#also i've had this idea since july and i finally did it!

[zarla-s]

We move forward, 'cause we can't go back...

It's the EIGHTH anniversary of Handplates, and the first one after I finished the comic back in July! I decided to dig up a very old wip that I never finished and finally do it. I've always loved WeMoveForward by The Midnight, and I think it applies not only to the comic itself but also this period after it... there's no way to go back to when I was doing it, only moving forward after it's done.

Even more appropriately, since I did this wip, these characters all moved forward even further... even as this sat in my files, they moved forward, in a sense. I don't know, the song gives me a sort of plaintive, longing, bittersweet feeling... it's hard to explain.

I had a very insistent voice in my head that always made me do a Handplates page over the years I was working on it, no matter what happened. I wasn't sure if that voice would ever stop, even when it's done, but it has! It's gotten quieter now, mostly only nagging me about other projects I should be working on (Defrag, the Ace Attorney/Frozen fic, web design, fic ideas, art ideas...) whenever I'm doing something, much like it did before I started the comic.

How I feel about Handplates finishing though is strange. At times it doesn't feel like it's over, even if I don't feel like I need to do another page. At other times I get sad thinking about it and I miss it, and other times I look back on it with amazement that I was able to do it. Sometimes I look back on it and think about what was happening in my life at that time, and sometimes when I look at it it's unreal and it's hard to believe I even did it, like someone else did the whole thing. It's like it's there but it's not, it's present but it isn't. It's a very strange feeling, it's hard to describe or pin down. I know it'll always be with me in some way, but it is strange to be able to focus so much attention on other things without that feeling of having to set aside a few days to do a page every two weeks... not bad or anything, but I'm not used to it still.

I don't know! When I read the comments on the last page a lot of them made me cry, especially those talking about how the comic had been their childhood, and now their childhood is over. It was sad to think that I had a part in something like that ending... but it ends for everyone, no matter what you do. We, you and me, everyone... we move forward, 'cause we can't go back. That line was so evocative for me that I even used it as a chapter title for the penultimate chapter on Comicfury.

I don't know, just nostalgic thoughts! I don't know if that's the right word for it... but thank you to all of you who read it and enjoyed it. Even now I hear from new people coming to it and reading through it again now that it's done. Even if it's finished, it's still new to people just finding it. It's still "living" in a sense. And thanks to those of you who stuck around even though it's done, I appreciate it. |D

(As a note, the Gaster ukagaka has a surprise if you boot him on the anniversary after seeing the brothers, if you haven't done that)

[index] [patreon]

[mayordea]

Happy birthday to the number one princess in the world!! 💖

~from her biggest fans :)

ramble of my scattered thoughts on the piece under cut as usual cuz i love talking 😋

This has been an idea I've been cookin for a while, and it was so cluttered and unlike any other ensemble piece I've made... and I decided I oughta do it anyway. I love Miku, I love Vocaloid, and I wanted to do something really ambitious and crazy for her anniversary. Crazy that she's turning her "canon" age this year TwT

I had the idea floating around since like, May...? And then finally started acting on it around June 18. I'm terrible with deadlines, obvious with how I can never make a silly birthday post in time, so I started wayyyy ahead to make sure I have some room to be lazy lol, especially with an idea as ambitious as this.

