#also i have another story in the same world that i've been working on for years that im thinking of rewriting entirely bc i hate how

[bumpscosity]

i just remembered i can do whatever i want forever so now one of my ocs ive had for years is a transgirl

[lockea]

I've been seeing a lot of Discourse around outdoor cats that talks past one of the biggest problems addressing community cats/outdoor working cats so I thought I'd chime in with my two cents.

Many arguments I see just... don't think about the cats at all? Or don't consider the logistics of actually addressing the feral cat problem in a humane way. It's always about how outdoor cats shouldn't be outdoors, which is neither realistic nor helpful.

I used to volunteer at an municipal animal shelter in the USA that had a TNR program (Trap, Neuter, Return) and also adopted out community cats to local farms and businesses. Here's my side of the story.

"Your cat doesn't need to be outside" -- Yes, correct. Your domesticated (non-feral) house cat does not need to go outside at all. They can have a fully actualized life safely indoors. When I see this argument, proponents of indoor only cats are correct in most or all their arguments regarding this.

"Outdoor cats are the largest invasive species in the world, and decimate bird populations." -- This is also correct, and part of the reason why you can help by bringing your house cat indoors. Cats are the largest invasive species. Spay and Neuter your cats, bring them inside, and socialize them so they don't become feral.

"TNR doesn't work." -- False. Whether we like it or not, feral cats exist. We have two methods by which we can address the feral cat population -- decimating them (humanely euthanizing the whole colony) or TNR. For a long time, euthanasia was the preferred way to address the feral cat problem. Afterall, if the cats aren't there, doesn't that save the local wildlife population?

Except that we found, studying these colonies, that when a colony is wiped out, the cats of another colony will spread into their territory and continue to have kittens and the population of feral cats is neither controlled nor diminished.

Hence, TNR. What we found performing TNR on cat colonies was that this controlled the population of the colonies, allowing them to stay in their territory, which kept other colonies from spreading (especially colonies we hadn't performed TNR on yet). We at the shelter felt this was the most humane way to control the feral cat population and safely deflate their existence without dealing with the population blooms that euthanasia caused.

"What about kittens?" -- Kittens from these colonies were brought into the shelter, socialized, and fostered out until they could be adopted. Some of these semi-feral kittens needed special homes to be adopted into, but this was the best quality of life for these cats.

"What about cats that get missed during TNR?" -- We would return to the colony several times over a period of several years to perform TNR on the same colony. We mark cats that have been neutered by clipping their ear (this is done humanely, but is the most reliable way to tell if a cat has been neutered so the poor thing doesn't have to have surgery 3-4 times in their life). Also, during the TNR process the cats would be vaccinated to ensure disease did not spread from the colony (i.e. rabies). Still, even getting 60% of the colony TNR'd would dramatically reduce the number of kittens being added to the colony each year. This controlled the population by allowing the territory to naturally deflate in size over time, buying us time to address the larger feral cat problem.

"What if the colony was in an unsafe location?" -- There were two ways we addressed unsafe colony locations -- remember, we know that when the colony is removed, a new colony will move into its place, so we tried not to move the colony unless we really felt the cats or the public was unsafe -- one was to move the whole colony to a new location. Preferably someplace like a warehouse where we have an agreement with the owners of the warehouse. Some of the cats were even relocated to shelter grounds as our community cats. If the colony was small enough we would bring them into our Feral Cats room and adopt them out as community cats.

"What is a community cat?" -- The way the program worked, was that anyone who needed a working cat could apply to the program. These were often rural farmers or businesses with warehouses that needed rodent protection. We trained the farmers and businesses on how to acclimatize the cats to their new home, and as part of the agreement, they had to care for the cats (veterinary care, vaccinations, food and water). This gave businesses and farms an alternative to expensive and environmentally unfriendly rodent control, and also gave these feral cats good places to live out their natural lives.

"Can't you just adopt out feral cats?" -- No. Cats that have not been socialized around humans as kittens, or who have several generations of feral cat in them could not interact with humans in a way that did not cause them undue stress. This was not a humane way to handle feral cats. However, when a cat was brought into the feral cat room, they would be monitored for up to a week. If the cat displayed signs of being semi-social or fully social (hanging out outside of their den, allowing staff to pet them, showing interest in staff in the room), then we would either move the cat into the adoption room or place them in foster to be socialized before adoption. Feral cats who displayed signs of being able to live full and healthy lives with human companions were NOT adopted out as community cats. We also observed this behavior during TNRs and would do the same for those cats too.

"But aren't cats bad hunters?" -- Compared to other species, cats are not the most effective form of rodent control. This is true. However, you have to understand that feral cats exist. There is no "undo" button we can push to stop them from existing. We have to deal with the problem we have right now, which is to safely and humanely decrease the number of feral cats in our communities. And yes, we do that by using cats as rodent control in the community.

"What can I do?" -- Stop saying community cats shouldn't exist. That's not helpful and doesn't solve the problem we have. Bring your cat indoors. Spay and neuter your cats. Adopt from shelters. Volunteer with a TNR team. Support TNR efforts in your community. Recognize that those of us actively dealing with the community/feral problem are trying to do what is in the best interest of our communities and the animals we love. We aren't sitting over here saying these cats should exist -- a feral cat will not have the same quality of life as one that is indoors with a family -- but we have to address the problem in practical terms. We don't have the moral high ground to just do nothing while pontificating solutions that have no basis in actuality.

And yes, it's okay to celebrate community cats. If your local farm has a couple of working cats, that means that farm is helping participate in the safe deflation of the feral cat population. Don't shame a farm or business for using community cats. We're all doing the best we can to solve the problem that we have.

[esperderek]

I have to have a chuckle at the Screenrant article posted recently about the Galactic Starcruiser, which totally wasn't about Jenny Nicholson's video honest.

In part, because early in Nicholson's video, she talks about how unnatural it is to have your influencers speak in adcopy and copyright rather than the more colloquial nicknames, and how it makes the people speaking about the product seem very insincere and, well, paid off. Because normal humans don't speak that way, but advertising does.

What's the first two lines in this article?

"As a life-long fan of Star Wars, there was nothing quite as exciting as finding out that I would be working on the immersive Star Wars: Galactic Starcruiser experience. Located at the Walt Disney World Resort, the Galactic Starcruiser opened on March 1, 2022, and welcomed passengers to board a two-day, two-night cruise through the stars, during which they could live out their own Star Wars adventure."

No one talks like this naturally. No one writes like this naturally.

This is supposed to be your passioned defense of the place you worked at, the people you worked with, and the memories you made along the way. C'mon! Why don't you open with a story, perhaps an anecdote about the best moment you had working there, or the devastation of the day you lost your dream job. We need to feel your humanity! But there's nothing of that here, to the point where you can just hear the TM behind Galactic Starcruiser.

The first half of this article continues in this vein, reading like a press release Disney marketing put out, just with past tense rather than present or future tense:

"Essentially, the Starcruiser experience was a 48-hour movie that passengers were actually a part of. It was all facilitated through the "datapad," which was accessed through the Play Disney Parks app."

"To facilitate the overarching immersive experience and storytelling, the Starcruiser built a jam-packed itinerary for each and every guest that would consist of a variety of important activities: the captain's toast at muster, a bridge training exercise, lightsaber training, and more. These types of events were essential to understanding what was happening, as they would give passengers the chance to interact with characters and build their story. This is why the Starcruiser could never be just a hotel; every part of it was designed for enthusiastic interaction."

Like, c'mon. I used to work in television. I've seen and used adcopy in my former job, and this is some serious adcopy. It honestly wouldn't shock me if the author dredged up some old adcopy they had lying around about the topic and just transferred it over, changing the tense. You're not here to sell us this product, because there is no product to sell. It's gone, it's been gone for a year, you don't have to sell us on IT. Speak about your experiences.

The next part is yet another topic that Jenny Nicholson pointed out, the bad faith excuses that influencers and advertisers made for the extreme price point:

"What many people don't know, however, is that the price included much more than just a room. The passengers' food, park tickets, recreation activities on board, non-alcoholic drinks, and more were all included - with merchandise being one of the few additional costs on board."

Which is absolute bad faith reasoning, especially when there are plenty of other vacation options that are ALSO all-inclusive, but are MUCH cheaper and offer MORE amenities than the Galactic Starcruiser did! Including Disney Cruises, owned by the same company! Seriously, you can go on a halfway decent sounding cruise or all-inclusive resort somewhere warm for, like, a week or two and spend far less than GSC cost.

Then the last part is essentially: "All the workers liked working there and the bad reviews afterwards make the workers who worked on it feel sad. :("

Which, like, companies have been hiding behind that reasoning for ages. Curiously, the author never offers....any reasons or stories. WHY did working on it impact you so much? What set it apart, what were the people like, what did you like about working there, why are you so passionate about it even a year later? There's nothing, just a generic sort of "We worked hard." and "We're sad it's gone." Why? How? What happened? The video you're obviously writing this in response to is filled with personal anecdotes and stories, it's the backbone of the video! Again, you need to give us something to show your humanity!

Especially when you consider that Nicholson repeatedly points out that the only highlight about her experience, the only thing that kept the damn thing going was the workers.

She had nothing but praise for them, and nothing but contempt for the higher ups who wasted and abused that enthusiasm, to the point where one of her last points was "Hey, Disney is basically exploiting labor."

Much like Jenny, I'm also not condemning anyone who had a good time working there. Good! If you were having a good time at work, that's great. If you have good memories about the people, awesome. But I'll note two things:

a) That doesn't meant you weren't being exploited, and

b) That doesn't mean you have to be a useful idiot for the corporation you worked for afterwards.

I'm not conspiracy brained enough to go "Oh, Disney TOTALLY forced this article into being.", because a cursory examination of the author's prior works and such suggests a lifelong passion for Star Wars, she did work at the hotel, and she's a Star Wars Editor (whatever THAT means in this day and age) for Screen Rant. Apparently one of the heads of Screen Rant says that Disney had no hand in it either.

Though, I can see why people would think that way. It READS like a press release, not something a normal human being would write about an experience they feel passionate about.

[eldritchamy]

I think I've figured out a good way to articulate one of the reasons Human Domestication Guide is hitting for me in a way really not much else has done for a long time.

HDG is an inverse fandom.

Whereas a lot of fanfiction (maybe just for the sake of the pun we can expand outwards, wink, and call them "transformative works") takes at the core of its nature a specific character or group of characters, and then transplants (sorry, I had to) those characters into Alternate Universes in order to keep telling altered, revised, and original stories with those CHARACTERS, while changing everything else, HDG does the opposite.

It takes the SETTING as the core defining feature, and creates original CHARACTERS in order to tell original stories.

And that's really cool for reasons that, of course, ended up becoming another gigantic one of Amy's Patented Infodump Posts.

Most fanfiction gets to appeal to its audience because of the associations and attachments readers have for the CHARACTERS, and then create a new story from there without having to spend time setting up WHO THE STORY IS ABOUT for you. I don't say this as a bad thing, that's just the attraction. The readers bring their attachment to the characters WITH them before they start reading.

HDG gets to assume you understand the SETTING as a basic premise, and then tell new stories with original characters without having to hold your hand through as much of the set up work, because you already know the SETTING going in.

So instead of discovering how the characters you know relate to a world you don't (and to each other within that context), you get stories where you get to discover who the characters ARE, in the context of a world you already understand.

It's not "what does a different setting do to these characters." It's "how do different people navigate this setting."

You get to meet and learn and identify with the CHARACTERS because you see how they as unique people react to a set premise.

So much of what I've read so far has done exceptional work establishing who the characters are, even making MINOR characters within the story feel like fleshed out people.

You'd think in a setting that takes at face value the premise of humanity being subjugated and doted on by a species that uses mind control drugs to turn them into docile, obedient pets, the stories would struggle a bit with sameness as the individuality of the characters failed to shine through or were inevitably suppressed over the course of the plot.

In practice, it seems like almost the OPPOSITE is true.

The Affini always win. But every character chooses to lose to them in a different way that speaks to who they are as people.

Getting to explore these unique stories through the eyes of unique characters seems like it's making it EASIER to latch on to what makes THESE characters the focus of the stories being told.

And so far the stories being told are fucking great, and have such a huge range to them.

The original story for the setting is a VERY non consensual medfet/drug play subjugation story where Elvira (captain of a ship for the Free Terran feralist rebellion) is ABSOLUTELY brought into domestication by force (at first), and we get to see the PROCESS of her being broken down and becoming something new over the course of (what we later learn has been ONLY) about three weeks. She's not the same person she was at the start of the story. At all. She's been utterly replaced by a new identity and personality that the old version of her would never have accepted. (Also it's kinda hot that it's actually good for her, and that she very much DOES end up happier for it. She's still Elvira. But she's safe, and she's loved.)

That's a pretty specific vibe for a story.

But the next story I read in the setting takes place over the course of several hours in-universe, and basically follows a dysfunctional, clearly neurodivergent woman stagnating in the limbo of having been failed by capitalism (or in her mind, failing at it) and having mixed feelings about the staggeringly powerful alien civilization that is currently part way through conquering her planet and its people.

The story starts off when she's so hungry after scraping through what scant, nutritionless garbage she was able to find in the capitalist dystopia that it finally overrides her fear, and she goes to the border of Affini-controlled territory in her city. She figures, they're going to do whatever they're going to do to the rest of the city within a few days anyway, so there's no sense pretending whatever outcome she's walking into wasn't inevitable, and even if it's not as good as the Affini promise, at least it's not what she's been stuck in. Fear of sameness finally becomes more traumatic than fear of change.

She proceeds to go on an adorable lesbian grocery date with a 10 foot tall plant that gently flirts with her while remaining very firm that all of this human's needs CAN and SHOULD and WILL be taken care of FOR her from now on, and it's OKAY that she has trouble focusing because it's OKAY that some people need more help than others.

She spends several chapters experiencing repeated Lesbian Bluescreens because of this sweet, doting alien who insists it's no trouble at all and she's happy to help. Then said alien takes her back to her apartment on the human side to make sure she feels safe getting there through the anti-Affini protests, and then in a matter of minutes she has cleaned this girl's entire disaster of an apartment and promised to cook her a nice Terran pizza.

Then the girl has a lesbian panic attack while coming to terms with how much misery she didn't have to be living with, and whether this future isn't exactly what she always hoped for and more, so the alien offers to give her some alien drugs to calm her down, and her now fuzzy brain accidentally crumbles under the weight of all the secret petplay fantasies that have been turning her face red all morning and she accidentally calls the alien "Mistress", and then she goes home to THEIR place back in Affini territory with her new owner and gets absolutely spoiled until she falls asleep feeling safe and loved for the first time in her life.

COMPLETE tonal shift from the original story, but the LOGIC of the story is fully consistent with the setting. It's just a different character responding to that setting in a different way.

The range of what's possible is ENORMOUS.

I went from there to "two humans captured at different times struggle to find their way back to each other and end up with neural implants plugged into each other's brains by their shared Mistress, and the feedback loop helps them domesticate EACH OTHER" and then from there to a mostly historical context story about an Affini who lived for almost 300,000 years and how she feels about the Compact's role in everything they've done to the universe.

And then I got to read "I have to pretend to be a good little floret maid at an Affini Compact hotel because that's my Genius Spy Cover WHOOPS it turns out being a maid means getting teased and played with a lot WHOOPS, OHHhhh NOOOoo~ I'VE BEEN TURNED INTO A FREE USE HYPNO DOLL because EVERYONE KNEW I WAS A SPY THE WHOLE TIME, I'm going to resolve my mixed feelings by erotically betraying my co-conspirator so we can be floret girlfriends together," which was cute, funny, and INCREDIBLY hot.

