#all writers struggle

[orchidyoonkook]

[TWWWBAATTA 4]:

Okay so I’m trying the best I can (the best my ADHD brain is allowing) to get out chapter 4. I read and edit parts every night. But I’m in this little funk where I read a sentence. And it doesn’t sound right so I try it fix it. And then hate the fix more so I change it back to the original and I’m like oh that sounds better. UNTIL THE NEXT NIGHT. where the process repeats it self over and over.

It’s so goddamn frustrating because like any other writer I want it to be the best it can be. But like Christ dude when do you just know when to stop and leave it as is.

Bottom line is I’m trying to get it out as soon as I can and I hate making y’all wait.

[redvexillum]

[drac0line1nn1t]

*Wade staring at himself in the mirror*

Wade: I'm so pretty.. *obviously doesn't believe it and is trying to convince himself*

*Wade frowns and reaches for his mask*

*Logan walks up behind him and gently grabs the arm reaching for his mask and Wade jumps around three feet in the air*

Wade: Marvel jesus peanut warn a gu-

*Logan reaches around his head with his other hand and puts his hand over Wade's mouth*

*Logan leans his head on Wade's shoulder looking in the mirror too*

Logan: *smiles* You're so pretty, bub.

[welcometogrouchland]

I understand that literature nerd Jason Todd is kind of overblown in fanon compared to it's actual presence in canon (a few issues during his pre (and post?)crisis Robin tenure that highlight it) BUT consider that I think it's hilarious if the unhinged gun toting criminal has strong opinions on poetry

[littlefankingdom]

It's kind of annoying (and weird) how DC keeps trying to rewrite how Jason and Bruce met to paint Bruce in a worst light.

Originally, Batman finds Jason stealing the Batmobile's tires, the kid runs away, and Batman finds him. Discovering the kid is homeless, he gives him to the authority and Jason finishes at Ma Gunn's school. Ma Gunn is actually teaching the kids to be gang members, so Jason tells Batman. Together, they win again Ma Gunn, and Bruce takes Jason in because he sees himself in him.

Well, in Nightwing: Year One, they change it for "Batman kidnapped Jason when he found him stealing his tires and forces him to become Robin", with Jason ATTACHED AND GAGGED in the batcave. (I like this comic except for that because wtf)

In Red Hood and The Outlaws (2011), they changed it for "Jason stole drugs from Leslie and Batman was ready to beat and throw a young teen in jail, but Leslie begged him to give him a chance", which again, wtf. Batman beating up a child. Okay.

In Red Hood and The Outlaws (2016), they changed it for "Bruce put Jason in Ma Gunn's school because he couldn't handle him after taking him in". The only good addition they made is "when Batman caught Jason stealing his tires, he bought him food".

I do not understand why they need to make him awful to this 12 years old so bad. What do they want to make it as if Bruce forced that life on Jason but also didn't want to deal with him. Why they cannot let it as it is, with Bruce having fun dealing with this lil shit that stole his tires and being there for him when he needs him later on, until he finally craves and takes Jason home.

And that's why I am so critical on how Batman and Bruce is written in Nightwing and Red Hood stories, because the writers are incapable to make their main character have conflict with Bruce, without changing his character and their story to make him abusive. They need him to be the bad guy of Jason's, and sometimes Dick's, story because they don't know how to make you side and care for their character without making the other side a monster.

[martyrbat]

i love you writers with intellectual disabilities. i love you writers who have a limited vocabulary. i love you writers who struggle with grammar and sentence structures. i love you writers who struggle with executive dysfunction. i love you physically disabled writers. i love you writers who have to have someone else do the typing/writing as you speak outloud. i love you writers who repeat themselves. i love you writers who have to take frequent breaks. i love you writers who are on hiatus. i love you all so, so much.

[nondelphic]

one day i’ll write a novel. for now, i’ll just keep adding random backstory details to this document and call it "outlining"

[canonkiller]

do you consider your self made?

[mewtwo24]

I finally finished reading the fourth volume of svsss in full, and thing is--the first time through I only read the bingqiu content because I was ravenous for more of their happy ending.

Turns out that was a perilous mistake.

Because I started reading the airplane extras. And I swear to god. MXTX is trying to kill me

What do you MEAN demon lord Binghe was sitting on his big fucking throne. All stoic and forbidding. Surrounded by his demon generals who don't know shit about human courtship. Asking them what he should do, fully demoralized by constant rejections from sqq, only to have airplane tell him to act more pathetic and needy. Which is already hysterically funny and insane, UNTIL LBH'S RESPONSE IS THIS, KILLING ME INSTANTLY:

LUO BINGHE. WHY DOES HE SAY IT LIKE: "I already tried that, didn't work--nothing works :/ not mean, not maidenly, not housewife, not spicy, not capable disciple. Is doubling down on clingy really all it will take? What's a born hater with only one love in his life to do????"

