#also i don't think i understand what “A LINE” means

[cl-0v3r]

Mel is alive, but at what cost

Mel was nearly killed TWICE, her mother began being a struggle, she'd been thrown aside and trying her best to stop her, her boyfriend is not doing well, neither is anyone else (can't blame them) and the fact that she hadn't cried or spoke much about this situation to anyone a single time?? She IS upset about every single thing, yet she stays strong and enduring every bit of torture. The most she did was tell Jayce that Ambessa put her palm on the table, and let him know that she is going to push for hextech. That's it, nothing remotely related to her feelings.

The fact that she was constantly looking at Caitlyn, being able to understand her grief and knew she was in pain?? Mel knows this feeling. She'd went through it.

And in the end SHE has to pay the price of her mothers incompetence.

The intro is very much foreshadowing, we know the hands represent black rose/LeBlanc.

This is what happens in act one, she gets kidnapped by them. The lyrics do correspond to the characters as well (not just Mel, everyone.)

"Tell you you're the greatest" plays as a petal of the black rose floats down the screen, I think it adds significance to the power this organization holds, possibly the Medardas greatest foe.

"But once you turn, they hate us" both Ambessa and Mel were present in this line, I think its foreshadowing for when Ambessa switches up for whatever reason and goes against both Piltover AND Zaun. And Mel WILL go through change as well, a change that could hurt her relationship with others, and receive interest from others too.

"They hate us" could be read individually too, I feel like its a sort of "realization" ?? Perhaps Ambessa WASN'T the one that switched up, maybe Piltover switched up on them, and maybe Mel JUST got out of wherever she's taken to, and saw the mess Ambessa had done to her city??

I think this represents ACT TWO.

The hands pull away and it sort of looks like Mel is fighting back, a "get away from me" type of scream. you know what this reminds me of??

Don't mind me just pushing my Jinx/powder-Mel parallel agenda

Here is when i think Mel truly learns about LeBlanc/BR, she curiously and slowly goes to grab the rose, she learns about the history between her Mother and them, Kinos death, and most of all, learns about HERSELF. The lyrics speak otherwise.

"Pray away, I swear

I'll never be a saint, no way"

This feels like a parallel to caitlyn of sorts if that makes sense. Caitlyn had done everything to try and stop the council from attacking the Undercity, she kept her mouth shut when Jayce asked about Jinxs grenade, she was willing to protect Vi and the undercity, but how many times has she been tossed around? She'd been burned, exploded, kidnapped (god knows what happened during that time) and hit in the face by the same person, her MOTHER died because of the same person. She has every right to go insane. And she is hunting ONE person, which is Jinx. Although she is harming the people around her along the way.

What if Mel goes through a similar situation? Her mother pushed for war in her city, she dragged the enemy along with her even if she didn't mean to, she manipulated everyone around her INCLUDING Jayce, she LITERALLY got Mel hurt from the chembarons attack and killed so many people during a MEMORIAL to get her hextech weapons, Elora is most likely DEAD, not to mention whatever happened in the past between them. And the thing is, this will NEVER end throughout the entire season.

And what if she learns what she is? That she's 'blessed' by Kindred? The fact that the wolf is quite literally in her blood?

I feel like the "ill never be a saint, no way" also sort of indicates Mel will realize she'll never be able to push for peace and mercy like she always hoped for no matter what, and she comes to accept that as much as it hurts. But not like how ambessa accepted the wolf, but she sort of realizes she needs to push a little violence, towards nobody but the one and only, Ambessa "fine, if you want me to be like you, I guess I'll be like you towards YOU." Type of acceptance.

I think its also related to Mels new outfit too, she's dressed like her mother, in red and all of that. I will still stand by the idea that she has plans to decieve, but she will do something she doesn't want to do.

Mel was left with no choice, that lyric sounds like realization, acceptance, but also like a plea at the same time, an "I'll never be who I wanted to be" because in the end, she's still a Medarda, she's still her mothers daughter, she still has violence in her veins, she will never not suffer from the weight her name holds, and she will never escape it either, its like a shadow.

The Characters won't be themselves at their core this season. And those vital parts of their characters that represent them are no longer there in the intro, they all have given up what makes them, THEM design wise. (e.g.) Vi without her tattoo, Viktor hiding his identity with the mask. And the thing is, they did that to themselves because they do self-harm, they're changing themselves because THEY want to, they're forcing themselves to do that, they think they're undeserving and they're erasing their past selves.

But Mel? Mel doesn't have her gold accessories, Jewelry, or her Armor, she'd been stripped bare and hidden away because of the brutality of her name. She pays the price her mother brought to HER city. She's forced to change herself against her will, because nobody is giving her a chance to push for her ideals.

This entire theory never ends, and with all of this? I kinda do see Mel actually committing Matricide, it lifts the "Ambessa will die" theory further.

[aureliaeiter]

Polytheists from the US: please stop fear mongering

I wanna start this post by saying that, as a bisexual woman, I do feel for my fellow women and LGBT people in the US, as well as for other minorities. I also fear for all of us around the world, as US politics have a direct impact in all countries.

However, please stop projecting your fears on the gods. If you think the gods suddenly became angry after the elections, after everything the world has gone through this year, that means you think the gods care more about you than they do about everyone else. And that's not okay.

1. You're the centre of the world. Please don't be entitled.

As I said, whatever the US does has an impact everywhere. That doesn't mean we need to extrapolate that into religion.

There are two things that have happened this year that would directly impact the gods. One was Mt Olympus burning in August. The other is an Israeli airstrike nearly hitting the Temple of Bacchus in Baalbek. I saw ZERO posts about the gods being angry about that. Or about the gods being angry at all. I understand you can't read the news about every country ever, but at least try to keep up with the country your religion comes from?

To those two things I said, I could add others that don't impact the gods directly like Palestine, Lebanon and Ukraine getting b0mbed; Argentina, Brazil, Greece, Poland, Austria, Spain and many other countries having deadly fires and floods; the rights of Italian LGBT people being set years back by their current PM, as well as LGBT people in some countries not having rights at all; conservative politicians being elected all over the world; WOMEN BEING BANNED FROM SPEAKING IN AFGHANISTAN; Pakistani Pagan tribes being targeted; the whole Gisèle Pelicot case... I could go on and on and on because there's just too much stuff going on in the world.

If you think none of these things would make the gods go angry, but the moment something happens in your country they're suddenly angry then that's an issue. And if you're trying to make this into a collective truth then you're making it everyone else's issue.

2. This is not an Abrahamic religion.

I understand many of you come from an Abrahamic background. I was raised in a deeply Catholic country. In the type of town where people get their favourite apparition or Mary tattooed. So I understand. But you have to somehow unlearn that when it comes to things like these.

The gods are not angry at you. Why would they be? Did you personally do something to offend them? Did you steal from their temple? Did you brag about being better than them in any way? I'm sure you didn't. So why would they be angry?

