#also aside from the queer rep

[clockworkouroboros]

okay no i’m not done talking about this (queer doctor who). the first companion from the edas series was canonically bisexual. hinted at as early as the second book and she had a girlfriend in a later one. these are actual doctor who stories with explicitly queer companions and characters in the late 90s. the second companion of the series is also bisexual. he’s in love with eight and says thinks like “I was engineered to love you, but with the doctor it’s the real thing,” and fantasizes about sleeping with the doctor, and muses that everyone must be in love with the doctor. the very next companion is aroace. eight is the first doctor to have his gender discussed in any meaningful way, and it’s all to highlight how genderqueer he is. this is one book series. the expanded universe is full of this shit!! this was thoughtful and deliberate queer representation in the fuckin 90s! and people are still eating up clara’s “is she/isn’t she?” bisexuality. we have gotten better in the past and we deserve better now.

[thrilling-oneway]

whenever people want to hate on d4dj why do they jump straight on "It's queerphobic bc..." as if it doesn't have the best queer rep of any rhythm game out there.

1757 words about queer representation in D4DJ and other rhythm/gacha games below cut

Like there are actual valid reasons to not like d4dj. There's definitely an issue with sexualising the high schoolers, I've made posts talking about it before. But at the same time, if you as someone who plays other of the major gacha/rhythm games is going to say that, you should probably address that SIF, bandori (and maybe enstars? it's been a while since I played) have some dodgy cards as well. Admittedly these cards are mainly old whereas D4DJ is still producing these, but you shouldn't act like your preferred game is perfect either.

But especially saying that D4DJ is queerphobic is so weird. To say that just proves you have no idea what actually happens in the game, and you're just taking screenshots out of context.

Firstly hayakoko. Okay so in the flashback where they get together they said "but we're both girls". Yeah, it's a cliche line that screams 'written by a hetero person', but within the context of the story it's not that bad if a little cringe. Neither Hayate or Kokoa had liked a girl before they started dating, this is literally stated on screen: Hayate says that she was a little surprised to realise that she had a crush on Kokoa. They're baby gay at this point in time. I think Kokoa's an interesting one to point out as well, because she's the one who said the line in the first place, and even after she admits that she likes Kokoa as well and they start dating, the True Love Kiss side story shows her being insecure about PDA in school. It reads a lot like she's had a very heteronormative upbringing, which is very common for queer people. It's probably more common in Japan where they still don't have equal rights for queer people (they don't have marriage equality, same-sex couples can't marry, the exception being if one is trans and hasn't legally changed their gender. and after they're married they can't legally change their gender). Not to mention she goes to catholic school, and as far as I know there's some issues there. So I don't see anything wrong with Kokoa not wanting to be out publicly, and being a bit insecure when she and Hayate confess. You gotta remember they are 15 as well (and ~14 when they started dating). Their relationship isn't going to be perfect, and that's normal.

And then Aoi and her gender presentation. Aoi has always been a very masculine presenting character, and is explicitly GNC, so I can understand that some people were disappointed with her wearing long hair and a ballgown in the Aoi & Haruna Relations event. But the anger some people hold towards this. Come on, how badly can you miss the point? Aoi's gender presentation has been a part of her character since her initial card story. She says she actually used to dress more feminine and have long hair in high school, but decided to change her look because she thought she suited the shorter hair. She also mentions that when she presented fem, she would be told she looked like a cross dresser, which obviously offended her. It's not hard to see that Aoi just wants to be seen as Aoi. It's not about how she presents her gender, she's still Aoi no matter how she dresses - Tsubaki mentions this in the A&H Relations. Nothing was retconned or de-canonised when Aoi wore hair extensions and a dress, it wasn't a sudden unnecessary change. The event explores the fact she wants to try different looks outside of her usual 'princely' one, but she's a bit of a people pleaser and is unsure about it because people associate Aoi with "androgynous good looks". There was no pressure from anyone to be feminine, there was actually pressure the other way. She wore a dress and had long hair for one (1) event, and 2 illustrations. Her most recent card has her in trousers with short hair again. Like you don't have to pounce on it being erasure because Aoi wanted to dress more feminine one time. She doesn't hate being GNC now, she's not permanently feminine now - Aoi being GNC is a part of who she is. Aoi being fluid with her gender expression is a part of her queerness and I don't get how you can miss the point so badly to call it erasure.

D4DJ is genuinely one of if not the best mainstream gacha/rhythm game for queer rep. There's so much more than just this: Tsubaki and Aoi are canonically in love with each other and there was even an attempted confession (they got interrupted), KyoShino have implied romantic feelings, same with NagiHiiro and RinMuni (mainly from Muni's side). Haruna was pretty much confirmed as lesbian during the A&H relations, and has had crushes on two separate characters. Saori's sapphic as well (there's one or two implications that she's bisexual). Having Hayate and Kokoa in a relationship opens the doors to more ships becoming canon in the future. The only negative representation I can think of in this game is Noa, so if you really want to go out of your way to say D4DJ is queerphobic, there you go. Noa likes cute thing, cute girls, and flanderisation took hold quickly to the point of her being creepily obsessed with the ri4 girls and a few others, and literally stalking them. Yikes. Her writing is improving though, especially in All Mix where she just occasionally comments on how cute they are without taking it too far, and they actually let her have other personality traits expressed that had pretty much been forgotten.

My point here is that if you're going to say D4DJ is bad rep or homophobic, you're admitting that your game is worse for representation. I'm not saying that the games in the "Big 3" (proseka/bandori/enstars) are bad by any means (idk about enstars actually I didn't play for very long), but D4DJ has definitely taken some big steps in queer representation that those games are seemingly too scared to make. Having a canon sapphic couple is a game like this is a huge deal, I'm not even sure if it's been done before. And before anyone says "but anhane and minoharu went on a double date in Buddy Funny Spend Time", neither of those pairs are stated or even fucking implied to be in a relationship outside of that event. It kinda just happens in one event, and even then it's still a bit vague on whether either of the couples are actually dating in the event. It's definitely heavily implied that anhane/minoharu have mutual romantic feelings, so they are arguably canon in that sense, just not in an established relationship sense. Bandori has done this as well with PareChu, have them go on dates and be clearly romantically interested in each other, only to never actually be a couple (I know tsumutsumu and reochi have called parechu an official couple, but that's word of saint paul rather than word of god, so take this how you will). Hayakoko is HUGE for this genre, and could mean good things in the future of other rhythm games (especially other Bushiroad ones).

--Break here where I went on a tangent about non-D4DJ queercoding--

Outside of schroedingers dating, both bandori and proseka have characters who are implied/canonically queer. I'll make this short because this is getting really long now and I apologise to anyone who's still reading.

For bandori, Arisa has a crush on Kasumi, Kaoru can be considered as canonically lesbian just from how she's presented, YukiLisa has a lot of implications for romantic feelings, as do MocaRan. Himari is also an interesting case, as she could be read as bisexual or comphet lesbian, it's never really made clear (at least as far as I know, I stopped playing bandori a while ago, and am not up-to-date on story, so anyone who's still reading feel free to add to this or correct me). There's probably some stuff missing here as well.

As for proseka, it actually has quite a lot of queercoding. I already touched on anhane and minoharu earlier, but Kohane and Minori are both heavily implied to be lesbian, An as well (although there's like one or two hints that she could be bi. I can cite them if needed). Mizuki is canonically transfeminine (their gender is unconfirmed), and they have been shown to be attracted to women. ShizuAiri and AkiToya have a lot of romantic implications in their relationships, EmuNene has gradually been getting more and more actually (Amidst a Dream). Ena is implied wlw and Rui is implied mlm okay I think I got everything tangent over.

--End of break--

Regardless of my criticisms, all of the games I've mentioned definitely show how much queer rep has grown and become a lot better in the last decade or so. While not focused on the rhythm game, the first generation of Love Live (2010-16) queerbaited* a fair amount. To give one example, there's an 'interview' with Honoka from 2015 where she heavily implies that she's straight, despite having ship tease with other female characters. Compare that to what we have 8 years later, and you can definitely see improvement. However I think it still needs to be addressed that what we have isn't perfect, and it probably will take while to get to a point where we can have more openly queer characters/couples, especially considering Japan as a country (and american/else localisation teams). But I think more people need to recognise how important D4DJ is for queer representation within this genre. It's really not common to have queer romance and gender presentation be directly addressed and frequently shown, and not just for the sake of making money.

