#also i'm just noticing that most of these are mlm ships??? i'm not fetishizing them i swear but wtf is up with that
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"but why do you even ship them-" IT BRINGS ME JOY AND WHIMSY!!!!!!!
#sonadow#kerdly#capsei#valgrace#superbat#hijack#revalink#sidlink#shellshocked#leosagi#bagelbites#tenrose#god i am so tired#also i'm just noticing that most of these are mlm ships??? i'm not fetishizing them i swear but wtf is up with that#for some reason literally every wlw ship is leaving my mind#um. um. OH#harlivy#karababs#uhhhh#wow it should not be this difficult to think of women#suselle#bubbline#zelink#okay i think that evens it out a little bit#“bUt LiNk IsN't A gIrL” stfu
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Funny thing (not really) I’ve noticed is that Viv has always fetishized m/m relationships. There’s obviously Stolitz, but it goes back way further. There’s Addison from Zoophobia being shipped with a guy who works at his high school, but to mention that Viv has drawn NSFW of them despite Addison canonically being a minor. There’s also Autumn and Rusty, the former whom gets bullied by Rusty cause Rusty is secretly in the closet. Ten years later and she’s still weird about m/m relationships.
TW: fetishizing Queerness
I tried to search a little for Addison's age. In the wiki, that I know Viv did not write it says he is 18, other post say 17- there are people saying the age got changed too? I know almost nothing to zoophobia- if anyone knows about this claim, share your knowledge and importantly evidence of the age thing in specific? I do know about those snake drawings. And also was Viv 19? Have no clue-so I'm not gonna super talk about it without knowledge.
About the Rusty thing, I don't think Viv is a good enough writer (of relationships especially, cause Stolitz mainly) to pull that relationship or story. I don't think she can pull the idea of the closeted bully, purely by the fact that she doesn't understand or acknowledge the problems Stolitz has. If she needs to put down characters to make Stolas seems better and try to justify the power imbalance. I don't think she could write this if she wanted to. This closeted gay bully is such an old trope, too. I think the worst you can do (also as a non-amazing writer) is actually tried to make a romance out of it? Cause a lot of these tropes are more like "HAHA THE BULLY IS GAY HAHAHA", rather than "aww the bully was just sad and gay all along". I don't like it. (also this includes when the bully doesn't bully his romantic interest)
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A lot of problems in mlm stuff Vivziepop does is similar to those Yaoi fetishization shit. Where there are also power imbalance. Also, this treatment of the characters like Moxxie? Like he is bi, and with Millie- and his treatment is so shitty. The hole thing of MILLIE PEGS MOXXIE, and that funny cause is less manly of him? Or where the succubus sexually assault them and that is funny??? (that one is not even Blitz being an asshole to him, it's made to act funny). As soon there is something viewed as feminine from him, the show makes fun of him. His feminine appearance in Unhappy campers also leads to make fun of him. Where he is the most vulnerable and insecure is that episode. He is more objectified in a feminine appearance.
Just the entirety of Stolitz is literally a lot of yaoi-sh problems. Also, I do see a lot of red flags in how they wrote Fizz and Asmo'. Because Fizz was insecure af, that he needed the approval of Mammon as an imp. Mammon was using the power that he had over Fizz to use him to get money. He got his approval from Asmo another sin in a higher position of power. (The power imbalance is not the problem vibes). Plus, The Big dominant protector and the sub small uwu cure relationship. Fizz, compared to the first time he appeared, he is so vulnerable and acts so cutesy. Like, the confidence he had during the S1, disappeared so bad. Acting so nice to Glitz and Glam, felt like cutting out all attitude to "uke-fing" him into needing a savior. They make him so powerless
Fizz, a quad amputee, was put in a vulnerable situation related to his trauma and where he lost all his limbs and horns. All to make Blitz "redeem" himself and make them friends again... THAT SUCKS.
Also, there was the fact of how over-sexual all the male mlm characters are, too. Like, Chaz was so much more sexual than Verosika as a succubus.
IT JUST SUCKS.
#vivziepop critique#vivziepop critical#helluva boss critique#helluva boss criticism#helluva boss critical#hazbin hotel critical#hazbin hotel criticism#hazbin hotel critique#zoophobia criticism#zoophobia critical
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i know in some way i will get targeted, however i am new to the fandom and i admit it. i'm not a genius who knows every character or original character in this fandom because i am new and have to keep up. i will confess however what my opinions are since.. well, this is a confession booth. i do as well say that i am at times leaning to what i know with the canon. i will also add that i am not from western side of the world.
i quite find it humorous in a way that the marauders do not get criticize to what they have done in canon. i know this fandom rides off in fanon, but like aren't snape and the marauders basically were enemies (or bullying one another) in a way, for my understanding? marauders get a treatment where didn't do anything wrong even though they have.
from what i know, i think is differentiate the snape of the golden trio era and the marauders era. i'd even say those two were different because of their actions. snape is also a victim of a broken home, and in the end, became an abuser in their adult years. i don't know if i'd consider him innocent in his teenage years as well but i'd definitely say, his life was pretty sad as well as the other marauders. besides, if some side of people love the "slytherin skittles" then let severus have his own fanon gang.