If you start saying things like “the gods are angry because of this!!” you sound just like the Christians who repeat Christ is coming soon everytime any type of natural catastrophe happens. Please stop. You're making all of us look crazy.

And also, what do you gain from this? Making other people upset? Especially those who just came into this religion and might think the gods are angry at them? It'd be fine if you posted something like “let's pray for our fellow Americans” but this doesn't make any sense. I just don't understand you people sometimes.

Also if you're gonna reply to this post by saying something along the lines of “people are allowed to talk about their feelings” then delete the comment because it shows you have little reading comprehension.

[sugar--brown]

Oh look! Another occasion to babbles about the mechs!

The story Out is terrible for me hard to read (hate sad ending) but soooo interesting. So here's three thoughts (aka fanfiction ideas) I have about it!

First one: How Aurora works. Not like... how mechanically she works or how a moon/ship can have blood and teeth. But in a way of: how did she "transitionned" (I don't have a better word in my vocabulary) from organic moon to metallic ship.

How does it feel? How do your conscious work? Is opening a door, changing the temperature, activating reactors, the same thing as flexing a finger for us?

My idea is Aurora could be compared as a mecha, but she had fused with it. The mecha became part of her body in a way. She has her own conscious, she can control everything aboard, but not in a God way. More like she was sitting in a room surrounded by screen, computers, buttons and switches. Metaphorically of course.

Over the centuries, she became really good at keeping an eye at all the screens. At managing all the buttons and switches. At making quick researchs on the computers.

But she's still one concious forced to fuse with a machine she is foreign to. She can't focus on all the screens at once, she can't activates all buttons and switches, and she can’t make infinite researches at the same time.

So. It means that on the outside, Aurora is not organic. She's a machine. A machine that can be fixed, repaired, changed, and put new programs in.

But it also means that fundamentally, she is organic. She is messy like the beings Nastya doesn't like (cf gender rebels). She can break up with her. She can choose to go save a mortal if she wants to. She is still the little moon Carmilla raised.

Nastya's ability to consider relationship with machines to the same level of telationship with organic beings is a true blessing for her. Because she is stuck in this weird inbetween of considering herself like an organic beings, but being seen as a machine by everyone around her. The mechs included. Except Nastya, who doesn't care if she is a machine: she loves Aurora.

That brought us to the second thought: Nastya actually cares. Deeply. Too much.

Like we know, Nastya finds organic beings messy and unpredictable. And like OP said, Nastya grew up in a world where machines is more familiar than anything else for her.

I think for a long time, Nastya pretended that Aurora is purely a machine. She talks about improving her ai, she calls her "the aurora, our starship", and never corrects anyone on that fact.

She lashes on her because Aurora was familiar, safe, and honestly between murderous Jonny, vampire Carmilla, and starship Aurora, she was the most capable of understanding toward Nastya.

But Aurora wasn't cyberian. In fact, cyberians were her abusers. So, even if she loves Nastya dearly and will never totally go back to her moon-self, it's understandable that she tries to get back what had been stripped off her. Her autonomy, her independance, her sense of self. First by acting like organic being with Nastya (cf break up), then my making choices by herself (saving Briar Rose) and finally by replacing cyberian on her.

And Nastya cares. She cares about that cyberian part. Way more than Aurora anticipated. Because for Nastya, that was the start of her relationship with Aurora. That was what made her safe, familiar, and understanding. That was what made her home for Nastya.

So, when there was only a line of cyberian numbers left... Nastya went out. Because Aurora wasn't familiar anymore.

And this is my final point: Nastya's problem has nothing to do with Aurora. Aurora is just a symptom.

Nastya deeply fear challenges and changements.

Think about it. She grew up in a false utopy, then violently murdered by someone she trusted, and brought back to life by a vampire scientist and her weird violent son. That's a lot of changes. Too much for a young reclused princess.

This is the root of Nastya's traumas. In an instant, all she knew was destroyed. And all because of messy and organic beings. All was good, until at the first problem everything comes crashing down forever.

I doubt she talked about it to anyone. Jonny seems genuinely surprised by her departure, having no idea she felt this bad to the point of not coming back forever.

Aurora was just the last straw. The last rampart between Nastya and the problems she ran away all of her immortal life. Aurora was the last illusion of something which is safe and will never ever change no matter what. Something which she could hold on to without fearing treason.

So, when Aurora did the only thing that Nastya fears - changing - she snaps. A lot of things could have brought up her trauma in a way she couldn't had been able to ignore. But the fact that it was the love of her life who made her snap pushed her to do something irrational.

Not in the panic. I mean, she saw Aurora changed over the milleniums. And Aurora seems more surprised like it was new than angry to have the same argument again.

Nastya had ruminated alone her traumas, mistrust, and fear of challenges, changes, and organic beings so much that she went Out.

Not because of Aurora, but because Nastya had never been fine in the first place.

It's no wonder Out happened when you really think about it. Nastya doesn't like organic life because it's complicated, it can break, sometimes it's even unfixable.

quote from gender rebels

Nastya is in love with Aurora, and in saying that she is saying "you are not organic life, I can deal with you because you are metal and algorithm and predictable" - we can see this in bedtime story when she says she'll tweak Aurora's story creation algorithm

screenshot from A Bedtime Story

Aurora is not inorganic. She is not ai. She is a space moon made of flesh and blood and teeth and bone. She is not an ai. She is a body that was taken and stripped of autonomy, of the right to self identify, of the right to think- to be imperfect and organic.

The metal is a veneer that hides how messy and traumatized and unfixable she is. From the outside she is a starship. From the inside she can still bleed.

And this makes them fundamentally incompatible. But yet, they are in love.

And really, it's no wonder Nastya fell in love with Aurora. Let's take a look at Nastya's home planet, or at least home society:

"Terminals were scattered across the planet. There was one on every street corner, one beneath every lamppost and one in every commune block." "The midwife-machine performs a series of programmed manœuvres to quieten [the baby]. It cradles it and hums at several pitches until it finds one that seems most soothing. Mechanical arms stroke the baby’s flesh even as others start the process of implanting augmented reality interfaces into its nervous system." "The Czar an atrophied frame, never present in the real world and worn to dust by the chemical compounds that kept his brain alive so it could live forever in a perfect virtual paradise. The Rabotnik a copy, a mind preserved unchanging in the instant before its death and placed in an everlasting metal frame." (Cyberian Demons)

Its safe to say the world Nastya was born into, from the very minute she was born, was ridden with technology. She has augmented reality interfaces inplanted into her from birth. It would stand to reason that being taken from this society, wherein technology is everywhere, inside and out, would stand for a bit of a shock.

Aurora too had been augmented by the Cyberia.

