#also for some reason the more i like some stuff the harder it is to talk about for me...

[rosetyler42]

Genetics has quite a bit to do with it. Everything from frame size to how fat is layed to descendants of people with food insecurity or high stress levels can be hard wired to store more fat and/or have high stress levels which make it harder to store fat.

Size matters too. For example, I'm 5' 1" and alot of my family is around 6'. All of them could eat WAY more than me because they were bigger and required more food. Interestingly, I got a large frame size for a short person since I took after my mom that way. My brother is 6' 3" and despite his bottomless pit eating habits is quite thin since he took after dad.

Exercise ALSO does effect things. Not everyone has the ability to go walking, for example, like people in wheelchairs, scooters, those that have crutches, etc. All those could have trouble exercising. Also some people are more active than others due to personality and whatnot.

Also, sometimes our weight can fluctuate over time or even just during the day for various reasons.

I myself had something of an eating disorder where I had an aversion to eating for many reasons as well as digestive issues. My parents tried to stuff as many calories into me as they could to keep me alive. And the way nutrition was taught back in the 2000s did NOT help as it made me even more scared of eating and getting fat. Going through that, I learned what works for others may not work for you, and you should listen to people who know you and your doctor's advice about your weight before anyone else. They may be dealing with shit that you don't know about or even THEY don't really know: For example, I couldn't really tell people why I had trouble eating for YEARS, I just knew I didn't like it. And it wasn't a choice either because people would get mad I took so long and if I could have eaten like a normal person, I WOULD HAVE. I've also recently learned that out of control stress and restrictive diets like trying to minimize sugar, carbs, or fruit can mess your body AND mind up even WORSE than gaining weight.

A core feature of anti-fatness is the "you did this to yourself"-view. People are very invested in the idea that size is within everyone's control. It's soothing to believe that all fat people are a small series of good choices away from becoming thin and staying that way, and that thin people are success stories by virtue of existing.

Any time we speak up about discrimination and fatphobia, someone inevitably plays that card. Trolls will say "eat a salad, pig" and well-meaning health nuts will gently explain what calories are. In either case, we're met with a "you know, you can stop this at any time." Why, if nobody was fat, thin people wouldn't need to examine their biases! It sure would be an easier time for everyone if we weren't so Around and Bulliable!

[heys0ulmate]

veneration (this faith's got me high)

pairing: sofia falcone/gigante x f!reader

summary: sofia isn't the same anymore- but you've waited too long for her to care.

warnings: uhh .. unnegotiated/dubcon, gun usage, slight bondage, passing out, im sure im missing stuff, not proofread, major abuse of italics sorry lmao

word count: 4.6K

A/N: this is the first part of what i PLAN to be a series, tho im not sure when the next part(s) will be out. i legitimately havent published a fic in over a decade so im sorry that its like. poorly structured LOL. not much smut in this one sorry yall. title from holy by zolita btw. also this was posted prematurely by accident cus it was still in my drafts but oh well

〰️

You don't recognize the room you're in, but you feel no danger. All you feel is giddiness and bliss.

There's something warm next to you. Sofia.

Her red, pretty lips are moving, corners curled up slightly, but you can't hear her. You laugh despite the fact, because it feels right. The joy in your chest overwhelming.

She's closer, now. You're laughing hysterically, to the point of tears. It's getting hard to breathe.

Sofia cups your face. She looks scared, but you still can't hear what she's saying. You can't speak- all you can do is laugh and choke for air.

The room changes.

It's crowded.

You spot Sofia from across the galley.

Something in you tells you to run to her, as fast as you can, like you'll die if you don't. It's an all-consuming type of panic, the inability to breathe slowly creeping back.

You push past the crowd, but the more progress you make, the larger the room seems to grow.

The crowd parts, and you see her. She's leaving the room, hand in hand with her father. Her lips are parted in a scream that you still can't hear.

"Sofia!" You shriek, running as fast as you can now that the people have cleared a path.

You're inches away from Sofia and the grip her father has on her when you suddenly hear her voice loud and clear from behind you.

"She's not here anymore."

You bolt up from your bed, gasping for air and flailing under your blanket, desperately trying to wrestle it off.

It takes a minute to gather your bearings.

"Shit," you mutter to yourself, rubbing your eyes.

It shouldn't phase you. You can't remember a single night in the past ten goddamn years that you haven't woken up from a some sort of dream-turned nightmare about Sofia. But something about this one seemed to stick to you like summer heat, an uncomfortable, lingering sensation that seems to amplify the harder you try to ignore it.

"She's not here anymore."

It rings through your head like a catchy song as you stumble into the kitchen for a glass of water.

In the ten years since Sofia was taken from you, you haven't heard her voice even once. You weren't allowed visitation as a non-family member, and phone calls were prohibited for the same reason.

It was almost if the sanctions had carried over into your psyche, some form of cruel punishment that prevented you from hearing her even in your dreams.

At least you were able to see her at night.

You'd never grown used to the inevitable, debilitating dread that suffocated you each time you awoke, but you still looked forward to falling asleep each night, knowing it'd grant you a brief illusion of having Sofia by your side again.

"She's not here anymore."

You try not to think to hard about it, to instead appreciate the blessing of being graced with her voice, even if it was just subconscious. You tell yourself it's probably just a result of the weeks recent events; the flooding of Gotham city. The death of Carmine Falcone.

The impact of it all must have rattled you.

That's all.

But... you can't shake the nagging feeling that there was something more.

It's then that your phone rings on your bedside table. *BRRR*

You set your water cup down with a huff, shuffling your feet slowly towards your bedroom. You're in no rush to pick up. Who the fuck call at this time of night; and without warning?

In your experience, this meant one of two things: the call was your basic, run of the mill scam attempt, or a reporter who had found your number and was desperate for some kind of story. Not that you'd ever give them one, of course. Even when Sofia was still around, and your relationship was somewhat in the public eye, you never discussed anything with journalists of any kind.

After Sofia was sent to Arkham, the scrutiny on you had increased. You went from being the occasionally mentioned girlfriend of Carmine Falcone's daughter, to 'the woman who loved The Hangman.'

Generally, the public saw you as a pseudo-victim; someone who had been manipulated by The Hangman, paraded to maintain a false image, and used as a front to keep Sofia's cover. They didn't believe you when you claimed to have been with Sofia on three of the nights that those women were killed. "The poor girl- who knows what that woman subjected her to, to make her lie for her?"

The year following her arrest was the peak of your exposure. You were relentlessly assaulted with press whenever you went outside, and you had to change your cell phone number four times.

Everyone was dying for an inside scoop on what it was like to know The Hangman intimately.

By the second year, you were more comfortable leaving the house. You moved just outside of Gotham, and slowly, the pressure for statements and interviews died down the longer Sofia was away. You still get the occasional phone call, someone hoping that now that it's been 3, 4, 5, 6, 7, 8, 9, 10 years, maybe you'd be willing to share your 'story.'

You'd hang up immediately every time, until you got to the point where you just stopped picking up.

*BRRRRR*

You approach your bedside table with every intention to hit the reject button, squinting at the brightness of your screen in the dark of your room.

That's when you see the caller ID.

*000*

You pause.

So far, every telemarketer, every scammer, reporter, and journalist, were listed as either Unknown Caller, or a string of numbers.

The only time you received calls with three digit numbers was when it was Alberto.

A part of you hesitates. Alberto does this, sometimes, though it's become more sparse over the years: he goes on a bender, gets too in his feelings, and calls from a nurner phone and leaves you a barrage of voice and text messages. It's always the same, with him going on coked-up rant about how he's going to get Sofia out one day and wrong everyone who wronged her.

Outside of that, though, Alberto never called. When Sofia was sent away, Alberto had begun simultaneously spiraling and attempting to survive and thrive in the Falcone family. Between the drugs and job, Alberto became a lot more isolated than he used to be. Any attempt on your part to reach out wasn't successful. He stopped responding from the number you'd had saved, keeping communication one-sided.

Still, every week, you texted him the same thing at the same time. Sunday, 9AM, an hour before you knew Sofia had visitation hours. Tell Sofia I love her, please.

You'd never get a response, but you never really expected to, either. You had no way of confirming if he was seeing your messages. The only way you knew Alberto still even thought of you or knew your number was with the increasingly infrequent, triple digit ID calls.

Either way, the occasional drug fueled messages always left you feeling even more depressed. Knowing Alberto was suffering just as much as you didn't bring any sort of comfort; it just reminded you of your own pain.

*BRRRRR*

Between the unease from your dream and timing of the call, though, every instinct in your body is telling you to pick up the phone.

Your hands tremble as you clumsily smash the answer button with your thumb, bringing the phone up to your ear.

"Hello?" You wait with baited breath as you hear Alberto on the other side of the line. "...'Berto?" There's nothing but silence for a moment.

Then, you hear him clear his throat. "I, uh-" There's a pause, and a sniff. "I'm gettin' her out, [Y/N]."

You're heart pounds almost painfully. "Y-you mean-"

"Yeah," Alberto confirms with a disbelieving laugh, as if he can't wrap his own head around it. "Yeah," he says again, more firmly this time, confirming everything you've wanted, pleaded, prayed for, for ten years. "She's comin' home."

The news breaks two days later.

Two days of silence from Alberto after he dropped that fucking bomb on you.

You aren't sure if you're in shock, or if it literally hasn't quite hit you yet. Maybe it's because, despite a part of you accepting you'd never see her again, you always had faith in your heart that she'd come back to you. That naive hope kept you alive for ten years.

You aren't sure what to do with yourself, now. You've grown so accustomed to just... existing. Holding hope, with nothing to really do with it. This sort of feels likes that, but with more anticipation knowing what's to come.

Except, it doesn't.

She comes home, yes. You watch the reports about it, read the headlines, hear the outcries. But you don't see her. You don't hear from her, or Alberto, and you're resigned to waiting for one of them to reach out.

After a few days, you grew impatient. The anxiety you'd felt from waiting around had turned into a sort of panic, an all consuming need to make any attempt to quell your nerves.

Why hadn't you heard anything? Had something gone wrong? Did they forget?

You'd gone to the Falcone residence. It was fucking packed with news casters, journalists, rioters and spectators. It had taken you a while to shove your way through the mob, and when you had, you were turned away like everyone else.

You went back the next day, and the next, and the results were the same.

And then, Alberto dies.

You think the shock will return, but all you can think is Sofia, Sofia, Sofia. Your Sofia. Your girl, who must be hurting so tremendously right now, who you can't cradle and comfort.

It seems your deep seeded need to be by Sofia's side reignites some of your more rational thinking, though, and you consider your options.