Seriously, chapter 10 of that story. Holy FUCK. I think my brain has turned fully inside out. I had a DREAM kinda like it afterwards that I wish I could remember more of.

I guess my point is HDG is less like a fandom and more like DND.

It's a shared universe of collaborative storytelling, even if any individual work within it was made by one person.

You get to play within a core set of rules for how the setting works, but the stories that can come out of playing by those rules are so incredible and diverse and interesting, and I'm really enjoying getting to explore all of that within the context of a basic premise that has absolutely grabbed most of my kinks by the throat, stared menacingly into my eyes, and smirked knowingly.

Also it's INCREDIBLY queer and very obviously made specifically for gay autistic trans women who take progesterone, so I guess just like the rest of the little Terrans, I never stood a chance.

[singukieee]

—my all time favourite bts fics (pt. 1) ᯓᡣ𐭩

consists of my personal favourite bts fics that I've read countless of times. including those from other platforms, such as Wattpad, AO3, and Patreon.

For some works that are cross-posted between tumblr and wp/ao3, I'd only link them to the latters bcs I find it easier to read and navigate the stories on those. but I also tagged all the authors I know are here and linked the rest so you can check their blogs out yourself!

I'll also separate this list into several parts simply because there's too many... So it'd be easier for you guys to navigate!

red means unfinished

blue means finished

🗯️ editor's note

(sorted by alphabetical order)

A Place Called Home by @agustdakasuga

Having saved your own injured hybrid, you were determined to try and help any other hybrid that crossed your path who needed saving. But being a vet in a small hospital wasn’t enough for you. You wanted to do more, you wanted to make a difference. You wanted to give them a home.

Accidental Friends by Erakun06

Meet Bangtan, international superstars, the pride of South Korea, the love and hope in the dark of many lives, the role model and celebrity crush of so many people, and a group of people you often stumble across in your day to day life. You become acquaintances, slowly become friends, and- that's it. You are in a platonic friendship with Bangtan. Let me say it again. clears throat PLATONIC. Or One day, you meet a member of Bangtan, the next day, another, and another, and another, and one day, they become a group of people you often stumble across in your life. They become your acquaintances. Then your friends. Then your source of comfort, just like they are the source of comfort of millions of people in the world. What you didn't expect is that you become the same to them. It's inevitable. You are friends.

🗯️ a theme that I don't find much of, and this one was excecuted quite neatly I'd say

Ace For Hire by tokki-maknae

Who is Ace? Besides being the deadliest hitman on the market in the underground, whose really under the hood? The answers simple, well for you at least, because you are Ace. When you're not busy blurring yourself into the background noises of school, you were making a killing in the underground, both literally and figuratively. For years now Ace has become an infamous name among the other gangs and holds the reputation of being lethal and untouchable. But that all changes after a slip up that causes you to attract the unwanted attention of one persistent seven member gang. A gang that's been dying to know, who is Ace?

🗯️ badassss

At Your Service by @untaemedqueen

In which Yn is looking for an escort to accompany her to her nightmare ex and ex best friend's wedding, only to ended up falling in love with him.

Baby (you complete us) by @purpleyoonn

Soulmates were a common occurrence, so common, in fact, that the world sought an easier way to find your other half: A bracelet that would scan your mark and match you with those who shared your mark. Within recent years, soul groups were becoming normal, and your own bracelet said you have seven matches. Or where you wear your bracelet for ten years, and finally give up the hope you would find your soul group, only for BTS to put theirs on and see what they were missing.

Back Home by AlexLorchan / @alexlwrites

Secretly, he was selfishly hoping that you didn’t age well. Dealing with a small crush was easy enough when he was young and knew next to nothing about girls, when you were just a cute albeit slightly weird girl he had a soft spot for. But he wouldn’t know what to do with himself if his feelings came back with a vengeance while you were living together. God, he would probably lock himself with Jungkook until you went away. OR The one where, after living abroad for years, you move back to Korea and your old high school friend Namjoon offers you his place to stay while you get settled, casually forgetting to mention that: a) he still had a massive crush on you. b) he lived with six other guys.

🗯️ crack fic! my fave category and this one makes me giggle in both funny way and butterfly-in-my-stomach kinda way

Beauty of Love by @imnotlauriane

When you cross eyes with your soulmate, you get flashes of memories that have yet to happen. You can't see the same memory as the other and it can be either good or bad. It's not always terrible, but a thing is for sure. No matter what you do, it will happen. But are things always what they seem to be?

Between The Bloodshed series by @agustdakasuga

🗯️ this series... I just love. plot is super neat, relationship doesn't feel forced, etc etc

❶ Between The Bloodshed

Being a freelance doctor, this was just supposed to be any other job, helping a private client and taking care of him through his recovery. But you were not expecting to get caught in something so much darker that you would have to leave your life behind and build a new one.

❷ Everything Between Us

They left you hanging, they broke your heart. You didn’t get your happily ever after. But now they’re back and they’re searching for you to make things right. Could you look past the betrayal to take them back into your life and back into your heart?

Beyond The Stage by Alysheart

Alexis was going through the days simply. She was a college student in Florida, working towards her degree. When she scored tickets to the BTS concert in Korea, she didn't hesitate. She never expected to be soulmates with the seven idols.

Bound by Blood by PurpleQueenie

In a world where vampires and humans have to co-exist, where the line between tolerance and animosity blurs, how can you ever expect to get your happily ever after when your soulmates hate your very existence?

🗯️ love all the details, the slow burn, gosh just so good

Boyfriend For Hire by @remedyx

Unsatisfied with your life was an understatement. Being under the thumb of your father can have that effect. He wanted someone capable of running the company, but you wanted to pursue your passion. Countless unwanted blind dates and the threat of losing your freedom drives you to seek help from a group of individuals you'd least expected.

Breakthrough by Alphathyx

"My dreams haunt me like past memories that never existed" The Memory Dive, an invention that allows the user to dive into anyone's memories just from the collection of their DNA. Made by Professor Kim Seokjin, he created this device for the worlds secret service to solve mysteries that the ordinary field agents are unable to. With seven agents, ranging from ex military, to a university professor, college student and even a criminal, only these seven are able to use this machine to extract memories of others. They are also the only people that know how to escape it. Discover through their eyes of uncovering the darkest truths of the world, through the minds of victims.

🗯️ this one's super neat plot with complicated and technical world, just so good

Bright Colors and Loud Soulmates by Mostmouse

You resented soulmates, the whole damn concept. It just wasn't your thing, and you couldn't help but feel jealous of those who were born without soulmates, who could see the world as it was intended to be from birth. When you run into your soulmate, you're determined to stay in your own sphere of the world. Focusing on you. But, because nothing is simple in your life, it turns out he's one of seven - better yet, your seven soulmates are the globally famous band BTS. Because why wouldn't they be? OR you learn how to let your soulmates past your carefully crafted walls, and they’re more than happy to show you what a loving and supportive relationship should look like.

🗯️ a funny and cute one! (with extra h0rny characters lol)

BTS Office CEO AU by @jiminiesfavouritecolourisblue

You work for seven CEOs who have called you into their office due to a complaint

Can't Wait To See You Again by AlexLorchan / @alexlwrites

The one where Jungkook develops a huge crush on a Youtuber he found after falling into the rabbit hole of his recommended videos. Unbeknownst to him, you were also recommended to his hyungs. Unbeknownst to you, all across the world seven idols were slowly falling in love with you.

🗯️ I just love the concept of the boys being fanboys :3

Choco Bun by @nunchiimagines

When you moved to Korea after finishing college to continue pursuing latte art and baking, the last thing you were expecting was to open up your very own coffee shop under BTS Corp, Korea’s biggest entertainment service company for idols, models, singers, and more. Thanks to your hard work, creativity, and approachable personality you managed to become friendly with some pretty big named individuals as well as up and coming talent. As exciting and fun as it was for you, you slowly began to realize how much your 7 bosses weren’t particularly fond of this, acts of jealousy, pettiness, and aggression poking through in the most unsuspecting of ways. But what could 7 big named dragons want with a little foreign bunny?

Combined Beings by @numinousher

You are bullied on a constant because korea’s beauty standards do not fit girls on the heavier side. the bullying gets worse once a ceo is attracted to you and he mentioned you to the other 6.

🗯️ minus the bullying elements, this story is like a comforting sweet cloud

Comfort by http-lostforever

Hybrids have been introduced into society for a handful of years now, the fighting for their rights is still happening but doesn't look promising. But when one girl finds a hybrid in danger she jumps at the chance to help, yet what she didn't know was how upside down her life was about to become. But a word of advice, not everything is as it seems.

Could We Be Together Someday? series by BTS_Mommy / @babyboy-bangtan

🗯️ mann Idk what to write lol. this is another one that I've re-read thousand times, bcs some of the boys started as fanboys then became clingy friends. also yn's so supportive I just lovee.

❶ By Chance

A misunderstanding gone viral puts you on BTS's radar, which leads to a series of events that finally culminate with you meeting them for the first time.

❷ The Moments in Between

As you become close friends with BTS, you begin to realize that the feelings you have for them are slowly turning into something you're not ready to deal with. Unbeknownst to you, the same is happening to them.

Crave by sweetinsanityy

The boys don't do well with being controlled, but for their group, they'll bite their tongue and put on a smile for management. Yet when you, a new little rookie, stumble upon them, they're like a pack of hungry wolves. Or, the boys are all Doms and they want you to be their perfect little sub.

Cursed Fate by PurpleQueenie

The universe has designed soulmates- someone that completes you. But what happens when you don't have one but seven? And all you want to do is run in the opposite direction when you see them...

🗯️ queenie's stories are just so good, you should check them all out! this one also has such great details and writing.

Deep Down by sleepingbearandbunny

Jae, unlike everyone else, has nothing against the hybrid species. She likes being alone, where she is safe from ridicule and her controlling father. When a group of hybrids save her from some trouble, fate brings them together once more.

🗯️ a harsh and complecated world this one, so they went through a lot together and I love that!

PART 2 | PART 3 | PART 4 | NAVI

[ambrosiagourmet]

Hey, Kabru and Mithrun spend some interesting time together, don't they?

With Mithrun having just officially premiered in the anime, and a lot of discussions swirling around about him, I've been thinking a lot about that section of the story quite a bit. These chapters - Roasted Walking Mushroom and 6 Days - are some of my favorites. For a lot of reasons, really. Not only are they are a huge turning point for the story as a whole, but they have some excellent character work, and represent an important shift in Kabru and Mithrun's individual arcs and relationship to each other.

The chapters are also kind of a fully contained story arc just on their own, which is an impressive bit of writing, and makes them super fun to analyze. So that's exactly what I'm going to do!

This will be structured as a close reading of chapters 61 & 62, with some asides for additional important context. I'm going to talk a little bit about a reading that I disagree with, but for the most part I just want to focus on how Kabru and Mithrun's relationship progresses during these two chapters. In particular, the ways they both grow from the time they spend together.

Also I just want to quickly note that this isn't written as Ship Content. It's meant to be an analysis of their relationship as presented in the text - layer whatever additional meanings and filters on top of that as you'd like, but please respect that my intent is not to talk about or champion a ship, or frame any of this content as romantic.

So, with that all being said:

How do Kabru and Mithrun help each other?

First of all, I think there are two important pieces of context that inform the Kabru & Mithrun Dungeon Adventure chapters. Both are related to Kabru's state of mind, and both are set up before or during the chapters in question.

The first is the context of what happened just before Kabru and Mithrun fell into the dungeon. Specifically, the events that led Kabru to make them fall.

Kabru, essentially, gives up his life at the end of chapter 55. When he stops Mithrun, and when they both plummet with the collapse of the first floor, he is okay with dying. Mithrun warns him that they will both die if Kabru doesn't let him go, and Kabru accepts this as a worthwhile exchange.

Why?

Well, because he doesn't want the elves to take over the dungeon. Throughout the last 3 chapters, the Canaries have been effective, but they have also been cruel in their efficiency, and they have made it clear that they don't care about collateral damage. They lured people into the dungeon specifically to provoke a violent reaction from it, without regard for who might get hurt by the violence.

What's more, they are keeping important information from Kabru, and he knows it.

He's not just looking for a solution, he's looking for the truth - a truth that he believes that he will only find through conquering the dungeon. With good reason, to be fair! The elves make it very clear that they aren't there to treat the other races on the Island as equals.

So Kabru uses the only tool he has available to him - his own life. It won't get him the truth, but it at least gives a chance for another person from a short-life species (namely, Laios) to earn it in his place.

This dovetails nicely with the more thematic context that's introduced in at the start of chapter 61: the room where he could eat all the cake he wanted.

This place, a place that Kabru never wants to go back to, is a place where he is safe, and a place where he is ignorant. A place where he is sheltered from danger, but also from the truth. The same place the Island would become, if the Canaries had their way. He doesn't just want to be safe, and he doesn't even just want the world to be safe, though he does want to be able to protect people from what happened in Utaya.

But he doesn't just want to entrust that safety to the paternalism of the elves (especially since he is all too aware of the ways they can fail, or the people they are willing to sacrifice in the name of that "safety"). He wants to be given the agency to seek safety and peace for himself.

He wants to understand. And he wants the chance to act.

This is the context we have, going into the arc of 61 & 62. But before I talk about how the chapters build on this context, I want to take a step back and look at what else the chapters establish early on, before delving into their exploration of Kabru's agency.

First of all, I kind of want to challenge the framing of Kabru and Mithrun's relationship as solely that of a caretaker and his charge.

Obviously, Kabru is forced into a caretaker position - at the threat of his friend's safety, no less. (Okay, it's actually Toshiro and Namari that are being held, but still. There are hostages involved in this) But I do think it's important that Mithrun isn't the one who puts Kabru in this position - Cithis is.

Before this conversation, Kabru and Mithrun are already exploring the dungeon together. Mithrun doesn't threaten Kabru, or force his hand. He kind of just assumes that Kabru will join him. It's rude, and not particularly respectful, but given the dangers of navigating a dungeon alone, I don't think that's really an unreasonable assumption. And it certainly isn't the same as Cithis' approach.

If they were left alone with no intervention, they probably would have ended up in a similar position to the one that Cithis leveraged them into. Kabru is smart, and he could have figured out the things that Mithrun needed help with. And, to be clear, those are things that Mithrun needs help with not because he is selfish or thinks they are owed to him, but because he is disabled. It's not unreasonable for him to need that help, and it's not unreasonable for Kabru to provide it, under the circumstances.

Besides, they both need each other down there. Kabru wouldn't have survived without Mithrun - he doesn't know enough about monsters, and isn't familiar with the deeper dungeon's layout. And Mithrun wouldn't survive without Kabru - he isn't able to notice his basic needs and would burn himself out without food or rest, making him an easy target for the monsters he could otherwise take care of on his own.

Aside from both needing each other, another interesting layer to their relationship, which is established right away, is that Kabru doesn't have to - and literally cannot - put on a mask of social niceties around Mithrun. He can't suck up. It doesn't work.

So Kabru, who spends so much of his time concerned with how others perceive him, and who compromises his own comfort in order to become the most appealing version of himself at any given time, has that tool taken away. He has to help Mithrun, but notably, he can only help Mithrun to a certain point. He cannot compromise his open and honest feelings to help maintain someone else's view of the world - or at very least, it doesn't benefit him at all to do so.

