#also i knew nothing about the show except sid was a character
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salmonlyster · 2 months ago
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finished s1 of skins and i dont want to talk about it
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bcbdrums · 4 months ago
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👛 your favorite rare pair?
♟️a character you feel is overrated?
🤍 a fandom you’ve only recently discovered?
thank you for the ask!! since you didn't specify a fandom, i'm gonna go two.
👛 your favorite rare pair?
For Kim Possible - Ron x Yori. Is it rare? I dunno. I never see it. Maybe it didn't used to be. But maaaaan I think there's SO much incredible character development potential there for Ron. I still think of Ron x Kim as endgame, but...could be interesting to explore the boy figuring out his life without Kim and with someone else for a bit. Ultimately to make him better for Kim. I don't say any of that against Yori, I just don't think she's the one in the end. And I also don't see him dumping Kim for Yori, more a thing of happenstance.
For Soul Eater - This was a hard choice. And I don't want to call a pairing with less attention but clearly an obvious pairing "rare." Like, Ox/Harvar doesn't get much notice but I wouldn't call it rare. So.... here we go. Spirit x Azusa. Hear me out... You've got two extremely driven, hardworking people. They went to school together. You have Azusa who's a bit of a feminist and so would naturally see Spirit's actions in a negative light, since on the surface he appears to treat women as objects at least as a teen, and then there's the drinking too which she likely wouldn't see positively toward academic/career success. Then there's Spirit who is in fact genuinely hardworking despite his faults, and he makes death scythe before her. She probably doesn't think he deserves it. There's also the age difference; Azusa is the youngest (except she's probably older than Sid, but she's younger than Marie and we know Spirit is the oldest so yeah). So Spirit probably did think of her as an annoying bossy tattletale brat. But thinking of them in the anime especially, stuck in the Death Room during those crucial moments... And just her time there in Death City after all those years apart. She'd have gotten to see Spirit shine. He'd have gotten to see her grown up and shining in her role. They're not kids anymore, a lot has changed, and they have so much in common now... This would be a wild one. This one would be hard work. This isn't some fall into lust/infatuation romance. This would be a relationship built on respect over time. But I can see it... There's some great art of this ship on the blog "Illogicat" sorry I can't tag it.
♟️a character you feel is overrated?
For Kim Possible - Wade Load. He's just the deus ex machina guy. He exists to give Kim a magical way out, and there's nothing else to him... Well, actually I see a LOT of villain potential in him. But in terms of people acting like he's an important main character... Well, yeah, I guess. Kim would have died many times over if not for him. But that's all he does... A quick phone call, magically he's already put exactly what she needs in her backpack without her knowledge somehow for that exact predicament that no one knew she'd be in... Yes, it's a cartoon, this is part of the humor, I get it. But the only real he interest he holds for me are his villainous tendencies that show up at times. But in his assigned role... Sorry, he ain't nothing.
For Soul Eater - Crona comes to mind first... I likely wouldn't have thought so if not for the fandom obsession, but it's like... There's not much to Crona? Crona is sort of a....blank slate. For self-projection. Yeah... All Crona ever seems to get noticed for is "cute when shipped with Maka" and never acknowledged for the things that matter like, abuse by parent/"sibling" and madness (serious, serious mental health issues here) and we could use Crona to talk about those topics in ways that matter. I'm not saying it's not valid to make a ship cute because you like cute, absolutely nothing wrong with that. But there's other issues (I briefly addressed in a prior ask maybe even today actually) and it's just... Crona could be so important. But that's never what I see in fandom. Overrated for the wrong things, underrated for the right things. (And like, the fandom targeting random ppl who haven't read the manga to tell them it's bad cuz you don't like Crona's ending... Come on, fandom.) I'm keeping this extremely brief for the sake of post-length.
🤍 a fandom you’ve only recently discovered?
It's been some months now, but, Psycho-Pass. 😌 I have a Soul Eater crossover fic to thank for this (my GOSH if any characters ever belonged in another universe.... SE chars belong in Pyscho-Pass my GOSH). I'm stalled on season 3 though because there's no dub and I haven't had the energy for the sub in months.... But I've been itching to get back to it and heh I just may have energy now...
Psycho-Pass is an anime crime drama. Pretty gory actually, so for me I do have to look away from the screen at times (also - two SE voice actors star as the main characters!). Each season/movie jumps to a different point in time, but it's all one big connected story in the end. Season 1 is the best (so far) and my goodness... The themes are mature. If you enjoy deeply intellectual shows, you'll enjoy this. It's also a lot of mystery. I like the animation style too, it's really stunning.
Here have some amazing Soul Eater x Psycho-Pass crossover art because IT'S AWESOME.
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simons-twsted-children · 9 months ago
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Thought I’d share a short thing I wrote for Sid here? It’s mostly them just pining over @cyanide-latte’s Wei Renqiao, but I figure it’s a useful look into how they see themself.
Sid couldn't stop looping the events of that day in their mind over and over again, working to memorize every detail. The moment they'd stepped aboard the Black Pearl, the moment their dreams had finally, finally started to become a reality, would be something they wanted to remember, forever. Even as they worked to recall every splinter and scratch on the deck, their thoughts kept slipping back to him. The large, stunning man who'd sat on the deck as they did their best to show off for the Pearl's captain. He'd encouraged them so earnestly, even after they'd managed to fall on their face in front of him. Everything about him radiated strength and certainty-- a confidence Sid only pretended to have. They longed for that, to truly be so sure of themself as to be bothered by nothing and no one.
And for all that strength, it was clear he also maintained a masterful level of control. His fingers moved over the strings of his unfamiliar instrument with the lightness and grace of a practiced dancer. He must have been the ship's musician, they thought, and his position was well-earned. They cold still remember the melody he'd plucked so effortlessly, clinging to the echo of every note. Sid couldn't help but respect the level of time and dedication it took to become so proficient at any instrument. After all, they'd put so much work into becoming agile, coordinated, and brave enough to navigate the deck and rigging of a ship as well as a child who'd been born at sea. When their parents had stopped paying for their classes, they'd found their own ways to keep attending, even going so far as to take on multiple part-time jobs to manage the feat.
The man looked like he belonged on the ship, too-- like he'd been sculpted perfectly for the role. The wind caught his jet black hair, teasing it in such a way that made him seem almost inhuman in the most beautiful way. He seemed a part of the ship almost more so than the ghosts who filled out most of her crew. Sid couldn't be blamed for their fixation on him, could they? Not when someone so perfectly embodied the pirate they wanted to become. They wanted nothing more than to look so at home on the deck of a ship, so comfortable with themself and their surroundings...
Only then did it strike them that they'd made an error almost as grave as insulting the Pearl's captain-- they'd neglected to ask this statuesque man's name. Who was he, this beautiful stranger who not only represented everything they longed to become, but who had also encouraged them in the pursuit of their deepest, truest dream?
-----
Wei Renquiao. That was the name of the man they couldn't stop thinking about, who had haunted their thoughts from the first day they'd met him. And not only was he the ship's musician for the Black Pearl, he was also the housewarden for Ignyhide dorm. A skilled mage as well as a pirate? Powerful, yet approachable? Was there anything Wei couldn't do?
He'd tried to look after them, too, warning them to be careful with their trust. The thought made something inside Sid go soft. It wasn't like they bared their heart to just anyone, after all, there was just something about him that made them feel safe. But the fact that he'd worried at all... It was rare that people did much more than scorn them. Bobbi was basically the only exception in recent memory, aside from Wei himself, and they were more of a kindred spirit than anything. Wei had already found some measure of success on the path Sid was fighting to sail down, even if he didn't share their exact goal.
The more they thought about him, the stronger their desire to be near him grew. They knew they'd never achieve his strong silent persona-- such stoicism was not in their nature-- but they longed to learn from him in other ways. They wanted to make the character they played into their reality. They wanted to find some sliver of his confidence and hold it for themself. Sid was defiant, stubborn, and determined, and that was all well and good, but the bravado they displayed, that sureness that they would reach their goal, was nothing but a facade.
Wei also knew what it was to chase a dream, to trudge down a path that the wold seemed bent against you following even if your soul was crying out that this was right. He hadn't shared his own dream, but Sid had heard it in those words, in his tone... He felt the same pull, somehow, was being lead along on the same lonely journey as they were towards some impossible dream. Every part of them longed to know what that was, for him, so that they might offer him even a percentage of the reassurance his words gave them.
Even if Wei didn't say much, his words were heavy. Each one was chosen so carefully, with such an intent and deliberate placement that Sid could only imagine how much thought was behind them. In that way, he was worlds different from them. Sid tended to spill forth words like an untamed sea, their ideas and intentions crashing around in a muddled, passionate mess that they could only hope carried across what they meant to convey. Again, this was a trait they knew they'd never truly be able to embody, but maybe one day they could learn to tame the currents of their thoughts, even a little.
Learning from Wei. Yes, that was all they wanted. Surely, someone like him would have a lot to teach them, even if it was largely by observation and imitation. They wanted to be like him, that's why their thoughts kept circling back, turning in on themselves like a whirlpool. There was surely no other reason, no other motivation...
Admiration is surely why his soft and genuine concern for their wellbeing made their heart speed up. Who wouldn't grow excited upon realizing that someone they looked up to cared, right? That was a totally normal reaction. And feeling his eyes on them, making them feel so exposed-- they simply didn't want to make a fool of themself in front of someone like him. Nothing more, of course. Nothing more.
——-
Sid loved him. Oh gods, Sid loved him, and they had it bad.
No matter what they tried to do, they couldn't keep thoughts of him from their mind. Every breath was agony when they were apart-- they'd even gone so far as to transfer into an elective class with Wei and, incidentally, Copper, as an excuse to be near him when not on the Pearl. They'd even agreed to give up on the treasure hidden within Scarabia's dorm in exchange for the seat beside the subject of their every thought. And somehow, miraculously, he didn't seem put off by their attention.
Well, Sid couldn't exactly call Wei receptive, either, but he hadn't told them off, which was a good start. As good of a start as someone like Sid could hope for, anyway. Besides, why would someone like him, powerful, confident, and talented, give someone like Sid a second glance as anything more than a friend? They would content themself with just being near him. That would be enough, for now, it had to be.
As long as they could stand at his side, as a crewmate and friend, Sid would be happy.
Even just spending time near him, studying or maintaining the Pearl, made Sid's heart soar. They barely even thought of their parents, of the shitshow waiting for them back home, when he was around. He was like an oasis in the desert, a rock in a storm, something solid and dependable, offering hope and reassurance when everyone else simply wanted to tear Sid's dreams to pieces. He listened, and they clung to his advice like barnacles to wood. They would have done anything he said, if they were being honest. They treated his words with a reverence almost higher than the Code itself. Had he ordered them overboard, they doubted they'd question it before jumping.
Oh, how their heart thundered at the thought of him touching them. Even a light tap on the shoulder had made their skin tingle for hours afterwards, and that was nothing more than a casual gesture. Their thoughts often strayed further, making Sid blush and stammer at the scenes playing out in their own mind. They longed to see what his skilled fingers could do when set upon more intimate tasks.
That would never happen, though. Could never happen. What chance did someone like Sid have with a man like him? Wei was talented, handsome, and well-liked. Sid was only barely tolerated by most people. Even then, many of them only gave Sid that much because they knew how to make themself useful. Sid had no delusions to the contrary, especially not with how spectacularly they'd botched their introduction to Copper. Even if they had since patched things up with him, well... It said something about their social skills that the first conversation they'd had with their future captain resulted in them insulting him almost as deeply as they could have managed. What might happen if they tried to flirt, or worse, initiate a relationship with, the one crewmate they were on friendly and familiar terms with? It might completely sink their chances of ever becoming the Pirate King.
So it was for the best, they knew, to just keep quiet. To simply content themself with what they had. After all, wasn't their current dream ambitious enough? Why tempt failure by growing greedy. The whims of their heart would fade, in time. Didn't they always?
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itsclydebitches · 3 years ago
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The Bad Batch: A Crosshair Analysis
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Hello, Star Wars fandom! I have just completed watching—and loving—The Bad Batch, which you know means I now need to dump all my thoughts about the first season into the tumblr void. Specifically, thoughts on the complicated drama that is Crosshair. I have no doubt that the majority of what I’m about to say will be old news to anyone who watched the show when it came out (I’m slow...), but I’m writing it all out anyway. Largely for my own sanity enjoyment :D
I want to preface all of this by saying that the above is not an exaggeration. I love the show and I love the entire cast. My enjoyment in each of the characters is directly connected to my enjoyment of the season as a whole, which I say because I’m about to get pretty critical towards some of the characters’ choices and, to a lesser extent, the writing choices that surround those. Does this mean I secretly hate The Bad Batch? Quite the opposite. I’m invested, which is presumably just what Filoni wants. I’m just hoping that investment pays off. 
But enough of the disclaimers. Let’s start with the matter of the inhibitor chip. I’ve seen fans take some pretty hard stances on both sides: Crosshair is completely innocent because he’s definitely been under the chip’s control this whole time, no matter what he might say. Crosshair is completely guilty because he said the chip was removed a long time ago and he chose to do all this, no moral wiggle room allowed. However, the reality is that we don’t know enough to make a clear call either way. The audience, simply put, does not have all the necessary information. What we have instead is a couple of facts combined with claims that may or may not be reliable. Let’s lay them out:
Crosshair was definitely under the chip’s control at the start of the series.
He was able to resist it to a certain extent, resulting in a pressure to obey orders coupled with a primary loyalty to his squad. See: telling Hunter to follow the Empire’s commands—which includes killing kid Padawans—but not turning his team in as traitors when they did not. It’s an in-between space.
Crosshair’s chip was then amplified to an unknown extent. I’m never going to claim I’m a Star Wars aficionado—I’m a casual fan, friends. Please don’t yell at me over obscure lore lol—but within TBB’s canon, no one else is undergoing that experimentation. The effects of this are entirely unknown, which includes Crosshair’s free will, or lack thereof.
Crosshair then becomes a clear tool of the Empire, hunting down innocents, killing on a whim, the whole, evil shebang.
In “Reunion” he’s caught by the engine and suffers severe burns to his face. One leaves a scar that covers precisely the place where the chip would have been extracted.
Removing the chip leaves its own scar behind. If Crosshair’s was removed, we can’t see that scar due to the burn.
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After these events Crosshair seems to mellow a bit. He does horrible things under the Empire’s orders—like shooting the senator—but is still loyal to his squad—killing his non-clone teammates to give TBB a chance, saving AZ and Omega, etc.
Crosshair claims that his chip has already been removed. However, Crosshair is arguably an unreliable source if he’s been lied to or if the chip is still there, encouraging him to manipulate the team.
Crosshair claims it was removed a long time ago, which is incredibly imprecise. As we can see from just some of the events listed above, precisely when the chip came out—if it came out—makes a huge difference.
Hunter realizes this and presses for clarification, but Crosshair dodges giving it. Again, a legitimate belief that it doesn’t matter, or evidence that he can’t say because something else is going on? We don’t know.
Hunter checks Crosshair’s head and finds the burn scar which proves… nothing. As stated above, they wouldn’t be able to see the surgery scar one way or another: its existence or its absence. It’s useless data, as Tech might say. I’ve seen a few fans claim that Hunter was also feeling for the chip with his enhanced senses, but 1. I didn’t catch any evidence of that in the scene and 2. Even if we assume Hunter did that anyway, the chips are notoriously hard to spot. Fives and AZ couldn’t find the chip at first when examining Tup. Ahsoka had to use the force to find it in Rex. TBB themselves couldn’t find it at first in Wrecker. If machinery consistently fails to find the chip on the first couple of tries—it’s meant to be a hidden implant, after all—why would we believe Hunter’s senses could pick it up instantly? Maybe he missed it, or maybe it wasn’t there at all. 
Crosshair appears to be struggling with a headache in the finale, just as he was at the beginning of the season and just like Wrecker was for the first half.
The point of listing all this out is to emphasize how ambiguous this whole situation is. I don’t want to use this post to argue one way or another about whether Crosshair’s chip is really out. I have my preferred theory (the chip’s still in, but only partially functional), but at the end of the day none of this is conclusive. The writing takes us in what I hope is deliberate circles. Crosshair says the chip is out? Crosshair is not a reliable source of information until we know if the chip is out. What other evidence is there that the chip is gone? A scar? We can’t see if there’s a scar. Hunter’s abilities? He only checked once for a canonically hard to find implant—if he actually checked at all. And why would the Empire want the chip out? Well, maybe it has to do with that push towards willing soldiers, but if that were the case, why leave Crosshair behind and have the “clones die together”? By that point he was one of the most willing, chip or not. Did they have to take it out because of the engine accident? Pure speculation. We just don’t know and THAT is the point I want to make.
Because it means the rest of the Bad Batch didn’t know either.
The core issue I have here is not whether the chip is in or out, or even how long it may have been in if it is out now. The issue is that TBB spent 99% of the first season believing that Crosshair was under the chip’s influence… and they didn’t try to do anything about that. They abandoned him. They left a man behind. Does this make them all horrible monsters? Of course not! This shit is complicated as hell, but I do think they made a very large mistake and that Crosshair has every right to be furious about it.
“But, Clyde, they couldn’t have gone back. It was too dangerous! Hunter had a duty to his whole team, not just Crosshair.” True enough and I’d buy this argument 100% if Hunter hadn’t spent the entire season throwing his team into dangerous, seemingly impossible situations to save other people. Crosshair became the exception, not a hard rule of something they had to avoid. They went back to Kamino for Omega, a kid they’d only had one lunch with, despite knowing how dangerous the Empire was. They went into the heart of an occupied planet to rescue not just a stranger, but one belonging to the Separatist government. They helped Sid when she asked and there was plenty of compassion for the criminal trying to take her place. Most significantly, there wasn’t the slightest hesitation to go rescue Hunter when he was under the Empire’s control, in precisely the same place. Every explanation I’ve seen fans come up with—Kamino is too fortified, they don’t know where Crosshair is, they can’t risk Omega being captured, etc.—also holds true for Hunter, yet there wasn’t a second of doubt about needing to at least try to help him. And his rescue was arguably far more dangerous given that TBB knew they were walking into a trap. Going after Crosshair would have at least had some element of surprise.
I think the problem with these justifications is most easily seen in “Rescue on Ryloth” and, later, “War-Mantle.” In the former, we do watch Hunter decide that going on a rescue mission is too much of a risk, only for Omega to talk him into considering it.
Hunter: “It’s a big galaxy. We can’t put ourselves on the line every time someone’s in trouble.”
Omega: “Why not? Isn’t that what soldiers do?”
Hunter: “It’s not worth the risk.”
Omega: “She’s trying to save her family, Hunter. I’d do the same for you.”
The arguments that sway him are ‘Soldiers should help people’ and ‘Soldiers should specifically help their family.��� So… what does that say about their feelings for Crosshair? They’re willing to put themselves on the line for the parents of a girl they met once at a drop site, but not their own brother? That’s the message the writing sends. “But, Clyde, the difference is that they had an advantage here. Hera’s knowledge of her home planet tipped the odds in their favor.” Yeah… and Crosshair is stationed on TBB’s home planet. Even more than them collectively having the same knowledge that Hera does, “Return to Kamino” reveals that Omega always had additional, insider knowledge of the base: she has access to a secret landing pad and the tunnels leading up into the city. That knowledge was given and used the second Hunter’s freedom was on the line, but it never once came up to use for Crosshair’s benefit. 
“War-Mantle’s” mission puts this problem in even sharper relief. Another claim I’ve seen a lot is that TBB only took risky rescue missions because they needed to be paid. The guys have got to eat after all. Yet Tech makes it clear that going after Gregor will lose them money. They’re meant to be on a mission for Sid and deviating for that won’t result in a payment. He explicitly says that if they decide to do this, they won’t eat. They do it anyway. No money, no intel, a huge risk “on a clone we don’t even know.” But that’s not what’s important, the show says. All that matters is that a brother is in trouble. This time it’s Echo pushing that message instead of Omega. When Hunter realizes that they’re about to try and infiltrate an entire facility and they don’t even know if this clone is still alive, Echo points out that they took that risk once before: for him. “If there’s a chance that trooper is being held against his will, we have to try and get him out.”
Yes! Exactly right! So why doesn’t that apply to Crosshair?
“Because he tried to kill them, Clyde!” No, that’s the easy, dismissive answer. A chipped Crosshair tried to kill them. AKA, a Crosshair entirely under the Empire’s control. The only difference between his enslavement and Gregor’s is that Gregor’s chains were physical while Crosshair’s were mental. And again, the point of everything at the start of this post is to show that no one knows when or even if that chip was removed. TBB definitely didn’t have any reason to suspect that Crosshair was working under his own power until Crosshair himself said as much. We might have been able to make that case at the start of the season, but “Battle Scars” removes any possible confusion. The entire team watched Rex reach for his blaster when he learned their chips were still in. The entire team watched Wrecker become a totally different person and attack them, just like Crosshair did. The entire team forgave him instantly and had their own chips removed. So why in the world didn’t anyone go, “Wow, Crosshair has a chip too. He was no more responsible for attacking us than Wrecker was. We need to try to get him out, no matter how hard that might be, just like we had to try for all these other people we’ve helped.”
But they didn’t. No one even considered rescuing Crosshair. They only went back for Hunter and, when they realized Crosshair was there too, they didn’t change their plans to try and rescue him as well. He’s treated as a particularly threatening inconvenience, not another team member in need of their help.
The problem I have with how this all went down is that the team treated Crosshair like an enemy despite all evidence to the contrary. Despite Omega outright saying that this isn’t his fault, it’s the chip, the group seems to decide that he’s gone crazy or something and that there’s nothing they can do. “It’s fine,” I thought. “They don’t really get what the chip is like yet. They don’t understand how thoroughly it controls someone.” But then “Battle Scars” arrives and Wrecker is treated with such compassion (which he deserves!) only for the group to continue acting like Crosshair is somehow different. It’s easy to say, “But Crosshair shot Wrecker” and ignore the easy pushback of, “and Wrecker nearly shot Omega.” Up until Crosshair’s own accusations and Omega’s ignored comments, TBB’s understanding of the chip’s influence and the lack of responsibility that accompanies mysteriously disappears when the show’s antagonist becomes the subject of conversation. This is seen most clearly in how Hunter tries to frame things during his talk with Crosshair:
“You tried to kill us. We didn’t have a choice.”
“Can’t you see that they’re using you? It’s that inhibitor chip in your head.”
“You really don’t get who we are, do you?”
