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shin-meddlesome-hero · 1 year ago

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Thoughts on the G-Witch Finale

If there’s something I can say for certain is that this was a wild ride from start to finish, that’s undeniable.

My brain keeps short-circuiting when I try to form a coherent opinion about the ending. It definitely wasn’t perfect and, just like most part of the second cour, it needed more revisions and work to be better. There were many ideas and storylines that had a lot of potential but weren’t fully developed. Nonetheless I’m glad that they were included.

What I expected for this ending was that at least Suletta and Miorine would end up together, I thought that would be acceptable even if the other storylines had a rushed resolution (because, let’s face it, it was very hard to give a satisfactory ending to all the conflicts from the series in only one episode). I wasn’t expecting at all an ending where Prospera and Eri survived, that pulled the rug from under my feet. For some time I saw this resolution as corny and overly idealistic, but now I think that that’s not necessarily a bad thing. During the episode, Suletta is told several times that she wouldn’t be able to achieve what she’s aiming for, but she still goes for it and gets everything that she wished for and more. She was supposed to be a tragic character but she went against that script and earned her happy ending; the more I look at things from this perspective, the more ok I am with the resolution.

Last week I was wondering where would Eri’s character arc go if she survived, it turned out that she was finally able to choose what she wanted and she chose to be with Suletta, she also accompanies Miorine to Qin Harbor which shows that she’s taking responsibility for her past mistakes. That’s a good direction for her character arc… although the fact that she ended up in a silly keychain is still super weird. It’s obvious that if she was going to live, it would’ve been cruel to put her in another Mobile Suit, but there were other options, she could’ve been in a tablet, or in a cyborg’s body or even a Haro would’ve been nice. The keychain is just too much… it’s funny, but weird. Also, there’s really no explanation on how she got there. Only Suletta knows and she’s not going to tell. (It’s space magic, I guess). My point is that if the writers were planning to let her live, they needed to work more on how that could be achieved.

As for Prospera, at least she won’t be able to cause more harm and she seems to be in peace. It would’ve been good to know more of her thoughts at the end.

Now, regarding that other criticism about the ending, I have the impression that Sunrise/Bandai/whoever is responsible for the franchise was trying to play safe. It took more than 40 years for Gundam to have a female protagonist and it’s quite telling that they chose someone like Suletta who is extremely nice and precious. Maybe they thought that a protagonist like Elnora or even like Chu-Chu would’ve been more intimidating. There’s also the fact that the series only lasted 24 episodes instead of the usual 50. I can be wrong but it seems that they weren’t sure that the series would succeed so they didn’t want to take many risks. I think that’s why even if at the end it’s obvious that Suletta and Miorine are married, we didn’t see a kiss or the wedding. Maybe what we got was all that the writers were able to get away with. I really don’t know how things work in Japan when it comes to lgbtq+ themes on series that aren’t explicitly yuri or yaoi, so I’m just speculating.

I didn’t dislike the ending, but I think that the series needed more episodes to develop all the ideas that the writers had in mind, maybe with that, they would’ve nailed it.

Finally, I wouldn’t want a continuation for this story, Suletta, Miorine and their family are fine and it’s better if the narrative leaves them alone. However, a movie retelling could be great, also it would be nice to have novels, manga or OVA’s about what happened during the time skips, many elements and characters of this universe need to be explored more. (Particularly I think that there were many things about Miorine and her family that the story should’ve tackled). All in all if I try to be objective I would give the series a 7.5/10… but it gets an 8/10 for effort, and because I’m soft at grading… and also because I really liked it despite all. So, I still recommend it and I’m glad that this was the series that introduced me to Gundam.

P.S: Really liked that call back to episode 1 with Miorine being the one to rescue Suletta in space. That part was excellent.

#g witch spoilers #gundam the witch from mercury #gundam suisei no majo #gundam #long post #I feel like despite all I still really really love this series #the characters are amazing #despite its faults the anime was made with love #and it really shows #gundamblogging

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where-theres-smoak-2 · 3 years ago

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Here’s the transcript of an interview LB did a couple of weeks ago. Be prepared to be annoyed at her not knowing wtf she’s taking about but pretending she does especially in the Darkling and the decision to make Alina half Shu sections:

https://www.penfaulkner.org/wp-content/uploads/2021/10/Literature-on-Screen-Shadow-and-Bone-Transcript.pdf

So there were a few bits in this interview that I want to talk about. I am going to shock you here and say there were actually parts of this interview where I agree with what LB says and gave me the tiniest bit of hope. But before you get too worried its the parts where she is talking about season 2 and her involvement in the show and writing process. Here is what she said when asked what her involvement in season 2 is:

With season two, I've been able to be a little bit more involved in casting, costumes, production design, meeting with directors.

Then I think I am going to step back. I'm not going to be as involved in reading the scripts. I think at this point, we are going to be diverging quite a bit more, and it's all I can say. I really cannot say more than that. I'm about to be descended upon by Netflix assassins. For me, there has to be a moment of saying, “This doesn't belong to me anymore.” The books are mine, they will always be on the shelves, and this has its own life now.

She also said something similar a little later in the interview when talking about changes between the books and the show and how she got negative reactions to saying the show was like an expensive fanfiction:

Which to me is like, "Why are you so mad about fanfiction? It's amazing, first of all. Second, all adaptation is fan fiction. That's what it is. All adaptation is fan fiction." To me, this is the way adaptation should work, where you keep the core and you keep the heart, but you're allowed to play. Otherwise, you cannot ask, I think, a group of smart writers, talented directors, amazing actors to simply transcribe. I don't think that's exciting for anyone.

That funny thing about that second statement about tv adaptions basically being fanfiction is I said it myself in a post a while back. It does seem like LB is more open to changes from her book and it also looks like she is not going to be as involved with the writing process for season 2, we also have heard in other interviews that they are going to be diverting away from the books in the next season, whether that is a good or bad thing is yet to be seen but I do think it is a good thing that LB is taking a step back from the show, as she herself said the books are hers and they will always be there so the show should be the show and it should be allowed to have a life of its own. I've said before but I prefer it with tv adaptions if they don't follow the books because to me that's more exciting than if I know exactly what is coming next, I like to be surprised.

Something else I learned from this interview is this:

Eric Heisserer, he is our showrunner on Shadow and Bone season one and in season two he'll be co-show running with Daegan Fryklind who is one of the wonderful writers from season one.

So from a google search I found out that Daegan was the writer for episode 6 and episode 8. Again whether its a good or bad thing that she'll now be co-running the show with Eric I don't know but it is still an interesting bit of information and I'll take any info I can get on season 2.

However whilst I was feeling optimistic about everything LB was saying about season 2 and was actually kind of impressed at how she seemed to have let go a bit and was happier with the idea of changes from the books than she seemed in the past, but she then said this:

Petra: Following on from that, actually, somebody is asking, and I know you've said that the story is going to diverge from the books in future seasons, do you – Let's assume this is a spoiler too but I'm going to ask it anyways, and you can tell me to get lost. Do you want the shows and the books to end in the same place, the same way?

Leigh: Yes I do. [laughs] Yes, I do. Look, I wrote the books the way I wrote them for a reason, and that – I haven't seen any sense that that is going to change at all, but there are certain things that I know if we get to move forward will change because we'll want to see these characters continue in their adventures. Also because there's a finality to some things that happen in the books that then is sort of undone in later books, I'm really being abstruse here, but I guess my point is there are certain things that are essential to me that stay the same and certain things that I don't care. You learn which things and, fortunately, I've been on the same page with the writers from moment one.

Just no, please no, no, no. This I just don't understand ok. LB and the showrunners/writers must be aware of how unpopular the ending of her books were right? I mean I've seen an interview where LB herself says that she was aware that the ending was controversial amongst fans and that many of them were angry at the ending. You could put up a good argument that it was the thing people hated the most about her original trilogy, the ending. So why on earth would she or the showrunners want to keep that ending? Like any part of it? I mean she says there are some things she doesn't care if they are changed and others she thinks are essential they keep and unfortunately I feel like it most likely Alina losing her powers that she wants to keep and that for me was the worst part of the ending. To be honest it kind of makes me really wary about continuing with the show because I don't want to get invested in the show just to be really let down by the ending. Also if that many book readers didn't like the ending what do they think is going to happen when the tv viewers see that ending, its likely going to be game of thrones 2.0.

As you predicted some of the things she said about the darkling and Alina being half Shu did annoy me. I feel like with Alina being half shu she just sort of glossed over the question which the interviewer brought up the critique that she had wished that they had explored Alina's Shu heritage outside of just the racism she faces and dive deeper into that which LB just basically said they will be exploring more about what it means for Alina to be Shu and Ravkan in season 2. I will say I do hope that they do cover more of the other cultures particularly the Shu culture as we got to know a little about the fjerdan culture through Matthias but we know very little about the Shu culture.

As for the darkling I am not going to go too much into it because its not really anything new I'm just resigned to the fact that LB and I are always going to have different opinions on his character and not to sound too harsh but I don't really care what her opinion or views are anymore. One thing I will point out though is this little tidbit:

Leigh: Look, there's never been a problem creating sympathy for the Darkling. This is a very beloved character, sometimes to my great frustration.

I mean this is nothing us darklinas didn't already know but the next time an anti says that LB never had a problem with people liking the darkling/darklina show them this interview where she openly admits that she found it frustrating. I do kind of feel for her I guess it must be frustrating to write a villain that you meant for everyone to hate only for them to become the most loved/popular character in your series.

#darklina #the darkling #answered #anti leigh bardugo

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iamnmbr3 · 3 years ago

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Another day. Another questionable interview from someone involved with the production. This time the Director (who to her credit at least is better than Mike Waldron in that she is able to say she likes Loki’s character whereas his interviews drip with open disdain and disrespect and he can’t even pretend otherwise). (x)

Kate Herron: But Loki doesn't have many friends, you know? He builds this friendship with Mobius across the second episode.

Here again we get out-of-universe confirmation that the narrative framing of Mobius in a positive light is intentional. Mobius is not Loki’s friend. He’s his captor and his torturer. Loki isn’t on equal footing with Mobius. They don’t even have a boss-employee relationship. LOKI WAS MOBIUS’S SLAVE until he escaped. He was being held against his will and coerced under threat of death to work for Mobius and his organization without compensation. That is slavery. And it’s not ok.

Mobius also berated him by telling him that he is inherently evil and monstrous - the very things that drove him to suicide. Mobius is complicit in acts of torture, genocide, murder, privacy violation, and police brutality and shows no signs of having any problem with it. He’s no more Loki’s friend than Thanos or the Black Order are.

When has he ever treated Loki with dignity or respect? Even if we ignore all the horrific stuff, he’s just plain not nice to Loki. He constantly mocks and belittles him and never takes his side. That’s not a how a friend behaves! That’s how a bully behaves! Where is the basis for this friendship??!!

Kate Herron: “And obviously, we're seeing it through Loki and Sylvie's POV. You know, neither of them are good or bad. A complete, pure good hero would probably join the queue and be like, "Well, hopefully we'll get on the train." But they're not those characters. They're going to try and get on it.”

They snuck onto a train??? That’s what she thinks a grey character is? That’s so dull! Loki was a complex and grey character. Larry (as I call the tv show character) and Sylvie...got on a train without a ticket. That’s laughable! That doesn’t make me think about complex morality or issues. And c’mon. All the heroic Avengers have done that level of rule breaking MANY times and they don’t lose their “pure good hero status.” Tony Stark constantly does things like that! I want Loki back. HE is a grey character. But I haven’t seen him in the show so far. Instead I get Larry the watered down clown.

Kate Herron: “When Loki and Mobius are at Pompeii, for example, that's shown through Loki's POV, right? He's joyous and he cracked the case. Pompeii was horrific, but we're seeing it through his perspective and he's in a completely different headspace.”

You know a scene can have more than one emotion right? Like he could be happy about solving the case but also horrified at the destruction of Pompeii? Instead he is laughing at the people who are about to die horrifically and seems to have no compassion for them whatsoever. Sure people can headcanon reasons why he behaved that way (and more power to them. Fixing dumb canon is what fandom is all about!) but the narrative framing is to me pretty clearly lighthearted and the director confirms that intent. There seems to be no awareness that by having Loki behave so callously it makes him come across as incredibly cruel. Far more than he ever was in canon.

In Thor 2011 Thor is laughing while slaughtering Jotnar (as is considered appropriate in his culture) but Loki isn’t. He kills when he has to but he doesn’t enjoy it, something that’s unusual for the culture he was raised in. This Pompeii scene could’ve been a great time to see Loki’s more compassionate side as he looks at the people who are going to die. We could’ve seen some real conflict from him. And it would’ve been a great moment to start introducing the concept that he’s more than just a simple villain to more casual viewers. Instead, although they think they’re “redeeming” Larry over the course of the show they’ve made him far worse and more villainous. I wish they had hired an experienced Director who also understands Loki - like Kenneth Brannaugh!!! - rather than a Director who has never headed up a major project before. Though even the best Director couldn’t fix the abysmal and ooc script and story Mike Waldron came up with.

Kate Herron: “I think that's the thing that's really key for her is that she's a completely original character, completely born out of our writers, and that, for me, was exciting.”

Remember when I said Sylvie is the favored OC? Called it.

Kate Herron: “The train scene I love because Loki doesn't get many wins and it's nice to see him having a nice sing-song. He's just enjoying himself. Because I think that's such a funny way, as well, to show the difference between him and Sylvie is that she's on a mission. She's like, "We're going to get off this moon." And when she's offered a drink, she's like, "No, thank you."

