#also did one of my own compositions

[bones-edition]

POV you're alone in the church and they got a piano

[fraternum-momentum]

KYLAR'S GOT FUCKING COOTIES EWWW

anyway yea here's a really messy comic of Kylar bc i like suffering. edit: (kind of but not really) part 2 here!

[zytes]

9.16.24 / 9.17.24 - september supermoon

[bigcats-birds-and-books]

Replenishing the Nonfiction Stack; or, We're Calling the Book Buying Ban a Wash, Officially.

I am not, apparently, immune to coupons for niche nonfiction that's directly up my alley (octopus minds and RUSSIAN OWLS, hello??? Thanks, bookshop!).

I thought perhaps the BURGLAR'S GUIDE would also be covered under said coupon, since it was publisher-specific (alas: it was Not, but we might as well bundle for shipping purposes). And then while I was shopping IRL for gifties I found a copy of ROOM, which has been on my list for...ever? So! Hopefully these will hold me over on the nonfiction front for a minute!

[triglycercule]

"finally, mine. heh, and it looks better than both of yours."

"uhhh, mine and dust's are both in the same style, same everything. like, there's not even that much different about yours, horror."

"yeah, but it's me."

"i hope an alternate version of you gets severely mischaracterized irreparably."

"... damn."

💜/💙/❤️

[carnivalcarriondiscarded]

I am asking this to take my mind off of the update because the anticipation is killing me

where do you get your art inspo from? As in the art style :3

yk this is kind of a question i've been dreading! because a lot of people can answer definitively - they'll give names, urls, blogs.

but uh.. I really don't know? I mean there were some deviantart blogs in elementary/middle school that inspired me then, but since? I couldn't say! My style has evolved from me doing my own thing, I suppose. I'd take little bits from other people's tutorials/advice and then stitch it into my own Frankenstein's Style.

[idrawgaystffs]

Redrew a thing from over 2 years ago with some creative spice I’ve gathered since then, (The clean line art was Never to last, old me)

[Woah I reached the tag limit perfectly]

[soleilequinoxstories]

currently shitting and sobbing at this I miss glomas so much

🍎⚔️

this is a piece from my silver artbook, currently accepting preorders!! u can get a copy here!

non-UK: suntails.bigcartel.com

UK: etsy.com/shop/SuntailsArt

[elendsessor]

i love this so much and 100% agree

yakuza (2005) / like a dragon: infinite wealth (2024)

[art]

Creator Spotlight: @themetalhiro

Hi, I’m Metal! I’m a freelance artist from good ol’ New Jersey. My favorite things to work with are a lot of bright colors, exaggerated poses, and candid scenarios. I try to farm sensible chuckles whenever I can, so I’m also big into comics. I love making them about my life, and the media I’m into, and one day I’d like to publish my own series!  Thank you to everyone who has gotten me this far!!

Check out Metal's interview below!

Did you originally have a background in art? If not, how did you start?

I guess so! It’s funny, I don’t remember a single time in my life that I wasn’t drawing as a hobby… somewhere in middle school (a little late, I know.) I put the pieces together that animated movies were made by artists, and that it wasn’t just for fun, they were paid to do it. The moment I discovered people could be paid to make art, I decided I would do that, too. Now I’m here!

How has your style developed over the years?

I think the best way to answer this would be with an example! Over the last few years, I have made more of an effort to draw more intentionally, which sounds silly. Now, I put more thought into my poses and step out of my comfort zone with shape language and composition. I had a phase where I drew everyone with a huge, perfectly circular head and no nose. That definitely did not lend much variety...

Which 3 famous artists (dead or alive) would you invite to your dinner party?

Ack! I’m so terrible at history! I’d love to give a well-thought-out answer about fine artists of old, but I don't think we’d have much in common… Most artists I admire and who have driven me forward creatively are the people behind comics I’ve read. Andrew Hussie, Bryan Lee O’Malley, Eiichiro Oda... these guys have inspired me greatly and had a heavy influence in developing my art style and sense of humor. I’d love to ask them questions about their processes and upcoming projects. I think it would make for an entertaining night!

Over the years as an artist, what were your biggest inspirations behind your creativity?

Outside of pure aesthetics like searing bright colors, layered clothing, and loud noises…. the best and most inspiring moments in my life were those surrounded by friends and loved ones! I cherish the hell out of memories of hanging around in fun locations, trying weird food together, and impromptu midnight walks... so I try my best to capture that atmosphere and my own memories in my work when I can, even if I’m imposing fictional characters on top of them. That’s always the core of it.

What is a medium that you have always been intrigued by but would never use yourself?