While it is stated that the last time Nastya had used the ports themselves was directly before her death — "The last time she had used the ports, her tutor had ripped them out of her as the rebels stormed the palace" — Aurora is laced with Cyberian technology. I'd imagine she has something of a 'bluetooth wireless connection' with Aurora, rather than the physical data transfer of files between the ports and Nastya, it may as well be similar enough.

Imagine being Nastya, going from Cyberia, wherein there is augmented reality contantly, transplanted onto a ship with metal blood, a jonny, and a vampire. To Aurora, where the only bits of augmented reality run through Aurora.

Of course she'd fall in love with her. Aurora is familiarity. Aurora isn't organic. Aurora isn't human.

And of course when the undeniable part of aurora that is organic, that is a flesh moon plated in metal with her brain hooked to machines, when so much has broken and been replaced, when, presumably, aurora is less of an algorithm, nastya leaves with the brand cyberia left on her.

Because Aurora healing, becoming more of herself and less of a starship, is messy, and organic, and human.

and hard for nastya.

‘Think how long she’s been flying you around. Think how many bullet holes you’ve punched through her and how many atmospheres you’ve dropped her through. Think how many alterations and improvements we’ve made, Tim to her guns and Ashes to her storage and Brian to her engines and the Toy Soldier to who knows what. How much do you think is left of her after all she’s brought you through?’ Nastya held up the ancient, battered piece of hull plating. Just visible under the grime and scars of particles of space junk was a fragment of the Aurora’s original logo and serial number. Jonny honestly couldn’t remember the last time he had seen a version that hadn’t been painted by the Mechanisms themselves. ‘So she’s free, now.’ Nastya gestured around at the spaceship they were standing in. ‘This Aurora can take you where you want to go. I’m going to take my Aurora somewhere else.’

Aurora was ship of theseus'd. Aurora was improved. Aurora was no longer cyberian. (both literally, and metaphorically)

So nastya left.

[yanmuffins]

Hey there

Im actually gonna talk about your other series

I'm super curious for the yandere Batfam dynamic was they find our reader is a vampire, I kinda like the idea of reversing the typical vampire creepiness and instead of us, is the Batfam that really enjoy feeling the reader drinking their blood and each one figure out a way to convince reader.

For example let's say Cassandra manages to figure out which days your instincts are at the strongest so those days she always makes sure it's her turn to stay in the manor to keep guard and make sure you don't escape while the others are doing vigilante stuff

context.

oooooh vampire! reader ask!!! mild spoilers for future fic, gotham by night.

i'm honestly so excited to see where this story will go. this reader will not only have to deal with batfam issues, but also being introduced to a completely new world of vampires and deal with sire issues on top of daddy issues. she's having a great time (not)!

but tbh, i don't think reader would drink the batfam's blood. she would find the idea of feeding on her family extremely gross, and unnecessary, since there's other methods out there. it could be a last-resort thing, if she was starving and close to frenzy, but even then that would be something she would hate to do, as there is a risk of killing them accidentally.

and one of the main conflicts in this fic is yandere! platonic! batfam just not understanding (obviously, since they've never been exposed to it) the richness and intricacies of vampire culture, practices and social dynamics, leading to them to mishandle reader and her new condition as a vampire pretty badly. not only that, but batfam essentially kidnapping reader from her sire (who had also kidanpped her btw) messes up her self-discovery process as a vampire. oh, and a possible masquerade breach! disastrous.

but i can see the batfamily starving reader on purpose, to get her to drink their blood, saying it's safer for her to get used to drinking from her family so she doesn't feel tempted to attack innocent civilians. and she's yelling that that's not how any of this works, but they won't listen. yup, that's diabolical.

you see, this concept pretty much follows v*mpire t*e m*squ*rad* mechanics. and according to established lore, we have a variety of predator types: one of them being bagger, referring to vampires who prefer to consume blood through blood bags instead of live human bodies. this would be convenient for both reader and batfam, but mostly batfam since they could just arrange reader an endless supply of blood bags with ease.

we also have consensualists, who do not feed against their victim's free will (the lines of consent and free will might still be murky, lest they straight up admit they're a vampire looking for blood and won't you please spare some) and sirens, who seduce their victims! i'm not entirely sure which predator type vampire! reader will be, but i'm leaning heavily towards bagger, meaning she doesn't have a preference for biting necks. but who knows?

to be fair, it's a big adjusment for batfam. you were being weird before you got kidnapped (and embraced), and it takes a while and reader almost going into frenzy (aka vampiric reaction to situations of extreme stress, like starvation) for them to find out, holy shit, she's a fucking vampire now! that's what happened! and they can't just... let you go. the situation is complicated. the person who turned you is still out there, and you're unpredictable, and this wouldn't have happened if they just paid more attention to you! so let them keep you safe (captive) and provided for.

ALTERNATIVELY, deviating a bit from the original concept where reader is taken by her sire and then taken by the batfam straight back into captivity, we could have reader being so neglected and ignored in the family that they just don't notice she's been turned, and she gets time to go through a complete change in personality and confidence, and involve herself with the social and political webs of vampire society that wants to establish itself in gotham. it's not drastically different direction for this concept to go, because either way reader will be thrown in the world of darkness (ha), except here the kidnapping happens after she comes contact into it and in the paragraph above it happens before.

reader escapes them either way, cause she's a vampire ofc, and the batfam didn't have enough time and info to prepare and keep reader sufficiently trapped. they'll keep an eye on her, though.

either way, there's room for yandere madness, dark content, neglectful batfamily drama, sociopolitical vampire drama, vampire! reader being cunty, and all that in both ideas, which aren't that different, really.. i'm not sure! sorry for rambling. it's still a work in progress but i'm very excited for it.

[magpod-confessions]

alright got a new bone to pick with an anon who pulled up the tma transcripts as 'proof' Jon is completely celibate and said that people are 'trying to erase canon asexuality'

apologies for bringing up discourse but this person is just so. Noejvneojekjdcmekfv.

anon idk who you are but that. Is NOT the solid, concrete proof you think it is.

like.

out of context, yes, it means Jon doesn't have sex.

however IN context (and even a bit out of, bc of 'according to Georgie') it. Only really serves to gently imply, yes, Jon is ace. And the writers did in fact clarify, yes, Jon is ace, and fans can do with that fact what they please.

And I would like to remind y'all:

Melanie fucking hates Jon around the time this line is said. And she is getting her information from Georgie, who is Jon's EX, who hadn't spoken to him in YEARS.

it's second hand information.

it's not concrete.

hell, if the writers didn't even clarify that Jon was ace people would've probably just. Ignored the line all together bc it's SECOND HAND INFORMATION.

I love the fact that Jon is ace. And I love how a good chunk of his asexuality isn't really explain. Bc then we get to interpret things, and project.

no one is trying to say he's not actually ace. Especially not fic writers. Most smut writers who have Jon in their fics are themselves ace, and are projecting.

