#also i have some theories in general

[trash-laurry]

FUCK YOU IS SHE WEARING A T-SHIRT WITH EDDIES MISSING PIC ON IT?!?!?!? I FEEL EXTREMELY NORMAL ABOUT THIS ISTG😀😀

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[creative-robot]

I know The Founders Cut, generally, is the edited scrubbed over version of genloss from Showfall in-universe (as well as a not-8-hour-long-three-stream-binge-night whenever we want to watch it again) but something that struck me as odd and I haven’t seen anyone mention yet, is this warning

It shows up right at the junction where the third act starts, where it appears the Hero is breaking free of Showfall thanks to Hetch. But here’s the thing, while a LOT less than the previous acts the audience still played a significant role in this act, even when really only given two audience interaction choices. Which makes me wonder, how real is this warning, and who is it for? Obviously the audience involved knows what happens past this point, but the audience is also implied to be an integral part of the Social Experiments, which is part of why things start to tweak out when the Founder removes them in the Founder Cut as the Generation Loss generation loses.

My first thought, was that obviously this is another bait and switch, a way to draw the audiences attention, seeing something that’s secret, something that’s not “meant for them”, which is a tactic I could see Showfall using in universe to keep people’s attention and add an air of mystery to their shows.

But

Showfall is doing all their experiments and these shows with a LOT of help from their censors to show it off, displaying a fun silly show that is definitely not uber fucked up and that is 100% just slime don’t worry about it, it’s kid friendly if it’s green! And I don’t think they’d want to bet all their cards on this one experiment doing well enough to their audience to not question the sudden shift in tone that follows this warning. Which makes me wonder.

They did their test, they did their experiment, and the evidence of this last act? I think it was a one time run, they don’t want anyone seeing this, it isn’t for the audience. Act three is specifically to both test and play with their Hero, Hetch’s new lines add a level to this, never once does he call the Hero by their name, just refers to Ranboo as their Role, and he’s not exactly. Nice? About literally any of Ranboos concerns, which wouldn’t really seem conductive to making an audience trust him, especially with his monologue at the end. Ranboo has escaped before, possibly right before act 1 started, they tightened the security on his mask to be unremovably part of them, Hetch doesn’t like the Hero but they’re a fan favorite so he can’t just get rid of them.

Act three is the cumulation of Ranboo being punished for things they don’t remember, for daring to break free from Showfalls control, this is Hetch taking the Hero and essentially majorly fucking and manipulating them to take his frustration out on a fan favorite they can’t otherwise get rid of or give a smaller role like Slimecicle. which is exemplified by the fact that we now know Charlie most likely was never able to actually able to fully snap out of the control, that even in act three in panic and confusion there was at least still a part of him being influenced by Showfall.

So the first two acts are the usual show, they have their posters, they have Squiggles to introduce them, they have goofs and silliness and only a couple slip ups that’re quickly dealt with, the usual rose tinted curtains. Act three?

Do not watch the following material

[zykamiliah]

i love it when fandom infantilizes characters to the point of denying them their own agency.

"if people in cang qiong had treated shen jiu differently-" do you have any evidence that they mistreated him? or is it too hard a pill to swallow that shen jiu was the one who decided to close himself off and be an asshole. that cang qiong treated him just fine, that his martial siblings tolerated him to the point that even when he was suspected of murder nothing was done to him?

who forced shen jiu to abuse luo binghe? to abuse other disciples? those were his decisions, that was him acting in a position of power.

the moral of the story is not "shen jiu was misunderstood :(" the moral is: the person who was abused can also become an abuser. the one who suffers violence can be violent towards others. you, despite what you've gone through, have the capacity for kindness and cruelty. so be wise on how you decide to act, because your pain doesn't justify hurting others, and your actions will have consequences.

you have agency, you have whatever amount of power you have over your own life and the things you do have and impact in the lives of those around you and yourself. so maybe try being at the very least neutral to the world and yourself, if you can't be kind.

but no, shen jiu's mentality was "since I suffered, they deserve to suffer too". and by taking that path he perpetuated the cycle of abuse.

bingge is the same, because he could have stopped at taking revenge on shen jiu, but he decided to involve the whole sect and the rest of the world, no matter who was innocent. he was unnecessarily cruel, but so was his master.

both shen jiu and bingge had the capacity for some form of "niceness" (in the way they treated women), so it wasn't as if they'd never known some form of love. at some point in their lives, they stopped being abused children and became abusive adults.

and that's an expression of human behaviour that we have to accept as possible. the svsss narrative invites us to examine ourselves in this light, to witness our capacity for both love and hate, to realize that even in the most adverse of circumstances, there's always a small sliver of agency over how we feel and how we act. that, despite the things that defines us from birth through childhood, our decisions also define what we'll become in the future.