i enjoy the POC headcanons but i also find it humorous that a british boarding school who are wizards and witches with bigots have a huge diversity especially in the 1970s. however, i think this is due to what i see in western media towards american and british boarding schools. but hey, it's 2024, who am i to say? it's fucking fanfiction, and again i don't hate it, just find it amusing and a great fuck you to JKR.
i agree with some confessions that i will not mention which ones. however, what i'd also like to point out is that at times that this fandom is also riding on mostly romance. mostly mlm – noticed by any fandom – or straight ships or the wlw ships. i always have an unsavory dislike on the fetishization side of mlm in the fandom.
then the girls, i have 0 comment because i need to dig deeper with their stuff but i am having a blast on the fanart of theirs and they're lovely.
i just wish that in some way more fanfics would let the marauders era characters to grow with their flaws. you can't present to them that they are perfect and no mistakes or they're so toxic. they're human. you can literally make a fix it fic with your oc or no oc that can vanish voldemort and make all of them grow or give them an ending they deserve. they're teenagers in most fanfics in hogwarts, i'd say probably if this is a younger demographic; THEY'RE JUST THE SAME AGE AS YOU.
in the end of the day, this is just another opinion and i can literally pull out my own fanfiction out of my ass and i should definitely dig deeper in this fandom. thanks for reading.
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Hey so I know you ship tuggoffelees but do you ever feel annoyed at how popular they have become
This is a difficult question and I'm of two minds here so bear with me as I try to explain.
(Also I am a tuggoffelees shipper and this post is not anti-tuggoff so if you are someone who hates tuggoff don't reblog thinking I'm agreeing with you because I'm not!)
I'm not necessarily annoyed at how popular they are. Obviously I wasn't in the fandom way back when, but older Cats fandom was a lot like all older fandoms where shipping gay couples was fairly taboo. Hell, early 2000s Cats fans were more okay with shipping incest then they were gay couples, so I'm glad we are no longer there.
My annoyance isn't at the pairing itself. I love tuggoffelees. I think the ship is fantastic and it means a lot to see actors in recent productions openly portraying Tugger as queer.
The issue I've noticed is the Cats fandom is comprised of two separate communities. The first are super fans of the musical who create and consume content for all or at least most of the characters.
The second are purely Tugger and Misto fans, or casual musical fans who have no interest in getting into Cats fully but just know the rockstar cat and the magic cat (who already both are wildely recognizable characters outside of the fandom) are boyfriends.
And I know this because I have a popular Tuggoffelees post of an art piece I commissioned of the two of them. I read people's tags saying they have no interest in the musical but liking this pairing.
This isn't a Cats only problem, mind you. There's a lot to be said about the fetishization of mlm ships by fandom in practically every piece of media ever and how wlw and wlm pairing content never gets as much engagement as mlm do.
It's frustrating especially for someone whose favorite character is Tugger but whose favorite Tugger ship isn't Tuggoffelees, and I'm sure it's even more frustrating for fandom members whose favorite characters and ships aren't Tugger and Misto.
Anyways this ended up being a lot longer than I intended and I hope I actually got my point across lol.
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hi hello i couldn't sleep last night so i was scrolling thru all ur asks and stuff and ur opinions and analyses are so interesting!!! and then afterwards i was thinking about what u were saying about mlm smut and i'd also been thinking about such things a little bit recently bc like.....at a certain point it becomes quite clear that the vast majority of smut-writing is just imitation. like there's the sex noise verb list and all and the whole general mechanics of the sex and those things just .... replicate over and over. and the whole thing w people writing mlm vs wlw smut regardless of their own sexual orientation..... like i feel like a big part of that is just a self-perpetuating thing. like if u have not had sex and u r getting all ur (pleasure-related) sex ed from fandom (even if u do watch porn, that doesn't rlly tell u how to describe stuff? idk) regardless of What fandom , the majority is going to be mlm smut. which is itself majority imitation of other mlm smut, imitating and imitating back to whoever knows what the first smut fanfic was etc. there's just way More to mimic than there is on the women side of things. which then becomes a self-perpetuating thing, bc the mimicry continues and generates more and more. and---if there are fundamental misunderstandings of anatomy involved---those self-perpetuate as well. and maybe even exaggerate. and yeah. does this all make sense? idk i was just thinking about it. like all the stereotypes and stuff continue bc writers are getting their inspo from other writers rather than their own brains. or something. idk!!!!! it's just all... divorced from reality? bc words. or something!! i hope u get what i'm trying to say. just thoughts i've been thinking. anyway i think ur thoughts are cool. and ur writing. ok bye have a good day!!
Okay yeah this is kinda messy but hope u see this, uhh yeah I think you're right about the echo chamber effect fr about stuff. I think it's a mix of projecting too sometimes. talk more under the cut and also link to a video essay since I love video essays.
Here’s a video that sort of touches on this topic:
“Gay fanfiction” by Sarah Z. (has CC)
https://www.youtube.com/watch?v=H8E_C00dKwI
This video begins to talk about fetishization at the end, but also… not really. The words “gay fanfiction” is used as a catchall, when really gay fanfiction is largely mlm written by non-mlm.
