#also disclaimer nobODY IS PERFECT I KNOW

[arijackz]

PICK A CARD: What Will Your FS Admire Most About You?

⚤ “I love you without knowing how, or when, or from where. I love you simply, without problems or pride: I love you in this way because I do not know any other way of loving but this, in which there is no I or you, so intimate that your hand upon my chest is my hand, so intimate that when I fall asleep your eyes close.” - Pablo Neruda

Disclaimer: This is a general reading, take what resonates. This is a gender-neutral reading, disregard any pronouns that do not apply to you.

p1 → p2 ↙︎ p3 → p4

✠ Pile One ✠ (King of Cups,Page of Cups,The World,7)

✧ Cards went wiillldddd. You stir up so much emotion in this person, it’s crazy. Your heart chakra is front and center here. You are picture-perfect harmony and universal love to your spouse. Your love can’t be contained, you love them, your friends, your favorite mug, worms out in the rain, strangers, the moon, and all the stars in the sky.

✧ All I see is a wide-ass smile, the biggest, wateriest eyes, and full cheeks. Your spouse thinks you’re sunshine-incarnated.

✧ This will sound corny, but your heart and love for the world and all its diversity make you appear angelic; God’s gift to humanity. The emotional depth you have is nothing shy of divine. Your ability to understand and reconnect your person with their inner dreamer makes you irreplaceable in their eyes. 

✧ I feel like your future spouse had to navigate around a lot of emotionally stunted people who left scars that prevented them from forming healthy relationships. Your empathy and desire to make space for peace and unity in this world give them hope that true love is alive and they are the lucky son of a bitch who gets to call an angel, theirs.

✧ I smell salt and hear waves. (I bet you’re tired of the cheesy poetry but HEY, me and your boo are OBSESSED with your energy) You truly are as beautiful and powerful as the seven seas.

✧ You know the Ouroboros, and how it's sometimes depicted as a snake wrapped around the oceans, holding onto its tail to keep the world together? Yea, that. To your future partner, you hold the key to their world. You add so much color and vibrancy. You turn over their inner ocean and awaken so much repressed child-like wonder within them.

✧ Wow. Your spouse loves the depths of you.

✧ Check for water placements, signs, and houses, in your natal chart. Some of you have insane intuition and have clairsenses. Clairaudience to be specific.

✧ Some of you are active in charities or aspire to make a difference in society. Maybe you’re into esoteric practices or anything else metaphysical.

✧ I even have a few philosophers here. Okay, KANT! (somebody please get this joke)

She Excites the Seven Seas

✠ Pile Two ✠ (Ace of Pentacles,8oW,The Emperor rev., “I Want”)

I love the kind of woman that will actually just kill me

✧ Of course, you don’t have to be a woman but that TikTok sound SCREAMED at me. Your future spouse is lowkey intimidated by you and they love it.

✧ You have big dreams. Big plans. But most importantly, a million and one ways to get you where you need to be. Your ability to say “I want this,” and then actually go out and GET it?? Your spouse is like the meme that goes “I’m a little scared, but I’m turned on.”

✧ I also see that you’re unconventional. If people have been doing whatever you want to do a certain way for years, you'll find ways to do it differently, just cause. You’re a true trailblazer. Your self-conviction is so damn alluring. Even for the people who struggle with insecurity sometimes, once you get over that hump and decide that you desire something, you fucking get it. Your partner sees you like magic. They are impressed by just how quickly your desires are set in motion for you. They feel that you are powerful and bring a great deal of power to them from just being in your proximity.

✧ You are also the “I don’t take shit from nobody” type. Not from strangers, not from your friends, your family, not even from your partner. In their eyes, you know your worth and have a strong self-foundation that nobody can tear down. There is genuine admiration and respect here. I even get the “I want to be like you when I grow up” mentality.

✧ There is a speediness to you they find very attractive. Either the way you behave, speak, or just stress about time, your pacing holds a special place in their heart. (or maybe, despite all of your responsibilities, you manage to find stillness in the chaos and slow down when necessary)

✧ The way you speak drives this person wild. It's like your voice narrates their thoughts and is the source of all of their arousal. Do with that information what you will...(don't be cruel, you make this person so nervous).

✧ I shuffled through a playlist and E-GIRLS ARE RUINING MY LIFE!! by Corpse came on and one of the lyrics goes,

She just look into my soul with them Shinigami eye Coke in my nose and a blade on her thigh. Man, I think this girl is really trying to plan my demise

✧ Yea, you put the fear of God into this person, but in a good way! Your presence can be chilling sometimes. Fire energy for sure. There are definitely people here from pile 2 of my first pac, “What are your most alluring qualities?”, check that out if you want to.

✧ Okay, this energy has me needing to take a LAP, bye.

"Man, I Think This Girl Tryna Plan My Demise"

✠ Pile Three ✠ (10oW, 9oW)(no other cards wanted to come out, real stubborn)

✧ Okay so, this feels specific?... and maybe even a lil off topic but I feel called to say this

✧ I sense that you and your person are psychically connected and share the mutual feeling that the two of you are meant to cross paths. The both of you have gotten your fair share of fuckery in this lifetime and this union feels like divine justice.

✧ This sounds a little fucked up, but you guys flourish amid trauma. Dark energy alchmaziers. You best wield your potential while you’re going THROUGH it.

✧ You had to “die” and bury yourself a dozen times to get where you are today.

✧ You are a very evolved individual. Throughout your life, traumatic events and relationships have forced you to bear a lot of weight on your back and it’s like the pressure has forged you into a diamond. With each curveball life threw at you, you stood tall and pushed to make something of yourself, proving your worth after a lifetime of strife and instability.

✧ Scorpio/Capricorn and 8th house/10th house placements. (check midpoints).

✧ A lot of you have tense shoulders, upper back, shoulder, and neck pain from the unease and anxiety your body carries. You have insomnia and may even struggle with nightmares.

✧ This person you’re coming into union with is so healing.

✧ This is something the both of you broke down and prayed for on your darkest days. This is a true partner, the soul that kept yours warm when the world was so cold. You had to put your dreamier side on the back burner to survive. This person will make you feel safe to dream again.

✧ I don’t have anything specific to say because you and your person feel so secretive  You two recognize each other’s pain and are the only people you guys trust. Like not even lil ol’ me can really get through to y'all. Y’all ride AND die for each other, in this life and the next.

✧ If you’re into astrology and already have a feel for who this person is, check your guys’ composite chart. Strong Scorpio energy here.

✧ Coming into union with this person will feel like a wish fulfillment.

✧ (short pile, it felt like a quick message for those of you who feel this connection telepathically. This is probably a secondary choice.)

"I Want To Caress The Piece of Me Within You"

✠ Pile Four ✠ (Queen of Wands, 9oP rev., 7oP, 4oP rev., the high priestess, queen of cups, “I will”)

✧ You’re a bad bitch, truly. Your fs isn’t calling you a bitch, buuuttttt she a baddie, she know she a ten! She a baddie with her baddie…. wait a minute…

✧ You may not have a lot of friends? You keep your circle tight-knit because you have been deeply hurt in the past and you guard your peace fiercely. For some of you, your home life was quite tumultuous and you struggle with financial security and inner happiness. It seemed like the world did not want you to feel good about yourself or succeed.

✧ Do you know that viral display of a deer’s ribcage with a spear through it, and how even though an attempt was made on the deer’s life, he managed to survive and lived for years after that event; all while still growing bone marrow with a giant fucking spear through its ribcage?

✧ “A close encounter with a hunter left the deer with several broken ribs and part of an arrow embedded in its body. Remarkably, the animal survived, and bone grew around the shaft and arrowhead lodged in the creature's side."

✧ "The deer lived with the arrow inside its body until years later, when another hunter killed the animal, cut the deer open, and discovered its amazing secret…As the tough tissue formed over the arrow, it acted as a splint for the damaged rib cage, strengthening the deer's injured body.”

✧ I highlighted some words that needed emphasizing. That’s how your partner sees you. They are in complete awe of the resilience and sheer tenacity you hold. They look at you and can’t believe the person before their eyes. The troubling history you usually try to hide from your romantic partners is exactly what allures this person. 

✧ You won’t ever lay on your belly and cry about life passing you by. You aren’t the type to victimize yourself and “woe is me” your way out of self-improvement.

✧ You are quite ambitious and aim to push forward, even if the odds are stacked against you.

✧ I get the message that some people in this pile have struggled with self-harm over the years. Your partner wants to kneel down and kiss your scars like a white knight, and vow to protect you emotionally and physically for as long as you’ll have them.

✧ The spear-deer imagery is so interesting. The deer represents virality. It is a symbol of piety, gentleness, devotion, and fertility. Especially with the queen of wands, the high priestess, AND the queen of cups, you provide profound love, passion, and insight to this person. However, even as a deer, you are quite badass???

✧ You are as gentle as a strand of hair but as strong as wool. Dainty but unbreakable.

✧ They have no desire to infantilize you because they know you are already your own greatest warrior. But they don’t want you to feel that you have to fight alone. Whatever burdens are on your plate, they take away as much as possible because they want to be a piece of the paradise you fight for.

✧ This is meant to be a short pac, a Tumblr post won’t do the unbelievable strength in your character much justice. Just know that your fs is so fucking in love with you and wants to spend their life by your side because of just how awe-struck they are by you.

✧ I mean c’mon… will YOU ever forget the story of the coolest fucking deer in existence??

"I Yearn To Be the Name You Call Out in Victory"

[chaos-in-deepspace]

LNDS: Bongo Butts | 18+

I should be going to bed but I forgot to do laundry so here I am, writing more content that nobody asked for. Just like motorboating them...when I see them butts. Just. WHAM BAM. Thanks for coming to my TED talk. Also hope you know I had to research different types of dump trucks for this fic.

Disclaimer: This is an original fan work for “Love and Deepspace”. Do not repost on other platforms or plagiarize. All characters shown in this fic is 18+. Warnings: Ass Slapping, Crack Fic, Playing their asses like they're bongos, Zayne's lost sanity, Rafayel is scandalized as per usual, you mentally scar Raf, Xavier is confused as per usual, but is he confused?, he does get you back tho

Blog Information | Masterlist

Xavier

Xavier really did need to be more careful around you. He was the one who wanted you to date him first, in your defense. He chose you. And you wouldn't let a single day go by that you didn't prove why that was a horrible decision on his end. At the very least, he could claim that he was never bored with you around.

Today was supposed to be a lazy day. You two had off from all missions and were relaxing around the apartment since it was too damn hot to actually go outside. It also happened to be laundry day for Xavier, so he was dressed in his workout attire while his uniforms were being deep cleaned from all the dirt that accumulated on them during his missions.

Those shorts. They were so damn short. You'd even call it slutty because hot damn. His ass was just right there. It was staring at you. Hypnotizing you like it was a snake charmer. Your hands were already twitching in a grabby motion as you stared directly at those perfectly rounded globes on his backside. His beautiful bubble butt.

Xavier could feel your stare burning into him as he looked over his shoulder. He was just sun bathing by the window, laying on his stomach. So vulnerable to your upcoming attack.

"Something you need?" Damn, he already sounded suspicious. It might've been by how you were practically drooling with your hands up, ready to grab at him. It was a slight give away. He should've been more prepared though, because you lunged at him in that moment.

He only had time to turn slightly when you pushed him back on his stomach, sitting on his back to pin him down. Your hands took a fistful of his ass before you began hitting them with little force. Just watching them jiggle with every little slap of your hands.

You were cackling like a maniac as you continued your assault until he managed to maneuver you off of him. You were laughing, your cheeks flushed as you almost teared up. His entire face was red as he stared at you in horror. Then you saw a flash in his eyes and you knew you were done for.

He grabbed you, pulling you onto his lap. Then you felt a harsh slap at your ass, making you squeal. It was so much rougher than you had hit him. He stared at your back side and did it again.

"I can see why you found this so entertaining. I think I'll play with this for now."

"Unhand me you creatine!"

"I think not, if I let you go, who knows what else you'll do to me."

Zayne

Anyone who has ever had the pleasure of laying eyes on Akso's best Cardiac Surgeon knew that one thing was a pure fact. He had an ass. His doctor's coat did a good job concealing it, but he couldn't wear it all the time. You had even noticed a few nurses who would glance down at him when he passed them in the hallway.

It was something you knew very well about Zayne, and something the man seemed oblivious to. The man didn't just have a dump truck as a rear end, it was a dump trailer. That shit could keep a family fed for an entire year. It was so perfect in every way. You could grab onto one cheek with both hands and you still wouldn't be able to capture the entire thing.

Yet for some reason, Zayne had no idea just how badly you needed his ass. You would often times find yourself staring at it when you hung out, had an appointment, or were just lounging at the apartments. It plagued your thoughts. You were losing sleep over this. It wasn't good for your health.

"Zayne..." You said as you relaxed on the couch next to him. You two were catching up on a TV show that you started well over a month ago but hadn't had time to really enjoy it.

"Yes, did you need something?" Oh how sweet he was, always looking out for you.

"Yes actually...can you lay down on your stomach for me? I wanna do something." You said, knowing that this man would do just about anything you asked. He eyed you for a moment, contemplating if he wanted to play this game with you.

"Might I inquire as to why?"

"That's for me to know, and you to find out."

Zayne took one more moment before giving in. He adjusted his position, laying down on his stomach just as you had asked. You decided to be subtle, leaning over his form and placing your hands on his shoulders at first. You gently caressed the skin there, massaging the muscles through his shirt as you slowly made your way down to the small of his back.

There it was. The prize. The holy grail of all asses. It was ripe for the taking as you looked over to see Zayne's closed eyes as he relaxed under your touch. You didn't hesitate. Your hands slapping down on his ass and grabbing it roughly.

His eyes shot open as he looked over at you. You licked your lips as you began gently slapping the flesh, watching the bounce as though it were made of jelly. It was a sight to behold and you couldn't help yourself. You had seconds before Zayne reacted and pulled your grubby little hands off him.

So you leaned your head in and bit down. His pants managed to cushion him from the force of your bite, but he sure as hell felt it. He sat up and grabbed you under the arms like a cat, stopping you in your tracks as you stared at him.

"What do you think you're doing?"

"Playing with your nice ass."

"My butt is not a play thing."

You paused for a moment, eyes trailing down to the front of his pants, "If you aren't gonna let me slap your ass, can I play with your dick like it's a Bop-It?"

You watched Zayne go through five stages of grief. He sighed as he grabbed a blanket next to him, wrapping your entire body like a burrito so your limbs were no longer effective. He then sat back down on the couch with his legs open and placed you between, holding you tightly to his chest.

"I'm begging you, please be quiet for once and let's finish this show."

Rafayel

He should've known you were up to something if your gaze was anything to go off of. You had zeroed in on him the moment you had come over. Even during your little date as you two explored Linkon together, he knew something was up. Your not so subtle glances in his direction couldn't be considered innocent.

If only he knew why you were staring so hardcore. He had gotten a new pair of pants, or at least you assumed they were new. You were pretty sure you'd remember them with how good he looked at the moment. It was tight on him, accentuating his ass perfectly. You were pretty sure if you riled him it would also perfectly outline another aspect of him.

Still, you had a mission. Rafayel didn't know it yet, but the moment you had caught a glimpse of him this morning, you knew what had to be done. His muffins needed to be squished. His plump little cushions had to be properly admired and worshipped. You would be the one to happily give them the attention they deserved. An ass sculpted by the gods themselves were staring at you literally all day.

You closed the door to his home slowly, turning over to him. He was already heading to the living room. You slowly stalked behind him, and he could feel you were up to no good.

"Something caught your interest? I know I look good, but not even you normally stare at me this much."

"I just think you look particularly handsome today is all." As does his ass. You couldn't say that yet though, he would realize what your plans were if you verbalized it too early. Like a cat stalking a mouse, you followed him until he was in the living room. The moment he was by the couch you took action.

You rushed behind him and pressed down on the small of his back, making him stumble forward. He grabbed the edge of the couch, his body hunched over. Rafayel turned just in time to watch you drop down to your knees. Then he felt your hands harshly gripping his ass. Then the quick slaps in succession followed as you began laughing maniacally.

"Finally!" You said as you grabbed at them again. Rafayel finally reacted, rolling onto the couch to get away from your hands. You were practically panting as your hands twitched, "Come on Raf, lemme just squeeze em again."

"You are a psychopath." He said, hiding his ass from your view.

"I'm your psychopath though." Despite how horrified Rafayel looked, he was also amused by your antics. He grabbed at your arm, making you fall forward and your chest pressing against his own. His hands went to grab at your ass this time, squeezing them and laughing.

"You know, I think I'm seeing the appeal of this." He commented, his hands lazily hitting your ass cheeks like you had to him, although he was far more calm about it.

"See, it's amazing...now can I go back to playing with your butt? I wasn't done yet."

"I think not...although this has given me an idea. Do you mind if I paint your backside?"

"You wanna paint on my ass?"

"Perhaps."

"...I'll agree if you let me eat your-" Rafayel had never cut you off so quickly.

"Never mind."

The most accurate representation of what we're doing to these poor men. I will not be silenced. Their asses need to be slapped. And ate

[thehigherseekerastro]

Random Astrology Observations (Alternative Meanings Love Edition) 2 🤨❤️🤔

DISCLAIMER: I am in no way, shape or form a professional astrologer, modern or traditional.

I HAVE been studying astrology for a while now, and analysing charts available to me, as well as my own, and noticed a lot of the info you find online doesn't make sense in real life, because it is too reductive, stereotypical or lacks broader context. So I thought I'd share some of my personal observations to see if it resonates with anyone.

This is NOT the end all, be all. Apply it as it makes sense to you.

**************************************************

The 1st House 🙋‍♂️

The 1H in synastry is a tricky one, because the first house itself is related to our individual identity. It is the house of self. So, when it comes to having a love planet here, things can get really murky. You'll often hear that it indicates instant attraction, but also only surface-level. While that is not entirely wrong, it would be a disservice to reduce it to just that. Yes, first house ties back to your physical appearance and external impact. But what does that mean for someone else being impacted and impacting that? Does it even apply in synastry? The answer is: YES. And it goes much deeper than you'd think. It will talk about an immediate recognition. It talks of being mesmerized by someone's look and demeanor, but that comes accompanied with an obsessive need to know more about you, to be around you, to soak up as much of you as possible, as if to aggressively learn you. And that's because you will tickle all the boxes the person had been holding inside (and vice-versa).

(e.g.: having someone's planet(s) fall into your 1st house doesn't just mean they will be attracted to you, if it's romantic. It also means the person feels like you two share a vibe, share interests, ideas. It means they feel like you move according to their speed, and therefore, that could lead to a lot of trust and comfort on their part, because you feel like a safe place. Not in the same sense as the 4H, but in a more "this person will have my back, cause we're the same!" kind of way. It makes the person feel like you are enough, because you fit them. So even if everyone else disagrees with them or doesn't understand them, they'll sort of look over at you, and if you validate them, that will be enough for them. They'd rather have your approval – since you are someone who gets them – than to have the approval of a bunch of people who don't understand where they are coming from.)

It truly is a beautiful thing, but even positive planets with positive aspects can lead to unwanted side-effects. The house person could come to resent the planet person because of how much they like them. Depending on who the house person is – if they have a dominant or prideful personality, for example – they may come to resent and even become angry with the planet person at times, because they'll feel so strongly for the planet person that they could start acting out of character for them, and that can make them feel like they're losing control of themselves. And as human beings, what do we do when we feel out of control? Shift blame and start looking for culprits. This DOES tend to wear off, though, exactly because of how intensely the house person feels for the planet person, but it can burn hot for a minute or two, specially if they end up getting into an ugly fight and the 1H person tries to forget the planet person, but they can't bring themselves to hate them. They'll get angry at the fact that no matter how hard they try to hate the person, they still feel enchanted by them.

(this could also create an unwanted feeling of "nobody else is like them", so the 1H could panic a bit at the thought of losing the planet person because 1H synastry creates the immediate feeling of the "perfect person for me", so imagine thinking you found the perfect person for you... it can make you feel like if you lose them you'll never recover, because no one else will be like them or able to replace them as perfectly)

All in all, though, first house Synastry tends to usually show up good results, depending on the planets and aspects involved. Another aspect of this synastry that doesn't get talked about for some reason is the fact that they tend to obsess over and notice the tiny details in each other. So it creates this effect of falling for them over and over and over again, cause they'll keep finding little things about the other person that they find enchanting, and THAT'S what creates the physical attraction. It's not that the planet or house person are conventionally attractive to everyone – they might not even fit the beauty standards –, but to the house person, those little details will sort of build up the planet person's beauty step by step, and by the time they catch on, they'll be enamored with every part of them, so, to the house person, the planet person truly is the most beautiful thing ever.

(1H house synastry also brings a 1st house energy to the attraction. NO - NOT ARIES. First house. But it will sound like arian qualities because Aries does rule the first house, after all. What this means is that a big part of the attraction for the 1H person is feeling like the planet person is independent, self-sufficient, confident, self-assured and capable. Because it's taping into their 1st house of self, the house person can sort of see the best of themselves reflected on the planet person, which means they feel like all the things they are insecure to show the world, the planet person has and is not afraid to show them. So they feel like planet person not only embodies their attraction ideal, but also the ideal personality they wish they had themselves. Which they do, but they don't realize it until planet person comes along and brings it out of them.)

First house Synastry is a complex kind of Synastry that is much more psychological than it's given credit for. People often focus on superficial physical attraction and gloss over the fact that it's like somebody is literally stepping into your mind and making your inner fantasies come out. It can feel very vulnerable and intense.

The 7th House 💍

Oh, isn't this one a gem?! Perhaps one of the most sought after in synastry. But the idea here is to provide an alternative perspective, so here goes: if it's badly aspected, or there's other challenging factors involved (the person falling into your 7H is problematic themselves), you're gonna run into the issues people often attribute to 1st house synastry, such as superficiality and a "false love" because 7H Synastry, regardless if it's good or bad, creates somebody who's "perfect on paper". They say the right things, they do the right things, they seem to fit into your whole ideals. But that does not guarantee that that's who they truly are. That's just who you think they are. Remember – the 7H is the house of "other". So it's not about you. It's about the other. But it's rather how you act around said other, and also how you perceive them.

(It's tough to say this, but you gotta be real to help some people out there who might have had 7H Synastry and didn't understand why the relationship failed, since everyone online claims it's a guaranteed soulmate. It's because Synastry goes both ways. And all houses have good and bad. There is no such thing as the perfect Synastry. But in the case of the 7H, I'd say it's the real life case of "if it's good, then it will be amazing. Truly a soulmate. But if it's bad... it will be awful. Just not immediately.)

Going off of the previous comment, another grim way this Synastry can turn out is in its binding effect. And I don't mean anything spiritual or abstract here. I mean literally binding. Imagine a relationship going sideways like that AND you are also now married or share a business together. MESS! This is the house of contracts and long-term. Remember Saturn exalts in Libra, because Libra likes things that last, and Saturn is the planet of long-term, so the house of Libra will sprinkle that lasting effect over whatever it touches. And if you're in a 7H relationship, that relationship will last with you, whether good or bad. It will take A WHILE to break off from it, either mentally, emotionally, psychologically, legally or financially.

(e.g. somebody has their moon in your 7H, but it's a moon at fall, in Scorpio, and it's afflicted in their natal chart. Now, at the beginning they will seem like a gift from God directly to you, so much so that you decide to make it official... And then, one or two years in, living together, each day it gets more toxic and draining and the dark sides just oozes out of your relationship. But now you are legally married, and divorcing will take time, bureaucracy, money and emotional energy, not to mention you'll have to uproot your entire life, explain it to your social circles and families... And what seemed like your dream come true was in fact a bitter lesson to learn).

To veer away from the dark twists of the last ones, let's dissect the correlations people make with the 7th house, like "oh, your spouse will be interested in art, and beauty, and music, and sophisticated things!" Why? Are you marrying a Libra? A Libra rising? Somebody with a Libra Venus? No? Then that has nothing to do with 7H Synastry. Houses are not signs, signs are not houses. Libra is one thing, the 7H is another. Venus rules Libra, which resides in the 7H, but Venus doesn't rule the 7H. It merely influences the 7H. It would be a better guess to say you might have met your person while they (or you) were already in a relationship than it is to say you met because of beauty-related things, or art, or music, since the 7H doesn't talk of any of those things, but it DOES talk of committed relationships.

(e.g. you might have met the person right after they (or you) got divorced. They might be connected to an ex of yours. Or another possibility that isn't talked about is how the person you eventually end up with is someone you have liked for a long time, but never got the chance to be with until now. Since this is the house of long-term relationships, having placements here could indicate that the person you ultimately stay with long-term is someone you already knew prior to getting together, but you needed to experience other relationships before you united with them.)

Another final aspect of placements in this house is the fact that it doesn't just deal with your love relationships, but also the way you consciously present yourself with others. How you behave socially. But also the mirror effect of this house, speaking directly about love. This is, after all, the house directly opposing the 1st house of self. In that regard, this is similar to 1H synastry, with the exception that in this one, instead of you coming out of your shell subconsciously, you make a conscious effort to become your best for your person here. You want to live up to all of your potential.

The 2nd House 💆‍♂️

This one is a bit tricky for me, because I'm not materialistic AT ALL. I have a Taurus Lilith in the 2nd house, so, I express it on the other end of the spectrum. When you have that placement, you either put too much value on money and material things, or you are completely unattached from it, and that's me. So the whole "money this, money that!" vibe is not my scene. I don't see a price in life, I see value. With that said, let's get this going.

Yes, this is the house of money and material things. Yes, it will deal with your personal finances. But no, unless other parts of your chart/Synastry agree with it, somebody's placements falling here should not have a lasting effect. It might merely indicate you overspending on dates and gifts. The 2H is the house of YOUR money, which means that the whole "oh, they're gonna shower you in gifts!", "And this is a sugar baby aspect!", "Your person will want to spend all their money on you and buy you expensive things!" is probably not gonna happen, sorry. If it does, it will be you spending your money.

(And if you do spend your money, the whole "gifts" thing is also not that common, because normal people don't just go around buying gifts for others every other day of the week, unless they have some sort of imbalance. Such a consumerist mindset! Not everything is about paying for things or buying things. That's a VERY American culture of dating, specially for women. This nasty idea that a man has to buy you or he's not good. Which is what encourages habits like thinking the man always has to be covering your finances (how old are you, 5? Get a job and pay for your own damn self! You are an adult woman), paying for your food, buying you a house, giving you gifts all the time and affording expensive dates. You are not a product. If your biggest incentive to be with a man is because of how much he pays for you, then that's the world's oldest profession, not a relationship of love. So this should play out more like them helping you manage your own finances. Don't go around thinking a 2H love placement is gonna turn you into Cinderella.)

If you do happen to be a stay-at-home person in your relationship, which is valid, as long as it's not all about money, 2H love placements and synastry will talk more about other material aspects of things. It will talk of stability, sustainability, longevity and security.

(e.g.: it could mean that you allocate your resources towards creating a safe, stable environment for your life together to flourish, such as buying things for your home together, revising your finances to make life goals and plans together more viable, setting budgets to achieve milestones together... as well as the literal physical aspects of valuables, so using your resources towards nourishment (food, shelter, clothing and health). Things that will ensure your relationship lasts and endures through hardships and tribulations. In the 2H of values, Synastry could indicate the relationship itself becoming your prized possession that you take care of. All the Earth houses are about caring for things, just in different ways.)

Another poorly explored aspect of the 2H is values in the moral, spiritual and emotional sense. It's WORTH. Both the causes you find worthy as well as your self-worth. A 2H love placement or Synastry can and will directly affect that. Even if you do happen to be dealing with financial/material things too, that can affect your self-worth directly.

(e.g.: say you are married to someone who is constantly in debt, or say your spouse is the breadwinner of the household and you depend on them financially. That can really take a toll on your self-worth. It can bring feelings of poor self-esteem, can you make you feel undervalued, inadequate, make you feel like a burden, or make you feel incapable of caring for yourself. It can strike your self-confidence and make you VALUE yourself less. Or the opposite. Your spouse may open you up to new possibilities of making money, which in turn gets you into a new passion project that you succeed in and that can make you feel like a worthy person, make you believe in yourself, make you feel important and valuable.)

I would argue that most often, it's the 8H Synastry that will really have your partner's materials affecting you, because the 2H is the house of your PERSONAL gains, while the 8H is the house of OTHERS' gains and possessions. Most often, the biggest impact I'd say 2H love placements have will be dealing with self-worth, self-confidence, shared values and morals, feelings of belonging and acceptance.

General Things ✨

What I see most often is that positive and negative outcomes tend to happen simultaneously. It's not all doom and gloom, but it's also not all sunshine and rainbows all the time. Sometimes it's great, sometimes it's not so great, and those ups and downs come and go. That's just life. Both are there to be worked with, worked for, or worked through. At the end of the day, astrology will not mandate your life events, and you have to always be learning from your life, and working on yourself and the things that matter to you. Astrology is just a guiding light to identify possible themes to be mindful of.

**************************************************

That's it! Thank you if you've read it this far! I might have come off a bit harsh (I hope I haven't), but I promise I'm nice lol.

My whole goal is to try to discuss astrology in as realistically as possible, but while making it clear that any possible outcome is plausible. If most times all you hear are fantastic stereotypical descriptions of placements, such as 7H, the not so great ways in which it can play out will be explored here to help people navigate them. If all you hear are bad things about a house, then I'll try to show the positive ways in which it can come out.

The whole point is to try to bring a wide range of notions to these descriptions, together with the information that is already out there and available by many other creators.

At the end of the day, remember this is all POSSIBILITIES. Your personal life has to be analysed to know what's gonna ensue. And don't be discouraged, because the truth is that positive and negative effects tend to happen together for your best.

Hope you have a good day when you find this!

MASTERLIST

[once-upon-an-imagine]

Scars To Your Beautiful - James Potter

A/N: I have no idea how I was able to finish this xD thank you @captainlunaxmen for all your help! I hope yo loves like this :)

Request - @nix-rose asked: What about a James Potter x Black!Reader (if reader can have some personality: extrovert, loyal, gryffindor but could probably be a slytherin, just a happy person, definitely rough and tumble but still enjoys looking cute-) “Have you… Always been this beautiful?” “…That’s so cheesy even for your standards.”

Warnings: reader is really insecure, mentions of abusive parents, James protecting you from a creep (nothing to explicit though) also, this isn't proofread :D

Disclaimer: I don’t own Harry Potter :) gif isn’t mine :D  

*-*-*-*-*-*-*-*-*-*

Scars To Your Beautiful

But there's a hope that's waiting for you in the dark You should know you're beautiful just the way you are And you don't have to change a thing, The world could change its heart No scars to your beautiful, we're stars and we're beautiful

The ‘other Black’. That's how you were known in Hogwarts. 