Anon, did we even listen to the same podcast? Bc I'm pretty sure a good chunk of it is understood from reading between the lines, and context clues, and understanding not every character knows everything at all times, and to take character accounts with a grain of salt especially when it comes to office gossip and that gossip ≠ gospel.

again, I am not trying to say "this is why Jon is allowed to fuck in fics" no im saying that to try and say these smut fics are erasing a sexuality that is hardly even mentioned and not at all really relavent to the whole story is just wrong. It's incorrect.

people are allowed to write what they write. You don't need a reason. And as readers it is NOT our place to go after creators who are writing what they please, especially when it isn't even in bad faith. It's also not our place to assume and "call out" people on baseless assumptions of them "trying to erase or explain away the TRUTH"

so yes, anon, it IS a vague and ambigouaous representation bc if you took even a moment to look back on s3 you'd realize that EVERYTHING IS VAGUE AND AMBIGUOUS BC WERE LISTENING TO THE VAGYE AND AMBIGUOUS PODCAST

Yes, Jon is ace.

yes, the writers said you can put any acespec label or hc on it, and that such is all valid.

yes, one character one time said Jon 'doesnt'

no, that doesn't mean that all writers or creators or artists or whatever have to abide by "doesn't."

again, mods, sorry to bring up discourse.

.

[cull3nblaze]

I´m sorry for the long rant but I´ve really had it now, I think

The Buddie fandom as it is right now, including their outcrops in the media, is the product of Tim, Fox/ABC and also the cast and I´m no longer hesitating saying that. It is crazy how accomodating everybody still is towards them, how nobody ever says anything when they´ve crossed the line so many times. The level it reached during the last hiatus is unreal. Even now, AFTER they got what they were clamouring for for months they STILL can´t stop spewing bile. And all throughout you have everybody and their mother still pandering to them by liking fanart, not shutting Buddie down (except Ryan), by not defending any of the actors that played LI. Hell, Oliver either pretended they don´t exist or, in the case of Taylors actress, even joined with shade posts he deleted after everbody had enough time to screenshot them.

Every step of the way they got rewarded for behaving like animals and at this point I lay the blame no longer on clearly unwell people on the internet but on the people who allowed this to get to the level it has. Instead of denying certain questions or even whole interviewers, instead of filtering comments, instead of being for once unambiguous in discribing Eddie and Bucks relationship, instead of saying one word in defence of any of the actors that got shat on, everybody involved keeps their mouth shut and does their damndest to not offend that crowd. And the baiting, baiting, baiting. For fucks sake: Nearly every scene of Buck and Tommy included Eddie either being there or being mentioned. Nobody will ever convince me that this was anything other than a tip of the hat for these people. The latest post on 911 IG is just fucked up.

I´m at the point where I want this to be their last season and I want the spin off to tank as well. As for the actors- most will be fine and the rest won´t be missed.

I totally get your frustration, no need to apologize for ranting.

What I don't understand either is...according to them they won. Lou is gone, Buck single again, the last scene of the episode was a buddie scene...why still behaving so vile, still harassing Lou for posting something related to SWAT? Why are they so obsessed with him? I mean I get the obsession but in a completely different way 🤪

Why do people invest so much time to hate something? If I don't like it, I ignore it or I quit or whatever and concentrate on the things that I love. It's so much easier and healthier.

At the end of the day, they will not get their happily ever after either. They will keep being loud and aggressive. And as long as the show rewards them for behaving this way, they will stay.

[tlbodine]

Tips for Talking to Conservative Friends & Family

In the wake of the election, with the holidays around the corner, some of you may be wondering how to deal with friends, family members, coworkers, etc. who voted for Trump and/or who espouse his policies.

This guide is by no means meant to be authoritative and won't work in every circumstance. I accept no responsibility for what happens if you use any scripts and it goes horribly awry. But I did want to share some of my personal experience in this vein, as someone with a great deal of conservative people in my life whom I generally love and respect and would like to maintain a civil relationship with (and, hopefully, bring them back to center if not my side). I've had decent luck with these strategies in the past.

First: Only engage if it is safe to do so.

Do not get into political discussions that might endanger your job, your living situation, your access to care, or your physical and emotional safety. However, do engage if you are able to do so safely and your doing so might help someone in a more vulnerable position. What the fuck is privilege for if not using it to protect people?

Second: Identify your goal.

Do you want to de-escalate a situation so someone can get out of immediate danger? Do you want to establish a boundary? Or do you want to actually attempt to convert someone over to your side? Each goal has different tactics. Be realistic with yourself about what you're going to accomplish. If you do not have a close relationship with the person, you are extremely unlikely to change their mind about anything, and it's frankly not worth the effort. Let someone who is close to them do that work. De-escalate, set a boundary if possible, and gtfo.

But if you do have a close relationship -- if this person generally likes and respects you -- then you might have a shot at challenging their views.

We're going to assume a scenario where you're dealing with people you know and who you can generally count on not to be immediately aggressive. Somebody else will be better-equipped to talk about strategies for dealing with protests and people on the street etc.

De-Escalation & Setting Boundaries

This is your first line of defense against family members acting shitty. If someone tries to start a debate, makes an off-color joke or comment, or is otherwise behaving inappropriately, try:

Let's not talk about this over dinner.

I don't think this is appropriate conversation right now.

That's an awful thing to say.

I don't understand that joke, can you explain why it's funny?

I'm sorry, I won't listen to any more of this (leave the room)

That's not okay.

What you want to do here is make an appeal to correct standards of behavior. You want them to feel ashamed for acting out of line. In order to make this work, it is essential that you:

Remain calm and keep an even, light-but-firm tone of voice. It needs to be clear that you're not joking around, but you also cannot sound upset. (Yes, this is really hard. I'm sorry.) Practice your very best "I'm not angry, just disappointed" tone for maximum effect. If you can manage it, eye contact and a neutral or even slightly concerned or sad expression will make it even better.

Avoid insulting or attacking them. Do not say things like, "Stop being an asshole" or "I can't believe you're acting like this" no matter how much you want to. Do not say "That's racist/sexist/ableist/homophobic." These types of replies, no matter how accurate, will make them defensive, and defensive people shut down and stop listening. If you come off as angry, that gives THEM permission to be angry right back. But if you come off as the normal one, them getting angry makes them look like a dick.

Do not laugh. Avoid the urge to chuckle nervously or joke it off. It WILL feel uncomfortable. It WILL be awkward as fuck. That's the point. They are misbehaving by violating a standard of appropriate behavior, and you are setting down a boundary. The awkwardness will fade and, frankly, they'll often start behaving better pretty much immediately.

Follow through on your consequences. If you say, "Dad, if you continue to bring up Trump, I will not call you anymore," you have to stick to it. Holding firm to your boundaries is HARD AS FUCK but if you don't do it then all you do is teach them that they can wear you down. Think of it like training a dog. Consistency is key.