Fandom is a largely women's space dominated by the female gaze in a media industry world that is dominated by men and the male gaze. I'm really glad women have this space to explore creativity and queerness, and I don't expect the female gaze to go away, but I am still ultimately bummed out I can’t read most fanfic or interact with most fandom spaces without having fetishization in my face.
So about 80% of fandom is women, and most of those women aren't straight, but 90% of those women prefer mlm ships. Why don’t they prefer wlw ships? Well definitely part of it is the fact that queerbaiting is centered around white straight men, and then there is also the fact that women tend not to be written as well charcter wise. But the fact still remains that you get jerjean getting priority over Layla and Alvarez who are in canon just as much and are a canon wlw couple who actually interact as well as Alvarez could likely be a woc because of her Hispanic last name. Korasami doesn’t get nearly as much hype as zuko and saka, despite the fact that they are 2 fully dimensional characters who canonly kiss and hold hands, something the creators fought for and ended up having to sacrifice another reboot for.
I do believe the fandom echo-chamber is largely responsible for… a lot of things, like you're saying. But what's interesting is that the complaints I've heard about visual porn from non mlm in the fandom space is that they can’t get off to it because its for the male gaze and misogynistic usually. But they also don't seem to notice how the mlm smut circles has the female gaze and is also… almost always mlm. If it was a pure anatomical not knowing thing, I get that, but I also think that leads to the question of “then why the male body for porn, and not your own? The one you know and are familiar with?”
I know some people want to get outside of their own body for porn and don’t want to think of their own anatomy at all, but overall I'm still uncomfortable. If an anglo said “well I watch porn of only Mexicans so I don't self insert” I'm gonna be like … hhhh in a similar way. I understand people “like what they like” but I wish they also noticed said patterns in the first place. I understand the t4t tumblr porn circle, and how it's different from cis people who only watch trans porn.
I actually wished that instead of fandom focusing on mlm ships where some asshole guy hits on bottom troupe charcter for top troupe character to save, was instead… a wlw character experiencing said shitty getting hit on and other wlw swooping in. what's interesting is fandom writes a lot about misogynistic experiences without often realizing it. Ive read fanfic where guys get called sluts for sleeping with people or called bitch for speaking their mind, these arent things men usually experience, but rather women. Fandom has a lot of internalized misogyny and also queerphobia imo. Women characters often get pushed to the sidelines and men become the canvas for female fans to project onto.
There is this natural inclination to mlm. When people are talking about “gay shipping” or “gay books” or “gay feels” or even just “gay” mlm is what’s largely in mind. I honestly am kinda saddened by this because if gay fanfiction was really solely about writing more to feel represented, then you would see a lot of bi and ace and lesbian rep, but this isn't the case. Queer women are seriously underrepresented, and I want to hear their stories and read them in fanfiction as well as published. 50% of lgbt literature is mlm, and of that its largely written by women. Becky Albertalli, Rainbow Rowell, Maggie Stiefvater, are the YA big names and are all women writing mlm. Red white and royal blue is written by Casey McQuiston and Captive prince (which is not YA) is written by C. S. Pacat, who is non-binary, but is also TME and not mlm. These are all the big names in mlm lit, behind them is some gay men, but honestly their stories aren't preferred, they're not the right “flavor” for the consumers usually, who are largely women. In general YA consumers and authors are women, but I wish that they… just wrote about women too. I think there is a certain… snowball effect to the overrepresentation of mlm representing the whole LGBT community that leads to fetishization, as well as misogyny playing a factor in: less women characters being written well to write fanfic on, when they are written well they're taken less seriously or the audience struggles to relate to them, they're less marketable then men.
Idk I never feel “seen” or “represented” by any of the books above, which don't address boyhood and manhood and queerness intersecting really, and AFTG doesn’t either. I relate to AFTG as a trauma victim who has experienced a lot of what many of the characters go through and have gone through in the EC as well as them just overall being very well written characters, but I don't relate to it as a mlm really. I've never seen like.. gay voice or being straight passing or femphobia or how boyhood can be affected from a young age by those around you sensing you're ‘other’ or if you didn't experience this you feel outside the mlm community. Let alone sub cultures like bear and leather and pup, at most you see the word “he's such a twink” in fandom which... i fr hate non mlm using that word because it's usually used to replace the f-slur essentially, used derogatorily or to call him “such a bottom” and stuff like that. It’s like a joke or an insult.