You knew your family wasn’t perfect. As much as they all like to make it seem that way, it was very much far from it. Being part of The Noble and Most Ancient House of Black brought a lot of pressure with it, but you were used to it by now. And, deep down, you loved your family. At least your brothers and your cousins. Well, two of your cousins, you were always pretty terrified of Bellatrix after she enchanted all of hers and her sisters’ ancient creepy dolls to come alive and it still terrified you to your very core today. But you loved Andromeda and Narcissa, even if the latter was now spending all of her time with Lucius Malfoy and you saw less and less of her. 

Even if you’d never admit it, you were always a bit envious of them. Not in a bad way, you just… wondered a little how it would feel to be like them. You remembered guys literally fighting to get your cousins’ attention. And not a day went by without you having to hear at least ten different people saying how gorgeous your brothers were. 

And then, there was you. You had a respectable reputation since you were part of the Black family. But it sometimes felt like you weren’t worthy enough to be part of it. You’ve sometimes noticed some guys staring at you a bit too long. And you’ve gone out with a few guys before. But you’ve also had people come to you specifically to get closer to one of your relatives. And nobody had referred to you as beautiful. Well, no one, except…

“Hey, beautiful” you heard that very familiar voice standing next to you. 

“Potter” you smirked. 

“Going to the match today?” 

“The Slytherin-Gryffindor match?” you smiled. “Oh, I wouldn’t miss it for the world” you told him. 

“Good, cause I need my good luck charm” he said as the two of you walked to the Great Hall. 

“Exactly, how does that work, Potter? Because I’m not really rooting for your team” you reminded him and he scoffed, pretending to be offended. 

“But of course you are, your brother plays on my team-”

“My other brother plays for my team” you interrupted. 

“Well, maybe not the team but… I’m sure you like the Gryffindor captain more than Slytherin’s” he smiled sweetly at you. 

“Well, you got me there, Potter” you admitted. 

“Promise you’ll come to the party when we win?” he asked as you entered the Great Hall and you knew you would separate. 

“That’s a lot of talk, Potter” you smirked but he offered his pinky to you. You rolled your eyes but you took it. “Never speak of this” you told him.

“See you there, beautiful” he said before he saw you walk to your table. 

*-*-*-*-*-*-*-*-*-*

“Here” you said, sitting down next to your brother at Potions and handing him a small bag. 

“What’s this?” he asked, grabbing the bag. 

“That girl from Ravenclaw wanted me to give you this. I think she wants to ask you to Hogsmeade next weekend” you said, grabbing one of the chocolates inside. “Bite this, if it doesn’t have a love potion, I’m stealing them” you said.

“I’m not trying anything!” he complained. “Remember when we had to take care of Sirius after that girl from Hufflepuff basically drugged him?”

“I know, that’s why I wanted you to try them first” you chuckled. 

“Hold on” he said, grabbing his wand and pointing it at the candy. “We’re good” he said when a small purple dust came out of it. You grabbed one of the chocolates and Regulus grabbed another one, reading the note inside. “So, how was your talk with Potter this morning?” 

“I didn't talk to Potter this morning” you frowned, stealing some of his chocolates. 

“Don’t do that. I’m not Sirius” Regulus glared at you. “I’m not oblivious of how you two just casually entered the Great Hall together” he said. 

“I don’t know what you’re talking about, Reggie” you said, pretending to be confused. 

“Or whenever he goes to Honeydukes he just happens to buy one too many Peppermint Toads so he gives you some, which just so happens to be your favorite” he said.

“He doesn’t… do that” you said, with your mouth half full of chocolate. 

“Are you… playing dumb? Or have you actually not noticed this?”

“Notice what? James is just friendly. That’s how he is” you tried to explain. 

“Really? He’s never gotten me Sugar Quills” Regulus said. 

“He doesn’t like Sugar Quills, why would he buy those?” 

“He doesn’t like Peppermint Toads either” he smirked. 

“Y-yes he does!” you argued, nervously. 

“No, he likes Chocolate Frogs, like the rest of us normal people” he said, as you glared at him. “And besides, it’s not just that. He’s always asking Sirius and me what your favorite books are, or asking Remus which songs you liked” he shrugged. 

“He… he does?”

“Does he really strike you as the guy who would read Pride and Prejudice for the fun of it?” 

“He might” you tried to convince yourself as you grabbed another chocolate. 

“Look, I know what you’re doing, and I know why you’re doing it. And it’s not worth it, bug” he said, getting serious. 

“It’s easy for you to say, Reg” you mumbled, picking another chocolate. “Look, it’s just… not that easy for me” you added. 

“You’ve gone out with guys before” he frowned, confused. 

“Not like James” you added. “What if… what if he’s really just being friendly? What if I think he’s interested in me and then I make a complete fool of myself? Just because he’s nice to me and I think there might be something else there? I feel…” you sighed, looking down at your hands. “It feels pathetic” you mumbled. 

“First of all, there’s nothing wrong with you liking James. Having feelings doesn’t make you pathetic” he said in a serious tone. “Secondly, did you not listen to what I just said? I honestly don’t think that James is just nice to you randomly like he’s nice to everyone else. He’s always looking for excuses to be around you, and he seems happier when he is. As do you. And, to be honest, I thought you were as oblivious about this as Sirius is, but now that I know that you were just trying to live in denial well, you’re dumber than Sirius- OUCH!”

“Excuse me?!” you asked, offended. 

“Only when it comes to this” he defended himself. “Look, I know that… for some reason, you’ve convinced yourself that you’re never going to find someone who fancies you-”

“For some reason? There is a very clear reason, Regulus, her name is Walburga!” 

“I know” he rolled his eyes. He knew very well about the hierarchy of the three of you in your home. And even if you were still not as below as Sirius because you were in Slytherin, your mother never let you forget that you were not Regulus or any of your cousins for that matter. “And I know that is not easy for you to turn off her voice in your head but, if you don’t, you might miss your chance to be with someone who is actually a great fit for you and it looks like he really likes you” he explained. “Don’t do that. If you let her win, you’re admitting that she’s right. And we all know, she’s not” he reminded you. “What’s the worst that could happen if you give Potter a chance?” 

“It’s very annoying when you’re right all the time, did you know that?”

“I do” he smiled triumphally, eating one last piece of chocolate as Professor Slughorn finally entered the class. 

*-*-*-*-*-*-*-*-*-*

“Ugh, what is it?” you heard your cousin’s annoyed voice on the other side of the door that you knocked on before it opened, and she appeared. “Oh, hey, love” she smiled when she saw it was you.

“Hi, Cissa, um… is this a bad time?” you asked, hoping you were not just interrupting her having sex with Malfoy. 

“Oh, no, love. Lucius is just moping about losing the match” she laughed, stepping out. “What’s up?” 

“Um, w-well, I wanted to ask for a favor… if you’re not too busy” you smiled. 

“Please, anything to get away from Lucius” she said, linking her arm with yours and already walking over to your dorm. “So, what’s going on?” she said, stepping into your dorm and noticing all the clothes scattered around your bed and the floor. 

“Well, I was hoping to get your opinion on something” you said, smiling sweetly. 

“Let me guess” she said, sitting on your bed and grabbing a few skirts and dresses. “You’re going to the Gryffindor party to see James Potter” she said, erasing the smile off your face. 

“Wha-? How did you know? Did Regulus tell you?”

“Oh, please, love, I’m sure you and Sirius are the only ones who didn’t know” she laughed. 

“What?”

“Yeah, Bella and Andy also know” she informed you. 

“What? How?”

“I told them” she shrugged. 

“Ugh, great” you said, throwing yourself on your bed. “My entire family is discussing my pathetic crush” you lamented. 

“It could be worse” she said. “At least he’s a pureblood” she smiled. 

“Right” you said awkardly, sitting up. Of course that would be the only pro she’d find on James. 

“Besides, he obviously likes you back” she said as she started looking through the dresses. “Stand up” she said, pulling you up and putting the dress in front of you. 

“How are you so sure that he likes me back?”

“Oh, please, love. You can’t be that dense” she snorted. “The boy won’t leave you alone. And I’m pretty sure you’re the only one not from Gryffindor to get invited to their parties” she said. “Or at least the only Slytherin” she said. 

“W-well, maybe Sirius invited me-”

“Then why isn’t Regulus going?” 

“Okay, fair” you sighed. 

“This looks pretty. How come you haven’t worn it before?” she asked, holding up a black dress. 

“Oh, I got it a while ago in a very cute shop, but, I know it’s not something my mother would ever let me wear” you told her. 

“Well, lucky for us, your mum isn’t here” she said, throwing the dress at you. 

After you put it on, Narcissa happily sat back down on your bed and helped you with your makeup. 

“Hey, Cissa?”

“Try not to move, I’m doing your eyes” she said. 

“How do you um… get a guy to uh… notice you?” you asked, making your cousin’s look soften a little. 

“James Potter already notices you, love” she smiled. 

“W-well, yeah, I guess b-but, um… how do I let him know that I like him?” you asked. “You know, without actually telling him” you chuckled. 

“You mean, how do you flirt with him?” 

“It’s just… Regulus insists that he does these things to get my attention and… to be honest, I didn’t think it was any different from the way he acts with other girls so… I guess I have been acting normal, but… I’d like him to know that I’m interested, I guess…”

“Well, Potter seems to have a big ego, so congratulate him on how well he played today” she said as she kept doing her makeup and you glared at her a little. 

“And Lucius is as humble as they come, I suppose” you muttered. 

“Fair point” she said, before she continued. “Look, you already know he’s interested in you. Just smile at him, laugh at his stupid jokes, you should be fine” she insisted as she finished. “Okay, I’m done” she smiled. You got up and walked over looking at yourself in the mirror. 

For the first time, in a very long time, you actually felt beautiful. Narcissa had managed to make you look as elegant and flawless as you did whenever your family had a dinner party, but you didn’t feel like you were wearing a costume in one of the dresses your mother always picked. You felt like yourself. You turned around and hugged your cousin tightly. 

“Thank you so much, Cissa!” you smiled. 

“You’re welcome, love. Now go flirt with your dumb boy” she said, ushering you outside your dorm. 

“You too” you said, smiling and walking down the stairs as she rolled her eyes.

*-*-*-*-*-*-*-*-*-*

When you entered the Gryffindor Tower, the party was already in full mode. You felt a few people, guys specifically, looking your way but you thought maybe it was because you were possibly the only Slytherin here. You walked across the Common Room, looking for James, but you found a different Marauder first. 

“Hi, Remus” you smiled as he walked over to you. 

“Oh, thank Merlin you’re here” he hugged you. “You’re the only person I like at this party and now Prongs can finally stop moping about you not being here” he said, making you laugh a little as he pulled away and looked at you. “Wow… you look-?”

“Bad?” you panicked.

“What? No! You look lovely” he smiled. “Prongs’ probably gonna have a heart attack though” he smirked. 

“Shut up! Stop saying things like that!” you widened your eyes at him. 

“Oh, please don’t tell me that you are as oblivious as your brother” he chuckled.

“I am not-! You know, I hit Regulus for saying that today!” 

“Alright, don’t hit me” he said, putting his hands up in surrender. “But, you cannot tell me that you haven’t noticed the way Prongs acts around you. He was literally throwing a fit about you not coming today” he insisted. 

“Really? Because he seems fine to me” you said, pointing behind Remus where you saw James talking to a group of very pretty girls as he offered a drink to one of them while another one threw her hair back, clearly flirting with him. 

“That means nothing” Remus said, rolling his eyes when he looked back to you. “That’s how James is-” 

“Exactly, that’s how James is” you repeated. 

“No, it’s different with you” Remus insisted as he grabbed a drink and handed it to you. 

“Really? Enlighten me” you glared at him. 

“So, you are admitting you are as oblivious as Sirius then?” 

“You know, you’re making a big deal out of that for someone who is just as oblivious on my brother’s crush on him-”

“What?!” Remus said, choking on his drink and pulling you aside. “Alright, now you’re just making stuff up” he said. 

“I’m not! You really haven’t noticed how Sirius is obnoxiously loud whenever you’re around to get your attention?”

“He… does not” Remus said, blushing a little. 

“Or that he calls you sweet names” you smirked.

“He calls everyone ‘love’” he interrupted. 

“Yes, he does” you nodded. “But he only calls you ‘my’ love” you added. 

“He… does not” he repeated.

“What are you doing here?” Sirius asked, walking over to the two of you all of the sudden. 

“Nothing” Remus quickly said. 

“Being normal, why?” you said at the same time, making Sirius raise an eyebrow at the two of you. “Um… h-have you seen James?” 

“No, but I am seeing too much of something” he said, gesturing his hand at your body. “What the bloody hell are you wearing?”

“A dress?” you said, looking down at yourself. 

“That is too revealing. You need to go change!”

“First of all, it is not. And secondly, your shirt is literally completely open!” you complained. 

“Yeah, well, this isn’t anything they haven’t seen before” he defended himself. “I am not in the mood to fight some prick that stares at you for a little too long because of… that” he said. “Go upstairs and grab my jacket” he told you.

“What? No!” you complained.

“Yes” he insisted. “Would you reason with her, my love?” he asked, looking at Sirius and you smirked when he blushed furiously. 

“Shut up” he whispered to you. “Look, just go upstairs and pretend to look for a jacket, I’ll distract him and you can come back in a few minutes” he said while Sirius finished his drink. 

“Ugh, fine” you rolled your eyes. 

“How come she only listens to you?” Sirius complained, pouting at Remus. “It must be your beautiful eyes” he smiled.

“How many of those have you had?” Remus asked, taking his glass away from him. 

You made it upstairs to the boys’ dorm and went over to Sirius' trunk to look for one of his jackets.  You found one that you kind of liked and put it on before you went back downstairs. You looked for James but saw he was still talking to the group of girls. You tried to look for your brother instead but saw him very busy with Remus and you didn’t want to interrupt so you went to grab something to drink.

“I didn’t know they let Slytherins into our parties” you heard Augustus McLaggen on your left, pouring himself a drink as well. 

“Oh” you said nervously. You were rarely alone at these things. You would at least have Regulus by your side and he would make someone go away if you were uncomfortable. “W-well, James invited me and- I was with my brother-”

“Relax, darling, I’m joking” he smirked, walking closer to you. 

“Oh” you smiled wearily. 

“It’s actually a bit… refreshing to have someone from another house” he said. 

“Um… thanks?”

“There’s something different about you” he said, eyeing you up and down. “I can’t quite put my finger on it” he said, making you pull your jacket a little closer.

“Hey! You finally came, love” you thankfully heard James’ voice coming towards you and wrapping his arm around your waist. “I thought you were standing me up” he said, kissing your head. 

“J-James, hi” you smiled relieved. 

“Sorry, mate, gotta steal her for a bit” he said, smirking at McLaggen who was glaring at him and he quickly pulled you aside. 

“Thank you” you told him as the two of you walked away.

“Don’t mention it, love. McLaggen’s a prick, why were you talking to him?”

“I wasn’t talking to him! He was talking to me” you insisted as James raised his eyebrow. “I was just getting a drink! And I was gonna go look for you-”

“Are you wearing my jacket?” he asked, confused. 

“Y-your… what?” you said, looking down at your jacket. “This is y-your jacket?” you asked confused. 

“Yeah” he smiled.

“Oh, I’m sorry, it was in Sirius’ trunk” you said, confused. “I thought-”

“Yeah, beautiful. I’m gonna save you some time, probably none of our clothes is in the correct trunk” he laughed. “Except Remus’” he added. 

“I’m sorry” you said, starting to take it off. 

“N-no! Don’t worry about it, gorgeous. Are you cold? Is that why you wanted my jacket? ‘Cause it looks good on you- I mean, you look beautiful tonight” he said smiling at you. “W-well, you always do” he added. 

“R-really?” you smiled, feeling your cheeks blush.

“Yeah” he nodded. “You don’t need the jacket if you ask me-”

“Oh, um, w-well…” you stuttered. “Sirius just… didn’t like my dress and said I needed a jacket” you rolled your eyes.  

“Well, Padfoot just needs to snog Moony and mind his business” he laughed, making you laugh as well. “You look beautiful with that dress” he smiled dreamily at you. 

“Thank you, James” you said, feeling your heart flutter. “Wait, you know about that?”

“How Sirius calls Moony ‘my’ love? Of course I do” he chuckled. “So, what took you so long to come? Were you crying all this time because your house lost?”

“Really? Did you want me to come just to brag about the match, Potter? I can still leave” you smirked as he handed you a drink. 

“Please don’t. I was so bored before you came” he said, walking you over to one of the sofas near a window. 

“I find that very hard to believe” you said, looking around. 

“Why do you always think I’m lying?” James asked, placing his hand on the sofa, behind you. 

“Because I’ve known you since I’m eleven?” you replied, making him glare at you a little. 

“That hurts, love” he said, trying to sound offended. “When have I ever lied to you?” 

“Well, for starters, you didn’t tell me that you, my brother, and Peter became Animagi to help Remus-”

“That was your brother. He didn’t let us tell you” he defended himself. 

“Alright” you said, trying to suppress your smile. “So, you’ve never lied to me?”

“Never, love” he insisted.

“Not even to avoid hurting my feelings?” you raised your eyebrow at him and noticed him tense a little. 

“N-no, of course not” he said, taking a sip of his drink. 

“So, last Christmas when you invited us over and your mum was teaching me how to cook, you actually liked the Christmas Pudding I made?” 

“Of course I did” he chuckled. 

“James” you glared at him. 

“Yes, love?” he smiled, goofily at you. 

“I mistakenly added salt instead of sugar, it was ruined” you laughed. 

“No, no. It wasn’t ruined. It gave it a new better taste” he shrugged. 

“James!” you laughed. 

“What? It’s true! I liked it” he insisted. 

“Nobody else ate it! You can’t possibly think it was good” you laughed. 

“Well, I did” he shrugged, turning your way. 

“You’re really stubborn, did you know that?” 

“Oh, and you’re not?” he laughed making you smile. “Have you… always been this beautiful?” 

“That’s so cheesy, Potter, even for your standards” you chuckled, feeling your cheeks burning. 

“Wait… do you-? Do you not believe me?” he asked, his tone getting serious. 

“I- um… I do” you said, unconvincingly. 

“You don’t” he said, turning himself to you. “It is one thing that you don’t believe that I liked your Christmas Pudding-”

“You didn't” you insisted. 

“But how can you not believe me about that?” 

“I do!” you insisted. “It’s just… I’m sorry, I’m being stupid” you smiled sadly, looking at your drink. 

“No, you’re not” James insisted, placing his hand under your chin to make you look at him. “What’s going on, love? Did- did I say something wrong?” 

“No!” you quickly said. “You never say anything wrong” you smiled sadly. “It’s just… I’m not really used to um… hearing that” you said, feeling your cheeks blush. 

“Love, I tell you that every single day! Why is it so hard for you to believe me?” 

“Because, James, look at my entire family” you said, sadly. “You know who I live with. My mother is not warm and loving like your mum is. I grew up very differently than you” you reminded him, making his look turn soft and his heart break a little. “I know you wouldn’t lie to me” you added. “It’s just… not easy for me to believe it, I guess” you smiled sadly. 

“Well, love” he said, moving closer to you and placing his hand softly on your cheek. “If you’re okay with it, I will keep saying it until you believe me” he told you. “Because you are the most beautiful person that I have seen in my life. And, since apparently I haven’t been as obvious as I thought I was, I am completely and madly in love with you and I would love to take you out on a date” he said, making your heart stop. 

“R-really?” you asked and he raised his eyebrows at you. “I m-mean, y-yes, I would love to go on a date with you” you smiled. “And… in case you didn’t know because I’m horrible at this… I am very much in love with you too” you added, making the biggest smile appear on James’ face. “And I also think you’re really beautiful” you said before he pulled you in to kiss you on the lips. 

“I love you, beautiful” he said, making you smile. 

“I love you too, Jamie” you said. “Can I ask you one more thing?”

“Anything” he said.

“Do you like Peppermint Toads?” you asked suddenly, remembering your conversation with Regulus. 

“Do I uh-” he frowned. “Why are you asking me that?” he chuckled nervously. 

“You always give me Peppermint Toads when you say you bought too many but… I don’t think I’ve seen you have one” you explained. 

“Well, love… I hate to break it to you, but nobody likes Peppermint Toads” he admitted. 

“That’s not true!”

“Yes, it is” he said, kissing your cheek. “I just bought them because you always smiled when I gave them to you” he said. “So, I’ll buy you as many as you want” he said, hugging you to him and giving you another peck on the lips. 

"Thanks, love" you smiled. "Can you now tell me if you actually liked my Christmas Pudding?"

"I did!"

The End

*-*-*-*-*-*-*-*-*-*

A/N: I hope you loves liked it! :)

[deesseshesca]

PAC : What’s the secret message held in my drafts ? (18+)

What’s the secret message held in my drafts ?

For the one’s still holding on into my past self 

Good evening,pretty souls, today we are getting real personal … 

!!DON’T FORGET TO CHECK THE BIG SALE!!

KO-FI

Choose the image that’s speak to you and allow yourself to soak ONLY what’s reasoning with YOUR SITUATION 

Rules and Disclaimer 

I am the type of tarot reader to say as it is. Nothing is sugar coated but everything is sent with good intention. If you are not ready to face some truth, you should vagabond somewhere else. 

MINOR DON'T INTERACT WITH THIS POST 

MINOR DON’T READ THIS POST 

Basing myself on the legal age in my country which is 18 

 PILE 1 

What’s your sexual essence ? 

 3 pentacles (reverse), Hierophant (reverse), Empress (reverse), 8 pentacles (reverse), ‘’ I miss making love to you ! I will do anything to hold you again !’’ 

Check in : Y’all might be infertile or have difficulty conceiving. It could be because of a disease like endometriosis or PCOS. Others may believe you are because y’all been doing the pull out method for at least 3 years now and no kids. Really playing with your luck. Others have been celibate for at least 2 years now. 

Good morning pretty souls, 

 Y’all have a very creative sexual essence. You are down for literally anything. You rarely initiate anything but you are with whatever the vibes are. If your partner is into other people watching then  you are. If they are in BDSM, I guess your butt is perfect for some spanking now. If they are into anal or cum play, all of the sudden you 2. Is not in a way to be completely co-dependent because you get off on pleasing and being almost like a sex doll for the person you love. Emphasis on love, because y’all have an extremely low body count (less than 5), because you only ever really get sexually aroused by the person u be loving on. Y’all are bookworms and academic weapons but slutty all together. Also you communicate when you have sex. You don’t mind asking the person you love to move that way or touch like this or even to suck on that. The same way you like to know everything about your partner. You don’t mind asking them how to personally find a way to evolve pleasure for them. A new lover is making their way to you, Pile 2. What can I say ? You are born the irresistible.

Hey pretty souls, If you want to know how to use this energy to attract your future spouse, find your next lover or amplify your receive energy... you can book a reading on my Ko-fi or DM

What  ''D'' appointment should you be manifesting ?

PILE 2 

Queen cups (reverse), strength, 5 pentacles, 6 pentacles (reverse), ‘’ I tried to replace you, but it did not work out because I'm madly in love with you & I was fighting it ! I know this is divine !’’, ‘’ I’m not happy in my current situation ! I’m miserable without you !’’ 

First thing that hit me was a sexual fantasy. You dream of having an affair. You are married. You are living the white fence nuclear family dream life. But one random night, you appear in front of your husband's boss, undressing. Looking the fuck good and smelling way too good. Why ? Just because. Like you want to prove yourself you still got it. What I am understanding from this fantasy is that you are NOT ready for commitment. Like you don’t mind the love. But you can ‘t fandom committing. You enjoy being chased and chasing a bit too much. Your reasoning is because: FUCK MAN. I’m hearing: ‘’Since they only see us as a baby machine, I’m only using them as an ATM.’’Ever since they started playing with abortion rights we have been FNF. If 

You ever make it to be a wife, you wish to be like Gloria in Modern Family. Rich, Hot and Kept. You are a real life fantasy. You are out here living  a totally different life, in the morning you present yourself to be the complete opposite of yourself at night. You might be a stripper by night and student by day. Nobody knows. 

M A N I F E S T A T I O N 

You need to manifest a ‘’D’’ appointment where you can leave with no remorse. You are giving soft dom. I’m seeing you entering an apartment with the key. Tights on and lingerie under your coat. Makeup looking good and hair slay. Throwing your keys on the counter and walking toward your sub (where you order him to be). He will spend the whole night pleasuring you while you edge him. Like he is so EAGER to please the fuck out you. You don’t care for anything but his tongue. That excites him, the fact that you don't give a damn about him. Then you stand up and get yourself together. Remind him that if he wants to cum you he has to send a deposit. You walk out in peace. You need someone you is eager for you, while you stay detached. Who will do anything to please you without stressing you, while you get your good good. 

MEN 

You guys fantasize about multiple women being too eager to please you, they dominate you.You want them  to slut you out.  I am sensing a mommy issue. But the way that you are looking for one. The way that you actually want to feel appreciated. You want girls to go crazy for you, because you want to feel enough. So good that you can’t be ignored. 

M A N I F E S T A T I O N 

Is not a manifestation no more, is a work in process. I see walking in the strip club looking sharp. Alone enjoying the view, throw some money on one that's worth sharing your fantasy with. The funny tuning you are not going towards the assertive one. You want the innocent one. Like is a challenge for both of you tonight. Y’all going to the VIP room. She gives a good lap dance and you ask her if she is down with your vision. When  she gives you her consent it is show time. I don’t sense any intercourse. Just mutual masturbation. Let’s not forget the euphoria of the whole situation will make the whole thing 10x better. You leave after giving a FAT tip. I don’t think you ever talk about that encounter. Like a secret between you and her. 

FUTURE SPOUSE MESSAGE 18+

PILE 3 

Hapiness, Let it go (reverse), Leadership. OV : Grace , trust (reverse) 

‘’ Princess or Princeshë (depending on your ethnicities) 

Take, take, take…everything about me is yours to take. I belong to you. I only exist to worship you. There's not a single thing you can do to me in bed that can turn me off. I’m sorry, I always burst too quickly. Is practically impossible for me not to nut quickly when I see your big milkers. Soft with perky nipples. Don’t get me started when you wear your pretty lingerie. I can spend hours sucking  just like you like it. I love how sensitive that area is for you. Talking about sensitivity, I knew that the pink and bows were just a front. I mean you reveal it pretty quickly. When you started yelling at me for no reason in front of the bar like I was the reason why you could not have fun with your girls. That night was the beginning of good things for us. We match completing down to our soul tribe. The fact that my friends and yours mix so well is a blessing. What's even more awesome is that it does not seem to only be for our sake, they genuinely like to hangout together. Which is great, you know how anti-social I am. I can't make new friends for the  life of me and I can't talk to women either. That's why I am so grateful you yelled at me that night. Dress in a corset and thigh pink skirt and let's not forget the bows. Just like in your bedroom, bows, pink, dolls, makeup, shopping bags. I know we like to joke that if it was not for your roommate, you would feed us pink. But Princess, I love your antics, your bratty attitude is the biggest turn on. How can someone with a high pitched soft voice hold so much space? You stand your own leaving your shoes print on me. I can’t wait to feed your shoe addiction until your last breath.  I lust over your long nails, I lust over your attitude, I lust over your feet.  The best thing about you is that you are a very wet p@ssy. The way it cream easily and in big quantities is something I have never seen. I swear I love it, You thought I would switch up over a tarot reading. Babe I love your CREAMY P@SSY. I love when you take the lead, giving me head than stopping. Just to make sure I am looking at you, The way you ride me always sends me over the edge. The fact that you refuse to let ‘’jr’’ go to sleep after one round is a blessing and curse. . The only way to calm you down is to choke you. I love being the person you lean on when you need it. I love it when you ask me for help, when you run errands because you're tired and the way you are now allowing me to protect you. Your trust in me is MY most precious possession. But do you wanna know the thing that gets me very excited is imagining you in your dream house. That I build, walking around in your robe in morning followed by our big dog.  To get the kids ready for school after giving me head earlier in the morning. Giving you a happy ever after is my ultimate goal. 

Your forever Knight.

A) This is for my black hispanic babe especially. He loves playing with your coils/curls. He loves when you allow him to help you with your wash day. He loves your dark complexion.  I have a personal message for you, you are chosen in your bloodline to break the general curse  around marriage. I feel like your mom was raised by a single mom, and her mom raised by a single mom just like you. But babe if you allow him to help you, i swear he will show you the beauty in marriage and support. 

B) This for my blond Albanian baddie. You are used to seeing your Dad treating you mom like she’s the pearl of this world. Like she’s divine and you question yourself especially with the 50/50 men trend. Don’t worry baby, God knows what you deserve. Let the pressure of society slide on your back, You know what you deserve. And it's coming in a full pack (if you know what I mean) with a pink bow. 

Femdom, Dominatrix, Heels collection, makeup collection, libra venus, pink everything, long stilettos nails, back marks,  is giving me your ways and lets be friends. Cock warming, you are obsessed with his d, choking kink, he's not going nowhere, he loves it there. I am getting the opposite aesthetic, Opposite personality. He is tall, big, does not yell and hates swearing. You are short, curvy, all pink but curse and yell whenever. He comes from a good house but he's extended family is literally the representation of a karmic loop. 

Song : Do a b - Kalii

[shsl-analyzer-guy]

In-Depth Character Analysis On All The DR Characters Because What, Are You Gonna Try And Stop Me? Who Are You, My Mom? Yeah, I Didn't Think So- Part 5: Junko Enoshima

Oh boy, this is gonna be a big one. In fact, I wouldn't be surprised at all if this turns out to be the longest analysis in this entire series of ~100 characters. Why did I not save her for last. Why is this part 5. Why do I do this to myself-

Jokes aside, I am so so so excited to make this; Junko has become the face of this franchise for a reason, and the depth of her character and role in the series as a whole is massive. I won't be surprised if this takes over a month to complete. In fact, just for fun, let's track it. I'm starting the analysis on 7/5/24. When will we finish? Nobody knows!

(Final edit Crane here. It has been more than 5 months. Christ.)

This analysis uses only official material for the sake of analyzing the character, primarily sourcing official English localizations. It'll be um, lengthy, to say the least, so if you aren't that interested, just keep scrolling. Also, if there's even one canon installation of Danganronpa that you haven't played/watched/read yet (THH, DR0, SDR2, UDG, DR3, and/or V3) don't read this; the ripple effect of Junko in every corner of the franchise will be discussed and thus, there will be spoilers aplenty.

Also, a disclaimer that though I try to remain as objective as possible with these analyses, it will be at its core, an interpretation. Not everything will match up with how you interpret it, and that's okay! I don't claim to be perfect, and this isn't an infallible source of canon, only my interpretation of the source. Let's get into it!

Foreword

Real quick, before we get too far in: readers of my previous analyses know that I normally try to move in chronological order of release and events in-game to keep the analyses easier to follow. Due to the nature of Junko's characterization and the fact that she's present throughout the entire series, that isn't really possible here, as to talk about any one aspect of her, I may need to pull from multiple installations. I'll be sure to cite where I'm pulling from and provide evidence where necessary, but it definitely won't be perfectly in order by release or timeline. So hopefully it won't be too messy. Also, characters very closely tied to Junko, like Monokuma, Ryoko, Mukuro, etc. will be analyzed separately at a later date, so those sections may end up feeling incomplete as a result. For the sake of releasing this before 2025, I need to cut corners a little bit and focus primarily on how these relationships affect Junko, and not the other way around.