You're not going to change anybody's closely-held beliefs with this strategy, but you WILL make a case for what is allowable around you. If you model this behavior, and encourage and embolden other people you know to do the same, you might be surprised. A lot of times, people's inappropriate behavior is a boundary-testing mechanism -- they tell the racist joke because they want to see if they can get away with it -- and if you shut them down, they often just...stop. Or at least retreat into their little hole to talk to fellow gremlins instead of you.

Challenging Views, Changing Minds

Okay. You actually want to engage them in conversation. You want to challenge their views and help them change their opinion. How do you do that?

Again, it's essential that you remain calm. If you can't have this discussion without getting heated, it's not the time to have the discussion. If they start to get heated, be prepared to de-escalate and walk away: "I cannot continue this conversation with you right now. Let's talk again some other time when we've cooled off."

But if you can keep calm, here is what actually works (sometimes):

Listen to them. No, really. Hear them out.

Help them feel heard by empathizing with them. Repeat back your understanding of what they said and how that must feel.

Remind them that for other people, THEY are feeling xyz emotion, too.

Ask them questions. Instead of telling them they're wrong, ask questions that will lead them to draw that conclusion themselves.

Make appeals to emotion rather than starting with facts and logic. You'll know what kind of emotion to draw on because you've been listening to them and empathizing. Hint: almost always, bigotry (at the personal level) is rooted in fear.

If this is going well, THEN you can start citing some sources, statistics, and facts.

Invite them to share THEIR sources with you.

Thank them for doing such a good job at being calm and discussing this with you, reaffirm your close relationship, and encourage them to come talk to you about this at any time. It's very possible that you are the only person they might feel safe bringing this stuff up to now and you want to keep that channel of communication open.

Very often (not always, or often), conservative-leaning individuals are people who lack the education or knowledge that left-leaning people do. They may be accustomed to being insulted, yelled at, and made to feel stupid. They are conditioned to believe that folks on the left are smug, holier-than-thou, stuck-up assholes. Whatever you can do to poke a hole in that perception will simultaneously make it easier to talk to them AND cause them to question that rhetoric the next time they encounter it.

This tactic won't always work. It probably won't work at all the first conversation. It's something you'll have to chip away at over time. But sometimes, it's worth it.

And if it's not? Well. As they say.

[nyapollo]

here's a hot take: as a buddie fan, I don't hate tommy kinard and the intense hatred towards him honestly kinda annoys me

was i rooting for tommy x buck to be endgame? absolutely not. but i didnt hate the guy

i understand the tommy hatred in the lens of his past racism because. that was for sure... odd! and although i can say, "well, hen & chim clearly forgave him for allat and if he hadn't changed then there would have been more backlash to eddie & buck casually hanging out with him," i feel like that's not the major reason most buddie fans hate him.

this is, again, repeating the cycle of having a favorite MLM ship being "broken up" by a love interest of one of the guys, causing massive fandom hatred. but, of course, they can't hate someone for no reason, so they nitpick every line that the character has said and try to find something slightly off that is at least *a* reason to hate them.

at the end of the day, i could really care less if somebody hates tommy. i mean, yeah, im writing a whole tumblr post about it right now, but this isn't going to effect my life in a major way. the biggest thing that actually bothers me is that a lot of tommy haters are just straight up calling lou ferrigno jr ugly (but in very mean ways).

i haven't seen it on tumblr as much as i have tiktok, but my personal favorite (its not) is them calling him a dinosaur. this is where it crosses the line for me. is it likely that lou ferrigno jr will see these tiktoks and be sad? No. but this contributes to a problem that i see so incredibly often, which is: people don't understand how to seperate the actor from the character, and see actors as nothing more than people on their screen rather than real human beings.

actors are real human beings. even though they probably won't see your post about how you think they're ugly as shit, other people will. maybe other people who have the features that you are calling ugly as shit. i also just think its incredibly inhumane to start nitpicking every single little thing about one person because you don't like the character they play on tv.

hate tommy kinard *as a character* all you want, it doesn't hurt anyone. what DOES hurt people is when you start critiquing people's looks and calling them ugly. i really didn't think i had to say this out loud, because i thought everyone had come to a consensus on this but.. i guess not!

tldr: as a buddie shipper, i never really liked tevan as a ship, but i hate the constant hate on tommy kinard because it goes back to the era of "hating every female love interest that gets in the way of your gay ship" and additionally, people not being able to seperate the character from the actor.

[batmanisagatewaydrug]

Hi! I'd like to hear more of your thoughts on Rebecca and Eric from "Luster" by Raven Leilani. I just reread it recently and yeah, it is incredible (saying this as an almost 23-year-old Black woman that sort of identifies with Edie).

I really enjoy both Rebecca and Eric as characters - and within their separate relationships to Edie. However, it's really hard for me to understand which scenes/instances - besides the obvious humiliation they both participate in in regards to Edie - that show explicitly Rebecca's issues with rage and Eric's more absolute loserish tendencies.

I mean, I'm not completely unaware of the unsavory ways in which they act; not going to list them all out. But some of the reviews - including yours - and even interviews with Raven Leilani that talk more about the characters, don't go as in-depth as I'm looking for. I feel like the ogre reading Joyce :(

[The lines from the book I've been thinking of most often - though not my favorites are Eric saying "I don't think of you as a person at all" and (I'm gonna get the wording kind of wrong, but) "I cry everywhere and often" near the beginning of the book]

I hope this is asking too much. I really enjoyed your review and I'm already kind of looking forward to reading it again because of it <3

hi anon,

well Rebecca, to me, is impossible to read as anything BUT a white woman hitting middle age and realizing that she made all the "right" choices - she has a job that pays well and she married a stable man and together they adopted a child and got a good house in a good (read: white) neighborhood - and still isn't actually happy with her life.

I mean, what does Rebecca actually have going on? she's exercising furious control over her body via furious physical activity because it's one of the only things she can feel in charge of. she pushes the same on her daughter, making a child count calories in a way that's absolutely going to give her a complex. she didn't want the child in the first place; she tells Edie verbatim that she never wanted to be a mother and while I do think she cares about Akila's well-being I think she also knows that she's wildly ill-equipped trying to parent a traumatized Black girl. she's in an "open" marriage that reeks of "we either had to open the marriage or get divorced" that she micromanages from afar so that Eric gets as little freedom as possible with Edie in the early stage of their relationship; Rebecca doesn't actually want Eric to fuck someone else, she wants him to get tired of trying and come back to her.

after the initial humiliation of trapping Edie at their anniversary party Rebecca remains emotionally distant towards her; even after she invites Edie to stay in her house she stays mercurial and her mood is subject to switch on a dime, always falling back into little power plays to remind Edie she's in charge, because Edie is a safer and easier target for Rebecca's pent up frustrations than her husband or daughter. she's exactly warm enough to Edie to make it hurt more when she's callous and mean, which I don't think is strictly intentional (I don't think Rebecca consciously knows what the hell she's trying to get out of their dynamic, either) but is still an extremely shitty way to treat a vulnerable young woman who's currently completely dependent on her for shelter.