Hunter mentions the chip, but he acts as if it’s Crosshair’s responsibility to overcome it: “Can’t you see…” Of course he can’t see, that’s the entire point of the chip, the thing he currently believes Crosshair still has stuck in his head. But Hunter and the others—with Omega as a wonderful exception—never seem to have accepted this like they did for Wrecker. When Crosshair “tried to kill us” it’s seen as a deliberate act that he chose, not something forced on him like with Wrecker. When Hunter talks about their ethics, he subconsciously separates the team from Crosshair: “You really don’t get who we are, do you?”, revealing a pretty ingrained divide between them. Even Wrecker gets in on the action, the one brother who truly understands how much the chip controls someone: “All that time, you didn’t even try to come back.” What part of he couldn’t try is not hitting home here? Again, for the purposes of this conversation it doesn’t matter whether Crosshair was chipped this whole time or not. The point is that TBB believed he was chipped… and yet still expected him to somehow, magically overcome that programming, writing him off when he failed to do that. He’s consistently held responsible for actions that they were told (and, through Wrecker, saw) were completely outside of his control. Even when we factor in his claim that the chip was removed, TBB has ignored all the evidence I listed at the start. No one, not even Omega, challenges this super vague and strange claim, or seeks out proof because they don’t want to believe that their brother could willingly do this. There’s just this... acceptance that of course Crosshair went bad. Why? Because he was an asshole sometimes? Taking it all as written, it doesn’t feel like the batch considered him a true part of the team. Certainly not like Wrecker or Hunter. As shown, the batch will go out of their way, risk anything, forgive anything, for them. They have a level of faith that was never shown to Crosshair. 
“Severe and unyielding,” Tech says and he’s absolutely right, but I’d seriously challenge this idea that any of the others would have automatically done better if the situations were reversed. It stood out to me that each batch member has a moment of doubt throughout the series, a brief glimpse into how they think the Empire isn’t that bad, at least when it comes to this particular thing. Basically, a moment that could lead to a very dangerous line of thinking without others to stomp it down. Wrecker announces that he’s happy working for whoever, provided they give him food and let him blow things up. Tech finds the chain codes to be an ingenious strategy and is clearly fascinated with their development. Hunter initially wants Omega to stay on Kamino, despite knowing that this Empire has already, systematically killed an entire group of people: the Jedi. Doesn’t matter. She’s still (supposedly) safer there than she would be running with the likes of them.
There’s absolutely no doubt that those three made the correct choice in defying the Empire, but I believe that their ability to make that choice is largely dependent on them having each other. They survive together, not apart, and it’s their unity that allows them to make the really hard calls, like setting out on their own and opposing such a formidable force. But if Tech’s chip had activated and he’d been left behind, would he have muscled through to escape somehow...or would he have gotten caught up in all the new technology the Empire offered him, succumbing to both his chip and the inevitability that if his squad no longer wanted him, why not stay? Would Wrecker have escaped, or been easily manipulated into a new life of exploding things? Would Hunter have been able to push through without his brothers, or would he have become devoted to a new team to lead? Obviously there’s no way to ever know, but it’s always easier to make the right decisions when you have support in doing so. Crosshair had no support. His team left him and yes, they had to in that specific moment, but the point is that they never came back. As far as we saw throughout the season, they never planned to come back. They all talk about loving the Crosshair who existed when life was easier, but they weren’t willing to fight for the Crosshair that most needed their help. When he says “You weren’t loyal to me,” he’s absolutely right. The same episode, “Return to Kamino,” gives Omega two powerful lines that the group rallies behind:
Omega: “[The danger] doesn’t matter. Saving Hunter is what matters.”
AZ: “You must leave.”
Omega: “Not without Hunter.”
The key word there is “Hunter.” Danger, stakes, risk, probability… none of that matters when Hunter needs help. Crosshair did not receive that same level of devotion.
Which creates a kind of self-fulfilling prophecy. The group is upset that Crosshair isn’t rejoining them, but they fail to realize that he has no reason to trust them anymore. He’s not joining the Empire because he’s inherently evil and that’s that, end of discussion. He’s joining it because above all Crosshair wants a place to belong… and TBB has made it clear—unintentionally—that he does not belong with them. The horrible actions that Crosshair took under his own free will (theoretically) came after he realized that doing bad things while under the Empire’s control was, apparently, unforgivable. If it wasn’t, his team would have come back to rescue him. They could have at least tried. But they didn’t, so Crosshair is left with the conclusion that either what he did under the Empire’s control is something the group can’t forgive him for, or they can forgive that (like with Wrecker) and he’s the problem here. He’s the one not worth that effort.
“The Empire will be fazing out clones next,” Hunter says. To which Crosshair responds, “Not the ones that matter.”
He wants to matter to someone and events show he no longer matters to his brothers. So why not stay with the Empire? I mean, we as the audience ABSOLUTELY know why not. Self-doubt and feelings of isolation aren’t excuses for joining the Super Evil Organization. Crosshair, if he is under his own control, is still 100% in the wrong for supporting them, no matter his reasons. So it’s not an excuse, but rather an explanation of that very human, flawed, fallible thinking. He needs to be useful. He needs to be wanted. Crosshair is an absolute dick to the regs and I have no doubt that a lot of that stems from the harassment TBB has experienced from them (with a side of his inflated ego), but I’d bet it’s also due to Crosshair’s intense desire to be valuable to someone. He keeps pointing out the regs’ supposed deficiencies because it highlights his own usefulness. When Crosshair fails to find Hera, the Admiral says that soon he’ll get someone who can, looking straight at Howzer at the door. It makes Crosshair seethe because his entire identity is based on being useful, yet no one seems to need him anymore. TBB seems to no longer want him. The Empire no longer wants clones. Now even regs are considered a better option than him, the “superior” soldier. Everywhere Crosshair turns he’s getting the message that he’s not wanted, but he’ll keep fighting to at least be needed in some capacity, no matter how small. Even if that means overlooking all the horrors the Empire commits.
“All you’ll ever be to [the Empire] is a number,” Hunter says and he’s absolutely right. But to TBB recently, Crosshair hasn’t even been that. He’s been nothing. Nobody worth coming back for. To his mind, at least being a number is something.
I hope that all of this resolves itself into a conclusion that is kind to each side (preferably without a Vader-style death redemption), especially given the still ambiguous state of the chip, but from a writing standpoint I’m admittedly a bit wary. We’re obviously meant to believe that the batch all love each other, but as established throughout this entirely too long post, this season did a terrible job imo of proving that they love Crosshair. Or, at least, proving that they love him as much as the others. If this was really meant to be just a matter of miscommunication, with Crosshair making terrible life choices because he only thinks he was abandoned, then we as the audience would have seen the batch trying and failing to get him out. Or at least establishing a very good reason why they couldn’t take that risk, hopefully with entirely different side-missions so the audience isn’t constantly going, “So you can risk everything for Gregor... but not Crosshair?” I’m VERY glad that Crosshair was allowed to air his grievances to the extent he did, but the end result of that—Hunter continually denying this, Omega walking away from him in their rooms, neither Tech nor Wrecker actually sticking up for him and acknowledging the chip’s influence during at least some of all this—is making things feel rather one-sided. It’s like we’re meant to take Crosshair at his word and accept that he’s this garden-variety antagonist who joins the Empire because yay being on the winning side… despite all these complications that clearly have a huge impact on how we read the situation. It doesn’t help that the show has already embraced an inconsistent manner of portraying chipped-clones. We know every clone has one, we know only a couple clones are aware of the chip’s existence (and can thus try to get it out), we know they enter a “Good soldiers follow orders” mindlessness once activated… yet towards the end we see a lot of side character clones thinking for themselves. Howzer decides that he’s no longer loyal to the Empire, giving a speech where a couple other clones throw down their weapons too. Gregor was arrested because he likewise realized how wrong this all was. But how is that possible? Do the chips completely control the clones, or not? Are these clones somehow exceptions? Are the chips beginning to fail? All of that has a bearing on how we read Crosshair—what were his own decisions, how much he was capable of overcoming the chip, whether that changed at all during certain points—but right now that remains really unclear.
It’s details like that which make me wonder if all these other questions will be answered. Will the story resolve all those ambiguous moments surrounding the chip, or brush them off with the belief that we should have just taken Crosshair at his equally ambiguous word? Will the story acknowledge Crosshair’s points through someone other than Crosshair, allowing it to exist as a legitimate criticism, rather than the presumed excuses of an antagonist? I’m… not sure. On the whole I’m very happy with TBB’s writing—despite what all this might imply lol. Until my brain picks over the season and discovers something else, my only other gripe is not allowing Omega to form a solid bond with Tech and Echo, instead putting all the focus on big brother!Wrecker and dad!Hunter. I think it’s a solid show that does a lot right, but I’m worried that, unless there’s a brilliant answer to all these questions and an intent to unpack both sides of the Hunter vs. Crosshair debate with respect—not just falling back on, “Well, Crosshair is with the Empire so everything he says is automatically bad and wrong” take—we’ve just gotten the setup for a somewhat messy, ethical story. For anyone here who also reads my RWBY metas, I’m pretty sure you’re not at all surprised that I’m invested in going, “Hey, you had one of the heroes suddenly become/join a dictatorship and do a lot of horrific things, but within a pretty complicated context. Can we please work through that carefully and with an acknowledgement of the nuance here, rather than throwing the ‘evil’ character to the proverbial wolves?”  
God knows TBB is leagues ahead of RWBY, but I hope things continue on in not just a good direction, but one that tackles the aspects of this situation that many fans—and Crosshair—have already pointed out. As much as I adore the cast—and I really, really do—it was discomforting to watch a found family show where 4/5th of that family so completely wrote off one of the members and crucially have, at least so far, refused to acknowledge that. I want complicated, flawed characters, but that’s only compelling when the storytelling admits to and grapples with those flaws. We have quite firmly established Crosshair’s flaws in Season One. I hope Season Two delves into the rest of the team’s too.
Aaaand with that meta-dump out of my system, I’m off to write TBB fic. Thanks for reading! :D
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I have reviewed a lot of films, it's hard to believe it's taken me this long to finally cover Ice Age.
Ice Age is a film no one really talks about, other than it being a franchise that has pretty much died in a tar pit. Even though everyone talks about the bad sequels. No one really talks about the original. Why? Probably because it isn't really 100% kid-friendly like its sequels. Heck, in most countries (such as the United States and Australia), this film got a PG rating. Why did it get a U rating here in Britain? Ask the people who gave Watership Down the same rating!
The Story
The story is about three animals who try to return a baby to its family.
The story in this film is dark. It's much darker than it's competitors at its time (Shrek and Monsters Inc) which were more-or-less light hearted comedies. Yes, Shrek did have some dark undertones, but this film has a lot of on-screen deaths, talks about how characters will kill each other (such as disembowelment and ripping their throat out) in quite explicit detail! And other stuff that I won't mention due to spoilers. And that is why it sticks out so much, it's willing to take risks that other films won't do. In fact, a a family film wouldn't get away with anything like Ice Age nowadays.
I'm not saying the film is perfect. Some of the jokes are cringeworthy, but it won't distract you too much.
The Characters
The main characters seem bland at first and... Well... Sid is a bland character. But the other two are very well done with their development.
This film is also the first film that I saw homosexual characters in a film. Even before I knew the words 'gay' and 'homosexual', I have always thought that the Rhinos (with the dandelions) were a couple. They act like a couple and what is so great about them is that they don't explicitly say that they are a gay couple. They are treated as any other couple by not saying they're gay. Even though many people give older films a bashing due to not being accepting to homosexual characters. Maybe they should check this film out and see what they think about the Rhino couple.
The Animation/Special Effects
The fur detail on the animals is very well done for its age (get it? Ice Age?) but the human hair looks terrible. They all look like they have dreadlocks. Even the baby has them!
The designs of the animals are very accurate to the original animals that they are based on, but also a unique flair to them. All of them except Sid. My god, they made him so ugly! He looks nothing like the prehistoric sloths and he looks like a deformed weasel more than anything!
The backgrounds have very little draw distance on them. They only go... Say, a few hundred kilometres and then they just stop and end up looking like a background from Super Mario 64!
Final Thoughts
Overall, this isn't the best film out there for very young children. But for children aged 7 and up, it is the perfect film to show them when they are doing biology at school.
It's a shame that this film now shadowed by its sequels because this is a great movie to watch. Even though it is over a decade old, it is definitely a film you and your family will enjoy.
The Story 4/5 The Characters 4.5/5 The Animation/Special Effects 3.5/5
Overall 4/5
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razorblade180 · 4 years ago
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Ok I gotta ask this now since I just saw your post. How would you have written ddd and kh3 to make it a tighter more impactful plot? (Also would love to know how you would write narusaku or any other naruto ship
[please comment below. This took so much time and it would suck if no one read this😭💀]
I can already tell this will go beyond the line limit so buckle up everyone. We’re only focusing on KH right now. Let’s start with DDD
Dream Drop Distance
Let’s get the major change out of the way, Kairi is on this adventure. Why? Because there’s two previous games where they express how she wants to actively help and KH2 has lines of her saying she refused to be left behind anymore. This works out just fine for Yen Sid, since this test is supposed to be a relatively safe. Sora and Riku are officially taking their mark of mastery exam but for Kairi, this serves as a hands on learning course. Going the sleeping worlds together for them to learn proper keyblade wielding sounds perfectly fine. All three get out on the island, fight Ursula in the tutorial, and then Xehanort starts his shenanigans just like in the game. Here’s the difference! Sora and Kairi are still together, while Riku still accidentally dives into Sora’s dreams.
Immediately the trio would know something isn’t quite right but the only option is press on start figuring things out while completing their task from Yen Sid. This is where gameplay is now a bit different. You play as Sora with one dream eater and Kairi as your support characters while Riku plays the same. The drop system is still the same everything. Sora and Kairi go through worlds together and get to interact. At the beginning Kairi doesn’t know much but gains abilities/confidence as you progress. Sora ends up serving as a mentor for her and guides her through the troubles of going on your first adventure. It’s a good way to put Sora in a more mature role. He’s forced to keep his wits about in order to keep Kairi safe because he doesn’t know the organization is actually after him.
We get a couple of scenes of Kairi getting better and helping Sora through the worlds which still play out the same basically. Bad guys show up and say mysterious things before leaving and the two deal with Disney problems. Riku’s doesn’t change at all because. Things only start to get really different after Symphony of Sorcery. Young Xehanort shows up at the very end of it and goes after Kairi to bait Sora into rushing to save her. Sora ends up getting hurt in the process and Young Xehanort kidnaps him here and immediately leaves before Kairi can do anything. She’s now angry at herself for not being able to apply what Sora had taught her when it truly mattered. She couldn’t protect him or herself. Kairi almost wants to give up but meow-wow lifts her spirits and she finds the resolve to fight before. Sora would never give up, especially when it came to saving his loved ones. Kairi is now a playable character and able to do all the commands that aren’t character exclusive. His dream eaters stick around and become her party members.
You go through The World That Never Was as her back in KH2 attire, fighting her way through it and she’s the one that gets told how the organization has been tracking them and all the other plot things; including why they want Sora. Kairi ends up being the one to have to fight Xemnas and even though she’s outclassed, she’s gonna give him all she’s got. On Riku’s side he sees all the weird dream imagery in Sora’s head since he’s in Sora’s dreams with the added glimpse of Kairi trying her best against Xemnas; motivating him even further to hurry up and make it to her. He still confronts Ansem and makes peace with himself. Riku finally makes it out of Sora’s dreams but retains his dream eater powers like in the game and rushes to help Kairi. He makes it half way through the fight and Kairi tells Riku to back her up. The two of them fight together with you still playing as Kairi and manage to push him back. Riku is extremely surprised by her progress and both of them go together to save Sora because he knows telling her to stay back is not an option. Riku and Kairi both fight Young Xehanort together.
Everything is mostly the same after that in terms of plot and everything that happens in the cutscenes. Including Axel showing up. Riku convinces Kairi to stay when he jumps back into Sora’s dreams, telling her someone has to make sure everything goes fine in the real world and that person has to be her. Riku comes back out after is boss fight and those cutscenes and he sees those two slackers having a tea party. Yen Sid commends all three for their bravery, especially Kairi. He also apologizes. Riku gets named a master, Sora doesn’t. Sora thankd his friends and told Kairi he was proud of her before he left to go thank the dream eaters. Even though she did well, Kairi knew without Riku, the dream eaters, or Sora, she wouldn’t have lasted as long as she did. She wanted to be strong enough to protect herself and others. So Kairi asked Yen Sid if she could have further training. Yen Sid told her and Lea about the dimension where they could train and they both accepted. Riku asked what he should do now and then the 0.2 conversation happens off screen. Boom, DDD rolls it’s credits.
Kingdom Hearts 3 [internal screaming]
Okay! So I gotta tackle this one a little different. First of all, let’s live in a world where ReMind came apart of KH3 (as it should’ve) now let’s put the cutscene between Luxord and Xigbar where it belongs at the beginning of the game, and then let’s put the cutscenes of MoM/ the organization discussing the members somewhere in in middle of the game. Like after Monsters Inc. Because that information had no reason to be hidden. It reveals nothing, but explains how people are back which is important. This knowledge doesn’t even spoil the Luxu reveal!
Second, I have to explain my two major problems that really hurt this game for me. Plot pacing and only setting things up halfway or not at all. So I’m going to tell you what changes narritive and gameplay wise I would’ve changed. Then I’ll go through the game including those changes.
Sora getting his power robbed consequence will be in every world and weigh on him.
The time characters get rescued/revealed
Ventus and Roxas’s heart influence
Isa’s plan
Aqua’s trauma
Xion, Vexen, and Demyx appearances.
Multiple playable characters.
Kairi and Lea contributions.
Also if I don’t mention something then assume it happened just like in the game.
Okay, let’s get started at Olympus. Everything is the same except one thing that I will continue to do for the other worlds. Sora will try to be proactive in stopping an Organization member, triggering a 1v1 boss fight. He’ll fight Xigbar and lose so bad that his friends have to save him. This puts in perspective that Sora really has lost his powers and is frustrated about it. This will do two things. One of them is make him slowly get more upset when someone brings up him failing the exam, being a half pint, or not being able to do things on his own. I’ll come back to the second thing later. Sora is order to continue to gain the power of waking while leaving finding Aqua to Mickey and Riku.
Twilight Town is also basically the same. However, the Demon Tide really roughs him up. Ansem and Xemnas bring up how they hope Roxas didn’t get this weak as well just to anger him. Sora wants to put them in their place but is convinced not to by Donald and Goofy. Now he’s doubting himself internally a little. Also Merlin shows up now instead of later. The trio bump into him and He tells Sora that Lea and Kairi actually are almost done training because they trained in a place where time didn’t matter. The moment they went in should’ve technically they came out but I’m being generous. Sora is shocked to realize his short time at Olympus might’ve equaled months of training for Kairi or even longer.
Toy Box is the same with the addition of fighting Young Xehanort and losing to him before a gigas piloted by his friends intervene. We still get the comment about putting hearts into vessels of their pleasing. When the world is over Kairi calls to tell him she’s finishing training and wants to see him back at Yen Sid’s tower.
Kairi and Lea are both really jazzed about how strong they’ve gotten and ready to help. Before they do, Kairi asks for a friendly spar against Sora. While he does win, he is amazed by how strong she’s gotten. Kairi comments on how she’s still lacking the real battle experience and skill he’s gain over time and he actually starts to feel better, until she asks if she could go to a world with him to get it. He wouldn’t mind it if wasn’t for one thing, he’s worried he might not be enough to save her if she needs help. Not with all his strength gone. He keeps this to himself and Kairi and Lea end up tagging along to Kingdom of Corona. On this world you get the option to be Sora with Rapunzel Flynn has mandatory party members and the choice to choose Kairi and Lea or Donald and Goofy; Or you can play as Kairi which automatically makes the party during gameplay Flynn, Rapunzel, Sora, and Lea. This works out fine because half this world has Rapunzel and Flynn leave your party so the other two characters can fill in during those sections.
So the Disney plot in this world doesn’t have to change one bit. The changes that happen all occur with all the Kingdom hearts characters. For example, Marluxia now meets Sora, Lea, Kairi, Donald and Goofy when he first reveals himself. We get sassy and rude dialogue between Marluxia and Lea about being alive and who’s actually the traitor this time around. Lea can also fill Sora in on CoM since no one does it. What makes this scene important is the moment Marluxia directs his attention towards Kairi, she starts getting really nervous and Namine’s voice comes out unexpectedly, telling him to stay back. It’s Namine who’s actually nervous, terrified even. Sora might not have the memories, but the entire exchange is enough for his heart to remember the intense desire to protect Namine from Marluxia. Sora and Lea get in between the two. Marluxia only looks at everyone and can’t help but get a little nostalgic. “The more things change, the more they stay the same. Except for one...” he says that vague response referring to how Lea and Rikuplica switching sides, then he leaves.
The next major change is Soar and Kairi spend time at the festival together and share a moment during the lantern scene. It’s at this time Sora expresses the doubt he has to protect her and the others with his current strength. Kairi tells Sora that he can do anything he puts his mind to and to never lose that smile of his. She tells him how they will protect each other and that his heart will never steer him wrong. This touching moment is ruined when Donald screams off camera. The Nobodies shown up. Everyone quickly jumps into action when another hooded figure appears. Sora goes off to pursue them triggering Lea to follow him. Sora is evenly matched with the figure back and then hood falls off. It’s Xion. Immediately seeing her causes an intense reaction from Roxas’s heart that screws up Sora in the fight and he his taken out by her. Xion planned to take him but Lea intervenes, causing both of them to get a painful reaction to each other. Marluxia shows up to retrieve Xion, who was sent there for a test run and leaves Axel in pain because Kairi caught up to protect both of them despite the fear from earlier. All he can see is Namine finally taking a real stand against him before finally going. Sora wakes up that morning on the outskirts of the kingdom where he sees Flynn riding Maximus with Lea still out of commission. Donald and Goofy looked after him while Kairi helped resuce Flynn. He tells Sora about what’s happened to Rapunzel and they all go rushing to the tower, except for Kairi who’s understandably tired, and chooses to look after Lea since he’s also still recovering. The rest of the world stays the same.
Sora and the gang try collecting their thoughts and info while in the gummi ship. So many things were happening so fast. Sora tried to apologize to Lea and Kairi but they told him there was no need. They end up going to Yen Sid again for answers to things like the new seven princesses. While there, Donald ends up taking another jab at Sora for still not having the power of waking. Sora actually gets fed up this time around, frustrated with himself mainly. He yells how he’s doing the best he can and it’s not like Donald is being of any real help either. Sora claims that he can do this on his own and takes off to the Gummi Ship before anyone could really get a word in.
