so don’t worry about that, wherever you saw Season 1, it’s likely you will be able to watch Season 2 there too).

Black Lightning (+ Painkiller)

Season 4 will start airing on the 8th of Febuary and take the Monday night 9:00 pm slot. The season will consist of 13 episodes, and consdering that it’s the shows final season all of these episodes will be made and aired, come hell or high water.

We don’t know a whole lot about this season. Chantal Thuy will be part of the main cast in this season, so hopefully that means that Grace will consistently hang around all season and won’t do her usual disappearing act inbetween episodes.

What we do know is, that around the middle of the season a backdoor pilot for a potential Painkiller Spin-Off will air as episode 4.7. In it Khalil will end up in an new city Askahic Valley, where he will aim for a fresh start and find trouble instead. Helping those in need he will have to find a way to use his inner darkness aka his Painkiller personality for good.

The backdoor pilot sounds engaging, kind of like a more down played version of „Legion“, but as for the chances for it to get picked up, we will have to wait and see. Being more of a follow up for „Black Lightning“ then a spin off the chances for a pick up are much better than most of us thought, when we still believed it to be a sister show to the adventures of the Pierce-Family. However it may be too high concept to find an audience. Furthermore the reboot of „Batwoman“ (see above) may also be enough for The CWs need to live up ist own diversity statement. So we will have to wait how the backdoor pilot works out for an audience and for the network, and also how the future plans for the Arrowverse in particular and their whole program in general for the 2021/2022 season will look like. Diversity also means not too many of those superheroes shows at the same time.

As for why it was decided that the series has to end with Season 4, this is currently still unknown. The ratings were always the poorest out of all the Arrowverseshows and also among the lowest of the whole program of the network, and Netflixs decision to go from weekly episodes to whole seasons also indicated that outside the UK and Australia the show did not do overly well, however the reason behind the decision might have nothing to do with any of that given that the show was rather consitent where the numbers where concerned. It might have been a creative decision, the fall out from the desire of on of the main actors to leave the show, or even a demand from Warner or AT&T. As of right now, we just don’t know, but the truth will come out eventually.

For International Netflix the season will likely be put on after it finishes airing in the US, just like Season 3 was. The Series Finale will probably air in May.

Season 4 is currently shooting in Atlanta. Due to this crossovers with the other shows are more or less out of the question for this season, however in theory characters from „Arrow“ could show up in the final season. But given that „Black Lightning“ always was its own thing, I would not count on it. However after the show is finished, Black Lighting, Thunder, and Lightning could show up from time to time in the Vancouver based shows, if the actors are willing (and in „Painkiller“ of course), so maybe „Black Lightning“ will be fully integrated in the Arrowverse after it’s finished in the same way „Constantine“ was.

The Flash:

Season 7 of „The Flash“ will start airing on the 23 of Febuary on Tuesday night right before „Superman & Lois“. It’s planned to have 18 episodes in total. One of those is 6x20 („All’s Wells That Ends Wells“) which was already more or less finished, when the production shut down. Most of the episode will now be 7x01, however there might have been some reshoots concerning the scenes Hartley Sawyer was in (more on that later). 17 additional episodes are being filmed, provided there isn’t another production shutdown.

The first three episodes of the season will be the slighty rewritten finale of Season 6 and deal with the Mirror Mistress. The rest of seasons will consists of two volumes again, shorter ones than usual though. As of now there are no plans for a crossover episode. Barry will however almost certainly show up in the „Batwoman“/“Superman & Lois“ Crossover Event.

Godspeed will be the main villain of at least the first half of the season. However it won’t be August Heart, it will be a new Godspeed instead. Also set to return are Top, Bloodwork, and Abra Kadabra.

Kayla Compton and Brandon McKnight will be part of Season 7s Main Cast. Hartley Sawyer however is off the show. After his Twitter was scammed, old tweets from long before he even joined „The Flash“ resurfaced, that included offensive jokes. One or two were racist, so he was fired. Ralph will be written out of the show in the first few episodes of the Season. He will shapeshift into another established character for storyline reasons and take his leave in this form. He might return later down the line, when the waves of his departure have subsided. In which form and played by which actor depends on how everything goes until then. Sue Dearborns storyline will be rapped up accordingly, however she is not of the show. She will return over the course of this Season and help out Team Flash time and time again.

There has been a lot of speculation about other actors leaving the show, given that their initial contracts are up and they cost a lot of money or might want to leave. Jesse L. Martin, Tom Cavanagh, und Carlos Valdes are the main concern here. However given that Season 6 was never finsihed, everyone from the main cast (including for story reasons of course Victoria Park and probably Patrick Sabongui) except Hartley Sawyer is returning for Season 7. If there are plans to kill anyone of in a shocking fashion in Episode 3, they obviously wouldn’t tell us. So it is of course possible that someone will leave the show during Season 7, however even if there were plans in place, Covid might have changed them. As for Jesse L. Martin, he might be safe, because we were told that a Joe West related storyline about the Police Issue will be part of this season (however that could of course happen during the first three episodes as well). Danielle Panabaker however will be back sooner than expected, and Frost will be part of the Mirror Mistress wrap up episodes. Given that the show started filming much later than usual, her maternity leave for which she departed the show in 6x19 was over before the returned to filming.

That said what might happen this season is something most people probably noticed during Seaon 6 already: Not everyone will be in every episode, and some might only have cameo appearances in certain episodes. Also US based guest stars might be a problem as long as the 2 week Quarantine for travelers to Canada is still in place. Don’t expect people to show up for only one scene or something like that.

As far as the Mirrorverse storyline goes, Iris will escape from there pretty early on in this season, however there will be lasting effects for her character (as you might have guessed from the last few episodes of Season 6). She will be confronted by a splintered part of her persona and might make a visit to the Eva McCullloch crazy town. If she will have Mirror Powers like Eva after she is out of the Mirrorverse is still unknown but possible, at least until the Mirror Mistress/Mirrorverse storyline is wrapped up.

The Volume after that will deal with Speedster and revolve around the new Godspeed. Originally Season 6 was supposed to end with a cliffhangar involving Eobard Thawne. If this is still the case for 7x03 is unknown. However it stands to reason that Reverse Flash could very well show up during the Speedster Volume. Wally West might also make his return. Und maybe a certain female West-Allen Child will as well. Jesse Wells could also show up at some point. The Wells-Situation will play into Season 7, so she might be connected to this storyline or the Speedster One or both.

What about the future though? There were plans to bring „Stargirl“ into the Arrowverse via „The Flash“. However „Stargirl“ is filming in the US, which means that these plans were postponed for the moment. We will see a Crossover between these two shows eventually (or if „The Flash“ ends before than between „Superman & Lois“ and „Stargirl“). However not until travelling between the US and Canda is easier again.

As for potential future seasons, we still don’t know whatever came of Grants talks about Season 8 and 9. It’s extremly unlikely (but not impossible) that Season 7 is the final Season for „The Flash“, however don’t take Eric Wallaces talks about „many seasons down the line“ for granted. Season 8 might be the last one, or the first of many more to come. We just don’t know at this point.

Season 7 is currently filming in Vancouver. They were forced to start a few days later than originally planned because of issues with testing results (those were delayed), however since they started the prodcution has been running smoothly, so fingers crossed that we will get all of those 18 episodes.

Superman & Lois:

„Superman & Lois“ will start airing on the 23 of Febuary on Tuesday nights right after „The Flash“. 13 episodes were ordered. It’s the big new show of The CW, but it did start filming relativly late, which is why they postponed the start date for the show from January to February. The pilot was supposed to shoot in spring, but couldn’t because of the production shutdown in Vancouver. Therefore they have just done the pilot and went directly on to Episode 2. Normally an episode order of a show like this one would be extended to 16, 20, or even 22 episodes pretty early on. This year however everything is different, and I personally don’t even think that they will extend to 16 episodes (there are clues that point into that direction), so it’s likely that we will get only 13 episodes in this first season. However if the extend the order, we might get 14 or 15 episodes instead.

One of those first 13 episodes will be the crossover episode with „Batwoman“. Characters from the other Arrowverse Shows will show up in it aswell, however it will be a much smaller Crossover than the latest ones. The Flash will probably be in it, as well as someone from „Supergirl“, and maybe someone from „Legends“. There is talk about John Diggle and a Green Lantern storyline, but none of this has been confirmed. However due to the fact that John und Lyla moved to Metropolis, „Superman & Lois“ is the most likely place for him to show up again.

Yes, the pilot script has been leaked, but please keep in mind, that they had months to change it. While the main points of the scripts probably remain the same, don’t expect everything you read to actually happen in the pilot.

That said, here is a summary of the shows synopsis: Clark und Lois have to learn to balanace their lifes as world famour reporters and superheroes with their lifes as parents. On Earth Prime they don’t have an infant son, but two teeange sons instead, that may or may not have inheretied their fathers powers. The Pilot sees them returning to Smallville out of family reasons and reconnecting with Lana Lang (Clarks first love) and her family (her Husband and her teenage daughter). While Lois father General Lane (recast for the show) expects his son in law to focus on the superbusiness, the couple would preferable focus on Smallville, which is in real estate troubles, but even the idyllic small town is all but this when a mysterouis stranger turns up and … well turns the show into a Superhero Show.

Tyler Hoechlin and Bitsie Tulloch return to their roles als Clark Kent and Lois Lane. Superman gets a new suit for the show. Pictures have leaked, but are of bad quality, however the main point of the suit change is to have him wear an endurable suit. His original suit was not made for long term use and was more or less falling apart by the time of „Crisis“.

Their sons are played by Jordan Elsass (Jonathan) and Alexander Garfin (Jordan). They are both thirteen, so apparanly twins, and don’t know that their father is Superman. Jonathan is good in sports but kind and well liked. Jordan on the other hand is smart, but a loner with an anxiety disorder. The new Sam Lane will be Dylan Walsh, Earth Prime hasn’t changed his attitude much, however he might be on better terms with Clark, whom he knows to be Superman. Emanuelle Chriqui is this shows Lana Lang-Cushing, she works at a bank and is in a difficult period of her life. Her husband Kyle Cushing is played by Erik Valdez and chief of the towns firedepartement. He is a drunk and a smalltown guy at heart. Their daughter Sarah Cushing is played by Inde Navarette, she is fourteen, tried to take her own life some time ago, and befriends the Kent boys. Wolé Parks downgraded from the devil to The Stranger, who … well !spoilers! is said to be a Luthor from another dimension, stranded on Earth Prime. He is the main villain of the season and wants to prove that the world that it does not need Superman anymore. Presumable with violence.

If this is true, the events of „Crisis on Infinite Earths“ will play a rather massive part in „Superman & Lois“. Another massive part is tragedy it seems. Something happend to Martha Kent that bringts Clark back to Smallville, and something did happen to the Cushing Family (it might have something to do with their younger daugther Sophie). Also Clark has lost his job at the Daily Planet. So this is quite a dark set up for this new show, which will mainly take place in Smallville, while Metropolis will take the backseat, but will factor into the show. Perry White is set to appear. So is Morgan Edge, who is the one who fired Clark, because after not getting CatCo he appearanty bought the Planet. And is not in jail, but buying real estate in Smallville as well. Sadly he is another character they are recasting for the show. He is probably supposed to be the Earth Prime Version of the character we know, but maybe not. Nevertheless he is is the other main villain of the Season. (The Stranger might be Clarks villain, while he is Lois‘).