The crowds of cameras and protesters should disperse by the time the sun goes down, you'd assume, giving you more of a shot to see her.

So, you decide to return to the Falcone's late that evening, when the moon has settled and the stars are at their brightest.

Despite the time, it seems the family is well awake, as all the lights can be seen as you walk up the driveway. You hear voices, though you're too far away to tell if they're shouts from behind the walls, or conversations outside.

Soon, two of the guards notice you approaching. "Hey!" One hollars, hoisting up his gun as he stalks towards you. "What are you doin' here? You got business with Luca?"

You should probably be more concerned about the possibility of being shot by a paranoid guard, but your adrenaline is pumping too hard to care.

"Uh- no, I'm- I don't," you stutter. "I wanna see Sofia."

As the second guard approaches, you hear a soft chuckle. "Ah, yeah, I remember you," he drawls, before turning towards the other man. "Used to hang around Sofia," he explains to him, making the other relax his posture slightly.

"She's not available," the first one grunts, "probably won't be for a while."

Being turned down does little to deter you. "So she's here? Just, not available?" You ask hopefully. They don't get a chance to respond. "That's fine. I can wait."

You make a bold move to squeeze past them, speed walking over to the grand stair case in front of the house with purpose.

Behind you, the guards bicker. You don't hear what they say, outside of something about 'letting Ms. Falcone decide,' but based on the lack of pushback, you assume the one who remembered you was suggesting the other guard leave it be.

You're perfectly content to sit for as long as you need to. You've waited a decade for Sofia; you can wait a few hours- or even until the morning- to finally see her after all this time.

To your surprise, though, you only wait for about 45 minutes.

The front doors of the mansion swing open, and you hear the click of heels stomping down the steps.

"Fuckin' pricks," someone mutters, and you immediately recognize the voice.

Your heart leaps into your throat as you stand on shaky legs, and you can't turn around to face her fast enough. You almost lose you balance in the process, but catch yourself in time for Sofia to notice your presence.

She has a cigarette halfway to her lips as she stares at you, an unreadable expression on her face.

You blink.

She blinks.

"You're..." her voice sounds empty for a moment. Then she shakes her head a little, blinking hard a few times and huffing. "What are you doing here, [Y/N]?"

You open your mouth, but your brain is moving a mile a minute. Nothing comes out, and you just gape at her like a fish for a few moments. "Uhhhh..." you trail off dumbly, but you're too frozen to even feel stupid about it.

Sofia rolls her eyes. "Come on," she says as she resumes her walk past you, lighting up her cigarette as she does. "I'm not staying too far from here at the moment."

You practically trip over yourself in your rush to follow Sofia. It's a bit of a struggle to keep up with her pace, but you manage. The car is parked at the end of the driveway. A burly man is propped against the hood, and he moves around to the back door when he sees Sofia quickly approaching. He opens it for her with a quick acknowledgment as she slides in smoothly, and remains silent as you clumsily follow suit.

Sofia keeps her eyes fixed out the window as the man gets into the drivers seat. You can't help but stare at her, though, something akin to awe making it impossible to look away.

A few minutes into the drive, you see Sofia tentatively shift her eyes towards you. She looks on guard, as though unnerved by your eyes on her.

Still, she says nothing. Her gaze stays trained on the passing scenery for the remainder of the ride, like she's stubbornly making an effort to ignore your blatant staring.

Sofia hardly waits until the car is parked to unbuckle and hastily exist the vehicle once it's pulled in front of her building. You rush to get your door open, jogging a little to catch up to her.

You're paid no mind as Sofia struts inside and walks to the kitchen. It's almost like you're invisible, a silent, unseen witness.

Sofia moves around the kitchen with a practiced ease, retrieving a glass and wine bottle that she pops open, pouring a sizeable amount. She takes a long, long sip, her head tilting back until the contents of her glass are almost completely gone.

Then, she sighs, her shoulders relaxing a bit as she embraces the warmth of the alcohol.

Finally, she looks at you, indifference written all over her face. "You didn't give me an answer earlier," she states simply.

You take a small step forward. "Sofia..." You blink hard, suddenly overwhelmed with emotions.

Sofia is looking at you. You see her. You hear her.

You take another step, and another, until your knees buckle in front of her. "Sofia," it's an almost reverant sound that makes Sofia inhale sharply.

She's so close.

You wrap your arms around her legs as you kneel before her, nuzzling against her thighs.

"Sofia," you say again, just as softly.

You can breathe again. After ten long, dreadful years, you finally feel like the air in your lungs is pure and real.

Sofia freezes. She's unsure of how to process this.

You're here. In front of her- willingly.

It feels wrong; you bowing before her when you have no idea who she is anymore.

"Cut it out," she mutters, lightly pushing your head away and taking a small step back.

You remain on your knees, looking up at her with half lidded eyes.

The adoration in them makes Sofia uncomfortable.

"Get off the floor," Sofia says, her tone indescribable. "You aren't an animal." She turns to top off her wine glass, takes a sip, and leaves the room.

It takes you a minute to gather yourself, but you slowly move towards the direction she headed in. You find her in a room down the hall, an open, office-adjacent space. She's sitting on a loveseat in the center of the room, staring blankly ahead as she sips away.

You pause in the doorway to observe her for a minute, wondering if she's aware that you've followed. You decide to let your presence be known, taking a few confident steps forward.

Sofia doesn't look at you when she speaks.

"Whatever you're here for," she starts, "you won't find."

"No," you find yourself saying. "No, Sofia, I..." you trail off as you come closer. "I... I just want you."

Sofia's jaw clenches. "You don't know what that means anymore," she spits, before taking another sip of her wine, attempting to grow the irrational anger brewing inside her.

There's a certain, panicked heat that comes over you then, feeling unheard and misunderstood. "No, no," you say hastily. "No, Sofia, please," you drop in front of her again. "Please, Sofia. I don't care what that- what that means. All I care about is you."

Sofia scoffs, her temper getting the best of her. She grips your hair without thinking, pulling your head off her lap to look up at her. "You want me to show you what it means?" She hisses, eyes wide and manic. "Okay. Take your clothes off."

You're momentarily stunned, not expecting Sofia's request. "What? Ah-!" Sofia yanks your hair again, gritting her teeth as she speaks. "Take off your fucking clothes," she repeats.

Her tone sends you into motion, and you scramble to remove your top. Sofia settles back against the couch as she watches you undress for her, keeping her features schooled.

Once you're bare, you shift on your knees a bit, unsure of what to do. Being naked in front of Sofia certainly isn't new, but, it's also been ten years since you've last been intimate with her. You never anticipated it happening again like... this. Sofia never acted this way with you in the last. Usually, she undressed you herself, slowly and with kisses on each inch of skin she revealed. She had been teasing, sure, but never so stern.

It stirred something in you that you couldn't place your finger on. All you know is, you certainly aren't complaining.

So, you stay still, not wanting to do anything without instruction lest Sofia decide she's no longer willing to entertain you. You bask in Sofia's predatory gaze, letting her drink in your exposed body.

Soon, though, you start to squrim a bit. It's not cold, per say, but the air was just brisk enough on your bare skin that you couldn't ignore the slight chill.

You shiver a little, and Sofia smirks.

"You cold?" She asks knowingly. Sofia keeps her eyes on you as she reaches for her wine glass, standing as she does.

You tense a little as she begins to stalk closer to you, a small sneer on her face.

She's behind you, now, but you don't dare to move your head, not even when you hear the clink of her wine glass on the ground. Instead, you stay still and complacent as Sofia picks up your discarded shirt and begins to wrap it around your wrists. You moan inadvertently at the feeling of her skin on yours, but Sofia takes a deep breath. She ignores the sound, instead making quick work of restraining your hands behind your back.

When she's done, Sofia picks her glass back up as she towers over you. There's a dark, empty look in her eye that sends a chill down your spine.

Sofia, of course, notices this.

She smirks. "Is that it? You chilly, sweetheart?" Her voice is patronizing and full of faux concern.

You're not sure if she wants an answer or not, but aren't given a chance to respond either way, Sofia suddenly splashing the remenants of the wine from her glass onto you.

You flinch, and gasp loudly at the cold sensation. You're hands instinctively move to rub at eyes in an attempt to clear your vision, but you find yourself tugging fruitlessly at the shirt Sofia had binded your wrists. The wine soaking your face and dampening your hair ends trickles down your body, erupting goosebumps in it's wake.

You're still blinking heavily in an attempt to normalize your seeing when hear a breathy cackle. You feel her pinch your jaw, a strong grip on you as she licks a filthy stripe up your face, lapping up the spilt wine. She releases you, the sound of footsteps echoing through the room as Sofia struts past you and towards the desk by the window. You can't see what she's retrieving, your eyesight blurry and unfocused.

By the time Sofia circles back, you've mostly regainedy your vision. You don't have any time to visually process what she has in her hand, though, as she wastes no time in forcing the barrel of her handgun past your parted, panting lips, and into your mouth.

"It's a terrible feeling. Isn't it?" The gun presses a little harder, and you cringe at the feeling of rough metal pressing against your tongue. "Nothing left to hide behind," Sofia drawls, her voice is surprisingly even, though her words feel weighted.

You blink up at her with an unnerving lack of fear.

Sofia bares on with a tilt of her head. "The guards at Arkham stripped us bare every morning," she states, and your heart clenches at the thought. "It was humiliating," Sofia continues, a subtle anger brewing in her voice with each punctuated annunciation, "being turned into a thing."

Sofia shoves the gun hard enough to make you gag, and presses forward until you're bending backwards. Sofia straddles you, her grip on the gun directing your movements. She has you sprawled on your back, hands twisted painfully under you, pressed between your spine and the hardwood floor.

Sofia lowers her face, her wild eyes inches from yours. "You think," she growls, "that I'm still who you knew?" She smiles, though there's no joy in it. "That I'm not just a thing?"

Apparently, it wasn't a rhetorically question, as Sofia yanks the gun out of your mouth.

You sputter for a second, before rushing to respond, "no," you gasp. "I- I don't expect you to- to be the same, Sofia, I don't." Your voice cracks a bit, and you pray that your eyes convey your earnesty. "I don't care that you- you don't feel like yourself, Sofia, if you feel different, now. I love you. I love you. I love you, Sofia," you insist, your voice soft.

Sofia regards you for a long minute, and you wait with abated breath to see how she'd react.

For a moment, you think she's heard you. Really heard, and believed you- believed in your unconditional love and devotion for her. There's a hopeful, but guarded look in her eye, something akin to a skittish street cat assessing if it should trust the hand reaching out to pet it. But, just as quickly as it appeared, it's gone.

