#also all my favorite characters either keep dying or turn out to be villains so thags fucked up . jean U better not fuck this up

[smoosnoom]

also ! ive been watching attack on titan . no spoilers everyone im currently a little bit into season 4

[butchdarling]

review of every book I read this year btw

The Left Hand of Darkness Ursula K Le Guin

Probably one of my favorite books I've ever read if not my most favorite. The concept of a human ambassador on an alien planet is really good on its own and Le Guin executes it brilliantly. Really compelling world building and such good atmosphere (probably helped by the fact that I read part of it in January during a power outage lol). I also really liked the author's intro on this; it shaped the way I've looked at sci fi media since I've read it.

Midnight's Children by Salman Rushdie

I feel like I was missing some of the historical context to really understand a lot of the symbolism in this one, but the prose and storytelling was strong enough on its own to keep me engaged. I think I would enjoy this one more if I read it as part of a class or book club.

Maurice by EM Forster

Demian by Herman Hessie

Could have benefitted from being just a little bit longer and exploring some of its ideas a little more in depth but also I do love a shorter book and everything it does discuss is really well done.

Shout out to gay people escaping the narrative got to be one of my favorite endings 👍

Frankenstein by Mary Shelly

The Haunting of Hill House by Shirley Jackson

Haunted houses and mentally ill women what more do you need. Couldn't put this one down I love the way the horror creeps in until it's suffocating.

I know it's a classic and everyone already knows this but damn what a good book. I knew a lot of the story going in but reading it myself was still a rewarding experience. I like how you can very easily trace all of Frankenstein's choices back to a fundamental fear of and unwillingness to face anything truly bad

Howls Moving Castle by Diana Wynn Jones

Honestly I kinda lost interest in this one about halfway through and idk if it's my fault for not really paying attention of the book's fault for not being interesting. I did like the ending though.

The Iliad

This was part of my Hades (video game) phase. I don't really have much interesting to say about it, but my favorite part was when Hektor visits his wife and she tells him she's scared of him dying and leaving her alone but he tells her it will be okay because it he dies in battle it will be okay because it will bring them both glory. And then he turns to pick up his son who starts crying at the site of Hektor in his armor and helmet. It's not an important scene by any means but the potency of the symbolism stuck with me.

All Systems Red and Artificial Condition by Martha Wells

These were really fun ily forever Murderbot <3. Murderbot really is the heart of these books and is a deeply charming character, at least to me. I feel like it's very easy in sci fi to either make AI a pure evil villain or basically human so it's refreshing to see a more nuanced take. I really want to read the rest of this series at some point.

The Time Machine by HG Wells

I liked the beginning (mostly the explanation of time travel and the fourth dimension) and the end (the Time Traveler going to the end of time was really cool) and I like the stuff in the middle conceptually but I think the execution was kinda boring. Another one I think that would be more interesting when discussed with other people who read it.

Slaughterhouse Five by Kurt Vonnegut

I feel like I would enjoy this one more if I read it again and took notes. I enjoyed it on a surface level but I feel like I missed a lot of the deeper themes. Loved the interpretation of time as a concept though.

The Traitor Baru Cormorant by Seth Dickinson

Reading this one rn so I haven't finished this one yet but I'm enjoying it so far. I got a little apprehensive when on of the reviews on the back compared it to doom, but so far it hasn't been too dense, if anything something about the style and narration is actually very comprehensive (at least for me). You might be able to make the argument that the presentation of colonialism and imperialism is a bit heavy handed, but I think it works for what it is, especially in the first couple chapters where it helps establish the world.

[purble-turble]

So I've got some thoughts about DKR and TT if you'll indulge me for a moment, Purbs. Not plot stuff but like, Meta thoughts.

I've always found it a little odd about myself why while the time travel Au is highkey one of my favorite lmk AUs in the Fandom, and I absolutely ADORE TTRed, I could never really get into DKR other than as the villain of TTRed's story. But i've been in a lord of the rings mood lately and I think i figured it out

so everyone knows that speech Samwise Gamgee gives in Two Towers, yeah? the importance of still keeping hope alive even in the most dire of circumstances because a new day WILL come eventually. the folk in those stories had plenty of chances of turning back but they didn't because they believed that there was enough good in this world to be worth fighting for, and all that.

And keeping hope for the sun to rise even when lost in the darkest of nights is kind of TTRed's whole thing.

Whereas there's very little HOPE in the DKR universe without TTRed there swearing to change the course of fate, which is kind of the point, yes, but the fact that the only permanent solution that's not a full stop bad-end is DKR dying since nothing else will stop him for good as the Calabash storyline proves. and the only way for that to be narratively satisfying is for MK to be the one to kill him, putting more pain and trauma on someone who's already suffered far too much at DKR's hands. leaving that finale while on some level cathartic for the end of a nightmare, still a phyrric victory at best.

i'm not sure if i have a point to all of this so i'm just gonna go reread Test of Time and cry about that one terry pratchett quote and think about the poor traumatized muffin (and btw thats the cutest pet name for TTRed poor dear) "Let there be goblin hordes, let there be terrible environmental threats, let there be giant mutated slugs if you really must, but let there also be hope. It may be a grim, thin hope, an Arthurian sword at sunset, but let us know that we do not live in vain"

Oh my gosh Anon, yes, thank you for this, you absolutely hit the nail on the head here with this analysis!

Demon King Red is about a person losing himself into madness because he doesn't understand what it means to love, and when he's forced to choose between two things he loves he tries to force them both together and it ends up destroying all of them. It's a story of devastation and ruin and nobody comes out of it better than they went in. Meanwhile, Time Travel Red Son's story is about seeing that horror and the cruelty and selfishness and deciding that he will not let it be his own fate, and in doing so he learns what love truly is. It's not something you have or take, it's something you give and receive, and it cannot be forced. And while he doesn't exactly get out of it unscathed either, he's still always working to be a better person and that intent is the most important thing about him and his story.

TT Red is definitely the hope of morning to DKR's black, somber night. So it's completely understandable that you weren't so interested in DKR's story without TT Red there to give it that spark of hope. I definitely agree that a story with only a bleak outcome possible isn't quite as interesting. It's fun to make characters evil and have them suffer, but when it comes to having a full narrative, the lack of hope certainly makes it less appealing. Which is why the traumatized muffin's story is the one I chose to tell in full via a fleshed out fanfic (and yes I agree, that's the best nickname for him lol) and not to spoil anything for that fic, but you're definitely right about the only good ending is going to end up in more trauma for MK (and you're even more right that the story demands it to be MK who kills DKR ultimately) And that ending is only possible because of TT Red's presence.

Also I'm super mega flattered that Samwise Gamgee, the goodest boy of all, reminded you in any way of my story and my traumatized muffin. And that Terry Pratchett quote, it’s one of my favorite quotes by my favorite author to boot! You're gonna make me blush bringing these amazing things up in reference to my silly lego AU lol 🥰

[bokettochild]

So, in honor of LU's 4th anniversary, I will be sharing the results of my introducing the Boys to my younger sister! I basically showed her a bunch of pictures and she made assumptions while I laughed my ass off and tried to type while keeping up with what she was saying.

Here are the results of that!

Let's get into it, shall we?

(For clarity, my comments are in italics and hers will be in quotation marks)

"His name is Thor

"Knight in shining armor, stern, leader but not totally controlling, honor obsessed."

(She got more detailed about them all later on, but yeah, she was short with the first few, but a bit on the nose XD)

"Weird insomniac guy

"Strikes me as distrusting, wily, protective of family, lone wolf "

(I died)

"Boromir

"Strikes me as being proud, vain, sassy, a bit of a narcissist, tries to look good but often breaks the rules, look out for Number #1"

You're not that far off, I mean, he's not a narcissist, he learned not to be after the villain um...lusted after him and hilled hundred of people because she wanted him to be hers.

"Shaggy

"Ugly, he ugly. Obviously he's got a super sword so he must have done something cool to get that but he doesn't deserve it, like, he's not cool after all. He looks like he's supposed to be really cool but is actually boring. Not very relatable, too perfect."

(She tore into him lol)

(I didn't tell her anything, but I guess she picked up on the fact that he's a religious nut. And when she saw me type this she kinda groaned so....)

(She looked shocked when I said he was dating a goddess) "That's not religious that's sacrilegious!"

"Legolas

"Cute! He's cute. Probably a bit mischievous, spunky, bit of a rebel, goes off and does his own adventures when he's not supposed to. Generally smart but gets his butt handed to him on occasion from going off my himself. He's just like a cute, mischievous trouble-maker who means well but get's himself screwed up."

(I was dying as I wrote it, she got him perfect!)

"Hiccup

"Getting a Hiccup vibe, but also Sokka- Is that a boomerang? It's a boomerang :)

"He a bit timid on the surface, but he's got his own thing going and is gonna stand up for what he wants to do. He'll go off and do his adventure stuff but he's also afraid of dying or getting hurt (like the 1st Hiccup freeing Toothless scene in the woods). Easily startled but quick to spring into action. Kinda like the sneak boi."

(Told me to make sure to type it "boi")

He's half fairy.

"That makes sense.

"And his sword is dying! Look at this!!!"

(She really disliked how his sword looks, we laughed like nuts)

"Kuzko

"Why Kuzko? I already don't like him. I feel like he's cocky, a bit of a flirt, tries to look cool and screws it up. Like he thinks he's really epic, "stand aside, let me do my thing", proceeds to blow himself up. Based on the fact that he's holding a bomb I'm guessing that he does something with explosives, but he's also got a sword. And what is that, a joker's vest? He looks like that weird kid who ran away to join the circus but is also a mercenary part time."

Anything else?

"He explode."

Everyone's gonna riot, you're just tearing into their favorites!

"Baby Face- No! Mort! (like in Madagascar)

Ew. He's like an ugly baby face, is he slinging a bell around? What is that? Is that a bell?"

It's a grappling hook.

"Either he's really small and immature, or just really young, or both. I feel like the creator designed him to be this mischievous lovable character but I would probably hate him :). Probably takes on too much, tries to be a hero but he's to amateur. Probably has a dramatic backstory; like he's a prince or something. He's probably got like a high pitched annoying voice (she dislikes kids). He's like if Deku was younger and medieval, except I like Deku. He probably cries a lot too."

(Sorry to the Wind, Sky and Four fans, I can't control her)

Last one (for now)

(told her he's my fav)

"Sonic

Oh no. Oh no. I think he's like, cocky, flashy, probably a bit of a flirt, but at the same time I feel like underneath that he's really sweet. He's a team player but a bit of a showoff. It's easy for him to get himself into a pickle."

He turns into a rabbit.

No rabbits! No! No rabbits! (She just read Melvina's Therapy webtoon)

"He looks like is James Hiller tried to be an elf knight."

Anything else?

"Idk he's just weird."

He's the most emo out of all of them.

"He's emo? He looks like a 'har har snicker ha' (a swashbuckler, for those who didn't grow up watching veggies hop around telling Bible stories), like Kirishima and Kaminari combined."

Showed her this Bunny Legend page

I"Oh my frick! It's a raspberry bunny! Like a raspberry bunny from Redwall! Like if Kirby ate a bunny! Oh my freaking gosh it's like if kirby ate a pokemon! Oh gosh! He's cute! I wanna read it I wanna read it I wanna read it!"

(I converted her, lol)

That mostly sums it up, but I did show her a piece of fanart, and she told me that Hyrule looks like my old OC Fitz (I might post the art one day, lol, it was terrible!), Warriors is He-Man, and Four is a blone Tarzan.

Additionally, I told her some of them were shifters, and when telling her that manga Legend becomes what is essentially a werewolf she went "Are there any vampires?"

.....

I told her Wars was the closest to a vampire, but only because @mmmwafflesart made him one.

She did like the idea of Shadow though, go fig..

(If y'all are curious I might follow this up with her thoughts on Malon and Ravio, but those were recorded and I don't think she wants that chaos soundtrack out (my hands were too busy to type at the moment))

Hope y'all enjoyed. Sorry again to the Sky and Four stans out there!

[dontcallmecarrie]

In Endgame it seemed like the producers wanted Tony dying to be the only way he could be at peace. Like Pepper literally tells him 'Rest now', as if sacrificing himself to destroy the enemy that's been haunting him since Avengers 1 is the only ending where he can be happy.

"Sorry meant to add this to my ask (about Tony's death in Endgame being portrayed as his only possible happy ending): The whole thing makes me want to cry. And scream. Your opinion on what was being portrayed there?"

.

Friend, I...think you're more invested in this than I am, at this point. I'm not sure if you've noticed, but I have ranted at length about my feelings on everything related to the Marvel Cinematic Universe. [Note: those are only some of the highlights. There's plenty more— I'm not even including the whole "in an interview, the writers flat-out said they didn't like the characters" thing, even.]

Beyond that, the main thing you should know about me is the fact that I have very, very limited time and energy, and prefer to focus on things I enjoy over dwelling on things I know I'll hate. Because I've seen this road before, and it never ends well, and life's got enough bs without me piling on even more.

Am I going to be forever bitter about what went down? Yes. Am I never going to let go of the fact that the writers prioritized ticket sales over the age-old art of telling a good story and threw years' worth of effort down the drain in the process? Also yes. But I refuse to let it get to me.

The MCU lived in my head rent-free for a good chunk of my childhood and teenage years, and— yeah, I mourn for the potential it once had, but if I cling to the anger I feel about how the writers butchered everyone's character arcs and consistency for *drama*, I will never know rest.

If I let myself, I know I'm capable of being incandescent with rage over how they fridged the only woman in the original Avengers' Initiative, of the way they somehow managed to make Steve "I don't like bullies, also FUCK Nazis" Rogers into someone completely unrecognizable in the span of three movies, and—

I'm tired.

Look: you probably found this blog because of my most famous fic, The War is Far From Over Now. I started writing it because I needed at least one (1) world where Tony Stark got a happy ending for all the bs the MCU kept throwing at him [and only him], and if that meant making it myself, then so be it.