As for other news, yes a writer was let go from the show and then complained on Twitter about it, making it into a toxic workplace thing, but the main thing I took from that is the „no extension for this seaons episode count“-clue. Everything else is none of our concern. Of course she would say her writing is good. Maybe it is, maybe it isn’t. She was probably let go, because there were too many writers on the show, and for none other reason. If however there was something untoward going on, Warner and The CW would know (at least by now) and do something about it, they have a history of doing exactly that, e. g. Andrew Kreisberg. That does not mean that all the other scripts are bad, it only means that she was frustrated because she was sacked and felt it happened because she pushed certain points in the writers‘ room, that were incooperated into the scripts long before she was sacked. She might not haven been the only writer pushing for those points, others might have put them into their scripts without discussing it in the room beforehand, we only know her side of everything. So just wait and see.

As for: Will Kara turn up in the Pilot? Normally she would. It’s a Spin Off from „Supergirl“ after all. If the pilot would have been shot in spring, Melissa surely would have turned up in it. However given that she allegedly won’t go back to shooting until next year, she might not. They could film a short scene with her and insert it into the Pilot before it airs, as soon as she is back to Vancouver. But given that she will have to catch up with her own show, maybe this won’t happen. Maybe it was never even planned, because they did not feel the need for it. Everyone knows who Superman and Lois Lane are. Even people who never touched a comic book in their life. Maybe they thinkt that showing Kara would ty the new show too much to the established Arrowverse and „Supergirl“ in particular. However it would be a major disappointment, if she does not show up at all in this show. But sady given the shooting reality of this season it’s a high possibilty that she won’t. Let’s just hope that she in it in some shape or form. Maybe even in the crossover.

Anyway, Season 1 of „Superman & Lois“ is currently shooting in Vancouver. They had to postpone the start of the shoot several times, but they are up an running now, and should be able to complete the 13 planned episodes, if there isn’t a major production shutdown coming their way again.

Legends of Tomorrow

Season 6 of „Legends of Tomorrow“ will air in 2021, starting with „Ground Control to Sara Lance“ around June, maybe May, if we’re lukcy. Season 6 will consist of 13 episodes and will be pretty complex, but if any show can pull of the concept behind the Season in times like this it’s „Legends“.

Shayan Sobhian and Adam Tsekhman will be part of the Main Cast in Season 6. The Waverider will also gain a new crewmember in the form of Esperanza „Spooner“ Cruz, who will be played by Lisseth Chavez. Oliva Swanns Astra will return to the show as well. Newbie Spooner will be tough and self sufficent and won’t play well with the others in the beginning. Definitifly not a warm presence in the beginning, she believes that she was abducted by aliens as a kid and has gained the ability to telepathically communicate with them since then. That will make her the key to find the Waveriders abduted Captain Sara Lance, provided she is not only a paranoid crazy lunatic and actually can do all of this.

The show has also cast Raffi Barsoumian as a new character named Bishop, who is a genuis, but also very dangerous and might actually be the big bad of the season. Structurally the Legends will encounter a new aliens species every week. The idea of using the Waverider as an actual space ship has been around in since Season 1, and now comes to fruition. If one of these aliens species they encounter will be a certain Hawk-related one remains to be seen. It would make sense, however I am not so sure the writers would want to hawk back (sorry) to Season 1 at this point.

Sara will be on her own journey for a while in this season. She won’t be immedeatly rescued in Episode 1. Meanwhile Ava will have a hard time coping with the loss of her Co-Captain and unravel. Maybe Nate will try to lend her a hand, but at the beginning of the season the Legends will very much be dysfunctional without their Time Mom.

Astra will try her hand at a human life and life with John in his house, while Zari und Behrad will be the shows version of the Wonder Twins, sharing the Totem, and learning how to be a team. Essential to this will be Episode 2 of this Season („Meat: The Legends“), which will also explore what is was like for Behrad to grow up in his child star sisters shadow.

There have been contradicting claims about how exactly the aliens will be introduced in the shows. The initial claim made by the writers was that the Legend would visist a different alien planet every week. However later the claim surfaced that different alien races would pop up in Earths History in different time periodes every week. The first claim would make every kind of crossover with the rest of the Arrowverse really difficult, however when „Legends“ is going back on air, this seasons crossover will most likely be over already, and furthermore the character who would have made the most sense in it – Sara Lance – wouldn’t be able to be in it anyways, given the Season 5 Cliffhangar Ending. Still a Legend could show up in the Crossover, maybe John Constantine or Mick Rory or even Nate Heywood. On the other hand, Gary war in „Elseworlds“, so mabye Spooner will just run around in „Superman & Lois“ in the backround while chasing aliens, one never knows with „Legends“.

This is pretty much most of what we know at this point about Season 6. So I guess, I have to adress some of the obvious concerns around this season right now. Number One would be if Season 6 is the last season. With both „Supergirl“ and „Black Lightning“ ending this season, it would be very stupid of The CW to end „Legends“ as well, especially given that „Arrow“, „Supernatural“ and „The 100“ also just ended in 2020. However the ratings were never the greatest, and the show is the most expensive and most complicated out of the Arrowvers Shows. But it also got pretty good press in the last couple of years. So maybe there will be a Season 7. The producers obviously bought themselves Season 6 by trading in Brandon Routh. They might do something simelar this season. Given that Caity Lotz is the face of the show, the most likely and most expensive candidate to get kicked out it Dominic Purcell. So will Rory leave in the middle of Season 6? Maybe. The problem here is that his most logical reason for him leaving is currently shooting Season 3 of „Lost in Space“. However she is doing it in Canada, and I have no idea what the shooting schedule for „Lost in Space“ looks like, so they could bring Lita back in to write Mick Rory out with her. However, they would not do this, if they knew beforehand that there is no Season 7 (because why waste an fan favourite character for nothing?). Dominic also already had reduced Screentime in Season 5 and might want to leave after Season 5 anyway. So we will have to wait and see.

The other concern revolves around John Constantine. Warner is trying to re-establish the character in it’s DC Movies or at least it seems like that. Right now we are in a phase were pretty much all DC Characters can be used at the same time in different continuities, however that could change any moment. Obviously they wouldn’t cancel „Superman & Lois“ once it’s on air because of this, but they could force the producers to write John Constantine out of the Arrowverse. However, until John is scheduled to appear in a DC movie, at least two more seasons could have gone by, so while it is possible that we will have to bid John goodbye after Season 6, it is also possible that we will have him around in Season 7. If there is a Season 7 that is. We’ll have to wait and see.

I have said multiple times that in theory „Legends of Tomorrow“ could go on forever, if they keep rotating the cast. But The CW is not known for thinking that much outside the box. Every additional season they have been given to their shows with lower ratings, including „Legends“, was already thinking outside the box. No other network would have done this. Plus At&T or Warner or both are pushing HBOmax right now and would prefer new shows that stream there over older shows that stream on Netflix (in the States that is). Therefor „Legends“ will probaly go away rather sooner than later. Sadly.

However, Season 6 is currently filming in Vancouver. You can follow Keto Shimizu on Twitter, if you wanna get updated when they start filming a new episode. The original start date had to be pushed back a couple of days because of testing issues, but those have been resolved, and since then the first round of episodes has been done without a hitch.

Supergirl

Season 6 of Supergirl will air 2021 around June or maybe in late May, if we are lucky. It will be the final season and will consist of 20 episodes. Don’t worry, „Supergirl“ will be 2021s „Supernatural“, those 20 episodes will be made and aired, if it’s humanly possible, they will find a way, no matter what.

„Supergirl“ is my White Whale among the Arrowverse Shows right now, I can literally tell you next to nothing about what is going to happen in this season. I can’t even tell you what is happening behind the scenes. There is next to no confirmed information about the final season out there.

What I can tell you is, that they will pick up where Season 5 left off, that Jon Cryer will be a big part of Season 6, and that Karas and Williams slow burn relationship will continue to … slow burn, I guess. And that’s it. Sorry.

Season 5s Main Cast ist back together, expect for Andrea Brooks, but I can’t even tell you that for sure, because while she has not be confirmed to be in the season yet, nobody said she wouldn’t be in it either.

Yes, the ending leaked, or so some people thought, but this ending has mainly been an educated guess based on fan wishes. It’s plausible but not set in stone.

What I can tell you is: No, „Supergirl“ has not been cancelled. If it had been up to The CW the show would have gotten another Season, at least. „Supergirl“ always did fairly good for the network, better than „Arrow“ actually. What happened is pretty simple, it’s the same thing that happened to „Arrow“. The Leads contract was up, and said person did decide against an extension. There have been rumors about Melissas contract spanning seven seasons, but those have been based on wrong assumptions. The standart contract a lead actor signs when he or she does a pilot contains six seasons. Melissa signed one of those. But as you might remember „Supergirl“ did not start out on The CW, it did start out on CBS and Season 1 was filmed in Los Angeles. After Season 1 swollowed too much money, Warner moved the show to the cheaper network and to Vancouver. At this point the contracts were renegotiated. Calista Flockhart even left the show – which she could without breaching contract, because „Supergirl“ was not any longer the show she signed on for originally.

At this point Melissas contract changed – she has less screen time from Season 2 onwards than she had in Season 1, because she demanded more time to travel home to L.A. at the weekends. However what did not change and would not have changed was the six season thing. It would have been very irregular for her to sign a new six season contract at this point. Or for the network to extent it for a season. Especially for The CW who is actually used to shows with fewer seasons (forget SPN for a moment, that was its own thing). So it was and always has been six seasons.

Now between Season 4 and 5 Melissa and Chris decided they wanted to try for a baby. Which is by the way the real reason Supergirl got a new costume in Season 5. Melissa got pregnant, informed the producers and the network. Plans for Season 5 were shifted from 22 to 20 episodes, and to an early start for the filming of Season 6 with a break in the middle so they could work around Melissas pregnancy. But then Covid hit, the production was shut down amidst the Season Finale, and Season 6 became a problem because it would collide with the leads pregnancy leave. During all of this Melissa was in negotiation for a contract extension. And did not sign it. So the producers and the network decided to end „Supergirl“, because without Kara there would be no point to continue. They ended „Arrow“ when Stephen decided to leave, even though they had enough potential replacements from both genders ligned up. They only possible replacement for Kara was written out of the show with the end of Season 3. So that’s all that is to it.

It was definitly not axed to make place for „Superman & Lois“. „Superman & Lois“ has been in works since around „Elseworlds“, and the dream has always been that those two shows would co-exists. However the fact that „Supergirl“ is ending may have factored into the decescion to pick up „Superman & Lois“, so that the successor show is already in place, when „Supergirl“ ends.

So they are currently filming Season 6 in Vancouver, at least some of them are, because as predicted Melissa is still on Maternity Leave. It’s said (and I can’t confirm that) that she will return to filming in January, because the production will take an extended christmas break. Extended because of the two weeks quarantine period. Everyone who goes to the States to see their family will have to quarantine for two weeks before they can go back to shooting after they return to Canada. So that would mean that they filmed for quite some time without Melissa. If that means that she is only in 10 to 15 episodes of the final season or that her scenes are filmed seperatly and she will get stuck in the faceless suit again or if she is deaged and played by an other actress for a couple of episodes or gets turnes invisible and is there in voice only I don’t know. I only know that they are currently filming without her.

And what about crossovers? Given that it’s the final season, there will be no crossover episodes in Season 6 (however someone from the other shows might show up in a small way). As for the characters crossing over to other shows, I again don’t know. Someone will be in the Two Part Crossover between „Batwoman“ and „Superman & Lois“, probably, however we don’t know if this someone will be Melissas, because the focus will be to produce those 20 final episodes with as much her in it as possible. So maybe J’onn or Alex will be in the crossover instead.

And yes, they were originally meant to start filming in September, but there was a problem with the test results. Now, that problem hit all the other shows as well, „Batwoman“ even had to halt shooting for a few days, while the other shows pushed their start date back until the results were in. The strange thing is, however, that most of the other shows only lost of couple of days, a week tops, „Supergirl“ however started almost two weeks later, then it was originally suppossed to. Now, that would be the „someone was testes positve“ period, but they were allowed to go back to shooting around a week after their original date. But took another week or so to get going. Maybe. They might have started earlier, however all the other shows told us via Social Media when they started shooting (or picked it up again) and „Supergirl“ didn’t do so until about two weeks into October. I have no idea why.