I would never permanently refuse a medium, but every time I pick up clay, I’m like a baby using its hands for the first time. Absolutely dreadful. If one day I could make and paint a figurine like the ones I admire in videos, that would be awesome... But for now, I’m not counting on it.

How do you want to evolve as a creator?

I’ve had an absolute blast drawing fanart over the years, and it’s certainly played a massive role in my growth as an artist. But my dream has always been to publish my own stories for y'all to enjoy! I have lots of worlds I want to introduce to you before I’m old and gray. I want to get faster, work harder, and get better at drawing interesting settings so I can get the wheels turning as soon as possible. I also want to stop avoiding the color blue like a coward.

What do you wish you knew when you first started out creating art that you know now?

Pay your taxes quarterly. Tablets will break at the exact moment you need them most, so have a spare. Wear your blue light glasses. You’re going to need to wear a brace on every joint on the right side of your body. It can be lonely sitting at your desk all day. The car on the side of the road that costs $1000 cash….. don’t trust it!!!

Who on Tumblr inspires you and why?

@cranity—They use absolutely beautiful colors and weighty line work. Everything looks so sharp and clean! I wanna put it all up on my wall!

@vewn—Their ability to crank out quality short films and illustrations packed with detail is incredible. The off-kilter perspective they use really sells disorientation and catches your attention like nothing else.

@nelnal—They have absolutely banger character designs again and again, I can’t believe one person’s mind can come up with so many creative ideas!

@jinx88kc—They have a beautiful and recognizable style, and the way they incorporate animation into their illustrations sometimes is SO cool!

Thanks for stopping by, Metal! For more of Metal’s work, follow their Tumblr, @themetalhiro! If you haven't seen their Meet the Artist piece, be sure to check it out here!

[readychilledwine]

hello!! please could i request one where the reader is an OG member of the IC and very close to azriel (she knows that he’s her mate, he doesn’t) and sister-like to the rest of the IC. once feyre and her sisters come about, she often confides with feyre so they’re also close.

anyway, there’s an important event for the reader on day and she expected the rest of the IC would join her (she invited them?) but no one turned up and she’s absolutely exhausted, emotionally and physically, by the end of the day.

when she’s back, everyone is together at the house having fun and one of them notices she so dressed up but looked exhausted. maybe someone says something snarky and there’s an argument. azriel defends the snarky person so reader and azriel have an argument (hurtful words towards the reader) and that’s when the mating bond snaps for az and he’s regretful. things happen but happy ending for the reader, az and the IC. thank you 🫶🏼💗

Odd One Out

Summary - After 500 years of friendship, the last thing you ever expected was the Inner circle to miss one of your symphonies. But you know what they say, time changes people.

Warnings - I warned you all to watch out for angst, right? Elain being catty, reader feeling lonely, Azriel being an idiot

A/N - I promise Bound by Fate is still coming. I'm just constantly rereading it and not happy with where it's at. It's probably because I needed this out of my system. I hope this is close enough to what you were looking for! It wrote itself, so I'm worried it may stray too far from the ask! Please let me know if it did.

✨️ Azriel Masterlist✨️

Odd One Out pt 2

Maybe you had asked too much again. You looked to where the empty seats for the Inner Circle and Archeron sisters sat one last time before moving forward. You had worked too hard on this symphony to let this stop you. You were the last to go on stage, the conductor in her gorgeous sparkling gown and heels. You were the picture perfect face of composure as you bowed before turning and raising your hands.

You were introduced to Rhysand at a young age, and the two of you were quickly friends, so when he became High Lord, a place at his side was handed to you without question. You were eloquent, elegant, and kind. You were perfect for the position of emissary, and you single handedly won him friendships and alliances among every court aside from Spring.

He had never stopped you from pursuing passion, though. Your father had forced you into harp lessons from the tender age of 4 until his untimely death. He sat by your side for hours, teaching you to speak through letters written on a sheet that so fee could truly understand. It was an escape that turned into a career. One Rhysand specifically built the amphitheater you currently stood on for. The music you wrote woke emotion on the High Lord and all of Velaris, quickly making you one of the most popular females in the City of Starlight.

No one enjoyed your music more than Azriel's shadows, though. Nor did anyone enjoy you the way they did. How they knew you two were mates while he sat clueless and doting on Elain would never make sense to you, but the shadow turning your sheet music for you tonight was at least a small comfort, even if your family, mainly his master, was not here in their resevered High box seats.