WOW. I hate this SO much. So suddenly Sylvie gets to act more like Loki and Loki suddenly doesn’t know how to be subtle and is just a dumb clown messing everything up. C’mon! This is absolutely ridiculous. This is not Loki silvertongue. This is not the Loki who tried to diffuse the situation on Jotunheim and almost succeeded. This is not the Loki who was always a restraining voice in Thor’s ear. They’ve turned Sylvie into discount Loki without any depth or complexity or vulnerability and they’ve turned Loki into discount Thor ft. dumb clown! Absolutely outrageous.

Kate Herron: “everything is not what it seems and even in our design, people have picked up on certain things. Like the way that they dress, or the posters and that there's something a bit more going on there.”

If the TVA actually turn out to be twist villains I will laugh SO hard; I’d say that twist is too dumb even for Marvel but...it’s really not! Like. Guys. If they’re gonna be TWIST villains you have to not have them do obviously villainous things on screen!!!! BECAUSE THEN IT’S NOT A TWIST!!!!

From the moment we meet them we see them commit acts of police brutality, murder, genocide, trial without due process, enslavement, privacy violation, and torture IN ORDER TO ELIMINATE FREE WILL. Like. They are literally the most evil organization in the MCU. Even Thanos can’t compare. So having them be revealed as villains will fall flat. Because the twist isn’t the audience learning new information or the main character learning it. It’s just the narrative suddenly acknowledging it and treating their atrocities seriously. So the twist is in the real world not the show. And it’ll make Larry look like an even bigger idiot than he already does if he’s suddenly like “Wait the people who tortured and enslaved me are evil?! What?!??!” (I stg if he has to fight miss minutes in the end like I joked about I will lose it).

Also. Why make it a twist?! When you treat the villains as a joke it robs the narrative of tension. Their acts of evil should’ve been acknowledged from the beginning in order to create sympathy for the protagonist and tension in the narrative as we watch him try to escape this situation! Smh. The only funny joke in this series is how badly the writing fails.

#Loki tv series #random musings #Marvel #MCU #loki show #loki series #loki 2021 #loki tv show #Loki Series critical #loki tv series interviews #my post

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courtney-deserved-better · 3 years ago

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whats ur writing schedule/process like! not in a “write faster” way, but i think once you mentioned writing in script form? and i like the way you wrote ur most recent fic! just curious bc ur works are just really good :)

this is a great question!!

if its not slippery slopes, ill usually get an idea for something and periodically jot down notes when they come to me until I feel like i have enough information to start writing (or if im just motivated), that's what i did for my horror challenge rewrite. and for stuff that's like... rewrites of an episode that aren't as character-focused as slippery slopes, i usually read the episode transcripts and try to replicate that total drama style with my own writing

for shorter oneshots, i usually just get a vague idea and run with it until i find a good ending spot, then i go back and clean it up a bit so the structure works

slippery slopes is an... interesting cycle. chapters are getting long enough that i cant just write them in one sitting any more (i think ch5 was the last chapter i did that for) and instead ill agonize over the beginning (always the hardest part to write for me) but once i get going with that i usually finish the chapter within a few days. then i reread the previous chapter to make sure it flows ok (and there aren't any contradictions) and then ill give myself a break where i dont do anything total drama related before coming back to edit and post. though before I do all that I type up notes and rough dialogue bits

and then once i post it it's like... a weight off my chest? like ive been purged or something?? idk its a weird sensation but im just like i Physically Cannot Write Anything For This Right Now and i don't start on the next chapter until that goes away. and then i either start the beginning and do nothing for a week before going back and finishing the chapter or i go into a manic state and write nonstop for a few days. right now i haven't reached a point where im ready to begin writing chapter 10 but i have a lot of notes for it.

(also as soon as i finish posting a chapter i try not to go on my laptop for like 12 hours so i don't obsessively refresh my email for comments. i love reading comments so much holy shit. please comment guys it makes fic authors feel so happy we will love you for it)

as for scripts: i am working on being a writer professionally, but specifically a playwright. writing in a script format comes more naturally to me than writing prose. funnily enough, i started posting fanfic just to practice my prose (and fix stuff in cobra kai that i didnt like) but things sort of... ended up here? idk man but im enjoying it.

right, so because writing in a script format is easier when im really struggling with a section in a fic ill usually scrap whatever i had and write it like a script, then translate that into prose. i was very excited to write the family videos for chapter 9 of slippery slopes, but i was Having Issues, so i redid it as a script and then rewrote that as prose. ill put the script version under the cut if you're interested in that.

but thank you so much for the question!! i do think my writing process is a bit unconventional but hey i think things are turning out well! if you have any more questions feel free to send them in!!

ok here is the last scene of ch 9 of slippery slopes in script format:

[SIERRA]

MOM: Hi honey! Omigosh this is so exciting! I bet you’re having such a great time! Especially since Chris is there! Is Chris watching this? Hi Chris! You know, I loooved you on that ice skating show. Your hair was fantastic! Well, it always is, haha. Do you really make your own hair gel? I’ve been trying to perfect the recipe but you’re just so hard to track down! Oh, you’re such a funny guy! I laughed sooo hard when you made all those jokes about marrying Chef.

Chef: hey!

Chris: ok just for the record, I wasn’t joking, we are married, Sierra tell your mom we’re married

Sierra: …can we just turn it off please

[COURTNEY]

DAD: Courtney, sayang, I know you’ve been going through a lot right now—

MOM: So you’d BETTER make it count. You’ve made it this far before, I want to see you getting all the way to the finale this time. And winning it. Enough moping about those hideous, good-for-nothing slackers! That’s what you get for hanging around freaks like them. You’re doing this for the million, now get the million. Is that clear?

ZARINA: And kick ass!

DAD: Zarina!

Video cuts out.

Alejandro: courtney you good?

Courtney: no, she’s right. Mama didn’t raise no quitter

Alejandro: [knows she’s still upset about duncan and gwen]

[ALEJANDRO]

MOM: Hola, Alejandro. We hope you are doing well, especially in such unsavory conditions. I’m glad to see you’ve made it to the final four— we expected nothing less, of course.

DAD: You have been utilizing your skills quite well. Though I wish you hadn’t been so… blatant about it. You’ll have to work twice as hard once this is over to convince people you’re trustworthy. But surely you were aware of that going into this… odd endeavor. That’s just politics. Reputation is everything.

JOSE: [snorts] Oh, and what a reputation you have, Al. I could easily compile hours of footage of your failures, but I, unlike you, do not waste my time on the frivolities of reality television. Though you always have been lacking in taste. Especially with that bratty girlfriend of yours— oh, my mistake, aren’t you dating the whiny weakling? It’s so hard to keep track! [laughs]

Alejandro: callate!

MOM: I’m sure Alejandro is just working an angle on them.

DAD: Whatever the case is, do not disappoint us.

[NOAH]

MOM: Hi Noah, I’m sorry, I don’t have time to record a full video, but I’m proud of you! Here are your sisters!

ISWARI: A million dollars? A million [bleep] dollars? Win it, Noah! Win it!

RUTH: Dude!! This is crazy! I know you can do this— good luck! Ark misses you! [holds up Ark who barks]

MARA: Are you insane? Why aren’t you dating Alejandro already?

Noah: shut up, mara, just because you can’t keep a boyfriend—

ANYA: Don’t let ‘em trick you! No mercy! Crush their skulls if you have to— no, wait, you’re not strong enough for that. We’ll get there!

LIYA: I say this as your sister, someone who loves you but is constantly annoyed by you— for someone who is quite literally a genius, you sure can be an idiot sometimes.

BALLARI: Okay, I literally have no idea how you’ve made it this far without an athletic bone in your body— are we sure you aren’t adopted? I’m kidding

ABS: You’re stubborn as hell when it comes to me, so you better be stubborn as hell when it comes to winning! And when you do win, get me a frozen yogurt machine, will you? I promise I won’t make you rock climb again!

JAEL: If you lose this, I’ll kill you with this racket. And then use your guts to make myself a new racket. So don’t fuck it up. Again.

Noah: [frozen, ashamed]

Sierra: well that was a mess

Courtney: ok show of hands, who felt better after hearing that? [no one raises hands]

Chris: yeah I was expecting this to be a lot more heartwarming…

Chef: chris just look at them. If they had stable home lives they wouldn’t be doing reality tv

Alejandro: can we please stop talking about this. Also aren’t you supposed to be flying the plane

Chef: oh fuck

Chris: yeah sure. I think im gonna call my mom

Everyone: …

Noah: ok so that was really shitty. Why dont we all go to first class and try and ignore our problems

Everyone: yeah ok sounds good

***

Courtney: so that sucked

Alejandro: at least your dad seems ok

Courtney: true. What are your guys dads like

Noah and Sierra: bold of you to assume I know my dad. Jinx

***

Alejandro: that last girl… you mentioned a sister who does tennis and hates you

Noah: yep

Alejandro: why?

Noah: none of your business. but… it is pretty justified

#slippery slopes #ask #anon #total drama #writing #fic #my fic

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imperiuswrecked · 3 years ago

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To me, it doesn’t make sense to make Magneto the main villain because it has been done so much before and it would connect it so much to the Fox Films. Also I think there is a GREAT laziness in writing Magneto especially in films. He generally didn’t want to kill all humans, subjugate them yes because he doesn’t trust them. Which isn’t a ‘good guy’ move in itself and he slips in and out of.

He legit murdered genocide I think when he was going to kill all humans. Like no.

I also think that the average cinema goer likes Magneto too much… or maybe that is me. It would also require them to recast the most famous faces of the franchises?

Like is anyone going to care if they recast Jean, Scott, Iceman, Rogue, Kitty, Beast even Mystique but Magneto? I don’t know. I have long been a fan of an actual Jewish actor playing Magneto but following Ian McKellan would be difficult for the casual fans to accept. I don’t think Fassbender left such an amazing impression.

Even my most average MCU fans friends (and god they love the MCU 😤 but I see past it) still talk about how much they want to see a Magneto solo film.

To me I would put the focus on their reveal and sentinels. Then again I thought they’ll go through Krakoa stuff. Like it turns out the mutants have been living on this Island etc

With the ‘simpler times’ comment I have to for the sake of my sanity have to think that it was because Pietro knew where he was. Things were clear to him, as much as it hurt he had his sister. The following trauma had not occurred. Again I don’t think this is true but I am trying to reason bad writing. He didn’t doubt his morality but was indebted and controlled. Shitty actions were out of his control.

I don’t read Avengers so I didn’t know he was shelved for so long.

I think the Trial of Magneto is trying to ride on the coattails of Wandavision because even though she’s not a mutant a lot of the internet was wanting Magneto to show up. So what is the best way to get those fans who wanted to see that? Set up a family comic book where they establish the family again because I guess the MCU fans heard they’ve changed their background and themselves didn’t like it.

I see the Trial of Magneto as something poorly thought out as they saw what the audience was interested in. The timeline kind of clashes uncomfortably with Inferno. Which makes me think it was wedged in there to ride the Wandavision train and undo the retcon on the side of the main storyline.

Thank you for reading my essay/rant

Ok so I'm going to first say you have a lot of great thoughts and great on picking up the whole forced feeling. You are right, it does feel wedged in there and it does feel forced because that's exactly what Marvel did.

The Trial of Magneto was supposed to be an X-Factor plot, it was Leah Williams next arc, here's an article link talking about her podcast: link (yes I know it's bleeding cool but I don't have time to listen to the podcast)

Leah Williams tells us that X-Factor was canceled because Leah's pitch for the Magneto/Wanda story for X-Factor, now called Trial Of Magneto, became such a popular pitch at Marvel but they thought the reader numbers for X-Factor wasn't big enough for this story, so they wanted it as a separate comic. And canceled X-Factor #10 rather than seeing it run as originally planned, with the Trial beginning in X-Factor #15. Williams says she only learned about the cancellation of X-Factor when she was writing #9, so as she had to finish the series quickly, squeezing six issues worth of story into those last two issues, calling it "cramped and rushed".

So I'm not a fan of Leah but the way Marvel treats it's writers has always been terrible so this cancellation doesn't surprise me. Could this be about W*ndaVision? It's likely, but it's more likely this has to do with Hickman bowing out. It's no secret literally everyone hated the retcon and I always knew it would be undone but I didn't think it would take 6 years but here we are.

Hickman leaving is a bigger thing, he stated in an interview ( link ) that he had planned Krakoa and X-Men to be a 3 arc story, and he wasn't allowed to move onto the 2nd arc because the clowns at Marvel liked the idea of Krakoa too much and I'm so mad because that's exactly the kinda behavior that annoys me with the fans, them thinking Krakoa is just a fun playground for the mutants to mess around with.

"Oh, plans have changed entirely," Hickman says. "When I pitched the X-Men story I wanted to do, I pitched a very big, very broad, three-act, three-event narrative, the first of which was House of X. And while this loosely worked as a three-year plan, I told Marvel upfront that I honestly had no idea how long the first part would last because there were a lot of interesting ideas that I had seeded that other creators would want to play with, and so, we left this rather open-ended. I was also pretty clear with all the writers that came into the office what the initial, three-act plan was so no one would be surprised when it was time for the line to pivot." Hickman continues, "However, I also knew that I was cooking with dynamite, and it was very possible that what I had written in House of X, and the ideas contained within, was not actually the first act of a three-act story, but something that resonated more deeply and worked more like Giant-Size X-Men, where it would represent a paradigm shift in the entire X-Men line for a prolonged period of time. So, during the pandemic, when the time came for me to start pointing things toward writing the second-act event, I asked everyone if they were ready for me to do that, and to a man, everyone wanted to stay in the first act. It was really interesting, because I appreciated that House of X resonated with them to the extent that they didn't want it to end, but the reality was that I knew I would be leaving the line early."

