#also it's difficult coming to understand that forgiveness is not always something that stems from a transgression

[heich0e]

i know in my heart that things are very rarely ever as idyllically simple as "forgive and forget" but i do genuinely wish that i was better at the forgetting part

[zivazivc]

im too scared to ask because of the answer but is Hed and Les relationship ok?

(you should be scared)

They love each other unconditionally and are closer than most siblings, and I want to answer with a definite yes, but it’s more of a soft yes.

They’d die for each other and would never want to cause each other any harm, but they both hold very deep-rooted and painful resentment toward each other. This anger, while valid on its own, feels unjustifiable and selfish to both brothers, and is why they have a hard time addressing it. It only starts to get resolved later (for now I’m aiming at the time frame after Floyd leaves the band and before Les runs into him again, which is Hed’s late twenties and Les’s early thirties) when Les finally opens up to Hed about things that happened during their early childhood in the Rock Kingdom, which Hed was too young to comprehend or remember, and this revelation puts a lot of things into perspective for Hed and is extremely cathartic for both of them.

Like I’ve mentioned, Les didn’t talk to Hed about his trauma, (they are four years apart which is a big gap when you’re a kid), and Hed could never fully understand why Les had taken him with him to the Funk Kingdom. It’s a question he never receives an honest answer to, and it’s something he (although unwillingly/with doubt) resents him for since he had a difficult childhood in Vibe City as the only tiny Rock Troll who always got othered and excluded, even bullied.

There is also the related issue where Hed doesn’t understand why his brother is so troubled and disconnected, because he’s under the impression that they’ve more or less been in the same boat all their lives. That it’s always been them against the world. He even thinks Les had it better than him since he is half Funk and sticks out less like a sore thumb among a Funk society than Hed does…

I realize I’ve never addressed this directly, even though I figure some of you probably assume it already, but Les is a deeply depressed character and has been like this since he was very young (similar to Branch, although it’s expressed differently), and he has occasional episodes where he spirals and even becomes suicidal. The first time it happened and he tried to go through with it, Hed was only 8-10 years old, and the fact that his big brother was willing to end it all and leave him alone shook Hed’s entire world. The incident filled him with such intense fear and hurt that he cannot find it in him to forgive his brother for it no matter how much he wants to. He also developed anxiety surrounding Les’s mental state and is terrified of letting him out of his sight for longer periods for fear of losing him.

Les’s resentment towards Hed stems mostly from jealousy and not knowing where to direct his own hurt, and he hates himself for these feelings because none of it is Hed’s fault. — Hed is/was both of their dads’ favorite son, and as far as Les is convinced, he was their mom’s favorite too. He dodged all the worst abuse Les experienced under Butch, Butch even flaunted Hed as his son just to put Les down, and as a little kid Les pretty much hated his baby brother for it. Hed was always seen as the “better” brother even though Hed was a loud brat compared to Les. But it didn’t take long for him to grow on Ish and his roommates while there was always tension between Les and his dad (due to Les already being deeply messed up by the time they got to Ish). Hed in general is a charismatic social butterfly who knows how to get on trolls’ good side. He vibes with both Rock and Funk Trolls, and clicks with most music and trolls in general, while Les struggles with social interactions that aren’t work related and often comes off awkward, especially as a teenager, he’s more casual in his twenties and onward, though still very much closed off.

Hed is also very smart (academically, in regards to reading the room he is a dumbass), he always kept up with school, which he was allowed to attend without question, there was even early talk about uni, while Les never even got to finish elementary school because of his poor performance and him getting expelled over an incident, and was forced to start working early.

Hed also (because of his small size) was often let off the hook when he’d get into trouble/do something stupid. He was babied (word used loosely) by Ish and their uncles a lot in general. If Hed broke something, he’d get yelled at while Les would have to fix it or pay for it out of his pocket. 

They lived under two completely different sets of rules all their lives and Les festered a lot of hurt from the unfairness of it.

Les’s resentment wanes over time. Floyd is the one who helps him find release for a lot of his bottled up pain during their time together. Floyd is basically the first person Les confides in about nearly everything he was put through, and he encourages Les to talk to Hed about it. Which he does after a few years, and Hed learning about what his brother was put through as a little kid is what allows him to finally understand and forgive his brother…

[msweebyness]

Class of Heroes AU: Pet Peeves

These are the things that really grind the gears of our hero kids! As always, credit to @imsparky2002 and @artzychic27! Mega thanks to Sparky, who helped come up with a lot of these! Keep an eye out for the matching villains post!

Marinette: Sexism of any shape or form drives her absolutely mad with fury. When she’s told she can’t do something solely because of the fact she is female, she will go to just about any length to prove that person wrong! She also can’t stand it when people cheat or “act dishonorably”.

Adrien: Due to his past with his ‘father’, Adrien finds it incredibly difficult to forgive someone when he feels they’ve taken advantage of him. Manipulating him or using him for personal gain is a surefire way to lose his friendship for good.

Alya: Laziness and people who refuse to do their share of the work are the bane of Alya’s existence. Success is earned through hard work and she refuses to put up with anyone sitting out on their responsibilities. And if you know what’s good for you, you’ll use proper table manners in her company!

Nino: Nino feels incredibly insulted and undervalued when people don’t show any thanks for him helping them with his magic. He also loathes anybody who puts their own desires over everything else, selfishness goes against his very nature as a fairy godsibling. (He also strongly objects to anyone touching his wings without permission, a sign of extreme disrespect to a fairy!)

Max: With the amount of work and dedication he puts into all of his inventions, it shouldn’t come as a surprise that Max becomes highly agitated if anyone tries to take credit for his creations or use them for unethical purposes. It also rubs him the wrong way when people (*cough* Royals *cough*) try to push their homework off on him.

Kim: The young demigod has a burning hatred for bullying or harassment of any kind. Due to his own past being an outcast in his hometown, he can’t stand by when anyone else is being mistreated similarly. (And if you don’t want to be put through a wall, DRINK YOUR RESPECT WOMEN JUICE.)

Alix: A guaranteed way to anger this young street rat is to mistreat those younger and weaker than you. Alix can’t bear to see children being harmed in any way, especially those forced into the streets like herself! It’s also unwise to mock her for her kleptomania, if you want to get your belongings back, at least…

Ivan: Ever since making real friends who actually respect and care about him, Ivan is far less willing to put up with being mocked and treated as a freak. (It’s also a bad idea to ask invasive questions or make rude comments about his back condition. DON’T call him a hunchback.)

Mylene: It just breaks Mylene’s heart when she’s forced to watch her darling animal friends be mistreated in any way, shape or form! The creatures of the woodlands have feelings too, and if you want to stay on this princess’ good side, you’ll treat them with the respect and care you ought to!

Juleka: The resident cursed of the hero classes is, quite frankly, sick and tired of people regarding and treating her as some manner of frightful and dangerous monster based on her appearance. Oh, and unless you happen to be Rose, touching her fur and horns is a BIG No-No.

Rose: Rose believes strongly in compassion and understanding being extended to everyone, no matter who they are or what they look like. Because of this, the quickest way to set her off is to mock or belittle someone else for being ‘different’. Especially if the person being mocked happens to be Juleka!

Sabrina: Stemming from terrible past experiences and perhaps a bit of envy about others not needing to worry about their appearances being altered, Sabrina carries a burning hatred for being deceived in any way. If she catches you in a lie, pray to whatever you believe in that Aurore is nearby to calm her down!

Nathaniel: If you value your existence on this Earth, do NOT make any attempt to wake this boy up before his body is ready. You will regret it. It’s also a BAD idea to mess with or insult his artwork in any capacity.

Chloé: Before she started putting in the effort to improve herself as a person, the young heiress went batty when anyone refused to do as she pleased or stood up to her in any way. Post-redemption arc, she tends to snap when anyone brings up her old ways or accuses her of faking kindness.

Zoé: This young royal cannot stand to walk into a room and find it in disarray! You could call Zoé a bit of a neat freak, nothing drives her up the wall more than when people neglect to clean up after themselves. Honestly, it’s just common courtesy!

Marc: One could say that the heir to the throne of Arendelle has a bit of a thing about his personal space. Especially when he’s upset, it’s a good idea to give him a wide berth unless you’re one of his friends. Also, DON’T touch his gloves!

Ondine: She absolutely can’t stand when people don’t show respect for her home, the water, where her family still lives. Seeing people leave their trash on the beach or dump toxic fluids into a river will infuriate her. It also upsets her quite a bit when someone mentions going fishing or eating fish.

Kagami: Stubborn and rebellious to her core, the archery-proficient princess can’t STAND being given orders, especially ones that go against what she believes in! If you try to fence her in, she’ll fight you to the bitter end!

Aurore: Being a fairy of the night sky, Aurore’s purpose in life is to watch over and guide others in being their best selves. As such, any kind of rule-breaking or wanton misbehavior irks her like you wouldn’t believe! (Also, don’t touch her wings without asking. Like I said, it’s a fairy-respect thing!)

Mireille: The princess of the Pride Lands is almost a full-grown lioness, and she can’t STAND it when people coddle her as if she’s still a mere cub! Yes, she’s had some bad things happen and yes, maybe she still has things to learn, but she can take care of herself just fine, thank you very much! (Also: NO CAT JOKES.)

Jean: If there’s one thing that you just don’t do, it’s throw off Emperor Jean’s groove! He puts so much time and effort into each of his performances that to have someone kill his mojo is a sacrilege of epic proportions! Now he’s gonna have to start all over! (He is also, like Marc, NOT the biggest fan of people besides his friends touching him!)

Denise: Having had to put up with this treatment since they were programmed into existence, Denise is just about at the end of their rope with being labeled as a “bad guy” for even the smallest of mistakes. (It’s also not very smart to move their belongings without telling or asking them.)

Simon: If there’s one thing this Neverland native finds supremely annoying, it’s a stick-in-the-mud! (Outside of his home, at least) Life doesn’t last forever, so why would you waste it being a big ol’ grouch? (Also, don’t treat him like a kid. He’s a lot more mature than you think!)

Ismael: Ismael, like Nino and Aurore, has a real problem with people not showing gratitude for the wishes he grants. But what really makes him angry is when people don’t honor the promises they make. (One too many finders before Alix came along gave him their word to free him with their final wish, only for that to never come to pass…)

Reshma: Reshma will go absolutely postal when anyone mocks her for her perfectionist tendencies, ESPECIALLY being called anything close or related to ‘Little Miss Perfect’. Is it her fault that she was held up as the ‘golden child’ of her family her entire life? (And if you have any sense, you’ll take proper care of your plants!)

Cosette: Cosette finds it incredibly insulting when people diss their music by calling it shallow and meaningless based solely on the fact that it happens to fall under the ‘Pop’ umbrella. Music is music, what matters is the heart, not the genre.

Lacey: Again, DON’T TOUCH THE WINGS. Lacey also cannot put up with being confined in any sort of small space. This fairy needs room to move, so closets and crawl spaces are a definite ‘NO’. (She’s had some right nasty experiences with a few of her and Simon’s pirate foes back in Neverland…)

As usual, leave thoughts and opinions in the comments and reblogs! Love and hugs! (Keep an eye out for more of our Mirrorverse crossover!)

[isaiahbie]

What is Love?

Love is difficult to define. The question is complicated by the fact that there are many categories of love, including romantic love, platonic love between friends, divine love, and more. But regardless of the type of love being discussed, our culture seems united that it should emanate from our feelings about someone or something.

The Merriam Webster dictionary defines love as “strong affection for another arising out of kinship or personal ties.” Love stems from our feelings and is itself merely a feeling. This is not others-centered love, but a self-focused statement about us. We’re either hooked on a feeling, or we’re not. The popular breakup phrase “I don’t love you anymore,” usually means “I don’t feel the way I did before.” But is this really what love is?

The Bible mentions love hundreds of times. To find the source of love, let’s examine 1 John 4:10,19, which says “In this is love, not that we loved God, but that He loved us and sent His Son to be the propitiation for our sins. . . We love, because He first loved us.”

The ultimate source of our love is God’s love for us, not our feelings. God Himself is love. He is the root of all authentic love, and our love—when it is genuine—is merely a reflection of His.

What’s so amazing about this is that God’s love for us is not earned. In fact, the Bible tells us that God’s greatest act of love for humanity was completely undeserved. Romans 5:8 says “But God demonstrates His own love toward us, in that while we were yet sinners, Christ died for us.” The contrast with culture’s definition of love couldn’t be more clear. Society says “I’ll love if I feel it.” God loves self-sacrificially when He has every right to be angry.

Jesus forever changed our understanding of love when He said “But I say to you, love your enemies and pray for those who persecute you” (Matthew 5:44). Not only are we to love someone when we don’t feel like it, we’re to love someone who doesn’t deserve it.

We also see here that love is more than emotion—it requires action. God didn’t just feel compassionate toward us—He gave His life to save us. True love acts self-sacrificially toward someone to benefit and bless them.

Even as a Christian, it’s easy to fall into the cultural understanding of love. We only love when we feel like it, and as long as we have that positive emotion toward someone, we don’t have to take any concrete action. When we are tempted to think like this, we must remember the way Jesus modeled love for us. Even on the cross, He prayed for the forgiveness of those who were crucifying Him. He loved unconditionally, and so should we.

This doesn’t mean that our feelings are unimportant, or that they aren’t involved in acts of love. But as C. S. Lewis pointed out in Mere Christianity, the cultural order often needs to be reversed. He said, “Do not waste time bothering whether you ‘love’ your neighbor; act as if you did. As soon as we do this we find one of the great secrets. When you are behaving as if you loved someone, you will presently come to love him.”

Love is more than a feeling; it is a decision to act. And as Christians, the best motivation to take such loving action is the recognition that we have been loved unconditionally. Our love must flow out of God’s love, or it will always be vulnerable to our rapidly changing feelings.

May we love as we have been loved by Him.

[jiminrings]

Lunchbox lovers request:

So I would love to see a sit down talk between yoongi and mc. Just so like mc can sort her feelings out about everything, and like get advice about forgiving Kook. Idk, I just want those two to have a chat between besties.

-🐞

cold senior!y/n x stem major koo masterlist :D

yoongi will be on y/n’s team — always

“what do you want for dinner?”

yoongi had the best afternoon nap anyone could ever possibly have

it was a mid-afternoon nap actually and something about it just hit different this time

there’s days when it’s extremely warm y’know? not hot, but like uncomfortably warm

it was that uncomfortably warm afternoon when everyone’s collectively feeling sleepy?? turn the airconditioning on to its coolest and sleep without a shirt on and be surrounded by a pillow on both sides......?

yeah that afternoon nap awhile ago really put yoongi on a happy mood

he’s not asking what you want for dinner because he slept good :D

excellent afternoon naps aren’t the only things that make him this way!! lol you could also count days when he receives a random gift out of nowhere and the days when you replace the toothpaste instead of him

but really, whether or not he gets these instances, he genuinely just asks you what you want for dinner so he could either cook it or order it

“what do you want for dinner?” yoongi nudges you from your spot on the couch, about to invade your personal space again and lie down on your lap before you get to cooking

you only hum in response, your best attempt at returning his affection coming in the form of tussling his hair

“we already have dinner, yoongs.”

omg that’s nice then

“you already cooked dinner? even while i was still asleep? wow, look at you,” he praises you abundantly, attempting to pinch your nose when you dodge him

.... that’s the thing though

yoongi watches you visibly freeze when you were doing anything in the first place besides watch your show in a still position

“i didn’t.”

oh

if your dorm was already silent, it became even mORE silent now

if you didn’t cook, then that means-

“jungkook brought dinner.”

yoongi finishes for you and it’s the far worse equivalent of two mothers bringing their own turkeys for thanksgiving

the show you’ve been rewatching is white noise at this point that you can’t recognize anything in this room besides yoongi

it’s been two weeks

that’s literally half a month

two weeks ever since jungkook’s been pouring active effort into working for your forgiveness and normalcy with him out of his own volition

alright maybe you’ll just focus on the gray streaks in yoongi’s new hair <3

and maybe he’ll just focus on the blue stain on your pink pajamas because he put them in the same load when they were newly-purchased <3

yeah but no you can’t do this forever

he can’t do this forever

you and yoongi can’t do this forever

the two of you can’t keep dancing around each other whenever the mention of jungkook pops up because the two of you have two dRASTICALLY different perspectives

right now, yoongi’s just awkwardly laying on your lap and he’s can’t even look up ay the ceiling

“do you wanna talk about it now?”

you end up caving by asking him first, a sigh of relief from holding it in which makes him relieved because he didn’t want to initiate that

“yeah, let’s talk,” he pulls himself up and he’s now looking at you with much embarrassment, “can we even have this conversation while completely sober?”

yoongi’s really rEALLY looking for a distraction to help ease this discomfort in his chest

okay you get where he’s coming from

“you mean you wanna share a joint with me while we have a long-overdue conversation?”

you chuckle at the mental image of yoongi seeing literal stars and freaking out about it, probably crying while he chats to you

“mhmmm. would probably calm our nerves. o-or maybe just mine, atleast.”

to be honest, he doesn’t even have quite a clue on wHY he’s nervous!! it’s the two of you and you’ve always been comfy with each other

that’s the whole foundation of your friendship — you’re fully comfortable with each other and the two of you find it difficult to be this comfy with anyone else

if he really delves deeper into it though, yoongi would know that the reason he’s so nervous for this conversation with you is because he doesn’t want to fight with you

you’d only have occasional tiffs and arguments ever once in a while, but never a fight!!

he’s not assuming that your conversation would turn into a fight, but that possibility scares him still because what if he loses you?