Part 1- Monokuma

In order to understand Junko, you must first have a basic understanding of Monokuma, mascot of the Danganronpa series and self-declared Headmaster of Hope's Peak Academy. Monokuma introduces himself to the cast as their superior and oversees the killing games, providing motives and passing judgement on the class trials, all while reveling in the Despair of the students. There are multiple iterations of Monokuma, but most of them exist in order to carry out the killing games without issue.

Like Junko, Monokuma remained a staple of the franchise, appearing in every official installment, whether he was being actively piloted by Junko or not. As we see in DR3: Despair Arc, she personally designed him to become the face of her movement of Despair, and thus, he was used to carry out her will at every turn.

1.1- Trigger Happy Havoc

In the first DR game, Monokuma was just a robot piloted by Junko. His mannerisms were a character invented by her to appear as the psychopathic Headmaster, but regardless, her true nature of Despair is directly infused into the character as she acts him out. Through him, she's able to reveal hidden information about each of her classmates and torment them personally, all without them knowing she was once a dear friend to them. As a robot, though, he came with drawbacks- Junko couldn't pilot him and watch the cameras at the same time, and once the charade of his all-seeing Headmaster was seen through by Kyoko, he lost most of his power. Thus, Monokuma's existence was designed to deceive, and could only function through deception. He created the illusion that hope was outside, that escape was solely on his terms, and that the class had no unification- all according to Junko's design.

1.2- Goodbye Despair

When the sequel game arrived, Monokuma was once again a character being played by Junko. Unlike last time, however, the two had blended together, becoming one and the same. This Monokuma was a Despair Virus, created with Chihiro's Alter Ego technology, and implanted into the Neo World Program with the intent of continuing the real Junko's plans for the spread of Despair. This version of Monokuma is extremely similar to the previous in terms of its personality and beliefs, but appears much more powerful within the artificially generated world, now able to apparently power-up, bleed, and transform plushies into duplicates without logical explanation.

Rather than targeting certain themes in an attempt to teach Despair, this Monokuma created directly-targeted motives, attempting to use class 77's personal connections to a whole other level and banking on the fact they were friends, rather than try to cover it up. He also acts as if they're his dear friends and like they're on the same side, directly inverse to his apparent attitude towards class 78. This is intentional, though as to why, we'll get into much later.

1.3- Ultra Despair Girls

Rather than being present as a character, Monokuma exists solely as mascot in this game, as thousands of Monokumas are programmed and piloted to slaughter the majority of adults in Towa City. He exists solely as a tool used by the Warriors of Hope.

In chapter 4 of the game, you get the reveal that all the physical Monokumas that exist were built and sold in Towa Group's factories, and later, that Monaca Towa was directly responsible. This exists to demonstrate how Junko was able to financially and physically afford the amount of power and technology she accrued in her crusade for Despair. More on this later.

1.4- Danganronpa 3- Future Arc

Near the end of the first episode, Monokuma seemingly appears on a monitor in the meeting room of Future Foundation's HQ, announcing his survival and a return of the killing games, starting with the Future Foundation higher-ups. At the beginning of the following episode, an act is put on between this version of the character and "Miaya Gekkogahara", as they fake an argument where Monokuma alters her avatar Usami into Monomi, making it appear as though he's again being piloted by a real person from some remote location.

As the season comes to a close, though, we learn that it was the chairman who set up the killing game, and that Monokuma's appearance, along with the video that would play during every nap, were falsified recordings, aided in part by Monaca Towa pretending to be Miaya. Thus, his likeness was used for a cheap recreation in an attempt to manipulate one person and kill nearly everyone else in charge of the Future Foundation, all set in motion by Junko's own brainwashing videos.

1.5- Killing Harmony

This is the only version of Monokuma that Junko herself doesn't have a hand in recreating, and is the only time he exists solely as a robot personality of his own accord. Created by Team Danganronpa, he's a physical conception of the fictional character Monokuma in-universe, and thus, is a character in his own right. Birthed by a Motherkuma machine for the mastermind's benefit, Monokuma acts once again as Headmaster, but a significant amount of soul is noticably absent from the presentation. This is in part due to the amount of focus on the Monokubs, using their unique characteristics for comic gags with the cast in the way Monokuma used to in the previous games, and his appearance feels like more of a checkbox than an actual return of Monokuma. Simply put, without Junko's influence, Monokuma's character becomes more flat, and starts to fade into the background in a convoluted mess of references and callbacks. All of which is done on purpose- Monokuma is a facet of Junko, and without Junko, Monokuma becomes empty.

Part 2- Character Design

Junko Enoshima is designed as a gyaru, a subgenre of fashion known for its more 'rebellious' style. She's dressed in a modified uniform, with a black jacket with her sleeves rolled up and unbuttoned, allowing her cleavage and bra to show, with a black-and-white tie, a red bow, and a red plaid miniskirt. She also has Monokuma pins holding up her ponytails- one with the white half, and one with the black half. Asymmetricality and the use of exclusively black, white, and red all align her with Monokuma, an asymmetrical black-and-white bear with a red eye. She has styled blonde hair and blue eyes, and has the title of SHSL Gyaru, or Ultimate Fashionista.

2.1- What's A Gyaru?

Gyaru as a fashion style first originated in the 1970s, emerging from Japanese women's nonconformist desire to embrace their own sexuality and rebel against societal standards of the traditional housewife. As time passed and more women latched onto the trend, it became a major point of discussion, initially shaming these women for being too racy or delinquent, before shifting to an increase in streetwear fashion and being recognized as its own genre of fashion, evolving with new subgenres as time continued to pass. It went from a wholly shameful style to an expensive, trendy one as expressly gyaru clothes started to be made and sold in stores. The increase in popularity also led to discussions of placing laws against child prostitution, as younger girls were getting into the expensive fashion and started finding alternative ways to afford this showy clothing.

There are many, many subgenres of gyaru known, but Junko Enoshima is specifically referred to as a kogal or kogyaru, a high-school gyaru. Her school uniform is modified into a showy jacket and miniskirt with big bows, she wears knee-high boots, and her hair is blonde, implied to be dyed based off of the common hair-dying of kogals. In DR 0, we also see her with red hair and eyes as opposed to the blonde and blue, suggesting that red may be her natural hair and eye color. Kogal culture has a lot of stereotypes around it regarding the extracurricular activities of the girls who subscribe to it, but the general idea around it is for the girls that participate in it to break social norms and claim their sexuality for themselves to get what they want, all within a consumerist guise. This type of mentality matches Junko extremely well, as a character bent on breaking the world for her own pleasures by advertising herself as Despair.

Part 3- The Mastermind Reveal (THH)

We don't actually meet Junko Enoshima until the final showdown in THH, though we are well-acquainted with the idea of her before then, as not only do we meet an imposter-Junko in the first chapter, but her magazines are specifically shown to us in the intro of the game, and are scattered throughout the school(laundry room). There are also little hints as to her identity as mastermind sprinkled into the game.

"Whenever I spot a cute girl, I have a tendency to stare. I can't help it- I just gaze with intensity. The other day, I rode my bike to the train station... I was in the bathroom, just looking at myself in the mirror..." -Monokuma Theatre, THH

Despite these hints, the characters don't know who the mastermind is yet, only being able to reason at her motivations for the killing game and why it came to be based off of what clues Monokuma leaves out for them, like how the main track that plays when interacting with Monokuma is called '100 Mile Junk Food Dash'.

"But first, I have a question for you... Who are you? What do you want from us?" "Well, if you really must know... Despair. That's all." -Kyoko Kirigiri & Monokuma, THH

"And for those of us who represent hope to kill each other and sink into Despair... The mastermind wants the world to see that, to try and prove that Despair is better than hope." -Kyoko Kirigiri, THH

We know that whoever this mastermind piloting Monokuma is, they're someone that's engineering this entire killing game expressly to spread Despair. With the knowledge that the killing game is being televised, that Despair isn't just for the students, but is being put on display for the entire world to see. Manufacturing and televising such a sadistic game using public figureheads under governmental protection is a behavior akin to terrorism (Despairism?) and is an act that, by itself, seems nigh impossible for some high-school student to be capable of. Yet, we know it is a high-schooler- Monokuma insists that the only people involved in the killing game are the 16 students of their class.

Through the investigations of chapters 5 and 6, it becomes increasingly more apparent that whoever this SHSL Despair is, Junko has some level of involvement. For example, more observant players will recognize Mukuro's corpse almost immediately as 'Junko's' from chapter 1, as her bright red nails and the same high-heeled, red-laced boots are clearly visible. And while this doesn't immediately incriminate Junko herself, it does at least call into question the identity of the dead SHSL Despair, as the body being Mukuro's isn't ever really contested(save for a 'dumb Hiro' gag insisting it's Kyoko while standing next to Kyoko).

"And don't forget about the Fenrir tattoo. There's absolutely no mistake... Our victim in this case is, without a doubt, Mukuro Ikusaba...!" -Kyoko Kirigiri, THH

Throughout the final investigation, the player's job is to solve 'all the mysteries of the school', AKA their erased memories and the identity of the mastermind. This investigation intentionally doesn't talk about Junko, voiding her involvement to the point that her own face is scrubbed from the evidence. The hints given by Monokuma picture Junko's face covered up in every photo, and the recordings of the students agreeing to live in the school is cut off before it can cycle over to her. It's not her presence that matters, it's the lack of presence, because we haven't actually met her yet, juxtaposed to the repeated mentions of Mukuro, a girl who'd been a part of the group since the very beginning without anyone realizing.

When we do realize this, it comes with the realization that Mukuro's and 'Junko's' body were one and the same, and with Kyoko's old pocketbook revealing that "Despair walks among us, and so we survive... There's a second 'Despair'", we can come to the conclusion that the reason the mastermind was able to pull this off was because there was actually more than one, working in sync, and thus, the reason both bodies were one was because they were the SHSL Despair together.

Part 4- The Despair Sisters: Mutual Abuse (CW: Incest)

Despite the fact Junko was the brains behind the operation, there was never really a time where she was working alone towards Despair. She was actually one of two Ultimate Despair- as she called them, the Despair Sisters. Her twin sister, Mukuro Ikusaba, was Ultimate Despair as well, and assisted her every step of the way.

In her first appearance, we don't actually get to know anything about her, as she spends her time with the class pretending to be Junko. As such, any and all information gathered on Mukuro is given by someone else- official school records state her title and physical attributes, and Junko tells us her role as Ultimate Despair and goes on about her flaws.

"She had what I call the 'three atrocities'- atrociously rank, atrociously filthy, atrociously repulsive. It was atrociously clear just how out of touch she was with the rest of society." -Junko Enoshima, THH

"The older sister, tough and proud, that was Mukuro. The younger sister, smart and cute, that was... Hyaaaahaha! Me! Junko fucking Enoshima! And together, we were the Despair Sisters! AKA, the Ultimate Despair!" -Junko Enoshima, THH

Mukuro reappears as herself in DR 0 and DR3's Despair Arc, as well as the official AU novel DR IF. In these, we get more insight into her feelings, and see her display an overt attraction to her sister at multiple instances.

"Consumed by ecstasy, even Ikusaba-san's breath became ragged. 'Only I am able to understand her. That's why she needs me. She still hasn't realized that but, maybe she's only pretending not to realize. Ufu, that's because she's so shy. Ufufufu.' Seeing this intoxicated Ikusaba-san continue to talk like that repelled me. I knew that she definitely didn't have normal feelings for Junko Enoshima". -"Mukuro Ikusaba" & Ryoko Otonashi, DR 0

This is pretty obviously incestuous in nature. She blushes at her sister's attempts to kill her with an ice pick, has an internal dialogue about how much said attention affects her, and 'goes into ecstasy' talking about her sister's madness. It's intentionally uncomfortable because it's intentionally incestuous*. I've seen arguments for Mukuro's behaviors being out of character and only there for fanservice in the anime, but this behavior being found in DR 0 first pretty clearly contradicts that. I've also seen an argument for Mukuro's behavior being an act meant to make Junko feel Despair and not having any legitimacy. The crux of the argument comes from the assertion in DR IF that Mukuro is able to numb her emotions in battle, so therefore, she could also mimic such an attraction when around her sister. This argument quickly falls apart as well, considering that a) she has both internal and external dialogue directly referencing her attraction where Junko can't actually hear her, and b) going numb in the heat of battle is not at all the same thing as faking sexual desire outright.

*(Mukuro being incestuous is immediately relevant to the way the Despair Sisters interact with each other, and understanding that I'm talking about their relationship under the lens that she is will hopefully prevent questions about why I'm talking about them as I am throughout the analysis, particularly when she pops up in other sections here and there later. Please do not go into the replies or reblogs and explain to me why I'm wrong; you are not going to change my mind. Believe it or not, I don't like Despaircest either, but that doesn't mean Mukuro's behavior in canon is some accident to be shrugged off. These are meant to be OBJECTIVE analyses. I'm going to look at what the games and novels and anime are presenting, whether I actually like all the points or not.)

Junko Enoshima yearns for Despair. Despair is her reason for being, and everything she does, she does with the intent of eventually bringing Despair upon herself. That pain of Despair is the strongest feeling in the world to her. And the way she treats Mukuro directly stems from that desire. Despair stems from grief, and what brings more grief then the people you love most despising you? Mukuro is her twin sister, who stands by her no matter what. Junko even tests this, having her kill an entire class of students to prove her strength and loyalty in manga series Killer Killer(though, admittedly, Killer Killer hasn't been confirmed as canon to my knowledge, it still aligns with what we know for both characters without altering anything about their characterization).

Mukuro is capable- very capable, and definitely has the ability to betray her, or even kill her if she wanted to. So at every turn, she treats Mukuro like garbage, actively trying to kill her with an ice pick when they first reunite and talking down to her at every opportunity. She describes her sister as fat, flat-chested, ugly, stupid, a pervert, any insult she can think of. She critiques her murders, chastising her when she kills the guards in Despair Arc while looking for Izuru for not doing a clean enough kill. But despite all this, Mukuro never strays from Junko's side. She continues to fawn over her, not just taking all the abuse, but displaying an attraction to her Despairing nature, and refuses to leave her side, the exact opposite reaction of what Junko wants to see from her.

"'Yes, she really is ridiculous…to the point of Despair, she's the lowest, worst sister ever but…that's why I can't leave her alone. That's why I have to help her. After all, I'm the only one who can understand her.'" -Mukuro Ikusaba, DR 0

This kind of loyalty isn't Despair-inducing at all; that dedication is exactly what she predicted from her obsession. What Junko actually wanted from her, we get a brief taste of when she speaks in the final trial of THH- "Because naturally, she turned out to be the letdown of the family. Leaving me behind to run off and join some band of mercenaries... Such a disappointment." The Despair of abandonment, of betrayal, was what she wanted. But Mukuro is too loyal for her own good. That's just annoying.

Mukuro is emotionally abusive, or would be if her sister were anyone but Junko, lusting after her own blood sister in a way that's considered taboo and perverse. This lust develops from an obsessive need to stay loyal to her sister, while Junko verbally abuses her right back, talking down to her and keeping her under her heel, mocking her at all available opportunities and treating her in a way that would make anyone else feel like shit. Not so for Mukuro, the person who's been next to her since birth and has stood by her side through all her Despair. They abuse each other, but there's an unspoken bond that allows for their relationship to function regardless, albeit in a twisted way. They're sisters, equally matched, and together, they become two halves of a whole terrorist. Despair is toxic for anybody, and Junko's own affliction leads Mukuro's obsessiveness to chain herself to Junko's side. They're twins who were born together, after all, and who else could even begin to understand Junko's Despair?

4.1- Despaircest & Anime (CW: Still Incest)

We've seen the relationship that Mukuro and Junko have with each other, both as it was alluded to in earlier depictions and how they interact with each other immediately in the anime. And, despite the fact that it wasn't directly shown to us before said anime, there were hints of the intention of a one-sided incest in DR 0, as well as repeated examples of Junko treating her sister poorly on a surface level and how much she actually valued her within THH and DR IF. Going into the anime, this would be the first time we'd actually see Junko and Mukuro interacting directly with each other as themselves. This could have been the time where we get to see just how twisted their relationship actually is, getting to see how, and maybe even why, they began treating each other in this way. We could've gotten more of a glimpse into their backstory, when they separated, and the inherently self-destructive cycle they pull each other into. Here's what we got instead:

Rather than actually explore the real depth of their fucked up relationship, the anime elects to play it up for the sake of fanservice. This is admittedly an ongoing problem in most of DR3, as it throws most of its female characters into very compromising positions and focuses in on their bodies when they're being brutalized in one way or another and not doing the same for the men, but that only makes this lack of tact worse. There's no interest in actually addressing this darker plot point beyond the most basic surface level because to go any deeper would make it more difficult to get your rocks off to it. It's a shame to create such a conceptually fascinating relationship that would've made for a fantastic way to develop Mukuro as a villain more and Junko as a human more, and just use it for cheap servicy gags. I feel like it isn't an unreasonable statement to say that this was lazy. Danganronpa is supposed to be a series that explores dark topics and uses them to create tragedy and develop its characters. In the face of that, this was cheap.

Hell, this very scene says it itself: they're using Despair to create a fucked up pleasure for the viewer! The incest being played up for fanservice instead of acknowledging Mukuro as a character is, from a meta perspective, Despair-inducing. To the writers and to Mukuro, Mukuro doesn't matter outside of Junko. Her suffering is pleasurable to the audience in a way that's outside of social acceptability, in the way she needed to be used for so long just to exist. BUT WE ALREADY KNEW THAT. We didn't need to boil Mukuro down to an extension of Junko; Mukuro already did that to herself. Maybe this is just me complaining because it's not what I wanted to see from this plotline; I'm not ashamed to admit that. I think being able to acknowledge your biases as a consumer is important when critically looking at a piece of media. But I stand by my assertion that the presentation of this point is sloppy and surface-level, and should've been handled with more tact.

Part 5- The Murder of Mukuro Ikusaba

Junko treats her sister like trash, but despite this, we know that she does respect her. In fact, she has to consider Mukuro as an equal, because if she didn't, she wouldn't hold her as equal parts Despair as herself. Yet, when she reveals herself at the end of THH, she affirms that they were equals- both the Despair Sisters, who worked together("We were the Ultimate Despair, ya know?"), and in the same breath, describes her atrocities and mocks her memory as a disappointment. She sees Mukuro as not just a person, but a legitimate danger and a harbringer of Despair that's worth recognizing. Thus, as a sister, it causes her Despair to prevent anyone else from seeing that and paints Mukuro as just another victim of hers("She was nothing more than a bit player, an extra unworthy of lines."). Playing up her betrayal of Mukuro and her supposed disdain for her sister strips her of her agency as Ultimate Despair to their classmates, without letting them see her true self either. She becomes just another faceless victim, and Junko holds the memory of the true Mukuro Ikusaba, merciless killer and all, wholly to herself.

In the au light novel DR IF, Makoto remembers Mukuro, and inadvertently saves her from this fate. This leads the rest of the LN to focus on Mukuro and her relationship with Junko from her perspective as she copes with the reality that her sister betrayed her. It differentiates herself from Despair, and from her POV, we learn how she thought Junko felt vs how she actually did. Junko lives her life hopelessly- she's too smart for her own good, and can predict the moves of society and of the people around her. Mukuro believed she was the only one who fully understood Junko, so she acted perfectly in accordance with her plans, never once rebelling or going against her. She tries to convince herself to crave her sister's Despair so she would feel Despair from that desire, so she can remain close to her. But that wasn't the Despair Junko wanted. All along, what Junko wanted was for Mukuro to betray her because of her love for her. Without Mukuro, her plans would fall apart. She wouldn't be able to break into Hope's Peak as she did, nor would she be able to protect herself when attacked. Mukuro was what allowed her to gather as much power as she did over Hope's Peak, infiltrating and gathering blackmail, kidnapping chairmen, and so on. Mukuro was the brawn to Junko's brain. So the one thing that could destroy her plans, and bring her a Despair greater than any other, would be if her other half abandoned her. In DR IF, she learns this as Junko finally tells her that she loves her to her face. She breaks Mukuro's chains, and sets her free from her Despair to heal without her by rejecting her help, in a roundabout, Junko-esque way. In canon, though, Mukuro doesn't get to have that realization. She doesn't have the emotional intelligence to put those pieces together herself, and tired of waiting, tired of hoping, Junko gives herself an alternate Despair- the Despair of killing her own sister in cold blood.

The identity and death of Mukuro exist to keep the identity of the mastermind shrouded in mystery. Within THH, she's someone who's important from a narrative perspective- not as a person, but as an entity- designed to facilitate the reveal of the real Junko. Her murder is thus a murder of both her literally, and the murder of her personhood, as Mukuro is the one character that never gets to introduce herself. Junko makes it so, and wipes the memories of the class so that Mukuro Ikusaba will no longer exist outside of herself.

We're introduced to Mukuro not as Mukuro, but as Junko, wearing a wig and costume to appear as similar to her well-known sister as possible, and acting out her sister's fashion diva personality as convincingly as possible. It's tropey and typical of a fashionista- she cares about her looks a little too much during a killing game, acts like she's above the killing game and wants out of it, and explains away any imperfections as 'oh you haven't heard of photoshop before?'

There's no reason not to trust her at that point because no one thinks they've met her before. In DR IF, Makoto is able to recognize her through the outfit and charade, but that's only with his memories intact. Those memories have been thoroughly covered up by Junko in reality, and so the Mukuro Ikusaba she knows dies invisibly, betrayed and unrecognized as her classmates and friends mourn her killer instead. Junko gives her sister the worst Despair of all- being truly forgotten. After this, no one would remember who she was ever again, locked away in the mind of the person who'd never show her affection.

Not only that, Junko killing Mukuro and emphasizing how little she cared about that decision served to make the survivors hate her- her old friends now despised even looking at her, and brought her more Despair.

"Which is precisely why I killed her- to meet everyone's expectations." "That... can't be your only reason, can it?" "Well no, of course not. I also did it to avoid becoming bored." -Junko Enoshima & Makoto Naegi, THH

Despite that, being the one to kill Mukuro brings her a Despair like no other, with her describing it as "super super super super super Despair. No, more than that... Super super super super super super super super super super super super super super super Despair... It just feels... so... good..."

Junko did love her sister, and made everyone else she loved believe otherwise so she could feed off the Despair from their hatred.

Part 6- Ultimate Despair and Junko Enoshima

"The Ultimate Despair... A group of people who caused the Tragedy one year ago... Those same people put together this killing game and began broadcasting it around the entire world. The most desperately awful group of people ever... *That* is the mastermind's true identity." -Makoto Naegi, THH

Make no mistake- despite what the surface level of the series would have you believe, Junko Enoshima isn't the Ultimate Despair. There is no the Ultimate Despair because Despair isn't confined to any one person. Rather, Junko Enoshima is afflicted with Ultimate Despair. Despair, by nature, is grief. It's a pain inflicted by the death of hope, whether that be through the loss of a dream, a person, or whatever else. You grieve that loss, and it takes the form of Despair. Ultimate Despair takes that grief and amplifies it, destroying any sense of self and replacing it with the desire for more Despair. This is the type of Despair that Junko Enoshima feels, and thus, uses her own talents to embody it and spread it. It's a bold claim to make, I realize, that she isn't the SHSL Despair she defines herself as, but it's the basis this entire analysis leads to, and as the evidence over the course of the series develops her character more and more, it goes from some theoretical musing to legitimate design, all the way through to the end of V3. Though she immerses herself within Ultimate Despair, she herself is not Despair incarnate like she'd have you believe.

As we see her in THH, Junko is repeatedly hammered in as 'one of two' by the narrative. It's not just Junko that's formed Ultimate Despair; it's also Mukuro, and they're not referred to as 'Ultimate Despair and her sister', they're 'the Despair Sisters'. For all her charisma she displays, she alone isn't responsible for the Tragedy. Everyone is capable of feeling Despair. It's that foothold Despair has within her that creates an 'Ultimate Despair'. And while yes, Junko was definitely the most afflicted with Ultimate Despair, she didn't get as far as she did just by being horny for grief. She has a title, a real one, and it's not SHSL Gyaru. That was her cover, something she could use thanks to her real talent. Her real talent was only ever known by a select few, and to know what that is, you have to dive into the (criminally underrated, may I add) 2-volume novel set, Danganronpa 0.

Part 7- Ryoko Otonashi (DR 0)

(Little disclaimer here: Before I actually talk about the novel, I did want to quickly assert that DR 0 is both a mainline release to the Danganronpa series and 100% canon. Written and released by series creator Kazutaka Kodaka himself in 2011, it was written specifically to fill out Junko's character more. As such, everything contained within them are unquestionably canon to the world and its characters, something critically important to understand when talking about how it pertains to Junko Enoshima. I think just about anyone who's read DR 0 before knows all this already, but for the sake of anyone reading this who hasn't, I wanted to assert that.)

Ryoko Otonashi is the protagonist of DR 0, and is introduced to us as an audience in a 1st-person perspective. While she isn't the only character we follow in this series, she's the only one to speak to the reader straight-up, introducing herself and reacting immediately to the people and events in front of her. This is for good reason, as Ryoko is suffering from some form of amnesia. Not only does she not remember anything about her childhood or her identity, she also forgets things as they're happening. She can't even remember her name, and is only able to recall it by reading the cover of her notebook- 'Ryoko Otonashi's Memory Notebook,' where she's writing down everything in front of her as it happens so she can try to remember later.

Most of the story is told through Ryoko's perspective as she tries to avoid being caught up in some massive conspiracy within the school- all without actually remembering the conspiracy she's avoiding. Junko Enoshima is the one responsible for this, directing her from place to place and slowly forcing her to confront the conspiracy as she starts to figure out who she is and how she fits into it all. She insists over and over again that it has nothing to do with her, that she's innocent and has never met any of these people before and desperately tries to believe it- her memory is gone, therefore she could not be responsible.

But she is responsible, because she's not Ryoko Otonashi. Her real name is Junko Enoshima, and she's the SHSL Analyst, a girl with such a strong logical capacity that given enough information, she can perfectly understand and predict anything. This could be the actions and personality of a person, or it could be upcoming trends in fashion; whatever it may be, Junko is capable of perfectly analyzing and understanding what will happen in any given situation, long before the world does. And that type of intelligence has rotted away her mind.

Simply put, the human brain requires stimulation. Boredom is her opponent, and in a world where she can fully understand and predict anything at any time, Junko has nothing to stimulate her, and almost nothing can bring her any joy, because she fully anticipates it. Everything is normal, predictable, boring- it's left her with a case of intense anhedonia. Therefore, the only way she could find any happiness is in a world where that talent is stripped away from her. As Ryoko Otonashi, a girl with no memory, she can remember nothing and therefore predict nothing. Analysis requires data, and a blank slate offers none. Even her name is in reference to this, as 'Otonashii' translates to English as 'no sound' or 'quiet'. Only without memory can Junko's mind be silent and let her be genuinely happy.

Ryoko Otonashi is essentially a personality created by Junko as a test, not just for the people around her, but also for herself. Throughout the novel, Mukuro and Yasuke interact with her with opposing goals- Mukuro pushes her into the fray of Despair she's created, while Yasuke tries his best to keep her eyes and ears covered. Ryoko is in a unique position between the two- she's starting to remember and understand herself again, but is terrified of what she'll find, and wants to hold onto her peace with Yasuke. The ongoing question of the novel, which only reveals itself on a reread, isn't within Ryoko's identity itself. It asks the question of whether or not Junko could have been saved from Despair. And the answer, sadly, is no. Remembering anything for too long makes her forget her happiness, and she falls back into Despair, killing Ryoko Otonashi, the epitome of her peace, with her own hands.

Mukuro and Yasuke act as opposing forces within the novel, as both feel a loyalty to Junko that makes them act in what they believe to be her benefit, and both fail. Mukuro drags her kicking and screaming back into the depths of Despair to bring back the madness she sees Junko as, while Yasuke wipes her mind of everything that made her Junko to remove what plagued her. For Junko, balance isn't an option, and the people within her orbit fall victim to that same mentality.

7.1- Personality Disorders In Danganronpa

I'm not a psychologist, nor do I have any sort of split personality(DID, OSDD, etc). So my knowledge on the subject isn't that great, and everything said within this section should be taken with a grain of salt. But, to the best that I can tell, Ryoko's existence as an alter is sort of... mixed up. Other characters in the DR series (Toko & Genocider) make it pretty clear that Kodaka doesn't really have a fantastic understanding of people with DID outside of how they're stereotyped in the horror genre. And that background knowledge, combined with the presentation of Ryoko in DR 0, makes me think she was likely intended to be an alter, but as one that Junko had almost absolute control over, as at multiple instances, she was able to knock Ryoko out at will, and fully killed her once she'd outlived her usefulness for the experiment. There are parallels to Jekyll and Hyde in that aspect, though of course Jekyll was aware of also being Hyde- an alternate version of yourself created to rid yourself of everything about yourself that you despise is very reminiscent of Jekyll's motivations, down to the permanent erasure of the "good" side by the very end. It's also worth noting that Jekyll and Hyde weren't intended as an example of DID, but rather, an exploration of how every person is multifaceted with good and bad parts, even if modern day interpretations often read it as another example of the evil DID trope from 1960 and beyond(thanks a lot, Psycho).

There are several interactions between Ryoko and Junko that support them being two personalities within the same body rather than just a case of memory erasure. For example, when Ryoko is nearly killed by one of the SHSL Octuplets, Junko emerges just to make sure she isn’t killed, citing it as a minor nuisance.

“‘Upupu, I wonder if I was a bit too harsh.’ The voice said, it sounded close. ‘... But it can’t be helped. It’d just be embarrassing if you died here. After all, you’re the protagonist in this scene for once!’” -Junko Enoshima, DR 0

When Ryoko wakes up in the underground bunker of the Reserve Course cult forming, she comes across a captured member of the Steering Committee. And because she genuinely doesn't know who he is or where she is, he ends up giving her classified information that Junko needed, and the second he reveals it, she's immediately able to knock Ryoko back out and take over once again, having used the Ryoko personality as a front specifically to gain information.

“'The old school building… Kamukura Izuru’s there.' 'P-Please wait..' I ended the conversation prematurely with an interruption. Quickly, I wrote in ‘Otonashi Ryouko’s Memory Notebook’. .... But then… Huh? I suddenly felt an attack of dizziness, I struggled to stay upright. What’s happening?" -Steering Committee Member & Ryoko Otonashi, DR 0

"'Oy, did you hear me?' I didn’t. The beating in my ears was only growing louder, it completely drowned out all other sound, I couldn’t hear anything anymore. I shouldn’t be able to hear anything anymore, and yet I could hear a single, eerie laugh. '...Upupu.'" -Steering Committee Member & Ryoko Otonashi & Junko Enoshima, DR 0

Ryoko's memory of Yasuke is also contingent on whether or not Junko wants her to recognize him, suggesting that to some degree, her memory issues aren't just forcefully induced, but rather, are a conscious choice on Junko's part for Ryoko, as once Junko's plan is in place, she suddenly can't recognize him and is then forced to kill him in self-defense.