Monster Inc ends up being the next world he finds himself in but not by choice. Sora had been so worked up he had forgotten the ship ran on smiles and crash landed to the nearest world. That’s not all, Kairi had actually manage to sneak aboard by surprise. Now he felt bad about endangering her but didn’t get to apologize before Kairi bonked him on the head. She reminded Sora about their conversation on the pier and expressed how determined she was to knock Sora out of his funk. They’d be stranded here otherwise. Through all of that it slipped their minds that they were monsters now and decide to look around. One thing that immediately stirred something within Kairi’s memories was the unversed which convinced them that this place was now definitely worth looking around. The plot points of this world are pretty much the same. As you go through the factory making Boo laugh. Sora is also gaining his cheerfulness back and opening up more to Kairi about how down this situation had gotten him. He was happy she was here to cheer him up. Vanitas shows up and still gets thrown through doors. Sora wonders about his desire to save Aqua so quickly stems from the possibility of Ventus’s heart sleeping in his. Kairi tells Sora about how Namine’s heart reacted to Marluxia which only made his thought more valid. He tells Kairi how he really thinks he can save her and Kairi agrees, but tells Sora it would be easier with more people. He needed to make up with Donald and to some extent, Goofy. As if on que the gummi phone rings with Chip and Dale telling Sora that they’ve lost trace of Riku and Mickey in the Realm of Darkness. What’s worse is Donald and Goofy acted rashly at the news and took Yen Sid’s star shard, sending them to who knows where. It was possible that they actually got sent to the Realm of Darkness! Sora calls Ienzo to ask if he knows a way there but he only knows about the corridors of darkness.
Kairi tells Sora that he really is connected to Ventus then maybe he can open a gate. Even if he can’t, Sora’s connection with his friends might do something. He just has to do what he did to get to Olympus. Sora opened a gate that brought him and Kairi back to Destiny Islands where they found Donald and Goofy. More importantly, an unfimiliar keyblade. Sora uses it to create a door and heads off. The others try to follow him but he tells them that they need to stay behind just in case. He also apologizes for his outburst which prompts Donald and Goofy to apologize for not seeing how much the teasing was getting to him. Kairi tells him to be safe and Sora smiles truthfully. He just has to believe in himself like she said. He can do this. Sora goes through the door.
Sora drops right in the middle of the Riku vs Aqua fight and things play out normally until the halfway point where the darkness in her becomes almost too much for Sora. Just like with Vanitas, Ventus’s heart starts to react to seeing Aqua in such a state. Suddenly Sora summons Master’s Defender again and holds it back handed. Aqua is left shocked, she can only see the friend she promised to wake up. With a heavy heart she manages to ask for help and Sora nods. You play the remainder of the fight with attacks and even a command style used by Ventus. He’s calling the shots now. You beat Aqua and she gets saved. Everyone’s happy, everyone’s crying.
Aqua takes Sora, Donald, Goofy, and Kairi to go wake up Ven while Riku and Mickey rest up. Sora gets more strange feelings at the sight of Castle Oblivion. He can’t help but think of Namine, as well as fuzzy memories of Marluxia and a few other people but he keeps it to himself. Aqua remakes the Land of Departure and they make their way to Ven. Vanitas shows up and Aqua challenges him alone. Instead of her loosing because she blocked a fireball with her body, We get Aqua losing because she’s still very tired and the PTSD she has from the realm of darkness. Everyone panics. Sora activates the power of waking to wake Ventus (I’ll cry when he thanks Sora) and he saves Aqua. Vanitas leaves.
Everyone regroups at Yen Sid’s tomorrow again. Finally, progress is being made in collecting guardians. Ventus and Aqua need more time to recover and choose to rest. Kairi keeps them company to learn more about them, her past, skills, and also take a break. All this adventure has gotten her really exhausted. Mickey goes looking for Ansem the Wise and Sora manages to convince Riku to tag along with him. Maybe they’ll find Terra? Onward to frozen!
Sora and the gang meet else Elsa and Riku empathizes with not being able to control power and being scared of hurting people close to him. Sora emphasizes with Anna when it comes wanting to help someone important to you but they keep running away and create things that make it harder to reach them. It’s one big moment of reflection and growth in this world. Larxene still shows up and Sora knows her by name surprisingly. The feelings of anger he gives her is all he needs to know that she cannot be allowed to do whatever she pleases. He tries stopping her but fails. He’s not too upset though. His previous accomplishments and encouraging words from Kairi push him forward. Unknowingly, Vexen shows up and has an argument with Larxene. She complains about why he’s heat and he tells her that he heard memories are extremely malleable here (trolls) and he’s come to look into it before leaving Larxene to her own devices. Elsa starts really thinking her powers are nothing but darkness but Riku convinces her otherwise. Elsa thanks him but that moment of weakness creates the boss of this world. Sora and Riku fight it with Snowball while Elsa goes to save Anna. Things work themselves out the same from there. Riku and Sora feel closer than ever and Riku tells Sora he’s a master in his own right which makes Sora’s day. Vexen got valuable data.
Ventus finally felt like his body was used to moving again and was ready to start getting back in the swing of things, but Aqua was still feeling down. The guilt of taking so long and trauma was weighing on her heart. Kairi tried everything to cheer her up but nothing helped. Kairi has no choice but to pull out the big guns. She called Sora. Through lot of persuading, he convinced her to tag along with him and Ventus to go traveling with him to get them up to speed. Part of the agreement was Riku and Kairi go finding more clues about Terra’s whereabouts so they stayed behind. Checking Radiant Garden again seemed like a good idea. Kairi hadn’t been so it would kill two birds with one stone.
Pirates world was next on the list. This time we there’s four organization members! Luxord goes looking for the box and Demyx is forced to help because Isa wants him to prove his worth or why even be around? They’re on the water so he should be decent muscle. Vexen is intrigued by Davy Jones but also dropped Xion off with Luxord to see if his recent research on memory would have her perform better than earlier. Aqua and Ventus marvel at the stars, thinking of Terra. Sora told the two of them about the first adventure he went on to look for his friends. Sora praises both of them by telling him that he was at least half as skilled as they were back then, telling them that they’ll find Terra way faster than he took finding Riku and Kairi. They came across the waterfall fell. Aqua nearly panicked at the thought of being trapped when they woke up in Davy Jones’s locker but Ventus calmed her down. Sora needed to find a way to build her back up. The plot of this world doesn’t change but gameplay does a little. Ven and Aqua will grant the pirates ship most of its abilities by controlling the wind and sea while Sora navigates. More fights by boat grant them more abilities and gets them back into the swing of things. Ventus and Sora team up during the air skirmish against the flying heartless. This invigorates Aqua not just because she wants to protect them, but they looked like they were having some fun. Yeah they were fighting a heartless but they were doing it together and trusted that they had each other’s back. Aqua had missed that feeling, it had been so long since it wasn’t her vs everything. She quickly got her chance to be apart of a team again in the underwater fight. Her nerves weren’t completely calm but Sora taking her hand and being excited about getting the treasure pushed those feelings away. She had friends again, friends that wanted treasure and to sail the seas with her. How could that not be fun. Sora happily let Aqua take the lead and supported her alongside Ventus.
The crew bumps into Luxord and the black box conversation happens that leads into the race but with the added wager of Luxord willing to tell them about Terra if they win. The race has still has the heartless boats but as well as the water nobodies to personally attack your crew and hinder your abilities. After you win, Luxord still cheats and you have that boss fight. Things change when you board the boat. He still leaves but Demyx and Xion stay behind with some Nobodies to by time. Halfway through the fight, Xion starts clenching her head again and Sora does the same with his chest. Seeing Ventus’s face and feeling Roxas’s presences is just too much. Luxord takes the opportunity of the chaos to nab is companions and attack the ship. Fortunately Aqua was able to protect everyone. Vexen orders Demyx to take Xion back and that he might as well not come back either. Demyx really doesn’t want to face Isa since he was basically told not to comeback without anything useful. So he drops Xion off and plans to avoid him altogether.
After the ship is repaired and Phantom Jack leaves, Aqua takes a minute to think. They were about to head into what sounded like a war. Their fun treasure adventure had turned a serious matter. She confessed that she might not be up to the task. This one, or even the keyblade war. Ventus pulled out his wayfinder and told her even if she decides not to go, she’ll always be fighting beside him as long as he had this. He believed Terra was still fighting and got his strength from them. Aqua pulled out her wayfinder and simply held it to her chest. He wasn’t wrong. All that time in the darkness and a piece of her never felt truly alone as long as she held this. Their unbreakable connection to her friends was something Aqua would never doubt. To top it all off, Sora had remembered he still had Kairi’s good luck charm from before the exams. He said he couldn’t count how many times this simple thing had driven him to keep going. Aqua joined them on the boat. It was only after seeing the other pirates did her resolve really hit its peak. All of them were ready to face staggering odds to fight for what mattered most to them, despite the fear. Aqua was sure of it now, she’d stand with her friends when the fated day came. Aqua raised her keyblade a creates the whirlpool for the Kraken fight. For the first time since she arrived, she looked at Sora and completely immersed herself in the moment. She calls him captain, and says she’s ready whenever he is. He couldn’t be more thrilled and Ventus was happy to see Aqua ready to go. The rest of the world plays out the same all the way until the very end. I would personally add a scene though of three sailing alone for just a little longer. Sora can’t help but think about how this was his dream with Riku and Kairi once. He wondered if is the only one who even rememberers or cares about a thing like this. Suddenly another ship Sails by them. They get ready to fight until they sea a papou fruit flag. Riku and Kairi unexpectedly reveal themselves on it with smiles on their faces. Apparently the gummi phone had really included all of information Jimmy had written. Riku explained that he just knew without question Sora would come here of all places to try and cheer someone up. Riku and Kairi told Aqua they hadn’t found much info on Terra but they did find her armor and keyblade thanks to Kairi’s foggy memory of certain places and Ienzo’s participantion in those lab areas. They all were about to continue their journey but since they were here, something had to be settled. Sora wanted another race to decide who would be captain. Riku laughed and told him they both have ships and that didn’t matter. However, he vaguely mentioned another reason to race, the real reason Sora tried so hard that day on the island. Riku pointed at the symbol on his flag and Sora immediately pouted. He grabbed the wheel of the ship and told Kairi to countdown for the race. No one knew what they were racing for except them and a giggling Kairi, who had a pretty good idea on what it was about. She says go and then the cutscene ends.
Big Hero Six is exactly the same except Sora sees Riku Replica and is pretty sure he’s from castle oblivion. Vexen uses the knowledge Rikuplica favs him about making Baymax filled with suffering so he can fix Xion to her absolute peak. When he’s done, Isa informs him that a Demyx has ran off and orders Vexen to go bring him back. Which is actually code for “good job, now escape while you still can.” Vexen informs him that it would take an extremely strong connection for Xion to have any “unfortunate” memories of the past to resurface. Things play out normally until Zexion meets Ansem the wise. What happens this time? He tells Sora and friends that he’s back with Vexen. (That’s kinda important.)
Everyone rests up for the final battle. The Sora and Kair scene on destiny islands is now longer. Kairi asks if Sora is feeling like his old self again. Sora tells her that he is thanks to her never giving up on her. Both of them get quiet for a moment before Sora speaks again. He does confess that he’s still worried a bit. Every word he went to had one thing or another that ended up being too much for him alone, and couldn’t help but feel like it would’ve been different if he truly regained all of his power. Kairi tells him that he isn’t alone but he shakes his head because she’s missing the point. Sora wasn’t scared of the organization overwhelming him, but he was terrified of that he’d try protecting someone and fail. He admitted he was scared of losing her. Kairi admitted that tomorrow scared her too. Every adventure they went on together was filled with so many enemies and left her exhausted by the end of it. Now she was joining the war. Kairi felt more than a little unprepared despite all the prep she tried squeezing in. Sora tried asking if by any chance at all that she could wait here one more time and she refused outright. No matter how nervous she was about the whole thing, Kairi told Sora that she would never wait again. That they will protect each other no matter what. And for added luck, she hands him a papou fruit. Sora was shocked. Kairi simply smiled and placed it in his hand before grabbing another one. Sora pulled out her good luck charm to give it back but she said it’s basically his at this point. The two smiled gently and finally shared the fruit. You get OathKeeper
Keyblade war time! Woo! This is by far the easiest to put into words. Riku and Kairi are your party members for the 10,000 enemy battle because it’s a literal crime that the Destiny trio didn’t work together. You get past that and Terranort still bodies half the team. Aqua’s resolve starts the crumble as she races to Ven, he isn’t moving at all. Sora is left in a state of disbelief as Goofy and Mickey try getting Donald up, and Kairi checking on Axel. In no time at all, his fear seams to be coming true. They need to regroup. Unfortunately the demon tide appears and blocks the exit. Riku gathers the remaining forces to try and fend it off but seeing Ven taken out by Terra really shook Aqua. We see the shadows turn into Anti-Aquas as the real Aqua starts to slowy panic. She doesn’t even hear the others screaming her name, telling her to look out before Mickey and Goofy try saving her, but they’re all swept up. Now it’s the Destiny Trio vs the Demon Tide in a fight the player is forced to fight, but can’t win. No music plays, just the sound of the fight and the sight of the organization watching from above. Eventually Kairi slips up due to the overwhelming odds. Sora quickly tries to outrun the Demon Tide coming towards her but can’t. Sora screams for Riku’s help but turns to see nothing but his friends hand reaching for him before being swept away. He can’t hold it in anymore, Sora drops to his knees and screams. He wouldn’t have made it this far without all of them, but now they’re gone. Sora drops his keyblade, then is swept away.
He arrives in the final world and gets his task from chirithy. In the beginning he feels so defeated, then encounters Namine. Instead of her telling him that Kairi is keeping him together, Namine says that she can feel everyone connected to him doing their part. Sora has done so much to try and keep everybody safe and spent all this time with them during their adventure that it’s only natural that they would believe in him. Now Sora feels a twinge of guilt, he gave up way too soon. No way he can let that slide. He was going to make it up to them for this second chance. Sora tells Namine about all of these flooding emotions he’s had involving her and everyone else in castle oblivion. Namine is genuinely shocked. Despite the chains being broken, Sora retained the key events. He didn’t look at her like he did back in The World That Never Was. Sora had been talking to her like an old friend he hadn’t seen in years. Sora told Namine that he was going to save everyone, including her. He promised that they were going to get her a body and she had to wait just a bit longer. Namine believed him and said she will try to get in contact with Terra. For a moment it felt like Sora could actually see Namine smile at him instead of just being a star. Sora smiled back and told her thank you, for everything. He ran off to do his job. Namine simply watched and tried not to cry. Their promise really found a way for them to meet again in a way she would’ve never dreamed of. Instead of it fading away. You get oblivion.
Before Sora really starts piecing himself together, he encounters the mystery star, and then an extra star. This extra star follows him around and surprises Sora when it reveals himself to be Roxas. He tells Sora he should’ve expected this since Sora was barely hanging on himself! Sora sheepishly apologizes but Roxas isn’t too bothered by it because he knows it’s temporary. What bothers him is Xion. He tells Sora who she is and the reason he feels hurt when they’re around each other is because of Xion’s connection to himself. Roxas asks Sora to face Xion and embrace that hurt so they can save her. Sora agrees but wonders if he can handle it. So far all fights against her didn’t go well. Roxas tells him not to worry. All he needs Sora to do his try his hardest and Roxas will make up the difference. Sora has no doubt Roxas will and thanks him before heading off. Roxas continues to follow you just so you have someone to talk to. Sora puts himself together and opens a gate to go find the others. Chirihy tells Sora that for future reference not to use the power of waking like he’s about to and explains how incredibly dangerous it is. Sora nods and leaves.
Sora beats up The Lich like usual and Young Xehanort calls him dumb. Everyone gets rescued from the cusp of death, now thoroughly frustrated by how sloppy they were. They’re going full throttle this time.(Oblivion obtained!) The team runs towards the fight again. Aqua and Ven are ready for Terranort but Lingering Will beats them to the punch, taking Terranort away as they fight. The Demon Tide arrives again with heartless and you fight it with the Destiny Trio. The fight has custom team attacks and even a trinity limit. You win and it turns into the hurricane again. Union X keyblades show up. (It’s so cool.) Ventus puts his hand on his heart. He feels oddly happy. All the scenes leading up to the boss rush are the same.
Sora and Riku vs Xigbar and Dark Riku goes off without a hitch. Nothing changes with Xigbar but Dark Riku is different. The original Riku Replica takes over the vessel. It’s clear the other’s could use the help and Vexen is on the good guy’s side so they can make more, is his reasoning. The original Riku goes off to chase Ansem while Rikuplica stays with Sora. He tells Sora it’s nice to see him again and Sora couldn’t agree more. The two of them don’t even have to speak to know exactly where to go next. They rush over to help Mickey, swiftly beating Luxord and freeing him so he can go after Xemnas. Suddenly the war feels like an old grudge match. Sora and Rikuplica vs Larxene and Marluxia. The heroes point their weapons at their foes and tell them this one is for Namine. Marluxia is actually happy Sora finally remembers him. It makes this fight all the sweeter. The fight ends with the heroes win, but at a price. Larxene and Rikuplica had struck each other down at the same time. Sora rushes to his friend who was starting to fade. Rikuplica told him not to feel bad about it. He planned on giving up this vessel after the fight anyway. The only reason he took it was to make sure those two wouldn’t hurt Namine and to fight by Sora’s side again at least once. Rikuplica tells Sora to take care of her before fading away, leaving the vessel. Sora finally remembers Castle Oblivion in its entirety. He simply clenches his fist and accepts the hurt before pressing on.
Ventus and Aqua catch up to Vanitas and Terranort. Aqua demands to know what happened to the armor that appeared earlier and Terranort simply laughs. Enraged, Aqua summons Master’s defender and rushes in to fight. Ventus follows her lead and Sora joins in a few minutes later. While that’s happening, Riku rushes through the maze towards Ansem until he hears a familiar voice. It leads him to dark chains that suspend and crush Lingering Will until he cuts them. The armor is cracked but still functioning. He thanks Riku and starts heading off before Riku stops him. Riku hadn’t told Ven and Aqua but he found something else at Radiant Garden. He pulls out Terra’s wayfinder and gives it to the armor. Riku tells him to go protect what matters and heads off. Things aren’t going to well back at the battle. Terranort manages to break Ven’s keyblade and Vanitas rushes in after Aqua as she tries to save Ven. Sora is quick enough to try and take the hit for both of them but Lingering Will swoops in again to save them. They’re all stunned to see him. Terra thanks Sora for looking after his friends but he can take it from here. Sora nods and manages to escape the battle. Terra tries to convince Ven and Aqua to leave too but they flat out ignore him. They pull out their wayfinders and each one starts to glow. Aqua tells Terra from this point forward they fight as a team. She tosses Ven Master’s Defender and summons her original keyblade. Her and Ventus bring out their armor and stand beside Terra. Now the real fight begins. The fight gives you the same team attacks from the Mirage Arena and each character gets their original command style that transforms into their character exclusive one from bbs. Wingblade, Ghost Drive, and Rockbreaker; while Terranort uses Dark impulse and Vanitas loses his mask and fights like he does in the final phase against Ventus. Vanitas is the first to fall. He nearly beat a Ventus until the boy gained a boost of strength from seemingly nowhere, his swords of light turning into starlight keyblades and striking down Vanitas. He simply laughs, giving Ventus no answer to his many questions about Vanitas. The entire wayfinder trio is know souly focused on Terranort. Refusing to give up, the man summons the chains again and captures them. He goes after Aqua first who almost managed to break free. The others scream her and The Guardian rises from the shadows to save her. It breaks the chains and rips off the bandages. Ven quickly uses the keyblade to wrap Terranort in chains while Lingering Will holds his body down for The Gaurdian to fire his heart out. A massive beam of light shoots up before fading and only leaving the armor. Ven and Aqua are speechless until the armor lifts its helmet to reveal Terra underneath in tears. Ven and Aqua throw their helmets off too and ran into their friends arms. All three of them hugging and crying.
Sora runs right into the middle of Saix and Xion fighting Axel and Kairi. Instinctively he screams out Xion’s name and everything goes quiet. Axel is confused by the name until she finally takes off the hood to reveal the white hair and yellow eyes. His memory starts to reform bit by bit and he grabs his head. Sora and Kairi’s chest both feel heavy but for the first time, Xion doesn’t react. Because of all the experiments, the only thing she has is broken memories and the suffering from them. You begin fighting her alone but to no effect. Sora rememberers Roxas’s words and lets in the pain. Xion comes at him again but stops at the sound of her name, this time with Roxas’s voice coming out of Sora. Xion’s head gets a little fuzzy but it doesn’t break the rampage. Kairi and Axel manage to endure the pain as well and stand with Roxas/Sora. If one voice isn’t enough then they’ll all try calling to her as they knock some sense in into her. Sora/Roxas summons Two Become One. The three are ready. It’s now or never. After an intense 3v2 fight, Xion starts to mentally down in the middle of combat. Then the standard cutscene happens where Xemnas shows up. The only difference being Axel’s keyblade doesn’t break. Xemnas grabs Kairi with his lightning instead of her wrist and leaves. Sora tries running after her best Saix gets in the way until the Seasalt trio pushes him back. Roxas tells Sora to go after Kairi and leave this fight to them. Sora runs off and you basically play the Remind fight but with no Xemnas. It ends the same though.
The battle against the Nort court is the same. Kairi getting shattered is the same, as well as getting into Scala. Xion tells Sora she can still feel Kairi and for him to remember her words. The thirteen armors and Xehanort boss are all the same as well. The only difference I added was a clash that sent both Sora and Xehanort flying backwards. Sora gets up first and has the chance to end it but realizes the good luck charm had fallen to the ground in front of him. Sora picks it up and all the pent up anger frustration he has from Xehanort ruining his and his and friends lives gets put on a leash. Sora remembers Kairi’s words about never losing his smile. He can’t help but get emotional and once again asks Xehanort what was the point of any of this. Xehanort gives his speech about balance and the entire scene and plays out like normal. Next major change is the end. Riku and Mickey convince Sora to not use the Power of Waking right off the bat, fearing the consequences. Sora listens to their idea to see Yen Sid but even he isn’t sure how to get Kairi back but they’ll do their best to find her. Sora leaves to get some air outside. Riku can’t help but follow him outside minutes later and finds Sora looking at his keyblade. He calls out Sora’s name and the boy turns around and does a smile similar to when he released his heart in Hollow Bastion. Riku knows Sora better than he knows himself. He doesn’t even try to stop Sora, but tells him to be careful. Sora puffs out his chest and says he’ll be back with Kairi in no time at all. Sora asks Riku to tell the others thanks and not to worry before opening up a gate and walking through. The ending sequence plays out the same and then the credits roll.
ReMind is a bonus episode after getting the secret reports and nothing in it changes because it’s perfectly fine. The only added thing we get is Sora giving back the lucky charm before he fades away, telling Kairi to be sure and bring it back to him. Limit cut and secret episodes are DLC or more extra stuff but yeah, I’m done.