:(((

and if the two of you do fight, it would be over a junior named jungkook who broke your heart and probably insulted you to your core

he doesn’t want to romanticize it either, but if the two of you do fight, yoongi would want it to be something entirely else

he’s willing to have a fight about being messy and how it frustrates you so much

he’d pick a fight over his clingy habits and how it sometimes makes you feel insecure

he’d pick a fight over how he wants to be your number one best friend so bad that it’s beyond unhealthy he’s making it a competition

he’d want a fight over him being a lil insecure of seokjin at times because the two of you get along so well and know much mORE things than he ever could and he can’t always be included in the inside jokes

what yoongi doesn’t want is to fight over jungkook.

“that sounds nice,” you agree because maybe you too are feeling a little antsy, “but we could do that after.”

he nods, his hands curled to his lap that he only meets your eyes now

“okay.”

oh my god

what now

everything’s put out of the way and it’s now the part when you actually tALK

“are you mad at me?”

you take the first approach and it’s already heavy right from the start, the question weighing especially hard in your mind the past few weeks

“what? no. i could never be mad at you,” he answers just as quick and precise, “i’m mad at him.”

“and i understand that.”

you really do know where yoongi’s coming from because after all, you’re the receiving end of all of jungkook’s words at the time

but that’s the thing!!!

that’s tHEE thing that bothers yoongi the most

you have this feeling of guilt because you feel like you’re betraying yoongi in a way

“then why are you letting jungkook in again?”

it’s as if it’s a double-edged sword and merely entertaining jungkook would be a stab in the back to yoongi, even if you don’t owe him anything

“because i understand him too.”

yoongi deadpans at that, a tired sigh falling instinctively from his lips but his mind’s more awake now

“god, seriously?” he shakes his head and outstretches his hands to hold your shoulders in place. “y/n you are the most lovable person i know. you believe him when he told you otherwise-“

“i-i know it isn’t true. it’s not true when it comes from jungkook.”

your voice wavers but it’s not the only thing that’s coming in waves, your resolve blurring even more when you see yoongi fighting back his own tears

“but when it comes from me i-“

“it’s not true either.”

all that yoongi does is take you to his chest the moment your body feels limp with the sigh that escapes you, a knowing body of tears coming next

your parents’ divorce is the furthest thing from fresh but the impact it placed on you renews without warning, the thoughts coming in waves

they were sure to reiterate over and over again that it wasn’t your fault, but god the way that they never even bothered afterwards made you think otherwise

“i-i just feel like a placemarker and neither of them came back for me, y’know? don’t get me wrong, i love my aunt to pieces and she’s family and-“

your faint sobs rack your ribs and yoongi can feel them, a relief that your face is buried to his shoulder so that you wouldn’t see him cry

“jin and i are your family too.”

they are but deep down, you know it’s a whole other ball game

“b-but that’s because you’re unrelated to me. i don’t remind any of you of the other. i’m not your daughter.”

it really wasn’t as harsh as how your words cut out, but it just breaks yoongi’s heart to know how difficult is must have been and is for you

you mumble when you calm down enough, playing with a loose thread on the cardigan you’ve gifted him on his birthday this year

“jungkook didn’t know that sore spot. he couldn’t have, but i’m not defending him either, yoongi.”

you mean it with full sincerity and he’s trying to digest your words as best as he could before his bias gets the best of him

“it’s on him for being horrible to me, but it’s on me for relating what he said to what i felt a long time ago.”

yoongi opens and closes his mouth, but before he does, you’re lifting your head up to interrupt him

god he’s aLSO crying

“use the sleeves to wipe your snot, dumbo. it’s not even that expensive!!” you chuckle when you urge him to do so, making him both frustrated and sheepish because his goddamn snot interrupted you

you lean on his shoulder and stay that way, this time being a rare occurrence in which you cling to him like a koala

“and i know that he shouldn’t have said those things to me either way. i do.”

yoongi nods at that, capturing his point fully

he insists on patting you on the forehead, drawing circles and definitely not a penis as he drawls his words

“he can’t take back what he said, y/n.”

“but that doesn’t mean he can’t redeem himself, yoongs.”

you offer him a timid smile, turning into a bigger one when you know just the right approach to satiate him enough

“jungkook taking accountability is the bare minimum, though,” you chuckle when he nods eagerly to the point he gives himself whiplash, “which is why i’m being smart and haven’t fully forgave him yet.”

…

…..

yoongi sighs when the two of you spend the pause in silence, speaking in all honesty

“i don’t know if i can forgive the little shit.”

“you don’t need to.”

you say just as genuine, a reassuring smile on his face to ease the focused knot on his brows

“you don’t owe it to me, yoongs. i know what you’re thinking.”

you really do

he tends to look at you in high regard even when you tell him that he shouldn’t, and it leads to him with the mindset that he really should appease his best friend at all times

“i eventually will,” he admits quietly. “just not now.”

“that’s okay too.”

it was supposed to be another bout of silence but yoongi actually breaks this time, blurting out words once he felt that the coast was clear

he just needs to get this off his chest before this heart-to-heart moment dwindles

“i don’t want to sound weird, but you’re like, my platonic girlfriend, y’know? my soulmate in a very platonic way, but no one says either that your soulmate has to be in a romantic sense and-…”

you exclaim in relief, your eyes rolling to the back of your head when you jolt him by the shoulders

“god, finally. i’ve always wanted to tell you that i feel the same. you’re my soulmate, i’m pretty sure. my very, very platonic boyfriend i live with.”

yoongi sighs, stares, then fiNALLY heartily laughs in relief

everything’s out of the way :)

“we’re good. we always will be.”

you’re about to get up to fulfill yoongi’s suggestion earlier, being cut short when he gently pulls you by your forearm when you stood

“i’ll always be on your team — you know that right?”

yoongi means it with his whole heart, just one more reminder he wants you to reaffirm in your mind for the night

“i’ll always be on yours too, yoongs.”

[wordsnstuff]

20 Mistakes To Avoid in Enemies To Lovers

PLEASE REBLOG | Tumblr suppresses posts with links :/

Patreon || Ko-Fi || Masterlist || Work In Progress

–

Weak Conflict

There should always be a strong, compelling source of tension between two people who are considered enemies. Even if their rivalry stems from external sources, such as bad blood between families or competing for a number one spot, there should always be a concrete reason why they hate each other.

Not Explaining Forgiveness

When one of these conflicts subsides, or a tense moment resolves, it should be justified. Tension and emotions shouldn’t disappear because you’re trying to stuff romantic moments in here and there. If one of your characters crosses a line and the other character chooses to forgive them, there needs to be a clear and understandable reason. It doesn’t always have to sit well with the reader. Your character can make a blatantly stupid decision, but it needs to serve the plot. 

No Tension To Be Found

If your characters have to verbally or physically assault each other to demonstrate the tension between them, you’re doing it wrong. If they have to kiss for the reader to see that they like each other, you’re doing it wrong. Tension is in the little things. It’s in the instances that most people would overlook, but your characters zero-in on because the subtext is too thick to gloss over. Tension is the most important plot device in enemies-to-lovers stories, so it requires a lot of time and attention to minute details. 

Conflict Solved Too Easily

If the rivalry between your characters is one misstep after another, with immediate forgiveness following, the tension won’t build correctly. You’re working your way up to a boiling over moment. A moment where everything comes out and then, once resolved, makes way for the romantic feelings to enter. If the conflicts don’t slowly build on each other, that boiling moment will come out of nowhere and be less satisfying to read. Don’t let your characters off that easily. Enemies aren’t constantly letting things slide. 

Characters Changing For One Another

People don’t need to be exactly the same to see attractive qualities in one another. It’s true that relationships shift your perspective and that it occasionally results in outward changes in behavior, but one or both characters shouldn’t mold their personality around their partner. 

Stupid Potion

If one of your characters has to become oblivious or avoid critical thought to maintain a relationship with that character, you haven’t made the two characters compatible enough. This is especially true when one or both of your character’s identity revolves around a higher intelligence. They should have enough in common that there doesn’t have to be a giant shift in one or both personalities to work as a couple. 

The Relationship Brings Them Down

The thing about enemies to lovers stories is that the happy endings are usually an indication of the author’s view of what is and is not forgivable in a potential partner. The acceptance of someone’s past mistakes, current flaws, and future struggles. When a love story ends with a couple that repeatedly lower each other or hurt each other, that sends a bad message, and that is your responsibility to avoid. It doesn’t need a happy ending, but it should never have a destructive one. 

Writing Abuse Instead of Rivalry

There is a big difference between writing two equals who have a rivalry slowly falling in love and putting aside their differences, and writing an abusive, predatory love interest who repeatedly hurts, manipulates, and gaslights the main character. Just because you can imagine the character forgiving them doesn’t mean they’re a good partner. Cheating, physical abuse, isolation, passive aggression, and manipulation are not character flaws. They’re not “mistakes” that the character needs to forgive in order to save their relationship. It’s abuse, and when you write a story between an abuser and a victim that has a happy ending, that has consequences. 

Revealing Feelings In A Cliché Way

This is very subjective, however, there are also a plethora of tropes to choose from and an infinite amount of alterations you can apply to make them your own. The objective, however, is to build up to it in a way that creates a satisfying payoff, and an interesting moment that serves all of the work you’ve done to build to it. There’s nothing worse than reading chapters and chapters of build up, anticipating a big moment where sparks fly, and then having all of that tension result in a sad sputter of mediocrity.

Instant Trust

Trust is difficult to build between two people, especially when they have a complicated past. Trust is earned, no matter who you are or what you’ve been through, it’s always a process. It’s never inherent. When two characters have a history of betrayal or hurt, trust is going to be even harder to develop between them, and that process is an opportunity for more tension, character development, conflict, and eventually a satisfying resolution. Trust development is a major plot device, and I recommend you take advantage of it. It’s also a huge opportunity for building romantic tension amongst the angst of trials and tribulations. 

Why Do They Hate Each Other, Though?

There’s a thin line between love and hate, and that line is infatuation; obsession. So, what put the two of them on the bad side of that line? This reason is the main conflict. The overarching plot begins with the point where that rivalry either begins or is challenged after a long while of stagnation, and it ends with the two characters crossing over that line into love. You need to make that beginning point very clear.

Rivalry Shouldn’t Just Dissolve

There needs to be a transitionary period that is tense and awkward with scattered moments that make the effort worth it to both of them. There should be a “Well, we hated each other last week and then they did some really sweet things and now I’m not so sure. Maybe we’re starting to become friends now? I feel really excited when I see them, so I must not hate them anymore, right?” period. 

Complete Opposites

Yes, opposites can attract. Yes, completely different people can fit together very well and have a happy relationship, but this is a cliché and is, in most cases, poorly thought out with little to no originality. 

Love With No Reason

Just like your characters need a reason to hate each other, they need a reason to love each other. There has to be something that makes them work. Not just a common hobby or characteristic or exterior aspect they share, but something that makes them fit together. If they love each other because... they can, your reader will feel like they’re watching two stupid, lonely people tolerate each other’s flaws in the interest of sex or companionship for 100 pages. 

No Actual Conflict Resolution

Relationships are built through conflict resolution. Communication, empathy, effort, and understanding between two people who work to make each other happy. Hollow forgiveness is not apart of that process, and if that’s all there is, you’re not developing a realistic relationship between compatible people, you’re depicting a toxic relationship that, in the case of these origins, can be abusive. 

Underusing Sexual Tension

Sexual tension is great. It’s easy to develop, it has a satisfying payoff, and it doesn’t take up a lot of space on the pages. It doesn’t have to result in x-rated material, especially if you’re writing for a young adult audience, but it’s simple and effective. 

No Awkward Transition Period

A large chunk of the plot should be awkward and uncomfortable to watch. The transition should be organic and make sense for your characters, but all organic movement contains struggle. Nobody goes from hating each other to loving each other overnight, and relationships are complicated and require hard work. Show this.

Catalogue Characters

There are enough stories out there with cardboard characters and self-insert protagonists, especially in romance. Make your protagonists unique and individual. Make your characters diverse and interesting to read about. Readers should have a bit of wiggle room for imagination, but that doesn’t mean they should be filling in the blanks like your characters are Mad Libs. Don’t close your eyes and point at character archetypes to form your cast. It’s obvious and lazy. 

Stagnant Tone

The tone of these stories often falls flat because in the interest of building tension, writers ignore purposeful tone shifting, scene-to-scene. Change it up, make it potent, and make a lasting impact during important moments. Suspense and anticipation shouldn’t just build during the climax and resolution. 

Bad Pacing

When your readers spend hours reading a story that promises a romantic payoff, they expect to see some of it. I think that a three act structure is really effective with this type of arc, with the first third being devoted to building rival tensions, the middle third being the shift from rivals to friends, and the last third building that romantic tension and ending with a happy resolution. 

–

Masterlist | WIP Blog

If you enjoy my blog and wish for it to continue being updated frequently and for me to continue putting my energy toward answering your questions, please consider Buying Me A Coffee, or pledging your support on Patreon, where I offer early access and exclusive benefits for only $5/month.

[jackonthelongwalk]

Eye Contact and Facial expressions between Eli/Hawk and Demetri

Okay here are my thoughts about Demetri and Hawk’s use of eye contact, facial expressions and gesturing in their communication style.

Beginning with some information on being autistic, masking and mimicking. Many autistic people will use over expression because we think that’s what Neurotypical people want, and it’s how we experience their expressions so we mimick it but it often comes out looking “too much” because we can not naturally do it.

Making eye contact (I call it hard staring because that’s often what it ends up looking like) is something often force fed to us in therapy, we are forced to make eye contact and it’s often taught as a replacement for eye contact avoidance. We are taught to use eye contact in situations where we would usually avoid eye contact it’s a tactic of trading behaviours but it often ends up looking like over intense staring.

This gif is a good example (Hawk’s trying to seem intimidating or threatening but it honestly looks a bit silly/ too much) 

One of Hawk’s most “obvious” signs of discomfort is darting his eyes around, before the major masking and mimicking comes in we see a lot of eye contact avoidance. We also see a lot of over exaggerated facial expressions (once he starts masking and mimicking) and hard staring.

But with Demetri this is not the case, Eli actually uses eye contact as one of his main forms of communication with Demetri which Demetri  reciprocates, he also frequently changes his face and the type of gesturing his does when with Demetri even after he start masking heavily. We can only assume that because of their long standing friendship they’ve had a long time to develop a level of comfort and understanding that can be quite difficult for a lot of autistic people to share with someone.

Now let’s break some scenes down

First we have the lunch table scene, Eli communicates during this scene that he’s interested and attentive to what Demetri is saying (he also could be avoid eye contact with Miguel) by looking at him and holding eye contact while he tells his jokes as well as giving that soft Eli smile.

Demetri reciprocates this by giving Eli a lot of expressive eye contact he also uses a lot of gesturing to emphasize his point (he does a lot of gesturing in general but it seems a little more extra in this scene with Eli to emphasize that he’s being sarcastic in his joke) 

Gif by @miguelsc

Next let’s talk about the dojo scene, Johnny’s making fun of Eli in quite a fucked up way and Eli’s eyes are darting around incredibly uncomfortable, his shoulders are rolled inwards. When Demetri first starts talking he looks over at him immediately and I think it’s safe to say he is comforted that Demetri is saying something.