I'm bad at ending essays.

* Queerbaiting - intentionally and maliciously leading a queer audience to believe they will receive representation which is then not provided. Whether the rhythm games mentioned do this or not is... debatable? It's done for the money which ticks the intentionally malicious box, queer people aren't for capitalising on. But a good amount of the time it's done to bait straight people who like yuri/yaoi. I do think it's queerbait though like heavily ship teasing a couple and then throwing in a line to imply one of them is straight definitely queerbaiting. april edit: it took me over a month to realise that there were words missing in that last sentence sorry about that. hi anyone who's reading this in the future

[3gremlins]

i foolishly started another playthrough of bg3 in the early access even tho the game comes out for realskies in like a week or so and i'll have get to make more characters/new pts anyway.

trying to make myself not be a pretty wood elf/half elf druid so rolled drow paladin (i'm def going to play a druid first once it's out for real tho b/c talk to animals is my favorite larian studios skill and i'm so sad without it. i just want to talk to all the animals and also wild shape!) and it's actually been pretty fun to just be tanky and whack things.

npcs are super rude to drow tho, it's real da elf and skyrim khajit/dunmer flashback hours (i don't love it? the fantasy race racism stand-in in rpg games always feels not terribly thoughtful? i realize it's b/c the source material has it but still idk there's got to be a better way and wotc/dnd is historically still not great at it)

i keep attempting to play a different type of character (i usually start to swing chaotic good no matter where i start lol), but it's difficult and also it's real hard not to flirt with astarion even if he disapproves of my kinda do-gooder paladin atm lol (i think b/c a character disproves sometimes my contrary nature takes the better of me b/c i'm like oh no but i want *them* to like me even tho everyone else approves or maybe b/c everyone else approves XD i've already romanced him & shadowheart tho, gotta try someone else's arc or proto arc as it were lol. BUT FLIRT WITH HOT KINDA STANDOFFISH ELF!!! i am weak T.T)

still wish you could set up the "what do you desire" character to be genderfluid and appear as both masc/femme forms. like my characters are all bi/pan! they're attracted to lots of people- idk if they've said anything about this? i haven't been watching *too* many dev videos b/c i don't want to spoil myself too much but i did some searching to see if it was mentioned anywhere yet and couldn't find anything (i did see that they'll have more body types for your tav at least in the final which is another small thing i dislike about the early access cc- even tho you can pick non binary as an id, you're still stuck w/ very binary body choices)

[yellowsubiesdance]

finally, years after this series finished and all the queers were freaking out about that finale, i’ve finished legend of korra

[stardustizuku]

So, Gushing Over Magical Girls Is The Best Thing To Happen to Magical Girls

Gushing Over Magical Girls get this bad rep. For all the wrong reasons. I’ve seen it be called an insult to Magical Girls, I’ve seen it be called “gooner bait” a term I absolutely despise but that’s a thing for another day. I’ve seen it insulted for everything and anything under the sun.

I first got acquainted with it when I was scrolling through Twitter and I saw someone complain about the PV. However, as an avid Magical Girl Fan, I wasn’t disgusted. I was intrigued.

I decided to read the manga, and oh god.

This is one of the best things I’ve read.

The story follows Utena, a shy girl that loves Magical Girls, tricked to become the evil general that will defeat the Magical Girl team “Tres Magia”.

And it’s a delight.

I binged all the episodes available to me in the manga, and had fun in each and every chapter.

The same, however, couldn’t be said by half the people who watched the anime. And I was extremely baffled. As a queer woman, this was the first time in my life, in which I had seen something so deliberately catered towards me. I saw tell-tale signs of someone who genuinely admires the genre, and is simply using it as an outlet for exploring deeper and more interesting topics that a SFW version of it would not be able to.

Yet, I turn around and I see people calling it the most horrendous stuff, and accusing everyone who likes it of being monsters or men.

Genuinely, I’ve had enough.

Gushing Over Magical Girl is not the Devil. In fact, I think it’s the best thing to come don’t even like Magical Girls AND IT SHOWS.

PART 1: “Magical girls are for little girls!”.

The first criticism you’ll see aimed at “Gushing over Magical girl” is the amount of sexually charged content it has. And it is true. It borders on straight up porn in many instances and it just gets wilder as you go on. By chapter 30, we’re way past PantyShots. Like, I’ve seen some of these girls’ vaginas, and I’m not joking.

Personally, I don’t see anything wrong with it, but there’s people who might disagree.

“Magical Girls are for little girls” some people say “and you’re corrupting it!”

Which genuinely makes me laugh.

This is because this type of argument could only be done by someone with no real concept of Magical Girls aside from maybe Sailor Moon and Sakura Card Captor.

out of the Magical Girl genre in a WHILE (Ignoring Precure, because they just gave us a magical boy and that’s my win of the decade).

People are just, you know, stupid. And reactionary. Enough that they see a boob and lose their minds like a Karen at a Christmas Eve Mall.

My point is, I love this manga. And I’m willing to risk my reputation to defend it. Cause genuinely, half the people who are clutching their pearls over this show - Magical Girl Anime haven’t always been PG, or aimed at girls.

Cutie Honey is a great example. It’s one of the most famous Magical Girl Anime you will find - and it’s a shonen. With the protagonist, Honey, being constantly naked, groped, put in suggestive situations and have outfits that show her cleavage.

And it’s one of the most famous, most popular takes on Magical Girl there is. Yet, I never see any amount of outrage towards it. (Part of me wonders if it’s because the fan service is aimed at men, rather than involving yuri).

There’s also Lyrical Nanoha, one of the most popular serial franchises there is. It spans several seasons and spinoffs, and it’s beloved by many.

And it’s aimed at older men. Yes, it’s a Seinen.

In fact, its origins are far from PG. It’s actually a Spin-off of an erotic game named “Triangle Heart”. It was most definitely not created with little girls in mind, and themes it tackles reflect as much.

There’s Fate/kaleid liner Prisma Illya too, a spinoff of the Fate/Stay Night VN, very obviously aimed at older men, it’s a Seinen. It has a lot of fanservice and scenes where the characters are half naked.

Day Break Illusion is also a Shonen.

And as much as I adora Madoka - I’ve been stating for years now that it isn’t a show meant for little girls. You could argue it’s for everyone, regardless of gender, who’s a little older. But it most definitely wasn’t for little girls.

So, no. This was never an “only girls” club. Trying to paint it as such, is not only wrong but ignorant.

Magical Girl shows can be for anyone. Men, boys, girls, women and I find it infantilizing to consider it “only for little girls”.

No one says “super heroes are ONLY for little boys”

Well, some do. But they’re, you know, bigots. Who don’t want girls playing or adults o have fun.

So no, Gushing Over Magical Girls being a sexually charged anime in the Seinen category isn’t “corrupting the genre”. In fact, I would argue it’s doing exactly what the genre has done in the OVA shadows for a while.

Not to mention, many people have screamed from the rooftop how they want “more mature Magical Girl shows” referring to the success of Madoka. But as soon as an actually mature take on Magical Girls shows up, tackling issues of sexuality and love, you all don’t want it anymore.

(We all know why, though. Americans, and western culture in general, considers mature themes, only that which involves violence. Anything close to discussing issues of sex is no longer “mature” but “Pornographic” and deserving of being shoved into a corner. With all queer themes, gender studies, and any nuance that could be had regarding these issues).

And speaking of sexually charged, have you watched so called “wholesome” magical girls? They’re still very much sexy. Not in the “on the nose” ecchi way Seinen and Shonen are - but they still are.

You’ll find transformations were the girls are naked, zoom in to their breasts, you’ll have panty shots every now and then. Even themes of growing up, having crushes, and innuendos about sex. Inappropriate relationships, taboo romance, and the likes.

Sakura had Rita and a professor’s relationship (mutual in the manga), Sailor Moon had Chibiusa and Elliot’s romance, Sugar Sugar Rune even having an element for ‘lust’ and other different types of love, and let’s not forget Mermaid Melody which has several instances of the girls naked, in compromising positions with other men. And I’m pretty sure Tokyo Mew Mew likely opened a whole bunch of doors for girls to be into CNC.

This is, by the way, normal.

Completely so.