[oddthingsndaydreams]

Somedays the artblock wins. Somedays inspiration smashes you like a cadillac on a random dashboard recommend. @transformers-synergize your redesigns are so pretty ;^;

[anyoldfandom]

I am actually. I am so emotional over the Salazar parents and I need to share this to tumblr too.

A lot of stories where the MC is adopted I feel. Either dismiss the biological parents and the impact they have on the kid's life, or makes them evil and abusive, framing the loss of the bio parents as a good thing, or at least something we shouldn't think about just look at this new family.

But Genrex doesn't do that. From the start, Rex wanted to find out more about his parents - it's one of his primary character motivations, next to helping people. He loves them, even though he doesn't know them.

And the more he finds out about them, the more he realizes they loved him. Rylander is consumed by guilt but as Rex's first connection to his pre-Event life, the first thing he does is hug him. And when he tells Rex about his parents, the two things Rex knows is that 1) they were scientists, and 2) that when he was in danger, they were desperate enough to use their secret, experimental technology to save him. Technology built from their desire to help the world, to save countless lives and end countless suffering.

And then. When he finds out that they were dead, he doesn't stop caring. It'd be so easy, too, to tie it up there - his parents were good people, he got his answer about them, the end. But they don't. He doesn't. Because the show is saying once again that they are his parents. He still calls them mom and dad, even as the show makes it clear Holiday and Six adopted Rex as their son. Even as the show even parallels Six and One with Rex and Six (and I will talk about that more later if I don't forget, trust me), to really drive home how much they're family. Rex even says he considers the two of them family, and later that he considers Noah, Claire and Annie family.

He has new family, the show tells us, but his old family still matters to him. He's upset that he never has the chance to meet his parents, that everything he hears about them, about his time with them, is secondhand knowledge. It tells us clearly that not only does Rex still love them, but that he still wants to know them. And everything we find out about them reinforces the love that they had for each other.

We see Abuela and the family in Mexico, who connect him to his birth family and tell him that he was so loved back then, and still is now. We see their office in Abysus through Rex's eyes. The picture of him and his dad on his desk. The drawing Rex drew, proudly pinned to the wall.

We see it in the familiarity of the drawing. That that robot, that build, was what Rex created when he was lost and scared and alone - that it was made to keep him safe. That it first appeared in his mind in a place he felt safe.

The show says, tenderly and softly, that the love is still there. That the fact these people died was nothing but a tragedy, that their love is a big part of what made Rex who he is today - that every molecule in his body is filled with their final gift to him. That every time he cures someone, every time he uses a build, every time he makes a machine - we see the love that they had for him.

And the way he quietly absorbs his father's face. The way he freezes and whispers "Mamá?" when he finds out Zag-Rs has their mother's voice. The fact that she even has her voice as a testament to Caesar's love, too - that it was meant to bring comfort and safety. The way Rex yells at Caesar when he finds out they have a family property, a connection to their past, the way he fights to protect it.

And, none of this takes away still from Six and Holiday being Rex's family too. None of this removes the work either set of parents did for him, the love either set has - the show says that it was unfair that the Salazar parents were lost. That Six and Holiday are not replacements, that they still love him as parents but play different roles in his life. They can not, and have no desire to, replace the Salazars. But Rex needs parents, he needs protectors, and so they will do what they can for him - at first out of necessity, to keep this kid they barely know safe, but then out of love. They aren't replacing what was lost, but are doing their best to do what Rex's bio parents would do. And they do mess up in it - they mess up in ways Rex's bio parents might not have. Six is clearly bad with showing affection, affection we saw the Salazars give Rex so easily, and Holiday is overworked and stressed constantly, sometimes breaking under the pressure and snapping at Rex and Six, things we never saw the Salazars do.

It's just. It's about how sometimes things will not be the same. They will be different. That doesn't mean the people you lost aren't still with you.

[alexguard]

I can't get over this scene and image. Like already it HURT ME to watch, especially live, it hurts to watch again after the fact. Even when watching streamers react to it, I still cry.

But... the implications of it that I don't see people talking about much.. is that this is the HEART of the facility. GL!Ranboo dies, at the center of Showfall Media. As the actual creator of Generation Loss, Ranboo themself is the literal heart of the show!! It's their story, their ideas, their SHOW!

And now, GL!Ranboo has died and become one with the heart of Showfall Media, become also a literal heart of the show. Possibly freed from the cycle, but still a major part of it.

Ranboo has said he wouldn't be the main protagonist or really acting in any future generations at this moment, as he more enjoys the writing aspect. And this moment? Well I think that it's showing that in a literal sense. Even if not intentionally.

GL!Ranboo's time as an actor for Showfall ended, the audience set him free through death. But.. physically they are one with the heart of Showfall forever, continuing to fuel the show in a sense. Which in canon is horrifying GL!Ranboo will forever be one with Showfall, maybe even becoming the power source or idea source for future shows. As a reflection to how the real Ranboo is the driving force behind Genloss and already has a bunch of ideas in store for the future generations.