"'Are you…talking to me?' He looked exhausted. A face of someone who lost everything. The face of someone who lost all his thoughts, all his senses, and all his emotions. '…You don’t remember me?'" -Ryoko Otonashi & Yasuke Matsuda, DR 0

It's pretty unclear whether this was an intended conclusion from Ryoko's and Junko's behavior in DR 0, or if these are just remnants of Kodaka not knowing how personality disorders work and simply having Junko be so powerful that she can purposefully create, manipulate, and kill personalities at will, but I think looking at it from a more psychological viewpoint like this certainly puts Junko's actions as a manipulator into more perspective. The intention behind Ryoko suggests that Junko's manipulative abilities extended even into her own psyche, almost to a supernatural degree. Do actual systems in the real world function like this? No, but thanks to Toko/Genocider, we know that the representation of DID isn't gonna be good in this series.

If we wanted to put this into a more realistic lens, we could come to the conclusion that Junko's apparent control over Ryoko and the discrepancies behind her existence is a result of Junko having Munchausen Syndrome. Also called factitious disorder, Munchausen is a subconscious psychological condition in which the patient fakes symptoms of other kinds of conditions, whether mental or physical, without realizing they're mimicking the symptoms. Under this lens, we could say Ryoko was a factitious alter that Junko created after Yasuke wiped her memory, hence why she could have control over her over the course of the novel. This was almost definitely not the intended explanation, but it's the conclusion I came to. So there.

Part 8- Relationships

Due to just how many corners of the franchise Junko's present in, there's no convenient place to dump all the relationship analyses like I normally do. Ergo, I'll be breaking part 8 up, and will talk about the different core relationships Junko forms when they're most relevant.

8.1- Yasuke Matsuda

Yasuke Matsuda is the SHSL Neurologist, and a childhood friend of Junko's introduced in DR 0. Because he's the boy she's in love with, he remains the only tangible thing Ryoko can remember outside of her procedural memory, and is treating her memory loss. He's also the one primarily responsible for wiping her mind and assisting the school in the coverup of the student council massacre that Junko was responsible for, though he takes no pleasure in it.

"The silence continued for a while until Matsuda sighed and muttered, 'You should worry.' His voice was low and depressing. 'What if you’ll always be like this......'" -Yasuke Matsuda, DR 0

Despite his tsundere behaviors towards Ryoko whenever the two are face-to-face, he's very much in love with her, and spends the novel trying to look out for what he believes is in her best interests by methodically attempting to remove the Despair from her mind and covering up the Tragedy she's already set into motion. Throughout the novel, he works in cahoots with the Hope's Peak Academy Steering Committee to find more information about the Incident. He does this specifically to defend Ryoko and keep people from interrogating her further, and to hopefully extricate her from the whole situation permanently.

"'I said shut the fuck up.' Matsuda easily quieted the men by saying that and then he continued in a soft voice. 'People might call her an idiot, but she doesn’t even bother to stick up for herself, thinking she can’t do it. So I don’t think I’d be able to forgive myself if I don’t do it for her.'" -Yasuke Matsuda, DR 0

Though we never see it directly, we realize with the help of Kyoko that he's also the one taking the bodies of the Steering Committee and SHSL Octuplets after Mukuro kills them and disposing of them, in the hopes they won't be discovered and Junko will eventually be absolved of both suspicion and Despair.

“Finally she looked at me. ..... ‘The dead body, the body that was dead. There was a post-death body here before!’ ‘Huh?’ .....  ‘There’s not mistake, I know there was definitely a corpse here before!’” -Ryoko Otonashi & Mukuro Ikusaba, DR 0

“Matsuda-kun’s voice was definitely coming from beneath me. There’s no mistaking he was under the bed. ‘But... what would require so much concentration to be under the bed?’ ‘This situation.’ Somehow, Matsuda-kun’s way of putting it could allure to several different meanings.” -Yasuke Matsuda & Ryoko Otonashi, DR 0

"I stood next to the girl, crouched down and peeked under the bed. At the back I could see a large opening, .... 'It’s not a terribly impressive hidden room… a storage room at best.' '…A storage room?' 'For hiding dead bodies.'” -Ryoko Otonashi & Kyoko Kirigiri, DR 0

But despite his best efforts, Junko's talents of analysis were just too great, and she'd already come up with a plan to send her back into Despair before he ever touched her mind. With the help of Mukuro and the growing underground Reserve Course cult of Despair, Ryoko is forced to face Despair after Despair, and is hunted for her involvement in the student council massacre. Junko confronts him and taunts him for his failure, leaving him to wallow.

"'I get it, you feel sorry for her… even so, you’re troubled. You’re incredibly troubled. That’s what it seems like after what I’ve been hearing…'” -Junko Enoshima, DR 0

“'You know, in this scenario, only you can make the choice, Matsuda-kun. So think carefully, worry about it, and choose the choice you think it best. Hope or despair… the choices are so diverse and yet, surprisingly, intricately connected. Anyway, have a good think about it…'" -Junko Enoshima, DR 0

In one final attempt to see if he can salvage her, he approaches Ryoko outside of his lab, pretending as if he's Izuru Kamukura, and questions her. She doesn't recognize him, and he, too, falls into Despair, finally accepting that despite his feelings, he was a pawn to Junko's game, and tries to kill her, sending Ryoko towards Despair as she realizes who she's speaking to and can't convince him she loves him anymore. Defending herself, she ends up stabbing him, sending herself spiraling as she becomes her lover's killer, and Junko reemerges from her mind, killing her off in front of him and forcing him to die in Despair.

He dies believing Junko never actually loved him. He becomes thoroughly convinced that she was pretending, and that Ryoko was nothing more than a part of the game to send him into Despair. And that perception of Junko combined with her causing his death brings Junko an indescribable Despair. The man she loved died by her hands, hating her existence. Truly, this was Despair!

"'I was right, wasn't I? About you remembering? That's why you can't remember me? You remembered that I wasn’t a particularly important person to you…so that's why you can't remember?' Kamukura then revealed his eyes, their glint was tainted with deadly hatred. '…You're such a bitch.'" -Yasuke Matsuda, DR 0

"'There's no way this would have nothing to do with me…' There was a hint of sadness laid somewhere in that murmuring voice. 'After all…you were the most important person to me of all…' Those were her true feelings. Yasuke Matsuda was an especially important existence for Junko Enoshima." -Junko Enoshima, DR 0

She loved Yasuke intensely. She cared about him moreso than anyone else, save Mukuro. And yet, despite how attached he was to her, Yasuke couldn't realize in his own Despair that there'd be no reason for someone like Junko to bother dragging herself through so much mental torment and manipulation at his expense if she wouldn't get a magnificent Despair out of it. Yes, she causes Despair for others, but she doesn't throw herself directly into the fray unless she gets something out of it. Despite loving her, he never actually understood her. That truth, too, would bring her Despair.

Part 9- How Junko Shaped the Game

Turning back towards THH, Junko's reveal shakes the class. Most of them believed that finding the mastermind and forcing them to show their face would end the game. But that's not the case for Junko Enoshima. She's not through with them yet, and takes the opportunity to rub everything they've lost in their faces.

"Puhuhuhu... Did you really think the story would end once we reached the climax of the case? Wrong! There's still plenty more to go!" -Monokuma, THH

Throughout all of THH, Junko's plan is hinged on Despair, and thus, she takes her class, which had become close friends and confidants over the past two years of their lives, and attacks what would bring them the worst Despairs possible for each. Her talents as SHSL Analyst allowed her to analyze her own classmates and tear at what would've made their 16-to-20 year old selves when they first met snap. And each one of the motives she used was designed specifically for that, something she makes sure to cite when taunting them ("Did you notice that each motive I presented you had a specific theme to it?")

The first motive's theme was 'human connections', and everything surrounding the first chapter reflects this. Sayaka's motive wasn't just about her career. It was about the family she'd found and not letting down the people who loved her. And on a meta perspective, the first chapter was also about relationships, specifically that between Sayaka and Makoto and how that relationship's end motivated Makoto to eventually become SHSL Hope, and to a lesser degree, starting the development of the critical relationship between Hina and Sakura.

The second motive's theme was 'the past', something the 2nd chapter very much reflects. The secrets that Junko uses against the class are extremely personal to each of their histories, and can be used to twist each of them to head towards Despair, whether that be through their own hand or their own poor judgements of the people around them from their lack of memories. Mondo's secret isn't just tragic; Junko purposefully warps it in his letter to affirm his own belief that Daiya's death was murder and not just an accident, and because no one knows its contents, it sends him into a spiral. The same can be said for Chihiro, whose secret implies that their gender presentation is a lie, forcing them into a conformatory decision that leads to tragedy. Her classmates' memories of the past are presented in a warped way to suit Junko's needs. Toko's secret of having DID and a serial killer alter, Genocider Syo, is also revealed and used to develop her more as a character when she's the one most afraid of opening up to the class.

The third motive's theme is 'greed', using the promise of wealth to lure Celeste to murder. Even if you could argue other characters within the class could have fallen victim to the first two motives, this one is undoubtedly meant to target the Yasuhiros on Junko's part, as realistically, no one else in their class has any reason to even consider killing for money by itself, especially not when there's already been two class trials. The Yasuhiros are the only ones who consider themselves to be in any level of financial need. This theme is also meta-reflected by the possessive nature Kiyondo and Hifumi both develop over Alter Ego. Because neither of them can keep themselves away from them, they became easily manipulated, and it became harder for the rest of the class to obtain information and watch out for each other, forming a tunnel vision towards Alter Ego in their minds. This contrasts Celeste and Hiro greatly as well- Celeste is consumed by her own greed, while Hiro doesn't even consider killing for the money, opting instead to try and look out for the class and develop him as a survivor. Hiro's the one that looks out for Taka and calls out Hifumi on his obsession; Hiro's lured into Celeste's trap by promise of a way to save everyone, while Celeste rejects her class in favor of fighting for a selfish dream she didn't even need.

The 4th motive is that of 'betrayal', and this one is where the cracks in Junko's plan finally reveal themselves. Each and every trial before this one ended in tears and Despair, and a sense of hopelessness that wasn't alleviated until they were given new distractions. Sakura's betrayal is meant to mirror Junko's own betrayal of her classmates, and when half the class instantly turns on her, things go exactly as Junko plans. Sakura swears to destroy Junko by any means necessary, and takes her own life in an attempt to take the fun from Junko. With Monokuma's meddling, Hina is instead pushed into attempting a murder-suicide, one she's caught for by Kyoko and Makoto. But once the truth comes out, Sakura and Hina aren't condemned. Those that attacked her end up defending her. Sakura doesn't betray her class; Sakura betrays Junko, and it puts her on the path to failure. Junko even admits to this, though indirectly: "Once I revealed Sakura's betrayal, that led to everything that came afterwards..." Note this is the only time where she doesn't expressly explain to the survivors why her motive was successful, because in this instance, it wasn't. It also fills out Hina as a character and uses her arc of an attempted self-destruction to contrast Junko, as Hina let herself be forgiven by her classmates, something Junko could never let herself do.

Part 10- Self-Destruction (Junko vs Sakura)

Despite the fact that Makoto is the character christened as SHSL Hope at the end of THH, there are a lot more parallels between Junko's self-destructive nature and Sakura's self-sacrifice that often go unnoticed, and these parallels are quintessential to the overarching narrative of THH and why Junko functioned as its villain.

Both Sakura and Junko do the things they do because they love the people around them. Both Sakura and Junko find themselves to fall short of who they'd rather be. Both Sakura and Junko kill themselves. But their goals are fundamentally, diametrically opposed.

Sakura Ogami, as a martial artist, is a woman of honor and principles. She believes in the inherent worth of the people around her because of this, and strives to become the strongest person alive not because it's a desire of her own, but because that's the destination the people who loved her had in mind for her(her father, Kenshiro, etc). And therefore, she's someone who fundamentally wishes to act in the best interests of the people she loves, even when it's at her own detriment.

Junko Enoshima, as a hyperintelligent analyst, is able to predict anything. And because she can predict anything, she can enjoy nothing, because she always knows what will happen before it gets there. Ergo, the only way she can enjoy herself is via the only thing that can make her feel- Despair. Grief and pain still feel like something in a world where she can't be pleasantly surprised by anything. She despises herself for it, and so in order to feel, she decimates anything that brings her joy. Joy is boring; joy is nothing; joy is just part of the default setting because she still sees it coming. And therefore, she's someone who fundamentally acts in the worst interests of those she loves, for the sake of her own detriment.

When Sakura kills herself, and Hina is filled with Despair, Junko wants to revel in the Despair this brings everyone else. Sakura killed herself for people that weren't giving her the time of day, and the one person who gave a crap tried to kill you all! Isn't it so tragic, so Despair-inducing, don't you just want to break down and crumble?! And then they don't. Instead, after hearing the truth of Sakura's actions, the entire rest of the class is uplifted and united by her honor. Even Byakuya is feeling hopeful now! What the actual fuck is happening?! Is this how they'll feel when I die, too? Will my death bring no Despair?

8.2- Class 78-B

We never get to actually see any of her classmates interacting directly with her in their school days, or in any way that was positive. Outside of THH's and SDR2's final trials, we as an audience don't get to see them interact as friends. So we have to draw these conclusions from what little context we were given within her dialogue in these few rare moments in THH and the mentions of her class in DR 0.

"There was a tap inside [Junko's] skull, like someone pressed a switch and slowly her entire brain lit up with a notion. Several faces appeared. Of course, they were faces she knew… they were the faces of her Hope’s Peak Academy classmates." -DR 0

Without any doubt, Junko loved her classmates. They were people she considered in high regard and had unwittingly fallen for their unique charms. While Junko had come to Hope's Peak with the intention of causing Despair, she'd accidentally found people that made her happy. When entering the school, she intended to use the people around her to damage the school of Hope's reputation, but inadvertently became attached: "Once your school life here began, I thought about you constantly. It's only natural that I would... fall in love." This made for a fantastic happy accident for Junko, as finding something beloved made for a much more fantastic Despair for her later.

"Remembering the faces of the people who would bring her such despair, she felt something that was similar to a person in love, and she danced to the rhythm of Despair. 'This is it! This is a fantastic despair!'" -Junko Enoshima, DR 0

We can also reasonably assume Junko was someone her classmates had considered dear to them in turn, as she not only knew how to motivate their past selves into murder, but also their deepest secrets and fears, and was able to attack their relationships when they themselves couldn't even remember them. Could you handwave that level of connection with her SHSL Analyst talent? Actually, no, because as stated previously, analysis requires data. And the only way she could gather enough data to understand them at a depth that let her plan her killing game to perfection was by getting to know them firsthand.

There's also a strange implication within Junko's explanation of how she put the killing game together that I think gets often overlooked. When she prepares to infodump to the remaining survivors, she says this:

"So since I love you guys so much, I'll tell you all about it! All about the idea we came up with as the Ultimate Despair- our plan to bring Despair to all mankind!"

It's an interesting choice of pronoun, to say the least. "We." It implies that the group she's referring to when she speaks is herself and the people she's speaking to at this moment in time. Could she just be switching gears and talking about Mukuro, and later, the RoD, Kamakura, the WoH, etc? Yeah, absolutely. But none of these characters had even been mentioned, whereas she was just speaking on her love for her classmates in the dialogue prior and continues to talk about her classmates after.

In listening to Junko's explanation of how she put the killing game together, it made me come to a pretty disturbing realization. One of the biggest things about Junko is how she's always able to seemingly pull together everything to form this killing game almost entirely by herself. Later installments to the series include some level of explanations- Towa Group becoming a financial and robotic sponsor, a SHSL Mechanic that could've made the executions, etc- but her success within the killing game hinges fully on her knowing how to best bring her classmates to Despair. And she's not just an analyst; Junko is a master manipulator. Throughout her entire explanation of how she created the killing game, she never says she threw them into the killing game against their will. Instead, she very deliberately calls attention to her classmates' choice in the matter, over and over again. They chose to enter the shelter, they chose to lock the doors and cover the windows, they chose to be there with the SHSL Despair, though they didn't know who they were with at the time. Makoto is the one to assert that they did so because they believed in the hope of survivng, and giving the world a fresh start. But it's not just their year's worth of fun school classes missing from their memories. There's also a year of hopelessness within the school erased, too. Combine this with a few well-placed lines from Junko.

"You see, by taking away your memories, I gave you hope."

"You absorbed all that Despair, but then you forgot it all."

"Despair is contagious, you know. It's almost like... a natural phenomenon."

"Once you'd finished building your little shelter, it was time for me and Mukuro to get to work. And thus began the killing game!"

If Junko is making the claim that she was able to give them hope by removing their memories, that meant none of them had any to begin with. She emphasizes how much Despair her classmates absorbed, and even Kyoko herself states that it's impossible for all this to have been put together by just the Despair Sisters. If an additional year of hopelessness waiting around within the school were also erased, and Junko is intentionally avoiding saying she started the killing game herself, is it beyond reason to suggest that at least some of the 78th class had fallen to Despair in that timeframe? Look at the survivors that are left- Byakuya, Toko, Syo, Hina, Hiro. All characters that Do Not Like each other by this point. Most of the meaningful connections between the classmates have been murdered. Their past is scrubbed away. They've basically all betrayed each other at least once by now, and have been pushed to the brink of Despair. If you got a collection of THH characters most likely to fall to Despair, it'd be this group.

Junko even takes a point to emphasize just how Despair-inducing the truth can become, targeting Kyoko directly with this. As Kyoko comes to the realization the Junko purposefully designed the game with the possibility of being caught, she revels in Kyoko's Despair. She taunts her with the fact that their solving the mystery only made things worse. She is purposefully trying to drive the rest of her surviving classmates into SHSL Despair alongside her. She's manipulated the game and her classmates to get what she wants- the people she loves slaughtered, the survivors joining her in Despair, the world reborn by her hands. She quite likely manipulated her classmates into plotting each other's deaths not only inside the game, but in preparation for it as well.

Out of all her classmates, there was only really one you could argue wasn't perfectly analyzed and manipulated. One stood out among the rest as the unknown variable- a concept otherwise foreign to Junko- that was able to act as a wrench in her plans. And this, too, could cause her Despair.

8.3- Makoto Naegi (Hope vs Despair)

Makoto Naegi's SHSL Luck, AKA SHSL Hope, is the one who takes down Junko Enoshima's SHSL Despair. But why and how was this possible, and what does that mean for the relationship that he and Junko had prior to the game? If I wanted to fully delve into their relationship specifically, I'd need to really tear into Makoto's character, and I don't really have the time for that today(again, still hoping to get this out before 2025), so we'll just do the best we can based off the scenes they've had together and what we know about Junko to put the pieces together thematically.

Makoto is an average guy in just about every sense of the word. He likes average things, he looks plain, he's chosen randomly by lottery instead of earning his place in the school, he doesn't have any noticeable traits or beliefs- at least, not at first.

"But you know, if I had any one kind of strong point, so to speak, I'd say I'm a little more gung-ho than other people." -Makoto Naegi, THH prologue

By his own admission, he has a grand total of two character traits- abnormal normalcy, and enthusiasm. He's optimistic, and that's kind of it. By all intents and purposes, he's the SHSL Joe Schmoe, and that should make him another blank canvas on the wall of pawns Junko can knock over whenever she gets a little bored. And yet, SHSL Joe Schmoe is the one directly responsible for Junko's failure, and the one person who, by her own admission, she cannot predict. So why and how exactly is that?

I recall reading a story about a coding competition, where coders were meant to design an AI for a gambling competition. One entry proceeded to make an AI that would go all in every single time it was its turn, and the simplicity of it was so intimidating that it broke every other AI that was in the competition. That mentality is the exact strategy Makoto unintentionally employs. He doesn't have any strong sense of self or moral complexities; he's a dude that exists, and he throws everything he is into everything he does. He's an optimist to the highest possible sense. He leaves his door unlocked even after 4 murder cases and a break-in. He refuses to fathom anything but the best possible outcome, and so he's able to combat Junko's total Despair with pure hope. Makoto's head is so completely simple and empty that it acts as the exact opposite to Junko's highly intelligent, analytical mind. When she tries to force-feed him Despair in the final trial, he hits her with the power of 'nuh-uh,' and it works. It's that emptiness that fascinates Junko, and makes him and his random chance luck unpredictable to her.

Part 11- "Defeating" Despair

When Junko loses, it's not just because she failed to convince the others of Despair, or that Makoto's hope was just naturally the stronger conviction of the two. Rather, Junko's loss can be attributed to her own conscious choice to lose. Even if we're looking solely at THH, this is the case. And the source is found in a single line.

If her conviction to win in this moment was absolute to the point where only one person had to vote for Despair, she just had to include herself in the votes. After all, she is one of the 16 students participating, and by all accounts, she should receive a vote for this trial. But she casually refuses, instead leaving it in the hands of the survivors to make the final call. And that in and of itself is indicative of Junko's desires. When faced with a situation she can easily control, she leaves it to fate to decide, allowing that glimmer of unpredictability to take over and surprise her. She'll always believe in the Despair she's dedicated herself to; it doesn't actually matter who wins here. What matters is that she feels Despair. Either Makoto succeeds in convincing his classmates of hope and kills her, ruining all her plans, or he fails, and she exterminates the one unpredictable person in her life and locks herself out of that rush of adrenaline for the rest of her life. Either ending would fill her with Despair, and in that sense, there is no way for her to lose. She won the killing game, whether the survivors realized it or not, because she succeeded in destroying herself. She built herself a Saw trap, and her loved ones set it off.

Part 12- Execution Analysis

Junko is the only character to walk willingly into her execution, even being the one to hit the red button to start up the punishment rather than having Monokuma do it. You can first attribute this to her no longer being in the control room to pilot Monokuma to do so, which is true, but it's also representative of her desire for self-inflicted Despair. Her eyes are swirling with Despair and she goes on about how good it feels, how everyone should die in such Despair, how this punishment is 'extra special', because it's one she brought on herself. After methodically destroying the most important relationships of her life one by one, she'd now be killed by her friends in a series of recycled contraptions in an 'Ultimate Punishment'.

As she goes through each step of the execution, we see her bearing a wide grin, flying through the machinery that'd killed every one of her executed friends over and over again. She hits every baseball, handles the Cage of Death with ease, calmly survives the firetruck, and bobs her head with the excavator. She doesn't struggle, not once, and this is because in prolonging her Despair, her SHSL Analyst talent is keeping her alive. She's watched every one of these executions, and thus, knows how to survive them all. It's not just a retrospect of every prior execution as a callback for the audience; it means something. With a punishment meant to bring the character's worst ironic death via their most hated parts of themselves, then of course Junko's analytic abilities are keeping her alive through everyone else's Despair.

The execution ends with the return of the After-School Lesson, and this is the one that finally kills her, because it's the only one in which she doesn't know how it ends. Makoto's execution was tampered with by Alter Ego, so there's no way to know if she'll actually die or not. Junko can't know if it still works or not. Junko doesn't know whether she'll live or die, and that's what makes it so exciting. She's driven to the edge of death and left to sit there for a moment too long, long enough for the Despair to be replaced with disappointment- only to kill her right when her Despair abandons her. She stops smiling, looks up at the press, and dies abruptly. In her final moments, she is denied her Despair. Makoto did win, after all.

Part 13- Answering the 'How' (SDR2)

One of the biggest 'what-the-fuck's people tend to have after walking out of their first playthrough or watchthrough of THH is the How of the entire game. The first game is good and all, but it leaves Junko's skills and how she set up and pulled the killing game together pretty vague. This is intentional, as in the first game, she exists as a kind of force of nature, representing Despair as an inherent part of life in the same way Makoto represents hope. But after Spike Chunsoft commissioned a sequel, and Kodaka set to work on DR 0, the question of 'how' had to be answered as the series was expanded upon. This started with the introduction of Yasuke Matsuda's memory erasure technology and the reveal of Junko's SHSL Analyst status in DR 0, but continued to expand well beyond that.

In SDR2, we're introduced to an entirely new cast of characters, all with new and less conventional talents in comparison to the first cast. Whereas THH had plenty of more mentally-oriented talents like programming, writing, and hall monitor to balance out their more eclectic ones, the SDR2 cast is almost entirely physical or social talents like a yakuza, animal breeder, and mechanic. These talents also put them into more social or powerful positions than the 78th class on an overall skill, as you find yourself full of people that could command full armies and people proficient with making weaponry or fighting and potentially killing the people around them. This differentiates the casts, and automatically makes them more threatening in the ways they could attack each other in a killing game. This also makes them Junko's perfect weapons.

8.4- Remnants of Despair

Class 77 is revealed by the end of SDR2 to be the Remnants of Despair, pawns swayed over to SHSL Despair by unknown means. Makoto refers to this conversion as 'brainwashing', though whether this is him literally knowing they were brainwashed or making an inference and later being proven right is unclear. Regardless, the RoD are part of the SHSL Despair movement, and exist to explain a lot of how Junko was able to not only set up the killing game mechanically, but continue to end the world and send it into ongoing war after the initial Incident.

This is something especially apparent with the remaining surviving cast, as they're the most immediately powerful amongst the cast for Junko to use. Sonia and Fuyuhiko are both in direct command of massive amounts of people, with Sonia being the heiress to an entire country and Fuyuhiko being the leader of the largest mafia in Japan. Kazuichi as the SHSL Mechanic explains how and why so many elaborate executions were able to be designed ahead of time for the killing game, and Akane is a wicked fast athlete who's already accustomed to tragedies and will eat anything. On top of all this, there's Hajime, a human experiment worked on by those in league with the values of hope, and that was forcefully imbued with every talent that's ever been documented, including Junko's.

This sums up everything that made the RoD useful, but doesn't explain how any sort of meaningful connection was established between them and Junko. That's because on the overall, there isn't one. With two notable exceptions, the SDR2 class is largely unimportant to Junko emotionally speaking. They're useful, and that's about it. They weren't in the same class; they didn't interact at school or bond in any important way. She just dragged them down with the bare minimum brainwashing video because of their usefulness.

We also know Junko didn't care because of just how differently she speaks to and treats class 77 as opposed to the characters that we know she does love. The series painstakingly makes sure you know that Junko tears up everything she loves- Mukuro, Yasuke, class 78. She gores through them because hurting the ones she loves hurts her right back, and gives her an excellent Despair. But with class 77? Beyond the initial conversion, she doesn't really touch them. She doesn't need to waste her time with people who are virtually strangers. Their pain just is Despair; it's not her Despair. It's good for a laugh, but not much else, so she lets them run rampant on their own.

On an overall scale, Junko didn't give a fuck about these people. They existed solely as tools to her, and she interacted with them as little as possible. Unlike with her classmates, whom she loved, she did the absolute bare minimum required to get them to feel Despair by showing them a video and letting them do their own thing. The RoD were Remnants and not full-fledged SHSL Despair because their Despair was artificial. It was inauthentic, and so they could never ascend to true Despair in the way characters like Mukuro, Junko, or Monaca can.

8.5- Mikan Tsumiki (The Relevance of Junkan)

When we're first introduced to the concept of Junkan, it's portrayed as a one-sided infatuation from Mikan's perspective. She tells her classmates about the one person who forgave her existence and loved her anyway, with the choice of language emphasizing her beloved's need for Despair and asking for forgiveness for hoping suggesting that this beloved is Junko.

"Ahhh, this feeling of freedom where you no longer care about anything! My beloved and I are the only ones within that thin veil, and I'm just looking out through it..." -Mikan Tsumuki, SDR2

Whether intended at the time of SDR2's release or not, this line of dialogue ended up foreshadowing Mikan's heightened importance in comparison with the rest of her class to Junko as an RoD. When everyone else were just tools, remnants formed by brainwashing, Mikan is ultimately differentiated as special, not necessarily craving Despair but happily parroting it for the sake of a twisted love.

"It's like nothing matters! I could just die, that's how little it matters! Who cares about hope or despair! It's love, only love!" -Mikan Tsumiki, SDR2

This 'beloved' being Junko is proved true when AI Junko emerges in the final trial and reveals that class 77 are also the RoD. At this point, though, there's almost no evidence that Junko feels anything back for Mikan besides a vague sense of usefulness shared with the rest of her classmates, as she mimes seeing them as friends because of their actions as Remnants of Despair.

Something that's important to remember, however, is that Junko's need for Despair drives her to destroy everything she loves. We've seen this multiple times, over and over again with Mukuro, Yasuke, and her classmates before now. The reason we know she didn't care about class 77 is because there are no such personal attacks to tear them apart and make them despise her specifically- their pain brings her no Despair. There's no evidence of a personal attachment. Once DR3 comes into focus, though, that changes for one RoD in particular- one Mikan Tsumiki.

DR3 made the decision to bring Chiaki back as a human character, and made her the central figure for class 77's bond. Junko dragging out Chiaki's suffering and forcing her classmates to watch became the titular event that drove the rest of class 77 to Despair. But there was no personal attachment to this act, because she'd only just met Chiaki, and there was no dynamic to speak of between the two of them besides maybe a vague sense of interest based off of their single interaction.

So, if there's no established rivalry or connection to Chiaki, why does Junko single her out and kill her specifically? Easy; Junko doesn't. She sets up the maze, sure, but she is not and never was the one targeting Chiaki specifically. That was Mikan, and the show makes sure the audience sees this more than once.

When Mikan and Junko meet, it's because of a chance interaction. Mikan runs into Mukuro by mistake when going to check on Ryota, and is captured. In this sense, she's literally presented as a gift to Junko. Junko learns she's a nurse, and decides she'll let her hang around while she works on the brainwashing video.

In their next scene together, Junko is having Mikan massage her leg, listening as Mikan presents her classmates and friends to Junko. She's the one who tells Junko of how close her class has become, and how Chiaki is the central figure behind their bond. It's where we get this from Junko:

Though you might not immediately know it, it's swiftly revealed to us that Mikan is now in love with Junko via this and Ryota's mention that something appears 'off' with Mikan. From Ryota's discovery of the prototype video that was used on the Reserve Course students being immediately followed by Mikan's appearance and saying he souldn't have watched the video, it's easy to fall into the assumption that Mikan's fall is purely because of the brainwashing. But that's not necessarily true. Mikan having seen the video prototype is very different from being brainwashed entirely, and considering Junko herself says that the video is insufficient and that she can't brainwash people like Ryota can, there's an inference to be made that while the prototype video may have helped, it didn't rob Mikan of her free will in the way Chiaki's death did for everyone else. Ryota didn't fall into Despair from the video by itself, and neither did Chisa Yukizome. We also know from her FTEs in SDR2 that even before falling to Despair, Mikan was already a little fucked up, as her idea of a good time includes telling you all the ways in which you could die and begging people to treat her like garbage just for a taste of acknowledgement.

We also see what motivated her to nurse not only herself, but others as well- not empathy, but power and control.