These stories often talk about the girlhood experience. And girls and teenage girls are interested in all of these things. They’re interested in sex, romance, their bodies growing up, their own sexuality and the likes. It’s no wonder same-sex relationships and romance get included, they’re part of what experiencing the world through the eyes of a young girl is like.

And subsequently, it stands to reason that as people who engaged with MG grow up - they find comfort in exploring their sexuality through Magical Girl themselves. There’s a reason why there’s a growing section of “Magical Girl” in your local hentai site.

“Men get off on corrupting this wholesome girl targeted genre” is actually TERF rhetoric sneaking through the mainstream. It ignores AFAB ppl and gender nonconforming people, who grew up with Magical Girls, simply using a medium that originally started their journey of sexual identity, to explore more “grown up” aspects of that same identity.

In particular, I’m a Cis AroAce Woman. I wrote a lot of Magical Girl NSFW when I first started writing NSFW Twitter threads. They’re bad and they’re cringey. But it was something I needed.

Magical Girls were a huge part of my childhood and early teens. When I was mentally in the space to want to engage with NSFW content: it was obvious I would turn to what first sparked excitement.

So this idea that “men are corrupting Magical Girls with their sick fantasies” is nothing more than TERF-lite propaganda. People, including women and men, have been doing this for ages; for a variety of reasons. And doing so, doesn’t rob children of their spaces - but the gentrification of the internet is a story of another day.

The other argument I have heard is that GOMG is a mockery of the genre. Which is even more laughable in my opinion.

PART 2: Parodies and why I hate Earth Defender’s Club.

Gushing Over Magical Girls loves Magical Girls. It’s a parody, in a way, but it knows very well what it parodies. It’s not surface level in the slightest. And it absolutely is not mean spirited about it.

A lot of the time, shows that reference and parody the Magical Girl genre, do so in ways that feel like they view it as a lesser genre. They take generic images of cute girls in frilly outfits, swap the colors around, and have them chant over-the-top spells. You’re meant to laugh, not only at how silly they look, but people who would love it. Especially if they’re grown ups.

I do not like “Cute High Earth Defense Club LOVE!” For this exact reason - even tho many people praise it to all heavens.

Because

1) It feels surface level in its commentary and depiction of Magical Girls and

2) More mocking towards the genre than paying homage or doing anything with it.

The continuous use of the word “Love” is a very obvious jab at Magical Girls using these words, which feels mean spirited just for the sake of it. Their outfits are almost exactly the same, save for the colors. And they all use the same sticks as weapon, with no thematic link for the shapes of the scepters. The mascot too (a wombat for god knows what reason), I think it’s meant to be a joke of some sort for how ridiculous some of the mascots for the girls get, which rubs me the wrong way.

In general, it feels shallow and mean spirited. But no one calls this an insult to Magical Girls. Because people who like it don't actually care about Magical Girls. They see cute boys doing silly things and love it. Which is kinda sad.

Now, Gushing Over Magical girls has sort of that same problem on the Tres Magias…But they’re not the protagonists. And even then, in later chapters, they get power ups that are different in design, and thematically linked.

The protagonist, and the ones we follow, are Utena and the girls. And they all have very distinct outfits, all with motifs that are tangentially thematically linked, and speak of each character’s personalities in interesting ways.

Utena in particular has THIS outfit. Which a lot of people don’t like, but I actually do.

It’s very obvious it’s taking inspo from other iconic Bad Girls in the genre. Namely, Utau, Kraehe and Devil Homura. All “Enemy characters” that have unhealthy obsessions with other characters. In particular, I think the wings and the feathers resemble Homura - THE character known to have a massive obsession with a Magical Girl (Madoka), to the point of insanity.

There’s also Magia Azure. Who’s a clear reference to the Mean Tsundere girl that is iconic to the genre. She’s also a Miko. Which is a callback to Sailor Mars, arguably THE girl who popularized this archetype.

I also love what they do with the mascots. Unlike Earth Defenders, where the mascot is you know, a mockery of the archetype of a mascot - useless, only there to give power ups, and obsessed with food - the mascots of GOMG is taking a book from Madoka.

It considers the mascots both all-too-powerful and yet limited in their reach. Which is exactly what the mascots have always been in Magical Girls. Beings so powerful they can give mythical powers to girls, yet helpless to do anything on their own. So, they use magical girls as a vehicle to achieve their goals. Most Magical girls try to paint this as a good thing, but newer genres shine light on how dangerous that can be too.

Madoka tackles it with Kyubey as the main initial mascot, only later to turn out to be the villain of the series.

And in a Post-Madoka world, trusting the mascots is just the slightest bit more difficult. That’s why, from the get go, GOMG portrays their mascots as morally corrupt. He’s not a good character, he’s malicious and doing more harm than good. But for the majority of the series, he’s painted more as a useless harmless evil than anything genuinely terrifying or worthy of concern. The attention is focused on other things.

But I love the way that it’s heavily implied that they’re not good. It’s a very interesting take on the mascot and it helps with the themes of the series. Which yes, by the way. Gushing Over Magical Girls has themes.

Which lead me to-

Part 3: Yeah, uhm, Gushing Over Magical Girl has themes.

There’s this idea that Sex is an inherently violent act. In which a man humiliates and sodomizes a woman, and therefore the woman is exploited in some way. And 10x worse is any act that involves BDSM. It’s violence; born out of hatred.

This is TERF rhetoric. I’m not joking. This line of thought leads directly to TERF ideas.

Many on the internet have pointed out as much, and BDSM members have gone to be very vocal about it. In particular, people on the role of the submissive (or the bottoms) are loudly trying to explain the contrary. How they like the act of sex, like the idea of being vulnerable, or being humiliated. There’s also plenty of LGBT+ stories that talk about it, both in western and eastern spaces. Just jump into the section of dom/sub verse at your local manga browsing website, and you’ll find something.

That said, the same is not as common for people who like to “dominate”.

I can only think of two pieces of media that argue that, whoever is the dominant or the sadist, is also a human being. That whatever they’re doing is done, not out of hatred for the submissive or an act of violence, but love.

One, is the husky and the white cat. In which Mo Ran, among other things, has to come to terms that his love isn’t “pure”. That he cannot love someone without the want to have sex, and to completely dominate that someone.

The second one is Gushing Over Magical Girls.

It’s very clear to me that Utena’s sadism isn’t a violent act. It’s an act born out of love. She genuinely loves the Magical Girls, and most girls for that matter, and whenever she is inflicting pain and fighting with them - what she wants is to ultimately help them in some way.

She wants them to “be the cutest version they can be” and wants them to shine brighter than ever.

There’s this one scene I love, around chapter 20, in which Baiser (Utena) is fighting Magia Azura. And due to Baiser going a bit too far, Azura ends up being Mind-broken. She crawls towards her, calls her “mistress” and begs to become her servant.

In any normal Hentai you’ll find, this is a good thing. This would be the ideal outcome. A character being turned into nothing but a sex slave for the enjoyment of the dominant.

Which is why I found it breathtaking when that didn’t happen.

Baiser is horrified by this. She does not want to break the girls, she wants them to be powerful. She wants them to win. With her, the evil one, being nothing more than a vehicle for them to be even stronger than before.

This is the first time I’ve ever seen dominant or sadist characters being presented both sexually, and in such a positive light. Much less a queer woman in the same position.

It doesn’t treat BDSM sex as a disgusting taboo act, but something born out of genuine love - and a want to see the other person be or feel better.

This is reinforced around chapter 25 where Leberblume and Loco Mùsica are fighting Baiser. For context, Loco Musica wanted to be an Idol, but had terrible singing. She uses her evil power to basically force everyone to listen to her sing (which is so reminiscent of Mermaid Melody btw). When they fight, Baiser wins, and is then set to use her new found power to “punish” Loco Musica.

Originally, Loco Musica points out how Baiser’s sadistic tendencies are “the same” as Lord Enorme, who we’ve seen uses sadism as a genuine form of punishment. Something to avoid. You behave well, because you don’t want to get hurt or humiliated by her.

However, when Baiser uses her own unique type of sadism on Loco Musica, something happens. Instead of causing her physical pain by beating her or using violence, she forces her to get naked and perform her idol song like that. This causes her to get extremely embarrassed. And in the process, she actually starts to sing really well.

This is important for two reasons

1) Baiser is actually taking into account who Musica is. It’s later revealed that Musica wanted a more frilly idol-like outfit but Lord Enorme shut it down, for the sake of a more ‘unified’ aesthetic. Baiser is not just throwing around the same treatment and punishment for all girls - what one might like, the other might hate.