But sadly that’s how the show is communicating with its fans right now: Not at all. I wasn‘t even sure they were really back to filming, when I saw those first very cryptic posts until two days later, when David (bless his heart) tweeted that he was on set and started shooting again. Before that Jon Cryers ring-story (check it out online, if you want to, it’s heartwarming and great) was the only thing somehow related to the shooting of Season 6 anyone could find.

So yeah, they are filming. And plan to do that for nine more months at least. After that, it’s over. Which is sad, but well, it is what it is.

Green Arrow and the Canaries (+ Wonder Girl)

As for the „Arrow“ Spin Off, I wish I had news in any form. The show has not been picked up, but it has not been axed either. At the moment it can go both ways. I always guessed that The CW was considering „Green Arrow and the Canaries“ for the 2021/22 Season and not for the Current Season, and this has turned out to be true, but the backdoor pilot aired in January. And now it’s November! Normally we would have heard something either way by now.

And there are two problems: There is that very important thing I have been going on about in the „Supergirl“ Section quite long about called contracts. There is an expireing date on those things - actors can’t stop making money, just because some executives can’t make up their mind about a pilot. And then there is the bigger threat which is the new „Wonder Girl“ show which is in development for The CW, and which is more likely to be picked up by the network to fill the Female Lead Superheroe Show Hole, that „Supergirl“ is leaving behind than „Green Arrow and the Canaries“. I don’t think the network would pick up both of these shows in the same season (or maybe even at all).

So it does not look good, right now for the show, but as long as there is no word about it not going forward, there is still hope. Also, we may get a new version of it in form of a new project instead, if it does not go into series. You never know.

(Stargirl is not one here because I don’t consider it part of the Arrowverse yet).

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#Blog #Arrowverse #Arrowverse Update #2021 #The CW #The Flash #Legends of Tomorrow #Supergirl #Black Lightning #Batwoman #superman & lois #The Flash Season 7 #Supergirl Season 6 #Legends of Tomorrow Season 6 #Batwoman Season 2 #Black Lightning Season 4 #green arrow and the canaries #Painkiller #Wonder Girl

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justforbooks · 4 years ago

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Joseph Eugene Stiglitz was born on February 9, 1943. He is an American economist, public policy analyst, and a professor at Columbia University. He is a recipient of the Nobel Memorial Prize in Economic Sciences (2001) and the John Bates Clark Medal (1979). He is a former senior vice president and chief economist of the World Bank and is a former member and chairman of the (US president's) Council of Economic Advisers. He is known for his support of Georgist public finance theory and for his critical view of the management of globalization, of laissez-faire economists (whom he calls "free-market fundamentalists"), and of international institutions such as the International Monetary Fund and the World Bank.

In 2000, Stiglitz founded the Initiative for Policy Dialogue (IPD), a think tank on international development based at Columbia University. He has been a member of the Columbia faculty since 2001, and received that university's highest academic rank (university professor) in 2003. He was the founding chair of the university's Committee on Global Thought. He also chairs the University of Manchester's Brooks World Poverty Institute. He is a member of the Pontifical Academy of Social Sciences. In 2009, the President of the United Nations General Assembly Miguel d'Escoto Brockmann, appointed Stiglitz as the chairman of the U.N. Commission on Reforms of the International Monetary and Financial System, where he oversaw suggested proposals and commissioned a report on reforming the international monetary and financial system. He served as chair of the international Commission on the Measurement of Economic Performance and Social Progress, appointed by President Sarkozy of France, which issued its report in 2010, Mismeasuring our Lives: Why GDP doesn't add up, and currently serves as co-chair of its successor, the High Level Expert Group on the Measurement of Economic Performance and Social Progress. From 2011 to 2014, Stiglitz was president of the International Economic Association (IEA). He presided over the organization of the IEA triennial world congress held near the Dead Sea in Jordan in June 2014.

Stiglitz has received more than 40 honorary degrees, including from Cambridge and Harvard, and he has been decorated by several governments including Bolivia, Korea, Colombia, Ecuador, and most recently France, where he was appointed a member of the Legion of Honor, order Officer.

In 2011 Stiglitz was named by Time magazine as one of the 100 most influential people in the world. Stiglitz's work focuses on income distribution from a Georgist perspective, asset risk management, corporate governance, and international trade. He is the author of several books, the latest being People, Power, and Profits (2019), The Euro: How a Common Currency Threatens the Future of Europe (2016), The Great Divide: Unequal Societies and What We Can Do About Them (2015), Rewriting the Rules of the American Economy: An Agenda for Growth and Shared Prosperity (2015), and Creating a Learning Society: A New Approach to Growth Development and Social Progress (2014). He is also one of the 25 leading figures on the Information and Democracy Commission launched by Reporters Without Borders.

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

#JUST FOR BOOKS #Joseph Stiglitz #Famous Birthdays

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aerialsquid · 4 years ago

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My friend who runs Uncharted Books (this is the same guy who owns Ramona the husky) put up their first catalogue of rare books, including my single favorite set of items he’s gotten in: passports to the fucking moon. I needed to share this with y’all.

MANGAN, JAMES T[HOMAS]

AN ARCHIVE OF MATERIALS FROMTHE MICRONATION OF CELESTIA

2 copies of Report to the Universe (1956) pamphlet. Extremely scarce, the only known copies.

State of the Sky (1958) pamphlet.

Passport to the Moon (1955).

Official license for “Banking on the Moon,” issued to Beverly Bank (1966).

You Ought to Know (1947) advertising pamphlet.

2 original Chicago News Bureau file photos with press tags.

Christmas card from Carol and Jim Mangan

Business card of Celestia’s current Prime Minister, Dean Stump.

1960 newspaper article (facsimile).

1962 “Thank you” letter from John Glenn on NASA letterhead (facsimile).

Revised edition of The Knack of Selling Yourself (1968) book by James T. Mangan. An unremarkable copy, but fine condition and an interesting companion to the other items.

All items except the photos (with captioned press tags and paste residue) and banking license (with mildly tattered edges and a staple hole) are in fine condition. State of the Sky is unbound with uncut pages. One copy of the Report has a thin red mark on the Space House Boat page. An absolutely unique collection.

This is a collection of papers, pamphlets, and ephemera related to the Nation of Celestial Space, a micronation encompassing the entire universe outside of the planet Earth, founded in 1948 by James T. Mangan (1896-1970).

In addition to being First Representative of Space, Mangan was a prolific self-help author, industrial designer, and public relations pitchman based out of Evergreen Park, IL, a Chicago suburb (and, according to the Celestia documents herein, "capital of the Universe of Space"). Mr. Mangan was a famously colorful personality with a background in advertising who took the management of his nation seriously while never shying away from publicity opportunities. He applied for a seat at the United Nations (application still pending, according to the Celestia website), and the Celestia flag was flown outside the U.N. building for a single day in 1958 (before security took it down and escorted Mr. Mangan from the property).

Celestia issued official Passports to the Moon to the select astronauts whom Mr. Mangan liked (including John Glenn, apparently). Mr. Mangan periodically held televised protests against rockets and satellites which were encroaching on his domain. All official papers of independence and sovereignty were properly filed, and a golden currency was minted. Among the documents printed was the 26-page illustrated pamphlet Report to the Universe, which is the crown jewel of this collection. The pamphlet is a celebration of the 7-year anniversary of Celestia’s founding and features reproductions of many of its official papers, as well as other curiosities such as blueprints for a “Space House Boat” and a photo of Mr. Mangan demonstrating the use of “Infinity Space Eye Glasses (reversible).” A follow-up to this, the Second Report to the Universe (1958), was released to the public and is occasionally listed for sale, but this first Report was never distributed.

I corresponded with Celestia’s current Prime Minister and First Representative Dean Stump, who said he had never seen a copy of the first Report. It is unlikely that additional copies beyond the two sold here remain in existence. State of the Sky is another illustrated pamphlet which concerns Celestia's conservation efforts and push for international recognition, detailing how the nation “formally and repeatedly informed the State Department of every established nation on earth of its existence, its claims, its rights, its intentions, its nationhood.” This pamphlet is extremely uncommon, and we were able to find only a single other copy for sale. Our copy, which was previously owned by First Representative Stump, is an unbound, unopened copy. The large folio sheets are folded but can be taken apart easily if one wishes to read the contents.

The official Passport to the Moon included with this collection is not filled out with an astronaut’s name, but it does certify the bearer as a “Celestial Participant.” Sadly, the Passport expired in 1975 and can no longer be used as a valid travel document. Passports to the Moon are very rare, and no others are currently listed for sale.

You Ought to Know is a promotional pamphlet for Mangan’s Chicago advertising agency, Mangan and Eckland, reprinted from a flattering profile of Mangan from Advertising Age magazine in 1947, the year before he founded Celestia. An interesting biographical sketch of the accomplished self-promoter.

The press photos (both with caption tags pasted to versos) document two moments in Mangan’s pre- and postCelestia careers. The first, from 1931, shows a young Mr. Mangan receiving an elaborate display of flowers for his past work as American Legion commander. The second, from 1949, shows a worldlier Mangan being presented with the deed to “all outer space.”

A very charming facsimile letter from legendary astronaut John Glenn, sent to the Mangans in 1962, reads: “Thank you for your check covering the cost of unlimited Christmas joy and a New Year full of dollars… Also thank you for the passport to the moon. Looks like I’m all set now.” This is a collection of documents by a man with a sense of humor and a bone-deep knack for public relations.

Though Mr. Mangan passed away in 1975, Celestia remains a fully functioning micronation, governed today by Mangan's descendants with titles like Duke of Alpha Centauri and Duchess of Mars. But Celestia has never been a joke, and though plenty of fun has been had, it remains a nation with a purpose. In Mr. Mangan's many public appearances, he never failed to mention Celestia's mission of peace and conservation, barring all rockets from space and taking legal action against hostile nations who wanted to send war machines through his legal property. "The basic philosophy of the Nation of Celestial Space," states the banking license included here, "is contained in one word: Magnanimity. By achieving bigness of mind, [Mangan] insists the peoples of the world can find lasting peace. Celestia is the answer."

Item #959 Price: $7,500.00

#the moon #chicago #chicago history #micronations #celestia #not that celestia #space #rare books

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tes-trash-blog · 5 years ago

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🌙 hmm... an age old question but opinion on the whole Imperials Vs Stormcloaks fiasco Skyrim tried to feed us?

*cracks neck*

Goodbye follower count, I’m going in!

I’m going to preface this with a confession: In my first ever playthrough of Skyrim (2014), I did side with the Imperials. On my second, I sided with the Stormcloaks. Since then, I have done three more playthroughs on the Stormcloak side, and three more on the Imperial side. In four more still my Dragonborn was neutral, slaying Alduin without ever taking a side. In my playthroughs, especially the ones after 2016, I’ve developed my own opinions about the Imperials and Stormcloaks alike.

In order to better articulate my opinion, we must first briefly examine four factors: the American landscape in which Skyrim was conceived, Skyrim itself and its portrayal of the Imperials and Stormcloaks (and the Thalmor), and Umberto Eco, the usage of terms like “fascism” and especially “Nazism” in American popular culture, and how this all relates to the Imperial/Stormcloak fiasco.

So let’s get started.

Part 1: Thanks, Obama.