I'm so MAD because the thing I was predicting, that Hickman would have it come crashing down and everything would be revealed to be terrible and Mutant Death Sex Cult Island wasn't a paradise is never going to happen because the fucking CLOWNS at Marvel don't want him to move past it. I may have my personal gripes about some of Hickman's writing but we can't deny the man wrote one of the best if only the best Marvel Event with Fantastic Four/Avengers/Secret War.

As for the simpler times comment, like I have my theories that I wrote out here, and that's what I think is most likely but I do think Pietro's life has never been easy or simple once his adoptive parents died. Pietro could be drinking to a time before the Brotherhood.

I would love for a Jewish actor to play Magneto and any other characters who are Jewish. I would love for a Jewish writer to be able to write them too. However Ian's performance literally set him in the minds of the people as Magneto, not even Fassbender's bleh one note Magneto could compare. Imo the only reason people liked the younger Magneto was because he was young, handsome (? ig idk i dont simp for him) and they could ship him with young professor X (cowards. where is the old man ship???) But I feel like a new actor could definitely fill the role if they are Jewish and the writing was good.

Magneto's writing in comics... well I just wish we could have a Jewish writer for him. There's some great stuff for him but I feel like characters like him and Doom could be written better by non white/american writers.

Although by today's standards the og X-Men trilogy doesn't hold up I will defend the first two movies with my life simply because after Blade these movies opened up the idea that a good serious, non campy version where characters called Magneto and Cyclops were taken seriously. X2 in my mind was the definitive X-Men movie. Was it totally comic accurate? No, but it doesn't do what the MCU does, it doesn't treat the watcher like they need to have their hand held through all the military propaganda and "hints to the comics". Also side note; the reason no one cared about any of the other X-Men being recast is because all through most of the X-Men movies the focal story point has been Professor X vs Magneto. If they really want people to care about those characters/actors then we would need stories that focused on them. Not like how Storm barely had any character growth or plot in the og X-Men and even young Ororo got mishandled by the script. This is why I feel we should have "origin movies" for the X-Men that don't do what Wolverine Origins did and try to make a whole new cast but instead should use the stories as they are. If it was Kurt's story then we would see him join the X-Men, and have the other actors revolve around that. Same with each of the others, the X-Men work best when they are working off each other and each given enough screen/page time to shine. Unfortunately we all have our favorites, even movies and writers, so those are who are going to be pushed for fans to love.

Thank you for your long rant and sorry for my own long rant/reply.

#xmen #x men #comic talk #xmcu #magneto #erik lensherr #imp answers

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evilwickedme · 3 years ago

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ok so to sum up my feelings for leverage: redemption, season 1(a): (long post warning, there’s a tl;dr at the end)

I knew that Hardison wouldn’t be in most of the season due to Aldis Hodge being a busy bee nowadays, but I didn’t realize that meant he’d only be around for the first two episodes. He was sorely missed, not only because of my attachment to him, but also because he’s usually the grounding factor in the group dynamic, and his role as info guy and tech guy was split evenly between two characters who had their own issues.

That said, Hardison is absolutely a highlight of the two episodes he’s in. his speech about redemption was everything I could’ve hoped for (plus, more evidence for the Jewish!Hardison pile...). I wish we’d gotten to see more of his dynamic with Breanna because what we saw was funny and sweet and we don’t generally get to see Hardison taking care of somebody who so desperately needs taking care of. I hope that Aldis Hodge is around for more episodes in 1(b), because what we’re left with feels a little hollow.

Sticking to original leverage characters for now, for the most part the leverage crew still felt true to the original series as characters, even if the show itself was a little bit confused at times. The actors understand their characters and embody them so well that I think one could give them the trashiest script ever and they’d still sell it. Sophie is a particular focus in 1(a) because of Nate’s death, and she’s particularly well written as a result.

That said, I’m super bitter that we saw little to no mastermind!Parker. Parker’s character being given the mastermind role was a big deal and it feels like they’re walking it back because they feel uncomfortable with it. It is eventually given an in-text excuse, but literally in the last episode, and it was not a particularly convincing reason, and in fact contradicted moments from previous episodes (Sophie leaving for a client meeting and ignoring Parker in ep3 comes to mind). It’s frustrating, it makes the end of the original leverage feel pointless, and letting Parker make a decision once in a while is not the same thing at all. The original series repeatedly showed us that while everyone in the team had their strengths, Parker works problems and solves them in unique, interesting ways, and other characters’ days in the limelight tended to be comedic or even failures. It’s a broken promise, and a pretty major broken promise at that.

On a more positive note, Parker’s dynamic with literally everyone was fantastic. She’s possibly the best written character this season. They’ve taken the autism out of the subtext and into the text (although obviously still undiagnosed), and given her coping mechanisms that were taken seriously in the text even when they were played for laughs, which I appreciated. Her attempts to mentor Breanna were sweet, her friendship with Sophie was electric and at times (CRIMES) hilarious, and as usual, she has a fantastic dynamic with Eliot that makes my heart burst. If you don’t think they’re romantically involved, at least acknowledge there’s a life partnership here. They’ve spent the last decade together.

(We’ll get to Harry.)

Eliot isn’t given much arc-wise, which is frustrating since he’s my favorite. He’s being presented as the goal at the end of a redemption arc, ie to keep working at it every day until your soul heals or whatever, and it doesn’t reflect the message they’re trying to convey via Hardison’s speech and our two new characters. He’s got his moments, but I think they under utilized his potential.

Breanna!!! Breanna’s my new favorite, except for Eliot. She’s hilarious, she’s insecure, she’s nerdy and excited in a way that’s similar to Hardison but still distinct in its inherent teenage-girl-ness and I LOVE IT. Unlike the previous series, where Hardison’s “age of the geek” was often a joke played on Hardison, we’re at the point where Eliot and Parker are both right there with him, and so they accept and even appreciate Breanna’s nerdiness. Also, canon gay character? In YOUR Leverage? It’s more likely than you think.

(No, I never thought they’d make ot3 canon on screen. I hoped, but I didn’t think it would actually happen.)

I think Breanna’s the character that will be the most interesting to see grow. She’s got a lot of potential and a list of crimes a mile long (or more). I adore her with all my heart. I want to see her tiktok account.

Harry. Oh, Harry.

It took me a while, but I do like Harry. It took a while, because the narrative positioned him at the same level as Nate back in episode 1 of original Leverage. But in episode 1 we didn’t know the other characters. We had Nate as the POV character, and so we cared about him because we were seeing the world through his eyes. (This is TV Studies 101. I know this, because I took TV Studies 101 in 2019.) In Leverage: Redemption, we no longer have a POV character, for several reasons:

Nate, previously the POV character, is dead.

As it is, by mid-season 3 of leverage Nate was no longer a POV character. This is, coincidentally, the point where the leverage writers realized they had four other characters in the main cast they could do something with, and in-universe, Nate accepted that he was a thief, not a special Good Man.

Sophie is sort of a POV character for the first episode of the revival, but only for the first few minutes. Afterwards, the series settles into the groove of seasons 3-5, i.e., the entire crew is our POV. We know our crew, and we love them as is.

Narratively, however, Redemption insists on positing Harry as the POV character, because it is his redemption we are pursuing most vehemently. And I think they really relied on us already knowing the actor - I’ve never seen him in anything before, so to me he was a completely fresh face and they put almost no effort into selling him to me. Beyond being competent and consistently mildly baffled by the antics of the leverage crew, I honestly don’t know who this man is by the end of EIGHT episodes with him. I have a much better handle on Breanna by the end of 1(a), and I can tell you I knew all five of the original leverage crew better by the end of the first episode of the original series than I do Harry. What’s the name of his daughter, John Rogers. Is he still married. How old is the daughter. Why is none of this worth mentioning. Give him a sense of humor that isn’t reacting to other people’s shenanigans. I’m so frustrated. It’s bad writing.

I did manage to grow to like Harry by the end, but I’m pretty sure this is down to Noah Wyle’s charismatic portrayal of an under-developed character, at least partially. And I never stopped being frustrated at not knowing who this man is at all.

The two highlights of the season are undoubtedly episodes five and six. Episode five was the first time I felt like the episode was more than a collection of good moments between the main cast and mediocre moments between the main cast and also the main plot. The issues with pacing and tone that I suffered through for most of the season were mostly non-existent in ep5 and 6, and at least in episode 5 I attribute that to the pared down cast. They had time to focus not only on our actual characters - Sophie, Parker, Breanna - but also on the case. This is the only client from 1(a) I am going to remember next week without googling it first, mark my words.

Episode six worked for the exact opposite reason - it completely disregarded the client and plot and immersed itself in the characters. Breanna gets a moment to shine, but everybody else gets their bits and I wouldn’t be surprised if that was the script that was most fun to write. The characters felt natural, real, and captured the found-family dynamic that’s been missing all season for the first time.

While episode 2 is the weakest episode, I don’t actually have much to say about it. I am disappointed in episode 8. For a mid-season finale, I really expected them to do something. Instead, it was an episode about Nate Ford that copped out of being about Nate Ford (both with fake-Nate and with the new version of him being relayed to us). I would have told the writers to give that energy back to episode 1 and write an episode that’s about anybody who isn’t Harry, oh my God. I know I said I grew to like him but so many episodes were about Harry. He’s the newbie! Why didn’t Hardison get an episode that was actually about him, considering he was only around for two episodes? Why does Eliot have to be the butt of the joke when the theme of the series should directly tie back to him in a much more meaningful way? The last episode parodies their own tagline by saying Eliot isn’t just a hitter, but it deftly avoids noticing that they’ve turned him into nothing more than very muscly comic relief, including in that very episode!

Also, I hated the Marshal. Eliot actively looked uncomfortable around her.

tl;dr

The season took a while, that’s definitely true. But it did find its footing eventually, and by the halfway mark of 1(a) it finally felt cohesive again. The characters were played fantastically even when they weren’t well-written, and if nothing else, the humor landed every time. It still has its kinks and problems to work out, but if you look at it as a brand new show rather than a continuation of one that went off the air over eight years ago, it’s actually doing rather well. I’m choosing to judge it in both lights - according to its own standards, it establishes its identity in episode five; according to Leverage standards, it establishes its connection to its roots in episode six. Either way, I thoroughly enjoyed 1(a), and continue to have high hopes for 1(b).

fic writing will commence in three, two, one...

#leverage #leverage meta #leverage redemption #leverage ot3 #parker leverage #alec hardison #sophie devereaux #eliot spencer #breanna casey #harry wilson #mine

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prettywarriors · 3 years ago

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Ok ill bite whats the worst mg series

alright, whats the worst magical girl series in your opinion?

Thanks you two for letting me do some yelling. The obvious guess would likely be one of the recent edgelord shows right? Magical Girl Site or something similar? But nay I say, for while MGS and Day Break Illusion and such and what not generally tell you what to expect right away. Don't like super violence and suffering? Watch something else is the clear message from the get go. One of the bait and switch series then like Madoka or maybe Yuki Yuna? For what faults they may or may not have, at least these series do something and are interesting, even if you're not huge on what goes down in the series. A parody then? They range from affectionate to banned in New Zealand but regardless of quality and their feelings for MGs, it's a parody. It's a joke and shouldn't be taken seriously (plus they're usually short so you can just forget about them forever).

So what makes a series terrible then, I am sure you are asking. IMO? Setting expectations for an interesting and enjoyable series, and then dashing them to hell.

Come with me below the cut, as I talk about Key Princess Story: Kagihime Eternal Alice Rondo!

Spoilers abound so if you care about those for a 15 year old series, click away.

Background: Kagihime was a 4 volume manga that ran from 2004-2006 that was picked up for a 13 episode anime adaptation near the end of its run. The manga is created by a pair (Kaishaku) who you may know for making Magical Nyan Nyan Taruto. Kannazuki no Miko, and Steel Angel Kurumi, and the anime had a script written by the same writer (Mamiko Ikeda) for Tenshi Ni Narumon who also did some script writing for Princess Tutu and Seven of Seven. The anime also had 6 character music videos which are fairly simple but a nice addition to the series for the main girls. Discotek has been publishing the anime in the states in recent years, and the manga was brought over by *squints at book spine* Dr Master Publications.

The Premise: Girls transform and enter weird outside of reality spaces to fight each other with giant keys to take each other’s stories to create a third Alice In Wonderland story.

Well, an off-brand Alice story written by Alternate L. Takion, rather than Lewis Carroll/Charles Dodgson, that while the series uses all the aesthetic hallmarks of the tradition Alice, the little we see of the in universe Alice story is clearly different. Which is fine, at the end of the day, it’s still about someone who loves the Alice stories and wishes there was more, and even makes his own fanfiction version. His? Oh yeah, while the girls do all the fighting, the main character is Aruto, a teen boy who loves Alice, and for reasons we don’t know till late game, can enter the liminal spaces that the ‘Alice Users’ fight in. He chases a girl who looks like the Alice he sees in his story, who is named Arisu, and gets roped into this fanfic battle royale. He is also the older brother of the very needy Kirihara, who also ends up being and Alice User. As does Kirihara’s bff Kisa. To round out the group of enemies-turned-friends-who-will-work-together-to-collect-the-Eternal-Alice-without-having-to-fight-eachother group is a young genius researcher Kirika who wants to know more about Aruto’s connection that allows him to enter the spaces where the girls fight.

Then there’s all the other girls, some of whom still have real importance to the story and some who have a few panels or 2 scenes total. But with a whole bunch of girls to design, the creators reached out to a whole lot of other people to have them create designs! Eventually the battle gets down to the last few girls, there’s a confrontation with the guy running the whole thing, and while the anime and manga vary quite a bit the whole time, in both version Aruto ends up with Kirihara. Oh and Arisu was created by Aruto’s super imagination powers.

The Promise: Here on is subjective, particularly with what I personally saw as potential from this series. because I need you to understand how much I want to like this series.