Ranboo has also said they were going to use the box again potentially, to get their money's worth of course. Now that could be for stream bits or videos! But it most likely could be for other generations, showing maybe other characters getting their heads crushed.. the next generation is suppose to be more religious themed. As well the box seemed to be designed like it had been used before GL!Ranboo's head was crushed. But I think it could be used to show GL!Ranboo is still a part of Showfall as the heart of the company, still stuck to a wall. If they went that route of course.

...Oh god they literally got crucified, and got "resurrected" to become one with god/the show runners. Like ths probably wasn't the intentional take away from this scene, but OH GOD THE IMPLICATIONS!! Always think of the implications!!!!

[liquidstar]

it must have been so confusing tutoring subaru from a lugnican perspective, like, how the hell do you invent an entire syllabary all on your own and still be completely fucking illiterate

[vickyvicarious]

Wow. Honestly, dick move to make Margaret be the one to tell her mother about this.

[ser-zoras]

I really do believe that Daenys had that dream for Dany. Time is a flat circle, and the world was going to need her someday, so everything fell into place and let this family could pillage the world just so the last one, their last daughter, perfect, flawed, miraculous fifteen-year-old Daenerys could start to rebuild it. If she looks back she is lost because her entire family in all of their madness and cruelty was looking forward for her. They thought it was for them or their sons or their wives but it wasn’t! It was for her! It was all for her!

[s0ckh3adstudios]

I don't think I ever ended up posting the coloured versions of my human Kinger and Queenie designs? Still weighing on names but here they are!!!!

I'm honestly still kind of unsure/unhappy with Queenie's design? Feel like I could do more, so I'll probably play around a bit more with it. But I THINK I'm satisfied with Kinger!

It should be noted that these are Kinger and Queenie likely in their 20's (if not i'd just give Kinger some grey hairs, like what you may have seen in the art of him with Pawno). As I sort of went over in this post here, especially in relation to the Kinger Dev theory, I imagine he could have been in his 20's when he got into the game. THAT IS if the characters aged since they entered the circus or if the ages we're told they are are the ages they got trapped in the game with. I can't really decide where I fall on that spectrum yet but for now that's probably where I'm going with this interpretation for now?

I have some more ideas I'd like to draw with them as humans but I'll get to that... eventually!

[largemandrill]

About those Omen with Cloaks

(I’ve found only two of this enemy variety in the game, if there’s any more of them please tell me because they intrigue me so much)

These specific type of omen are quite a rare find, I’ve only managed to find them in two areas:

Leading a small group of commoners in front of the minor erdtree near the draconic tree sentinel fight in the outer capital

2: Deeply hidden within Azuria Hero’s Grave seemingly guarding the crucible winged talisman

These locations are notably very close to one another, both being a similar distance from the main entrance the Tarnished has to the Capital. The omen in the Hero’s Grave, admittedly, has less implications so I’ll be mostly skipping over him (sorry bud)

Going back to the omen next to the minor erdtree, he’s not the only one in his group with a unique model compared to his enemy type. He is surrounded by commoners (who are normally adorned in a pale cloth) wearing pitch black clothing.

They also don’t throw fire pots like other commoners (think the ones in Fort Haight) Instead, they seem to just be chucking regular stones or maybe a pot with no noticeable elemental damage (I’ll do further testing if needed)

The next question is simple: Why the distinction between models compared to the rest of their enemy variety? The answer to this comes in a few different forms, leading with a fact about the Omen present at the scene: He uses Fia’s Mist.

This is the only spell the Omen uses, all of his other attacks are melee with his cleaver. This leads me to believe that this group not only worships the Prince of Death, but that they have specific associations with Fia herself.

The first thing I wanted to prove is that he was actually using the sorcery and not just spitting it out like basilisks and wormfaces. Luckily for me, the symbol of the Death Sorceries, Godwyn’s half of the Centipede wound, flashes in front of his hand when casted (wasn’t able to get a pic of him casting it sadly)

With this Fia association, we can also put the mystery of the unique models to rest. While much dirtier and more withered compared to her clean and soft robes, it seems like these “cult” members are mirroring her appearance. Wether any of these enemies have actually met her in person is a mystery to me. However, if I had to guess, Fia comforting an Omen isn’t entirely out of character for her. She’s always had a soft spot for those oppressed by the golden order. It also wouldn’t be out of character for Fia to gain some allies from a being that has grown to hate the GO for their entire life. Thus, these omen have pledged allegiance to her cause in some form, and to show this commitment, they adorn themselves with replication of the attire that comforted them

Also notable is the specific tree in which the omen are located. This has been pointed out before in This VaatiVidya vid (along with some of the other stuff mentioned here) is that this Minor Erdtree could possibly be the one that Godwyn himself was buried under.