2) At the end of the day, while she did the punishment, it was both embarrassing, but ultimately something that helped Musica and made her feel better.

And that’s really the key here, and why I love the series.

Sadism, sex and kinks in general are not tools of degeneracy. They’re treated as part of our experience.

Also, it’s just fun?

Part 4: Gushing Over Magical Girls is just extremely fun when you don’t have a dumb bitch yapping abt how unholy it is to see tiddies on a screen

Yeah, GOMG just has one of the most creative depictions of the most insane of kinks you’ll see - I could spent hour gushing over Nero Alice.

Seeing all these different kinks being depicted as powers and abilities that these characters have - and seeing how they interact with other people is just interesting.

The sex scenes are both hilarious and kinda sexy. Specially if you do like to see women all hot and bothered. Personally I’m not into girls (or anyone for that matter) but I have to admit the scenes were pretty hot. And there is no shame in admitting as much. No matter what the puritanical Christian on Twitter crying abt “god honoring lesbian sex” Will tell you.

I cannot begin to explain just how hype and relatable it was to see Magia Baiser defeat Lord Enorme with the power of straight up delusion, we STAN.

So, yeah.

It’s been a while since I last saw a Magical Girl Show so unashamed of being a Magical Girl Show. Unashamed of being weird, of praising the genre and just enjoying it.

My essay is titled, in part, as a joking reference to my much more popular series “MLB is the worst thing to happen to the magical girl series”. Which I still think is true.

And while, yeah, maybe GOMG isn’t the best thing to come out of the genre…I still think it’s good that it came out.

A lot of people say they want a more “mature” take on Magical Girls but - this proved to me that just isn’t the case.

Gushing over magical girls proves that the Magical Girl Genre Can Be so much more than what people think. More than glitter and sparkles, more than vapid action scenes, or what little girls want.

Much like any other genre, it can be raunchy, it can be messy, it can explore things outside of the status quo. But it can still deeply respect the source material, and the origins of it.

GOMG proves Magical Girls can be fun. Just. Straight up fun. Regardless of your age. They can serve and connect you to parts of yourself you didn’t realize you could connect to.

I hope it proves to more people that the genre can be so much more than “just for little girls” that parodies can be more than pointing and laughing, and that it can have themes beyond just, “friendship”.

Magical Girls can be so much more. You just, have to have an open mind about it.

[anxietycheesecake]

I'd like to ask you a very fair question: now that they no-homoed nandermo, now that we know for certain we aren't getting any gay relationship, what makes wwdits so high quality rep over other shows that have gay sex jokes and throw a coming out in an episode? Is it because they're actually having gay sex? Because it's still just played for laughs and treated as less than the canonical straight relationships (also "haha they're pervs who'll fuck anyone" isn't peak bi representation, that said as a bisexual who is a perv who will fuck anyone). What did wwdits do that other similar shows haven't done decades ago to earn that queer media™ recognition and be packed with OFMD and good omens, two actual extremely queer shows with gays having feelings beyond horny?

Not to say I didn't enjoy the episode because I absolutely did (queerbaiting aside), and it's amazing if you find this resolution satisfying. I do too, to some extent (as a start rather than an ending, tbh). But after so many years calling out how they teased a queer relationship they never intended to portray and then hit us with homophobic "let guys be friends" rethoric (you don't have to be homophobic to say homophobic shit) and getting absolutely dragged for it... was it all worth it? Don't you feel a little TJLC? Aren't you kind of mad that nothing has really changed since the days of Sherlock and Supernatural? Or, even worse, that now showrunners can point at characters, go "haha these bitches be gay af" and get awards for queer representation?

I love wwdits, even when I hate it. Nobody forced them at gunpoint to write season 3 and 4 like that, or be purposefully vague about what they were going for, or teasing the possibility of nandermo all over the marketing. If things have continued to go like in season 1 and 2, I'd be more than cool with this ending. If they had gone "holy shit, we didn't want to make it seem like it'd actually happen, we just thought it was funny that they acted so gay" and course-corrected after season 3 instead of doubling down, I wouldn't even call it queerbait. Sometimes people making media don't know how it's going to be received and that's okay. It becomes bait when you refuse to clarify and after pulling all that shit you act like fans are insane for noticing.

So by all means, continue to enjoy wwdits. This show means so much to me and if it had remained a plotless sitcom without character development that is just meant to make me laugh, I'd call it one of the best comedies I've ever watched. It's just that, in retrospective, they took the show in a direction that made no sense for them, ran with it for far too long and then asked why people expected so much from a show that wasn't meant to have any depth, despite all the times they tried to make it look like they knew where they were going.

[merrycrisis-if]

can't wait to be the power sapphic couple of singapore with qiu like that's right boys and girls and opressively heteronormative society we're rich y'all you can't put us down!! jokes aside it is nice to see a same sex character be quite open about their desires and wanting a second chance and a life together and also be singaporean because i've never seen and felt that in any media before and it makes me feel as tho i can also have that as my future without having to leave the country just to find a partner and to have a happy life since lots are tightly closeted here :')

Hehe hell yeah!! In the context of singapore Qiu is definitely high-flyer (queer) rep while Shay is fak the normies (queer) rep, Nat is harhar I am not from here your rules dont apply to me (queer) rep. All extremely extremely valid ways of being.

[absolutebl]

This Week in BL - I hand out a couple of high scores & have qualms about pairs

Organized, in each category, with ones I'm enjoying most at the top. I didn't get many screen shots this week, so welcome to a WALL OF TEXT. Duh duh duh dum.

July 2024 Week 3

Ongoing Series - Thai

We Are Cute (Weds iQIYI) ep 16 fin - TanFang are ridiculous but I have grown to truly love them. ChainPun at the end made me hoot with laughter everyone was a meme of FINALLY. In fact, I loved all the pairs, this was a great ensemble piece.

I was left mildly wondering if Arm will ever lead a BL. 

All in all? 

I really enjoyed this show. It was slow to find its stride (I didn’t get into it until ep 7) but I’m very glad I gave it a chance. It’s a soft ensemble piece with multiple couples and very little plot, but I didn’t care because it’s not trying to be anything more substantial. Essentially this was a series of vignettes covering one year of uni for a queer friendship group finding love, new friends, and laughter. It’s not being harsh with us or it’s characters the way some offerings of this ilk have been (side eyes Friend Zone and Only Friends) nor did it tumble into Gen Y chaos. In fact, this reminded me more than anything of a refined and elevated Love Sick - just with older characters and occurring within a genre that has matured too. It has that close queer friendship group meets earnest gentleness that made me adore Love Sick so much. In other words, this was Thai BL at its finest, finding it roots again 10 years on, but also stretching upwards and showing us what it could do with that original seed. So? I loved it. Did it blow my mind? No. But it left me smiling and made me belly laugh quite a bit. 9/10

Technically it should probably get an 8/10 - too much singing, but I’m bubbling over with nostalgia rn.

Wandee Goodday (Sat YT) ep 12 fin - I struggled to watch that fight. But that’s because it was so well done for a BL. Lots of speeches this ep. (I said too cheesy right before Dee did.)

I like Drake & Title as a new ship. Hope it sails. Also some decent ace rep. 

On a totally different note: Good use of frosting. But… you know I’m gonna say it… NO SINGING. 

Final thoughts:

What a FUN show. A charming quintessentially modern Thai BL about a doctor and a boxer who start as a one night stand and then fall in love. Great rep for everything from Muay Thai, to safe sex, to FUN sex, to ace, to bisexuality, to smiley kisses, to the first legal gay wedding in a Thai BL. It’s a delight and I enjoyed (almost) every single moment of it. 

An easy 9/10. 

I do hope we get more GreatInn.

The Rebound (Weds Gaga) eps 7-8 of 12 - So Ryu’s ma is evil? And Frank is giving me serious second lead syndrome. Also he’s been working out a lot. I noticed my dude, thank you. I don't think we've ever gotten this kind of focus on a side dish before. The show is in dangerous territory, since he's so good he's taking attention away from the leads. Also, I think Zen is completely aware of what is going on with this love triangle, he just doesn’t want to put up with their nonsense. I even like the cute side crumbs. 