In 2008, Barack Obama was elected as the 44th President of the United States. It was a landslide victory against Republican runner John McCain, a conserative who frequently brought up his service in the Vietnam War (and his time as a prisoner of war) during his campaign, as well as his years of service in political office. In a move to make his (very white, very male) campaign seem more inclusive in the face of the frontrunners of the Democratic campaign (Hillary Clinton and Barack Obama), he appointed Sarah Palin as his VP. She was the only conservative woman who agreed to be his running mate, as all three conservative women in the Senate already said no, and the Republicans couldn’t find a black conservative.

(I’m not making this up.)

Anyway, come 2008, the conservatives lose their goddamn minds because Bush’s reign of actual terror was over, a Black man is now President and Whiteness is in peril. This was before the term “triggered” became a popular sneer in the conservative dictionary, but “snowflake” was used a lot. Come 2009, the Tea Party emerges. And now we get to the crux of my, uh, observation.

For the young, uninitiated, or non-Americans who are thinking “What the fuck is wrong with America”, the Tea Party Movement was/is a rash of hardline rightwingers who, still licking their wounds from a sound beating by the Democrats in the 2008 election, sought to rebrand themselves. With some bootstrap lifting and millions of dollars in funding from media tycoons such as the Koch brothers, the Tea Party made its official debut in 2010 after the signing of the Affordable Healthcare Act. Their message was simple: It’s time to take America back from the lazy, the entitled, and the “uppity”. What was really just a rehash of a song and dance that’s been turning its ugly white head since at least 1964 gained something of a stranglehold on America, in spite of its relatively small size of active members. It hit all the notes: a populist movement rooted in the perceived threats to their faith, their culture, and their social and economic capital.

They also believed shit like this:

For instance, Tea Partiers are more likely than other conservatives to agree with statements such as “If blacks would only try harder they could be just as well off as whites,” and are more likely to disagree with statements like “Generations of slavery and discrimination have created conditions that make it difficult for blacks to work their way out of the lower class.” (Williamson, 34)

Like I said. Since 1964.

What made the Tea Party different from the other conservative temper tantrums was one thing: Internet access. All of a sudden, these angry white men had an outlet for voicing their rages, and an open recruiting forum for other malcontents and disaffected youths. I’m not implying the Tea Party had anything to do with Gamergate, nor that Gamergate had anything to do with the rise of the alt-right or whatever these tennybopper neo-Nazis are calling themselves now, but I am saying those circles at least touch in a Venn diagram.

“But tes-trash-blog! What do the machinations of American politics have to do with Elves?” you may ask. Well dear reader, this leads me to..

Part 2: Hey, you! You’re finally awake!

Skyrim was an overnight hit. On release, The Elder Scrolls 5 generated 450 million dollars on its opening weekend alone. This game sold for around 20 million copies, not including Special Edition, VR, or Switch, and continues to see an average of around 10,000 players a week 9 years later (Steamcharts).

And 20 million people see one thing first: A strong, noble Nord in captivity, telling you that you’re on your way to be executed by the Imperials, who are in bed with a scary, sneering bunch of High Elves dressed in black. 20 million people already were told who was the clear bad guy in this game, and it wasn’t the strong, noble Nord in captivity. I’ll be going into this more into Part 3, but suffice to say, the Imperials were already coded as Bad Guy by association. The Imperials decided to execute you, the player. They shot a man in the back because he ran from his own execution. He stole a horse, which was a crime punishable by death in those days. The game doesn’t tell you that part, and is content to say that Lokir was killed because he was in the same cart as the Stormcloaks.

Speaking of Imperials, the Third Empire is written as obtuse, corrupt, uncaring, and cruel. The Septim Dynasty is wrought with scandal and intrigue, plagued by conflict, and powerless to do anything about the Oblivion Crisis that almost ended the world. They flat out abandoned Morrowind and Summerset to better protect their own, offered no help during the Void Nights that destabilized the Khajiit, and worst of all, signed a treaty outlawing Talos worship. That is the crux on which the Stormcloak/Imperial conflict lies. These damned outsiders telling these humble Nords what to do and what not to do. They’re corrupt, lazy, and know nothing of the hardships these people endure, and now the nanny state Empire is telling them they don’t have the freedom to worship what they want? How dare they!

Going further, in the seat of Imperial power in Skyrim is none other than Jarl Elisif, a young widow who relies heavily on the advice of her (overwhelmingly male) thanes, stewards, and generals. She’s weak, thinks mostly of her dead husband, and is written as someone who overreacts to scenarios; the “legion of troops” to Wolfskull Cave over a farmer reporting strange noises, banning the Burning of King Olaf in the wake of her husband’s murder via Shout come to mind. Compare and contrast that to the seat of Stormcloak power, Windhelm. Ulfric spends his time pouring over the map of troop movements and discussing strategy when he’s not delivering his big damn “Why I Fight” speech. Elisif is weak, Ulfric is strong. The Jarl of Solitude is even told to tone it down during the armistice negotiations in Season Unending. She’s chastised by her own general. The first thing you see in Solitude is a man being executed for opening a gate. The first thing you see in Windhelm is two Nords harassing a Dark Elf woman and accusing her of being an Imperial spy.

Both are portrayed as horrific, but only one has bystanders decrying the acts of the offender. Only one has a relative in the crowd proclaim, “That’s my brother [they’re executing]!” The best you get with Suvaris is her confronting you about whether or not you “hate her kind”. Even a mouth breathing racist would be disinclined to say “yes” when confronted with the question of whether or not they’re racist, but that’s how the writers of Skyrim think racism works.

I acknowledge that this was an attempt at bothsidesism, but the handling was.. clumsy.

Part 3: Ur-Fascism, Or How I Learned To Stop Worrying And Bash The Stormcloaks

And now we move on to Umberto Eco, fiction writer, essayist, and writer of the famous essay Ur-Fascism. In short, Eco summarizes 14 separate properties of a fascist movement; it’s important to stress that this should not be treated as a checklist if a piece of media is fascist, or if a person is actually a Nazi, or to say “X is Bad Because Checklist”. It’s frankly impossible to even organize these points into a coherent system, as fascism is an ideology that is, by its nature, incoherent.

With that in mind, let’s run down the points:

1. “The Cult of Tradition”, characterized by cultural syncretism, even at the risk of internal contradiction. When all truth has already been revealed by Tradition, no new learning can occur, only further interpretation and refinement.

2. “The Rejection of Modernism”, which views the rationalistic development of Western culture since the Enlightenment as a descent into depravity. Eco distinguishes this from a rejection of superficial technological advancement, as many fascist regimes cite their industrial potency as proof of the vitality of their system.

3. “The Cult of Action for Action’s Sake”, which dictates that action is of value in itself, and should be taken without intellectual reflection. This, says Eco, is connected with anti-intellectualism and irrationalism, and often manifests in attacks on modern culture and science.

4. “Disagreement Is Treason” – Fascism devalues intellectual discourse and critical reasoning as barriers to action, as well as out of fear that such analysis will expose the contradictions embodied in a syncretistic faith.

5. “Fear of Difference", which fascism seeks to exploit and exacerbate, often in the form of racism or an appeal against foreigners and immigrants.

6. “Appeal to a Frustrated Middle Class”, fearing economic pressure from the demands and aspirations of lower social groups.

7. “Obsession with a Plot” and the hyping-up of an enemy threat. This often combines an appeal to xenophobia with a fear of disloyalty and sabotage from marginalized groups living within the society (such as the German elite’s ‘fear’ of the 1930s Jewish populace’s businesses and well-doings, or any anti-Semitic conspiracy ever).

8. Fascist societies rhetorically cast their enemies as “at the same time too strong and too weak.” On the one hand, fascists play up the power of certain disfavored elites to encourage in their followers a sense of grievance and humiliation. On the other hand, fascist leaders point to the decadence of those elites as proof of their ultimate feebleness in the face of an overwhelming popular will.

9. “Pacifism is Trafficking with the Enemy” because “Life is Permanent Warfare” – there must always be an enemy to fight. Both fascist Germany under Hitler and Italy under Mussolini worked first to organize and clean up their respective countries and then build the war machines that they later intended to and did use, despite Germany being under restrictions of the Versailles treaty to NOT build a military force. This principle leads to a fundamental contradiction within fascism: the incompatibility of ultimate triumph with perpetual war.

10. “Contempt for the Weak”, which is uncomfortably married to a chauvinistic popular elitism, in which every member of society is superior to outsiders by virtue of belonging to the in-group. Eco sees in these attitudes the root of a deep tension in the fundamentally hierarchical structure of fascist polities, as they encourage leaders to despise their underlings, up to the ultimate Leader who holds the whole country in contempt for having allowed him to overtake it by force.

11. “Everybody is Educated to Become a Hero”, which leads to the embrace of a cult of death. As Eco observes, “[t]he Ur-Fascist hero is impatient to die. In his impatience, he more frequently sends other people to death.”

12. “Machismo”, which sublimates the difficult work of permanent war and heroism into the sexual sphere. Fascists thus hold “both disdain for women and intolerance and condemnation of nonstandard sexual habits, from chastity to homosexuality.”

13. “Selective Populism” – The People, conceived monolithically, have a Common Will, distinct from and superior to the viewpoint of any individual. As no mass of people can ever be truly unanimous, the Leader holds himself out as the interpreter of the popular will (though truly he dictates it). Fascists use this concept to delegitimize democratic institutions they accuse of “no longer represent[ing] the Voice of the People.”

14. “Newspeak” – Fascism employs and promotes an impoverished vocabulary in order to limit critical reasoning.

I did copy and paste the list from Wikipedia, but you can read the full essay here. It’s 9 pages long. You can do it, I have faith in you.

You may notice that you can’t really shorthand these concepts, or at least not in an aesthetically pleasing way. However, you can point to the most infamous of fascist regimes and take their aesthetic instead. You see it in Star Wars with the Empire (hmm) and the First Order, in Star Trek with the Mirrorverse and the Cardassian Dominion (hmm), and in the.. Oh, it’s on the tip of my tongue..

Oh, yeah. The Thalmor. They dress in dark colors, are a foreign power trying to exert their influence on the downtrodden Nord, enact purges, and scream about Elven superiority. The Thalmor express every surface level perception of a Nazi in American popular culture. TVTropes has already pretty well covered this ground in their Video Games section of A Nazi By Any Other Name, so I won’t go too much into here seeing as I’m already at the 2000 word mark. Suffice to say, it’s hard to think Bethesda wasn’t trying to make the player associate the 4th Era Altmer with the 1930’s German.

And in doing so, they accidentally created a group that is.. Well, you’ve read the essay or at least the 14 points. Try and tell me how many of them don’t apply to Nordic culture. What grabs me the most are points 9, 11, and 13: life is a perpetual struggle in which you must emerge victorious, a culture of Heroes impatient to die in a glorious fashion, and the Common Will that is enacted and reinforced by one strongman leader. You see these elements in play in Nord culture, in Stormcloak ideology especially. I, for one, hear what Galmar really means when he says “We will make Skyrim beautiful again”. I hear the echoes in George W Bush’s speeches and McCain’s campaign when Ulfric talks of duty and service, of “fighting because Skyrim needs heroes, and there’s no one else but us.”

It’s less of a dog whistle and more of a foghorn if you ask me. And to go back to part 2, this is a message that 20 million played. Not all of them are Stormcloak stans, but that compelling message was still present. Americans love being a strongman hero in their media; we eat that shit up. The setup was enough: you’re a lone hero about to be executed by milquetoast Imperials and Nazi-coded Thalmor. The story was enough: a strong man rebels against a system gone awry, one that seeks to destroy his way of life.

It was enough to compel a “fashwave” artist to take on the monkier Stormcloak(Hann). It was enough that Skyrim was lauded as a “real” game instead of say, Depression Quest, and to justify ruining a game developer’s life over it.