These two tree’s don’t align perfectly on the map or in world, but their proximity to each other is deeply notable. Maybe there was an intended alignment that was harder to implement due to the locations of the other underground areas, but I’ll bite at the worm anyway that this is supposed to be the same tree. How else could the rotting that is only seen in this tree be explained anywhere else? The trees in the Mountain tops are broken off at the too, but this one is visibly dying in a way unique to itself.

In conclusion (?)

There is a chance that Fia’s worshipping of Godwyn is not only shared by her and TWLID, but by others spurned by the GO and Erdtree. A few Omen found comfort in her and believed that her cause could maybe assist in bringing them back into society as accepted beings. I cannot decide if this possibility is sweet or deeply unsettling.

[egophiliac]

I love the idea of teenage Malleus hating his new baby brother Silver but slowly falling for him

words cannot express how much I adore that Mal's reaction to seeing a human baby for the first time was "the fuck is this. why does it look like that. gross." (then he immediately got stuck on babysitting duty and the rest is history)

I am SUCH a sucker for that trope of "non-humans being fascinated by normal human behavior", so between that and all the delicious angst going on I was eating VERY well. >:) Malleus being so impressed that two-year-old Silver can walk, because it took him twenty years to stand on two legs! Lilia barging in on the Zigvolts at 2 AM being like "he won't stop crying what do I do"! Lilia trying to feed Silver rats and Malleus being like "...please just stick with what the books say to feed it"! it is all so. chef's kiss.

[lord-squiggletits]

Speaking of Tyrest. A lot of people forget that he treated Pharma with absolute disdain, not only using him as a test subject for a clearly painful mass murder machine, but talking to Pharma like he saw him as nothing but some henchman to order around that was nothing more than a 'diseased cripple' if Tyrest hadn't come to rescue him.

Like it really is an interesting background dynamic with some curious implications, but when you look at fandom posts from around that issue/the years after, for some reason people just saw "Pharma worked with Tyrest" and concluded Pharma is a card carrying bigot ksjfnskxkd. Like yeah Pharma didn't do anything to stop Tyrest but it seems his main beef with the Autobots was with Ratchet in particular and maybe a general disdain for his ex-comrades. As well as continuing to hate Decepticons which like, not even the "good Autobots" are immune to (even in Pharma's introduction, First Aid says in his journal something like "yeah we all hate Decepticons, but Pharma REALLY hates them"). And despite what fandom likes to construe there's really no evidence in IDW1 that Autobots and Decepticons are different "races" or "types" of Cybertronians, so Pharma hating Decepticons really isn't a bigotry/robot racism thing. And instead probably has something to do with, idk, the 4 million year long galaxy-spanning blood feud war, or maybe being blackmailed and tortured into insanity by the Biggest and Most Decepticon-y of Decepticons.

Tyrest treated Pharma like trash, the other Decepticons working for Tyrest (how come no one ever brings that up btw) also hated him, so if anything it seems that Pharma was more of a rogue element only staying with Tyrest bc he was his best option and probably had no way to even escape.

I'm glad that at least in recent years the fandom has acquired a keen reading eye and good taste to finally recognize Pharma as the (accidentally) complex character he is instead of making him some posh, racist Starscream clone SHSJDGSGDH

[ivegennedmylastloss]

so. i was thinking. in generation loss, why was charlie given the moniker “The Villain”?

because ranboo and sneeg’s titles make sense: Ranboo “The Hero” was showfall’s hero, no problems there, and Sneeg “The Taken” was taken prisoner in the first episode, taken captive when he tried to escape the carousel in the episode two, and was taken for granted had his life taken permanently (maybe) in the finale.

however, Slimecicle “The Villain” feels like it only really applies to the first episode, with him playing the antagonist to the hero in the form of the slime demon. in the second and third episode, he didn’t really play a villain, just mega chet and then himself.

unless, of course, charlie slimecicle was labeled the villain because he was the one that got the hero killed in the end.

be it intentionally or not, at the start of the trail of dominoes that leads to ranboo being crucified, sits charlie. in a mockery of his streaming set up, oblivious to his surroundings, unaware of the horrors around him until our dear hero saved him. an act of kindness that gave the employees the time they needed to lock the doors and seal the exits. had ranboo not stopped for charlie, they would’ve made it out and been free, they would’ve lived.

instead, our hero wanted to save their friend and in turn they were strung up and slaughtered for their good deed.

and what kind of good person would lead their friend to getting killed? who would let such a cruel fate befall his own brother? no, that’s something only a villain would do

[lucy-ghoul]

does anyone know of some essays comparing and contrasting camus & sartre's works and philosophy? i've just finished nausea and i'm extremely interested in existentialism and absurdism, so... is there anyone familiar with these authors who can give me some recs? 🤔