This was finished on July 12! So I had to sit on this for an annoying amount of time. Very difficult for someone like me who just wants to talk about everything I'm working on to the masses. But at the very least, that gave me the time to work on the draft for this post.

~~~

Here's some ~behind the scenes~ scribbles leading up to the finished piece!

Left is the chicken scratch plan i made in my handy dandy notebook (whenever things are getting real and ambitious, i always made a rough ROUGH plan in there. Usually I'd do a rough pass of the full thing, but this was too complicated for me to do traditionally. I majorly benefited from digital tools to make this possible). CyberDiva and CyberSongman were considered, but I ended up cutting them cuz I just didn't feel like drawing them sorry-- (just pretend they're off to the side. They gave Ruby and Clara the pizza lol). Right is the "final" completed sketch (before I decided to include Chika mid-way through coloring and VY1 and VY2 near the finish line). I started by drawing the main "groups" separated on a different canvas so I can plop them into the main canvas for easy rearranging and transforming. However I got lazy and ended up drawing everyone in the bottom right corner directly on the canvas since I liked seeing the big picture of everyone's positions. Y'know.

Almost excluded Chika! But I like her design so much that I just felt like including her last-minute. You win this time, Chika fans. VY1 and VY2 were very close to being cut! I added them when I began doing the banner and thought "eh why not". I figured their non-human designs would be pretty easy to include pushed back in the bg. Ik VY1 is more commonly associated with the fan design, but I referenced the hairpin cuz it was simpler and the fan looked very annoying to draw 😭

Sorry to the fans of many Vocaloids I had to cut because this composition was insane enough as is. I promise I wanted to include fellas like CUL, LUMi and Sachiko 😭 I will admit I was a little biased on who I wanted to include over others. Like, I don't normally care for Bruno and Clara, but I wanted to get some more international 'loids in the mix. Also wanted to stick in the realm of official designs and not fan-designs since, as much as I can appreciate those, are just a whole "wait who is that guy supposed to be" situation I didn't wanna deal with. I also did wanna include even more character references through the balloons, but they ended up being kind of ugly and overcomplicated the BG :,) (Oh, and while this was originally planned to be a Vocaloid-only piece, I did end up including Teto, Neru, and Haku 'cuz those are Miku's besties dude!!! They may not be Officially in the club but they're her girls and it would be criminal to not invite them to her birthday).

Anyway, this project marks the first time I've drawn a lot of Vocaloids. Lily, Piko, Rana, Yuki, Yukari, Miki, Maika, and many more lol. All of 'em I've heard or seen in passing, but now I actually drew them, and some have really cool and fun designs!! I got into a habit of drawing Merli after this since I just love her design for example. And I'll probably be drawing more lol!!

Oh and the last thing I'll add for now!! The cake is indeed made up of various song references!! I wanted to reference the "big four" producers, just absolute icons in Vocaloid history. The pink/black checkerboard is "World is Mine" (Ryo), the crescents on the side is "Rolling Girl" (Wowaka), the smiley faces is "Matryoshka" (Hachi), and the three hearts on the side is "The Vampire" (DECO*27, which is sort of a symbol of his whole Mannequin album tbh). I know "The Vampire" is a bit modern but I couldn't think of anything else off the top of my head. I'm a fake DECO fan I know 😔 "Matryoshka" was originally going to be referenced in the colors of the candles but believe me it looked like shit so I just went for something else last minute 😭

That's all I have to say!!! Hope you didn't mind the text wall if you made it here. I hope you like it as much as I do!!!! Happy freakin' birthday Miku!!!!

I have to deal with tagging all these characters now for my page,,, in the drafts my tags got cut off after a certain point so I think I'm massively breaching the tag limit 😭 um... I'll figure that out later...

not losing sleep that i can't tag everyone, even for page organization purposes because some characters have pretty generic names and some are a little hard to see in full yknow. If you're one of those people who tag every character in the art piece you reblog... I am very sorry.

[riding-the-sunset-bird]

A character reference based on all four Steps of Our Life! It's only "sort of" a height reference as well since obviously they're not 100% accurate (the devs don't have specific heights for everyone to my knowledge).

I did dig into the code to try and get characters at their "normal" heights but there are other matters at play too (example: Nicolas is obviously "taller" than he should be because he needs to be pushed upwards to be visible enough above the game's text box; likewise with other very short characters).

Still, this should serve as either a nice reference guide for every character or a "height reference" in the sense of getting an idea of which characters are shorter/taller than others.

I'm also going to detail some extra notes below the break, including posts from GB Patch's Tumblr that reference any defined heights (with Cove being the obvious one) or general height things, as well as some more stuff about the MC's height in comparison to the three love interests depending on what you pick.

Cove's height is listed on GB Patch's FAQ as 4' 1" in Step 1 (also stated as "mostly average, perhaps a bit on the short side"), 5' 4" in Step 2 (in-game this is defined as "very tall" on the MC's potential height spectrum, as that is the only option considered on par with Cove's height), 6' 0" in Step 3, and 6' 4" in Step 4. A fun fact is that Cove's final height was originally 6' 3" (191cm) instead.

Derek in Step 2 is under five feet tall (this post also lists Cove as "around 5 and a half feet tall" which you could take as either close enough to 5' 4" as stated above or a potential original height he had that got changed). In-game, he's "short" but not "very short", as having your MC be "very short" will prompt narration telling you that you're shorter than Derek, whereas "short" only has you relate to him in smolness generally.

Step 4 Derek is "mostly average." He wouldn't be considered tall nor would he be considered short. His youngest brother Nicolas will "probably end up as a similar height to him" once he's more grown up.

Step 4 Baxter is "taller than average, but not especially tall."

I've been informed that, on the Our Life Patreon Discord, Step 4 Derek's height is listed as 5' 9" (175cm) whereas Step 4 Baxter's is listed as 5' 11" (180cm), so those are their defined heights. Before that, both of their heights had jumped around somewhat. A post from 2019 said that Derek was 5' 11", but a post from June 2021 said that Baxter was 5' 11" and Derek was 5' 9" (so consistent with the Discord). Then there's also another post from July 2021 (you'll have to scroll down for this one) that listed Baxter at around 5' 10" while Derek was 5' 8"/5' 9". If you're insane enough to try and use the character reference too, then Baxter would actually be around 6'1" at minimum since he's taller than Step 3 Cove (though you could also make the same argument that this means the mom trio of Pamela, Noelani, and Kyra must be decently tall as well since they're so close to Cove on the character reference).

I don't have any experience with GB Patch's other game, XOXO Droplets, so I don't know what ages the characters are in it, but since both Shiloh and Jeremy are characters seen visibly in Our Life, I thought I'd also mention that they're listed as 5' 10" and 5' 5" (or 5' 5 1/2") respectively in XOXO Droplets. Jeremy also apparently grows to 5' 8" in his 20s and he's 22 in the Our Life Cove Wedding DLC (I don't think this is spoken of in the game specifically but he's labeled as 22 in the code).

As for the MC and how their height plays into things, "tall" and "very tall" as well as "short" and "very short" tend to be considered the same for the most part in the game's code. It's not that there isn't a difference at all (I would say it's still notable), it's just that sometimes the game may be more vague about height differences. My post about Errands references this where you don't need more athletic points due to being "very short" instead of "short" to give Cove a piggyback ride.

A guesstimate I'd make is that about 5% of the time, the game will take note of whether you're "very tall" instead of "tall" or "very short" instead of "short." Otherwise, you're either "generally tall," "average," or "generally short." There are also other instances (usually with Cove) where the game might just check if you're either generally tall (around Cove's height) or not generally tall (i.e: definitely shorter than him).

This is actually relevant to the heights because, following all above information, one would assume that Step 4 Derek is average, Step 4 Baxter is tall, and Step 4 Cove is very tall going off the MC's potential "height spectrum" of very short, short, average, tall, and very tall, but it's not entirely the case.

A "tall" MC (generally tall) will look "down" at Step 4 Baxter just as he will look "up" at them or they'll look directly at each other if the MC is "average," same as Step 3 Baxter, but--

when the game has any instance of differentiating between "tall" and "very tall" (they never do this for Step 3 Baxter so the base assumption would have to be that he's just average height), things change.

During Baxter's apology in the wedding of his Step 4, Baxter dips his chin to look at the MC if they're "short"/"very short," levels his chin to look at the MC if they're "average"/"tall," and then lifts his chin to look at the MC if they're "very tall." A generally tall MC still has to lean down to kiss him if they choose to do so though.

Also, during the intimacy scene with Baxter (either in his office or his living room), if the MC is "very short," "short," or "average," it states that Baxter is taller than them. If they're "very tall," then Baxter is shorter than them, but a "tall" MC is "almost the exact same height" as him.

This is all a really long-winded way of saying that GB Patch referring to Step 4 Baxter being "taller than average but not especially tall" might mean that he's some infuriating middle ground between average and tall where he's not quite one but not quite the other either (which honestly is very Baxter of him so I can't even be mad).

[freelancearsonist]

Whole

Steve Harrington x fem!Reader

Rated MA for the most long-winded poetic smut i've ever written jfc 🤦‍♀️ slow burn fluff with a couple sprinkles of angst for flavor, reader uses fem pronouns and is described as having female parts, it's dirty y'all but at least they use protection

7,470 Words

A/N: you all know my mo by now i disappear for a year and then come back and lay down some god damned PORN. this fic is no exception to the rule. @shakespeareanwannabe requested this back in july and she literally just asked for a cute moment between steve and dustin, sorry you got 6k words more than you bargained for 😂 but also thank you for betaing and the constant validation you're the best ily 🖤

Steve’s not sure how it even worked.

He can still remember the look on Robin’s face when you agreed, how she was speechless for almost ten minutes because she couldn’t process what had just happened.

Steve’s reaction was about the same as hers, in all honesty. He’s gotten so used to striking out that asking people out has become something of a game to him. He knows he’ll get a no, and he knows Robin will laugh her ass off at him. But what can he say? He likes putting a smile on his best friend’s face.

Needless to say, you’ve shaken him. In the best possible way. Because your answer was three letters instead of two.

And now, he's a little bit in over his head.

Or, to be more accurate, a lot in over his head.

It seems like it’s been ages since he’s gone on a date, even though it’s only been a few months at most. He feels lost, like he’s completely unlearned everything he ever knew about girls.

He hates it, despises it with every fiber of his own being, but he also knows it’s true; he needs advice. And although he’ll never admit it to the little shithead’s face, there’s no one better he can think of going to than his very own protege. Who better to remind him of his own prowess than the person who learned everything they know from him?

One look at Dustin’s smug little face and Steve almost regrets it. Almost.

“Just can’t stay away, can you?”

“Yeah, yeah.” Steve rolls his eyes and gives the younger boy a little shove, camouflaging it with an affectionate pat on the back. “This is strictly business, Henderson.”

“Oh, is it now?” The younger boy’s voice takes on a smug tone as he folds his fingers together and leans back in his chair. “Well then, why don’t you have a seat? Step into my office.”

Steve rolls his eyes and slides into the booth, shooting a smile and a “thank you” to the kind waitress who delivers two milkshakes to their table.

Dustin takes his time and makes a meal of unwrapping his straw, feeding off of Steve’s clear impatience Steve’s fingers tap against the table, reminding himself that patience is necessary when you come to someone for a favor. It’s just that it’s Dustin, and Dustin knows exactly how to get under the older boy’s skin in the most annoying-yet-oddly-endearing fashion.

“So…” Dustin finally says after a lengthy sip of strawberry milkshake. “What brings you so humbly to me?”

“I’ve got a date.”

And Dustin, the little bastard–he laughs. A deep, rumbling belly laugh, so pure and unfiltered that the three other occupied tables in the diner pause their conversations to get a look at the boy clutching his sides.

Steve’s a little embarrassed by the attention, but even more embarrassed that Dustin’s reaction is so genuine. The fact that the idea of him having a date is so laughable is a bit of a punch to the gut. It hasn’t really been that long, has it?

When Dustin’s laughter finally dies down he realizes Steve’s face is completely serious, and it makes him giggle even more.

“Wait, you’re actually serious? Who on earth did you manage to pull?”

Steve’s nearly bashful as he says your name, and even more bashful when Dustin’s jaw visibly drops.

“No fucking way. I’d believe anyone else, but her? She’s like… hotter than Phoebe Cates. There’s no way you wouldn’t strike out with her.”

Steve’s immediately on the defensive. Is it really so hard to believe that he, former king of Hawkins High, could pull the most gorgeous girl in town?

But that’s just it. There’s really no one like you, not in his eyes. He’s admired you since freshman year and never once even tried with you because he knew he wasn’t worthy. You were always in the background–a beautiful, kind, smart, funny girl just out of his reach. Part of the reason he even asked you out was because he was so sure he would strike out. In the end, losing his confidence was exactly what he needed to pull the girl of his dreams.

And that’s why there’s so much riding on this. You’ve always been his biggest “what if”, the girl he wonders about when thinking that maybe not trying has been holding him back. And apparently, it has.

“Look, I don’t even know how it happened, okay? But she said yes, and… and I really don’t want to blow it.”

“Well duh. You’ll have to leave town if you blow it with her, you know that, right? If she doesn’t think you’re worth it, no one else in this town ever will again.”

“That’s exactly what I’m afraid of!” Steve groans, slouching down so far in the booth that Dustin can just barely see his poor, overwhelmed face.

“Steve, listen…” Dustin’s voice takes on an almost fatherly quality, an omniscient tone that gives off the illusion of great hidden knowledge. He gets like this sometimes, and Steve’s not always sure that it is just an illusion. “Don’t let this go to your head, but you’re, like, one of the coolest guys I know. If she doesn’t like you… that’s her problem, not yours. Okay?”

Steve straightens in his seat, a little shocked to hear such kind words from a friend that he’s used to being mercilessly teased by.

“No, no, no, it’s going to your head. I take it all back. Forget I said anything.” Dustin’s hearty giggle makes Steve smile as he sets a wad of bills on the table and slides out of the booth.

“You’re not so bad Henderson, you know that?” He gives the younger boy’s full head of curls an affectionate ruffle. “Thanks, kid. I’ll radio later.”

Not that Steve didn’t have total faith in his young protege, but it’s still a relief that the pep talk turned out to be exactly what he needed to hear. Dustin’s right, after all. Steve’s worked hard to become the man he’s always wanted to be. He may not be dripping charisma or sex appeal the way he used to, but he’s much more comfortable in his own skin. That’s what counts, right?

And you really are his dream girl. The opportunity to take you out tonight, even if it ends up being your first and only date together, is an honor. He’s much less focused now on all the ways he could screw up, hyper-fixated on putting the effort in to make this the best night of your life.

That effort comes out in the carefully selected suit jacket he dons over his white button-up, the extra spritz of cologne, the careful touch-up shave to vanquish his five o’clock shadow, the extra ten minutes using the perfect amount of product in his hair so that it stays in place yet is still soft to the touch.

By the time he gets to Enzo’s (half an hour early, mind), he’s practically vibrating with nerves and anticipation. He’s never been much of an overthinker, but he sure is tonight. Is this place too much for the first date? Would you rather do something lowkey, like catch a movie or go for a walk in the park? He has to remind himself a couple of times that you agreed to this, that you wouldn’t have said yes if you weren’t interested in the arrangement.

To say he’s prepared for this is putting it lightly. He’s run through every possible scenario in his mind, gone over conversation starters and questions he wants to ask you over and over again until he knows exactly how he wants to phrase each thing.

And still, nothing could prepare him for when you walk through the door.

He has to physically restrain his jaw from dropping because in the moment he sees you, every well-planned thought and all etiquette is flushed down the proverbial pipes. You’re nothing short of breathtaking in a dress that hugs all the right curves and shows just enough cleavage to have him imagining what else there might be to see. Your hair is pinned back out of your face, eyes framed by just the slightest bit of makeup to make the color of your irises pop. He swears he’s never seen a shade quite like them. It’s like you move in slow motion as you approach him–he sees the entrance of the smoking hot love interest in every romantic comedy, complete with smoke and fireworks, as you move towards the table.

And then some sense of decorum returns to his addled brain, and he quickly shoots up so he can pull out your chair for you like a proper gentleman. He catches just the slightest whiff of your perfume, and he’s a goner. He’s ready to sign his life away to you, to yank his own heart out of his chest to offer to your careful hands.

He has to give his head a shake to compose himself before he goes any further off the deep end. No one’s ever thoroughly shaken him the way you have, and it’s been a matter of thirty seconds. It’s almost intimidating, the effect you have on him.

“You look… incredible,” he fumbles as he takes his seat across from you. “I mean, you always do, but… wow.”

The shy giggle you emit tugs at a heartstring he didn’t even know he had.

“Thank you,” you tell him with a genuine smile. “You clean up very well yourself.”

“I do like to put in some effort every once in a while.” He flashes the most charming smile he can muster, and just like that he’s back. His resolve to impress you is reinforced tenfold. You’ve shaken him, and it’s such an unfamiliar feeling that he’s practically bumbling. He wants to shake you just as badly.

The food’s delicious, and the conversation’s even better. He has a track record for taking out a more–for lack of a better term–bimbo-y type, and that’s definitely not you. You’re smart, you’re witty, but you don’t make him feel like an idiot. He’s so taken with you that he doesn’t even notice that three hours have passed until he looks around the room and notices that every table is now empty and bussed.

The waiter delivers the check, and Steve notices you gnawing on your lip.

“What’s on your mind?” He asks, trying not to be too prying.

“I don’t want this to be over yet.”

Steve smiles. He’s got you; hook, line, and sinker. He’s never been so sure of anything, and that surprises him. He’s used to dates who are easy to read and even easier to take home, and those aren’t the impressions you’ve been giving him. To know that you’re feeling exactly what he’s feeling is a huge confidence boost.

“I don’t either.”

Your hand is so small compared to his. That’s all he can think about as he strolls next to you, his fingers intertwined with yours. He’s always considered hand-holding to be child’s play, it’s never excited him before the way it does in this moment with you.

It’s pitch black in the park and he can hear the overlapping chirping of summer cicadas and grasshoppers, the perfect background noise now that the conversation has died down. It’s less about getting to know each other at this point and more just basking in each other’s presence, prolonging the inevitable because neither one of you can bear to call it a night when it’s been such a good few hours.

You’re shocked, to say the very least. Steve certainly has a reputation, and it’s not for being a romantic. Yet everything tonight has flown in the face of all the rumors you’ve been hearing since junior high. You figured he’d be a fun fling, and probably only one night at that–you’d made your peace with the idea. To find that he’s kind, considerate, funny, and can match your intellect and quick wit… it’s a very pleasant surprise. And that’s what has you out well past a decent hour, giddy over simply holding his hand like you’re a damned school girl all over again.

“I should probably let you go home,” Steve sighs wistfully. He hates to be the one to bring it up, but you’re on your fifth lap around the park and about to circle back to where your car is parked so now seems the best time.

You’re chewing your lip again, a thoughtful habit that makes his heart pound just a little bit harder.

Here’s the thing: you’re really not the bold type. You act confident, sure, but in practice it’s a lot more difficult for you. So no one’s more surprised than you are when you say, “You could come home with me. If you want.”

Steve’s definitely shocked, too. Less shocked at your proposition and more at the fact that he’s tempted to decline. Because no matter how much he’s been running through the back of his mind what you might look like under that gorgeous dress, he doesn’t want this to end there. For the first time in his life, he wants to find more meaning than sex out of a relationship. He doesn’t want to take you home and never see you again. He wants to take you out again, and again, and again, and again after that. He sees a future, for once, that doesn’t look dim and hopeless. That fact alone scares the shit out of him.

He realizes he’s waited way too long to reply and fumbles for an answer. “Of course I want to. I’d be an idiot not to. But…”

You chew that cursed bottom lip of yours again, and Steve has to focus on the obvious cue you’re giving him rather than the fact that he wants to be the next set of teeth around that lip.

He stops in his tracks, gently pulling on your hand to face him so he can take your other hand in his free one. “It’s not a bad but. I mean, I’m going to go home kicking myself for saying no because I really honestly do want to… well, y’know. But… I want to do this right with you. I want to take you out again. I want to get to know you and see where this goes. I can’t… I don’t want this to end tonight.”

He’s eternally grateful for how dark it is as he feels a flush consume his face. He can’t remember a time he’s been so honest and open, especially on a first date; but the look on your face tells him he’s done something right.

“Okay,” you tell him, squeezing his hands in yours. “You… honestly have no clue how nice it is to hear that.”

“Of course,” he continues, “if you just want me for my body, no hard feelings.”

You laugh at that, genuinely laugh, and Steve thinks it’s the best sound he’s ever heard.

“No,” you reassure him. “No, I… I wanna see where this goes, too.”

You’re stopped only a few paces from your car, and Steve knows with a twist of his gut that this is the end of the night. It makes his gut turn with disappointment, but also with anticipation of when he’ll see you next. Already, his mind is flooding with ideas of where he can take you and what you’ll do together.

You drop one of his hands so you can walk but keep a tight grip on the other until you get to your driver’s side door, hesitating outside because you’re still not ready for this to be over. It takes every ounce of restraint he has not to kiss you, unsure of if that would be moving too fast.

Thankfully, you make the call yourself. Leaning up on your toes, hands against his chest for balance, you press your lips against his and he has to summon every mite of strength not to moan. No one’s ever tasted so sweet, molded against him so perfectly. His hands drift from your shoulders down your arms, coming to rest on your waist as he pulls you just a little bit closer. It’s a fight of will not to overstep, to break off the kiss before it can become too heated. His mind is spinning by the time you break away. He’s aching for more, and he hopes you are too. 

“Goodnight, sweetheart.”

“Goodnight, Steve.”

Your sweet voice replays in his mind all night, long after you’ve gotten into your car and driven away, long after he’s returned to his own vehicle and pulled the radio out from under the driver’s seat to check in with Dustin, long after he arrives home and soaks in a cold shower for longer than he probably should. He doesn’t think he’ll ever get your voice out of his head, and he couldn’t be any less upset about it.

He practically counts down the minutes until he sees you again. This time, he has a little less restraint. He greets you with a kiss–a sweet peck and a hand on your waist that leaves you aching for even more.

It’s a movie this time, a chance to enjoy each other’s company on a night you’re both too tired from working to engage in heavy conversation and getting to know each other further.

It starts with sharing popcorn, then holding hands, then somewhere along the way the film is completely forgotten in favor of your lips meeting his. His breath grows heavy as his hands hold your face, committing you to memory while resisting the urge to explore further. Your hands, meanwhile, are firmly on his thighs, gripping tightly to keep yourself steady as you do everything you can to keep yourself from crawling into his lap.

He whispers your name, and your grip on him tightens.

“W-we shouldn’t…” he murmurs, then gives up on the futile attempt at finishing his sentence so that he can pull you even deeper into the kiss as his tongue sweeps across your bottom lip.

It takes everything in him not to moan when your lips eagerly part to accept him.

Needless to say, once the credits start rolling you’re both more than a little hot under the collar.

“Let me buy you dinner,” Steve suggests as he woefully unwinds himself from you. Declining doesn’t even flicker through your mind as a possibility.

It’s not Enzo’s this time, but it doesn’t have to be. He could set a soggy peanut butter and jelly sandwich in front of you at this point and you’d still thank him for it. This time around, you’re not really as interested in the cuisine as you are just simply getting through this meal to what’s next. Because what’s next is all you’ve been thinking about since you walked through the doors the night of that very first date and saw Steve Harrington wearing a blazer for you. It’s a level of effort he’s definitely not known for–in fact, he’s built a reputation for putting in so little effort that it nearly made your jaw drop to see him trying. And it certainly made your heart skip a beat.

But then again, the Steve before you carelessly wolfing down his bacon cheeseburger seems very different from the Steve you knew in high school, even if you didn’t know that iteration as intimately as this one. That one was cool, collected, snarky and pompous and maddeningly desirable.

This Steve, your Steve, is nearly an exact foil. Much less cocky, a little less confident but more self-assured in the ways that actually hold meaning, less worried about what the people around him are observing of him than what you’re observing of him. He seems happier, more carefree, more eager to please others than simply himself. He’s grown so much in such a short amount of time, and you feel proud just for having the honor to witness it. Significantly more proud to be on the receiving end of his affections now that they hold the kind of value you’ve always wished they would.

He looks up and notices you staring at him while lost in thought, a small smile spreading across his lips as your eyes quickly dart away.

“What’s on your mind?” He questions as he licks a stray bit of ketchup from his thumb.

“Just… happy I’m here. With you.” It brings heat to your cheeks to admit it, but you don’t want him to go unappreciated in this moment.

It’s the right thing to say, because his smile grows even wider. “I’m happy too,” he admits. “I… I’ve wanted to ask you out for a while. Could never work up the courage, I guess.”

“Steve ‘the hair’ Harrington was intimidated by me?” You say it with a mock gasp, but your shock is more genuine than you give off. Never in a million years would you have thought that he, the man who could have whoever he wanted, would be worried over you saying no to him. It’s almost comical, especially considering the way you practically threw yourself at him on your first date. Of course then, you had no clue how much he’d developed as a person. You’re almost ashamed of your behavior now, as if you might’ve inadvertently been taking advantage of the new and improved Steve who isn’t just into you for a hookup.

He shrugs, nearly bashful at your teasing. “Never figured I was good enough for you. So I didn’t bother to try.”

You’re genuinely curious now, leaning in a little closer and brushing your fingers against his hand resting atop the diner counter. “What made you change your mind?”

“Honestly? I was so sure you’d say no that I asked just to give Robin a chuckle. She loves watching me get shot down.”

That makes you frown, and he’s quick to backtrack. “I wanted to! I just… I’ve had a bad track record lately. And you’re… you’re you. You’re the last person I should be worthy of.”

His eyes are quick to avert from your gaze, bottom lip tugged between his teeth as he contemplates whether he’s said too much.

“Steve…” you properly grab his hand now in the hopes that it’ll bring his eyes back to you, and it works. “You’re the only person I’ve deemed worthy in a long time, honestly.”

Steve Harrington is scaldingly warm. It’s one of many sensations forcing your mind into overdrive as he lays you delicately across the backseat of his beemer, one hand cushioning the back of your head while simultaneously deepening the already heated kiss and the other balancing his weight to lean over you in the cramped space without completely crushing you.

Your fingers tangle themselves into his soft brown locks, tugging ever-so-slightly as his tongue slips between your parted lips. He’s an eager explorer and you’re more than happy to let him take the lead, to show you all the skill you’ve heard so many whispers about.

You let out an involuntary moan as he wedges himself even closer to you, his body heat soaking through all the layers of clothing between the two of you and warming you all the way to your very bones.

You’re practically aching, ready to beg, and he knows it the second you wrap your legs around his waist in an attempt to get him even closer. If there’s one thing Steve Harrington’s good at, it’s assessing your needs. He pulls away just the slightest bit to adjust his position so he can get closer, wedging a knee between your legs to press right against your core, and it makes you jolt back against the car door at the same time his head hits the roof just a bit too hard.

You both pause for a moment, the reality of your situation hitting you simultaneously, and then you’re laughing. It’s light and edged with unresolved want, but it’s enough to fracture the tension of the moment.

“I’m sorry,” he whispers. “Shouldn’t have gotten so carried away. This isn’t how I want to do this.”

“No?”

“No. You deserve way better than this old beater,” he chuckles, then leans down to kiss you. This kiss is lighter, no longer edged with tension and lust. He kisses you just to kiss you–there’s no end goal to it this time.

“What could be better than a BMW?” You tease lightly, trying to reassure him that you’re less disappointed than you really feel.

“You know. Something romantic. A proper bed, rose petals, maybe a few candles…”

“I don’t need all that,” you try to tell him.

“I think I do,” he admits. And that’s enough to pull you back, to remind you that you need to be patient and grateful that he values you so much as to want to do this whole thing properly. That his affection is something to be cherished, not taken for granted.

“I’m sorry,” you whisper. “I didn’t mean to be pushy.”

“Please don’t apologize.” He hesitates to untangle himself from you, even though he knows he needs to. “I want this just as bad. I just… I need it to be right.”

“As long as I have you, it’ll be right,” you reassure. “I hope you know that.”

He presses his lips to yours again, a slow and passionate kiss that he hopes communicates every bit of adoration he feels for you in this moment.

“It’ll be perfect. I swear,” he vows. You’ve never believed anything more whole-heartedly than you do this promise. 

~~~

“Wait, you’re telling me that you literally had her under you and you stopped?” Robin’s halfway through chewing a mouthful of popcorn and the absolute carnage inside her agape mouth makes Steve give her a light shove.

“It’s not polite to talk with your mouth full, y’know.”

“It’s not polite to blue-ball either!” She shoots back in utter disbelief.