arguably the most relaxed we ever see her is when she takes Edie to a mosh pit, because that's one of the only moments of unrestrained emotional authenticity that Rebecca gets to have - and it's wildly outside the norm of her day to day life, something that she's supposed to have left behind when she started dating Eric. Rebecca is so furiously dissatisfied with everything about her life and I frankly think she'd be happier if she disappeared in the night to go be a bartender or a roadie and never saw her husband or daughter again, but she'll never do that because you Can't do that, not if you're a respectable woman trying to cling to the signifiers of success that you worked so hard for.

re: Eric being a loser I really don't know what I need to cite other than him having a wife and a girlfriend and not treating either of them well tbh

[puff0o0]

Gromsko Dating HC

Flirting

♡ When I tell you that this man is so serious when he flirts with you, i mean it. It started off as just simple compliments- complimenting your skills if you're a soldier, complimenting new clothes, comparing hand sizes (yes he's one of those guys, it gives him an excuse to hold your hand and he takes it)

♡ Eventually it becomes less subtle and more bold, bad picku up lines to make you laugh despite him meaning every single word, just straight up holding your hand, complimenting every part of you. Many would think you're already dating, especially if you flirt back

♡ When you do, or if you do flirt back, he has to stop himself from going wild. His heart is beating in his chest, his hands are stiffening, he loves you so much and now it's hitting him full force

Dating

♡ He confessed first, making sure it was perfect for you and him. The scenery had to be perfect for both you and him- if you're someone who hated being around people it was in a secluded place, if you were someone who preferred staying outside, it was outside. He wanted this to feel just as great as it felt for him

♡ When you accepted his confession, he wrapped his arms around you tightly and held you as close as possible, thanking you for giving him such happiness. You gave him even more life than he had just moments before

♡ He loves PDA, but if you don't he's fine with not giving it to you. But he will still have a hand on you somehow, whether it be hand holding or finding an excuse to lead you somewhere so he can hold your hand or the small of your back

♡ He loves using nicknames and he also loves recieving nicknames. Any nicknames are fine with him, even if they're satire ones like babygirl or male wife (he will most likely die if you address him as husband in any way however. It is his favorite above all else)

♡ If there is ever a moment where you're sad or hurt, he does everything he can to make you feel better. Usually it's watching comedies or just doing something you want to do, but he understands that sometimes you just want to be held and he will gladly do that for you

Dates

♡ They're usually always fancy and at restaurants that you both like. He saves up a lot of money specifically for these dates. He wants you to feel like royalty, and what better way to do that?

♡ If you don't like restaurant dates, he keeps that in mind. He then goes for dates at the zoo or the aquarium, ice cream dates, sweet and simple stuff like that. Anything that brings a smile on your face is enough to add 5 years to his life. He does everything he possibly can

♡ If you're not having fun at a date, he will quickly move locations. He has a backup plan to his backup plan to his back plan. He wants it to be perfect for you!

[quicksilversnails]

Yeah I have a lot of mixed feelings on this ending honestly, so it's good to see some discussion on it.

The main ideas I think Your New World focuses on are your own agency (as mentioned previously), your total embrace of godhood (unlike Unending Dawn, where you return to the cabin and have the option to say you didn't want to be a god), and that you are completely, permanently, alone.

To get to the ending you must violently destroy Shifty and undermine any connection you had with her vessels. Your voices don't return (in contrast to Unending Dawn). While you need the Hero to slay the Princess in the cabin, in Your New World you don't need him or any of the voices. You even separate yourself from the Narrator: calling him a lesser thing that could never hope to understand you.

That solitude is highlighted in the internal narration too, reading "She is gone. And you are truly alone. But there are worse things to be than alone." That line is chilling honestly...

I think the final line calling back to Shifty is also insightful, asking "What textures will you weave for yourself to occupy forever?" Shifty says it after you choose to wait forever, to place yourself in a box and intentionally leave yourself incomplete. Meanwhile in Your New World you've chosen to exist forever, leaving behind Shifty, the vessels, the voices, the Narrator, your connection to humanity, any emotional connection you might've had to the events that led up to this point. Although you've woken up to your godhood, are you not left incomplete? The biggest difference is that now, there is nobody left to patiently wait by your side.

Addressing the question of why exerting our agency requires being so cruel to the Princess, I think it's partly because it... isn't required. It actually reminds me of the option to drop the Cage's head (which is also a valid option for getting Your New World btw). The whole chapter explores the concept of agency and your ability to make choices, and this option appears if you remark on your lack of free will before leaving. Choosing it is an expression of agency, yes, but it's hollow. You isolate yourself by exerting the control you do have on someone who's as trapped as you are, instead of turning against the system that represses you both.

If expressing agency through leaving with her is The Unknown Together, then expressing agency by tossing her aside is Your New World. Both options exist, and you have the power to make your own decisions, but simply having agency doesn't stop the choice to excise a part of yourself from leaving you hollow and alone.

As far as criticism goes, your ability to effortlessly destroy Shifty felt out of balance to me too on first impressions... but I think I can justify it to myself for a few reasons:

1. Shifty never wanted to destroy you. Even as she initiates your fight leading to the new ending, she still doesn't want to destroy you, pleading for you not to "do this to yourself". She fights you because it's how she finds meaning and because she wants you to understand her. When you fight each other before Your New World, you're doing it with entirely different intentions

2. To get this ending, you have to selectively choose options that detach yourself from Shifty and her vessels, and position yourself as being above her. If you hadn't chosen those options, the game doesn't give you the ability to fight her, but I also don't think you would have succeeded if you'd tried. The gnats against your divine skin wouldn't have felt like gnats, because they were Her.

3. The Narrator tells you that you were created with the sole purpose of destroying Her, and that you are still wholly capable of doing so even after waking up to godhood. If there was a single skill that you could hone in on by embracing godhood, I suppose it would be the ability to destroy her.

(Still feels a little bad the way she's defeated in a single line, but I can accept it)

If anything, the one part of the ending that really doesn't sit right with me is how if you offer her your hand, you get redirected to The Unknown Together ending with minimal changes. The blade's not even in the cabin! The Unknown Together is literally your only option. On one hand I can see how this setup draws parallels between the two endings, and I understand that the blade is missing because you've already chosen to spare Shifty (therefore the choice was already made), but to get to that point at all you have to go out of your way to hurt the vessels! In the fight, you have to select every possible dialogue option to recontextualize the routes to imply that you never cared for her in the first place! To go through all of that, only to tell the Princess how much you missed her and leave with her as if nothing happened feels out of place imo... maybe I'm just missing something though idk

The problem I have with the new ending.