As the scene progresses and both Aisha and Miguel try to jump in Eli looks back at Demetri again and pops his jaw, Hawk does this specifically with Demetri and it communicates that he’s upset, nervous, embarrassed.

Our next scene is the park scene, both Hawk and Demetri are trying to give Miguel advice and Hawk is giving some weird Johnny mimicked advice that Demetri is finding ridiculous (which it is). Hawk giving a lot of eye contact to Demetri as well as popping his jaw again. It’s quite plain to see Hawk is upset that Demetri does not accept the “new person” he has become. When we look at the eye contact, he’s not moving his eyes away from Demetri and honestly it seems like he’s begging Demetri to be okay with and accept Hawk.

In this next eye contact scene we’ve got the fight at the mall, Hawk is upset again because of the review which I think stems from a few different sources. Starting off Hawk is extremely loyal to Miguel and Johnny he trusts them, he believes his life has been ever improved by cobra kai (which is true in some ways) and this written “attack” on Kreese could hurt the dojo which hurts Miguel and Johnny which in turn hurts Hawk. It’s also accurate to say Hawk was still holding out hope that Demetri would join Cobra Kai, the whole time he’s been asking and trying to convince Demetri and he’s really hurt that Demetri isn’t interested. This also has to do with Karate being a special interest for Hawk, Demetri usually shares/ participates in his special interests but this time he’s not as enthusiastic and that is very distressing for Hawk. So in this scene we see the first of many scenes where Hawk is conflicted and confused about his choices surrounding Demetri. Demetri makes steady eye contact with Hawk throughout this scene you can’t just look away from this, I know WHO YOU ARE he’s daring Hawk to make a choice. Demetri knows Eli better then anyone in the world, and that makes Hawk uneasy, he can’t mask completely effectively and push away who he is if there’s always someone who knows him in his truest form.

The party!!

Hawk is coming off an extremely uncomfortable situation with Moon and Piper that was very awkward and difficult for him and then Demetri appears and let’s be honest Hawk does NOT put up much of a fight in terms of talking he caves pretty quickly and falls into a rhythm with Demetri. 

With Moon and Piper though he’s displaying all kinds of uncomfortable stimming and eye contact patterns but as soon as he’s with Demetri he’s eyes brighten up and Demetri gives him the same excited energy back, Demetri is literally always trying to engage Hawk with eye contact. Let’s also talk about how Demetri brings up a special interest for Hawk (Dr.Who) that they both love, and Hawk absolutely melts at the mention. (He’s clearly been suppressing this special interest which brings us back to, how Demetri reminds him too much of his true self.)

Next we’ve got this fucking scene which is so intense, having a full ass conversation through eye contact, it starts off with Hawk weakly threatening Demetri but he quickly dissolves into Eli behaviour and patterns when Demetri lets him know he’s not afraid of him.

Okay this is me being wild but you notice the shoulder tap here? All of you know the shoulder touch/squeeze is my headcanon comfort touch between the boys and just like in the fight scene (the trophy case one) I think this is again an instance where Demetri is letting Hawk know he’s still cares about him. The eye contact they hold after Hawk slaps him back on the chest is lingering in a very intimate way.

Gif by @soe-leo

Okay the last two eye contact scenes I’m going to look at are from the last episode. First up we’ve got the post saving Demetri scene Demetri is obviously wary of Hawk at first I mean this little asshole literally pissed in his bed for years and had the fucking audacity to break Demetri’s arm. But then of course Hawk pulls out his Eli soft doe eyes unbroken eye contact “I’m sorry man” please please forgive me Demetri and Demetri just can’t contain his damn joy that his best friend is finally ready to come back to him, his face opens quite expressively.

Here we go the final scene at the Miyagi-Do dojo. Y’all see that held eye contact before Hawk looks away and pulls his Eli smile. It’s like when they hold eye contact it’s so genuine and comfortable but with most others it’s so put on for Hawk.

These scenes are so important to their relationship, as an autistic person watching this show with my partner (who points a lot of these things out to me initially) it’s really nice to see the display of a relationship between an autistic person and the person they are most comfortable with.

[sailors-diary-for-elise]

Reaching Out

SEE! SOMETHING OTHER THAN SMUT. Also this one is old and a bit dusty, sooooo warnings are gonna be to the best of my ability. ALSO. THIS IS ANGST AND HAS TRIGGERING THEMES. PLEASE SCROLL PAST IF THE WARNINGS ARE DISTRESSING TO YOU. I wrote this during a really difficult day and was just word vomiting tbh. I am also gonna state that this is a work of fiction and I am in no way a therapist or anything, so if something here bothers you I’m sorry this is just something I wrote mostly for myself.

Warnings: god this is painful but here we go. Reader is depressed and has anxiety, mentions of self-inflicted injuries (she punches a mirror...repeatedly-), blood, panic attacks, it takes a few of the members to restrain the reader so if you’re uncomfortable with that please don’t read this, this is honestly just a hard read imo so please read with care. Also, the reader hates herself and just doesn’t really think highly of herself at all sooooo yeah-

It was the fourth time this month. The fourth argument that could’ve and should’ve ended differently.

You’d come out of your room to find San off at practice or on some work related schedule, spend the entire day outside trying to break a horrible cycle in your mind, just to disappear again once he returned home. It was frustrating you both and causing a serious strain in your relationship.

On San’s side, he couldn’t understand why it was that you would fight against him trying to get you to come out of your room when you spent the entire day alone. Then there was his frustration when you would complain about never seeing him and yet would disappear and avoid him when he was available. To San, it didn’t make any sense. All he wanted to do was spend time with you and support you, but it seemed as though you were determined to shut him out. He watches you storm off to your bedroom, running a hand through his hair as he tries to recall the last time he’d come back from a schedule and had a nice quiet evening that didn’t end in you both screaming at each other. When he can’t, San grabs his jacket and walks out of the apartment with his phone and keys, planning on spending the night at the dorms so that you can have some space to cool off. Once he gets in his car, he quickly dials Hongjoong’s number, pulling out of the parking garage of your complex and letting out all of his frustrations and concerns. 

As he drove, San had no way of knowing how much you hated yourself for what was happening between you both.

What San didn’t know was that your depression and anxiety had been spiraling lately due to the pressure that had been placed on your shoulders from not only your work but from being the girlfriend of an idol that had become so famous. He didn’t know that every day you were terrified that, now that his future was so bright and secure, he’d no longer want you. That he’d leave you just like so many before had done, and that he’d realize you were no longer something of use to him. And finally, how you criticize every minute of your life, finding ways that you are failing even when you’ve done nothing but your best. It came to the point that waking up from dreams was physically painful, because you could control a dream and guarantee the people you love never turned their backs on you. San didn’t, or rather, couldn’t know this. Because to know this would mean you would have to tell him. And no one should have to bear this burden but you, and there was always that small part of you that was terrified of having your feelings invalidated. 

Your whole life people have toyed with you, accepting your depression only when it was convenient to them and berating you once the curtains fall. Some even went as far as to weaponize your emotions, tearing you down in an argument with something that was the equivalent to the beating heart in your chest. Yes they would apologize and you would eventually forgive them because people make mistakes. But the thing about words is that once they leave someone’s mouth, the damage is already done and there’s no amount of remorse or forgiveness that can repair it. That’s where you are now.

You slam the door shut, leaving all the lights in your room turned off, your head pounding after the screaming match you and San had just finished (rather, you ran out on and barricaded the door so he wouldn’t see you cry) and your face stained with tears. Not a sound left you as you curled up on the bed, biting your fist as a punishment for your body's betrayal of emotions. All it would take was one minute of silence and the entire apartment would be able to hear how you were feeling. In all honesty, you didn’t want San to see you cry. Because in your mind, you didn’t deserve to cry. You were the one who picked a fight. You're the one who made unfair accusations, using his career and passions as weapons against him. You were the one that hurt him in the same ways that had been done to you, falsely claiming that it was to “beat him to it and strike first.” 

The front door slams shut, and you work quickly. You unbarricade the door and peek out, making sure no one is there. Dashing across the living space, you reach the spare bedroom and lock the door, not seeing the need for such extreme measures as earlier. You then sit with your back to the door, listening for the sign of San’s safe return from the store. Your butt has just about gone numb when this occurs, the front door shutting softly alerting you instantly. You rise from your position, albeit a little slowly due to your cramped muscles, and shuffle to the bed. A knock sounds, and a decision has to be made.

“Y/N? I know you’re awake. Can you come to bed? You and I both know that neither of us can sleep alone anymore.” San mumbles through the door. You hear shuffling, and you hold your breath thinking he might unlock the door. You’re not sure though, whether you’re holding your breath in hope or fear. But all you hear is a thud, indicating San sitting down. “Look, we don’t have to talk. You don’t even need to look at me, it just feels better for both of us if I’m holding you through the night, because at the end of the day, we still love each other, right?” 

San’s cheeks are marked with tear streaks, eyes red and puffy as he waits for any sign of confirmation from you. He loves you more than anything else, so much so that he’d give up everything for you, and needed to hear that you still loved him as well. He holds his breath, hands covering his face while he waits for you to show him a sign that you’re even listening. That you’re even there. 

You tip-toe over to the door, gently crouching down in front of it and rest your fingertips lightly on the wood, near where his shoulder is supposed to be. It’s cold and unyielding, but this is the bravest you’ll ever be. You hear a sigh on the other side, almost as if he can sense your presence.

“You know, you don’t have to keep it all in. From the first moment I saw you, I knew that there was so much going on in your life that it’d take time to get you to trust me. And I still want that. I want to know what’s going on in your life again. I want to hold you as you're crying again. And I want to repay you for all the times you’ve helped me.” San whispers, his voice showing how much of a toll this has taken on him. “I know a lot has changed, I travel a lot, and it’s harder for us to go anywhere without me being recognized. But I promise you that my feelings for you, the amount of love I feel for you, it’s all still there. If anything, I love you even more now than before. I don’t want to lose you Y/N. I want to keep fighting for us and I just need you to reach out to me, show me you want this too. Open the door, even if it’s just a crack, and let me help heal those open wounds. Yes there will be scars and yes it will take time, but I’m willing to wait.”

At this point you have tears streaming down your face as you withdraw your hand. You don’t move though, despite your broken mind willing you to do so, you stay rooted in your spot. Sniffles break through the other side, showing how much San is hurting. You feel as though there’s a war going on inside of you, your heart begging you to open the door and stop this madness, but your mind resolute on keeping this wall up. 

“I. Can’t.” you croak out, bringing your trembling hand to your lips and nibbling your thumbnail as you rise slowly. “They were right, I don’t deserve it. I don’t deserve you.”

“What? Who told you that?” San questions, confusion swirling in his head as he struggles to better understand where this was coming from. Standing, San presses his hands to the door, trying to open it only to find it locked. “Love, talk to me.”

“All I’ve been doing is hurting you, and I’m sorry. ” You whimper, your mind screaming at you to shut-up and not give away anything while your heart, your very being, is begging to be set free and allow him back in. “I, I love you, San.” And with that you rise, walking towards the bathroom attached to the room. You close the door, locking it and turning to the mirror to see your disheveled state. Tears stain your cheeks, your eyes have bags under them, and your hair is greasy and a mess from the lack of effort on your part to take care of yourself. 

Thoughts swirl and distort your reflection, harsh words clouding your mind. Some of the words surface from your past, some are from deep within you stemming from your lack of forgiveness for yourself. You don’t deserve forgiveness or a second chance. You don’t deserve him caring for you. You’re toxic. You do nothing but hurt him. Toxic. Toxic. 

You start screaming, starting in your gut and ripping out through your mouth, scaring the shit out of San who begins pounding on the door. You hear him calling out to you, but it’s muffled in your head as you continue to sob and scream at your reflection, running your hands through your hair before tugging on it out of frustration. The longer you look at yourself, the worse the feeling in your gut gets as the harsh words continue to tear you apart, worsening with each passing moment. With one last scream you pull your arm back and punch the mirror, desperate to feel something other than the all consuming self-hatred. And it works.

There’s a crack on the mirror with droplets of blood in the center. You bring your trembling hand into view, noticing your knuckles slightly bloodied and cut. The pain replaces all of the noise in your head, if only for a moment, and you become entranced by it. Raising your fist again, you punch the mirror once, twice, three more times before stopping to look at your handy work. The crack has grown and your hand is bleeding steadily, a couple of pieces of glass stuck in your knuckles. You’re ashamed of what and who you’ve become and raise your fist again when the door breaks down.

“WHAT THE HELL ARE YOU DOING?!” San shouts, restraining your flailing and screaming form as tears stream down your face. Four pairs of hands are pulling you out of the bathroom, with San’s arms wrapped tightly around your waist as he pulls you on the bed. He immediately starts shushing you, whispering into your hair as he wraps his legs around you as well, restricting you so the others can clean you up and call an ambulance if need be. At this point though, he doesn’t need to as you’ve gone completely limp, sobbing into his neck loudly as the emotions you’ve kept hidden flood out in a wave that swallows you whole. “Shh baby, it’s okay. We’re here now and we’re not leaving you. I’ve got you, we’ve got you. It’s okay, it’s okay.” His voice is trembling, absolutely terrified by what he’s just experienced. It’s lucky that Hongjoong, Yunho, and Seonghwa arrived when they did or he might have been too late, having planned on coming to help San piece back together your relationship. It took Yunho and Seonghwa to break down the doors, and all four of them carried you out of the bathroom so you wouldn’t hurt yourself or them.

Soon, you run out of energy and are left whimpering and quivering in San’s hold, slowly coming to your senses as you hear running water, hushed murmurs, and the cabinet mirror (or what’s left of it) being opened in search of something. When the realization sets in that San, Hongjoong, Seonghwa, and Yunho have seen you at your worst, your chest tightens and your breathing becomes irregular which are the first signs of a panic attack. Something San was familiar with but hadn’t seen happen in some time.

“No no no no.” San repeats, noticing the changes in your behavior and looking towards the bathroom. “Hongjoong! It’s getting worse!”

Immediately, footsteps can be heard heading in your direction, and a gentle face appears in the corner of your eye. Hongjoong slowly reaches forward, grasping the hand that had begun curling in on itself to the point of almost drawing blood and pulling it away from your chest.

“Sweetie, grab my hand and squeeze that instead. You won’t hurt me, I swear.” Hongjoong whispers, slowly working his nimble fingers between your clenched ones. It comes as a surprise to him when, instead of resisting, your hand flies open into a rigid position. “Shh… it’s okay sweet-heart. How about this. Follow this.”

Your hand is placed on a firm and warm chest, a slight bump hitting your palm and drawing your attention to the pattern. It’s his heartbeat. Hongjoong’s pulse creates a rhythm in your head, distracting you from your fears and disdain towards yourself momentarily while Seonghwa and Yunho both return to the room, one holding medical supplies and the other holding a bowl with warm water and a towel. Crouching in front of you, Seonghwa notices the hand on Hongjoong’s chest is the one that’s injured, glancing at San who is fighting back tears as he strokes your hair.

“Y/n-ah. We have to clean your hand. Put your hand on San’s chest, follow his heartbeat.” Seonghwa says in a firm yet kind tone. At this point, you’ve lost almost all self-awareness, too exhausted to fight anyone as you nod partially, removing your hand from Hongjoong’s chest to place on San’s. “No sweetie. The other hand.” Seonghwa instructs, a heartbroken smile crossing his face at the sight of you behaving like a toddler who skipped their nap. You look confused, bringing your hand to your face to inspect it, finding the streaks of blood and bits of glass as a few tears trickle down your face. 

You’re not sure how long it takes for Seonghwa to properly clean your hands, or when you got changed into one of San’s shirts that fits like a dress, but as you’re lied down on the bed with San, who’s watching you intently to make sure any slight changes on your face are caught immediately, you find yourself in an almost numbed mind-frame. Too exhausted and confused to comprehend anything around you. 

Your eyes slowly close, the occasional tear slipping out only to be swiped gently away by San. San, the last thing you see before you fall into a dreamless sleep. And you are blissfully unaware of what’s to come in the morning.

As you snore softly in San’s grasp, your chest rising and falling in a steady rhythm, Yunho leaves the room to clean up the mess that has been left behind with Seonghwa following closely behind, most likely to comfort the younger boy. Hongjoong reaches forward to brush hair out your eyes and slowly strokes your cheek. Who knew such a small body could take this much pain? he wonders to himself, not even beginning to understand what caused you to struggle so much and break down so devastatingly. And that’s the only way to describe your attack. Devastating.