"Sick people and injured people... are weaker than me. .... But if I know the proper way to treat them, that means my words are absolute. Which means... They'll need me. They'll depend on me completely." -Mikan Tsumiki, SDR2

Again, all this can be found in her FTEs, in a situation in which she's mentally reverted to the way she was entering the school, before she and Junko were so much as in the same city. By this line of information, it's just as believable that her falling in love with Junko was because Junko and her video actually connected with Mikan, taking Mikan's craving for attention via mistreatment and using it to her advantage. It's also worth noting that the anime makes a point to use 'spiral eyes' to demonstrate when a character has been brainwashed. This is something used with Chisa, with the characters in the Future Arc, and when the RoD are shown Chiaki's murder. But Mikan does not have these spiral eyes in the scene where she nearly assaults Ryota. She's horny, and it's extremely disconcerting, but her eyes are still her own, suggesting that the video didn't take a hold on her the way it did for the Reserve Course students.

Mikan is also one of the most similar characters to Junko in that she craves pain. Not emotional Despair in the way that Junko does, but physical pain, not only from Junko, but from just about anyone. Pain means attention, and that's something she needs more than anything. By this metric, she and Junko are actually quite similar, needing the worst from the people they love, and this makes for a formula that can create an incredibly abusive relationship. Junko can do literally anything to Mikan, and she'll lap it up like a dog. Mikan makes for a perfect punching bag, and suddenly, their relationship is intentionally paralleling the way Junko treats her sister. She kicks her around, calls her a disgusting horny piglet, and Mikan thanks her for it. It becomes a challenge of seeing how far she can push Mikan before she snaps and attacks her back, just like how she tries and fails to do with Mukuro. Simply put, there's no reason for her to treat Mikan in this way if she doesn't care about her as a person, romantic or otherwise.

This connection Junko forms with Mikan also serves to answer that earlier question: why did she bother with a class full of people she's never met? It's because of Mikan. Mikan is the one to present class 77 to her, and with the context that she goes on to set up a murder maze specially for Chiaki, and specifically says that Mikan has 'made a compelling case', that means Mikan was asking her to make them SHSL Despair. And not only does she do so, she does so in a way that forces Mikan to be the one to lead them into the trap. She brings her classmates to the bunker, she separates Chiaki from the group, she's responsible for sending her loved ones to Despair. This isn't a plot that's personal to Junko; it's a plot that's personal to Mikan, and Junko helping drive Mikan's loved ones into Despair saddles Mikan with a Despairing guilt tied to Junko.

Driving class 77 to become RoD is an act of love for Mikan- a twisted, abusive love, but a love nonetheless, and one that's in line with the way she drives her own class to Despair and makes herself the crux. Should her classmates realize what's happened, they'll know that Mikan brought them here. The rest of class 77 are Remnants, but Mikan is a SHSL Despair like Mukuro, valued like Mukuro, and her being the one to regain her memories and turn on all her friends once more, betray them once more, is a remnant of Junko's love.

8.6- Izuru Kamukura

When Junko first approaches Kamukura, she does so with the intention of offing him then and there. He's the artificial SHSL Hope, lab-grown by Hope's Peak Academy, and represents everything their research stands for. To kill him would be to kill their work, and that's what she walks in with the intention of doing.

Naturally, she fails, as Izuru's been imbued with every talent known to man. This wasn't outside to realm of possibility for Junko, though. There were several different ways to kill the SHSL Hope invented by Hope's Peak. Whether or not she killed him literally or metaphorically wasn't the point.

Izuru Kamukura exists as an empty symbol. He's filled with talent and nothing to use it on. Because his existence is an artificial one, he has no passion with which his talents were born, and no drive to use them. If anything, he's not the SHSL Hope, he's the SHSL Talent, but regardless, his creators have labeled him their SHSL Hope so that he can become their puppet-symbol. So to kill the SHSL Hope the trustees have created, all Junko really has to do is get her hands on the puppet first.

The actual convincing of him isn't really what matters to Junko. Similar to the trustees, she also sees Kamukura as a symbol, albeit one to be knocked down instead of bolstering up, so she uses him like a token symbol, too. All she has to do is pique his interest, just enough to get him to follow her, and her job is done. She talks on about her love of Despair, how grief and pain are something that actually makes you feel, and because he's had his emotion removed, that unknown variable is enough to get him to watch, just in case.

Despite his having every known talent, Kamukura is tricked. He's framed by Junko as being responsible for the murders of the student council. And in addition, he sees the power of Despair, as adrenaline from the final survivor pushes him to attack Kamukura even when it should've been physically impossible. When moved by that animalistic need to survive, he manages to cut Kamukura's face even after getting his own sawed in half. Thus the SHSL "Hope" is introduced to the world as creating Despair, and his job is complete.

Junko doesn't really bother with Kamukura after this framing. She lets him hang around, but when he decides to leave, she doesn't make any sort of fuss or try to attack him anymore, because she doesn't really care about him. He was only as important to her as his title was to the school, and once that title was tarnished, any connection between them she pretended to have was dropped. The next time these characters meet, it will no longer be the real Despairing Junko tainting some artificial husk of a person, filled with talent and emptied of heart, but rather, an artificial Despair combatting a survivor's true identity.

Part 14- The Brainwashing

Okay, let's talk about this. Was the brainwashing a good move for the story? Was it actually planned from sdr2? Or was it something half-assed at the last second because Kodaka didn't think that far ahead? Well, imo, it was almost definitely intended from their conception, and is very reflective of Junko's own motivations and goals.

From as early as DR 0, brainwashing tactics are evident within Junko's work. When Ryoko meets the reseve course's underground cult, she finds them watching a single video of mutual killing over and over again, with a fixation on its contents that's unnatural.

"[The cultists] didn‘t even bother to glance at me. Their eyes were still plastered to the monitors in front of them. .... Every monitor was a pitch black, none had a single image projecting on it.

'It‘ll… start again soon… so…' the monobear heads sitting in front of me said in monotone." -DR 0

Brainwashing is again brought up within SDR2, as not only is Hajime expressly a human experiment due to alteration of the brain specifically, but the entire class is referred to by Makoto as 'brainwashed'. At this point in the series, there's no reason for him to actually know this short of Kamukura possibly telling him they were brainwashed, so we can reasonably assume this statement is rooted in Makoto's inability to understand Despair and seeing anyone's craving of it as a mental disease that can be cured(not an unreasonable conclusion to reach, considering the Everything About Junko he was led to witness). Ergo, it's not beyond reason to assume that brainwashing was well within the bounds of possibility for the characters even at that time.

While the idea of brainwashing the class into Despair appears to rob the class of their moral complexities that came from being RoD, the view we as an audience are given by Makoto, Kyoko, and Byakuya within SDR2 is only ever that the RoD were victims of Despair. The survivors are already established as more reliable narrators than AI Junko thanks to the first game, so there's no reason not to trust that what they say is likely true. In addition, Junko never actually directly states that they did it of their own free will, just that they were on the same side and tries to get them not to listen to Makoto, her already-established opposite.

The idea of class 77 being brainwashed went from theory to canon in DR3, and while the method of their brainwashing is controversial(the line 'cutting through their free will like swiss cheese' from the dub is pretty aggravating), it still lines up with Junko's pre-established goals and motivations. She goes to Hope's Peak to tear down Hope and replace it with Despair, and after being shown a class full of Hope united by their love for the same person, she exploits it and is able to use their love against them to create Despair as an outsider. She's introduced to the class, uses them, and then lets them all go do their own Despairing thing because she doesn't actually care what they do. What matters most is her own Despair, and tearing hope to pieces. So her interaction with class 77 remains minimal, a mere experiment for Despair in the same way Hajime was an experiment for hope, and then keeps going about her business, calling on them presumably only if she needs something like the execution contraptions.

14.1- The Despair Videos & Knowing the Difference

There's not just 1 Despair video. Over the course of the anime, we're introduced to three, and each one has different levels of effect on those who watch it. Knowing the difference between these three videos is quintessential when talking about the brainwashing and how each character to watch a video is affected, as well as understanding different characters' roles in the narrative as they pertain to the videos. So let's establish the differences between these 3 videos and their effectiveness before we move forward.

14.1.1- The Student Council Massacre

The first Despair video, aka "the prototype", aka the Mutual Killing Video, is the one created using the footage of the student council's beta mutual killing game. This is the one made solely by Junko's attempted mimicry of Mitarai's animation talents, taking security footage of the mutual killing and sharing it with the Reserve Course and Mikan as a test run. And while it does have some level of effect on them, inspiring 'the parade' and having a hand in Mikan falling for Junko, it doesn't work nearly well enough to actually rewire their brains for Despair or strip them of their hope in the way that Junko would like. Even in the context of a parade, it's still very much a protest in the hopes of change. There's still the demands of a refund, of being let into the main course. Even when shown the Despair of the truth, there is still hope that things can be changed or fixed. And that's not what Junko wants. The only character that we've seen to watch this video to end with the aforementioned 'spiral eye' telltale of true brainwashing is Chisa, who we know was also being actively lobotomized by Mukuro during a repeated viewing to force it to work. This instruction came from some manual Mukuro was left with, presumably written by either Junko or Ryota.

While this video is what starts the parade, what eventually pushes the parade to violence isn't Junko. It's the inaction of Hope's Peak Academy and refusal to acknowledge their mistakes. Instead of coming clean, they bury everything wrong they've done even further and have their security beat the shit out of anyone that tries to find answers for themselves, doing so in the name of 'protecting them' from information. They keep the wrongdoings of their 'real' students under wraps at the expense of their underlings, fully buying into a talent-based hierarchy they created. Those without special talents are sources of finance- nothing more, nothing less. And when that overwhelming majority questions that, and finds evidence that HPA doesn't care, of course they'll retaliate. The video itself isn't a brainwasher, but when combined with the very real negative effects of the classism which the Reserve Course students find themselves hurt by, it makes its influence that much stronger.

14.1.2- Human Chiaki's Death

The second Despair video is Chiaki's execution, and is a live recording shown to her classmates. As far as we've ever seen, this is the only instance in which this is ever shown. This live recording is enough to send class 77 into Despair properly, spiral eyes and all, but there's an underlying implication that the primary reason for this is because of how important Chiaki specifically was to them. Throughout the season, and especially in this episode, Chiaki is established as the glue that holds the class together. Despite not being an extremely sociable person, she connected to her class with her love of games, and her earnest love of it endeared her to them, and their love of her did vice versa. The footage locked them each into place, unable to look away, and once they were at their lowest, at the very end of the video, Junko swoops in to dub them all Remnants and decides for them that they will now cause Despair for her. And because she says this when the live footage has brought them to their lowest, they each fall into this trap, at least to some extent. Whether or not they truly belive in what they're doing, they do it, because that feeling of Despair is their last connection to Chiaki left.

But, similarly to the prototype, it's still ultimately insufficient. Granted, it's much more effective than the prototype, but it isn't a full mindwipe, either. We know this because when we meet Nagito Komaeda in UDG as the Servant, he's still himself. He still has some level of self-control, able to speak and act as an individual even when following the orders of Monaca or the other WoH. He says himself that he despises Junko more than anyone else in the world, and follows through with Despair with the faith that it'll inspire a newer hope to conquer it. He says something similar in that moment of brainwashing as well.

"Nanami is our hope. Look what she did to her. What Despair... What a horrific sight! This is... This is the Despair we must overcome? Ah, Nanami... You understand, right? At this moment, you are becoming a stepping stone to hope!" -Nagito Komaeda, DR3

You could possibly attribute this to Nagito's luck cycle and history with tragedy just making him have a higher resistance to the brainwashing, and honestly, there's no strong way to contradict that, since Nagito and Mikan are the only ones we ever see in Despair outside of a montage, but narratively, I doubt they'd make a point to show one of the RoD hating Junko if it weren't to make the point that they had agency. Nagito was just the fan favorite, so of course it was gonna be him. You saw the fanservice in UDG.

14.1.3- Mitarai's Animation

The third and true Despair video is the inversed Monokuma Theatre, which is used to mentally hack its viewer and drive them into such a strong state of Despair that they kill themselves right then and there. This is objectively the strongest of the Despair videos, and the most effective, with the only character it doesn't immediately convince to kill themselves being the Future Foundation chairman Kazuo Tengan. This is mostly for plot reasons, but I'll address this specific exception to the rule later on and why this was the case.

The Monokuma Theatre video is mass-emailed to the Reserve Course students after they destroy the shiny new building their parents were tricked into paying for. The video hacks their minds when in an already vulnerable state, and each and every one of them jumps out of the building and kills themselves. Just as quickly as they take some control and uproot the system that hurt them so, they fall victim to the games of another who never cared for them in the first place. The purpose of the video was to create a horde of faceless victims to spurn others into action, and it worked like a charm, spiraling the world into a state of Despair. The RoD used their influence to ensure a smooth transition into this state of worldwide chaos as well, having significantly more social power and reach to spur more and more people into the fray.

The Monokuma Theatre video is also what makes the members of the Future Foundation kill themselves in the Future Arc, hacking their minds and then dropping a knife with which to stab themselves with. It works on every character that watches it- Chisa, Gozu, Seiko, Ruruka, and Makoto. Each of these characters are in various mental states when they watch it, yet all of them fall to it, without exception. It doesn't matter who you are or what you believe in. If there's even one thing you regret in your life, the video can and will work on you. It just does. And by that logic, it's the only real 'brainwashing' video, because it can work on anyone who watches it. The one character who seems to withstand it is the one who builds an entire killing game using said video just to force its creator to action, and doesn't even seem so much as affected by it. Really, it calls into question whether or not he was even affected by it.

14.1.4- The Flashback Light (Bonus Brainwashing!)

The Flashback Lights are used solely in V3, and are invented by the mysterious Team DR to reprogram the memories of their victims to play along in their scripted killing game. We see this work on both Kaede and Shuichi, as well as see the aftereffects it has on the rest of the class.

We learn while investigating that Tsumugi is the one responsible for creating the Flashback Lights, and that she's been the mastermind who knew what was happening the entire time. However, this initially opens up a plot hole in that Tsumugi has also been shown the Flashback Lights multiple times. There are 3 viable explanations for this. The first one is that she just closed her eyes, which is extremely boring and kind of a copout. The second is that she didn't know she was the mastermind until near the end, and Kaede's murder plot failing was a ruse by Team DR for the story, but that makes that entire reveal lose a lot of its impact. The third explanation, therefore, makes the most logical and narrative sense, and actually doubles as a reason why Tengan would be the only one to withstand the Monokuma Theatre in DR3: Tsumugi wears glasses.

Yeah, I know, that sounds silly, but let's actually break it down. In NDRV3, two characters are shown to wear glasses, and only two- Tsumugi Shirogane, and Gonta Gokuhara. Gonta, however, has two unique traits that are relevant here. One, he has 20/0.625 vision(strong enough to see the near microscopic Monokuma cameras), and two, he wants nothing more than to appear as a gentleman. I don't think it's a stretch to say he's wearing empty frames to appear more gentlemanly, especially considering they're paired with a full suit.

Tsumugi is the mastermind, and the one who has the most insight into what's happening in the game. She's the one who knew the difference between her actual self and the character Tsumugi that she played(it's implied in the dating sim that Tsumugi isn't her real name), despite having seen the Flashback Lights with the class several times. So isn't it entirely possible that having glasses to reflect the light of those Flashbacks was what let her pass for being affected as well? And, if that's the case, then it would also explain why Tengan, who wears glasses, would be resistant to the effects of the animated video, as everyone else who we know watched the animated version before their death didn't wear glasses. The faceless Reserve Course students don't have glasses, and neither do any of the five characters in Future Arc to watch it. It's completely ridiculous, and simultaneously totally plausible, for the idea of glasses reflecting off light and lessening the effects of such a video to be the explanation for why the videos or lights exclusively didn't work on these masterminds.

8.7- Ryota Mitarai

Junko's connection to Ryota is objectively the weakest part of her story, and admittedly a major part of why the brainwashing of class-77 falls under such scrutiny. Whereas every other part of Junko's plan is pretty well-established within her characterization, the connections she makes having actual sense to their conception and development, and just general consistency within the narrative, her meeting Ryota is not only a stroke of random luck on her part, but emphasized as one, and this just does not make sense for a character within said narrative to have never once been characterized as having any level of luck or fortune prior. This is especially glaring in a world that has established luck mechanics via characters like Makoto, Nagito, and Celeste. Junko just isn't a character meant to have luck like this, and never has any sort of moments or accomplishments stemming from luck before or after this outright.

When Junko and Ryota meet, it's because they walk past each other going in and out of the infirmary, and Junko, for no visible reason, decides to start talking to him right then and there. She starts squealing and hugging him, jumping up and down, and says this upon Mukuro's asking why: "I don't know, but... this is what I'm telling myself: This is yet another... fateful encounter!"

There's no rationale to this. There just isn't. It's not her SHSL Analyst talent having picked up on him over time, or her recognizing him via someone else, or anything of the sort. It's totally unjustified random chance for the convenience of the plot, and that's what makes this introduction so weak.

Really, the issue of Ryota's involvement falls more in their introduction than his actual function in the anime. Considering his characterization and the connections Ryota had prior to this, it would've made infinitely more sense if Junko had met Mikan first while in the infirmary, and buttered her up enough for Mikan to introduce the two of them. Knowing Mikan, it wouldn't have taken much, and would've made more sense for Ryota to be so willing to share a part of his life's work while still incomplete if he was introduced to Junko by someone he already trusted. Regardless, that's not what happened, but I say this mostly because I want to affirm that with Junko and Ryota's connection, it's the introduction that doesn't make sense, not what follows.

That said, once the awkwardness of how they meet is out of the way, what follows is fairly reasonable. She asks about his talent, purposefully mocks his interests to trick him into showing off, and then takes advantage of what she learns about him, which just so happens to be brainwashing techniques that she'd already be somewhat familiar with thanks to Yasuke.

Once they're acquainted, Junko uses her knowledge of the school and what she's stolen from the kidnapped trustees to set up Ryota underground where she can keep him under control, and so he can't mistakenly squeal about what she's setting up. She uses his passion against him to bastardize it into what she needs and manipulates him into walking into his own cell by doing so. It's not her most genius move of all time, and it's not a difficult one to understand either, but it's one that works.

What matters most to understand, though, is that she doesn't seem to develop any sort of affection for him in the way that she did for Mikan. When he finally uncovers what she's doing, Junko gives him a simple sales pitch, and threatens him indirectly with Mikan's friends.

By now, she knows damn well that he's met a grand total of two of his classmates, one of which just tried to sexually assault him mere moments prior, so this doesn't seem like the most effective tactic she could've used. But Ryota is a sensitive person. A victim of bullying growing up, the whole point of his brainwashing animations was to make people more empathetic subliminally. So to force him to help her, Junko is able to target this empathy by targeting Mikan over Ryota himself. Her abuse of Mikan is painful for Ryota to look at, and he wrongfully puts all the blame for the way Mikan acts solely on Junko because he doesn't know any better. And Junko lets him, because it's convenient for her to manipulate.

"As you have inferred, the mutual killing video you watched is the reason Tsumiki ended up this way. However, in order to reach my objective, this is insufficient. My lack of brainwashing ability is the cause." -Junko Enoshima, DR3

As we know, Junko is an unreliable narrator. She can and has lied to people's faces for the sake of manipulating them, telling half-truths and intentionally warping the truth to shift her victims' perspective in a way that she wants. We never see Mikan's fall, only cutting from her first meeting Junko to her already being in love with her, and as we've established, not only was Mikan already pretty fucked up prior to meeting Junko, but she doesn't exhibit the symptoms of a complete brainwashing at this point. She still has her mental faculties about her. So logically, that means she's doing the same here. Yes, Mikan watched the prototype video, and yes, it was insufficient. Hence why we as an audience can understand with our meta-context that Mikan still has her mental faculties intact. Ryota, on the other hand, doesn't have that benefit, so when Junko says this, the implication is that Junko took the meek, shy, kind version of Mikan that Ryota knew and twisted her into an evil, hypnotized slave of Junko's. It's an intentionally warped perception of the truth that Junko uses to her advantage, to the point where she flat-out says she can't brainwash at this point and brainwashing is still commonly attributed as the sole reason for Mikan's behavior in this scene.

Ryota cares about the few friends he does have, taking Mikan's and the SHSL Imposter's requests to take care of himself by resting and going to the infirmary even when he doesn't want to to ease their worries. So of course, when faced with the idea that he could prevent Mikan's loved ones from getting hurt, even though he doesn't know the vast majority of them, he caves regardless. It doesn't have to affect him. The people around him are important enough for this threat to work anyways. They're not his precious classmates, but they are the Imposter's; they are Mikan's. And Ryota is a very weak man. So he complies.

Later, when he escapes, she hunts him down to thank him for his help, and then allows him to run away, letting him believe that he's the reason why class 77 were the ones to be brainwashed.

"The video I had you help me with. The complete version of that. I'll have your whole class watch it now!"

The 'video' that Junko has them watch is a live recording of Chiaki's death maze. Meanwhile, the Despair video that the Reserve Course goes on to watch after the riots, and that Chisa Yukizome is subjected to, are different videos entirely, forcefully reprogramming them and removing their hope outright. Since Ryota's an animator, we can ascertain he's responsible for the one the Reserve Course watches, with an animated Monokuma. In other words, Junko does not, in fact, have his class watch the video he helped her make. She's lying to him to send him further into Despair.

"Imagine it... Because of you, all your classmates will fall into a deep, deep Despair. They'll become people who think of nothing but plunging this world into Despair, the Super High-School Level Despairs!"

It's a bold-faced lie, and one that Ryota has no knowledge with which to contradict it. Because he's a coward, and because Junko's already messed with his head so much, he runs and hides rather than face what he's done. She even leaves him with parting words of responsibility, twisting what happened with sarcasm so he'll always blame himself for her actions.

Ryota is by no means a perfect victim, but that doesn't change the fact that he is one. He was manipulated, and when he found out he was manipulated, he was threatened, albeit indirectly. But Junko was always planning to send Hope's Peak and the world into Despair. His video made it easier for her, but he is not and never was responsible for her actions. And by making him carry the guilt of her choices, she leaves him in a state of pathetic, guilty Despair akin to a genuine 'thank you' from her.

Part 15- AI Junko

AI Junko(or Kaijunko, as I like to refer to her as) appears as the reincarnation of Junko, created by Chihiro's AI technology and forming a Despair virus to infect the Neo World Program. She doesn't allow the Hope Restoration Program to follow through, instead taking Usami's teacher role and manipulating the world to be a Despair Restoration Program. The motives she uses are extremely personal and targeted, hyperfocusing in on specific members of the class each time to ensure a murder happens the way she needs it to.

Something that's important to remember, though, is that Kaijunko IS NOT Junko. She's an artificial recreation of the real Junko intended to continue programming Despair into the world after she'd inevitably passed. And as such, she isn't a 1:1 replica, and there are key differences between the two in the same way Alter Ego is different from Chihiro and Observer Chiaki is different from the human Chiaki.

The reason Junko fell into SHSL Despair was because her intellect combined with human need for stimuli left her with such a deep depression and boredom that pain and suffering were the only ways to make her feel alive. But as an AI program, Kaijunko isn't burdened by that same need. She's programmed to have the same goal of spreading Despair, but she doesn't have a personal, insatiable need for Despair in the way that Junko did. And this leads her to have a different endgoal for the final trial than what the real Junko might have chosen.

Kaijunko observes and learns from Izuru Kamukura and the RoD, as well as the Towa City residents, in the same way Alter Ego learned from class 78. The brainwashing video forcefully reprogrammed them, yes, but ultimately, they still loved each other as friends and classmates, even if Chiaki wasn't there with them, and it's that dedication to each other that Kaijunko learns about. It's why those connections are the ones tested within the SDR2 killing game; Kaijunko, who actually came into contact with the RoD personally and was toted around by Kamukura, would know what to use to create a killing game that would leave the most desperate group of survivors at the end to follow through on Junko's plans to reconstruct them all into her.

However, because Kaijunko isn't constricted to the same need to destroy herself, she can afford to bend the plan around impulsively in the way Junko herself had in the past, but in a way that'd align with the original Junko's goals to harm others around her without needing to harm herself anymore. Thus, in the final trial, she doesn't push those desperate survivors to want to escape. Instead, she uses her knowledge gathered to make them want to stay in the world Makoto provided to them, where none of them have to face the consequences of the RoD's actions, Kaijunko included.

One of the ongoing themes across the board for SDR2 is how artificial everything about it is. The island is artificial. Chiaki is artificial. Hajime is an artificial hope. The RoD are artificial Despairs. Similarly, Kaijunko is an artificial Junko. She goes through those same motions as the original Junko, but she is not, cannot be Junko. She can only mimic, never be, and so she tries to escape altogether by resetting the game to a state where the RoD live an escapist dream, and she's locked in the game with 'her' classmates forever. But despite this, because she's mimicked Despair, she's become part of it, and Hajime and the others do the one thing Junko can't ever succeed in doing: they choose themselves, and she disappears without a chance of hope, just like Ryoko before her. Hajime and class 77 forge a new future, and Kaijunko dies trapped in the shadows of the past.

8.6.1- Hajime Hinata

If the battle between Makoto and Junko in THH is a battle of ideologies- hope and Despair- then the battle between Hajime and Junko is a battle of wills. This is the battle between self-love and self-hatred, and both Hajime and Junko are faced with their opposite, only to reject it in favor of what they want for themselves most.

Hajime's main character arc is one of self-discovery. When we meet him, he's been stripped of everything that's made him himself, having a gap in his memory that has his identity within it. This is a direct parallel to Ryoko Otonashi's lack of memory, having no identity or memories of the past with which to identify herself. She has only the words others tell her. But in the case of Hajime, it's revealed that the supposed gap is virtually nonexistent. He has no special talent or ability that differentiates him from the rest. He's a blank slate- empty, one might say. And this is quite similar to Ryoko. In a similar way, Izuru and Junko are both burdened by the weight of their talents. In the case of Izuru, he was operated on to remove all emotions and thoughts to be a symbol for Hope's Peak, while Junko's Analyst talent left her burdened with the inability to enjoy anything.

There are also similarities to Izuru and Ryoko, having both had their minds operated on to remove all memories of their true identity and become someone new, while Hajime and Junko both feel a heavy burden of who they are and feel as if that makes it impossible for them to enjoy their lives as they are. This parallel is exactly why Hajime's choice to live, and choosing to live in the face of retreating into the NWP, is so impactful, especially when faced with the shadow of Junko Enoshima.

Junko never chose herself. She never could choose herself, and when given the opportunity to, she rejected it entirely, too addicted to the cycle of self-destruction she'd created for herself. She felt as though Despair was the only answer for her, so she could never stop searching for it, even from beyond the grave. That not just she should feel it, but everyone should. Everyone needed to know the way she felt. And she used anything and anyone at her disposal to make sure the world burned, because she wanted to feel, and what was the point of such a world pretending not to feel Despair anyways?

Hajime chose himself. It wasn't for anyone but himself. When looking in the face of what he'd turned himself into for hope, he was able to come to the conclusion inverse to what Junko did- that he didn't need to change for the sake of anyone else. It didn't matter that he wasn't SHSL like the people he admired, so long as he lived for himself. Meanwhile, when Junko reverted back to herself, it was like dragging herself back into a cage, being burdened by the same kind of talent that Hajime never needed. A talent she never asked for was the source of her undoing, while Hajime's lack thereof almost killed him in the pursuit of one.

The dichotomy of the talented vs the talentless is one that can be felt extremely strongly between dr0, sdr2, and dr3, but especially when in regards to the divide between these two characters, as it again circles back to the damage the hierarchy they find themselves in creates. Junko is a heralded SHSL Analyst and Gyaru, dubbed by Japan as superior and handed the influence that makes it so much easier for her to poke holes in the system until it collapses. Even when all the evidence is placed on her, she's the SHSL Analyst, and can convince HPA to keep quiet for her. They cover up her crimes, and when they can't anymore, she's part of the 'chosen' that receive protection from the government while the Reserve Course and their families are never mentioned again. Hajime has nothing, is considered nothing, is even beaten and told to 'take to the leash and collar already' to keep him complacent. His choice to become Kamukura is weighted by the pressures of the system he's trapped within, holding him not only to his desire to be considered important, but to be equal, not to mention the debt he's placed in just for the right to participate in said hierarchy. Those treated like nothing are downtrodden to accept the system and uphold it, and those with power can do whatever they want and the system will protect them.

In a lot of ways, Hajime and Junko are more similar to each other than any other two characters in the franchise, all the way down to the sacrifice of the ones they closest around them sending them on their final path- Junko with Mukuro, and Hajime with Nagito. And in mirroring this, Nagito eventually returns, while Mukuro never can.

Mukuro and Junko are twins, and work to attain the same goal, but they're still very different people. Junko is absolutely fucked up, and Mukuro follows her out of a twisted need to be by her side, even when it leads to her eventual death. Hajime and Nagito are repeatedly called out as similar, both needing the other to get through the trials and survive and being forced to come to an understanding, but still retaining their individuality and separate beliefs. When Mukuro dies, it's directly because of her loyalty to Junko, even at the cost of herself, and Junko's betraying her resulted in both their deaths. Nagito died because of his loyalty to hope, even at the cost of himself, and Hajime's trust in him was what allowed him to survive and eventually bring Nagito back. Where Mukuro was metaphorically absorbed into Junko and forgotten, Nagito's individuality was what became critical to Hajime.

15.1- Shirokuma & Kurokuma

This part will remain brief. Shirokuma and Kurokuma are the AIs found in an all-white and all-black bear in UDG, each positioned on one side of the Towa City genocide and perpetuating the war by manipulating the Towa siblings.

Shirokuma is the 'good' one, and is positioned with the adult survivors. He's the one responsible for creating the underground safe house, and is Haiji's right-hand. Even when making it appear as though he wants peace first and foremost, he goes on to pilot Big Bang Monokuma and stands with Haiji, playing him and Komaru to escalate things.

Kurokuma is the 'bad' one, and is the one who gave Monaca the plan to create a Successor in the first place. He's a chatterbox that's an advisor to the WoH, presumably left behind by Junko or created by Monaca, and pushes the kids into their murder games by standing with Monaca.

Near the end of the game, Kurokuma reveals that Shirokuma is his little brother, and later in the epilogue, we learn that they were actually not distinct AIs, but rather, the same AI Junko as in SDR2 that was working both sides to destroy Towa City. Them taking the form of siblings mirrors that Junko herself was a twin, and isn't truly complete if she doesn't have her sibling still present.

Part 16- Big Sis Junko (UDG)

Following SDR2, UDG returned a master-manipulator Junko to the scene via the Warriors of Hope. Though AI Junko is present and perpetuating the war through her manipulation of the Towas, Junko herself is all but gone, survived only through the kids' memory of her, and what they have to say is extremely telling to the capability Junko really had to push people further towards her Despair.

Her role as 'Big Sis Junko' came when she prevented them from killing themselves, though how she knew to be there at the right time is unknown. We can assume she'd been keeping eyes on Monaca already and, through her Analyst talent, figured out when the right time to be to show up.