The dichotomy of him sitting there like 'how can I reach the unfathomable depths of shizun's heart?' A HEART HE'S ALREADY WON OVER, MIND and then in the Holy Mausoleum solving the puzzle without blinking and being like 'oh yeah you just have to hit the acupoints, no sweat.' Literally the comedy writes itself I'm so--

How am I supposed to be normal about this. MXTX understands the juicy quintessential queer joy of a person with the world's power at their fingertips wishing only for love. Willing to do anything to earn that love, when unbeknownst to them it's already been freely given. Totally not screaming and yelling and clawing at the walls

And that's not even touching airplane's uproarious account of events. The way he's like 'lol what's next, lbh and sqq are best friends now? smfh' only to see lbh TACKLE SQQ LOVINGLY. FOR SQQ TO BE BASHFUL ABOUT IT BUT SO SO FOND OF THE LITTLE SCAMP. This when we've been experiencing sqq's constant inner monologue of 'I'm so cool and so dignified about my role, truly the epitome of propriety and poser-level fortitude.' Meanwhile, in their universe:

Airplane constantly flaming???? Sqq and lbh in his observations????? His absolute bewilderment and confusion????? Legendary. No notes every single second of this shit was hilarious.

Airplane's comment that sqq + older adolescent lbh traveling together was just watching a couple in their honeymoon phase. OR the fact that lbh is exceedingly petty and refuses to share their food in the wake of airplane's interruption of their time together, until sqq relents sheepishly and insists airplane eat what's left (ONLY AFTER PLACATING LBH WITH MORE FOOD FROM HIS PLATE, SOBBING)

Watching airplane salivate over Mobei-Jun and acting like that's totally normal behavior. Finding out mbj and airplane got together first. Finding out sqq encouraged airplane. LIKE THIS. WHILE HE IS STILL IN DENIAL ABOUT HIS OWN FEELINGS:

Mobei-jun clearly thinking their arrangement is a forever thing, heartbroken his human abandoned him with all the hapless fury of a scorned wife swept away by false promises of fidelity. Airplane writing demons to be the type to beat up their crush lovingly and still unable to connect the dots about mbj's feelings. Mbj letting him go and respecting his wishes, only relenting when there's indication airplane was poorly processing his own feelings and didn't actually want to leave. Mbj caring for him and listening to him as soon as airplane voices what he needs directly and with clarity. None of these gays are functional and it's everything to me

Unrelated, but I physically can't hold this information in anymore:

I'm still reeling from younger lbh having his sexual awakening from the image of sqq wrapped in the immortal binding cables. Condemn me as you like he was so, so real for that.

And no I will not be taking any comments about how luo bingge couldn't bear to see luo binghe cherished in ways he never got to have and all the haunting implications of that. I will also not be taking any comments about luo binghe's instinct to look for sqq in that alternate universe, only to be shaken to the very core to be unable to find his shizun anywhere. The unspeakable and latent horror of his relentless mind likely piecing together what happened, but unable to say it; to suspect what is true, and live with the harrowing confusion of his double's actions. To blame himself, to assume that he had let his anger get the better of him in that world and result in unspeakable folly...

I also refuse to talk about how heartrending it is to hear Tianlang-jun weakly say "In the end, I really can't bring myself to hate humans." The implication that the foolishness of that hope and bright-eyed fondness--the very thing that put him through such unspeakable agony--couldn't be beaten out of him entirely. To discover that his faith in Su Xiyan hadn't been misplaced, to the contrary: his beloved hadn't scorned him at all, but rather fought to the miserable end to protect the fruition of their genuine feelings of love when she couldn't protect tlj or herself.

How MXTX has sqq deliberately draw parallels between their situation and that of ygy+sj and tlj+sx; desperately wishing it might not be too late for them. The concept of breaking cycles of abuse and harm pervasive throughout the newly devised story, how it evolves for the better only when love takes the place of power, pride, and domination. How the moment sqq chooses vulnerability instead of saving face, the genre shifts to the so-called "cringe" girly genre where most if not every character is more fulfilled, more true to themselves. How the "male-oriented" former genre was aimlessly sensationalized and sexualized, how it was a sustained performance of aspirational toxic masculinity. How men objectify other men without end. All of the unspoken gendered implications that come with that.