In Summary:Kingdom Hearts 3, but the characters interact with each other and are allowed to feel multiple emotions at a time for extended periods of time. I know I sound like I’m punching down on this game but I genuinely do love this franchise since forever and I have strong feelings about almost everything to do with it. Which is why I’m bummed that KH3 is like my least favorite kingdom hearts game. It has good things in it but falls short on so many scenes and opportunities. This soft rewrite was literally me taking 92% of what the game already had in it and rearranging it to create various new situations that inevitably end the same way it does in the actual game. So yeah I give this game a 7/13 I’m still buying every game though 💀 (I’m not getting into any of my ideas of how kh3 could’ve gone before we knew too much about it. Now that’s a rewrite!)
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imma-lil-teapot · 5 years ago
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TMNT 2003/2k3 Headcanon: Crying - (Leonardo)
Feel free to scroll past this first part if you’re not interested in my silly rambling and nonsense. I won’t mind. Promise. ;)
Okey-dokey then, with the global epidemic that is the Coronavirus well in action and most of the world stuck in lockdown (starting this Friday for us too), felt like getting the ‘ol creative juices flowing with a little headcanon-y thingy in preparation for -possibly- more fandom writings to keep myself busy during the house arrest (well... it kinda is!) and hopefully my mind off all the bad news. :( 
Also, this is totally my first one on the blog! WOOT! Please bear in mind that I’m SUPER rusty! Haven’t written in ages so there are bound to be typos and all matter of general errors scattered throughout the post. Don’t pet them! They bite!  
Anyhoo~ Despite attempting to create and share with the goal in mind to uplift spirits, I decided to start on a rather upsetting subject (PLEASE DON’T LEAVE! They end on happy notes ;) ) because, Imma just come and say it, I enjoy seeing my favourite characters shed tears (not for just any old reason -their personality plays a huge role in this- and CERTAINLY not for sadistic reasons, land sakes no! But... well, you’ll see~ ;) ) It makes me all gooey and fuzzy inside to see them display such raw emotion and I just wanna leap into the TV screen to hug and console them. I dunno why. Maybe I’m nuts like that. (Remembers Raph crying at the farm when Leo was badly injured and wishes she could just hug them all and take away the pain) Oh well, if you enjoy visualizing the same, then *High Fives*. :)
So yeah, if you read the title, you’ll know this is based on the 2003/2k3 series (my favs). Hope you all enjoy~ :D Grab tissues cause sad turts ahead! :’(
Jibber jabber stops here~
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TURTLES~
LEONARDO - You are here
RAPHAEL
DONATELLO - Coming soon
MICHELANGELO - Coming soon
WARNING(S): Because of the subject, Angst and Hurt/Comfort will be present.
RATING: G (General)
WORD COUNT: Don’t have the foggiest.
ANYTHING ELSE TO ADD:
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And apparently gifs too, so without further ado: (Completely unintentional but in actuality, totally intentional rhyming)...
TO THE HEADCANONS~~~~
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~LEONARDO~
-- It’s no easy feat to make the leader in blue turn on the waterworks. Leo won’t cry for any old reason. It’s not because he has no emotions, far from it, but being the leader of a small ninja clan -who happen to be family as well- is no easy task in itself: he has a lot on his young shoulders and deals with many issues on a daily basis few his age ever have to.
-- It’s because of these reasons that Leo doesn’t cry often. One of the lesser likely to out of the four brothers. But when he does, it’s an emotionally distressing sight to behold. 
-- Leo tends to cry whenever those closest to him -namely his brothers, his father/master and truest friends- are severely injured or are in a dire situation. Remember his angry/moody arc? The thought of losing any of them causes him great pain and distress, especially if he were the cause of any of it, and when that happens, he can’t stop the dampness that forms around his eyes and soaks into his mask. 
-- He’s not fond of crying, especially in front of others, even though he fully comprehends its normalcy. He feels he needs to be everyone’s rock, their fortress of physical and emotional stability to turn to for strength when things get rough... So when the tears start to fall, he feels he can’t show them, can’t allow them to watch him crumble under the gripling weight of helplessness and anguish.
-- He frantically wipes at his eyes and desperately attempts not to sniffle, but it’s a hopeless battle, for his tears are already a steady stream. 
-- He’ll try to hide when possible, usually retreating to his room to allow the worst of the emotions to spill over before returning to the others... Though he may be in there a while: when Leo lets his emotions go, it can be just as powerful as his red-banded brother’s rage. 
-- He spares no time in making sure the coast is clear for the tears are already streaming by the time he reaches his futon, and there’s no stopping them now as he lets himself drop to his knees, only halfway onto the mattress. He purposefully leaves the room unlit, cloaking his form in the darkness. 
-- He sniffs a few times as he shuffles up against the wall, sitting upright against it, bringing his legs up and hugging them loosely and droops his head against a single knee pad. 
-- His voice desperately wishes to escape. To express its misery. But he won’t allow it to, often placing one hand over his face in a bid to quell the sadness and remain silent in the battle against his own inner turmoil. He refuses to let anyone see him in that state of utter sorrow and vulnerability.
-- He whimpers ever so slightly and coughs a few times as breathing becomes difficult. He knows this episode won’t be over any time soon. Fortunately, he keeps some tissues next to his bed for such rare occasions and tries not to blow too loudly. He thinks back to the last time he cried so hard... It’s been a while. It felt like a build up. 
-- Time has been forgotten as he’s lost in deep thought. By the time he slips a hand across his eyes, only the material of his mask is still slightly damp. He clears his nostrils a couple of times before considering whether he was ready to return to his family. He’d of course straighten up his bedding beforehand, and would also require a trip to the bathroom to wash his face. A true ninja leaves no evidence. 
-- Leo tries to put the horrifying images out of head before leaving his quarters. He doesn’t wish to be weighed down again and thus maybe cause his emotions to come out a second time. He knew someone would catch on that time. Instead, he holds his head up high, focusing on the there and now to carry him forward.  
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BONUS EXTRA~
-- Failure is also one of his greatest foes. Leo despises it, but not in the irrational sense; he fully comprehends that in order to grow, one has to lose in order to learn and thus, succeed in turn, and while it can frustrate him when he’s unsuccessful at mastering a martial arts technique for example, he understanders it’s part of the process and that no one’s perfect. 
-- It’s when his slipups could spell casualties or death to his family and/or friends is when it weighs down on him like a boulder strapped to his shell. 
-- A really big one. 
-- And it hurts. So much so that it causes him to become despondent and often teary-eyed when no one’s looking.
-- Boi Bloo might also cry from especially sad movie scenes. He gets seriously into the story, and when the scene is just right -perfect music, perfect timing etc.- you may just catch Fearless with watery eyes. 
-- He can’t help it. After all, he’s a leader, and very caring and kind-hearted individual, so movies showing children or anyone/anything defenceless getting hurt has him not only visibly upset, but also angry at the cause. He’s a softie like that. 
-- He won’t have a meltdown, of course, but the tears are definitely there. Just don’t tease him too much; he’s easily embarrassed by it. ;) 
BONUS EXTRA EXTRA FEMALE READER OR S/O EDITION~ (Can also use an OC/FC insert if you wish, up to you)
You had figured something was up by the time you’d finished greeting everyone in the Splinterson household except for the Turtle you’d long to see most and he hadn’t made his presence yet known. 
The idea that he must’ve been practicing or meditating swiftly vanished when Mikey told you he’d been in his room in the dark for the past few hours. “The guy hardly ever naps, and even so, never this long.” He’d told you. “I dunno, (Y/N), we were about to check on ‘im when you arrived, but maybe you should be the one to. Think he’d really appreciate it.” And there was absolutely no argument from your side as you were already making your way up to the room.
You didn’t know what to expect as you neared the doorway. Could he possibly still just be sleeping? Meditating in the dark instead of his usual spot by the training area? Or... was he sick? The latter now had you concerned and you picked up your pace... Only to pause mid step when an unmistakable sound reached your ears: a sniffle.
Had it come from within his room? It was the only logical explanation as everyone else was downstairs. You were truly perturbed now as you stood outside the doorway and called out the ‘eldest’ Turtle’s name.
There was some shuffling to be heard but you were unable to tell for sure what he was doing -probably trying to neaten up his bed- “(Y/N)? Just a second, okay?” he responded in a rather awkward verging on frantic tone, and you were certain you heard another sniffle escape him. 
That, along with the way he’d replied really didn’t help to put your mind at ease. “Leo, are you alright?” Nor was the pitch blackness in which he remained concealed in.
“Yeah, just... l-looking for something.” There was some more shuffling as if to prove his point, but you were having none of it.
“Then maybe this,” you began, turning around to flick the light switch, “will help?”
“No! Wait!” But it was a split second too late for as soon the brightness illuminated the entire room, you had caught the telltale signs of an emotional meltdown in progress plastered on his face before he quickly turned away and briskly wiped an arm across his face, attempting to hide the shame... or perhaps embarrassment? 
“Leo...?” your heart and voice softened, “Hey, what’s wrong?” You automatically walked to him, closing the gap he was now trying to form. 
“Nothing,” he lied, and acknowledged it was a fruitless attempt but still couldn’t stop himself. Autopilot panic mode was enabled now. “It’s nothing.” 
Unfortunately for him, autopilot mother hen mode was activated for you as you reached with both hands to his carapace and shoulder, gently turning him to face you. “I can see that it’s something.” Your words were gentle, and you wanted nothing more than to take away his pain. “Look at me, Honey.” His body was turned but his head remained to the side. It was clear he didn’t want his obvious distress on display, even to you. “Please, Leo?” You tried again, and slowly but surely, his eyes met yours, and you felt your heart sink further.
The fabric of his mask was wet and eyes were still red with fresh tears that threatened to fall. He appeared so broken and helpless as he stared at you, and even though he uttered no words, you could practically hear him despairingly ask “Is this what you wanted? To see me at my lowest?” from his expression alone. 
Never had you witnessed the leader of this band of mutant brothers cry. At times you had wondered if he ever did, and yet here he was; the incredible pillar of strength and dignity you had come to know and adore, in tears and so dejected that you couldn’t stop your own eyes from becoming damp the more you gazed at him. “Oh, Sweety...” You whispered as you felt your soul shatter. It was too much to bear. You slowly wrapped your arms around him, one around the midsection and the other over his shoulder, and buried your face into his leathery neck, offering every ounce of comfort you could muster.
It didn’t take him long at all to sink into the embrace and return the action. Beyond the point of concerning himself with showing the pain he felt -or the wetness now soaking into your shoulder when he placed his forehead against it- he sniffed and finally allowed the tears to fall once again as fresh waves of emotion surged throughout his body.
And this time, he couldn’t keep the whimpering to himself.
“Shh~ It’s okay, it’s okay,” you soothed, lightly patting and rubbing along the scutes of his shell as he weakly sobbed, finally letting go of all the sadness that gripped him. 
You weren’t even aware of what was wrong, and you most likely wouldn’t find out til later once he calmed down, but right now, he just needed you to hold him. Hold him until the hurt was gone... And so you would. 
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AND THAT’S ALL SHE WROTE!
ALL THE FEELS!! I EMBARRASS!!
OMGosh, this turned into a monster! The mother of all HCs!! :O No seriously, this wasn’t meant to be this long! I was suppose to squish all four into one itty bitty little post, but then it just grew... and grew... and GREW! Personally, I blame the Reader Bonus but I’d be damned if I didn’t enjoy writing it! ;P You guys here on Tumblr got me slightly addicted to them and have wanted to attempt some myself so... Anyhoo~ I can’t really say if I’m entirely content with the whole thing, I dunno. I feel some parts are better than others (writing style-wise) but yeah, I really need to get back into the swing of things...
Speaking of which, I DO plan on adding my two cents on the other bois as well, but judging by how this one turned out, they’ll most likely all be this length, more or less, so each Turt will get his own post so I can really jot down those details with all the freedom in the world! That being said, I can’t say when they’ll be added but hopefully soon-ish. :) Raph's next on the list!
Thank you all so much for the read and hope you enjoyed~ :D
~Drag0n Mistr3ss’ Random Fandoms*
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pussy-puncher · 5 years ago
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Valentine Special!
First.
Pairing: Natasha Romanoff x reader
Word Count: 2,848
Warnings: Swearing, angst, blood, sexual situations, sexual activities without consent, alcohol, fighting, Nat being kinda rude at first, but there's fluff to make up for it, I promise.
A/N: I really enjoyed writing this. I took me a few days to finish and edit. Hope you enjoy it!
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1. The first encounter.
You met Natasha at a meeting with Fury so you could join the Avengers. You weren't too much younger than them. Ony three years younger than Natasha, making you 32. But they thought you didn't have experience.
Well everyone except Steve. He was glad to call you his team member.
Fury assigned Natasha to train you and show you the ropes. The two of you would usually spar or train and that was about it. She didn't want to have to spend more time with you than she had to.
The most you've ever talked was when you screwed up a move while sparring and almost broke your arm.
When you first met Natasha you thought she was just a little cold, closed off and rude.
Well she was.
"You're young and stupid. You're going to make an immature rookie mistake and get someone killed. We don't need you here." She gave you a strong glare.
She was very rude to you. She didn't agree with Steve for letting you on the team. Natasha just thought you would just drag them down and get in the way.
"I don't know why Fury let you join the team. You have no prior experience and you're just flat out annoying." She would give you scowls during meetings and she could be seen staring at you with a hard glare from across the room at any given time.
She didn't start warming up to you until seven months after you joined the Avengers.
-----
The two of you were sparring and she elbowed you in the face harder than she intended and broke your nose. There was blood all over the mat and your shirt. Your fingers were painted red with your own blood as she apologized repeatedly.
"I'm so sorry, Y/N. I didn't mean to break your nose." She seemed genuinely upset that she hurt you. But you just brushed it off and laughed.
"It's fine, Agent Romanoff. Really."
"You don't have to call me that anymore, you know. My name is Natasha. My friends call me Nat." She gives you a soft smile. You go to smile back but wince. She helps you clean up and gets you to the med bay so Dr. Cho can fix your bloodied, broken nose.
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2. The first date.
You were really surprised when Natasha asked you to eat dinner with her. Mainly because two months prior she broke your nose, she seemed stand off-ish and would usually pick on you.
But you accepted. Who wouldn't? She's gorgeous, smart, actually quite funny and was being nice recently. Not to mention she had a body to die for.
She asked you while the two of you were sparring. She had pinned you to the ground, your hands above your head. You groaned in defeat. She smirked down at you, "Grab dinner with me?" It wasn't really a question, it was more of a soft plea.
You smiled, "What?"
"Let's go on a date. You and me. We can go to a nice restaurant or go for a walk or do whatever you want."
Your smile grows, "I'd love to, Nat. We can go to dinner then for a walk in the park."
-----
Natasha took you to a small diner secluded from the rest of New York. She said to dress casual so you did. Jeans, a t-shirt, Converse and a denim jacket. She wore a black t-shirt, black jeans, her black leather jacket and heels.
You two had dinner then went for a walk in the park as it got dark like you suggested. The two of you were sitting on a bench, watching as the sun set.
The sky was painted beautiful shades of orange, yellow, pink and purple. You stared at the magnificent colors as Natasha stared at the sid of your face.
"I'm sorry I was so rude to you when you first joined the team. It's just I didn't think we needed a new addition to the team. I thought you were just going to mess everything up." She frowns softly but it fades into a smile, "But you didn't. You made things better. The team doesn't fight as much as we used to because of you, and you're a great fighter."
She slowly reaches over for you hand, you let her take it and smile, looking over at her. "I'm glad you changed your mind." You look back out at the sky with a smile on your face.
She does the same. Her heart felt full for the first time in years.
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3. The first kiss.
The two of you were just laying in your room together watching a movie when it happened. You didn't know it would happen until seconds before.
You were laying next to her, your head on her shoulder, fingers running through with her hair. She wasn't watching the movie. She was watching you. She was watching the way your brow would furrow when you didn't like something. Or how your eyes lit up when your favorite character came on screen. Or how your lips twitched up into a delicate smile at what one of the main characters said.
She enjoyd seeing you so happy looking.
The two of you have been going on dates pretty regularly but there were no labels yet. But everyone pretty much knew that you and Natasha were together for the long run.
You looked up to her as the movie ended and the credits began to roll across the screen, "Did you even watch it, Nat?" You ask her, sitting up to look at her.
"Yes, of course I did. It was very interesting." She smiled knowing you knew she was lying.
"Oh really? What was it about then?" You questioned with a smirk.
"Oh. Uh..." she searched for an answer, glancing over at the CD case, seeing the title of the movie and it being: 'The Breakfast Club', "It was about a club of people who ate breakfast together. Yeah, yeah. That's right." She says fighting a smile.
You laugh at her terrible lie, "I thought you were a spy. Spies can lie better than that. Also I'm surprised you've never seen this movie before. It came out in 1984."
"I didn't really watch TV or movies until I joined the Avengers and had some freetime. I usually had more important things to do than sit around and waste two hours of my time watching a movie." She responds with a shrug.
"Well it's one of my favorites. I'll show you more of my favorite movies another time." You get up to go get more chocolate since you ate it all. But Natasha grabs your waist and pulls you back down, you fall on top of her, your faces incredibly close. Your breath audibly hitches and she smirks.
"Can I kiss you, Y/N?" She asks just above a whisper. You don't trust your voice to speak for you so you nod your head.
She smiles and closes the gap between the two of you in a gentle kiss you can only describe as perfect.
Her lips are soft and warm and taste of strawberries and vanilla. You want to kiss her forever, never have to pull away.
Her arms are around your waist, she pulls you further into her. You can smell her flowery perfume.
You want her to hold you and never let go. She feels like a safe place for you.
Like home.
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4. The first 'I love you'.
You were the one to say it first. It was right before one of your missions. It was a really long and dangerous one but you had to go alone. There was a high possibility that you would never return from the mission, and Natasha didn't like the odds. She wanted you to come home to her at the end of the day.
You were getting ready to leave, packing everything you would need, getting your suit on, grabbing weapons while doing so. You said your goodbyes to everyone except Nat, wanting to tell her bye last.
You knocked on her door and she opened it for you to come in, she had a frown etched on her face. The moment she shut the door her arms were wrapped around you tightly, not wanting tou to leave her.
"Please be careful, babe." She mumbled into your neck, not wanting to show vulnerability but not caring because it's you. It would be different if the other were around.
She pulled away just slightly to kiss your lips with such passion you couldn't help but smile against her lips.
You pulled away for air after about two minutes due to your lungs burning slightly. You looked at her with soft eyes and a gentle smile. "I love you, Natasha."
You didn't mean to say it, but you sure as hell weren't going to take it back. But you were starting to regret it when her smile fell and her face became blank.
You tried to read her but got nothing. You looked into her eyes hoping to gauge her response to what you had just said, but all you could see were her beautiful green eyes looking right back into yours.
She didn't say anything, but she grabbed the back of your neck and pulled you in for a kiss. She may not have said it out loud but you knew she felt the same and that she meant it.
-----
The first time Natasha said it to you was after a date. The two of you had just gotten home from eating dinner at a nice restaurant and were taking a shower together. You had your back to her as you washed your hair. She was just staring at you with fascination, when all of a sudden she mumbled it in Russian.
You smirked when you heard her say "Я люблю тебя¹, Y/N."
You had Bucky teach you Russian so you could impress Nat and speak to her in her native language. So you understand what she said. You knew the meaning behind her words.
You turned to look at her and smiled, wrapping your arms around her neck, pulling her closer to you for a sweet kiss. She was surprised at the sudden affection but gladly accepted it, kissing you back, cupping your cheeks in her hands.
"Я имею в виду, кто бы не стал², Natasha?" You said with a cocky smirk and kissed her nose before you pulled away to rinse the shampoo out of your hair.
She was stunned that you understood and could speak her native language. She loved how it sounded rolling off your tongue.
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A/N:
Я люблю тебя means: 'I love you' in Russian.
Я имею в виду, кто бы не стал means: 'I mean, who wouldn't' in Russian.
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5. The first fight.
The first time you and Natasha had a fight it was during a mission. The two of you went undercover to gather information on a man by the name of William Jordan that was selling alien technology from the aftermath of Ultron.
He was about the same age as the both of you and was known for sleeping with numerous women. Fury wanted you to get him to talk about the deals he was making, where he was getting the technological weapons and who was buying them. Fury had sent you and Natasha to one of William's parties to do just that.
You thought seducing the testosterone and pleasure driven man would get him to tell you information in turn for the promise of sex or at least some sexual release.
You decided to wear a tight black dress with a plunging neckline that exposed a good amount of cleavage, you were sure it could turn anyone on. Paired with black heels and a necklace with a bright red jewel that rested right between your breast, drawing attention to them. Your hair was curled slightly and flowing down your shoulders. You thought you looked quite nice.
When you left the hotel bathroom Natasha was standing by the door waiting for you in a tight Red dress that hugged her perfect figure with red heels, her short hair curled how you like it. She looked up from her watch right as you walked out. She gasped softly. "You look... perfect."
You blush, "I wouldn't say perfect but I do look nice, don't I? Do you think William will like it?" You weren't necessarily too worried about what he thought about you but you needed him to find you attractive or else the mission might not work.
Natasha visually frowns at your question. "Why does it matter what he thinks, babe?" She walks over to you and places her hands on your hips, gripping them.
"For the mission, Nat. That's the whole point of us dressing up. Why else would I wear anything like this?"
"I don't know. Maybe so I could rip it off of you and fuck you until you can't walk for a week." Her voice was a low growl, her red lips kiss your neck then she bites down hard, definitely leaving a mark.
After some.... messing around then cleaning up, the two of you leave for William's party. You were right about William. He's a sex driven man. He already had two girls on his arms and some groupies behind him.
The moment you arrived there were men and women alike trying to get you to leave with them or buy you a drink. But you denied all of them. The mission only required you to get William's attention. And that you did.
After you caught William's eye he made his way over to you and immediately put his hand on your upper thigh, "Hey there, gorgeous. Can I get you a drink or my number?" His breath stunk if alcohol and his body reeked of a strong musky cologne.
You put on a fake smile though, "Sure, baby." You would have gagged if you weren't such a good actress. You gave a quick glance to Natasha across the bar, to see her giving William a dirty look.
She was obviously jealous of him. That he got to touch you like he owned you. But she knew that you would go home with her and you would sleep in her bed at the end of the day and that she was the one you loved. Not some egotistical business man that smelled of a cheap cologne you hated.
After about thirty minutes of you talking to him and touching his arm or his knee or 'accidentally' brushing your hand again his crotch, you left with him to get more information, but he thought he was going to see what was under your dress.
You took him to a room and you let him kiss you. It was disgusting. His lips were dry and rough. His hands wandered to places you didn't want them to be. His slimy tongue pushed past your lips and into your mouth. You had to fight the urge to push him away. It would ruin the mission if you did.
You let him touch you in places you only wanted Natasha to touch you. You hated this. But he was telling you things you needed as he was doing this.
He was about to pull his pants down when you pushed him off of you. "That's enough." You fix your dress and your hair. Then exit the room leaving him to finish himself off.