~Alice in Wonderland themed: I know some people aren’t alice fans and that’s fine you do you but as a big alice fan this is great. We have a few alice episodes and themed characters amongst series like CCS and MGRP, and even Alice themes in other series like Tweeny Witches and Alice 19th. But damn it I am down for Alice series.

~Giant Keyyyyyyyys: Yeah yeah Kingdom Hearts but these keys are much more staff like for a lot of the characters which ads and air of elegance rather than the KH ones that for me at least feel well designed for big ol props rather than actual weapons. We also get...

~Weapon variety: It counts as a key if it’s a thorn whip that can be shaped like a key right? How about a giant pocket knife? Crossbows can also be keys. Hush. And we have this variety because

~Guest Artists: For magical girl series where we have a variety of outfits designed by different people, we have Kagihime, Uta~Kata, and uhh I guess Magia Record? But that’s a mobile game with a hella number of characters and with how mobile game works I wouldn’t count it just because it’s less the intent of the series to have variety and more the nature of having lots of girls. (Precure doesn’t count because unless I missed a memo each season’s set is still by one designer). If a series isn’t about a team and therefore doesn’t need cohesion, bringing in other artists is a great way for variety and new looks.

~The long term goal: Fighting with other people who love the same piece of media you do in hopes of creating new material that will be viewed as official? That’s just fandom nowadays. But it’s a legitimate interesting concept, and opens up so many doors for a message for the series, be it ‘what you create is no less valuable than the canon work’ or ‘it’s hard to let go when something you love doesn’t have more to it but you can still love it for what it is’ or ‘bond with the people who like the thing you like ya idiot instead of fighting about it’. The concept is interesting and there are so many narrative ways you can take this.

~Gays: Between the anime and manga, we have at least 5 wlw. Is it a magical girl series without some gays? (side note- the manga had a short thing where the MC wears a girl’s uniform and is pretty comfortable in it and while there is no way this was the intent, between that and the emphasis on the stories that live in girls and how the fight zones have no men, I’m just saying, Trans girl Aruto.)

~Greater Fairy Tale Premise: We meet a Little Match Girl based MG who is obsessed with Andersen rather than the Alice books, and touch on a Sleeping Beauty character in the manga. The manga at least implies that classic stories and fairy tale authors uh. Live on in a liminal space as immortals with world warping powers within that world and there could be opportunities for other girls in the real world to fight for Little Mermaid 2: Electric Boogaloo.

The Good: Everything has positive points, no matter how bad it is.

~Character Designs: Some of those looks slap. As do most of their weapons.

~Backgrounds: I have a strong opinion on backgrounds in anime that can be easily boiled down to old watercolor backgrounds good, modern filtered photos as background bad, and as a 2006 series, this might not be Memole nice but they’re quite attractive.

~Splash Pages: Easily my favorite thing after the designs, each chapter’s title page for the manga just has a character standing in a setting. Which is not everyone’s thing I’m sure but it’s a nice simplistic way to let the characters breathe imo. Even if at least some of the settings were deffo traced. But that’s how backgrounds work to some extent? If I ever get to the Met again, I am tracking down this exact photo, but here is a likely candidate for an example.

~Different Versions: I do not understand the need to make an adaptation that tries to be a 1:1. Kagihime had the same ideas and characters and did some of the same beats but very much had a different finale story and a lot of changes in the middle (like the Alice cops in the manga). Again, not something everyone probably wants I’m sure, but I very appreciate this, especially since the Anime kept good pace with the number of Manga chapters (reading the manga again while watching the anime at 3.8x speed just now was very interesting to see the different interpretations of events in a different medium.)

The ‘Fine’: Yeah.

~Anime Visuals: Look 2006 was still early enough into digipaint that I will give it a total pass on these. The colors are too bright but in a very bland way, the lineart is nothing interesting, and the faces are. Iffy. But it’s not total garbage to look at (probably helped by backgrounds and character designs...) it just came out in an era where not enough people knew how to stylize things to account for the weakness of the tools of the time. (It was 4 years earlier but I feel Kagihime is the polar opposite of Chobits with its painfully bland color palette while still being just. Flat. Sorry for the drive by Chii.)

~Music?: There sure were songs. Obviously, they are nothing to me.

The Bad: CW for.... somehow all the big things to an extent.

~Fanservice: Look, I am fine with fanservice, especially for a series that’s, ya know, not targeted at kids, big Mai Hime fan here even if I would recommend skipping the panty thief episode. And honestly the series generally isn’t fanservicey, at least by the modern standards of having the camera choosing under the skirt rather than an over the shoulder shot like I’ve seen plenty in other shows. Even the sexier outfits like the rose whip dominatrix aren’t bad BUT. When the girls fight. One takes her phallic key and drives it into another girls chest between the boobs while the loser cries in pain and then her book comes out and when the victor rips out pages, the loser’s clothes also rip. It is very SuperS Amazon Trio assault metaphor-y. There’s also a bit of fanservice with the sister becauseeeee....

~Incest: If you read the premise up there, first wow good job because I’m sure not re-reading that, you might have noticed I said MC ends up with his sister. As someone who is a big mythology fan and watches plenty of anime, I have a decent tolerance for your obligatory ‘oh we’re siblings but actually cousins so our feelings are okay’ or whatever the fuck Citrus has going on I don’t know that series and I don’t vibe BUT. I have limits and boy did this series go beyond that because multiple episodes are dedicated to the sister being in love with the brother? And the brother returns her feelings but knows that they are wrong so he put everything he likes in his sister into his version of Alice who, of course, physically manifests as Arisu who he creates accidentally with his uh. Magic imagination powers. But again in both versions MC still ends up with his sister. Hey, at least the manga eventually said the boy was adopted when the sister was like, 3, so if nothing else no blood relations? The anime did not ad this. -_-

~Under Utilized Characters: Arisu’s gradual revelation that she has no childhood memories because she isn’t a real person is so interesting and they don’t do nothing with it but also? That’s the kind of thing I personally would love to dig into and Kagihime, while touching on this world shattering revelation, easily loops back to So Anyway She Should Fight For The Man and to hell with developing a life or personality outside of what has been written for her. The rest of the main 5 were 2 note characters which. Could be worse? The most interesting character ends up being the child genius who accidentally murdered her childhood bestie (and/or lover? depending on version) and her coming to terms with that (the friend is alive but the version changes how and why she thinks she’s dead). Then the villain has the motivation of ‘i lost my creativity and now have become an immortal living outside of normal space and am getting girls to fight each other because that’s like a story so I’m still relevant right?’. But shoutout to the anime for then taking death of the author literally. The numerous other girls are canon fodder outside of like. The manga version of the dead gf and the little match girl.

~Battle Royale: This is not a thing I have an issue with generally. Again, but Mai Hime fan, I need to read MGRP 11, BUT by not developing the non-main girls there is no emotional connection which makes them just canon fodder and that’s boring as sin for a royale system. The initial main character fights revolve so much around the MC guy being there that they fall flat, and the 2 or 3 final battles in both versions still feel without any stakes. Also for a royale thing most of the characters don’t actually die, which cool! Neat! Except when they do? Some nobodies and a somebody are murdered (at least in the manga) and the tone never feels like it’s supposed to be upping the stakes, it’s just. Some people are dead now. And do you want to guess which of the main characters died?

~Gays: Oh boy the best friend of the brother-complex sister is in love with her and (in the manga) dies. She does apparently get better for the last chapter but the death itself is only felt by the rest of the cast for a page or two before we go back to feeling sad big brother wants to kiss his mentally generated sister clone rather than his actual sister u_u. Bury your gays is nothing new, but I wonder if it was also intended to be justified because Guess Who Is Creepy and a bit Perverted? Oh look the lesbian keeps the used swimsuit of her beloved and manipulates events to get an indirect kiss and when she sees the sister trying to strange Arisu for a moment she decides to do it for the sister? It’s not good. You want bad gay rep in a magical girl series, well here ya go. We also had a nobody in the first(second?) episode whose story pages reveal her having a kiss with a girl, and then we also have the prodigy again and- in the manga- her. Uh. childhood lover who she thought she killed but the girl has been wiping her mind over and over so prodigy remembers ‘killing’ the friend and not the she’s alive so she can keep? fucking with her? Toxic!

~Sexual Content: But wait you say, you already covered fanservice! Ah but that is sexual content for titilation. This is sexual content for dramatic backstory! The red riding hood character was sexually assaulted, another character was manipulated into sex first as a teen and then more often to ‘get into the publishing industry’, and the same writer forces some aggressive kisses on the MC. None of it is gratuitous which is nice, but also, was it necessary? Not making a new point for this but read riding hood’s dog was also murdered so unnecessary animal death gets tossed on in there.

~Male Lead: You can have a male, non magical character as the main character surrounded by magical girls. This is not how to do it. If I can make a vicious and hopefully not understood reference, Aruto is basically Tate from the Mai Hime Manga. If you understood that, I am so sorry. If you didn’t, congrats! Don’t read the manga. Or do and send me asks about the iconic final page of the first volume (18+). Anyway, this dude is boring, everything revolves around him, BUT I’ll be generous and say at least this isn’t a harem series? It looks like it out of context but it’s just a triangle with a fun attached scientist and token lesbian.

~Premise: They didn’t make good use of it. The initial goals of ‘take other girls pages from their soul books because if we get enough we unlock a third alice book’ is good! And then we add the twist that that was never going to happen and either if we get all the pages we can grant a wish, or these fights are just happening for the amusement of and asshole. Either way, yeah okay I guess. But at no point do we ever achieve this forbidden wish granting book and the asshole just. Lives. Nothing happens to him. His peers don’t even dunk on him. The only real changes from the beginning and the end of the series are: the siblings are now chill with dating, and the scientist lady won’t turn into a child in magical spaces. Oh. Yeah.

~Why did we make this adult a child sometimes?: I think we know why. Stop trying to get those types of folks to watch your already meh series. I also could have sworn at points in the past looking up images for this series I’ve seen extra art for Yuuri the Thumbelina-y Alice User that seemed like it would fit alongside anything by POP. You know, the Moetan guy. If you don’t know, god I wish that were me.

Wrap Up: I have definitely forgotten some points and am well within my rights to ad to this whenever I remember more points but uh. Yeah.

Listen you want an alice themed battle royale with nice outfits? Rozen maiden is right there. Battle Royale magical girl series that’s good with fanservice? Mai Hime. Series with different outfits while being based on a classic story? Pretear.

Hope anyone who read all of this at least got what I was saying, even if they don’t agree with it. And thanks for reading because whoops.

#why do ya'll let me write so damn many words #thanks ya'll for letting me write so many words #kagihime eternal alice rondo #long post #text #not fashion #whoops 3k words

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brachiosaurus-on · 3 years ago

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My commentary & some analysis on the latest episode of The Bad Batch. I actually had positive things to say! This episode's writing was a major improvement and I found the characters felt like characters and they played off each other really well. Perhaps I should give Dee Bradley Baker more credit since he's trying to play off himself?

Warning: Spoilers below the cut

I love how diverse the Twi'lek character models are. If only they could do that for everyone else.

I bet Cham is not mentioning the Jedi because if he does he'll be shot. The thing is, it doesn't feel like an elephant in the room when he doesn't mention them. I wonder if that's intentional.

Hera calling him "Uncle Gobi" is so cute.

Hera's mom is my favorite.

Hera's mom, intimidating: I know you were up to no good.

Hera's mom, asking for the tea: Tell me everything.

I'm 5 minutes in and this is TBB's best writing so far. Actual politics that make sense. No immediately blaring plot holes. Characters are responding to each other rather than reading a stilted & predictable script.

Omg the chunk missing from Crosshair's skull.

Wait why is there a chunk missing? Did he get hit in the head? I thought his face was burned. I'll have to rewatch that scene.

Also, since he's here, and not actively looking for leads on where TBB is, I can only assume that they aren't that high on the Empire's wanted list. Especially considering they've been returning to the same base each episode, and multiple people know how to contact them. Or perhaps the Empire expects Ryloth to be more of a problem so they're using their best sniper.

Cham "another armed occupation is not a free Ryloth" Syndulla advocating for an armed occupation. Wonder what changed his position on that one.

Rampart sounds like he's on 1.5x speed.

Cham's position is a really good position to explore this dilemma, but I'm not sure why he's the one who believes this. It doesn't feel out of character yet, more like the toll of the war made him desperate for peace and he doesn't want Hera to grow up fighting. Whoops, look how that one turned out.

"I want my child to have peace" vs "I want my child to be free" this was a great way to have conflict between Hera's parents.

Hahaha Gobi & Hera are so cute. "I was going to let you fly this time" "FLY???" Lmao he so knows her.

Are these "French" accents bothering anyone else?

This conversation between Omega and Hera is flowing naturally, showing two perspectives of children during the rise of the empire and they both feel true to character.

Hunter telling Ryloth's freedom fighters that they "better know what they're getting into" sounds rather patronizing. They were doing this before he was. They were literally massacred doing this. They know exactly what they're getting into.

Interesting that Gobi doesn't want more clone troops, but doesn't have any opinion on receiving weapons from clone troops. Does he recognize that TBB are clones? The armor should give it away.

I have now learned that no one in the bad batch has a passion for flying. It's just a skill set for them.

One sniper shot from Crosshair's regular weapon takes out an engine... I guess it was well placed? They have established that the weapon can be reconfigured for specialized ammunition.

They're totally going to make a joke about "very exciting landings"

Rampart's interest in Hera is... really creepy.

Is Howzer's chip malfunctioning? Since when do the chips care about children? Since when do the chips allow them to question orders?

There's the Cham Syndulla we know.