“How do you think I felt? I was this close,” he holds his thumb and index finger barely millimeters apart, “to sealing the deal.”

She just shakes her head. “You, Steve Harrington, are a genuine, bonafide idiot.”

She’s not telling him anything he doesn’t know. It’s been three days since the aborted fling in the backseat of his car, and he’s barely thought of anything else. Especially since you’ve been away from home both of the past nights when he’s called. He’s starting to worry you’ve gotten the wrong impression, that he’s not interested or that he’s toying with you. It’s the exact opposite. He wants nothing more than to know you in the most intimate way he can know you. But he needs it to be flawless. He needs it to be well thought-out and precisely planned, the most romantic event in the history of copulation. He won’t settle for anything less, not with you. You deserve perfection, and he won’t give you anything less.

“It’s not that I don’t want to,” he tries to explain. “I want to more than anything. But if you’re gonna go to town on a goddess, you need to do some worshiping, y’know? I don’t feel like I’ve done enough.”

Your heart pounds in your chest as you hear this admission. You weren’t sure what to expect–worried that maybe visiting him at work was an overstep–but hearing him call you a goddess certainly wasn’t on your radar.

“You’ve done more than enough, Steve.”

The sound of your voice makes Steve jump and whirl around, oblivious to Robin’s sly smirk and mumbled excuse of needing to attend to something in the back room.

“H-hey!” He squeaks, then clears his throat in an attempt to get his tone back to its normal octave. “What… what’re you doing here?”

“Oh, just came to pick up a tape,” you tease. “But mostly I came to see you.”

“Me?” He takes a moment to ground himself, loosening his too-tight grip on the counter. “I mean… I tried to call you last night. And the night before?”

Your brow furrows. “Really? I didn’t get your message.”

Because he didn’t leave one. He clears his throat and says, “I just figured you were busy.”

“Oh, well, I volunteer at the animal shelter on Wednesdays, and last night was my friend’s 21st birthday. I’m sorry I missed you, though.”

He can tell that you’re really remorseful, and it makes his heart squeeze in his chest a little bit. He plays it off with a dismissive wave of his hand. “No, it’s fine, it’s… are you free tonight?”

You giggle at the abrupt redirect, but he’s played directly into your hand.

“Yeah, actually. I was hoping maybe you could help me pick out something for us to watch tonight? If you’re free too, that is.”

His dark eyes blink slowly, wondering if you’re aware of the implication behind your completely innocent words. You. Him. A movie. Alone. It’s enough to make his head spin. 

“I’ve never been freer.”

Conveniently, you’ve come in close enough to the end of his shift that by the time you’re done combing through Family Video’s vast selection for the perfect film to use as background noise, Steve’s ready to clock out. And since you walked over after finishing your own shift at the local dollar store up the street, it works out perfectly that he can give you a ride straight to his place.

You only glance in the backseat once, but it’s enough to get your mind churning. Remembering the feeling of him, of what could’ve been. Anticipating what will be.

“Parents home?” You ask as he pulls into his driveway and parks, trying to sound casual and utterly failing.

“Nope,” he answers easily. “Took a detour to Cabo on their way home from Hawaii.”

“Sounds glamorous. You opted out?”

“I’d rather be here in Hawkins with you than on a beach alone anyday.”

He must know the effect his words have on you. Surely he can hear the way your heart picks up pace as he looks at you with those dark, affectionate eyes.

“So… this is home.” He waves a hand around the entrance hall like it’s a shabby nightmare, not the grandest house you’ve ever been in.

“I’m starting to understand why they used to call you King Steve.”

He’s almost embarrassed at the mention of that old high school nickname. “Trust me, this isn’t why.”

“Well, a palace does befit you,” you tell him with a smirk.

“Stop, you’re gonna make me blush.” The wink he shoots you makes your gut erupt with butterflies, a sensation that would normally make you a little uncomfortable. With Steve, you’d take the butterflies all day long.

He gives you a cursory and oversimplified tour of the ground floor before leading you upstairs, and suddenly he’s sheepish. It’s been a few moons since he shared his room with a girl, so the nerves are justified. But that’s too simple an explanation. You’re not a girl. You’re his dream, his muse, his–to re-quote himself–goddess. No one he’s ever cared about more has stood where you’re standing, and it terrifies him.

He hides it well, though, busying himself with making a comfortable nest for you in his bed before setting up the television set on the dresser against the far wall. If ever there was a time to regain his confidence, it’s now. He curses whatever god there is that he feels like a fumbling virgin in this moment when nothing is even happening, when just the anticipation is enough to make his hands tremble.

There’s no more stalling once you’re comfortable and the tape is set to play. His heart pounds to the steady and frantic rhythm of one of those heavy rock songs Dustin listens to now as he sits next to you, hands itching to take a hold of you but also eager not to move too fast.

Almost as if you can sense his hesitation, you reach over and take his hand. “Steve?”

“Yeah?”

“Kiss me.”

And so he does, and the second his lips slot to yours all the worry and anxiety is gone. He’s Steve Harrington, and he knows what he’s doing. You’re you, and he’s wanted this for so long. After years of being lost, he deserves to finally find the love he’s been looking for. He’s never been so sure of anything as he is, in this moment of initial clarity, that he’s in love with you.

He can’t say it, not yet. He’s sure it’s too soon, and the last thing he wants is to scare you off. But he’s determined to prove it to you, and the only way besides words is action.

He can handle action.

There’s no more restraint or hesitation behind his touch. This is it, this is what you’ve both been waiting for. There’s no way in hell he’s not going to deliver now. He’s desperate for you, and it shows in the heavy way his hands drag along your curves whilst committing you to memory; the way his tongue languidly swipes across your bottom lip; the way he shifts effortlessly to hover over you even while deepening the kiss.

He’s overwhelming every single sense of yours in such a sudden fashion, and you wouldn’t want it any other way. Especially not when his hips meet yours in a deliciously slow grind and you finally get your first little taste of what’s to come.

He keens at the little breathless whimpers that leave your mouth, reading every single signal you provide him with and accommodating each. Moaning? He continues what he’s doing, intensifying if deemed necessary. Whining? He adds something, because he knows it’s hard to use your words when you’re wanting so badly. Squirming? He pays attention to the direction of your movement and pulls away or presses closer depending on necessity. It’s down to science for him; he only really cared about extracurriculars in school anyway, and this was certainly his favorite.

But then he comes to his senses–while he doesn’t pull away completely, he needs to clear his mind and he does so by letting up a bit, allowing the kiss to become languid and the heat to extinguish a bit. It only makes you whine more, and Steve curses his damned formula. You shouldn’t be part of an equation. You’re everything he’s ever wanted, and every aspect of your relationship so far has been a new experience for him. He needs this particular activity to be different too. No formulas or calculations. Just you and him and whatever happens naturally.

Clearly you can hear the cogs in his mind turning. You pull away with a concerned look on your face and ask, “what’s on your mind?”

Now’s not the time to hide anything from you, he reasons with himself. He wants to be authentic with you, and part of that means telling the truth, even if it’s not something particularly comfortable.

“I’m… falling into a routine. And I don’t want to,” he admits. He sighs and leans back, one hand dragging through his shaggy and disheveled hair, sure that he’s going to ruin the mood if he carries on like this. But he refuses to back away from the truth now. “This… it’s always been like…. Like a series of checkpoints. Boxes to check, y’know? Kiss you, take your clothes off, make you come, fuck you, say goodnight. And I don’t want… I can’t let it be like that with you. I need this to be… real. Not just some list to cross shit off of. I don’t–”

Steve takes a long, shaky breath before he can ramble on anymore. Never has someone so thoroughly gotten under his skin. He’s never felt so insecure, so unsure. It’s terrifying. The most terrifying part of it all, though, is that he likes it. He loves the feeling of the unfamiliarity, of doing this right. In a way, it’s almost like he’s doing all of this for the first time all over again. You’re his first date, first kiss, first time. All because he’s changed so drastically, because he’s not even remotely the same person he was just a year or two ago.

Your hands are so gentle as you cup his face, tenderly forcing his eyes to meet yours.

“Steve… we don’t have to do this, not if you’re not ready. I want to be with you, not just for this, but for everything. Everything that comes with you… that’s what I want. There’s no pressure. I would wait a hundred years for you to be ready so long as I could still have you.”

Steve’s breath shakes a little as he comprehends the gravity of your words. There’s nothing he can say that can properly convey the gratitude he holds for your words, so he says nothing at all.

In his silence, you continue. “You’re more than a body, you know that, right? You’re funny, and kind, and smart. Yes, smart, don’t look at me like that. You’re everything I’ve ever wanted to be close to. I just… I want to spend time with you. I want to watch stupid movies and eat diner food until we get sick and laugh at your stupid jokes… and maybe make love with you, sure, but that’s pretty low on the list as long as I just get to be with you.”

He doesn’t notice the tears until it’s too late–by the time you’re wiping them from the apples of his cheeks it’s far too late to take them back or hide them. With anyone else, he would be angry; at himself, for allowing himself to be so vulnerable. For allowing himself to be so emotional. With you, though… with you, his emotions make him feel strong. 

For the first time since you walked into his life, he’s not scared of losing you.

“I love you,” he tells you. His voice is firm, as fierce as the kiss he presses to your mouth, as powerful as the waves of emotion vibrating through his very soul. “I love you so much.”

He barely gives you a chance to reply, as keen as he is on physically proving his love to you through myriad passionate kisses that leave you breathless. But when you finally get the chance to use your voice after a barrage of kisses that start to trail down your neck, you whisper, “I love you too.”

Four words, and they’re all he needs to quell every worry or fear he’s had over doing this relationship properly with you. Why should he have to worry, after all, when he’s already succeeded? 

“I love you,” he whispers as he trails down your neck and to your chest, leaving tender love bites on the tops of your breasts once he’s properly liberated you from your shirt.

“I love you,” he mumbles through sucking a mark a few inches north of your navel.

“I love you,” he murmurs when his lips meet your waistband. His fingers make quick work of your pants as he scatters kisses over your stomach, unable to part his mouth from your skin for even a moment.

“I love you,” he affirms as his mouth meets your hot and waiting core.

There’s no more checklist. Because this isn’t simply sex, as it always has been for him in the past. This is love-making: the kind of sappy shit they talk about in all those Hallmark movies that he rolls his eyes at the sight of. It’s like losing his virginity all over again.

He understands the old adage of “the other half” now. You’ve ripped him to shreds and sewed him back together with strands of yourself. The end result is better than the original ever could’ve even dreamed to be. He’s sure he couldn’t possibly live without you now, that losing you would be like ripping out fresh and unhealed stitches.

You’re not sure how long he camps out between your trembling thighs, but it’s long enough for you to lose count of the number of times he pulls you apart–first with his languid tongue; then his long, curved fingers; then a combination of the two. It’s like he loses himself completely in your pleasure, not a single thought in his head except what he can do to bring you to the edge again, and again, and again.

You’re trembling with oversensitivity by the time his own needs overtakes his desperation to unravel you. So out of it that you feel drunk, like Steve’s laced you with absolute bliss so pure you can barely stand it.

You’re hardly present enough to appreciate the adonis before you when he finally undoes his own jeans, and that’s a damned shame because he’s so damned pretty. Long and thick, flushed at the girthy tip from his hitherto unacknowledged arousal. His lean thighs are pure muscle, and the dark thatch of hair that trails south from his navel makes your mouth water. He’s everything you dreamed he’d be and so much more.

“Steve…” You don’t know what else you can possibly say. All you can do is vainly hope that one whine of his name can convey all of the heat, frustration, tension, and above all longing, swirling through your head in the moment.

He breaks from his lustful reverie for a moment to smile as he leans in for another heated kiss; you think it’s safe to say you’ve gotten your point across.

He slows from his mania for a few moments, lips tender as they explore against yours once more. These kisses are languid, slow, yet no less heated. Even now, he’s trying to prove his love to you. As if you could somehow not believe him after everything that’s happened, every small moment you’ve spent with him witnessing how hard he’s trying for you.

Somewhere in between kisses he manages to wrestle a condom out of his nightstand, miraculously without ever breaking from your lips.

Now is where you cut in, finally fading out of your over-pleasured fugue and back to reality. You take the little foil packet from his hands and tear it open, eager for this small chance to finally get a hand or two on him.

He lets out the most gorgeous noise you’ve ever heard as you roll the rubber down his length; a deep, earthy, diaphragmatic moan just from the simple touch of your hand. You want to touch him even more, to wrest out more of those sounds from him; to see what other undiscovered responses you can pull from him as you pleasure him. But you know that now, he needs to set the pace. He believes he has something to prove, and you’re more than happy to let him prove it. There will be plenty of other opportunities to have him completely at your mercy, anyway.

There’s no way to describe the feeling as he slides into you. It’s more than bliss, more than euphoria, more than earth-shattering toe-curling mind-altering pleasure. It’s nothing more than feeling whole. Of never knowing you were missing a part of yourself until it’s suddenly returned to you. Of never knowing what home felt like until this exact moment.

Maybe it’s overdramatic. Maybe it’s outlandish and outrageous and a million other adjectives to feel something so overpowering and overwhelming from such a seemingly simple physical act. But in this moment, you know you’ve never felt anything as right as being connected to Steve in this way.

His lips hardly leave yours while he rolls his hips against you, easily finding the perfect angle to make your breath hitch and your hands scrabble for purpose.

It admittedly doesn’t last long, but it doesn’t have to. Once you start to tighten and pulse around him, he’s a goner–deep purposeful thrusts turning to hard, arrhythmic plunges in desperate search of release.

You’re still shaking from your high when he slowly pulls out of you. He keeps you close, arms linked around your waist and dragging you to lay on his chest as he flops back against the pillows. 

You’re not sure how long you lay like that, with Steve whispering sweet nothings into your hair and pressing absentminded kisses to your face. All you can really focus on is one all-consuming, life-changing fact.

“I love you, Steve Harrington.”

“I love you too,” he whispers back. He kisses you again, just a simple peck on your lips, and you know that he’s telling the truth. It’s an eternal truth: one that can’t be changed or altered in any way. Steve Harrington loves you with every fibre of his being, and he will for the rest of his life–even if you’re both blissfully unaware of it for now.

THE END

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[foxs0x]

I am literally a graphic designer for my career but I couldn't be fucked editing a template, so here's how my art has evolved in the last 12 months!

January - @meanbossart 's Dark Urge

This was the first digital thing I'd done in over a year at this point. I took an extended break from art because my (old) job was ruining my mental health. (Which is why I quit it :D !) And his Drow character is really well thought out and very unique so I had to draw him. (His art is also very inspiring to me so check out his page!)

February - was still in my Baldur's Gate kick and loved that lizard (still do) and it was also my first time doing environmental art. I couldn't figure out how to do the "mood" I was imagining so I had to look up famous movie shots that were noir, dark and moody to figure out what the heck to do.

MORE UNDER THE CUT 👇😁

March - My D&D character Istdrin, a Drow sorcerer who was sexually attracted to spiders... And got eaten by spiders. (I had to make a new character after this 🤣) Rest in peace you sick fuck

April - Astarion, my fave BG3 companion (besides Wyll & Shadow heart!) I wanted to design a fancy suit for him and a modern haircut.

May - my first drawing of my V (Vicentije.) I had just bought Phantom Liberty at this point and was also trying to figure out how to draw him and how I imagine he would look. Alas I am a console player so I can't mod his tattoos in or his face sculpt etc. (but in a few months I'll finally have saved enough money for a PC haha!) he's gone through a few changes design-wise and I'm still tweaking him tbh

June - first art for my fanfic End Transmission

I just finished Phantom Liberty and had this idea brewing in my head. I'd also started writing my fic too! I'm not really happy with V:s face here and I've also since made more changes to his design, so he doesn't even have these tattoos anymore lol! (Except for the 13 on his forehead because he is unlucky)

July (??) (nothing)

August - Johnny Silverhand

I actually did this right before I went to America this year. I was drawing this at the Sydney airport and painting it on the flight to Los Angeles. I am still really happy with how this turned out.