It was enough that when Skyrim came out in 2011, the game did not do so well in Germany because of these elements, because the game was written for you to be sympathetic towards these very white, very blond and Ayran-coded Nords. I can’t speak for the popularity of the game now in Germany, but when I lived there, there were a few raised eyebrows among my age group about the message of the game.

I think about that a lot, especially when the tesblr discourse heats up about the Stormcloaks. I see how visibly upset people get when someone throws shade at Ulfric. The talk of “it’s just a video game” and “lul get triggered” starts to look less like passive dismissal and shoddy trolling and more a kind of funhouse mirror to how they really think.

I can’t lie, it reminds me so much of 2009, of these angry people screaming racial slurs on the Internet because there’s a Black president or posting sexist screeds because Michelle Obama wanted kids to have access to healthy meals. It reminds me of the kid in my sophomore class who said he was going to “take out” Obama on his inauguration day. He was 15 years old then. He’s a father now.

Hell, it reminds me of right now, of Republican Senators demanding civility and tone policing as they kowtow to an actual fascist. The Stormcloak in the Reach camp “had to do something” about the Empire telling him and his what to do, and the neighbor I used to dogsit for had to do something too. I don’t watch his dogs anymore. When I told him I wouldn’t, he tried to make himself the victim and say I was getting political about dog sitting. It’s just two dogs. It’s just a video game. All political messages are just imaginary, snowflake.

But it’s really not, is it now?

TL;DR and Sources

TL;DR: The imperials are portrayed as weak and effectual, as the bootlicker to the Thalmor, and the writers were so busy trying to make one side look bad and weak they inadvertently made actual fascists.

Even though this is pretty long, this really only scratches the surface of the.. Well, everything. In all honesty this is just a very condensed version of my opinion. Big shockeroo, there.

Do keep in mind that this isn’t a condemnation of Skyrim. Lord knows I love that game, or I wouldn’t have this blog. This also isn’t a damning of people who play the game and side with the Stormcloaks, or think Ulfric is hot, or don’t like the Thalmor or what have you. You do you, fam. You do you. This is my observation and opinion on one aspect of the game, just with some tasty sources to better paint a picture of where I personally formed my opinion.

This also isn’t to say that I’m trying to draw a 1:1 comparison between The Elder Scrolls and reality, or that Ulfric is obviously a McCain/Trump/Hitler expy, but Skyrim is, like all things, a product of the minds that created it. Skyrim didn’t happen in an apolitical vacuum, and apolitical stories about war simply do not exist. Anyone who tells you otherwise is simply reinforcing the status quo, and it is our responsibility as people who consume this media to question it, and that status quo they so dearly wish to hang on to.

Also, Elisif hot.

Sources:

Eco, Umberto. “Ur-Fascism”. The New York Review of Books. 1995. https://www.pegc.us/archive/Articles/eco_ur-fascism.pdf>

Williamson, Venssa, Skocpol, Theda and Coggin, John. “The Tea Party and the Remaking of Republican Conservatism”. Perspectives on Politics, Volume 9. March 2011. https://scholar.harvard.edu/files/williamson/files/tea_party_pop_0.pdf>

The Elder Scrolls V: Skyrim. Steamcharts.com https://steamcharts.com/app/72850>

Schreier, Jason. “Bethesda Ships 7M Skyrim, Earns About $450M”. Wired. November 16, 2011. https://www.wired.com/2011/11/skyrim-sales/>

Hann, Michael. “‘Fashwave” - synth music co-opted by the far right”. The Guardian. December 2014. https://www.theguardian.com/music/musicblog/2016/dec/14/fashwave-synth-music-co-opted-by-the-far-right>

#holy shit this got long #lore overanalysis #the trash talks

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creepingsharia · 4 years ago

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Terror-linked CAIR attempting to ”Train 200 Muslim Candidates to Run for Office”

Source: A site apparently run by CAIR called https://muslims.vote/strategic-election-plan/

Encourage and Train 200 Muslim Candidates to Run for Office

CAIR or the Council on American Islamic Relations is a notorious Hamas front group that has had numerous leaders convicted, deported and/or tied to Islamic terrorist activity. They are a well-funded organization of legal jihadists that terrorize American citizens, corporations and organizations.

Read the article below for more background on CAIR.

...the Democratic-CAIR partnership

...

In 2014, the UAE published a list of 82 designated terrorist groups. Nestled between al-Qaida and ISIS was the Council on American Islamic Relations, or CAIR, a group with deep ties to the Democratic Party.

The UAE designation was not a slander. As former US prosecutor Andrew McCarthy chronicled in his 2010 book, The Grand Jihad: How Islam and the Left Sabotage America, CAIR was founded in 1994 as a front organization for the Muslim Brotherhood and its Palestinian branch Hamas. In conjunction with other Hamas/Muslim Brotherhood front groups and fundraising arms, CAIR’s job was to promote political Islam. Its operations, based in Washington, were to focus on political influence. To achieve this end, it presented itself as a civil rights organization.

As McCarthy and terror experts Daniel Pipes and Steve Emerson have copiously documented, CAIR’s ties to terrorism are legion and continuous. After 9/11, CAIR refused to condemn Osama bin Laden until after he acknowledged that he ordered the attacks. CAIR denied that al-Qaida was behind the bombing of the US embassies in Kenya and Tanzania in 1998 and demanded the removal of billboards in Los Angeles describing bin Laden as “the sworn enemy,” of the US claiming the depiction was “offensive to Muslims.”

Likewise, CAIR consistently refuses to condemn any terror attacks committed by Hezbollah or Hamas. Making this refusal explicit, in 2004, CAIR Executive Director Nihad Awad said, “If they want us to condemn a liberation movement inside Palestine or inside Lebanon they should condemn Israel dozens of times on all levels at all times, and we will not condemn any organization.”

Seven CAIR leaders have been convicted on terrorism charges. One of the convicted terrorists, Ghassen Elashi, had two jobs. Together with his brother in law, Hamas leader Mussa Abu Marzouk, Elashi founded the Holyland Foundation for Relief and Development, (HLF). HLF was Hamas’s fundraising arm in the US He was also the founding director of CAIR’s Texas branch. Following 9/11, federal authorities began investigating HLF and its ties to Hamas and in 2004, HLF was indicted for transferring millions of dollars to the Palestinian terror group. It was found guilty in 2007, and Elashi was sentenced to 65 years in prison. CAIR was named in the trial as an unindicted co-conspirator.

Senate Democratic Minority Leader Charles Schumer noted in 2003, “CAIR, we know has ties to terrorism…Prominent members of CAIR’s current leadership also have intimate connections with Hamas.”

One of the means CAIR uses to block criticism of jihadist Islam is intimidation. Rejecting criticism of Islam as “Islamophobic” opponents of the group risk being labeled as “hate groups” by CAIR or its allies if they dare to speak out against CAIR’s positions and goals. For instance, in 2014, CAIR waged a very public campaign to cancel showings on college campuses of “Honor Diaries“, a documentary by Muslim women exposing the cruelty suffered by women and girls in Islamic societies. The same year, CAIR compelled Brandeis University to cancel its plan to confer an honorary degree on Muslim feminist and human rights activist Ayaan Hirsi Ali.

Likewise, CAIR disparages and seeks to delegitimize counterterrorism investigations and investigators as “Islamophobic. A civil suit filed by the estate of 9/11 victim and former high-ranking FBI counter-terrorism agent John O’Neill, Sr. asserted that CAIR’s goal “is to create as much self-doubt, hesitation, fear of name-calling, and litigation within police departments and intelligence agencies as possible so as to render such authorities ineffective in pursuing international and domestic terrorist entities.”

CAIR actively supports the anti-Semitic boycott, divestment and sanctions campaign that seeks to ostracize Jewish supporters of Israel and economically harm Israel. Like Hamas, its members and leaders reject Israel’s right to exist. Although CAIR leaders and spokesmen insist that their rejection of the Jewish people’s right to self-determination and support for Hamas, (whose covenant calls for the genocide of Jewry) is not anti-Semitic, CAIR leaders and spokesmen have often made inarguably anti-Semitic statements.

For instance, addressing a pro-Hamas rally in Washington, DC during the terror group’s 2014 war against Israel Awad, called Israel a “terror state,” and accused the pro-Israel lobby AIPAC of controlling and corrupting US politics. In his words, “AIPAC should have its hands off the United States Congress. They have corrupted our foreign policy; they have corrupted our political leaders.”

Like the Clinton administration before it, the George W. Bush administration was eager to develop outreach with Muslim Americans and CAIR was a beneficiary of that outreach. But in the aftermath of the 9/11 attacks, the Bush administration gradually began changing its position. In 2008, following the HLF trial, the FBI cut off its ties with CAIR.

Barack Obama reversed course. From the outset of his presidency, Obama shifted US foreign policy towards Iran and the Muslim Brotherhood. At his June 4, 2009 speech at the University of Cairo where he called for a reordering of US ties with the Islamic world, Obama courted the Muslim Brotherhood. Ignoring then Egyptian president Hosni Mubarak’s explicit request, Obama invited representatives of the Muslim Brotherhood to attend his speech.

Back home, among other things, Obama embraced CAIR.

According to terror researcher Patrick Poole, after the HLF verdict, in 2008 federal prosecutors in Dallas intended to indict CAIR for its role in terror funding. Shortly after entering office, then-attorney general Eric Holder ordered the Dallas prosecutors to end legal action against the group.

Senior administration officials held regular meetings with CAIR officials. According to White House visitor logs, CAIR officials visited the White House 20 times during Obama’s first term.

Since 2014, CAIR has focused on grafting its anti-Israel and anti-Semitic positions on the Black Lives Matter movement. Using the progressive language of intersectionalism, CAIR and its allies expanded their anti-law enforcement campaign to include a campaign to demonize policing in African American communities. The narrative they developed claims that African Americans are “Palestinians” and US law enforcement groups are “Israeli security forces.” The campaign has been wildly successful. In 2016, Black Lives Matter published a charter that explicitly embraced CAIR’s positions. Israel was castigated as an “apartheid” state that was committing “genocide.” BLM endorsed the BDS campaign and called for the US to end its military support for the Jewish state.

The Movement for Black Lives, an umbrella group that encompasses BLM has published identical anti-Semitic positions in its platform. Black Lives Matter demonstrations in recent months have included the defacing of synagogues and Jewish businesses with anti-Semitic graffiti in Los Angeles, Kenosha and other cities.

The inroads CAIR and allied activists and groups have made with BLM have earned it a powerful position in the progressive wing of the Democratic Party – currently the most powerful wing in the party. CAIR-allied politicians Ilhan Omar and Rashida Tlaib have advanced CAIR’s anti-Israel and anti-Jewish positions on the national stage. And CAIR in turn has been quick to castigate their critics as “Islamophobic.”

In January, CAIR announced it was launching a voter drive to register a million Muslim Americans to vote. As a sign of the group’s political power, 120 lawmakers, (117 Democrats and three Republicans), wrote letters of support for CAIR ahead of its annual gala that month.

In July, CAIR participated in the Million Muslim Voter Summit which endorsed and hosted Democratic nominee Joe Biden. Speaking at the conference, Awad noted that as a 501(C)3 organization, CAIR is barred from endorsing political candidates. He immediately added, “However … we have the pandemic of racism that has been elevated, promoted and endorsed by this administration….The White House is championing anti-Muslim, anti-immigrant, anti-black policies…I would like to hear on behalf of our constituents…from Vice President Biden, how soon is he planning to repeal the Muslim ban?”

Attesting to CAIR’s influence in the Democratic Party, in his remarks at the summit Biden pledged to end the so-called “Muslim ban,” on “day one,” of his administration.

