#also before i end the post i do feel the need to point out ppl looking at the later translation of things and saying ‘he just meant it in a

[xumoonhao]

yknow. there’s a lot of back and forth on what minghao said vs didn’t say, what he meant or didn’t mean and like yeah in some situations context matters but like…the context isn’t really the issue here? like he responded to a question (why was that question even asked???) with his opinion on something, and his opinion is fucked up. like you can argue all day that he didn’t mean it in the way it was taken (there might be merit there but that’s not for me to judge, really, bc regardless of how he meant it he said what he said) but ultimately in situations like this it doesn’t come down to what someone means, it comes down to what someone says. I’ve also seen people saying that even before that he said something like ‘i don’t know a way to word this properly’ or something like that, but then the proper response is to not say anything and move onto a different question. like y’all don’t need to coddle him. hes a grown man

[mysicklove]

Summary: Going to the fair with older brother Sukuna and toddler Yuuji was bound to cause some sort of trouble. But it was the tiger plushies' fault, not yours!

cw: fem! reader, curse words, sukuna almost hits someone with a ball, sukuna gives bad advice, sukuna threatens ppl, mentions of kidnapping, metaphors that dont make any sense

wc: 4.1k

a/n: i will post the prequel to all of this next! but I thought this was a silly way to show more dynamics between reader n sukuna! hope u guys like it <3

big brother au masterlist + taglist

It was Yuuji’s idea to go to the annual fair. You thought it was a great idea – it was an opportunity to get Yuuji out of the house, and the idea of seeing the toddler giggling on the children’s rides sent you off to your computer and buying three tickets. 

Sukuna was not very fond of the idea, but you could have guessed that. He preferred to go to the fair with just you, but if Yuuji heard, he would probably throw a mini tantrum, and that would just be more work for Sukuna. So alas, it ended up being you three (as it usually was).

Yuuji was beyond excited when the three of you arrived, and Sukuna grips at the boy’s hood, sparing you a glance and rolling his eyes. “We need to get him a leash.”

You grin at him, scoffing but jumping slightly when an older boy shoves past him, making the toddler stumble backward. You grab Sukuna’s hand before he tries to yell at the other child and then pull Yuuji close to you. “There,” you sigh, successfully holding onto both of the brothers, “We all stick together. Don't get separated from us, Yuuji.”

“No running away!” he chirps, and you smile, nodding at him. Immediately Yuuji is distracted by all the flashing lights, and Sukuna has to hold onto the back of his hood to prevent him from accidentally wandering away. Sukuna claims the boy is just dying to get kidnapped, while you blame it on the toddler’s curiosity.

You guys make your way to the children’s side of the park, having to cover Yuuji’s eyes a multitude of times so that he doesn’t see the other rollercoasters. He was still talking about how excited he was to go on the rollercoaster that goes upside down a whopping three times – a rollercoaster boys of the age of four are not allowed to go on. Telling him would probably make him cry, so distractions worked better. Luckily, there were enough lights and stuffed animals around that pointing to something while you scurry past the rollercoasters distract Yuuji for long enough.

The first ride you guys made around to had an influx of people, but they all did, so the three of you stood in line listening to Sukuna’s complaints. Yuuji talked to the little girl who was also waiting in line just in front of him. Sukuna glares at you, listening to the children shriek and feeling the multitude of bodies pressed near him. “We are going home after this one.”

“No, we aren’t. Lighten up!” You try to encourage, rubbing his arm, and trying to ignore his displeased expression. “We are at the fair – look how much fun Yuuji is having.”

He glances at the boy, who, like always, is in the other child's personal space. He was clinging onto the girl’s arm and jumping up and down in excitement while the young girl looked overwhelmed. Sukuna pulls the boy’s hood, causing Yuuji to come tumbling backward. The boy, in return, merely cocks his head to the side, confused as to what he did wrong.

“Keep doing shit like that, and no girls are ever going to like you,” Sukuna reprimands, letting go of the red hood. 

Yuuji frowns, still confused, and you step in, immediately crouching down to his level. “Remember what we talked about? Personal space, Yuuji. You got to give your friend some space to breathe, sweetheart.”

The boy nods, looking at the concrete floor – even if your tone is nice, no child likes to be scolded. But Sukuna just pushes him back over to the girl, ignoring the way he trips and falls, but immediately gets back up. The two children go back to their conversation, but this time Yuuji holds onto Sukuna’s leg so that he doesn’t accidentally get too close.

Sukuna turns his attention back toward you. “Do you think they will take him in?” His head tilts to the parents of the girl.

You roll your eyes but smile. “Uh-huh, and if they did, who would you use as an excuse to go on your favorite ride, the Kiddie Coaster”

“The more you speak, the more you tempt me to just leave you both here,” Sukuna says, but there was no real threat to his words. He leans back on the metal bar handles. “Ah, how peaceful life would be without the brat spouting bullshit. Just the empty house and I, what a dream.”

You lean back on the adjacent metal, crossing your legs and sighing whimsically. “Ah, I can see it now,” you start, and Sukuna raises his eyebrow. “You are gone, and me, Yuuji, and Choso are traveling the world together. What a beautiful lifestyle without hearing any complaints.”

“Ah, and then I hunt you three down and lock you up so that you three can never have fun without me. And I live happily ever after, still alone.” 

You wonder what the couple behind you are thinking, considering they are probably close enough to hear whatever you guys are saying. But ridiculous conversations like these were common for the two of you. They never had real meaning behind the teasing words, especially since when the three of you began to load up on the small rollercoaster, Sukuna very quickly forced his lips onto yours and gives you a cocky grin before loading up next to Yuuji. And that was all the reassurance you needed – sadly, you dont get the last word, this time at least.

You two didn’t even try to sit next to each other, knowing that either way, Yuuji would demand to be placed in between you two. The boy was grinning like a madman, kicking his feet out and wishing that the ride would start sooner. Just before the ride started, Sukuna had made a teasing remark that the boy wasn’t strapped in properly, and could possibly fall out. You were lucky Yuuji was in such a great mood because the second you shut that ridiculous idea down, he immediately went back to giggling with excitement.

And a minute and a half later, the ride was over, and the toddler had more energy than before. He was practically buzzing with excitement, jumping up and down and reenacting how fast the rollercoaster was going with his hands and mouth sound effects.

You nod the entire time, smiling while the toddler babbles on about how much fun the rollercoaster was. It was adorable to watch, to say the least, and you were excited to take him on the next one. 

Sukuna was not excited to stand in line next to children again. He grabs you by the wrist and drags you over to where the fair games are located. Yuuji grabs onto your own shirt and continues to talk to you while the two of you are basically getting pulled into an unknown location. 

Eventually, Yuuji found himself in awe at the giant tiger stuffed animal that hung from the top of one of the tents. He was pointing to it and squealing for Sukuna to get it for him, and at first, Sukuna rolled his eyes and immediately said no, but then he also saw you staring at it. He taps your shoulder with his, rough enough to snap you out of your thoughts. “You really want the stuffed animal? That shit is for babies.”

“You are a pretty shitty boyfriend,” you sigh, not really taking what he said to heart, but still Sukuna immediately denies it. You ignore him and pet the child’s pink hair. “It’s for Yuuji.”

“I’ll win you the stuffed animal.”

“Win Yuuji the stuffed animal.”

“Tiger! Tiger! Tiger!”

Sukuna narrows his eyes at the two of you and then turns back over to the man hosting the game. He hands him some cash and mumbles, “If you scam me, I’ll kill you.” but the music paired with the abundance of people talking made it too loud for the worker to hear his threat. 

The man hands him three balls, and the goal is to knock down a stack of metal cans. Easy enough, but this was a fair game, so there was bound to be some sort of trick to it. A trick that Sukuna does not know.

You and Yuuji stand a couple of feet behind him, cheering him on. Yuuji was now being held by you, sitting on your hip and pumping his fists in the air at the mere idea of owning the giant plush. 

But, as you suspected, Sukuna did not win. He had managed to knock down two cups, and the last ball went flying past the man’s nose when he tried to taunt Sukuna. You could have guessed that would happen. 

This time, you are the one to drag Sukuna because if you didn’t, surely that poor worker would have a broken nose by now. It was their job to taunt people, a part of the fun, but your boyfriend’s temper did not stand for that.