Instead, they sit together, in the same position, share the same shitty mushroom dinner, because they both have to:

And that's notable, too. They both have to. Cithis' demand is most specific about the need to eat. Three meals a day! But this is something they both need, not just Mithrun.

Still, their relationship at this point still isn't exactly supportive, or even respectful. Kabru may have realized that he didn't need to keep up an act around Mithrun, but ya know, he still turns around an immediately try to, with that shitty mushroom dinner.

(The 'badly drawn shapeshift Kabru' gag here isn't just funny, imo, it's also a reminder of the thing he JUST LEARNED. Mithrun is immune to the Kabru smile anime sparkles filter.)

Mithrun also doesn't tell Kabru any helpful information at this point, and doesn't really put much effort into helping him at all. He slaps him awake out of a Nightmare, and treats him with the same disregard he did at the start of the chapter, focused entirely on moving ahead.

But then Mithrun collapses, and the current structure of their relationship collapses with him.

I think it's interesting here that the shift in their dynamic also includes Mithrun explicitly noticing Kabru's desires. Obviously it's not actually like some kind of I truly see you and recognize your humanity moment shared between them, but I do still like the way that it pulls Kabru's internal wants to the surface. Kabru not voicing his desires doesn't mean they don't exist, and Mithrun recognizes that the same way the dungeon does.

And then Mithrun does, in fact, grant one of Kabru's deepest desires. He tells Kabru the truth.

Just like how they are working together in the first place, this truth is as much a necessary concession to survival as anything. But that doesn't mean it's not impactful for Kabru. This is the thing that every other elf in his life has kept from him. A secret foundational to his core belief that long-life and short-life species can never come to mutual understanding.

And Mithrun isn't just giving him the bare minimum information here. What he shares isn't just a truth, it's his truth. It's a level of complete and total vulnerability that few people share with each other. And again - some of this may just be coincidence and necessity. I imagine Mithrun is so open, at least in part, because he doesn't have the same barriers that other people do when it comes to sharing these things.

But, then again... we see Mithrun at his most vulnerable and empathetic when he is talking to dungeon lords & potential dungeon lords, and trying to convey to them the truth of the trap they are walking into.

This face:

Is very similar to this face:

These are some of the few instances that we see Mithrun emote in this way, and his story does come just after he notices the dungeon responding to Kabru's desires.

But, no matter if Mithrun's openness is in response to Kabru being tangled in the dungeon's hunger, or just part of his nature (or, maybe, a little of both), his story changes things for Kabru. It gives him the chance to make actual choices, now that he understands the truth. It gives him a chance at agency in the story.

And he immediately turns around and uses some of that agency in an interesting way:

When asked about why he can't sleep, Mithrun says he needs to be magically compelled. Being magicked to sleep is simple, and it is efficient, but he doesn't even just say it's the best option. He seems to believe it is the only option.

So much in Mithrun's recovery has been framed through how it will let him fight the demon. Recover so that you can return to the dungeon. Sleep so that you can return to the dungeon. Eat so that you can return to the dungeon.

But rest, much like eating, isn't just about achieving the bare minimum required for efficiency. And as Senshi would probably say, the easiest path isn't always the best.

I don't think that the Canaries are intentionally running Mithrun ragged or anything, but as I mentioned earlier, they are very focused on efficiency, with little thought spared to what is lost or hurt in the process.

And there is something different about Mithrun's time with Kabru in the dungeon. Lycion even notes it, when they finally connect back up.

I don't think it's a huge leap to say that how Mithrun falls asleep here is emblematic of that difference. When Kabru helps Mithrun to sleep by massaging his feet, rather then using magic, he is explicitly taking a step beyond the minimum. He is providing comfort to a body that has been given only necessities for a long, long time.

These two events - Mithrun sharing the truth of the dungeon with Kabru, and Kabru choosing to help Mithrun to sleep through a foot massage - shift their relationship. There's a clear difference in how we see them treat each other, and especially in how Mithrun treats Kabru.

Before, Kabru provides food that he has gathered himself (okay, it was a mushroom he put his foot through on floor one, but the point still stands that Mithrun offered no help at all with getting food).

Afterwards, they gather food together.

Before, Mithrun teleports Kabru towards a monster, using him as a weapon when he can't find anything else.

Afterwards, he helps Kabru escape monsters, and fights them directly.

Before, he slaps Kabru awake after 5 hours of uncomfortable, Nightmare-filled sleep. A rest which, notably, Kabru didn't even intend to take for himself.

Afterwards, we see Mithrun keeping watch while Kabru sleeps in a bedroll.

I don't necessarily think that all of these things are choices that Mithrun consciously makes. Like, after 6 days, Kabru would have to get some actual sleep eventually, and Mithrun would pretty obviously have to keep watching during that time.

Nonetheless, there's still a difference in how these scenes are framed, and the fact that it is these things that are used to portray their journey together. Kabru is not the sole person providing food and sleep and safety - they provide these things for each other. Kabru eats alongside Mithrun, hunts alongside Mithrun, and he sleeps in the same way we see Mithrun sleep, laying down and resting deeply enough to be groggy when woken up.

What's more, during their time together, there are even a couple of instances of Kabru being more willing to care for himself and accept care. The sleeping is one example - note how he is surprised at having slept "that long" when told he was asleep for less than even the minimum recommended amount of nightly sleep - but I think the pattern of his eating is even clearer. In making sure that Mithrun eats regularly, he is forced to eat regularly too.

And I especially like the progression with the Barometz meal. After Mithrun has fallen asleep, Kabru thinks about wanting to "give [Mithrun] something nice to eat," but also notes that Mithrun's lack of desire "means there isn't even anything he wants to eat." So what does Kabru do?

He makes Mithrun something that he wants to eat.

I've already talked a bit about the ways that Dungeon Meshi depicts people finding support through "borrowing" the desires of the people who care for them, and I think this scene is a great example of that idea. Especially in the way that it pulls an expression of desire from Kabru, who is so prone to ignore his own hunger and needs. The meal may not end up anywhere close to the flavor intended, but it's still a far cry from the roasted walking mushroom.

All of these pieces come together at the end of chapter 62, resulting in a pivotal choice that could only happen because of the ways Kabru and Mithrun have, at least a little bit, grown closer to each other.

As they are preparing to leave, Kabru hears a bell ringing in the dungeon, just as he hears Toshiro's matching bell on the other side of the portal. Realizing Laios is nearby, Kabru hesitates. He knows the truth about the demon, and how he has a chance to act on it.

Cithis, the person who extorted Kabru into taking care of Mithrun in the first place, pushes for Mithrun to follow along with the plan.

(okay a quick aside here I just want to say I do love Cithis and I'm not trying to bash on her here. I just think it's interesting that she is the one to establish the terms of Mithrun & Kabru's cooperation, as well as the one who tells Mithrun to leave the dungeon at the end of the chapter)

But Mithrun doesn't go along with her command. Instead, he does something unexpected:

He asks what Kabru wants to do.

In contrast to Milsiril's smothering comfort,

and in contrast to his Mithrun's own assumption that Kabru will follow him, when they first wake up in the dungeon,

Mithrun follows Kabru's lead.

This, right here, is the change between them. Not only that, but it's a shift in the entire balance of agency in the dungeon. For what might be the first time in a very long time, Kabru - a tall-man - knows the truth, and is acting on it. He makes a huge decision purely on his own judgement. He is not trying to appease or coerce anyone, and he doesn't win Mithrun over by hiding his true intentions.

Rather, it's the honesty between them that builds to this moment. Mithrun's honesty earns Kabru's trust, and Kabru's honesty earns Mithrun's respect. They bond not because they are forced to spend time together, but because they choose to spend that time giving each other more than the bare minimum - even when they are both people used to accepting the bare minimum.

It echoes Laios' argument with Toshiro, in a way. They eat three square meals a day (Cithis mandated admittedly), they get plenty of sleep, and in doing these things, they take each other seriously. They treat each other as more than just a means to an end.

I don't necessarily think it's a flawless, unbreakable bond that's built during this time - hell, they both kind of revert back to their old behavior, once reunited with the rest of the Canaries. People don't completely change their habits overnight, after all.

But it is a shift. It's a shift that gives Kabru the chance to steer the story towards the ending he has fought for all his life, and it's a shift that helps Mithrun find a way to move forward after he loses his own reason for living. They reach their goals, and then they step past them - facing life beyond the moments they thought defined their reasons for living. Facing life beyond the bare minimum.

And that is how they help each other.

[triflesandparsnips]

So I understand that there are Good Omens show fans who have never read Good Omens the book, and that makes me deeply sad because--

Like, there's so much depth to the story being told about humans and humanity and the choice between good and evil -- and how that's actually a false dichotomy whoooops -- WHILE ALSO not really being about Aziraphale and Crowley at all (who are, imo, basically there as embodiments of "Impressive Failures" for the purposes of Theme and also Plot).

BUT IF you want to know why I've shipped them since the book-- here's the moment it happened for wee teenage me:

Wednesday (before the end of the world)

So it's Warlock's birthday party. And there are all these children and security guards and also an angel doing magic tricks while a demon is disguised as a caterer. This bit is basically the same as the show, so hooray.

But as wee me understood the characters up to this point, they were still basically enemies who had been in the field together for way too long and knew each other's moves well enough for the same tempting/thwarting of one another to become kind of boring and repetitive and generally pointless-- particularly once they realized that they could, for instance, just live their (separate!) lives watching humans being weird (Crowley) and seeking various sensory stuff (Aziraphale) while doing the least work necessary to keep their respective bosses off their backs.

The Arrangement was borne not out of hiding a friendship or anything, but instead the realization that sometimes covering for one another would just... cut down on their total overall workload. They were, at best, employees of two different, competitive companies-- though in same kind of department, doing the same kind of work-- who discovered they liked to have lunch at the same deli and that their jobs were sometimes distressingly more similar than either was comfortable with.

SO ANYWAY. BACK TO THAT WEDNESDAY. They're not covering for one another with this whole Antichrist thing-- they're now actively collaborating, and they've acknowledged (mostly) that it's not to cut down on their individual workloads, but rather to preserve their identical-- but not shared (not yet)-- goals of Getting To Continue The Lives On Earth They've Grown To Enjoy.

But like-- still not friends. Not really.

Until Aziraphale fucks up a bit, Warlock accidentally gets hold of a security guard's weapon and starts waving it around, and:

Then someone threw some jelly at Warlock. The boy squeaked, and pulled the trigger of the gun. It was a Magnum .32, CIA issue, gray, mean, heavy, capable of blowing a man away at thirty paces, and leaving nothing more than a red mist, a ghastly mess, and a certain amount of paperwork. Aziraphale blinked. A thin stream of water squirted from the nozzle and soaked Crowley, who had been looking out the window, trying to see if there was a huge black dog in the garden. Aziraphale looked embarrassed. Then a cream cake hit him in the face.

My teenage brain exploded at this moment.

BECAUSE: there is no reason for Aziraphale to do that.

Work-wise: If he got shot, Crowley would get discorporated, but not die-- and anyway, it would happen in such a way that both of them could explain it away easily to their respective sides (and possibly even be commended for it!).

Collaboration-wise: If Crowley had been watching Aziraphale, and if he'd seen Aziraphale have the chance to change the gun but not do it-- then yeah, probably that would've been annoying enough to have warranted some chilly conversations once he came back topside, and therefore, Aziraphale choosing to save Crowley could've been a reasonable, logical choice to keep their working relationship on an even keel until they'd sorted out this Doomsday thing.

But Crowley was looking the other way.

Work-wise, it doesn't make sense-- and secret-collaboration-wise, it doesn't make sense-- and so it is, overall, really weird that Aziraphale saved him.

But his automatic reaction-- in a blink-- is to stop Crowley from getting shot. And he knows it's weird-- he feels embarrassed that his sudden, unthinking reaction is to save his "enemy".

And the final bit is just a couple paragraphs later:

With a gesture, Aziraphale turned the rest of the guns into water pistols as well, and walked out.

SO LOOK: He changed only the pistol about to shoot Crowley. His automatic reaction had nothing to do with saving a party full of humans, many of them children-- nothing to do with Heaven or Hell-- nothing to do with preserving the coworker he needs to stop Armageddon--

It was all to do with saving Crowley. Who may be the enemy, but he's Aziraphale's enemy. And another part of his life on Earth that he's doing all of this just to preserve.

Which may also be, for the first time, the moment he lets himself realize how important Crowley in particular is to him.

...and so anyway, that's how I started shipping these two immortal idiots, and one of many reasons why everyone should read the book.

[milaswriting]

Update. — 3rd October 2024

Well, helloo. If you're following me and reading this then...you must really hate me for my lack of activity on this blog. I apologise for that. Doing a masters degree really kicks my ass, and leaves me with no time to write. But Golden has never been dead or abandoned, it's very much always at the forefront of my mind.

And, for that pure reason, I know it's a story I haven't been 1,000% happy with so the story is going through some major changes. Probably, the first is that it's being rewritten. A (somewhat) new plot written with whole new software—we're making the move to Twine.

My reasoning; I've spent over a year learning the coding which makes me want to rip my hair out. I get to have a lot more ownership over my work, the customisation options are stellar, and you guys will get to read it for free.

The reasons for rewriting has been because I want to fix the cringey writing from when the story's first demo was released. It's mostly from the earlier chapters, but then the thought of plot changes came to me and I wanted to implement those. Realistically, the majority of what's being rewritten is what I had planned for book two—so I'm just bringing that forward. I'll update the synopsis closer to the release of this rewrite.

The changes (which can be subject to change): I'm getting rid of the university idea (though you can still choose careers that are related to those degrees from the options that'll be given) (e.g., if you liked the nursing student option, then your MC can work as a nurse). I'm thinking that the MC will already know about the supernatural world to some extent—there'll still be a lot of suspense and mystery and things to unravel, that was always going to remain. And, in this rewrite, my thought is that the MC and the gang will be working at a multi-agency organisation — called The Everbrook — where the aim is to bridge the gap between humans and supernaturals. To make the world run smoothly, so to speak.

The ROs are the exact same! No changes to that—the only change is that them and the mc will somewhat know of each other already. The genre is the same. MC is still as they are, a Lehsian socialite with a pretty (yet peculiar) birthmark. The parents will have much, much less of a role, but they'll still be mentioned here and there.

This seems like a load of word vomit, but I feel like these changes will improve the story. I'm hoping that it'll make MC less of a spare part in the story, allowing them to have more autonomy in the supernatural universe, especially with their enhanced skillset.

I've done the customisation in terms of the UI layout for Twine already, and it should be mobile friendly too. With that done, I've started writing and I'm a few thousand words in. A lot of what I've written in the ChoiceScript version can still be used, but also getting back into writing a story from scratch is something I'm looking forward to.

I feel like this is a bittersweet thing because yay to a new and better story, but also the time it's going to take to get it out. I'll debate whether to release the whole ten chapters, or do a few chapters at a time, like splitting it up into chunks (releasing three chapters now, and three chapters later on).

Another reason as to why I've taken so long to mention this, other than learning code and the rewrite, is just the whole process of this being a little nerve-wracking. The whole thought of a rewrite of something I've put so much effort into is scary, but it'll be worth it.

I'll accept any questions you've got, and I'll create an FAQ regarding all of this too. But, most importantly, you're in the loop of how this is progressing. I really appreciate everyone's kind words about this story: loving the ros, re-reading it, still sticking by my writing—it means a lot. So, thank you and I hope the future of this story is what you want and more.