Sofia's features go hard again, and she moves her face away, straightening her back and kneeling over you.

"You don't get it," she says- simply, quietly, almost as if to herself.

You part your lips to protest, but Sofia is quicker, and slaps her hand over your mouth. "Don't," she warns.

Sofia hates it. The way you don't even struggle under her; the way you just take it, like you understand what this means.

Why don't you get it? Do you really not understand what kind of horrors she was exposed to? What they did to her; what they turned her into?

It pisses her off.

How dare you, how dare you, prance back into her life, expecting her to be untouched by the hell that was Arkham?

Do you think she's naive? That she'd truly believe, after all this time, you'd still want her? Want her for who she actually is now?

You don't even fucking know her anymore.

Fuck.

It infuriates her for so many reasons that she refuses to acknowledge right now.

Instead, she let's herself embrace the unbridled rage that's always threatening to erupt inside her.

"Alright!" She exclaims, a Cheshire Cat grin spreading across her face. "You love me?" She taunts. "You think you want me?"

She shoves herself off of you to pull her underwear down her legs. You're heart thuds as she slips off her fur coat and hikes up her dress. Sofia easily drops back down, straddling your face and gripping your hair with one hand. "Show me, then." With that, she lowers herself completely, smothering your face in her cunt.

Your primal instincts kick in, then, and you press forward, your tongue eagerly swiping through her folds.

Jesus fuck, you think somewhere in the back of your mind. Finally, finally, finally.

You hadn't realized how much you craved the taste of Sofia until this very moment. It feels like you're starving, like you haven't eaten in ten goddamn years, and Sofia is the first meal you've been granted.

Your ministrations are messy and desperate. You can hardly think straight, overwhelmed by the taste and scent and feel of Sofia. All you do is lick and suck and moan, embracing the pure bliss you feel. The rapidly decreasing supply of oxygen in your lungs is easy to ignore when you finally have the privilege of pleasuring Sofia again.

Sofia's eyebrows furrow. You won't struggle under her. You won't look up with panicked eyes, even as she deprives you of air, even as she suffocates you.

You don't get it.

Sofia narrows her eyes and her hips buck forward. It's almost violent, the way she fucks your face, riding harder and harder. She grunts softly, losing inhibition as she watches her slickness spread all over your face.

Still, you only whine as though you're the one being pleasured.

Why don't you fucking get it.

Sofia tightens her grip in your hair, pushing your face impossibly closer against her cunt as she feels her climax approaching. She's panting harshly through her noise, controlling the means threatening to spill out of her.

Just then, your eyes slugglishly blink open and lock with hers. It's clear that you're moments away from passing out, and Sofia can only stare down at the dazed look in your eyes.

Still, there's no fear there. There's nothing but adoration.

Your eyes roll back, and your eyelids flutter shut. Sofia's breath hitches as your body goes limp under her.

It's then that she cums, her body tensing and jerking. A ragged moan escapes her as she grinds and grinds against you, using your unconscious body to draw the waves of pleasure out.

Sofia slumps off of you, sitting by your side as she recovers from the exertion. She just sits for a while, until her breathing regulates, and she gathers the courage to look over at you.

You're still passed out, but the slight rise and fall of your chest tells Sofia you are, in fact, alive.

It doesn't do much to relieve Sofia- not when there's a sick, familiar feeling of dread forming in the pit of her stomach.

No.

Sofia squeezes her eyes shut.

This isn't supposed to matter.

This doesn't mean anything.

Sofia stands, and smooths out her dress. She can't afford to have regrets; to have... things that make her question herself.

That's not her anymore.

Sofia takes a deep breath.

She squares her shoulders, and doesn't spare you a second glance as she forces herself to leave the room.

[tokyo-daaaamn-ji-gang]

jojo! Mucho's character book mentions that the people he doesn't like or fear are Kazutora and Baji. Why do you think this is? If he doesn't like Kazutora, I think I might understand (Kazutora often seems to be someone that some people don't like or fear...😭) But why doesn't Mucho like Baji?

Well I definitely think for Mucho it's more disliking them over fearing them (unless it's like he fears what they're capable of/ how he can't predict them). As for why, it pretty much seems to come down to Mucho seeing them as threats against toman. It's pretty clear why Kazutora is a threat, especially with how vocal he was about it. Mucho likely also knew Kazutora had killed Mikey's (and Izana's) brother which would make him seem even more dangerous (this is also why Izana fall into his grieving which is what made him and Mucho split up from each other since Izana wasn't interested in gang stuff during that time. Not sure if this is a factor in Mucho disliking Kazutora or how much he even knew about the situation but he could potentially on some level blame him for this).

As for Baji, Mucho showed suspicion towards him before bloody Halloween and valhalla, so that's not entirely it. What it actually seems to be is that Mucho can't read Baji well and Baji is unpredictable and doesn't show as much respect to Mikey as the others do. Sanzu explains this is because the two of them are childhood friends but this doesn't seem to clear Mucho's suspicions. We also know Baji was banned from meetings for causing in fighting, adding further suspicion. Plus the spinoff actually shows us Baji's form of leadership quite well and the 1st division is constantly doing things on their own and either leaving or asking the rest of toman to stay out of it. For someone like Mucho, this would seem very suspicious and likely makes his job harder. And this was likely made even worse when Baji actually does leave the gang.

I actually wonder if in some way Mucho relates himself and Izana to Kazutora and Baji too. I mean both Mucho and Baji are extremely loyal not just to Mikey but to another friend too. Said friends aka Izana and Kazutora want to take Mikey down and form their own gang/ get involved with another gang to do this. This results in both Mucho and Baji leaving toman and "betraying Mikey" (even if Baji had other reasons, Mucho didn't know them). Judging from how Mucho does this, he seems a bit guilty for betraying Mikey. So on some level I wonder if Mucho sees Baji's situation and knows he would do the same (which he eventually does) which results in some self guilt or self distrust that he projects onto Baji. I'm less sure with this point, it's just interesting to think about.

[inquiscissors]

spoiler for endgame related stuff below

do you think the team were planning an intervention for Rook at some point vis a vis routinely going to the infirmary for no apparent reason and staring off into space as if someone was talking to them

also Neve and Harding possibly going "you're taking this really well" and Rook being like "taking what well"

this is more specific for a lord of fortune Rook, but who's going to tell Isabela? Taash? Or did Harding have to cut in and be like "listen Isabela I know you might want to talk to your friend about this but don't mention it to Rook I think they're compartmentalising harder than you'd believe was possible"

[zepskies]

@lamentationsofalonelypotato

Hahaaa you know what, totally fair! 🤣🤣 (See what I did there?)

The line is devastating. It ''bites." It's more than just telling someone that they messed up, it's also kinda catty lol.

Omg yeah, it's totally catty and that just occurred to me. 😂

He really bet it all. And I'm in love with the person who said "the quiet, but devastating anger he'd be reckoned with if he said that to me." 😂

Oh yeah, she was awesome. Had my dying! 🤣

I think it would have been a bigger gut punch to Dean if she didn't stay in the room with him, but I still think that the her turning her back on him and not letting him touch her kinda hit the nail on the head pretty well too.

Yeah, I very much agree, would've been more of a gut punch. But thank you! Like you said, it still works as is (but could've been better lol). Ahh the perfectionist in me. 🤣🤣

It's not weird, I think that it's really fitting! And I also really like writing the heartfelt hurt/comfort breaking into fluff too lol. But you're absolutely right, Dean really does adopt that mentality after Lisa and Ben and it is really heartbreaking to see him like that.

Aw thank you! I think both of us being hopeless romantics has something to do with it. 😂

Ugh God, I know we've talked about this, but Dean really does become a harder man after giving up Lisa and Ben. 💔

As much as I do love the readers who are "tough as nails" and "doesn't cry very often" I love the readers who are strong but are allowed to break. It makes them seem more real. Because as much as I believe that there are people who are completely just insane badasses, they've gotta have some kind of emotion or compassion or else they don't seem human. Also "Latinas also can be very emotional, but not to say we're adhering to stereotypes around here LOL" I'm DEAD 😂

Me too!! I'm of the same mind honestly, I find it more relatable when they can break down and be vulnerable when the situation warrants it. (And hahaa not calling out myself at allll. 😜💁🏽‍♀️)

GIRL WHAT?! OH MY WORD THAT IS JUST SO MUCH BETTER! Thank you for explaining that to me!

Aw absolutely!! I probably should have noted that in the translation, but stuff like that is part of the reason I find other languages fascinating (not just Spanish).

Devour Me - Part 2

Pairing: Dean Winchester x Plus-Sized/Latina!Reader 

Summary: When you and Dean start to press each other’s buttons, both of your tempers ignite. To make up for it, you give him an impromptu salsa dancing lesson…one he didn’t exactly ask for. (18+)

AN: Here's Part 2! **Read Devour Me: Part 1

Song Inspo: “Yo No Se Mañana” by Luis Enrique. But really it’s “Ven Devórame Otra Ves” by Lalo Rodriguez. (You’ll see why.) 🤭

Word Count: 5,400

Tags/Warnings: 18+ only! Blood, character death and violence, smutty smut, angst, Dominican slang, and tons of sexy fluff.

☕ Midnight Espresso Masterlist

Part 2: "Telenovela Style"

Your resulting scream of agony is as unforgiving as the ground when your knees buckle, hitting the hard cement.

Andy grips you with the strength of a monster. 

Then he holds you down as he drinks your blood. 

No matter how you struggle and whimper, you can’t push him off, and you’re getting weaker by the second.

Until Andy is ripped away from your neck, and is taken care of the way all vampires must be. He doesn’t even feel the blade coming. 

When you’re able to look up, Dean stands above you with thinly veiled fury. He doesn’t have time to consider what he’s just done. 

He bends to gather you up into his arms, all the while trying to stamp down the panic clenching his heart. He calls your name, but you can only make weak sounds as your bleary eyes meet his. 

“Dean,” you manage. The ragged wound in your neck is bleeding profusely down your chest and shoulder, seeping into your shirt. He takes your hand and clamps it hard against your neck, even though it makes you whimper.

“Gotta stop the bleeding,” he says, apologetic but firm. “Keep pressing.”

In your stupor of pain, you don’t realize that your screech woke the entire nest. Dean has to lock up his worry; he looks up and finds his brother and Cas already fighting a hoard of angry vampires. 

Dean carries you over to them and lays you down against the wall with the other humans. He keeps a protective line in front of you, but he decapitates a vampire before she can sink her fangs into Sam next.