Yuuji was surprisingly fine with it – of course, he did look a little sad about losing the opportunity of owning the tiger, but in the next moment he was fawning over how strong his brother was. He was gripping onto Sukuna’s pants, while the man was borderline glaring at everyone that walks by. “So cool, Kuna! You threw so fast!”

You have to hold back a laugh the entirety of it because only Sukuna would be genuinely upset over losing a fair game. But you remain quiet and let Yuuji continue to babble on to his older brother. 

Finally, after some time, Sukuna does look at his younger brother. He turns to him and grabs at his little shoulders. “This is a learning opportunity, so listen up, little brat,” he starts, and you furrow your eyebrows. Yuuji immediately perks up, ready to absorb anything his idol says. “Never trust anything. Life is a scam, and people are always trying to fuck you over.”

“Okay, yeah, so no. Yuuji–”

“Everybody is trying to steal your tiger.” Sukuna talks louder than you, and at this point, Yuuji’s eyes are wide as saucers. “Dont trust anyone or anything. Understand?”

Yuuji nods, not understanding anything that his brother is saying but trying to appease him. You pinch the bridge of your nose, also knowing that the boy is too young to understand anything. “That’s horrible advice. You are going to give him trust issues. And what’s with the tiger?”

“It’s a metaphor.”

You stare incredulously at your boyfriend. “Metaphor for what? That’s the worst metaphor I have ever heard.”

Sukuna shrugs. “Metaphor for life. Maybe you aren’t smart enough to keep up with my intellectual comparisons.” He holds a teasing smile, waiting for your own bite back.

“I dont want my tiger stolen!” Yuuji pipes up, and you spare him a glance, shaking your head and reassuring him that his tiger plush, which he does not own, will not be stolen from him. Sukuna continues to taunt him, and the two of you begin to bicker back and forth. Not with harmful intent, simply mindlessly arguing over something stupid such as a tiger plushie and the definition of metaphors.

Yuuji doesn’t say anything, head whipping back and forth to try and keep up with the conversation that he barely understands. But, eventually, after a minute of listening, he grows bored with the lack of attention on him, so he raises his hand and says, “I need to go potty!”

Sukuna groans, knowing that you will now be preoccupied with the boy again and has successfully lost your attention to a toddler. But you ignore the man and pick the boy up again, slightly frowning at him. “You need to go to the bathroom?”

“Uh-huh!”

Sukuna makes a show of how annoyed he is, but he also needs to go, so he doesn't complain too much. The three of you walk over to the moveable trailers that house the restrooms, with Yuuji holding your hand behind you as he points to every tiger stuffed animal you guys see on the way. 

When the three of you arrive, you nod at Sukuna before walking yourself and Yuuji over to the women’s restroom. The boy always came with you, being too young to go into the males alone. 

But Sukuna loves to make a show, so the second the two of you start walking in the opposite direction from him, he says, “Brat, where do you think you are going?”

Yuuji turns to him, still holding onto your hand, now with his head cocked to the side. “Potty?

Sukuna grabs onto the boy’s hood and starts pulling him away from you. “You are a man. You go to the men’s bathroom. Let’s go.”

The toddler was not considered a man under any circumstances, so you raise your eyebrows at Sukuna. It only meant that he was now the one to help Yuuji. So, you shrug, wave him goodbye, and say, “Good luck!” before you turn back to the women’s restroom. 

Yuuji seems to look concerned as he was dragged away from you, considering he always goes with you to the bathroom, but he quickly grabs onto Sukuna’s pants, knowing that he may be left behind if he doesn’t. 

And so the two of them went on with their business.  The toddler nearly runs out of the bathroom, excited to go on the rides once again, but Sukuna barks a command for the kid to stay close, causing the boy to whine, but grab onto Sukuna again. The two of them wait for you in front of the women’s restroom. 

Five minutes go by, and you are still not out. It took a long time, considering that the two of them took longer than usual because Sukuna sucks at helping the kid. But, Sukuna knows better than to complain; it could be “girl” problems like you often say.

Ten minutes go by, and now Sukuna is tapping his feet against the pavement while Yuuji presses his face to Sukuna’s side, fingers inside his mouth from nerves. “Brother, where is she?”

Sukuna ignores the boy, and calls your phone. He hears the annoying sound of your ringtone come from his back pocket, and he tilts his head back and groans. Of course, you would leave your phone with him in this situation. Yuuji blinks at him, confused as to what is happening. But then, Sukuna takes a step forward to an elderly woman approaching the bathroom, describes your appearance, and tells her your name so that she can help look for you in the restroom.

Two minutes go by, and the woman comes out and shakes her head. You weren’t in there. Sukuna’s eyes widen, before he tears himself from the wall with a sigh. He mumbles out, “If your ass goes missing, I am going to kill you.” and Yuuji’s own eyes widen at the prospect.

“Y/N m-missing?”

Sukuna grabs onto the boy’s wrist and begins to drag him away from the bathroom. “Not for long. Dont be useless. Keep your eyes open for her.”

And so, the two of them began to walk around the park for you. Yuuji had whined out that Sukuna was walking too fast and was holding onto his wrist too tightly, but it was just due to the stress of the situation. So, without letting the boy prepare himself, Sukuna reaches down and snatches him up, placing him onto his side. “Dont get used to it. Your ass is just too slow. Keep looking.”

Yuuji just nods, frowning and resting his head on Sukuna’s shoulder. If this were any other circumstance Yuuji would be buzzing with excitement, loving being held in general, paired with being close to Sukuna. But you were missing, and Sukuna was incredibly tense, so Yuuji didn’t feel comforted at all.

They had been walking for ten minutes, and at this point, you were missing for almost twenty-five minutes. Sukuna was cursing under his breath, scanning the fair that housed so many people and was successfully blinding him from you. It was getting dark at this point too.

Sukuna hears sniffles in his ear, and he quickly turns to his brother, hissing out, “Dont you dare cry right now.” The last thing he needed was sobbing in his ear. 

Yuuji grabs onto Sukuna’s shirt and shakes his head, trying to hold back the tears. “W-Wont cry. Won’t. Where is Y/N? Brother, I want Y/N.”

The elder, in return, grabs the back of his hair and presses the boy’s face into his neck. He holds him there while Yuuji squeezes his eyes shut and latches on tighter to the man, feeling slightly better now that he is pressed close to his brother. “I am going to find her. Just focus on not crying; I dont want snot on my neck, little pest.”

Sukuna begins to rewalk his steps, heading back to the bathroom. He was glaring at everyone who walked by that looked concerned for the toddler who was holding back tears. Sukuna just holds the boy tighter and continues to scan the crowd to no avail.

The entirety of it, Yuuji is mumbling out, “No crying. No crying. No crying.” while tears slip down his cheeks. He also tries to look for you, but the second he pulls away from the man’s skin, he seems to want to cry even more with the lack of security. So the boy remains placed in Sukuna’s neck, mumbling out to himself while Sukuna ignores him and continues to search. The hand hasn’t left the back of Yuuji’s hair.

But, at last the two of them make it back to the bathrooms where you originally were supposed to be. Sukuna spots a figure sitting on the curb, looking equally as stressed as the two of them felt, but with two stuffed animals in their hands. He lets out a deep breath, relief washing over him and his rapidly beating heart.

Yuuji turns his head to the side when Sukuna pauses, and immediately the boy’s eyes widen. His finger points to you, and he lets out an “ah!” sound. The boy begins to stir in his hold, trying to squirm away so that he can run over to you himself. But Sukuna doesn’t dare let him go, and he skylines straight toward your mopey figure.

The high-pitched sound of your name snaps you out of your thoughts, and before you can even process completely who it is, you are engulfed in a hug. The familiar scent of your boyfriend surrounds you, and you are pinned to his chest, nearly suffocating from the force of it.

Yuuji switches from Sukuna and on to you, squeezing you at an unreasonable force for someone of the age of four. He was sobbing into your shoulder while Sukuna’s hand gripped the back of your neck. But after a long moment, Sukuna pulls away and glares at you. “You idiot. Dumbass. Where the fuck did you go? Are you trying to get kidnapped? Look at what you did to the kid. Are you trying to piss me off?”