Like a tsunami, you receded from social outings and even your true love San, and once they realized what was happening and why you’d “changed” the wave had already hit. But his main question was voiced by San.

“Hyung.” San rasps out, looking up at Hongjoong with tears streaming down his face. “Why-or how did this happen? What caused this? What are we-what am I supposed to do?” 

San’s breathing becomes labored, almost as if the weight of the situation has sat fully on his chest. He chokes on a sob, looking at you in your angelic state while pressing a gentle and wet kiss to the top of your head while crying. He clutches you to his chest, rocking slightly and burying his face in your head. Hongjoong panics, thinking he’ll wake you but settles once realizing how exhausted you must be. “Why would she keep this from me?”

“San-ah, I honestly don’t have the answer to that.” Hongjoong mumbles, holding his own tears back with a few deep breaths before looking at the pair of you. He honestly considered Ateez his family, and you became his little sister that he felt he needed to protect from the world. If only he’d realized sooner how much damage the world had already done to you. “But I do know one thing. Now more than ever, she needs us.”

San looks at his hyung and leader, absolutely wrecked from the storm of emotions that flowed between you two. “How?” he croaks out.

“I’m not sure. But what I do know is that the storm hasn’t gone and that this is only the beginning of our journey.” Hongjoong places a hand on your cheek and his other on San’s hand, squeezing slightly in hopes of reassuring the younger boy. “I see how much you need her San. And how much she needs you. She’s scared San. More so than any of us right now. Which is why we have to stay with her no matter what. No matter what she might say or do to scare us off, we have to fight through it all and show her we are here for her. Because if we don’t.” Hongjoong’s voice cracks, revealing his true emotions and the toll this whole ordeal has taken on him. “We might lose her forever.”

San sits quietly, shaking slightly from the silent tears that are being shed and pulling you closer to his chest if that was even possible, crying himself into a slumber much like you did moments prior. Hongjoong rises, tucking both of you in like he would an upset child, and walking into the bathroom. The scene that awaits him is what finally breaks his own dam of tears, collapsing next to Seonghwa and Yunho who are both crouched down. They’ve hunched over, scrubbing the white tiles of your blood and throwing glass shards away in a paper bag. Upon noticing Hongjoong, Yunho drops what’s in his hands, embracing his leader and best friend. His tears fall as well, the sight of someone as strong as Hongjoong breaking down terrifying him. 

Seonghwa wipes the few stray tears before rising, quickly finishing the task of cleaning before ushering the two broken boys out of the room. He sits Hongjoon and Yunho down, pulling out a paper and pen and titling it “Y/n’s Healing.”

“We’ll make a plan, and take this journey one step at a time. Until Y/n’s finally healed.” Seonghwa states, immediately writing steps and plans he’s already come up with in his head. And so the journey begins.

[milgrammer]

[ENG] Love is mine Voice Drama

Mahiru: [humming]

Es: [footsteps]

Mahiru: I wonder when the prison guard will arrive… 

Es: [enters] Sorry for making you wait, prisoner number 6, Mahiru. 

Mahiru: Ah, no. It’s okay. I only just got here. 

Es: What?

Mahiru: [giggles] Just then, it felt like I was waiting for my date to arrive. Kinda made my heart flutter. 

Es: I’m not exactly one to talk, but… I’m surprised that you can say such a thing despite being in this prison.

Mahiru: Really~? But, this unfamiliar setting makes things super romantic, you know? Thanks to it, every day has been such a delight.

Es: [sighs] What a carefree spirit you are. 

Mahiru: Ah! I get that a lot.

Es: Do you fully understand the situation you’re in, Mahiru? You’re a prisoner who’s killed someone. You weren’t brought here to have fun.

Mahiru: Killed someone… I guess I did… I can’t really deny it, can I? 

Es: With that being said, from on, I shall be conducting this interrogation with the purpose of revealing your sins. This sort of situation is anything, but romantic.

Mahiru: Sin… My sin… I guess so. 

Es: Milgram exists to reveal the sins of you, prisoners, and to hand down the appropriate judgement. So, for that reason, talk to me for a bit. 

Mahiru: Talk? Yay, let’s talk! Let’s talk! Prison guard, are you interested in me? That makes me so happy!

Es: Hmph. Trying to get me to go off track like that is futile. All of you prisoners do the exact same thing… Can't believe I always fall for it.

Mahiru: What are you muttering to yourself about?

Es: Nothing. [clears throat] I shall begin the interrogation now. Let’s see. First off— 

Mahiru: I’ll start! I’m Mahiru Shina, 22 years old. I might not be much good at anything, but please be kind to me.

Es: I’ll be the one asking the questions here! Ugh, no. I know exactly what’ll happen after that from Yuno’s interrogation. It’ll be okay. Just gotta calm down. 

Mahiru: Right. Now it’s your turn, prison guard.

Es: What?

Mahiru: What’s your name? Your age?

Es: [hesitates]

Mahiru: What’s your name? Your age?

Es: It’s Es. As for my age, I’m… 15, I think. 

Mahiru: 15 years old! And, you’re a prison guard at that age, are you? Despite being so young, you’re so admirable. If anything’s troubling you, you can talk it over with ‘big sis’ here, okay? 

Es: Hey, Mahiru. Why do I have to answer— 

Mahiru: Hey, hey! Is Es your real name? Could it be that you’re not Japanese? Don't you have a surname or anything? 

Es: I-I don’t know. It doesn’t matter. I’m Es. I don’t know anything other than that, and I don’t need to either.  

Mahiru: What? You mean you have amnesia? Oh, you poor thing. Are sure you’re not curious about it? About yourself, I mean.

Es: Not a bit. I just tackle the work I have at hand. Sparing myself of any unnecessary information helps me concentrate better.

Mahiru: Huh? But, I’m so curious about you, prison guard. Come on, let’s do it! Let’s get to know more about you, prison guard.

Es: Get to know… about me?

[piercing sound]

Mahiru: Prison guard? What’s wrong?

Es: [hesitates]

Mahiru: Hey… Prison guard?

Es: Oh… yeah. Uh… I apologise for that. 

Mahiru: Did you zone out just then? This job must be pretty difficult, so you might be mentally burned out from work. Herbal tea’s good for that, you know? Oh! Like ginkgo tea—they say it helps improve brain function. 

Es: Oh, is that so? I’ll try a bit then… I mean, no! Enough about me. We’re in the middle of an interrogation at the moment.

Mahiru: Aw, what? But, it was just getting fun.

Es: I mean, why are you asking me questions anyway? Know your place here. 

Mahiru: But… But, you know, prison guard… I think having a mutual understanding of each other is pretty important. Prison guard, you want to know more about me, right?

Es: Well… Something like that.

Mahiru: That makes me so happy! Ah… No, that’s not what I was meant to say… In order for you to do that, getting to know each other would be the first step. Don’t you think? If I get to know lots about you, prison guard, then there will be more things I want to talk to you about. 

Es: Hm. That’s true. I guess that sort of approach might be quite effective on some people. 

Mahiru: Exactly! So, first things first, you should gather up all your courage and be completely transparent about yourself. Doing so will make your partner feel at ease, and they’ll start opening up about themselves more. 

Es: Is that so? ‘Self-disclosure reciprocity’ as we call it then? But, well…  Isn’t this quite the surprise? I didn’t expect you to be so well-versed on matters related to the human psyche.

Mahiru: Huh? S-self-disclosure reciprocity?

Es: In order to gain a deeper understanding of you, prisoners, I was trying to add whatever I could to my stock of knowledge. It was mentioned in one of the publications I read during that time. 

Mahiru: Really~? Prison guard, you’ve read it too? I’ve also read that one. That issue titled 1000 Kanto Girls’ Views on Love was so good, wasn’t it?

Es: [hesitates] What on earth is that?

Mahiru: What? So, you haven’t read it? Lain’s (1) special collection of romantic techniques!

Es: Lain? 

Mahiru: Yeah! Lain. It’s my favourite thing to read. “Fashion, trends, fortune-telling. This special collection on romance has articles about everything. If you wanna make yourself sparkle even more... Then, this women's magazine will help you get there!” 

Es: [sighs] So, it was all just a misunderstanding. Ignore what I said earlier then. 

Mahiru: Oh, that’s right! Prison guard, are you interested in romance at all? I wanna talk about it with you. You’re 15, aren’t you? Right in the heat of adolescence! Do you have anyone you like?  

Es: I honestly have no interest in those matters. 

Mahiru: What? No, no. There’s no such thing as that. Being in love is like a landmine. It'll explode someday, you know? The only thing that differs is whether it happens earlier or later in life. It’ll happen to you too. Even if you don’t have any interest in it now, one day it’ll explode for you as well. All because you’ll have that fateful encounter with your special someone.

Es: You sure do run your mouth a lot, don't you?

Mahiru: Yeah, yeah. You’ll deny it at first. I mean, I was like that as well. Before then, I always admired soap operas and shoujo manga because I thought that they depicted a world different from our own. 

Es: I don’t completely understand what you’re saying, but… Being in love and loving someone—are they really that important? 

Mahiru: They are.

Es: Hm.

Mahiru: They are… More so than anything else.

Es: I see now. [shifts] So, for you… that’s what it is. Prisoner number 6, Mahiru. 

Mahiru: Hm? What is?

Es: Somehow… After interrogating several people, I’ve started to get a rough idea of it. What you lot cherish, that is. 

Mahiru: So, what I cherish is ‘love’—is that what you’re saying? [giggles] Correct! It’s not like I was trying to cover it up or anything though. 

Es: Very well, does your homicide stem from love too? 

Mahiru: [pauses] I… guess it did. I think it was love. 

Es: So, because of love, you killed someone? 

Mahiru: I suppose… you’re right?

Es: I see. So, you became a murderer as a result of some relationship conflicts? Jealousy… Grudges… Having your partner stolen from you… Those stories aren't all that uncommon now are they? 

Mahiru: You’re wrong. It wasn’t that. I…never even wanted to kill anyone in the first place! 

Es: [pauses]

Mahiru: I just… I was… just being myself

Es: What do you mean by that?

Mahiru: [pauses] Not telling. After all, I still don’t know you that well, prison guard. 

Es: Hm. We should have a “mutual understanding” of each other, right? 

Mahiru: [giggles] Exactly!

Es: A troublesome one, aren’t you. But, that's fine with me. What are your own thoughts about it then? Do you think what you’ve done could be forgiven? Or was it absolutely unforgivable? 

Mahiru: Hmm. If you can’t forgive me for what I’ve done, then there’s no point in living—to be honest. [laughs] 

Es: So, if you can't kill anyone, there’s no point in you living—is that what you mean? My, oh, my… What a dangerous species you are.  

Mahiru: Oh, no! Uh… Those words actually sound kinda scary now that I think about it. I don’t want to kill anyone or do anything of the sort! But… 

Es: Hm

Mahiru: It's because I've… decided that I’m going to live for the sake of love.

Es: For the sake of love? 

Mahiru: I… discovered how amazing it was to be in love with someone. It’s incredible, you know? Each and every day seemed to sparkle and everything became so vibrant. It transforms such mundane sceneries into those out of soap operas and films! 

Es: I didn’t follow any of that.

Mahiru: [disappointed] I have a pretty poor vocabulary, so I can't describe it beyond clichéd phrases. But, I’m sure you’ll understand, prison guard! Once you fall in love, you’ll definitely get it! 

Es: Well, I wonder. 

Mahiru: Being in love is… If there was no such thing as love, then my life would be so bland. So, if you say that I won't be allowed it anymore, then there’s no point in me living. 

Es: Even if your love killed someone?

Mahiru: You’re so mean, aren’t you? 

Es: It was your love which killed someone, right? Despite that, will you still try to love another person? 

Mahiru: [thinks] Actually,  I was hoping you could tell me the answer to that, prison guard... If what I did was unforgivable. 

Es: What?

Mahiru: If my love could possibly kill someone, then I… shouldn't ever love another person again, I guess?

Es: [pauses]

Mahiru: Hey, prison guard, please tell me. If I love someone, is that something unforgivable?

Es: I don’t know. From the beginning, I never really understood what you were saying. 

Mahiru: Oh, I see... I guess so. There's something wrong with me, right? You can't understand me, right? 

Es: Yeah… as of now. 

Mahiru: Huh?

Es: As of now, I don't understand you—that’s what I’m saying. But, I will soon. Just wait and see. 

Mahiru: [excited]

Es: To be honest, the topics brought up in this interrogation were entirely outside my area of expertise. And, for that reason, I might have to deepen my understanding of it—just as you said. 

Mahiru: Prison guard…

Es: I’m your prison guard. Even if I have an aversion to something or if there’s something I can’t understand, I won’t just hopelessly give up on you like that… Not until I’ve judged your sins, and decided on whether I forgive them or not.

Mahiru: [happy] Does that mean you’ll always keep your eyes on me? 

Es: What? Well, it’s my duty after all. 

Mahiru: [exclaims] 

Es: What is it? 

Mahiru: My heart skipped a beat. 

Es: Just what on earth are you saying? 

Mahiru: I… guess I love people who are so enthusiastic about their work. 

Es: You… You’re messing with me, aren’t you? 

Mahiru: Ah, this isn’t good. Be careful, okay? Um… Um… If you’re that kind to me, you could die as well. Just—kidding?  

Es: I wasn’t trying to be kind to you or anything like that. I just downright, from beginning to end, had no idea what you were saying. However, I will promise you this. Rest assured. No matter what you do or what you think, I won’t die. 

Mahiru: [happy sound] 

Es: Because I’m Milgram’s prison guard—that’s why.  

Mahiru: [exclaims]

[mechanical noises]

Mahiru: W-what is this? Is it because my love exploded? 

Es: No. It’s the end of the interrogation. For goodness sake… And as always, things never go as I planned, do they? With you prisoners, I mean.

Mahiru: Uh… Um… This is what’ll be extracting songs, right? But, I’m not that good at singing though?

Es: It won't necessarily be you the one singing. Your mental landscape will present itself in the form of songs and videos—that’s all. 

Mahiru: So, you're gonna see everything… That's a little embarrassing. 

Es: Well, I don't know about that. The personal experiences I see, how true-to-life the videos are and their degree of abstraction—that all depends on the person. They might even depend on how each of you perceives your own sins.

Mahiru: Is that so? 

Es: Either way, I intend to find out what this world of yours looks like. 

Mahiru: I see. I see. I wanna watch it too. Because, for me, a world filled with love will be such a beautiful place. Oh! Prison guard, I’m sure you’ll understand how amazing love is through it as well. 

Es: Hmm. I’m looking forward to it.

Mahiru: Huh? That was unusually sincere of you.

Es: I just have a thirst for knowledge, that's all. Learning things you didn't know before is quite fun, don't you think? In order for me to understand the lot of you, I have to acquire knowledge from various fields. And, that's not exactly a bad thing in my books.

Mahiru: Really? I… guess I love studious people as well. 

Es: Shut it. 

Mahiru: You’re so mean.

Es: [sighs] The way I let you talk non-stop like that, it makes me feel like I didn't do my job properly. But, I'll ask you this just in case. Is there anything left you'd like to say? 

Mahiru: Ah… Um… Just one thing.

Es: Oh wow. You still have more to say?

Mahiru: Um… Uh, you know… Would it be okay for me to call you ‘Es’?

Es: No comment! [footsteps] Prisoner number 6, Mahiru. Come now. Sing your sins! 

As far as I’m aware, this isn’t a real publication, so unless Mahiru states the official romanisation of this author/publisher, I can only assume what it might be. I’ll update it if she does. Some alternatives might be Lane, Rein, Rain, Layne, etc. Don’t quote me on this, but I suspect that they might’ve based the magazine Mahiru reads on ‘Laurier Press’. ‘Lain’ looks similar to ‘Laurier’, so that’s why I chose it.