When I first started, I wasn't old enough to legally drink. Originally, it was supposed to be something short and sweet, something funny— but spite made it longer, and the readers' reception meant more inspiration to go into even more detail, and then it turned into a stress relief valve for all the shit that kept going down in my life.

[I try to keep personal life bs separate from my writing, but.

Shit went down.]

So, long story short: TWiFFON started out a fun thought exercise, but ended up becoming my love letter to what the MCU used to be— and later, a eulogy for the same.

Because over a decade of being invested in the world that turned my casual interest in the comics into something more concrete, only to watch as the audience was robbed of just about every sort of resolution there possibly could have been.

This isn't my first disappointment of this type, sure: Harry Potter was the book series I learned to read English with and I'd once thought the epilogue was as bad as things could get in that regard [...boy was I wrong], and Naruto and Bleach both managed to be incredibly ??? in their finales, but.

Of all of the things that made up so much of my childhood, my favorite character was Tony Stark.

The man who tried so, very hard to do his best, and kept getting beaten down for it time and time again. Who, by all rights, should have been the villain— either as the rich white guy who apparently can do nothing right [see: Iron Man 1 onwards], or simply because it makes no sense for him to be on the same side as the heroes who lied to his face and stabbed him in the neck or back time and time again [see: Iron Man 2 onwards, special mention for Avengers: Age of Ultron and Captain America: Civil War].

Who was both the Da Vinci and Cassandra of his generation, because for all his accomplishments, nobody ever took him seriously— and never even got an "I told you so", after shit hit the fan and everyone immediately turned to him for answers [see: Iron Man 3, Avengers: Age of Ultron, Infinity War, Endgame and need I go on?]

...I could go on for hours. But I won't.

If the writers won't give it this much thought, I won't either, not anymore.

Same way I refuse to watch another Marvel movie or tv show. I'd only barely been sticking around and gritting my teeth at the writing before Endgame, but that's the movie that made me ragequit the MCU entirely.

I've moved on, trying my hand at other fandoms and hobbies to occupy my brain when I'm not working or studying. At most, I have been poking at old cartoons and comics when I feel up to retreading old ground, but...right now, the main thing I feel when I think about the movies is disappointment.

[kitkatopinions]

Got anymore Doctor Who nitpicks?

Oh boy, strap in folks, because I've got a ton. XD

Gonna put them under a keep reading for convenience and in case any Doctor Who fans don't want to see the criticism. Please note, I just finished rewatching up to season four so anything I say about the other later seasons is just what I remember, and I don't know much about Classic Who.

One of my sisters pointed this out, but the time agents exist and interfere in time even if they try to stay in the shadows, so the fact that the Doctor doesn't have more run ins with them is weird. As far as I know, the only time agent we encounter at least as far as season seven is Jack Harkness and he had already left the agency.

The second season, with the Tenth Doctor and Rose, they did the whole 'the Doctor and Rose might be separated forever' plot a couple times too many. I love that season and I adore both of those characters, but it's like Frodo almost dying, after you've seen one of them freaking out about losing the other every episode like six episodes in a row, it's just like... Maybe they should do something else.

We didn't see Rose or Mickey ask about Jack to my recollection after he 'died' to the Daleks in the last Christopher Eccleston episode. And I know that they were both really busy with other things, but I don't even think there was a 'where's Jack' 'not right now' kind of interaction.

I like the Love and Monsters LINDA episode, but I wish that the Doctor actually hadn't been able to get Ursula back. I don't know, I just think the episode would've worked better as a bit more of a tragedy, with Elton being the only survivor.

Nurse Redfern in the Family of Blood episode is not my favorite, and I wish there was less of a big deal made out of her. If she'd been in just one episode like Madame de Pompadour, I'd be annoyed (I kinda don't vibe with one episode only romances,) but it'd be fine-ish. But like, when the Tenth Doctor is dying and he's going around and seeing all the companions we love who have been involved so much in the show, he stops by Nurse Redfern's descendent to talk about Nurse Redfern? I could not care about her less, they should've cut her out and done a scene with somebody else, or did an extended scene for one of the others, or something.

In the Blink episode, I do really like both Sally and Larry, but I don't think they should've gone with a romance angle there, it just seemed like they were better as friends. Not that we see much of them, but still.

In the Master episodes in season three, I really feel like the 'turning the Doctor into a tiny old baby-sized creature man' thing was wholly unnecessary and just didn't add anything to the story. I don't know anything about Benjamin Button, so all I have to compare it to is the Benjamin Button style day dream in the Secret Life of Walter Mitty, and it makes me unable to take it seriously.

I feel like the Adipose episode has great Doctor and Donna moments, but I really just don't like the Matron. I feel like she's just kind of boring. Quite a few of the Doctor Who villains are somewhat two dimensional, but they at least have aesthetic things that make them stand out.

The Unicorn and the Wasp was my least favorite episode in the fourth season and I think part of that is that I've never read a single Agatha Christie, and I've never really watched anything based on her books either. So I got some of the detective/mystery tropes, but it was basically a tribute to something I didn't know anything about and so I've never been anything but bored during the episode. And there were I think a couple too many characters to get attached to any of them.

The Silence in the Library/Forest of the Dead episodes have quite a few little nitpicks in light of what went on in seasons five through seven. River's screwdriver isn't the Eleventh Doctor's, and she should be weirded out about the Tenth Doctor's being like the one he gave her instead of being like the Eleventh Doctor's. She also says he opens the TARDIS with a snap of his fingers as if that's something he does all the time as Eleven, when if I remember correctly, it's actually pretty rare. I'm sure there's more, and some of it is just vibes, but yeah.

In the End of Time episodes with the Master, Wilf's little group of friends who try to find the Doctor with him is eh okay, but how much fun would it be if he was in a group with Elton and that guy who gave information to Rose in the very first episode.

Also, gotta say that Martha and Mickey being a couple at the end of David's Tennant's era wouldn't annoy me if they'd had like, at least two even small conversations. As it happens, it just kinda comes out of nowhere.

I think my very first complaint of Matt Smith's Eleventh Doctor era is the fact that he feels his hair and is shocked and wonders if he's a girl, but his hair really isn't that long, so... It's just a weird line. Why would he just assume that? It'd be different if he had shoulder length hair, or if the eighth doctor didn't have longer hair than the Eleventh. It'd still be a weird and stupid line, but as it is, the line doesn't even make sense to me.

I haven't gotten to season five yet, and I don't intend to keep re-watching after Amy and Rory leave (for a number of reasons,) but I do have a couple of nitpicks off the top of my head for the Matt Smith seasons.

Although I get that a lot of the threads to David Tennant's era had been tied up well, I'm bummed that Jack just never comes back when it would make sense for him to be at least kind of involved every now and again, especially in A Good Man Goes to War when the Eleventh Doctor gathers together a bunch of people to help him and just... It makes sense for him to not include Martha because she walked away and he thought that was good, and it makes sense for him to not include Mickey either because he might know he was with Martha. But Jack? And I also get that Eleven is 'the Doctor who forgets' or whatever, but bro could be not selfish when Amy and her child's lives are on the line. Jack should've had at least one appearance in these seasons.

As somebody who cares about Sherlock Holmes, it kind of bothers me that the 'this was the inspiration for Holmes and Watson' characters have a master-servant relationship. I know it isn't just a master-servant relationship and they're literally lovers, but that kind of makes it worse. There's no problem with a 'inspiration for Holmes and Watson' romantic couple, but Watson was never Holmes' servant, their relationship was on much more equal footing than lots of people seem to realize, and it makes one of the few queer couples we see for more than an episode at the very least problematic.

This might be bigger than just a nitpick, but I'm gonna say it anyway. Mels being River would've been much better and would've felt less out of nowhere and rushed if Mels had been set up as a side character. If she'd made appearances in Leadworth and had been talked about by Amy and Rory and had been at their wedding, then it'd feel like pay off when she turned into River. Instead it's like "oh here's a character we don't know, guess the author is telling us she's super important to Amy and Rory? Oh, I guess she's evil? Wait, she's dying? Wait, she's River?!" Like how were we supposed to get emotionally invested?

And finally, Amy should've had reading glasses at least all throughout season seven, and it'd be best if she'd started wearing them sometime during season six. Because the Doctor wearing Amy's glasses after she and Rory were gone was a great concept, but because they'd just appeared for the first time in Amy and Rory's last story it felt a lot less emotional than it could've and instead it just felt like the author trying to force an emotional response without having earned it... Which was pretty much just what it was. If they'd wanted to have the Doctor wear Amy's glasses, she should've been wearing them for long enough that they became attached to her character.

So yeah, I'll probably have more nitpicks once I watch the Matt Smith series, but that's it for now. This ask was a lot of fun, so thanks for sending it!

[addictedtojmanga]

Shoujo manga recommendations - otome game isekai

So, after 10+ years reading shoujo manga, I’ve read over 1k titles, admittedly, a reasonable amount is one-shot (or at least a collection of), but nonetheless, over time I had to expand my interests.

Lately, I’ve started reading the otome game isekai genre, and decided it’d be nice to share the ones I thought were best.

Most of them are pretty much the same, but the best ones usually have a twist, so...

! Warning: You’ll most likely want to beat up 1 or 2 characters from each one, but worry not, so do I and the other characters

1. Fiancée's Observation Log of the Self-proclaimed Villainess

Crown prince Cecil was so brilliant that everything in life was easy to the point of boring him, then one day, his fiancée Bertia suddenly said "Prince Cecil, I am a villainess!" Claiming that this world is the same as that of an "otome game" from her past life and that she is playing the role of the "villainess" in it, she aims to play her part well and have their engagement annulled. With that goal in mind, she sets about causing turmoil in Cecil's daily life.

This one definitely takes the gold for me. Super sweet and pretty funny.

2. My Next Life as a Villainess: All Routes Lead to Doom!

Most people would prefer being the protagonist of a world full of adventure, be it in a game or in another world. But, unfortunately, a certain girl is not so lucky. Regaining the memories of her past life, she realizes that she was reborn in the world of Fortune Lover—one of the games she used to play. Unfortunately, the character she was reincarnated into—Katarina Claes—is the game's main antagonist, who faces utter doom in every ending. Using her extensive knowledge of the game, she takes it upon herself to escape from the chains of this accursed destiny. However, this will not be an easy feat, especially since she needs to be cautious as to not set off death flags that may speed up the impending doom she is trying to avoid. Even so, to make a change that will affect the lives of everyone around her, she strives—not as the heroine—but as the villainess.

This one takes 2nd place! It has a different result than others, and the FL is great - everyone is, to be fair.

3. Of Course I’ll Claim Palimony

"I'll annul our engagement!" My fiancé suddenly declared?! Apparently he's in love with the recently transferred count's daughter and is planning on making me the villain in order to annul the engagement. Although I have no lingering attachments about the engagement, I do have to claim a hefty consolation fee don't I?

This is sooo good. The FL is spectacular and manages to stand out - even if just a bit - from the rest of the genre.

4. I’m a Villainous Daughter, so I’m going to keep the Last Boss

Avoid the BAD END! That's the goal of the villainess in this plot-twisting story!! She has been reborn into the world of an otome game as the villainess, Irene. Using her memories of her former life, she recognizes flags indicating she's en-route to the bad end, so she makes a plan to conquer the last boss (the evil king Claude), make him her lover, and see if she can open up a new route!

Pretty funny, and the FL is bold. Also, the ML is a bishounen.

It’s one of the few mangas from this genre that has been completely translated, and since it only has 13 chapters, it’s a good way to start out.

5. The Plain & Unnoticeable Me is No More

Elaine Lana Norris, who was born at the top of the aristocratic daughter, was declared abandoned by her second fiancé at the school's founding party. Lana, who has been made a villain daughter, is driven out of her home by a strict grandfather. But there is a secret in Lana that everyone doesn't know about?

I don’t want to give out any spoilers, however, it suffices to say that she accepts her role as the villainess.

Ok, I think these 5 are my favorite, but the ones below have been selected as well, so they’re still pretty good and worth reading.

6. The Villiainess Is Adored by the Crown Prince of the Neighboring Kingdom    

Tiararose was supposed to be disengaged and exiled from the country. “This was the Otome game I had played!” She realized on the day before the story’s ending??……. Shall I wait for the judgment? But, I did not do anything too cruel……. Thinking so, the ending continues. But, during the judgement??something that was not possible in the game happened. The neighboring crown prince courted the villainous daughter Tiararose.

ML: 10/10 FL: 8/10 (too insecure for my taste)

7. Endo and Kobayashi’s Live Commentary on the Villainess

She’s always putting on that grumpy face even though she’s not actually that upset! Oh, why can’t she just be honest with herself…!??? She is a tsundere, after all? When her embarrassment levels exceed a certain limit, she will explode into anger. However, the point that she’s suppressing under the surface is that she wouldn’t mind that sort of thing if it were in a less public place.? As Endo-kun passionately reacts to the antics of Lady Liselotte, the villainess of an otome game, Kobayashi-san provides a painstaking breakdown of her tsundere behaviour. Suddenly, one person could hear their voices; Liselotte’s fiancée, Prince Siegward. That is where this story begins.

8. I’m the Villainess, but the Capture Targets are too Abnormal  

The villainess, Mystia, remembered her past life on her 10th birthday and has unwittingly turned the characters in the otome game "Kyun Kyun Love School" into yanderes! In order to avoid becoming the love rival of the "heroine" who will lead her to her downfall, she starts making every effort to break off her engagement with her "prince-like classmate"! That’s was what supposed to happen...But, because of her kind personality, her favorability increased instead!

It’s still in its beginning stages, but seems pretty solid.    

9. Though I May Be a Villainess, I'll Show You I Can Obtain Happiness!  

A collection of one shots.

Great way to start out, it has quite a few options, so if you don’t like one, give another one a try!