He continues to insult and curse at you, demanding an explanation. He was worried about you and this was the way he was expressing it to you. You have to simultaneously comfort the two brothers, who seemed to be a mess without you. Yuuji had you in a death hold, and you had to try to sush his cries, questioning why he was chanting, “Dont cry. Dont cry,” while nearly hyperventilating from tears. Sukuna’s hand grips your shoulder, and he is still scolding you, but every once in a while, would stop himself and force his lips onto yours for a second before pulling away and cursing at you.

Sukuna demanded you explain yourself, and so you sighed and told him the story. You didn’t need to go to the bathroom, and you saw a smaller tiger plushie at a game stand down the line. So, you headed over to the booth, wanting to surprise Yuuji with the tiger. But you continued to lose and eventually got completely absorbed into the game. You did not even know the time had passed and that your phone was not with you, having put it in Sukuna’s pocket last ride. But, after about fifteen minutes, you won not only one but two tiger plushies. When you walked back to the bathrooms, they were gone. And so you waited for them, hoping they would come back soon.

You must have came back right when they left to find you – an unlucky turn of events. Sukuna simply shakes his head at your explanation and then leans forward to rest his forehead on your shoulder. “I am going to put a tracker on you.”

You try to lighten up the mood, petting both his and Yuuji’s hair, who is finally beginning to calm down. “It won’t work if I leave my phone with you.”

“I wouldn’t put it on your phone,” Sukuna remarks, grabbing your hand and grinning at you. 

You dont have a clue what that means, so you just shake your head with a sigh. Yuuji’s eyelids are growing heavy from all the walking, the crying fit he had, and the fact that he didnt have his nap today. He leans onto your shoulder and begins to doze off, even with all of the noises.

The two tiger plushies remain on the curb. You sigh and pick them up, holding onto Yuuji’s for later, and giving Sukuna the other one. He gives you an unamused glance. “Why would I want a toy? I am a grown man.”

“Because I won it for you and to prove that not everyone is trying to steal your tiger. ” You quote, referring back to his ridiculous metaphor from before, that holds no meaning.

He chuckles, shaking his head. “It doesn’t really work.”

“Hm?”

“The metaphor. Doesn’t make any sense.”

You raise your eyebrows, surprised he admitted defeat. He must have been in a good mood since he had found you. “Yeah, I know. You failed English three out of the four years of high school. No wonder you dont know how to use metaphors.”

He pauses for a moment, thinking, and then shrugs and doesn’t say anything. You call it a win for you. The two of you exit the park, now that Yuuji was asleep and Sukuna could not be any happier to leave. You probably won’t be returning to the fair for a couple years, knowing him.

When you get home, you tuck Yuuji into bed – he was already completely out, drool coating his chin. You place the tiger stuffed animal next to him, excited to see his reaction to it in the morning.

And you were right – he did have a reaction, way too early in the morning. At 6 AM, the door of you and Sukuna’s shared room flies open, and toddler squeals fill the air. He jumps on your bed with the stuffed animal in his hands and chants, “Tiger! Tiger! Tiger!” while the two of you groan out.

Sukuna, in his half-awake state, grabs onto the boy’s ankle, sending him tumbling onto the bed when he tries to jump. But the boy merely giggles, and this time Sukuna steals the stuffed animal, places it under him, and goes back to sleep. 

You are awoken with two mini hands placed on your face and the sight of Yuuji pouting. The first thing you hear that morning is, “Kuna stole my tiger!” 

A second later, two tiger plushies are being chucked at the boy. The boy falls back again with an “umph!” from the force of the throw, and the bed rumbles from Sukuna’s laughs. 

“If only you used that aim on the fair game,” you mumble, eyes still closed and trying to snuggle into your pillow.

“Just didn’t have the right target.” You hide a smile, not wanting to give Sukuna the satisfaction of making you laugh by insulting Yuuji.

Yuujis giggles echo in the room, and you blink at the boy. He was sitting on Sukuna’s chest now and shoving his stuffed animals in his brother’s face. “Two tigers! Two tigers!”

Sukuna groans out, shaking his head and wishing desperately that he was sleeping. “Your tigers are about to be headless in a minute if you dont stop talking.”

Yuuji shakes his head and pushes the plushies into Sukuna’s neck. “Tigers say, grrrrrrrrr! Wake up Kuna, grrrrrrr!” 

The tigers somehow mysteriously go missing three hours later. You could only hope that their heads were still intact – knowing Sukuna, they probably were not. 

[livinahey]

Random astro obs bcs y not

Warning ⚠️ mentions of abuse and trauma

scorpio luminaries & luminaries aspect to pluto (especially harsh aspect) almost be always know when something/someone is gonna do no good to you. If they warn you ab something then just follow them. Bcs what they say is scarily often end up being true

Also, if from the first meet these natives STRONGLY dislike you even though you didnt do anything then yeah.... Youre the problem lol. No matter if youre everyone crush, everyone sweetheart, or whatever is that. Again, like I said before, they seems to always know when something/someone is not good

These natives can also scared of themselves bcs of this

I think we admire ppl who have our mars sign as their sun sign

Sag sun with water moon women makes the loyal partner 🥺🤧 be it business partner, in friendship, or as a lover. Don't leave them.

When you see mars square pluto native gets bad mood or even angry.... RUN

Bcs they can be so violent at that time and you dont want to see that

Same goes to cap moon 💀

Women with moon square bml (black moon lilith) always have the best glow ups ✨✨🤧 im so proud (and bit jealous lol) of you dear

Mercury in leo degrees (5, 17, 29) being sooooo charming. They be say "hi" only and you already weak(???) lol

Leo venus 🤝 cant go a day without boasting what they love, be it their hobbies, their job, their loved ones, their pet, or even the place where they live lol. So passionate

I'm not surprised if theyre the one that have many posts on their social media account

Ppl with big 6 at 6 degrees (virgo degree) can be seen as villain

Moon conjunct jupiter synastry: when the moon person getting humiliated/disrespect, the jupiter person be defending the moon person. Also, the moon person can have soft spot for the jupiter person

Natal aspects to sun i like are sun conjunct mars and sun-pluto any major aspects. The word "sexy" is literally made for them lol.

TW ABUSE

women with cap or cancer mars plsssss check again the man you choose to date or even marry. Bcs i often see these women end up experience being abused severely by their man in their relationship. Men often being intimidated by these women yet still wanna date them. These women do dating man that seems cool and amazing or even adorable person outside BUT UNFORTUNATELY it turns out that the man are the worst person ever. At worst case, the man's family dislike these women due to jealousy towards them. No matter how bad these women get treated by the man, the man's family will still defend the man and treated these women as if theyre the problem 💔

Also, these women can dealing with fucking crazy men that cannot accept being rejected by them atleast once in their life. Scary af

Gemini moon/mars are naturally funny without even trying ✋😭

Sag/pisces rising 🤝 always have ppl crushing over them and even become worshipping them

Libra rising are so beautiful and it seems unbelievable

Cancer rising and their terrible mood swing 🤕 yet still look like the most calm and unbothered person ever

Mercury-bml aspects culture is having what they say being questioned. And if they have sun-uranus aspects too then.... Good luck trying to understand them 🥴

Mercury-bml aspects is underrated funny placements imo. They be say questionable thing but idk i find it funny tho 😩

Scorpio rising and having traumatic experience/memories when they young that seems keep haunting them even until they become old :(

Also they often get disappointed by their family :( they can give all their family members a mountain of gold, being so kind to them to the point they forgetting their own needs and this scorpio rising still getting unappreciated & bad treatment. PLS APPRECIATE SCORPIO RISING IN UR LIFE !!❤‍🩹🫂 they are one of sincere people that often attracts evil eye that doesnt wanna see them being success

Whats with earth rising and having this disgusted/judging look 🥲

They can look at you normally and you will feel that theyre judging you even if they arent

Sag rising and leo rising 🤝 having beef with eachother

Same goes to taurus sun x gemini sun

Cap sun x virgo sun friendship be the weird yet funny pair

Every leo placement always have virgo placement in their life

They can have love-hate relationship with eachother tho lol.