Long story short, idk mang this was a ramble and I think I'm coning down with something. I wanna see more queer women rep and women authors writing about being a queer woman too. I think it's a complex web of fetishization and a bit of forbidden love yaoi culture (or it used to be in the BOYXBOY days) as well as misogyny on an industry level, creator level, as well as reader/consumer and fandom level. I don’t think it’s inherently wrong to explore other peoples stories and what we read has to be segregated, “only mlm are allowed to read and write mlm, only wlw are allowed to read and write wlw,” but I also think author’s intent and audience and background is telling, as well as overall statistics. Like about an hour ago I was looking for cookbooks in spanish or in english, and I was looking for some mexican food cook books, but I had to look for them using words in spanish because otherwise what came up was a bunch of “fiesta party, easy as uno dos tres authentic cooking!” and I was like… hm. Since I could tell they were marketing to anglos. (also the author’s last names were like michelle smith, james cooper, and this could be for a variety of reasons, but I trust Hispanic names more tbh and deadass would look at the authors pictures and if they had other books in Spanish or what their specialties were.)
anyways. not sure how to end this. uhm if anyone has any book recs (my to read list is like 500 books tho no joke) preferably not YA white mlm written by a white lady, hopefully queer women written by queer woman, LMK, I need more wlw and queer women stories on my list. I have a decent amount but always looking for more. I kinda wanna link my goodreads or my storygraph but I also don't want to get doxxed and it has my legal name on it so.
Also, I'm dyslexic and using spell check but if there's like some wild typos my b.
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I'm curious for your thoughts on this subject. I dislike the way antis use the term "yaoi" and "fujoshi" since I feel like these terms were created to mean specific things (in Japanese culture) and antis often apply it without considering differences between slash and yaoi. Also, I dislike the way they use yaoi to pretty much mean fetishizing mlm/content, and fujoshi as fetishizing women since both terms are from Japan and I feel weird seeing these terms associated with fetishizing.
I also am really bothered by the way English fandom has adopted genre words from Japan to mean ‘the worst version of [x]/fans of [x]’. it feels like a form of looking down anything coming from Japan/Japanese culture and treating Japanese culture as the source of these ‘worst versions’.
(a lot of what follows is from light research I’ve done over the years and personal experience. It’s my opinion and experiences rather than a closely researched and heavily sourced essay.)
I think the reason for this weird English-speaking take is two-fold:
Americans/western culture interprets the Japanese subgenre ‘yaoi’ and its Japanese creators & fans through the lens of American/western culture and finds them wanting
the reinterpretation of the concept of ‘yaoi’ and ‘fujoshi’ in American/western culture and the unfortunate associations created as a result
Without going into historical depth, any western - particularly American - interaction with Japanese culture is an unequal one. Besides the ignominious end of WWII, the American army was the means of forcing Japan to reopen their borders in the 1850′s. And frankly: western culture has been obsessed with Japanese culture (and other East Asian cultures) for literal centuries. and we’ve been taking their cool shit and appropriating and bastardizing it for just as long.[$]
the way that the words ‘yaoi’ and ‘fujoshi’ are being treated now is, in my opinion, an extension of this.
(this post was heavily updated on August 2-3rd, 2018, to add a lot more about the word ‘fujoshi’: it originally focused more on ‘yaoi’. huge thanks to blogs like @rottenboysclub, @oh-suketora, and @satans-tiddies for all the information they’ve put out on tumblr about these words.[%] )
American understanding of yaoi in Japan & its Japanese fans
Americans don’t understand yaoi or fujoshi in their original Japanese context, but we belittle and denigrate it as if we do.
BL (Boy’s Love) and its subgenre ‘yaoi’ seem to have a similar relationship to Japanese fans as ‘slashfic’ and mlm fiction does to American fans. But that doesn’t mean we understand yaoi/BL in the context of Japanese culture or that we interact with yaoi/BL the same way Japanese fans do. Same for the word ‘fujoshi’ - a term that seems to have been coined in a derogatory context but was ‘reclaimed’ by the very female-aligned fans that it was meant to denigrate. (but more on ‘fujoshi’ later.)
In Japan, the word ‘yaoi’ is more equivalent to a Japanese acronym for the English ‘pwp’ (plot? what plot?) than a word referring to mlm. Like ‘pwp’ in its original usage, ‘yaoi’ indicates a fanwork or small-time/one-shot original work (doujinshi) that has little to no plot and/or focuses almost exclusively on the sex part of a fictional ship, though ‘yaoi’ is specifically applied to mlm-focused ‘plotless’ fanworks*.
(*it’s worth noting that - as mentioned in the wiki link above - the word ‘yaoi’ does not, on its own, have a meaning attached to BL. it has more to do with who adopted the acronym for common use: specifically, BL doujin writers.)
‘yaoi’ has fallen out of use in Japanese fan circles. ‘BL’ - ‘boy’s love’ - is the word which is more of an umbrella term for mlm in the way ‘slash’ is in English-speaking fandom, covering everything from explicit sex to soft pre-romance hand-holding. however, ‘yaoi’ was the word that became known as the Japanese-equivalent mlm fan genre to ‘slash’ in English-speaking circles, which had the unfortunate effect of leading English-speaking animanga fans to compare only the most tropey, explicit mlm content from Japanese fandom against all varieties of mlm ‘slash’ content from English-speaking fandom.
This was comparing apples to oranges; a more equivalent Western fandom comparison to Japanese ‘yaoi’ would probably be silly oneshot crackfic and kinkmeme fics. But the misapprehension was already in place and only got worse as some of the tropes of the explicit versions of yaoi genre doujinshi became increasingly known - the ‘seme’ (’top’) and ‘uke’ (’bottom’) and their supposedly male/female-like roles, the ‘rapey’ tendency to show the uke as crying and reluctant under an aggressive seme, etc.