On a complete aside: why are crime lords in BL always in bathtubs? Asking for… the other genres. Wouldn’t it be hilarious if The Godfather entirely took place in bathtubs? A Real Man has a large… tub. 

And we end with mass murder? WOW! Chaotically played my dearest pulp! 

Century of Love (Weds Gaga) eps 3-4 of 10 - These boys are playing complicated roles with lots of layers to them. Daou is doing a great job. We can see the old man inside this kid. Offroad... I’m not convinced, he’s chewing the scenery a bit. I actually think he has the more layered and complicated part to play. So I'm giving him a chance to subtly show that cheerful façade fracturing with delicacy. But I worry we may be back in JamFilm territory where one partner can’t quite keep up with the other's skillz.

All of this is to say, this is still a better acted piece than I was expecting. (Although the surrounding cast and special effects are doing our leads no particular favors.)

It’s hugely enjoyable but uneven (with those occasional injections of slapstick humor) I’m not entirely sure the production knows what it wants to be. I wish it had the courage of its convictions to lean into the “I feel you linger in the air” aesthetic. Now that I know Thailand can go there, I’m a bit annoyed when a show like this, which should, doesn’t. Which is not to say I’m not enjoying it. I am. A lot. Just that I should probably lower my expectations. Daou, however, is so damn good, he keeps getting my hopes up.

This Love Doesn't Have Long Beans (Fri iQIYI) ep 3 of 8 - Oh no we have a lonely poor little rich boy. Catnip character for @heretherebedork. Meanwhile, I’m liking the layers of the main romance, with everybody having hidden agendas and such. Nice tension. Of course I love the eroticism around smells. One of my favorite tropes. But I’m not sure I buy the relationship chemistry between the leads when this much lying is going on. 

My Love Mix-Up Th (Fri YT) ep 7 of 12 - I am growing to love Fourth's version of this character. He’s so frantic and confused, but in a completely different way from the JBL. It’s a bit more whiny and a bit less cartoonish. But it resonates with me more. He's less of a meme tho. The photo moment! I literally squealed, "Gah!!! They are so cute!"

Linguistic moment. Did you hear in the cupcake section that Half went to rao/ter? Very sweet. (The boys use rao/nai.)

Also, yay for the twist on the school counselor character! Best thing ever. I would like the entire story of Nop & Sin GMMTV, please and thank you. Also… NO SINGING. 

Sunset X Vibes (Sat iQIYI) ep 6 of 12 - I’m continuing to enjoy this a lot. It’s a fun cast. A touch twee for me, and I’m really hoping they amp up something other than the romance soon, but I don't mind ending my week with these two.

The Trainee (Sun YouTube) ep 3 of 12 - I'm enjoying this show so much, just not as a BL (yet). It’s honest to the internship experience of overwhelm (such as I recall, it's been A WHILE). I’m not sure how much BL I’m getting from it thus far. I mean our leads shared a long glance or two but that’s about it. It’s very slow burn. But I don’t mind that since I’m liking the surrounding stuff. Can't stand the girlfriend intern character tho. I hope she get redeemed.  Or killed.

Love Sea (Sun iQIYI) ep 6 of 10 - Halfway through I had already finished my drink out of sheer boredom.  Trash watch here.

Knock Knock Boys (Thurs Gaga) ep 9 of 12 - Frankly I’m finding this relatively dull right now. Lovely kisses tho. Best and Seng are great together, consummate BL pros, not a pair I had on my bingo card. 

Ongoing Series - Not Thai

I Hear the Sunspot AKA Hidamari ga Kikoeru (Japan Weds Gaga) ep 5 of 10 - I like how much we can see K’s intense liking and emotional need for this loud broken kid. And how easy it is for him to admit to that truth. Because what he’s going through is so much worse than admitting to having feelings. The acting is fantastic. Sometimes I forget how great Japan can be. And then they decide to remind me. Oh, it’s SO GOOD. 

Takara's Treasure AKA Takara No Vidro (Japan Mon Gaga) ep 3 of 10 - Another one I’m finding boring. Just japan’s version. The vintage yaoi “old dude creep trope” I see. It’s been a while. 

It's airing but...

Meet You at the Blossom - it's your funeral (or, more likely, one of the main characters'). You can argue but... statistics. You know my feelings on this matter. MY BLOG, remember?

GIF by mypotatokun

In case you missed it

The Time of Fever AKA Unintentional Love Story 2 (Korea movie) trailer released to Korean theaters 5/25. HoTae & DongHee, side couple from Unintentional Love Story are back! Same actors, same character names. I love them. Devastated this hasn't had international distribution. I demand you tell me the moment you find it!

The Last Time (Thai Fri YT) - Got bumped to Aug 2. Convoluted story of loss and possible reincarnation or something.

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

July Releases Still To Come

7/24 I Saw You in My Dream (Thai Weds Gaga) - Dee Hup is behind this one so I have high hopes. Younger boy chronically teased his whole life by the older boy next door suddenly starts having horrific prophetic dreams about his bully and must save him.

7/26 4 Minutes (Thai Netflix or iQIYI?) - Great, a rich boy studying business at uni, suddenly gains the supernatural power to see four minutes into the future.

7/29 Battle of the Writers (Thai ????) - trailer here, TutorYim return, and while I adore them, I really hope this is better than Middleman's Love. Won't be hard. However: the premise? Ugh. Something something authors fighting - save me. Why don't writers understand that nothing is more boring than writers?

THIS WEEK’S BEST MOMENTS

No time this week, I'm having computer issues.

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in it's infinite wisdom doesn't like too many tags.

There's these tricks, remember.

[thunderandsage]

arcane, shipping and “word of god” within queer readings

tldr: “word of god” vs “death of the author” through the lens of jayvik

so first of all, here’s linke’s now-infamous reaction to jayvik:

first of all, there’s the classic mistake of conflating asexuality with aromanticism (they can and do overlap, but having one does not automatically mean the other)

to be clear: asexual viktor is not a bad concept. i’ve seen arguments for and against it that bring up valid points (there’s also the question of whether it’s a stereotype to make the disabled character asexual, but i’m not disabled, so i don’t really know the fine details of that debate?), but the questionable thing here is that it seems to have been brought up specifically against a jayvik interpretation

aside from this i’ve seen twitter screenshots floating around where it looks like linke is arguing with people about jayvik? idk—

sigh.

i’m not even going to get into this.

ironically, and unfortunately for linke, a piece of media the fans drew an immediate parallel to is the ending of the magnus archives with two of the main characters jon and martin dying together to save the universe, and they are both a canonical couple and jon is explicitly confirmed to be ace within the universe by dialogue between characters

amanda overton, luckily, is a breath of fresh air:

the first part of what overton says is similar to linke—written with a brotherly love, etc.—but while linke uses this as a “gotcha!” moment to shut down discussion, overton rightly recognizes that “other people give it their own meaning”—that art exists as dialogue with the audience where intent and interpretation do not necessarily align

honestly, what strikes me the most when contrasted with linke is the lack of possessiveness here, as linke clings to the original intentions of the writers like a lifeline whereas overton has set her creation free into the wild with serenity

which can also be rephrased to mean that linke believes in the power of word of god

so word of god is extremely interesting when it comes to the history of queer media

from the korrasami being confirmed via word of god because of network restrictions that meant they had their hands tied when it came to the text of the show, but still making a huge step in the direction of explicit queer rep

to hannigram, where the ship has an incredibly solid textual base within the universe (with “is hannibal in love with me?” “yes” being actual lines), but shipping wiki still has it as “canon (confirmed by bryan fuller)” as if because it’s a queer couple, it needs that extra layer of assurance when for a straight ship it would have less scrutiny

so these two examples have been instances of positive word of god—cases where the creators intentionally wrote in queerness

and media creators have not always been so supportive—just look at the 2010s epidemic of queerbaiting

BUT HERE’S THE THING: the “word of god” stands in near direct contrast with another incredibly useful tool—“death of the author,” which posits that authors essentially lose authority over the meaning of their work and that the work can be analyzed contradicting the authorial intent if there is textual evidence to support it (grossly oversimplified)

essentially, the “death of the author” approach happened a lot in fandoms that had “hostile” creators (moff and gatis mocking fans for shipping, both within and without the show sherlock, for example)

and the thing about fandoms is that it’s great when the creator is on our side! but if not? we’re going to be just fine on our own, we’ve survived like that for decades

and here comes 2024, a year rich with queer content and the practice of queer readings having lost a fair bit of the stigma that was long associated with it (with special mention to the good omens and ofmd fan readings before and after the episodes with kissing were released)

and linke is… still stuck in a 2010s mindset??? like i’m not sure how to explain it more elegantly. do not be like linke

in contrast, amanda overton has the much more nuanced view of fandom and fan interpretations, where she can both acknowledge authorial intent and that differing interpretations will exist and that they still carry weight. be like amanda overton

[meanbossart]

I appreciate how you write Astarion so, SO much. I feel like way too many fic writers infantilize him to a point where I honestly start wondering if I'm the one who misinterpreted him so badly.