[haditadelchampu]

so since i’ve been studying tarot cards & deeper meanings for a while, i’ve decided to make a post on how the three of swords could connect to the chaos chapter: freeze & how it has also always connected to the TXT +U.

so let’s start with the upright wisdom as that is how it is tattooed:

- awakening to suffering

- heartbreak

- tending to the heart

- growth through pain

- betrayal

- resentment

- delays

the three of swords is a card that helps one through painful realizations. while the goal is to evolve & expand, you might experience/be experiencing a difficult recognition (i’ll get to how that connects to the +U). pulling this card may refer to news or an event that has awakened your suffering. in love it could be heartbreak, for relationships in general its a sign that what you have with a person will bring a dosage of hurt. once you acknowledge this pain, avoidance can only make it worse.

we know that their friendship has had many obstacles. & while many see soobin as the savior and yeonjun as the one who always has to face death, it’s deeper than what we see at surface.

yeonjun repeatedly going through the same thing could be the consequence of not allowing himself to grow to his full potential. there is still so much to see until our question of “why?” or “who or what is holding him back exactly?” is answered for sure.

but until then, yeonjun has to go through constant rebirth in order to find what he is missing & to break through that blockage. this picture below connects back to the term of recognition, & it may be why he is the one who has that tattoo placed on him. (also, engaging in self love/putting yourself first is a form of healing the wounds the three of swords points out, so yeonjun is definitely the one who goes through the most because him not doing so causes schisms in their group.)

the three of swords being about heartbreak & loss makes it impossible to not come in contact with sorrow and anger. quarrels & miscommunications (plus distance) are bound to happen, especially with those we are close to.

& as we know the group has been together since they were little kids meaning that even though they have seen each other grow up, that does not necessarily mean they acknowledged each other’s mental & emotional growth due to being together all of the time. we have seen each of them going through a moment/moments of outgrowth whether it’s from one person or their friend group in general.

because of this, that’s why the periods of them putting the hardships to the side for a while seems so magical and dreamlike. it’s almost as if in this (difficult) time of their friendship, that “happy” stage is impossible to achieve.

now lets get into betrayal and resentment. strong personalities could be at play, & not everyone is telling the truth. just from my pov, it seems that they are avoiding confrontations with each other. sometimes i see their reactions stem from them constantly hurting each other. there is the theory that beomgyu was never a part of their group, and he feels hurt whenever he is ignored. he might not speak up about it, but he definitely knows where he stands/his role in their group (awareness). could the reason he tried to suffocate taehyun be because he thought “if you are gone, that means there will be one less and my hopes of becoming that one friend that belongs will be fulfilled”?

keep in mind, built up vexation only makes things worse which is most likely why they have entered the three of swords stage. (side note for betrayal, cant you see me is literally the epitome of this. “who’s a liar”, yeonjuns “shh” with the fire scene, etc. once again, avoidance as well as oblivion).

i am not saying this is a straight up toxic friendship, it is just one full of miscommunication due to the fact that confrontations with one another could rise into conflicts. what are they so silent about? if they’re friends, shouldn’t it be easy to talk to one another? well, confrontations could lead to one walking away despite everything they have gone through together. it seems they fear this because it would mean they could potentially face the obstacles & consequences by themselves knowing they wouldn’t be able to handle it.

i can certainly see this new chapter being the outcome of what they created: chaos. they need to move on from their past, confront the present, & not avoid their responsibilities before they start to heal. this could be an opportunity of forgiveness which will result in understanding if done w/ effort. them trying to deal with monsters & the “evil” in their story distracts them from what they need to focus on before all else: each other individually & where their friendship stands. the three of swords doesn’t necessarily mean the end of a relationship nor is it always connecting to something negative, it’s just a symbol that a difficult time period will be powering over a situation for a while but healing will occur and one will move on.

i hope you enjoyed this read! feel free to comment your thoughts! <3 (this was an original thread on my twitter: @/emiliavaientina)

[todomitoukei]

Please, give us your feelings about BNHA's female characters. Tbh, I just don't care about them? Even Toga-and I consider her the best female characters. Imho it's not that they are all bad... it's just they are so flat and who was Midnight again? The one with thi scandalous outfit that was just plain bad? Like it wasn't even funny it was just a nope for me.

Alright, here are some thoughts I have about the female characters, or rather how Horikoshi writes female characters. Disclaimer: this post is going in all sorts of directions, mainly because there are so many ways in which Horikoshi manages to write awful female characters!

The problem starts with the fact that the bar for female characters (especially in shonen) is very low. For some reason, many if not most stories seem to be unable to include female characters that are more than just fan service or just there to serve the male characters. Despite the fact that bnha does have both fan service and characters that are far too flat, some people in the fandom don’t think so?! Anyway, let’s look at some of the reasons why the female characters in bnha are not as progressive as some people claim they are (under the cut because there is just too much):

Okay so, out of all the female characters I honestly only somewhat care about Toga, Momo, and Jirou, and it’s even difficult to care about those three (minus Toga) because they just aren’t included enough in the story to leave a big enough impression or stand a chance at getting a lot of character development.

Jirou I mainly love because I love the whole rock vibe, so I’m biased with her. I do think she’s a cool character, but I also feel like a lot of her lines/appearances are tied to Kaminari. Although he is supportive of her, there is one thing that bothers me about the scene where he encourages her to perform at the festival, which I will mention a little later. 

I do like that she has an interest outside of hero work (aka music) and that it stems from her parents, who are both musicians. That small scene we got of her parents showing their full, unconditional support when she tells them that she wants to be a hero is a cute scene, and I love that she is later shown to teach some of the girls how to play instruments. The problem is that those scenes are very few, and we already get so few appearances of her (won’t forgive them for not even including her in the newest OVA).

Momo is another good character - she is smart, strong, and brave. She also has the most amount of relevance out of all the female students, especially with her being involved in rescuing Bakugou. Momo has a lot of potential, but there are three main issues that I have with her character though. 

One, her hero outfit. It makes zero sense. You’d think her outfit needs to show skin due to her quirk, but then we get scenes that make it even worse, like during USJ when she created that large sheet through her back, which resulted in her outfit ripping apart and almost exposing her in chapter 61:

^also it’s panels like this where some people praise Horikoshi for giving her a realistic stomach?? Please raise the bar a little bit

And in regards to her boobs... that outfit is not supporting them at all??? It would make far more sense to just give this girl a sports bra and pants. Anywayyy, let’s not forget she is a teenager so maybe also give her a shirt? Even a loose shirt would make sense, so she could have larger creations come out of her stomach/back area without ruining her clothes every time. 

Two, her quirk is far too strong, but because this is a fictional story, it doesn’t get used in the most efficient way. As other people have already joked about, the story could be told in one season if Momo was the main character and just went wild with her quirk. Horikoshi doesn’t really make an effort to explain to us why Momo doesn’t just wrap this all up real quick. You can talk about how overpowered Green Ketchum trying to catch all quirks is, but he has nothing on Eri and Momo.

Three, after the sports festival, Momo had an issue with her self-confidence, similar to how Jirou didn’t feel confident enough to perform at the festival. And similar to how it was Kaminari that first made an attempt at boosting Jirou’s confidence, it was Shouto who helped out Momo. Now, I don’t have a problem with guys supporting girls - it’s just annoying when female characters aren’t allowed to be confident or find confidence on their own, or with the help of other female characters.

I get that she was comparing herself to him, so him showing her that he believes in her is the most helpful for her, but it becomes a problem when this is the biggest character development she gets. It’s almost like after this scene, she’s cured. And whenever a tiny hint at self-doubt crosses her mind, she just remembers that Shouto believes in her, and then she’s back on track. Not great.

Because of this, it’s really nice whenever we get a scene of just the girls hanging out, the problem is simply that those scenes barely exist because most of the female students are each tied to one specific male character: Jirou to Kaminari, Momo to Shouto, and Uraraka to Deku. Out of the three, Uraraka is the most unfortunate one, mainly because she is tied to the protagonist, so he’s always going to play a bigger role for her character than she will for him.

I think Uraraka, Momo, and Jirou all have a lot of potential and could be really interesting strong female characters. I even really love Uraraka’s motivation for becoming a hero, since she wants to help out her parents. This is actually a very selfless reason, despite the fact that most of the fandom constantly paints her as someone who would do anything for money. People even make it seem like her doing this for money is selfish, even though the money isn’t supposed to be for her, but for her parents?! And to be honest, even if her motivation was to get money for herself, can we please stop claiming that doing something for money is selfish?? Like hello? We all live in capitalist hell. We all have to work and make money to live, so please stop pressing that idea of everyone having to be passionate about their jobs. It’s okay if you hate your job, we can’t all get paid for things we’re passionate about. And guess what? It’s okay because you can still have things your passionate about outside of work and just do your job to afford shelter, food, and your hobbies! 

Anywayyy, whenever people aren’t claiming that Uraraka is just after money, her other personality trait is Deku. This mainly started when Aoyama claims that she has a crush on Deku in chapter 67:

Ever since, whenever she looks, thinks, or mentions him, she can’t think clearly anymore. No matter what she does, she seems to always think: “What would Deku do?” - instead of just asking herself: “What would I do?” To be fair, this expands to other characters as well - Bakugou and Shouto both have that same problem of constantly bringing Deku up, so this is just a problem in general with bnha, where somehow everyone is obsessed with the protagonist. The difference is just that characters that aren’t Uraraka have more to them than just Deku (Bakugou being on thin ice though).

You know what other female character has no personality outside of Deku? His mom. I know that this one might not matter as much to other people because she is a supportive mom and we love to see supportive parents, and she just doesn’t get enough screentime to give her a personality that doesn’t revolve around Deku. And I’m not saying a woman can’t just dedicate her life to her child - but since we’re already talking about female characters in this story that fall flat, could you name me anything about her that has nothing to do with Deku? What’s her hobby? What are her dreams? Yes, she has the role of mom in this story and that is her purpose, but she would just feel a little more human if we knew a little more about her. We know more about Jirou’s, Bakugou’s, and Shouto’s parents. But what about Inko? What does she do all day long?

Also now that I mentioned mothers... a big debate in the fandom (for whatever fucking reason) is whether or not Bakugou’s mom is a good mom (she isn’t). I don’t know how Horikoshi manages to write a story where one of the character’s whole plot is all about his abusive upbringing, and then he turns around and writes Mitsuki as some sort of comedy relief??

^Here in chapter 96, we have Aizawa and All Might making the home visits because of the dorm system U.A. wants to implement. Despite these two Pro Heroes seeing her smack Bakugou and call him weak, thus blaming him for having gotten kidnapped, they don’t do anything about this. They never bring this up again, or even ask if Bakugou is okay; but that’s a topic for another day. The point is, Horikoshi doesn’t seem to put much thought into his female characters as individuals but rather writes them for the sake of one of the male characters. In this case, I assume, his thought process was: I want Bakugou to be a rough character, what could possibly be a cause for that? Oh, right, how about his mom?

How we’re supposed to view the characters just depends on what their overall role is - while the Todoroki family is all about the horrors Endeavor has done to them, Bakugou’s mom doesn’t get addressed as such in the story. The only time this sort of gets brought up is during the remedial course in chapter 165 when Bakugou says violence is okay because “that’s how I was raised” - to which Shouto responds by telling him there are better ways:

Hell, even this little Monoma lookalike can understand that Bakugou’s upbringing wasn’t normal:

But despite the fact Horikoshi brings this up here, it’s overall never mentioned and I’m not sure if that will ever play a more significant role, despite the potential.

I absolutely understand that parents that don’t play an actual role in the story, are going to be written with the characterization of their kids in mind - yet it’s not great to just include an awful mother without properly addressing this and instead, making it seem more like “Oh, that’s just how mothers are, nothing wrong here” - which is something a lot of people in the fandom say btw. Please note, it is not okay to hit your child. Bakugou easily could’ve been given overly supportive parents, and yet Horikoshi looked at his creation and thought: I’m now gonna create a horrible mother for this child.

It just shows that it doesn’t actually matter what female characters are like; they are solely an extension of a male character and thus it doesn’t matter at all what they are like, what they say, or what they do. There are no consequences for characters like Mitsuki because her only purpose is to explain to us why Bakugou is the way he is. But his character is about how his obsession with Deku negatively affects his life and so since his family problems are not the focus of his character, the story doesn’t bother telling us that she is bad or that she should apologize to Bakugou and better herself.

Aside from the female students and mothers, we get the Pro Heroes. Midnight and Mt. Lady are two of the female Pro Heroes that come to mind first. The problem? They don’t get along because women can’t ever be supportive of one another<3 

Aside from that toxic stereotype that girls are always gonna be jealous of another and can’t ever be supportive, we also have their hero outfits, which are pure fan service. And if that wasn’t enough, we get panels like this one from chapter 241:

that are drawing even more attention to their boobs and butts because that is all more important than them being heroes. Could you name me a single male character that was mainly reduced to fan service? Like yes, Dabi is serving looks all the time, but he also has a personality, motivations, goals, etc.

Aside from Horikoshi deciding to objectify them most of the time, he shows us that he is a multitasking king by also making them predatory adults who should not be around kids (and with that, should also not be heroes or teachers), like later on in that same chapter when Mt. Lady is talking to Shouto:

And because we - much like Horikoshi wants us to - find Shouto’s reactions/responses so funny, it distracts from the weird comments Mt. Lady makes, like “if a looker like you suddenly showed up, I think my heart would burst out of my chest” and “he’s cute. I want him” - please stop. You are literally an adult. I get that his inability to understand social cues can make him seem really cute and funny, but there are more appropriate things to say. Or to quote Mr. Compress (once again proving that the League has more standards than the heroes): “What an odd thing to say. [He] doesn’t belong to anyone.”

Similarly, we also have this panel from chapter 67 of Midnight talking to Mineta:

Like... what the fuck?? Who thinks this is okay??

I know all of this is supposed to be for comedy purposes, but this is just outright disgusting, especially when it comes from an adult and is said to a minor. 

The female characters already get treated awfully, no reason to make them weird too.

Another thing that is common in bnha in regards to female characters is how they are treated in comparison to the male characters. There is already an obvious trend of treating the villains worse than the heroes, by having villains either receive long-lasting damage (i.e. Compress losing his arm during the Overhaul arc and now losing even more of his body; Dabi’s body constantly being burned more etc.) or just get killed off altogether (i.e. Magne and Twice). The heroes, on the other hand, constantly survive everything (i.e. Twice died from being stabbed once, whereas Bakugou essentially survived the same kind of situation). That same logic also gets applied to gender: of course the male characters also get their fair share of damage, though this is more due to the fact that they make up the majority of characters and get more involved in fights than the female characters, who are usually not part of the big/boss fights. However, the women get treated a whole lot worse - out of all the heroes that got hurt during the current arc, Miruko was the most explicit one, where we get panels of her losing her limbs, whereas several chapters later when Aizawa cuts off his own leg, we only see the knife being moved toward his leg.

We also constantly get very questionable panels for the female characters, like this one of Tsuyu from chapter 66:

This panel of Toga from chapter 226:

Or him just straight-up including a panel of a naked Toga, aka a minor, earlier this arc when she met up with Uraraka.

Speaking of Toga, she really is the most interesting out of all the female characters - she isn’t just a one-dimensional character, but one with her own deep backstory: judged for her quirk by everyone in her life, forcing her to pretend to be someone she isn’t until she couldn’t hold it in anymore. The League is her family and her home because they are the people that always accept her. She plays a big role in the League and gets plenty of action and screen time; she is significant during every part that includes the League. While Dabi, friendly as he is, calls her crazy (an attitude that isn’t just limited to her), they all respect her and never judge her for her quirk or treat her as less. Although much like Uraraka, she has an annoying obsession with Deku, she is still mostly shown to have other significant people in her life (= the League) and even earlier this arc when she wonders whether the heroes saw Twice as human or not, she wants to ask this question, which is very important to her, to Uraraka - not Deku. 

To kinda sorta sum it up: Toga feels like the most realistic out of all of them because she has equal screentime to the rest of the League. She has her own reasons, ambitions, and dreams. Yes, she likes to talk about her love for Stain and Deku, and that is due to Horikoshi adding a bunch of stuff for comedic purposes, even though they do more harm than good. Toga as a character is written really well, but even she can’t escape Horikoshi’s inability to not be a creep about female characters.

As for the adult women, in cases like Mitsuki, Midnight, or Mt. Lady it’s absolutely fine apparently for them to be inappropriate with kids because those words and actions are all supposed to be funny. Even Mineta gets constantly called out for being inappropriate, but none of the female characters seem to matter enough to Horikoshi to actually put thought into them and call them out for weird behavior.

There’s probably a whole lot more I could say here, but that’s what I could think of at the top of my head (which is far too much btw).