The two of them work together, and with Castiel’s smiting power behind them, the angel and the two men are able to clear the rest of the nest. 

By the end, only you and two of the women being held captive are still alive. The third girl’s heart just finally gave out. Sam takes the survivors to the nearest hospital. 

Meanwhile, Castiel approaches where you sit up against the inside of the barn, barely awake, while Dean kneels with you, holding you to his chest. He meet’s Cas’s blue-eyed request with a nod. So Cas stretches out a hand and touches two fingers to your forehead. 

You’re healed in an instant. Dean marvels, like he always does when Cas displays his power. Dean is able to breathe a little easier, the vice grip on his heart easing as he touches your neck.

The tan skin is once again smooth, if still stained with blood. You blink back into wakeful consciousness. 

He shifts so he can see your face. “You okay?” 

You meet his eyes but can only nod. His jaw is still tight and tense, and you can’t blame him. 

You know you’ve messed up. Big time. You nearly got everyone killed, including yourself…and now, you have to tell a mother that her son is dead. 

Dean helps you up, holding you by your arms and waist until you’re steady on your feet. You have a hard time meeting his eyes, but when open your mouth to apologize, he beats you to it. 

“I hope you’ve learned your damn lesson,” he says. 

Your gaze snaps up to his. “Excuse me?”

Dean’s hands go to his hips as his brows raise at you. 

“Next time, when I tell you to hang back, I mean that shit. Hang the hell back,” he all but growls. 

You tilt your head at him as your irritation begins to spark. Meanwhile, Castiel is the one who backs up as he glances between you and Dean uncertainly.

“I made a mistake, but that doesn’t give you the right to tell me what to do,” you shoot back. “I was a hunter long before I met you.” 

“Yeah, well, color me surprised that you’ve made it this long,” he snaps. 

Your temper flares hotter. “You know, you’re not so goddamn perfect either.” 

“Never said I was,” Dean says. “But when my gut tells me something ain’t right, I need you to fucking listen. Otherwise, we get a day like today.”

His words are edged with grit by the end of his little rant, and you don’t appreciate it. Your lips purse in anger.

“I don’t care what that legendary gut tells you,” you sass back. “I’m not a little girl, and you’re not my damn father!”

Dean raises incredulous brows at the way you’re shouting at him. He crosses his arms. 

“What’s this, some kind of Latina temper?” he asks snidely. 

You truly become incensed at that. 

“Oh, you want to take it there?” you ask, as your eyes narrow. “Que sin vergüenza tú eres. Sigue jodiendo conmigo, coño. Entonces tú vas a ver quien soy yo.”

Dean won’t admit it, but in that moment, he’s a bit intimidated by the quiet threat in your voice. Still, his fuse is lit, and he’s way beyond curbing his internal filter.

“Oh, I’m sorry, does this telenovela-style tongue lashing come with subtitles?” he snarks. 

You let out an incredulous breath. Your eyes begin to sting.

“You’re such an asshole!” you shout back. There, understand that?

You turn away from him before your frustrated tears can fall, but you stop short once you notice Castiel dragging out the bodies of the dead…including Andy. Your throat constricts, and you begin to stalk out of the barn. 

Dean calls your name in frustration. 

“What?” you hiss. 

The only thing that makes him hesitate is seeing the state of you when you turn back around. His anger crumbles, and maybe something in him breaks when he sees your tears. They’ve welled up in your eyes, and a few of them carve a path down your cheeks. 

You’re still covered in your own blood, and he hates it. He hates it more than anything. 

Later, you see the state of yourself when Sam returns with the Impala. In the reflection on the backseat window, you see the blood dried down your neck, staining nearly half of your shirt.

You see the black rings of your mascara and eyeliner around your eyes. You look a mess, and you try to wipe underneath your eyes. It’s a fruitless effort.

After you all finish burning the bodies, Dean starts the long drive home. You insist on stopping to tell Rachel Campbell about her son, but Sam says he already took care of it when he drove into town. 

You frown, but you no longer have the energy to be angry. You further withdraw into yourself, and your lower lip trembles as you look out the window. Through the rearview mirror, Dean sees more tears slipping down your face.

What Sam told him (but he won’t tell you), is what one of the survivors said. One of the mated pairs had taken Andy…to “adopt” a son of their own. 

That night is quiet and tense in Dean’s room. You have to wash your hair all over again, and scrub the blood and grime from your body until only your skin remains. But you don’t have the energy to do more than braid your wet hair afterwards and pull on your lucky Journey shirt, which is still full of holes. 

Dean knows that it’s bad when you need the “dreamcatcher,” as he’s called it in his head. You’ve never had a nightmare while wearing that shirt, or so you claimed a while back. 

You wear it over some long pajama pants instead of your usual shorts, or better yet, nothing at all. But he can see what kind of mood you’re in. Things are unsettled as you both get ready for bed in silence. 

He notes the way you turn to face the other side in bed, maybe to avoid him. Though if you really wanted to do that, you could’ve gone to your old room.

So in more ways than one, Dean takes some solace in the fact that you’re still next to him. And he decides to give you some time and space. 

He goes to bed and tries in vain to sleep.

In the morning, Dean’s woken by the familiar smell of coffee…and the less familiar sound of loud salsa music. 

What the fuck?

After he brushes his teeth, he puts on his robe and slippers and heads down to the kitchen, where he finds you in a seemingly better mood. You’re mopping the floor, of all things. You’re out of your pajamas, instead wearing a loose shirt that falls off your shoulder and some spandex shorts. 

“Yo no se mañana…yo no se mañana. Si estaremos juntos, si se acaba el mundo,” you sing softly along with the music as you dance from the kitchen to the living room. Your phone is connected to a Bluetooth speaker on the coffee table. 

Dean starts to smile, crossing his arms as he leans against the doorway to watch you.

At an instrumental break with a run of conga drums and trumpets, you pause in your mopping to do a little twirl as you dance, with a soulful roll of hips and a flair of salsa steps. It makes Dean’s smile kick up into a smirk.

He walks in on purposefully light feet until he’s sidled up behind you in the living room.

“Nice moves, Shakira,” he quips. 

It startles a shriek of surprise out of you as you whirl around. Dean’s smile hikes up into a grin, but it soon fades when he remembers the way your scream rang through his ears last night. The way his heart dropped into his stomach, and his head swiveled at the sound. And he saw you go down hard. 

Then the rest of it tumbles through his mind—what he had to do afterwards in order to save you. How he’d did it without really thinking, his panic and determination blocking out almost everything else when he’d grabbed the kid. The monster, he forcibly reminds himself. 

“You trying to give me a heart attack?” you ask with a hand on your heart. 

Dean forces himself to smile a little. “Sorry. But might I remind you, not everyone here’s an early bird.”

You give him a wry look.

“You’re the only one around here who sleeps past 10 a.m. Cas dipped out a while ago, and Sam’s on a run.” 

But you graciously grab your phone to lower the music to a more bearable level. Dean doesn’t yet know this about you, but this—listening to music, dancing, cleaning—it’s all your way of coping…and releasing as much of your pain, terror, and regret from yesterday as possible. 

You then look up at him more guarded. The two of you exchanged a lot of unsavory words last night. In fact, it may just be the worst fight you two have ever had in almost three years of knowing one another.  

Dean senses the shift in you, and his amusement fades. He just can't let things stay like this. He won't.

He hazards drawing closer and touching your arm.

“Look…I’m sorry for snapping at you yesterday. I know I was being a dick,” he says. “You’ve just gotta understand something.”

You wait for him to continue with furrowed brows, sensing that whatever he’s about to say is hard for him. 

“There’s a reason I don’t do this. The uh, relationship thing,” Dean continues, clearing his throat. His thumb swipes along your arm. “It’s not just this job. It’s my fucked up life. I tried to warn you before—” 

“Dean,” you say with a sigh, but he raises his hand. 

“Please, just…let me say it,” he says. “You know the spiel. But things can change on a dime. Even on a damn milk run, like a dusty nest of vamps.”

You know that. You know you could’ve died yesterday, and he doesn’t need to remind you of that fact. Before you can start to get petulant again though, Dean continues. His jaw is working, like this next part is more difficult for him to admit.

“Trust me when I say, us being together is dangerous, for both of us,” he says. “For a while I, uh…I started to think Sam and I were better off alone.”

That casts you into dismay. Because you know Dean isn’t lying. He’s really contemplated spending the rest of his life devoid of love, so he won’t have to lose it. 

Dangerous, for both of us.

You realize then what Dean’s really saying. He’s afraid��afraid to lose you. You see it in his furrowed brows, the downturn of his lips, and whatever pain he’s trying to hide in the depths of his eyes. 

And just like that, the water works start. You can’t quite keep your tears at bay as you hold onto his shirt. He lets out a resigned sigh as he holds you by your arms. 

“You don’t have to cry for that,” he says, a bit teasing. 

“Have you met me?” you sniff. But you manage to look up at him with your glassy eyes. “I’m sorry too. God, I’m so sorry, Dean.” 

Your fist clenches in his shirt when you remember Andy, latched onto your neck, and how Dean had to save you. You know he’s remembering it too when his brows furrow, and his gaze falls away. You reach a hand for his cheek.

“I know I fucked up,” you admit. “I was working with my heart, not my head. I just…”

You wanted so badly to help that kid and his mother. You also know that Dean understands; you see it in his eyes. He holds your hand to his cheek and brushes his thumb across the back of your hand.

“I know,” he says. “I really am sorry, baby.” 

The problem is, you didn’t just see your own mother in Rachel. She hadn’t been much older than you. And when you imagine a life beyond hunting, more than anything (no matter how much you shove down the idea), you really do want a family of your own someday. 

It’s just…days like yesterday remind you why that could be a very bad idea. 

More of your tears bubble over, and you head willingly into Dean’s arms. “Me too…”

He holds you tighter than ever. His hands rub down your back, tangle in your hair, and he drops his lips onto your hair. You sniffle, wiping your face dry in his shirt. And for a while, the two of you have peace in the relative quiet. 

Music still plays from the speaker though. And when another salsa song starts to play on your playlist, you start swaying. A smile works its way onto Dean’s face. 

“You can’t help yourself, can you?” he teases.

You smile into his chest. “We should go dancing sometime.”

Dean just laughs. “Oooh, no.”

“Oh, yes,” you reply, batting your lashes up at him. You slip a hand on his shoulder and into one of his hands. He’s forced to hold you as if the two of you were about to start Fred Astair-ing across the living room. 

“Have you ever danced before?” you ask. “Like real dancing.” 

“Not salsa, I’ll tell you that,” he quips. 