And the same goes to every cap placement that always have aries placement in their life

You either love the opposite sex that has the same mars sign as you OR going "mehh" of them

Earth rising 🤝 secured financially. Maybe you never catched them worry ab not having money to save their life

Hey thank you for reading this so far!! I do these obs not bcs I wanna gain followers or what but bcs I found these things give me joy hehe ✌🏻 english isnt my first language so apologize for any grammar mistakes. be safe out there!! 🫂✨

[ruegarding]

in relation to the last post, the entire plotline is poorly executed.

annabeth's reaction to percy in tartarus is normal, like, not good, but normal. percy's not only challenging the laws of the world, he's indulging cruelty. being afraid is a normal reaction to have. despite that, it's still a conflict that needs to be resolved...and it's not.

immediately afterwards it's like ok back to normal! the jagged edges of percy's soul smooth over and annabeth is back to business (which immediately begets the question: why did rick write that then? which is never answered. the point? missing*). like, the actual issue isn't even addressed. before turning the poison onto akhlys, percy is being tortured w it (and nothing annabeth tries stops it). percy isn't doing this bc it's fun and exciting. he's doing this bc he was feeling so angry, so hurt, so scared, so traumatized that he resorted to hurting someone to make himself feel better. this is literally never addressed.

even in boo, annabeth's arc isn't abt learning to not be afraid or to trust percy again, it's to allow herself to be afraid. w piper. away from percy. and she never confronts percy directly, she never reconciles her fear w percy, they never address how this changes their relationship. also piper is there bc annabeth is so freaked out by percy that now piper is freaked out by percy. which is. a separate issue that is only an issue bc once again it never gets resolved.

and then w percy obviously he has his suicide attempt. like, he thought what he did in tartarus was so unforgivable that he not only believed that he deserved to die, but deserved to die slowly and painfully from something that he could easily prevent. like. that's the thing. percy's powers come easily to him. do u know how low he would have to be to not even subconsciously try to save himself? and the only response is a "i think i get it" from someone who's perspective does not properly convey the severity of the situation (ppl read this scene without even realizing it's a suicide attempt). once again, percy and annabeth do not confront this conflict together. percy tries to kill himself and the narrative is like...anyway.

if rick didn't know how to handle this, or even if he just didn't want to write it, he didn't have to write it. any of it.

but it's not that rick doesn't know how to handle this situation bc he writes the same thing in boo and handles it a million times better. nico and reyna have a very similar situation to percy and annabeth and the inclusion of both of these scenes and the difference in how they're handled ends up vilifying annabeth in the narrative.

reyna and nico have known each other for less time. they have built up less trust. and yet. when nico challenges the laws of the world and indulges cruelty in a way that reminds reyna of her extremely traumatizing backstory, she comforts nico. she doesn't treat him like he's dangerous. hedge tells him "we all get angry" and reyna vehemently agrees. nico is given explicit support even before he can start spiraling. and when nico is told to not use that power, it's bc of how it affected him, not how it made them feel, not that it's unnatural.

this shows that there was a correct answer. annabeth didn't have it, and suddenly her "normal" reaction looks bad in comparison. but instead of addressing this in any meaningful capacity, we're going to ignore it and send p*rcabeth to college. #relationshipgoals.

it's such a narrative failure. and rick could've just. not written it.

[akascow]

Venom The Last Dance spoilers ahead

i feel like the writers for the first 90% of the movie were all taken to a back alley and shot in the leg by different writers who then finished the last 10% of the movie

this is a post post edit so before we start i think i need to rewatch it actually pls dont correct me on anything bc i'll cry but i realize im definitely misremembering things as i finish writing this HAHA n e way these were my initial thoughts

bc how can we go from ‘but i need him’ and ‘i wish we couldve had this life together’ to venom dying (allegedly) and eddie brock strutting down the street smiling with happy music playing. dude ur bf died HAHA

bro watched his best friend in the whole world sacrifice himself for the two of them and die right in front of him and now hes acting like his life is so much better ? mhm where was that energy during the rest of the movie lol

‘im with you to the end’ liar 🙄

anyway venom definitely isnt dead (for franchise reasons but also) bc the little throw away line at the beginning that Mr Agent says about them liking to stick around or spread or whatever i dont remember it stuck out to me like a neon sign like HEY REMEMBER THIS ! IT WILL BE IMPORTANT !!! lol.

cuz theres no way that acid killed all of him… kinda like deadpool regenerating back to life from a singular drop of blood in the comics (i think? im pretty sure that happened)

anyway if we dont get a 4th movie with a symbrock wedding or at least them actually acknowledging the gay elephant in the room of how deeply overtoned this trilogy is with the homoseggsualitys then whats even the point

but yanno its whatever really, i like venom and i like eddie and i like the trilogy so im not really that mad about it

i think its pretty good for what it is aka a goofy movie that has goofy characters that sometimes also say and do questionabley gay things (affectionate)

and if u ignore the comics or venom predecessors its actually super fun imo. i mean not every superhero movie needs to be super serious or nonsatirical,,

just turn off ur brain for a couple hours youll be fine i promise HAHA i think a lot of ppl tend to forget that; like it doesnt take itself seriously so you shouldnt either lmao but what do i know

[puhpandas]

I actually just wanna go over all the evidence there is/was for which side (3 star fam or cassie's dad) was in charge of mxes

people who believed cassie's dad built mxes had theories for a while before any info past hw2/I think during the ruin era too that because he was a technician, he had the resources and brains to build a machine like m.x.e.s, mxes was connected to the ar world, and technicians have vanni ar world masks by default. mxes also is designed after a rabbit and has very similar chest patterns to glamrock bonnies bodysuit, and like the only thing we know about Cassies dad is that hes a fan of bonnie

a lot of this stuff has been disproved. first of all bc it's been recently revealed in the past couple months during the john fuhnaff + steel wool interview + this Tuesday update that m.x.e.s is an old supercomputer from the 80s and was designed to look like one. the mxes ending in the hw2 update also shows them in rabbit form outside of the computer resisting before getting sucked back in. this scene is implying that mxes was FROM the sotm factory/the circus attraction it makes things for, and they have their rabbit form BEFORE the person driving the van takes them, so that's confirmation them was capable of having that form before it got taken. meaning nobody programmed/upgraded them to be able to do that, they already could

meaning that Cassies dad no longer has that design aspect adding to his evidence pile bc he wouldnt have a say in m.x.e.s' design

the mxes machine ALSO is very dirty in the van scene, just as dirty as it was in ruin, so that means it's pretty close to modern day, being pre ruin but post security breach. with this in mind, gregory vanessa and Freddy would all be outside the pizzaplex with a job to do at this point, and their footprints are clearly seen during ruin around the map out of the way of roxy raceway, meaning they had business elsewhere that wasnt just a straight beeline to where the mimic is, which could be concrete evidence they're responsible for the nodes that are connected to m.x.e.s.

Gregory's backpack is ALSO in the exact same basement m.x.e.s is in ruin, plus Gregory tells cassie that he knows what m.x.e.s was designed for.

that's a lot of red threads connecting Gregory vanessa Freddy and mxes. not to mention how Cassies dad canonically dies at the end of hw2, which if he was the protag would be a prequel to ruin. an unknown amount of time yeah, but the info that hes dead before ruin where mxes is found and already set up is important to note

but with Cassies dad, I think most of the evidence ppl had was just the nature of him being a technician, and the fact that he EXISTS as a character, so he has to have SOME kind of importance. that thought process makes sense but with him being immediately killed off in help wanted 2, it feels like he was just there to serve the plot, not really do anything. he was just there to be the one to help vanny kill glitchtrap, and be the player character they needed in hw2, and just. I dont know. he doesnt have a name or a face or even any connection to mimic at all, so what motivation would he have to go take mxes from the factory, the computer that was specifically built to combat mimics ai? and how would he even know its there?

cassies dads character is very confusing and weird lol. but I think that Gregory freddy and vanessa actually have a lot of concrete evidence drawing a red thread between them and mxes, and I think this van ending might have been the thing to finally prove who it was. it revealed that neither side had a hand in reprogramming it, so the design hints are out the window, and all that's left is motivation to take it and the knowledge theyd have to find it, which they definitely have. plus ALL that ruin evidence its just. it's a lot pointing to them. they're the number 1 victims of the mimic, so everything just makes sense here

[pocketgalaxies]

FOR REALLL RE: WHEN MATT ASKED IF ANYONE WANTED TO DO ANYTHING. And then, when they went to Keyleth and Orym said "we want to be useful in the downtime"... my jaw fucking dropped. You all JUST got back from aeor, and right before that you got back from the moon - where your friend fucking DIED. No one wants to process any of that??