From there, they became the Warriors of Hope, not missed by their parents that hated them or worried for by the world, and Junko was free to mold them however she liked. She did this by teaching them to lash out at the people responsible for their suffering- not just their parents and abusers, but any and all adults. She was a teenage girl who'd taken pity on them, as far as most of them saw, and so they trusted her as the first and only person besides each other to show them kindness. They became ideological, lumping all adults within the same box of 'demon' because they were given no other comparison, and they did it for Junko.

"As far as I remember, the first adult we defeated was a random person we didn't even know. .... From there, we leveled ourselves up by killing Demons. Big Sis Junko was so pleased..." -Nagisa Shingetsu, UDG chapter 4

They came to rely on her as their one true savior, and even those of them who knew they were being manipulated didn't care, if only it meant they weren't the ones being beaten anymore.

"At least, at the time I thought it was a miracle. But later I learned it was inevitable. She came into my life just to take advantage of me." -Monaca Towa, UDG chapter 5

"'You guys... were completely deceived by Junko Enoshima.' 'And what's wrong with that? Did I not tell you that we are her possessions? We would rather her take advantage of us than horrible adults.' 'Sounds like it's too late.' 'Say what you like. Big Sis Junko... gave us hope. That's the truth.'" -Toko Fukawa & Nagisa Shingetsu, UDG chapter 4

And when she died, she was martyred, a victim of the cowards who'd believe in the adults and Hope's Peak. By dying, she completed her manipulation of them, ensuring in her absence, they would only remember the kindness she offered them. Anyone who said otherwise must be a demon.

"No matter how much you hate us, no matter how much we're shunned, we're definitely not wrong. That's the real truth, because Big Sis Junko said so. .... Those adults who took her away from us and said that she was the bad one! They're the filthy ones; they're the ugly ones, the disgusting ones!!!" -Jataro Kemuri, UDG chapter 2

This manipulation and creation of the WoH stemmed from a practical source, as we learn in the game. By Monaca's own admission, Junko only ever cared about getting access to Towa City tech for her Monokumas and for spreading Despair wide-scale. Having highly talented and abused kids to carry out her will when she was gone was just a very welcome bonus; having the youth primed to continue spreading Despair when she was gone would create a legacy, and her ghost would continue to haunt those with hope for at least another generation. Enter Monaca Towa.

8.8- Monaca Towa & the WoH (CW: Mentions of Incest & Pedophilia)

Monaca is differentiated from the rest of the Warriors of Hope almost immediately as being more aware of what the fuck is going on than her friends. She's the L'il Ultimate/SESL Homeroom that loves hearing everyone else talk about their thoughts and feelings, she's the one who invented the Captives game, and she has swastikas in her eyes, because Nazi symbolism was the only way we could convey she's a dictator I guess. As the game goes on, we see that her relationship with Junko is different from the rest of the class- a bit more substantial. She has much more knowledge of Junko's desire for Despair and knows the real reason Junko sought them out in the first place. She uses her friends' idolization of her to trick them into helping her make a new generation Junko to carry her memory. She also has a hidden bedroom full of photos of Junko, and one in particular stands out among the rest.

Junko and Monaca, all by themselves, posing for a photo. None of the other WoH are present for this photo. It's also worth noting that Monaca's in her WoH outfit, even though in every other flashback or cutaway to the past before Junko's death, they were all in their Hope's Peak Elementary uniforms. If it weren't already obvious, these two were spending more time together than with the rest of the WoH. This is primarily because of the explanation we've already been given- Junko needed tech, Monaca was the one that had it. Of course extra work was gonna be put into her, and if she felt special in comparison, she'd become more like Junko.

Both Monaca and Junko are a younger sister, and their older siblings are established as pretty creepy in their own ways. Mukuro is incestuous and lusts after Junko whenever they're together, or even just when thinking about her. Haiji, meanwhile, is a pedophile, mentioning he likes girls younger, "as young as I can get 'em." I don't have to explain why the knowledge he has an extremely younger half-sister he expressly doesn't think counts as family is a bloodcurdling realization given this information. While they seem to have very different levels of connection with their siblings, this is a pretty distinct commonality to give both masterminds, especially when one is meant to immediately succeed the other. Both girls are also considered the "genius" of their families, while their older siblings use more brute strength.

Monaca is a character built upon the mimicry of Junko. We know this because we pay attention to the game, but also because if we look at the concept art and beta forms of the Successor, we can see without question that creating a "New Junko" was always going to be a major part of UDG, as not one, but two unused Successor characters were considered before Monaca eventually became who she is today as the mastermind and true Successor.

Monaca throughout UDG undergoes a similar behavior to Junko in the way that she treats the WoH, but it's in a way the fundamentally misunderstands why Junko acts the way she does. Monaca is a child, and idolizes Junko, but that doesn't mean she actually understands her, even if she got much closer than her friends.

Monaca manipulates and discards the other WoH one by one, making herself the center of their movement and letting them believe they have control over what they're doing. She motivates them with a Paradise that'll never exist, similar to how Junko motivated the reserve course to stand up against Hope's Peak, and they take over Towa City. Whenever a WoH disappears, she decides whether or not they're mourned, but it appears as though she doesn't care and never did. She quickly forgets Masaru's name, barely bothers with Jataro, and later in her backstory monologue, proudly claims that when Junko met them, she was planning to let her only friends all kill themselves as a prank and not jump herself. She takes all the steps possible to Not Care about these people, similar to how Junko seemed not to care about the people she loved.

If Monaca spent enough time around Junko to observe and pick up this pattern, it likely means she also saw how little Junko actually cared for herself and her friends. This would explain why she starts acting as though she doesn't care at all for her only friends in the world and discarding them, wanting to emulate Junko, her idol. It also means she knew Junko didn't care about her, but her talents, and just didn't care because it was Junko. Again, this is a mentality not just held by her within the WoH, but because she was given a peek behind the curtain, she filled in the blanks in her head and let herself continue to be manipulated by Kurokuma, all in the hopes that Junko could return and manipulate her again. She needed a Successor, someone to fill that sisterly void again. And in that desperate desire, she inadvertently set herself up to someday become the SESL Despair.

Nagito's intervention is directly stated as the reason why she ends up abandoning this role as SESL Despair and fucking off to space as SESL Apathy instead, shrugging it off as 'not wanting to end up like he did'. This appears to be a deviation from what was originally intended for her, as not only was this wrapped up in a singular episode of an anime not actually about her, but the teaser images for a UDG 2 in UDG's credits ultimately ended up unused, and V3 totes a teaser of a canceled UDG 2.

Part 17- Junko's Apocalyptic Crash Course

"Right now, Hope’s Peak Academy is set up in a pyramid sort of idea that a third world country would use; it’s only really there to concentrate it’s effort on the 'super high school levels', for their benefit, and then below them are the reserve students from the preparatory school. .... The teachers here don’t really think any of the reserve students really belong here." -Yasuke Matsuda, DR 0

As we've seen repeatedly throughout the previous games and DR 0, Junko's strengths don't come from sheer force of will. She didn't take some perfect world of hope and twist it into a world of Despair by flipping some ideological switch. She's charismatic, but still human. Junko's strength comes from her ability to analyze, her high intelligence, and her charisma combining to create a master manipulator. Using the skills and people at her disposal, she was able to amass a cult following, and inspire the downfall of a society that was already flawed by attacking the weak points that were already present. Ergo, Junko's SHSL Analyst talent led her to not only infiltrate the school, but also to find the flaws within it and the lies it covered up by taking advantage of the Kamukura project wearing the school thin.

She may have been the face of the Despair movement, but she wasn't a singularity. She had a small group of people she trusted with a certain amount of information, and who had skills that would become beneficial to her. Mukuro is the obvious right-hand, as previously discussed, and perhaps the only one she legitimately believed to be an equal, but there was also Yasuke, Izuru, Ryota, Mikan, and Monaca, all of whom she attached herself too and all of whom had an extremely useful talent or title that was immediately beneficial to her cause. These people were able to directly carry out her desired acts of Despair and work alongside her, reporting back to her to ensure things were running smoothly. These were people who were needed directly as they were, and who were most useful when they believed she genuinely took interest in them, whether she actually had or not.

In a world already so flawed, with thinly veiled atrocities already taking place by people who believe in a caste system of talent, earning a downtrodden majority's trust is as simple as taking the blindfold off. Manipulating the people she'd attached herself to let her reveal key information at her leisure and drive the school and its inhabitants to Despair without them noticing or knowing to take action until it was too late to stop it. Something manmade, that turned into a disease and spread across the world, infesting it with the Tragedy and burning the oh-so-predictable world to the ground, all while standing as the eye of the storm- that was the power of the SHSL Despair that Junko worshipped, and she became its spokesperson, sending the world into a spiral.

Part 18- Junko's Legacy (Death of the Human, Birth of the God)

Everyone that loves Junko, misunderstands Junko. This is a fact that we see more than once. Mukuro obsesses, not loves. Yasuke romanticizes a childhood he can never return to. Monaca idolizes her. Mikan overtly sexualizes her. Her classmates know nothing of her self-destructive nature. Junko knew this and Despaired every time. But this fundamental misunderstanding of who Junko is didn't just exist in the game. In real life, Junko Enoshima became an iconic villain, the teenage girl that burned the world, the Ultimate Despair. She was insanely popular, and still is. And the more popular a character gets, the more susceptible they become to misinterpretations, fanon, oversimplification, etc.

In becoming such a well-known figure, Junko Enoshima the person got lost in translation. There was now Junko Enoshima, the mascot, the figurehead. This isn't a phenomenon exclusive to Junko, of course, but as the titular villain of the series until this point, how could the series continue without her? To this very day, people can't agree on who Junko was or who she actually cared about or if she ever even cared for anyone at all. And when NDRV3 was made, it took advantage of this to tell its own story, utilizing Junko Enoshima specifically to demonstrate flanderization of characters within its lore.

Junko Enoshima is not a real person. She's a fictional character. All her motivations, her thoughts and feelings, are fabricated stories and vague implications from the writing of real people. And in V3, that 'real person' is Tsumugi Shirogane, one of many cogs in the machine of Team Danganronpa, who dresses up as Junko and uses her face to become 'Junko Enoshima the 53rd'. Junko has been used and reused over and over and over, to the point where the original vision has been muddied beyond belief. What she was at the beginning, way back in THH, no longer exists. She's now a silly mascot, a familiar face that fans can point at and dress as and draw fanart of, and a face that Team DR can profit off of. Tsumugi's portrayal is laughably inaccurate to the original Junko. It's a costume, nothing more, and the dialogue she gives when 'in-character' is simplistic and insignificant. All its weight comes not from the meaning, but from the reference for reference's sake.

Junko's appearance in V3, like many other moving parts of V3, reference real-world fandom culture. It's appealing to both the in-universe fandom and the real one, bringing back character sprites and voice actors and poking fun at its own ridiculousness because none of it is real, none of it ever was. It was because Junko was fiction that she could do everything she ever did. Her Despair has meaning, but that doesn't mean she felt the feelings we're told she did, because she never existed to feel them. And that's the thing that lets her forever remain an enigma; she is Danganronpa's villain, and to become immortalized in Despair, she deconstructed into nothing but the word Despair, a fate that is in and of itself Despairful.

8.9- Tsumugi Shirogane

Tsumugi Shirogane is the mastermind of V3, and believes wholeheartedly in Junko Enoshima as the true villain of Danganronpa. Tsumugi is built as the fandom insert of DR, being immersed in fandom culture in every conceivable way- winking at the camera, making references to other fandoms, the love and joy of making cosplay- but also the less palatable parts of major fandoms, like her purist views of cosplay, her usage of incest as both a serious plot point and as a gag, and even does blackface when cosplaying as the dark-skinned DR characters of dr1 and 2. She's also the in-universe producer of the season. Therefore, Tsumugi also represents content creators, and how even the creator themselves can lose the plot of the character in their attempts to create what they perceive to be a compelling story.

As Tsumugi is explaining her story and why she tied it back into the Hope's Peak era, she pretty openly admits that a) she sees it as a perfect reproduction and b) a necessary writing choice in order to make it interesting. Both are false, as not only is V3's continuity in a separate world from the Hope's Peak era, but her presentation of Junko and the voice lines aren't displayed the same way Junko had acted in previous installations.

"'So... you're just a freak pretending to be Junko Enoshima, huh!?' 'No, a perfect reproduction! Perfect reproductions are exactly the same as the original.'" -Maki Harukawa & Tsumugi Shirogane, V3

She presents Junko as a singularity, the Ultimate Despair, and brazenly parades her face around as the immortal and ever-present true Despair. She's the 53rd Despair simply because her influence wouldn't allow her to fade away. She's become Despair-incarnate, but in making new games, Team DR has forgotten why Junko caused Despair in the first place. She didn't do it just to do it; she threw the world into Despair because it made her feel human to feel Despair. And yet when Tsumugi explains Junko the 53rd's plans, it's nothing but a big show, and that's exactly what a surface-level Junko looks like to the masses- a high-school girl that ended the world for fun.

Junko's games had meaning. Even when she didn't feel particularly connected to a person, like the RoD, she still brought them into Despair for a purpose. She was an analyst, and did the things she did with intention and with care. Attention to detail and careful manipulation with the face of a charismatic gyaru was her forte. But Tsumugi's so-called "perfect reproduction" is a story full of plot holes and contradictions, all caused by some need to deify Junko. In other words, as they refused to let Danganronpa go, they lost the plot, and Junko's humanity went with it in a desire to continue using her image when writing new stories. In becoming a god of Despair, her origins as a human were forgotten.

Part 19- Despair Into Tomorrow (Why We Care)

Junko Enoshima is an enigma. She is Despair incarnate, a pillar of the Danganronpa world created by her own hands, hellbent on burning herself to the ground. She's a character of poetic irony, unknown to all as anything but Despair. She was born with a perfect mind, and in trying to feel human, feel pain, feel Despair, she became permanently deified by all that she loved and all that she met, whether that was as a savior who killed a cruel world or a demon that detested hope.

At every turn, Junko's actiona are filled with malice, and yet so often that malice is directed at herself. Living in a peaceful world pains her because it leaves her bored. Anhedonia is a cruel mistress, and those who claimed to love her could never once comprehend it, because they couldn't feel the way she felt. The only thing she had that connected her in any human way to others or to herself was grief, and her entire story becomes one of self-sabotage. Despite that, though, she's not the only character burdened by anhedonia, and her self-destructive nature outstretching to the people and world around her is designed as a story of caution.

In each and every installation of Danganronpa, Junko and the other masterminds inspired by her fail because of their key difference in connections. When Makoto appeals to his classmates, they're reminded of their own desires to live and their love for each other- Hina's memory of Sakura, Syo's love of Byakuya, Kyoko's and Byakuya's love of Makoto himself. The same can be said of when Hajime chooses himself, to fight for himself, and is inspired to do so by Chiaki. Every other survivor has someone that inspired them to live for themself- Peko, Nakomaru, Gundham, the people around them. When Komaru is saved by Toko, it's because she took the time to connect with her and with Syo, and that love saved her from destruction. When Munakata gave up hunting Makoto, it was because of his love for Chisa. And when Shuichi declared he wouldn't vote, it was so that Maki and Keebo wouldn't be forced into sacrifice of a system that would hurt them over and over again.

Junko had connections. Junko had people she loved. Junko had another half. But she burned them one by one, until there was nothing left but her, and then she burned that too. She's a villain even to herself, and she knows it. She feels Despair upon Despair and even then can't regret it, because she wouldn't let anything else touch her heart besides it. It's an inherently self-fulfilling prophecy to only feel Despair, because in order for that Despair to exist, she must have felt love first. But she doesn't acknowledge her love and her vulnerabilities because she believes those fall under her 'factory settings'. Comfort is boring; safety is boring, and boredom was her enemy, an enemy second only to herself.

Junko's actions stem from a deeply embedded self-hatred. She was too smart and too comfortable, and so her boredom became everything she was. She believed the lie she told herself, that pain and grief and Despair was the only answer. Don't be like Junko. Don't believe the lies you tell yourself. Even in an unjust world, you can try to make things better without making them worse. Feel your Despair and let it go. It is okay to let it go. You are still human, no matter what image the people around you have, and to be seen, you must first be vulnerable.

Afterword

JESUS FUCKING CHRIST IT'S BEEN OVER 5 MONTHS. I made jokes and gags about 'getting this out before 2025' but I didn't think that would actually end up as my deadline. Holy fuck.

Junko's analysis is by far the beefiest I've done so far, and very well could remain the biggest one in this entire series of analyses (I think Kyoko, Makoto, and mayyybe Chiaki or Hajime might get close, but otherwise? Those are def gonna be the big 5 though) But hey, that's what being the mastermind of the franchise gets you. In retrospect, Junko probably should've been the grand finale, not part 5/17 of this series' part 1, but whatever. I'll save that grand finale for Kyoko instead

This will probably be the most controversial analysis I put out, alongside the eventual Mukuro one. I know people are, uh, divided on their relationship, but I did my best to stay objective and look at it from an unbiased viewpoint for what they offer narratively and its effectiveness. And I hope people are able to see that. Just in case, though, I'm gonna have anons off for a bit until whatever circulation this post gets dies down lol

Honestly, my perception of Junko has changed so much over the course of these past several months. It's not like I didn't like her before, but she's morphed into one of my favorite villains in all of media after this. This girl just cannot fucking die, no matter how much she wants to, and I think there's something so deeply compelling about a villain that wants nothing more than to self-destruct and burn the world with them, especially if you've fallen into a depressive state like the one she's in before

Good news, though! The next analysis set is Hifumi's, which means it won't take nearly as long as this whopper of a tumblr post! I'm actually very eager to deconstruct him, so hopefully we can go back to the summer days where I was able to crank out an analysis after 2 weeks. Please, god, can we go back to the summer days where I cranked out an analysis after 2 weeks

Catch ya later! :P

[cpvnksabm]

Things I Think RTC Did Well In Disability Rep (in 2016-2018 scripts)

exactly what it says in the title. i'm not touching on the pre-2016 scripts because i dont know enough about them and i'm not talking about the 2022 script changes for obvious reasons.

disclaimer, this is all my own opinion as one disabled person, other people may feel differently and that's fine.

Ricky's disability in general

Ricky is a young person who uses mobility aids. He can't talk, implicitly due to dysarthria. He has a degenerative disease, specifically a rare disease which is heavily implied to be neuromuscular. And it's stated outright that his disease is lifespan-limiting and that he's dealt with his own mortality in life.

And all of these things are very underrepresented!

I'm not going to claim that all of these things were explained perfectly or explored in detail in the canon. But just having them on-stage, in my opinion, is a big deal in itself. And it's also a big deal that Ricky is a main character, who has the same character depth as the abled characters, when so many characters like him are reduced to ableist props for other characters' story arcs.

I understand there's been some confusion about the specifics of ricky's disability, in the fandom. And I know part of the confusion comes from the fact that the script didn't explain everything, and glossed over most of the details. But honestly? The fact that so many RTC fans didn't initially understand parts of his disability - such as the fact that it's likely neuromuscular, or the fact that his inability to speak is implied to have a physical cause - just makes it more important that these things were represented on-stage in the first place. They're so underrepresented, little-known, and poorly-understood that many people don't pick up on them even when they are represented!

Just showing these underrepresented disabled experiences on-stage has potential to help a lot of disabled people feel seen, which matters.

Ricky as a victim of ableism

Okay, this one might be controversial, but i'm speaking from the heart here.

Ableism is a huge part of Ricky's backstory and character - the whole Zolar thing is stated to be a coping method to deal with isolation & cruelty. Throughout the musical Ocean infantilizes him in dialogue, and in her song she argues point-blank that he has no reason to be alive due to his disability. The rest of the choir aren't perfect either - sure, nobody else says anything ableist, but they're all bystanders to Ocean's overt ableism, nobody really holds her accountable or acknowledges that what she's saying is fucked up. On top of that, Ricky says after his song that nobody listened to him while he was alive which, combined with the whole choir being shocked upon learning about his deeper thoughts, pretty clearly implies that they all ignored him previously.

And it's so fucking realistic.

Look. I'm not saying that Ocean's ableism was ever handled perfectly in canon. I am saying that when I saw a post-2022 production with the able-bodied Ricky script, I got a sinking feeling in my gut when we got to *that* part of WTWN and I realized the ableist lines had been removed/replaced. Because facing ableism is a huge part of my disabled experience that I barely ever see even acknowledged in media, let alone represented accurately, and the more I face ableism in real life the more I feel I can relate to Ricky, and that is so important to me.

Depicting bigotry in fiction is always difficult to do right - it's a rough balance between "this is not okay and we should not imply that it is" and "many people believe this is okay, wrongly, and that needs to be shown accurately". Sure, you can make it so the antagonist character is overtly ableist and every sympathetic character explicitly says "I do not agree with your ableist views!" and that way it's 100% clear that the ableist actions are wrong. But real ableism isn't just like that. Sometimes real-world ableism is a group of perfectly nice people who just never think about the disabled kid, or how he's doing or whether someone should talk to him, because they've been taught to ignore him. And sometimes it's a girl who swears to God that she's a good person, who considers herself an ally, whose voice stays sweet and kind as she switches between talking to her disabled classmate like he's 5 years old and claiming he doesn't deserve to live.

I think the brutal honesty of ableism in RTC is important. Yeah, it's pretty fucked-up when you think about it - Ocean openly sings about why Ricky shouldn't live, every ableist character is presented sympathetically, nobody is ever actually held accountable for ableism on-stage - and that's just like real life. I'd like to think that it could act as a wake-up call to some abled fans, who are similar to Ocean (+ others) and who could learn to understand the flaws in their worldview when they realize you're not supposed to agree with what she says in WTWN. But even more importantly than that... it makes me feel seen, in a way that I couldn't feel if Ricky's experiences with ableism weren't shown so realistically.

SABM, like, all of it

Do I even need to explain this? Disabled person has a whole furry-themed musical number. That's cool as fuck. God I wish that were me.

Okay, seriously. I think SABM is wonderful and important for a number of reasons. Like all of the character songs, it's important for expanding Ricky's character - not only is it a main glimpse into his interests, but it sets up for us to learn more about his personality and the selflessness that would later lead to the touching Savannah scene. It shows us his deep internal thoughts - it confirms that he has deep internal thoughts - and explains how he's been coping with the ableism he faces.

SABM is weird. I like that. I like that Ricky gets to have weird interests and a weird self-insert fantasy, while being disabled - I like that being disabled isn't treated as his "weird" trait, such that giving him weird interests as well would be "too much". Because that happens a lot! Disabled people are expected to be completely average in every other way to "make up" for our disability. And, yeah, SABM is kind of horny - and that makes sense! Ricky is a teenager, he's in his final year of high school, most people his age do have sexual fantasies. Other characters also reference sex in various ways so it makes sense that Ricky would. And I think it makes sense for SABM to be weird because part of Ricky's backstory is being ignored and isolated due to his disability - that's the sort of thing that, long-term, can leave people without a clear reference point for 'weird' and 'normal', or just leave them having no reason to care about being 'weird' because they're ignored anyway.

But also, if I may get analytical for a moment. Throughout the musical until SABM, Ricky faces a lot of ableism from Ocean, which isn't really commented on - she infantilizes him, both by assuming he's incapable of deeper thought/understanding and by being shocked at the idea that he might talk about porn or sex, and she also argues that he doesn't have a reason to live with his disability. Ocean is a flawed character and an unreliable narrator, but for the first half of the musical, you could be forgiven for thinking maybe you're supposed to agree with her and view Ricky as some pitiable child.

And then in comes Ricky's introduction, followed by SABM. And clearly Ricky isn't mentally a child, in any way - he's developed a whole complex story with deep worldbuilding so that he can imagine himself having sex with alien catgirls. But it also makes it clear that Ricky does have valuable ideas to contribute and, heck, just things he enjoys - which feels significant to me when a few songs ago it was being argued that there's no reason he should be alive.

As I said earlier, the ableism Ricky faces is extremely realistic and relatable to me. And SABM makes it clear that Ocean's ableist views about him are untrue and harmful, without breaking the realism for her to turn directly to the audience and say "By the way, you aren't supposed to agree with most of what I say about Ricky - I'm an unreliable narrator speaking due to my own biases!"

Basically - SABM is a subtle deconstruction of all the ableist things said to/about Ricky throughout the musical. It's an incredibly important part of the musical and an important way to represent a disabled character. And it's also a fucking bop.

Why this is important

Representation matters. That's a concept that has been explained a lot, by people who can articulate it better than I can - I won't fully explain here, just google "why does representation matter".

Look - over the years, many aspects of RTC's disability rep have been criticised in various ways. And a lot of that criticism is completely justified. Many topics were handled confusingly, not fully explained, and not properly explored like they could have been; erasure was pretty much baked into the script, with Ricky becoming able-bodied in the afterlife, and while some productions have tried to alleviate this by retaining his mobility aids nobody has found a workaround for his inability to speak in a genre where it's important for him to sing; and in recent years his disability has been entirely erased from the script, in an incredibly ableist way.

I'm not saying RTC is perfect; far from it. But if I thought there was no value in RTC's disability rep, and Ricky was just some offensive caricature, I wouldn't be in the fandom.

In fact, it's because I love Ricky and see him as valuable disability rep that I think it's important to criticise the parts of the musical that aren't handled well & the issues with disability erasure. RTC had good disability rep - that's why I think it should be improved, why it can be improved, and why i think we should fight against erasure. That's a big part of why I hate the 2022 script changes! Because they erased something that was important to me!

A lot of the things I loved about RTC in the first place are things that I frequently see glossed over, or downright erased, in fanworks. I think sometimes people don't realize the significance of these details, so I wanted to share why I think it's important! Some of these details really need more exploration and more love!

Overall, I think it's important to understand that media can't always be sorted neatly into "good representation" or "bad representation". And that talking about the good things and criticising the flaws can both be important. I really wanted to share my perspective on this topic. Thanks for reading!

[sloanesallow]

Sebastian Sallow Headcanons

So I've seen some of my moots do one of these and decided it was my turn, even if nobody asked. 🤣

These are all ideas that are present in stories I’ve already published, or ones that are forthcoming in Void. A lot of this is word-vomit LOL. I’ve credited anyone that I’ve been inspired by, but otherwise, similar head-canons to other creators are coincidental.

Disclaimer: My opinions are mine. They might also be yours! They might also be somebody else’s. Or not. That’s the fun thing about fandom. We can all have our own thoughts! Disagree? Cool! Just don’t be mean about it. :)

Sebastian is left-handed.

Actually, ambidextrous. So while it’s probably an error in-game, if you take Sebastian with you to Hogsmeade, in the Three-Broomsticks he stands up to defend you with his wand in his left hand. I’ve just decided to run with it and think his left is more dominant than his right, but he can use both.

Sebastian is on the spectrum.

Because I am on the spectrum, it’s hard not to write this nerdy little boy as somebody who obsesses over data and information. Sebastian is a numbers guy. Counts stuff in his head; keeps lists. Obsessive about his note-taking and will throw away a page if he thinks his penmanship isn’t perfect enough. I put in a previous post that he’d be the type to stare at a jar of jelly beans and know how many are inside with one glance.

Sebastian is very intelligent but oh so stupid (affectionately)

For some reason, the only comparison I can think of right now is a weird combination of Abed and Troy from Community. You know the friend that seems to always be in weird, preventable situations and says the most out-of-pocket things but will turn around and quote Shakespeare. He probably is the smartest person in the room but isn’t humble about it. Sebastian is book-smart and thinks he’s street-smart (insert John Mullaney here) but his life experience is actually quite limited. Yes, his parents died (and he may have witnessed it to some degree), but I do think he might have been sheltered in some capacity. Which brings me to my next point:

Sebastian’s feelings are intense, and sometimes misguided

Sebastian would benefit from therapy, no joke. He likely wasn’t given the space to process his parent’s death, so it’s no wonder he SPIRALS when Anne gets sick. His desperation comes from a place of fear, but his inability to cope leads to some very unfortunate circumstances. And yes, Sebastian can be deceptive and manipulative, but I don’t think he acts this way on purpose, but because he doesn’t know any better. He acts first, thinks later, and this can lead to tension in his friendships (MC/Ominis). It’s also why so many authors write him as somewhat possessive when pairing him romantically with MC (or anyone, really). I tend to write him as being disinterested in romance (too busy) until it smacks him in the face and he chases that high obsessively. However, I think it takes a long time for Sebastian to recognize what real, healthy love is.

Sebastian would never be an Auror

I’ll die on this hill. Sebastian would probably not ever want to work for the Ministry, and distrusts authority, even as he ages and matures. Regardless if you think he acted in self-defense or not, he still killed his uncle with an unforgivable. That’s scary. And dangerous. A kid knowing and practicing Dark Magic? Even if he never does it again, he wouldn’t risk his life by flaunting himself in front of the Ministry. Also, Solomon was an Auror. Now, I’ll admit I have him working with the Ministry in some capacity in my fics (curse breaker), but for the most part, he is a free agent and does what he wants (in true Sebastian fashion).

Pocket cookies

Always has some kind of snack in his pockets for emergencies. I’ve had this come up several times now in my fics (see below) and it’s a running joke. I just love the idea of him pulling out a cookie to offer somebody in their time of need.

Other little things:

Triple Scorpio??? I did this on accident when making a birthday (November 8 1873) for him and CoStar said based on my made-up birth chart he was Scorpio Sun/Moon/Ascending which according to my astrology babes, is uhhhhh insane.  

Allergic to lavender???? Don’t ask.

He's just a silly, goofy guy, okay?

[samwhump]

a (very inexhaustive, wincest-heavy) sam whump reclist

@transfemmesam asked me for Sam whump recs a few days ago, and I've had other requests in the same vein before (I can't imagine why.../s) so I thought I would throw this together, since these authors deserve all of the love and support for their contributions to our li'l fandom corner.

like I mentioned in the title, this is not at all a comprehensive list; I have at least ~200 more fics in my to-read queue that could thematically fit here, but alas, I have stupid shit like a job and a body and a dog to take care of, so. I'm always happy to get recs along these lines, so if you notice anything important missing, hit me UP. (and don't take any omissions as any specific commentary by me -- it's likely I just haven't had the chance to read it yet, haha.)

disclaimers:

some (most, honestly) of these contain potentially triggering and dark content, including but not limited to rape/noncon, torture, and suicidal attempts & ideation. I have tried to note content warnings where applicable, and most of the works are hosted on ao3, so the tags should have most of the information you need to make an informed decision. that being said, tread with caution. all of the summaries provided are from the original author, with warnings added after by me.

the list is in alphabetical order and separated into wincest and gen categories. a lot of the gen is also focused on the sam & dean relationship, because...I am what I am. and what I am a sucker for these two dipshits. there is also a brief section at the end with a few fics that don't fit into either category.

gen

All That Goes Unspoken by amnesiawife:

A case forces Sam to confront something long kept buried. (Set nebulously in season 12.)

CW: discussions of past rape/noncon, victim blaming

Beneath the Trees 'verse by Lise (5 works total, starting with Beneath the Trees, Where Nobody Sees):

Sam doesn't go to Stanford. Everything goes downhill from there.