10.  The Villainess, Cecilia Silvie, Doesn't Want to Die, So She Decided to Cross-dress!      

I was reincarnated into the body Cecilia Silvie, the villainess of an otome game. According to the plot, what awaits me in the normal route is either a slow, painful death or an instantaneous one... Essentially, every route leads to my demise. Then I'll change my fate! And that's why I decided to become a man. However, I made a mistake during a certain event, and the story began to head down an unexpected path...?

I haven’t seen any other like this, and if you like gender bender, this one’s for you!

11.  I’ll Become a Villainess That Will Go Down in History ― The More of a Villainess I Become, the More the Prince will Dote on Me

Alicia is the eldest daughter of the noble Williams family—a bloodline that excels in dark magic. Her jet-black hair and golden eyes command a powerful presence, but her most unique features are, without a doubt, her sharp tongue and malevolent nature. By all means, she is a villainess, but also a fictional character from an otome game!

12. I’m Not a Villainess!! Just Because I Can Control Darkness Doesn’t Mean I’m a Bad Person!

The novel The Saint Beloved by the Prince is set in the land of Lacia, where spirits control the elements, each of which is overseen by a "Spirit King." On rare occasions, these Spirit Kings may bless a single human, granting them immense magical control over their respective element. The heroine, Amelia Logan, and the villainess, Claudia Leitzya, are two sides of the same coin, blessed by the Light and Dark Spirit Kings respectively. However, while Amelia is beloved, Claudia is hated and rejected due to her dark skin, ebony locks, and aptitude for dark magic. After dying in modern-day Japan, Sakura is reborn as an infant Claudia. While difficult at first, Claudia tries to adjust to this new life, all the while accompanied by the Dark Spirit King Gerald. But even this task is far from easy; people fear her at first glance, no matter how she acts toward them. Still, Claudia is set on changing her fate from the novel, proving she is a good person and breaking free from the shackles of a "villainess."

13. Rebirth of the Villainess: The Life of Letizia after the Engagement Annulment      

For some reason, the duke's daughter, Letizia, was plotting to break her engagement with the prince. Her plan succeeded and the prince, none the wiser. But shortly after the engagement was terminated... The King collapsed! In that moment, she recalled her memories of her past life as a nurse and she fully utilised her knowledge & experience as a nurse, to save the King's life. Thinking she had achieved what she wanted, she thought she could finally relax, drinking her favourite beverage and leisurely spend her time, she instead somehow keeps getting involved in incident after incident. The slow and peaceful life is now nothing but a dream!? Lazy daughter, busy seeking freedom and laziness!

14. I Won't Become a Villainess. I'm Just a "Normal" Duke's Daughter!

A Japanese person reincarnated into an otome game chock full of death flags for the villainess, Rosalind. "I'm going to live an enjoyable life in this world!" Making full use of the game knowledge to avoid death flags, for some reason events keep happening one after another?! Contracting with spirits, helping her father (the prime minister) with his work using her modern day knowledge, taking a walk with the holy beast... and on top of all that, even starting up the heroine's event...? Will Rosalind be able to smash through every unknown death flag that comes her way...?! And will she be able to be fluffy lovey-dovey with the supporting beastkin character she liked from her previous life?!

Cute. Has beasts.

15. Milady Just Wants to Relax      

She worked herself to death in her past life, but then she was reborn in another world as the villainess Ronia! As expected, her engagement is broken and she's expelled from society, but now she takes that chance to live peacefully, and even opens a cafe with the help of her fairy comrades, which is becoming unexpectedly popular with beast-kin...?

Also cute. Also has beasts.

16. I Swear I Won’t Bother You Again!            

Violette, a proud and beautiful daughter of a duke, commits a crime out of jealousy towards her half-sister. Convicted, Violet faces her own heart with sincerity in a prison cell and regrets her sin. Then time rewinds to a turning point—to her first meeting with Maryjun one year ago. Violette makes a decision. She will not make mistakes this time. Without committing a crime and bothering anyone, she will live an ordinary, plain and inconspicuous life...! However, incidents contrary to Violette's expectations occur one after another...?!

17. I Became a Villain Daughter

On her 15th birthday, Hinase Kaede, a young girl who was working as a part-timer, perished in a traffic accident. Upon her death, a self-proclaimed “God” appeared, declaring that Kaede would be brought back to life. However, Kaede’s happiness was short-lived and her soul was thrown into Erika, the villainess of an otome game! In the original game, Erika became a saint candidate alongside the heroine, committed evil deeds over the course of the candidacy, and ultimately faced condemnation. Thus, Kaede decides that she will not get close to the main characters of the game so as to avoid the bad end, but yet——?

[canary3d-obsessed]

Restless Rewatch: The Untamed Episode 16 part one

(Masterpost of All the Recaps)  (Canary’s Pinboard)

Warning: Spoilers for All 50 Episodes

All righty, this one is going to be a laff riot...not. Let's do it.

The first half of this episode is like a beautifully executed standalone tragedy, while also threading together all sorts of themes and paying off all sorts of relationship building that's happened in the previous episodes. My hat is off to the writers, while I also shake a fist at them for making me cry an unreasonable amount.

We’re Sailing on a Strange Boat

The episode starts right off absolutely DESTROYING me with the Yunmeng brothers holding hands, fingers interlaced, in the first of many hand-touching moments that punctuate the episode.

Jiang Cheng has to be pretty far gone to accept this degree of comfort and tenderness. I think, from their positions, he is also holding Yanli's hand out of the camera's view. 

Zidian finally lets the trio go, and they immediately turn the boat around and head back to Lotus Pier. Wei Wuxian gets the clever idea to turn the benches into makeshift oars but nobody gets the clever idea to use magic to push the boat like they do literally every other time they are in a boat. 

Their emotional need to go back to Lotus Pier is understandable, but they are being disobedient and irresponsible by doing it. Jiang Cheng is the future of the clan, and should not risk his life, particularly after his mother chose to sacrifice herself to protect him and after both of his parents told him to go hide with his sister and personal bodyguard brother. 

On the other hand, Jiang Fengmian, as clan leader, probably had a duty to go into hiding himself rather than go home to die romantically, so his authority is questionable at this point. Anyway, this is the Jiang Clan, they get to kind of do what they want, except when that pisses Jiang Cheng off.

Lotus Pier Massacre

Back at Lotus Pier, the Wens are kicking Jiang ass. The fight choreography is pretty good, taking full advantage of walkways, railings, pools, and other features of the environment. 

Using the set this way always makes fights feel more kinetic and real, as opposed to simply sparring in an open area. 

(more after the cut)

Yu Ziyuan is fighting adequately with a sword, having given her preferred weapon to her son.  She's clearly been at it for a while, and is tiring; the Wen soldiers are starting to land more and more sword blows but no critical hits yet.

Wen Zhuliu is kicking ass and possibly melting cores, although we don't see him do it to anybody yet. Later we'll hear from Jiang Cheng that he crushed the cores of his parents, but it's not clear when that happens.

Sixth young master replays Jiang Fengmian's entire archery lesson in his head while he waits, and waits, for Wen Zhuliu to finish strangling a dude the right moment to shoot an arrow at Wen Zhuliu. 

Homicidal tart Wang Lingjiao notices him lining up a shot, strolls over, and stabs him in the back while he's still thinking about what Jiang Fengmian said. One could wish that JFM's archery lessons weren't quite so wordy. 

Wang Linjao normally doesn't carry a sword because of her low spiritual power, but apparently can use one just fine when she's killing kids.

If you start feeling like this episode is unreasonably painful, just think of it as building up calluses so you can handle Yi City when the time comes.

Jiang Fengmian to the Rescue

Jiang Fengmian shows up very far past the nick of time, although he is not actually useful, so it's questionable whether arriving earlier would have helped. But his wife is glad to see him.

Netflix subtitles say that Jiang Fengmian calls Yu Ziyuan "My Lady!" which sounds courtly and romantic in English. His actual words are "San Niangzi" which hunxi-gullai breaks out here.  I might render this as "lady wife!" rather than "my lady" but I don't think English really has a perfect equivalent.

Jiang Fengmian sails across the courtyard, knocking down a few Wen soldiers and becoming a young, slender man in the process.

I mean, come on, that stunt double does not look like a boxy middle-aged man from any angle.

The Dying Bit

The episode splits up the big death scene for dramatic effect but I'm recapping it all together to keep things simple.

Within moments of arriving, Jiang Fengmian gets shanked by Wen Zhuliu like Scatman Crothers in The Shining (or Groundskeeper Willie in The Shinning).

Wen Zhuliu stops a Wen soldier from finishing JFM off, just so that a different Wen soldier can deliver the killing blow from the back, which is kinda harsh. With all this spin-fighting there is probably not an implication of cowardice when someone dies from a stab in the back, but still. Too rude, Wen Zhuliu.

Yu Ziyuan sees Jiang Fengmian fall, and after having a moment of sorrow and despair, she stabs herself in the heart, falls down, crawls to him and interlaces her hand with his. He revives just enough to give her hand a squeeze and say "San Niangzi" one last time before dying. 

She dies next, with a smile on her face at the end. The soundtrack plays that amazing "horribly emotional death scene" music that isn't one of the tracks available on the OST, argh. This same music appears at the end of Xue Yang's story.  

Of the many things I love about the Untamed, the complexity of all the minor characters is possibly my favorite. These two people suck at parenting, and suck at being married, and ultimately suck at protecting and leading their clan, making stupid, selfish choices at every step of the building conflict. 

And then they have this incredibly romantic death scene, in which they both face the inevitability of failure, and find comfort in failing together. Yet their death scene is totally in keeping with who we know them to be, and who they are to each other; the drama doesn't cheat by making them ideal lovers or great people at the end. But they have a great, great moment.

Jiang Yanli, waiting in the woods while her brothers are presumably running toward Lotus Pier, drops her lotus pendant, which is made of the loudest jade ever discovered, and it breaks with a crash.  

Yanli, who is a well educated young lady, knows a moment of doomy symbolism when she sees it.

Jiang Yanli: Who put a giant rock out here in the woods? What are the odds I’d drop my pendant directly on it? 

It’s all Over Except for the Crying, Running and Choking

The brothers climb up on the roof and are shocked to see nothing but Wen soldiers and piled up Jiang corpses... 

...including one child who is either about to become a zombie or who is being played by a young actor who can't control their curiosity, judging by the way this eye is sneakily opened while the camera is running.

There's a moment where Jiang Cheng is saying they must have spared his parents, they must be okay, where Wei Wuxian's face is just...wow. You can see right here the gulf in life experience between these two. 

Wen Zhuliu roams around looking troubled while searching for more people to kill. He’s an interesting villain; someone who believes his loyalty to his boss makes him a good guy, but knows his boss is a bad guy. 

Then we are treated to a hell of a camera move, where it tracks over Yu Ziyuan and Jiang Fengmian together on the floor, heroic in death and still holding hands, and then sweeps up to show their killers sitting on the lotus throne. 

The dead couple were at odds for their whole lives together, while the evil people who killed them are acting like devoted lovebirds. It's a stunning shot and a terrific thematic contrast. When Wei Wuxian eventually comes to take his vengeance, he will spend some time turning Wen Chao and Wang Lingjiao against each other, before ending them. 

The camera shows us JC's reaction, then shows his mother, then WWX’s reaction, then JF; each reacting to the death of the person who loved them. Some folks may feel that Jiang Fengmian actually did love Jiang Cheng but was just bad at showing it. But Jiang Cheng doesn't think so, and I don't think it's a given that parents love their children.

Side note: Macroexpression king Wang Zhuocheng is able to open his eyes so far that a giant strip of white shows above his irises, and keep them like that, which is quite a trick. Try it yourself.

Meanwhile Wang Lingjiao and Wen Chao gossip about YZY and JFM's bad marriage. Wen Chao admires YZY's beauty, and Wang Lingjiao insults her character, and announces that she's going to stab YZY's body a few extra times. Jiang Cheng briefly faints at this, taking a page from Wei Wuxian's book, and rolls off the roof. 

Run Run Away

Both young men run, and run, and run away from Lotus Pier while Wen Chao and Wang Lingjiao mistreat the bodies of Jiang Fengmian and Yu Ziyuan 

The stabbing happens off camera, because it's ok to stab a live child on camera, but not a dead adult. (As always, there are cultural reasons for "what's ok" in any country, and I'm not saying anybody's wrong about these choices). 

Wen Chao follows this up with pouring a cup of wine across their faces. He does this in the style of a libation for the dead, but as a desecration, combining mistreatment of bodies with profaning a ceremonial rite. In a world where ghosts are real and have sharp fingernails, this is deeply, deeply stupid.

Yu Ziyuan’s actress Zhang Jingtong is able to have liquid poured INTO HER EAR without flinching. Mad props.

The brothers eventually finish running and arrive in a field with an extreme purple photo filter on it. Which I've done my best to remove for these gifs, with variable results. 

Jiang Cheng wants to turn around and go back to Lotus Pier. He says he wants to retrieve his parents’ bodies and to take revenge, but he's devastated and it seems likely he just wants to die with everyone else.  

Wei Wuxian pleads with Jiang Cheng to calm down and stay safe, while Jiang Cheng gives himself over to anger and shock as the brothers shout at each other.

Punching and running ensues, and Wei Wuxian tries to hold his brother back, grabbing him around the shoulders him in a gesture that painfully echoes the many hugs he's given over the years. 

This time Jiang Cheng doesn't just push him off. He turns around and chokes his brother for nearly a full minute, while screaming at him and blaming him. 

Just as when Madame Yu beat him, Wei Wuxian doesn't fight back; he pulls on Jiang Cheng's wrists but doesn't hit him or try to break his hold.

Finally Jiang Cheng lets him go, and cries out for everyone he's lost, while Wei Wuxian weeps silently next to him. Eventually they fall asleep in the grass together, their bodies curled up in the form of a heart. 

Damn, this episode really brings it.