At the Democratic Convention last month, CAIR ally and outspoken anti-Semite Linda Sarsour spoke at an event at the convention’s Muslim Caucus. Awad also spoke at the event. Sarsour’s prominence and notoriety for her repeated, well-publicized slurs of Jews has made her a lightning rod and her participation in the convention raised the hackles of Jewish activists and ignited Republican condemnation. Biden’s campaign spokesman Andrew Bates quickly distanced the campaign from Sarsour, condemning her bigotry and disavowing the BDS campaign she supports.

CAIR was infuriated. Awad condemned the campaign for distancing itself from Sarsour. “The Biden campaign has a long way to go to gain support from American Muslim voters,” he said.

Other Muslim and progressive groups including CodePink and MoveOne.org piled on.

In the hopes of controlling the damage, Biden’s top campaign advisors held a conference call with Muslim activists to apologize. Tony Blinken, Biden’s top foreign policy advisor apologized profusely and pledged that a Biden administration will be “genuinely inclusive” and ensure Arab and Muslim representation at the decision-making level.

Given CAIR’s power in the Democratic base, it is hard to imagine Biden long maintaining his anti-BDS position in any meaningful way. It is also hard to imagine a Biden administration building on the Israel-UAE alliance to strengthen America’s allies in the Middle East.

#Islam #Muslim #Jihad #Sharia #Legal #Law #Immigration #Elections #News #Media #Politics #Travel #Finance #Terror

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kronecker-delta · 3 years ago

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Farscape Nier crossover and ideas

Snippet (from 2017) Farscape/Nier: Automata --- Her room was a mess. Scattered parts of her uniform and other clothes piled along along the sides, kicked there when she came and went. Her personal books disarrayed, off the shelf and toppled over by her bed. She'd been putting off cleaning again and with the recent arrivals none of the operators could be spared to make up for her bad habits. None of that mattered at the moment. White sat in her chair, staring out into the void. A souvenir of her old days in the ground based resistance held in her hands. The framed picture of pair of androids seated on the still smoldering bulk of the ruined machine behemoth a memory of a simpler, happier time. A knock on her door brought her attention away from melancholy remembrance. Before she could compose herself and more sternly tell whoever had interrupted her what she had meant by 'Only bother me if there's an emergency' another knock issued forth. Followed by a voice. "Hey White? You in there?" She froze. She had so desperately hoped that it wouldn't be him. *** "I've never been here before," White said apologetically as their transport ship came down beside the small lunar outpost. A tiny thing, compared to the bunker. Even given the greater volume underground for secured data storage and backup generators. "No problem. First time I've been on the moon," he said, giving her a reassuring smile that didn't quite manage to look entirely honest. His frown returning as they stepped out of the transport, the boots of his pressured suit crunching into the light dusting of lunar sand that had covered part of the landing pad. "Feels like I should say something... 'Great leap for mankind and all that' you know. Hey, is the Apollo site still around?" "It is. If you want we could visit there Commander Crichton." "Just John... or Crichton. Being called Commander all the time feels weird," John Crichton said. "I know I'm the last human but..." "I-I understand," White answered. Keeping her own emotions deeply locked down as they passed into the fortified complex of the moon server. Past the scant few technicians and guards and into a dark room, nearly empty save for a single console located in the center. A black void engulfed the walls, impenetrable shadows, as the terminals and screens had long laid dormant. "So now what?" His voice echoed in the room, which must have been far larger than they had at first thought. Low clicks and whirs came from the bulk of the machine, the long slumbering physical access port awakening. Lights flashed along the walls and beyond them, racks upon racks of computer systems networked together awakening. A great screen before them coming on and displaying a stylized picture of a tree, long dark roots stretching out from its base. OVERSIGHT AND RECORDING SYSTEM VER. 2.01 SLEEPING BEAUTY ONLINE. CONFIRM USER PERMISSIONS NOW. "Commander White, YoRHa access S-Class security," White said. Looking to her side and adding, "As well as a guest." CONFIRM GUEST'S IDENTITY. "John Crichton, Commander in the IASA," John said. "Born... 1969. June 6th. If that helps any." The computer sat in silence for a long moment, not responding, the screen frozen as the loading bar seemed stuck in time. They shared a look of confusion, both android and human wondering if the ancient archive might have crashed and who was going to have to go out and ask the few technicians to help reboot it. Then the room came alight, a dozen more monitors online, the totality of it awake for the first time in forever. HUMAN IDENTITY CONFIRMED BASED ON HISTORICAL RECORDS. YoRHA S-CLASS SECURITY CLEARANCE SUBSTITUTED FOR UNRESTRICTED SYSTEM ACCESS. S-CLASS, SS-CLASS, AND HAMELIN ORGANIZATION FILES NOW UNLOCKED. GREETINGS COMMANDER JOHN CRICHTON. HOW MAY THIS SYSTEM AID YOU TODAY? "What... what's 'SS-Class?' There shouldn't be a level of security above mine." NEGATIVE. THERE ARE TWO. SS-CLASS, CONTAINING SENSITIVE FILES DEEMED TOO DANGEROUS TO BE KNOWN OUTSIDE OF THE ADMINISTRATIVE COUNCIL. AS WELL AS FILES REGARDING THE HAMELIN ORGANIZATION, WHICH WERE TO BE SEALED UNTIL SUCH A TIME AS A HUMAN USER ACCESSED THIS SYSTEM. "We do this so that the future generations will have the opportunity to judge us for our sins." "Who the hell was that?" John asked, shocked by the computer suddenly vocalizing. Producing the sound of some long dead man. Old and ill, his voice straining to make the words clear into the recording. DR. EUGENE ADLER, HAMELIN RESEARCHER IN DEMONIC ELEMENT MANIPULATION EXPERIMENTS. BY HIS RECOMMENDATION AND THE UN SPECIAL SECURITY COUNCIL'S AUTHORITY IT WAS FELT THAT KNOWLEDGE OF THE HAMELIN ORGANIZATION'S INVESTIGATIONS INTO THE DEMONIC ELEMENT AND THE 6-12 INCIDENT COULD NOT BE PUBLICLY REVEALED UNTIL THE CRISIS HAD PASSED. John looked to White, hoping she might be able to explain something, anything of what the computer had just told them. But she looked just as confused as he did. "Ah... Computer?" YES JOHN CRICHTON? "Define 'demonic element' please." DEMONIC ELEMENT: QUANTUM OBSERVATION REACTING PARTICLES BROUGHT OVER BY THE ENTITIES INVOLVED IN THE 6-12 INCIDENT. TWO VARIETIES WERE DETERMINED UPON FURTHER RESEARCH. TYPE I, WHICH CAME FROM THE ENTITY CLASSIFIED 'QUEEN OF THE GROTESQUE' AMONG NUMEROUS OTHER NAMES ACQUIRED FROM OBSERVATION DATA OF LEGION FORCES AND PRE-SUBLIMATION MEMETIC CORRUPTION OF WHITE CHLORINATION SYNDROME PATIENTS. TYPE I MATERIAL HAS BEEN REMOVED FROM THIS UNIVERSE FOR THE LAST EIGHT THOUSAND YEARS FOLLOWING THE COMPLETE PURGING OF IT FROM THE EARTH'S ENVIRONMENT. TYPE II CAME FROM THE OTHER ENTITY, CLASSIFIED AS 'A DRAGON' NO OTHER NAME OR IDENTITY DETERMINED. WHILE HIGHLY REACTIVE AND DANGEROUS IN LARGE DOSES IT WAS FOUND TO BE STABLE IN SMALL AMOUNTS AND TO LACK THE MALEVOLENT EFFECT ON INTELLIGENT LIFE THAT TYPE I MATERIAL EXHIBITED. EVENTUAL CONTROLLED EXPOSURE AND SYNTHESIS EXPERIMENTS LED TO THE CREATION OF FOCUSED MAGIC ENERGY EFFECTS AND SUBSEQUENT DEVELOPMENTS IN FIELDS OF NEUROLOGY AND META-COGNITION AS WELL AS NUMEROUS OTHERS. PROJECT GESTALT AND ANDROID CONSCIOUSNESS ARE BOTH LONG TERM SUCCESSES OF THIS RESEARCH. HIGH ENERGY MAGIC WEAPONS WERE ALSO ATTEMPTED BUT LATER SHELVED FOR BEING UNRELIABLE. AS OF THIS DATE THE AMOUNT OF TYPE II MATERIAL PRESENT IN THIS UNIVERSE IS ESTIMATED TO BE 63 METRIC TONS, OVER A HUNDRED FOLD INCREASE IN MASS FROM THAT OF THE ORIGINAL ENTITY BROUGHT ABOUT BY CONTINUAL SYNTHESIS AND ITS NECESSITY IN THE CREATION OF NEW ANDROIDS AND ALL CURRENT GENERATION MAGICAL DEVICES. THE ANDROID WHITE HAS 6 GRAMS OF IT AS PART OF THEIR INTERNAL SYSTEMS, MOSTLY RELEGATED TO META-COGNITIVE PROCESSES. "Wait... wait!" John yelled out, grabbing onto the unused console as he stared at the enormous amount of text that had just been displayed. More and more appearing on other monitors, going into greater detail about all sorts of absurd things. "What do you mean by magic? And dragons? What the hell happened to Earth?" THE 6-12 INCIDENT. PLAYING ARCHIVED DATA NOW... *** Crichton sat on the edge of her bed. Looking down at his hands, fingers intertwined. He hadn't spoken since White had stepped aside and ushered him in. Neither had she. She had wanted to be alone, and had hoped that Crichton would choose to spend some time with his alien friends. Or his semi-human lover... "You know, it's kind of funny," he said at last, a low chuckle that surprised White. He truly did sound amused by the dark comedy of his situation. "What?" "Well, when I first realized you were lying about something... after I got over the whole 'android' deal anyway," Crichton said, looking up from his hands to look into White's eyes. "I was so certain that the deep dark secret you were keeping from me was that you all went Terminator on the humans and than got ashamed about it." White found herself smiling despite it all. "I guess I can imagine why you would think that. Even if we don't all look like Central European bodybuilders from the Old World." His expression collapsed, going from amusement to a shock so profound it looked like a stiff breeze would have knocked him over. White found herself confused and then very worried. Had she said something wrong? Then he started to laugh, slow at first, but building into something that bordered on mania. Rolling onto his back and shaking in the hysterics. "Haha... oh god... you have no idea, no goddamn idea how long I've wanted someone to get one of my dumb references," Crichton sat up looking far happier than he had a moment ago, the levity of their absurd connection dispelling the melancholy cloud that had hung over them since their return from the lunar server. "Like I love those idiots on Moya, but being around aliens on the other side of the galaxy for a few years really makes you long for some normal human conversation." "I... I think I can understand. Somewhat. It must have been very lonely out there." "Lonely, terrifying, insane... beautiful too. Space is crazy like that. Full of contrasts so sharp it's stunning. I-I wanted to bring that back you know? Not just to get home, but to show what I had found out there," he said, pointing to the stars outside White's window. "I guess it's too late for that now." "I'm sorry," White said. Noting the strange look that Crichton was giving her now she hesitated before continuing. "I'm sorry we failed." "Failed? Failed at what? Stopping a magic apocalypse that had already started before the first androids came online? Which reminds me, we're going to need to do something about them later. Those twin models that someone had the bright idea to shoulder with some fucked up version of android collective punishment." Crichton leaned forward, massaging his forehead as he did so. "That's probably only the tip of the bullshit you're dealing with and here I come with a whole new mess of problems. Maybe it would have been better if I had never found Earth." "No! Crichton you-we can fix things. I know we can. Not just your presence here or for getting access to sealed archives in the server. The technology you brought with you. It very well might represent a turning point in the war with the machines." "And what about the Sebaceans... the Peacekeepers? The Scarren Empire? Or hell, even the Nebari Establishment? Better gravity control systems and two hundred year old ship scale energy shields won't stop a fleet if it comes knocking at our door." "We'll do what we always have. Try and protect Earth and mankind's legacy from any aggressor. Whether distant cousins that no longer remember their home-world like the Sebaceans... or these Scarrens you've mentioned so much. We won't- we cannot retreat from this fight. Not now." White clenched her fist tightly, the glove creaking as she set a firm expression on her face. "I promise you Crichton, even if the past is lost, we will make a future worth fighting for." Ideas: I've been thinking over the ideas of a Farscape/Nier crossover some more, coming up with elements, themes, and specific scenes that would be fun to explore and write. These are some of the ideas I've had in no particular order. 1. Androids in relation to the Last Human (Crichton). Crichton is a self-admitted sci-fi geek, not surprising for a second generation astronaut that grew up wanting to explore the stars. He straight up makes comparisons to how he attempts to handle alien encounters to be inspired from watching Star Trek. Given that I think his relation to the androids would develop in a certain direction. Once the initial shock of a) the amount of time passed and b) that these people he thought were human aren't passes, he wouldn't feel comfortable having an intelligent race acting subordinate to him. I can see multiple incidents where some variety of complex philosophical quandary or just plain relationship question from 6O results in him telling them that humans really didn't have a better answer. Long term this would likely take the form of a very serious conversation where he points out that Earth, and what of its culture and history still lives, isn't in just human, whether the dead ones or genetically altered human descended Sebaceans. Or even in any hypothetical offspring that he might have. Basically, 'Mankind' includes them, as they're what's keeping the memory of it all alive. Aside from some bonding scenes between various androids and Crichton as they go over bits of alien tech, one idea I have in particular is that he takes a tour of moon landing sites, including the one his father visited. Effectively the only place he will ever see any lasting evidence of that man in particular. And the reaction of his android guide (White perhaps?) as well as the Apollo 11 plaque cements his decision to change the way the androids view their relation with humans, at least in so much as he can. 2. 2B and 9S (and others perhaps). I think there's a lot of fun to be had in placing the androids into weird situations with the aliens, and even more so if for some reason they have to head off away from Earth for a period of time. Since I can easily see the plan being for them to lie constantly. Lie about being human, lie about the 'Glorious Terran Federation' which is totally a military power that we didn't just make up, lie about what they're capable of, lies upon lies as they try and deceive the Scarrens and the Peacekeepers and keep Earth safe from either side those aggressive powers. In general I think 'Androids pretend to be human to deceive aliens' is a good plot for lots of stories, and could easily be turned into a rather long plot. Since the androids wouldn't want to let Crichton head off to parley with these alien aggressors on his own. And he could really use all the help he can get for whatever crazy ass plot he comes up with next. 3. Aliens would want Android tech. Probably just Scorpius, but others too if they find out more about Earth. I hadn't realized it at the time, but there was a period of the show where the hybrid Scarren-Sebacean was working with Crichton, and that would be the perfect opportunity for him to learn something about the androids and Earth history. And being him, he would look at all this extra-dimensional BS and android super soldiers and see potential weapons. He'd probably be disappointed that the Queen's Maso wasn't around anymore and that Hamelin Organization stopped human testing after Emil, since it would mean he'd be working from scratch if he could just get back into the good graces of the Peacekeepers and do so with enough of the demonic element to set up another research base. Hell, he'd probably try to directly convince Crichton get the androids to agree to serve the Peacekeepers, since that would technically put them back into contact with 'humans' if genetically engineered ones. Arguing that he could get the entire remaining population of Earth a ticket off world (to a nice Peacekeeper controlled colony where the can serve their new military overlords) if destroying the machine lifefroms proved to difficult even with a few starships to blast them from orbit. 4. The Terminals. The central intelligence of the machine lifeforms would likely reconsider its direction of evolution far earlier with a living human to observe, especially one that tries so hard to avoid aggressive resolutions. Even if that doesn't work, Crichton's crew and allies proves that he has managed to connect and form lasting bonds with entirely alien beings over and over. A direct repudiation of what the machine network had thus far found to be the fastest way to accelerate its own growth. Whether this would lead to a quicker conclusion that it needs to escape Earth and find its own destiny, likely expedited by FTL tech it took from the androids once Crichton revealed it to them, or an attempt at some kind of allegiance against the various hostile powers of the greater galaxy is unknown. While I can easily see Pascal and various pacifistic or non-hostile machine lifeforms being taken into account as potential allies the actions of the terminals past and potentially present would form a barrier to attempted cooperation. 5. Allying with the Worm Hole Ancients. The aliens that gave John Crichton knowledge about worm holes in the first place did so because they were running from an unstated catastrophe that had destroyed their home world. They originally decided against direct contact with Earth because it was likely to be divided and hostile. 21st century Earth that doesn't exist outside of Crichton's memories. It would be very interesting to see how they might react to finding out the new status quo. I've got a couple ideas that might be fun with them. One being that their dimension/time traveling tech lead to them accidentally creating their own personal Watcher related incident and the subsequent self-inflicted annihilation of their home world to stop it from spreading to the greater portion of the galaxy. Creating a situation where despite their far greater technological adeptness they find a reason to deeply respect humans/androids for facing down and defeating what they truthfully could not, reclaiming their world instead of burning it and running. (Though I'm iffy on that alteration/crossover expansion as it sort of makes them more like the Stargate's Asgard.)