These kinds of tropes don’t sit well with a modern American audience. And Japanese bl fans have had their own conversations about whether bl/yaoi is harmful to or supportive of Japanese gay culture (and long before Western / English-speaking fandom circles were having them, at least in a widespread way.)
But Americans are ill-equipped to judge the situation from the sidelines. To provide a few examples of things we generally don’t have cultural context on to truly understand yaoi (BL, tbh) and its Japanese fans:
LGBTQ+ culture in Japan
the Japanese flavor of gender essentialism
social and societal pressures on Japanese people, particularly women (trans, cis, and intersex) & nb ppl who identify as femme-aligned
what it means to be ‘feminine’ in Japan
strongly gendered roles in the bedroom (sex in Japan)
Without knowing all this, how can we understand why yaoi (or BL) is constructed the way it is? how can we understand what draws people to it, or how it sits with Japanese LGBTQ people?
But because many yaoi tropes don’t sit well with Americans in the context of our own culture and increasing openness to LGBT+/queer people, and because we’ve given yaoi a false equivalence with a western genre of fiction that has a much wider range of subject and form, we’re apt to look down on yaoi as ‘bad mlm’ and on its ‘fujoshi’ fans as genuinely ‘rotten women’.
The international reinterpretation of ‘yaoi’ & international yaoi fans
the other way the word ‘yaoi’ is used by many people in fandom-centric tumblr - anti and non-anti alike - is in reference to how Americans/Western fans ‘initially’ interacted with Japanese-sourced mlm (’initially’ being when yaoi became well-known enough for a noticeable interaction to appear in American/western geek subculture).
Manga and anime had a popularity boom in the US around 2003/2004 thanks to improving internet speeds and the 24-hour cartoon channel Cartoon Network looking for fresh animated content to air. Media companies caught on and a glut of manga and anime were officially licensed, translated, and sold overseas.
As the popularity of Japanese media grew, the word ‘yaoi’ became more popular and widely used in fandom circles, usually as a substitute for ‘slash’ or ‘gay’ (fictional mlm) when the source material for the fannish subject was Japanese in origin. I think this hit its peak around 2006-2007; at that time many teenage and young adult anime fans (primarily female/femme) who enjoyed slashfic/mlm fic called themselves ‘yaoi fans’.
Why was ‘yaoi’ so popular in America/western culture? and why did its fans get such an awful reputation over time?
as for popularity, here’s a few aspects:
Just another word for ‘slash’ - it wasn’t so much that yaoi as a publishing genre was popular as that there were a lot anime fans in fandom using the word ‘yaoi’ for their mlm fan content instead of the word ‘slash’. (and it still is used this way in some circles.)
male-attracted teen’s first fanservice - because of the size of the boom and the comparative diffidence of American marketers to young (male-attracted) people, a young anime fan’s first published media experience with the sexual ‘female gaze’ directed towards men was more likely to be sourced in Japanese BL content.
American gaze on Japanese male companionship - manga geared towards young men / perceived men in Japan (such as Shonen Jump titles) features a lot of male companionship and tight bonds of friendship. So does American media, but American male culture rarely allows men to touch one another in friendly ways (any gentle touch from a cis man is treated as expressing sexual interest). Japanese male friendship culture lacks this physical distance. Guess how it was interpreted, and guess what kind of effect it had on American anime/manga fandom.
relatedly, this LGBT/queer read on Japanese-sourced masc-centric content, plus the willingness of works aimed towards femme audiences to present all-but-canon mlm relationships, probably functioned as a poor man’s substitute for the lack of LGBT representation in American media in some cases.
and some reasons for the terrible reputation ‘yaoi fans’ garnered:
American ‘yaoi fans’ in the mid-2000′s were mostly teenage girls/femme-aligned young people, and it is an American pastime to shit on teenage girls for being teenagers and girls at the same time.
10 years on, those teenage girls are young adults in their 20′s looking back on their younger selves with embarrassed disgust. That is: the word ‘yaoi’ started to garner its sour taste in the 2010′s because that’s when most of the teenagers of the 2000′s outgrew that particular flavor of immaturity.
a lack of LGBT/queer culture awareness and education in America. Yaoi or slash fanworks may have been Baby’s First Gay Content. It also might have been the entire extent of their knowledge about non-straight anything because America had by no means the same level of LGBT/queer visibility that it does now and certainly didn’t (doesn’t) educate about it. people said and did some awful stuff out of sheer ignorance and lack of thought.
fandom got better about it because resources improved and visibility increased, which was itself in some measure because of the popularity of mlm fiction in fandom circles leading to people doing more research and queer fans educating those who knew less. BL wasn’t necessarily intended as queer rep, but it did act as a gateway to queer culture for people who discovered things about themselves through BL.
socially inappropriate behavior of many, many kinds - including those who refused to separate fiction and reality and treated real mlm like live fanservice (‘omg real life yaoi!’). But as an icon of ‘yaoi fan in the 2000′s cringe culture’, perhaps nothing is so prominent and well-known as the ‘yaoi paddle’.
why is the yaoi paddle so illustrative and iconic? Well - the paddles were sold at anime conventions as a silly novelty item. Anime convention attendees tended (and still tend) to skew young, particularly compared to other nerdy social gatherings. And as you would expect of a bunch of (a) overexcited young people (b) relatively lacking in supervision and (c ) surrounded by things liable to raise their excitement levels even more, they did a lot of foolish things when handed wooden oars that were easy to swing around and hit people with.