Side Note: during their argument, Wei Wuxian says, among other things, that "revenge is a dish best served cold," according to subtitles. It's a French saying from the 1800s so it's probably not precisely what Wei Wuxian is saying. More importantly, as a longtime Star Trek fan I can't help but hear James Kirk yelling "KHAN!!!!!" whenever I encounter that phrase.

There’s Got To Be A Morning After

When they wake up in the morning, Jiang Cheng is still in his feelings, but now his feelings have moved along to despair, from anger.

I feel bad for noticing how handsome they both look in this scene. Let's all feel bad about this together.

Jiang Cheng is free to have this level of emotional breakdown because Wei Wuxian is there keeping his own shit together and focusing on what matters.

When Jiang Cheng refuses to get up, Wei Wuxian reminds him, very, very gently, that they have a sister, who has waited all night to know what happened.

At this, Jiang Cheng gets up, but won't look at Wei Wuxian, continuing to blame him for everybody else's actions, as he walks onward to find Yanli.

Wei Wuxian follows, hurt and bereft, as he gets to work internalizing everything that he's being accused of. This is good practice for his future as a widely reviled bogeyman.

Part two will be slightly less awful! Coming soon!

[itsclydebitches]

TBH I think the whole "You didn't have an issue with this in 'insert x show here' but you have an issue with it in RWBY? What are you, sexist?" thing can easily be defused with a simple, "How did RWBY present this plot-point compared to the show I like?"

Sure, technically Cinder Fall and Darth Maul are the 'same' character, but how are the two presented in their respective shows? Cinder eats up screentime and none of it goes anywhere and gets frustrating. Maul is a relatively minor villain that had one season's worth of attention in CW and then was the villain of a few episodes throughout Rebels before getting killed off.

The only reason someone would be confused as to why people like Maul but hate Cinder is if they just read the two's respective wiki pages.

Really the whole "Your issues with RWBY are just subconscious misogyny" is just some people wanting to slap labels onto others so they can feel validated on not agreeing with their opinions.

Generally speaking, I'm wary of any take that boils down to a single sentence, "You're just [insert accusation here]." Not because such accusations are always 100% without merit—with a canon dealing with as many sensitive subjects as RWBY, combined with a fandom as large and diverse as it has become, you're bound to come across some people whose "criticism" stems primarily from bigotry—but because such dismissive summaries never tackle the problem a fan has pointed out. If one fan goes, "Ruby's plan was foolish because [reasons]" and the response to that is "You just can't handle a woman leader," then that response has failed to disprove the argument presented. The thing about "criticism" based in bigotry is that there isn't actually a sound argument attached because, you know, the only "argument" here is "I don't like people who aren't me getting screen time." So you can spot that really easily. The person who is actually misogynistic is going to be spouting a lot of rants about how awful things are... but very little evidence as to why it's awful, leaving only the fact that our characters are women as the (stupid) answer.

And yes, there is something to be said for whether, culturally, we're harder on women characters than we are men. Are we subconsciously more critical of what women do in media simply because we have such high expectations for that representation and, conversely, have become so used to such a variety of rep for men—including endlessly subpar/outright bad stories—that we're more inclined to shrug those mistakes off? That's absolutely worth discussing, yet at the same time, acknowledging that doesn't mean those criticisms no longer exist. That's where I've been with the Blake/Yang writing for a while now. I think fans are right to point out that we may be holding them to a higher standard than we demand of straight couples, but that doesn't mean the criticisms other fans have of how the ship has been written so far are without merit. Those writing mistakes still exist even if we do agree that they would have been overlooked in a straight couple—the point is they shouldn't exist in either. Both are still bad writing, no matter whether we're more receptive to one over the other. Basically, you can be critical of a queer ship without being homophobic. Indeed, in an age where we're getting more queer rep than ever before, it's usually the queer fans who are the most critical. Because we're the ones emotionally invested in it. The true homophobes of the fandom either dropped RWBY when the coding picked up, or spend their time ranting senselessly about how the ship is horrible simply because it exists, not because of how it's been depicted. Same for these supposed misogynists. As a woman, I want to see Ruby and the others written as complex human beings, which includes having them face up to the mistakes they've made. The frustration doesn't stem from me hating women protagonists, but rather the fact that they're written with so little depth lately and continually fall prey to frustrating writing decisions.

And then yeah, you take all those feelings, frustrations, expectations, and ask yourself, "Have I seen other shows that manage this better?" Considering that RWBY is a heavily anime-inspired show where all the characters are based off of known fairy tales and figures... the answer is usually a resounding, "Yes." As you say, I keep coming across accusations along the lines of, "People were fine with [insert choice here] when [other show] did it," as if that's some sort of "Gotcha!" moment proving a fan was bigoted all along, when in fact the answer is right there: Yes, we were okay with it then because that show did it better. That show had the setup, development, internal consistency, and follow through that RWBY failed to produce, which is precisely what we were criticizing in the first place.

What I also think is worth emphasizing here is how many problems RWBY has developed over the last couple of years (combining with the problems it had at the start). Because, frankly, audiences are more forgiving of certain pitfalls when the rest of the show is succeeding. I think giving a Star Wars example exemplifies that rather well. No one is going to claim that Star Wars is without its problems (omg does it have problems lol), but there's enough good there in most individual stories to (usually) keep the fans engaged. That doesn't mean that they're not going to point out those criticisms when given the chance, just that disappointment isn't the primary feeling we come away with. Obviously in a franchise this size there are always exceptions (like the latest trilogy...), but for most it's a matter my recent response to The Bad Batch, "I have one major criticism surrounding a character's arc and its impact on the rest of the cast, and we definitely need to unpack the whitewashing... but on the whole yes, it was a very enjoyable, well written show that I would recommend to others." However, for many fans now, we can't say the same of RWBY. Yang getting KO'ed by Neo in a single hit leads into only Blake reacting to her "death" which reminds viewers of the lack of sisterly development between Yang and Ruby which segues into a subpar fight which messes with Cinder's already messy characterization which leads to Ruby randomly not using her silver eye to save herself which leaves Jaune to mercy kill Penny who already died once which gives Winter the powers when she could have just gotten it from the start which results in a favorite character dying after his badly written downfall and all of it ends with Jaune following our four woman team onto the magical island... and that's just two episodes. The mistakes snowball. RWBY's writing is broken in numerous ways and that's what fans keep pointing to. Any one of these examples isn't an unforgivable sin on its own, but the combination of all of them, continuously, representing years worth of ongoing issues results in that primary feeling of, "That was disappointing."

Looking at some of the more recent posts around here, fans aren't upset that Ruby is no longer interested in weaponry because that character trait is Oh So Important and its lack ruins the whole show, they're upset because Ruby, across the series, lacks character, so the removal of one trait is more of a problem than it would be in a better written character. What are her motivations? Why doesn't she seek answers to these important questions? Why is her special ability so inconsistent? Where's her development recently? What makes Ruby Ruby outside of wielding a scythe and wanting to help everyone, a very generic character trait for a young, innocent protagonist? We used to be able to say that part of her character was that obsession and we used to hope that this would lead to more interesting developments: Will Ruby fix/update their weapons? Is her scythe dependency the reason why others need to point out how her semblance can develop? What happens if she is weaponless? Surely that will lead to more than just a headbutt... but now we've lost hope that this trait will go anywhere, considering it has all but disappeared. Complaints like these are short-hand criticism for "Ruby's character as a whole needs an overhaul," which in turn is a larger criticism of the entire cast's iffy characterization (Who is Oscar outside Ozpin? Why was Weiss' arc with her father turned into a joke and concluded without her? etc.) and that investment speaks to wanting her to be better. We want Ruby to be a better character than she currently is, like all those other shows we've seen where the women shine. Reducing that to misogyny isn't just inaccurate, but the exact opposite of what most fans are going for in their criticisms.

[gffa]

YOU DON’T REALIZE HOW GOOD THIS EPISODE IS UNTIL LIKE YOUR THIRD FULL REWATCH OF THIS SHOW AND TWO STRAIGHT YEARS OF ARGUING ABOUT STAR WARS POLITICS AND ALSO FANDOM POINTING OUT EVERY SINGLE “ECHO AND RHYME” WE CAN POSSIBLY FIND. The first time I saw this episode, when I was tearing through TCW at speed because it was new and I was hooked and it was so good, this one didn’t really have much of an impact on me.  Not my favorite characters, I appreciate that Toydarians got some better portrayals other than Watto, but man the middle of it definitely dragged for me. Then I rewatched it, after two years of examining politics in Star Wars and having fun with all those parallels and echoes of stories.  And this time the episode hit me like a goddamned brick. It’s an episode about whether or not Toydaria should remain utterly neutral in the war or let themselves become a staging area for humanitarian aid to Ryloth, which has been under siege by the Separatists.  Lott Dod of the Trade Federation pops up and is like, yes, but it’s under a Separatist Blockade and, if you help, the Separatists will see it as breaking your neutrality.  Which means your entire planet will be at risk, your own economy could tank because you have vital contracts with us and it’ll force us to cease trade with Toydaria.  You can’t just have a humanitarian base, you’ll get drawn into the war, you’ll be a military base, that’s how war goes. Bail Organa counters with that the Twi’leks didn’t ask to be invaded by the Separatists, they didn’t ask to be taken hostage and dying in a war they didn’t ask to join, either.  Don’t let them suffer just for the sake of your neutrality! King Katuunko and his advisers debate for a brief while--all while clones and Jedi and Twi’leks are dying on Ryloth--and eventually says that we cannot get involved in this war.  No matter that compassion is one of the most important tenets of our society, for the sake of my people, we must remain neutral. Stuff happens, King Katuunko eventually realizes that neutrality is maybe not actually a great thing when people are out there dying and you’re not doing anything to help--yes, even if that means you get drawn into the war. That’s it, that’s the message:  When innocents are dying at the hands of invaders, neutrality is not a compassionate, caring choice. What of course made me sit up and take notice was the deliberate use of the word “compassion” being used as one of their tenets and we all know who that reminds us of:  The Jedi have compassion as one of their central tenets as well.  The Jedi, who have already been drawn into this war. And this is exactly why I don’t think the Jedi could have made any other choice, shouldn’t have made any other choice, about joining the war. Billions of lives are at stake--even Hera Syndulla says in Rebels, how she remembers that clones and Jedi working together saved billions of people, including herself.  We literally see the innocent people of Ryloth suffering because the Separatists attacked them.  It doesn’t matter that many of the people in the Separatist Senate and worlds who joined did so because they were sick of the Republic ignoring them and their valid concerns.  (Doesn’t matter in the sense of whether or not it affects trying to remain neutral in the war, not doesn’t matter in the sense of trying to find peaceful solutions, that’s an important difference.)  Because this was always going to happen.  Innocent worlds were always going to be invaded and held hostage and murdered and stripped for resources because of who was running the show over there. Being neutral in such a conflict was narratively shown as the wrong choice, that’s why Katuunko realizes his error.  That’s why Bail Organa (a character we know is caring and compassionate) argues in favor of the Republic, why Alderaan joined the war.  That’s why Padme, even when she wishes she could remain neutral, argues her way back to saying she must try to change things from within.

This is a sentiment that’s at the heart of the theme of the episode, that Ahsoka echoes it in the classes she teaches to the Mandalorian cadets.  And it’s one that’s important to the themes of Star Wars characters’ actions, especially in the prequels--that it’s the very heart of the Republic vs the Separatist war. Do you remain with the system and try to improve it from within? Or do you leave it and bombard it from the outside in hopes of burning it down to create something better? The answer depends on context and the situation and whether or not there’s hope for rooting out the corruption.  For example, Padme believes that they’re at that point with the Republic.  Bail believes they’re at that point with the Republic.  That they still have the belief they can make it better.  They still have hope. This is why Bail joins the Rebellion under the Empire, though.  Because the Empire being worse isn’t just a matter of contrast, but it illustrates having passed a moral event horizon, where it’s not possible to salvage it anymore. The issue of the above and the issue of neutrality overlap a lot in this episode (”Corruption”), but the point of many in the Republic is that neutrality was not an option because it ignored that they could be doing something. And that’s why I cannot possibly imagine the Jedi not trying to help.  I cannot possibly imagine them saying, no, we will abstain from this war, when people were going to suffer and die if they didn’t.  That’s even setting aside that George Lucas describes them as literally being drafted into the war, that that was the narrative take-away, how could they possibly have refused? Even in Kanan: The Last Padawan, Depa says she thinks they made a critical error in accepting titles in the war, but the clones vehemently disagree, because she’s underestimating the importance of clarity of chain of command, so that people know what they’re doing and where they’re going and how to get organized, so they’re not half-fighting each other and half-fighting the Separatists, which would have gotten even more people killed.  There’s no clean answer to that problem, because they can both be right--the Jedi accepting titles in the war led them into being seen as the villains of the conflict by those who were tired of the war (Star Wars Propaganda makes the very clear point of how this narrative was painted onto them, rather than what they created for themselves), but the clones are also right that unclear lack of chain of command would have made everything an absolute hot mess. So, neutrality was a really shitty option and, further, what does it even gain anyone?  Satine Kryze fought so incredibly hard to keep Mandalore and the other worlds neutral, because she didn’t want to drag her people into war, and how did that end up for Mandalore?  Even setting aside that they were refusing to help fight against the evils being inflicted in the galaxy, even setting aside that whatever points they made, they ignored worlds like Ryloth? It got them nowhere good:

Their neutrality still didn’t protect them from trade routes being closed to them and their world suffering through a supply crisis. This is what politics in the GFFA does.  You cannot just ignore it and say, “Fuck politics!  We’re not going to play that game!” because then you end up like Mandalore--starving and cut off from the connections you need to survive. That would have happened to the Jedi in a heartbeat.  Their granted legal authority to help anyone?  Cut off.  Their Republic funds for their Temple, their home, their food, their clothing, their ships?  Cut off.  Add in scary mind powers and people would turn on them incredibly quickly, as well as they have the hauntingly clear illustration of what happens to neutral worlds when people are in a war and scared and not thinking clearly--they lash out, they react, they turn their backs.  Mandalore managed to scrape by for awhile, but it was unstable and chaotic and we can see how that unfolded. It doesn’t make the situation right, not even close.  But it’s the situation that you deal with, you work within the system of government you have, you do what you can to try to make it better, you try to help as many people as you can. And neutrality doesn’t help anyone but yourself--and, even then, ultimately that’s not true, either.  We see that illustrated very clearly.