“That’s okay. I’ll teach you,” you reply with a coquettish smile. “It’s just a few simple moves.”

Dean gives you a wan look. “You made it look anything but simple.”

You blush at that, but you meet him with a pout of disappointment. You don’t let up, even when Dean frowns. He huffs at you in resistance.

“No,” he insists. You just brush a gentle thumb along his neck, biting your lip in askance.  

But the longer he stares at your beautiful, hopeful eyes, the more cracks form in his resolve. 

Eventually, Dean breaks with a sigh, and a shake of his head. 

“You’re too much, you know that?” he mutters.

It’s then that you know you’ve won.

So with a happy squeal of excitement, you clap your hands and move to stand next to him so you can show him the basic steps of salsa dancing. 

You make him take off his robe and slippers, leaving in his shirt and plaid pajama pants. Then you instruct him for a few minutes, correcting his footing and getting him to move on a beat. You’re pleasantly surprised that he has some rhythm.  

Dean sighs once again. How the hell did we get here? Heat crawls up the back of his neck as embarrassment starts to set in. 

“This is fucking ridiculous,” he grumbles.

“You’re doing good,” you encourage, with a growing smile. “Now come on, feel the beat in threes. One, two, three. One, two, three…”

Once he sort of has the basic steps and turns down, you move to stand in front of him. There you show him how to hold you, how he’ll move forward, and you’ll move back. It takes a little while, but you slowly move through the combinations, then do a little twirl underneath his hand. 

When he pulls you back in without faltering, you give him a beaming smile. “Very good!”

A subtle grin raises his lips at your enthusiasm. He also feels his face heating up at the praise.

But you pause when a certain song filters through the speakers. It’s an old one (and it never fails to make you blush), but you love it.  

“Ooh, yes,” you exclaim with delight, and you turn up the volume.

“What’s this one?” Dean asks.

“Ven Devórame Otra Ves,” you inform him. Not that he knows what that means. You sing along a bit with the first couple of verses while you encourage Dean to lead you in the dance. 

This song is just slow enough for him to attempt it, and the funny thing is, he doesn’t feel all that uncomfortable with the steps now. He’s starting to get a feel for how to move, both with his feet, and with his hands as he guides you by your waist, holding your hand close to his chest. Still, Dean’s also curious about the lyrics you’re singing. 

“What does it mean?” he asks.

You huff in amusement. “You sure you want to know?”

Dean raises a brow. “Well, now I gotta know.” 

You giggle at that, though you correct his steps when he leads with the wrong foot. 

“Okay. It’s about a guy who’s pretty much a player,” you say with a smirk. “His bed has been a revolving door of hot ass, but he keeps thinking about this one woman who used to have him turned inside out…”

Dean’s lips curve at the familiar image you’re conjuring. He manages to turn you under his hand, then pull you back to him in one smooth motion. He looks down at you with a deeper gleam in his eyes. You bite your lip, soothing your hand from his shoulder and down his arm.

As the song’s verses come, you translate for him. And for Dean, your voice in itself is a spell.

“Even in my dreams, he says, I thought I had you devouring me. And I dampened my white sheets remembering you,” you begin. Your words are smooth like black velvet. “In my bed, no one is like you, who draws my body on every corner, without a piece of skin left over.”

Dean is getting hot under the collar as you push away, dragging your fingertips along his back as you turn around him. When you come back into his line of vision, his attention is attracted to the sway of your hips, clad just in those little spandex shorts. He has to clear his throat a bit. 

You eventually return to him with a warm hand against his chest. 

“Ven, devórame otra ves. It means, come devour me again,” you continue, looking up at him from under your lashes, “Come punish me more with your desire. Because I kept my love for you…because my mouth has the taste of your body.” 

You smile at the laser focus of his green-eyed gaze. “Come devour me again.”

You push off with another little spin. When you reach for his hand, Dean yanks you back into him, eliciting a gasp. The move disorients you for a moment, but you giggle and hold onto his arms. Your hands glide up to rest on his shoulders. 

He’s holding you flush against him, and as you shift a thigh between his legs, you unintentionally graze against his hardening length. You look up at him with a smirk.

“You’re a little…stiff,” you say, both flirtatious and teasing. “Let’s loosen you up.”

You shake his shoulders out and try to get him to relax. Dean raises a wry brow, because you know damn well whose fault it is that his body is coiled tight. But you place his hands on your hips as you move back into the dance. 

“Feel what I’m doing there?” you ask. He looks down on you with growing heat.

“If I could do that, we wouldn’t be together,” he rumbles. 

You try to stifle a laugh as he pulls you in close again, just swaying for a bit. Soon enough, you grin knowingly when his hands start to slide lower on your ass. His head bows to yours, ready to meet you with a kiss. 

You stop him with your finger on his lips.

“Question: do you consider yourself more of a tits or ass man?” you ask him. You’re half teasing, but still curious. Dean snorts at the question. 

“More of a connoisseur,” he replies, smirking. 

“Ah.” You nod sagely, and you point between him and yourself. “So this is like a ‘sample the menu’ situation.”

Dean’s smirk deepens. “Sweetheart, you’re a goddamn buffet.”

You splutter laughing…and that’s when he finally pounces. He claims your lips with greedy passion. His hand winds into your hair, gripping tight and ruining what’s left of your loose ponytail. The strands coil around his hand in messy curls while he also gets a healthy grip of your ass through your thin shorts. 

You smile into his lips, even as you acquiesce to him guiding your head to the side, so he can slip his tongue against yours. You grip his arms more for stability while he manhandles you, kneading soft flesh and making pleasant tingles run up your spine. 

After a little while, his mouth burns a hot path away from yours. He noses down your neck, skimming his lips across your skin. It sets your nerve endings on fire and gets you breathing more shallowly in his ear. You cling to the back of his shirt, holding him close. 

Often he’s one to leave love bites of varying degrees, wherever he sees fit. But for a moment he stops at the crook of your neck, just pressing a lingering kiss.

He lets out a deep breath, and you realize he’s probably thinking about where you were bitten. The wound is gone, but it doesn’t change what’s imprinted in both of your minds.  

A softer smile grows on your face. You trail your fingers up into his hair, massaging the back of his neck. 

“I’m okay,” you remind him. Dean hums deep in agreement. You know, however, that he’s still thinking far too much.

So you slide your hands down, slow between the dips and planes of muscle in his back, and rest at his hips. Your thumbs delve under the hem of his shirt and tease the skin there. 

And you start slow, pressing wet, nipping kisses of your own to his neck while you inch his shirt up. You feel his smile on your neck. His grip on your hip flares to life. Still, he lets you tug his shirt up and over his head. Your loose shirt comes next, revealing the same black satin and lace bra you wore the first time he ever got you topless in his arms. 

A fan favorite. Dean grins. He reaches around to go for the clasp, but your firm push on his chest takes him by surprise.

He falls back onto the couch with a grunt, looking up at you then with raised brows. You’ve got a mischievous little smirk on your face that heats his blood and makes his cock twitch.

You take out the rest of your falling ponytail, shaking your hair out wild. Then you let your hands drift down your neck, over your clothed breasts, and finally to your little shorts.

Dean rubs his palms down his thighs and watches. A smirk forms across his lips as you slide the fabric down the curve of your hips. It leaves you in a red thong, familiar to him by the little tear it has on the front. (Again, his fault.)

You climb aboard his strong thighs to straddle his lap, using his shoulders as leverage as you sink down. You make sure to rub yourself teasingly against his clothed erection. He groans in appreciation. His hands fly to your soft, thick thighs and squeeze. 

“Aw, I like this,” Dean says, half on another moan as you grind down a bit harder on him. 

“Yeah?” you tease. You take his face in your hands and capture his lips with your own. Your tongue invades his mouth, and he welcomes you with a deep hum. It’s slow and hot at first, but Dean feels the loss of you when you break from his lips.

Instead, you treat him with the same trail of kisses he gave you, along the curve of his jaw and down his neck. But you don’t stop there.

Your hands move over his chest with purpose, tweaking over each hard nipple while your mouth burns a wet line down and down his sternum. Dean groans at your ministrations, but lets you leave his lap to slide down to the ground, between his thighs. 

“What’re you up to, baby?” he asks, despite having a very good idea of it. He catches the playful, yet determined gleam in your eye. 

You pause, briefly leaning back up to give him a heated kiss. You part from him with a grin. 

“Isn’t it obvious?” you ask. “I’m gonna devour you.”

Dean stares hard at you as goosebumps break out across his forearms. 

Oh, fuck yeah. 

A giggle bubbles in your throat at the expression on his face. But you continue, taking his pants down his legs first, before his boxer briefs. 

Dean’s body tenses in anticipation. You’ve gone down on him before, but somehow it’s different this time. He feels like every single one of his nerve endings stands at attention along with his dick. And you’re taking your sweet time working him up. 

Even when his cock is finally free, you sooth your hands down his legs first, maybe teasing him a bit as you drag your nails down his inner thighs. Dean makes a strained sound, though he tries to hide it by clearing his throat.

Your gaze flicks up to his with a little smile. He’s holding the back of the couch; his fingers are digging into the old cushion in effort to keep still for you. But his eyes stare into yours like a man starving. You know what you’re in for after you have your way with him, but for now, he’s quite literally under your control. 

So you take him in your hands first. Dean groans as you tease him with light touches, soft movements, your thumb slowly circling over the sensitive, weeping head of his cock. It's torturous enough to make him drop his head back against the couch, closing his eyes tight.

And suddenly, he blinks them open again.

“Shit,” he utters, when you finally take him into your mouth. Your tongue is soft and wet, your lips move over him steadily, and your hands caress whatever your mouth can’t take, even teasing his balls. 

You work him over relentlessly, until he can’t help but spill everything he has to give into your waiting mouth. When you suck off and swallow whatever remains, Dean’s heart stutters like syncopated conga drums. 

He shudders and struggles for breath afterwards, watching your every movement—from wiping your mouth to shooting him that satisfied little smirk. 

You press one last kiss to the inside of his thigh before you raise from where you’ve been kneeling on the hard ground. 

Dean manages to lean forward and helps you up by your elbows. But then he pulls you back into his lap and kisses you deeply. He doesn’t let up until you’re panting with him.

“Fuckin’ hell, sweetheart,” he manages to say. His voice is deep and laced with grit. 

He’s still panting heavily. You giggle and press your warming face into his neck. 

“What, now you’re shy?” he remarks. And he has to laugh. “Come back here.”

He brings your face back to him with a hand on your cheek. For a second, he just looks at you. His thumb strokes across your full, thoroughly kissed bottom lip.  