Anyways. Going to go put my head in a sandbox and try to process everything I just witnessed because even a second reading is not enough to find a modicum of closure.

[angelsdean]

I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.

So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?

Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.

Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.

Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.

So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)

And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."

So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)

And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."

But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.

Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)

So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.

Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.

Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.

Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.

[pastafossa]

🌊TUNA-TOBER🌊 PROMPT CHALLENGE 2024 🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟

Hello friends! So last month I realized that one of the reasons I'm struggling to get my writing back up to my old speed is I am seriously out of practice since Dec/Jan when shit went down and I stopped writing for a while. After some thought, I decided I was gonna set up a little prompt challenge for myself, just a general, 'here's a prompt a day' thing for about a month. And I tossed this idea out onto my fave Daredevil discord server to see if anyone would want to join. And I'm happy to say there were takers, including some of my favorite writers in the fandom! So I've set up a delicious prompt challenge for all of us, and for anyone else who wants to take part.

For each day in October, there are three prompts: an 🌧️angst/whump prompt🌧️, a 🌻fluff prompt🌻, and a 🔥kink prompt🔥. Participants are free to choose which one of the prompts they want to write or make art of, or they can try to incorporate two, or even all three prompts into a single fic or art piece. They can write a short fic/make art every day, or just on whichever days they feel like (personally I'm going to shoot for one fic a day, but we'll see), or even incorporate those prompts into the chapters of longer fics. There are also four 'backup' prompt options for each category in case anyone hits a day or prompt where they aren't really feeling what's available on the chosen day. If any of these prompts inspire you, you can feel free to take on the Tuna-Tober challenge even if you're not in the server! This challenge is also not fandom-specific (although I have a feeling I'm mostly gonna write Charlie Cox characters, a surprise to precisely zero people, but again, we'll see).

Sometime this week, I'll be setting up a sideblog specifically for Tuna-Tober. That sideblog blog will reblog any Tuna-Tober fics/art or link to those fics that are posted on Ao3 so they'll all be easy to find. That blog will also have instructions for how to tag your Tuna-Tober fics and/or art pieces. If you'd like to be notified when that sideblog is up so you can follow it, let me know in the comments.

Without further ado: our Tuna-Tober prompts!

🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟

Day 1: Falling Asleep In A Hospital Room ⚜ Reading To Each Other ⚜ Somnophilia

Day 2: “Why? Why do you love me?” ⚜ Flower Crowns ⚜ Mutual Masturbation

Day 3: Broken ⚜ “I feel real when i’m with you.” ⚜ Role Reversal

Day 4: “This isn’t you.” ⚜ “Are you blushing?” ⚜ Sixty-Nine

Day 5: Self-Loathing ⚜ Watergun Fight ⚜ Begging

Day 6: "Shh, I've got you now. I'm here." ⚜ Love Bites ⚜ “Spread your legs for me.”

Day 7: Nightmare ⚜ Honest Apology ⚜ Nothing Underneath

Day 8: Shaking ⚜ “You can sleep here tonight.” ⚜ Overstimulation

Day 9: Anxiety ⚜ “You don’t need to do that.” “I want to.” ⚜ “Open your mouth.”

Day 10: "I'm not good enough." ⚜ A Hug That Lasts A Little Too Long ⚜ Strap-on/Pegging

Day 11: Tears ⚜ “I’d be lost without you.” ⚜ Breast Worship

Day 12: "I did it for you.” ⚜ “You remembered?” ⚜ Deep-Throating

Day 13: Loneliness ⚜ Playful Kiss ⚜ “Beg me for it.”

Day 14: "Please look at me." ⚜ Sleep Talking ⚜ Accidental Stimulation

Day 15: Hiding An Injury ⚜ “Are you jealous?” ⚜ Threesome

Day 16: Exhaustion ⚜ Accidental Kiss ⚜ Against A Window

Day 17: "I'm not leaving you." ⚜ Tickling ⚜ “Touch yourself for me.”

Day 18: Scars ⚜ Pillow Fort ⚜ “I’m so proud of you, you’re taking me so well.”

Day 19: Touch starved ⚜ “I’ll always be there for you.” ⚜ Gags

Day 20: "Who did this to you?" ⚜ There Was Only One Bed ⚜ “You were made for me, weren’t you?”

Day 21: Fainting/Collapsing ⚜ Flustered ⚜ “Was that an order?”