From how Matt had framed it, the feywild meeting between Ludinus and the Unseelie was an optional mission they could have delegated to NPCs, yet they jumped right into it with no prep or plan.

[And ohhh, the instant amnesia about why they were there. It was like they completely forgot the intent of the mission, and when Dorian raised that point ("is this what we are here for? To fight?") They all just shrugged and acted like there was no other choice!] I love them all dearly, so my frustration is borne of concern (they just walked into a HUGE fucking fight they are ill prepared for), and I am TERRIFIED Fearne will die now because of it. But also, I wonder - do they even want to be in this campaign anymore?

The way they keep rushing forward...maybe it's bc they've been conditioned by the rest of this campaign's pacing. Part of me feels it's Orym. This whole campaign it's felt like he's been using his pushing attack on the team. [Telling them early on (ep 30s) they need to promise him to be better together, forever reminding them of the ticking clock which means they need to get to Yios, to the malleus key, to reunite post-solstice. Then, an hr into the reunion: they need to keep going to address things "fast and fully". They need to get to Keyleth, to the moon, to stay on the moon even if it's risky bc "it isn't a vacation." Oop Letters died, but let's get back to keyleth, now we need to go to aeor, back to keyleth, and after all of that...well they need to "be useful in the downtime"! That might be too uncharitable? I don't know.

Above the table, I think they are all overworked from making two animated series, running a company, and their professional work outside of CR. It seems like too much. Like they need a break, and maybe subconsciously are running headlong to the finish so they can finally have one. I don't begrudge them that, but it does make me sad for these specific characters that they've been so constrained by the plot.]

yeah for sure, the campaign is sharing space with a million other responsibilities when it used to be The Flagship the single most significant project they were working on. i think it's very likely that both animated series are perceived as a higher priority than the campaign now given the budget, wider audience, etc. which just kinda sucks when the campaign also requires the highest level of emotional and time investment out of all of those projects

orym has definitely played a role in the Always Business No Pleasure vibe of the campaign but i guess i hesitate to put that much blame on him, i think the overall story has been go go go and orym is largely a reflection of that. but also i do agree that it certainly isn't helping and many ppl have made more eloquent posts than i ever could about the space his grief has been allowed in comparison to other aspects of other characters and how that has affected the party and the campaign overall

i really do wish they could've taken this week to recuperate, do something for themselves. literally anything. go shopping. any loose ends they would want to tie up before going into a battle to the death. but they either don't have connections to outside npcs or those connections simply aren't prominent enough. relvin, milo, birdie and ollie, family in zephrah, dariax, etc.? anyone?? imogen v. groon battle was sitting right there? and i just don't understand the necessity of adding in this ludinus unseelie situation it seems like something extraneous that the story could've gone entirely without and now it's just another Thing they have to do?

ANYWAY just struggling a lot about all these things! having a great time!!

[skunkes]

I've talked about this before I think but I think "art theft culture" is actually what makes scenarios like this worse... and I Know because I've mentioned that it happened to me before, where a few years ago I was heavily inspired by an artist for a couple of style study drawings without acknowledging them as inspiration, they contacted me after their friends notifed the similarities, and it was resolved as I explained that I had no "plans" for long term theft or passing off as my own, I was just passing by and figuring out what I liked about the style. But I should have just mentioned them!

And that's the point I'm trying to get at here, I feel for a lot of people there's still either shame in using references (I took the upper half of a pose for a recent comm from one of the first memorable google image results for it... How embarrassing!), and there's similar in openly admitting that somebody is currently directly inspiring you, or that you liked something someone made so much you're making your own spin on it.

This is probably because you don't know how people (your audience or the original creator, or THEIR audience) are going to react with regards to """theft""" (which I also feel varies. Like everyone I've seen trying to emulate my style has never gotten close. Which is how it works! Its a good thing! Absorb it into your own! Thats what I do!

But I've also had someone lift every aspect of my art identity and basically try to replicate exact pieces, poses, and dialogue of mine with their characters like oh ok nvm this is kinda weird.) so I get it, because it's scary! It happened to Me, I was a perpetrator LOL and that's that it was style inspiration and not direct copying so I get it... I feel it all the time too, but I wish it wasn't like this in General ykwim. Wish it didn't feel so humiliating to admit influence

EDIT: THIS IS ALSO NOT ME SAYING "you need to list off all your inspirations every single time you post a drawing"

Its more like oh this person is using my exact brushes and exact colors and exact half traced poses and my handwriting and exact dialogue and personal symbols to the point where they're pretending my autobiographic doodles happened to them while pretending they've never seen my stuff in their life, or even shit talking me. Some of these individual aspects are okay (I've literally shared all my brushes with everyone, for example, who cares. My colors are awesome...who cares. 4 petal flower shapes don't belong to anyone, I don't care.) But all of them in combination is what's weird. Ykwim. Like that level of "hey man what the fuck"

I'm about to answer an ask going more into depth about this but I also need to explain that it's hard being on the other end of this too because it really isn't that serious ykwim... I see ppl on twitter get clowned on every day because "you can't steal a style" and that's mostly true. Me and some mutuals "steal" aspects from each other all the time without "crediting" because it's obvious, or we know each other, as well as the "stolen" stuff being something we already made our own thing, so I promise this isn't about that. Art is meant to be shared and inspire and influence.

I'd never point fingers unless it got severe over a long period of time (not adapting it into your own style), with someone who wouldn't talk it out with me but sometimes I wish I could show some of these specific examples, like I promise I'm not blowing up because someone """stole""" uhhhh the little squiggles I add to my commissions. I myself "stole" that from deco sticker sheets. Who gives a shit.

[stiffyck]

Sorry if this is super out of left field feel free to ignore this ask anyways I saw the thing u reblogged earlier about the misogynistic tropes and stuff (especially with Pearl being constantly dubbed ‘Mother of The Group UwU’. Which btw is just. So weird in general??) anyways the point I’m getting to is HOW IS THAT ALWAYS WHAT PPL DEFAULT PEARL TO??? GENUINLY. Like. That lady has so much fucking mild to severely unhinged cousin vibes who’s just there to inevitably enable some form of chaos/mischievous activities (if she’s not the cause of it herself anyways). That is Pearl to me. I love sibling/family dynamic headcanons don��t get me wrong, but PEARL BEING RESPONSIBLE OLDEST SISTER FIGURE???? Where?????????? Also defaulting her to that status and nothing else is incredibly lame and uncreative (this is mostly lighthearted pls do not kill me pretty pls), PLLEAASEEE ppl need to branch out more. Make Grian the oldest who just kind of barely tries to be the responsible one and almost always ends up giving in to the urge to be unhinged like everyone else is. Idk just get creative with it????? Sorry for ranting in your inbox stiff I just have OPINIONS about the whole family dynamic trope thing shdhjfsksjd

I AGREE! while I do think the protective older sister can be fun it's weird how it's. Basically the only role pearl is assigned every time. I've done it before in my aus I'm sure which is why I reblogged the post because I didn't even realise that.

I hate how deep like. Misogyny goes it's insane.

But anyway I think Pearl and Grian should just be weird together. Make Jimmy the oldest responsible one. I think that would be funny ngl.

"No- guys- guys, please-" Jimmy losing his mind while grian and Pearl wreak havoc djfjfjfke

[evanhamato]

Hello! I’d like to request a rottmnt (Casey, cass and April too if you want too!) Headcanons x reader (both crushing on each other / pining) and reader is extremely clumsy? And gets bruised so easily (seriously, I noticed last night I bruised my palm / fingers pretty bad and I don’t even remember how I did that, like, nothing major happened, just BOOM hand got hurt) and they try to hide it or not make it a big deal cuz they doesn’t want to “cause trouble” or worry anyone, and they get really bashful with ppl taking care of them?