Ok Howzer clearly has doubts & uncertainties. He feels like he has personality. But Dave said all the individuality got wiped away by the chips. He even has his clone wars armor when Dave made a point of erasing individual armor in Siege of Mandalore. What is the deal, Dave. Make a decision, Dave. I hope they explain this in the next episode. Who is Howzer and why does he get to be different? Don't get me wrong, I really like him. I wish we got more characters like him in TCW. Also, WHERE IS CODY. Nvm, don't tell me, I don't want to know.

Love seeing regular clones doing things.

If they have TBB come in and save the day I'm going to be salty. These guys are doing great on their own.

Cham "I trust the clones" Syndulla not hesitating to shoot them. There's the Cham we know.

Aww Hera. This writing is so much better than the rest of the show? Why have the writers been sleeping this whole time?

DO IT CHAM.

DEW IT.

YO. THAT WAS UNEXPECTED. Totally believable though. And Cham made a great point about Orn Free Taa putting greed above Ryloth. Finally some acknowledgement of why the Republic actually fell.

Oh Hera's mom is so dead. She's so gonna die in this. I should really watch s3 of Rebels.

The Empire is very smart to recognize the danger of allowing children of rebels to go free. They will come back for you.

Ok I would be slightly more alright if TBB came to the rescue, but I'd still much prefer it if the Twi'leks won this one for themselves.

#tbb #can the writers keep moving in this direction #the empire #imperial era #analysis #ramblings #star wars #cham syndulla #hera syndulla #clones #captain howzer #crosshair #omega #hunter #gobi #eleni syndulla

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brilliantfantasticgeronimo · 3 years ago

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i didn't liveblog the latest episode so let’s get that out of the way so we’re ready for the finale

warning: long and 90% of it is complaining.

william using “bromance” unironically....... rolls my eyes 2 infinity

im so tired of nxyly and lex my god. way to ruin nxyly for me, show. “haha cutesy shipper names” shut up writers cheesy shippers are half your audience.

i love the hypocrisy of kara’s “seize the day” speech to alex meanwhile she won’t allow herself to have fun this whole season except when she’s with lena AND she quit her dream job bc of superheroing. . . .. . the bottle calling he kettle black....

/unpopular opinion but andrea was right lskdjf who tf cares about lex luthors privacy my god. “it’s unethical!” shut up william you have no spine. i bet the guy didn't approve of wikileaks or the pananma papers either.

“you are just as bad as lex” SHUT UP YOU CENTRIST PIECE OF SHIT OH MY GOD. how in the world is andrea and her gossip as bad as a genocidal maniac with super intelligence that wants to end the world every sunday what the fuckkk. get some fucking perspective. dslkfjklsd

sorry guys but this guys did not win my heart even now. staz gave his best but there’s no way to salvage this character.

also this is such a rehash after the leviathan plot lol i can’t believe we wasted so much time on an andrea redemption arc............. literally who the fuck cares

sorry, im pissed today.

“if he is in love there’s no telling what he’ll do for nyxly” you would know about that ms kara “for a friend like you there are no boundaries!” danvers huh

this timeline plot is so confusing. how is them not stopping lex and nxly now not causing... a paradox....sigh... whatever... don't think about it i gues dlksjf

ok but it was always obvious they could get another totem lol mxy said there was a set in every single planet and everyone in this show can travel to other planets like it’s the bar on the next street.... it was always a shortsighted plan idk what they are surprised about. they did not pay attention to myx’s explenation.

oh never mind is not even that is that “they can’t be destroyed”. how convenient that they make up new rules for how these things work every eisode!

the effect of them flying around the dreamscape was a nice visual i don’t care about lex and his emotions i don't care i don’t caaare

so much exposition i’m tired

esme baby

hehe “quirrel”

i’m so happy this show is over tonight. freedom at last.

why is brainny going back now this is so dumb and obviously done to up he stakes there was no foreshadow for this i hate this

why doe brainny “have” to do this.,, is he the only member of his species.

jesse makin diamonds out of this carbon script

this is such a fabricated conflict lol i hate this show

i still think they should have gotten oliver to do these totem voice overs. wasted opportunity.

i’m tired of nxly. way to suck the fun out of a villain. too much damn emotions i wanted HIJINKCS.

“hey bud!” SHE’S SO CUTE lol alex got so defensive shut up alex she was just making a suggestion “it’s not dangerous to be an alien anymore” sure. of course. i mean esme did not face any troubles at all right. i mean you are an alien so you would know right alex?

i get what they are doing with this kind of “trans kids deserve to be themselves” allegory but the way they do it is so stupid. having powers is not like being tranns esme is a little bb with no sense of morality developed yet nor control of her emotions. if she hurts another kid with her powers it is going to be a huge thing and her parents will (rightly) be accused of being iresponsible.

unpopular opinion but alex is an asshole and i never really liked her. shut up you military dog god. you are not the perfect parent the show wants us to think you are.

“you are going back to the future” i wish i was watching that right now.

this drama is so frabicatedddd ddd ughhhhhhhh WHO CARES ABOUT LEX AND NXYLYS LOVE STORY THIS IS THE SECOND TO LAST EPISOOOOOOOOOOOOOOOOOOOOODE *fumes

*abed nadir voice* i remember when this show was about supergirl

hehe lena and andrea’s skype call

who cares about why andrea did if it turns the public’s opinions against lex. i’m so tired of this show and it’s centrist bs i can’t believe i put up with it for 6 years

kara didn’t even suggest hiding esme’s IDENTITY she suggested CONTROLLING HER POWERS

again i get this is like a trans allegory but what it really feels like to me is like a transmed argument that “oh no we cant give kids medication it will suppress their NATURAL SELVESSS wah wah wah”. like that forest episode on that season of doctor who. let people get medicated if they need it for the love of god. this conversation is so blalantly made to make us like william before he dies. im onto u show.

nice job adding william’s indian background at the eleventh hour when it will no longer be relevant!!! you are so progressive show!!! wow have a cookie!!! wow!!!!!

THEY ARE SO STUPID. IT’S OBVIOUSLY THE TOTEM. THE TOTEM IS A ROSE YOU WERE JUST TOLD TOTEMS CAN’T DISAPPEAR AND THE TOTEM DISAPPEARED. WHY ARE YOU GUYS SO DUMB. WHY ARE THESE SUPER-GENIUS CHARACTERS SO INCAPABLE OF CONNECTING THE DOTS.

the suits look cool

also lol no them having kara in her own luher suit paralleling lex. a sacanagem desta serie meu deus do ceu.

I like mitch fight me.

all these suits got me in the mood to play metroid prime (another activity that is better than watching supergirl lol)

at least the animators work hard.

esmas zebra plushiesss <3 WHY IS WILLIAM HERE WHY IS HE INVITED TO THE PARTY. YOU WERE JUST SUPPOSED TO SHADOW IN THE SUPERFRIENDS WORK NOT THEIR PERSONAL LIVES.

“I’m sorry too” you are not forgiven, alex.

lol them doing this superhero identities vs queer people in the closet parallel more explicitly than ever... oh, show...

nxylys i’m tired of being alone... paralleling karas i don’t want to be alone anymore... amazing.

i love nxylx’s lapels. peak style.

the way lex interrumpted the kiss makes me think he is manipulating her

lena’s and brainny’s yearning looks... interesting cinematographic choices.

kara you huge-ass pansexual dork

everyone is looking quite fly at this party

if they don’t find a way for brainny to stay in the present i’m gonna be so pissed lol

like it-s not like they couldn’t have done this tragic twist. that’s not the problem. the problem is leaving a twist like this for the second to last episode with no build up previous and also not justifying the merging with big brain with anything but words / empty exposition. it’s such empty drama.

heh, great brittish bake off mention. lol them traumatizing super-hearing esme with this death. way to go show.

the tower’s security system vs star labs security system who wins in a fight

am i supposed to believe there-s no alarm system in the tower...like some kind of red button william could have pressed.... some big bat signal... anything.unpopular opinion but william not calling for help was so selfish of and shortsighted. dude you have superhero friends that were looking for lex and could have gotten there in less than a second (superspeed). he wanted the glory of being a martyr. i do not feel sorry for this guy sorry fandom.

alex and kelly never showed a picture of nxylx_ their biggest enemy_ this show really thinks we are idiots...

i wish he HAD leaked his journals that would give this scene more power.

fandom> “pls dont make this last season about lex” show> “we’re gonna give lex the most screentime ever and also a vulnerable love story!”

lmao william is so vindictive he used his last words as a fuck you to andrea. rip mary i guess. how can people like this character

how convenient they only connected the re: the totem until it was too late.

and now alex was proven right and kara wrong that they shouldn’t have gotten a day off lol

people were right this is one of the worst episodes in the series lol

#supergirl #JUST ONE MORE TO GO #AND WE'LL FINALLY BE FREE #fandom wank #negative #i rolled my eyes so much this time

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rachelbethhines · 4 years ago

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Tangled Salt Marathon - The Return of the King

So we’re back to the quasi-filler stuff. This episode does set a few things up for the finale, like bringing Edmund to Corona, but none of those things are actually good and it’s still mostly filled with irrelevant shit alongside the more important stuff.

Summary: King Edmund arrives in Corona to see his long-lost son, Eugene, and to give him the royal sash of their bloodline. Eugene wants nothing to do with him, but Rapunzel invites him to stay. Later, the sash is stolen and a ransom note is left behind. Edmund and Eugene decide to go and retrieve it. Meanwhile, the Stabbington Brothers plot revenge on Eugene as they are both viewed as a joke by the other criminals.

So How Did the Stabbingtons Escape the Prison Barge

Last we saw them they were stuck on a prison barge along with Lady Caine and all of the other season one villains. How did they escape? Did Lady Caine or anybody else make it out? If so then where are they this season?

We’re not going to get any of those questions answered are we?

Man this is just sloppy continuity. Which ironic, because these two were only brought back this season because of continuity. They need to be “redeemed” so that they can be at the wedding. I guess it just sucks to be you if you’re an original villain for this show and not named Cassandra.

Why Is This Deserving of Ridicule?

Like...We’re talking about a world renowned thief and adventurer and his magical royal girlfriend who are well known enough outside of Corona to be mentioned and there for no doubt people know how they both defeated monsters, daemons, and several criminals besides just there two guys, right?

This plot point makes no sense.

You could just kick these dumbasses butts and be done with it. I doubt they’d bother picking on you again if you did.

Did we really need even more motivation for them to want revenged against Eugene?

Rapunzel is Back to Being Her Bossy Self

Rapunzel has not earned the role of “wise administrator” yet. She’s only been out of the tower for two years now and she has yet to prove to the audience that she has managed to learn anything since then. By jumping the gun and forcing her into a role that she hasn’t grown into, and by ignoring that this whole show started out as a coming of age story, it just makes Rapunzel unpleasant to be around. All her “advice” is just her ordering people about with a veneer of chipperness to try and mask her controlling nature. People who should know more about their own lives than she does and have no reason to listen to her.

So We’re Showing Rapunzel Being Responsible... By Having Her Avoid Responsibility?

Part of why the writers made her “acting queen” for the first half the season was to get her to grow into the role of becoming full time queen. However they screwed this up by not having her actually learn anything and having her avoid the real duties a queen preforms.

What Rapunzel is doing her is just being a socialite busybody. The only administrative thing she does is approve some low-scale building plans for a small business. A thing that would have been handled by a lower official in an actual functioning government.

Once again Rapunzel is being selfish and doing what she like, ie bossy people around while having them kiss her ass, as the real work of running the kingdom is left to someone else. This isn’t being responsible, it’s being hypocritical, but don't expect anyone to ever call Rapunzel out for this.

Pointless Action Scene is Pointless

At this point, the low stakes action sequences are just cringe. Like is this an adventure show or not people? Stop forcing crap like this and give us some real conflicts instead.

How Did You Get Here So Fast Edmund?

It took Rapunzel and company nearly a year to get to the Dark Kingdom. Even if Edmund wasn't delayed with pit stops like they were, it would have still taken him several months to get here by horse.

Did he take a boat, or have four to six months already past since Rapunzel’s Return?

I would argue that this episode was aired out of order and should have been later in the season, but Cassandra’s appearance at the end of this story, and Hamnuel’s appearances in later episodes, would suggest otherwise.

Crap like this is why season’s three timeline doesn’t work unless you stretch everything out to two years instead of one.

Read the Room Rapunzel

One could argue that Rapunzel is just trying to be polite, but that doesn't really hold water.

For starters Eugene is clearly upset and has every right to want to set boundaries between himself and Edmund. Ignoring that is incredibly rude and if my significant other ever did such a thing, well they wouldn’t be my significant other for very long.

Secondly, Rapunzel could have offered other accommodations if she felt pressured to be polite to Edmund. Not only are their lots of inns in a port town known for trade, many of which are probably well-to-do, but there’s also that convent that was mentioned back in season one. It has to be somewhere in Corona itself and as the so far only mentioned major religious organization in the country it would no doubt have stately quarters for when royalty and nobility would visit.

So not only would it be a suitable place for a visiting king to stay in, as it would be made for such things, but it’s also far enough away that Eugene wouldn’t feel like his space is being invaded but close enough that Edmund could come and go as he pleases.

By that point it’s still between Edmund and Eugene and Rapunzel can stay out of it, like she should.

Eugene is Right

These are all valid reasons for cutting someone out of your life. Furthermore, you don’t even need a reason. If you don’t want to associate with somebody then just don't associate with. It’s your life. You don’t have to justify how you choose to live it and people who actually care about you should respect that.

Unfortunately no one respects Eugene.

Not Edmund, not Rapunzel, and most certainly not the writers.

Then Why Don't You Get Closer to Edmund, Rapunzel?

I understand Rapunzel’s viewpoint here. Edmund is the only person she’s ever met who has experienced the same isolation that she has. He’s one of the very few people whom she can empathize with.