PLANS.

Finish introductory scenes.

Finish chapter one.

WORD COUNT.

2.2k (rewrite)

[l0vedoe]

Yandere!Lucifer X GN!Reader

Hi! My name is Kay, and it's my first time posting something on Tumblr (I don't know how to use this)

I've been really obsessed with Lucifer and I saw a Yandere!Lucifer fanfic that I loved a lot, but sadly there's no part 2 :( So, I decided I would write MY OWN Yandere!Lucifer fanfic! (Also without a part 2..) Here is the one I got inspired by! So, have fun! <3

Sorry if it's a little weird at first, english is not my first language and I'm still learning it!

Part 2 here!

Words: 3787

Synopsis: Your friends found a ritual that can bring Lucifer to your world and, unfortunately, you accepted to participate.

You were sitting on a pile of cushions with your arms crossed, not believing what you and your friends were doing.

A few days ago, one of your friends, Lesley, had found a ritual that could summon Lucifer, the King of Hell, into the human world. You knew that your group of friends were obsessed with those sobrenatural things, ghosts and anything with horror involved. You liked it too, but among them, you were the only one who didn't enjoy getting directly involved with these things. You liked the trivia, the facts, the stories you heard on the internet, but participate in rituals? Ha! No, certainly no. You were sensible enough to know that you shouldn't be messing with these things, whether you believed in them or not. You weren't scared, you just didn't want to disturb whatever exists out there.

Even though you didn't like the idea, you accepted, not knowing why though. Maybe it was because your friends kept insisting...

And there you were, in a dark room in an abandoned house that Lesley had found so that you all could perform the ritual.

You watched your friends as they prepared everything. One of them was making a large pentagram on the floor, while another was placing six candles around it. As soon as they had finished, the three of them stood inside the pentagram, looking at you as if that was all that was missing - and it was.

"Come on, you agreed to do it, remember?" Lesley says, holding out his hand to you.

"Unfortunately."

You said, standing next to your friends.

Lesley took a needle from his pocket and pierced everyone's finger, letting them each drip their own blood onto the pentagram below. Gab, your friend on your left, held out a lighter so that you could light the candles one by one. As soon as you had finished, you all left the pentagram and the atmosphere became more tense.

This couldn't turn out good.

"Lucifer, lord of the red skies, hear my sublime call, show us your true power and appear in this circle!"

When Lesley finished speaking, silence prevailed in the room... for a long time. Since you came here you believed it wouldn't work, but your friends really believed it would, so they were all very disappointed when they saw that nothing happened.

As soon as you thought to say something, the pentagram glowed in a gold so bright that it didn't seem real. It glowed so brightly that if you looked at it for too long, you would surely lose your sight, so you all looked away until the light ceased, and it did. With your vision still blurred, you turned to face the pentagram again and sighed in shock.

There, in the middle of the pentagram, was a short, blond man with pale skin. His eyes were yellow, his teeth were sharp and there was a red circle on each cheek. His clothing appeared to be of high quality and class, a red shirt covered by a white jacket with veiled details, matching his pants in the same color. His hat was also white, with a red band, a golden crown, an apple and a golden snake. A lot of information in a single hat, to be honest.

The man looked confused and annoyed as, with one hand, he was dusting his clothes.

Not only you, but all your friends looked at the man with admiration and amazement. “It worked..." they all thought.

No one said anything, they were too surprised to be able to formulate a single sentence.

"I knew Lucifer was a fallen angel, but I thought the fall would have affected his appearance?"

You say, analyzing the whole figure of the creature in front of you. He was pretty, you had to say.

Lucifer sighed, looking extremely bored with the situation.

"I thought no one knew the summoning ritual anymore, but it seems I was wrong." he says, looking at everyone in the room. "So...?"

He waits, with a judgmental look on his face.

Lesley wakes up from her thoughts and starts talking frantically.

"Oh, Great Lord Lucifer, King of Hell!" Lesley bows, followed by all her friends too, except you. Lucifer smiles. He liked those nicknames. "We're really, really sorry to bother you. We were just curious about whether this ritual would work or not, we didn't want anything to do with you."

Lucifer rolls his eyes. Of course, he had to have been summoned by a bunch of curious mortals...

"You see, I was taking care of very important things when you summoned me, and I am unable to return to my duties unless one of you makes a deal with me." Lucifer gestured his hand gracefully in the air as he spoke. You had to admit: the real devil was not at all what you expected. You expected a tall, red-skinned, goat-legged creature with long horns and a tail, but this...? It was laughable.

But of course you didn't laugh.

Lucifer turned his gaze on you, giving you goosebumps. His gaze on you was something you had never felt before, and it scared you. He was a shorty man and yet he was making you afraid of what might happen to you if you stepped in the wrong place.

You swallowed.

"I'm waiting!" Lucifer raised his voice, making everyone shiver. "Which one of you is willing to make a deal with me, hm...?"

Lucifer had an amused smile on his face as he analyzed each individual in the room. One shaking his legs, another trying to look away, another thinking about what to do to get rid of the blond man and, finally, you, who even though you were afraid, didn't seem to be letting your guard down. You looked at Lucifer with courage, and Lucifer liked that. He really did. When was the last time he saw someone like you? A long time ago, that's for sure. Most of the humans who ended up meeting Lucifer, willingly or by accident, used to be so scared and afraid that they would sometimes beg Lucifer to let them live with their souls in peace.

Souls... Lucifer never cared, really. Most of his deals didn't involve receiving the souls of humans in return, he had no interest in that, he just asked for anything that came to mind. Most of the time, something very silly. He didn't even like making deals with humans, it’s just time he wastes to satisfy the will of mortals.

Seeing that no one would take the initiative, he decided to do it for them.

"Since you guys won't make up your minds, leave it to me. Eeny-meeny-miney..." Lucifer began to choose, and when you saw that he was going to end up with one of your friends, you interrupted him. "Hm?"

"I'll make a deal with you if that's what it takes for you to leave us alone."

Lucifer smiles. He was loving your attitude.

"Are you crazy? You shouldn't do that! He is going to take your soul!" Lesley tried to warn you, worried about you.

"At least it'll help you not to mess with things like that again."

You say harshly, stepping closer to Lucifer.

So that's what you were afraid of? It was nothing new for Lucifer.

"All right, then. What's your name, dear?" Lucifer says, approaching you.

Everyone was looking at you worried and afraid. You liked your friends, but they were the kind who fucked up and left it to you so you could resolve things. Always.

"What do you want? My soul? Possession of my body?" You ignore the question the blond man made, leaving him a little frustrated, but without showing it.

He laughs.

"No, no, no! I don't care about these things, really!" He puts his hand on his chin and closes his eyes, seeming to think deeply, until he snaps his fingers, thinking of something. "Oh, I know! You're going to dance for me dressed as a duckling!"

You look at him with a mixture of confusion and disgust. Was this really the King of Hell that everyone was so afraid of?! You hold in your laughter.

"All right." You reach out to shake his hand, but he interrupts.

"Don't you know how deals work, darling?" he asks in a mocking tone, amused. "You need to tell me what you want in return."

"Oh, is that so?" you ask and he shakes his head positively. Actually, there was nothing you really wanted, you just wanted him to go away and for you to be able to come home soon. You should never have agreed to take part in that. "Oh, I don't know, man... give me a chocolate cake and we'll be fine."

Lucifer laughs softly. You seemed as bored as he was, and your boredom amused him too much.

He grabs your hand, and you automatically felt your casual clothes change into a yellow jumpsuit with a hood that had a duckling face on it.

You sighed. What a humiliation.

You danced a children's dance that you learned as a child, and you could see how Lucifer was enjoying it, his eyes shining, his cheeks reddening and a smile on his face. He clapped his hands frantically.

When you finished your dance, he sighed, snapped his fingers and your clothes returned to normal. A second later, you were holding a plate with a chocolate cake on it. It looked delicious.

"It was a great deal. I hope I never see you again!" Lucifer said, finally disappearing into a golden dust.

Your friends were wide-eyed and dumbfounded. They gave you a quick lecture on how you could have used that deal to get anything and you decided on a chocolate cake. You could ask for thousands of dollars, you could ask to have whatever you wanted, have as much power as you wanted, and you still decided on a chocolate cake?!

You didn't care, saying goodbye and making your way home while holding your chocolate cake. You were sure to devour it as soon as you sat down on your couch.

~

After that incident, your days went by as normal. You wake up, go to work, come home, go to sleep. Wake up, work, come home, sleep.

It was a routine you got used to, and it was good to be used to things, you weren't the type who liked new things.

However, after a week or so of performing that ritual and summoning Lucifer, you began to feel strange. You felt watched almost all the time, it was uncomfortable even to take a shower and this was something that was really bothering you. You've never been sensitive to these things, what was going on?!

In addition to the feeling of being watched, you also began to see figures out of the corner of your eye and hear voices calling you. You could have sworn you were going crazy, it wasn't normal.

You sent a message to Lesley, telling him what you were feeling. Lesley didn't care much.

Lesley Bff: idk, it must be in your head

Lesley Bff: I felt that way too during my first ritual

Lesley Bff: but you know what?

Lesley Bff: Lucifer could be watching you 👻

You laughed.

You: if he's not back in his hole, I'll send him back there myself

Lesley could be right. You've never taken part in a ritual before, so maybe it affected you more than you expected.

You sigh, smiling at the thought of being anything else. "How silly..."

You head for the kitchen to get some water. Opening the fridge, you take out your jug of water and fill a glass with the liquid, putting the jug away again.

As you bring the glass to your lips, you notice a blond man on the other side of the dining table.

You continue to drink your water.

Wait...

You spit out the water, looking back to the front and no longer seeing the man there.

"I need therapy…" you say, putting a hand to your forehead.

"Everyone needs it, dear." When you hear the familiar voice, you're startled and turn around so fast that you drop your glass on the floor, shattering it. "Wow... Do you get that excited just by seeing me?" The blond smiles debauchedly.

"What the fuck..." that's all you managed to say. "I didn't summon you, damn it! Get the fuck out of here!"

You demand, making the demon in front of you laugh.

"It's that way of yours that made me fall in love with you!" he says, still laughing.

What?

You look Lucifer up and down with disgust. How strange was it to have a religious figure, who you believed existed only in your imagination until a week ago, tell you that he's in love with you? Answer: very. ABSURDLY.

"Dude, I don't want any trouble, just do me a favor and leave."

You say, calmly, but Lucifer didn't seem to hear. His smile remained on his face, it seemed to grow with every detail he appreciated about you. It was as if he was hypnotized. You could notice his pupils dilating and his cheeks starting to turn pink.

He moves closer, making you take a step back to keep your distance.

"I'm afraid I can't…" he said, still smiling, but now without showing his teeth and without looking you in the eye. He was analyzing your body, your baggy white T-shirt, your plaid pajama pants and your matching slippers.

Your posture was as if you were ready to run at any moment. Lucifer noticed, after all, he didn't want you to run from him. Why would you run from him?

He took a step forwards, coming closer again, and that was the exact moment you knew you had to run. You weren't an idiot, you ran, you ran as if your life depended on it and, at that moment, it really did.

As you climb the stairs to the second floor of your house, you enter your bedroom and lock the door. You didn't think it would help much since your enemy was a demon who could easily teleport to where you were, but you still did what was possible at the time.

Trying to think of many ways to make the demon go away and get you out of this, you are interrupted by a voice on the other side of the door.

"Darling, please..." the voice was sly. "I don't want to hurt you, I just want to talk to you..."

You didn't trust him. You couldn't trust him. He was the fucking devil!

You didn't answer, and a silence remained. You tried to look through the keyhole, to make sure he was no longer there and you could finally get out. As soon as you put your hand on the handle to open the door, you felt a hand on your shoulder. You automatically turned round and punched Lucifer in the face.

"Get away from me!" You screamed, and before you could run away again, golden chains wrapped around you, preventing you from moving. "What the...!"

"Look..." Lucifer begins, caressing the cheek you punched. "I just want to talk, that's all."

You didn't want to listen, you were just trying to free yourself from the chains that bound you.

Lucifer continued.

"Your attitude that day captivated me, and I found it so attractive how you didn't show any fear. Not to mention, of course, that your dancing was incredible." he smiled. "I couldn't help myself and started watching you ever since. I couldn't stop thinking about you for a second. I've spent the last few days just watching you from hell. I've watched you sleep, you eat, you work, you shower..."

This last part seemed to have had a different effect on Lucifer.

Until now, you really believed that you could escape him, but as soon as you realized that it was impossible to free yourself from the chains, your body withered. You knew there was nothing you could do.

Even so, indignation and confusion overwhelmed you. What was this guy saying? In love with you? Really?

You looked at Lucifer angrily, while he looked at you as if you were all he wanted.

"I've been so lonely these last few years, and as soon as I started watching you I wanted to be with you even more and more..." he said, hugging himself and looking at random corners as if he was fantasizing about a thousand different things. "So I give you the honor of moving in with me! In hell!"

You widened your eyes. That couldn't be real. It couldn't.

Lucifer, the fallen angel, wanted you to live with him in hell?

You laughed. Of course it was a joke. If you accepted, he would steal your soul and you wouldn't be free for anything else. Yes, that had to be it. It was a way of persuading you, tricking you, so that he could get what he wanted.

You took a deep breath, recovering from your laughter, and kept your eyes on Lucifer's hopeful gaze.

"No!" you said, loud and clear.

You didn't want another deal, you didn't want to go to hell, you didn't want Lucifer! You just wanted to get back to enjoying your holiday peacefully watching whatever was on TV, you didn't want anything new.

Hearing you refuse, Lucifer's expression changed from a smile to disappointment. He couldn't believe it. Why were you turning him down? He was the King of Hell, he could make you powerful like him, give you anything you wanted! What was stopping you from accepting?

"Why?! I can give you anything you want! Power, money, comfort and lots of chocolate cake! Please accept it..." he looked sad, but deep down he hoped you would say yes. "I love you..."

His last words made you even angrier. The devil himself was confessing to you, you no longer feared him.

"But I don't love you! I want to get away from you, your hell and everything that surrounds you! I don't want power, I don't want money, I want you to go away!"

You scream, spitting out the words with hatred, not even caring what the blond guy might feel. You couldn't stand it any longer, the chains were tightening your body with each passing minute, you just wanted to go back to your normal life, without demons, without rituals, without anything weird.

You noticed Lucifer with his head down, quiet, and wondered if now he would accept it and leave you alone. Unfortunately, he wouldn't.

As soon as he raised his face, you noticed his eyes filled with a bright red colour, his horns began to appear from his head and his tail appeared behind him. Clearly, he was very angry, and now you felt genuine fear of what might happen to you now.

He began to smile, a fearsome smile that showed his sharp teeth.

His voice was slightly distorted. The chains squeezed you tighter and tighter.

"I am Lucifer, King of Hell, and it is not you who will change that." he approached, still smiling. "I can do whatever I want, and I want you, and I'm going to have you, whether you like it or not."

With those words, the chains disappear and you fall to the ground in pain. They were already suffocating you.

As soon as you calmed down, you looked up to find Lucifer staring down at you without smiling now. He snapped his fingers, forming a portal beneath the two of you.

Before you could fall, Lucifer caught you. You had your eyes closed, afraid to open them and see what you feared. You only felt Lucifer holding you until he finally stopped on the ground and released you. You open your eyes and realize you're in a spacious room, with a large bed with crisp sheets. The walls were dark, as was the floor. There were several pictures of Lucifer with a beautiful woman and a little girl and lots of rubber duckies scattered around the room.