Please and thank you, hope you have a good day

[ Clutz ]

ROTTMNT x GN!Reader who is clumsy

A/N: YES. this is exactly like me!! also im sorry for the delay in posts!! im trying to do 2 asks a day but with how much asks im getting i assume that wont be working?? anyways, thank you anon for requesting and i hope you heal quickly <3! P.S: I LOVEDD WRITING THIS ONEEE!!

Relationships: Romantic

TW: Injuries, treating injuries, fluff, worry, kisses, cuddling

Raph

He knows before you even tell him.

He subconsciously searches his brothers, what makes you think he wont search you?

Eventually when you are forced to tell him while he was patching you up, he gets a little upset.

Regardless, he understands. (Being the eldest and all.)

Don't think he doesn't check on you extra though.

Weekly checkups, also comes with weekly cuddles and kisses.

Warns you if there's anywhere you can get injured from a mistake.

If he see's you fall or bump into something, he'll check the area around 15 minutes later to see if it bruised, it's going to be bruised regardless.

He never runs out of supplies?? What logic is this??

Regardless, total sweetheart.

Leo

To be honest, he only notices after a week or two after a hard mission.

Are you not healing? Are they new?

When you go to get your bandages changed, he asks you about them.

You explain and he lets out an 'ooh' before pouting.

You, a hassle, a burden? That's the dumbest thing he's ever heard.

Gets ice for your bruises right away whenever you bump into stuff.

Prevent the bruising as much as possible, right?

Throws his hand out when he see's you're going to hurt yourself.

Always ends up with him trying to lean over the table and falling himself.

Mutual pining? Nah. Mutual idiots. /aff Bonus:

His medical supplies keep going missing. Wonder where they went.

Donnie

Please. For the love of god. STAY OUT THE LAB.

Clumsy + chemicals + metal = owchie.

Knew about the clumsiness and bruising, not about how you felt.

Taking Dr. Feelings instructions, he tries to comfort you.

He ends up messing up and saying something goofy, you suddenly can't take him serious anymore.

Later in your relationship, he gains the habit of giving your bruises a small kiss. (It started with you bugging him about how your "boo-boos" needed kisses.)

Guides you away from dangerous things without you realizing.

He isn't good with words so, unlike his brothers, he'll straight up tell you while helping you that you are not a burden.

Actions may be more powerful than words but, words get the point across easier.

He does his best, he's trying, I swear.

Mikey

Poor guy doesn't notice the bruises until after you open up.

Don't think he didn't notice you shying away though. He is Dr. Feelings after all.

Mikey doesn't quite have enough skills to patch you up so he goes to Leo, to stay safe.

Regardless of excuses, you are in fact scheduled for a meeting with the Dr. himself.

After said session, expect affection statistics to go HAYWIRE.

He has a shell, you can't get hurt if he's clinging onto you, right?

Plus, more love!

Asks Donnie if there's anything scientific behind the injuries, he just wants to try to reduce it as much as possible.

Simple cuts or scratches?

You get the "feel better" band-aids. (Band-Aids with motivational sentences on them. Prescribed by Dr. Feelings himself.)

[l-epingle]

oh hungarian gp you are keeping my drama-loving ass FED

first off: oscar maiden win!! lewis 200th podium!! disregarding the whole race that's such a fun result

this is really backing up my belief that it's way more difficult to be a fan of a TEAM rather than individual drivers bc this is technically a mclaren win in the best possible way and yet they look like such fucking idiots like why would i want to root for them

what the hell was up with their strategy?? like they have no bullshit excuses for what they did with the pit stops and the team orders i genuinely don't understand what mclaren was trying to achieve here besides looking like total clowns

coming from an oscar fan i don't think lando deserved the win! oscar had an amazing start and led the race for a good portion and i think that if mclaren had done their pitstops RIGHT and hadnt tried to undercut??? for no reason?? then oscar would've continued to win the race anyway

coming from a FORMULA 1 fan who loves the competitevness of the sport i totally understand why lando would feel like this win was robbed from him. literally not his fault that mclaren are being bozos and i think if i was in his position i wouldn't have given up my place

HOWEVER as i said before i don't think lando DESERVED to win here. no driver is winning races because they DESERVE to there's ton of factors and oftentimes ppl win for no particular reason. take george's recent win bc of the verstappen-norris crash, all the wins thanks to safety car luck, you could even say charles win in monaco is simply thanks to good qualifying and the way the track is designed. so many things happen during a race that are outside of a driver's control and saying someone deserves to win a race is stupid and ruins the point of the race. like if thats what you want then who even needs to race might as well hand out trophies after qualifying or award points just on fastest lap

BRING BACK TEAM RIVALRIES!! so much love to naomi but i do not agree w pretty much anything she was saying formula 1 isnt really a team sport. the driver's championship is won by ONE driver. yes the wcc is based on team pts but i guarantee that every single driver would be totally fine if their team was in last fucking place if it meant that they won the wdc. saying that you can win a championship wo being selfish is CRAZY (especially in front of nico lmaoooo) bc you HAVE to be putting yourself first every single race if you want to win. yes your teammate is your partner but they are also your RIVAL and you are both coworkers and competitors. like so many selfish moments will be looked back on with fondness as long as you win. everyone can joke about multi-21 now bc sebastian vettel is literally a 4-time world champion and he ended up winning that year. no one cares that he was a 'selfish driver' bc he delivered results and getting hung up on being a team player in a sport like this is stupid to me

one thing lando did that DID annoy me tho was his response to lewis's compliment during cooldown like what was that??? he literally just said you were fast and you had to clapback? like lewis wasn't trying to insult lando in any way why'd he have to respond like that...

also nico he just couldn't get through the day without constantly being bombared w flashbacks huh him giving advice to andrea stella regarding TEAM ORDERS is sooooo funny to me

anyway to wrap up this post (rant) here's my fav pic of the day

brocedes reunion, messy ass team radios, return of mad max... this has been my favorite race so far and i hope the rest of the season continues in a similar manner

[greasegotahold]

This post started out with a point then turned into rambling abt the stage show lol

So like. at least in my irl circle and from what I heard yesterday, a lot of ppl prefer the musical to the movie. Acknowledging the bias of theatre ppl toward theatre, that's not the reason I heard most; what I heard most is that the musical stays closer to the book than the movie. Granted idk how many if any of these ppl have seen the complete novel extended cut of the movie, but even so this argument sits wonky with me

Bc the musical takes quite a few departures from the book, some p dramatic. Darry is not the gang's leader, Dally is. Randy is an ensemble part with one line; Cherry gets his ending "even if you win, nothing will change" moment. Sandy is already gone. Evie and Sylvia are gone. Steve is not a big part of Soda's life. Two Bit isn't acknowledged as an alcoholic. Johnny was only jumped a week ago, and it's not a secret who did it. Bob is the one who jumps Pony at the start and even comes up with an excuse for it. Dally doesn't give Johnny his heater, Dally commits a far more direct suicide, no sickness or court proceedings, so on and so forth.

Now I understand why we made just about all of these changes: the show is just about 2 hours as is, not counting intermission; streamlining needed to happen, for time and for clarity of storyline. I even prefer a lot of the changes (Cherry is just. Such a livelier character lmao. She's given stuff to DO. I love her in the book and movie but the stuff they added in the musical I simply love.) I bring this up just bc it. Is honestly just as different as the movie if not more so in how it departs from the source material.

Which means when ppl are saying it's closer to the book, they mean in feel.

And in many avenues; talking about the the extreme accessibility of the book as an adult with other adults, attempting to articulate my issues with the film adaptation, and then later attempting to defend the movie on those same shortcomings, I think I know why.

It's the ever-present narration. I've said it before, and I'll say it again, Ponyboy tells his story, he doesn't show. And that makes the book an extremely straightforward read, and absolutely how he can tell us so much shit that happened in so little time, but it also makes it hard to capture in a standard movie adaptation, especially when the movie also needs to trim down and streamline characters and plot points.

But what does Pony do throughout the musical? He narrates. Yes the story plays out real time, but it's still interspersed with these slowdowns where he talks to the audience, where he's narrating.

And I think that's what's really clicking so well with the musical, despite all the changes to characters and their dynamics and plot beats.