You felt dirty. You wanted to leave immediately. Walking over to the bar, you gave Nat a look and she knew. The two of you left and reported back to Fury. After the mission debrief you went to take a shower.
After you got out and dried off you saw Nat on the bed, frowning, "Why did you let him do that to you, Y/N? He touched you like you were his, but you're not. You're mine."
"I don't belong to you, Natasha. You don't own me." You say, giving her a glare your anger boiling up.
"That's not what I meant." She moves to stand next to you and turns you around, "He touched you in ways I don't want anyone else to touch you in. I love you, Y/N and I want to protect you."
"I'm not yours to own. I'm not your property. I can do what I want. I'm an adult and can make my own decisions." You say, anger spilling out. "I'm going to stay with Wanda until you realize you don't own me, like I'm somedog, that I'm your girlfriend and you should treat me like a person that loves you." You gather some clothes then walk out to Wanda's room down the hall.
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chessdaze · 4 years ago
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YEAR TWO OF BEING LATE TO KH OC WEEK!!! but I had the energy today and my internet is out so I can’t work (using my phone’s hotspot rn with my laptop) - might as well be productive. Plus I’ve loved all the stuff @khoc-week​ has been reblogging from artists and writers alike so I really just wanted to participate even though I said earlier I wasn’t going to this year.
 Day 1 (August 2nd): Introductions – Whether you are returning or this is your first time, introduce us to the OC(s) you’ll be focusing on for the week!   Show us a picture or a one shot that explains who they are. What do they like? Dislike? Give us the run down!
Last year I talked about Atlas, one of my (many) KHX OCs, this year I’m going to talk about Sid! One of my OCs from one of my original worlds. Him and Atlas are loosely (very loosely) connected, so I thought it would be a good idea.
His real name is Siegfried Jasper Gate - but he insists everyone call him Sid and will not be happy if you say his real name. He started out as my attempt to give KH their own ‘Cid’ character. Yes we have the Cid in Radiant Garden and I love that old man but I wanted one more connected to the overall KH plot. And then it spiraled out of control and I ended up making an entirely new wold so there’s that.
The left design is considered a ‘before’ look and the right ones are his current look. He was exiled from the main hub city of his world (both called Cindergate) with his two best friends (because trios), and end up living in the wild with his friends and a handful of other people who were also exiled from the city. He has a bit of an attitude problem, overall distrusting of strangers and can even be a bit of an ass - but he means well. He pushes himself to his limits to make sure those under his care are safe and sound - he gives up his own resources to those younger than him so they can be a little stronger and healthier, even if he becomes weaker. He’ll complain about anything except about the people around him, because they mean too much to him.
Under the cut is what I’ve written about his world and then a short biography that I’ve had written up for ages. Have fun.
the world trapped in a desert 
The Basics
Cindergate is a city that has seemingly seen disasters, parts of the city are being rebuilt and other parts completely abandoned and falling apart. It’s cut off from the vast desert around it by a large, also crumbling, gate. The city has a mix of technology, though seems to shun anything too ‘high tech’. 
The city has a population of tough individuals who know how to survive in harsh conditions. Most of the population in this world are human, with occasional animals who can also survive the harsh sun and heat. These people are ruled over by one family - who govern and help make and enforce laws. Because of this the head of the family is often referred to as ‘sheriff’. The family keeps laws strict in the town. There is one law in particular that the sheriff is always eager to punish those for breaking-
The Keyblade Wielder Ban
The people of Cindergate are aware of the keyblade, heartless, the worlds, etc - however they consider Keyblade wielders evil, no matter who they are or what their motivations may be. They believe that the wielders are dragging darkness into the world and are the reason so many heartless live in the desert that surrounds the city. The city has to constantly beat the heartless back, and are the reason why a good portion of the city has been abandoned or is always needing to be rebuilt. 
It has been the tradition of the world for a while that if a wielder is found, they are to be branded as a traitor to the city - both metaphorically and literally. After a trial to determine if someone is a wielder or not - they are branded with a mark in the shape of a keyhole. Then they are dragged through the city and out to the gates that surround it. The wielders are then exiled, pushed out to the near lifeless desert. The people of the city will often attack them with weapons or throw objects at them to make sure they don’t try to run back into the city. They consider the wielders ‘sacrifices’ to the heartless to keep them at bay. 
At times the heartless in the desert will get the better of the wielders with no training. Those who manage to survive their first day and night have the chance to come across a safehaven made by wielders in the reaches of the desert and on the edges of a canyon. 
Landscape.
The city is the mix of a steampunk and wild west setting. There are some technology around the city but it’s big, clunky, and steam or coal powered. The part of the city that has been abandoned has a chance of heartless sneaking in, and so there are people here who patrol at night on occasion but besides that at times kids sneak into the area to play - but it’s strictly forbidden to do so and they will be punished if they do.
The desert surrounding the city is vast and nearly lifeless. Aside from the heartless, there are few plants and animals that live there.
Past the nearly lifeless desert is an area of plateaus and canyons. Within this area those who have been exiled from the city attempt to make a living. They find items that the people of cindergate ‘sacrifice’ to the heartless, (pieces of machinery, cloth, food, etc) and try to repurpose it for their own needs. There’s a bit more life in this area, but not much in terms of subsistence. 
The Survivors 
The wielders and those who were exiled with them (family members who hid them, other accomplices, and even people who were falsely convicted of being a wielder) have been managing to survive so far, though it’s a constant struggle. They’ve made houses out of spare pieces of wood, tarp, scrap metal, and hide themselves in as much shade as they possibly can. 
Some practice with their keyblades in order to get a handle on their abilities and fight off heartless that come near the safe haven. Others completely shun the fact that they can use a keyblade and refuse to wield it. Those who are not wielders try to contribute by making food or volunteering for other odd jobs. There are also wielders dedicated to finding a way off world.
AND NOW THAT THAT’S OUT OF THE WAY -
Sid’s about:
Born to the ruling family of Cindergate, Sid had everything handed to him on a silver platter. And he hated it. He couldn’t wrap his head around the strict rules of the town or the terrible court system. Any time he would try to speak up on this though was met with punishment from his parents. So he decided to bide his time, becoming their perfect ‘puppet’ so that he could become the leader one day and change things for the better.
While still considered a bit of a rebel, his parents at least ‘admired his change of heart’ and let him walk around Cindergate freely. While growing up he made two friends - a girl name Mari and a boy named Helio. The three of them were practically inseparable, they were some of the only ones that didn’t care who Sid was related to. He could be himself around them, and so he vowed to keep them safe most out of everyone in the town. 
Mari revealed to the boys one day that she was a keyblade wielder - which was a terrible discovery. Keyblade Wielders were banned from Cindergate and it she was found to be a wielder she would be arrested, branded, and exiled to the harsh desert that surrounded the town. The desert that was filled with heartless. At the same time Helio revealed himself to be a wielder as well - having been one of the longest out of all of them, since he was a child. He knew better than anyone what would happen to wielders who got caught as his mother had been cast out when he was a child. Sid promised that he wouldn’t let them get caught and that he would lift the ban, they just needed to keep their keyblades hidden until he became the leader of the town.
This was easier said than done, especially since Sid would come to be a wielder as well. An old friend of his family invited Sid to his deathbed. This old man revealed how close Sid’s father and him used to be, and how they had a dream to make Cindergate a thriving place. But Sid’s father had done nothing more than oppress the people and make the ban more strict than it needed to be. So the old man had a solution - to pass on the power of the keyblade to Sid. He had kept it hidden all of his life, hoping that one day Sid’s father would change his mind on the ban - but he never did. In his last moments he forced Sid to take the power of the keyblade from him, saying it was Sid’s responsibility now, before passing. 
Sid was terrified and furious with the power he had been given. Yes, he had been wanting to make CinderGate a better place for wielders and non wielders alike but - he didn’t want it to be like this. Still, he wasn’t about to let the opportunity slip through his fingers. He told his friends of his new found gift and worked to become even more like the 'perfect’ leader his parents wanted him to be, just so he could take over quicker and get the stupid ban taken down. 
Not long after this, Helio and Mari were caught for being keyblade wielders. Sid stood up to his parents to try and get them to see reason. When they still wouldn’t listen he revealed himself as a wielder in front of the whole town - saying if they were going to throw out his friends they would have to throw out him as well.
And they did, but not before branding him as a traitor - literally. They burned the keyhole shaped brand onto the side of his face before exiling him,Helio, and Mari out of the town. The three ran until they couldn’t anymore, fought off heartless, then collapsed with laughter - surprised but grateful they were still alive. 
A while longer of traveling lead them to a survivor camp. Other people like them who had been exiled from Cindergate. It wasn’t much, but it became home for the three wielders. Sid took it upon himself to improve the day to day lives of the survivors by building various machines and other contraptions to make life easier for them.But still, it wasn’t enough. Thanks to his parents hoard of keyblade wielder knowledge (because how else were they supposed to fight off such a 'threat’ without an entire library full of knowledge?), he knew of other worlds and he knew that the keyblade could get them there. He just wasn’t sure how to unlock the power. None of the survivors were masters by any means, some of them didn’t even have a keyblade - and were friends or family of wielders exiled or falsely accused and wanted nothing to do with the keyblade. 
Sid, taking another burden onto his shoulders, did the only thing he could think he could accomplish - he made himself and his two friends keyblade armor. He hoped that with the armor they could brave the passages in between worlds and find a way to get all the survivors to a new home.
Images of where sid’s scar is, he uses the braids to cover it up as best he can.
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viktcrr · 4 years ago
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「maxence danet-fauvel & nonbinary」⇾ samuels, viktor, the senior radcliffe student’s records show that he/they are a capricorn and 24 years old. he/they are studying visual arts, living in noland and can be observant, ingenious, reticent & dependent. when i see him/them i am reminded of a sculptor’s hands clay-ridden, the insistent hum of tv static, and a crying preacher inside a dusty funeral home.  ⇽「james & 21 & est & they/them.」
hllo !!! i’m james n here’s one of my big idiot muses <3 he’s not actually dumb he’s :/ a bit evil. bt thts okay hes still <3 beloved <3 LKDSFHLSADLKGFSHLKD anyways!
TW DEATH, HEAVY GRIEF, OVERDOSE / DRUG ADDICTION, HOSPITALIZATION, HYPERSEXUALITY, RELIGION MENTIONS, MENTAL ILLNESS
aesthetic.
old tvs and their static, worn tapes, horror movie screams, spilled ink, a sculptor’s hands, clay-stained, chicken scratch handwriting, messy notes, messy hair, scoffs and eye-rolls, bruised knuckles, sore throats, funeral homes and a crying preacher, shattered ceramics, knife fights, high ledges, vertically-striped pants, red lights, the moon shrouded in clouds, cigarette butts, graveyards and half-empty wine bottles, sitting there for hours and talking to nothing, about nothing, a god complex, gold rings adorning both hands, barbwire baseball bats, having never played baseball in your life, deep eyebags and broken mirrors, a permanent chip on one’s shoulder, yearning, longing, wishing.
basic info.
full name: viktor phillip samuels
nickname(s): icky vicky :/
b.o.d. - jan 2nd
label(s): the black hole, the crepehanger, the impious, the opaque, the tempest, etc.
height: 6′1″
hometown: rochester, new york
sexuality: pansexual uwu
pinterest
stats
inspired by: beetlejuice (beetlejuice), sid (toy story), jack sparrow (pirates of the caribbean), francis wilkerson (malcolm in the middle), azula (avatar: the last airbender), vicky (the fairly oddparents), stu macher / billy loomis (scream), marshall lee (adventure time), bojack horseman (bojack horseman), any it’s always sunny character :/
biography.
born to mama and papa (preacher) samuels in rochester, new york - fifteen minutes after his twin sister, tatiana samuels. years later, rosa samuels joined the gang.
was an awkward, quiet kid growing up, he didn’t interact well with others and preferred being left alone to dig up worms and draw on the walls of their childhood home. the only exception was his twin, really.
as he got older he grew out of this, but instead became like … sort of an asshole? maybe to compensate for years of childhood awkwardness. he’s the sort of person who will bite the hand that feeds him & developed into a full time nuisance by middle school, unlike tatiana who was much more subtle about her conniving manners.
always has been a fan of ‘darker’ materials. grim & creepy morbid shit. probably the biggest tim burton fan, ever since he was a kid … not a good look for a preacher’s son, but he never really felt ‘in’ with the rest of his family to begin with. classic black sheep syndrome.
drew disturbing pictures as a kid that probably prompted one or two or five phone calls home to assure everything was fine.
just really had a knack for art at a young age, from drawing to painting to playing with clay. it’s always been his Thing and probably is the only thing he’s good at.
being twins with tatiana was hard. they were near opposite besides both being quite mean-spirited. tatiana handled being in public better, left a better image behind - but viktor had talent, more than she did. they loved each other deeply - y’know, those unbreakable twin bonds as cliche as it sounds - but found each other as competition for their parents’ attention. a rivalry for affection.
in high school is when viktor really started to act out. it started extreme, like losing his virginity in their church and vandalism around the neighborhoods. faked being possessed in the middle of sunday service & almost had an exorcism performed on him.
his only redeemable trait was like … just his sheer talent in the arts. was in a 3D art AP course and specialized in sculptures. he could pretty much create anything he wanted with enough dedication.
because he was the problem child, the one who deserved to be disciplined for all his antics, tatiana could sneak away and get away with whatever she wanted much easier. on the bright-side, for her, i guess.
not a very motivated person - wasn’t planning on going to college, much less going to radcliffe but his parents literally wrote & sent his college application for him because they weren’t going to house a deadbeat but had too much heart to kick him out onto the streets. cool!
he’s actually pretty smart but he just doesn’t apply himself. has a minor in english because he didn’t care for an extra course-load, but he’s good at writing & analyzing literature. is going to use it to write and illustrate his own series of children books with a style similar to tim burton’s. not for the kids, but because he likes to leave a trail of terror in whatever he does.
has been experimenting with himself since high school but college is where he really had started to crack down on himself. was out as pansexual & nonbinary by his sophomore year of college just … not to his parents, who don’t really need to know.
if you asked him if he believed in twins having a psychic connection with each other - he’d tell you he wouldn’t know. it felt believable at times, but sometimes he had no idea what was going on inside of tatiana’as head. on the other hand - viktor had always felt oddly transparent to her, like she knew all of his moves before he did. the only person who could predict him accurately.
( TW DEATH, GRIEF, OVERDOSE / HOSPITALIZATION BEYOND THIS POINT )
when tatiana disappeared, viktor knew something was up. it was a twist in his gut, pure instinct that something wasn’t right. and it wasn’t right - and when she was proclaimed missing, they couldn’t find her.
and when tatiana died - viktor knew. it felt wrong, something cut so severely in him he could pinpoint her death to the second. he didn’t know how, or why, but he knew it. knew it before anybody else had.
afterwards he went on a sort of bender. he’d begun to struggle with a mild drug addiction late senior year of high school / early college, but he was managing it up until this point.
his mental health had also sunk to an all-time low, when it’d never been great to begin with. (manic & depressive episodes. once fixated on a sculpting project for six months and then knocked it off the table and destroyed it as soon as he finished it for no apparent reason.)
tatiana’s body wasn’t found immediately, and when it was … viktor went off the rails. ended up overdosing & being hospitalized. spent six months in & out of psychiatric care after that.
came back to radcliffe to finish his senior year because … for the reasons above, he hadn’t been able to complete it. just wants to get his credits and get out of here.
is still dealing with a lot of trauma & grief, especially since the one year anniversary of tatiana’s death was this month (january) - causes him to spiral and be unpredictable in regards of his mental health. he stopped taking his medication, so. :/ some days are alright, other days are pretty bad.
UPDATE: now that summer’s come n go ... viktor hs been thru <3 a lot <3 recently. switched therapists (his :/ last one got her license revoked) & started new medications, went to a treatment center briefly ‘cos .. he wasn’t doing too well :/ bt now he’s back baybey! trying to be better n trying to be sober but ... :/
personality.
the human embodiment of a gremlin that was fed after midnight. a goblin, if you will. one of those cats with a narrow head and really big ears … that’s them!
a big horror & halloween enthusiast. loves the old campy horror movies & probably has an abundance of masks from different movies. dresses like a grimy millennial beetlejuice more than they should because they just … love those black & white vertical-striped pants.
can appreciate the lore & cryptids at radcliffe and likes to feed into the fear that surrounds them. is probably the cause of a few ‘anomalies’ and ‘paranormal sightings’ because they’re just … a jerk.
fashion alternates between e-boy (they would be tiktok famous if they were 17 & didn’t think that a majorly minor based app was weird.), millennial beetlejuice, and goth in a crop top & sweatpants. big fan of crop tops and a big fan of sweatpants.
they can be really fucking mean? petty, aggressive, a major instigator. will literally spit in your face for little to no reason, you could just look at them the wrong way. the kind of person who will stick their gum into someone else’s hair. other than that? they’re like … sort of okay. they’re not always mean, just a dick about 90% of the time lmao
like okay yeah they’ll call someone a stinky bitch for no reason except they feel like it and believes it. it’s fine, they’re fine, we’re fine.
despite the fact that they’re probably getting into a fight whenever, considers themself to be a lover and not a fighter but that’a primarily because they fuck a lot. uses it as a coping mechanism, like they’re this big fancy carnival show that’s like ‘come one, come all! fuck the dead girl’s twin brother!’ and it’s … a Lot. might have a problem with hypsersexuality but they’re not fully aware of it.
the preacher’s whore son, basically :)
pansexual & nonbinary, switches between he & they pronouns often and without a pattern, but they have such a fragile grip on their identity that you could call them ‘dog-faced bitch’ and they’d turn around like. sup.
vastly impulsive … like i said, they destroy their own creations for the fun of it. spends all teir money on useless shit, will cheat on someone because they feel like it & likes the thrill, screams into the night sky frequently like a cat in heat.
will also spend months creating useless shit for no reason too. spent six of them sculpting a hollowed out tree the size of them & then took a sledgehammer to it.
they’re very super dramatic. would play the organ at church when nobody was looking after them and service was about to start. would just churn out these super haunting, creepy melodies like they were phantom of the opera. would do the same exact thing at home on their keyboard with the pipe organ setting whenever they got grounded until their parents took it away HBDSJFNGKH
will absolutely not talk about their ‘time away’ because it’s not anyone’s business, not even their own younger sister. still refuses to talk about tatiana’s death, or their mental health, or their addiction (fallen back into it but it hasn’t gotten severe … yet :/), or anything involving their own emotions.
will just change the topic abruptly, no warning. asks about the jonas brothers instead and they fucking hate the jonas brothers.
that being said they’re absolutely not over tatiana’s death & it’s to the point of obsession over it. like there’s some kind of secret that needs to be uncovered, even though there just. isn’t. tatiana was their rock and they were pretty much dependent on her. kept them grounded. could control them when nobody else could, got into their head easier than others. it’s sort of like rosa lost two siblings that day because viktor hasn’t been the same since.
emotionally unavailable while also crying twice a day. cries during their brawls but still wins. is stony-faced when they tell you they cheated on you with your much hotter best friend.
will tell you straight up what they want from you, no bullshit & no beating around the bush. just blunt. if they want to fuck, nothing else, then that’s it. if they feel deviation or developing feelings then they’ll ghost in less than a second. is awful like that but feels no shame.
but also emotional as shit and it’s confusing. will cry on a whim and then flip you off if you try to console them or ask them what’s up. will bite you.
they go to therapy but they just fuck around and wastes their therapists’ time … also is fucking their therapist, but that’s neither here nor there. so they’re not really getting the help they need.
likes to be intimidating but not … with their body or anything because they’re a TWIG but uses their love & knowledge of horror and creepy shit to their advantage. has an abundance of fake blood. has channeled the energy of jack nicholson and used it on tatiana’s boyfriends before (also is a big fan of sfx makeup & has dabbled in it)
probably chases kids around with a chainsaw without the chain on halloween every year.
generally never doing good, both mental health wise & morally. would probably steal candy from a baby for funsies.
i don’t know if there’s a good to them somewhere deep down, but they don’t see any issues with themself either. nothing really breaks through to them anymore because the only person who ever made them stop and think about their actions was tatiana, and well, y’know. :/
an introverted reclusive type who doesn’t like most people or going out, but does so anyway if it means a quick high & a cheap thrill.
pretty observant and likes to analyze people even though they’re often like … partially wrong. judgmental because they like to make people feel bad, not because they’re a righteous mighty person. because they’re not. so like, a hypocrite!
wanted connections.
a roommate… but it’s an absolute nightmare to live with him.
enemies… because viktor would have a lot of them…
familiar faces… people who knew tatiana or of her / were her friends. maybe even those who dated her, and who viktor would’ve tried to intimidate / scare at any given chance :/
pitiful glances… people who take pity on viktor and he hates it sooo much.
hooligan gremlin kids… just a friend group of grown ass adults who do drugs and fuck shit up around town like they’re edgy teenagers.
high school girlfriend… probably the one he lost his virginity to inside his family church :/
childhood acquaintances… people who knew him from his youth.
exes… good & bad terms, but mostly bad terms because viktor is an actual demon. probably cheated on them.
soft… i don’t know if he’s soft towards anyone and/or is capable of it but we can try. we can try.
unrequited… either viktor just doesn’t like them or he’s holding back because he’s :/ got issues with relationships & is self-sabotaging as one does
enemies with Tension… of the … spicy kind if you know what i mean. wink.
friends… old friends, new friends, bad friends, good friends, close friends, frenemies, etc. i don’t know how many he had but if your muse likes to cause a ruckus and fuck shit up then viktor’s your man.
hook-ups… current or old. friends with benefits, one night stands, anything and everything because he fucks around a lot.
ride or die… friendship but make it extreme.
bad influence… he’s just toxic to be around and brings out the worst in people :/
bad egg… he’s gotten into a few fights :/ maybe you witnessed it. maybe you were in it.
literally anything i wld love all sorts of plots.
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popculturebuffet · 4 years ago
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The Casagrandes Reviews: Croaked!
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Halloween Havoc rolls on as we shine a light on the other beloved holiday on October 31st, Day of the Dead! Sid and Ronnie Anne’s well meaning plan to help Sid’s sister Adelaide move on from her frog’s death ends up convincincing the small child she has power over life and death. I’m sure all big sisters do that at some point. More about the whole being dead thing under the cut. 
I’ve hyped this one up in both previous Casgrandes reviews, so as you can tell i’m excited for this one. As i’ve mentioned before but will repeat for anyone new here, I absolutley love this episode and when I did a binge a month ago for labor day of this show, it was one of the standouts by a wide margin. I only held off so long because why should Halloween be the only holiday I cover during spooky season huh? I mean yes it’s in my halloween coverage’s title but  there’s always room for incusivlity. Like jello or Wolverine. 