I'd love to know more about what you think of his character and his arc. Personally I saw him and immediately went "oh god this guy is gonna be the irritating tumblr sexyman of the year🙄" and it took me until Araj basically to warm up to him. What were your initial thoughts and did they change much while playing the game?

OH thank you so much!!! That's a shame if it's the case, and a little surprising to me, to be honest! While he's definitely written be an aloof jerk a lot of the time, I always found him to be surprisingly mature and introspective whenever he's not dishing out witty remarks. He comes off to me as the kind of person who learned to benefit from seeming dumber than he actually is, overall.

HAHA I had a VERY similar experience, not just towards Astarion but all the characters, really (I really disliked Shadowheart at the beginning, too). I had only seen pictures of him and pretty much expected a vapid character that was being carried to stardom because of a talented VA - and because people go nuts for anne rice style vampires lol.

While I was definitely enjoying his voice lines from the start (Again kudos to Neil) I definitely wasn't expecting much else. He piqued my interest after so devastatingly turning my character down at the tiefling party without me even having inquired, and that's when I, the gamer, was like "well, alright, I GOTTA fuck this guy now" (this is also where DU drow's personality began to come out as you can probably guess)

Obviously, if you have two neurons to rub together you can gather pretty quickly that he's not trying to woo you because you're so interesting and wonderful, so I started getting curious! With that dynamic being so different from what you usually expect of romances in these types of games, plus the charming way in which he is written, I started being won over.

I think what really did it was how gradually his attitude changed when responding to new, mostly trivial dialogue options and doing his greetings as you earned his trust, and ESPECIALLY with how he responds to your tav when you express any kind of fear or insecurity during his romance - which was with a lot of sincerity and confidence in his resolve to support you, and in you as a person, a complete 180 from his usual front - Which, again, makes me all the more surprised to hear that he's often painted with such an immature brush.

And obviously he has a DEEPLY ugly side to him (if you've read ANE, hopefully it's clear that I know this, and that I like to explore it just as much as anything else lmao) but it's very interesting to me how it seem to always come in the form of outbursts, rather than a constant evil-streak, usually followed by a glimpse of self-awareness. It feels very much in line with someone who's actually making a great deal of effort to manage their RAMPANT emotions and going through a lot of internal conflict in the process.

GAH. Yeah if you can't tell by this friggin' thesis I just wrote, I love the way they wrote this character a lot and I was definitely proven PROFOUNDLY wrong in my first impression of him - which, if that's not irony at it's finest I don't know what is.

And as an aside! I also very much appreciate that he's a "queer" coded character who's effeminate (in the Old Homo kind of way, but I digress) and flamboyant, but taken Dead Fucking Seriously. With as much progress as we've made in LGBT rep in media, I still often feel like gay men will only get that kind of treatment for as long as they "Aren't That Gay" (I know Astarion doesn't have a set sexuality - But lets not mince words: stereotypes exist, and he fits into most of them) and as a thin-wristed gay guy who's a little too found of linen shirts, I can honestly say that experiencing a character like that helped me with my own confidence.

[handsomewickerman]

Some thoughts on Eddie Diaz vs. Fanon Gay Eddie

I wanna preface this by saying that i'm latino, gay, raised catholic, heard the phrase "you gotta be the man of the house" my whole life. So on paper the idea of "repressed gay Eddie Diaz" should be appealing to me, right? well not exactly and here's why:

when I started watching the show I was aware of buddie, but I never engaged with the fandom. It wasn't until Buck came out that I started interacting with it.

when you join any space online the algorithm feeds you the most popular stuff, in this case, all my 911 recommendations were buddie, at the time I saw the vision, after all I love queer rep! but after the date episode and all throughout the hiatus I realized something very quickly:

most buddies don't actually care about queer rep, they just wanted their ship to go canon.

this realization came after weeks of seeing them spew bi/homophobic rhetoric and claiming it didn't matter as long as they got buddie, some examples:

- saying they wanted Buck to play into the bisexual cheating stereotype.

- calling Tommy a groomer, creep and predator.

- being unable to fathom the idea that Tommy was just hanging out with Eddie as friends

- claiming Eddie being a pos shit to women was ok "as long as he's gay".

- the insistence that Eddie should only be read as gay (not even bi).

- the idea that Buck and Eddie should only be "gay for each other" and no one else.

(these talking points still get repeated and if anything they have gotten more hateful the more time has passed).

Buddies insisted that they could've made buddie canon every ep, but that's simply not true, even leaving the GA and network aside, if you watch the show without shipping goggles you'll realize how much work they'll need to write that arc for Eddie as well, and if you care about queer rep you would want him to have his arc too, right?

they also claimed that his religious guilt is "clearly tied to queerness" when in reality Eddie is one of the most stagnant characters in the show as his religious guilt is tied to his inability to secure a "traditional family unit" and be the "man of the house" he was told to be. He drove Shannon away (something he admitted), then lost her forever and hasn't been able to move on for 6 seasons. It all circles back to that guilt about Shannon, the expectations put on him and his feelings of failing her, his parents, his kid and himself. Could there be an space for queerness too? Sure, but that's not what the show has portrayed at all so far.

the heavy mischaracterization of Eddie, the choice to strip him away from all his flaws or excuse them, the character assassination and malicious reading of Tommy while engaging in homophobia, their inability to allow Buck to be his own character with his queerness having nothing to do with Eddie and the desire to have him play into negative stereotypes told me everything I needed to know about where these people who want to gaslight you into thinking that "gay Eddie and buddie is the only correct answer" actually stand when it comes to queer rep.

it is not inherently wrong to find relatability in Eddie as a queer person and read him as such, but it is incredibly dishonest to claim that's the only valid way to read him.

in the end, I should find Eddie more relatable as a character and truth be told? I do, but I find Ryan's desire to tell a story about men being vulnerable, emotionally open and close without having to question their sexuality or masculinity far more realistic and honest for the character and Ryan himself.

[picnokinesis]

Thoughts on Different Types of Representation in Doctor Who (and how fandom responds to it)

So I watched Rogue last night and - okay first, oh my days, absolutely ADORED it, this is definitely my favourite episode of this season, it was just so much FUN and it hooked me right from the start. And then the queerness! I was actually thinking to myself whilst watching it how wonderful it was because it felt like a queer story in a way that wasn't like, showboating about how progressive it was? [editorial aside: this is not comparing it to anything in particular, just a general observation]. The characters were just queer, within this wild and wonderful sci-fi story, but also their queerness wasn't the Only Character Trait they had and their story didn't resolve around their queerness, but their queerness was crucial to the plot in a way that was just lovely to see - and as a writer myself, it's personally the way I love to see our stories being told.

But then I made the mistake of going into the tag - always a foolish thing to do, because for some reason everyone loves to praise this era by criticising the previous era (as if it hasn't been criticised enough...like we know most of y'all hate Chris Chibnall for committing no worse crimes than Moffat and RTD before him...we know). And I found a couple of folks talking about how this episode alone did more for queer representation than the entirety of thirteen's era, whiiiiich at first really Peeved Me Off - like didn't these people understand how important Yaz's arc (especially Eve of the Daleks) was to a LOT of people? But then I was like 'well actually this is interesting', right? Because I think there's two very different kinds of representation going on here - and they're both very important in different ways, but one tends to get lauded as brilliant rep and one always gets put down as not good enough, or even bad rep. And what's the main difference? Whether the characters have a gay kiss or not.

So I just thought I'd share some of my thoughts and feelings on this, and why I think both these kinds of rep are equally important! To be clear from the get-go though - this is definitely not me ragging on anyone who likes more about one than the other (in fact, I think everyone likes one more than the other). This is merely a personal essay about it and the frustrations that comes when people in general do lift one up over the other. I'm gonna put it under the cut though, because it might get a bit long!