You looked out of a window to see the red sky on the other side.

You were in hell, alone with the angel who had fallen from heaven, with no idea how to get home.

You despair, your breathing quickens and becomes heavy, cold sweat begins to run down your face. You turn around and find Lucifer taking off his jacket and hat and settling down in the bedroom.

You keep your distance as he starts to approach with that same smile as before, until you slam your back against a wall, making it easier for him, who could now approach you.

He came close, standing inches away. His hand caressed your left cheek, while the other took your right hand, bringing it to his lips so that he could kiss it.

"Let me go…" you plead, your eyes filling with tears.

Lucifer looks at you, smiling even more.

"No." he says, in the same tone you used when you told him that. "I tried to make it as friendly as possible, but you wouldn't co-operate. How could I keep the person I love close if I didn't force you to stay here with me?"

"This is not love...!" you say, without looking at him.

"It's your idea of love that's wrong, darling..." Lucifer's face moves closer to yours, his hand still caressing your cheek. "That love you humans appreciate doesn't exist, it never did. Love where the two live happily ever after only exists when one of the people involved makes it happen. And that's exactly what I am doing right now..."

He kisses the corner of your mouth, and you shiver at the touch of his lips.

Why you? What was so different about you that Lucifer needed it to be you? Since Lesley came with that, you knew it wasn't a good idea to do that ritual, you'd never done such things just because you knew it was never a good idea. You didn't want to mess with whatever was out there because you knew you could end up in trouble, and yet you agreed to take part in that damn ritual...

Look at the state you're in now: being forced to be Lucifer's prisoner.

"Don't worry, it won't be so bad." Lucifer says, now hugging you and putting his face into your chest.

You wanted to cry, scream, punch Lucifer until you couldn't, but you were afraid of what might happen if you did. You remained silent, cried silently, without moving a muscle.

Once again, your friends fucked up with things and you had to deal with it.

Just a quick reminder: This is just a fanfic, I don't like the idea of a yandere in real life. In real life, this is crazy and toxic, I don't support that.

So, if you guys liked it, let me know! You can also ask for me to write something about Lucifer again (I'm not doing other characters yet).

Thanks for reading! <3

[raven-at-the-writing-desk]

OMG RAVEN YOU’RE INTO EVER AFTER HIGH? I love it but can’t talk about it bc none of my friends have seen it 😭 I wish it was talked about more, especially with how deep their lore runs. I love EAH’s dynamics with the complexities of destiny. If twst followed the same logic as eah’s world it would be so interesting. How would you feel if the worlds were to mesh together and how it would work? You can interpret that in any way you want; the characters meeting or twst being bound to the same rules and societal expectations of eah, or whatnot.

Also who’s your favorite eah character compared to your favorite twst character (Leona)?Jade, right?

And have you read the eah books? I haven’t, but I’m going to try to sometime!

Eah alt account when?

I'm still salty that the Monster High x Ever After High crossover movie never saw the light of day-- Part of the reason why I don't like Disney (I mean the faceless corpo, not all Disney products) is because they have such a strong association with fairy tales that it pushes other interpretations out of the market or it leads to people assuming Disney "owns" those fairy tales. Ever After High's lore and themes run so much deeper than most other fairy tale reimaginings I've seen (and I've seen a lot). It's such a shame it doesn't get the respect and recognition it deserves even though EAH is the one out here challenging the status quo whereas modern Disney is content with mediocrity that appeals to the masses.

I think EAH and TWST, at their cores, share similar ideas so combining them would work well. Friendship, self-identity, defining your own future, questioning what "good" and "evil" truly are... It's all there. I'd imagine that if Twisted Wonderland (or at least NRC) followed the same rules as EAH, then everyone would be descendants of their Disney counterparts. (This is actually a common misperception of what TWST was to new fans; people mistakenly believe the TWST characters are children of the classic Disney villains. This has never been canon.) Unfortunately, I'd have to take away the Disney villains being twisted to be "good" guys in Twisted Wonderland's world in order for this to work by EAH rules, so... There's that to consider. This, in turn, can result in the student body splitting into Royals (pro-following one's destiny) and Rebels (anti-following one's destiny). Perhaps RSA and NRC could be one school in this AU...? Just so we have a mix of "good" and "evil" descended children in the same vicinity as one another. A must-have are the constantly bickering Narrators!! It's only really when Yuu shows up that the majority opinion starts to shift. Maybe then Crowley becomes concerned with students rising up and fighting back against the system that relies on them being complacent to keep the cycle of stories going. I've seen some readings of EAH which theorize that Royals guaranteed a happy ending is a stand-in for privilege, and that interpretation leads into very interesting conflicts when we also consider that magic in Twisted Wonderland is a privilege afforded to few.

To cover just the dorm leaders (because covering all the TWST characters would make this post way longer), I definitely see Riddle, Kalim, Idia, and Malleus as Royals and Leona, Azul, and Vil as Rebels. Here's my thought process:

Riddle is pretty self-explanatory. He comes from a background where he's used to being told what to do by his mother and so he also heavily relies on her strict, unyielding teachings to play by the book when he goes out there in the real world. Riddle is inflexible and hesitant to go against the grain--and, more importantly, he fully believes that following the rules will lead to his happiness... that doing as his fairy tale ordains will lead to a happy ending. What happens to the Queen of Hearts is dubious in the end since it's framed as Alice's dream, so I think that vagueness gives Riddle hope that by behaving himself, he'll earn the happiness he desires.

Leona is a Rebel, and not just because that's the aesthetic of his dorm. Being that he is highly intelligent and demonstrates a lot of foresight, he'd be aware of what future is in store for him and aggressively fighting against that. It would make him more desperate than ever to prove his worth, because not only does everyone see his powers as terrifying, but they also see him as a future brother murderer and dictator that will bleed the land dry of resources. It'd make the situation with his family even more strained than it already is, not to mention the extra jealousy he must feel toward Cheka, who is still too young to understand what's going to happen later.

Azul is someone who acts like a Royal but is actually a Rebel. He acts polite and like he plays by the rules, but clearly he doesn't behind the scenes. I see Azul as the kind of Rebel akin to Duchess Swan... as in, he believes he can steal away someone else's destiny for himself. Azul would constantly be looking for loopholes to save himself. He's put way too much stock into becoming a better, stronger person and he'd want to defend this new life he has made for himself. His obsession with protecting his contracts could translate well here.

Kalim is a Royal because he's mega rich and has been sheltered from the concept of bad things that happen to normal people; he has nothing to worry about. It also helps that Kalim is twisted from a character that doesn't meet a bad ending. I think he'd be aware of Jami's doomed destiny, but Kalim is so ignorant that he thinks it'll just be fine and it'll work itself out. Part of his growth could be being forced to reckon with the reality that Jamil is suffering under the legacy assigned to him and accepting the role that he plays in that by not acting.

Idia is a Royal--or at least pre-book 6 Idia is. He's a very pessimistic guy and repeatedly expresses hopelessness about the future, bemoaning the curse he and his family have to bear. Idia doesn't want to try to fight his fate, he's already accepted that it will happen and so closes himself off from others to save himself that heartbreak. Post-book 6 Idia will have swapped over to the Rebel side thanks to Ortho reviving the hope in him.

Vil is a Rebel simply for the fact that he fights social conventions. He's already out here shattering gender roles, but finds it much harder to breach that expectation that villains are just villains and nothing more. Vil keeps getting rejected at every turn, told that it's impossible to rewrite his story, that his frustrations are the natural result of jealousy and an ugly heart that festers in side of him. He steels himself to prove that notion wrong, working himself to the bone to get up on that stage and stay on it, waiting to be lavished with praise that he truly is the fairest one of all. I feel this would be so fascinating for Vil's own arc about self acceptance; maybe he wears himself down emotionally because he HAS to basically be perfect due to his job but also denies himself normal feelings like anger and jealousy because confessing that you have such "ugly" feelings only validates that you're shallow just like the stories say you will be.

Malleus is a tough one, but I settled for Royal in the end. Maleficent is doomed to be slain by a sword, right? So am I saying that THE Malleus Draconia, who is infamously arrogant about his magical abilities, would lie down and take a stab like that? Of course not! However, I do think that Malleus is initially someone who values tradition and living up to noblesse oblige. As the future ruler of a nation, people's stories are relying on him to play his expected role out, which he'd be fully cognizant of. I also think Malleus would be afforded the luxury of not having to face his destiny as soon as his peers are due to his long life span. This is in part because the person destined to slay him doesn't come into his life for literally hundreds of years. Then when book 7 arrives, Malleus has to deal with his loved ones leaving and/or betraying him as well as the realization that this is his destiny: dying alone and unloved. That'd just break him.

ahdbiqwdbqwli I COULD TALK ABOUT THIS AU FOR FOREVER BUT I'LL CUT IT SHORT OR ELSE I'LL NEVER SHUT UP 😭

EAH has so many good characters and interesting storylines, it's hard for me to pick a favorite! I of course love Apple and Raven's dilemmas, but I feel like it's cheating to pick one of them as my favorite. The whole Wonderland gang is also fantastic... I'm a sucker for their aesthetic, but they're so fun and silly in general. Kitty, Lizzie, and especially Madeline are 👌

Mmm, when I think long and hard about it, I think my favorite EAH character has to be Briar Beauty, daughter of Sleeping Beauty. Firstly, I love all the pink, roses, and bramble in her design. Secondly, I love the layers to why she is the way she is. Briar's a party girl not because "lmao, wouldn't that be a funny haha subversion of Sleeping Beauty" but because she wants to live life up before she falls asleep for 100 years and literally loses all her friends and family to the natural passage of time. That's seriously so smart and such an inventive way to think about the trauma a descendant of Sleeping Beauty might have. Seeing Briar transition from one of Apple's besties and biggest supporters to an outright rebel is satisfying as heck. (Gotta take a moment to shout out this classic moment :3)

I don't know if I would compare Briar to Jade since they're entirely different characters. However, looking at the source material, I'm actually surprised I like Briar as much as I do since I have never cared for the story of Sleeping Beauty. A part of me finds this ironic since Malleus harbors a similar fear as Briar (losing loved ones) yet I see Malleus's desire as way more selfish and self-serving than Briar's. I believe that's because Briar doesn't have the same arrogance as Malleus, so I'm more forgiving with her. EAH's actual equivalent to Malleus is Faybelle, daughter of the Dark Fairy, but I don't like her as much as I do Briar (hence why I'm comparing Malleus and Briar, not Malleus and Faybelle).

I haven't read the EAH books but I want to one day! I'd prefer to borrow them since I don't have enough space in my room for more physical books, so as soon as I find copies at a library or something...

This blog has kind of become a place where I occasionally talk about my other interests, generally as it relates to TWST, my main interest. I'd like to keep it like this since managing multiple blogs can be so draining. It already takes quite a bit of time to regularly write responses to asks just on one blog!

[ryanguzmansource]

September 27, 2024

Ryan Guzman is currently filming his next thriller: Midnight and, in his talk with Xmag, he takes a tour of his professional career. Despite his current international projection as an actor, Ryan Guzman did not plan to dedicate himself to acting at first. The American actor and model began to get interested in mixed martial arts when he was only seven years old and, after winning his first black belt when he was ten, he was a mixed martial arts fighter in Sacramento until 2010. A shoulder injury prevented him from continuing with his dream and he redirected his career working as a model in various magazines and brands such as Abercrombie & Fitch, Affliction and Reebok. Everything completely changed when he got his first starring role in Step Up: Revolution. “It changed the direction of my life. It was as if I was launching myself into a world that I had only seen in the distance.” The dance franchise was an international success and Ryan tells us about the process he followed for the films, which, according to him, has always been the same over the years. “I try hard at something new without fear of failure. I do it this way because I know that I can fail at the beginning of anything I try. The goal is to learn from my failures and be open to new ideas when it comes to acquiring and perfecting a skill.”

His career as an actor continued in 2015 with the psychological thriller The Boy Next Door, which as Ryan explains, gave him "an invaluable perspective on the business side of the entertainment industry.” In the film, he shared the limelight with Jennifer Lopez and Ryan tells us about his experience working on the film and what it was like working with her. "Jennifer's life is something that most people won't be able to comprehend because it involves A LOT. She's a superstar. He has a million things going on at the same time. I had a great time collaborating with her and the director, Rob. They both made me feel very comfortable. It was so much fun playing the bad boy!” From a psychological drama about a woman who falls in love with her younger neighbor, Ryan jumped to play Eddie Diaz in the police drama series 9-1-1, which tells the story of a Los Angeles rescue group willing to attend to any emergency. The series underwent a big change after its transition from the FOX network to ABC and Ryan explains how that has affected his character. "Eddie's character has evolved a lot since his introduction into the 9-1-1 universe. As in any great evolution, destruction must occur in order to rebuild something new. The transition from FOX to ABC came at a perfect time for my character and I was able to represent that evolution through destruction just before another defining event in Eddie's life. Season eight is about Eddie making peace with his demons and finding self-love.” Being a series that deals with extreme and challenging situations, Ryan describes how he prepared physically and psychologically for those moments. "Empathy is the key. I draw from what I've experienced and my understanding of it; then I use the truth of those encounters to connect with the character. As for my physical fitness, I keep practicing martial arts." Recently, one of his latest projects has been the fictional comedy The Present, starring Isla Fisher and Greg Kinnear. Ryan explains that the possibility of working with these two actors was one of the reasons I chose this film. “The moment I saw that Isla Fisher and Greg Kinnear were involved in the film, I joined the project. These are two actors I've always wanted to collaborate with. Working with Isla was a dream, she gave me a lot of love and knowledge and Greg is someone who I have always enjoyed watching perform. Also, the theme resonated deeply with me, as I was going through a divorce at the time, which made the story especially relatable.”

Right now, the American actor is involved in the filming of the thriller Midnight. "I received the script from writer Lamont Magee and when he asked me if I would be interested in one of the roles opposite Rosario Dawson, he didn't have to say much more to capture my interest. 'Midnight' was an opportunity to show action in a way that I haven't been able to do as much as I would like as an actor.” According to Ryan, the thriller promises to be an intriguing story and one that will surprise the spectators. "I think seeing Rosario Dawson come face to face with Mila Jovovich is intriguing enough, but then you add the layers of her sister's character, played by Alexandra Shipp and the truth is that the audience is about to discover a lot of twists and surprises.” As immersed as he is in his work, Ryan ends the interview by expressing how grateful he feels to have a community of fans and followers who have always been supporting him. “I cannot fully express the depth of my gratitude to those who have found my work entertaining and have continued to support my career over the years. THANK YOU!”