“Say it,” you encourage softly. “Whatever you’re thinking. Right now.”

A smile tugs at his lips. He can’t help but oblige you. 

“You’re too damn much,” he says again, both gruff and fond. Despite how you drive him up the fucking wall sometimes, he doesn't think it'll ever be enough for him, what he has with you.

Because this is something he'd almost given up on. Didn't think he'd get to have it. And it almost scares him, how much he wants you. How much he...

“I love you,” he says. His thumb traces along the familiar curve of your cheek.

It hasn’t been all that long, but he knows. You weaseled your way in without even trying. The least he can do for you is be honest.

Your fingers curl around his wrist, holding his hand in place. You tilt your head at him.

“Oh, yeah?” you ask. 

Dean hesitates, but he nods. “Yeah.”

A smile grows across your face. “Eh, I’m still on the fence.”

At his flat look, you laugh and lean in for a kiss. He allows it, a little petulantly. But you make up for it with sweet affection. Your gentle hands stroke down the column of his neck, down his chest. You then lean back so he can see your face.

“Yo te amo,” you whisper. “Te amo y te quiero, más que tú puedes creer y entender.”

Dean smiles. He doesn’t understand all of it, but he gets the important bits. He hears it in the tone of your voice. He sees it in your eyes. They shine with emotion, but mainly with love. 

Dean kisses your hand. He lets go, just so he can slip his hands around you to finally unhook your bra. He tosses it across the room without bothering to see where it lands.

You do though, and you meet him with a slightly narrowed gaze. 

“Are you making a mess of my clean bunker?” you tease. 

His lips curve as he kisses you again, while his hands each get a generous handful of your breasts. 

“Ah, hello, ladies." He grins. "Miss me?”

You can’t help but laugh. He’s such a dork sometimes.

But you hum when his thumbs brush over hardened nipples, then drag deliberate circles over them, and pinch just hard enough to make you whimper in pleasure. The sensation zips through you, enhancing the flood between your legs. 

“I fucking love that sound,” Dean mutters, and licks a hot path in the valley between your breasts. His lips move against your dewy skin when he says, “Do that for me again.”

When he takes a nipple in his mouth and nips a bit hard, you have to oblige him. Your voice rising high is music to his ears.  

So he goes for your panties next. You help him get them off and return to his lap. With a breathy moan, you revel at the feeling of his fingers probing into your wet heat.  

However, you and Dean have been too engrossed in one another to notice the door of the bunker unlocking, and heavy steps down the spiral staircase. 

It’s Sam who’s back from his run. Unfortunately, he soon has to shield his eyes upon reaching the living room. 

“Damn it, Dean!”

You yelp in surprise, but Dean laughs and holds you close to shield you from view. As a bonus, it presses your breasts against his chest. 

“All right, Sammy. Go to your room,” he chides playfully (but he means it). “The adults are havin’ a moment.”

Sam scoffs. “You’re having a moment on the goddamn couch!”

“Sorry,” you say, though it’s muffled in Dean’s neck. Your face is red hot with embarrassment. 

Sam rolls his eyes heavenward and tries not to see anything else on his way to his room. 

But Dean’s chuckle reverberates through your chest as his hand goes to your cheek. He encourages you to pull back, so he can see your face again. 

When he does, he smirks at the scarlet blush dusting your cheeks and neck. You bite your lower lip, but despite your embarrassment, you’re happy.

Your own words replay in your mind when you lean in for another kiss.

I love you, you’d said. I love you and I love you, more than you can believe and understand. 

AN: Yay! I hope you enjoyed Part 2 of the “Midnight Espresso”-verse! I loved writing this one so much. I know we're just doing fanfic here, but I genuinely put my heart and soul into this one. ❤️

Also, here are a couple of Spanish translations:

(Note: other Spanish-speaking countries may interpret certain words differently.)

[During their fight]: 

“Que sin vergüenza tú eres. Sigue jodiendo conmigo, coño. Entonces tú vas a ver quien soy yo.”

Translation:

“You’re shameless. Keep messing with me, damn it. Then you’re going to see who I am (<- This is Dominican slang. It essentially means fuck around and find out what I'm made of.).”

[Song lyrics: “Yo No Se Mañana” by Luis Enrique]: 

“Yo no se mañana…yo no se mañana. Si estaremos juntos, si se acaba el mundo.”

Translation:

“I don’t know tomorrow. I don’t know tomorrow. If we’ll be together, if the world will end.”

Keep Reading:

Next in this series is "Chico Malo" ("Bad Boy"):

Summary: You catch Dean red-handed—with one of his favorite episodes of Casa Erotica.

▶️ Next Story: Bad Boy (Chico Malo)

Series Masterlist

Dean Winchester Masterlist

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[princess-of-the-corner]

God I forgot about Qilin. Cool asfk akuma, arguably one of Gabes best designs, dragged down by the fucking ticket inspection and bringing in the goddamn army. (As well as how the episode felt like it was written avid ACAB Enthusiasts)

my problem with the episode is that it's a bit all over the place in a few spots like.

Firstly take this with a grain of salt because I'm white af

Okay. This is supposed to be an episode about racism and the cops being harder on minorities. But it doesn't.... come across that?

The ticket inspector was initially doing his job. Sabine didn't have a bus ticket. Yes it's because Mari got off the previous stop with the tickets, but if he handwaved everyone who said 'oh I totally bought a ticket but I lost it'.......

Now he does get unreasonable after that, accusing her of being hostile, having her arrested instead of just printing a ticket, etc. But this is also a show where the 'you seem to have broken a law so you immediately get arrested' is not out of place. (I mean sometimes it is BUT it's a 'what works for the story' thing). Doubly so as the target audience is children who sometimes do think 'oh god oh god I sneaked one extra candy they're gonna send a full swat team and arrest me and I'm gonna go to jail!!'.

Then you have the whole thing of literally all the cops showing up for one lady and then the Akuma and then the cops ignoring LB and CN in favor of blasting the Akuma with weaponry despite months of the Heroes handling this on their own. Which at first seems out of place until you remember episodes like Rogercop where all the cops weren't mind controlled they just went 'yeah I guess the obviously Akumatized(controlled by supervillain) cop in a mech suit is in charge because the mayor, who he kidnapped, said so. Time to arrest the Heroes!!". So while it hasn't happened in a while, cops just acting Like That™ aren't out of place in this world.

And like. The ticket inspector is a rando who is only seen here going against Sabine, but we have no idea how he'd act with a white guy breaking the same law. And Roger has been shown to be corrupt as hell toward white people(specifically the Couffaines who as far as we know are white). So it doesn't quite get the message across that this is out of the norm.

Then you have Marinette having to apologize to the ticket inspector who, at this point, is now much more reasonable of 'well she did technically break the law by riding the bus without ticket or ID, but given the circumstances we'll let it go' but Mari insists on paying the fine like he was in the right.

Honestly I feel like this episode suffers from not being direct about what the issue is. Yes it's implied that it's a racism thing, yes most of the audience including the kids will probably pick it up. But when you give that much wiggle room on 'what is motivating this character's actions', then combine it both with stuff that's /supposed/ to be extreme but is par for the course in the series and the protagonist apologizing to the guy who instigated all of this.... it gets very mixed and it can get lost and make people who do see the allegories wonder if they're just reading too much into things.

And I don't know exactly where to place the blame on. Did the writers pull back to try and make the situation more 'relatable to everyone' thus making it relate to no one? Was it a bigger thing of the studio or S&P saying 'hey you can't depict real racism in a kids' show'?

I mean either way there's some blame on the writers for the other flaws like Mari apologizing and undercutting anything the ticket inspector did wrong. But still.

[ricky-mortis]

A portrait of Sir John Herschel because I‘m normal about Pulp Musicals

[sylenth-l]

Headcannon time! I just love hearing your thoughts and insights on these characters you’ve brought so much life to so dealer’s choice! Anything for anyone, what’s been rolling around or popped up by surprise maybe while you’re working one one of your projects recently that’s dug in and taken root? Or maybe you’ve found yourself specifically referencing in your art - the, ‘it must be this way’ sort of detail? Drag us in I wanna hear it you tell the best stories ❤️

Aaah thank you! ; w ; 💙 I'm afraid the dealer is braindead tho and can't choose anything alksdhfkasdhf

I'm... Really bad at these things, I have too much and none at all thoughts at the same time about everyone and everything 😭 I'm always happy to talk about my blorbos, but maybe pick a more specific theme or characters?.. I don't know what or who to write about off the top of my head, I'm very sorry...

[liskantope]

I'm going to get myself an onslaught of pushback that I in no way have time to deal with this week for making the points I'm about to make, but here goes. (I also may learn some new information from some of you, which would be good.)

Argumate's point, as a conditional statement, is 100% correct. I would also say the various Republican proposals of the past three years are, in my opinion, varying levels of reprehensible and idiotic in how poorly they're defined/enforceable. But, unless there are specific ideas on the table that for some reason I haven't heard of despite being on Tumblr and progressive social media bubbles all this time, the implication that Republicans are attacking the right to present as one pleases and choose one's name, even the right of adults to choose to medically transition, is suspect. And distorting that side's political behavior seems counterproductive.

Everything, first of all, seems to revolve around "protecting" the children rather than restricting the rights of adults.

There's clearly been a push to ban drag shows -- that is, a certain kind of performance art based around people cross-dressing (often in a sexualized way) in places where children could be exposed to it: schools, it seems sometimes public areas as well. This seems to have arisen in direct response to a quite novel trend of schools going out of their ways to show children this art when schools re-opened after COVID, not as a direct backtracking of civil rights that they were okay with ten years ago (even if in effect it is a sort of walking back of rights). For the record, I think banning drag shows in public sucks, and if I had my own kid, I would want them to be exposed to a "drag queen story hour" or two in school. But what has been happening there is a far cry from disallowing people from going about their own business cross-dressing or otherwise presenting as a given gender.

Where changing names is concerned, I can only imagine posts above this are alluding to Ted Cruz's proposal to make it impossible to fire someone for deadnaming or using a pronoun different from the referent's biological sex. (The naming thing would depend on the person's legal name; of course if they transitioned and changed their name legally -- which I realize may present its own slowness and difficulties -- there would presumably be no problem.) This seems like one of the weirder, harder-to-enforce hypothetical laws (how would one even prove that someone's pronoun doesn't correspond to their genitalia??), but it's one of those People Resent Being Forced To Utter Things They Feel Are Lies issues in the form of protecting someone from being fired for not making those utterances. I don't support it and hope it never becomes law, but characterizing it as "losing one's right to choose one's name" seems disingenuous.