[findingjoynweirdstuff]

Okay since I’m not satisfied reblogging the recap as is since the older ones weren’t as good, I’ll just paste it here but with some edits to include more direct quotes and stuff

This is one of my favorite days for Quackity’s character

---

RECAP: December 6, 2020

- HBomb hosts Niki and Wilbur’s L’Cast

- Fundy continues work on the chess board

- Ranboo is leaving a book with messages to communicate with Tommy

- Fundy and Ranboo visit Tommy and help him through the Nether to find blaze rods. Fundy fills Tommy in on the fact that Dream is officially recognizing L’manburg as a country.

- Tommy falls in lava and loses all his stuff

- Then he burns to death

- Then he falls in lava and loses all his stuff again

- He FINALLY gets an ender chest

- Lazar asks him for help since he’d fallen in lava and needed help getting out. As Tommy does so, Lazar questions why Tommy hasn’t turned against L’manburg. Tommy says it’s because Tubbo is there, but Lazar points out that Tubbo was the one who exiled him.

- Ghostbur comes on and says he has a gift.

- Tommy attempts to rescue Lazar from the depths of the lava pit. Techno starts arguing with him.

- Tommy falls in lava and loses all his stuff again. He gives up on helping Lazar, who is understandably annoyed at him.

- Philza joins the call wondering wtf is happening and why Tommy keeps dying, but Tommy just ends stream

- Psyche! Ghostbur asks Tommy to return to Logstedshire so he dies in lava to fast-travel back. Ghostbur gives Tommy a lodestone compass named “Your Tubbo” that points back to L’manburg at all times. Tommy puts the compass in his ender chest right next to the discs, saying he’ll keep it close to his heart.

- Thunder’s frustrated that Tommy got exiled exiled because the Prank War he was setting up between Dream and Tommy can no longer happen and Thunder’s great villain arc has been cancelled - he is no longer a villain now.

- Now, he wants to do the clay prank to George instead to try and get Dream and George to turn on each other as revenge for Dream burning his house.

- Puffy builds Tommy a second Christmas Tree.

- Quackity declares war on the Dream SMP from Mexican L’manburg. He gets George, Sapnap and Karl on to help. He’s rigged TNT under Eret’s castle bridge and wants to invoke the same ideas as the Mexican Revolution. He wants to put M.L. on the map by staging an assassination and using George’s dethronement as an excuse to start a political movement.

- Sapnap wants to take on Technoblade but Quackity tells him that they have to take things step by step and that it’s an extremely bad idea to do it now.

- Eret asks Hbomb to be one of his knights. HBomb agrees.

- George wants his kingship back

The explosion goes to plan with H and Puffy as witnesses.

— —

CANON DEATH: KARL

Cause: Death by explosion and falling

— —

- George distracts Eret while Quackity, Sapnap and Karl steal his throne. Punz joins Eret’s side as one of his other knights.

- The M.L. side reconvenes in L’manburg and drink invisibility potions. Dream is in Mexican L’manburg. He is tearing the dirt to shreds. Meanwhile, Eret gives a speech to his Knights as they head to Party Island. Dream, alone, is invisible in Boomerville.

- Sapnap gets Dream to log (he says it’s lag). The Dream SMP faction blows up M.L. with TNT. The Mexican L’manburgians kill Puffy.

- They want to head to the Holy Land. Dream says he wants to talk. They collect at the Church.

- They argue. Dream threatens to kill Quackity permanently and make sure Mexican L’manburg can never rise again. 

- Sapnap tells George that he thinks Dream has completely turned against them, and that they’re better off disowning him.

— [Including some more direct quotes here] ---

Quackity: “Listen...this should be between Eret and me, I don’t know why you are getting involved...we will give back the throne, but what we want-”

Dream: “- Mexican L’manburg is not...existing. Ever again...if you wanna destroy and grief the kingdom, then that is called being a terrorist! Listen, Karl, I don’t give a crap if you died, that’s your fault. You died griefing and being a terrorist...”

...

Quackity: “Is that what we’re going off of now? That the entire server can be run by one goddamn person? We’re not even allowed to voice our opinions now? What’s going on? As far as I remember, you’ve been taking all the shots, and anything, nobody has free speech anymore!”

...

Dream: “I think you forget that I designated this as the holy land.”

...

Dream: “I have no problem with Tubbo, who’s leading his country gracefully. You are a terrorist.”

...

Quackity: “What is it that you want from us? We were doing peaceful protest, that’s all we were doing.”

Dream: “Quackity...you’re not doing ‘peaceful protest’ when all I hear is ‘hey, the Dream SMP castle has been sieged.’ ...Look, I...You’re trying to paint me as this tyrant when I’m just trying to maintain peace...if you think Eret’s being too political, come and talk to me! Don’t go and raid my castle and my throne.”

Karl: “YOUR castle? YOUR throne?”

Dream: “Yes!”

Karl: “Dream’s an absolute TYRANT!”

...

Dream: “The only reason it’s a no-kill policy in the first place is because I wanted it to be that way, and it’s enforced by me.”

Karl: “That sounds like a tyrant!”

Dream: “It’s not a tyrant! I’m a humanitarian if anything! It’s not for my agenda...listen, my agenda always, since the beginning, has always been for the SMP to thrive. That has been my agenda, so if you’re saying for my agenda, it makes me a tyrant - no, it doesn’t, it makes me wanting the server to thrive and everyone to be peaceful.”

...

Dream: “In my mind, Mexican L’manburg does not exist as anything whatsoever and you know what? I’ll talk to Tubbo about it and make sure he sees it doesn’t either.”

Karl: “Dream said the same thing about L’manburg back in the day--”

Dream: “No I didn’t!”

...

Dream: “You don’t get a country recognized by being a terrorist, Quackity.”

...

Dream: “I did NOTHING! At all! Until you decided to attack my nation...you know what someone has to do to be recognized? A country that is established has to have a fair, and just, and logical ruler, and you are NONE of those things. Tubbo is all of those things, and that’s why L’manburg is recognized. 

When Tommy was head of state, and Tommy was vice president, you’re right, L’manburg had no right to be recognized...it was the fact that Tommy, a dumbass, was exiled and is no longer in charge of their land anymore...Tubbo would never...never in a million years do what you just did.”

“You know who would? Jschlatt. You know who would? Wilbur. You know who would? Tommy.”

...

Dream: “The king is a figurehead! He knows that!”

Quackity: “So that’s what you are? That’s what you are, Eret? A puppet?”

Dream: “YES!” -- No he’s not a puppet --”

---

M.L. argues that putting a human life above a few blocks of gold is more important.

He says that Quackity is causing the most problems, the number one “enemy” of the SMP right now.

—

- Quackity decides to dissolve Mexican L’manburg for a clean slate and call it something else. He wants the server to have a precedent of establishing new countries without having to go to Dream for recognition every time.

- Eret agrees to recognize Quackity’s new country if they apologize and return the throne.

- Sapnap declares that he no longer wants to fight Techno but Dream instead. He says he wants to slay Dream in front of everyone.

- Overall, Dream and Eret declare it a “failed coup” and say that the destruction is just a consequence of “what happens when you don’t plan anything” but Quackity is satisfied that his new country has been “put on the map.”

- Quackity declares the country to be named “El Rapids” in honor of Cedar Rapids.

- Punz no longer wants to be an official Knight.

- Quackity misses Ghostbur and wants to speak with him. He tells Ghostbur about the war. Ghostbur asks if it was a revolution - Quackity says yes! Ghostbur also informs Quackity that he burnt the sacred texts - How to Sex 2 - in lava.

- Karl streams with the intention of rebuilding and preparing for Pokimane’s visit

- Karl steals Eret’s Museum Llamas and gets caught in the act. Fortunately this doesn’t spark up the war again. They take a llama to Party Island.

- They get into trouble at Boomerville and Lazar joins.

- Dream comes online and asks Sam about the prison’s progress. Bad gets annoyed at Sam for destroying the beachfront property value, and he didn’t authorize the seizure of the land. Dream is there helping to shovel but Bad wants him to stop. Bad is angry about the prison being built and starts shouting at Sam.

- Bad tries to negotiate with Dream. Dream refers to the prison as containing a “prisoner.” Singular. And that the prisoner would have nothing, and Bad would be in charge of helping to guard it. There are going to be multiple “layers.”

- The prison will be in the middle of the ocean bit, and Bad would have a terraformed beachfront property. All of the land would be considered property of the Badlands - including the prison.

- People are going to have to go through portals to escape the prison.

- Bad starts to come around to the prison idea. Dream tells Sam he thinks they need more hands to help, potentially Ant and Eret.

- A strange, giant red “egg” has appeared in the corner of Bad’s statue room. He feels a strange aura coming from it, and he’s unable to bring himself to break it.

- Dream says Eret can’t help with the prison but he can help make the beach nicer. Bad says he might want to put Tommy in the prison but Dream says no, Tommy’s already exiled. So the prison isn’t for Tommy.

- Once the prisoner is in there, Dream says they would only be able to be let out “by the server.” It’s got certain secrets that only Dream and Sam know about. Sam says that he could potentially escape from it, but it will be so impenetrable that even if you know the secrets it would still be difficult to escape from.

- Bad shows Dream the Egg. Dream gets creeped out by it.

- Another Red Corruption has appeared near Hutt’s Pizza, and another at the Mansion. Everyone swears that it wasn’t there before, and there wasn’t enough time for someone to place all of it manually in the time that they were down there.

- Bad stabs Dream for trying to “hurt it.” He likes it for some reason.

- Bad asks Dream about who the prison’s for. Dream says “if you can’t kill somebody, you need to lock them up.” He mentions that it’s one of the more powerful people on the server, someone who either provides a threat now or in the future. He has someone in mind.

— —

Dream explains to Bad and Sam that the reason he switched sides in the Manberg-Pogtopia War was because Schlatt gave him something.

And that thing is “a card up his sleeve” until he needs it.

A book of great value.

It puts Dream in danger if people know of it, but also gives Dream power.

The “most valuable thing on the server.”

Something pertaining to the prison.

Something where they wouldn’t believe Dream if he told them what he was given.

— —

- The corruption grows AGAIN despite Dream, Sam and Bad all being in the middle of the ocean

- Another corruption appears on Tommy’s Power Tower

- The water level in New L’manburg has risen again, covering George and Quackity’s mushroom house

- The prison is going to be as tall as a MOUNTAIN

- Dream proposes the idea of Bad giving him the disc to piss off Tommy. Bad says that Skeppy has it so he’ll have to ask some other time. He might trade some information about Schlatt’s book in return for the disc.

- Bad says he likes the name a dono came up with for the corruption �� “Blood Vines”

- Dream and Sam removed the Blood Vines on the Mansion to Bad’s dismay. Sam burns the Vines and Bad goes on a murderous rampage against him.

- Technoblade got a “Bee our guest” achievement

- Dream burns down the Eiffel Tower again.

- The prison will be reinforced with 15 layers of obsidian, and the guards will have Ender Pearl Stasis Chambers that are alarm-activated.

- The Blood Vines have sprouted up from Schlatt’s Grave.

The prison’s unofficial name as of right now is “Pandora’s Vault,” but it is subject to change.

---

(You can tell this was written a while ago lmao)

[hamliet]

Penny and Death in Fiction

Musings more so than meta, brought to you by frequently receiving asks accusing me of hypocrisy for having different opinions on characters dying in different stories, and as a way of me working out why I feel very, very differently from most of the RWBY fandom about Penny’s death. Obviously this is not to say people can’t have their own feelings or disagree (clearly the majority do disagree) but these are just my thoughts based on how I read death in fiction and the themes/set up or RWBY in particular.

"Anyone can die" and "redemptive death" and "sacrificial death" are overused tropes for sure. But that doesn't mean they never work or never fit. They just are often used as cheap ways to hook an audience (instead of relying on the substance of the story) and/or avoid difficult questions in a story that would demand exploration (like what happens to the mass murderer after redemption?). The oversaturation, and frankly, misuse, of these death tropes almost seems to have led to a sort-of knee-jerk reaction in fandom in the other direction, where death can’t happen at all or it’s bad writing, and I just... I don’t agree.

A story doesn’t need to avoid the topic of death to be hopeful. In fact, to many of us, it’s comforting to see grief on screen and to be encouraged to grieve.

SnK’s main theme is “the world is cruel, but the world is also beautiful.” We see that death is one of the cruelest parts of the world from the very first chapter, with Carla’s death. And yet, we’re shown that risking lives for a greater cause--the Survey Corps in the opening pages--is a part of that beauty. So, while SnK is sometimes very critical of self-sacrifice (Armin, Reiner, and Historia are all suicidal and looking for a hero’s death as a way out), it isn’t always. There’s nuance. Erwin’s and Porco’s and Zeke’s deaths, for example, are framed as moments of heroism because of the desperate circumstances. The circumstances are cruel, but within a cruel world, they were capable of beautiful choices because choice is in some ways all we’re guaranteed; we can’t choose our circumstances. The reason Eren was never going to survive SnK after this turn was because he acted against the main theme, against the concept of choice, removing it for many people, and against the concept of being born into the world being enough to give life value.