[felassan]

Shinobi602 comments on ResetEra:

"If Anthem was a runaway success, you'd be seeing a very different BioWare right now who'd be all in on the live service model. They're running uphill because they've got goodwill they need to earn back after the fact, but its failure (plus Fallen Order's success) is what allowed them to pivot right back to what they're good at: single player character driven RPGs. Silver lining but still." [source]

User: "I don't think its unreasonable to have hoped that a Dragon Age game would have similar gameplay to previous Dragon Age games." Shinobi: "Veilguard does have similar gameplay though, just not the exact same gameplay." [source]

"Open world doesn't automatically mean better. Inquisition's open world zones were basically Bioware's response to Skyrim and anticipating that's what players wanted. The big zones were cool but they were also bloated and full of uninteresting quests. Andromeda also took Mass Effect to huge open world zones and they had the same result. It was ass and the game benefited nothing from it. It's better for Bioware to stick to what they do best which is tighter, more structured play spaces." [source]

"they'll do what they think they're good at. Inquisition was highly rated, but the big open areas were also flawed. If they felt that's not what they'll excel at, that's fine. There ARE larger open areas in Veilguard though. If that's your very strict definition on what will make the game good apparently." [source]

"If you're sole definition of a Dragon Age game is that you can take direct control of companions and a tac-cam, it's understandable. But I think it's completely false that this is somehow unrecognizable as a Dragon Age game. There are tons of different aspects that define the series outside of that." [source]

"It's been evolving and changing for over a decade." [source]

"They did say there are some "killer cameos" they're keeping secret. My mind's going to several different possibilities..." [source]

User: "Yeah, they need to wrap up this story in this game. I'm already a little annoyed that we are getting another "the veil is torn and demons are wrecking havoc" story. They cannot stretch that to a third game." Shinobi: "It's a lot more than that. It's not a repeat of Inquisition or anything." [source]

"This might genuinely be the most in depth CC in a mainstream RPG that I've seen." [source]

"Yeah this is more like Inquisition, though you could still change out companion helmets in that one." [source]

"They did confirm tavern songs are back so that's good news, and The Swan (Minrathous tavern) has a bunch." [source]

"Yeah there's a good amount of veterans working on Veilguard. Though I always find that to be such a weird qualifier, and it seemingly always comes up with Bioware in particular. As if there aren't tons of talented non-Bioware devs from across the industry who could join the team and still write and design a great game. Like nah, it can't be a good game unless it's got people who've been there for 20 years! 😄" [source]

"There are also rune items you can equip that provide different effects and act as their own abilities basically, plus ultimate attacks for each class specialization (so 9 total), plus finisher moves and things like elemental combo detonations for extra damage." [source]

"there are definitely 'open areas' you can explore around in. It's not more linear than ME2." [source]

User: "Is my reading of "mission-based" it being like ME2/3 correct?" Shinobi: "Yeah, in that regard, it's more structured like Mass Effect, which I think is to its benefit. DAI just suffered way too much from open world bloat. I think the tighter, handcrafted structure works a lot better." [source]

User: "How big are the areas? Like the first game where you open the map and pick a location?" Shinobi: "Don't know exactly. But that's what I was told. There are several open ended areas that are explorable in the story. Plus a hub area." [source]

"I think if fans have been yearning for a quality Bioware game like they were used to before, this is that. Tight design, great character models, environments, animations have gone next level, combat fluidity, etc...it's all here. I compare it to the jump from ME1->ME2. [re: the jump in quality/fidelity/presentation.] This isn't a spoiler, as Game Informer said, it's a full on action RPG, and you can still pause and issue commands. But this is not DAO. Preferences put aside, Bioware's moved on from that ages ago. This isn't BG3 at all. But they've put a huge emphasis on making combat feel good to play. As in engaging the player, more real-time, more Mass Effect. It's a meaty, single player RPG with lots of systems going on inside. Also, like they said, this is the prologue, the beginning of the game. Keep that in mind if you don't see everyone's powers unlocked or intense pause and play. If you keep all that in mind, I think you'll really like this." [source]

"But it's a big jump for Bioware. [re: animations]" [source]

"[rogues are] flashy, jump around a lot, etc." [source]

"Party members can definitely get knocked out in battle" [source]

"It's important to note that what was shown was completely level 1 combat, and likely on easy mode for demo purposes. There is way more to it in more advanced battles. When it opens up with way more abilities, unique momentum attacks, ultimates, and other...things they haven't shared yet, on higher difficulties, it will look and feel way different." [source]

"It'll be rated M. It's got its share of nudity lol." [source]

User: "should we expect a comparable level of dialogue role playing as we had in Inquisition? I don't mind the changes to combat but there seemed to be more auto dialogue here than I remember from Inquisition or Tresspasser." Shinobi: "Yeah. That was just the intro. They just like to keep the pace going for a big start to the game." [source]

"This isn't accurate at all though, and it keeps getting perpetuated. Yes, there's been departures like Casey Hudson, Aaryn Flynn, Mike Laidlaw, etc, but I could easily list dozens of people at Bioware right now that have been there for 10-20+ years, some even longer. Do they just...not count for some reason? The entire core team building Mass Effect right now were OG leads on ME1-3, been there for over 20 years. And even outside of that, like, does this really matter? Do you know one of the game's premier VFX/lighting designers worked for ILM? Or one of the cinematic leads is an alum from Blizzard? Or one of the creature animators was a senior creature animator on Horizon Forbidden West? Talent is talent. And if we look at the industry through that lens too, sure, tons of studios are just "X, Y, Z studio in name", in many ways. There's no studio in the industry that holds on to their entire team for 30-40 years." [source]

"They do have that data. And I think even this thread would be shocked at how tiny of a % of players took direct control of other companions. Or went into tac-cam. Not just Inquisition but the whole series." [source]

[crackedhrglass]

i got this ask on my strawpage and was gonna type it up in my notes app and post it to twitter, but i really couldn't figure out a way to say it concisely, so i'm answering it here bc it's prob gonna be long lol.

do i think stancest is actually canon? simply put, no. despite how often i'm like "STANCEST IS CANON!!" i truly don't think that AH and the writers intended stan & ford's relationship to be seen through an incestuous lens.

their relationship is def the heart of the show, second only to dipper & mabel's own bond. they are the center of each other's worlds, their story & character arcs revolve almost entirely around each other, and their happy ending is literally the two of them sailing off into the sunset to spend "the rest of their days" together (ford says this almost word-for-word in journal 3).

but i still don't think all of that was meant to be taken romantically.

in my opinion, where things start to get a little weird is, surprisingly enough, ford's relationship with bill.

the rest is under a cut bc HOLY SHIT this got longer than i expected.

there's no denying that bill was written to deliberately parallel stan in a number of ways, from his mannerisms, to his conman status, to the fact that he calls ford the same name stan did when they were kids.

he's written in a very intentional way that makes him serve as both stan's parallel and his foil, especially in their respective relationships to ford (bill feeds into ford's ego and encourages him to aspire for greatness alone, stan has always been a direct obstacle & challenge to ford's ego, accidentally ruining his chances at WCT & encouraging him to live out their childhood dream together; bill valued infinite power over his own family and destroyed his dimension as a result, stan valued his family over everything, and saved ford and his dimension as a result).

normally, this wouldn't be that big of a deal to a stancest shipper like myself. but as the book of bill & the accompanying website all but confirmed in big, flashing neon lights, ford & bill have a romantic history and are exes.

having the two people closest to ford be compared to one another is one thing. having ford be drawn to bill because of how similar he is to the brother he secretly misses is one thing.

having ford be romantically involved with said character is what makes me raise an eyebrow lol.

again, do i think ford is literally a brocon who's got repressed sexual/romantic feelings for stan?

no.

i do, however, think he has unresolved Brother Issues that led him to subconsciously find comfort in a romantic partner that reminded him of stan (right down to bill calling him stan's nickname for him) in much the same way a person with "daddy issues" may seek out affection & intimacy from someone who reminds them of their father (or is just "fatherly" in general).

that much, i believe, was actually intentional. it's just too blatant to not be lol. it'd be a completely different story if either

bill & stan were nothing alike (untrue) or

ford & bill's relationship was strictly platonic and didn't have any romantic implications (also untrue)

i've said this before, but this isn't just a case of "oh, ford fell in love with someone who just coincidentally reminds him of his brother." bill's use of the nickname "sixer" during their first encounter was a deliberate attempt at appealing to a part of ford that was repressed, vulnerable, and aching, in order to get ford's guard down and make it easier for ford to trust him, and it worked.

billford is a ship that, to put it bluntly, would not exist without ford's buried feelings for stan, even disregarding shipping/incest/etc. ford's desire to be close to stan even platonically is what allowed bill to needle his way into ford's heart in the first place.

and all of this wouldn't be that weird if, again, bill hadn't continued to feed into ford's longing for stan even after they'd established a romantic relationship, by still calling him "sixer" and trying to permanently sever the relationship he had with stan specifically, once he and ford broke up (the phone call he tried to make while in ford's body that was described in tbob).

to put it another way, imagine if wendy was basically an older, taller mabel, or if any of mabel's crushes were eerily similar to dipper. people in the fandom would def take notice and view it as a little strange. so i don't get how people can look at ford dating someone so blatantly and intentionally similar to stan and think to themselves "ah yes, this is normal. ford is completely Normal and definitely doesn't have any underlying issues whatsoever" lmao

to conclude: no, i don't think ford & stan's relationship is actually canonically romantic, nor do i think ford falling in love with bill was incestuous, necessarily.

but i do think that he had a desperate longing to reconcile with stan buried DEEEEEEP down, and it manifested itself in the form of being attracted to bill, which is probably why he never bothered correcting bill's use of the nickname "sixer" since their very first meeting, or ever expressed that it made him uncomfortable.

[gooperts-gunk]

post-qsmp q!bbh's story so far...

back to back we have had new q!bbh story pieces, on mythcraft with lilithluvsya and as mr. x on arkanis, so im going to write down all of my own notes of what we have learned so far + my crazed theory talk :) this will be long!!! note: this is from the perspective of someone who doesn't know mythcraft lore and the only arkanis lore i know is from what i pick up in passing lol. i will do my best!!

starting with the halloween special on mythcraft with lilith and rurus in which bbh helps lilith solve a puzzle that leads to her finding and adopting a new child, we get to see an actual bbh summoning!! im unsure if the treats are a necessary offering or just a kind gesture, but the soulfire-esque flames or wisps seem to be a very specific detail...

the chant lilith says is "hear these words, hear my cry, spirit from the other side! come to me, i summon thee, cross now the great divide!" implying that if he's summoned, chances are, he was in the underworld or somewhere else. later on during technical difficulties, lilith mentions that "i don't even know the state of his soul at the moment! because usually whenever i summon a chant through those words," she repeats it, "his soul just acted a bit... weird! he usually doesn't act like that whenever i summon him. usually, the magic feels a bit more smooth, and it was very choppy this time. his soul just felt different from the last time i saw him. i can't put my finger on it." it's hard to say what exactly this means, (i've seen some people think it's about how he died with a split soul, he never got the other half back from purgatory as far as we know...) as we've never seen him be summoned before, but in this case, he just showed up on the chest crying out a confused "HELLO...?" but later on says "i could sense something was off, that's why im here." with his trickster confidence. he also mentions he's "been around, doing my thing. im very busy," and no concrete answer is ever stated. another detail is that halloween is said by lilith to be "the veils between our world meet once a year," meaning as far as we know he can only be summoned on halloween.

when he accepts the treats and attempts to leave he says "im trying to get back home!" a place of residence for q!bbh is implied, whether or not it's one we know of or even if it's an actual house is uncertain. when bad comes across a haunted house he says "oh my gosh! i had a house like this once, only it was red." which might cross out the place of residence being on the island. might, considering the house was later changed because most people hated the red lol. when bad is downed from fall damage lilith comments "why are you so fragile?! you're not usually, like, this breakable." bbh says "oh, as soon as i die, i get to go back home, so..." since we know how !bbh deaths work, (he can only perma-die once from a unique death, e.g. the combination of soul vulture infection and nuke radiation slowly ate away until perma-killing that version of himself, which means it was an entirely unique instance of death. so it's safe to assume that ever since he had fallen, he would have perma-died from simple things like starvation, but then can no longer perma-die from it again, with a possible exception of if it's starvation along with something else at the same time) we know that him dying wouldn't be enough to bring him 'back home' if it's implied to be the underworld or the mind desert, therefore, it would mean that if he dies during a summoning that the connection is immediately broken and he's back to wherever he was at the time. he's sometimes even excited whenever he gets downed, even saying "take me! take me home!" either because 1. he just really wants to get home for some reason or 2. he just really doesn't want to work for lilith.

but, we know he doesn't HAVE to work for lilith, because lilith states at the end after he's left to fellow mythcraft member nex that, "you know how im a witch? ... WELL... a long, LONG time ago... i made a mistake with my magic and i MIGHT have summoned a greater demon who turned out to be a TRICKSTER demon instead and KINDA reversed the contract on me and NOW im stuck with him until i die and i have to do his bidding whenever he comes around, but only whenever i create the first kind of contract for him to flip around. and he kind of... is around, and changes rurus a lot, and i have to work to make sure that rurus can transform back into a human one day because they're stuck in their bunny form..." which is a LOT to digest and she said it all in like two breaths lol. so in reality lilith is stuck with bad, not bad being stuck with lilith, and bad could peace out whenever he wanted because it's trickster demon rules and on top of that he can also transform humans into bunnies??!!

going back to where my previous notes were, when they arrive at rurus' house and bad seeing a painting of himself with 5 cracked eggs around him, he exclaims, "what the fudge is that?! THAT'S CRAZY!! who's the monster who made this??" meanwhile lilith is oblivious to whatever this means. he also steals the painting. rurus shows up! (rurus says he smells like sulfur, which is definitely the 'demon smell' ak!bagi mentions once she has a moment to speak with him after the chaos) rurus mentions making the painting and it was likely a gag that bad wasn't supposed to see during the lore stream but it's there now LOL and bad repeats the same horror to them as they're oblivious too, "it's you blowing up the moon! all the moons that you've blown up?" "oh, yeah, im sure it's blowing up the moon!!" he says in angry sarcasm, and then sobs a little. "i had eggs once..." both lilith and rurus inquire, and lilith is the one to say "you became a father?" in myth!lilith's defense, the residents have a lot of adorable baby creatures they care for and might sooner assume the eggs in question are cute creatures LOL "well i just said i had eggs, so..." "oh, you hatched them?" "ohhh he HAD eggs- lawren, he- he hit menopause, he said something about that..." I HEEHEE'D. idc if it's just a goof and not entirely canon im keeping it in here.

later on, when the trio complete the puzzles and find a well-decorated baby ghost named willow inside a willow tree, bbh's behavior to willow is very endearing and also straight-forward, casually offering some steak that he stole from rurus' house. he finds the way out of the tree for them by hearing a raccoon's chitter, and lilith comments "you're really good at talking to raccoons for some reason..." and rurus pokes further with "did you have a special relationship with a raccoon?" "yeah i- i speak raccoon." this of course is brought up from the perspective of both of them knowing his lore out of character and wanting to poke fun, but it's also a fun coincidence that it was a raccoon, as raccoons are very special to pomme. it starts storming, and rurus tells bad to give willow his hood but alternatively gives willow his soul lantern instead since his hood is a "...non-removable item...".

when they bring willow back to lilith's house, he continues stealing like he has been since he was summoned, but this time he takes a cookie from a cookie jar and passes one to willow before taking one for himself. when willow thanks him and says she loves cookies, he gives her another and says "you can never have too many cookies!" which would immediately make you think of his kids and their cookies, dapper especially as they're a total cookie fiend. as willow settles in he teaches willow the first and only lesson he's given to her so far: "whenever someone invites you into their home, you get to take whatever you want!!" he goes upstairs and shows himself and willow around lilith's house, rurus mentions a gaming chair, of which was a toilet. bad takes it and says, "i know someone who would love this!" which of course would be richas' gaming set-up that had a toilet for a chair because of a prank, if i remember correctly.