I really don't understand what devs tried to accomplish when they wer making 'Your new world'. Like, the game is about accepting or rejeting change. On one hand we have a Shifting Mound. As an embodiment of change, she's is a key component to keep the reality flowing. So if you take her offer the cycle of death and rebirth of the worlds continues. If you refuse her, you're gonna stay in the same old universe forever. And it made sense!

But Your new world completely undermines the premice of the game by telling you tha you can create a whole new reality on your own, which lore-wise makes The Shifting Mound completely useless. As if she can't exist on her own while TLQ can. There's a clear power imbalance. Even before the Pristine Cut her position as a onmipotent diety was shaky, now she doesn't even seen as equal to TLQ. She doesn't have much agency even at her supposed peak form. She doesn't want to fight us, and even when pushed to do so, she's either getting slain or spared. There is not a singleinstance of her overpowering us.

Her faith is still in the hands of the player(ik it's a game and it's chracters have a will on their own but come on, I expected at least a sempblance of her being in control). We're practically bullying this woman into submission. I am so fucking mad.

[katebishopofearth]

Find Five Lines Tag

thanks for tagging me @queeenpersephone! Your lines made me want to chew my own hand off as always, you write so lyrically.

Rules: find any lines in your WIP or fics that fit each parameter given by the person who tagged you. Then change one of the parameters and tag five or more people.

My lines: a line about desire, a line expressing grief, a line expressing pain, a line that makes you incredibly happy, a line expressing anger

Your lines: a line that's tender, a line that's angsty, a line you didn't like initially but grew on you over time, a line that you think is clever, and a line about regret

A line about desire from iron masks and spider kisses, a fem!tony ironwidow fic (is it an incredibly ace mood that i don't ever write about desire in the conventional sense?)

Gentle – and how could a hand that had spilled so much blood be so gentle? – Natasha laid a hand on the arc reactor. Palm on the glowing surface, fingers spread out. Feeling its slight buzz against her skin and against Toni’s. She traced a finger along the criss-crossing scars, learning the bumps and paths of each.

A line expressing grief from let the river carry my grief (all the way to the sea), a post-Endgame Wanda-centric fic about the five stages of grief

Wanda goes from room to room, drifting like a ghost. She expects to see him around the corner, expects to see him in the kitchen asking her to taste-test something for him, expects him to phase through the wall that separates the room that was his from the one that is (was) hers and curl around her body and hold her until she falls asleep.

But he never does, and she never sleeps, because when she closes her eyes, the only thing she sees is the image of him dying, seared into her brain. 

A line expressing pain from take your leave of me my love (though i beg of you to let me stay), an ironwidow post-Endgame one-shot

“What are you saying?” Her voice trembled. Her shaky grasp on casualness slipped away, and the tears came uncharacteristically easy. She didn’t have the strength to stop them or to put on a brave face. Not anymore.

A line that makes you incredibly happy from Home, a blackbonnet innkeepers era one-shot

“You don’t find our lives…” Ed searched for the right word for a moment before he settled on, “monotonous?”

“Monotonous?” Stede repeated, incredulous. “You’re my greatest adventure, Ed Teach.”

A line expressing anger from hunger, an ironwidow vampire au

But it appeared that Tony was conscious because he hissed, “stay back.” Despite the weakness in his voice there was something feral in it, and Natasha faltered, staying a small distance away. Not nearly far enough to be safe.

He lifted his head and Natasha saw his face for the first time. The circles under his eyes were so dark that they were all but shrouded in shadow, and his eyes were two black coals. He had not fed in a long, long time. 

“What did they do to you?” Natasha’s voice shook – not with fear but with rage. 

[poorly-drawn-mdzs]

Flower Empowered.

[First] Prev <–-> Next

[naggingatlas]

'thats not his role in the story!' hm i wonder what the point of it is then. hm i wonder what the dead pixel scene means. hm i wonder what wrong organ are trying to say with the context of 'awesome male friendship' and 'corporate hell where the only woman onboard is constantly under ridicule, abused or forcibly forgotten yet is the catalyst' if not this. hm i wonder how curly's physical agony being a direct parallel to anya's mental agony, stripped of voice, agency, just like her, and being forced to watch what happens while not doing jack shit, just like he used to, plays a part in this. i wonder what the moral of him being the final girl says about living with the consequences of your inaction, because of sentimentality, because of status, career and social. hm i wonder whatever the fuck this game was trying to say. hm i wonder what else is on this person's blog Oh Lord there's yaoi penice.

[muzzlemouths]

Well, I can't refuse an excuse to indulge lmao. Some of these explanations will have to remain very brief/vague in an attempt to tiptoe around spoilers, but I'll say as much as I can!

Honorary mention to Killers Walk which won't make it onto this list with an explanation because you know I just put it on here for sillies.

Be prepared for this to get pretty long!

(Don't Fear) the Reaper

This one's obvious, but I do want to mention that the change of parentheses placement was purposeful. (Don't) Fear the Reaper as in do, as in you should, as in you have every reason to fear them, but that "(don't)" is meant to imply a whisper from the reapers themselves. A plead. Please don't be scared of me.

One Way or Another

Also pretty obvious, but this one especially made it on to the playlist because I am struck with visions of an animatic of Sun going ham with his axe/knife on the counselors, montage style, every time it plays. It's just so fitting to how giddy and enthusiastic he is when getting his hands dirty. Then there's the final chorus, "One way, or another, I'm gonna lose ya, I'm gonna give you the slip, I'm gonna trick ya," which will be especially relevant in these coming chapters.

Wolf Boy

The first appearance of a modern song! I normally like to keep my au playlists to the era they take place in (take the Dead Mall Dare playlist, for example), but I had to break that habit for this au because there were just too many songs that fit too well to pass up. This being one of them!

The lyrics feel play a play-by-play of the experience thus far. Y/N has many bones to pick with them (murder being just the start), and they would give anything to just forget about this whole event and go back to how their life was before, but it's never that easy. I think "I ain't gonna play the same" touches on Y/N's refusal to look the other way. They had an opportunity to save themselves if they only played along, but they're playing another game entirely, and they don't intend to lose.

"Wolf boy" itself is undeniably clear (I mean, I literally made a Wolf Among Sheep reference last chapter), especially with the line about a puppy becoming a beast. They've seen how Sun switches on a dime, the way he puts his amicability up on the shelf like a prop, and now that you've made your decision, it's your head on the platter.

"Can you dig what I found?" reminds of moments where they first started putting the puzzle pieces together, and most especially when they discovered Jenn's drivers license. They won't be left alone anymore because they can no longer be trusted not to stick their nose where it doesn't belong.

"You think you're some tough stuff, I hope you're happy now," said after three of their friends have now been put to the blade, one way or another. They still don't understand why Sun enjoys their suffering so much, why it makes him happy to see them panic, and with how smug he's been about it all it's really starting to piss Y/N off. There's only so much empathy one can share with a serial killer before it becomes motive.