Banning transition surgery and other medicine is clearly a huge thing right now but completely restricted to minors -- I think the closest I've heard to proposals for banning it for adults is (1) stretching the concept of "minor" here to age 25 due to questionable "mature brain" ideas, and (2) some bill in Missouri requiring six months of therapy before getting the go-ahead for medical treatment. It seems not unreasonable to imagine that if Republicans manage to get enough bans through for minors (by far the lower-hanging fruit, by far more popular among Americans) and are feeling sufficiently confident while running rampant, some will try to ban stuff for adults too, and there's the whole issue of which forms of gender medicine get provided by insurance and so on. I totally get a trans adult not being willing to live in a red state. At present the issue seems to be for minors, though, and again, while a rollback (one that was already happening in most of Europe I believe), it's mainly in response to something -- namely, an abrupt spike by more than an order of magnitude in minors seeking gender medicine.

I don't call for moderate stances on these issues but for some care and moderation on how we characterize them, especially at a moment when trans people are upending their lives to flee the country. I don't see how we're going to get out of this culture war mess with trans issues without engaging with what each side is actually doing (obviously I've believed the same about every type of current issue but this one has gotten especially out of control).

The state of gay rights in the early aughts was not good; criminal penalties for homosexuality were rarely enforced but were on the books in many places, there was no right to marriage, and the morality of homosexuality was hotly contested in public. Big culture war issue. In that environment, where substantive protections were lacking, Democrats could be tepid on gay rights without actively giving anything up—if, like Obama in 2008, you didn’t support gay marriage, you could still be seen (correctly) as advocating for an overall better situation for gay people, or at least one that was no worse, in contrast to your right wing opponents.

Trans rights are not in the same position. Before the big trans rights backlash started, access to gender affirming care was pretty widespread, was everywhere legal, and was a matter for private concern only. Trans people could play in school sports subject to whatever their league’s rules were, and the idea of trying to make it illegal to cross dress in public was absurd. The conservative position since has become one of an explicit rollback of rights: revoke access to gender affirming care, create new criminal sanctions to punish trans people, make it illegal for them to participate in school sports, etc.

In that environment, tacking to the right on trans issues means deciding which elements of trans rights you are willing to concede to this project of actually rolling back trans rights. The only thing comparable from the gay rights fight is maybe state constitutional amendments to ban gay marriage, or DOMA—all of which were, IIRC, passed despite gay marriage not being legal in affected jurisdictions. Their enactment, while deplorable, had no material negative affect; gay people already couldn’t get married.

And that this project of rolling back trans rights is not a particular fetish of the religious right is more worrying. Plenty of liberals and liberal institutions are pretty transphobic. Britain has been working to export its flavor of (Moderate, Sensible, Secular) transphobia to other countries in Europe and the Anglosphere. Transphobes winning these fights isn’t a status quo situation—it’s a sharp increase in repression of trans people.

In light of that, I regard calls to “moderate” on trans issues with at best scorn. I think the party of civil rights condoning the rollback of citizens’ civil rights is really bad for its brand, won’t win it more votes, and may sufficiently alienate members of the base—who are invested in the party specifically because of its historic support for civil rights—that they simply don’t bother to show up in elections.

[xxplastic-cubexx]

sorry if you've already mentioned but what (re?)ignited your love of comics/x-men/cherik? curious because there are so many different adaptations of them

i think im gonna speak for a few (or a lot of) people when i say that TL;DR the wolverine x deadpool movie that came out this summer is what pulled me back into comics and i COULD leave it there but i will go into excruciating and unnecessary detail instead because i love an origin story and i love oversharing.

under the cut tho because im nice sometimes (there's also wxdp doodles in here. if you want to see that)

ironically (and probably commonly), growing up i was more of an avengers kid. Kinda. Loosely <- binge watched the cartoons and movies and read copious amounts of comics and fics and i am hoarding fanart in my old dresser as we speak ok 'loosely' is a modest lie.

embarrassingly i remember getting into discus cause of captain america LMAO so yeah needless to say i was a Humble Fan- me joining my school's comic class/club didnt help either (shoutout to my teach from that she was the realest one out there for. A Multitude of reasons). she definitely is was inspires me to even draw still and make comics and i often think bout the tips i learned from her class tbh she was great

back to the movies t and comics tho, i got into em because my brother would offer to take me and that's how we'd hang out (i rarely saw movies in theaters and i even more rarely went anywhere as a teenager. still kinda like that today tbh ooops) and yk. it just snowballed after that.

my brother and i have always liked comics- he just more than me for a while (though he still very much loves comics and As We Know From My Posts we still talk about them whenever i see him To An Exhausting Degree)

durin then i was really into stony and i have a few surviving doodles i made but those are between me and god. and anyone who asks tbh LOL

'snap can you make this related to x-men again this is long' ok so fast forward to This Summer again I Still Don't Really See Movies but my brother offered to take me and this was the first time i'd actually seen an x-men movie in full

as a kid i only remember seeing the 'perfection' scene between erik and raven in first class while i was channel surfing. pretty sure i changed the channel after seeing mystique naked cause i was scared my parents would get mad at me if they caught me watching it LOL

BUT MOVING ON As A Kid i think it's also natural you'll sometimes watch 92 if it's on And I Did though evidently it didn't stick too hard (i do remember really liking beast and gambit though.... still do really): my knowledge of x-men was. INCREDIBLY sparse. like diabolically so so i didnt have too much expectations (aside from the fact i vaguely liked deadpool beforehand).

tbh i dont know why my bro never took me to see any of the x-men movies. it's not like he doesn't Also like x-men (90% sure nightcrawler's his favorite but my brother will be caught dead saying he has absolute favorites like that)- he owns a bitch load of deadpool comics/omnibus sets too (of which ive read over the years and reread this year) but Shrug moving on

Much Like Most Of The Internet i fell down the rabbit hole that way. i have some doodles i made a couple days after seeing WxDP that i now have an excuse to throw at all of you Look And Perceive

and so. As I Do. i got curious and told myself i'd binge watch all the x-men movies the week before i went back to school And Then I Did ft. My Brother Sometimes and then i said i'd binge watch all of '92 and And I Did That ft. My Brother Sometimes But Less So and now we're here. currently watching Evolution...

once i got to school i realized i lived near a comic shop and started getting into the comics that way (the first ones i got since going down this rabbit hole was Magneto Was Right!, The Resurrection of Magneto, and The Trial of Magneto. if you were curious !!!!! clearly i didnt care too much about context i just needed to see My Guy jelvejlkvj i have no regrets and Evidently ive read more since)

i'm pretty sure what dragged me into cherik specifically was the fact i saw a clip of The Famous ending to 92 where erik's aghast at the notion jean even has to question his love for charles. i think that was what officially had me refocus my lens on them: not a single poolverine thought after that LOL (all the cherik posting i saw on twitter definitely helped too but that was the nail in the coffin for any other interests i had: i was locked into cherik and x-men in general now)

that clip specifically, i was surprised at the fact they- frequently even- have the x-men franchise say erik loves charles and vice versa so bluntly. even if it's not meant to be romantic, i fear im just a fan of how casually the word's thrown around with them two and i got tender bout it all. Then Yk. i just live for the drama. the hilarity even. the sincerity .... they make me sick if i think of them too long so im gonna end it here

before i go tho ironically enough, the first x-men issue i owned was This one (story a this is that while stuck in some wacko dimension charles accidentally gets himself trapped in logan's mind while utilizing his astral projection. if you were curious). pretty sure i got it for free with another comic set i got years ago since our old comic shop loved to do that, but it's poetic aint it. maybe ill doodle something referencing it..

i should probably look into finishing this arc someday im Dummy curious to even know how it started and how it ends.....

[icewindandboringhorror]

I know multiple of these are likely important to people, but I'm asking in terms of like - which of these do you tend to focus on the MOST, enjoy the most, that is most essential for you to actually care about the media, etc.?

(For example: someone finding "Relatability" most important would likely not enjoy a show much if they have trouble empathizing with the characters/relating to it, even if it were good otherwise. Or, someone might be able to overlook bad acting and ugly costumes, as long as the Character Dynamics are fun to them, because they value that more than Aesthetics- while for others, bad costumes would be a dealbreaker.)

Also feel free to reblog and explain your answer or more information in the tags- I've always been curious about people's relationships to media, how they conceptualize it/what they get out of it, how some people value some parts more than others, how that informs their overall taste and genres they may be more inclined towards, etc. :0c

[luuxxart]

hitoshi art from recently bc I will probably not finish chapter 5/6 before September <3

[first one is for this playlist]

[skrunksthatwunk]

gritting my teeth so hard sparks fly out why is it so hard to ask people to sit down and watch something you like with you

[elegyofthemoon]

i finally read the lyrics for "honkai world diva" and

[steakout-05]

ok as an artist i personally find traditional painting to be. really really annoying. like. i do not have the patience for it and i just find it to be really frustrating to set up and actually do and i end up not liking the results. i find that there's little room for mistakes and trying to fix them usually ends up with me making 50 other ones, paints can be so inconsistent and having to rely on availability and certain brands to continue making the paint is really inconvenient, not to mention expensive. spending a bunch of time trying to mix the right shade of paint, only for it to go down a completely different shade of colour and not being able to do anything about it is so frustrating as someone who likes consistency and having things just, y'know, not change colour as soon as it dries. plus, they all use different chemicals and can go off really easily or change textures and i am just not ok with having all my materials having an expiration date like food. lead and graphite pencils just don't do that and they can last for years, they're more reliable. every paint is drastically different and trying to find the right one is not only time consuming but, again, expensive, and i don't even see the point in experimenting when most of my materials end up not even getting used if i don't like using them. plus, i'm just.... really impatient. waiting for paint to dry sucks and is why i much prefer digital or just drawing something because i don't need to wait for anything, it just works. and then when i do want to take my time and work slowly for a better result, it dries too fast. it's kinda hellish trying to balance that time, especially considering how inconsistent paints are.

i like to use guidelines when doing art and i find painting straight onto a canvas to be really tricky because there's a lack of direction for me to actually paint. i'm at a complete loss at what to do when i pick up a brush because i can't map it out first without risking screwing up the paint. there's just so many things to keep track of and so much wet paint to avoid and i just do not have the mind for it. putting colours on a canvas and praying that it works just isn't it for me and requires a discipline that i just don't wanna involve myself with. painting is also just like... really exhausting and kinda painful. i got some pretty bad back issues and my arms tire and get sore easily and quickly when i'm standing in front of a canvas. it's a really physical activity for me and i just don't find something to be very fun to do at all when it's physically hurting me. i know drawing on a canvas has this issue too, which is why i prefer sketchbooks. sitting down and drawing something that doesn't break my entire spine every time i do it is much more preferrable than questioning if i should go to the doctor every time i make a brushstroke, lol

that's not to say that there's nothing i like about painting though! i can paint simple little things, and i like doing that. i like mixing colours with a palette knife and i find it fun and even a little relaxing. i painted some cute little chibi cardboard cutouts of the mario brothers one time and i found that to be really fun and i think i'd like to do that again! but apart from that, i just do not have the patience for it. i love the look of traditional paintings and i find many to be really beautiful, but i could never get into actually doing it myself because i hate the process. i'm content with just sketching and doing digital stuff because that's more fun to me and less stressful of a process to do. it's fun, it allows for more mistakes, it's easier to build up layers of shading and lines, not to mention using building up a figure with guidelines is super helpful with visualising what i want it to look like, and i can just erase something if i don't want it there or want to change something. it just makes sense to me.

tl;dr i dont like painting because it's inconsistent, expensive, time-consuming, directionless, frustrating and it makes my back hurt really bad. i'll just stick to drawing stuff :)

[hyperfixation-tangentopia]

So, I just??? Randomly just the motivation for this??? So enjoy more Tealstar stuff ig lol. Tried to do a lot here, not sure how well it worked for me. You can tell I got a little rundown at Tongbi's part, but I was still really determined to finish this, so. Here ya go.