However that doesn’t give her the right to force her views upon her boyfriend. If she cared so much than she could just befriend Edmund herself and leave Eugene out of it.

Trying to encourage a child to have relationship with a parent who neglected them is super tone deaf at best and outright disrespectful at worst. It’s also highly hypocritical seeing as Rapunzel cut Gothel out of her life for similar reasons and Eugene only ever supported her for it.

No really, flip the situation. If Eugene tried to encourage Rapunzel to give Gothel a second chance everyone would be slamming him for it. So why does Rapunzel get a free pass?

Shorty Already Did That, Eugene. Don’t You Remember?

I mean, you were literally right there when it happened. Are we forgetting season two the same as season one now?

So Why Are Stan and Pete Suddenly Back, But Not Cap?

I mean we went through all that trouble in Rapunzel’s Return to write them out of the narrative and here they are without any explanation. Why are simple set ups so dang hard for this show?

Rapunzel is Overstepping Her Bounds Here

Ok, giving Edmund a place to stay is one thing. Suggesting to Eugene that he should give Edmund a chance is not appropriate but still forgivable. But this?

This crosses a fucking line!

Eugene is not Rapunzel’s subject. He’s her boyfriend, and a prince in his own right. Rapunzel can’t just volunteer him for crap without his consent. That’s just indirectly ordering him about like she would a servant.

Once again, flip the script. If Eugene tried to force Rapunzel to work with Gothel everyone would be up in arms. Why is this then deemed okay?

This is Coercion

Not only is Edmund and Rapunzel trying to guilt trip Eugene here but she even fucking elbows him!

Like this isn’t “cute couple bickering” here. That kind of stuff is reserved only for inconsequential shit.

This a woman trying to strong arm and guilt trip her husband to be into having a relationship with his abusive father! Because guess what? Neglect is still abuse!

Rapunzel has zero say in Eugene and Edmund’s relationship. It’s none of her fucking business! Trying to force her into this plot just makes her look like an asshat.

I mean look at this smug smile! The fucking bitch is proud of being a shit human being and a terrible girlfriend.

And of course don't expect the show to call out this behavior as wrong because of out of date sexist double standards. If you think any of this is okay then just role reverse Eugene and Rapunzel here and then tell me its still alright.

The Show Missed a Real Trick By Not Naming Him Horus Instead

Horus, the sun god, would have been a nice bit of irony and given meaning to the name while keeping the joke virtually unchanged. You could have had both lore and a punchline.

And I would argue that the joke as is, isn’t even funny. Horace is indeed a lame name, but not for the reason that the show gives. It’s lame because it’s not unique enough. There’s already a Disney character named Horace and I’m sure there are real people out there with that name as well since it’s not completely unheard of. So the joke falls flat and winds up insulting anyone with that name.

Don’t Expect Any Pay Off for Eugene’s Identity Issues This Season

Yeah the show makes a big deal out of Eugene having a mid-life crisis through out season three, but then never resolves it in any meaningful way.

Edmund Is an Asshole

I don’t care how “crazy” he is. Calling someone by a name they don't wished to be called is just plain rude. Acknowledging someone’s preferred name is just a basic common courtesy that is expected of everyone. Once again, this isn’t funny, quirky, nor charming, just unpleasant.

So the Animators Wasted a Model on a No-Named Character Who Only Appears Once

Someone said this little girl appears in season one, but it’s not noticeable if she does. She also doesn’t have a name and this is her only speaking role. What a waste of money. Just have one of the braided girls from the movie instead. You already built models for them and haven’t really used them.

And before some mentions race here, this is poor rep already cause the character has no impact.

Turns Out, Varian Didn’t Even Need Those Truth Serum Cookies

Not only does this dumb down Pete to a ridiculous degree, but it also invalidates everything Varian went through in The Alchemist Returns and the grief he got from everyone for using the truth serum.

Oh, and it’s also lazy writing and a plot contrivance.

That’s Not Figgy Pudding!

This is Figgy Pudding.

It’s a boiled “pudding” that’s more like a cake with dried fruit in it. During the 14th through 18th centuries such bread puddings were made to be carried around in ones pocket or knapsack for eating on the go. They’re nothing like the creamy custards we call puddings today.

It also looks nothing like what’s shown on the screen below.

That’s like a half eaten loaf of wheat bread?

That’s jelly filled .. apparently...?

Once Again, If You Have to Make Everyone Else Incompetent to Make Your Hero Useful to the Plot Then You Need a New Plot

Rapunzel has zero business in this plot. She doesn’t even need to be in this episode beyond a cameo. Trying to cram her into the protagonist role in a conflict that doesn’t involve her is just a disservice to everyone.

Winnie The Pooh Is More Mature Than This Show

More of that meta commentary I was talking about last episode, and it just as full of shit as ever.

Seriously Find Her, Keep Her is the best script I have ever seen in any show. It’s perfectly balanced so that anyone of any age can relate to it. It’s real and heartbreaking and perfectly suitable for small children to understand. There’s no shock value, no darkness, no modern satire, but its far more mature and complex and deep than anything TTS has tried.

Also Rabbit is a far better father than any dad in this show, while still being cut from the same trope. There’s no shame in being a children’s show when its done well and this now 30 year old kids show runs rings around what ever mess Tangled is trying to sell.

Eugene Isn’t Exaggerating Here and I Don't Know How to Feel About That

Turns out Eugene did grow up with these guys the same as he did with Lance. It’ll be confirmed only two episodes later. That just recontextualizes everything. He didn’t just betray some rando guys that he held no feelings for, he betrayed people that he’s known and worked with since childhood.

Now just because he’s known them doesn’t mean that they were family to him like Lance, but like the fact that he keeps claiming then as such through out the episode would suggest that perhaps they were like siblings.

That’s ... ingenious. That makes Flynn Rider retroactively an even worse person and gives the Stabbingtons real reason for vengeance.

Only the show doesn't do anything with this! It just makes Eugene an even bigger jerk in the movie for zero reason.

Let Me Reiterate, Edmund Is an Asshole

Just like with Frederic, Cassandra, and Rapunzel the show uses framing to try and make the audience side with people who do unforgivable things.

Edmund is an abuser. He neglected his own son for 25 years. But the show presents him as “funny” and “quriky” and “look at his pouty face, he’s so lonely”....

No!

Edmund isn’t deserving of anything and how he treats Eugene here is garbage.

This show is utter crap writing wise but boy does it know how to gaslight its own audience into siding with bullies and abusers.

Eugene Is One Thousand Percent In the Right Here, But Don’t Expect the Narrative to Acknowledge That

There’s nothing you can do to make up for that.

Eugene might forgive him. Eugene might move on from it. Eugene might decide a relationship it still worth having with Edmund. But the horrible thing still happened and it happened because Edmund allowed it to happen. There’s no going back from that and everything going forward has to be on Eugene’s terms alone.

But the narrative won't allow Eugene that agency.

Even as he makes his grand proclamation about being done with Edmund the cameras chooses to focus on Edmund and his feelings. The story is already priming the audience to prioritize Edmund over Eugene so that when the forced and contrived forgiveness scene comes we won't question it. But it only comes because Chris doesn’t deem Eugene as individual person with thoughts and feels of his own, but as an avatar to fulfill his wishfulment fantasy regarding his own personal daddy issues.

Rapunzel’s Characterization in Season Three is Just....Off

Ok, even ignoring the major stuff, like not recognizing what she’s done wrong, putting her into roles she’s not meant to carry, and making her a shitty girlfriend suddenly, Rapunzel just behaves contrary to her character all through out season three even in small subtle ways like here.

On the surface this seems like a clever call back to Great Expotations, but lets examine more closely, shall we.

On one end we have yo-yos; an invention that’s been around since ancient Greece and is so wide spread across the globe that the word “yo-yo” itself is theorized to come from Indonesia and the Philippines.

On the other end there is Rapunzel. A woman who spent 18 years isolated inside of a tower, because of this she is both ignorant of somethings and insatiability curious and eager to learn. Or at least she was, until striking out onto a year long road trip, and having now been out of the tower for only two years, claims to know better than the entire fucking world about this object who’s existence she didn’t even know about until only a year and half ago!

Like what kind of sense does this make? Why would you abandon the core of her drive and motivation, to learn, explore, and grow, and then call it “development”?

How Did Edmund Get Beat By These Guys?

Edmund took out Adria. The Brotherhood is suppose to be the best physical fighters in this world and Edmund is supposed to be best out of all of them. Yet he’s taken out by two random, mediocre dudes who didn't even jump him. They gave him time to respond and he stood up to fight them.

Was all his physical prowess tied into that axe? Is the axe magic?

If you characters have to be depowered for unexplained reasons for the plot to work than you haven’t a good plot.

This Isn’t as Heartwarming as You Think It Is Show

If Edmund knew where Eugene was this whole time then he could have actually provided for his son. He could have arranged adoption with someone by letter, sent money, food, clothes, ect, maybe even wrote to Eugene directly and kept up a long distance relationship to be there for him emotionally.

There is literally no excuse anymore for Edmund to hide behind. He literally neglected his duties as a parent, just cause.

Finding these things shouldn’t make Eugene happy. Finding these things should piss him off even further because that’s how any logical adult would respond to this bullcrap.

I sure know I’m angry. I’m angry that Eugene is a pawn for the creators’ writing wank-off rather then being treated as human being; as an actual character.

“Nice” Isn’t the Same Thing as Kind, Rapunzel

One could argue that she’s not even superficially nice in season three, but the real problem here is that the show, and by extension Rapunzel herself, doesn’t understand the difference between being “pleasant” and actually being a good person. Outwardly polite people can stab you in the back, can kill you even, and not care, as Rapunzel has demonstrated repeatedly since season one.

Do They Have to Be “Family” for Eugene to Give a Damn?

Can’t Eugene just do the right thing, because it’s the right thing to do? People don't need to be friends and family to care about each others lives. Kindness isn’t transactional. Empathy and true charity doesn’t come with strings attached. If Eugene’s whole arc is about becoming a better person, then making the Stabbingtons “family” kind of undermines this.

Don’t Reward the Dude for Doing the Bare Fucking Minimal

No seriously. Edmund forfeited the right to ever be called “dad” by Eugene a long fucking time ago. He doesn’t get to be called that now just because he stopped being a piece of scum and showed the bare minimal of human decency. Even if Eugene decides to have a relationship with Edmund after this, it doesn’t mean that he has to be recognized as his dad or that that relationship will be a parental one.

Eugene, and by Extension the Show, Places Rapunzel Upon a Pedestal to the Detriment of All

Only 4 villains out of 20 get redeemed in this show. Four, and yes I’m counting the Stabbintions as one entity here. That’s 16 times Rapunzel failed to give someone a second chance just cause she didn’t feel like it that day, and even here she did fuck all in trying to give the Stabbingtons any sort of chance. That was all on Eugene.

The more this show goes on, the more it looks like Eugene is just in love with the idea of Rapunzel rather than who she actually is as a person. It’s a disservice to both their characters but it damages Rapunzel most of all because the show perpetuates this over idealization to everyone she interacts with.

It’s really sickening to watch and terrifying to know that some uphold this selfish brat as a “role model” for little girls. There’s nothing empowering in being an inhuman “goddess” who can do no wrong....even as they do several wrongs and never gets called out on it.

This Isn’t “Cute”

Eugene can’t even have an opinion on a fucking toy!

Look if you still like New Dream despite how horribly written it is this season, then good for you. That is completely understandable, especially since this is mainly a problem with season three and not really in the first two seasons and certainly not in the movie.

But if you try to deny that they aren’t toxic in season three, that people who do have problems with how they’re written aren’t valid in their concerns, than you’re either someone who hasn’t been paying attention or someone who has gross double standards for women in relationships.

This Scene Is A Waste of Time

This doesn’t tell the audience anything. It contradicts what was previously established concerning her powers without explanation and then just throws the creepy girl voice in there for a lazy hook. It doesn’t work at foreshadowing since we repeat this info all over again in the next episode and it doesn’t expand upon neither Zhan Tiri’s nor Cassandra’s characters.

In fact it kind of contradicts Cassandra’s characterization in the last episode as well. Is she a remorseless bad bitch or a vulnerable woobie? She can’t be both. Not in the way show is going about it anyways.

It’s poor time management and poor storytelling.

Conclusion

It was mildly better than Rapunzel’s Return, but that’s not saying much. Everyone’s character is still circling the drain and there’s no escape line in sight.

But before I close out, here is a real world update. I had to quit my job at Amazon for personal reasons and am currently job hunting. I’m not hurting right now, I do have money saved up to cover me for at least a month and I’ve been doing commissions here and there, however despite having more time technically to write these reviews, I’m now having to juggle it along with artwork and job hunting.

If you would like to support my reviews and other personal projects you can send me a tip over at Ko-Fi and more public commissions will be opening soon over there as well.

https://ko-fi.com/rachelbethhines

#eugene #anti-rapunzel #anti-tangled #tangled #tangled the series #rapunzel's tangled adventure

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tigerandbunnyftw · 4 years ago

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In lead up to Season 2, Namco Bandai Pictures have been releasing comments from the staff involved with this new season, known as the “Staff & Cast - Comment Relay”.

These comments are released on the first day of every month over on the T&B twitter, and full posts are over on the T&B website (Japanese only).

So far 7 comments have been released from both the staff and cast, starting with series’ character/hero designer, Masakazu Katsura!

Please note that I am paraphrasing the first two comments, so any lovelies willing to help translate the first two comments (or just help in general), let me know!

(Series’ Character design / hero design) - Link Katsura has been focusing hard on the character design, specifically for the new Hero suits for Wild Tiger and Barnaby, referred to as “Style 3“. The theme is “standard and fresh” looking. So please look forward to it!