BSD is my favorite and probably the most flagrant about redemption and not killing its characters (any main ones so far). But it makes sense when you look at what the theme is--it’s specifically about looking for a reason to live. However, BSD  doesn’t avoid death either: all of its characters’ backstories are steeped in death (most are orphans, Oda, Atsushi’s headmaster, etc), and Dazai’s suicidal ideation forces the characters to confront the helplessness of grief and pain without actually killing characters. Our main characters probably won’t die--they’ll find a reason to live--but they still have to deal with death around them, and learn to grieve when appropriate. Death, the high cost of living.

Tokyo Ghoul was probably the most blatantly critical of self-sacrifice, exploring the ways self-sacrifice hurts those around you and was often just a desperate attempt to find a place in the world and assert you matter via a glorious sacrifice. Thus, its main message was “it may not be stylish, but... live.” But even so, characters died all the time in TG and TGre. Grief and learning to carry on in a brutal world where some types of people (ghouls) were forced to kill were major presences in the story. In fact, it seemed to suggest living was a valuable enough premise itself that to keep living even in the face of impending death was beautiful.

BNHA’s main theme is “heroes save.” BNHA has established someone dying as distinctly not saving them (see: the Ending fight, where our MCs literally say that they won’t let anyone die); hence, it doesn’t make sense for the heroes to “save” the villains only to have them die. If you’re gonna reward your MCs for upholding the main theme (you should), they should have their decision matter.

Tonally, RWBY is most similar to BNHA in that they are both fundamentally hopeful, optimistic stories. However, RWBY and BNHA frame death differently because of their particular themes and storylines.BNHA’s premise is based in superhero genre, where death is usually meaningless; RWBY’s is in fairy tales and alchemy--both of which have death as a central tenet. Yes, fairy tales, while we think of them as being very kid-friendly, almost always include an aspect of death and/or loss. RWBY frames death as part of life, BNHA frames death as something that villains utilize to hurt and thus needs to be stopped. For RWBY accepting death is literally the main conflict (Salem's motivation is her inability to do this!) while BNHA saving people from being hurt is the main conflict.

I’ve seen so many takes that RWBY is critical of self-sacrifice, and it is just... not. It doesn’t glorify it, but it doesn’t deconstruct it either. Pyrrha’s death is not a sacrifice; she’s not trying to gain time. She’s just trying to do the right thing for herself, to be the hero she knew she was. Her death is somewhat pyrrhic, yes, because everything still collapses, but Pyrrha’s life--of which her death is a part, not the end--is far from futile. The scene with Pyrrha’s mother at the statue of her shows that Pyrrha’s heroic legacy, her determination to do all she could to stop Cinder even when she knew it was hopeless to stop her--that helps Pyrrha to live beyond her death. I mean, RWBYJNROE are facing the possibility of never being able to defeat Salem, but they’re still fighting, just like Pyrrha.

As for actual sacrifices in the story, Hazel’s death saves the kids. Vine’s saves his friends. Penny’s saves her people for now, but it doesn't immediately solve the conflicts either. Thus, it doesn’t glorify her death or hold death up as a worthy goal, but it does respect her choice and does not frame it as a bad or futile thing (if it was a bad thing, she wouldn’t have saved everyone even if temporarily).

Penny wanted to be a human being; that was her greatest wish, even with the guarantee of eventual death and no guarantee of tomorrow. She always was human, of course, but she wanted to be human in all senses, including the physical as well as the spiritual (which she always was).

Is her resulting death a negative framing of that choice? No, I don’t think so. In RWBY, death is not punishment. Grief is not a punishment. Death is a part of life, and learning to live with death (grief) is essential to a peaceful, healthy world. We see what happens when people cannot accept death and grieve (Hazel and Salem). 

Penny’s whole thing was that her choices weren’t respected. She was constantly objectified. Yet choice is a fundamental part of being human, and the repercussions of our choices are a part of that. She wanted to choose. Like with SnK, sometimes all we have is choice in RWBY. It’s one of the gifts of the gods, after all. All they can do is choose to keep fighting, keep trying in a broken world.

Yes, I do think it’s a bit of a valid criticism to have had Penny suicidal a few episodes ago, but she was not suicidal in the moment of her death. She wasn’t hoping to die. She had gotten everything she wanted; she could not be controlled anymore, not in the way she had been. She was giving it her all against Cinder to save her friends and her people; if Cinder hadn’t shown up, she would have just gone to Vacuo. Her final choice was to decide what to do with her power, sometime Cinder could not take from her. And like Pyrrha, she will continue to live on in those she loved--in Winter via the powers, and in spirit with her friends and their memories.

Penny’s death is not a negative thing, but bringing her back against her wishes would be.

[slut4aizawa]

The last class meeting

A/N; this is sad

A/N 2; your favorite character dies

A/N 3; I am having a tough week at the moment but I hope everybody is doing ok

Prompt; The pro-heroes failed at stopping The League and now the world is ending.

Trigger warning; mentions of blood, slight insinuation of torture, angst, death

Y/N pronouns; they/them

---

“OBC News with a terrible update;

All Might has been declared deceased.

This is our final broadcast as the League villains have since set off a bomb big and strong enough to destroy more than just Japan. I hope everyone has time to contact those they love, and may your G-d be with you when it hits. Kane J signing off for the last time. Good night Musutafu.

Denki clicks the remote and the dorm common room falls silent.

“All Might’s dead?” Sero whimpers.

“We all are.” Bakugo spits. “We’re all dead because the heroes couldn’t stop the villains. They killed us.”

“Bakugo, you should make peace with this before it happens. You don’t want to die with all of that hatred in your heart.” You suggest, putting your head down. “They did their best.”

“Don’t tell me what to…” Bakugo starts his usual banter but realizes it’s futile at this point.

All of class 1-A is in the common room, their eyes previously glued to the television to find out the verdict of their now-dead mentor. Nobody is crying. You think they’re all in shock. You’re not crying either.

“I guess we should call our families,” Mina pulls out her cell phone but sees the service has gone. “Never mind.” She put her phone back in her pocket to her pajama shorts. “I can’t even say goodbye to my parents. My mom must be worried sick.”

The room is filled with silent mutters, maybe prayers, maybe admittances of regret, you swear you can hear one or two proclamations of love from your fellow classmates. Even Ochako grows the confidence to grab Deku’s hand with a whisper of ‘I’m scared’.

“Class, I’m sorry.” A gruff voice breaks the tension, the group turns around swiftly. It’s Mr. Aizawa all beaten and bloodied. His face is barely recognizable, his hair is stuck to his face with his own blood, and probably others as well. You’re surprised he even made it back to the dorms. He collapses to his knees and his head is bowed.

You stand up first to help, he’s barely sitting up on his own. Momo and Hagakure follow closely.

“Momo and Hagakure please get the first aid.” You get on your knees to be at his height as well so you can fully assess his damage and the girls go off to find the first aid. “Mr. Aizawa, you shouldn’t apologize for things that you can’t control. You all did your best. We all know that…” You pull his hair back and see that his eyes are gone. You let out a small gasp, but he grabs your wrist.

“Don’t tell them,” He quietly cries. “I don’t want them to be even more scared than they are. I’m sorry you had to be the one to see, but I know you can keep it together so I’m glad it was you. I’ve always known you were special.”

You’ve never seen Mr. Aizawa show emotion like this. It really is over.

Your classmates come back with the first aid, but you tell them Mr. Aizawa doesn’t want it, and he just wants us to sit together and appreciate each other in our final moments.

“Thank you all for being such an aspiring class.” You help Mr. Aizawa find his way to the couch. All you can think about is how his blood is going to stain it. “You truly were the best students I ever had. I’m honored I got to teach you. You all have such great potential. I’m sorry I couldn’t stop the League soon enough for you to be able to show it off to the rest of the world. You all had the drive to be the number one hero.” You sit next to your teacher, and he gives your wrist a slight squeeze. “Thank you for showing me what it means to be a good teacher with a greater purpose.”

“Mr. Aizawa…” Iida smiles. “Thank you for everything you have taught us.”

The class gets closer to each other in a huddle. You can tell it’ll happen any minute now. The bomb. It’s just a gut feeling.

“Mr. Aizawa, I have to ask you, my dad…” Todoroki begins to speak and Mr. Aizawa sighs before sniffling and shaking his head. “I see then.” Todoroki moves his eyes from the teacher to the floor.

Kirishima and Tokoyami, who are on either side of Shouto, rub his back to try and comfort him.

“I’m sorry, Todoroki. Most pro-heroes didn’t make it. Endeavor, Midnight, King Orca, Best Jeanist, Ms. Joke, All Might… They all showed up and tried to stop them, but it just wasn’t enough. There was more to them than we expected. I was the only one who escaped. But what I saw-“ He cuts himself off and thinks about his next words. “They all died very quickly and painlessly.”

You haven’t been very close to Mr. Aizawa, he is a very closed guy after all. But you could tell he was lying. What he actually saw was the pro heroes dying in terrible ways. He was only granted mercy after his eyes were removed. That physical pain was labeled as a relief to the alternative of watching his friends and coworkers die off.

You look to your left and see Katsuki sitting by himself away from the group. He’s the only one not in the huddle.

“Bakugo? Why aren’t you sitting over here? We’re all saying goodbye.” You try to inch him to sit with you all.

He slowly stands up and his eyes meet yours, they’re empty. As soon as he sits, he huffs and mutters out his last words.

“We’re so young. We’ve barely lived. We’re just kids.”

It was as if Katsuki’s words were the final nail in the coffin, everybody soaks them in and beings crying. Even you shed a tear. Not for yourself, you’re dying, which is sad, but you’re really only worried that all of your friends are dying as well. The classmates that helped you through so much and fought beside you on multiple occasions. You always imagined that they would live full lives of success and triumph. You would help them be the best they could be, even if that meant failure for yourself. And now they’re going to die at your side. And there’s nothing you can do to help; all you can do is sit and watch in hopes that you go last so they all have someone to die with.

Shortly after Class 1-A’ revelation of death, a boom can be heard from the other side of Japan.

“It’s here.” Kirishima chuckles. “I guess I’ll see you all on the other side. Maybe we can save more people there.”

“Goodbye class. You did well.” Iida sits up tall, staying strong as class rep, staring at the blast head-on.

And just as if you were seeing light for the first time, it was also your last.

[tigerkirby215]

5e Kayle, the Righteous build (League of Legends)

(Artwork by Jessica “OwleyCat” Oyhenart and Victor “3rdColossus” Maury. Made for Riot Games.)

You know I find it funny that I haven’t made a build for Kayle yet, given that I made Morgana awhile ago sort of as a spur of the moment thing. Despite the fact that I main support I really don’t play Morgana (can’t hit skill shots omegalul), but meanwhile I really like Kayle. She was one of the first champions I played along with Sona since I was told she was very similar to Terrorblade who was one of my favorite carries in DOTA 2. I dropped her for a bit after her rework but I picked her up again and she’s still super fun! I mean, shame she’s kinda trash in the meta.

Anyways it’s about time I make a build for her since Morgana was alone for so long, especially since she’s coming back along with Pentakill! Kayle’s probably the perfect character to play if you want to go Lawful Stupid, but out of respect for everyone else please don’t play her Lawful Stupid.

GOALS

On wings of fire, hope ascends - It’s the quest of all champions to eventually transcend mortals. Hopefully we’ll at least be able to fly after this.

Fire reveals truth - Kayle is also well-known for her Zealous attack speed, so we’ll need to be able to get out as much DPS as possible.

The worthy survive! - A little bit of Divine Judgement goes a long way. An explosion of flaming swords helps too.

RACE

This may come as a surprise to you but Kayle is an Aasimar. More specifically a Protector Aasimar, which is rather fitting seeing as she’s seen as The Protector in Demacia. As an Aasimar your Charisma increases by 2, but I’m going to increase your Constitution instead of the typical Wisdom increase from Protector Aasimar, for a bit more lane sustain.

You have Celestial Resistance to both your own Radiant damage and your sister’s Necrotic damage, have the Light Bearer feature for the Light cantrip, and can give yourself or an ally a Celestial Blessing thanks to Healing Hands. It only heals up to your level but it certainly helps!

You also get Darkvision and the Celestial language, and Radiant Soul at level 3 thanks to your Protector subrace, We’ll discuss that when we get to level 3.

ABILITY SCORES

15; CHARISMA - League of Legends body types, am I right? Sure you have a bit of an “evil must be purged” personality, but D&D Paladins like that a lot.

14; DEXTERITY - Something something medium armor. I would call what you wear Half Plate, which means that for once the choice of Medium Armor is accurate!

13; STRENGTH - This feels strangely familiar...

12; CONSTITUTION - Kayle is very squishy in League but I like not dying so...

10; INTELLIGENCE - You may have lived through history but most of that time was spent up in the stars. Basically we need everything else more.

8; WISDOM - Yeah I didn’t increase Wisdom with your racial increase because I was planning to dump it. Kayle’s fatal flaw is that she’s blinded by her sense of justice, which is a sign of poor Wisdom and critical decision making.

BACKGROUND

There isn’t a great background for “Half of the Aspect of Justice” but Celebrity Adventurer’s Scion works fairly well. You get proficiency with Perception as well as Performance (you were in Pentakill, after all!), a Disguise Kit (but I’d maybe replace that with something else or ditch it entirely), and two languages of your choice. (Pick your poison.)

Your background feature Name Dropping lets you tell people that your mom was actually a god. You might be able to find people who knew your mom (or more realistically worshiped her before... you know... you became half of her?) and folk might recognize that you’re... half a god, and give you free stuff.

(Artwork by Alvin Lee and Kan Liu. Made for Riot Games.)

THE BUILD

LEVEL 1 - SORCERER 1

Starting off as a Sorcerer because Kayle is about as useless as a level 1 Sorcerer at level 1. (Also because CON saves are nice.) But you can also grab proficiency with Religion (you are a god, after all) and Intimidation. (Because you aren’t exactly nice.)

Sorcerers get to choose their Sorcerous Origin at level 1 and Divine Soul is like being a Cleric but you get to dump your Wisdom because you’re blind to morality. You get one free spell from your Divine Magic and I guess Bless makes sense since its attached to Law? Honestly there are other spells I’d recommend (Protection from Evil and Good would be helpful, and you can’t go wrong with either Healing Word or Guiding Bolt) but it’s honestly easier to just take Bless and call it there.