You were exhausted when your arms lowered for the close of the show. You stood to the side, plastering a small faked smile on your graceful features as you held your arm to the orchestra, signaling for their bows before taking your own and leaving. You were the last one there, sharing thank yous and goodbyes as you musicians left. You chose to be alone for a while on the harp that sat in your sound room at the theater. You had a song in your mind, and you needed to let it speak before it left. Even if it was created from a place of raw emotion. It was near midnight when you finished, leaving the new composition to sit until you returned tomorrow.

You could hear the drunken laughter the second you walked into the old Riverhouse, the one you and Azriel made home as the mates of the Inner Circle began occupying the other houses, and signed as you removed your heels and picked them up into white tipped manicured nails. "Y/n!" Cassian's booming drunk voice slammed into you as he did. "Where have you been, baby?"

It was Nesta who gasped, looking at the clock on the wall before whispering a soft oh no as she saw your dress. Nesta who covered her mouth, eyes beginning to water as she shook her head and stared. Nesta who glared to Feyre.

"Why do you look so dolled up?" Rhys had a slight flush to his face, a wide smile as he took you in. "Hot date?"

You couldn't help but stare, shaking your head as your throat tightened. "You all seriously don't remember." Rhys knitted his brow thinking, and his face slowly fell.

"Y/n Darling, I am-"

You put your hand up to him before he could finish, shaking your head as the tears actually fell. "Save it. Spare me your lies and excuses." Cassian looked to Nesta and then Rhys, his own face falling next as he remembered.

"The symphony."

"Was beautiful, regardless of my support system deciding wine and board games were more important than the first live art performance in Velaris since our high lord was captured." Your voice was shaking as you looked up, avoiding Hazel eyes that were wide in shock as every single ounce of heart ache you felt hit him.

The bond finally snaps, his shadows hissed. We've been reminding you all day. And now you've hurt our mate. Ours. We went. Where were you?

"Maybe if you were actually good at writing music, we would have remembered." Mor's glass of wine hit the floor as your breath stilled. Rhys felt his hands fall from Feyre's lap as she audibly said Elain's name in an insulted tone. Amren was immediately held back by Varian. "Obviously, if the people who you claim you're so important to did not see making time to go a priority, we did not miss much."

Cassian heard your breath shutter. You stared to Azriel, waiting for him to come to your defense and not realizing his silence was due to shock from the bond and Elain's sudden cattiness. "Very well. I see I am no longer wanted, and I will not stay where I am not wanted," the whisper was all anyone could hear as you turned and walked away. The door shut behind you, and as if the Mother truly hated you, rain began falling softly, and you made your way back to the amphitheater.

Azriel had never shoved someone off his lap as quickly as he did Elain in that moment. But it was Rhysand who spoke, "How. Dare. You." The High lord went to stand, grabbing his jacket. "When your sister was dying, I sent her y/n's music. The mobile you play for our son every night, is y/n's music. The music that plays in Hewn City is y/n's music. She is an essential part of my circle, my family. How dare you tell her that her passion, her joy, and her career mean nothing to us."

Azriel backed away from Elain. "Your true colors disgust me, Elain Archeron." He studied her, truly studied her for the first time as the door slammed shut following Rhysand's exit. "That is my friend, my closest friend. You just hurt her like it was nothing. Cut her so deeply you will never be able to repair it."

"Well, if she mattered so much you all would have remembered."

Feyre spoke then, between heavy sobs, "I wrote down the wrong date. I wrong down tomorrow night for opening night. We were going to take her to dinner. It was supposed to be Nyx's first concert. This is my fault."

"Again, proof it didn't matter." Elain sipped her white wine as if Feyre had all but solidified her opinion.

"Get out," the growl from Azriel took everyone by surprise. "Get out of my home. You are no longer welcome here."

He was out the door, running to catch up to Rhysand in the rain, but missing the High Lord. He entered the amphitheater drenched and in silence, sitting next to where Rhysand was in the dark.

You were on stage playing violin as you always did when your heart was breaking. Every stroke of the strings had the bond growing tight before you dimmed it on your end, as if each movement of the bow, each note, was you whispering goodbye. "She told me she is leaving," Rhysand rubbed his face next to Azriel. It was then he saw the tears staining the perfect features of the High Lord. "She said this is my last performance before she leaves for Dawn."

"There's nothing we can do then?" Rhysand shook his head at the question before his head fell into his hands and his shoulders wrecked into sobs. "She's my mate."

"I know," Rhysand looked to the stars. "I've known for years. She never said anything, and now she never will. What little piece we had left is gone. Her light had been blown out by Elain's statements."

"Let me-"

"Just please stop talking and let me enjoy this."

It was the song he had sent Feyre under the mountain. A score that read of hope through pain.

And hope was all Azriel could hold on to as you stood and bowed, winnowing away as soon as you were finished.