(Series composition / screenplay / story director) - Link

Nishida confirmed that there was history of starting and stopping the project over the last 9 years. So he was worried whether the project would actually take shape one day, but was uplifted when the higher staff finally gave the green light.

Nishida feels that T&B is a work created by the power of all the cast staff and the support of the fans. He wrote something that they found interesting and hopes that fans will be pleased with it.

He ends the comment by saying, the sequel will be announced more than 10 years after the original work. Tiger, Barnaby, Nathan, Karina, Antonio, Keith, Paolin, Ivan and friends. He hopes that we will enjoy and accept all of their changed and unchanged parts, and think that the enemy characters in this season will be slightly different, than those who appeared in the original series and movies.

The following 3 comments were translated by anon over on 4chan (thank you!)

(Screenplay writer - (TB episodes 15 & 23, “T&B The Comic” writer with illustrator Ueda Hiroshi manga, Hero's Day videogame, Double Decker screenplay writer) - Link

>Q: How did you feel about receiving an offer to participate in the Tiger & Bunny 2 production? >EY: It's a great honor to once again become part of the writing team. The series is very special to me - you could say it made me who I am today, since I've been with for so long. From the original TV show, the manga series I wrote with Mr. Ueda, the game, or the recitations, the series has taught me a lot. >When I first joined the writing team for the first season, Barnaby and I were both rookies, but now I'm a something of a mainstay, not unlike Kotetsu. I dearly wish I can now return the favor to the series using the experience I have gained over these years.

>Q: Is there anything you particularly focus on when writing the scenario? >EY: I want Taibani to be a series that makes people happy and gives hope to those watching it. That said, I emphasize the growth and change the heroes have gone through over the course of the first season and the movies. After all, more than a decade will have passed since the first season aired. As time passes and worldviews shift, I intend to depict both things that never change and things that have to change. >Q: Please tell use your message for the fans waiting for S2. >EY: It is your long-lasting love and support that has allowed us to weave this story about the heroes once again. For this, you have my heartfelt thanks. I think the fans understand what I mean when I say the series has been a part of our life. I can't wait to share and experience the new Taibani story with you all. >Let us stay safe, so we can enjoy the new season in sound health and bright spirits.

(Screenplay writer - T&B episodes 6,8 & 18, V-Residence T&B web VN, usually a live action actor)

>Q: How did you feel about receiving an offer to participate in the Tiger & Bunny 2 production? >NK: "Wait, we're doing this? Really? Oh wow...." >I also thought, "Hmm, it's been almost 10 years, so things can't change too much, but they also can't be too static". >And then I was like "Alright! I'm just gonna write what I think is interesting and I'm gonna write the hell out of it!" >Q: Is there anything you particularly focus on when writing the scenario? >NK: I'm really careful to make sure I can hear the character's voice in my head when I writing. The series' characters have very strong and distinctive voices. >Q: Please tell use your message for the fans waiting for S2. >NK: It's a sequel that comes after more than a decade. I think the very fact that T&B has so many fans who have loved and waited for it so long is a miracle and I am very grateful to you all.

>With the corona pandemic going on, I feel like we can't spend as much time just enjoying things with others. So I really wish that S2 will be something for us to band together and enjoy as one. It's great that we can once again watch the same work and share the joy and hype on social media, just like we did before.

(Screenplay writer - live action screenwriter e.g. Kamen Rider/ Kakegurui live action movie)

>Q: How did you feel about receiving an offer to participate in the Tiger & Bunny 2 production? >MT: My hands were literally shaking, I'm serious. When the first season aired I was still in high-school, getting together with my friends after lessons and going "Wow, this week's T&B episode was awesome!". >Joy, sense of responsibility, excitement, pressure... It all came crashing on me together, so I just kind of started twitching. >Q: Is there anything you particularly focus on when writing the scenario? >MT: I mustn't betray the fans' expectations. At the same time, however, I must write a show that even people unfamiliar with the franchise can enjoy. It can't be just a doujin. It's not a vehicle for my ego. More than anything, the show must be fun and interesting. Writing the show felt like threading a microfiber cloth with a micro-sized needle. >Q: Please tell use your message for the fans waiting for S2. >MT: There are very few series that have been loved as long and as deeply by so many people. And I believe we have created a work that can take and embrace all that huge amount of love head on. >Please wait just a little while longer.

>Q: Please tell us your feelings after receiving the production announcement of "TIGER & BUNNY 2". >HH: Every corner of your muscles is always OK! >Q: Please give a message to the fans who are waiting for your work. EDIT - Thanks coolboxofcandy for the suggestion.

>HH: Get ready to roar at your fullest!"

>Q: Please tell us your feelings after receiving the production announcement of "TIGER & BUNNY 2".

>MK: As one of the performers, I'm really happy to decide on the sequel, but as one of the fans, I can't help but wonder if various mysteries that haven't been solved will be solved.

Just like before, I wondered if I could enjoy the moment of reading the script with excitement, and I'm looking forward to it! I want to start recording soon!

>Q: Please give a message to the fans who are waiting for your work. >MK: Actually... I read the script of the first episode first!

“Well! That 's right!"

"Wow ! That person is that!"

"I see! That's right!"

It was the first episode full of surprises. I'm already worried about future developments! Fans, this is an incident! Please look forward to it!

And those were comments that have been released so far. Look forward to more comments in the future!

#tiger & bunny #tiger and bunny #anime #tiger & bunny 2 #translations #translation #season 2 #news

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drivingsideways · 4 years ago

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k-drama rec list

Prior to 2020 I’d maybe watched 2 k-dramas in my entire life, but this year I got sucked in, thanks to some great recs, and y’know, *gestures * everything.

I think I’d held off watching kdramas because my impression of them was limited to romances that I didn’t enjoy at all. But this was the year I discovered the equivalent of “gen fic” kdrama- dramas that had wonderful ensemble casts, strong story lines that weren’t entirely romance focused and also a variety in terms of themes and styles. A big plus was that I found so many of these dramas had women leading the writers’ room, and seeing the effect of that in the story telling. (Notable exceptions: a certain “star” writer who should please stop inflicting her badly written, formulaic crap on the world, yes Kim Eun-Sook, I mean you, and whoever wrote that trashfire Flower of Evil)

So here I am with my own rec list! Caveat- these are mostly not the dramas released in 2020, I’m still playing catch up! :)

Under the cut for length

My Mister/ My Ahjussi (2018, Written by Park Hae-Young, Directed by Kim Won-Seok, starring Lee Sun-kyun and Lee Ji-eun aka IU)

This was definitely my absolute favourite of the shows I watched this year across western/ asian media. It’s a story about the thread that binds us all and the ineffability of human connection. It’s also a story that deconstructs ideas of masculinity and honour and shame in a non-western context, but with an extremely compassionate touch. It’s a story that doesn’t shy away from showing the consequences of material and spiritual poverty; and how one can so easily feed into the other. It’s a love story that isn’t a romance, except that it’s a Romance. It’s about finding salvation in one another and in the kindness of strangers. It’s about choosing life, and picking yourself up off the floor to take that one last step and then the next and then the next. The one quibble I have with the series is that it could have been better paced, it does get extremely slow after the half way mark. But god, do they land the ending. Both Lee Sun-kyun and IU turn in absolutely heartbreaking performances, and fair warning, be prepared to go through an entire box of tissues watching this series.

Life (2018, written by Lee Soo-yeon and directed by Hong Jong-chan, starring Lee Dong-wook, Cho Seung-woo, Won Jin-ah, Lee Kyu-hyung, Yoo Jae-myung and Moon So-ri.)

Medical dramas are very much not my thing, and I wouldn’t have taken a chance on it except that @michyeosseo said I should, and she was right! It’s a medical drama in the sense that it’s set in a hospital, but rather than a “case-fic” format, this is actually a sharp commentary on the corporatization of health care, and the business of mixing, well, money and what should be a fundamental human right. Writer Lee Soo-yeon was coming off the global success of Stranger/Secret Forest S1 when this aired, so I understand that expectations were probably sky-high, and people were disappointed when this show didn’t give them the adrenaline rush that they wanted. On the other hand, I thought that this outing was really much more nuanced in terms of the politics and also how the ending doesn’t allow you the luxury of easy-fixes. This show has a great ensemble cast, and while it took me a while to get used to Lee Dong-wook’s woodenness (i ended up calling him mr.cadaver after watching this and was surprised to learn that he’s very popular?), in the end I was quite sold on his version of angry angst-bucket elder-sibling Dr.Ye Jin-woo. His best scenes were with Lee Kyu-hyung who turns in a lovely, achy performance as the paraplegic Dr. Ye Seon-woo who just wants to live a normal life. The love story between the two brothers is actually the emotional backbone of the story, and I think they landed that perfectly.

My one quibble with writer-nim is that she ended up writing in a forgettable and somewhat (for me at least) uncomfortable romance between the characters played by Won Jin-ah and Cho Seung-Woo. I think part of my uncomfortable-feeling was that I got the strong sense that the writer herself didn’t want to write this romance, it was as if she was being made to shoe-horn it in for Studio Reasons, and she basically grit her teeth and did the worst possible job of it. I do wish we could have absolutely had the OT3 of my dreams: Moon So-ri/Cho Seung-woo/Yoo Jae-myung like, c’mon TV gods MAKE IT HAPPEN, just...look at them!!!!

Anyway, that apart, I think this was a very engaging series, and by engaging, I also mean thirst-enabling, see below.

Stranger (aka Secret Forest or Forest of Secrets) S1 & 2 : (2017-, Written by Lee Soo-yeon, directed by

2017′s smash hit aired a much anticipated second season in 2020, and I managed to catch up just in time to watch that live, so that was thrilling :D . Writer Lee Soo-yeon mixes up thriller/office comedy/political commentary in an ambitious series. I think S1 is more “exciting” than S2 in terms of the mystery and pacing, but S2 is far more dense and interesting in terms of political commentary because it takes a long hard look at institutional corruption and in true writer-nim fashion doesn’t prescribe any easy solutions. Anyway, please enjoy public prosecutor Cho Seung-woo and police officer Bae Doona as partners/soulmates kicking ass and taking names in pursuit of Truth, Justice and just a goddamn peaceful meal, along with a stunningly competent ensemble cast. Also yes, Han Yeo Jin is a lesbian, sorry, I don’t make the rules.

Search: WWW (2019, Written by Kwon Do-Eun, directed by Jung Ji-hyun & Kwon Young-il, starring Im Soo-jung, Lee Da-hee, Jeon Hye-jin)

GOD. Where do I start? +1000 for writer Kwon Do-Eun saying “fuck the patriarchy” in the most grandiose way possible, i.e. absolutely refusing to acknowledge that it exists. Yes, this is that power fantasy, and it’s also a fun, slice-of-life tale about three women navigating their way through work, romance, national politics and everything in between. It’s true that I wasn’t entirely sold on the amount of time spent on the romance, and I really wish they’d actually had a textual wlw romance, though the subtext through the entire series is PRACTICALLY TEXT. But still, it maintains that veneer of plausible deniability and I think queer fans who are sick of that kind of treatment in media have a very valid grouse against the show. On the other hand, personally I felt that the queer-platonic vibe of the show is very wonderful and true to real life, and it was only reinforced by the ending. This is a show written by a woman for women (like me), and it shows.

Hyena (2020, Written by Kim Roo-Ri, directed by Jang Tae-yoo & Lee Chang Woo, starring Kim Hye-soo and Ju Ji-hoon )

Those of you who’ve been watching hit zombie epic Kingdom are probably familiar with Ju Ji-hoon’s brand of sexiness already. I had not watched Kingdom and got hit in the face by Mr.Sexy McSexyPants’ turn as a brash, privileged-by-birth, up and coming lawyer who gets completely runover by the smoking hot and incredibly dangerous fellow lawyer/competitor from the other side of the tracks in the person of Kim Hye-Soo. When I say they set the room on fire, I mean it, ok. Every single scene between these two is an actual bonfire of sexual attraction and emotional hand grenades, and they’re both absolutely riveting to watch. “Flower of Evil” wishes they had what this show has- an actual grown up romance as opposed to a thirteen year old twilight fan’s idea of an adult romance.

The “lawyer” shenanigans and the “cases” are hit or miss, and I think the occasional comedy fell flat for me. But that’s not why I mainlined like 6 episodes of this series overnight like a coke addict, and that’s not why you’re going to do it either. It’s so RARE, even in these enlightened days to find a female character like Jung Geum-ja: hard as nails, unapologetic about it, and not punished by the narrative for it. The best part for me is that she feels like a woman’s woman, not a man’s idea of what a Strong Female Character should be. Anyways, when I grow up I want to have what Kim Hye-soo has ok?

Other dramas that I watched this year, quickly rated:

The King: Eternal Monarch (3/10 and those 3 points are only for the combined goodness of second leads who deserved better- Jung Eun Chae, Woo Do Hwan and Kim Kyung Nam. Please head over to my AO3 and read my attempts to fix this garbage fire and rescue their characters from canon)

Flower of Evil (-10/100, dont @ me)

Tale of the Nine Tailed (5/10, I think it succeeds at what it set out to do, which is a light hearted, sweet fantasy-romance-melodrama, plus “second lead” Kim Beom will make you cry as the hot mess of a half human/ half fox spirit ALL TEARS character. I think if you’re into kdrama romances as a genre, this is probably a good bet?)

Signal (7/10, This was the first full kdrama I watched this year and would definitely recommend. It’s a police procedural with time travel shenanigans and has an engaging plot, good pacing, texture and compelling performances. My one disappointment with it was the way they wrote Kim Hye-soo’s character. As literally the only female character to survive in any way, she was given short shrift, and toward the end it really began to grate on me.)