As for if i’m covering this show’s paired episode, the show’s episode for halloween itself...
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Yeah I have nothing against the episode ITSELF, it’s just.. eh. I mean we do get bobby as a dracula and sid as a lobster, a cute dance sequence and Stanley griping about not getting to wear his costume at work, which is valid, and then wearing said taco costume at the end... it’s just wrapped around your standard “character blows off a family engagment for something that turns out to suck” plot, the only diffrence being Bobby being the best brother ever is supportive of Ronnie Anne going to a 6th grade party and gladly helps salvage the night at the end. And it wasn’t a plot I liked to begin with, so it had that going against it. And I Know, I tend to zero in on i’ve seen it before a lot.. but that’s because .. it’s OKAY to do a tried and true plot tha’ts been done a million times as long as you can do something entertaining with it.  Both She Ra and Avatar the Last Airbender are about a world tha’ts long been conquered whose long lost savior comes to turn the tide of the war.. but that’s about as much as they share in direct comparison and both are fucking fantastic for diffrent reasons entirely.  But as rehashes go that episode wasn’t BAD , just eh, and i’d rather focus on things I can write more about frankly. 
Speaking of which, yeah I love this episode, and like “Mexican Makeover” it comes from Lalo Alcaraz of La Cucharacha fame, a comic strip writer whose also the show’s consultant for mexican culture, and is part of why the former episode disapointed me: because this one was REALLY fucking good. So enough hype , pitter patter let’s get at er.  The episode opens with Rosa setting up a day of the dead altar for her Father, with Sid and Ronnie Anne wondering what’s up, with Sid out and out wondering if Day of the Dead is mexican halloween something i’m ashamed to admit I thought of it as for years and years, because i’m as white as I am dumb, and most cartoons didn’t go much beyond “the dead come back for a day” and get into the more metaphorhical aspects we get to here. I assume Coco is the exception, as is the book of life I just still need to watch both. And yes you may boo me over this, I certainly deserve this.  I do however like this line as it’s a common misconception, and gives a  lot of kids likely thinking the same about the holiday in the audience a surrogate.
Ronnie Anne also wonders what the altar’s for. Rosa, while minorly annoyed at the two is happy to edcuate explaning it’s a day for honoring your loved ones and inviting them back, metaphorically though the metaphor was lost on young me since both Mucha Lucha and El Tigre had the dead literally come back, via an altar with offerings of their favorite things. It’s a nice bit that not only explains the holiday for those in the audience who either forgot a lot of that (raises hand) or didn’t know any of that, and also helps explain how the holiday is metaphoircal, something I didn’t think about before because as we’ve established i’m kinda dumb. The point is I like it.  Sid however gets an idea: Her sister Adelaide has been down in the dumps since her Frog, Froggy died, likely named after Big the Cat’s frog but this Froggy’s penchant for running off probably just got him ran over since Adelaide lives in the city and Frogger is sadly inaccurate, as George Costanza leanred the hard way. 
So our ambigiously gay duo visit Addy, who being a 6 year old who just lost her pet is bawling her eyes out. So our duo tells her about day of the dead and they set out to get froggy’s faviorite things: From shoelaces to the hoppit, a frog themed version of the hobbit I both wish is real and belives is probably better than the second two hobbit movies, flies (with help from a dirty diaper because this show and it’s sister can’t resist poop jokes.. go with your audience I guess), and a lilypad. The result is this. 
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I”m.. not going to ask why a 6 year old’s frog has the frog equilvent of a naked burt renoylds on a bearskin rug photo, froggy’s sexy secrets died with him. But unfortuntely nuance is lost on a 6 year old, so Addy assumed Froggy was actually coming back and just grieves harder now. So Sid comes up with Plan B B: bring froggy back from the dead at the old pet semetary. Though since they don’t want to defile his body they try a dead ally cat first instead.  
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One Zombie Test Cat later, they decide sometimes dead is better and just go with plan b: Sid once had a goldfish that died and her parents got her a replacement, and since it worked on her, and apparently still works on Bobby, they decide to pull that. They rent a frog from the pet store. And if your asking “wait pet stores , even fictional ones, do that” and suprisingly.. no they do not, but Pete, the guy at the pet shop which is also named after him, likes Sid’s mom’s tour. Okay two questions: one is that little pete from the adventures of pete and pete all grown up? I mean I know what happend to his actor... 
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But in universe we have no idea. And Brendon Small, the character and the actor, showed up on Clarence so it’s plausable. And secondly where can I get the job as owner of my own pet store near melissa joan hart doing a gator show. I may have a career goal now. 
So they sneak in subsittue froggy, and we get an adorable montage of Addy hanging out with Froggy the Second: Getting some son, eating flies (though Addy spits her’s out. She’s not Lana.), and watching the Hoppit.. as I wish to one day. I mean we see a trippy bit of it but not the actual thing.. I guess I can add seeing a full version to my small list of things related to this franchise that I only I want along with my a diffrent world-esque spinoff show following Lori and Bobby. 
Addy happily sleeps after that giant ball of adorable, and Sid and Ronnie Anne take Froggy 2 back to Creepy Guy at the Pet Store.. I mean Pete.. I mean Future Me. So Sid pats herself on the back metaphoircally for the plan.. which this being a sitcom, naturally has kinda snowballed. Now Addy thinks she has power over life and death. Guess she has the same Christmas LIst as Crow
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As not to break a small child’s heart for the second time in two days, our heroines decide they have to bring back her wish list: Great Aunt Milly, Old Mr Woodburn, and Abraham Lincoln. 
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Since they don’t have a time traveling phone booth, they’ll have to go with the next best thing, my boy Tio Carlos. Seriously why they don’t use this adorable nerd more is beyond me. But Carols being an adorable history nerd gladly agrees to play LIncoln for what he thinks is a play.. I mean greanted they could just tell him the truth. He’s a dad, he gets this kinda thing. Meanwhile our girls dress up like said aunt milly and shenanigans insue. It’s a really funny scene.. until it falls apart with the mr. woodburn impersination, revealing it was all a hoax, and sending Addleaide crying to her room understandably not wanting to talk to either of them. Still we got Carolos as lincoln. That’s not nothing. 
But yeah having made things worse by accident, the girls go to Rosa for help who while understandably annoyed at the mess they made, is more than willing to come with and help. Because Rosa is fucking amazing ,that’s why. She sucessfully coaxes Addy out and then takes her down to the Casagrande’s place to show off her altar and explain the true meaning of day of the dead: Thinking about your loved ones.. keeps the memories alive. Thinking about who they were, what they loved, what they meant to you.. it’s not raising the dead.. but honring them. It  not only made the real value of the holiday sink in for me but i’ts a good message for kids, and a good way to teach them about a holiday most probably didn’ know how it worked if they even knew at all. It’s a really sweet powerful moment, and the combination of alcaraz’s writing and Sonia Manzano really brings it to this scene. It’s easily the show’s best. Good stuff. 
Froggy II interupts the scene.. turns out a trail of bacon bits, that we saw left earlier, lead him back, and Pete’s been following him the whole way and is winded because of course he is. We’re in the same blobby shape I get it man your fine. So with Addy already liking the second froggy, and having fully come to terms with the first’s death, Sid offers Pete tickets to her mom’s show in exchange for Froggy II, whose named that in this scene and who we saw in uptown funk. As long as it’s the splash zone he’s fine with it and Sid knows her mom enough well enough to know Becca would probably gladly trade a ticket for her daughter’s hapiness. Plus it’s easier to get someone to willingnly sign the wavers about getting gator blood on them when they already want that so win win.  We end on a Day of the Dead party with the whole cast in day of the dead makeup, eveyrone happy.. except Carl who’se subplot of spreading marigolds everywhere I missed and he ended up at the Loud House. Why this didn’t lead to a crossover I dunno. I mean if Steve Urkel can jetpack into the family from step by step’s yard,  why not? I know the 90′s were a diffrent time but this was a missed opportunity. Funny gag anyway. And scene. 
Final Thoughts: I was pretty transparent with this one: I think it’s a wonderful, heartfelt, and well done look at day of the dead tha’ts educational without cramming the education part down your throat, like any good cartoon that teachs you something should do, and it’s also really funny and endearing.Not much else to say, it’s just really good and I was glad to highlight it and if you haven’t seen it, please do it’s perfect viewing for the season. If you want more Casagrandes I have two reviews under the nick tab on my blog, and will be covering the second batch of Halloween/Day of the Dead episodes later this month, along with the new loud house halloween special Ghosted. And if you can’t wait for either of those, monday i’ll be covering the new ducktales halloween special. Until we meet again, viva la muretos. Play us out Nimoy...
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khtrinityftw · 5 years ago
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Part 9: Nomuraception
And the game where Master Xehanort's time-traveling, heart-splitting, series-retconning master plan was introduced in was Dream Drop Distance, which is hands down the worst game to ever bear the title of Kingdom Hearts....for now, anyway.
It's astounding how practically nothing about this game works. The premise is flawed from the ground up: Sora and Riku, despite being super powerful and having saved the universe already, are deemed not Keyblade Master material by Yen Sid because they haven't taken a stupid-ass Mark of Mastery Exam.  Yen Sid then shows that he has no idea how exams work by making their Mark of Mastery Exam involve falling asleep and traveling through "worlds in sleep" that are in a perpetual dreamlike state. And that concept alone is mind-numbingly stupid and nonsensical. How do worlds fall asleep? Why do they stay that way until a Keyblade wielder comes along and unlocks their keyholes? Does anything that happens in those worlds really happen since it's said to be like a dream?  I know this sounds weird in a series where anime-style JRPG characters fight alongside the likes of Mickey Mouse, but there is only so much disbelief that I can suspend, Nomura!
Then they go and it turns out that Sora is being lured into a trap by Xehanort and so only he is going through the sleeping worlds while Riku is inside Sora's dreams of the sleeping worlds...whut!?  
Oh, and there are these Pokemon-like creatures called Dream Eaters than can be either good or bad, and you use the good ones to help fight the bad ones. There are no Disney allies to fight alongside in this game, just Dream Eaters. Fighting alongside Disney allies was one of the series' core draws, and you're abandoning it here? 
Fighting Disney villains was also a core draw, but that doesn't happen very much either, which is especially egregious when there's a world based on The Hunchback of Notre Dame and you can't fight Frollo. Players wanted to kick Frollo's ass ever since the series began, and now that he's here you don't give them the chance? Are you that tone-deaf to what your audience would enjoy!?
You won’t see any Final Fantasy characters this time around either, but if you’re a fan of the cult game The World Ends With You then you’re in luck, because the entire main cast is literally transplanted straight from their game into this one for no good reason.
Meanwhile, back in the real world, there's a subplot starring the revived Axel, aka Lea, and I've already gone over why that didn't work.  What really bugs me is the question of why Kairi didn't get this subplot?  Why did she have to stay on Destiny Islands and only come in as the last shot of the secret ending video? Ventus got to attend Terra and Aqua's exam back in Birth by Sleep, so why can't Kairi attend Sora and Riku's? Actually, there's a lot more about Kairi that I'm gonna have to address....
But not before talking about Sora and Riku, just like how the series has clearly decided they as a duo take priority over Kairi with them as a trio. Back in the KH Trinity, Sora and Riku's dynamic was the typical close bro dynamic you usually see in shonen stuff. Sure, yaoi fangirls seized on their interactions as proof that they should be a romantic couple, but that wasn't ever the intent behind those interactions. Yes, not even the one where Sora cried over being reunited with Riku in KH2. They're best friends and Sora was increasingly led to believe that Riku was dead and that they'd never be able to reconcile, that's gonna lead to some repressed emotions pouring out when Riku turns up alive. Context is important, people.
However, this game continues what Coded started in very blatantly and deliberately pandering to the fangirls by making their interactions intentionally homo-erotic, even though there is no chance in Hades that they'll ever be a canonical romantic couple. There is no logical excuse for Sora doing things like glomping Riku and cheering over how he's safe even when that's something he already knew. This is what we call "queer-baiting", and both it and the elimination of Kairi as a major character in the series reflect an incredibly cynical marketing ploy to keep a hold of a vocal, money-giving constituent.
And in case this wasn't bad enough, Sora and Riku's characters are totally butchered here. Sora is suddenly a hyperactive, dumb, overly immature kid whose main value is stated to be making other people feel good rather than anything he can do himself, and Riku becomes a ridiculous case where he's still angsting over giving himself over to darkness in between doing over-the-top feats of heroism that clearly show how worthy of the light he is, and it's even said that he's the more responsible one between him and Sora despite all evidence to the contrary back in the KH Trinity. And in the end, Sora falling into Xehanort's trap leads to Yen Sid flunking him on the exam - even though Yen Sid was blindsided by that same trap - and Riku is named the official Keyblade Master.
One of the most powerful parts of the original Kingdom Hearts was how it subverted the usual Chosen One hero trope. Riku was the Chosen One, Riku was destined to be the hero. But he lost his innocence in his zeal to establish himself as an adult, while Sora found real maturity while keeping hold of his childlike innocence. Riku shunned listening to your heart and relying upon friends, while Sora embraced it. As a result, the Keyblade turned on Riku and chose Sora as its wielder instead. It was a triumphant moment, a moment that was underscored by Sora's declaration of "My friends are my power!"
Well, Sora says that same line again in this game, but now the context is almost a complete rewrite of all that I just said. Riku is the true Keyblade Master after all, and Sora is just some "dull, ordinary boy" who got his Keyblade by a fluke because he was connected to truly exceptional people. "I know the Keyblade didn't choose me, and I don't care." Sora says, "I'm proud to be a small part of something bigger - the people it did choose!"  But it DID, though! The Keyblade DID choose him! In fact, Sora is the ONLY one actually chosen by the Keyblade at this point because the series now says everyone else merely inherited their Keyblades from someone else! 
This is ridiculous! First BBS turns Sora into this overly important Messiah, and now 3D turns him into this insignificant goober whose accomplishments mean squat next to the real Chosen Ones? 
How is any of this inspiring? 
How is any of this relatable? 
How is any of this GOOD!?
Oh, and did I mention that this game was released for the 10th anniversary of the original game?  Worst anniversary gift EVER!
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altviktcrr · 5 years ago
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『MAXENCE DANET-FAUVEL ❙ NONBINARY』 ⟿ looks like VIKTOR SAMUELS is here for HIS/THEIR SENIOR year as a VISUAL ARTS student. HE/THEY are 24 years old & known to be OBSERVANT, INGENIOUS, RETICENT & DEPENDENT. They’re living in NOLAND, so if you’re there, watch out for them. ⬳ JAMES. 20. EST. SHE/THEY.
hllo ,,, again ,,, this is my last child i SWEAR ,,, at least fr now ,,, hes also the most problematic one ,,, the most dramatic ,,, one of my absolute faves ,,, pleathe love him. as always if u wish to plot please like this so i can msg u !!!
TW DEATH, HEAVY GRIEF, OVERDOSE / DRUG ADDICTION, HOSPITALIZATION, HYPERSEXUALITY, RELIGION MENTIONS, MENTAL ILLNESS
aesthetic.
old tvs and their static, worn tapes, horror movie screams, spilled ink, a sculptor’s hands, clay-stained, chicken scratch handwriting, messy notes, messy hair, scoffs and eye-rolls, bruised knuckles, sore throats, funeral homes and a crying preacher, shattered ceramics, knife fights, high ledges, vertically-striped pants, red lights, the moon shrouded in clouds, cigarette butts, graveyards and half-empty wine bottles, sitting there for hours and talking to nothing, about nothing, a god complex, gold rings adorning both hands, barbwire baseball bats, having never played baseball in your life, deep eyebags and broken mirrors, a permanent chip on one’s shoulder, yearning, longing, wishing.
basic info.
full name: viktor phillip samuels
nickname(s): icky vicky :/
b.o.d. - jan 2nd
label(s): the black hole, the crepehanger, the impious, the opaque, the tempest, etc.
height: 6′1″
hometown: rochester, new york
sexuality: pansexual uwu
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inspired by: beetlejuice (beetlejuice), sid (toy story), jack sparrow (pirates of the caribbean), francis wilkerson (malcolm in the middle), azula (avatar: the last airbender), vicky (the fairly oddparents), stu macher / billy loomis (scream), marshall lee (adventure time), bojack horseman (bojack horseman), any it’s always sunny character :/
biography.
born to mama and papa (preacher) samuels in rochester, new york - fifteen minutes after his twin sister, tatiana samuels. years later, rosa samuels joined the gang. 
was an awkward, quiet kid growing up, he didn’t interact well with others and preferred being left alone to dig up worms and draw on the walls of their childhood home. the only exception was his twin, really.
as he got older he grew out of this, but instead became like ... sort of an asshole? maybe to compensate for years of childhood awkwardness. he’s the sort of person who will bite the hand that feeds him & developed into a full time nuisance by middle school, unlike tatiana who was much more subtle about her conniving manners.
always has been a fan of ‘darker’ materials. grim & creepy morbid shit. probably the biggest tim burton fan, ever since he was a kid ... not a good look for a preacher’s son, but he never really felt ‘in’ with the rest of his family to begin with. classic black sheep syndrome.
drew disturbing pictures as a kid that probably prompted one or two or five phone calls home to assure everything was fine. 
just really had a knack for art at a young age, from drawing to painting to playing with clay. it’s always been his Thing and probably is the only thing he’s good at.
being twins with tatiana was hard. they were near opposite besides both being quite mean-spirited. tatiana handled being in public better, left a better image behind - but viktor had talent, more than she did. they loved each other deeply - y’know, those unbreakable twin bonds as cliche as it sounds - but found each other as competition for their parents’ attention. a rivalry for affection.
in high school is when viktor really started to act out. it started extreme, like losing his virginity in their church and vandalism around the neighborhoods. faked being possessed in the middle of sunday service & almost had an exorcism performed on him.
his only redeemable trait was like ... just his sheer talent in the arts. was in a 3D art AP course and specialized in sculptures. he could pretty much create anything he wanted with enough dedication.
because he was the problem child, the one who deserved to be disciplined for all his antics, tatiana could sneak away and get away with whatever she wanted much easier. on the bright-side, for her, i guess.
not a very motivated person - wasn’t planning on going to college, much less going to radcliffe but his parents literally wrote & sent his college application for him because they weren’t going to house a deadbeat but had too much heart to kick him out onto the streets. cool!
he’s actually pretty smart but he just doesn’t apply himself. has a minor in english because he didn’t care for an extra course-load, but he’s good at writing & analyzing literature. is going to use it to write and illustrate his own series of children books with a style similar to tim burton’s. not for the kids, but because he likes to leave a trail of terror in whatever he does.
has been experimenting with himself since high school but college is where he really had started to crack down on himself. was out as pansexual & nonbinary by his sophomore year of college just ... not to his parents, who don’t really need to know. 
if you asked him if he believed in twins having a psychic connection with each other - he’d tell you he wouldn’t know. it felt believable at times, but sometimes he had no idea what was going on inside of tatiana’as head. on the other hand - viktor had always felt oddly transparent to her, like she knew all of his moves before he did. the only person who could predict him accurately.
( TW DEATH, GRIEF, OVERDOSE / HOSPITALIZATION BEYOND THIS POINT )
when tatiana disappeared, viktor knew something was up. it was a twist in his gut, pure instinct that something wasn’t right. and it wasn’t right - and when she was proclaimed missing, they couldn’t find her.
and when tatiana died - viktor knew. it felt wrong, something cut so severely in him he could pinpoint her death to the second. he didn’t know how, or why, but he knew it. knew it before anybody else had.
afterwards he went on a sort of bender. he’d begun to struggle with a mild drug addiction late senior year of high school / early college, but he was managing it up until this point. 
his mental health had also sunk to an all-time low, when it’d never been great to begin with. (manic & depressive episodes. once fixated on a sculpting project for six months and then knocked it off the table and destroyed it as soon as he finished it for no apparent reason.)
tatiana’s body wasn’t found immediately, and when it was ... viktor went off the rails. ended up overdosing & being hospitalized. spent six months in & out of psychiatric care after that.
came back to radcliffe to finish his senior year because ... for the reasons above, he hadn’t been able to complete it. just wants to get his credits and get out of here.
is still dealing with a lot of trauma & grief, especially since the one year anniversary of tatiana’s death was this month (january) - causes him to spiral and be unpredictable in regards of his mental health. he stopped taking his medication, so. :/ some days are alright, other days are pretty bad.
personality.
the human embodiment of a gremlin that was fed after midnight. a goblin, if you will. one of those cats with a narrow head and really big ears ... that’s them!
a big horror & halloween enthusiast. loves the old campy horror movies & probably has an abundance of masks from different movies. dresses like a grimy millennial beetlejuice more than they should because they just ... love those black & white vertical-striped pants. 
can appreciate the lore & cryptids at radcliffe and likes to feed into the fear that surrounds them. is probably the cause of a few ‘anomalies’ and ‘paranormal sightings’ because they’re just ... a jerk.
fashion alternates between e-boy (they would be tiktok famous if they were 17 & didn’t think that a majorly minor based app was weird.), millennial beetlejuice, and goth in a crop top & sweatpants. big fan of crop tops and a big fan of sweatpants. 
they can be really fucking mean? petty, aggressive, a major instigator. will literally spit in your face for little to no reason, you could just look at them the wrong way. the kind of person who will stick their gum into someone else’s hair. other than that? they’re like ... sort of okay. they’re not always mean, just a dick about 90% of the time lmao
like okay yeah they’ll call someone a stinky bitch for no reason except they feel like it and believes it. it’s fine, they’re fine, we’re fine.
despite the fact that they’re probably getting into a fight whenever, considers themself to be a lover and not a fighter but that’a primarily because they fuck a lot. uses it as a coping mechanism, like they’re this big fancy carnival show that’s like ‘come one, come all! fuck the dead girl’s twin brother!’ and it’s ... a Lot. might have a problem with hypsersexuality but they’re not fully aware of it. 
the preacher’s whore son, basically :)
pansexual & nonbinary, switches between he & they pronouns often and without a pattern, but they have such a fragile grip on their identity that you could call them ‘dog-faced bitch’ and they’d turn around like. sup.
vastly impulsive ... like i said, they destroy their own creations for the fun of it. spends all teir money on useless shit, will cheat on someone because they feel like it & likes the thrill, screams into the night sky frequently like a cat in heat.
will also spend months creating useless shit for no reason too. spent six of them sculpting a hollowed out tree the size of them & then took a sledgehammer to it.
they’re very super dramatic. would play the organ at church when nobody was looking after them and service was about to start. would just churn out these super haunting, creepy melodies like they were phantom of the opera. would do the same exact thing at home on their keyboard with the pipe organ setting whenever they got grounded until their parents took it away HBDSJFNGKH
will absolutely not talk about their ‘time away’ because it’s not anyone’s business, not even their own younger sister. still refuses to talk about tatiana’s death, or their mental health, or their addiction (fallen back into it but it hasn’t gotten severe ... yet :/), or anything involving their own emotions.
