#also i need the things i ordered

[pyrogaynia]

if i do not get a package this week i will scream

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[kit-screams-into-the-future]

yeehaw

transcript:

JENNIFER: Don't get me wrong, this dress is nice and all, but- JENNIFER: ...it'll be real hard running around and stuff in it, don't you think? JENNIFER: Especially with. Whatever this is. (ass cage??) MARTY: I, uh... MARTY: Yeah, huh. MARTY: How- JENNIFER: (noticing the pants Marty's holding) Bingo. JENNIFER: Sorry, Marty, gonna hafta borrow this- MARTY: Wha- Hey!

everyone was making such good jennifer in 1885 posts so i nicked a couple for the gist of this one

[waywardstation]

Tamagotchi Ingo!

I had been working on these for a custom tamagotchi back when I had my busted wrist because pixel art is easy to do with either hand, but once it got better I stopped working on it. Maybe I’ll pick it up again, I’ve got some unfinished backgrounds, facial expressions, and accessories to still replace ^^

[happi-dreams]

I watched electric dreams finally !!!!!

It’s so good and odd but ohshdkebdkwbdhmehdh EDGARRR !!! EDGAR I LOVE YOUU !!!!!! ! ! ! ! YOU DESERVE BETTER !!!!!

When I saw the ending I SOBBED what the HELL,,,,,

[teaboot]

I’m sending this anonymously but this is NOT anon hate

You are such a good person, i think. Your latest post(as of 4:10pm Arizona, US time) spoke to me really hard. My father is a cop, in the united states, arizona, duh. And he used to be such a good person, he was a security guard and a damn good one too, and later in he became a prison guard because it paid better, and then he joined the police force.

I’d like to think that hes one of the good ones, and for the most part he is. A lot of my delinquent friends over the years who’ve had run-ins with him say that he gets them breaks, he takes care of them, hes a good cop. I’ve even seen body camera footage of him in the field and i’m proud to say that hes my dad. He calls out bad actors where he sees them, and he gets punished for it. He doesnt see the system or how his punishments are by design. And he continues turning in his cog, begrudgingly, and slightly out of time, but he thinks hes making a difference

Sorry for the ramble and essay, i just wanted to say that i really like your blog and i think you are a very nice human being. Thank you for sharing your perspective.

P.s. i’m totally basing an oc off of your outlook on security. You strike me as more of a superhero than a security guard.

-🦕 anon

Oh, that’s a super flattering take and a valuable perspective- so thank you! But I’m a gullible dumbass, and not even an incredibly smart or fit one- I just want people to be happy and safe. That’s all. And I don’t want to BE a cop, I’ve NEVER wanted to be a cop, but every time the request comes around I feel like I’m wearing down.

I keep wondering if I could help MORE in a position like that.

Probably like your dad did.

Here, people know they’re safe with me because I shut down the gunhappy jerks, but I don’t know how long it would take to truly make a difference in public security, or how many of my morals I’d have to compromise to get to that point

I feel objectively like a system so archaic and flawed can’t be changed from the inside, but another part of me says that you don’t need to change an entire system to make a difference where it counts

I believe that so many bad situations and life-changing moments can be diverted or changed by a single person in the right place at the right time- and I figure, if I trust myself to do the right thing and BE the right person, shouldn’t I do my best to put myself in those places?

But good intentions, roads to hell, you know? I don’t WANT to be a cop. But I want to be able to DO SOMETHING about the thinks I dislike seeing in conflicts. SOMEONE has to be willing to do that, right?

I’m not religious, you know? But the devil can be very convincing

[morganski-19]

Steve was doing laundry and making small piles of his and Eddie's clothes. Colored polos and sweaters next to a pile of black band tees and ripped jeans. His and Eddie's styles were so different, each pairing them with their respective social groups, whether they be true or not.

But it's enough to make people surprised when they go out together, surprises people that they could really be friends. Most of the time Steve just brushes it off, but some of the time it gets him thinking.