September - I did this in my downtime while in the states. I started drawing the frames in my first week in America (while I was at my aunties house in Los Angeles) and finished it during hurricane Francine in New Orleans!

October - Johnny Silverhand again! I tried drawing a few comic panels of my fanfic End Transmission when I got back to Australia.

November - original character I'm working on. He's an ugly vampire who was an artist in his human life and made very beautiful things.

December (??)

Nothing really for December yet lol! Just lots of wips and ideas I'm still working on

Overall my art has made a HUGE improvement this year. I've been focusing on better quality lines the last two months but all year I've been working on more dynamic poses and colouring!!

[mirai-e-jump]

Uchusen Vol.185 (Summer 2024) Bakuage Sentai Boonboomger | Detail of Super Sentai ft. Main Cast & Director Interviews, Summer Film Details (translations below)

Publication: July 1, 2024

Miyazawa Yu (Sakito Homura)

"To start, please tell us why Miyazawa-san decided to become an actor, and what happened when you first became aware that you were an actor."

Miyazawa: I've been playing soccer since I was little, and even in high school, I played on the soccer team while living at the dorms. It was located in Shizuoka, but there were alot of kids around me who were in the entertainment business, so I kinda had the impression of it being a glorious thing. However, I was serious about soccer, participating in national competitions and such at the time. After that, when I entered college, I happened to be approached by an entertainment agency, and that's where my entertainment career began. I started to pursue acting when I played the role of a classmate in the 2015 film, "Girl's Step." Even after a cut or during set up, I'd see some actors practicing their lines, and that's how things started taking shape. When I quit playing soccer and had nothing in particular to be passionate about, I was impressed by the seriousness with which they tried to create things. The TV shows and films we watch are finished products, right? When I learned about the production process, I was surprised to discover how "deep" it was. Until that moment, I had no idea that the Director and actors communicate with each other to create the performance, and that there are many other departments involved in the production, such as the filming department, lighting department, and audio department. I was impressed by the fact that so many people could create a single production in this way. Then, when everyone around me started job hunting, I began to think, "Becoming some company employee doesn't seem right," and that's when I started to pursue acting properly. I was around 22 years old then.

"What kind of actor did you aspire to become?"

Miyazawa: There are many actors who are good at performing called "chameleon actors," and I still aspire to become that kind of actor, being able to play roles that only I can play.

"The agency Miyazawa-san belongs to, G-STAR PRO, has many people who have worked on Toei's tokusatsu productions in the past, doesn't it? Miyazawa-san, did you also have any desire to work on tokusatsu productions?"

Miyazawa: Yes. I've always wanted to be in one. The first production I auditioned for was "Kamen Rider Drive," when I was 19 years old at the time. From there, I've had more than 10 auditions for the Kamen Rider and Super Sentai series. Many of the seniors from my agency have appeared in tokusatsu productions, but they all transferred from other agencies, and as a matter of fact, no one made their tokusatsu debut from this agency at that time. That's why I was auditioning, determined to be the first. The outcome was that Kawana-kun (Kiryu Daigoro in King-Ohger) was the first actor, but I always had a strong desire to be in a tokusatsu production.

"Did you get the feeling that others were ahead of you?"

Miyazawa: To be honest, I didn't really feel that I was being overtaken. Still, I'm 29 years old now, and the main cast of the Super Sentai series usually consists of people around their early 20s, so I wondered if it was going to become tougher for me. Especially in the last 2-3 years……I had a strong feeling that I'd probably fail the audition anyways. Actually, I also auditioned for the initial members of Boonboomger last year, and was able to make it to the final selection. However, I was eliminated in the end. This is the toughest place to fail. You start to think, "Ah, maybe it'll work out?" (laughs). I had the feeling of, "I've been failing for so long, I guess I'll never pass."

"Did you audition for the role of Sakito Homura after watching Boonboomger?"

Miyazawa: Boonboomger had already started airing, so I knew what kind of story it was going to be. However, Sakito Homura is quite a special character (laughs). I wanted to try to express a slightly different kind of character, one that's different from the worldview we've seen up until now in Boonboomger.

"How did you feel when you heard about the audition?"

Miyazawa: I wanted to pass this time, but I had a feeling that I'd fail again. However, when I saw the character profile of Sakito Homura written in the audition summary, I thought, "This character, isn't this just me?" (laughs). It's a strange story, but it gave me confidence that I would definitely pass the audition this time. On the other hand, I felt that if I failed this one, I'd never get another audition for a tokusatsu production.

"Does this mean you thought Sakito Homura seemed to resemble you?"

Miyazawa: The incomplete part of him, his weaknesses, and his vulnerabilities, I felt that they were similar to my own. Also, I like characters who are cheerful but have some kind of dark side to them. I had a desire to try playing such a role, and was strangely confident that I could definitely express it myself.

"How did you feel when you finally passed after almost 10 years of doing auditions?"

Miyazawa: I received a call about 30 minutes after the final selection (laughs). On my way home, my manager asked me, "Can you come to the office now?," where I was told that I had passed. It didn't really sink in at the time……It was only during filming of the first Change that the realization of "I've become a hero" actually hit me. The first Change was filmed on the fourth day after I arrived on set, so up until the third day, I felt the same as when I was working on other productions (laughs). When I was working with Action Director Jun-san and Violet's Suit Actor Tsutamune-san on thinking up transformation poses, the realization of what I was doing started to bubble up inside me, and when the cameras started rolling and I posed for the transformation and Tsutamune-san came out as BoonViolet, that's when it finally hit me.

"We understand that the three of you came up with the transformation poses together, but who took the lead?"

Miyazawa: Since it was my first time, Jun-san and Tsutamune-san pulled me along, but rather than anyone taking the lead, we thought about it as a group of three. I wanted to express myself in some way, since the transformation pose I decided on here will be the one that will remain with me for the rest of my life. Jun-san and Tsutamune-san also said that, "Miyazawa-kun's favorite pose should be good." I thought about it while receiving lots of ideas from both of them. Speaking of, there's something I like regarding Sakito's transformation pose, can I tell you about it? (laughs).

"Please go ahead (laughs)."

Miyazawa: There's the pose that looks like he's waving a checkered flag, which is meant to say, "Sakito Homura is here to end the game. I'm here, and everything's alright now." In addition, Sakito loves fighting and chaos, and is a forward character who wants to stir things up on his own, so I incorporated the attitude of Sakito Homura into the pose, with the spinning (of the checkered flag) around and sprinting forward from a jump.

"It's a transformation pose with alot of attention to detail. Before Boonboomger, Miyazawa-san appeared in "Super Battle Junretsuger," "Kamen Rider Revice," and "Kamen Rider Gotchard." You have alot of experience gained from dramas, films, and stage plays, but do you feel that tokusatsu productions have a different feel to them?"

Miyazawa: My first acting role was in Kamen Rider Revice. I've been watching "Kamen Rider" since I was a child, so it felt alittle different than appearing in a regular TV drama. Tokusatsu productions are something we remember and admire from our childhood, right? I was deeply moved to be apart of such a production.

"I know we talked about filming first, but after you were cast for the role, how did you prepare to portray Sakito Homura?"

Miyazawa: Sakito's setting is that he's been in space for about 20 years, so for starters, I've never been to space (laughs). Since he's a character with an unusual past, I had the impression of a character who's far removed from reality. I created the backbone of Sakito Homura's character by imagining life in space, and by watching American comic book films like "The Avengers," which I hadn't seen much of before, and discovered things I didn't have in my own repertoire.

"Filming for episode 18 has finished (at the time of this interview), but have your impressions of Sakito changed as a result of your performance?"

Miyazawa: He was in space for almost 20 years, and I think he's become a detached type of character in an attempt to appear strong. But in reality, he's the kind of character who feels that there's one thing he wants to protect, and aside from that, nothing else matters to him. As I played the role, I strongly felt Sakito's humanity, thinking that it was okay to show such emotions in small detail, and that (Sakito) was capable of it.

"Will Byundi (Byun Diesel) be the one with whom you've performed with the most up to episode 18?"

Miyazawa: That's right. I was filming while consulting with Takada Masashi-san. The relationship between Sakito and Byundi is really good, like that of Luffy and Ace from "ONE PIECE." They have a relationship where they support each other, so when Byundi puts down the gun he's pointing at his opponent, Sakito also puts down his, and I'm working with Takada-san in mind while being conscious of the habits that Sakito has as he matches Byundi. I've also been discussing with Tsutamune-san how BoonViolet should interact with Byundi after the Change. In the beginning, I watched Tsutamune-san and Takada-san's performance as BoonViolet and Byundi, and I even played Sakito with them in mind before the Change.

"How's the mood with the other cast members playing Boonboomgers?"

Miyazawa: There are younger kids like Iuchi-kun and Saito-kun, who are only 19 years old, so it's a very energetic set. At first, I was worried about whether I'd be able to communicate well with them, but everyone is very kind. They came rushing over to me when I was having my costume fit and asked things like, "What's Violet like?," and I thought, "Uwah, they're so cute" (laughs). We'll be working together for more than half a year, so I'd like to go out to dinner together and steadily become closer. I've only been on set for less than a month, but we're communicating well, and I'm having fun working together with everyone.

"We've noticed that Sakito will be featured in the film that'll be released this Summer."

Miyazawa: I didn't expect to be able to perform so soon after I appeared. There's a scene where Mira asks for help, and I thought hard about how Sakito should react there. Presumably, in the timeline of the film, Sakito will have grown enough where he acts for his friends. For me personally, it was difficult because we haven't filmed that much of the main series yet……(bitter smile). I was also happy to be able to perform in a scene where all six of us fight together, a development that's typical of the Super Sentai series.

"There's still more than half a year left to film, but is there anything you'd like to challenge yourself to in this show?"

Miyazawa: Up until now, I've often played the role of a villain, but I tried not to show that part of myself since this time children would be watching (laughs). I'd also like to try my hand at acting in a situation where I have to fight to protect someone while falling apart. I think Boonboomger is different from the films and TV dramas I've been involved with in the past, and in terms of acting, I'm asked to express myself in a way that's easy to understand, and I'm also being asked to show parts of myself that I haven't shown before, so I'd like to continue to challenge myself in these areas.

"Regarding Sakito Homura, what would you like people to pay attention to from now on in Boonboomger?"

Miyazawa: I think episode 18 showed us alot of Sakito's strengths and vulnerabilities. How will Sakito be involved with the Boonboomgers going forward? I hope you'll look forward to seeing how Sakito and Byundi change and grow over the course of each episode. If the viewers can feel that growth, then I'll be happy to have played the role of Sakito. Please make sure you pay attention to that.

Matsumoto Rika (Bundorio Bunderas VA)

-Delivering energy for the children's sake-

"First, we'd like to ask about the story behind your offer for this production."

Matsumoto: The first offer I received was to voice the "DX Boonboom Changer" toy. It's really wonderful to hear my own voice coming out of an item that children can directly touch. As an artist, I always hope to be a "strong vitamin" for others, and that's exactly what I do through my voice, delivering energy directly to children. There used to be a thing called a "laugh bag," right? You'd press the bag and hear the sound of laughter, and it'd make you laugh along too. With that image in mind, I put myself in a super good mood during the recording, thinking about fun things like listening to music and eating tasty food (laughs). I'd be happy if everyone could join in with my "Boon Boon Boon!" voice heard coming from the toys, imitating me when playing with them and naturally becoming energetic.

"Following that, you'd also be the voice of Boonboom and singing the ED theme?"

Matsumoto: One after another they said, "Please voice Boonboom" and, "Rika-san, please sing as well." I "cranked up" saying, "Of course!" The flow of everything was good as usual. I had reached a milestone after appearing in the anime "Pokemon" for 26 years, so I had alot of energy left in me, and I had also heard that children were missing my voice and becoming sad. I was looking for a way to delivering energy to them, as there was no option inside of me to make them feel lonely.

"Next, please tell us about your role as Bundorio Bunderas."

Matsumoto: The Producers told me, "We'd like to see him portrayed as a life form rather than a robot." At first I thought, "Maybe I should just do it as myself?," but since Boonboom's actual character is played in tandem with the Suit Actor, I wanted to add some spiritual meaning into the Suit Actor's detailed movements. I wanted to make Boonboom even more appealing by including dialogue that's true to life.

"How about the actual recording?"

Matsumoto: We have a trusting relationship, and I'm often entrusted with the job. Even in scenes where there are no lines, I'm sometimes asked, "Please give us a line here that's unique to Bundorio." I'd ask, "What kind of lines do you want?" and they'd say, "We'll leave it to you" (laughs). So I'd look at the footage 3-4 times and say, "I'm ready!" They'd say, "Do you want to do a test? Or do you want to do it for real?," and I would do a test from time to time, but sometimes I'd just go straight into doing the real thing. After all, isn't it best for it to come about naturally and without pretending? There are many cases where the first take is good. However, every Director entrusts me with their work, which makes me very happy and makes it worthwhile. There are multiple Directors, including one who was an Assistant Director during the days of "Chikyu Sentai Fiveman." For some reason, it puts a smile on my face every time.

"In that regard, do you also sometimes think back on the days of Fiveman?"

Matsumoto: I've been active overseas quite abit this year, so I'm able to concentrate on recording, but back in the days of Fiveman, we recorded every week without exception, and it took us from the time we entered the studio in the morning until late at night, which is totally different from how it is now. One of the recordings I remember well is the episode where Arthur G6 is damaged (Ep 12, Arthur's Super Transformation). Arthur's personality changes, but I was also simultaneously performing in "Obocchama-kun," so I added the essence of Binbocchama, the character who I played at the time (laughs). Most of the puns in that episode I came up with myself (laughs).

"Hasn't Toei Studios also changed a considerable amount?"

Matsumoto: First of all, it's become beautiful. Back in the old days, the floor in the recording studio was just dirt (laughs). Back then, it was still the era of film, so we'd screen the film in a dark, almost cave like environment, and read our lines by relying on a small light. I don't know how my seniors did it in that environment. Now, we've moved from film to the digital era, and the floor is no longer made of dirt. The recording room is also bright. The way I approached the role back then and the way I do it now has changed considerably, and because I've been doing this for so long, I've been able to feel this transition with the passage of time, which fills me with an inexpressible feeling.

-The word play is improvised-

"What do you care about in your role as Boonboom?"

Matsumoto: I like to include lots of wordplay. In the Children's Day broadcast on May 5 (Bakuage 10), there's a scene where the five of us were talking in the garage, and Boonboom was wearing an origami helmet (kabuto). And so I said things like, "Kabuto, I'm a kabuto~🎵" (laughs). However, I felt that the sound was muffled in the broadcast, so the next time we recorded, I said to the mixer, "I thought I sounded really good there, but wasn't my voice low?" They replied, "No, no, I could hear you just fine" (laughs). During the days of Fiveman, I could hardly talk to the Staff, but now we have a normal relationship where we can talk about these kinds of things, and I really enjoy each recording session.

"In the show, you're active not only in the usual Boonboom scenes, but also in the giant Robo battles."

Matsumoto: No, I thought I wouldn't participate in that part and would have a break. "The five of them are piloting and fighting, there they go, good luck!" is what I thought……I was told, "No, no, please do the same as Boonboom," and now I'm working hard with great enthusiasm, believing that I'm one of the Boonboomgers.

"We feel like you're being called upon more and more by the production team, and that your opportunities to play an active role are expanding."

Matsumoto: I'm really very grateful for this. Right, the OP theme song is sometimes played in the background during the Robo fight. En-chan (Endoh Masaaki) told me, "Rika's voice is so high pitched that I can't hear my own singing" (laughs). I want to make it clear to him that I'm just doing what they ask me to do (laughs).

"Have you had a chance to meet any of the cast members of Boonboomger?"

Matsumoto: We first met when the Producer brought the Boonboomger members to observe the recording session "for the sake of studying." They were all lined up behind the booth and looked at me. I thought it would be good if I could be of some help, but I kinda felt embarrassed and shy (laughs). The five members were cheerful and refreshing, full of enthusiasm and saying, "Let's do our best from now on!" They're very pleasant members. As I mentioned earlier, I consider myself a member of the Boonboomgers, so I'd like them to make as much Boonboom merch as they can (laughs). "With Boonboom, the six of us are Bakuage Sentai Boonboomger!" (laughs).