General Taglist:

@hnyclover @glitterypirateduck @slytherinindisguise @mischiefmanagers @bloodicka @starsinyourseyes @the-sweet-psycho @mariahoedt @rinalouu @sarawritestories @starryhiraeth @starswholistenanddreamsanswered @cumuluscranium @loneliestluvr @eternallyelvish @azrielsmate3 @daughterofthemoons-stuff @meritxellao @aria-chikage @hungryforbatboys @lilah-asteria @fandomrejects

[fumifooms]

People have speculated a lot about Chilchuck’s nightmare, my own reading’s changed a lot about it over time too. Anyone is afraid losing the people they love, but what does this say about this character’s specific fears, experiences and priorities? What’s implied to have went down exactly, here?

My own take about Chil’s nightmare is that at the center of it, what it represents is the fear that Chilchuck couldn’t protect them.

A big part of Chil’s character is his worrying for others, mainly for their safety, and taking responsibility for keeping them safe. He puts the weight on himself to make sure things go right and if they don’t he’ll worry about if he could have done anything differently. It’s also part of why he has this defense mechanism of giving up on interpersonal matters easily, because while it’s his duty to make sure his coworkers and daughters are safe for example, he thinks that when it comes to relationships and others that things are out of his hands and no matter what he says people won’t care. So he has to lie and trick his party members to go back to the surface, because surely they wouldn’t listen to his opinion or request to go back. So he’ll play chaperone to make sure no one says something incriminating. So all day he has to keep himself on his toes to hear and see the traps hidden away, has to keep himself starved to make sure he won’t trigger said traps, has the party’s lives on his shoulders and one moment of distraction could be the end.

This safety he worries about is both physical, fights and traps, and legal & socio-economical, laws, reputation and financial & job stability.

Here Chilchuck has blood on him, he seems to be looking at his hands. The corpses of his daughters are huddled laying around him but he’s not touching them. This has a sense of purposeful framing, they’re laying at his feet pointing up to him bloody and he has bloody hands, which is why people including myself have speculated that his nightmare could be about him murdering his family. Whatever happened, he blames himself, it’s his fault, is what the composition seems to evoke. But the intent of that sentiment shifts as effortlessly and easily as going from "he’s horrified at what he did" to "he’s horrified at what he didn’t do".

The axe in the wall, which some argue would be too heavy for a half-foot, then hints at something more like home invasion. Home invasion is a valid fear a lot of ethnic minorities and lower class people have had to face, wether it be because of overpolicing and law enforcement forces being dangerous and fickle, being the target of hate crimes or the general unfortunate environment and circumstances making their place of residence an unsafe spot. We don’t know why Chilchuck moved from his hometown to Kahka Brud, one of the bigger cities with half-foot populations reputed for its booming economy and job opportunities, but moving from a small town to a big city has its own pros and cons on that end as well. Chilchuck of course is very aware of the discrimination half-foots face, not only being dismissed and infantilized but also seen as expandable, as bait, little lives of little importance, and he’s deep into activism for half-foots especially with the union he leads. He strivess to protect his peers as well. He’s been scared for his life before, hiding and fleeing from humans, his party at the time. He’s had to hide and fear and flee humans before. The theory that he’s scared of specifically home invasion as a hate crime is very founded, on top of Chil being very worried about getting into trouble with the law in general and also again being implied to be/have lived in empoverished areas, just the whole bingo card of potential trauma to go off of.

He has blood splattered on his hands and cheek. Was he there when the rampage happened? Was he effortlessly pushed aside as his family was slaughtered, or did he stand aside frozen, unable to do anything in either scenario? If there’s another way to have gotten those blood splatters, it can also play on him being absent from his home. Maybe not unlike his wife, the fear of returning home to see things have been taken from you without even knowing or being able to do a thing. The fear of coming home and the place having been ransacked and everyone in it killed. Home, your haven, destroyed, your family, killed. It cannot be fixed, which in itself can be a nod to his tendency to be pessimistic and to think hoping for better is useless, like with being able to reach out and reconcile with his wife.

"The nightmares that the clam monsters give people tend to be specific, and based on deeply rooted emotional wounds, so I think it’s possible that Chilchuck isn’t just afraid of his home being attacked randomly, he is afraid of his daughters being targeted for their race and their gender specifically, perhaps because that is something that happens commonly to half-foots in the Dungeon Meshi world, and something Chilchuck feels powerless to protect them from." — @Room-Surprise , essay (source, go read it) It’s definitely in line with the lore. This whole thing reinforces how for example trusting his party with his daughter’s life, telling them to hire Meijack if he were to die, was a huge deal and testament of trust for Chilchuck.