I really wish Horikoshi would put more effort into writing layered female characters that aren’t just there for fan service, comedic purposes, or exist for the purpose of male characters and their development. I wish he would stop being creepy about them and drawing weird panels of them, or more explicit panels of them than the male characters. Yes, he draws them with slightly different body types, but that’s really not enough to claim that he is good at writing female characters, especially when there is so much evidence against it.

[champion-prism]

Fluff Alphabet- Champion Leon

Activities - What do they like to do with their s/o? How do they spend their free time with them?

Initially, it’s all a bit Pokemon centric. Going to the Wild Area to see wild Pokemon, battling and training, occasionally even grooming and dressing Pokemon up (you have a picture of Charizard with pink ribbons around his ear/horn things). But Leon is observant, he quickly takes notice of your special interests and plans activities surrounding them. 

Beauty - What do they admire about their s/o? What do they think is beautiful about them? 

Leon thinks the most beautiful thing about his s/o is how kind they are. He is encouraging and sweet by nature, wanting to bring out the best in everyone around it- it warms his heart when he sees how kind you are to the people around you, especially if you’re dealing with children.

Comfort - How would they help their s/o when they feel down/have a panic attack etc.?

Wraps his cape around you. It’s heavy, but warm and comforting and it smells like him. Soft kisses on your face, gently asking if you want to talk. 

Dreams - How do they picture their future with their s/o?

He won’t easily admit it, but he likes to think about getting a farm, somewhere far away from the lights. A farm and a barn and some Wooloo around, maybe a few kids? He loves his job, both when he’s champion and when he’s running the battle tower, but he longs for the quaint rusticity of Postwick sometimes; he wants to whisk you away to someplace pretty and natural.

Equal - Are they the dominant one in the relationship, or rather passive?

Dominant. Leon is very sweet, he’s a good guy, but for all that, he’s used to being an unstoppable force. He’s also an older sibling, someone who had a parental role from very early on, so Leon is used to thinking that he is responsible, that he knows best. He can be a bit overbearing at times, but he’s aware enough to take it down a bit when you point it out.

Fight - Would they be easy to forgive their s/o? How are they fighting?

If it’s a fight about something fundamental that you disagree on, Leon will try to compromise, but he won’t keel over. If push comes to shove and you violate one of the principles he holds fundamental to himself, that’s a deal breaker. However, with petty little fights and squabbles, he can be difficult. If you’re upset with others, Leon can be very understanding. If you’re upset at him, that’s a different case altogether. He’ll move directly to appeasement without understanding the issue, he’ll be cranky if his attempts at apologizing don’t work- the good news is, once you properly communicate to him why you’re upset, he’ll genuinely try to make a change. If he’s upset with you, still difficult. Leon doesn’t like to admit he’s hurt, he doesn’t like to admit that he had expectations that weren’t met. You’ll have to pry it out of him, then apologize with lots of kisses.

Gratitude - How grateful are they in general? Are they aware of what their s/o is doing for them?

Moderately grateful. Leon’s observational skills pertain directly to what he chooses to focus on. With his head up in the clouds, he may miss a few things that you do for him here or there, but on the whole he’s very appreciative of you. Loves it when you take time off to come to his battles, to travel to different cities or regions with him. The thing he’s probably most grateful for is when you wash his hair- the first time you did it, he assumed you were going to have shower sex, but you ended up carefully untangling, washing, and unconditioning his hair. The sheer care and effort made him tear up a little, to be honest. 

Honesty - Do they have secrets they hide from their s/o? Or do they share everything?

He’s not dishonest, more so repressed. He doesn’t want to tell you things that he thinks would unnecessarily make you worry, and he’s careful when he talks about himself- years of diplomacy in practice. You get to know Leon slowly, over late night pillow talks and rare moments of vulnerability and exhaustion- but it’s all worth it, in the end.

Inspiration - Did their s/o change them somehow, or the other way around? Like trying out new things or helped them overcome personal problems?

To Leon, real love should be a means of self actualization. He knows he’s truly in love with you when he realizes you both make each other better. You admire and learn from his work ethic; because of you, Leon learns to become more emotionally open, and it helps all his relationships, especially with Hop.

Jealousy - Do they get jealous easily? How do they deal with it?

Unfortunately, yes. He doesn’t seem like it, but Leon is a little insecure, along with being competitive. His insecurities stem from how he feels the need to be perfect- he needs to be the ultimate whatever- the ultimate trainer, the ultimate boyfriend, etc. He tends to focus on what he perceives as flawed within himself, and it helps him grow, but at the same time, it can get a bit unhealthy. So when he sees you with other guys, or if someone flirts with you, he gets a bit withdrawn and sulky- in his head, he’s trying to figure out how to better himself to the point where there’s no chance of losing, become the ultimate boyfriend you’d never dream of leaving. It takes a lot of prying to get these things out of him, and a lot of talking to eventually make him realize that you like him for him. 

Kiss - Are they a good kisser? What was the first kiss like?

Good kisser. The first kiss is gentle- he’s figuring you out, he goes in slow and soft, fingers cusping your chin with one arm around your waist. HIs lips are soft against yours, and he ends up smiling against your lips before he goes in to kiss you again. 

Love Confession - How would they confess to their s/o?

Woah, boy. It does not come easy. Leon is a strategist by nature, so he plans and plans and plans. He lays the groundwork. The thing with romance is, it doesn’t have the same degree of predictability as a Pokemon battle, so Leon is a bit out of his element. After a lot of times of backtracking, chickening out mid sentence, and very unassuming flirting, he ends up just telling you when you’re talking at his place one night, his eyes wide and misty as he looks into yours and tells you he’s falling in love with you.

Marriage - Do they want to get married? How do they propose?

Definitely wants to get married. He wants a soft domestic situation with comfort and mutual affection. His proposal would be private, one moment in his life he definitely doesn’t want to share with the public. Probably a soft romantic date, followed by a midnight walk where he’s holding your hand, saying sweet romantic things, before he leads you back to his apartment. He’s got a sweet little setup on his balcony, overlooking the Wyndon skyline, with an assortment of cushions and blankets on the floor where you sit and cuddle and talk until he sets himself up, gives a tiny speech, and pulls out the ring. When you say yes, Charizard emerges from within the apartment, carefully another, daintier ring between his teeth as Leon laughingly explains that his Pokemon wanted to propose, too. 

Nicknames - What do they call their s/o?

In public, he’ll stick with a shortened version of your name, or something like babe. In private, he has personal nicknames for you, some teasing, coming from inside jokes.

On Cloud Nine - What are they like when they are in love? Is it obvious for others? How do they express their feelings?

Leon is very guarded with others, but when he’s in love, the people close to him notice that he’s more energetic than ever. Happier, more upbeat, maybe even a little giddy. His happiness permeates everything he does, and he’s even more sunshiny that usual.

PDA - Are they upfront about their relationship? Do they brag with their s/o in front of others? Or are they rather shy to kiss etc. when others are watching?

Very, very private. Leon’s entire image is carefully controlled, and he doesn’t like bringing his personal life into it at all. He’s a bit possessive, so he might hold your hand and glare around any guys that happen to look you over, but nothing more than that. However, with his friends and family, he’s obviously very proud of you- doesn’t brag, but he’s always the first to appreciate your achievements and support you. 

Quirk - Some random ability they have that's beneficial in a relationship.

He’s a very caring person in a responsible way, so he’s always making sure you’re well fed, happy, exercising, things like that. 

Romance - How romantic are they? What would they do to make their s/o happy? Cliché or rather creative?

Romantic and creative. He’s always finding clever ways to make you happy, either through presents or gestures that involve humour and inside jokes and a very personal touch.

Support - Are they helping their s/o achieve their goals? Do they believe in them?

He’s a whole cheerleader, no matter what you do. Always cheering you on, always believing in you, hyping you up, telling you to believe in yourself. He does whatever he can to help you with your goals, whether it’s helping you keep fit, or waking you up in the morning for classes.

Thrill - Do they need to try out new things to spice up your relationship? Or do they prefer a certain routine?

Prefers routine. He doesn’t want thrill or exhilaration from his relationship, he gets enough of that at work. He wants comfort. He wants to cuddle on the couch and chatter mindlessly, drag you playfully and be dragged, eat dinner together, read, be all warm and comfy and safe.

Understanding - How good do they know their partner? Are they empathetic?

Empathetic and observant, he knows you well. He remembers every little detail he’ picked up about you, whether directly from you or from other sources. 

Value - How important is the relationship to them? What is it worth in comparison to other things in their life?

The more time elapses, the more important it is to him. Leon’s altogether too busy to simply be messing around, and as you guys are in it for the long run, your relationship is one of the most valuable things in his life. You’re a solid part of his life, someone he knows and respects and loves.

Wild Card - A random Fluff Headcanon.

One of his favourite things to do with you is just watch you play video games when he’s snuggled up beside you, your legs entangled in a blanket. If it’s an RPG, he’ll get invested in the storyline and ask you not to play without him. He’s an enthusiastic cheerleader during boss fights. LOVES Super Mario Odyssey- he makes you buy Mario a snapback, and he even ends up playing co-op with you when he learns that he can play as Cappy. 

XOXO - Are they very affectionate? Do they love to kiss and cuddle?

Privately very affectionate, even a little sappy. Lots of chaste kisses here and there- on your forehead, your cheeks, your shoulders, your hands. When he has time to relax, he loves being held and having his hair played with or braided. It might make sleeping a lil complicated because you end up with a big, dense man with his arms and legs thrown over you, but you appreciate it all the same.

Yearning - How will they cope when they're missing their partner?

He works harder and smarter than ever. He’ll throw himself into training, but when he gets back home at night, he’ll miserably yearn to be cuddled and held, especially when he’s so tired. 

Zeal - Are they willing to go to great lengths for the relationship? If so, what kind of?

As long as he knows you’d reciprocate, Leon will go above and beyond for you. It doesn’t matter what you need- care, attention, presents, gestures he’ll do them. It gives him a huge rush to see you happy because of him, to see you light up and pull him in for a passionate kiss.

[dogsliampaynedoesntinstagram]

1/2 "I think that the image of Harry as a fantasy boyfriend does weigh heavy on his albums, and creates some dissonance." I always think back to the NYT Popcast episode where they mocked H for sounding like an old divorcee on Two Ghosts. Reviewers often don't want to admit that their appreciation of music stems from the story they tell themselves/are told abt who the artist is. If they understood TG to be abt the heartbreak of loving upclose from afar and mourning a time of greater freedom

2/2 they’d prob be more generous toward H’s music, I’ve seen it when they discuss other artists. Perhaps they wouldn’t be more forgiving of his sound (“pastiche” as they say) but there’d be an emotionally rich and complex story to give it dimension. How can a lyric like “we held darkness in withheld clouds” hold the same weight for s/one who believes H to have gone thru a lot w a partner of 11y and someone who doesn’t. Even “hey you, it’s all good” is incredibly touching to me in that song..

**************

I don't really agree anon - and I think one place I disagree is the idea that reviewers don't want to admit that their understanding of the music is connected to who the artist is. I think one of the strength of reviewers is putting music in context and who an artist is is part of that context.

When I said that the image of Harry as a fantasy boyfriend weighed heavily, I think the emphasis was on the fantasy part. In particular, the idea that Harry is pandering, or deliberately presenting himself as people's fantasies, which he absolutely is doing. I understand Matilda much better (although I like it no more) now I've come to realise that it works entirely on the fantasy level. I think it's the fact that Harry is servicing the fantasy boyfriend audience influences people's understanding of his album, as much as their belief.

I also disagree that Keep Driving's emotional depth depends on believing Harry's in a relationship. (I'm going to leave aside the choking a woman aspect of the song for the purpose of this discussion, but obviously it has a huge impact on how I understand the song). I don't think the song has to refer to a long term relationship for it to resonate - the combination of the minutiae of life, and the determination to keep going through difficult, has other resonances as well.

As I've said before, the more music Harry releases, and the more he very occasionally talks about what a song means to him, the more I'm convinced that he doesn't want people to know what songs means to him and the more I think that any fan who thinks they know what the songs mean for Harry is fooling themselves. Maybe Two Ghosts is about "heartbreak of loving up close from afar and mourning a time of greater freedom". Maybe it's deliberately been written to invoke Taylor Swift. Maybe it's about something nobody has guessed yet. We just don't know.

I suspect none of that would change if he was out. But I think the music he made would change a little, and as his story changed as well there'd be less of a hole at the centre.

[doodledrawsthings]

Her Aim Was Getting Better

(Ahit ““““““Coffee Shop AU”““““““ rp log)

This is part of an RP between @displacedentities and myself detailing the meet-up between Luka and Vanessa, when she spikes his coffee with the curse. We did this a while back to get a feel for the characters and how that scene would go down, and they nailed it with how they wrote Vanessa. So I asked them if I could post it. Some of the stuff here was written before we had other things established, so some things like Hatties’s age and how long ago they split might be inconsistent with other posts I’ve made, but Enjoy!

(also forgive me for the way i write my parts, I’m not as practiced at writing rip)

(MysticDoodles) Despite the warm paper cup in her hands, Vanessa couldn't deny the chill in her bones. It had yet to go away since that day in court, biting at her skin and hovering just at the base of her brain stem. It always seemed to grow colder whenever she thought about how she got here... the things she'd said. What she almost did to that poor briefcase jockey in the courthouse.

But it didn't matter, anymore. If anything, her mom was happy she lost that case. Losing her husband and... child had stripped away all excuses she had not to throw herself into her work, and her mother was happy. 

Vanessa was not happy. 

In fact, she was seething. 

Luka took everything from her, that day. Her love, her place in their home. His adorable smile, his laugh... they weren't hers anymore. He only gave them to that- little gremlin. The parasite that took his love away from her, her precious nickname given to their daughter. 

Nobody got to be Luka's princess except Vanessa herself. Never again.

She lost the custody battle and her efforts to take Luka's obsession away from him, but she was going to make sure he lost so much more.

Vanessa waited in the autumn breeze, her fingers clenching and unclenching around the coffee cup. Chestnut-infused Columbian. His favorite. A sister cup sat opposite the table, waiting for him. If he was brave enough to show his face. .

(DeusExMakena)  He could see her from his car as he pulled into the parking space, sitting at a table by the large window at the front of the coffee shop. How long had it been now? Around five years, right? Hattie was barely a year old when they split.

He used to get so excited about meeting her, being in her presence, making her smile... and now the very thought of just getting out of his car and making eye contact with her left a pit in his stomach. As much as he'd loved this woman in the past, the way she treated their newborn daughter.... he had to stop thinking about it. Starting this meeting out in an angry mood wouldn't be a good idea.

With a sigh he finally willed himself to leave the vehicle, and just as he looked up their eyes met. The pit in his stomach deepened as he walked up to the cafe doors.

(MysticDoodles) The ice crept up her neck again. Vanessa forced it down, and put up a smile. No reason to start this off as cold as the ice in her veins. 

 Luka can see from her attire that she's doing rather well- financially, anyway. A thick coat against the autumn chill- or maybe from her heart, so closed off- and a scarf stuffed into her bookbag. Her mother must have improved her stipend, now that they split. What a beastly woman. It's pointless to ponder what-ifs at this point, but maybe if Vanessa's mother had been someone else... no. No point.

 With one hand, she gestures to the chair opposite her. Empty and waiting. "Hello, Luka. I got your favorite. You're doing well?" 

 ...the tenor isn't as friendly as it sounds, and feels more plastic than her smile appears.

(DeusExMakena) He hesitates, looking around the venue at the other tennants before wordlessly taking the seat across from her, mostly staring at the coffee cup in front of him.

Why is he having such a hard time looking at her?

"I'm... fine," he manages to force out as he takes the cup in both hands. Come on, man just get this over with and you can go home. "So uh, what brings you here?"

He wishes he could kick himself in the face for how out of place he feels, right now. What do you even say to someone you haven't seen in years, when the last time you saw them had been after an intense battle over the custody rights of the child you fought so hard to protect?

At least the warmth of the cup in his hands provides him with some reassurance.

(MysticDoodles) Something in Vanessa's smile twitches, but it's gone before he can really tell what it was.

"Oh- I just wanted to chat, catch up on old times, you know? I'm guessing the bar exam went well?"

...

Awkward silence, as Vanessa turns her smile away. She lifts her own coffee cup to her lips and takes a long drink, looking at the pavement.When she sets it down, there's a brief moment where her fingertips looked blue. It soon fades back into perfectly trimmed nails.