"If you're gonna huff and puff, I gotta save this town" because they've finally reached their breaking point, and they're prepared to drive the wolf out of town if they have to do it all on their own.

My favorite part about this song is how the vibe of the final chorus changes — and how sudden the change is. To me, this is the musical version of the moment the Final Girl decides it's time to fight back.

Shout

This one, to me, feels like a one-sided conversation between Sun and Y/N. "These are the things I can do without" being his implications of what he is willing to risk, and what he is willing to lose to get the job done. Because he has nothing left to lose, and that makes for a very dangerous person.

"I hope we live to tell the tale" The fish metaphor. The fish metaphor. You understand. "And when you've taken down your guard, if I could change your mind, I'd really love to break your heart" It bears repeating that he is still convinced he can change your mind, and you'll one day see his side of things. He would love nothing more than to wrap things up here and then live out the rest of your lives together as besties. But both of you know that's not going to happen.

Eyes Without a Face

The first song mentioned in the fic! (Actually, the only song actually mentioned in the fic so far. I gotta remedy that.)

"I'm all out of hope, one more bad dream could bring a fall."

"I spent so much time believing all the lies to keep the dream alive"

"Now all I can do is love what was once so alive and new, but it's gone from your eyes. I'd better realize." What can I say except that this guy is depressed and delusional. I hope you pick up on the themes of this one on your own because I keep trying to come up with ways to articulate why this one is important but I just look like a guy with his theory board and red string. Please tell me you understand. please. please. plea

Hungry Like a Wolf

This one is just for funsies. Something something Wolf and Rabbit dynamic. "Strut on a line, it's discord and rhyme" something something he be flipping on that dime again. You get it.

Private Eyes and Somebody's Watching Me

I'm not explaining this one. They're both about stalking and seeing through each other's facades it's not that deep (it is).

Psycho Killer

Come on man.

Dead Man's Party

Oingo Boingo beloved. This one is one of those songs that is a mix of Vibe and Lyrics. Sun would kill somebody to this. It's just bouncy enough to match his vibe perfectly. The lyrics themselves are pretty obvious:

"I'm all dressed up with nowhere to go. Walkin' with a dead man over my shoulder"

"Waiting for an invitation to arrive, goin' to a party where no one's still alive"

"Don't run away, it's only me"

There's more to it of course but alas, spoilers. You'll figure it out.

Dancing With Myself

If DFtR au were a movie this would be on the soundtrack, and yeah, Sun would kill someone to this one too. It makes me think about the times they've made their own company with the forest animals after being made outcasts, and especially when he extends an offer for you to join him— but, ah, that hasn't happened yet, has it?

Personal Jesus

What can I say except that this guy is too smug for his own good, and that kind of self assured vanity can only bring further tragedy. Sun and Moon are convinced that what they're doing is righteous, that it is justified retribution, that they are the heroes of this story. And Sun is personally going to do everything he can to convince you of that.

Bigmouth Strikes Again

"Sweetness, I was only joking when I said I'd like to smash every tooth in your head"

"Sweetness, I was only joking when I said By rights you should be bludgeoned in your bed"

"Now I know how Joan of Arc felt, as the flames rose to her Roman nose and her Walkman started to melt."

This guy is not joking. And his martyr complex is showing.

Tear You Apart

I pointedly look away from the camera. Anyway—

Y'all Want a Single

This one is so self indulgent. I just like to imagine Sun beating the shit out of somebody to this song I'm so sorry. This is the song where he stops playing with his food and just goes balls to the walls.

Who is She

Hey, I drew that vhs poster to this song!

There's just something so eerie about the vibe of this one, and I really enjoy the mental picture it draws of Sun and Moon's opinion of Y/N; how conflicted he is about their presence, how intriguing they are, how their antics are equally exciting and frustrating. This song is about them losing you. You, who they never had to begin with.

#4, Portrait of Mr. Boogie, AHS 1984, The Quarry

Skipping ahead on the list a bit so I can save the best songs for last. These four songs are nothing but atmosphere music for me. They don't personally relate to the story in any way (I mean, they're instrumental, so yknow), and are just songs that I keep on the playlist because I've repeatedly written scenes to them.

#4, specifically, was played while writing out the discovery of Chet's body (for real this time), and I'd like to think it's the song that would play during that scene were this a true slasher film, too.

Run Rabbit Run

Yeah yeah rabbit is in the title. Yeah yeah Moon made reference to this very song in his rhymed threat about a hunter coming for a trapped rabbit. But also this song is immediately relevant to the next chapter :) and I can't say more than that.

Now we're getting into heavy spoiler territory. These next three songs will be kept purposefully vague, but I hope you'll remember them when the time comes that all of it is laid bare.

Disenchanted

This song is about the tragedy. The tragedy that befell the campgrounds, yes, but more so about the tragedy that Sun and Moon endured as a result.

"Well I was there on the day They sold the cause for the queen And when the lights all went out We watched our lives on the screen I hate the ending myself But it started with an alright scene"

"It was the roar of the crowd That gave me heartache to sing It was a lie when they smiled And said, you won't feel a thing And as we ran from the cops We laughed so hard it would sting"

Sun and Moon were never given a chance to prevent this. They were always doomed from the start. When tragedy struck, they could only stand back and watch as decisions were made for them, as their very life was tossed around in conversation like it meant nothing. So they took matters into their own hands, and decided to flip the script.

The outcome has been miserable, but the beginning — their life before that point — was wonderful. It was home.

There's more that has to do with the lyrics further down, but you'll have to wait for the explanation on that until more has been revealed.

Dead Come Talking

Ohhh this one gets me Emotional every time. I can't say too much about it because this song and the one after it are both entirely about Sun and Moon's personal hardships, of which have not yet been properly addressed or revealed in the fic. I will say that the haunting they've forced upon the counselors is a shared experience, something they've personally been enduring for years, already. Sun and Moon are haunted by their past, by their grief, and in that way they themselves are the ghosts haunting the campgrounds.

Spring Break 1899

This is it. This is the most important song on the playlist. This is the song that plays at the end of Act 3. The song that plays when Sun takes in all that he's done, when the carnage sits before him and he's made to face every wrongdoing, every decision and path that has brought him to this point, and come to terms with whether or not he still wants to continue. Whether he has the strength to continue. This is the song that plays when he makes one final choice.

Echoes

The aftermath.

Do you perhaps... have a playlist for dftr?

As a matter of fact, I do 😌

It's a little on the short side at 2 hours because I am very specific with what songs get put on my au playlists, but that means each and every song has been picked with purpose (and I'm still adding more every day).

Also — you're right on the money with that song choice, anon. I don't want to spoil anything, but let's just say it'll soon be very relevant.

[angelsdean]

ruthlessly deleting old 2021/2022 posts (not by me) from my dean studies tag like *click* un-incorporating that from my beliefs system! also the way SO many posts have me like ok uh-huh good aaand then say one completely wrong thing that loses me. it's so many posts.