bad asks where his room is, making an assumption that his summoning meant he was going to move in. when lilith says he could stay at rurus', REALLY not wanting him here, he says "i can't have a room at both??" like the greedy little man he is. <3 willow is then shown her own room, where bad then proceeds to place the furniture he stole from lilith into the room for her.

the birth certificate is revealed! willow is lilith's daughter, and bbh is her guardian demon. (many were unsure if he was a parent to willow but lilith clarified on twitter that he's a guardian demon that will show up from time to time) rurus inquires if HE scribbled his name there, and he says "no, no! that's crazy. that'd be ridiculous." in a bit of a liar voice.

when he accidentally picks up willow's sign, he courteously says "im sorry," and gives it back, prompting rurus to tell lilith she could just ask and he'd give her stuff back. when she does in a cutesy way, he dodges it entirely by saying "no hablo inglés" and when lilith demands for the furniture in spanish, he says "i don't speak spanish". i wouldn't call it entirely parental as willow's not his kid, but as you can tell bbh has shown far more care and respect to this child he just met than his contractors. the trickster has priorities!

they tuck willow into bed, and bbh falls asleep standing up, when lilith starts shoving him saying it's time to get him to bed, he wakes up suddenly, yelling "night terrors!! night terrors!!" we know he's gone long periods of time without sleeping, but he's having night terrors when he does...

bbh has technical issues, and during that time, rurus and lilith have a back and forth about him and their contract which is summarized in the bout with nex above. rurus says "you know, i used to be able to swear before i knew him, and now i can't." "huh! that's a weird incantation." this itself is likely a joke about their out of character friendship, but they come up with the idea that he might have a literal swear jar that he puts people's swears in, never to be said again lol.

lilith decides to keep the portal open as bad loses summoning connection to their world (aka technical difficulties) so he can visit whenever he likes to be a guardian demon for willow.

this wraps up the mythcraft section of new q!bbh pieces! onto arkanis!

a lot of people were unsure if mr. x would be q!bbh, but it becomes VERY clear based on how he acts with familiar faces, and some late night conversations...

not much to note when bad / mr. x greets fit, but there's a very silly familiarity when he says he'd like to take fit out to brunch right before talking about torturing him... yeah sure man why not O_O when fit asks if he's considered being GOOD and not murdering people, bad says "i considered it, but my therapist says i should embrace my hobbies. im trying to listen to my therapist more." so he at least had a therapist in recent times to tell him this, because on quesadilla island when asked about therapy, he mentioned something along the lines of that he tried therapy once, but he'd get chased out of town by people with pitchforks.

to briefly dissect the cutscene, from what i've learned, bad floating is a sign that he's powerful in valigma! only people with magic in valigma can float, examples being araldo when we get to see him later, and also bia raux who is also brought up to bad when telling him the current lore after the event. also. the manor. the banquet. i love you builders, it's so eggpire-coded. that man can't escape the aesthetic of red vines even if c!bbh tried LOL and another fun detail, he has ghosties/souls bursting around him! it's become integral to his character :)

when mr. x encounters the brazilians and his escaped captive fit, all the fantasminhas float around him! it's super cute that the grim reaper got little ghost sidekicks, and then doesn't even recognize that they're ghosts <3 he mostly called denix a gremlin or goblin, but that's because out of character he DEFINITELY knew who the admin was, that's why he bullied them so much and not the others lol.

even though he's having fun annoying everyone as mr x., bad still takes moments for the little ghosts, like spam crouching with amora when she creeps up to him, him and denix bonding by killing a penguin?? and playing songs on the flute and they all surround him and dance. :)

when the find the button room starts, and bad does his npc voice, bagi immediately starts yelling, knowing the "you got this! you can do it!" all too well, and bad keeps saying it in recognition. while it was already true that ak!bagi is a continuation of q!bagi, this interaction itself can be enough to assume that mr. x is q!bbh if he remembers it like she does. when it's revealed it's a find the button room, she's even MORE distressed, "are you responsible for this? please- please tell me you don't..." "i would never!" he says like a liar, and then maniacally laughs. bagi also frequently calls him "bad" and not mr. x unlike mostly everyone else, seeing through the silly alias.

one interesting detail is how hungry mr. x is for totems!! every once in a while he'll mention how he wants more totems popped, in the valigma cemetary / cemetario do valigma, he asks quel for how many totems they have, when they say a hundred, he says "passa tudo!" and drops mobs on them. he really wants totems for some reason!! does he absorb something from it or did he just really hate foolish that day? lol

once the event is over, bad and bagi get to talk! bad becomes uncle to amora, bagi's daughter. amora is immediately very sweet to bad! bagi catches bad up on what's going on in valigma, telling him about araldo and bia, and bagi thinks because he's a demon that he could help the specialists understand and handle the magic themselves, "you see those pink blocks glowing that way? they're like some of the magic powers that this land has, but we can't just touch it and start doing magic all the way through the town. so, basically, there's powers everywhere that we don't know how to use and those two entities fighting each other, they use different kinds of power. so maybe you, being a demon and stuff... maybe you can teach us how to handle this." which, upon mention of him being a demon, he deflects by admiring a streetlamp. bad didn't act this way with lilith and rurus because they were already aware he was a demon since they summoned him, but he never confirmed anything to bagi other than the vague vastness of his age and his immortality, if i remember correctly. which is more than he's confirmed to other people!

bad points out bagi's smoking, "you've taken up smoking, im guessing it's been really hard?" "yeah! yeah, no, that was because, the things i lived before, you know..." "yeah i understand..." "it caused me a lot of trouble." if im correct in assuming this is about the island and losing the kids... :( which bad then segues into asking if there's an ikea. LOL

when jvnq starts taking bad to pac's house to steal furniture, he says "oh wow! you guys are all nice and close together, i like this. yeah, i hate having to walk really far." knowing that q!bbh tried really hard to get people to live close by to him when he was dying so someone would take care of his kids recontextualizes this as living far away being a regret he still holds </3 (not to mention, cc!bad himself regrets building his bases so far away)

when pac says he'll give bad more muffins and furniture if he teaches him how to fly and such, bad deflects by saying "yeah! it's easy, you just got to... you got a- you got a nice view!" and looking at the black hole outside his house.

later on, when bad gets transported by araldo, they seem to get along nicely and araldo wants him to do MORE chaos at some point, which i believe is worrisome if it's true that araldo is the problem in the fight between araldo and bia raux... but also very fitting for him. meanwhile, sent back to his friends, he has only good things to say about him, and also inserted some of his silly lies. the entire interaction feels reminiscent of the times he'd talk about the 'eyeball guy with the snatched waist' aka the watcher, or even cucurucho to a certain degree LOL

when gabe takes bad to space, bad comments that it's a first for him! "the moon is just like i imagined it'd be..." congrats !bbh for having your first moon experience, at least, as far as you can remember!

meanwhile, transported to the mr. x manor, bad gives a dizzying tour to gabe, denix, and amora! he introduces the skeppy room when asked about his bedroom, mentioning he doesn't really need to sleep, and he instead meditates on top of the skeppy. (someone PLEASE feed this man dapper's special cake recipe) he also introduces his chair and i have no doubt that people have shown a comparison of his chair here vs. his chair in the hall of grim but i'll put it here anyways lol. he's also very consistent because the vod i went to to get a screenshot of his hall of grim chair is the near exact same "and this is my chair..." when he introduces it.

when bad, gabe, denix and amora are in the maze that the experts + fit went through to get to the cemetary, they stop at a corner to chat and gabe asks bad "changing the subject a little, if you had a son now what would his name be?" (possibly more gender neutral than the translator says, which is how bad interprets it,) this likely was on the mind because a bit earlier while exploring the manor, denix asked him to give him a second name or middle name and bad hadn't answered. bad stops to think about it, before prefacing "well, i- i've had kids over the years, a couple, but you're saying if i got a new kid, right? what would i name... him... probably... how do you say 'gremlin' in portuguese?" it's the same, but alternatively gabe offers "duende." meaning denix's second name is probably duende now LOL but more importantly, for the first time, at least directly tonight, q!bbh was reminded of his children. gabe contextualizes why he asked, "it's because in this city... anything can happen, you understand? one day you're single, and sad, and the next you have a family." "no, that's true... yeah. i- i understand what it's like, one day you just wake up and you got kids, i totally get it... and then everybody dies, and you're left alone." OOGH. EEYOWCH. we don't know for certain how long q!bbh has been living after escaping quesadilla island, or if even in the end cc!bad is planning that he escapes at all, he might still be bound to it. but however long it's been, he's been carrying onto the weight of everyone disappearing, with only strange creatures (the bunnies, the penguins, cucurucho...) to keep him company once everyone is gone. gabe inquires about if his family died, and he covers up with "oh, no, im just saying that's the inevitable. that's what happens, sorry." ...top 10 sentences that are more depressing when contextualized by an immortal demon with a heart too big for people to comprehend... :( something that bad misses here is denix asking if he wants to adopt amora, but this comes back around!

transported again, while gabe walks bad towards the boat the experts arrived on, he says "valigma keeps many mysteries and lots of trouble, right? fights, in this case many fights, problems, death, pain, suffering, and then we decide to have a child despite all these problems; how can this be, right? it's a weak point." bad says "yeah, love tends to lead to lots of problems..." which would be specifically commenting on taking care of children. and from the perspective of his current situation, being without them... yowch. :( then bad falls into a ravine, shoved by denix, and amora saves him. :) but when he fell he purposefully avoided landing in the water. :(

later on they go to the leaderboard! there amora offers that bad can adopt her for a while, since she's "kinda an orphan" based on the activity of her parents other than bagi, and he accepts :) though knowing he literally can't be active either lol. from then on, amora calls bad "dad" for the rest of the night, and "pai bad" the next day when talking with some of the experts :)

some more fun stops later, they pause in the gallery as gabe explains more of the araldo and bia beef, to which bad says once more to "wine and dine" araldo... if u want it done right, do it urself, geez... chat, beat this guy up for me... he has a weakness for guys with power... another moment in this stop to goof around, bad says "yeah, im really good at cooking... people. meals." which is normal q!bbh and the least surprising thing he's said or done all night.

the night slowly comes to a close, after running into guaxi for a small reunion, he says goodbye with a bang when denix kills him and he logs out. they then contain mr. x's corpse in a box of glass, preserved for memories <3

if this is what post-qsmp has been like for q!bbh so far, IM SO EXCITED FOR MORE!!! and yes i HAVE spent at least 5 hours writing notes as i vod review!!! q!bbh on arkanis felt a lot like a classic day on qsmp with his character plus some pain and suffering, and q!bbh on mythcraft gave us some extra lore bits to think about!!! very very fun, im sooo excited for whatever ending cc!bad has been wanting to make for q!bbh, because if it means he's still kicking it going around to other worlds, all of his pain in tow, IM SO READY!!! thank you if you went through everything here it was a doozy and mostly for yelling about with other people since i haven't been on tumblr for a while and i miss the screams from here. :)

[flightlessangelwings]

Right Where We Belong

Loki x gn!reader

Word count- 3.7k

Dialogue prompt- “ you underestimate how much you mean to me. i wasn’t about to let them hurt you. and i certainly wasn’t about to let them even consider killing you. “ Action prompt-[ SECRET ]: sender, having been secretly following the receiver, saves their life from an immediate threat while remaining hidden from the receiver.

Warnings- s.mut (18+ ONLY!), protective!Loki, mutual pining, harassment, kidnapping, minor character death offscreen, feelings, romantic s.ex, praise, takes place mostly in a woodsy/forest area but I left it open as to where in the world it is, pet names (lovely, darling), no use of y/n

Notes- For my Year of Protectiveness @yearofcreation2023 . I've actually had a rough idea of this story in my head for about a year it just took some time to flesh it out and get it right. For that reason too, there's no series spoilers and is ambiguous as to where it fits on the timeline so you can imagine whenever.

This can be read as a prequel to In My Arms (Over and Over Again) but it can be read on its own. That fic is one of my pride and joys though so I recommend reading it after this one! Enjoy!

@flightlessangelwings-updates is my update blog so feel free to also follow that and turn on post notifs to stay up to date on when I post new stuff!

~

Midgard… Earth. It was the last place Loki ever expected to find himself, let alone willingly. Yet, it was the last place anyone would ever think to look for him. So it’s where he found himself when he wanted to be alone, unbothered by any pressures that surrounded him.

Loki had no idea where on the planet he was, but it didn’t matter. The trees of the forest surrounded him and created a shelter of peace where he would just breathe. The warmth of the sun hit his skin, and the fresh air from the trees filled his lungs. It was refreshing. It was peaceful. It was everything he needed.

But, as he made his way through the forest with his eyes closed, listening to the sound of the birds around him, another sound made his eyes shoot open. The roar of a large animal snapped any notion of peace out of Loki’s mind as he found himself nearly face to face with bared, sharp teeth. He wasn’t worried, though, and he smirked as he brandished his dagger in his hand.

Just as Loki was about to attack, however, a voice from behind him made him freeze.

“Wait!”

Loki paused.

The voice continued, “It’s not aggressive, not really,” you were calm as you spoke, “Keep eye contact and back away slowly and it’ll leave you alone. There’s no need to kill it.”

Loki pondered his options. He could easily kill the beast and be done with it. But, there was something about your voice that swayed him, so he did as you instructed. Slowly, he stepped back, putting more distance between himself and the wild animal until it stopped growling and turned away. As it did so, Loki let out a deep breath. 

You also let out a sigh of relief as the tall stranger with black hair got closer to you, “She’s just defending herself,” you explained, “Must be a den or a nest around here somewhere. I bet she just had babies too.”

A smirk lit up Loki’s face, “Would you give that benefit of a doubt to anyone?” he asked as he turned to face you, revealing his face to you.

You gasped as you brought your hands to your face, “You’re…” your body tensed as you clearly recognized who you found in the woods, “Loki…”

“Would you have said the same thing if you knew who I was?” Loki challenged, yet no malice was heard in his voice, “Would you grant me the same courtesy?”

Silence filled the air between the two of you for several moments, the tension palpable. But, you exhaled, releasing the tension in your body as you did so, “I guess I would be a hypocrite if I said no, huh?” you said, trying to ease the tension.

Somehow, it worked, and it made Loki let out a genuine laugh. Something he hadn’t done in so long, and if he had to admit, felt nice. “What is your name?” he asked.

You told him. 

“Lovely,” Loki said genuinely.

It all blossomed from there. You and Loki fell into conversation easily and naturally, as if you had known each other for a lifetime. And the more time you spent in his presence, the more at ease you felt, not that you were scared of him in the first place. Nervous, yes, but Loki had a calming air about him, and something told you it was ok. And Loki, for one reason or another, felt comfortable around you. You had the same calming aura about you that Loki felt drawn to, and he found he actually wanted to stay and talk to you longer.

That never happened with anyone before… Loki wondered why that was. 

Before you knew it, the sun started to set, and you looked up with a gasp, “It’s getting late,” you breathed, “I…” you paused as you stared into Loki’s eyes, “I should go.”

Loki bid you farewell with a nod and watched you leave. And he already decided he was going to keep an eye on you until you were safe. He wasn’t going to let you know, though, and he stayed in the shadows, keeping watch over you from afar. And as he did, he couldn’t help but notice the new feeling in his chest. Sure, Loki had bedded princes and princesses, lords and ladies, and common men and women. But, you… you were different. And he couldn’t help the feeling of fondness towards you.

You seemed to know the path well, and you made your way to the clearing at the edge of the woods in no time. Behind you was the fantasy world, the forest, the place where your life just changed forever. In front of you was the real world, civilization, the daily grind. Taking a deep breath, you took the first step back into reality. 