-Also singing songs as Boonboom-

"From here, we'd like to hear you talk as the singer who sings KotsuKotsu PONPON."

Matsumoto: I sang KotsuKotsu PONPON at various places during the Golden Week holiday, and everywhere I went, children's eyes lit up with joy while saying "Wow!," and I was able to experience firsthand the response to the song. When I went to Amagasaki, there were small children in the room next to the one I was staying at in the hotel, and it was very lively. Then I thought, "What's that?," and what I heard from the other side of the wall was KotsuKotsu PONPON being sung by the children. I was thrilled and thought, "They're singing!," and I tried singing the next part, but then they suddenly became quiet (laughs).

"The children wouldn't expect Matsumoto-san to be staying next door (laughs)."

Matsumoto: That'd be a surprise, wouldn't it? (laughs). But I was happy to see that this was such a widespread song. Overseas, I sang it in Portugal, and everyone already knows it. It's also up on YouTube, so I guess people looked it up and remember it. Now that we have TikTok, I hope that through SNS we can spread our music to a large number of people and have them enjoy listening to it. I myself listen to this song and find it very energizing.

"Please share your recording stories with us."

Matsumoto: At first, I thought I should just sing it in my own style, but I couldn't help but sound cool (laughs). I was asked to sing with a relaxed and open tone, so I was very conscious of that. Also, the key is set to a male voice, and it's only Boonboom that sings. We had alot of discussions about the fine details of the song like, "I want to sing it like this." For the chorus, the words "KotsuKotsu" was also written twice in the verse, but I was only able to do it once. We also discussed and decided on what to say for lines like, "Crank up! Let's go!" It really felt like we were writing the song together, and we were able to record it in the best possible form, even exploring the perfect key until the very last minute.

"It's on TV every week, but how do you feel about seeing it with the footage?"

Matsumoto: At the time of the recording, I had heard that there was going to be dancing, but I didn't know they were going to feature Boonboom that much. It's a really fun video. All the Staff members had fun making it, including the inclusion of the explanation of traffic rules. I really hope this song becomes a favorite song for as many people as possible. It would definitely be a hit if everyone could dance and sing along. The choreography itself was also well thought out in such a way that it can be performed while sitting and using only hand gestures.

"His name was mentioned earlier, but what about Endoh Masaaki-san, who sings the theme song?"

Matsumoto: En-chan and I have been friends for a long time as fellow singers, and it's interesting that the two of us are responsible for the OP and ED of Boonboomger. I've also had him participate in the chorus of "Rival!" from Pokemon, and when I see En-chan working hard, it makes me want to work harder, so we have a great relationship. When I heard that, "Endoh Masaaki-san has been chosen for the OP," I called him immediately before we recorded this time. "En-chan? Hey, it's Rika"……we were able to communicate with each other just by saying that and burst out laughing. I said, "I'm looking forward to working with you this year!" So far we haven't had a chance to sing together on stage yet, but I'm looking forward to the time we can perform together.

"In addition, a new character song, "Curry is spicy but beautiful" is also being sung."

Matsumoto: It's not so much a character song as it is a song about how to make curry. I was told, "You're going to sing a song about making curry" (laughs). I sang the song while imagining a happy scene of a family eating curry together. It would be great if the song becomes so popular that people sing it when making curry in their everyday lives.

"During the time of Fiveman, you sang the character song "Super Arthur" as well."

Matsumoto: This was my first recording as a singer, and I was extremely happy about it. It was my first time singing a character song. At first, I was singing with a natural, rock feel in mind, but then the music suddenly stopped and the Director at the time said, "Sing as the character." At first, I had a hard time figuring out how to sing it, but then I relaxed and sang it as much as I could, letting my hands swing around, which had a cute feeling to it. They also nailed it with Arthur G6's character name, so I tried singing it like a cheer.

"It'd be fun if the opportunity to sing it at Super Sentai Spirits arose."

Matsumoto: I haven't sung it since those days, so if that happens, I'll have to practice (laughs). But, that song is also cheerful and uplifting. At the time, I had heard from the Staff that many children liked this song among the ones on the Fiveman album. Because of my experience at that time, I was even more conscious of singing as the character this time. I think that "KotsuKotsu PONPON" and "Curry is spicy but beautiful" are both different from Matsumoto Rika, and are truly Bundorio Bunderas.

"You seemed to have sung the role with that much feeling."

Matsumoto: I've come to realize that character songs can only be sung by people who are serious about the performance. I think that both the melody and the poetry need to be conveyed in a compelling way.

-A character loved by everyone-

"Looking back, in addition to Arthur G6, you've often appeared in Toei's tokusatsu productions as the voice of a monster, but in episode 9 of "Mobile Cop Jiban," you also performed in person."

Matsumoto: I played the role of a reporter. Guess I've been found out, huh? (laughs). I'm beyond embarrassed. What's more, the green clothes I was wearing at that time were my own. At the time, those kind of clothes were popular……

"Ah, the bodycon dress, right?"

Matsumoto: Right! I took care of my own costume and makeup. My hair was also very wavy (laughs). For some reason, at Toei, when it comes to roles where I appear in person, there are alot of unusual ones. Like when I was AkibaYellow's mother in "Unofficial Sentai Akibaranger" (laughs). I'm very happy to be asked to play any role, but in the Super Sentai series, I'd like to play an evil super boss someday. I once played the role of Prometheum in the stage play of "Galaxy Express 999 The Musical," where I got alittle taste of such a role, and found it very rewarding. That's exactly the kind of super boss I'd like to play, like the ones played by Soga Machiko-san, who was also active as a Voice Actor. I admire it.

"Returning to Boonboomger, how do you watch the weekly broadcasts?"

Matsumoto: I really love this production. Watching the show cheers me up, and there's a part of me that looks forward to living for each Sunday. The Boonboomgers are cool of course, but the way the Sanseaters are depicted is funny, and I like the Kurumaju that appear each week, who despite being enemies, are somewhat cute. I wish they were all mascots (laughs). For recent broadcasts, the Kaseki Grumer episode (Bakuage 15) really struck my heart. When I saw it during the recording, I genuinely started crying. It's really amazing that they can portray such a deep drama in 30 minutes, and that they continue to deliver so many messages to children week after week, making me once again feel that I'm being allowed to be apart of a good program.

"Finally, please tell us again how you feel about your performance in this production."

Matsumoto: I've been holding on to the same unwavering feelings I had 34 years ago when I played the role of Arthur G6. I'm not trying to imitate that role, but both Arthur and Boonboom are packed with elements of courage, smiles, and energy. In the beginning I mentioned that I, "Wanted to be a strong vitamin," and recently, I've actually felt that Boonboom is becoming that way. His name "Boonboom" is also very playful and I really like it. It's not the same as the pandas "Lan Lan" and "Kang Kang," but it seems that names followed by the same word are ones that are loved all around the world. In that regard, I think he's a familiar figure for children, so I'd like to make him a character that'll always be there for children and loved by everyone. I'd be happy if we could grow together.

Director Nakazawa Shojiro

"This is Director Nakazawa's second production as the Main Director after "Kamen Rider Geats," When did you start participating in the project?"

Nakazawa: Technically, I did episodes 30 and 31 of King-Ohger after Geats, but to be honest, planning for Boonboomger had already progressed to a certain extent while I was working on Geats. I joined when Geats when was at it's halfway point. At that point, it was decided that it would be a "Sentai with a car motif," and that there was a "deliverer" and a "A group of professionals."

"Director Nakazawa has been the Main Director of multiple Super Sentai series, but were you given any orders for this production?"

Nakazawa: The orders were to "guarantee clarity" and "to have the cars appear in someway or other." The previous production, King-Ohger, had a strong connection to the passage of time, so with Boonboomger, I was conscious of making, "A show that can be enjoyed without thinking too much about the passage of time while also being aware of it." For my own part, I focused on simplicity and clarity, and finding the right sense of balance between being comical and serious at the same time.

"This is your first time working with Tomioka Atsuhiro-san, who wrote the script. We think you've worked with Kuji Yoshito-san before, but this is the first time for you to work with him as Chief Producer."

Nakazawa: Yes. I also worked with Kuji-san on "Ressha Sentai ToQger" and "Shuriken Sentai Ninninger" when he was an Assistant Producer. Tomioka-san is a man of man ideas, offering a variety of proposals, and is also good at summarizing them. The impression of him I get is that he's broadminded. Kuji-san listens to what multiple people have to say, and instead of rejecting things in a one sided way, he'll skillfully sum things up by saying, "That's one way to think about it." Working together with him is very helpful.

"Tomioka-san said, "I love toys," when we interviewed him in the previous issue of this magazine."

Nakazawa: That's right. When he starts talking about toys, he can't stop (laughs). In tokusatsu productions, Scriptwriters are sometimes at a loss as to how to make the mechas and items appear, but Tomioka-san will skillfully suggest, "Let's make this Boonboom Car appear like this."

"Boonboom Wagon grabbing the Kurumaju and driving off in episode 2 was putting a gimmick to good use."

Nakazawa: I'd like to have the Cars appear as much as possible, but we can't keep repeating scenes of them just driving. So, we came up with an effective way to make the Boonboom Cars appear on the scene. We thought alot about how to use the Boonboom Cars while working with the gimmick of the toys, and decided on it grabbing the Kurumaju and hauling it off.

"One of the highlights of the Boonboom Cars is the inroad scene, however, is there a reason why all the Cars go out together every time?"

Nakazawa: In a logical sense, there's no point in having all the Cars in the show come out, but Butsuda-san (SFX Director) insisted with, "You have to have all of them appear!" (laughs). The Boonboom Cars use both CG and miniatures, a direction that Butsuda-san has cultivated over the years. In Super Sentai giant battles, mechs often merge together as soon as they appear. In Boonboomger we wanted to show the Cars driving as much as possible, so we setup a highway space.

"What were you particularly conscious of when creating the first three pilot episodes?"

Nakazawa: I took great care in character building, and how to portray Taiya-kun and the others in a charming way. Taiya-kun has lots of money and can do whatever he wants, but he doesn't speak honestly and doesn't talk about himself, which can inadvertently make him come across as rude. Therefore, I was conscious of how to portray the character of Taiya in an appealing way. At the same time, we also wanted Mira-chan and Chasshiro to be good characters. At the request of Producer Kuji-san, I was conscious of how to combine the conflicting elements of being smart and professional with a comical feel.

"We think this is a difficult direction that could only be done by veteran Director Nakazawa. How exactly did you proceed?"

Nakazawa: When making a comical facial expression, do you go all out or restrain it? I was careful of finding the right balance. However, it's meaningless if the actors don't give it their all. It's important to assess this.

"For the members who joined later, BoonBlack and BoonOrange's transformed forms were also missing from the pilot."

Nakazawa: We started with three members in the beginning, and decided that the fourth and fifth would join later, but then we decided that, "It's better to have Jou and Genba appear from the beginning." If you watched the show without knowing that he transforms, you might've thought, "For some reason, the policeman who appears every time is pretty handsome" (laughs), but our original idea was to create, "A strange character who comes out and gets knocked out immediately," and then have him join the group.

"Of the two who join later, the fact that Black is a policeman reminds us of "Engine Sentai Go-Onger"……(laughs)."

Nakazawa: It certainly reminds me of that (laughs). Still, the fourth member became a police officer since it was decided on that his mech would be a patrol car. It was Tomioka-san's idea to have the fifth member be a "procurer," but since it was already decided that the mech would be heavy machinery, the name "Genba" was chosen to reflect the image of an "on site person."

"In episodes 8-9, which Director Nakazawa was next in charge of, the Boonboomgers were already in danger of breaking up."

Nakazawa: In fact, this was the second time after episode 4 where they were on the verge of breaking up (laughs). I didn't know at the time we were filming that this 9th episode was the "end of part 1" (laughs), but I think it was good timing for the first climax after all five members were together. This is the episode where Taiya's dream of the BBG is first mentioned and information begins to be revealed. From the very beginning, we had clearly decided that the Boonboomgers would be "people who do what they want to do," and that they're not necessarily heroes who are willing to sacrifice everything for the sake of peace on Earth. As more info about the BBG (Big Bang Grand Prix) is revealed in the future, I'm sure we'll also learn more about why Bundorio's qualifications as a racer were revoked.

"Please also tell us your impressions of the cast."

Nakazawa: I always tell the cast before we start filming that, "It's not just your job to say what's written in the script, but to also to think about the background of the lines written and express them." It's like King-Ohger's "between the lines" (laughs). I also tell them that, "Each character is your own creation." The Director changes on a rotating basis, so it's necessary the cast members themselves work through their roles. In that sense, they've grown alot between their first meeting together and the wrap up of episode 3. I think they've grown in some areas since then, but I hope they'll grow even more after experiencing the Summer movie.

"Starting from episode 16, Sakito Homura and BoonViolet also made their appearance."

Nakazawa: Unfortunately, I haven't been able to work on an episode where Sakito appears yet, but I was involved in the casting process. Sakito's Miyazawa-kun was one of the finalists in the audition that decided the original five cast members. He's a good actor and has a good character, so when we were deciding on the role of Sakito, I said, "I'd like him for this role." Sakito plays the dangerous role of a "cleaner," but I wanted him to skilfully play it without becoming a scary person.

"Another interesting point is that Bundorio and the Boonboomgers Robo are the same being."

Nakazawa: At first, Bundorio wasn't even established, and the Boonboomgers Robo just had the image a very ordinary Sentai Robo. As the planning meetings progressed, it was decided that, "A life sized version of the Robo should be released so that people would become attached to it," and that the character Bundorio would combine with the Robo so that, "The Robo is always with the members." The "giant battles" are a major feature of Super Sentai, and robots are the main items in its merchandise development. I was thinking about how to make this Robo look appealing. We're limited in what we can do if they just appear in giant battles.

"It's similar to Zenkaiger, in that the giant Robos also served as life sized friends."

Nakazawa: In Zenkaigers situation, the Robos appearance changed before and after the transformation, as well as when they combined, but Bundorio's appearance remains almost the same. So, I'd say that it was a step forward from what we had done with Zenkaiger. In Zenkaiger, there was "space" when the Robos took on different forms, but in Donbrothers, the Robos have the faces of each of the characters. This time, we've taken it one step further, and the "Robo still remains almost the same." If its appearance changes like in Zenkaiger, it'll be difficult for the children watching to view it as "the same thing." That's why this time we decided to keep the design mostly the same.

"Matsumoto Rika-san's performance makes Bundorio an even more appealing character."

Nakazawa: She has an aura about her, so much so that even before she enters the studio, I know she'll be there soon (laughs). In any case, she loves Bundorio, and just by saying a few words, the character is brought to life. Furthermore, she hardly rehearses at all, and after watching the footage only once, she goes straight into the performance, which is tremendous. I heard that she'd like to appear in these shows, even if she has to show her face, so if she does, it'll likely be a strong character like in Unofficial Sentai Akibaranger.

"One of the features in this show is that Bundorio often makes curry. Why did you choose to have him cook curry?"

Nakazawa: Taiya-kun's tired of eating expensive gourmet food, and prefers to eat ordinary food. Tomioka-san's idea was to make ochazuke, but after some complications, we decided on "everyone's favorite: curry."

"Now then, how were the enemy Hashiriyan characters decided?"

Nakazawa: Since the hero's side is set up that their cool adults, I was conscious of giving the Hashiriyans the comical, almost comedian like role in contrast. The Gaiark trio in Go-Onger initially appeared as "really bad guys," but in the latter half of the show, they became lovable comedic characters, didn't they? The kind of feeling I had when I thought of them were, "They're bad guys, but I don't hate them, they're ridiculous characters who are indispensable." Both the Suit Actors and the Voice Actors are having fun and in high spirits, so the characters are growing and developing.