Six Flying Dragons - (7/10, also would recommend if you’re interested in Korean historicals. It definitely already feels a bit dated in terms of styling and production values, and even scripting and acting choices. But it has a good balance of fantasy and history and political commentary. I was not a fan of Yoo In-Ah’s performance in this series, but it’s not anything that would make you want to nope out of the series. It’s GoT , if GoT was thoughtful about politics and characters and not the misogynist, racist trashfire that it became.)

My Country: The New Age - (3.5/10, and that’s 3 points to Jang Hyuk’s fan and 0.5.points to Woo Do Hwan’s heaving bosom. If you like your historical drama/fantasy with very pretty men, very gay subtext -seriously RIP to show makers who thought they could hetero it but didn’t account for Woo Do Hwan’s Tragic Face- lots of blood and tears and very nonsense plot, this is right up your alley. I probably would have enjoyed it more in other circumstances, I think? But this one just annoyed me too much at the time!

I have a couple of more dramas to watch on my list, that’ll probably carry me over into 2021, so see ya on the other side! :D

#k-drama #kdrama rec list #2020: A YEAR #i'm a queue for you

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lucidpantone · 4 years ago

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I really hate the crew of wtfock for what they did to me. I was such a fan of the show since s1, I found happiness in every clips, every posts on insta, I found amazing people on tumblr, twitter, but everything went downhill in s4, I could not accept Kato as a main, I'm a proud black girl and this season broke my heart to the max. The inexcusable racism, the hidden hate towards POCs on social medias, the silencing voices... I even started to dislike some actors for being friends with Romi when she was the one who accepted to take away the role of a POC, to accept to play a racist girl and have discriminatory behaviour in 2020 of all that, and to even joke on her insta just because her friend said it was ok and she didn't even apologise when we called her out for it. Yeah they ruined my happiness and I can't even be happy when I see a wtfock post now. To even have Nora do a live and defend the season, saying that it's a prejudice based one ? Hurts me so much. And not even one excuses coming from the crew, nothing, it hurts deeply. I can't even enjoy anymore the beautiful fanfics that the fandom write. I read every zoenne and sobbe fics but now I don't even bother checking if there is new fic. I hate them for taking my happiness off me. They're starting to go downhill too with the lack of insta posts from their characters and only die hard fans of sobbe are here now let's be honest. Yasmina's season can't be saved if there is still Kato but a glimpse of sobbe will make the fandom shut up and they know it. It's sad and I'm so upset about it. Sorry for the rant but I so badly wanted to talk.

This is insanely long but these words are for my anon

Oh dear.....well am happy you told me and the looney tunes. I can’t say I blame you because s4 is so toxic and cruel on so many levels. You know some people will say its just a show “let it go” but I think what people don’t realize is what this show that you clearly loved tells you about the world at large. That even shows, brands, movements and celebrities can harbor questionable morality towards issues of race. S4 ended up being an exercise in showing [us/the audience] how morally corrupt the bosses of wtfock truly are and how at end of the day all those black boxes on instagram mean nothing when it comes to money. Because guess what? Platforming racist ideology does have a price and wtfock made it very clear that they got paid. Look am gonna tell you something that my anons have been saying in a coded way but havent said directly but lets just put it all on the table.

S4 when Romi took the role it was not pitched as a season exploring interracial relationships or white privilege. It was never meant to be that. So Romi had no way in knowing what it would turn into. After the premiere night production panicked because they saw everyones disappointment towards the main(it should have been Moyo & everyone knows it even they do now) and took a hard left. Noa was meant to be Romi’s co-star but it was never meant to have all these racial undertones or not as extreme. The reason the script changed is because wtfock wanted to keep this whole “small engine that could” rapport going that they literally made the last minute call to try to tackle race relations. I mean to you and I we are probably like are these people for real? They are just gonna try to tackle race and white privilege as a story arc without having done the sufficient research and or had the man power in the writing room concerning writers with lived experienced on the topic. Yea, they did that. So anyways they “just decided” on a whim to tackle race *facepalm*. Now that decision in itself is an embodiment of white privilege. A bunch of white dudes wanted woke points and thought “race” yea we can totally do that topic unprepared. Hence why episode 2/3 were so damn repetitive and also literally made no sense. Am sure they pitched this to Romi as some super intellectual and thoughtful narrative that would hold deeper meaning. So I am not defending her instagram actions but I want to give her situation a bit of context. Also am pretty sure she tried to tell us in a round about way. Her insta post was just a display in lacking any awareness towards the importance and pain of BLM because she obviously just lacks race education or common sense but she is a 22 year old brand model so am not really looking for her to set an example. To me wtfock became in some weird way so high on fandom validation that they were egotistical enough to think they could try to tackle this insanely complex topic on a whim and with a 1st time screenwriter at that. S4 was doomed to fail from the start because it was a literal embodiment of unconscious bias that then turned into conscious bias because at one point they knew it was terrible while filming but they were too deep in to pull the plug. You are so in your right to be upset at them because to me the most hurtful thing is that THEY KNOW IT WAS BAD and they won’t address it and now they are going to use their token queer couple to try and fix this. Leave the gays out of it. You can’t fix racism with queerness it doesn’t work that way buddy(am looking at you Rutgers) especially for those who are part of both parties. Do I think a large part of the fan base will “forgive” wtfock for what they did? Probably, but its weird since technically wtfock should be asking their fans who are poc for forgiveness above anyone else. I guess I am not as pissy about the whole situation because am either cynical or emotionally numb to this type of fuckery. I would say concerning the cast and the crew it really isnt their fault. I hear from good sources a lot of them tried to say something and they were shut down. Look if you cant let this go then try to find some semblance of resolve over this. You’re allowed to be mad but at the same time this is the world we live in and this will happen to you again and again (trust me I speak from experience). I do hope you can try to find some comfort in Zoenne and Sobbe and try not to see the cronies of wtfock in their love stories but if you can’t then pack all their shit up and throw it in the attic. Maybe one day you can reopen that box. Last words of advice, happiness is a moving target because in reality it’s a compilation of moments that continuously mutate to accommodate other moments. So don't let s4 taint what moments you had with wtfock and try to remember the things you loved and if you need to walk then walk away. I wish I could give you the biggest hug right now but trust me when I say what you feel is so valid and am so happy you spoke to me about it.

#lucidpantone anons #anon I want to give you a hug so badly

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juni-ravenhall · 4 years ago

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my opinions on mistfall!

under a cut bc spoilers and/or not everyone wants to read :D

overall experience:

its fun that there IS a sso cartoon now even if its not exactly amazing quality, and im happy to see if there will be more series or movies after this. it was fun to watch and see sso things in cartoon form too and i wish that we had more already (of sso animation in general). imagine if there had been a ssl cartoon? i also kept thinking throughout this, that it wouldn’t be hard for me myself to make an animated series with around the same length episodes and in a similar quality to this (aside from voice acting and music production), which made me feel a little inspired.

favourite scene:

skye taking photos of blaze and hanging out

positive points:

i like the background art a lot, i think the style of it, and the colour schemes, helps give the series a specific vibe that fits for an sso series in my opinion.

i like the concept art (i assume) illustrations which we saw in the recipes and other posts on sso ig, i think it looks a lot better than the characters in the series, but thats normal for concept art!!

the music is really good quality (whether or not its your taste, the quality is good) which is ofc bc its sso - theres already good music and not something they only did for the cartoon but something they care about in all of the starstable media.

i think skye is a nice character (despite the series’ overall low quality writing) and i like her design. i also think rania’s cartoon design (visually) is cute.

skye and rania being a teensy bit gay (minus points for sso if they dont end up really gay in later canon)

i like that blaze wasnt actually like... mean or anything to skye, and i like that shes a mare since typical stories like this usually have stallions. but i just like that there wasnt really any “ooh difficult horse” things between skye and blaze in the current time of the story, blaze actually was sweet to her most the time. blaze seemed pretty charming whenever there wasnt “omg fire” drama.

the animation itself (not meaning the details of the drawings or scene timing, just the actual frame by frame / puppet movements) was fine! not amazing, but absolutely fine.

points i have constructive criticism for, which doesn’t mean that i expected more from the series, but that we’re all allowed to discuss the quality and our opinions of media regardless of the target audience, budget, etc:

the writing was childish and rushed - this is not to be rude, but a matter that affects a lot of “media for girls / kids”, and a topic talked a lot about by Lauren Faust (creator of the FiM reboot of MLP) who wanted to show that a show about rainbow ponies “for little girls” didn’t have to be badly written, and could be engaging and interesting. if you watch the older MLP cartoons and compare to the first season of FiM (where Faust was still on the team) you can see a huge difference in quality of the storytelling, characterisation, etc. Mistfall, so far, did not subvert any expectation in the quality of what typical “cartoons for girls” are like, and is reminiscent of stuff like “The Ranch” (french horse cartoon) which imo is so bad that its hard to watch. (and ofc... that goes for a lot of “cartoons for girls / kids”, but doesn’t have to be like that.) in order to improve on this, the writer has to study more on storytelling and study from better writers.

on the topic of being rushed: no, it’s not an excuse that the episodes are short: - you have to ADAPT your storytelling and writing to the length of the episodes, not do a bad job and blame the episode length. being able to adapt to different types of media is a necessary skill if that’s what you work with. this comes down to proper planning and structuring the story and writing in a way that works for the length of the episodes. i don’t think that was overall done well here (at times it was okay), and bc of that, it feels rushed and has exposition thrown in your face instead of being shown through better storytelling. the classic thing with exposition is “show, don’t tell”. this is what the writers/directors should study, or pay more attention to.

the timing (length of shots, length of scenes, or parts of shots, etc) was rly bad at times and overall unimpressive - this comes down to the skill of directors and editors. to improve this they have to study more on the topic. bad timing and pacing can really ruin a good scene or a good story and make it feel disconnected and hard to immerse in for the audience.

the artstyle of characters and horses is fine at times, but appears very low quality at others (skye’s childhood scene really bothered me bc her kid-self had really badly drawn eyes in my opinion). this, like everything else on this list, is ofc something that appears in almost every single “cartoon for girls” that ever existed. to improve on this, most likely it’s not a problem with the artists but with the budget and the production timeline (allowing the artists more time to produce better quality art and animation), and it can also be a problem with the art direction, if the art directors aren’t very skilled or experienced (i don’t say that they aren’t, im just giving examples of what could cause these problems.)

the character design for all characters that aren’t skye, rania, or blaze was very lacking. none of the not-main-3 characters looked interesting or fun to look at, they looked very dull and like the most boring NPCs you could think of. even though its understandable that the mainest-main characters would have the most interesting designs, that doesn’t mean everyone else has to look that boring. this is an issue with art direction or character design. i think most likely there was just very little time (equals money) put into designing the other characters.

the horse design could be improved for a cartoon that focuses on horses this much. like, horses are a big part of the selling point here, so make sure that their designs and art/animation is good. at times even blaze looked awkward and uninteresting, as did the other horses.

“alonso” looks nothing like sso alonso and i don’t like that they used his character if it’s not going to have anything to do with him. they should have given this character a different name if they wouldn’t make him seem like he had anything to do with the sso character aside from being a male ranger. (also in the game he’s like 22 or something, skye is 15...?)

why did they add a “he’s cute” dumbass fucking stupid hetero comment for literally no reason other than adding a dumbass fucking stupid hetero comment?

considering that they “can’t confirm whether a sequel is happening or not”, it seemed very meh to throw in druid cult magic stuff and not really connect to it and now the series ended? you would have expected to find out more about the cloaked people, the runes, the magic that the ranger guy did, and blaze’s magic in general, and skye herself, why her mom is “a witch”.... thats a lot to throw in while saying that you can’t say if there’s a sequel coming to answer all those questions. (it wouldn’t have been a criticism from me if they said “we’re working on season 2″ or “there will be a comic book that continues the story” or anything that told us that these questions, in this particular iteration of a story in jorvik, will actually be answered. - and i assume they ARE working on the continuation of the story, but i dont agree with that they’re not upfront about it, when they left so many questions unanswered.)

at times rania’s blindness was handled stupidly and i think they should have gotten more consultation from actual people with visual impairment, but i think its still good to HAVE a blind character in the main cast and that it’s not a big dramatic story thing but just an everyday thing. at some points it was fine though; and i personally don’t think the scene with rania being able to see blaze was necessarily a problem - because - a lot of blind ppl can see sharp contrasts in light and dark, and this seemed relatively realistic to me when blaze is on fire. (however, the way it was drawn as if she could see the whole shape of blaze and skye could be criticised for sure, and makes it feel more like “i can see because of magic” and not “i can see bc THIS MARE IS ON FIRE”).

personal opinion which i said before, but i don’t think rania’s voice fits her at all, and it’s not the voice actor’s fault (i’m sure they’re lovely) but the casting and the directors. from the sso character, rania would seem a lot more lively, quick and adventurous, and not as calm and gentle as she appeared here. she seemed a lot too sort of motherly or just adult, instead of an adventurous teen who runs off on her own to do whatever she feels like. compare in-game rania going “MC, thats a jorvik wild!!!” and alonso going “stop talking nonsense” (paraphrased), to Mistfall rania going “jorvik wilds are really rare...” (calm, sort of disinterested, doesnt seem like she cares that much about adventures)

the voice acting overall was meh. i see this as a direction problem, not an individual voice actor problem (and the writing didnt help - it’s hard to provide good quality acting with a poor script unless you can just toss the script aside and improv, if you have good actors). it felt childish and uninteresting at most points and generic low quality for “cartoons for girls”. from a voice acting perspective i think skye had the best result. anyway, the way to improve this is for the director in charge of voice acting to not direct the actors to perform in this childish manner. (again, refer to cartoons with better writing and better voice acting, that have a very similar target audience.)

ok, i think that was everything that i wanted to write about for now, might think of more later lol

#star stable mistfall #opinion #text post #long post

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