And for certain things, the impact is still there, they just changed it around. Johnny was jumped last week instead of months ago and we don't get the excerpt abt how he wound up buying his first blade, and how he would kill the next soc who tried to jump him, and Dally no longer gives him his gun, but he does give him the 6 inch switchblade when Johnny is genuinely worried his dad will kill his mom, and then shows him how to stab to kill. The circumstances are different, but we still get Dally giving Johnny a lethal weapon. The motivation changes for why Johnny carries his blade, from self defense to an explicit want to protect others, but this makes it a more direct setup for when he kills Bob to save Pony.

And a lot of the straight up original additions to the plot feel seamless. The added backstory for Cherry's parents, her dad's alcoholism and her mom's kind of just. Surrender to hopelessness and despair. Not only explains why she's so touchy about Bob drinking, but it makes the change from going along with him to stop a fight into her refusing to back down after breaking up feel justified. To be clear, I don't fault book and movie cherry for doing what she does in that scene, she's trying to keep everyone else safe, I just think that the change was set up and well executed in the musical.

Also sidenote but in Justice For Tulsa...I have so many feelings after getting to see it. The cop shining his flashlight down on Two Bit as he gets jumped, but then he just keeps on walking bc why would he care abt a greaser...Bev buying right into the boys' escalation against the greasers vs Cherry's outright rebuke and then Marcia is over here looking genuinely Physically nauseous over having to choose a side. And of course the moment where the cop beats Dally after handcuffing him, that speaks for itself.

(Sidenote, unrelated to anything, I just wanna say when I listened to the soundtrack for the first time, years since I had read the book or watched the movie, somehow I just knew when the soc boys started singing their threatening section, that they were jumping two bit. I guess I just had a faint buried memory that Two Bit was the revenge-jumping victim lol)

[phyrestartr]

any tips for new writers

YUH BOI I have a lot lol

Write what you like. You will naturally put more effort/passion into something you're writing for yourself/smth you're writing for fun. Don't do it for clout, and don't write JUST to post. Also, don't write things just because ppl tell you to/request you to. Itsk to let stories perish if they're not working/you don't like it (you might figure out a way to save said story after some thinking, too)

If you read a fanfic/book and really like it, try to figure out why it spoke to you. Did you like the dialogue? Did you like the descriptions? Did you like the stylization? Then, try to incorporate that into your own writing in your own way

If you read a fanfic/book and you really DON'T like it, try to identify what you didn't like LOL. It really helps with crafting your style/story if you identify and avoid shite you personally think is cringe/uninteresting/overdone/cliche-y in a bad way/etc.

Accept that first draft is gonna be clunky and probably kinda bad. You pretty much just gotta get the story down even if it doesn't flow too good because then you can go back, reread, figure out what does and doesn't work in terms of prose and flow and character interactions

Don't feel like you need to write something super long and detailed. Detail and flowery descriptions are good when used in the correct moments, but don't harp on something meaningless for too long if it's not really important in the theme/moment. Writing short stories is the most fun and the best practice for getting into writing since it just has to be like one scene or a very short arc before ending. Lots of readers like the long fics (I mean, same) but they're really hard to write, so don't feel like you need to write a novel or anything. keep it short and sweet for a while!!

Use a thesaurus. Helps you learn new words and new ways to describe something

Themes are helpful for keeping a story feeling coherent. Ex. I use lots of 'godly' descriptors and comparisons of natural disasters (storms, forest fires, earthquakes, tsunamis) to describe how dangerous/powerful a person or feeling is, and I try to stay in that theme to build a better picture of someone/something

Show, don't tell! This is kinda based on your preference, though, since sometimes you just wanna say "bro was mad." It depends on the situation imo. Generally, describing the way someone is physically feeling instead of emotionally is more impactful and lets the reader think and make choices based on the info you've given them. Not everything needs to be spelled out--readers are quite smart and can put together their own conclusions even if it's not what the writer initially had in mind. (Ex. "John felt fury boil in his blood" vs "John's veins ached with heat and his face flushed an angry colour")

It's ok to make mistakes/not perfect a scene. Sometimes you just wanna move on lol

Have fun! If you're not having fun, what's the point homie u-u

hope that's at least a little helpful! LMK if y'all have any other questions/specific Qs or anything. I'm not a pro writer so maybe this is all useless idk LOL

[lezabeththetheodoraimposter]

“no one can know I can tell what people will manifest as!!” why not? ability detecting is basically torture. u could save sooo many elves so much wasted time. and just how do u think the neverseen will use this against u?? it’s literally useless to them. but it is useful to the elves. like SUPER useful. people can spend their whole lives training w their abilities before they even manifest. like omg keefe cmon

edit (I put this in a reblog but don’t feel like reexplaining it so I’m putting it here)

I get what ur saying about Keefe not wanting the council to exploit him and that having all those ppl go to him but I really think that’s the only good reason which is still a very good one bc it’s about what HE wants (but also think of terik who did it for a bit then stopped but occasionally does it for some people) tbh the only good reasons are Keefe just not wanting to and that’s fair. but honestly I’m talking about the use of the ability and how in the grand scheme and when Keefe is in a better mental place that it can be SOOOOOO useful and like when he’s past all this and is happy and healthy then I would say he should tell ppl about it even if he doesn’t open up to “readings”

with a ability training thing that was one of my main points (tho I did put it in the tags and those go away when u reblog 😒) but ability training is literally TORTURE. like they put these like 11 year old kids in burning hot rooms for hours hoping to trigger a froster… like that’s soooo unethical idk what the councils reasoning for that is. it’s literal child abuse and I’m not even kidding. its brushed off but omg wtf. and imagine going through all that only to discover you were talentless and all that was for nothing. like that would suck

and for the talentless. keefe not wanting to tell ppl they are talentless is a very valid and good reason, but aside from that I think his talent would be more helpful. bc it would give talentless ppl more time to grow up and adjust to the predugist (hate bc I can’t spell 😭) against the talentless. bc even though they would have to deal w it from birth, isn’t that better than living a normal life w friends then BAM one day ur talentless and all of ur friends stop hanging out w u. like ur WHOLE world would be flipped and it’s better to give the talentless more time to adjust to it imo.

also the schooling thing u meantioned is another reason knowing ur talentless form the start would be helpful. BECAUSE THE TALENTLESS ARE PULLED OUT IF FOXFIRE WHICH IS SOOOOO MESSED UPP. like they go to foxfire for like 3 years then the council is like “haha no ability? sucks for u lol! go off to a different school where u know no one and make different friends yk just forget ur whole life up to now haha” like WTF. (honestly the bigger problem here is how the talentless are treated but we already know that has to change so this is about how keefe can help).

also it could give “bad match” couples where one of them is talentless (like Kesler and juline) comfort to know their kid isn’t talentless. And if their kid is talentless then it saves them years from worrying over it and the suspense of it all. Also I just think knowing ur ability from childhood and being able to train for it before u even manifested would be soooo helpful

but in the end of the day yeah, keefe just not wanting to is the biggest thing. and I might be remembering incorrectly bc I haven’t read the book in forever but I remember something about keefe thinking he accidentally triggered the triplets abilities which would be more problematic but idk if I’m remembering it wrong. but I do think like years after kotlc ends (or when ever he feels ready) keefe should defo start using his ability for good. like it doesn’t have to be everybody. it can just be kids of q talentless parent(s) to help their parents out yk bc if two telepaths have a kid then it’s obvi going to be a telepath u don’t need keefe to tell u that

also the main point of the pre-editted post was about how he doesn’t want the NEVERSEEN to know bc he thinks they might be able to use it against his friends. like how. literally how? what use is it going to do them.