But of course since you get Divine Magic that means you get Spellcasting! You learn 4 cantrips from the Sorcerer list at level 1 such as Firebolt to smite the wicked, Sacred Flame for enemies with a lot of armor (but hopefully bad Dexterity), Thaumaturgy to make sure your words are heard, and Guidance because it’s good to provide aid to those who need it.

You also learn two spells from the Sorcerer list: we’ll be taking Mage Armor for the same reason you buy Doran’s Shield as a top laner (because laning phase sucks and you’re weak as hell at level 1), and we’ll also grab Healing Word for your Celestial Blessing. As a treat.

You are also Favored by the Gods, so if you miss an attack roll or fail a saving throw you can add 2d4 to the roll to potentially turn it into a success. Given that you’ll likely be making a lot of attack rolls later in this build it’s very useful to be able to give yourself some insurance.

LEVEL 2 - SORCERER 2

Second level Sorcerers get a Font of Magic for Sorcery Points equal to your Sorcerer level. For now all you can really do with them is get one of your spell slots back, but they’ll be more useful later on.

For something that’s useful right now take Ice Knife for the AoE burst of your Starfire Spellblade. Yes it does Cold damage, but you also shouldn’t have an AoE E by level 2. Hell you technically shouldn’t even be a ranged champion yet. We have to make compromises here.

If you want a single target Starfire Spellblade Guiding Bolt is a decent choice I suppose.

LEVEL 3 - SORCERER 3

Third level Sorcerers gain the power of the Aspects thanks to Metamagic. You learn two Metamagic options to change your spells in various ways: Quickened Spell will let you increase your attack speed to slay the unjust with Zealous fervor, and while it’s perhaps not the most practical choice Transmuted Spell will let you wield holy fire, instead of holy ice or whatever other damage type you pick up.

If you don’t care about doing specifically fire damage than Empowered Spell is a good choice to more effectively maximize damage.

As a Protector Aasimar your Radiant Soul lets you sprout wings as an action. For 1 minute you have a 30 foot flying speed and can add your Charisma modifier as Radiant damage to one target whenever you deal damage. It might not be much at level 3 but the extra damage from Starfire Spellblade adds up when you get more AP! Oh and to top it off you can also learn another spell like Misty Step, for Flash.

LEVEL 4 - SORCERER 4

4th level Sorcerers get the first of many Ability Score Improvements. Increase your uneven Charisma score as well as your Constitution score for nice, even, Lawful stats.

You can also learn another cantrip like Message to keep in team chat, as well as a leveled spell like Spiritual Weapon. Kayle summons hundreds of swords for her ultimate so I think it’s fine if you summon one sword for some more DPS.

LEVEL 5 - SORCERER 5

Normally I wouldn’t go out of my way to get 5th level spells but we kinda need Fly more than once per Long Rest. Sprout those wings or grant the gift of angelic ascension to an ally!

The bad witch Tasha also gave Sorcerers Magical Guidance, letting you spend a Sorcerery Point to reroll a failed ability check.

(Artwork by Zeen Chin. Made for Riot Games.)

LEVEL 6 - PALADIN 1

I swear it wasn’t my intention to make two casters with Paladin levels one after another, but we’re doing it anyways because it’s not like Kayle wouldn’t be a Paladin. First level Paladins get Divine Sense to know of any villains who need justice, and Lay on Hands to save the righteous.

LEVEL 7 - PALADIN 2

Second level Paladins get to choose their Fighting Style. Normally I’d take Blessed Warrior for a character who’s more-or-less a pure caster but you kinda get too many Cleric cantrips as is, so we’ll settle for good ol’ Defense because you can’t go wrong with +1 AC.

Protection and Interception are also fine to help your friends if you’re willing to hold onto a shield (no reason not to), and if you want to do a funny joke you can take Blind Fighting because Justice is Blind.

But of course what we’re mostly here for is Spellcasting: sure you got the entire Cleric list at your disposal but Sorcerer spells known is very limited, so take the following from the Paladin list:

Command to force evildoers to grovel at your feet.

Detect Evil and Good to... detect evil and good.

Protection from Evil and Good to... yeah this is fairly obvious too.

Heroism to empower heroes.

Shield of Faith to protect the righteous.

You also get Divine Smite, which sure would be nice if you used your sword as a melee weapon. I mean if you want to hit someone in melee you can turn a spell slot into damage but I kinda have to wonder why would you.

LEVEL 8 - PALADIN 3

Third level Paladins get to choose their Sacred Oath. Honestly just about any Paladin Oath would work for Kayle, but an Oath of Redemption would probably be best after you failed to upkeep justice the first time. Along with adding Sanctuary and Sleep to your spell list you also get two Channel Divinity options: if you go for Emissary of Peace you can add a flat +5 to all your Persuasion checks for 10 minutes. But Rebuke the Violent works great as a recreation of Divine Judgment’s damaging effect! When a creature within 30 feet of you damages someone other than you they must make a Wisdom saving throw after you use this reaction. If they fail they will take the same amount of damage they dealt as Radiant damage, and if they succeed they will take half. This has no maximum limit so you can use it when an enemy nukes your allies to have them experience retribution! "Drown in holy fire!"

The vial witch Tasha also lets you Harness Divine Power with your Channel Divinity to regain a spell slot equal to half your proficiency bonus once per Long Rest. And finally you get Divine Health, because justice doesn’t take sick days.

(Artwork by John Yucedag. Made for Riot Games.)

LEVEL 9 - PALADIN 4

4th level Paladins get another Ability Score Improvement so cap off that Charisma modifier, because we’re building AP in this build. Maxed out Charisma also means more prepared spells, but we’re going to wait for...

LEVEL 10 - PALADIN 5

5th level Paladins get an Extra Attack which sure would matter if you were actually swinging that sword instead of shooting Fire Bolts and Sacred Flames.

But what does matter is that you get second level Paladin spells! Along with Hold Person and Calm Emotions from the Redemption spell list (you should perhaps cast Calm Emotions on yourself at some point?) you can prepare spells like Aid to boost yourself and your allies, and Warding Bond (Tasha’s work once again) to take some damage for an ally. (Which is almost like making them immune to damage?)

LEVEL 11 - PALADIN 6

The only reason to multiclass into Paladin as a caster would be for Aura of Protection. Seeing as your Charisma modifier is maxed out already that means that you (and your allies within 10 feet) can add +5 to all their saving throws! I really don’t think I need to explain why that’s useful: your Constitution saves are now a +11 (meaning that if you take 22 damage or less you automatically succeed the Concentration check) and even your lowest save is still a +4!

You can also prepare one last spell but I’m actually going to take this time to remind you that Paladins are prepared spellcasters. Even though you have a relatively limited amount of Paladin spells be sure to swap them around to whatever’s the most useful for your task at hand. But if you must pick up a spell Detect Magic is never bad to have?

(Artwork by Alex “alexplank” Flores. Made for Riot Games.)

LEVEL 12 - SORCERER 6

Now that the obligatory Paladin levels are done it’s time to go back to Sorcerer. Hope your party didn’t expect you to be the support because you’re only now getting Empowered Healing to spend a Sorcery point and reroll any healing that you or an ally within 5 feet performs. I mean by total level 12 healing numbers will actually get pretty big, so this becomes a lot more useful!

But speaking of healing we’ll be getting not that but Haste instead. While you can’t use it too well (can only use it to make a weapon Attack, Dash, Disengage, Hide, or Use an Object) you can turn your allies into an avenging angel! As long as you can keep your Concentration which I mean... you have a +11 to your CON save.

LEVEL 13 - SORCERER 7

Unfortunately there’s no spell to make someone completely immune to damage for one round (while also still letting them move as normal except the 9th level spell Invulnerability that you can only cast on yourself) so we’ll just have to settle for Death Ward keeping the target you cast this on alive after reaching 0 HP. No rain of holy swords either unfortunately.

LEVEL 14 - SORCERER 8

8th level Sorcerers get an Ability Score Improvement and I think it’s about time for us to grab Metamagic Adept for 2 more Sorcery points to use on your Metamagic options like Twinned Spell to spread your wrath amongst all, and Careful Spell to avoid hurting those allied to your cause.

Speaking of AoE damage Vitriolic Sphere may do Acid damage but it’s a great recreation of the AoE damage of a high level Starfire Spellblade.

LEVEL 15 - SORCERER 9

Behold the might of 5th level spells! Remember how I was a little disappointed that you didn’t have the ability to make flaming swords rain down from the sky? Here you go: Flame Strike! Sure it basically does the damage of Fireball (and hey feel free to grab Fireball if you’re so inclined) but it has the holy flair that’s to be expected of Kayle.

If you want something more interesting than “Radiant damage Fireball” Dawn is also a good spell choice.

LEVEL 16 - SORCERER 10

10th level Sorcerers get another Metamagic option! Seeing as weve already got plenty thanks to Metamagic Adept one of the few options left is Heightened Spell to make sure your foes tremble beneath your might! You can also grab another cantrip like Prestidigitation for more generalized divine power.

And finally there’s also plenty of great spells you can take but Dispel Evil and Good probably fits Kayle the best. Now is a great time to remind everyone that you’re more than welcome to make your own Kayle, and while what I take may be “accurate” it’s not even necessarily what I’d build if I was making the character.

(Artwork by West Studio. Made for Riot Games.)

LEVEL 17 - SORCERER 11

11th level Sorcerers can finally ascend! I hope you kept your Paladin weapons because it’s time for Tasha’s Otherworldly Guise! Calling upon the power of the Upper Planes (or lower planes too I guess if you’re awful) you get:

Resistance to Radiant and Necrotic damage (which you already have. Oops.) (I mean Lower Planes would make you immune to Fire and Poison damage...)

Immunity to the Charmed condition.

A 40 foot flying speed.

+2 AC

The ability to use your Charisma to attack, meaning that you can finally swing a sword well!

And the ability to attack twice, which you already have.

And the cool part is that unlike Tenser’s Transformation you can cast spells and don’t Exhaust yourself after using this spell! If you want to finally use your Paladin levels to bright the fight to your opponents you finally have the power to do so!

LEVEL 18 - SORCERER 12

12th level Sorcerers get another Ability Score or Feat and I’m simply going to suggest the Tough feat. Even if Kayle doesn’t usually build health in League you can, and d6 hit die suck when it comes to actually surviving.

What? Did you expect another spell known? Nah fuck you lmao WoTC says no to Sorcerers having spells.

LEVEL 19 - SORCERER 13

13th level Sorcerers can learn 7th level spells and while this may seem like a copout I have none that I really want for Kayle. Pick whatever you think would be the coolest since you can make your own choices by level 19. (My personal vote for Kayle would be Fire Storm but you are kinda loading up on AoE spells.)

LEVEL 20 - SORCERER 14

Our final level is the 14th level of Divine Soul Sorcerer to finally ascend. You have Otherworldly Wings for a permanent 30 foot flying speed! You did it! You reached max level as Kayle! You’re now unstoppable!

FINAL BUILD

PROS

Kneel before the light! - Your spells known go up to 7th level, and your spell slots go up to 9th. I really don’t think I have to explain that a full leveled caster is extremely powerful.

What is dark in me, I will illuminate - Even your non-spellcasting has great utility. Both your Channel Divinity options are extremely useful, and a little bit of Lay on Hands healing never hurt anyone. Not to mention your Aasimar transformation providing a flat +20 to damage every turn while it’s active!

I am your salvation! - Even if you aren’t running up in melee range Paladin levels do help a ton for staying alive. +5 to all saves is no joke, especially when it means that your Concentration save sits at a whopping +13! (You have to take more than 26 damage to even have a chance at failing your Concentration check!)

CONS

Why have we wings, sister, if not to fly? - You’d think a high Charisma would at least make you good at socializing but... no you’re not even that. Proficiency in the “mean” Charisma skills and mediocre ability scores in everything other than Charisma means you’ll contribute very little other than divine wrath.

Wings of Immortal Flame, lift me from mortal temptation! - How much flight is too much flight? Between your Radiant Soul, Tasha’s Otherworldly Guise, and you know... the Fly spell you have quite a lot of ways to take to the skies which all become near-completely redundant by level 20.

Celestial justice, guide my blade - Ironically enough one of the biggest issues with this build is how long it takes to get online. The Paladin dip may keep you safe but it’s not making you stronger, and I doubt you’ll be sitting beside your friends like a support. If you don’t mind praying to darker powers Genie Warlock is actually a great choice to get considerably more damage (and “attack speed!”) with Eldritch Blast and easily accessible flight by level 6 in Warlock. (Celestial Warlock also exists if you want more healing utility and want to stay in flavor.)

Of course weakness is something to shed as you come closer to divinity, but remember that even if mortality makes you weak mortals are not. Your allies will fight by your side and its your duty to protect them, as they shall no doubt protect you. Treat them with respect and vanquish evil together! Because no one likes a lawful stupid top laner.

(Artwork by Atey Ghailan. Made for Riot Games.)

[pinktwingirl]

Loki Series Rewrite (AKA Loki Series but with Squirrel Girl): Ep 1

Hey guys! Long story short, I wasn’t a fan of the Loki series, so I decided to make my own rewrite (including my favorite Marvel character, Squirrel Girl!) These are basically a collection of scenes that I would’ve either added or rewritten to improve the show. Btw, this is a continuation of my Endgame rewrite where Loki comes back to life after dying in Infinity War, so the Loki in this version is modern-day Loki, not 2012 Loki. Also, the whole Loki x Sylvie self-cest thing made me VEEERRRRY UNCOMFY, so I got rid of it. Their relationship is purely platonic in this. Anyways, enjoy! (This work is in screenplay format.)

INT. TVA - DAY

We pan through the TVA and see agents at work, checking timelines and watching training videos. We see various TVA posters warning about variants and "protecting the sacred timeline."