So yes in my interpretation home invasion is especially relevant, but I still think the protection aspect is at the core of the scenario’s horror otherwise too, not having protected his family from himself if he was the one to kill them (which could be stretched to include the notion that his family’s closeness crumbled because of his attitude, or a manifestation of his low view of himself, maybe worried about his own alcoholism and anger issues) or having prevented whatever tragedy happened. The aftermath is what Kui chose to show after all, whatever happened the end result is the same and that’s what was deemed important. In the end it’s up to interpretation, whatever the intent was, but yes there’s much to be dug at here. It’s a bit like a chimera of all his biggest worries, fears and insecurities, all wrapped into one vision. If you want more discussion about it, there’s tons in the engagement of this post.

[yamujiburo]

The art style for the pokemon anime and manga has shifted and changed quite a lot over the years. Is there a specific series or era style that you particularly prefer or that you think your art style is inspired/affected by when drawing the characters?

Ugh amazing question I have 3 answers (for the anime since im an anipoke girlie)

I'm a big fan of the OS anime style. The colors, the sharper style and the grainy look. I also really love the proportions from that era. Everything just felt so solid and blocky in a nice way. I also really love the expressions. There was a lot more subtlety at that time and it was really effective.

Next one and maybe the bigger influence on my own style is the SM anime. I LOVED the design change. Incredibly simple, bouncy, round fun to draw, less tied down, etc. It's just so fun! I feel like my default style has always been a bit of a mix of anime and modern western cartoons and this is the pokemon series is the closest to that vibe. Also those EXPRESSIONS. I have so many random screenshots saved from this series just because of how bonkers the expressions would get.

My #1 influence without doubt is not a specific series style or era but rather a specific artist! His name is Akihiro Tamagawa and he was one of the animation directors on pokemon from OS to I beliiiiive XY? He also did a lot of the movies! Everything about his style is just so appealing to me. The proportions, the posing, the composition, the expressions, EVERYTHING. I've definitely taken inspiration from how he draws eyes and mouths. I draw a lot of low mouths and big smiles because of this guy. I feel like once you see it you won't be able to unsee it in my work hahaha. I made a post about it before!

And here's a guide of all the episodes he directed on!

[cthonic-bunny]

1. personal synastry and composite experiences and observations

Do not interact if you are a minor. (18+)

Sun in 8th house synastry: I was the house person they were the sun. I definitely developed insecurities I never had before as a result of this connection. With the sun shining brightly on my insecurities, they were hard to ignore and even harder to not project them entirely on the sun. A lot of “you did this to me!” energy. I didn’t consider myself a jealous person until this relationship and a lot of it came from wanting to be “good enough” in the eyes of the sun person. It’s like knowing you have these darker aspects in common and wanting them to see you can bond this way and see them in a way no one can. You also end up pushing limits together. You liked this? Now WE love this. You’re addicted to that? Now WE are addicted to it. Moderation is hard to achieve with sun in the 8th house synastry. It can also bring up insecurities surrounding sex with that person specifically, if poorly aspected. Explosive reactions and emotional outbursts aren’t foreign here. The house person can feel like a vampire being sunburned, with all its ugliness revealing itself from its body because of its interaction with this person. The 8H person wants a full, in-depth analysis of the sun person’s thoughts, intentions, and motivations. The plutonic energy wants to completely envelop the sun, compulsively in some cases, to know WHY they are the way they are, and why the sun presents themselves in certain ways. This is especially true if the sun person did something to hurt the 8H person, who can feel it more than is rational. The 8H person can really struggle with getting over any emotional harm or feelings of abandonment that come from the sun person. The 8H person can potentially resent the sun person for not being able to read them as intently as they could read the sun person. The sex, if and once insecurities are worked through, can bring you so much closer to one another and to yourself. I also feel like any disturbances or intimacy problems between you two can easily be felt by others or there can be blow ups in front of people you know, because the sun is a planet that illuminates wherever the light lands, whether you like it or not. Avoid public fights, because you will kiss and makeup but the damage in other people’s eyes will be done and opinions will be made. The 8H person might be able to see through any facade the sun person puts up, and this could lead to deep discussions that could be extremely healing for the Sun who might have to work through some things. The 8H person can also teach the sun person how to make more money and maybe even encourage them to start their own business. They can be known as a couple that makes a lot of money together. The sun person can also give sugar daddy/mommy vibes and the 8H the sugar baby, even if it neither one of the people involved are rich-rich. This is a highly binding placement. You two might find it difficult or even impossible to separate from each other even if the relationship has run its natural course. You guys are known as the couple that is “stuck” to one another.