CW: suicidal ideation

a boy is a cage by ad_castra:

After expelling Gadreel from Sam's body, Dean thinks they're in the clear. If only they were that lucky. // S9 fic wherein Gadreel's grace causes some adverse side-effects in Sam's mind.

CW: past referenced rape/noncon, body horror

body of proof by Askance (doomcountry):

There are things Sam hasn't told his brother. They're all in the envelope laid on Dean's pillow.

CW: heavy discussion of past rape/noncon

break these bones 'til they're better by redskyatmorning:

After Sam’s torture at the hands of the British Men of Letters, the latest in a long string of violations, he is rescued by Dean and Mary – and forced to ponder his broken relationship with his own body. Months later, when Sam is resurrected and tormented by Lucifer yet again, Dean confronts Mary and Sam gets his revenge against the devil.

catching my death (staring out an open window) by ad_castra:

Sam gazes at the window, catches the faint pink hue tinting the sky. It’s so realistic - he could breathe in the fresh air if he were really here. ----- They got Sam out. Sometimes, just knowing that isn't enough.

CW: implied past rape/noncon

Death of Convenience by WilsonTheMoose:

It should have been easy. Wendigos are no joke but daylight slows them. The weather's been unpredictable though and perfect, idyllic hunts don't exactly stay that way where they're concerned. Or Sam has one card to play and never stops to think that Dean would care if he killed himself.

CW: suicidal ideation, references to suicide

Echoes of Hell by The_Nightbreaker:

It wasn't real. He wasn't in Hell anymore. That's what he tried to tell himself over and over. But two centuries of torture don't disappear in a day. Sam struggles with visions of Hell, fighting to maintain his grip on reality. Dean hates that he can't protect his brother from what isn't real—but curse him if he doesn't try. When the boys stumble on a case with ties to the Devil himself, will they be able to pull themselves together in time to stop the sacrifices? Or will the echoes of Hell finally overtake them? Aka, season 7, but the plot is Hell trauma, not leviathans.

CW: suicidal ideation

Evening Shadows by withthekeyisking:

Sam is hallucinating the monster who tortured him for nearly two centuries, Dean feels like he's failing his brother, and a diner waitress bears witness.

CW: past rape/noncon

Everything Dies Given Time by Lise:

AU from 5.03. Sam discovers something wrong with himself, and learns to live with it. Only a lot less functional.

CW: suicide/temporary character death

The Freedom to Be Loud by jribbing:

It hadn’t occurred to Dean that maybe Sam remembered so much about that little nowhere town because something memorable had happened there.

CW: referenced past rape/noncon

golgotha by redskyatmorning:

There’s a vacancy on the throne of hell, and Sam is desperate enough to save Dean from Michael’s possession to give into the abyssal depths of his own darkness.

Head Space by ameliacareful:

A witch curses Sam leaving him blind, deaf, and bedridden. Left with only the inside of his own head and the occasional touch, Sam begins to unravel.

CW: suicidal ideation

Hiraeth by inkandpaperqwerty:

(n.) a homesickness for a home to which you cannot return, a home which maybe never was; the nostalgia, the yearning, the grief for the lost places of your past "Dean... I made a really big mistake." For a second, Dean actually thought things were going okay. He was out of Hell, Sam agreed to stop drinking demon blood, they had just wrapped up a successful hunt... for once, everything was okay. And then it wasn't. "I overdosed." Not at all.

CW: suicide attempts, suicidal ideation

if i could leave (i would've already left) by serendipity0930:

“I have a mission from God for you,” the Angel whispers to the man. “It is time for you to do what you were born to.” The man’s face twists into a smile, delighted over being chosen by Him, a purpose from God digging into his heart, carving out a place to fester. “Hunt.” ... 05x03 AU where Zachariah is even more determined to keep the brothers apart and hunters are all too willing to take Lucifer's True Vessel off the board for good

CW: referenced suicide

It's A River (But Not In Egypt) by Lise:

He's still a liar. Maybe always has been.

CW: toxic Sam/Lucifer dynamics

Kindred Instruments by PinBitch:

They’re in a tug of war and Sam is the rope. He doesn’t need to be alive for that. OR Sam dies in detox, being flung against the walls of a metal box will do that to you. Dean and Ruby pick up the pieces.

CW: temporary main character death, permanent supporting character death

lazarus trick by katsidhe:

Sam's alive, so everything is gonna be okay. 13.22 coda.

Let All Mortal Flesh Keep Silence by Lise:

Sam's back. He's in one piece. That's the problem.

CW: self-harm

love is like ghosts by redskyatmorning:

I’m poison, Dean had said instead of I’m sorry. Well, Sam wants to say, what does that make me? What the hell does that make me? (A look into Sam's mind in the aftermath of the Gadreel possession.)

The Other Brother by RadioFriday:

Sam and Adam are pulled from the cage at the same time. Sam is not right, and Adam, stuck as his caretaker, is not pleased.

Oxygen by inkandpaperqwerty:

“Cas! Cas, please! Please, answer me! Cas!” Castiel ignores Dean for several minutes, but then Dean gives him an opening that might help him complete his mission. So, he goes to investigate, and what he finds is a very bloody, nearly dead Sam. Dean tells him where the injuries came from, and Castiel quickly becomes confused. It doesn't make sense, but Dean tries to explain it to him, and slowly... Castiel begins to understand.

CW: suicide attempt

Post Hoc, Ergo Propter Hoc by AmberSock:

Sam waits, kneeling, for his execution. What if Dean hadn't missed?

CW: temporary character death

Safety In Distance by GalaxyThreads and SpiritClusters:

The Mark of Cain is a brand of violence. Sam was an idiot to think that he'd be exempt from it, just because he and Dean are siblings.

sometimes a kind of singing by adi_rotynd:

Sam gets cursed. They're dealing with it. Jack can see souls. That one they're not dealing with quite as well.

CW: past referenced rape/noncon

Soul Windows by GalaxyThreads and Spirit Clusters:

A few months after his birth, Jack learns how to see souls. Then he comes to a realization about the Winchester brothers, Sam in particular, and it's not a pleasant one. (gen)

Starry Night by keepcalmsmile:

Sam attempts suicide-by-monster. Dean tries to help. It sort of works...until it doesn't.

CW: suicide attempts, suicidal ideation

such fragile, broken things by The_Bookkeeper:

Sam wishes that Dean would just get it over with already.

The Tale of Sir Galahad by keepcalmsmile:

Sam once said he could never be clean like Sir Galahad. Dean assumed he was just talking about the demon blood. Turns out, Sam was talking about something else too. WARNING: Extended discussions of the aftermath of rape and childhood sexual abuse (but NO description of the actual events). Happy(ish) ending, but potentially very triggering.

CW: past rape/noncon, mentioned CSA

They Hammered in His Teeth by jribbing:

Sam has a secret.

CW: suicidal ideation

today's troubles (are history tomorrow) by a_good_soldier:

"It's not really something I know how to share," Sam had said. In which Dean figures he ought to help Sam out a bit.

Touch and Go by themegalosaurus:

Tag to 9.19 (Alex Annie Alexis Ann) in which Dean realises why, exactly, Sam is so angry about what happened with Gadreel.

trust fall by ad_castra:

“I’m nothing like you,” Sam hisses. Nevermind relating to the anguish of going it alone. Nevermind that he knows what it is to be strapped down and forcibly cleansed against his will. Sam wonders if these trials are purifying Crowley as well. 

Words Like Glass by broken_cinders:

Dean never figured the cage wouldn't leave a mark. He was prepared for memories, flashbacks, and nightmares. He wasn't expecting the words Sam brought back with him or the way they made him seem just a breath beyond Dean's reach.

Wound and Unwound by fascra:

Sam stops eating spring of his freshman year.

CW: eating disorder

wincest (dean/sam)

Brittle by thecapn:

Sam Winchester has an eating disorder.

CW: eating disorder

Don't You Cry No More by sixtysevenlmpala (schittyfic):

The first time Sam gets badly hurt on a hunt, he doesn’t cry. Dean does.

Fall On Your Knees by dollylux:

Sam doesn't quite make it home on the last day of school before winter break.

The Fall Will Probably Kill You by killabeez:

Set between 7.04 and the aftermath of 7.07. Dean is not as okay as he'd like you to think. Neither is Sam.

CW: self-harm

Feels so good to feel again by Trojie:

The pain keeps Lucifer at bay, at least to start with.

Follow In Your Form by withthekeyisking:

Sam is hallucinating Lucifer in the wake of Cas bringing his Hell Wall crashing down. To make matters worse, it seems like this has his dormant powers flaring back to life.

Last Temptation by merle_p:

Sam is running a fever again, the kind of fever no Ibuprofen or cold compress will bring down, the kind of fever that is eating him up alive, eviscerating him from the inside. He is too hot and too cold and too pale, delirious and shaking, resonating with whatever divine energy the trials are subjecting him to, and Dean is not sure how much longer he can stand to see him be in this state. Because Sam is quite possibly dying, and there is nothing Dean can do to stop it. Because Sam is dying, and he just. Won’t. Shut. Up.

CW: mentioned past rape/noncon

leeches by Anonymous:

Sam discovers a spell to make everybody forget him. He’s convinced it’s for the best. Pre-Stanford.

CW: attempted kidnapping/torture

Make Thick My Blood by themegalosaurus:

“You’re going to kill me, Dean,” Sam says, eventually. And all Dean can say is, “I think I am.” A season 10 AU, set after 10x14 ('The Executioner's Song'). Cas finds a solution that might cure the Mark of Cain; but if they're going to go through with it, Sam has a terrible price to pay.

CW: mentioned past rape/noncon

Prophecy of an Abomination by ashitanoyuki:

Sam is kidnapped by fanatically religious hunters and crucified. Coming back from this won't be easy. Canon-divergent from midway through season 2.

Recall by De_Nugis:

Sam's having a hard time telling what's real and what isn't, especially when it comes to some voicemails from Dean.

The Room Upstairs by brokenlittleboy:

Sam comes back from hell, but he’s inside-out and all wrong, and Dean can’t fix him.

CW: mentioned past rape/noncon

Ruin You (and its companion fic Worth) by Mumble_Bee:

Cole fucks Sam with Demon!Dean watching from a devil's trap, snarling that anyone would dare touch what was his. “I told you I don’t care what you do to his face or his blood or his fucking nose,” Dean growled, “but you put your dick anywhere near him and I will end you.” “Better hurry up then, Dean, because I don’t think I can wait much longer.”

CW: explicit rape/noncon

Snowed In by HelloStarlingFics:

When working a case, Sam and Dean get stuck out in a shack in the woods when the snow comes in hard and fast. Trouble is, Sam’s hated the cold ever since the Cage. Time for Dean to step up and look after him.

Wake by minchout:

Gadreel has had Sam for four years, and Dean, lost in guilt and obsessed with finding a way to get his brother back, has isolated himself in a cabin in the Missouri Ozarks with nothing but the woods, a stray dog, some chickens, and all the books the Men of Letters had to offer to keep him company. Then Sam shows up one day without his passenger, and Dean learns quickly that it doesn't matter that Sam is with him again - there is still a lot of work to be done before they can find their way back to each other.

Wanting to Forget by morganaDW (morgana07):

1-shot. S1 fic. After getting Sam freed from the Benders Dean thinks all he has to cope with is some bruises and cuts. He learns quickly just how wrong he is when Sam wakes up with a nightmare, reliving his brief but bad captivity in every detail. Sam just wants to forget & Dean has to try to get him to let him help. Will one night of cruelty and pain ruin what’s been formed between them?

CW: referenced past rape/noncon

when I wake up I'm afraid, somebody else might take my place by quake_quiver:

Sam doesn’t remember the last time he cried for Dean like he did that night. And now it’s been…two weeks. Maybe more. Sam is tired, and in pain, and starting to doubt that Dean’s going to show up. He’s weak and shaking from a combination of constant pain and hunger. Sam longs for Dean. Dean would make it better. Dean would fix it.

CW: rape/noncon, body horror

Wire Inside Me by merle_p:

There are a lot of things Sam hates about his current condition, to the point where he sometimes feels for the gun under his pillow at night, blindly toys with the safety, imagines pressing the muzzle into the underside of his chin and pulling the trigger just to make it stop. But there’s nothing he hates as much as the shadows he sees in Dean’s eyes whenever his brother is looking at him these days. It’s not an expression he remembers ever seeing before, but Sam thinks it’s probably something like revulsion. Horror. Disgust. What else could it be.

CW: referenced past rape/noncon, body horror, forced pregnancy

Worth (and its companion fic Ruin You) by Mumble_Bee:

Episode 10x01 "Black" where Dean is a human, and very, very, pissed off to hear someone has hands on his brother. “It’s nothing personal,” Cole whispered into Sam's ear, too quietly for Dean to hear, “but I need to kill your brother, and I need him off his game when he gets here. I don’t wanna hurt you, kid, but I’m going to, anyway. I’m going to hurt you a lot."

CW: explicit rape/noncon

you'll never see us again by according2thelore:

Then finally, his eyes trail over to Dean. His pupils are pin-point thin, and his hair is straggling in his face so Dean can’t see most of what expression lies there. Sam usually wakes up from nightmares in one of three attitudes: confusion, fear, or calm. A scary, sense-prickling calm that Dean hates more than anything else. Resignation, almost. Or: Sam suffers from nightmares and touch starvation post-Cage. They do their best to deal.

other Sam/Lucifer noncon

Cage Fight (No Way To Do This Right) by Dyed_Red:

Sam’s visit to the cage is already going awry, but Dean’s one-man rescue ends up skidding it sideways into territory neither him or Sam are ready for. (Gratuitous episode scene re-write. If Cas hadn’t come till after, if he hadn’t been there yet when Dean ran down to the 'parole' cage after hearing Sam scream - how bad could it have got for the brothers before he made it?)

CW: graphic rape/noncon

Into Being by withthekeyisking:

When Sam wakes up in the cave on Apocalypse World after having been killed by vamps, it's not just to find Lucifer there with him. It's to find him in him.

CW: graphic rape/noncon, necrophilia, forced pregnancy

Reggie/Tim/Sam noncon

a pointless resistance for you by withthekeyisking:

Sam doesn't know how long he's been with Tim and Reggie by the time Dean shows up and tries to take him out of there. Long enough that's he's already lost one baby and is pregnant with the next. Long enough that this life is starting to feel like all he knows.

CW: graphic rape/noncon, forced pregnancy & miscarriage, victim blaming

screaming birds sound an awful lot like singing by withthekeyisking:

Sam has done his best to move past what Tim and Reggie did to him, pretending it never happened at all. But running into them again makes that very difficult—especially when Dean gets involved.

CW: referenced past rape/noncon

Waste 'Em All by withthekeyisking:

When Tim and Reggie try to force the demon blood down Sam's throat, he spits it back out. He has no interest in being turned into their own personal attack dog. They don't...take it well.

CW: explicit rape/noncon

[sexiestpodcastcharacter]

Sexiest Podcast Character — Unscripted Bracket — Round 5

Propaganda

Glenn Close (Dungeons & Daddies):

#Propaganda for Glenn Close: one of the other PCs mentions multiple times how hot he is #Actually several characters point it out but especially Henry #Also the only person in a podcast that has to put a disclaimer about not being a BDSM podcast to have had sex during the course of the show

Young hot rocker dilf

Loyal to his dead wife <3

Does in fact smoke weed

BARD!! HES A BARD. HE WAS LEAD GUITAR IN HIS BAND (that he was kicked out of)

His band was a Christmas cover band btw.

Literally the fandom had hot Glenn summer which consisted of drawing him being incredibly hot and sexy

Anti government (ofc)

Kind of cringefail (Disney adult) (was on dilfs of disneyland)

Young and sexy not your style? Then how about HIM AFTER YEARS LOCKED IN A TIME PRISON WITH A DAMN HANNIBAL MASK ??

Lost an eye and wears a fucking eyepatch

One incredibly buff arm

Has a pet rat named after his son <3

Immeasurable amounts of trauma in this man- becomes progressively more unhinged

OH OLD HUMAN BARD ISNT CUTTING IT? FINE

HE BECOMES A FUCKING DEMON

A COOL HOT ONE-EYED DEMON WHO WANTS TO KILL HIS DAD (also sexy)

HE CANONICALLY ENDS CHRISTIAN HELL VIA CHRISTMAS

IS ALSO WAY OVERLEVELED

Becomes a demon hunter for the rest of his existence

Also nonwhite !!! We are done with cringefail whiteboys !!!!!!!!!

I can’t put into words ok just know he is the best plz love him.

Okay but Glenn made a minivan cum by talking to her so

HE HAS A BOOK THAT HE MARKS X’S AND CHECKS FOR EVERY DAY TO SEE IF THAT DAY WAS A SUCCESS OR NOT. TO SEE IF HE DID GOOD THAT DAY. ITS ALMOST ENTIRELY X’S. HE WAS CUCKED OUT OF A SON. AND A DEAD WIFE. HE DIDN’T EVEN GET TO KILL HIS DAD IN REVENGE. There’s absolutely nothing going for him except his sex appeal in his life. Nobody he loved remembers him. He lost his eye. All he has is a pet rat and friends who admit they don’t really like him that much. He was kicked out of his own band. The band was named after him. He was kicked out of the Glenn Close trio. All he could do was deez nuts the big bad and be sexy. If nothing else, then pity him. Look in his eyes. Look at his heart and soul. He did not do the BDSM episode for this I’ll tell you what. Do this for my his sake. Do it for Nick Jr, who needs the prize money to pay for his rat snacks. Do it for his son. For Morgan. Ganbatte.

Glenn is the goofiest sexiest character there is and I will die on this hill! I will ride into battle for him! what Dndads created is truly unique and Glenn is a key part of that and for that he deserves to win. I said it before and I'll say it again - GLENN SWEEEEEP

Can we talk about how he says ‘baby’ casually? Like he just calls people that?? That’s HOT. THAT IS HOT!! He’s also bilingual and knows Japanese!!!! He’s a big dumb idiot with a lot of charisma!!!!!! HE WORKED AT A BDSM PLACE FOR TWO SEPARATE ONE SHOTS. HES SO SAD BUT PLAYS IT OFF LIKE HE’S CHILL ALL THE TIME!! HE DOESN’T THINK OF HIMSELF AS SINGLE BECAUSE HE DIDN’T DIVORCE HIS DEAD WIFE!!! He’s like.. the perfect guy. We need this win.

I’d also like to add the fact I made this. Which is the first 11 episodes edited to (almost) only have Glenn in them <3 which is a level of insanity I hope to reiterate. These took hours to make. I wouldn’t do that for anyone else.

Mod Note: While I will still take "bad dads are sexy" propaganda and "bad dads aren't sexy" anti-propaganda, I kindly request no more discussion on whether or not he was a bad father. This is a sexypoll, not a parentingpoll. If you see a post you strongly disagree with, you can just not reblog it.

Mod Note 2: This tournament is about fictional podcast characters. Please do not vote for the real actress Glenn Close.

Amber Gris (The Adventure Zone: Ethersea):

Middle aged woman who punches sharks to death. My hero

If you love me you'll vote for amber gris I swear to everything holy on earth amen

Amber is butch, instant win

Amber Gris has a negative charisma modifier and she pissed her pants on purpose in order to trick a guard and knock him out. She tied up a dude. She once killed an evil magic shark (they're out for murder. not like real sharks) by punching it and then picked it up and smashed it into another shark, also killing it. She talks in a southern accent. She calls people guppy because it indicates a lack of respect. She has a big pair of magical green arms that come from her stomach. She got a fancy jacket and immediately ripped its sleeves off. She has a gay thing going on with one of the political leaders in the city. She gets in fights with people and doesnt do vulnerability and tries to lay low and not get in any social trouble she doesn't have to. She jumped through a portal into a new world because she could. She's now the god of said world, alone with only afformentioned political leader, who was previously possessed and she had to fight. She spends her time in a bar called the Cloaca. She calls people she doesn't like claspers, because it means shark penis. She and her friend, an old man named Uncle Joshy, sneak attack each other and yell VIBE CHECK! She tries to talk fancy to impress people and she's really bad at it (verily).

She’s everything and more. She’s irreverent. She punches sharks for a living. She becomes God. What more do you need in a butch.

amber gris propaganda: she is straightup the physical embodiment of "women want me, fish fear me." also she's an appalachian post apocalyptic sea captain. that's just objectively cool.

AMBER GRIS IS PUNCHES SHARKS AND IS (one of) THE MOST BADASS BLACK WOMEN PCS IN DND SHOWS IVE EVER SEEN. SHES INCREDIBLE AND A WIN FOR DYKES EVERYWHERE

amber's creator said she was based off of the type of working-class woman you commonly see in appalachia where "this is the sort of woman that you see walking past CVS, and you know that a truck could hit her and it would just split around her as she continued to go pick up whatever she had to do that day." and that's pretty hot

guys Amber becomes lesbian god of the new world with her childhood “”friend””

#amber gris is LITERALLY a middle-aged butch #she would win this entire tournament in a just world

Last time Amber got horny was when she killed that shark

"it was a savage bummer though, don't-- trust me, there's nothing that great about a history. You know? I got one. What did I do, killed a bunch of sharks? Last time I got horny, god and christ I can't even tell you-- well, it was when I killed that shark. But! Hey. We're all just kinda figuring it out."

Moonshine Cybin (Not Another D&D Podcast: Bahumia):

She's a hot elf with mushrooms growing on her. She has 1 level of barbarian. She's bisexual. She shapeshifted into a dragon and ate a god.

how tf does the post not mention Moonshine’s giant boobs her greatest asset

Moonshine has canonically gone down on a woman for a solid hour without asking for anything in return. Moonshine edged a dryad just by kissing them. Moonshine faced down someone being controlled to kill everyone in his path and told him if he still wanted to hurt her, she would take his blows as a friend. Moonshine makes jambalaya for her family and friends. Moonshine mispronounced someone’s name for a month and that woman still wanted to hook up with Moonshine. These are just a few of the reasons why Moonshine is sexy.

shes illiterate

canonically huffs dirty water from a bong

has big tatas

wears a belly chain with a demon trapped in it

almost became the queen of hell

ate a god

turned into a pregnant moose & gave birth

The woman she went down on for an hour asking nothing in return is still hung up on her, 200 years later. Moonshine is unmatched

To be clear the woman whose name Moonshine mispronounced for a month and then hooked up with is the same woman she went down on for an hour, and the same woman who is still flustered over her 200 years later. The rizz is unparalleled. She’s also incredibly kind and accepting of others, and goes out of her way to bolster her friends. The party always requests one big bed.

moonshine cybin is a druid who learned counterspell through sheer force of will. moonshine cybin turned one of the four horsemen of the apocalypse into a dolphin, flew him 60 feet up into the air, dropped him on the ground, and then spit spores into his face to kill him. moonshine cybin turned into a dragon and bit the head off of a double god. moonshine cybin was willing to confine herself to an eternal hell to save the world. moonshine cybin is a dragon rider. you know what you must do.

Amber and Moonshine Together

Look at them. They should not have to fight when they could be gay instead. Imagine the power they would have combined... Every lesbian in a hundred mile radius of the post would swoon. It may be an odd alliance, but from an Ethersea fan to Bahumia fans, i believe this will strengthen both our odds. I have always been insane about Amber Gris but through this poll I have also learned about Moonshine and come to love her too. Take my hand... We can do this together...

OKAY HEAR ME OUT MOONSHINE AND AMBER WOULD GET ALONG SO WELL

appalachian sapphic solidarity!

Art of Amber and Moonshine from @pirateknight.

[deppiet]

About the yassification of GO2.

Warning: the following text is highly critical of the second season of Good Omens. If you enjoyed it, I am happy for you, and a non-negligible amount of jealous as well. Please scroll past before I inevitably rain on your fandom parade.

So, I did the thing. I binged the entire second season of what was, up to now, my favorite show ever, in one sitting. And I have a great deal of things to say, but hardly any of them is positive.

Let me start by saying that I don't mind the cliffhanger or the melancholy ending, like at all. In our era of Marvel apologists and the instant gratification culture, it is necessary for media to persevere and add nuance to romantic relationships. That said, what transpired during the six hours leading up to this sort of unearned climax hardly contains anything remotely close to nuance.

Who are these people? I don't mean the new characters, all of them written as cardboard-cut anthropomorphic personifications of stereotypes, yassified to the point of representation losing its purpose and getting in the way of, you know, actual writing. I mean the protagonists themselves, Aziraphale and Crowley, up to now my favorite characters in the entire world and -up to now- tangled in a love story so beautiful I had, for better or for worse, devoted a large part of my creative output on it, making art, songs, and metas on why what those two entities had was as close to perfect as anyone can hope to find for themselves.

These are not the characters I knew. The characters I knew spent hundreds of human lifetimes revolving around each other in a treacherous yet familiar dance- they both knew the love was there, it was comfortable like an armchair that has taken the shape of the body using it for years. They argued the way old couples do, and of course, like all fictional beings that are counterparts of one another, had differences to settle, but what stood in their way wasn't misunderstanding or miscommunication, in was their fear of Heaven and Hell, and their fundamentally different approaches on how to keep each other safe.

What is all this teen angst? This will-they-won't-they silliness that lacks any nuance, thematic coherence, or literally even trace amounts of understanding of the source material? Where is the dark humor, the quotability, the chaotic overarching plot, the self conscious camp? The season is so cynically written to cater specifically to a certain part of fandom, that I am losing respect for the original work- because if Neil Gaiman doesn't care for these fictional beings, and he evidently doesn't, why should I?

The thematic core of what made Good Omens what it was, had always been the "Love in unexpected places" trope Sir Terry Pratchett knew how to write so well. It had never been about the fantasy, because Sir Terry wrote satire wrapped up in a supernatural package, it had never been about the romance, because when the ship becomes the end instead of the means, the love rings hollow, like artificial light trying to pass as sunshine. The beating heart of GO lies in its philosophy, in the beautiful notion that the agents of two oppressive systems at war have more in common with one another than with their respective oppressors. That being a nobody, a mere cog in a larger machine, says more about said machine than it does about you, and that you can try to break free and build a life for yourself, where a happy ending looks like a dinner at the Ritz with the one you love most.

Shoehorning an underdeveloped "romance" between Beelzebub and Gabriel not only feels like bad fanfic (disclaimer: I like the ship and feel like it could have worked if developed in any capacity, and presented in a more humorous and character-appropriate way. I hate with passion how much they watered down Beelzebub in order to make them stereotypically romanceable, adding the Ineffable Bureaucracy to the ever-expanding list of characters I don't care about anymore.) but also, it muddles and grossly undermines the thematic raison d'être of Ineffable Husbands. If the ramifications for defecting and fucking off with the enemy were a slap on the wrist for the respective leaders of both sides, well surely the system can't be that oppressive after all. And if fear of the oppressive system wasn't, after all, what kept these beings apart, surely these two entities don't like each other as much as we thought. Or rather, one is reduced to a lovesick puppy and the other to a brainless husk of a character, a plot device, a means to go from place A to place B without spending much brainpower on the logistics.

And if these two new people got to kiss I care not, for they are not the same people I rooted for (props, though, to the actors, who gave, somehow, an almost Shakespearean gravitas to their love affair, underwritten and dumbed down as it was. They both love the characters, and it shows in the minuscule yet brilliant ways in which they added nuance where the script had none.)

What was that thing with the lesbians about? Though straight passing, I have always known myself to be attracted to women as well as men, and I am always highly suspicious when an "ally" writer (see: straight, no shade to straight people among which I live because they are, like, the majority) decides to make all characters queer, in the face of real-world statistics and despite NOT being queer themselves. When a person like Nate Stevenson does it they get a pass because writers self-insert and because, when done well, it can carry a message of equality. But when the ally writer does it, unless it is pitch-perfect, I am forced to examine the possibility of them being calculating about it and trying to score representation points, often because they need the rep as a fig leaf to cry homophobia behind when people start complaining about the atrocious plot.

Nina and Maggie were boring. They had no personalities, no cohesive backstories, nothing to make us understand what they are to one another and to the overarching plot ("plot" is used loosely here, for there was no plot: the series ended where it should have started, with six hours of -progressively more offensive to my intelligence- fanfic tropes in a trenchcoat serving as the, well, "plot"). I didn't care whether or not they'd end up together, because I have no idea who they are. The blandness of the dialogue had the actresses, both very talented as evidenced in the first season, grasping at straws with what little characterization they were left to work with, and the "ball" was so unbelievably bad a plot device no amount of suspension of disbelief was ever going to make it right.

The minisodes, though at parts clever and philosophical, felt out of place. This was another narrative choice I had to raise my eyebrows at, because it felt like a bunch of executives sat around a table and watched Neil Gaiman's powerpoint presentation of what made Season 1 financially successful. They were shoehorned in, largely irrelevant to the, eh, "plot", and most of them lasted far more than I personally deemed welcome, or necessary.

What else is there to say? The wink-winks and nudge-nudges to the Tumblr nation? The in-your-face Doctor Who reference? The narratively myopic choice to make Crowley a former archangel? The cheese dialogue, not one bit of which was quotable?

I am distraught. I am grieving an old friend, and a part of my fandom life I cannot, in good faith, return back to after this gross betrayal. I am happy for those who don't see it, because I wish I could love this season past its flaws. However, the writing isn't simply mediocre, it is irrevocably, immeasurably, undescribably bad, so bad I am shocked to my very core, so bad I find it offensive to Sir Terry's memory and everything his own creative output was lovingly filled with.

I am passing all five stages of grief and very much doubt I will return to this fandom. I loved the original story and the characters with all my heart- now the aforementioned heart is broken, not by the breakup or anything as pedestrian as cheap romantic tropes. But because my old friends, my family of fictional beings, are no longer the ones I loved and could relate to.

Deppie out.

[startrekfangirl2233-writes]

Look! Up in the Sky!

Mickey "Fanboy" Garcia x Reader

Description: It's hard, making a name for yourself as an investigative journalist in a city as big as Metropolis. It seems like everyone and everything is against you, just because you weren't born and raised in Metropolis. But you're determined to make it. When a run-of-the-mill article turns into a hostage situation with armed criminals, you're not sure you'll be making it out of this situation alive. Can a run-in with Metropolis' own Superman light the flames of your passion once more? Or are you destined to pack up and go back home?

Disclaimers: DC canon-typical violence. Armed gunmen. Some language.

Warnings: Like most of my fics, this fic features a Female!Reader

Word Count: 3313

Author Note: Hiya lovelies! I've been thinking about this fic for a long time. I started writing it sometime early this year and never actually got very far. Several rewrites later and here we are!

First and foremost, I want to dedicate this story to the beautiful @sarahsmi13s, since it is her birthday! Vinny! Happiest of birthdays to you! I hope the upcoming year is bright and filled with as much joy as you've brought to me!

Second, I feel like I am permanently obligated to thank @horseshoegirl for being the Comma Queen she is and making sure my ramblings are well-written and actually make sense. This fic wouldn't be possible without you, Lucky!

This is going to be a multi-part story. Please let me know if you'd like to be tagged!