"There are many memorable lines in this show, such as, "That Cranks me up!" and "Seems like you're in trouble."

Nakazawa: "Cranking up" was first introduced during a meeting when Tsukada-san, who was also present said, "They say Bakuage Sentai, but what's the point of Bakuage? This can be traced back to "Bakuryu Sentai Abaranger," where Tsukada-san had said something similar like, "What's the point of Abare?" In other words, such a point is absolutely necessary for the Super Sentai series. So, we started to include "Bakuage points" in each episode and "Cranking Up" in the dialogue. In short, Bakuage is, "The moment when you get excited about something, but don't know what it is." If you think about it calmly, it doesn't make sense but……it's not about logic!

"What about Genba's, "Seems like you're in trouble"?"

Nakazawa: The lines are tailored to Genba-kun's elusive and mysterious character. I think Tomioka-san was the first to include it in the script, and before I knew it, it had become a common line in the script. Tomioka-san is skilled at coming up with lines that show a character in just one word.

"Live compositing has been used since the covid pandemic, but how is it being used this time?"

Nakazawa: The Staff's skills have improved as a result of the experience we've gained so far. The technique was used to its fullest extent in the previous show, King-Ohger, but it wasn't all positive, so we had the option of not using it this year. However, it'd be a waste to reduce the technology we've accumulated from zero, so this time we used live compositing to capture things like the cockpit of the Boonboom Cars and walls in the background. These are the kind of scenes that could be shot on a set, but the difference so far is that we're mixing CG and actual modeling objects in the filming.

"And now finally, please give a message to the readers of this magazine."

Nakazawa: We're aiming to create a show that's both stylish and fun. I think you'll enjoy that unbalanced balance. We look forward to your support throughout the next year! _

Summer Film Details

"Saving the princess of the Universe from the strongest Hashiryan!" (Boonboom meets Princess?!)

The name of Boonboomgers first film that'll be released this Summer is called, "Bakuage Sentai Boonboomger: Gekijo BOON! Promise the Circuit." As the title suggests, the story starts at a circuit. While Taiya and the others are filming a video collaboration with HIKAKIN, an urgent request comes into the Boonboomgers…….Including Sakito, the curtain rises on a large scale battle between the six Boonboomger members. With the Main Director and Main Writer being the duo Nakazawa Shojiro and Tomioka Atsuhiro, come witness this cranked up battle only in theaters!

STORY: Princess Nicola Keydoor appears before Taiya and the others. She says that the planet Trickle, on which she lived, fell into the hands of the Hashiryans, and so she fled to Earth. In addition, the Hashiryans send the threat of a large, planet destroying missile to ISA, demanding that Nicola be turned over to them. In order to protect Earth, the higher ups at ISA decide to hand over Nicola. However, she couldn't accept this decision, and asks the Boonboomgers for help. As Demon Thunder appears in pursuit of Nicola, will the Boonboomgers be able to save both the princess and Earth?!

Demon Thunder (VA: Kishi Yuji, Suit Actor: Seike Riichi): A Hashiryan Catching Captain. He attacks Nicola, a princess, because he considers the screams emitted by people of nobility to be a fine source of Ghassolin.

Circuit Grumer (VA: Seki Tomokazu, Suit Actor: Sakai Kazuma): The Kurumaju born from Demon Thunder.

Nicola (Irei Himena): Princess of planet Trickle. She arrives on Earth after being ordered to flee by her father, the king, as her homeworld fell into the hands of the Hashiryans.

HIKAKIN: A popular video creator known around the world. Bundorio is one of his fans, and it appears that the collaborative video shoot was procured by Genba.

(page 73, clockwise) The Boonboomgers are shooting a collaboration video with HIKAKIN on the circuit that Taiya bought. It seems like he introduces the Boonboom Cars, and yet…..

BoonRed engages Demon Thunder to save Nicola. The result of his fate is……!

Mira and Nicola get into the Boonbom Super Car parked in the woods in order to escape from Circuit Grumer!

[sweetdispatch]

Single life - N. Hischier

When Two Sports Collide | previous chapter

timeline: May 2022 - July 2022

summary: Lisa visited Lottie during summer but she didn't expect seeing Nico there too

warning: NSFW, graphic sex (+18), drinking, sex under influence, talking about sex

words: 1.8k

note: officially we're in the middle of the story!

---

Lisa won her third title in Norwegian League and second title in Champions League. Her career looked like a dream. She was just a 22 year old girl who’s winning everything she can. Despite the bittersweet end of the Olympic Games, she felt great with how her life looked like as an athlete. Right after the end of the season, Lisa decided to spend her vacation in Switzerland with Lottie. She needed to heal after the breakup and celebrate her season.

Visiting her best friend was the best idea. She and Lottie were partying almost every single weekend. Lots of wine and gossip were happening. This is exactly what she needed. Charlotte had a great idea how to make Lisa even happier. She knew that Nico was back in Switzerland for the summer break and she implemented her plan. 

Step 2: Invite Nico for the weekend.

Lottie wrote him a message with an invitation for a weekend if he will have a time to hang out with her. She hadn’t told Lisa that she invited him and Nico didn’t know that Lisa was with her. Lisa was casually making coffee for herself in the kitchen when she heard the ring bell. She went to open the door since Lottie was at work. She hadn’t expected to see Nico in front of her.

“Um, hi. What are you doing here?” Lisa asked, surprised.

“I could ask you the same question. Lottie invited me to spend the weekend with her” Nico casually said.

“She hadn’t told me that and I've basically been living with her for the past month” You joked. “Come in, do you want coffee?” 

“Sure. How have you been?” 

And this is how their conversation started. They spent the whole day sitting in Lottie’ living room catching up with their lives. They’ve been texting almost every day but this was different. Finally they could see each other and talk in person. After three years, they reunited face to face. They had plenty of laughs and learned a lot about each other. 

“Okay admit to me, why did you stop talking with me during the pandemic?” Lisa asked.

“It’s embarrassing” Nico nervously chuckled. “Maya went through my phone and she was mad that we’ve been talking. I told her that you’re my friend as much as you’re hers but she didn’t listen and I stopped. Later I wanted to reach out but I felt bad with writing to you after couple of months so yeah” 

“I knew it! I knew that’s Maya’ fault” Lisa said and Nico looked confused at her. “I was suspecting this because the same problem had Sander”

Around 6PM, Lottie got back home. The first thing she heard when she opened the door was Lisa’ laugh. She quietly went into her apartment and looked at them. They’ve been in their bubble and didn’t even notice her. She was standing in afar and watched their interaction. She could tell that they're a perfect match. After a couple minutes, Nico finally noticed her. 

“You have a lot of explanations to make” He stood up and went to hug her. 

“What? I just wanted to spend the weekend with my two friends” Lottie laughed.

“Well it would be nice if you would tell me that Nico is coming” Lisa said.

“First of all it’s my apartment” Lottie stated and made them laugh. “Also, you two look very comfy with each other so you’re welcome” She told them and went to change clothes in her bedroom.

“She’s unbelievable” Nico chuckled.

“She really is, but don’t we love her for that?” Lisa said. 

Lottie came back to them and took the wine from the cabinet. Three of them sat down on the couch and spent the evening together playing board games. Lottie was telling embarrassing stories about two of them but also watched them closely. Nico was sitting next to Lisa and their knees were touching each other. She could tell that they feel comfortable and wanted to push it even further. 

“How about going to a party tomorrow?” Lottie proposed. 

“I’m in!” Lisa said excitedly.

“Sure, why not?” Nico answered. “But I’m not keeping your hair if you’ll be throwing up, it’s your duty Lisa”

“Don’t worry, I survived worse with her” She laughed.

Lisa slept with Lottie so Nico could have a guest bedroom for himself. The next morning, three of them went out for breakfast and had an argument over who’s gonna pay for it.

“I invited you to spend time with me so I’m paying” Lottie said.

“That’s why you’re not paying” Lisa argued back. “I’ll pay”

“Not a chance, I’m paying. You invited me to be with you this weekend so I want to spoil you” Nico fought back.

“You’re our guest. You’re not paying too” Lisa answered. 

“Exactly! I’m a guest so let me pay” 

“No! I’m paying” Lisa said and grabbed her card. Lottie knew how stubborn Lisa is and just laughed. 

“Is she always like that?” Nico asked her.

“Yeah, even worse” Lottie giggled while Lisa came back to the table. 

After breakfast, the trio went to a beach to get a little sun before going to a party. They didn’t want to spend the whole day at home and the weather was perfect to chill. They had a fun afternoon of laughing and enjoying each other's company.

charlotteolsen

liked by nicohischier and 862 others

charlotteolsen single summer with my babes🌻

lisa.pedersen i love you Lottie💝

nicohischier ❤️

9 July 2022

They got back home and started getting ready for the party. Nico was sitting in the living room and watched how the two girls were running from bathroom to the bedroom while getting ready. He was laughing at them all the time and they were sending him weird looks with each laugh. They took an uber and arrived at the club. 

Lottie dragged Lisa to the bar to order shots and Nico followed them. Since Lisa and Nico were fresh out of a breakup, they didn’t search for anyone to hook up with. They enjoyed each other's company. Meanwhile Lottie was flirting at the other end of the bar with a guy. They looked at her and she was delighted by the attention. 

“I’m leaving you babes. Me and Felix are coming back to his place so you have my apartment for themselves. Enjoy your night!” Lottie quickly said and went out with this guy.

“So what are we doing?” Lisa asked Nico.

“Since we have her place for just the two of us… I propose to come back and drink there”

“Deal, lead the way captain” Lisa joked and Nico grabbed her hand to not lose her in the crowd. She felt warm raising on her cheeks by the affection.

After twenty minutes, they were back in Lottie’ place. Lisa knew where she kept the alcohol and took it out of the and poured drink for her and Nico. They were casually chatting and drinking. They acted like really good friends and not people who just met for the second time in their lives. Both of them were pretty drunk and started talking about their exes.

“I’ll never forget when I had to fake an orgasm with Sander. That was the most embarrassing thing in my life” Lisa laughed at the memory. 

“Are you serious?” She nodded. “And he couldn't tell that you’re faking?” 

“Yeah, he was bad at detecting this but I miss the feeling you know, I miss having sex but hooking up with random men is not my thing” Lisa drank from the glass. Nico lost in a moment and kissed her. 

Lisa was shocked at first but kissed him back. The kiss was full of emotions but with time became more hectic. When she moaned, he put her tongue into her mouth. Their tongues were fighting for domination. Nico pushed her so she could lay on her back and started roaming her body with his hands. She gently pushed him of her.

“Sorry” Nico’ cheeks turned red. 

“Don’t be. I just don’t want you to fuck me on the couch” Lisa giggled.

Nico took it as a green light and stood up, helping her. They went to the guest bedroom and started kissing back again. Each kiss was more passionate. Both of them started undressing each other. Nico pushed her on the bed and crawled to be on top of her. He started playing with her clit.

“So wet from just kisses?” He laughed.

“Shut up and just fuck me” Lisa begged.

“Your wish is my command” 

He took his dick into his hand and placed the tip in her entry. Slowly, he started entering her pussy while she was moaning. Nico’ dick was fully in her but he let her a couple seconds before he started moving. She mouthed “okay” and he began moving into her. Lisa arched her back from the pleasure. Since she broke up with Sander, she hadn’t had sex and Nico was incredible. 

With each thrust, his moves were more rough. Lisa could feel him in her stomach. Nico was placing kisses on her body, paying special focus on her neck. She tried to catch onto something and placed her hands on his back. They found the perfect rhythm. 

“Nico, I’m so fucking close… Please don’t stop” Lisa breathed out. 

“I wasn’t planning on that” Nico kissed her lips. 

Lisa moaned loudly Nico’ name when she cum, but Nico hadn’t stopped. He was trying to reach his own orgasm. She felt overwhelmed when he was still thrusting into her but didn’t want him to stop. Nico was close to his release and he pulled out of her. He cum on her stomach and fell on the bed next to her. Their drunk state and exhaustion put them to sleep. 

The next morning, Lisa woke up next to Nico and memories from the previous night hit her. She slept with him. She walked out of this room and went to take a shower to rethink everything that had just happened between them.

Nico is a great guy but do I want to jump into a relationship?

How is this gonna affect us?

Can we even be together? 

Lisa turned off the shower and put clothes on. She went to make a coffee when Lottie returned from her night out.

“Oh girl, Felix was incredible!” Lottie started but Lisa interrupted her.

“I had sex with Nico last night” She blurted out and saw how Lottie’ jaw dropped.

“Oh my gosh. No way! How was it?” 

“It was great, I don’t remember when I had such an orgasm but…”

“But?” Lottie pushed her to talk.

“I don’t think I’m ready to be with him. He’s a great guy but I’m not sure if I’m a perfect match for him. I’m scared that he might think we can be together after yesterday when I don’t know if I want to” Lisa sighed. 

Before Lottie could respond, Nico walked into the kitchen saying “good morning” and acting like nothing happened but he heard the whole conversation. 

Melissa Pedersen - the girl that he has a crush on, doesn't want him.

---

next chapter

[applesontheground]

I am officially here with my very first request from you! 💕

Now, considering that I've been struggling with 'The Horrors' for...a while now, lately, I find myself more and more in need of comfort.

However, my idea of 'comfort' may be quite a bit different than someone else's, especially when you take into consideration that I've always found comfort in the creepy and tranquility in terror.

(Not to be overlooked is my ability to see the beauty in the bizarre and to take solace in sin...*ahem*)

Very conveniently, two of my 'comfort characters' that just so happen to embody all of these qualities are also on the list of characters you write for - Asa Emory, and Gabriel May.

So...here is my request. Since I *adore* a surprise, I'll leave it up to you who you pick to give me comfort. I'm not picky about the details, but there is one thing that needs to be included, something I desire most of all...

A warm, strong embrace.

To be held snug and secure.

A hug, Riri.

I need a hug...

what an understandable thing to ask for. love writing myself some good slasher snuggles when i'm sad, too.

i've been mulling long and hard about who i wanted to choose for you, and while gabriel is still very funky fresh and new to me ... i miss asa. besides what i did a couple days ago, really haven't written him since JULY OF 2022. A GODDAMN TRAVESTY.

it's been too long since we've shared our love for these fictional guys, darkly <3 as i've said, i hope i've made the wait worth it, and that you're doing well! (and hope the horrors have ceased, as well umu)

i can put my arms around you🕷️

SFW | Word Count: 1,300 | Asa Emory x GN Reader contains canon typical/mentions of collector work, injury, fluff 🎼: x

Realizing how hard it was to stand again had only actualized itself during the car ride home.

Working on some sort of autopilot since you had left the house, the weight of holding a pancreas preserved in a jar, watching human body parts placed beside insects pinned to sheets of paper in the similar inquisitive sanitation, and the incident with a live harvester skittering along the back of your hand with needle-thin legs bigger than its entire being, was felt now. In the canopy of your shared house, the garage cold to the touch of your exposed face, you watched him walk inside with saliva sitting in your mouth, sticking to the walls like honey. He gave one glance back, made sure you didn’t look completely devastated, and then disappeared inside.

It was hard to show gratitude even without the minor afflictions besides mental anguish: you had taken a particularly hard fall on your side, limping when you finally got yourself to walk away from the car door, and your head was thundering from a 2x4 – left loose from another one of his projects not relating to, well, collecting – having fallen from against the wall, center against the back of your head in a numbing connection.

Still, you let go of any frustration and ill will towards it as you crossed the threshold between the garage and your shared space with Asa. When you were entwined with another soul, you had learned, these ugly things were far easier to wash off at the end of the day – and you were hurting, but you didn’t mind doing it.

You really hoped he knew that despite limping into the kitchen, silently grabbing the nearest soft surface and burying your face into it. Catching sweat, catching the pained expression, hiding the flush that came with finally calling the horror you witnessed off.

It was all normalizing, helping him with what needed to be done and being let into his double life. At first, he had just asked you to come with him. Sit by in another room and do some busywork while he handled self-made problems. He made sure you knew his other motives, too: the shared time that came with the close access in between work.