Day 22: "You haven't done anything wrong." ⚜ Breathless Kiss ⚜ Aphrodisiacs

Day 23: Father ⚜ “If you won’t take care of yourself, I will.” ⚜ Toys

Day 24: Drugged ⚜ Drunken Confession ⚜ “Shh, do you want them to hear us?”

Day 25: "What's Wrong?" ⚜ Playing With Their Hair ⚜ “Did I say you could do that?”

Day 26: "You're not fine." ⚜ “Shut up and kiss me.” ⚜ Under The Desk

Day 27: Near Death Experience ⚜ Overheard Confession ⚜ “Let me see what that pretty mouth can do.”

Day 28: Chronic Pain ⚜ Sharing An Umbrella ⚜ Hair Pulling

Day 29: "Talk to me, please." ⚜ Forehead Kiss ⚜ Restraints

Day 30: Healing ⚜ Road Trip ⚜ “Take it off. Slowly.”

Day 31: "Why wasn't I enough?" ⚜ Blanket Hog ⚜ Stockings/Thigh Highs

🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟

🌊Tuna-Tober🌊 Backup Prompts:

Bound/Chained ⚜ Moving In Together ⚜ Almost Getting Caught

"Take me instead." ⚜ “I’m in love with you, and that scares me.” ⚜ High Heels

Insomnia ⚜ Adopting A Pet ⚜ Scent Marking

"You're not alone." ⚜ Playing A Game Together ⚜ Ass Worship

🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟

[seasideoranges]

Okay so I’m still stuck on the fact that Bato has seemingly been forgotten about post-canon (comics etc) and it really got me thinking on why this happened, and it led to two conclusions.

A. Bato is seen as an incidental character. He served his specific purpose in the show for the narrative, and is no longer needed for stories post-canon.

If this is the case, then it’s just one I heavily disagree with. He’s been close friends with Hakoda since childhood, he is seen as parental figure to Sokka and Katara, even stepping in as a father figure to take Sokka ice dodging, something Sokka couldn’t do with Hakoda. In short, Bato is clearly very close to Hakoda and his family, and even if the stories post canon (looking at the comics) couldn’t find a place for Bato to serve a big role, it still struck me as odd that Bato is never seen again, or even mentioned in name, which leads to the second conclusion..

B. He really was just forgotten about. Blipped out of the universe.

And honestly (please correct me if I’m wrong), considering the fact that, again, Bato isn’t seen, not even mentioned by name, not even seen in a single panel as a background character, yeah, I think this is what happened lmao.

I’m gonna cut this off before this gets too long, but this isn’t just about Bato imo. I have a lot of thoughts about all the side/incidental characters in the show (Piandao, Jeong Jeong, Kanna, the list goes on and on) and how they’re handled post-canon. Basically, I think there’s so much potential in bringing these characters back and actually taking the time to explore them, which would expand the lore etc etc, and how it just.. isn’t happening haha.

[vilsoo]

my mutuals (majority that had bigger blogs) have all been dropping like dead flies because of a toxic, pathetic writer on this app that drove all them off. rip to munsonsins, getoswhore, kazushawty, literally everyone. and those that have heen affected yet still continue to stay on this app, i hope you’re all doing fine. but these ppl were driven off all because of jealousy reasons, false plagiarism accusations, death threats, cyberbullying, you fucking name it. we lose so much good works and genuine people on here that created their own platforms for the purposes of consuming fanfiction/writing fanfiction 😐 but since they were being dragged into discourse with a certain someone on this app, it’s crazy how their followers dickride the shit out of that thing and send hate/death threats to them through anon like wowww. 😹

[deunmiu-dessie]

struggling sooo bad with writing this dragon smut! like that's the only thing i'm stuck on--- do i morph it? do ya'll want it to stay its true size. ya'll his peen is gonna tear the reader apart, do i make one peen smaller than the other so it fits? or do i just make him smaller? you guys i have 9k words of pure plot, and i'm almost done--- HOW DOES HE FUCK THE READER THO?!

[manikas-whims]

me writing my own fanfics and Headcanons

[haveihitanerve]

I'm curious are there actually people out there who??? just???? aren't??? writers????

Like you're telling me you read a book and are like 'huh. cool.' and then it just??? gets folded into the back of your mind???? and you don't spend hours examining the characters??? and the storyline???? and plot holes???? and arcs???? and worldbuilding????

and you just??? accept??? the ending of the book??? without writing your own?????

or you hear a song and just???? vibe to it??? without imagining an entire???? world??? For the characters in your head?????

are you people actually out there????

who's entire existence does not revolve around how to write sentences correctly?????? with enough vibe???? and umph???? those arent even descriptive words but like????

do you exist?????