Moon in 5th house synastry: *weird* but, for those who have this placement with a significant other, do you love to smell their body odor? I think in the house of children and fertility, it makes sense to love your partner’s pheromones. Something as weird as the smell of their armpits or stinky feet becomes comforting, idk?? This house is also really fun, and you can get a lot of emotional fulfillment out of acting like children together. 5H is ruled by Leo, so I also found that we had a lot of fun putting on “shows” for one another, and sort of making up our own characters and accents to make the other giggle. People are also really excited for the prospect of us having children together, and you’ll have friends volunteering to babysit or be the godparent of your unborn children LOL. Dressing up nice and going out on dates to somewhere with a great ambiance can be a great way to feel connected. Sharing perfume, or gifting each other perfumes or colognes. Loving the scents they wear. Same taste in candles? Candles as gifts. Lots of watching TV together? Having “shows” that feel wrong to watch without the other. Being called pretty by the other means a lot, and being pretty in each other’s eyes makes you feel good.

Moon in 12th house synastry: 12H synastry tends to have an awful reputation, and I get it when it’s a relationship that isn’t meant for you. However, my moon falls in my best friend’s 12H, and it is one of my favorite placements of ours. We have a telepathic connection where we can just look at the other and know what’s up. You preemptively know what will bother the other person and find it hard to understand how other people wouldn’t have assumed that thing would annoy your person. You understand each other’s motives, and can provide the ultimate shoulder to cry on or ear to listen with. When it’s a new interaction it can feel a bit intense, because how are you in my head!!! I feel like you can read my thoughts! It was like that for the both of us. It’s like, when together, both our consciousnesses transported to another realm where we are mutually perceiving something and our thoughts are being put on a radio for the other to listen to. Very spiritual relationship. You KNOW the vibes, and those feelings will be verified through the other person who already felt the same. She will never be wrong in my eyes and I will defend her to the death. We don’t even have to speak on certain days, but we can feel whatever mood the other one is in and check-up on each other accordingly. Whenever we have a strange dream or nightmare, the first thing we do is text each other and try to analyze what it could mean. I as the 12H person also dreamt of us becoming best friends before we formally met. The dreams i would have of her would always be loaded with spiritual symbolism. We also grew up with the same level of emotional attachment to our personal spiritualities and shared religion, which plays a large role in our understandings of one another. Most people just won’t get it, but she always will. She could read my crazy journal entries if she wanted to. 12H moon synastry is just unconditional love. Between friends at least, it feels like a long-lost twin connection. Also, her and I had gotten matching tattoos before we even knew of each other, both of them being for the same spiritual meaning!

Composite Mars in 3rd house: Lots of talking during sex, and lots of car sex— It might sometimes feel like that’s the easiest thing to talk about, or the conversation always steers to that direction. Sending nudes? Sexting. Maybe the only way you two could engage your sexual desire for one another is through sexting, because distance might not permit the full physical expression. If you don’t have a lot of experience knowing the other’s communication style, it can lead to a bit of random defensiveness or perceiving the other as communicating abrasively. I think it can lead to one trying to get reactions out of the other by saying something out of pocket.

Composite Mercury in 12th house: Pay attention to the dreams you have of this person! They will seriously tell you a lot about your dynamic, but don’t take them at face value! Lots of mystical elements to your dreams about them specifically, so maybe reviewing tarot card meanings and astrology concepts can help you decipher the meanings of your dreams. You might find it easier than expected to confide in each other or rant about your brain’s inner workings together. “I don’t know why I’m saying all that-“ or psychoanalyzing each other for fun. Talking about your less-than-desirable attributes. Being honest about your deceptive tendencies or specific lies you’ve told and why. Oversharing things that will usually make other people uncomfortable in the same context (like talking about your exes or failed situationships on a first date). Difficulties communicating when it’s not in person because it leaves too much room for confusion. Deceit is a real possibility though, with someone voluntarily “leaving out details” about their life outside of the relationship to avoid ruining the flow of energy or the dynamic. Having each other saved on your phones under fake names. Having to hide that you’re talking to this person from other people. One of you withdrawing communication to manipulatively make the other think about you more. Taking turns being each other’s therapist. Thinking about each other often but never expressing that, or the extent to which you think of one another. Thinking about the other at night before going to bed. “I started catching feelings for the girl that I’m currently having sex with, so it’s safe to say we don’t talk anymore, unless of course we’re having sex” in Sasquatch .22 by Bay Faction.