We then cut to RAVONNA RENSLAYER in her office. She is at her desk, sorting through files. Suddenly, an agent bursts in.

AGENT

Ma'am, we have a situation.

Ravonna follows the agent to a computer, where we see a timeline branching off from the main one.

AGENT

Is this the variant we've been searching for?

Ravonna glances at the computer and nods.

RAVONNA

About damn time...

EXT. CHICAGO BAR, 1986 - NIGHT

We see a woman with long, black hair and a green dress chatting with a man in a bar. The song "Devil Woman" by Cliff Richard is playing in the background.

MAN

Can I interest you in another drink, beautiful?

The woman lets out a flirty laugh and blushes.

WOMAN

Oh, you're too kind.

The man turns to the bartender.

MAN

Hey, can you get my girl here a...

(He turns to the woman.)

What can I get you, honey?

WOMAN

Surprise me.

The man turns back to the bartender.

MAN

You heard her.

The woman has a devilish smirk on her face as she watches them. The man turns back to her as the bartender starts mixing a drink.

MAN

You know, I feel selfish. I've been talking so much about myself, but I still don't know a thing about you.

WOMAN

Well... what do you want to know?

Suddenly, another man approaches them.

MAN #2

Hey, what do you think you're doing with my date?!

MAN

Your date? She's mine, asshole!

MAN #2

I caught her first!

(He turns to the woman.)

I'm sorry, honey, is this guy bothering you?

MAN

Bothering her?! You listen here, shithead-

He grabs the other man and they begin to wrestle with each other.

WOMAN

(Playfully)

Oh no, please don't fight over me...

As the men grow more violent, a bit of green magic shoots out of the woman's hand, causing the first man's wallet to fly into her grasp. She slips by the men, undetected as the bartender tries to break them up. Outside the bar, the woman walks off. With a smirk, she shifts into LOKI, now in his male form. He unveils the tesseract with magic and disappears.

INT. THE BENATAR - NIGHT

Loki reappears in the Guardians' ship, where Thor and the Guardians of the Galaxy are waiting for him. Loki smirks.

LOKI

Another successful venture.

THOR

Did they fight?

LOKI

Like bilgesnipe.

Thor bursts into laughter, and Loki hands Rocket the wallet.

LOKI

I also got the wallet, as requested. Although, I don't think Midgardian currency will have much value on the far side of the galaxy.

ROCKET

Who cares about the money? I just wanted the wallet.

(He dumps out the dollar bills and admires the wallet.)

This is nice leather...

LOKI

Anyone else have any travel requests?

QUILL

Oh, I got a whole bunch.

NEBULA

Quit acting like children. An infinity stone is not a toy to be played with.

LOKI

Oh, please. The tesseract and I go far back. If anyone can control it, I can.

ROCKET

You know, I'm starting to think you've just gotten sick of being around us, and now you're just looking for an excuse to get away.

LOKI

I will neither confirm nor deny that.

THOR

By that, he means "yes."

ROCKET

That's pretty rude of you, grease weasel.

Loki scowls at him.

DRAX

Can you travel to Kylos? I would greatly enjoy having some trego fruit again.

LOKI

Certainly.

The tesseract starts to glow in his hands.

INT. TVA - DAY

The agent and Ravonna are still at the computer.

AGENT

He's using the stone again. He's going to time-jump.

RAVONNA

Block it. Intercept him.

The agent presses a button.

EXT. MONGOLIA - DAY

Loki crash lands in the Gobi Desert and wakes up, looking utterly confused as a group of villagers approach him.

VILLAGER

(in Mongolian)

Who are you? Why have you come to our home?

Loki raises an eyebrow and opens his mouth to respond. Suddenly, a portal opens and several TVA agents enter. They lean down to examine the tesseract, and Loki abruptly rushes over to them.

LOKI

Don't touch that!

The agents ready their prune sticks. Suddenly, HUNTER B-15 opens a portal and enters.

HUNTER B-15

It appears to be a standard sequence violation.

(She checks her tem-pad)

Branch is growing at a stable rate and slope. Variant identified.

LOKI

I beg your pardon?

HUNTER B-15

On behalf of the Time Variance Authority, I hereby arrest you for crimes against the sacred timeline. Hands up.

The agents activate their prune sticks.

HUNTER B-15

You're coming with us.

LOKI

I'm sorry, who's "us"?

Hunter B-15 activates her own prune stick.

HUNTER B-15

Last chance, variant.

Loki chuckles.

LOKI

Look, I don't know who the hell you seem to think you are... But if you don't mind, this is actually your last chance.

(Beat)

Now get out of my way.

Before he can attack, Hunter B-15 strikes him with her stick.

INT. TVA COURTROOM - DAY

Ravonna pounds her gavel.

RAVONNA

Next case, please!

Hunter B-15 forces Loki onto the stand.

RAVONNA

"Laufeyson"... Variant L1130, aka "Loki Laufeyson"...

LOKI

I prefer "Odinson," thank you.

After a pause, Ravonna shrugs.

RAVONNA

Very well...

(She crosses out "Laufeyson" on his case file and writes in "Odinson.")

Loki Odinson, you are charged with sequence violation 7-20-89. How do you plead?

Loki chuckles.

LOKI

Madam, a god doesn't plead. Look, this has been a very enjoyable pantomime, but I'd like to go home now.

RAVONNA

Are you guilty or not guilty, sir?

Loki smirks.

LOKI

Guilty of being the god of mischief, yes. Guilty of finding all of this incredibly tedious, yes. Guilty of a... "crime"... against the "sacred timeline"? Absolutely not, you have the wrong person.

RAVONNA

Oh, really? And who should we have?

LOKI

Well, in my defense, the only reason I ever came in possession of the tesseract is because the Avengers traveled back in time.

Mobius enters the courtroom.

RAVONNA

We're not here to talk about the Avengers. What they did was supposed to happen; you reviving yourself with the tesseract and running around time, causing chaos was not.

Loki laughs.

LOKI

I'm sorry - not supposed to happen according to whom?

RAVONNA

The timekeepers.

INT. TIME THEATER - DAY

Mobius is showing Loki clips of his life and trying to dig deeper into his psyche.

MOBIUS

You know, trying to kill all the frost giants, invading Earth, I don't see anything very mischievous about this...

He plays a clip of the bifrost nearly destroying Jotunheim. A family of frost giants runs in fear as the land is destroyed. A little girl screams as her father is vaporized by the blast. Loki is visibly uncomfortable.

MOBIUS

Look at that. Did you enjoy doing that?

LOKI

Enough of your games. You've made your point.

Ignoring him, Mobius plays the clip of him telling Kurse where to go.

MOBIUS

And then, you tried tricking the dark elves into finding Thor, but instead, you sent them right to Frigga.

Loki tenses when he sees Frigga fighting Malekith.

LOKI

I don't want to watch this.

He winces, trying to keep himself together, as he watches Malekith stab Frigga.

MOBIUS

Well, you're going to watch it. Because that's your life, that's the consequences of your actions, and that is the proper flow of time! Now, why don't you tell me, do you enjoy hurting people?

LOKI

I don't have to play your games-

MOBIUS

Do you enjoy killing?

LOKI

I'll kill you.

MOBIUS

What, like you did your mother?

Enraged, Loki tosses a chair at him. Mobius dodges it, and it flies through the hologram of Frigga's dead body. Loki lunges at Mobius, but he uses the time twister to send him back on the ground. Loki growls in pain.

MOBIUS

Sorry, the time twister just loops you, not the furniture. You weren't born to be king, Loki. You were born to cause pain and suffering and death. That's how it is, that's how it was, and that's how it always will be. All so that others can achieve their best versions of themselves.

LOKI

(Voice cracking)

That's not true. You're lying.

MOBIUS

It is true. Your life ended after Thanos snapped your neck, because you fulfilled your purpose of assembling the Avengers to destroy you. Your purpose was never to become a hero. You're a villain, and that will never change as long as the sacred timeline runs its course.

INT. TIME THEATER - DAY

After Loki escapes and returns to the time theater on his own, he finds a folder of papers on the table. He opens it and reads the first file. It reads "LOKI ODINSON - MAIN OBJECTIVES: MURDER, LIE, MANIPULATE. LIFE PURPOSE: CATALYST FOR THE AVENGERS. OBJECTIVE FULFILLED. LIFE TERMINATED. END OF FILE.

Horrified, Loki stares at the file as tears run down his face. After a moment, he starts laughing as Hunter B-15 enters.

HUNTER B-15

Something funny?

After a pause, Loki shakes his head.

LOKI

Glorious purpose...

INT. TIME THEATER - DAY

Loki is talking with Mobius after being apprehended again.

LOKI

I will admit, the TVA is... formidable. Even an infinity stone is useless here.

(Beat)

You're not going to let me return to my own timeline, are you?

(Beat)

MOBIUS

Normally, no, we wouldn't. But... if you help us... maybe the timekeepers might be willing to make an exception. A rogue variant's been killing our minutemen.

LOKI

And you need the god of mischief to help you stop him?

MOBIUS

That's right.

LOKI

Why me?

MOBIUS

The variant we're hunting is... you.

Have some actual Lady Loki yay! 

So yeah, the purpose of this episode was mainly to re-establish the show within the continuity of my version of Endgame. Squirrel Girl comes in next episode!

@drawntothedarkside Here’s your tag!

[echo-tries-writing]

okay, so i posted about the story i’m writing and asked if anyone wanted to hear about it, and a couple of people responded that they did which makes me so excited because i love talking about this!!!

i’ll just start talking about my characters because they are literally like my children

my very traumatized children

alright

https://picrew.me/secret_image_maker/TUpt5gokcYbd7w1d

the picrew i used^

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The main characters:

Prince Morgan Fox Chamari (I made the picrews a while ago, so they might not be up to date, but it’ll do for now) (also they didn’t have that many option for make up and stuff, so i just drew on a lot of it)

He sounds like a snob but he’s really not

He’s 5’8, uses he/him, caucasian, pansexual, a leo (yes astrology is swag), he is way too nice for his own good, and trusts people way too easily (which might turn out to be a problem)

He has light brown, curly hair, green eyes, and he’s a prince, so probably like expensive clothing

Morgan does have magic, but I’m not really sure how it works yet, I only know that he kinda sucks at it at first, and he needs to find some kind of scepter to help him with it

Willow Ivy Stara

5’1, she/her, black, aromantic asexual, a virgo, also a nice person in general, but she’s not an idiot about it, you know? She is probably the one that keeps the single braincell of the team in place

Dark, coily hair, dark skin, brown eyes, the prettiest smile you’ll ever see, and she likes wearing dresses and flowers in her hair! She’s also a very gifted healer (maybe i’ll talk more about powers in my world later)(because she doesn’t just have healing, she can do damage too (basically the opposite of healing) which is really rare in my world, but it also strengthens her healing powers)

She joined the team because she ran away from her parents, because they were forcing her to marry another healer (cus she’s aroace right) (and the other healer is a gay man who she later finds out also ran away, and joined the villain!)

Raine Dayla-Jules

Probably the character I’ve put the most effort into, which also means she’s one of the characters who gets the most traumatized (love you Raine)

5’8, she/her, caucasian, lesbian, a leo, on the good side, but leaning towards morally grey, extreme trust issues, she is broke and homeless and a thief, says she is an orphan, but really just doesn’t want to get into her tragic backstory

Lots of blonde, curly hair, blue eyes, freckles, various scars all over her body (which she mostly gets through the story)

She had a normal childhood until she was six years old, when she was kidnapped (because of her powers, hydrokinesis and cryokinesis (is that what it is in english? idk, ice and water like a waterbender), she hasn’t seen her family after that (but she will at the end, I’m not that evil)

I mentioned enemies to lovers on the last post, and Raine is part of that<3

Ember Aurora Ilani

The villain with redemtion arc, because every story needs that, but believe it or not she’s actually a pretty good person, and she does what she thinks would be the best for everyone

5’6, she/her, asian, demisexual lesbian, a scorpio, she has pyrokinesis (again, hope that’s the right word), and that’s where the arson i talked about comes from, occasionally borrows that one braincell from Willow

Like, yes, she technically is a good person, but that will not stop her from setting a house on fire on purpose

Dark brown, long and straight/slightly wavy hair, hazel eyes, tan skin, terrible childhood of course

Like, ‘older brother dying in a fire that she accidently caused, parents hating her and abusing her because of it, running away at age 10, becoming best friends with the villain’ kind of terrible childhood

The other part of the enemies to lovers! (Don’t worry, it’s gonna be a slow-burn)(the burning part might be literal)(but it’s gonna be fine, we have lots of character development and no power imbalance, they both hurt and help each other)

Hawke Edavine

Typical badboy, poor but wholesome family, I might kill his dad though, because all of the main characters has all their parents intact

6’1 (I like that it’s a foot height difference between him and Willow), he/him, latino, straight (I guess they needed some rep too), a capricorn, probably nicer than he looks

Dark messy hair (like, think Percy Jackson), brown eyes, tan skin, bushy eyebrows, think about what a straight woman would find attractive in a man (what do straight women like? Flynn Rider? Think that, just younger)

Used to be best friends with Raine when they were like 11-14 years old maybe, but drama happened, they fell out, they will spend the first few chapter hating each other (also we all know and hate queerbating, so obviously I’m gonna straight-bait these two at first<3)

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i think that’s all i had for now, but there’s so much more

if you read all the way down here, congrats (and also thank you?? i care so much about this, i love when other people listen)

like, if you wanna hear about the villain (aka Morgans twin sister, princess Sienna Aurelia Chamari), or about these characters, or other characters, their families, pinterest board of their aesthetics (yes i made that too) and also im currently trying to make playlists too, just please lmk because i will serve

i didn’t even talk about their body types or disabilties or mental health issues or other quirks or favorite animals or pets either, but just know i have it all

i just love this, hope you do too!