"...you know why I called you here, Luka. Don't make me lie to you." Her voice grows quiet, though pensive or frustrated is difficult to parse. "You were always better at lying, anyway."

(DeusExMakena) He squints slightly at that last remark and has to do enrything in his power to hold his tongue.

"I dont, actually. With the way things ended the last time we saw eachother, I was almost sure that would be it." he says, probably with a bit more venom in his tone than he should have used, but he was here for less than 10 minutes, now, and he could already feel his patience waning.

"But if you're really just here to reconnect, you'll have to forgive me" he takes a moment to swirl the cup in front of him before lifting it towards his mouth "I'm not very good at small-talk."

Chestnut-infused Columbean bean. Cream and Sugar. So nice to know that she never forgot.

(MysticDoodles) Vanessa smiles as he takes a drink. It's gone by the time he removes the cup again.

"...sorry," she says. Her stony expression shifts into a frown. This wasn't how she expected this conversation to go- but really, she had been expecting nothing, so no pain or gain thus far. "I'm not being very polite, am I? I guess I just- missed you, Luka. It's very different, going back to my mother's apartment after-... well. Being with you."

...

Another quiet sip. Vanessa runs her finger on the plastic cap.

"...do you miss the nights after we studied, when we'd just sit on the couch together and watch garbage movies?"

Before Harriet came along, she didn't say aloud.

(DeusExMakena) Of course he did, he loved her. And as much as he'd love to revisit those moments, to relive the sense of elation he felt when he got her to laugh over awkward acting and nonsensical writing... He just couldn't forgive her for what she did.

He sighs, opting to indulge in her to see where she's going with this.

"Yeah," He takes another sip, looking back down at the table "Sometimes I still wonder why that had to stop."

(MysticDoodles) There's no way he misses the way her fingers tighten on the paper coffee cup. Especially since it's accompanied by an audible pop of paper crumpling in a half inch, and liquid sloshing within.

"They did stop, Luka."

How could he be so blind?

"They stopped when you stopped spending them with me. You spent all your time with our daughter, and not with the loving wife who gave her to you. Don't you see how unfair that is? I deserved your time, too."

Vanessa sighs, her words almost chastising. It reminded of the times she shifted into 'disappointed mother' mode around Harriet. Their one year old, at the time, who didn't understand consequences for things like dropping a toy in the sink. She even had the nerve to sound hurt as she speaks those words.

(DeusExMakena) He is absolutely apalled.

"I-" he doesnt know why he cant find the words to respond. His eyes wide and his eyebrows furrow as he glares directly at her. He shouldnt be surprised by this, really, he saw this coming. Five years, and some things will just never change.

Luka pinches the bridge of his nose, he MARRIED this woman.

"I'm sorry, are we- are we really doing this again?" He sets his coffee cup on the table with a little more force than he wanted to, "You do realize you're getting jealous over a literal one-year old that we both agreed that we wanted to have. I'm her father, I'm sorry, again, for doing my job and raising our child."

(MysticDoodles) Vanessa's long-suffering expression hardens back into stone, pouting out her lip as once more, Luka shows no signs of budging on his stance. How very lawyerlike of him. To the bitter end, he would fight for his side of the case against the opposition. She wished they didn't have to be on opposite sides, anymore, yet here she was for the second time.

"Is it so wrong that I wanted to spend more time with my husband? All toddlers need to learn to share, anyway." Vanessa shrugs, as if this were no big deal. "You never spent evenings with me, anymore, Luka. Every night that you came back from graduate classes and networking with firms, you would go right to her. The honeyed words for me didn't come until dinner, if they came at all. And don't talk to me like I wasn't a good mother- I kept her out of trouble during the day, whenever I was out of rotation."

...

"How is my little Harriet doing? It's been so long since you've squirreled her away."

(DeusExMakena) No. No, no, no, he's not doing this again

"You..." He tries to hold his tongue, but peck, he doesnt want to deal with this right now. He feels his hands ball into fists "No. I'm sorry, no, you don't get to ask how my daughter is doing. You had every opportunity to join us, no one was stopping you from being happy but yourself! You wanna talk about sharing? Then why are you throwing a fit over a over a child spending time with her father?"

 ...

"She wanted a relationship with you, you know. It's... really hard having to explain to a five-year-old that she doesnt get to see her mother because she was too immature to realize 'oh hey! I could hang out with both my daughter AND my husband at the same time!'" He says that last bit in a mocking tone as he picks up his coffee and goes in for another sip, glaring straight at his ex-wife with pure exasperation.

(MysticDoodles) There he goes again. His daughter.

This time, Vanessa doesn't look away as she returns the glare. The medical graduate holds unflinching eye contact as she lifts her own cup and downs half the contents. Trying to make a statement, maybe? She always did have issues with competition.

"...so where does that leave us, then? You drink the coffee I got you, and walk away? Are you really so set on burning this bridge, Luka? Things can go back to the way they were, if you really want it that way. My stipend will get us through the rest of exams, and then we can live a good life together - high paying jobs, a comfortable apartment, as many dates and trashy movie nights as we want. Doesn't that sound wonderful?"

...she didn't say a word about five-year-old Harriet.

(DeusExMakena) Luka takes a moment to stare at her, eyes half-lidded and tired.

He picks up the cup and downs the rest of his coffee, before placing it back on the table and standing up from his seat, his eyes never leaving hers.

"Allow me to light the match for you."

With that, he turns towards the door, ready to leave. Why would he feel bad about burning a bridge that leads nowhere?

(MysticDoodles) Luka can hear the squeal of the metal chair legs as Vanessa stands abruptly from her seat. There's no click of heels on riverstone, but he knows she's got her fists clenched at her sides, watching him. She always did that when she was angry. Maybe this time she'd have some ice on her wrists, now that her abilities were public. She'd put less effort into hiding it after the court case, anyway.

"YOU'RE MAKING A MISTAKE!" Vanessa yells after him as he continues, stride unbroken. "You'll regret this! You won that case, but you'll always be my prince, and I'll always be your princess!"

But legally, she couldn't touch him, now. Luka and Harriet were no longer family. He knew that, and she knew he did.

...

Oh well.

The door closes with a crnk-ling of the bell, and the background noise of the cafe starts to fade back into her awareness. Or lack thereof. Everyone nearby was staring, not that she cared.

Stiffening her upper lip, Vanessa grabs her bag and loops it back over one shoulder. She pats the side, removing the scarf off the copy of 'Ancient Botanicals & You' she'd found at the antique bookshop, and tying the garment back around her neck. With one hand she picks up Luka's cup, and looks inside.

Empty.

A smile traces her lips as she takes it along with her own, and tosses them both into the trash can.

Now all she had to do was wait and see.

[belle-keys]

I Love Matthew Fairchild aka Incoherent Thoughts about Chain of Iron (2021) by Cassandra Clare

I made one of these rant-rave reviews for SJM's book so check it out if you want, no pressure tho lmao.

Aight so I finished Chain of Iron last night and OMG I HAVE TO YELL like I loved it sooo much like yooo, I have a lot to say. I know the book is new so... beware for spoilers plebs.

Also context: I been reading the Shadowhunter books since I was 12 and I'm 19 now *insert dead emoji face* so yeah, I'm just so happy rn with where the Chronicles have come and the fact that they’re still ongoing *insert uwu face*. I remember when in like 2014-2015 or something when Cassandra Clare teased that Will and Tessa's kids' generation was gonna get a trilogy set in Edwardian London, loosely based on Great Expectations, and holy hell? I think that was perhaps one of the best days of my life considering how much I adore The Infernal Devices (that trilogy really changed the way I see YA literature... don't ask cus I won't shut up about it) (also yes I read TMI and loved it too but there's a “generation gap” between TMI and the other Shadowhunter books stylistically so don't ask me about that either cus I also won't shut up).

Anyway, shoo from here if you want a critical essay on Chain of Iron. I'm not providing that, this is just me raving here for the fun.

Listen... I want the bulk of this to just be two main things: The Matthew Situation, and then all the literary and judeo-christian meta aspects of it.

BUT I ALSO NEED TO TALK ABOUT EVERYTHING ELSE SO FRICK LET'S JUST START WITH THE OBVIOUS SHIT LIKE THE PLOT AND WHATEVER

Okay, the plot and writing and shit, let's get that out of the way:

The WHOLE Jack-the-Ripper-esque ambiance was just sooooo good man wow like I did not expect the book to take this cold turn but it worked so well. There was such a contrast between Jamie and Cordelia's warm little house and then the cold winter and the stabbings and shit and it felt like a nice little callback to the actual Ripper phenomenon that preceded them and a nod to the Whitechapel Fiend story from Tales from the Shadowhunter Academy.

Bitch OFC that whole thing with Wayland was a set-up like nawww that was too easy to spot and I get why Cordelia feels like shit about it.

Dawg Lucie was just the Among Us imposter here in that my girl was just venting and sneaking around with dead people and I was like nooooo girl run, don't deal with Fade this is a set-up THINK ABOUT JULES LUCIE THAT'S LIKE YO GREAT-GRANDSON *sobs* but yeah anyway my girl has death powers she gonna kill some bitches next book.

You see that confrontation between Lilith and Belial? MASTERPIECE DIALOGUE like this was the point within which I was just like "yo is this the book of Genesis or a YA Fantasy novel" like when Lilith said "I may have been cast out but I did not fall" like??????????????????? I YELLED she did not have to END Belial like that. What a bad bitch.

More on Lilith and Belial... "You, who brought nations into darkness? Shall I finally be able to tell the infernal realms you have gone mad, lost even the image of the Creator." HAHAHHAHAHA SHE SAID "YO BELIAL GO GET SOME THERAPY AND GET OFF MY ASS" LIKE??????

Ughhhh yasss Clare has improved writing diverse characters in this book compared to in The Dark Artifices in my opinion... I'm not gonna expand on it cus ain't nobody got time for that but like, I enjoyed how she wove Persian poetry and tales into the story and the way in which she writes Cordelia and Alistair. They're not caricatures of Persian people but rather multi-faceted beings who also happen to be Persian and I appreciate that. Also, Alistair and Thomas and Anna and Ariadne were just so fun and interesting to read as coupbles but also as individuals. She really higlighted diversity in a very natural manner. All I need is a hijabi character and I’ll die a happy woman lmao.

The level of META man like the references to Classics and art (I swear, she might have compared Matthew to angels out of Caravaggio AND Rosetti AND Boticelli paintings and I Am Living For It) and just all the quotes from holy books and shit omg I love it here like you really feel catapulted into the time period, she draws reference to external art and philosophy so well and I feel like she upped the notch on it in this book (didn’t know that was possible but it was the prose is BEAUTIFUL, archaic, but not pretentiously so). No, like the characters live in their OWN worlds of literature and art and history in the way we are living in THEIRS. They quote Wilde and Milton while we'll quote Clare. It's awesome.

This is an unusually structuralist take even from me but: I like the way the milieu social of the book, i.e., the high society Edwardian circles and their values, have a direct influence on the plot. James and Cordelia got married because society’s values essentially forced them to, not a demon. Cordelia abandons Jamie at the end of Iron because her shame as a woman in society and fear for her reputation made her, not a demon. Thomas and Alistair can't be together solely because of how Alistair tarnished the reputation of the Fairchilds and Lightwoods by using the horror of infidelity against them. Issues relating to marriage, gender roles, etc, stemming DIRECTLY from the time period rule the sequence of events to the same degree as the epic fantasy aspects (demons, Princes of Hell, the lore itself) do and I LOVE that dear God above.

OKAY THE GOOD SHIT LET US TALK ABOUT CHARACTERS AND SHIPS (N.B. but imma discuss Matthew and the Fairstairs situation separately below this portion):

Alistair's redemption arc: No, cus Alistair's redemption arc is honestly amazing. He really did change and it's not like his betterment as a person was linked to any one heroic deed but rather he simply decided he wanted to be better especially for his family and he decided to become a proper protective son, a caring brother, and an amiable friend. He fully owned up to his Malfoy tendencies and apologized without expecting forgiveness. He shows how he cares in the little ways and omg it's so sweet and tender. I really do want him to love himself now and be embraced by Matthew especially and the rest of the Thieves.

Dawg Lucie and Jesse are so funny to me like it's so hilarious how this girl fell in love with a whole ass ghost that no one else knows about like HHAHA. Are Lucie and Jesse my ult ship ever? Nah, but it's nothing to do with Clare, it's just that their relationship happened pretty quick and feels quite like something epicly romantic that Lucie herself would write. I just like slow burn and friends-to-lovers the most from Clare. To be honest part of me just wanted Lucie to not have a romantic arc all together but like, it's all good, I'm not complaining.

Okay Grace- like yooooooooooo I never hated her yunno. She has been abused and isolated all her life. It's not that she is a bad person, but rather that she does not know what being a person even entails. Can't even say she's a “doll” of a person cus she's never even been pampered like one by her family. I really started understanding her motivations since when they gave us her half-childhood with Jesse. I want better for her but cmon can she REALLY be saved???

GRACE X CHRISTOPHER *pretends to be shocked*... Okay, sometime in the middle of the Dark Artifices series some big brain put together a very thorough family tree of the families and like, it clearly showed that Grace and Christopher got married so like, lmfaooooo, I knew this was coming one way or another, but the journey to this ship is more important than the destination. Like in a way Christopher is such a cute baby lamb that it makes sense he'd end up being immune to her Grace-ness when he's just a cute little Einstein boiii. Like this is just so funny to me cus he's so oblivious to social conventions while she makes the milieu social her entire life so OFC it's gonna work. Like, this is such a worlds-colliding trope like just Give It To Me.

James and Grace - aw mannn Jamie just had me fricking wanting to hit a wall every two seconds cus like yooooooo every single time I think he and Cordelia are gonna stop being emotionally-constipated spouses, Jamie says some kinda shit like "omg me and Daisy are just friends uwu" like DO I NEED TO HIT YOU?????????? See I can't blame him for not slamming the door on Grace's face even tho he totes should- Jamie is so cerebral and kind that even if Grace wasn't using the enchantment on him, I think he would always be soft for her even if it isn't in a romantic way. There's just so much miscommunication cus like he said "Thank God" when she broke off the engagement with Charles and lowkey embraced her but it also wasn't his fault cus it wasn't even romantic BUT OFC IT LOOKED HORRIBLE TO CORDELIA like James literally never told the woman at least once that he loved her so OFC she thought she was back to square one with him dear God above what a mess. Not his fault, but she DID set down one rule for him: don’t cheat with Grace. And yeah even tho he hasn’t properly cheated, it must FEEL horrible to her cus she’s just been enduring the pain of their unrequeted love for so long :((

See imma just say it but if Cordelia thought that James didn't love Grace then she def would have confessed to him about her feelings right but like James, on the other hand, was delaying his own romantic confession cus he was BEING EMOTIONALLY CONSTIPATED and I can't even say the bracelet was solely to blame cus like my boi was just being so difficult omg I believe he should be lightly spanked by his three parents aka Will, Tessa and Jem *cries*.

Cordelia is such a MOM like she's so mature and stable and her self-preservation instinct? OFF THE CHARTS I love this woman like James definitely treated her well as a hubby but like I JUST WANTED HER TO HAVE CLOSURE ABOUT SOMETHING and boy oh boy she did get that closure she got it good but not from the person she expected in the LEAST *hehe* *pelican screeching*... like Lucie was being sus with the whole ghost business and James was being just, quite a case, dealing with Grace and Belial right and I don't blame them at all for their secrecy and shit but her FATHER DIED and her friends were hiding a lot from her so in a way she turned to Alistair for help but he could only do so much cus of his own pain (she couldn't even talk to her mom cus she's pregnant and she doesn't wanna stress her right) and then there was this emotional block between her and Jamie, Lucie was often absent and conspiring with the dead... the last person remaining was HIM (imma discuss this soon), but yeah my heart just went OUT to her cus she's tryna save herself and her family and she just doesn't know what to do. That's why I love the way her mom told her to stop holding herself back for others and live her own life. Like Cordelia grew on me so much cus in Gold she undoubtedly was a strange Elizabeth Bennet-wallflower hybrid and I... do not usually get attached to wallflowers but in Iron I feel like I finally understood that she was just tryna be unproblematic and self-preserving all along and nottt put her family and friends in a tough situation.... she reminds me of my mom personality-wise so yeah I’m totally rooting for her now that her *situation* in the past seems clearer.