So, back when Eve of the Daleks aired, I remember having a lot of conversations about the representation in that episode - in particular with a very good friend of mine, who is a lesbian. And we realised that when it came to rep, we both actually wanted pretty different things. I'm aroace and genderfluid, and so a lot of what I saw in how thirteen was written - especially in terms of her gender (or lack thereof), and also her apparent lack of attraction (at least, in how I read it) was just incredibly affirming to me. I've never EVER seen a character on screen that I could see myself in both in terms of sexuality and gender. Whereas my friend saw things quite differently - thirteen was a lesbian, and they wanted to see that kiss between these two characters, because for them too, it was so rare to see that, and, in their words, they wanted to have their cake and eat it too. And we both realised that the reason that queer representation can feel so intense and important is, simply, because there isn't enough of it. We're all desperately reaching for the same small portion - and none of it is ever going to please everyone, or resonate with everyone. The stakes are too high.

So then, when there wasn't this dramatic romantic ending to Yaz's story, when there was no queer kiss, I was very sad for my friend, who didn't get that representation, but so painfully relieved for myself - because I got mine. So then it sucked a lot to see a lot of people getting really angry that this wasn't queer representation, that this was even homophobic - I even had someone tell me that aromantic representation in this regard was always going to be homophobic, because no-one would ever write it to be aro rep, and would instead only ever write it to avoid writing a gay kiss. And the thing that got me the most was that, REGARDLESS of whether they kissed or not, regardless of how you read either of the characters, there was one thing that was certain:

Yaz was queer. In text. Her emotional plotline centred around her realising that she was attracted to the Doctor (who was presenting as a woman - although, again, I don't think she really identified as such). The fact that she and the Doctor didn't get together by the end does not erase that fact.

They didn't kiss - but so what? Are queer people only queer when they're kissing someone of the same gender, or having gay sex? Are queer people not queer in their day to day lives, when they're not doing any of those things? Are queer people not queer when they're not dating? Are queer people not queer when they're trans, when they're ace, when they're aro, when their queerness doesn't resolve around attraction to the same gender?

And, to be honest, I think a lot of my feelings around this stem from the sort of exclusionist rhetoric that we saw a LOT of towards the ace/aro community back in 2012 that we still see now, that we're seeing towards the trans community now, that we're still seeing towards bi people, for pete's sake. It's this in-community infighting, pushing each other down to try and get up to the top, to keep all the "resources" for "the people who really need it", and it causes a serious amount of harm - but the truth is (and to bring this back to doctor who) that it all comes back to what me and my friend were discussing. We're all scared, all desperate to be seen - and when we are seen, it's the most incredible experience and the idea of losing that (or having someone else undermine it) feels inexpressibly awful. Having the thirteenth doctor...I suddenly realised this is what all the straight cis white dudes get all the time. She was like me, and that was indescribable. And then losing her - and having RTD not even be able to have a man wear her clothes because he was too worried about what the tabloids would say to be able to show a gnc person on tv...and then constantly described her as The Woman Doctor for the next entire episode - that hurt. A lot.

I've spoken to other friends who felt so seen in the character of Yaz - those people who realised they were queer later in life, those who fall in love with people and it doesn't end up going anywhere, those who don't get the whirlwind queer romances that people often call 'good representation'. Myself and many of my aspec friends have felt so seen in thirteen's almost entirely romance-less arc, and myself and my trans/genderqueer friends felt very seen in the way that thirteen's character would have been exactly the same if she'd been a man - the only difference was how the other characters around her interacted with her. Gender was something that happened to her. And when I watch episodes like Rogue, even though I don't relate to that representation, I just feel overwhelmed with joy because I know how important it will be to others that I care about. I think my sadness then comes from the fact that the way Thirteen and Yaz were written are just as important to me and many people that I know, but because they didn't kiss, it's not considered queer enough. Am I not queer enough, then? Are my friends not queer enough?

We need more episodes like Rogue, like The Parting of Ways, like Praxeus, like The Doctor Falls, because they are unquestionably and unapologetically queer, in a way that can't be avoided. We also need more episodes like Eve of the Daleks, like The Haunting of the Villa Diodati, like the rest of thirteen's era where the representation is an undercurrent throughout the whole story - but also undeniable, in a way that Yaz's story arc is, even if it doesn't end in a kiss, even if it doesn't end neatly and happily. Personally, I definitely would love to see more stories focused on aromanticism and on transness (especially ones that are written by trans people for trans people, rather than by cis people for cis people), but that's probably going to be down to people like me and other writers that I know actually getting into the script writing industry - and that depends on the people who are already there letting us in. One thing that I've always appreciated about Chibnall is that, after leaving Doctor Who, he began a programme for training up new showrunners with ITV, because: "showrunners are the gatekeepers and too many of the gatekeepers look like me."

Anyway, I probably have more thoughts that I've forgotten, but that's generally the gist of it. I think the more we fight over whether rep is 'good' or 'bad', relating to whether we see ourselves in it or not (rather than 'is this genuinely harmful or unhelpful', which I think is a more crucial question) the more the waters get muddied. We have different needs and wants, and no single episode is going to represent every facet of our community. But each episode, each story like this is a step in the right direction - and even rep that isn't perfect (I have thoughts about The Star Beast, for example) is still extremely positive and important, and definitely something that should be celebrated, even as we keep looking to the future for what we would like to see done differently, done better. And some day, I hope, there'll be so much queer rep, it'll be so normal, that those stakes won't feel so high anymore. It won't feel like everything hangs on how a certain show or storyline or episode is written. We'll all be seen. And that will be absolutely fantastic.

[cabaretbabe]

the thing that most frustrates me about thirteen (aside from her obvious suffering from poor pacing/writing) is the potential for a sapphic doctor was RIGHT THERE and instead we got some of the worst queerbait like... ever. like supernatural levels of queerbait.

and it would be one thing if censorship was an issue but its not!! doctor who is and always has been a historically queer show (it was created by a gay man) and has continued to raise the bar for representation in network television over the years. why could the doctor have a relationship with rose, river, missy etc, but as soon as its a queer ship she can't handle it anymore?? it doesnt even make sense in the canon of the show.

no fault to the actors, but yaz and 13 were incredibly bland characters that seemed to be smashed together as a last minute thought for queer rep brownie points. hell, steven moffat even depicted the majority of his main characters as bisexual or gay. if moffat is writing better queer/ female rep than you, youve got a problem.

and of course one could argue that every new who doctor has been fruity so whats the big deal?? captain jack, ten and the master, etc. but jodi being the first female doctor opened up so many new possibilities for sapphic rep that were squashed by overcomplicated, hollow plotlines and unlikeable characters. which is just such a damn shame.

i know nothing im saying here is a particularly hot take, the majority of the fandom feels this way. but having rtd back as showrunner (also a gay man!) and a fantastic m/m doctor in ncuti just really highlights how much we've been missing.

anyway, go watch torchwood and cry if you want proper queer rep in abundance. til then, jenny and vastra and bill and stargirl are about all we get.

[spop-romanticizes-abuse]

i don't get why Perfuma is considered good trans representation or just.. trans representation at all.

even if we put aside the fact that she's not a very interesting or well-written character, it doesn't even seem like she was written to be trans. the only reason she is considered a trans woman is because her character designer said that they intended her to be trans. and i think Nate said somewhere that he supports the headcanon. that's it.

it's basically the same as Catra being Latina (or any kind of POC, for that matter). it's not ever mentioned in canon, it just looks like it was added as an afterthought. you would only know that Perfuma was designed to be a trans woman if you were deep enough into the fandom to discover what her designer said about her.

and i get it. i want casual queer rep too, where not everything has to be verbally confirmed. a lot of trans people pass as their gender anyway, and it's not always easy to tell. it's not great to label certain features or body types as strictly feminine or masculine either.

but if that's the motive, they could have at least made Perfuma a more interesting character, so that her being trans wouldn't be one of the only notable aspects of her character.