He doesn't really fit with Eddie, not all the time. Especially in the way he dresses. Eddie is all black with silver chains, the only color coming from his vest or the words on a band T-shirt. Steve, well he's preppy. Wears a lot of colors and comfy clothes. It's different from Eddie, he's different from Eddie.

He's heard what some people say behind their backs. They can't believe that Steve's hanging with the freak or that they can't believe that Eddie's hanging out with some prep. Those he can ignore. But when Eddie introduced him to his band and they made some snide remark about the way he dresses, it hurt a bit deeper. Or when one of the kids offhandedly says Steve and Eddie are so different, it's a surprise that they're so close. He knew they meant it more toward him.

So, Steve picks out a pair of clothes from Eddie's pile. Just to try on, just to see. Is this what people expect when they see someone walking next to Eddie? Is this who he should be?

When he looks in the mirror, he sees himself being someone he's not. Even though this is what he expected, it still hurt. The person looking back at him is what should be with Eddie, not him.

"What are you wearing?" Eddie asks behind him, Steve not even hearing him come home.

"I just wanted to see what it would look like if I wore your clothes, funny right?" He tries to hide how he's feeling with a joke, but it doesn't come out right.

Eddie tilts his head to the side. "You look too much like me. Take it off," he says, a bit offended.

"Is that such a bad thing?"

"What?"

"Is it such a bad thing that I look like you? Don't you wish that I dressed this way?"

Eddie's face falls. "No. Why would I want you to dress like me?"

Steve shrugs, feeling small. "Because everyone always thinks it's weird when they find out we're together. We don't look like we fit. So I thought that if I dressed more like you, it would fit more."

"You're wrong. We do fit, no matter what people say," Eddie walks towards him, taking Steve's face in his hands. "There's more to us than the way we dress."

"Yeah, I know that. Just thought you'd want me to look more like you."

He shakes his head. "I don't. You know why?"

"No."

"It's cause you've lost all you're color, sweetheart. I love your color.""

Steve's heart melts. "Really?"

"Yeah, baby." Eddie leans forward and kisses Steve softly. "Now go change, I want to see your color again."

[blackkatdraws2]

There are more things in the Parable than Stanley knows about. [Blank Scripts AU]

[rui-drawsbox]

ruri,,, but in keyframes by @blank-house (again) ((help im obsessed this is not a joke))

[obsob]

there he is......the man of the house

[turnaboutstar]

autistic people when there's collectable things with tv shows with multiple generations of them:

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[ohplasticheart]

kinda forgot about the twitter takeover already but just now tiktok showed me an animatic from the question about babysitting cream and i just got metaphorically sucker punched by the fact that sonic sways the answer to invite shadow out for ice cream just to immediately get sucker punched again by sonic actually remembering shadows favorite flavor

[autisticandroids]

CASTIEL: Stop. What's the point if you don't mean it? You fear me - not love, not respect, just fear.

[youtube with closed captions]

a godstiel pity party. i'd like to thank an anon i got way back in february of 2021.

[spaciebabie]

oh so you wanna fuck that monster huh. make sexy art of them without giving them muscles and/or making them look human

[starscr0ss]

im thinking about celestia and the abyss being literal opposites (chaos and order) and im thinking about childe and lumine being sort of embodiments of that, just not in the way we think. after the latest natlan quest its clear to us what the fatui intends and what they want- i think the tsaritsa more than anything loves humanity, which is why she directly opposes celestia who are known for bringing down different civilizations. childe, as Her weapon and Her blade is an extenction of that: he's a blade forged by the abyss, bathed in Her holyness, meant to strike down those who sin. lumine (talking solely about traveler lumine) is the literal sister of the prince of the abyss, she has clear ties to it and at this point in the story still is hesitant about fully opposing him (i love angst). her entire story revolves around chaose and disrupting celestia's (and the fatui's) order. isnt that fun

i think what childe longs for the most is control- control of himself, his life, his powers, his story, his fate. i think what lumine wants the most is freedom, which is just another phacet of chaos

anyways. you see it. the themes are theming