Tonight, it was one of the first of a few since he needed assistance: you seeing the people he had been working on. Some were still alive; some still had the eyes to bore into your soul, lingered now in the momentary dark you offered yourself. Bad physical feelings – nausea, fatigue, all of it – would pass. It always had, always would. You did what you could to stabilize yourself now, brush it off again while breathing the familiar smell of the house in through the fabric, hand placed on the cold countertop.

The sink running next to you jolted your attention back, dragging the dish towel off your face. He had been staring, not yet taking off his mask despite the blinds drawn and his gloves coming off. All the reason to, but he still hesitated. You smiled only halfheartedly back; the best one you could manage as he held his hand out. Lost, but once again complying without any more explanation, you gave him the towel, and only then he spoke for the first time in hours.

“Did you hit your head?” He asked, and you replied, “I did. Can still…” Your jaw locked in a moment, so you instead gestured downwards as you started over. “I can still stand, despite that.”

He hummed in reply, now taking the opportunity to start reaching for the laces on the back of his head. You felt a slight spin to your vision, so you then admitted, “I am feeling lightheaded, though, so I might go lay down.”

“I’ll join you in a moment.” He said, sliding the strangely stiff material from his face, turning to you with an exposed face, “Right behind you.”

You smiled again, a little more meaning behind it this time as you stepped away. His focus lingered, more pointed towards your gait to make sure you’d make it up the stairs to the bedroom. When you sighed, straightening your posture and now moving with a strong purpose to go fall into bed, cocoon in the covers, he turned away again.

Relief slipped over you, first falling stomach first into the bed, the same need to hide your face for a few long seconds. After a few more moments of trying to wash the recollections, get it all out of your head, you begrudgingly bent a leg, undoing your shoelaces with your face still down in the mattress.

A snicker got you to pull your face up, looking over your shoulder as you scoffed back at him. “I’m a little bent out of shape, don’t mind me.” You joked, rolling over to your back, and he stepped further into the room. Setting a few remedies down on the nightstand, the man now stood between your legs, outsides of his thighs brushing the insides of yours.

You still had to hold your breath, too worn down to initiate anything like that but still letting him lean down, hands framed on either sides of your head. He leaned in, kissing your neck as he then trailed up to your ear. “I don’t thank as much as I should for…accompanying me.” He lamented, and you responded with a tilt of your head, lining up with a hand to his cheek and kissing him.

“You don’t have to.” You reminded him, “I have a knack for surviving what you’ve decided to throw at me, Mr. Emory. It’s becoming…” You pondered the word, hand sliding from his face to the back of your neck. Fun, maybe? No, too lighthearted. Bearable? Too distant. You met his eyes again, his pupils still impossibly dilated, no color in sight. The word suddenly rushed to the forefront, and you breathed it out below your breath, “Impossible, in all the ways I want to bear.”

He seemed puzzled at that, but you smiled and added, “I’ll make more sense after sleep. That’s all I can ask for.”

He nodded finally, eyes trailing down  your body for a beat. “Oh, actually I will ask-“ You hooked a leg around his hip, “Could you get my other shoe?” He was frozen, standing back up straight before he smiled, his voice still tender as he took hold of the laces. “Of course.”

Slowly, with as much contact between chests and legs as possible, Asa crawled into bed with you. He waited until you seemed utterly relaxed, curled in the large beige duvet and surrounded by pillows, to find where he fit beside you. Holding his forearms, you let him be the one to adjust now, and then tangled your legs with his as they came around tight. Constricting you to his chest, you felt like you could die in this position, relish the contact and feel the other side of the collector's coin flip to Asa Emory again.

A fast, cold force against the back of your head made your eyes snap open. The dishtowel you had handed him was holding a bag of something frozen – ice, those mixed vegetables you hadn’t gotten to working with yet – where the wood had knocked you almost senseless. Immediate rushes of cold, soft relief made you sigh deeply with once again more force, every muscle going soft and tucking closer to him.

“Oh, that-“ You groaned, your chin settling into the material of the sweater, full weight against him, “Asa, that’s perfect.”

He was silent, but the satisfied peck of his lips on your temple was enough acknowledgement. A perfect fit in all ways that mattered, he mused to himself as he kept the pack held to your head.

[virtual-winter]

It's been 10 years since I first watched Frozen!🌻❄️⛏️☃️🦌

(Swedish DVD-copy of Frozen)

November 20th, 2014. It seems like forever ago. I remember watching this movie through my desktop ASUS PC (remember when computers used to have actual DVD-drives?) on a by today's standards pretty crappy Philips monitor. It didn't matter. The movie was like nothing else I had seen before. Even though I don't even have a sibling and can't fully relate to the conflict, Anna and Elsa's adventure is IMO one of the best stories ever told💕

I was 22 back then. A young man and totally in love with this Disney movie. Now I'm 32 and it continues to be among my favourite movies of all time. Even now, ten years later, I still live and breathe Frozen every day! It is a part of who I became and it is the way I wish to remain 😄

I have become a devoted fan of all things Frozen and I'm trying my best to be a part-time Frozen-analyst, mapmaker, worldbuilder and collector. I'm also known for using too many emotes and exclamation marks!

Below, I have tried to summarise some important and meaningful keepsakes and events from the past ten years. I hope you enjoy scrolling!✨✨✨

I believe this was the first ever Frozen-related pic that I saved (it's the oldest in my album) (April 2015)

I was equally in love with the OUAT Frozen arc and no one can tell me Georgina and Elizabeth were anything but perfect for their roles (April 2015)

🥹🥹🥹

(March 2015)

In just a couple of years we saw the franchise grow (did anyone else prefer the original logo for the musical?) (February 2016)

The official announcement we'd all been waiting for (April 2017)

The architect in me loved the castle! (2017)

I mean, who could ever forget this moment? (December 2018)

AJHFSJASJFKAGKJFGSKFDSGSJF!?!?!?!?!?!? (February 2019)

What are those????? (February 2019)

My first piece of "big" Frozen merch (April 2019)

I made a custom calendar just to count down the remaining days to Frozen II (I also avoided spoilers for the last 6 1/2 months) (December 2019)

🥹🥰😭

(December 2019)

Perfectly balanced, as it should be (February 2020)

Me collecting stuff! (February 2020)

Me going crazy saving as much Frozen content as possible 😅 (August 2020)

I joined r/Frozen (June 2021)

I started my deep-dive into Arendelle's geography in 2021 which ultimately lead to "An odyssey through Frozen geography", the first of many fandom projects! (July 2021)

Together with a group of equally dedicated Frozen nerds fans, I helped building the @arendelle-archives server and later tumblr-blog! (2021)

Collecting more things! (October 2021)

A Frozen comic writer responded to my reddit post?😲(December 2021)

I started developing ideas for a Frozen fanfic (2022)

Frozen III-announcement! Finally! (February 2023)

My Norway-trip of 2023. Without a doubt one of the most beautiful destinations on Earth and a must-go for anyone who wants to visit the real Arendelle!!! (July 2023)

I continue to delve into more map-related stuff in Wonderdraft (May 2024)

Together with the rest of the wonderful folks over at @frozen10fanzine, I helped create and design a fanzine summarising the memories of Frozen fans from the past decade! (July 2024)

A slice of my current Frozen collection! Some figures were very kindly donated to me by @yumeka-sxf 🙌 (July 2024)

And lastly, from today: the first snow of the season❄️🩵

If you made it this far, thank you for scrolling😅

Finally, a little shout-out to friends and acquaintances I've made through the likes of reddit, discord and tumblr in the past few years:

@bigfrozenfan @yumeka-sxf @greatqueenanna @queenritaofarendelle @saiten-gefroren @snowflaketale12 @cloudberriesforaqueen @theartoffrozen @secretsofthestorymakers

A big thank you also to the whole @arendelle-archives and @frozen10fanzine - teams! Y'all continue to inspire me!

[tokyo-daaaamn-ji-gang]

can i ask why did people genuinely think hanma was the time leaper? i’ve rewatched the anime twice and read the manga and not once have i suspected hanma to be the time leaper.

Ok it's been a while so I might be misremembering some bits now but it got super popular after it was revealed Kisaki wasn't a time leaper. The idea was someone is the second time leaper but it's not Kisaki, so naturally people considered it to be Hanma. And there were a few reasons too (there was also a separate theory about him not being a time leaper but being like a God or some other un human being who knew about the situation. There's a bit of overlap between those two theories.) Also you're gonna find that a lot of these "clues" are really small and don't really mean anything, especially now that we know what happened. But at the time, we were all really reading into everything to try and figure out where the story was going. And everything stacked together seemed to make a lot of sense.

Firstly, Kisaki seemed to know about time leapers existence, which we all kinda assumed meant someone had told him aka a time leaper. With Hanma being the most obvious choice since they were shown to be close and working together a lot.

There was also Hanma's inside cover, which had on top of train tracks, train tracks which were heavily associated with time leaping and Takemichi in the past.

It was also thought that Hanma's boredom could be a hint, like he was bored all the time because he already knew what was going to happen because he'd lived it before. Things got more exciting for him when he met Kisaki, a new face.

And of course there's the story cliff hanger, where most people assumed something important was going to be said/ revealed. Something important like time leaping maybe.

In the final fight he also said this, which I think he was talking about how they made it this far in the fight but at the time it was pointed out that all of them had died in different timelines before. So if he knew then he was probably talking about them surviving death literally.

And of course there was maybe the biggest hint of them all, his name. We already know how Wakui likes to put little hints when choosing their names sometimes so this made a lot of us think the second time leaper could be Hanma.

There was also a few bits to do with dates, I'm not sure if I've remembered them all but these are the ones I do remember, Hanma met kisaki and Takemichi first leaped in July 2005. Then in June 2008 we have both Hanma's main chapter where it jumps forward to him visiting Kisaki and Takemichi doing his 10 year time leap.

Aside from that it was just that he was generally quite a mysterious and suspicious guy. Not telling Kisaki why he's following him, always being around in the arcs, the way he acted etc. And with there not really being any other obvious hints at the time, it made sense he was the one the fandom thought of most as being the second leaper.

[forabeatofadrum]

2024 Writing Round-Up

It's the last SSS/WW for the year and I have nothing to share, since I finished Ever After and am not itching to start something new (and I'm back on my Persona bullshit). Luckily, @that-disabled-princess tagged me in this writing round-up, so I am doing that instead. Please enjoy my bespoke banner.

I posted 10 works on AO3, with three being WIPs. I have published 85,165 words in 2024. Oh boy, let's get into it under the cut

I did actually publish stuff in January and February, but those were multichaptered things, and I am putting the works in the months I finished them/last updated them.

So, with that said, let's start in March!

MARCH 🪻

February Friday Event 2024 (Radio Silence, gen, WIP)

I have written 2 of the 4 prompts for the February Friday event. I started the other two, but I just.... haven't finished them. I should. I liked what I have written for it. Completing this fic wasn't a priority and it shows. Oof.

吃了吗? (Glee, Tike, 1.564 words)

Part of the series that explores the Asianness in Glee, and yes, it was me projecting on Tina again. Tina feels disconnected from her Korean heritage due to her adoption. Oop. I really, really liked this one and I think it's one of the best titles of the year. Yes, the title is Chinese, not Korean, since it mostly takes place in a Chinese restaurant. Mutual, 你吃饭了吗？

APRIL ❤️

All of me loves all of you (Class, Charlie/Matteusz, 2.598 words)

A story idea that I have had for years and I'm glad I finally wrote it down. Charlie is an alien, gasp! And he only looks human. In this fic, he shows Matteusz his alien self and reflects on his human disguise. I'm really, really happy with this one and it's one of the reasons that my love for Class reawakened this year.

MAY 🌻

Just Some Guy (Carry On, Snowbaz + Matt/Leslie, 15.664 words)

HONESTLY ONE OF THE BEST THINGS I HAVE EVER WRITTEN, if I may so myself. It's Snowbaz's 7.25's canon years at Watford from the perspective of someone who doesn't give a shit about them. I fucking love this fic. I fucking love MCD (Matt Christopher Davis) and I loved writing how disinterested he is in the whole Chosen One shenanigans. It makes for a fun fic, but it also makes sense if you look at the state of the world. So many people keep living ordinary lives while weird shit happens, and MCD is just ordinary. He's just some guy.

JULY 🌼

Find My Way (Legally Blonde, gen, 1.358 words)

I was on a Christian Borle binge during the summer, so I rewatched the musical Legally Blonde and this fic is a missing scene. Vivian realises what is happening and decides to break up with Warner and back-up Elle. I think it's neat.

OCTOBER 😺

What's in the name? (Glee, multi, WIP)

The first multichaptered installment of my Asianness in Glee series and it's all about names. It's partially me trying to make sense of some of Glee's choices, and me lifting from my life again. I have published Wes and Yu-Jin's and Tina's chapters. The one for Blaine is not written and I have started the one with Mike and Tina. I'm struggling with the latter, especially since I don't really understand Mike's circumstances either.

Ljubili se (Glee, Klaine, WIP)

Ah, yes, the fic that I love but also regret. I've started it for the 2023 Klaine December Challenge. I am just stuck on it, even though I have cool stuff written for it. I just don't know what to do with this one, to be honest. I want to finish it, but I have also realised that I don't like writing it anymore because I am so stuck on it. I am waiting for the inspiration to strike and for my passion to be re-ignited, because do I regret it? I also like writing it when I am writing it. And I am excited to share what I have for later chapters. There's a lil moment where Cooper tries to flirt with Denise and Quinn and Blaine are standing there like🧍‍♀️🧍‍♂️. I will see where this fic will take me, I guess.

The Mars fic (Glee, Klaine, 56 words)

An inside joke that is a sequel to an inside joke! BOOP! I peaked here.

DECEMBER 🕯️

All's fair in love and war (Class, Charlie/Matteusz + Matteusz & Quill, 16.646 words)

The story that deserves better, since it has, like, 9 hits, but hey, that is what happens when you write for a small fandom. Which is a shame, cause this is also one of the best things I have written this year and I also enjoyed it a lot. I loved delving into the morality of the show Class through Matteusz, who is a middle man in-between two people with extreme conflicting opinions. And he loves both of them. Please watch Class, and read my fic after that!

Ever After (Glee, Klaine, 30.624 words)

The fic for the 2024 Klaine December Fanworks Challenge, which I did finish! Blaine is living in the kingdom of Daltonia, and Kurt is stranded in this place, so Blaine tries to help him get home.... to another world. I had a lot of fun, especially since I stopped Ljubili se for it, and it reminded how much I love writing Klaine. I also liked my world building here. I just think it is neat. I really enjoyed this one. I think I left some things open, since I didn't have room for more, but December was Ever After thought almost 24/7.

And now, the weather: @quizasvivamos @coffeegleek @caramelcoffeeaddict @raenestee @tectonicduck 

@nightimedreamersworld @urban-sith @you-remind-me-of-the-babe @bookish-bogwitch @confused-bi-queer

@special-bc-ur-part-of-it @larkral @cutestkilla​ @wellbelesbian​

@artsyunderstudy​ @facewithoutheart​ @shrekgogurt @rockitmans @bitbybitwrites 

@whatevertheweather @shame-is-a-wasted-emotion @esilher @kurtsascot @blackberrysummerblog 

@nightimedreamersghost @ivelovedhimthroughworse @thnxforknowingme @martsonmars

[thesweetnessofspring]

Why do you hate epic? I've recently heard it and I don't like it also, especially when I googled his story. But why do you hate it?

First, no hate to the creator. Like, I heard he's a college kid doing a creative project and a lot of people like it which is great. And concept albums get tweaked. Maybe it's something he can salvage or rework in the future, but as it is, I just don't like Epic at all.

I'd listened to what was out about....six months ago maybe? And I wasn't particularly taken with it, but then back in like July I relistened to it and I just got so tired listening to it. I think a spin on that line from The Incredibles sums up that part of it well:

If all of the music is epic, none of it will be.