Composite Venus in 12th house: There really is a secretive component to this interaction that can feel impossible to bypass. Your family, friends, or society might not “approve” of you two together. One or both of you can be cheating on someone with this person. Only being able to meet up or be affectionate at night or in extremely private settings. The privacy of the relationship can help you open up a lot more than you’d expect to, because there’s no one but you two to perceive the other in this context. No judgments on how you two should behave with one another, so “let’s fully enjoy the moment while it lasts.” No one understanding your interaction or it’s purpose, and you probably don’t understand it either. Sending telepathic love notes. Longing. Intimate and romantic sex that haunts you or catches you off guard. Never wanting to be the first one to admit you’ve caught feelings. Ruining your sleep schedule to spend time with one another. Dreaming about romantically linking with them before it ever happens. Withdrawing once feelings start feeling real. The song “Lips of Angel” by Hinder reminds me of Composite Venus in 12H. “Illicit Affairs,” “August,” and “False God” by Taylor Swift. “Why Can’t I?” by Liz Phair. Gato de Noche by Bad Bunny. Sex by The 1975.

Lilith in 8th house synastry: Wanting to try things sexually with this person that wasn’t necessarily exciting with other partners. “You can do whatever you want to me, and I’ll let you.” Possibly experimenting with or preferring BDSM with one another. That Lana lyric that’s like: You fucked me so good that I almost said “I love you.” It might also be controversial if people knew you’ve had sex with one another. Revenge sex? As in, you two having sex might indirectly be spiting someone else, and it kind of feels like you’re dishing out delicious karma on a surprising silver platter— “lol if only they knew” You two might have fun misbehaving together. Doing what you both know you’re not supposed to be doing can make everything feel better, and even more reason to keep doing what you’re doing. Lana Del Rey in Diet Mountain Dew: “you’re no good for me, but baby I want you.” Wanting to be dangerous together. “Leave me bruised so I can’t forget you.” “Seeing you tonight is a bad idea, right?” This placement somewhat reminds me of a union between the death card and the devil card in tarot, with an emphasis on risk-stained sexual liberation. You can become symbolic of temptation in each other’s lives, so it’s hard to deny your impulses. Toxic by Britney Spears.

-D 🖤🕯

[jetpackgeneratedcat]

It took literal months, but I finished it!!

Top left: linked universe logo

The jojo's lu logo is sooooo detailed. It is one of the things I love about Jojo's asethetic with linked universe. The detail she adds brings so much life and information about the world of Linked Universe. Great example is all the embroidery on the chain's clothing. Let's you know about civilization, that an item may be magical, etc. It is difficult to keep small details in watercolor, but I think I caught most of the main details in the painting.

Middle left: Soulful legend

This was the fourth of the images I did for the painting, and the first image I really started to get into the painting. I think legend is my favorite to paint because he makes composition so easy. The red tunic adds an easy focal point. I did learn from this that I do not like masking fluid and likely won't use it again. It added to many hard edges that I wasn't intending. Very happy with the sky!

Bottom left: Evening snack

In this image, I liked the idea that wind and sky don't know what Ramen is because their worlds don't have enough space to produce wheat. So sky and wind are super excited about this new food, while legend has no idea why they are so hyped for noodles. I also liked the idea that four found a green pepper in the ramen as a topping and is a hater (this is from a note that jojo left somewhere saying that the chain will eat anything but four in the Manga does not like green peppers, idk where this note is to link it though....). I didn't end up drawing the Ramen noodles as it was just getting too small of a scale for me to be comfortable drawing the thin lines for the noodles in.

Bottom right: Testudo

I am very hyped in the future when we see more collaborative fighting with the chain and them working together effectively. I absolutely love the scene in shifting shadows part 3 where lenged and hyrule work together with the beam and hookshot.

Middle: Legends storage

This is a reference to one of jojo's earliest works where the chain goes to legends storage for him to pick up some gear. I love that scene and I tried to put as many references as I could. The one thing I need to figure out is how I want twilight to look. I can't wrap my head around it. Need to sit down and just try out a bunch of different faces for him. My Pinterest inspo for twilight is all over the place. I want twilight to look different from time because when Malon was trying to guess who was the descendent, she did not consider twilight (she looked at wars and wind (so I typically draw time, wind, and wars looking similar). For my own personal headcannon, twilight and time are very similar in their manner (the way the walk, stand, etc) and personality (their stubbornness (as seen in sunset pt3)) but not necessarily in looks.

Middle right: Boat boys

The first image I did. I like how the water turned out, but I will not be using masking fluid for the same reasons I noted earlier. I did trace the boat (i think this is the reference [L240632 Hornet Class. J. Arthur Dixon Ltd. Beken and Son]). I do regret not doing anything creative with the boat, but I just wanted to get into painting and needed some confidence by working directly from a reference. I also forgot that legend might not be so keen to be on a boat again based on a comment jojo left in 2022 or something. I think she mentioned something in a discord event back then about legend not too willing to be on a boat again. But that doesn't really matter, I put that boy in a boat whether he likes it or not lol.