#farscape #nier automata #fanfic idea

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silent-era-of-cinema · 4 years ago

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Norman Kerry (born Norman Hussey Kaiser, June 16, 1894 – January 12, 1956) was an American actor whose career in the motion picture industry spanned twenty-five years, beginning in 1916 and peaking during the silent era of the 1920s. Changing his name from the unmistakably German "Kaiser" at the onset of World War I, he rose quickly in his field, becoming "the Clark Gable of the [1920s]." He often played the heroic dashing swashbuckler or the seductive lothario and was extremely popular with female fans. On a personal level, Kerry was known as a prankster and was said to have a wonderful sense of humor and to be very popular. He also achieved some recognition as a dog fancier, maintaining kennels at his home that were "known throughout the world among lovers of aristocratic dogs." As his film career waned in the 1930s, he became known as an international bon vivant and adventurer who lived in the French Riviera and even joined the French Foreign Legion.

Kerry made his first film appearance in the 1916 comedy Manhattan Madness, starring Douglas Fairbanks and directed by Allan Dwan. Dwan needed young people with horses to appear in a scene and Kerry volunteered himself and his friends to fill that need. The following year, Kerry rose to leading actor status in A Little Princess, playing opposite actress Mary Pickford. He again appeared with Mary Pickford in 1918, in Amarilly of Clothes-line Alley, and that in turn led to his being chosen by Constance Talmadge as her leading man in Up the Road with Sallie. He was "on his way!"

Kerry's career flourished from the time of those early successes and throughout the 1920s--the silent film era. In 1920, he was paid a salary of $750 per week and by 1930 he had been under contract with Universal Pictures for twelve years and was thought to be among the actors who had played the most roles in his career. He wore a fancy waxed mustache and slicked-back hair, exemplifying the "tall, dark, and handsome" matinee idol of the time.[7][6] In 1923, he starred in two of his most popular films, the enormous box-office success The Hunchback of Notre Dame, with Lon Chaney and Patsy Ruth Miller and the controversial Merry-Go-Round, opposite Mary Philbin. In Merry-Go-Round, Austrian director Erich von Stroheim chose Kerry to play von Stroheim's alter-ego 'Count Franz Maximilian Von Hohenegg', but producer Irving Thalberg replaced von Stroheim with director Rupert Julian during filming. The film is now considered a classic.

Kerry was again cast with Lon Chaney and Mary Philbin in the 1925 horror classic The Phantom of the Opera, playing Philbin's love-interest, the Vicomte Raoul de Chagny. The film was an enormous financial and critical success and solidified Kerry's position as a leading actor during the 1920s. That same year Kerry starred with Philbin in the melodrama Fifth Avenue Models and with Patsy Ruth Miller in the adventure film Lorraine of the Lions. In 1927, Kerry again shared the screen with Lon Chaney in The Unknown, also starring Joan Crawford. By the end of the decade, he had appeared in high-profile roles opposite Anna Q. Nilsson, Marion Davies, Bebe Daniels, Mildred Harris, Lillian Gish, and Claire Windsor, among others.

At the beginning of the talkie era, Kerry reunited with Mary Philbin to film talking scenes for The Phantom of the Opera, reissued with sound 15 Dec 1929. However, this was the beginning of Kerry's decline; he made only a few American films after 1930. Among them were Air Eagles and Bachelor Apartment in 1931 and Kerry's final film, Tanks a Million, in 1941. During the 1930s, Kerry also made some movies for British, German, and Italian producers.

For his contributions to the motion picture industry, in 1960 Kerry was awarded a star on the Hollywood Walk of Fame at 6724 Hollywood Blvd., Hollywood, California.

Born in Rochester, New York on June 16, 1894, Kerry was the son of Isaac and Eunice Kaiser. As he was growing up, he lived with his family in New York City and Long Island. He was a student at the DeLaSalle School, St. John's College, and the University of Maryland, where he was an athlete. Kerry's father, Isaac Kaiser, was a leather goods manufacturer and dealer and Kerry himself spent some time as a representative for that company.

Around 1916, Kerry befriended Rudolph Valentino, who was then known as an exhibition dancer, in New York City. He is said to have introduced Valentino to Bonnie Glass, who became Valentino's dance partner. Later, Kerry encouraged Valentino to try making a name for himself in film, staked him for a trip to Los Angeles, and helped him get his first roles.

In 1917, despite having already achieved some success in the motion picture industry, Kerry enlisted in the British Royal Flying Corps and was to report for training in Toronto, Canada in September of that year, with a commission as a lieutenant. However, on November 2, Kerry's father died, leading to his being granted six months leave. In 1918, he served briefly (October 2 to December 4) in the U.S. Army, returning to Los Angeles and his film career by the end of that year.

Kerry had been living in a Los Angeles hotel in June 1917 but by the end of the year, he took up residence in a bungalow in Hollywood, where he was joined by his mother and sister. They moved to a house at the entrance to Laurel Canyon the following June. Kerry was still living with his mother and sister as of January 1920.

About six weeks later, Kerry was married for the first time. His bride was a 22-year-old divorcee, Rozene (Tripp) Greppin, said to be an heiress. The marriage did not last. The couple separated on November 11, 1928 and Rozene filed for divorce the following April, charging that Kerry called her vile names in front of others, stayed away for extended periods, and ignored her; the divorce was granted on June 7, 1929.

About two weeks after the divorce was granted, Kerry made a very public effort to win Rozene back. On June 20, 1929, she was scheduled to board the ocean liner Majestic in New York, bound for England. After learning that she was there, Kerry attempted to board the ship, seeking a reconciliation. Having neither ticket nor passport, Kerry was not allowed on board. Nevertheless, he then scaled a fence around the baggage area, evaded crew members who tried to stop him, and entered the ship on an escalator used to load baggage. Once in England, he was required to put up a passport bond and remained there for about two days. His efforts to save the marriage were unsuccessful.

Kerry's second wife was Helen Mary (Yost) Wells, ex-wife of a New York grain broker. They were married in New York on November 2, 1932. The couple said that they had been friends since before their previous marriages; he was 38 and she gave her age as 32. Just over two months later, they separated and Helen moved out of their home and into a hotel. There followed a reconciliation, but the following year Helen filed for divorce, alleging that Kerry drank heavily. The divorce was granted on September 17, 1934.

This divorce was not the end of Kerry's relationship with Helen. Though there were rumors of a reconciliation with first wife Rozene, Kerry later followed Helen to Vienna, Austria, and the two eventually remarried there.Kerry had often been living and working in Europe since the beginning of their marriage. He lived in Brussels for a time and by 1940 he and Helen were living in the French Riviera, near Nice.