will just change the topic abruptly, no warning. asks about the jonas brothers instead and they fucking hate the jonas brothers.
that being said they’re absolutely not over tatiana’s death & it’s to the point of obsession over it. like there’s some kind of secret that needs to be uncovered, even though there just. isn’t. tatiana was their rock and they were pretty much dependent on her. kept them grounded. could control them when nobody else could, got into their head easier than others. it’s sort of like rosa lost two siblings that day because viktor hasn’t been the same since.
emotionally unavailable while also crying twice a day. cries during their brawls but still wins. is stony-faced when they tell you they cheated on you with your much hotter best friend.
will tell you straight up what they want from you, no bullshit & no beating around the bush. just blunt. if they want to fuck, nothing else, then that’s it. if they feel deviation or developing feelings then they’ll ghost in less than a second. is awful like that but feels no shame.
but also emotional as shit and it’s confusing. will cry on a whim and then flip you off if you try to console them or ask them what’s up. will bite you.
they go to therapy but they just fuck around and wastes their therapists’ time ... also is fucking their therapist, but that’s neither here nor there. so they’re not really getting the help they need.
likes to be intimidating but not ... with their body or anything because they’re a TWIG but uses their love & knowledge of horror and creepy shit to their advantage. has an abundance of fake blood. has channeled the energy of jack nicholson and used it on tatiana’s boyfriends before (also is a big fan of sfx makeup & has dabbled in it)
probably chases kids around with a chainsaw without the chain on halloween every year.
generally never doing good, both mental health wise & morally. would probably steal candy from a baby for funsies.
i don’t know if there’s a good to them somewhere deep down, but they don’t see any issues with themself either. nothing really breaks through to them anymore because the only person who ever made them stop and think about their actions was tatiana, and well, y’know. :/
an introverted reclusive type who doesn’t like most people or going out, but does so anyway if it means a quick high & a cheap thrill.
pretty observant and likes to analyze people even though they’re often like ... partially wrong. judgmental because they like to make people feel bad, not because they’re a righteous mighty person. because they’re not. so like, a hypocrite!
wanted connections.
a roommate... but it’s an absolute nightmare to live with him.
enemies... because viktor would have a lot of them...
familiar faces... people who knew tatiana or of her / were her friends. maybe even those who dated her, and who viktor would’ve tried to intimidate / scare at any given chance :/
pitiful glances... people who take pity on viktor and he hates it sooo much.
hooligan gremlin kids... just a friend group of grown ass adults who do drugs and fuck shit up around town like they’re edgy teenagers.
high school girlfriend... probably the one he lost his virginity to inside his family church :/
childhood acquaintances... people who knew him from his youth.
exes... good & bad terms, but mostly bad terms because viktor is an actual demon. probably cheated on them.
soft... i don’t know if he’s soft towards anyone and/or is capable of it but we can try. we can try.
unrequited... either viktor just doesn’t like them or he’s holding back because he’s :/ got issues with relationships & is self-sabotaging as one does
enemies with Tension... of the ... spicy kind if you know what i mean. wink.
friends... old friends, new friends, bad friends, good friends, close friends, frenemies, etc. i don’t know how many he had but if your muse likes to cause a ruckus and fuck shit up then viktor’s your man.
hook-ups... current or old. friends with benefits, one night stands, anything and everything because he fucks around a lot.
ride or die... friendship but make it extreme.
bad influence... he’s just toxic to be around and brings out the worst in people :/
bad egg... he’s gotten into a few fights :/ maybe you witnessed it. maybe you were in it.
literally anything i wld love all sorts of plots.
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teganberry · 6 years ago
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The Disney Princess Dilemma
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Kingdom Hearts 3 has been a game filled with massive highs and devastating emotional lows. And while the game is both a critical and financial success for Square Enix, the opinions of dedicated fans have been rather divided. Overall the game is an amazing piece of entertainment, but there is one aspect of the narrative that most fans seem to agree is the game’s biggest flaw, the rather weak portrayal of it’s female characters, in particular Kairi.
Now before I dive in any deeper I want to make a few things clear. Kairi is one of my favourite characters in the Kingdom Hearts series, and has been since I first got into the series well over 15 years ago. As such this post is intended as a character study and discussion, not an excuses to bash on Kairi’s character or Nomura’s ability as a writer. I adore Kairi and I’ve got far too much respect for Nomura as a creative to so thoughtlessly throw hate around. Secondly, while I will be referring to certain character’s as being “Princes” and “Princesses”, shipping has got nothing to do with this, they are simply Disney character archetypes I want to explore. There is no hidden agenda here, just an honest discussion. Alrighty, this is going to be a long one, let’s jump in!
As it stands we have no idea what the future plot of the Kingdom Hearts series holds, the only person who does know is Nomura. Perhaps everything we’ve seen so far is all part of a bigger master plan that will one day blow all our collective minds away. But until then when it comes to the problem surrounding Kairi’s portrayal in Kingdom Hearts 3, the best way we can find the answers for where things potentially went wrong is to look back.
Since I completed the game and begun to see many of the complaints surrounding Nomura’s writing of Kairi, I begun to wonder how had it all come to this. A lot of people have concluded the main issue is that Nomura just doesn’t like Kairi anymore and he no longer knows what to do with her. Personally I don’t think that’s the case. If Nomura really was tired of her and she wasn’t working into his long term plans then he would have written her out of the plot a long time ago. But he didn’t. Kairi has continued to make significant appearances in a majority of the titles in the series. She has been front and centre in the promotional material for Kingdom Hearts 3, a great deal of the the game’s opening was focused on her, (even more so than Aqua which really surprised me), and the ending of the game seemingly sets Kairi right at the heart of whatever is about to come next in Sora’s journey. So then what went wrong? If Nomura doesn’t hate Kairi and isn’t bored with her then why was she relegated once again to the role of the damsel in distress? Well I believe it all comes back to her original role in the Kingdom Hearts series, Kairi is Square Enix’s Disney Princess.
One thing we have to keep in mind whenever you consider the development of a Kingdom Hearts game is that Disney is always at the heart of development process. Not just in the creation of the Disney worlds, but in how the original characters are designed, how they act, and how the overall story progresses. Kingdom Hearts is this weirdly impossible mix of JRPG and Disney storytelling that somehow works to create an utterly amazing greater whole. As such each character by design, especially in the case of the original Kingdom Hearts, can be seen as fitting into a number of well known Disney archetypes.
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Most classic Disney films have three main character types the plot centres around, the Prince/Hero, the Villain, and the Princess. As the first game in the series, the developers wanted to make sure every aspect of the game was filled with that beloved Disney Magic. We see that Sora, Riku and Kairi were all purposefully written to embody these three classic archetypes. Sora is the daring Prince, he’s our hero and the one we know will save the day no matter what. Likewise Riku comes to embody the role of the Villain, as we constantly see him attempt to get in Sora’s way and undermine his journey. Now before any RIku fans jump down my throat, Riku obviously isn’t the true villain of the game as he also embodies that age old JRPG role of the rival to Sora’s hero. So we always knew Riku would be redeemed by the game’s end, but that doesn’t change the fact that for a time Riku was one of the bad guys. That of course means Kairi is the Princess, but not just any princess, she is purposefully written to embody the traits of a classic Disney Princess.
In Kingdom Hearts lore the original seven Princess of Hearts were comprised of Snow White, Aurora, Cinderella, Jasmine, Belle, Alice and Kairi. The Disney Princess are all very recognisable, and considering they are now the 7th highest grossing media franchise of all time (I’m not kidding! They make more money then the entire Harry Potter/Wizarding World franchise), it makes sense to see them grouped together in Kingdom Hearts. In comparison, at the time Kairi was a brand new character that the player knew very little about, and had never been associated with the Princesses before. So in order for her inclusion as a Princess of Heart in the narrative to work, Nomura needed to develop her character in such a way that the player would see and accept her as essentially a new Disney Princess. The best way to accomplish this then, with perhaps the exception of Alice in Wonderland, was to have Kairi’s role in the game unfold in a similar manner to what we often see occur in the other Princesses’ films, the often helpless Princess being captured or tormented by the villain, then eventually saved by the Prince. That’s why every time we see Kairi’s lifeless body throughout the entire game we can’t help thinking of Sleepy Beauty, because that’s exactly what Nomura want’s us to see. The game directly draws on the plot of Sleeping Beauty, Kairi embodies the sleeping Aurora, Sora is Prince Phillip charging forth with enchanted sword in hand, while Riku is being manipulated by the central villain of Sleepy Beauty herself, Malificent. Nomura’s narrative cements the subliminal suggestions in our minds and archives his goal, Kairi becomes a new kind of Disney Princess.
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The narrative of having Kairi saved by Sora worked quite well in the original Kingdom Hearts, because the overall intention of that game was to create an experience reminiscent of the classic Disney films everyone grew up on. And while she was relegated to the role of damsel in destress for a large portion of the story, Kairi does get her moment to shine and show us that there’s more to being a princess than simply waiting to be rescued. Kairi represents the inner strength that balances out Sora and Riku’s outward power. Its a theme that has come to be associated with her character throughout all the main entries in the series.
So what was next for Kairi? Well as it turns out more of the same it seems. Kairi unfortunately finds herself being kidnapped by the villains once again in Kingdom Hearts 2, likely due to Nomura again wanting to make it clear that Kairi is the Princess of this story. But first lets take a look at the development of Kairi’s design over the course of the series. While initially being presented as a rather normal teenage girl in the first game, during the development of Kingdom Hearts 2 there was a conscious push to make Kairi even more Princess like than she had been in previous games. Her hair is longer, she wears a pretty pink dress now rather than shorts and tank tops, and her overall appearance is much more elegant and mature. In a cast interview with Kairi’s then english voice actress, Hayden Panettiere, it’s mentioned that she was often asked to raise her voice a few octaves to make Kairi sound more like a Princess. Kairi’s physical Princess evolution is pushed even further in Kingdom Hearts 3 when she is given a new battle dress and a hair cut that is somewhat reminiscent of Snow White. While this new outfit does appear hardier then her previous design, unlike her fellow Guardians Kairi does not wear any form of gloves or gauntlets to protect her hands, instead only wearing a few bracelets. Comparing her Kingdom Hearts 3 outfit to that of Sora and Riku’s does bring into question it’s overall practicality, but she is a Princess and the design makes that very clear visually.
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For the sake of character development and future plot progression it makes sense to bring Kairi’s role as a Princess of Heart to the forefront, as it would soon come to play an even greater part in Kingdom Hearts lore. Having been born with a heart of pure light makes Kairi very unlike any other character in the series. But it seems in order to press upon the player that yes indeed Kairi is a Princess, In Kingdom Hearts 2 Nomura fell back on the old Princess needing to be saved by the Prince plot device in order to drive that home. Thankfully though things are changed up a bit this time around. Kairi is sick of waiting around, and whenever she gets the chance to strike out on her own to find her friends, both before and after being kidnapped, she does so without hesitation. She’s even given a Keyblade and is finally able to fight for herself this time! Hurray! Overall it isn’t great that Nomura chose to make Kairi the old school Disney damsel in distress again, but despite this we do see determination and growth in her character. Perhaps not as much as we see in Sora and Riku, but there is development none the less and by the end most fans were excited to see how she would continue to grow as a character in future instalments.
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For a good while it did seem that Nomura was hinting at Kairi taking on a much bigger role in the highly anticipated Kingdom Hearts 3. It was revealed in Dream Drop Distance that Yen Sid intended for her to be trained as a Keyblade Wielder, ensuring she would become one of the Guardians of Light and take part in the second Keyblade War. And as I mentioned previously, Kairi was quite often front and centre in most of Kingdom Hearts 3’s marketing material. Her line “This time, I’ll protect you” was constantly used throughout said marketing for the game. It all looked promising for Kairi! But then we all know what happened.
Now before we jump into Kingdom Hearts 3 itself let’s take a step back to the years following the release of Kingdom Hearts 2, and consider what was happening over at Disney Animation at the time. After nearly a decade of creating films that were mostly considered not up to scratch, Disney decided to go back to their most tried and true formula for creating successful animated films, adapting fairytales, specifically Princess movies. While this was the most sensible choice to make, Disney were also keenly aware that their older brand of Disney Princess film would likely no longer appeal to a modern audience. Today young girls want to look up to brave, strong and charismatic heroines who aren’t afraid to carve out their own path in life. Watching a movie about a Princess waiting to be saved just wasn’t going to cut it anymore. So Disney adapted and ever since then we’ve been introduced to an all new kind of Disney Princess, Tiana, Rapunzel, Elsa, Anna and Moana, Princesses who are the hero of their own stories.
This is what audiences have come to expect of the Princesses, to stand proudly on their own two feet, no longer being relegated to position the damsel in distress. So when it was announced that Tangled and Frozen would be brand new worlds in Kingdom Hearts 3 it set an exception in the minds of fans. Here we had two beloved Disney films that feature strong and brave Princesses as the central characters. It only makes sense then that we should expect the same strength to flow through to the wonderful ladies of Kingdom Hearts. But that didn’t happen. Instead nothing really changed for any of them, and instead of pushing Kairi to grow into the modern Princess we all want her to be, Nomura held her back.
Now the question we need to ask here is why? Why did Nomura choose to not follow the new Disney trend when he has stuck so closely to their lead in the past? I suppose the only person who can truly answer that question is the man himself. But lets try and think about this logically, as I can see two likely reasons why this occurred. The first is the fact that overall Square Enix and many other gaming companies still don’t do a great job when it comes to writing realistic and truly relatable female characters. Not to say there are none, but it is still a prevalent problem none the less. Case and point Lunafreya from Final Fantasy XV. The fact that in order to get a true understanding of Lunafreya as a character and her true feelings, we’re going to have to read a novel that acts as an alternate happy ending to the original game says a lot. But I’m getting off topic here! The track record for the development of female characters in games isn’t great, that’s not an excuse and game companies really need to start doing better, but it is a possible explanation for why the plot of Kingdom Hearts 3 unfolded the way it did.
The second and more likely reason to have Kairi play the Princess in distress to Sora’s hero once again was probably due to time constraints. AAA video game production is a massive undertaking with very strict deadlines. As a result developers are often forced to sacrifice interesting story elements and mechanics in order to make sure that a game is able to reach said deadlines in a solid and workable condition. Final Fantasy XV is again an excellent example of this and what can go wrong. In the time since the game’s release it has more or less been confirmed that due to the incredibly strained production of the game a vast majority of story content was cut out, and the game was left in a rather obvious unfinished state narrative wise. We know that the engine swap during the development of Kingdom Hearts 3 from the Luminous to the Unreal engine had a big impact on the game’s development time, and pushed it’s final release date back significantly. So it goes without saying that things would have been cut in order to make up for lost time. The fact Nomura has confirmed that we will be receiving DLC fleshing out Xion’s role in Kingdom Hearts 3 more or less confirms this. At the end of the day Square Enix is a business and sometimes sacrifices need to be made in order to ensure a product can be developed properly and efficiently.
There is every possibility that Nomura had planned a number of different ways for Kairi to develop and grow as a protagonist in Kingdom Hearts 3 before her tragic death occurred, perhaps even fighting back as much as she could before being captured. But the problem lies in just how many loose ends needed to be tied up in the game with the limited development time they had. So much attention need to be paid to as many characters as possible to wrap everything up that you run the risk of the game becoming bloated, or things feeling rushed and unfinished. I’m not saying it was the right choice to cut out Kairi’s potential character growth, but we can see why it was easier for Nomura to fall back on having her be easily kidnapped again to move that part of the plot forward as quickly as possible so the momentum didn’t slow down. She is a Princess after all, right? Well no, that reasoning isn’t an excuse anymore, audiences expect far more from the Princesses and its time for Square Enix to follow Disney’s lead.
So what can be done? If the reason Kairi is being held back is due to her role as a Princess then can it be fixed? The simple answer is yes, it can. Disney have already clearly laid out what they now expect of female heroines and Princesses in their films. With the less than positive critical response to the development of the female protagonists in Kingdom Hearts 3, Square would be crazy not to jump at the chance to give fans what we want to see. Nomura clearly understood what it meant for a character to be a Disney Princess during the development of Kingdom Hearts 1, and I’m sure he’s very aware that audience expectations have changed. What needs to be done now is for Square to take that step forward alongside Disney and allow Kairi move on from her role as a Classic Princess and finally grow into a Modern Disney Princess, not simply fall back on old writing habits out of convenience. By voicing our opinions in an honest and constructive manner on social media platforms such as Twitter, Tumblr, Instagram ect. Square Enix and Nomura will hear us. We need only tell them that not only do we want to see more from Kairi, but that we want her to stand proudly as one of the new Princesses of Heart alongside Elsa, Anna and Rapunzel, a positive embodiment of the new bread of Disney Hero.
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nadziejastar · 5 years ago
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I'm thoroughly enjoying the LeaIsa discourse, especially Isa possibly having been subject X in perhaps another canon. Isa's symbolism's also seem intentionally feminine in nature. I've head-cannoned that the current subject X in game could have somehow had her heart spirited away into Isa's (mirroring Sora and Kairi's situation, except the heart being far more buried in the depth's of Isa's). An unlikely scenario is that Isa was AFAB as a child and even Lea doesn't know about it or remember.
Lea: The Wounded Healer
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Thank you! Yeah, everything about Isa’s symbolism is feminine in nature. And very intentionally so, LOL. He’s the Yin to Lea’s Yang; the Moon to his Sun. I love the whole concept, and I wish it wasn’t so taboo to step outside of gender boxes. The mythology is that Twin Flames separate and go through many lifetimes apart, never meeting in person. Over the reincarnation cycle, the two lovers balance their masculine and feminine sides so that they are both perfectly balanced. And I do think Lea is a very balanced character in that regard. I’m sure Isa was, too. During their final lifetime in the reincarnation cycle, Twin Flames finally reunite and change the world with their divine spiritual love. 
I cannot imagine there’s any other explanation than Isa originally being Subject X. It simply makes way too much sense, and all the pieces fit perfectly. Your head canon is interesting. I prefer that over canon where Isa and Lea are apprentices and had NO connection to the experiments on the darkness of the heart. That just makes no sense at all. They could have had another girl involved without taking away from Lea and Isa’s tragic backstory. Another reason I like Isa being Subject X is that he would need healing, and Lea would need to give him a ��birth by sleep”. KH3 kinda forgot about that whole concept. But there’s a lot of evidence that it was supposed to be a HUGE aspect of Lea’s character arc. Would have been a lot more rewarding to see than what he did in canon.
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Stuff like this is exactly why Lea and Isa are my favorite characters. I can tell the writers had a hard on for them, too. Nomura really loved Axel, after all. Axel has a weapon called Prometheus which incorporates the Sagittarius symbol, and so do the vast majority of Saïx’s weapons. Moreover, the arrow is mainly prominent in Saïx’s Berserk form, which is where I think his captured heart resides. Now, why is this symbol so important? Because Sagittarius is Chiron, the Wounded Healer! He gave up his immortality for Prometheus, and was rewarded with immortality in the stars!
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More About Sagittarius
Yen Sid: “I must warn you again–the road will not be easy.”
Lea: “Fine. Let’s jump right in.”
Ruled by Jupiter, the planet of growth and opportunity, the sign of the Archer is an eternal student, looking for enlightenment through new ideas, people, and places. Sagittarius is on the hunt for the biggest, best experiences life has to offer. They have a positive and outgoing personality that makes them the life of any party. With a love of adventure and all things exotic, the worldly Archer just wants to soak it all in. Sagittarius is driven by a constant need to explore and expand its mind, heart, and awareness to the fullest extent. Fiery and free, Sagittarius knows that the only limits are the ones we create ourselves.
Chiron: The Wounded Healer
Naminé: “And if the hurt is too great for you to bear it alone–well, then you turn to a friend close to your heart.”
Wounded healer is a term created by psychologist Carl Jung. The idea states that an analyst is compelled to treat patients because the analyst himself is “wounded”. For Jung, “it is his own hurt that gives a measure of his power to heal. This, and nothing else, is the meaning of the Greek myth of the wounded physician.”
Chiron was in outstanding pain and anguish; there was no medication that would ease the infliction. The fact was, even the gifted physician Chiron couldn’t heal himself. The next problem was that Chiron was in torment but, immortal. Chiron was not able to obtain freedom from the pain with the onset of death. In such a scenario, Chiron volunteered himself as a replacement for Prometheus, who had been penalized by the gods for giving fire to humankind; His punishment was to be enchained to a giant stone. Day-after-day an aquila descended and polished off his liver, which grew once more as it got dark …only to be consumed by the eagle once again.
So in essence, Chiron forfeited his eternal life so man could have use of fire. Hercules had been appealing to Zeus (Jupiter) for help, and Hercules agreed to supply an appropriate replacement for Prometheus, thereby setting him free. Thus, Chiron replaced Prometheus, gave up eternity, and went to Tartarus (the Underworld) in Prometheus’ stead. Zeus witnessed everything that happened and he knew how deplorable his son Hercules felt. Zeus afforded the dear Centaur a resting place in the heavens, as the constellation Sagittarius the Archer, in recognition of his benevolence and perpetuity.
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Chiron and Artemis
Axel: “Why do I always get stuck with the icky jobs?”
Saïx has a weapon called Artemis, after the moon goddess. Artemis has a relationship to Chiron. Centaurs were notorious for being wild, lusty, overly indulgent drinkers and carousers, violent when intoxicated, and generally uncultured delinquents. Chiron, by contrast, was intelligent, civilized and kind, because he was not related directly to the other centaurs due to his parentage. Soon after giving birth to Chiron, his mother abandoned him out of shame and disgust. Chiron, effectively orphaned, was later found by the god Apollo, who decided to take him in as his son.
Apollo taught to him the art of music, lyre, archery, medicine and prophecy. Apollo’s twin sister, Artemis taught him more about archery and hunting. Chiron’s uniquely peaceful character, kindness and intelligence is attributed to Apollo and Artemis. Artemis only loved one man, Orion. She killed him by accident after being tricked into thinking the he was a villain who had attacked one of her priestesses. Orion, whilst swimming to escape a giant scorpion, is killed by Artemis’ arrows after the goddess could only see his distant bobbing head and failed to recognize the hunter. Artemis tried to bring Orion back to life, but was unable. It was Artemis’ regret at the loss of her hunting companion which allowed him to become a constellation and gain immortality amongst the stars.
Sagittarius Mythology also figures in the tale of Orion. One Greek mythology tale tells of how Sagittarius the Archer was directed to shoot down Scorpio the Scorpion, which had been sent off to murder Orion. This story gives the reason why the Archer’s arrow is aimed toward the ‘heart of the scorpion’.
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Friendship
Ven: “Already?”
Lea: “I’ll see ya when I see ya. After all, we’re friends now. Get it memorized.”