At about the same time that anime fandom was truly exploding in size and the yaoi paddle craze was hitting its peak, the internet was juuust about bandwidth friendly enough to allow people to take videos and upload them to this awesome new site ‘youtube’.
I’d say ‘you can imagine what kinds of videos people uploaded’ but you don’t have to imagine. you can see for yourself. The human interest news articles practically wrote themselves. And while yaoi paddles were quickly banned from conventions and their popularity dropped almost as fast, it was an impression to linger. particularly, IMO, combined with other invasive social behaviors that were somewhat more tolerated at anime conventions back then: ‘glomping’, ‘free hugs!’ signs, awkwardly following relative strangers around conventions as nominal ‘friends’, cosplayers publicly ‘making out’ as ‘fanservice’, etc.*
so this is the image of the ‘yaoi fan’ today - a young, white American cis girl at an anime convention in 2007, lacking self-restraint, social grace, and the ability to distinguish fiction from reality. and though this image has little to do with the original Japanese concept, we use the Japanese word to conjure it.
*these behaviors weren’t limited to young female / perceived female ‘yaoi fans’ by any means, but partially because of yaoi paddles, ‘cringe culture’ and ‘yaoi fangirls’ were inexorably linked to one another.
International (mis)use of ‘Fujoshi’: a Brief History
In contrast with ‘yaoi’, the word ‘fujoshi’ has a comparatively short history in American culture. It had a brief rise to popularity in the early- to mid- 2010′s, but for the past year or two it has been heavily invoked by the (so to speak) ‘fandom police’ as an invective against (perceived) women who ship fictional mlm and/or create explicit fictional mlm fanworks.
‘fujoshi’ ( 腐女子 ) is a compound word composed of the kanji/hanzi for ‘rotten’/’fermented’ (腐) and ‘woman’ (女子 ) and is a homonym with an old Japanese word for ‘respectable woman’ (婦女子 ). It was coined on 2ch (a Japanese text board popular with men) to insult (perceived) female fans who ‘queered’ media content written for & centered around men: re-imagining (canon straight) male characters as queer/gay/bi, shipping them with one another, and discussing/creating explicit, sexual work around those ships. (sound familiar?)
In its original insulting context, a ‘fujoshi’ was woman who was no longer a desirable marriage partner because of her interest in BL. She had ruined herself by marinating in sexual fantasies - and not even normal sexual fantasies about having sex with a man herself. Instead, she had fantasies about men having sex with men! Not only had a fujoshi woman lost her cute naivete and innocence: she’d also turned into a sexual deviant. She was fermented, overripe, disgusting, undesirable.
I don’t know how long this meaning had any clout, because Japanese BL fans - BL fans from all over Asia, in fact - embraced the ‘fujoshi’ label. to me, the implication of the ‘fujoshi’ reclamation reads like a giant, queer ‘fuck you’ to the kind of dudebros who hated them: ‘you find me undesirable because i like gay/queer content? That’s hilarious, because I never wanted you in the first place.’
And to this day (mid-2018), 'fu’/ 腐, ’fujo’/ 腐女, and its varieties (腐男子, 腐��, etc) have positive connotations in kanji/hanzi-using fandom circles.
The word ‘fujoshi’ reached English-speaking Western fandom eventually (I want to say in the late 2000′s/early 2010′s). It came to us already reclaimed and was picked up as a positive self-label. In those earlier days, Western fandom called themselves ‘fujoshi’ in a way much more similar to how Eastern fandom still uses it:
It’s not my job to please you.
I’m allowed to enjoy taboo things like queer fanworks, headcanoning canon straight male characters as gay, and sexually explicit content.
If you think that makes me gross, then fine: i’m gross. your opinion doesn’t hurt me. in fact, I embrace it.
(now go away and let me ship.)
this connotation of ‘fujoshi’ enjoyed a brief period of popularity. There was a fandom ‘sweet spot’ for slash in 2011-2012: shifts in public opinion meant shipping gay ships wasn’t utterly taboo anymore and AO3 was a safe space for sharing slashfic. ‘Fujoshi’ came to semi-replace ‘yaoi fan’ in the English lexicon, at this time, becoming synonymous with ‘ships gay ships in animanga fandoms’, with the added bonus of partially shedding the connotation of loving old yaoi doujin tropes in one’s slashfic.