But, as you started to leave, you suddenly found that you were not alone. A chill ran up your spine as a group of men whistled at you, and closed in on you quickly.

“Hey there sweetheart,” one of them grinned darkly.

You didn’t reply, but your hands shook as you looked around for an escape plan.

“Oh come on, don’t be like that,” another chimed in, “We just want to talk to you.”

A whimper escaped your lips as you hated the helpless feeling that came over you. But, a growl in the distance called all your attention, and everyone snapped over and saw a shadowy creature. All that was visible were glowing eyes and sharp teeth, but it was enough to scare the men away. You, on the other hand, backed away and tried to make yourself smaller in hopes that whatever it was would chase them, and you let out a heavy breath when you felt a rush of wind past you and heard a roar in the distance where the men ran off to.

You stood still for several moments as you processed what happened. For some time, you didn’t dare move, yet something within said you were safe. There was a familiar feeling around the air, as if you were being watched. Yet, you didn’t feel threatened like with the men who approached you. Looking around, you took one tentative step away from where you stood  in hopes of finding someone, yet you were alone. After letting out a deep breath, you turned and left, smirking to yourself; you had a hunch who was responsible for the shadowy creature that saved your life. After all, you did notice that the shadowy creature had bright green eyes.

In the shadows, Loki smiled with satisfaction.

*

One week to the day later, you found yourself back at the same spot. You weren't sure why or what you were expecting, yet you couldn’t help but find your way back there. The sun shone through the trees, warming your skin, and you felt at peace here.

“Well, it looks as if you and I had similar ideas, darling,” a voice chimed through the trees.

“Loki,” you breathed as you turned around and met his gaze. The tension you momentarily held in your shoulders melted away and you grinned widely, “Were you stalking me?” you asked cheekily.

“Never,” Loki replied, “It seems mere coincidence that we both came back to this spot on the same day.”

You gave him a pointed look, but the smirk never left your face, keeping the tone light.

“I promise,” Loki raised his hands in mock surrender, “I’ll never lie to you, my lovely.”

Your breath caught in your throat as the world around you suddenly felt hot, “I.. Uhhh,” you stumbled over your words, unsure of how to respond, “Thanks,” you decided on in a low mumble.

Loki returned the grin you gave him earlier, “Shall we sit, darling?” 

It turned into a routine for the two of you. Every week on the same day at the same time, you and Loki met in the woods. It was your escape from the world for both of you. It became a comfort for each of you to seek solace in the other. Although neither of you ever officially made plans, or said you’d be back the next week, you always were. 

For you, it was an escape from your life, from your stresses, to meet with Loki. And though you never thought you’d make friends with a Norse god, you were grateful for him. You tried to ignore the way your heart fluttered when you realized tomorrow was your meeting day, and you forced your heart to calm its wild beating as you stood in the woods waiting for him.

And as for Loki, he felt the same way. He never expected to find peace and solidarity on earth, and he certainly didn’t expect to fall… Loki laughed at himself, for so long he chastised his brother for loving someone from earth and here he was… They have more in common than Loki cared to admit. And he wasn’t ready to fully admit his feelings for you yet. They were there though.

Loki paced around the forest; it was unusual for you to not be there waiting for him. It was rare he felt nervous, but Loki couldn’t help the sinking feeling in his gut. Everything in him screamed that something was wrong, and after he waited long enough, Loki decided he was going to look for you.

And may the gods help if anyone hurt you…

*

You groaned as your body ached. The last thing you remembered was that you were on your way to meet Loki for your weekly rendezvous when you bumped into a group of men who looked like they were up to go good. You gasped and tried to run, but one of them grabbed you. You tried to scream, but no one heard you, and the last thing you heard before a cloth covered your face was, “Wrong place wrong time, sweetheart.”

And that was how you found yourself in a locked room tied to a chair, blindfolded and gagged. You wiggled in your binds as much as you could, but it was no use. They were tied too tight, and you had no idea where you were anyway even if you could break free. You didn’t even know what time or what day it was. And you whimpered softly when you realized that you would most likely never see Loki again…

Or so you thought.

Gunshots and screams from a distance called your attention and you snapped up to strain to listen. You faced where the source of the sound was, even if you couldn’t see anything. You didn’t dare move, however, since you had no idea what was happening. Were you going to be safe with whoever attacked the men who kidnapped you? Or would it be worse? You held your breath, pressing your lips together as you tried to calm your trembling hands.

The screaming went on for what felt like hours, and you could only imagine what the men were fighting in their last moments. Part of you didn’t want to dwell on it, but part of you had to have hope that whoever it was would be your savior. You never, however, expected to hear your name after the screaming stopped.

“Loki?” you whispered. When his voice called your name again, you shouted back, “Loki!”

The door burst open, and you heard Loki breathe your name in relief as he rushed over and untied you, “You’re alright, it’s me.”

“Loki?” tears filled your eyes as you were filled with disbelief that he was actually here. He actually came. For you. “You…?”

“I’m here,” he cupped your face, “Are you hurt?”

You shook your head as you felt your body tremble, “A little sore, but I’m ok,” you froze as you looked into his eyes and your heart skipped a beat at the look on his face, “Loki… You… You came for me?” your voice was shaky. 

Loki grinned, “Darling… You underestimate how much you mean to me. I wasn't about to let them hurt you. and I certainly wasn’t about to let them even consider killing you.”

Before you could stop yourself, you lunged forward and kissed him deeply. Your bodies smashed together as you pushed everything you had into him, clinging to him hard. You trembled as your emotions overwhelmed you and for a moment, you lost yourself into the feeling of Loki’s lips. It brought a comfort unlike anything you were expecting, and a lone tear fell down your cheek. But, then you realized what you did.

“I’m sorry,” you breathed as you tried to pull away, “I don’t know what came over me.”

Loki just mumbled your name as he cupped your chin and gently turned you so you met his gaze. There was a sure look in his eyes, and it told you everything you needed to know. This time, it was Loki who closed the gap between your faces, kissing you once more. His kiss was more tender, but very purposeful, and Loki wasted no time in darting his tongue past your lips.

You moaned into the kiss as you lost yourself in the emotions once more. For a moment, you forgot where you were as Loki became your entire world. Nothing existed beyond him and his kiss. And the taste of him was immediately intoxicating.

But, neither of you could stay like that forever, and after one last peck on your lips, Loki broke away. He stayed close to you, however, and his voice stayed low and soft and comforting, “Let’s get you out of here.”

Without a word, you nodded.

*

“Sorry it’s not much,” you stood nervously at your front door as you let Loki inside your place, “It must be completely different than what you’re used to…”

Loki caressed you as he reassured you, “It’s wonderful, darling,” he purred. Truthfully, he wasn’t even paying much attention to your place; Loki couldn’t take his eyes off of you.

Feeling his heavy gaze on you, you turned back from where your eyes wandered around the living space and you felt a tingle up your spine at the way Loki eyed you, “Loki…” you whispered. 

Time felt like it stopped as you stared into each other’s eyes. Your breath caught in your chest as you felt your heart pound. Between the way his hands cradled your form and the way he looked at you with those dark eyes, you knew exactly what Loki was thinking. And before you lost your nerve, you made your move.

You crashed yourself into him as you pressed your lips into his. Loki immediately yanked your close, his hands roaming up and down your sides as he deepened the kiss. Both of you moaned into each other as you savored the taste of the other. Heat rose in the room as passions erupted, and there was only one thing on both of your minds.

“Bedroom is this way,” you murmured, your tone low, “You want to…?”

“I thought you’d never ask, my lovely,” Loki smirked.

Sliding your hand in his, you led the way, and Loki kept a cheeky grin on his face as he waved his hand the moment you crossed into the bedroom. Suddenly, all your clothes were piled neatly on the dresser, his next to yours. Before you could react to his antic, Loki pounced on you, crashing both your bodies onto the bed.

You landed on your back with Loki overtop of you. You gasped as you found yourself in such a vulnerable position, yet you weren’t scared. You could never be scared of Loki. No, there was a different feeling that pulsed through your veins, and it made your body warm at the thought of what was to come. 

Loki hovered over you, his hands on either side of your body. As he trailed up and down your figure with his eyes, Loki felt his cock harden and his heartbeat quicken, “You are absolutely lovely,” he purred, “A decadence of perfection.”

All you could do was whimper as your mind went blank. No one ever whispered such sweet and beautiful words to you, or about you, before. Your hands roamed all over Loki’s bare chest, and you felt a rush of need between your legs as he groaned at your touch. “Please, Loki,” you whispered, “Don’t tease me right now.”

He smiled down at you as he caressed the side of your head, “Don’t worry, darling,” Loki’s tone was just as low as yours, “Let me show you how a god makes love.”

The moan you let out echoed in the room as Loki leaned in and attached his lips to your skin. With expert precision, he nibbled and licked and sucked at every spot that made you mewl, as if he had touched you a thousand times before. Loki groaned into your skin as he kissed his way across your chest before latching onto your nipple.

You arched your back, allowing Loki more access to your body as you dug into his shoulders. Your mind swam in pleasure as he swirled his tongue around your nipple, driving you wild. Bucking your hips into his, you murmured his name once more, begging him for more.

“I’ve got you, darling,” Loki hummed as he kissed his way back up your body, “Exquisite,” his voice was a low rumble that went right to your core. Loki noticed of course, “You like that, darling?” he asked, amused.

He didn’t give you the chance to properly answer as he rocked his hips against yours, dragging his cock between your legs. The action made you moan even louder and you dropped your head down onto the mattress. “Fuck… Loki…”

He exhaled sharply with a grin as he did it again, feeling a tingle up his down spine as he rocked himself against your body. But, as much as Loki wanted to prolong this, the way you cried out, and especially moaned his name, made him more impatient than usual. “Are you ready, darling?” he asked as he reached between your bodies and lined his cock up with your entrance.

“Yes,” you replied immediately, “Please, Loki.”

Loki groaned as he slowly pushed himself inside you, feeling your warmth engulf him. Both of you gasped loudly as he filled you inch by inch. You cried out as he pushed deeper inside you, and you wrapped your arms and legs around him as much as you could, holding him tightly.

Once Loki’s hips met yours, he immediately started a slow yet harsh pace. Skin slapped against skin as Loki drove his cock into you over and over again. Your mouth dropped open as the moans and cries flowed freely- music to his ears.

“That’s it, darling,” Loki purred, “So beautiful…” he mourned your name as he lost himself in you.

As Loki’s cock hit that one spot deep inside you, your eyes shot open and you screamed louder, “Loki! Fuck! Yes!”

He growled as he picked up his pace, aiming for that spot every time, “I’m close too, darling,” he groaned, “Fuck, you’re so lovely.”

“Loki…” you whimpered as you saw stars and felt your skin tingle.

It only took a few more thrusts for you to completely fall apart and you came with a loud scream. Your nails dug into his skin as your entire body trembled. Never in your life had you felt a pleasure like this, and it brought fresh tears to your eyes from the overwhelming sensations.

Loki groaned as he watched the spectacle you put on just for him. His arms trembled as he fought to keep himself overtop of you, not wanting to miss a moment of your climax. Although you couldn’t hear over your screams, Loki mumbled soft praises as you came on his cock. And he had never seen anything in the nine realms more beautiful than you were right there in that moment.

And that was when Loki couldn’t hold back any more. He came hard, his own orgasm overtaking his entire body. And Loki did something he had never done before in bed- he moaned your name as he spilled himself deep inside you. Tears of his own formed in the corners of his eyes as he gave one last thrust before he fell forward.

Heavy breaths filled the room as you both came down from your highs. Loki placed a series of feather light kisses on your skin wherever he could reach as he caressed your body tenderly. Once he gathered his strength, he carefully pulled out of you, kissing the side of your head as you gasped. Loki didn’t go far, though, and he settled in your bed with you gathered safely and secretly in his arms. Together, the two of you laid like that for several moments in a comfortable silence.

Until you broke it with a question that had been on your mind for some time, “Why me?” you asked. 

Loki grinned, “Remember the day we first met?” he paused as you nodded, “You can see beyond what’s in front of you, and that, my lovely, is a rare occurrence in the universe,” Loki cradled you in his arms as you let out a deep breath, “Sleep now. I’ll watch over you. You’re always safe with me.” He placed a feather light kiss on your head.

“I know I am,” you yawned contently, “Loki I…” you fell asleep mid thought.

Loki watched you for some time as he whispered to your sleeping form, “I’ll protect you, darling. No one will ever harm you again, I’ll make sure of it.” 

As Loki watched you sleep, he noticed that the beat of your heart was the exact same rhythm that drew him to earth time and time again. It was like a siren song that called out to him although neither if you were aware of it. Was it soulmates, as your people would call it? Perhaps… but Loki was never one to believe such fables… until now. He smirked to himself before he fell asleep in the last place he expected. But it was right where he belonged. And you were right where you belonged: safely in his arms.

[nobody-nexus]

Finally... It's Here...

After being silent for a bit, I've got enough art to properly show off this AU that I've been DEEPLY working on...

I give you... The Amazing Digital Dance Rush AU.

Or- just Dance Rush for short

Dance Rush is an AU where the TADC cast is thrusted into a rhythm game instead of a sandbox game- this game making humans step into the shoes of performing idols, all working both against and with one another in order to get to the VERY top. Pomni is the newest idol for the game, and she now is determined to drop the whole pyramid of overworked misery while trying to figure out how the inner mechanisms of this place work, even if the truth is more horrid then one might believe....

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This AU uses a lineless style as a way to make it feel almost cell shaded in a sense, but also as a new way to keep this AU fresh. The setting is neon Vocaliod and sci-fi esc in nature, giving off a feeling of futuristic but simple all the same

Now let's-

MEET THE IDOLS!

Pomni is our protagonist and the last to join the game. Inspired by DDR, her performances are based on dancing choreography by using her flexibility and quickness to adapt to her advantage

Ragatha is one of the six idols that Pomni meets as she tries to get more used to the world. Inspired by Project Diva, Rags is all about audience participation- her lovely optimism and charm making chants, encores, and singing along a breeze

Jax is the 'top' of the leaderboard, and another idol for Pomni to meet. Inspired by Just Dance, Jax's main this is... well... thirst trapping. He uses his body, dance moves, and other various body motions to make the crowd to wild

Gangle is one of the more unhinged members of the idol life. Inspired by Crypt of the Necrodancer, Gangle uses music to tell her stories. Her fans adore every moment (with her comedy mask of course)

Zooble is another idol, and the one that came before Pomni. Inspired by Beat Saber of all things, they're most known for their transitions and transformations, leaving their fans amazed by the grungier singing voice mixed with the eye catching transitions

Kinger is the idol who has been here the longest yet is the second to last on the leaderboard. Inspired by oddly enough Rhythm Heaven, he has the best singing voice out of the cast. This results in his medium fanbase adoring him

Caine. The real top of the leaderboard, and the most powerful idol in the game. Inspired by OSU- his perception of how performances should feel and hear is truly unmatched. How could one compare?

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Because I love this AU so much to the point where I have FAR too much information on it, I made myself an askblog ALL about this AU in perticular, and one I'll be reblogging every answer for

The askblog is @theamazingdigitaldancerush and I hope you go ask your questions for it there instead of in my main blog as to not clog up TOO many things

I hope the wait was worth it cause lineless is difficult to do all together. Plus I haven't even touched the NPCs yet- however that's a post for another day

I can't wait for you to see what I do next ^^