   Chikao loved the storm.

   The smell of fresh rain and the swirl of dark clouds overhead lit up by flashes of lightning that split the sky in two and sent deep, booming thunder rippling over the land was something she could never get tired of.  Every lightning strike lit up her eyes, she could feel the vibration of thunder running deep within her bones, and the entire world was pulled just a little to the side by the chilling winds that whipped past.

   She was fond of the world after a storm, too.  The way the smell of rain lingered for a week afterwards, clouds drifted past so you could see sheets of rain coming down in the distance as they left, the sudden abundance of greens and the pinks and blues and yellows of plants as they sprouted up, the splashing of puddles gathered in random dips in the ground and squishing of deep brown mud as water sunk into the soil.  She loved that.  Loved everything about it.

   And the best part was that she could do it.  On a whim, whenever she wanted, she could summon the clouds and lightning and feel the very storm surging through her bones.  She could feel the world come alive in a way so, so different than it did in the shine of the sun.

   But, unfortunately, not everyone was so welcoming.

   And why weren’t they?  What was even the point of limiting her ability to create storms?  Why did she have to “register” a storm or whatever to create one?  It wasn’t like she was creating out-of-control tornados or setting forests on fire with lightning.  Most of the time, it was just a little rain to give the village crops a boost!

   But the Celestial Realm hadn’t seen it that way.  The first time Nezha had come down to meet her, he had called it “undermining the Jade Emperor’s authority” and “breaking the laws of the Celestial Realm” and “a matter to be taken seriously”.  But honestly?  How could she take someone that had come down to lecture her about why she couldn’t summon rain without paperwork seriously.

   And that was all it had been, for a while.  Something funny, eventually just a friend coming down to spar.  Barely an annoyance.  Not even a concern.

   And then Princess Iron Fan had joined him.  And they’d struggled over the winds of the storm, trying to turn them on each other to gain an advantage.  And then…

   Flash

   And then people had gotten hurt.

   And the Celestial Realm was angry.

   Stealing the Peaches of Immortality from their orchard?  That was probably just the cherry on top.

   But even when they’d come to arrest Chikao for her “crimes” (come on, they were peaches), they’d made a mistake to dare go after Tongbi.

   Chikao sighed quietly as she stared up at the endless night sky, the stars twinkling back at her like tiny diamonds against a sheet of inky paint.  It felt so close when the storm was swirling around it, the wind catching every little loose thing on the ground and throwing around every small hair out of place, but when the night was clear like this and she was laying on the ground beside Tongbi…it felt so, so far away.  She itched for it to be close again, to touch the clouds and feel their water in her hands. 

   She wondered if, in a world where Nezha had time, where Nezha could step away from his celestial duties and just relax for a moment, they could fly around through the clouds and throw water at each other.

   She didn’t live in that world.  She didn’t know.

   “Chikao?” Tongbi’s soft voice pulled Chikao out of her thoughts.

   “Yeah?” Chikao rolled onto her side to look at Tongbi, flattening the grass beneath her. 

   Tongbi’s eyes stayed on the sky as he spoke and his hands picked through the fur on his tail.  His voice was muffled by his dark green scarf as he buried his face into the fabric.  “You won’t let them t-t-take you from me, will you?”

   A small spark of anger flashed in her chest.  She’d said they’d be together forever, and she’d meant it.  No Celestial Realm would change that.  “Of course not.  And I won’t let anyone hurt you, either.”

   Tongbi didn’t respond and Chikao rolled back onto her back with a soft sigh.  She didn’t want Tongbi to worry.  He shouldn’t have had to worry.  She dealt with Nezha and Iron Fan on her own fine, didn’t she?  And then even when more celestials had shown up, she’d dealt with it.  But Tongbi was still worried, and Chikao knew well by then that the only thing that was going to soothe his concern was time.

   Time, or get rid of the Celestial Realm’s meddling completely, but she knew that wasn’t going to happen.

   At least, that’s what she thought, as the days went by and Tongbi slowly felt safe being outside of his library again.  As toddlers and children became teens and adults.  As people aged and grayed and passed.

   Until the Brotherhood reached out with a dream.  A dream of glory and ambition.  A dream of change and prosperity.  A dream of safety and comfort.  A dream of freedom.  A dream of storms.

   A dream of a day storms could freely brew in the days, and the skies would be theirs at night.

   A dream where the Celestial Realm wouldn’t meddle, Nezha could freely come and go, and Tongbi’s concerns would vanish.

   And Chikao took it.

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Tongbi hated surprises.

   The unexpected whirlwind of emotions he wasn’t ready for, having to think on his feet and his mind going blank, only moments to make a decision and if it was the wrong one he was doomed.  The mounting pressure of what felt like a mountain behind his head and the crushing weight of do or die that he just couldn’t pull himself out of.

   And the aftermath was worse.  Because then there were a hundred different feelings all weighing him down like boulders, telling him there was some way to alleviate their weight but not giving him a single how-to.  Sometimes the boulders were hot and sometimes electric and sometimes just heavy, and those meant different things, but he didn’t know what they meant.  But apparently, knowing what they meant and how to sort them out was the very key to getting them under control sometimes, because otherwise every time he thought about the surprise he would trigger another rockslide.

   Physically, Tongbi didn’t mind rocks, boulders, or even mountains.  Feet on the ground, dig his heels in, take a deep breath and move.  He could move boulders, sort out rockslides, split entire mountainsides in two that way.  The boulders he could touch the rough or smooth surfaces of were lighter than the ones that crushed his heart and held him down in the corner with tears spilling onto blurry pages, but never had a texture.

   Fortunately, people were welcoming.

   It had been a strange change after the curious chirps of the monkeys that found him hiding away in caves on Flower Fruit Mountain, but a warm one.  Chikao helped lift the boulders off his chest, explain some of the feelings and help him separate them apart so he could think without folding into a mess of matted fur and heavy emotions. 

   The warm nights of staring up at the stars and pointing out constellations as Chikao worked through his fur were the best nights he’d ever known.  Spending days reading books about the sun aloud and telling Chikao about asteroids that flew by brought him a warmth he could never quite explain.  Even the flower pin he had, with teal and red petals, served as a small comfort when he was alone, to remind him that someone cared.

   Though he had been nervous at first, the village was nice too.  Adults were happy to trust him to read about the phenomenon of eclipses to children and watch meteor showers with them, and the kids were always fascinated by his words and eager to ask questions and learn more.  Even on days where he didn’t have books, several of them were ready to ask questions and listen to him ramble. 

   And even as they grew and had more chores and work to tend to, nobody minded when he sat on a bench and read the afternoon away.

   Tongbi hummed a tune as his eyes scanned across neat words, written with meticulous precision.  Dust kicked up into the air as the click clack of horseshoes went by, but Tongbi was fully absorbed, the rest of the world blurred as he imagined how it would feel to step on the moon.  Would he feel lighter?  Would it feel like stone on earth, or dust, or powder, or something else entirely?  Would the stars look different?  What kind of new star charts could he make from there?

   “I’m bored!” The high-pitched whine of a kid caught his ear.  He almost called out to invite them to read, but…no, they probably didn’t want to hear him.  All of the kids he used to read to were teenagers or adults now, and had too much responsibility to bother listening to him anymore, and the new ones probably didn’t have any interest in him.

   “Hey, this guy’ll read to you about some pretty cool stuff, if you wanna.” Tongbi glanced up from his book to see a teenager with long black hair running down past her shoulders and freckles mixing with the dust and dirt on her face.  He felt a small flower of warmth bloom in his chest.  He knew this kid.  Did she still remember him?

   “Ooo, like what?” One of the children asked as their arms swung back and forth.

    “Well, you know the little white things that are up in the sky every night?” She smiled.

   “Uh-huuuuh.” The kid nodded.

   “Well, he taught me that those are called stars, and they’re actually very, very distant suns.” She said as she walked over to the bench Tongbi was sitting on.

   “Woah!” Three kids followed her, their eyes shining brighter than the sun. 

   “But suns don’t look like that.” Another kid frowned.

   “That’s the fun part.” She sat down in front of Tongbi and skimmed the title of his current book.  “He’ll explain the whole thing.”

   The kids promptly sat down in front of him, staring up with eager curiosity that filled Tongbi with warmth.  He started explaining, slowly at first, then faster when they only seemed more intrigued.  More children, kids playing in the village and teenagers he used to read to just finished with chores, came around him and sat down, enjoying his reading and explanations.

   He hoped this never changed.  And, luckily for him, it didn’t seem that was going to happen. 

   At least, that’s what he thought, as Tongbi’s reading slowly expanded to the entire village.  As toddlers and children became teens and adults.  As people aged and grayed and passed.

   Until the Brotherhood reached out with a risk.  A risk of danger and hostility.  A risk of battle and bloodshed.  A risk of pain and uncertainty.  A risk of imprisonment.  A risk of change.

   A risk of ferocious and bloody battles by day, and wounded and torn foundations by night.

   A risk of the Celestial Realm coming down with all their fury, Nezha would be injured, and Chikao being imprisoned.

   And Tongbi denied it.

   Tongbi denied the dream.  Chikao took the risk.