[julietasgf]

Elaborate on Strabo having to pay so much for sejanus to get to go to school I feel this shows how little power the plinths truly had

hi anon!! ofc! also sorry for taking a bit long to answer this, my day was a mess, but let's go:

(disclaimer that all this post is based on my interpretations of the text, and it's absolutely okay and valid if ppl disagree)

what made me do the first post in a more joking way was this line in specific in the book:

"It was unprecedented that Sejanus, a district-born boy, was a student at the Academy, but his father’s lavish donation had allowed for much of the school’s postwar reconstruction. A Capitol-born citizen would have expected a building to be renamed for them. Sejanus’s father had only requested an education for his son."

a capitol born person would've expected a building in their homage.

strabo only wanted sejanus to study.

the plinths, or more specifically, strabo, is always giving to the capitol. because if the plinths are not almost literally paying for their stay... would they really be able to stay?

for them to live there, they have to present a very specific type of behavior. a model one. and again, despite imo strabo is very much emotionally abusive to sejanus, I can see where so much of his worry and constant stress comes from, because imagine you have to walk in line all the time to be able to have a peaceful life, and your son keeps rebeling? and we can even question how much strabo is actually able to fit in or assimilate, as this is how ma plinth talks about the plinths' situation in the capitol:

“The Capitol isn’t really the best fit for him,” said Coriolanus.

“For any of us Plinths, really. Strabo says that while it’s hard for us now, it will be better for Sejanus and his children, but I don’t know.”

if strabo wants sejanus to have at least a resemblance of the same treatment other capitol kids get, he has to pay and pay a lot. the idea of the plinth prize came, imo, as a way to "fix" the recent effects of sejanus' behavior and what this would mean to the plinths (so ofc the best way to fix this is by paying for a capitol kid to have full ride to university). or then we can talk about the punishment both sejanus and coriolanus face of being sent to district 12 as peacekeepers by the end of the book: coriolanus simply got sent to D12, which ofc is bad... but to be sent to D12, sejanus' father had to buy gaul a whole new laboratory.

next important point: where the plinths live in. despite we not knowing where, indeed, their neighbourhood is at, we know they did not live in the corso, and the building of their apartment is not impressive, as described by coriolanus (coriolanus by the end says that all the plinths needed was an apartment on the corso to solidify their status, but I'm getting on this later):

While the exterior of the apartment had not impressed, no expense had been spared on the interior. All the Plinths needed was an address on the Corso to solidify their status.

certain neighborhoods are status and a symbol of power. the place where someone lives in can point out their amount of power in a society or place. coriolanus, just like his peers from the academy, lives in the corso. that's where the richest and most powerful families in all the capitol live. and despite his money, sejanus and his family do not live there (I think it's also nice to highlight that after sejanus' death, the plinths moved to the corso... after starting to get closer to coriolanus.)

before finishing, I want to point out that it's so tricky to fall for coriolanus' narrative, because it's quite easy to relate to his frustration regarding class, but... was it really about class, only? and was coriolanus being realistic about the position the plinths hold in the capitol? coriolanus was a student at the academy that hangs out with some of the most privileged and richest kids not only in panem, but in the whole capitol. but the only one he's so hateful regarding money is... sejanus. because coriolanus feels like sejanus stole something that's rightfully his. why a district kid has food and comfort, while he doesn't? and on top of that, coriolanus sometimes kinda contradicts what he himself thinks abt them. in one moment, he'll be saying this (the previous part before this dialogue was ma plinth telling him about how bad was the move and how sejanus at 8 years old comforted her):

What was it with the Plinths anyway? To be constantly turning advantage to tragedy? You needed only to take a cursory glance at the interior of this car, the tooled leather, the upholstered seats, the bar with its crystal bottles of gem-colored liquids, to know they were among the most fortunate people in Panem.

coriolanus calls them the most fortunate people in panem, but no longer after, he was saying this regarding ma plinth:

Poor little displaced person without a hope of ever fitting in.

still on this topic, this is how he refers to sejanus:

Sejanus had already usurped his position, his inheritance, his clothes, his candy, his sandwiches, and the privilege due a Snow. Now he was coming for his apartment, his spot at the University, his very future, and had the gall to be resentful of his good fortune.

his. his, his, his, his. what sejanus has should be his. but wait. when did he talk like this about festus creed's money? or felix ravinstill's money? or pup harrington's money?

now, this is a particular interpretation of mine, but I feel like coriolanus recognizes that the plinths don't hold true power or status in the capitol, but he keeps trying to narrate the story focusing on their money, to make it SEEM like they hold power and status. on one hand, because he's an unreliable narrator. on the other hand, because the reality coriolanus comes from is that money = power, as he himself came from an old money family. he has his own moment of reality shock of when he expected strabo plinth to save sejanus from execution, but nothing happened (and let's be honest, I personally doubt the plinths weren't warned of sejanus' execution in D12). coriolanus sees the plinths throught the lenses of his own reality, and that's tricky to the readers and to the narrative itself, because he simply doesn't understand the position the plinths hold in the capitol, and he doesn't understand (or honestly, doesn't WANT to admit) that despite his situation, just the fact that he's a snow and is capitol-born grants him privilege someone like sejanus could never truly get.

(after all, sejanus died in the districts. coriolanus murdered someone, tried to kill lucy gray, and came back with money and a position of power. I'm not saying money doesn't grant you privilege, because it DOES! and sejanus is extremely privileged regarding other district children, this is not something to be questioned. but in panem, is money the only thing at play, specially when we talk about capitol x district differences? and what does this represent for people like sejanus, who live in a place like the capitol?)

again anon, tysm for the ask!! I hope I expressed my thoughts well and sorry for any typos, I'm writing this through my phone! and if you're interested in, @sadalmostlesbian did such a good post regarding this topic!!! once again, tysm, and take care <3

[evillex11]

might get flamed 4 this but comments like “gege is just killing everybody now, gege needs to stop cooking, gege doesn't know what he's doing, etc.) r getting annoying ngl like they're posting that on every chapter no matter what happens 😭 and it's fine to criticize something obviously that can't be avoided but these empty comments that provide no actual/meaningful input into the criticism is just so redundant 💀

+1. these kinds of comments kinda encourage the disrespect gege receives... cuz they leave these kinds of comments everywhere to the point where it's pretty icky. and not much ppl bat an eye cuz some might think it's all lighthearted or normal when rlly, it's getting a bit too far. like there's ppl who r genuinely saying he deserves to get sick n stuff?? bc he kiiled ur favorite character?? bc u don't like the manga??? 😭wtaf

+2. y'all have something to say when a character “has plot armor” and y'all still yap when a character doesn't... so rlly there's no winning 💀and I, personally, don't think jjk is meant to be one of those “defeat evil with the power of friendship” shows,,, mind you, they are going up against a supernatural being who's named the king of curses and is known to be impossible to beat—of course that 17 year old ain't gonna beat his ass just cuz everyone's counting on them??? nor will that adult who's never encountered a being that strong before. it feels kinda corny saying this but the outcomes of the battles in jjk are a bit more realistic ... “gege's just killing everybody now” obviously they're going to die???? they're going against a power beyond them what do you expect 😭 i get that it's a fictional show but the characters are still humans ... even with their cursed techniques and weapons, they're not always gonna survive ... not every plan or tactic of theirs r gonna work or turn out the way they expected

+ they're at a war with something rlly powerful so ofc they're gonna fire every shot they have which, in this case, are their comrades

+ it has been addressed by the show/series itself that jujutsu tech lacks the manpower to protect everybody, this is literally part of geto's reasoning for his actions—he knows he and/or his fellow sorcerers r bound to end up with a pile of their colleagues' bodies bc there arent much sorcerers in the world esp ones that could survive for a v long time. if a character is aware of this, that means gege is as well bc he literally wrote him to think about that

+3. if u hate the writing so much JUST DROP IT 🤯 crazy idea, never been thought of before, I know !! but some comments rlly are not necessary.... just stop reading if u can't take it anymore... no one is forcing you to read it. and if u feel compelled to cuz u already read so much, then don't leave harmful comments towards gege?? it's so easy to stfu and be a decent person on the internet 😭 you're contributing nothing by leaving comments like that under someone's work. if u hate how it's going so much then go make an au and satisfy urself. it's just so unnecessary

+4. idek if gege gets paid enough to deal with reader's bs ... people need to remember these mangakas are also people with real lives who are just trying to live and get by. some authors rlly get dehumanized just bc of the art they make

idc if I get called a dickrider,, as an artist myself I'm just so annoyed I'm sawry 😓😓 drawing and writing takes a lot of work.. I get concerned abt gege's well-being when the quality drops a little in the manga. maybe they're seeing something that I'm not, that's why they leave comments like that. maybe I got something wrong too, I'd like to be enlightened if that's the case /gen