Top right: Winter storm

Second image I did for this painting. I did trace most of the horse because I do not care to learn horse anatomy (ref. [Winter Save By David Stoecklein]) Favorite part about this is the lighting on the rope from the lantern. I think it turn out well.

Top middle: Heavy armour

Third image I did for the painting and the one I realized I need to spend more time painting people in neutral or back lite lighting. But for my first time I think it is good. I really want to see what jojo does with the armour sets! I like the idea that war's armour is clean and pristine while wild's armour is rusted and beaten from the calamity. In this painting I played with adding pink to the golden armour and I liked it. In the middle picture of the collage (legends storage), you can see i added pink to time's armour.

That's everything! ❤️

[astroismypassion]

Astrology observations ❇️❇️❇️

Credit goes to my blog @astroismypassion

❇️Cancer Juno often has a nagging, a bit complaining partner that demanding. I think Cancer placements will do a lot of providing and effort, however they are even more demanding in return. They will keep you safe, as long as you are doing your own part of them, which is not always an easy task.

❇️I noticed people with Libra over the 4th house (also Libra IC, IC at a Libra degree (7, 19) tend to mingle with a lot of posh people at least at some point in life. Their friends might even consider the Libra 4th house native as posh. These people often either went to the top school in the country, had the opportunities to mingle with high profile people in their younger years.

❇️Capricorn over the 4th house and Capricorn over the 7th house are few of the most regimented people I've observed. They usually had a strict school schedule that they had to keep up with, lots of clubs and extracurricular activities. They also sometimes appear a bit socially awkward due to so many schedules, like you get the feel like the person was just busy a lot of the times and didn't have as much free time as perhaps others.

❇️Pisces Moon people, especially if it's also in the 12th house and Pisces IC people have a tendency to rely on assistance. Like someone from the family, a friend, a partner. They might have been a bit co-dependent on a parent. The parent might had the need to be wanted/needed all the time, so they did things instead of the child (the Pisces native). Which ended up making the Pisces native lost, disoriented and not having the know how when left on his or her own devices. Due to this early family pattern, they are often not aware of being prone to this dynamic even with closest friends or a partner.

❇️Saturn Juno all aspects, Capricorn Juno and Capricorn Moon are types to "be married to the job".

❇️People sometimes don't read Ascendant signs well. Ascendant sign very literally indicates people that will come your way throughout your life. If you are Cancer Ascendant, be sure that a lot of people with Cancer Sun/Sun in the 4th house/Sun at Cancer degree (4, 16, 28) will pass you in this lifetime. Even mundane as a cashier at the store, buddy on your volleyball team, a person who does your nails.

❇️8th house Synastry really gets you in your feels. You might not even view yourself as emotional or needy before, but then you unleash all your emotional nature and neediness at once on that person.

❇️Speaking of 8th house Synastry don't underestimate your 8th house sign. You might think you will experience 8th house type of connection only with your 8th house sign. If you have 8th house Taurus, you might have 8th house connection with Taurus Sun, but also with the opposite sign too, such as Scorpio Sun. You are very deeply fascinated by 8th house sign, but also the opposite sign too. So if you have Cancer 8th house, you are fascinated by both Cancer and Capricorn.

❇️If you have Aquarius/Uranus in the 8th house or Uranus Pluto aspect, the people you want to establish a deep trusted bond with, be physically intimate with, might instead want to make you their best friend. People really want to be best friend with you so you can stay in their life as long as possible. These natives might on the other hand be blessed with friends that they have known for decades, like 20, 25 years.

❇️People with Libra Mars don't have a hard time channeling heartbreak into artistic masterpieces.

❇️You could have Cancer MC with your first love in the Composite chart.

❇️Friends often vent to you about their partner or they come to you for partnership/love advice if you have Libra over the 11th house or Venus in the 11th house and Libra Fama.

❇️Whenever there is Moon in the 8th house in Synastry there is a lot of attraction in the early stages, but then one (usually the Moon person) ends up feeling inferior, especially due to 8th house person being so successful.

❇️I noticed it can happen that you come back together if you started dating someone during Venus retrograde. But it's more likely you don't get back together if you decide to break up during Venus retrograde.

❇️If you have Aries over the 7th house in your Natal chart you might always have new opportunities to gain more money right after ending a partnership. You come into more money right after ending a partnership.

❇️Venus retrograde in a Natal chart of a man points to him being let down by his partner.

Credit goes to my blog @astroismypassion