AO3: Cross-posted here!

Wattpad: Cross-posted here!

My Masterlist

"I'm sorry, he what?!"

The mumbling on the other end of the phone makes you even angrier and more frustrated than ever. The frustration isn't new to you, not at all. It's part and parcel of being one of The Daily Planet's investigative journalists. The other thing the Planet appreciates in its journalists is people who have a nose for stories. You think you have one. Which is why everything is telling you that Peabody is prevaricating because he's trying to hide something.

"I understand your position, Mr. Peabody, but your contact is my biggest informant. If we don't have his testimonial, we'll never be able to publish this article on LexCorp."

There's more irate, increasingly loud yelling spilling down the speaker, but you could care less. You've been working on this article for months, carefully building layer upon layer of evidence, crafting the perfect hard-hitting expose. You're not taking his bullshit at face value anymore. Your mind is whirling as you lean back in your chair. Peabody is still spilling excuses into your ear, not that you care. Maybe you’re a little rough and brusque with Peabody as you hang up, but something about this situation is pinging in your head.

Your office is a bright space, all white walls, glass panes and metallic accents. From up on the 68th floor, Metropolis looks like a heaving anthill. Across the cityscape, another skyscraper glints tauntingly at you. You know Luthor is wrapped up in this. Okay, sure, corporate espionage isn’t exactly his deal, but who else could it be? You’ve carefully counted out every other potential culprit. Only Luthor is left.  Turning around, there’s an unholy rage in your countenance as you glare down at the twisted mess taking over your walls. There are newspaper clippings, articles, string and scribbled notes all over the walls. Just looking at it is sometimes enough to give you a headache. But you desperately need to get to the bottom of this situation. There must be a reason why all roads seemingly lead to Lex Luthor’s shining obelisk to his ego. You wouldn't be surprised if Peabody is clamming up because someone is blackmailing him.

Before you can further dig into the LexCorp situation, a whistle rings out through the air. You're the newest investigative journalist at the Daily Planet. It means you have the smallest office with half-broken heating and air conditioning, which nobody else wanted. It’s also the office furthest away from the bullpen.

The editor-in-chief of the Planet, a gruff, peppery older man named Perry White, only calls all of you together if there is something big brewing in Metropolis. You have to shove your way to the front of the circle loosely gathered around Perry. You're short, so you couldn’t see over the crowd if you tried.

“Alright, alright, settle down you lot.”

Perry's voice is gruff, carrying the tones of a person who grew up in Metropolis or one of its boroughs. Of course, most of the office hails from Metropolis. Sometimes you think your upbringing in the cornfields of Iowa has something to do with your distance from the other journalists on staff. After all, despite living in Metropolis for the past five years, your voice still holds the slightest twang. You can dress like a Metropolis professional, walk like one, and talk like one, but everyone makes it abundantly obvious you will never be a citizen of Metropolis.

The hazing is par for the course. You’ve seen more than your fair share in the three months since you started at The Daily Planet. The source of your struggles is, you’re sure, one person. She’s standing at the other end of the circle of reporters waiting with baited breath as Perry doles out assignments.

Natasha Trace.

She gets all of the best assignments from Perry, just because she’s his niece or something like that. The vindictive smirk she gives you as she accepts the latest city hall press conference is proof. Your own assignment is a little more dangerous, 300 words on the newest homeless shelter opening in Southside. According to the mayor, Southside isn’t dangerous anymore, but you don’t believe him. Perry quotes the same thing every chance he can get, especially because he sends reporters out to Southside pretty often. It’s all part of the Planet’s “For the People” reporting strategy. Every day, you hear people talking about another mugging or shooting or what have you. So you’re under no assumptions that Perry and Natasha are giving you an assignment they want you to succeed in.

You're cursing them more and more the next day when you're kneeling with a puddle of spilled tomato soup seeping into your sensible dark trousers. It was just your luck that masked gunmen waltzed into the shelter in the middle of your interview, wasn’t it?

 It was also just your luck that one of them had sent a spray of bullets into the air the moment hands went up. Cue some well-deserved screaming and a near-stampede for the doors, and you’d been pushed to the floor. So now you’re crouching in spilled soup with your hands up, trying and failing to moderate your breathing.

What the hell does a soup kitchen in Southside have for a gang of armed robbers, anyway? It’s not like it has much money. After all, this is only one of a string of new food shelters opening up in Metropolis. They’ve all been funded by the government, and they’re all supposed to be as clean as can be. Supposed to be, anyway. Obviously something isn’t right in the state of Denmark.

What’s just as interesting is the sight of the photographer you’ve been sent to the shelter with. Mickey Garcia is one of the Planet’s best. He’s got an eye for taking those photographs nobody else can. You’re not sure why Perry sent him with you. Usually he’s buddy-buddy with Natasha. He’s probably wishing he were with Natasha at City Hall right now. You know you are. But he doesn’t look scared or worried. He’s just kneeling in the soup next to you, hands up with his head cocked to the side and eyes staring into the distance.

It’s almost like he expects the police to come roaring up. Just as the lead invader turns his head, there’s a rush of wind and you see an imperceptible smirk on his face before he disappears between one blink and the next. You can smell ozone in the air, bitingly sharp, but it seems like nobody else notices but you.

Who the hell is Mickey Garcia? You almost wish you were hiding behind one of the tables. Because then you can pull out your notebook and start writing. Instead, it seems like all you have is your eyes and ears. How did he disappear so quickly? Metahumans aren’t exactly new in the world (or well, at least in the country). You remember reading about metahuman related events across the country. After all, everyone knows about Gotham City’s Bat. But recently there have been more and more reports. A meta-human in red-and-gold streaking through Central City. Villains with the power to freeze anything in its tracks and heroes with the power of the seven seas and beyond. And of course, everyone has seen the fluttering blue cape of Metropolis’ own metahuman.

So where does that leave you? Wishing for Superman, as you’ve heard him called, to save you? You’re not even sure he’ll show at all. There have to be a million other things happening in Metropolis more important.

“ALL OF YOU ON THE FLOOR!”

You’re not on the floor long when a hand grabs you by your hair and yanks you up.

“What do we have here?” A greasy voice growls the words into your ear as cold metal presses into your temple. “A little reporter eagerly waiting for a scoop?”

You shudder, your skin crawling at the hunger in this man’s voice as he traces his index finger up and down your throat. Your press badge thwaps against your chest with every movement.

“P-please.” You’re trembling in earnest, teeth chattering. “These people are innocent, th-they have no money. They’re here to get some food. The only money the shelter has is for food.”

His cackle chills you to the bone. “Oh, you’re so naive, you sweet little thing.”

“We’re not here for the shelter’s money. We’re here for the city’s money.” He grins, blowing his foul-smelling breath in your face. “And if the city doesn’t cough up the goods, we’ll just take you in exchange.”

“And what if he comes to save us?”

You’re not sure who asks, but it sparks a rising tide of questions. People are shouting the questions out, and the men grow angrier and angrier. From your new vantage point with a barrel pressed to your temple you can see how uneasy they actually are. Their fingers tighten around the weaponry, paling at the joints as they grip at the metal. The more people ask, bolstered by the sounds of the sirens outside and the crackle of voices through bullhorns, the angrier your captor gets.

“All of you, shut up!” It's a roar of sound which leaves your ears ringing. The gun hurts as it presses into your throat. It’s hard to breathe, to swallow, to think. Something tells you you're not getting out of this stand-off alive. Your pulse is thudding in your ears and your chest aches. You hear the tell-tale click and your eyes are screwed closed.

Please. Please. Please. I promise I'll be better. I promise I'll be a better daughter, a better employee.

You're not sure who you're praying to, but you’re praying nonetheless.

There's so much I haven’t done yet.

It shouldn’t be so sad, thinking about how pathetic your life is - how empty it is. You're braced to hear the sound of a gunshot, braced to feel pain and then feel nothing ever again. You can feel the silk of your blouse, the expensive one you never wear, sticking to your back as you heave in thready, unsteady breaths.

It's almost anticlimactic, the way it happens. You smell the same sharp ozone scent you did earlier and the hand wrapped around your throat, the gun pressed to the hinge of your jaw disappears. You keep your eyes screwed shut, trying to ignore the yells of pain and cut-off curses as people get beaten up. You keep expecting to feel the acute pain of a bullet lancing through you, burning through your skin. But you feel nothing. You hear nothing, and obviously all you can see is the underside of your own eyelids.

“Miss, you can open your eyes now. It's all going to be okay.” 

You know what this voice is saying as you stand stiff-backed in the center of the room. Your muscles are locked in place and your hands are curled into fists at your side. You're not sure you could move if you tried to.

The hands that hold yours are warm, warmer than they have any right to be. But they feel good, and you can feel yourself relaxing into the touch. When your eyes open, you're not sure what you expected to see. But what you get is Metropolis's own Superman. He is smiling at you, pearly teeth on display, big brown eyes gentle as he talks you out of your panic. You're enraptured by how his dark hair curls just so over his forehead and how his jaw is so well-defined it could cut diamond.

More than anything, you wish you were still holding your notebook and pen or a dictaphone or anything. If there was anyone you want to interview here and now, it's him. But something is bothering you about him. He looks oddly familiar, something in the turn of his cheek and the fall of his hair.

Your statement to MCPD takes the longest. Long after all the other hostages have headed home or been shuttled to other shelters in the city, you stand, ignoring the way tomato soup is crusting on your clothes and how your fingers ache. Maybe your statement wouldn’t have taken quite so long if you weren’t trying to interview your interviewer back. In any case, by the time your throat is dry and aching, it’s late, approaching midnight and the only person left other than police personnel is Superman.

“A-are you okay, Miss?” 

You blink at his words, because he sounds oddly bashful, and that is a look you never expected to see on a superhero’s face.

“I’m fine.” You grin, the motion only halfway genuine. “I'm just about to head out. I'm sure a superhero like you has better things to do, other people to save and whatnot.”

“U-um, no actually.” He tips his head to the side, using his hand to fix his already immaculate hair.

“Do you always wait around at crime scenes to walk a gal home?”

“W-would it be alright if I walked you home?”

Your questions collide in midair against each other. You huff out an exhausted laugh, but he just blushes a little, golden cheeks flushing as his eyes twinkle at you.

“N-no. I don’t make a habit of waiting at crime scenes to walk girls home. Guess that's something only for you.”

Now it's your turn to battle hot cheeks. You can't even fan your face off because you don't have a thing to fan yourself with. Flapping your hands makes you feel stupid. So instead, you let Superman lead you out of the shelter and onto Metropolis’ streets. The city is alive with the sound of cars and ambulances. Someone has a radio on their window playing music. It feels like you're in an entirely different place.

“So, what about that walk home?”

He smells good. For the first time you notice how good he smells, this Superman, now that your nose isn't clogged with the smells of spilled tomato soup and sandwiches. You want to spend time with him. You want to forget what is waiting for you in the morning, how angry Perry is going to be when you didn't get a scoop on the shelter or any pictures that you know of. Maybe if you spin the Superman angle to this? It doesn't feel right, exploiting this man when he's so clearly doing it to help people. You also don't want to stop talking to him yet.

“Sure.”

Honestly you wish you'd clarified, because when he said walk, you thought he was actually going to walk with you. Instead he sweeps you up in his arms and shoots up into the sky. You scream the whole way, hands scrabbling for purchase against his suit, finally settling for an arm around his shoulder. You're shaken and shivering when he finally stops moving.

“Shit, sorry.” 

You grumble into his broad chest at the cheeky apology. 

“Just thought you'd want to see the city how I see it.”

When you finally screw up the courage to take a look, your lips part in a gasp. The entirety of Metropolis is laid out in front of you. Lit in gold from all of the lights, you're grinning from ear-to-ear as you peer out over the city.

“It's gorgeous!” There's a pleased smirk on his face. “I can't believe you get to see the city like this!”

“Yeah,” He grins, something soft. “I didn't fall in love with the city until the first time I saw this view.”

“I can see why,” You gasp, witnessing how soft your colossal city looks in the moonlight, how it seems like a world filled with such promise.

“Let's get you home.” There's a blush on his cheeks as he swoops you down, following your murmured instructions like he knows every inch of the city.

You feel a little bit like a princess when he sets you lightly down on the doorstep. He's still floating in the air, the navy blue suit he's wearing clinging to every muscle. Now more than ever something feels familiar about him. He stays outside your door watching with the same smirk on his face, his head cocked to the side like he's waiting to hear your deadbolt slide home.

You're a little giddy when he flies away, and you curl into your bed like you're in a dream. You sleep well, for the most part, not half as traumatized as you expected to be after being held hostage at gunpoint. At least, until you jolt up in bed, your hair a mess around you and growl, “Garcia!” 

He'd disappeared when the police came to the shelter with their bullhorns and their posturing. You'd smelled the same sharp ozone-tinged scent in the air when he'd disappeared and when Superman shot into the room. But there is more too. The shape of his face, the way he smiled, the almost compulsive way he pushed his hair off his face. He acts just like Garcia does, too.

What is the likelihood your first encounter with Metropolis' own Superman would give you insight into his alter-ego? After all, nobody would suspect that quiet, bespectacled, sweet Mickey Garcia, a photographer for the Daily Planet, is Superman. Nobody, it's obvious, but you. Forget your conspiracy board on LexCorp and their shady dealings. Right now, an exclusive interview with Superman seems like just the ticket to rocket you into fame.

But you can’t let on that you know. You spend the day typing up a lackluster article on the shelter opening, your eyes peering over your computer every time you hear footsteps coming your way. The people walking past you never stop by, not even to chat. You're practically sprinting for the door when you see Garcia, chunky headphones around his neck.

“Hey, Garcia!” 

He turns and looks oddly surprised to see you. 

“You got a sec?”

“Y-yeah, of course.” 

His stutter is adorable. You have to remind yourself he is Superman. 

“I wanted to take a look at the pictures you shot yesterday. Obviously the opening wasn't what we expected, but it should be an interesting public interest piece anyway.”

When he's sitting in the chair next to yours, fingers flying over your keyboard as he shows you all of the photos he took as well as a few of the aftermath, you're questioning your gut instinct even more. How is it possible he got pictures of the police helping people, interviewing you, if he was Superman? 

It's nice, working with someone who smiles at you instead of spitting insults out behind your back.

“This looks great.”

There's a smile on your face as you look at the finished article. 

“Yeah, not bad for an article about a shelter opening turned into a hostage situation, right?”

“Y-yeah.”

You turn, and rest your arm on his forearm. You let your reporting instinct take the driver’s seat. When he's relaxed, maybe you'll get some answers out of him.

“I completely forgot to ask! How are you holding up after yesterday? You know what Perry always says, ‘We're a family here at the Planet!’. I was terrified when those gunmen burst in.”

You prattle on and on, seeing his face change, almost fall, when you mention Superman. 

“You know, he's awfully handsome, Superman is. He took me home, made sure I was alright.”

You grin, wickedly, though you know for sure nobody here in Metropolis knows you well enough to tell.

“And then he blushed.”

All of your suspicions are proved true when Mikey Garcia blushes the same way Superman did.

“You know something? Superman blushed just like that when he was showing me Metropolis how he sees it.”

There's panic in his eyes now. You're just fast enough to block him at the door, arm flung out to stop him from walking past you.

“So…. How long have you been Superman, Mickey Garcia?”

Taglist:

@sarahsmi13s @desert-fern @horseshoegirl @teacupsandtopgun

@roosterforme @cherrycola27 @kmc1989 @chaoticassidy

@shanimallina87 @a-reader-and-a-writer @dakotakazansky @seitmai

@shinycupcakebaker

I DO NOT CONSENT TO HAVE MY WORK POSTED, TRANSLATED, OR PUBLISHED ON ANY SITES OTHER THAN ON AO3, ON WATTPAD, OR ON TUMBLR BY ME. IF YOU SEE MY WORKS ANYWHERE OTHER THAN AO3, ON WATTPAD, OR TUMBLR, THEN THEY HAVE BEEN POSTED WITHOUT MY PERMISSION AND I WILL BE WORKING TO TAKE THEM DOWN.

[midnight-black2]

hii! im sending in a request for Jann in the Archie Mademay event :) and this is my first time so sorry im nervous😅!

but prompt 11 really piqued my interest, thought about maybe a (before gt academy) nerdy and shy gamer Jann x popular sporty reader? thank you for your time bye bye :] !!

𝐒𝐏𝐀𝐑𝐊𝐒

pairing : jann mardenborough x reader

synopsis : you can't keep neither your mind off of jann nor your hands off of him either

disclaimers : not many, sub!jann, softdom!reader, kissing in public, pretty mild

note : i listened to the song sparks by coldplay while making this, so that's were i got the title, just so it doesn't seem as random lol

most people found it weird how much attention you showed jann. after all, he was close enough to a nobody.

man, society is weird.

all these unattainable standards set by messy, emotional, little humans. i mean, if you wanted to see jann, why should anyone try to stop you? you liked who you liked, and it's not like you could help it. besides, jann was sweet, cute, and ambitious. in your opinion, he was the dream guy.

you two would eat lunch together, walk each other to classes you had during the day, average college couple stuff. you never let anyone give him a hard time, and whenever you attended a social event, he was by your side (whether he wanted to be there or not). he attended all of your [sports] games, etc. the coupley stuff wasn't the weirdest part to people. the weirdest part to people was that you chose to do the coupley stuff with him. you had lines of guys and girls waiting, patiently. stalking and clinging, nagging and hanging--yet you chose him.

people talked, of course they did. negative or positive, they talked.

but over time, it got better. the jealousy never really subsided, but when the two of you walked through the halls, not as many people stared. and when you guys attended parties, not as many people ignored jann.

either way, you couldn't care less. you loved jann more than anything. nothing would change that.

you guys were sat a desk in the back of the library. quiet giggles and whispers could be heard. it was supposed to be a tutoring session, but it always turned out a different way. you always found him more interesting than algebra (or...calculus..?) and simply ended up making out. as jann explained the equation, your eyes lingered on him. you took in his facial features, admiring him not-so-subtly. he didn't notice until he looked over, and his eyes widened slightly. he smiled, before clearing his throat.

"so, do you understand? or do you need me to explain it better?" he asked, and you didn't answer. you didn't quite care, frankly. you weren't failing math, you had a 92%, which is borderline, but far from failing. so, it wasn't your biggest priority. in all honesty, you only kept up with these tutoring sessions to see him. you simply held his gaze, a look on your face he couldn't exactly read.

"were you even paying attention?" he asked, quirking a brow.

"no, not really."

"and by that you mean not at all, huh?" he asked, rhetorically. you nodded, with a small shrug. he laughed, before looking down. "so, uhm, what were you thinking about then?"

"three guesses," you said, smiling. you thought he had to have known by now, considering this is what you do every tutoring session.

"wha-Y/N, you know i'm not very good at this," he replied, cocking his head to the side in slight thought.

"oh cmon, it should be easy," you stated, with a playful eye roll. he lifted his hands up in defense.

"i really don't know," he said, and you couldn't help the laugh the emitted from you.

"gosh jann, you're smart, nerdy, but so incredibly dense."

"well then...just tell me. please?" he asked. and really, how could you say no to him? was it possible if you even wanted to? no. would you really ever want to? also no.

"i'm thinking about how cute you are. you and your perfect pink lips, how kissable they look, and your adorable curls--god, i'm thinking about you, jann. when am i ever not?" you say, leaning in closer as you speak your mind. he was slightly taken aback, before he leaned in as well. he didn't know what to say, so he didn't. he had this look in his eyes you knew all too well.

"can i...?" he queried, reluctantly. you grinned.

"you don't have to ask for a kiss, jann."

"right--sorry." you chuckled, before you kissed him. it was sweet, like honey. he was the one to pull away first.

"you know, you always do this," he said, with a head shake, but with an irresistible beam across his face.

"i know, just can't get enough of you," you said, kissing his cheek. you pecked his lips, nose, jaw, neck, everywhere you could. your hand cupped his face, and he seemed to lean into your touch. you went up for another kiss, which was a bit more feverish this time. your bodies felt hot, and you couldn't wait any longer. or...maybe you could, but you definitely didn't want to.

"let's go to my dorm, yeah?" you said, and he nodded eagerly.

goodness you loved that boy.

𝟐𝟎𝟐𝟒 © 𝐤𝐲𝐚-𝐢𝐬-𝐤𝐨𝐨𝐥

𝐬𝐭𝐢𝐥𝐥 𝐭𝐡𝐢𝐫𝐬𝐭𝐲? 𝐟𝐢𝐧𝐝 𝐦𝐲 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 𝐡𝐞𝐫𝐞

[asarajaa]

OKAY. MEETING BACHIRAS MOM FOR THE FIRST TIME. 🤭🤭🤭

(no pressure if you don’t want to do it ofc bbg<3 )

Ofc bb but have patience, I’m a little bit down cause I didn’t like at all my last post so yk 😭✋🏽

Omg I’m so dumb, I answered it without the fic made HAHAJJAJAJA, when I got it I’ll put it here and I’ll tell ya, k love? Have some paciencia 😽💗

Update: k so I already did it so here you go my love, hope you like it <3!

Warnings: fem!reader Words: 656 Disclaimer: English isn't my first language so I apologise for any mistakes or misunderstandings! Taglist: @merlucide

Meeting Bachiras mom for the first time

₊˚ෆ To help me with this, I will pretend it is the second part of the Bachira falling in love hcs.

₊˚ෆ Indeed, his mom liked you.

₊˚ෆ First of all, when Bachira got home and told her mom about you, she was super enthusiastic to meet you!

₊˚ෆ After Bachira made a move and you guys become boyfriend and girlfriend, the next step was meeting each others parents, being Bachira the first.

₊˚ෆ When the time came, you were extremely nervous, Bachira tried everything to make you feel less nervous but obviously it didn't work.

₊˚ෆ You wanted to everything go great. Your friends always says that is like having a second family and that creating a bond with his mom is important bc she's gonna be like a second mom to you.

₊˚ෆ You made yourself a list of 5 rules to follow when you meet his mom (which made Bachira laugh at you because- babe, my mom is super chill you don't need to do those things.)

₊˚ෆ Rule number 1: Do not show empty handed. It doesn't matter if you give her flowers, some dessert or a gift, Bachiras mom will appreciate it and think that you're a very nice and sweet girl. She's the type of person who appreciates the small things so giving smth to her will be perfect.

₊˚ෆ Rule number 2: Dress modestly. Look, Bachiras mom wouldn't care if you go with some jeans and a cute top, in fact, she would compliment you. But if you go dressed like if you're going to some club she would not think bad of you but neither she'll think good of you. I believe that as an artist she's very into the fashion world and if you're meeting her with a cute outfit she'll like you.

₊˚ෆ Rule number 3: Don't try to be somebody that you're not. She want to meet the person her son fall in love with, no one else. She'll like you just the way that you are! As an artist, Bachiras mom know about being judge so don't worry about those things.

₊˚ෆ Rule number 4: Always offer to clean up. Of course, she wouldn't let you, but it would be nice seeing the effort of your actions that his son never stops talking about.

₊˚ෆ Rule number 5: Try having a one on one time with her. Women to women bounds are super special so you have to use the opportunity to grow a very strong relationships. Honestly, she always wanted a daughter so just talked with her about girl things and it would be awesome!

You and Bachiras mom were left alone, she told Bachira to go to the store to buy some dessert (you bought flowers) so now you girls were alone.

"So, how did you knew you wanted to be an artist Mrs.Bachira?" you asked her enthusiastic, the dinner went awesome and you guys were having a great time.

Bachiras mom loved your question, nobody usually ask her about her profession and you were actually interested.

As the night went by, you girls ended up having a girl talk about the latest in fashion, the new tea about celebrities, skincare and make-up.

When Bachira came with the dessert, he was confused. He left you guys silent and when he come back you were sitting next to each other talking passionately about some new viral linase mask that gives a botox effect. Although he wasn't complaining either.

"Word of mouth is that the mask also works to give definition on the curly haired girls." you said showing her the video of a girl trying it.

"Really?" she said leaning to you "Bachiras cousin has curly hair, i'll show it to her."

₊˚ෆ She loved you, like she would call you some days to exchange tips and your calls last hours.

₊˚ෆ Bachira was more than happy when he find out, It seemed perfect to him that the two women in his life got along so well.

nksdhfsbfv idk what I did.

I feel like It was too short, great rules tho

28/04/24

© asarajaa — Please, do not copy, translate or reuse my work without my permission.

[hadesoftheladies]

FEMALE MOVIE/TV RECS (PART 8 / COMEDY & ROMCOMS)

got inspired from a recommendation post so decided to make a list of movies and shows with female-centric stories/female protagonists. since i can't post all of the genres in one post, i'll split it into multiple posts and y'all can save or add to the list as you wish. (disclaimer: i have watched most of these, but i only know about the existence of others. not every movie/show on these lists will be my recommendation. my recommendations will be beneath the list with reasons. also some of these are way better than others in terms of storytelling/performance--which is why i'll list my faves separately):

Common Themes/Tropes:

-Quirky girlfailures and losergirls being disastrous (and learning they're still loveable)

-Women causing carnage (sometimes) unintentionally

-Women getting into shenanigans with their friends/sisters

-Features many equally if not more dumbass male antagonists (or sidekicks)

-Financial struggle subplot

-BFFs and sisters > everything else (even the d)

-Lots of sex and money talk usually

-The Struggle of Dating TM

-I Still Feel 12 & Stupid TM

WHAT I'D RECOMMEND:

Abbott Elementary (9/10) (too many amazing female characters!)

Such Brave Girls (8/10) (Derry Girls as adults)

Kajillionaire (7/10) (the protagonist is so weird and loveable, top tier ending)

Isn't It Romantic (6.5/10) (fun and knows exactly what it needs to be)

Fleabag (?/10) (haven't watched but I know it's good)

Kevin Can F**k Himself (9.5/10) (genuinely so so so so good some of the most clever and sincere storytelling I've seen in a while)

Hacks (7.5/10) (the two female leads are hilarious in their own ways and so human!)

NOT LISTED BUT WORTH CHECKING OUT:

What Men Want

Little

Nobody's Fool

Girl's Trip

The Other Woman

Queenie

Legally Blonde

Miss Congeniality

The Devil Wears Prada

Pitch Perfect

PERSONAL NOTES

Playing House is about two friends raising a child together, which is a premise I love. High Desert is a detective comedy (way more comedy than detective, though) with a likeable protagonist who is also addicted to drugs (that isn't the punchline, don't worry).

The Hustle and Queenpins were produced by the same company (and you can tell).

Twenties is one of the few shows that feature a stud lesbian as a central character (and she's beautiful!). Insecure is probably the most famous of black female comedy shows, though.

[bkatlips]

Ranking and explaining my rankings of Mike Flanagan’s shows and how they make me feel in honor of spooky season and just finishing Usher!! Why not!! Everyone else is doing it!! I’m also going to give it a gay score based on how gay they are (which also includes how big of a role gay characters played).

Disclaimer: Every one of these shows is well-made in one way or another and deserves to be watched based on whether someone else finds the premise interesting and not whether I liked the show. Too often I see “that show was bad to me therefore you shouldn’t watch it” and I disagree with that line of thinking.

1. The Haunting of Bly Manor-I can already hear people screaming “Hill House is better!” In some ways, yes! In some very important ways, however, I disagree. The biggest being Bly Manor emotionally resonated with me a lot more. The themes, the found family (as someone who is an only child), and of course, the lesbianism. Dani’s story of compulsory heterosexuality may be one of if not the best in media and her love story with Jamie ended up being one of the best media has to offer, too. And really using a horror story and turning it into a love story is kind of brilliant (and annoying for the people who were just there for the jumpscares I guess). Don’t get me wrong the show has flaws (why the FUCK do Peter and Rebecca have so much screentime? was that eight episode really the best placement?) but the stuff that lands, really really lands. I’m still thinking about Dani and Jamie 3 years later. Hannah’s episode was very well done. The kid actors little Amelie and Ben were phenomenal. Upon rewatch you notice most decisions and dialogue in the show were made with some purpose and it usually relates to something thematic. Some people may say it doesn’t really have one defining central thesis therefore making it messy, but to me the fact it has many themes actually makes it more fun to think about. Gay score: 100000/10

2. The Haunting of Hill House-A horror classic that got me into Flanagan! This is Flanagan’s best series as far as making you pee your pants. That hat man is just scary! The character work is nice. Those first 6 episodes are incredible. Perfect. The thing that brings it under Bly Manor for me is honestly the ending. It left something to be desired for me. I can’t pinpoint exactly what it is, but it just did not conclude in such an emotionally resonant way as Bly Manor to me. Shout out to the Newton Bros because the music on this damn show (and Bly too but that’s basically Hill House music continued) is so so good. Also the character work is masterful because Shirley Crain is kind of a bitch but you do come to love her. In fact, there wasn’t a Crain I didn’t feel for. They’re deeply fucked up, sympathetic people. It’s a great show with some great thematic work but it just doesn’t speak to me quite as much as Bly, that’s it. I know that’s unpopular but it is what it is. A great good show nonetheless. Gay score: 8/10

3. The Fall of the House of Usher-This show is wild and honestly I couldn’t decide between ranking this one or Midnight Club third. I went with this one because the acting and technical stuff was so phenomenal. I’m not really into gore horror so this wasn’t like my thing on the surface but I do appreciate what a homage to Poe it is in the very limited knowledge of Poe’s work that I have. It was fun to see all the cast from previous shows back again especially T’nia. One of the downsides to this show is it doesn’t really make you feel a lot and so compared to the Haunting shows for me that makes it inferior for sure. But it’s a fun watch and honestly I need to rewatch the final episode because I had a hard time paying attention for that one. Gay score: really fucking queer/10

4. The Midnight Club-Ah Flanagan’s little dud. This one is really not very loved compared to the others, seems to be just about nobody’s favorite, however personally I liked it. I think people are a little unfair to it and while it may not be Flanagan’s best, I don’t think it’s awful. It doesn’t really tackle anything new when it comes to themes. There’s some death, grief, stages of acceptance, and cult stuff. I think the way it has these kids telling stories to deal with their reality was really brilliant in a way. There was one episode (six I think) that dealt with depression and suicide that made me sob and I thought was super well done. That one stuck with me.I think it would have benefited from a more likeable main character and also from the second season that was planned! Gay score: 6/10

5. Midnight Mass-To be honest, I probably could have gone without watching this show. It just didn’t really resonate with me and didn’t really entertain me save like the very last two episodes. It’s technically well-made and I appreciate what Flanagan was trying to do and convey with the danger of cults and religion. It was obviously a very personal project and was him working through his own experiences but it wasn’t for me. It had a few too many monologues and I don’t think monologues make an interesting character piece. However, it’s a critically acclaimed work so I recommend anyone who wants to check out Flanagan’s work still check it out! Especially if you like weird vampire stuff I guess. Also the acting especially from the priest was phenomenal. So there’s definitely pros to this show, but it didn’t add anything to my life for me! Gay score: 3/10 :/

Also, shout out to Mike because every single one of these shows is queer to one degree or another. He loves the gays! Ally! Bisexual wife probably helps too!