Ven: “Okay, Lea.”
Sagittarius make excellent friends because of their encouraging, positive nature and their kind heart that will do anything to make sure the friend is happy. They do not expect favors in return; their kindness is selfless. They do not interfere with other people’s plans and they are never possessive or jealous. They treat others the way they want to be treated and live life based on a ‘live and let live’ policy, making them very agreeable. They are excellent conversationalists with a good sense of humor. Sometimes their humor is the raw truth, but these people speak their mind and don’t hold anything back. What they say is what they mean. They do not like mind games; they like straightforwardness and expect it in return.
Axel: “C'mon, let’s get some ice cream.”
Roxas: “Why?”
Axel: “Whaddaya mean, why? Because we’re friends.”
Roxas: “So…friends are people who have ice cream together?”
Axel: “Sort of… That, or laugh at stupid stuff that doesn’t make any sense. Like those kids we just saw–they were friends. C'mon, I’ll show you how it works.”
Sagittarius are known for saying the ‘painful truth’. On the other hand, people know that they can trust what they say because they always say what is real. They never hide anything and are very likable people. The only people that might not get along with them are people that live by a daily agenda with a highly structured, organized life. They are likely to always be running late and miss a date, but this is only because they are so forward thinking that they forget about the present. Tolerance is required. They do not do these things on purpose; this is just who they are. If you understand this and accept this, having a Sagittarius in your life will make the sun shine a lot brighter.
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Axel: “Best friends are willing to deal with complications.”
Wise and understanding Sagittarius is connected to the Temperance Tarot card. The gentle process of tempering is about finding a perfect middle state, and combining the best of all things to forge something that is stronger than the sum of its parts. By bringing the power of the philosophical world into their physical world, Sagittarius makes itself a source of ultimate truth and awareness.
Both Sagittarius and the Temperance card are constantly striving for a more enlightened state of being. The angel in the Tarot card here demonstrates this by slowly pouring the liquid from one golden cup into another – a process called “tempering” (a slow process of integration that leads to the perfect middle state). Similarly, Sagittarius accomplishes this by exploring the far reaches of both the physical and philosophical world to expand on or “temper” what is already known. The symbols of Temperance mean the following:
Angel: Interacting with the material world while maintaining a sense of spirituality and higher purpose.
Triangle: Interplay of masculine and feminine or spirituality and materiality.
Cups: The fountain of energy between your opposite tendencies, which is flowing and spontaneous yet also balanced and coherent.
Path: Taking your time through life’s twists and turns; being content in the moment or throughout unexpected obstacles.
Water: Groundedness and refreshment through spiritual thinking.
Mountains: The distant journeys awaiting you that will bring you to spiritual fulfillment.
Sun: The sun, also appearing as the angel’s third eye, represents the merging of personal aims with the universe’s plans for you.
Fire Wings: Muscles and strength necessary to maintain composure and reach a higher being state.
The Angel
Axel: “As long as we remember each other, we’ll never be apart. Got it memorized?”
The Angel’s beautiful, red wings represent blood or life, while the triangle on her dress means spirit – also the elemental symbol for fire. And, similar to adventurous Sagittarius, the angel’s feet are also symbolic of the eternal pilgrimage or spiritual journey. By showing one foot in the water and the other on the shore we are reminded that our greatest wisdom lies in the art of balancing. And lastly, the iris flowers are indicative of the Goddess Iris who provides the link between God and humanity. Like Sagittarius, she travels from one end of the world to another – building upon something that is bigger and brighter than herself.
In a general context, the Temperance Tarot card represents coolness in the face of shifting emotional tides. Temperance is the ability to control one’s temper or temperament. In Thailand there is a concept called “cool heart.” In this phrase, cool does not mean cruel and unemotional. Rather, to act with a “cool heart” means that one is not easily stirred or provoked to go off the handle; one does not quickly come to a raging boil but maintains a steady temperature despite shifting external circumstances. Similarly, Temperance stands with one foot in a cool stream and pours water from one cup into another. Temperance knows how to direct the water in a way that maintains homeostasis.
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The 7 of Swords
Lea: “And if the darkness gets ya, I promise I’ll bail you out. “Dark Rescue” is my middle name.”
Axel’s weapon “Prometheus” is Lift Gear. This is the same gear that the Temperance Arcana in Luxord’s deck is listed under. Coincidence? I think not. Luxord’s card has the shape of the Minor Arcana, The 7 of Swords. In general, this card is said to be about betrayal and deception. It is sometimes called the ‘Thief’ card. In a general context, it represents deception, lies, trickery, cheating and lack of conscience. This card also signifies mental manipulation, tactics, scheming, cunning, enemies who masquerade as friends and spies in your camp. It represents escaping detection and getting away with something.
On a more positive note, the 7 of Swords points out that you need to be strategic in what you do. It can also represent flexibility, adaptability, sharp wit, and resourcefulness. You know you cannot do everything at once – nor should you. Instead, you must prioritize what’s important to you and direct your focus and attention on the few tasks that will move you closer to your goals. When this card is seen in a reading, the deception is usually short lived. Nobody is able to carry away 7 swords and get away with it. So although the party may feel smug about it at the time, it’s about to blow up in their face.
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Sagittarius’ Ruling Planet: Jupiter
Lea: “I want everybody I meet to remember me. Inside people’s memories, I can live forever.”
Isa: “I know I won’t forget you. Believe me, I try all the time.”
Lea: “See, I’m immortal!”
Larger-than-life Sagittarius is ruled by Jupiter, the planet of luck and expansion. In Roman mythology, Jupiter was the king of the gods, the biggest and the best. In Astrology Jupiter is known as the “benefic” planet, meaning it is the luckiest, most opportunistic planet of all. This positive energy influences Sagittarius’ optimistic, enlightening, and outgoing nature that shines and spreads through anyone they come into contact with. As the largest planet in our cosmos, Jupiter’s vastness encourages Sagittarius to stretch its mind and heart as far as it can.
Sagittarius’ Symbol: The Archer
Xigbar: “You’re not supposed to be here!”
Lea: “Promises to keep. I’ll always be there to get my friends back. What, bad timing? You had your perfect little script, but you kinda forgot to write the sequel. Now, let’s find out what happens!”
The zodiac sign Sagittarius is associated with the Archer, and its glyph represents an arrow. Always eager to explore new horizons, the Archer sets its sights on a faraway target, then shoots toward it with precision. This focus on learning more, doing more, and seeing more is what Sagittarius is all about.
Ruled by expansive Jupiter, Sagittarius is big-hearted, open, and always looking beyond a checklist. A Sagittarius rarely has a “type.” They are always intrigued by the individual, and don’t make any assumptions about people until they’ve truly met and spoken with them. Sagittarius loves witty back and forth banter. A Sagittarius in love is a sight to behold. Aggressively fun, this sign usually moves full speed ahead once they have their love target ‘locked’.
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Selene
Ventus: “I remember dreaming a lot. Of you and Terra. Of Sora and his friends too, I think. And there were some more people I didn’t recognize. Oh, and I saw these weird animal creatures! It’s like…I’ve been part of some big adventure.”
Saïx has a weapon named Selene, after the chaste Greek Moon goddess. It’s shaped like a torch. Selene’s torch has an interesting role in art and history. Selene was taken with Endymion, a beautiful youth who tended his flocks on Mount Latmos. She accompanied Cupid and used the light of the torch to gaze upon the mortal she fell in love with while he slept.  
Girodet’s “The Sleep of Endymion” shows the moment that Cupid parts the trees so the Moon may shine her light down upon her sleeping lover’s face. Only at night when he is asleep does she quietly creep down to him, accompanied by Cupid, whose torch symbolizes burning love.
In a Roman floor mosaic from the third century CE, the scene focuses on the moment when Selene falls in love with the young mortal shepherd. Cupid, in the upper right corner, points down at Endymion as if guiding Selene’s gaze towards him. Selene steps out of her bull-drawn biga that she uses to pull the moon across the sky each night, and raises a lit torch that illuminates Endymion’s face in the darkness. She peers down at him longingly. Endymion is fast asleep and unaware of her presence. She was so in love that she asked Zeus to give Endymion immortal life.
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Sagittarius’ Ruling House: 9th House of Expansion
Roxas: “I found out about love on today’s mission–that it’s something powerful.”
Axel: “That’s true. It is. But I’ll never get to experience it.”
As the 9th sign in the zodiac, Sagittarius rules over the 9th House of Expansion. This house reveals how open our minds are, and how much we expand ourselves through education, exploration, and life lessons. From philosophical conversations to book research to world travel, the 9th house encourages you to go further than you’ve ever gone before. Sagittarius’ drive for adventure, growth, and awareness is strongly represented here.
When Venus is in Sagittarius
Axel: “Love is what happens if there’s something really special between two people.”
Saïx’s weapon Horoscope incorporates the Venus and Sagittarius symbols while in its Berserk form. So, the astrological correspondence is Venus in Sagittarius. Venus is the planet of love, self-worth, and all things beautiful. Her style is sweet, cooperative, and peaceful. But when this graceful planet’s energy mixes with the free-spirited sign of Sagittarius, her joyful side comes out to play. Hearts come out of hiding while Venus moves through Sagittarius. The happy and free energy of Sagittarius turns Venus up a few notches, encouraging us to live life to the fullest. This is a time to socialize, to try new things, and to look for love in different places.
Sagittarius is the sign of the adventurer, so when Venus is traveling through this sign, we find ourselves drawn to exotic people, places, and experiences. Old routines and worn-out relationships are at risk of being traded in for something bigger, brighter, and better while Venus is in Sagittarius. We want to expand beyond our usual boundaries, and may give up some of our comfortable patterns of the past to try out new experiences. Love needs to grow during this transit – it will not stand still.
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Sagittarius’ Element: Fire
No. VIII AXEL—An assassin who puts his own agenda first, and everything else on the back burner. Wields fire.
The zodiac sign Sagittarius is a Fire sign that lights up our lives with profound questions and exciting ideas. Just like an uncontrollable wildfire, this sign will happily go where the wind takes them to seek new experiences. Sagittarius uses its Fire energy on its lifelong journey of exploration, always ready to jump at the next adventure. The element of Fire continues to fuel Sagittarius’ never ending supply of optimism and inspiration.
The Goddess Hestia: The Keeper of the Flame
Axel: “Well, I think you can be inseparable, even if you’re apart. It’s like, if you feel really close to each other. Like best friends.”
Saïx’s weapons Moonrise and Moonset are shaped like ⚶ the astrological symbol for the asteroid Vesta, also known as Hestia in Greek mythology. Her name means “the essence”, the true nature of things. Hestia was the Greek Goddess of the sacred fire. She was the most influential and widely revered of the goddesses. She was was one of the three ‘virgin’ goddesses, next to Athena and Artemis. Hestia was depicted as a beautiful and bashful woman, usually seated. The living flame of Hestia was tended constantly and never allowed to die out, for it represented the energy of all life.
Hestia was a kind goddess and had a discrete character. She never left her residence, the sacred mountain of Olympus. She never involved herself in the fights and machinations of the other gods and goddesses, somehow managing to stay above the fray. Non-judgmental and forgiving, her unconditional love and calm acceptance inspired the love and trust of others in return. Dependable and caring, she was always there for them and helped them to manage their lives, which were certainly more exciting than her own. These virtues define the goddess Hestia: mild, gentle, forgiving, peaceful, serene, dignified, calm, secure, stable, welcoming, and, above all else, well-centered.
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Sagittarius’ Color: Purple
Axel: “You know, I’ve been thinking about something Naminé said. Roxas…are you really sure that you don’t have a heart? Is it possible that we all have one? You, me, her… Or is that just wishful thinking?”
Rich and luscious purple is the color of Sagittarius. Purple is a color of abundance, which encourages Sagittarius’ natural luck and its drive to expand its mind and world. The color purple is also associated with spirituality and enlightenment, empowering Sagittarius’ philosophical explorations and lifelong quest for knowledge.
The Sun
Axel: “Hey, Roxas. Bet you don’t know why the sun sets red. You see, light is made up of lots of colors. And out of all those colors, red is the one that travels the farthest.”
Roxas: “Like I asked! Know-it-all.”
Saïx’s weapons Orbit and Lunar Phase incorporate the Sagittarius symbol with the combined stars of Ishtar and Shamash. There’s also a Recusant’s sigil visible over the Sun symbol. The Sun, the giver of life, represents our conscious mind in astrology. It represents our will to live and our creative life force. Just as the planets revolve around the Sun in our solar system, we derive our life purpose from the Sun in our natal charts. The Sun is our ego. It is the part of us that reasons things out, and makes final decisions. The Sun is our basic identity, and represents self-realization. The Sun also represents our overall vitality. The happiest people on this earth are those who identify with the Sun’s expression.
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Sagittarius’ Quality: Mutable
Axel: “Let’s meet again in the next life.”
Roxas: “Yeah. I’ll be waiting.”
As the last sign of autumn, Sagittarius helps us celebrate one last hoorah as fall comes to a close and the season of hibernation begins. Sagittarius, with a love for variety and change, uses its Mutable energy to shake the fiery radiance off the leaves and allow them to fall. As winter approaches, this Fire sign keeps us going by fueling our desire for adventure and fun, and helps us remain optimistic that light and warmth will return again.
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Note
⭐️
Fanfic Writers: Director’s Cut
Reblog this if you want readers to come into your ask box and ask for the “director’s commentary” on a particular story, section of a story, or set of lines.  
Or, send in a ⭐star⭐  to have the author select a section they’ve been dying to talk about!
Thank you so much for submitting this! There’s one section of chapter 26 (We Hope For Better Things) that had me stumped for literal months, and I wanted to kind of discuss my thoughts and concerns behind it, its canon counterpart, and the ways that I intended it to be interpreted; however, any way that you interpret it is fine.
Fun fact: Chapter 26 takes place during episode 2, A House Divided, which actually came out on my 13th birthday (March 4th, 2014).
This will contain spoilers for Once Bitten, Twice Dead chapter 26, We Hope For Better Things. 
First off, let me talk about my grief with season 2’s treatment of Christa. Now, I don’t absolutely hate that she was, presumably, killed off; I dislike the way that they, in fast succession, killed her and Omid off, never mentioning the baby except for a very brief hint in episode 4 (Clementine closes her eyes and says, “Not again…” when AJ doesn’t immediately move after he’s born). Because of the fact that Clementine is literally around Rebecca for almost the entirety of season 2, I found her lack of reaction to Rebecca’s pregnancy a bit strange.
Like I said, my dislike of the handling of Christa’s pregnancy and Clementine’s thoughts about it have a lot to do with the following paragraphs. I’m all for Clem being able to actually stop and deal with her thoughts and somewhat deal with her emotions (I mean, shit, read my other series posted on AO3 and you’ll see what I mean).
In chapter 26, we get a discussion between Rebecca and Clementine about the baby, Alvin, and the circumstances surrounding this, something that leaves Clem feeling ill, anxious, and somewhat guilty about what she knows that Alvin doesn’t. But the discussion also leaves Clem thinking of Christa, and of her thoughts about Christa’s pregnancy. She is also very prone to comparing Christa and Rebecca, as seen below:
Clementine grasped her left wrist, leaning against the railing as she spoke, watching Rebecca’s mannerisms. She looked nauseous, though Clementine found it hard to tell, as she hadn’t exactly known Rebecca very long; Christa used to get sick, something Clementine could easily remember, when she smelled Omid cooking meat of any kind over the fire. At least until she started showing. In the later stages of her pregnancy, Christa didn’t have any sickness or dizziness. But maybe Rebecca was different.
This only adds to the way that Clem adjusts to and interprets Rebecca’s pregnancy, something that I intend to tackle in another chapter (somewhat in chapter 29, and likely a lot further than that).
Crossing her arms, Clementine spoke in a low voice. “I don’t know.” She hesitated, but then sighed as she thought of herself. She was still alive. But she thought of Duck – the only other child that she spent longer than a few hours with after the beginning of the outbreak – and she thought of his end, and how Kenny couldn’t protect him.
How Kenny couldn’t protect Katjaa, either.
She thought of Christa and Omid. She thought of their child.
This brings up the subject of Christa and Omid’s child, and why Clem is so uneasy about Rebecca’s pregnancy is also brought up. This leads into Rebecca asking Clementine if she wants to listen to the baby kicking. Now, in the game, I said yes, and the scene was absolutely adorable. I love the relationship between Rebecca and Clementine. But with Clem’s past with Christa, I found it to be a little bit unrealistic. Clem obviously has feelings about the baby, and because it was never explored, we as players don’t know whether or not the subject was traumatic to her.
Now, I have almost the exact same age difference with my younger sister that Clementine and AJ have. I’m 18, and my sister just turned 7, if that gives you an idea. Therefore, I remember what my mother’s pregnancy was like, and I remember the kicking and listening to her kicking – it’s a very surreal thing, and for someone like Clem, who for all we know could have witnessed the baby’s death, it can be downright triggering.
That brings me to Clem’s actual apprehension.
“She’s kicking.” Rebecca suddenly spoke, removing both hands from her stomach. She used one to push herself forward, and the other to reach out to Clementine. “Wanna listen?”
Clementine froze in her spot, still staring Rebecca in the face. Rebecca’s expression didn’t change, and she instead reached for Clementine’s hand, but Clementine’s mind was elsewhere.
Can you feel her kicking, Christa?
I don’t think she has feet yet, Clem.
Blinking, Clementine retracted her hand from Rebecca’s grasp and slowly shook her head.
“Can I… just… feel?”
Rebecca’s lowered smile was subtle, but she nodded anyway as Clementine reached out again, her fingertips barely close enough to feel the fabric of Rebecca’s shirt. Carefully, she placed her palm flat against the area that Rebecca guided her to; immediately, Clementine felt her heart racing.
The smallest thump against Clementine’s hand made her slowly pull it away again.
I believe there was a developer or writer for season 2 that claimed that Christa miscarried, but after the amount of misinformation and, might I say it, somewhat lazy writing that came from season 2 (don’t get me wrong, I love season 2), I don’t like this reason.
Why? Well, in All That Remains, Christa appears to be about 7-9 months pregnant. My own mother was about that size when she was 8 months along with my sister, though my mom is 5’2 and Christa looks to be closer to 5’10-6’0. But I digress. Anyway, since Christa was probably about 8ish months along, a miscarriage would probably have killed her. The baby would be nearly fully formed by then. But in OBTD, my idea was a little bit more realistic – not every baby survives birth, and some die before labor.
Clem’s canon reaction, as she looks at a barely conscious newborn AJ, kind of gave me an idea. Stillbirth is a much more likely reason for Christa to lose that baby, as sad as it is. Either that, or SIDS (Sudden Infant Death Syndrome).
Therefore:
Clementine crossed her arms, but only to hide the sudden lack of feeling in her fingers as they trembled. Slowly, she asked, “Do you think she’ll be okay?” Just as soon as she spoke them, Clementine regretted it.
And just as soon as Clementine spoke and regretted speaking, Rebecca’s eyes became wide, her eyebrows scrunched. Clementine crossed her arms tighter, her shoulders arched as she did so, and mentally scolded herself. She shouldn’t have said that. She should not have said that.
Just because what happened with… Clementine’s thoughts were cut off when Rebecca spoke in a hushed voice.
And a little bit later, we have:
“I’m… I’m not trying to be weird.” Clementine turned back to Rebecca, “I just… I don’t know.” Once again, she crossed her arms and peered over the railing. Both Sarah and Sarita had abandoned the Christmas tree. “I was just… thinking.”
“About what?”
“Christa.”
“Your friend.” Rebecca placed her hand on her bump and looked into the same direction that she had before, as if expecting Alvin to walk back into the room at any moment. “Why?”
“She was pregnant for a while.” Clementine paused, biting the inside of her mouth and her tongue. She avoided Rebecca’s face. “And I don’t like thinking about it.”
Even later than this, we get a bit more confirmation and insight into Christa’s baby:
Clementine’s gaze focused on Rebecca’s bump just as much as she focused on the words that Rebecca spoke earlier – It’s not his. As in, it wasn’t Alvin’s. Rebecca wasn’t carrying a baby that was her husband’s. If Clementine’s very limited education on the art of where babies came from was any less, then she wouldn’t have even believed Rebecca. Yet, here Rebecca was, pretending that nothing was wrong. Flirting back to her husband.
Her stomach hurt, and Clementine locked her hand onto her opposite arm as she weeded through the other possibilities. Clementine knew that Christa’s baby girl (as much as it pained her to think of that cold, dead face) was Omid’s. She had looked just like Omid, after all, with very little of Christa.
There was, I think, a 5 month difference in this update from the one before this one. Now, I suck at updating as it is, but I will fully admit that this scene stumped me for quite a while. I had a conversation with my dad, and I recall saying to him, “I need a realistic reaction to seeing a pregnant woman in the apocalypse. [Clem] is supposed to have PTSD and her last interaction with a pregnant woman resulted in the death of the baby. You got any advice?”
My dad actually did help a little bit with a reaction; he suggested avoidance, and I was like, “Holy shit, that’s true.” And that’s how I wrote Clem. I have written Clem with implied PTSD and mild anxiety before, but I felt that this was a different situation, because this is meant to be a form of establishing her character in OBTD. She’s similar to one of the ways that I played her in season 2, which is someone who only really talked a lot to certain people (like Walter or Sarah) and was silent in certain situations (like at the dinner at the lodge or after Sarita’s bitten death in episode 4 when Kenny goes off on her).
I’m doing my best to be the best writer that I can, especially while writing from the POV of an 11 year old who has experienced violence, kidnapping, emotional manipulation, and has now seen both childbirth and infant death. Part of the reason that some of more recent chapters have taken so long is this reason, and the surrounding circumstances.
Because of how long OBTD is meant to go for (trust me, we are barely even started), I have to establish both Clem’s actual, legitimate fears and her more childish fears and quirks. I’m trying to do this without her being that mature for her age; yes, she is mature for her age in OBTD and canon, but she is not an adult and I absolutely cannot stand when people write her as so.
It’s different when we’re talking about season 4, where she’s literally been raising a child on her own for quite a while, but in season 2? No, she’s still going to have some childish thoughts, fears, and quirks.Her connecting Rebecca and Christa is, in my opinion, something that realistically would happen if the events of TWDG were real and she were an actual person going through this. The establishment of her issues in not connecting a trauma and a similar act are something that I think was somewhat touched upon in season 2, but I wanted to look a more realistic angle.
In summary, I’m looking to get further into her psyche and how a child in her situation would actually react, but in a more consistent way. Stories need consequence, and I think the small changes in the way that characters feel about each other should actually impact their actions. She feels uneasy Rebecca’s pregnancy, and later what she believes is an affair, and she feels guilty from keeping this from Alvin. Hopefully, I can do this justice as time goes on.
Thank you for your ask, and thank you to anyone who made it to the end. 😊
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