Anna, Thomas and Matthew are such a SQUAD lmfaooooo like united in their gayness they'd be so unstoppable.

Will and Tessa are the most in-love of all the in-loves in this story and I respect that so much.

I lost a year to my life every time the romance between James and Cordelia got cockblocked. Like they were MARRIED and I thought they were gonna at least sleep next to each other at least once BUT NO James couldn't take a hint omg I'm actually gonna eat my fist and sob (but in retrospect, I think this serves a bigger purpose in terms of the narrative structure i.e. the interruption of all the spicy James and Cordelia action serves a bigger purpose which I think brings me to my next section, *exhale*)

Welcome to the Matthew Fairchild Enthusiast Club (this section is me talking out loud; it makes no sense):

bitch.

LISTEN TO ME LISTEN WELL I LOVE THIS BOY SO MUCH IMMA SCREAM I REALLY AM GONNA SCREAM MY FIST IS LITERALLY IN MY MOUTH *BACKFLIPS OFF THE ROOF WITH LANA DEL REY PLAYING*

Okay like where to BEGIN I think the Shadowhunter boy who I'm most attracted to is Julian while the one I love the most is Will but I think I see myself in Matthew the most. Like ever since that first story where the Thieves all met at the Academy then got expelled, I think that I just KNEW Matthew was destined to be epic. Plus the whole Wilde obsession? I’m no libertine myself but I just love his chaos and passion for life.

NO CUS HE'S SO WITTY AND SWEET AND EPIC AND YET SO SECRETIVE AND DEAR GOD ABOVE AHHHHH WILL HE SURPASS JULIAN FOR ME??? Ion even know but this is just sodjsgdwsdygyegydgef

Hear me out but I said after finishing Gold last March that I wanted this book to be Matthew's healing arc right so halfway into the book when I realized that we weren't getting all that good healing arcing I was confused just cus I thought it seemed natural to address all of his alcohol issues and sadness by now. LITTLE DID I KNOW CASSIE WAS SETTING UP A WHOLE OTHER ARC WITH HIM THAT I WOULD HAVE NEVER GUESSED WTH.

At first I thought Matthew didn't have feelings for anyone at all, and if he DID develop feelings unexpectedly, I fricking thought that maybe he's catching feelings for James, if anyone??? I mean, I did have some suspicions about Matthew from the get-go: like he's so secretive and as readers we think we know everything there is to know about him since we were all privy to the truth potion incident in his short story right BUT NO I GOT PLAYED AND I DESERVE IT SO BADDDDDD.

Listen I hadn't shipped him and Cordelia simply because I never thought it in the realm of possibility but it MAKES SENSE as a ship... think about it: he never says what he feels, he flirts with her like he does with EVERYONE, he is kind to her in the way he is with EVERYONE. Really, Matthew is shippable with everyone, doesn’t matter if they’re taken cus that’s just what his Matthewnes allows for ya feel. There is such a beautiful irony that CORDELIA herself did not see this coming. Even the little teasers and hints in Gold have only NOW started making sense to me likejhss. I just felt like the hints in book 1 did not indicate to me that Matthew really harbored real romantic feelings for Daisy. I thought he was upset that James and Cordelia were being fakes, not a developing CRUSH on the woman fgs.

Not to mention that you usually sense a ship building when the emotional connection or sexual tension between the characters is made clearer but to me their FRIENDSHIP grew right but it didn’t feel like Cordelia was thought that she liked him or he liked her so that means me and Cordelia are clowns *together* 😤

Okay I was lowkey having SUSPICIONS but I immediately shut them down right... like firstly when he took her to the White Horse in his car and she went OFF and OFF and off about how she felt free for the first time? I thought Cassie was just tryna develop Cordelia's self-liberation arc through Matthew there. Heck, I didn't even think ANYTHING of it when Matthew confession to Cordelia about the "truth potion" incident at all cus I was like they're FRIENDS??? BUT now it's adding up now...

See when they were at the inn place and he was telling her that she doesn't in the least seem like a 100 year-old married woman? I was like hmmmm he's so sweet but why did Cassie phrase it like that like??? When Cordelia later reiterated that she thought Matthew's flirting was “meaningless”?? I was like hmmm kinda SUS tho. And then when he and James had their fight over the way Jamie kissed Grace like again I thought he was just like? ion know? mad at James for it but I didn't think he was in LOVE with Cordelia??? So I immediately put aside my slight suspicions. The probability that he had a crush on James at that point seemed more likely to me.

BUT THEN it started hitting me that every time Matthew drank, even before he explained his issue with the truth potion, that Cordelia would note it, she would worry about him, she would think of her father which seemed so poetic to me, history repeating itself and all that but this time you can FIX it??? Yeah, but again I didn't think the L WORD would be involved man???

Now imma sound like a delulu shipper here but it just makes sense they would develop feelings logically- reason being that it definitely is possible based on the way Cassie set up the story, like there's a combination of little “friend things” that can turn this into a proper ship: Matthew rescues Cordelia in the ballroom when Grace captures James' attention in Gold. Cordelia sees her father in Matthew all the time but knows now she has a chance to be there for him in the way she couldn't have been there for Elias (classic “history repeats itself” trope, she doesn't want Matthew drinking in Paris like dhshghdfhdhch). Cordelia tastes freedom for the first time when driving with Matthew. Matthew caught James and Cordelia making out in the room and was pissed but not even HE properly knew why then??? Umm, when she thinks James is forreal cheating with Grace on her she subconsciously goes to Matthew??? I also found it funny just how every intimate marital moment between her and James got interrupted somehow. Like, it's as if the narrative is just a living force REFUSING to let James and Cordelia as a ship be consecrated. Heck, every time Matthew is scantily clothed Cordelia notes it. LITTLE CRUMBS I TELL YOU LITTLE CRUMBS.

I tell you when Cordelia showed up to Matthew's flat I thought they were gonna f*ck as friends but I got SOMETHING EVEN BETTER SOMEHOW

THEY ARE GOING TO PARIS LA BELLE EPOQUE PARIS THE PARIS OF DREAMS AND ART LIKE??? FRICKKKKK I DID NOT SEE THIS COMING AT ALLLL MAN? I deadass thought the story would be restrained to the UK but like it MAKES SENSE the trope subversion MAKES SENSE.

“In Paris, with you, I will not need to forget.” SHITTRGEGGGDG

BUT CORDELIA LOVES JAMES TOO LIKE I CAN'T DENY THAT... where are we GOING with this like Matthew wouldn't lie about his feelings and yet Cassie wouldn't give us Matthew and Cordelia crumbs to only end it in the next book immediately for her to just ditch him for James. I mean she was clearly holding back on fleshing out James and Cordelia as a ship for this but to WHAT END??? Daisy feels wild and free with Matthew and she feels warm at home warm with James. I can’t advocate for the sinking of ANY ship here.

Imma say what we're all thinking: Is she gonna give us a Will x Jem x Tessa type situation where Cordelia gets both of them cus I'm not strong enough for this but I also think it'd be really funny if James gets a surprise bi awakening in the next books and then we get POLY even tho this would never happen, it’s actually impossible, because of the whole parabatai thing.

Listen I ship Cordelia and Matthew much more than Cordelia and James, not that I dislike James in any way tho. It's just: Matthew is so unrestrained and she's so composed. They seem like an unlikely pair so it makes sense that they hit harder for me. James and Cordelia have such similar personalities but I ALSO don't ship James with Grace at all so like?? Poly would be... ideal... but it can’t happen especially cus they are fricking parabatai... a Will-Jem-Tessa situation seems more likely but mannnn ion know what to expect. I just want FAIRSTAIRS to have their moment in Paris. I mean James and Matthew clearly don't abhor each other for this.

Take everything I say with several grains of salt, take everything I say with the whole Dead Sea actually, cus I damn well know that Matthew is so flirty and whatnot that I’d have shipped him with anyone in their little circle but now that she set him up with Cordelia it all feels so right?? I have wanted this man in a good relationship since he walked onto the page in Nothing But Shadows so-

ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh

I can't believe Cassia duped me like this omg, Matthew is gonna have his healing arc in Paris with Cordelia by his side like- THIS IS ALL I HAVE WANTED AND SO MUCH MORE. Question to yall btw: are you all as surpised at Fairstairs as me or did yall see it coming all along like smart people? Am I a lone clown? 🥺

BRUH okay criticisms of CC?:

Lmfao a part of me feels like I GOTTA say something bad about CC or the book but honestly I have no objective complaints about it as of now. Am I saying that it’s the PEAK of Young Adult literature and Urban Fantasy? I mean, I make no such claims tbh. I’m not here to be critical when I read as a hobby and when CC’s writing makes me happy regardless of how flawed some people see it.

Okay what next?

So like I’m excited for the adult high fantasy she’s releasing in the fall and whatever other works she might be releasing outside of Chain of Gold within the Chronicles.

As for TLH itself? Man I’m just VIBING like I suspect I will reread Chain of Iron soon and maybe one of the anthologies just because I am happy that this series actually happened after me waiting like 6 years for it when it was just a concept: a Dickensian retelling filled with poetry and culture and history and the conventions I so loved in TID at age 12. This is all I been wanting tbh. I’m just enjoying watching this series come to fruition for it to inspire and transform me in some way. I feel like in a way my coming-of-age aligns with that of these specific characters yet I ALSO feel like I raised Jamie since infancy. Wack.

MATTHEW AND CORDELIA IN FRANCE LA BELLE EPOQUE TO BE EXACT IMMA CRY I DID NOT SEE THIS COMING AND AHHHHHH. ALSO WILL AND JAMIE GOING TO CORNWALL TO GET LUCIE AND MAYBE BOND I LOVE WILL. HE WAS ONE OF MY DILF AWAKENINGS AT AGE 12 AND NOW HE’S HERE AGAIN IMMA CRY. I WANNA SEE MATTHEW GET HAPPY. AHHH.

Ending with a fun quote: “In the wise words of someone or other, there are more things in heaven and earth than are dreamt of in your philosophy, Maurice.” 😉

[mable-stitchpunk]

What are the friendliness levels of the Can't Go Home Again animatronics?

I’m going to do this just like I did with the aggression level and rate them on “Kindness” and “Bar of entry”, then use those to calculate how friendly they are. With 1 being completely unapproachable and 10 being excessively cuddly.

I’m going to cover most of the main animatronics like last time. Let’s begin! 

Marionette

Kindness: By far, Mari is one of the most gentle and forgiving animatronics. Not only does he adore children, but he stands apart as one of the animatronics most willing to trust and be social with adult humans. He has also shown himself to be empathetic with other animatronics, offering them extra chances even if they hurt him as long as they show a little turn-around. He holds a lot of guilt at hurting others, whether they are human or animatronics. There is a point where Mari can be pushed ‘too far’ and will shut someone out, but that it a far point to reach. 

Bar of entry: While Mari tends to be quiet and distant with strangers- those he trusts enough to show himself around- it’s not too difficult to break through that exterior. What seems like aloofness is actually caution, and unless Mari has reason to believe the stranger is a threat he will eventually open up, and he is loyal and protective of those who he opens up to.

I would say that Mari hits a high 9 right away. His caution keeps him out of a 10, but he is still one of the friendliest animatronics of the group.

Foxy

Kindness: While having a gruff exterior and not being afraid to confront those who wrong him, Foxy is a kind person. He might put on a loner persona at times, but Foxy craves friendship and is disappointed that he doesn’t get more of it. He’s good with children, but more wary of adults until they prove themselves. He’s civil with other animatronics, opening up to them slowly, but can hold onto a grudge for some time. On the flipside, he has been known to readily comfort others, and feels remorse when he steps out of line.

Bar of entry: As said before, Foxy doesn’t trust adults as readily as Mari does, and the same goes for other animatronics. Foxy particularly separates himself from other animatronics, though this could be because of the past bonds he has share with most of them. It should be noted, however, that Foxy opens up readily to overtly friendly animatronics and humans.

I would give Foxy a high 7, maybe an 8. The only major thing pulling down his score is his lack of trust in others. Which makes sense considering his past.

Security Puppet

Kindness: As expected, Lottie would be the most socially adapt of the animatronics in this list. Being that she acts more as a human would, she has an easier time speaking to them than the others (originally had). She’s typically nice to people off the bat, even if it is an animatronic she’s wary of- to keep the situation defused. She can be socially awkward at times, but it doesn’t get in the way of her ability to communicate with others. She empathizes with others, shows protectiveness even over strangers, and is more willing to try and understand more than blame.

Bar of entry: Lottie doesn’t hold as much suspicion for people unless they give her a reason to. A little more wary around animatronics, but not enough to engage unless she knows that they are going to become aggressive. If she knows someone is safe (not going to tell anyone about the animatronics) she will typically open up to them.

I would put Lottie definitely at an 8. Only under Mari because he’s a little less cautious than her around animatronics.

Baby

Kindness: Baby is not as callous as she appears, but she can be very abrasive and blunt. This only raises tenfold when approached by someone she has reason to dislike. Or not, as Baby has also been known to become jealous easily. This all stems from loneliness and a fear of abandonment, and frequently leads to her sabotaging any chance of friendship. Rarely she manages to find someone to open up to, and in these brief glimpses Baby is capable of showing someone else hiding under her exterior. Someone who doesn’t know how to show she cares but is capable of caring very deeply.

Bar of entry: It takes a lot to get on Baby’s good side. She doesn’t trust anyone right off the bat, and those she does trust she took years to open up to. That’s not to say that she isn’t capable of opening up to someone. Though she has had a history of being manipulative, it’s clear that like Foxy she opens up faster to those who show her genuine kindness- without pity.

Baby would be at about a 4. Very hard to crack that shell, but there is a soft center if you dig far enough.

Ennard

Kindness: Once again, Ennard is the odd one out. On first glance, Ennard seems to act incredibly friendly and charismatic to everyone, but this is actually a ruse. Ennard IS generally a friendly person, but it is almost impossible to tell how he feels about someone as he covers so much. As said in the danger post, Ennard is fearful of other animatronics- even if he is capable of overpowering them- so his ‘outward friendliness’ to them may be a show of bravado until he realizes that they are not a threat. He’s more guarded than he appears, but once he begins to love someone, he loves them with everything he has.

Bar of entry: Ennard is almost exactly like Baby in how little he trusts others right off the bat, he just hides it a lot better than she does. A lot of Ennard’s trust is gained through second-hand exposure, seeing someone do something positive for those he cares for makes him more willing to trust them. Ironically, he tends to open up faster to those who are clear and honest with their feelings.

Since Ennard’s such a strange case, I think I’ll set him at a 5.

Springtrap

Kindness: Aloof and distant, Springtrap actually hides a bleeding heart underneath a thick exterior he’s built up. Imagine Foxy if he trusted less and kept fewer grudges. He expects to be mistreated, so he doesn’t tend to hold it against anyone unless whoever it is did something he deems unforgivable. Though even in this case there’s flexibility. He doesn’t seem to hold ill will when people defend themselves against him. It should be known that Springtrap can have strong friendships with people, though there was only one person he truly got close to. 

Bar of entry: Springtrap distances himself from everyone, always expecting letting them closer will bite back on him. This goes for humans and animatronics, even though he expects different things from them both. Becoming cordial with someone and becoming friends with someone are two different things entirely. Springtrap, in the best circumstances, can become cordial rather quickly, but that wall will stay up as long as he can hold it.

I think I might put Springtrap at a 5, but for different reasons than Ennard.

Minireenas

Kindness: When they attach to someone, they love them with all of their little hearts. Unfortunately, this means they can become protective and possessive over that one person. Though like young children, then eventually learn to adapt to others... Though they can be exceptionally fussy.

Bar of entry: Unless you’re their chosen caretaker, a woman, or make music box noises, chances are that you’ll have to seriously butter them up before they even begin to let you into their little circle. 

The Minireenas are hard to place on the scale. Maybe a 6, since because of their childlike mentality they can be won over a little easier than some of the others. Wherever you would put ‘fussy children’ on the list. 

Freddy

Kindness: Freddy is the kindest, raddest bear this side of the mountain! Ready to celebrate a birthday with his friends or rock out on stage, he’s everybody’s best friend!

Bar of entry: Everyone’s just a friend Freddy hasn’t met yet! Just come on down sometime and become Freddy’s friend too, and get exclusive access to the gnarly perks of the ‘Friendship Express Pass’. 

Freddy is totally a 10. He’s the friendliest guy there is! He couldn’t hurt anyone even if he tried.