But in the last few years - starting in around 2014/2015, I want to say - there was a shift in the attitude towards shipping mlm here on tumblr.
mlm fans who are seen as women - whether they are or not - are increasingly told that shipping fictional slash ships or creating fictional content about men in love with/having sex with men is terrible. mlm shippers/fanwork creators who aren’t mlm themselves - especially perceived-female mlm shippers/fanwork creators - are apparent no different from the ‘yaoi fangirl’ stereotype above: the 2007 cis white socially awkward fangirl, holding a yaoi paddle and screaming with excitement about real life yaoi!!! whenever two real gay men kiss.
the word ‘fujoshi’ - still tied to the English-speaking concept of ‘yaoi’ by both words being Japanese in origin and related to mlm fan content - was about to get unreclaimed with a vengeance … by American/Western fans with hardly a drop of knowledge about Japanese culture, fandom, or language.
And it’s been every bit as ugly as you can imagine.
‘yaoi’ and ‘fujoshi’ on tumblr today (mid-2018)
fandom on tumblr, deeply into policing everyone’s fannish interests in the name of social awareness, invokes ‘yaoi’ in a two-fold way:
‘yaoi’ as a doujinshi subgenre in Japan: featuring fictional mlm in sexual situations for titillation written by Japanese women (& femme-identifying nb people) for Japanese women (& femme-identifying nb people), and the distasteful feelings American/western culture bears towards its tropes as being unacceptably unrealistic and ‘backwards’ by modern progressive American standards.
‘yaoi’ as ‘cringe culture’: an imperialistic American/western read on Japanese media content + exposure to Japanese BL, blending unfavorably with a lack of education on real LGBT/queer culture, a lack of alternative LGBT/queer media representation, and teenagers being teenagers
Tumblr fandom police, feeling that ‘fujoshi’ was equally bad as ‘yaoi’ by dint of being adopted as a label by animanga slashfic fans & as another Japanese word relating to mlm shipping, proceeded to co-opt, redefine, and ‘un-claim’ the word ‘fujoshi’:
‘fujoshi’, but literally. having gotten wind of the literal meaning of the word ‘fujoshi’, but completely lacking the context under which the word was created, invoked, and reclaimed, fandom policers designated their own negative meaning for ‘rotten girl’. ‘fujoshi’ means ‘straight girl that’s rotten because she fetishizes gay men!’ fandom policers say - even though that has literally nothing to do with ‘fujoshi’ in its proper context.
telling East Asian fujoshi they can’t call themselves fujoshi. having decided the word ‘fujoshi’ is tied to being homophobic (by ‘fetishizing’ gay romance), and that its derogatory of women because they rely on their own re-take on the literal, negative meaning, American fandom policers start attacking East Asian fans that proudly call themselves fujoshi. (I wish I was joking.)
In summary, English-speaking fans are using their own twisted, ill-informed, and imperialistic treatment and understanding of Japanese concepts to turn those words into pejoratives for use in petty ship wars.
(And when you put it like that it kind of starts to look a little … well … racist.)
[%] This post was never intended as an exhaustive resource - as noted at the beginning of the post, it was based on my absorbed knowledge from being in animanga fandom as an American for many years - but thanks to the blogs I listed, who have a much more thorough knowledge of kanji / hanzi-using fan spaces such as Japan/China/Taiwan, Korea (in part), etc, I learned a lot about the current usage of ‘yaoi’ (or lack thereof) in Japan & how fujoshi was adopted as a popular label over the last 9 months.
If you’re ever looking for more information on these topics, I would especially point you to @rottenboysclub, as their blog is focused on educating English-speaking fandom on Japanese queer/LGBT+ and fandom terminology.
[$] regarding western tendency to appropriate Japanese culture - Japan is eager to export the unique aspects of their culture. but how many times have you seen an English article with titles like ‘10 Reasons Why Japan is So Weird’ or ‘25 Weird Things About Japan that will make you say ‘buy why?’’ (the literacy rate in Japan being nearly 100% is #3 on this list). and okay - Japanese culture is remarkably different from American culture. But this ‘Japan is so weird’ talk is often accompanied by a tone of mild superiority.
consider how we treat Japanese cultural products such as movies. The recent Death Note debacle is only the latest in a long string of this kind of nonsense (though thank goodness it’s getting the reputation it deserves.) Remember The Ring? American remake of Ringu. And of course there’s dozens of other examples of Americans buying or taking things from its original Japanese context and trying to make it ‘better’ for a mainstream American audience, even though the American audience liked the original Japanese product just fine. (Dragonball Z comes to mind.)
(On the flip side you have ‘weaboos/weebs’, the contemporary word for ‘Japanophiles’, putting Japanese culture on a pedestal, which is not any better, and disgust with ‘weebs’ tends to be extended to the aspects of Japanese culture they worship.)
#racism in fandom#this is an americentric post#yaoi as a trope#in defense of fujoshi#in defense of freedom to fandom#animanga fandom#fandom history#TEH HOT YAOIZ
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If you dont mind me asking, I'm really curious about your opinion of kevaaron as its growing increasingly popular. From the perspective of pairing a (bi?) guy with someone who is homophobic in canon. Often times it seems like Aaron overcoming his homophobia is rushed so that him and Kevin can get together.
Hey! So this is actually a very interesting ask because it shows how prevalent fanon is, that even you anon have stated that Kevin is bi and aaron is homophobic.