Kerry's life then took a surprising turn: in January 1940, he enlisted in the French Foreign Legion. He explained to Helen, who ultimately acquiesced in his decision, that he owed it to the French, whose hospitality he had been enjoying, and that he had been dissatisfied with the shallowness of his life as an actor; he wanted to have "real experiences, not just make-believe." In the Legion, he saw service in Luxemburg and Morocco, but his tour of duty lasted less than a year because of the fall of France to Nazi Germany. In January 1941, Kerry returned to California.

The following year brought news that Kerry had become engaged to actress Kay English, though their marriage would have to wait until there was a final divorce decree between Kerry and Helen. Kerry and English did eventually marry, in 1946, and they remained married until his death in 1956.

At the age of 61, on 12 Jan 1956, Norman Kerry died from a liver ailment at Cedars of Lebanon Hospital in Los Angeles, California. He was interred at Holy Cross Cemetery, Culver City, Los Angeles County, California.

#norman kerry #silent era #silent hollywood #silent movie stars #golden age of hollywood #classic movie stars #classic hollywood #old hollywood #1910s movies #1920s hollywood #1930s hollywood #1940s hollywood

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wazafam · 4 years ago

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The American black comedy crime thriller A Simple Favor was released in 2018, and its cast members in it are extremely recognizable. The film, directed by Paul Feig from a screenplay written by Jessica Sharzer, is a suspenseful story based on the 2017 novel of the same name, written by Darcey Bell. The movie stars Blake Lively and Anna Kendrick in the main roles, among other notable actors in supporting roles. The plot centers on a small-town video blogger who attempts to solve the mystery behind her friend's disappearance.

A Simple Favor was released by Lionsgate, and the movie garnered critical praise upon its theatrical release. Most critics praised the chemistry of the ensemble cast, and also wrote enthusiastically about the movie's shocking plot twists and turns. The film ended up making $5.9 million on its first day alone, and grossed a total of $97 million worldwide, on a budget of only $20 million.

Related: The Equalizer 2021 Cast & Character Guide

Indeed, the movie has an impressive cast led by its main stars, Blake Lively and Anna Kendrick. Henry Golding, Andrew Rannells, and Linda Cardellini are some of the supporting cast members, as well as Jean Smart, Rupert friend, Eric Johnson, and Dustin Milligan, among other actors.

Blake Lively takes on the role of Emily Nelson, Hope McLanden, and Faith McLanden in A Simple Favor, and her character's life is the most interesting part of the film. Viewers know Lively from teen movies The Sisterhood of the Traveling Pants, Accepted, Simon Says, and other early-aughts flicks. Later, she appeared in movies ranging from New York, I Love You to The Town to superhero flick Green Lantern, which she starred in alongside her future husband Ryan Reynolds. In more recent years, Lively has appeared in The Age of Adaline, The Shallows, Café Society, and All I See Is You.

Following her success with A Simple Favor, Lively starred in the movie The Rhythm Section in 2020 alongside actors Jude Law and Sterling K. Brown. The movie follows a grieving woman who goes on a destructive path for revenge after learning that the plane crash that killed her family was actually a terrorist attack. To date, that is Lively's most recent role. From 2007 - 2012, of course, Lively starred as Serena van Der Woodsen in the hit show Gossip Girl, for which she won several accolades.

Like Lively, actress Anna Kendrick, who portrays Stephanie Smothers in A Simple Favor, has been working in Hollywood for several years. She first became a familiar face for her role as Jessica Stanley in the Twilight movies. Following the franchise's end, Kendrick began to take on different roles. She played Natalie Keener in Up In The Air, Janet Taylor in End of Watch and voiced Courtney Babock in ParaNorman. In 2012, Kendrick reached full stardom for playing Becca Mitchell in the popular movie Pitch Perfect. After that, Kendrick appeared in a slew of movies from 2013 until A Simple Favor in 2018, including What to Expect When You're Expecting, Drinking Buddies, Cake, Into the Woods, the two Pitch Perfect sequels, and The Accountant. She also appeared in the movies Mike and Dave Need Wedding Dates and voiced a character in Trolls.

Related: The Shallows Behind The Scenes: How Filming Injured Blake Lively

Following her turn as Stephanie in A Simple Favor, Kendrick played Kendra Glack in the 2019 movie The Day Shall Come and portrayed Noelle Kringle in the holiday movie Noelle, released the same year. She also reprised her role in Trolls for the movie's 2020 sequel.

Andre Rannells, who plays Darren in A Simple Favor, began his career in television. He voiced characters on children's shows, like Pokémon and Yu-Gi-Oh!, as a kid, and the early aughts also saw his break into theater. He had numerous roles on the stage, and in 2011 played Elder Kevin Price in The Book of Mormon as an original cast member. From 2014 - 2018, he also had roles in Hedwig and the Angry Inch, Hamilton, Falsettos, and The Boys in the Band.

Related: Disney+ & HBO Max Already Have One Thing In Common: Anna Kendrick

Rannells became a familiar face on the screen when he joined the cast of Girls from 2012 - 2017, playing Elijah Krantz in 35 episodes. This role led him to other television parts, including Bryan Collins in The New Normal and Frazier H. Wingo in The Knick, as well as guest appearances in hit shows like How I Met Your Mother and Glee. He also had voice roles in the shows Sofia the First, Welcome to the Wayne, and Vampirina. Most notably, in 2017 Rannells joined the cast of Big Mouth. He continues to play that role into 2021, as well as continues to make occasional guest appearances on other shows. In terms of film — Rannell's most recent roles were in the 2020 films The Boys in the Band, The Prom, and The Stand In. And before appearing in 2018's A Simple Favor, he had parts in 2016's Why Him? and 2015's The Intern.

Linda Cardellini plays the part of Diana Hyland in A Simple Favor. Cardellini first became a household name in 1999, when she starred as Lindsay Weir in the cult television series Freaks and Geeks. That wasn't her first time in a series, though; throughout the late 1990s, she appeared in shows like Bone Chillers, 3rd Rock from the Sun, Clueless, Step by Step, Promised Land, Kenan & Kel, and Boy Meets World, among other programs.

Post-Freaks and Geeks, Cardellini continued her career in TV, appearing as Samantha Taggart in ER as Bliss Goode and Shelly in The Goode Family. She also had turns in popular shows like Gravity Falls, Mad Men, and New Girl, and took on the serious role of Meg Rayburn in 2015 for 33 episodes of Bloodline. In 2019, Cardellini began portraying Judy Hale in the Netflix series Dead to Me, opposite Christina Applegate.

Related: Why Freaks and Geeks Was Cancelled After One Season

Of course, many movie watchers know Cardellini's likeness from feature films. She appeared as Chutney Wyndham in Legally Blonde, and famously portrayed Velma Dinkley in Scooby-Doo and its sequel. Cardellini also had parts in Brokeback Mountain, The Lazarus Project, Kill the Irishman, and Daddy's Home and its sequel. Superhero movie fans know Cardellini as Laura Barton, the wife of Clint Barton aka Hawkeye in Avengers: Age of Ultron and Avengers: Endgame. And Cardellini has also starred in critically acclaimed films like Green Book, in which she played Dolores. In 2020, Cardellini portrayed Mae Capone in the movie Capone.

Actor Henry Golding portrays Sean Townsend in A Simple Favor. Golding has been a presenter on BBC's The Travel Show since 2014. Today's movie watchers primarily know him for playing the role of Nick Young in the hit 2018 movie Crazy Rich Asians, for which he won a Teen Choice Award. He also took on the role of Tom in the recent 2019 romantic-comedy holiday flick Last Christmas. Some lesser-known movies Townsend has appeared in include Pisau Cukur, Monsoon, and The Gentlemen. His most recent project is Snake Eyes, which is in post-production. In addition to being a longtime host on BBC's travel show, Golding has hosted shows including Football Crazy, Welcome to the Railworld Japan, and Surviving Borneo.

Jean Smart, who played Margaret McLanden in A Simple Favor, is most known for playing Lana Gardner on the NBC sitcom Frasier - a role for which she won two Primetime Emmy Awards. She started her impressive acting career in both film and television in the late 1970s. Some of the notable movies she's appeared in include Piaf, Homeward Bound: The Incredible Journey, Snow Day, Sweet Home Alabama, Garden State, Life As We Know It, The Accountant, and, most recently, Superintelligence.

Related: Blake Lively & Michiel Huisman Talk 'Age of Adaline' Science, Harrison Ford & More

Smart has also appeared in television shows other than Fraiser throughout her career. She voiced Helen Ventrix in an episode of Batman: The Animated Series, played Sally Brewton in three episodes of Scarlett, and played Elinore "Ellie" Walker for 13 episodes of High Society. She also gained recognition for playing Martha Logan, the First Lady, in the show 24, and for portraying Regina Newly in 35 episodes of Samantha Who?

Smart was in numerous other television series up until her turn in A Simple Favor, and also appeared in small guest roles in popular shows like Halt and Catch Fire and The McCarthys. In more recent years, Smart portrayed Floyd Gerhardt in Fargo and Melanie Bird in Legion, as well as Arlane Hart in Dirty John, Mimi in Arrested Development, and series regular Agent Laurie Blake in Watchmen.

Rupert Friend played Dennis Nylon in A Simple Favor. The actor began his career with the 2004 movie The Libertine. He first became a familiar face when he took on the role of Mr. Wickham in Pride & Prejudice. Throughout the early aughts he had several other significant roles, including Sandy Mardell in Outlaw and Demetrius in The Last Legion, as well as Lt. Kurt Kotler in The Boy in the Striped Pyjamas and Prince Albert in The Young Victoria.

Related: Bridgerton: Every Pride And Prejudice Easter Egg & Reference

TV-wise, Friend is most known for portraying the character Peter Quinn in 58 episodes of Homeland. For his performance as Peter, Friend was nominated for numerous accolades. He also appeared in other shows since the end of Homeland, including Dream Corp, LLC, Strange Angel, and, most recently, Anatomy of a Scandal.

Eric Johnson as Davis: played Flash Gordon on the eponymous 2007 - 2008 television series, as well as Whintey Fordman on the show Smallville and Jack Hyde in the Fifty Shades franchise, among other roles.

Dustin Milligan as Chris: played Ethan Ward on the teen drama show 90210. Most recently, of course, the majority of television watchers know him as Ted Mullens from Schitt's Creek.

Bashir Salahuddin as Detective Summervile: appeared in the movies Snatched and Gringo, and since then has been in Marriage Story and The 24th. He's also known as a writer on Maya and Marty and for portraying Keith Bang on GLOW and Office Goodnight on South Side.

Kelly McCormack as Stacy: known for playing Zeph in the sci-fi show Killyjoys and for playing Betty Anne on the show Letterkenny. Most recently, she wrote, produced, and starred in the feature film Sugar Daddy.

Sarah Baker as Maryanne Chelkowsky: was previously in the movies The Campaign and Mascots, as well as shows like The Kominsky Method and Louie.

Melissa O'Neil as Beth: first gained fame for winning the third season of Canadian Idol in 2005. She's also known for her roles as Two/Rebecca/Portia Lin on the sci-fi series Dark Matter and as Officer Lucy Chen on the police drama show The Rookie.

Of course, viewers have probably seen these listed stars in other movies and TV shows, too. This is a non-exhaustive list of the films and shows that they are most likely recognized from. When all of these actors came together to work on 2018's A Simple Favor, it was a notable project. The movie was praised for its ensemble effort and continues to gain traction among movie watchers today.

Next: A Simple Favor Ending: Disappearance Reveal & The Many Twists Explained

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