OR they could have made any of the other characters trans - Entrapta, Scorpia, Glimmer, or Adora herself would have been good candidates. you know why? because they were actually interesting characters and not 2D vegan horoscope girl stereotypes.

a good example of a canonical trans character is Terry from TDP. he's not a main character, he is introduced as Claudia's boyfriend. he doesn't play a huge role in the narrative but despite this, he is still an interesting and fleshed out character.

for one, him being transmasc is actually canon. he talks about it to Viren, how the other elves treated him like a woman at first and how he chose his own name. and this was done in a natural way without coming off as too sudden or expository.

this serves a purpose other than informing us that he's trans. it also helps to build a connection between him and Viren, who was initially disapproving of Terry but responds to this situation with actual empathy and understanding.

Terry also has some notable moments dedicated to him despite being a side character, like when he had to kill an elf in order to protect Claudia and was plagued with guilt because of it. his relationship with Claudia is also pretty well-written and actually healthy, despite the fact that Claudia is a villain. Terry is also a decently powerful character who is actually useful to the plot.

he is also voiced by a transmasc VA, which definitely helps the case. i'm pretty sure Perfuma's VA is cis.

in short, Terry being trans doesn't seem like an afterthought or fanservice, because it was seamlessly integrated into the story and he was already an interesting character in his own right. he was only introduced in the fourth season and he's already a much better character than Perfuma, who was introduced in the first season (if i recall correctly).

[project-sekai-facts]

is it me or does prsk not really cater towards hardcore yuribait or yaoibait as much even when given the opportunity especially compared to other gacha games, like even the wedding events neither of them was focused on a popular pairing or even just in general with the stories (except for minoharu and vbs i guess?)

Yuribait and yaoibait are strong words that aren't exactly right to describe project sekai. They're just alternative ways of saying queerbait, which implies a marketing strategy of attracting a queer audience by falsely promising representation. While they didn't advertise queer representation, spn and sherlock were accused of this due to the way they wrote their leads (i guess spn did become genuine rep. Ish). Proseka isn't that, neither are similar franchises, like bandori or love live for example. Even if they rarely say things outright, which admittedly is in part because of corporate greed and appeasing fans, I wouldn't say it's queerbaiting, especially for this game and the two I've outlined (well LL has a complicated history but this isn't the time or place). The whole idea of falsely promising queer rep or marketing off it doesn't really happen here, especially in project sekai it feels very genuine and clear even if not labelled. I put this down to the writers saying on record that they want the characters, and their relationships and issues, to feel realistic and relatable.

To actually answer the question now my little media ramble is over, yeah it does feel less compared to other games, especially bandori which gives content to multiple pairings for the same characters. Like don't get me wrong prsk has quite a lot of ship tease when you really get down to it and track through all the stories, but it definitely feels limited to only a handful of pairings. While prsk does give moments for multiple pairings for the same character sometimes it's just... less ig. Again i think it's just to do with the intentionally realistic way of portraying the relationships, so imo it makes sense that they only pick a hanful to give much more obvious or outright romantic subtext to (aka mmj/vbs), even if they still give little moments here and there for other pairings for those characters, as well as giving less-fleshed out or explicitly romantic shiptease for other pairings that don't include those characters (does this make sense? it's hard to talk about shiptease in the game without explicitly talking about shipping. oh well...).

(Also as an aside: mmj is also a bit of a genre thing, and a lot of a Love Live thing. I'm not reaching by saying that either, it showed up on the results to a survey about media the staff at colopale like. mmj does take a few cues from LL here and there, (rooftop practice, genki orange leader, the white feather, airis character design and voice actress) so this is probably one of them)

Even though the wedding events don't usually focus on a ship (aside from the Honami/Kanade one (for context it's honami's most popular ship at least on pixiv, although it's still on the rarer side of things, and it's not that popular in terms of Kanade pairings)), they have always featured popular ships on the card lineups, aside from the most recent one. the first one had cards for the two most popular Akito pairings, and the second one had An/Kohane and Shizuku/Airi. The second one is particularly notable since the event didn't go lightly on the ship tease at all in some parts, though it makes sense since both pairings have romantic text and/or subtext in the story. Even the first wedding event had a tiny bit in one of the card stories, and this year's one managed to squeeze in a scene where Minori imagines Haruka getting married (presumably to her).

We also had the buddy funny spend time event back in 2021, which was explicitly a double date event featuring an/kohane and minori/haruka (again two pairs with romantic text), and we've had other events that follow a sort of similar concept of two popular pairings doing something together, without the double date thing attached, but you can tell what they were thinking lol. I don't really wanna elaborate on that bc I don't wanna start a whole thing but if you look through the event list you can probably work it out.

But then again, this is the Hatsune Miku friendship game. Friendship and community are two of the core themes of the game, which again explains why it might feel like there's less romantic teasing and such compared to other games. Because there is. The events and other stories prioritise writing the platonic relationships over giving ship tease. There's definitely events that you can come out of with little to no moments for the ships you like. This isn't saying that other idol games don't focus on the friendship by the way, I'm just saying prsk has much stronger and consistent themes. From an objective perspective it has the best writing of the major idol games on the market (maybe, idk what's going on in bandori nowadays I've heard MyGO and Avemuji are really good).

Yeah it's the hatsune miku friendship game which prioritises realistic characters and relationships that's about the best way I can put it.

(aside #2: back to the idea of queer content, while they don't write the game, sega is pro-lgbt and is a sponsor of tokyo pride, and offer protections for queer staff. Other sega franchises like Yakuza and Sonic have queer characters! And mizuki is about 5 events away from coming out as trans unless they fumble super badly. So it's a nonzero chance that prsk can and will include textual queer rep in future (i mean they already have lol). It genuinely is down to the realism other fan appeal. Again this isn't to hate on other franchises I'm a huge fan of LL and a casual bandori enjoyer, prsk is just Like This)

[velvetvexations]

I understand the instinct behind it to a degree but it really does worry me how fast people in progressive spaces are willing to buy into conspiracy level thinking about there being shadowy groups of transphobes plotting to freeze other trans people out or like, that every big news story or movie/tv/book release is planned to distract us from Sudan or Gaza, cuz like quite often things are just coincidences? The most insidious thing about systemic oppression is that it's so self-sufficient it doesn't NEED people to conspire to fuck over xyz demographic, it just does that on it's own. The instant you buy in to conspiratorial thinking you're in danger, and that includes painting a large group of queer creators as active, intentional transmisognists who should be shunned forever and ignoring the realistic read which is that it's clearly an unfortunate coincidence that can be fixed! It's the whole "if the building was designed to be inaccessible even if everyone working there loves disabled people the building is still inaccessible" thing, for a lot of reasons not a lot of trans and queer people end up even in the line to possibly be front and center in a show or two, and Dropout is clearly working to change that and include queer people, but it's slow going and the system is stacked against trans people and no one is perfect and Dropout is also still a VERY small company all things considered trying to build themselves up from almost nothing, they need support so they can offer space to more trans people and transfems! Like what good does spreading a bullshit rumor about the main cast all being closet raging transmisognists do aside from tear down one of the only queer platforms we have??

When College Humor got bought by Sam they could only afford like ONE employee, do we want to have to wait years and years and years for another new platform to arise that has the money and power to represent us?? I'd rather uplift and push to be better a platform that is run by queer people who want to do better for all of us even if they don't always succeeded than sit here begging Disney to acknowledge that we exist while spreading horrid rumors about every legit queer creator who wants to platform us secretly being a huge bigot in disguise.

It's so awful, I hate how every time someone works their ass off to make a fucking difference for queer people all the terminally online progressive queers have to rip them to shreds for not being 100% perfect in every way until we have nothing but sanitized corporate overlords who don't think we deserve to be on screen at all. Every progressive queer creator gets put through this eventually and I'm so sick of it. The Vlogbrothers, The McElroy Family, Nightvale Presents, She-ra, Steven Universe, Chappell Roan, Becky Albertalli, it KEEPS happening!! And we will never get anywhere if the slightest misstep or honest unfortunate coincidence is enough to deem the only people who are trying to represent us, many of which ARE us, as irredeemable bigots who should be crucified in the town square.

Imo this is just a massive case of people always falling for conspiratorial thinking out of a refusal to actually understand how systemic bigotry works in favor of the "everyone is always secretly intentionally conspiring against us" lie and refusing to give queer creators/allies ANY grace or room for error or the benefit of the doubt because like. I guess destroying other queer people and our allies is what some of us do best. The fact that it's only ever queer people and allies who get this treatment makes me sick. We can't let ourselves have anything, it's perfect or it's evil. What the fuck is even the point of queer rep anymore if all of it is going to get treated like this eventually?

.