Even in big megamusicals like Les Mis, there's a variety of songs. You have the love songs, the reflective songs, the "party" songs, the exposition songs, and just a variety of tone and pace. In listening to what is now the most recent release, I got weary of listening to the same old video game music set to bad lyrics (we'll get to that). There's no variety, which makes the whole album flat. Halfway through I wanted to scream GIVE ME SOMETHING ELSE FOR THE LOVE OF ZEUS!!! I don't think the idea of video game music works for musicals. They're completely different mediums and the narrative structure of video games (at least as he's presented them) also leads to a static story. If I sit down and play a video game with different bosses, then it makes sense. I complete a level and then take a break/live my life until I come back and work on the next level. There doesn't feel to be any forward momentum in the story because it's just "boss" after "boss" with a highly intense video game music soundtrack. It's static, it's flat, it's tiring. I cannot imagine sitting through a stage show of this. I'd be leaving early after intermission.

It is painfully obvious this is a TikTok musical, because the music can be good in short spurts but as a 2.5 hour stage musical? I wouldn't be able to do it. I barely did it when I broke it up over a few car rides.

Also the lyrics are mostly just bad, particularly in the rhymes. Like I said, I've listened to it I guess 1.5 times as the first time I listened they didn't have as many songs out as there are now. So I can't quote any, but it wasn't just a couple times. There were whole songs where I was internally (as I was driving) rolling my eyes at the awkward, hokey rhymes.

And look, I haven't read The Odyssey since high school, so I'm not going to pretend to be a scholar. I have read Odysseus as a character in other retellings of Greek myths, though, and he's a much more dynamic and interesting character than the boring, predictable hero of Epic. I remember when first being exposed to The Odyssey, it was my first foray into more complicated dynamics of Greek mythology instead of the more digestable/cleaned-up versions I'd heard as a younger kid, and part of that was Odysseus. He made decisions I just couldn't understand at the time. A big thing for me as a 15-year-old kid was I was so mad at all of Odysseus's affairs. Now I know that in Greece that wasn't so much a big deal for men to sleep around and was expected. Yet (at least with Circe) he's noble and fighting her off and it gives the impression that Odysseus hasn't had any sex in like 12 years. I'm sorry, but WHAT??? Odysseus loves his wife and he's a slut. C'mon. Epic Odysseus is so predictable and boring I'm not drawn into the story at all for him, either. When I finally got to the more recent releases, I was thinking, "Oh, wow what a surprise. Before he didn't want to kill people and now he's fed up and will kill people so he can get home. Ohhhh noooooo what will ever happen in the next part of the musical?? Is it possible he will learn that vengeance is bad???" To be fair this part hasn't come out yet so maybe I'll be wrong but ugh, it's not looking good.

To balance things out, I do think the opening number is good and I like the one with the winds "keep your friends close/and your enemies closer" is an earworm, and because it changed up the usual "video game epic music" thing. And like, as a student project it is impressive. But it's not a student project anymore, it's a concept album. Idk if he's planning on staging it at some point, but if he does, it has a lot of work still to do.

Anyway vote Hadestown. ✌️

[petra-creat0r]

Deltarune: Fool's Fate Ch. 7 Secret Boss

We finally get to the Studio Dark World! The only chapter other than Chapter 1 of Fool's Fate to be set not in Hometown!

I think I first started coming up with this guy around the fourth of July, it's just taken me a bit to draw them and flesh out their lore. Anyways, without further ado, ladies and gentlemen I present to your, your host, the one, the only, the darling deer with the charming voice, Ray D. O'Skelly!!

Ray's name should be obvious. It's a pun on radio. They're a radio host. Not a lot to explain there. Though when first coming up with their name and concept, I did look into 30s and 40s era radio hosts to try and pull inspiration from their names. Red Skelton was one I landed on since Skelton is similar to "skeleton" and I already knew I wanted this boss to have a skeletal face to resemble 30s era radios. Eventually I shorted it to Skelly to flow better with the O to go with the radio pun.

I don't really have a text quirk for Ray yet? Best I can think off is their voice sounds staticy or they get interrupted by ads/song lyrics similar to Spamton and Bitsy. I do know that they can't actually speak because of the well... whole thing that happened to their face. Their voice comes through their microphone. If anyone has any ideas let me know. Maybe a sound board situation?

Since I imagine the studio world being similar to what I think Chapter 3 will be like, being based off movies and film rather than TV, and Bitsy is already animation theory and I've got Casper to cover Woody theory, Ray is radio theory. Video killed the radio star. The theory I forgot to include in my original poll when I was first coming up with Bitsy despite being one of my favorite ideas. Aside from being based on an old-timey radio host, I also vaguely pulled some subtle inspiration from Alastor from Hazbin Hotel. Mostly just in the fact that Ray is a deer along with their color palette, radio theming, and some of their demeanor.

Backstory under the cut

Ray O'Skelly used to be the talk of the town, the bees knees, the cats pajamas! The voice heard across the globe and broadcast to nearly every station. MTTWood's very own home town darling and host of the most tuned into radio channel in all of the studio world. Ray's radio show had it all! Music, news, even radio plays performed by the deer themself! It was the age of radio and Ray was monarch, surely there was no way their popularity would falter any time soon.

At least... that's what Ray thought before the leader of the studio world signed a deal with some folk from this up and coming "Television" Dark World.

At first, the TV World didn't pose much of a threat to Ray, or at the very least it couldn't yet compete with the popularity of their radio show. But over time, the alternative form of entertainment started to gain more attention and views than Ray's show gained listeners. Especially after the appearance of a supposed Knight in the other Dark World and the merge of most of the channels into TennaVision. According to the public, Ray's show was getting old and bland. The music they played went out of style who knows how long ago, and people would prefer to watch the news and Ray's "radio plays" rather than simply listening. Ray either had to adapt, or fade away in obscurity.

That was when Ray met a man. A man offering aid, offering salvation to the deer down on their luck. The man offered to help Ray "get with the times" as they say, and rise back to fame. Help get their radio show back in the public zeitgeist and to surpass the competition. Almost without thinking, Ray took the man's offer, desperate to stay relevant through whatever means necessary.

The man made good on his deal, helping Ray by suggesting a few changes to their format here and there. New music, updated segments, notes on Ray's tone and how to better appeal to masses and be "hip with the kids", the works. Ray wasn't particularly for all the new changes, but they were desperate. Desperate for attention, desperate for fame and adoration. And fame and attention they got. It was almost as if, whoever tuned into the station would HAVE to listen. Ray's listenership was through the roof, all thanks to the man...

Perhaps it could be said that fame and power corrupts, because at some point, listeners noticed a shift in Ray's demeanor. Once the soft-spoken and well mannered host with the most, they got more prideful, vein, sadistic. Either from all the attention going to their head, or perhaps from a great Truth revealed to them about the nature of their existence breaking their mind. Whatever it was, it twisted the once charming radio host. Twisted them into an arrogant yet still devilishly charismatic individual with an ever captive audience.

Eventually, Ray's pride got the better of them. Even after the man left, Ray still maintained their popularity and fame, yet their ego wouldn't settle for just that. Ray had a captive audience at their disposal who would have to listen to anything they said. Any idea they suggested could be implanted in as little as a whisper and the right frequency. Ray could control this town. Could bend it to their every whim and will. Which is just what they tried to do. Before their operation got shut down of course.

Turns out, an old acquaintance had played stool pigeon and cried wolf to the authorities. Even if Ray tried to charm the guards, it was no use. Their studio was taken from them and shut down and they were cast out onto the rainy street. Yet even stripped of everything, Ray wouldn't let anything stop them from reaching the top. In a makeshift studio down in the darkest corners of MTTWood, Ray continued to broadcast their signal to who ever would listen.

That is until the children of a star and their friends found themselves in the studio world...

------------------------------------------------------------------------------

hehehe. It might've taken me a bit to come up with but this was fun. When I designed Ray, I knew they were a little charmer, but I also wanted to have them be twisted. I imagine after the studio Dark World is sealed and Ray ends up staying at the Blook house with Spamton and Poly, they act like the sweetest little darling. Only to still be manipulating people through subliminal messaging in their radio broadcasts. I'll have to play that out some time.

Anyways, only 3 left to go! And one of those I already have so it's really just designing the secret boss for the Town Hall world and then the Festival world. The later of which I already have a vague idea for.

[cloudroots]

Bare with me, this is first time I’ve done one of these so it might get a little rambly /lh

I’d say I’ve improved my art over this year haha, I’ve at least say I’ve got more ambitious with my art

I’m not sure when it started, but I got the idea to upload at least one post each month. It was a way to motivate myself to actually post things and not just keep all my art to myself like I've done in the past.

This year did start a little rough for me. I uninstalled my art app and unknowingly deleted all of my art with over the years. I was able to recover some of it from screenshots and screen recordings, but still, it was a rough way to start the year.

January and February I uploaded the rest of my Gaza ponies. Where I actually had to do the strawberry twice, since I accidentally deleted all my progress on her :/

I was also working on other projects behind the scenes as well, which I hope to share with y’all at some point in the future :)

And another peek behind the curtain, I actually had the art of Center Stage’s bio finished in October 2023, but time got away from me and I take a bit to write up bios in general 😅

Then I couldn’t wait any longer and finally started one of my next gen character’s stories. Scarlet Heart’s story to be exact. Wild that he appears in a third of the months here lol

I hope y’all be prepared to see even more of him next year! :]

My infection Au is then introduced in May. I’m so glad that so many like it! I was able to explore to explore a little bit into horror and ramble about it, which I both enjoy 😊

Looking back I'm still not sure how I was able to upload so much in June haha

A DTA, two complex refs, with a incredibly complex cutiemark for one of them, and a pride piece. Still in disbelief that I was able to do that /lh

Then in July, I updated Midnight’s look. Still adore their colors.

August I did an art dump of the ShiningDence family’s early days together. I especially like the lighting and tenderness I did with late night Shining and Scarlet.

September’s art with done pretty quick for the first scene I’ve done in a while. What took the longest was the story that it came with. I haven’t written anything like it in the longest time, but I’m so happy that I was able to write in time for September’s post. Though it was a little rough the first couple of writing sessions, my adhd was killing me lol

Then even more horror in October! Hooray!! I loved sharing my messed up goobers, those silly murderous monsters :]

Most of my time in November was working on other things and coping with the usa election results, so I didn’t have much in mind for what to share for this month. I’m glad I decided on what I did. They’re so cute and it came out so well for what it is /pos

Then at the end of the year, a holiday piece that I put a lot of time and energy into and it was completely worth it. This piece is the most time I’ve spent on one artwork by far. But LOOK AT IT, it’s so cozy and nice and I like how the dolls section came out in particular :]

This year this account turned a decade old. Double digits. 10 years old. It’s a huge milestone, and I’m so grateful of all the people I’ve met over the years. Especially those I’ve met in recent years, glad y’all are here :]

Happy New Year!!! 🎉🎉🎉

I plan to spend more of next year to be next in the face of adversity 🫡

Wish me luck in fighting the urge to redo the art I’ve uploaded in 2020/2021, especially the PokeyPie one. I could do it so much better now :/ but there’s still so much other stuff I want to share, so wish me luck!!

Art from these posts:

January - Fruit pony series 2/4: Strawberry pony

February - Fruit pony series 4/4: Olive pony

March - Center Stage \\ Cloudverse

April - Cloudverse // Overjoyed to meet you

May - Mlp Infection AU: Rainbow Bite, Masterpost part 1

June - Ponysonas Revamped: Sweetpea

July - Ponysonas Revamped: Midnight Nightowl

August - Cloudverse // Babyboy baby

September - Cloudverse // Kindred Kindergarteners

October - Mlp Infection AU: Rainbow Bite, Masterpost part 2

November - May I offer you some teenage sapphics in these trying times?

December - Happy Hearth's Warming! 2024

Template by latortilla

[shortbeantum]

It's been a hot minute since I've posted a gemsona. I have a few cool ideas that I've wanted to do for a while but haven't really had the time. The only reason I did this was because I needed a bit of destress from studying for finals (wish me luck!). I guess I'll go into the lore info now lmao

Gem: Moonstone

Gender: Female

Court: Any

Purpose: Sings for the Diamonds to entertain them.

Weapon(s)/Power(s): Powerful voice that can reach deafening levels if the gem so chooses

Voice: Michella Moss

I had this idea for Moonstone when I decided I wanted a gem that's whole purpose was to sing for the Diamonds. I know that the pearls have already been used for that (such as for What's the Use of Feeling Blue) but I figured that the pearls would only be used when a moonstone wasn't immediately available. I designed her based off an opera singer because I feel like that kind of music would be something the Diamonds would listen to. My very first draft of her was her head looking like a music note but I couldn't really figure out how to incorporate that into her design without having it look awkward so I resorted to the spheres because I felt they still looked alien and other-worldly. I also debated whether she should be a fusion of Sapphire and Pearl because honestly, the design ended up looking like it. I ultimately decided against it because I felt like I could do more with her character if she was separate from the gems we already know, but I wouldn't be opposed to a fusion of Sapphire and Pearl being a moonstone, much like Sapphire and Ruby form a garnet, which already exists on Homeworld. Also, I imagine her voice would have the ability to be deafening loud, like a banshee. Finding her voice was tough for me. I had considered Kristen Chenoweth for a while but I felt like her voice was too high for me. I also looked at Julie Andrews (Mary Poppins), Cynthia Erivo (Harriet), Emma Rossum (Phantom of the Opera), and Emily Rohm (Ride the Cyclone). I eventually settled on Michella Ross (FNAF voice of Ballora) because she has such a mature, deep, and sultry voice. This was pretty close to what I wanted Moonstone to sound like.

Total drawing time took about 2 hours, but technically the whole process took like 3 years since I came up with her concept in 2021.

On a sorta related note, I wanna start using text watermarks because they're easier to read than my signature so if my artwork is ever stolen, I can easily be identified by just looking at the watermark.

[random1d10t]

Hello everyone and happy holidays,

I come here as both a Tumblr roleplayer but also as myself aka Random

Honorable mention to @ace-passive-aggression for getting me into getting Tumblr, I wouldn't have this account if they didn't make me get it. Love you ace <3

I started this account not really expecting to use it but since July I have been apart of the ever growing Fable smp community.

I started Fable smp late, while everyone was on s3 I had just started s1, Fable smp was the first thing I started my account on and I will not be stopping any time soon, I still have a huugggeeee list of the characters I want to draw and redraw as I definitely did Rae, Isla and enderian dirty before

Since then my style had expanded and I still need to learn how to colour in my pieces correctly ;-; but I'm learning as a somewhat beginner artist.

Since the end of summer the roleplay accounts started. I started the perix accounts because I saw a centross and enderian account needed one and I thought, 'well I do like roleplays' and joined in, it was soo late at night when I begun but it was possibly the best idea I've ever had, since then the roleplay accounts grew so much now I'm basically 2 oc's (not counting sirena I'll get into her in a second) all of the casus accounts, perix and now Alerion! (I have my work caught out for me 😮‍💨)

About sirena aka @sirena-of-the-sirens-call

Me and my friends have made an smp called Tehe smp, we haven't done much online, haven't used our rp accounts to the fullest yet but we're getting there, one day

I want to appreciate @deadlyxazul @thatbiblob @celestialstarzz and @villian-of-memories (sorry on the tag to the rp acc it's the only one that works 4 me ;-;)

@deadlyxazul , thank you so much for putting up with my silly little gay behavior and being silly and gay with me, we wouldn't have malena (mal x sirena) without you <3

@thatbiblob , thank you for making the server, and allowing someone you hardly knew (me) to be the first on your server, we would never have the thought of Tehe smp without you <3

@celestialstarzz , thank you for your silly characters and for agreeing to play sirena's betrothed pirate ex- and playing castor sirena wouldn't have an Athena arc without him <3

And finally @villian-of-memories (Vega ur account don't work for me :{) , thank you for agreeing to join Tehe smp (and giving sirena a father figure who isn't dead) even when we had just talked and hadn't really met you still agreed to join Tehe smp despite not knowing me outside of the discord server

I'm glad I didn't follow the 'don't talk to strangers' rule, I would have never made so many friends that way