Aaron's homophobia is complicated but in my opinion there, especially considering it is 2006 and he is a straight guy. He definitely shows signs of being the "I'm not homophobic just don't shove it in my face/do stuff like that so public" type of homophobia. He is often HC as ace, sometimes ace/aro to combat this flaw and make him more likeable in a similar way people do with Kevin's homophobia.
Thats right! Kevin is probably homophobic! He never says a slur like seth, but going off of context he is about the level of homophobic as aaron, but in a much more dismissive rather than disgusted way. He says "it would be best for neil to remain heterosexual" (not a direct quote but you get the idea) this line is often used as evidence that kevin is bi in a similar way that Aaron's discomfort is used as evidence for him being ace. This type of dismissal and belief that being queer is a choice, is harmful. I've been told by a family member to stay in the closet because my life would be easier, and thats by someone who doesn't think its a choice.
Ace aaron isn't nearly the level of fanon as Kevin is bi is. But the other common HC of kevin is that he's ace/aro as well.
Again, as always, people can headcanon and interpret and interact with canon however they want. I think its just good to notice the line between fanon and canon. Fanon is inherently self indulgent.
I like to keep Aaron straight and homophobic because I think its important to show, and how people who are homophobic aren't secretly gay/bi the whole time trope. Also, ace people can be homophobic. Anyone can be homophobic. Its mostly straight people, but lesbians, bi non-binary people, ace women, gay men etc can be homophobic. Each group of queer person experiences homophobia uniquely, lesbiphobia is not the same as mlm homophobia, which is often based in femphobia, misdirected trans misogyny, and misogyny. And in fandom/media mlm homophobia takes on a whole entire form of fetishization (which isn't always inherently sexual).
Now! For my opinion on kevaaron.
I dont like it lol.
People can like what they like but personally if I don't like something I filter the tag and I have kevaaron filtered because I don't want to see it.
I think there is over emphasis on mlm ships with no chemistry over wlw ships that are arguably with more chemistry.
Overcoming your internalized homophobia is a real thing a lot of gay men have to face. And its hard, its really hard. And its not a thing to be rushed. A lot of peoples first gay relationship is really unhealthy because of this, dating someone who is closeted or freshly out, or being closeted or freshly out yourself is taxing.
Aaron and Kevin have less chemistry than renee and dan, (nora originally mentioned wanting them to maybe have something between them)
Most ships with aaron in my opinion seem to be based in the fact that it would be so cute for this short grumpy boy to be with someone so much taller, it also seems like a work around a lot of times with andrews trauma because you have his twin there.
Ships with aaron and matt are kind of funny to me because about all they share is a history with drugs. That's about it. Aaron is grumpy and matt is... actually not as sunny as fandom depicts him he's a lot more chill and less bubbly in canon but eh thats not really based in anything bad besides simplifying characters for fics and fandom.
I've never read a kevaaron fic but I wouldn't be surprised if they are rushed feeling like you said.
I still have internalized homophobia lol, and I've been out for 6 years now. its not an easy thing to undo.
Again I will state fandom is inherently self indulgent, I just also think that the core messages of the canon shouldn't be ignored and that people shouldn't say x charcters doesn't even have that flaw in canon. Characters are always multi faceted and complex if they're well written. They don't always have to be likeable. That's what makes them good, makes them foxes.
Its okay to like a character who is homophobic in canon and HC what you want, i have so many ideas for seth who I love, but I also want to make sure I dont fall into the "psych he wasn't a real homophobe-he was queer the whole time!" Trope because it inherently blames gay people for the homophobia they experience by making it a inter community issue where gay people just need to learn to not hate themselves, and "hahaha wouldn't it be so funny if this homophobe was gay, that'll show him" as if being gay and hating yourself and others is... a good thing to wish on others and the gay community. The truth is some, in fact most, homophobes are straight people.
That being said I have a headcanon that kevin is bisexual, aromatic, but is with thea his whole life despite neither of them not being very happy but content enough, he never realizes hes aro or bisexual, and it follows basically Nora's EC after that. And aaron is straight and haloy with kaitlyn but sometimes wonders if he held on so tightly and married her just because he already put in all that effort and not to prove his brother right when breaking up with her, but thats only when he's depressed otherwise he's happy and chillin.
There is a very low number of openly bi men compared to openly bi women "how many men would be bisexual if we let them" is a cool quote from tumblr, and an accurate one.
My headcanon isn't a happy one but in my opinion fits with canon pretty well which is why I like it. A lot of people don't ever fully find out who they are. That's the reality, and my fandoms elf indulgences are me giving myself more realistically canon "content" in my opinion. Thats how I self indulge but not everyone has to.
People who like kevaaron or aaron and matt, do you show the same support for renesion? For dan and renee, dan allison ? If not, why? They have the same level of chemistry, if not more.
Just some questions to wonder why you ship the things you do and why the bar for mlm chemistry is so much lower than it is for wlw chemistry.
#aftg#all for the game#ask#aaron minyard#matt boyd#kevin day#fandom politics#fandom psychology#mailob#fig writes
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