#all quotes are close to source
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lavendertowerarchives · 7 months ago
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Might've fucked up.
I've kept this in the reserves for a little too long, mostly because I'm lazy. I was talking to JH on my way to class (we went on a quest to get her an energy drink) and we started talking about unusual shit.
We were talking about getting onto the roof of our apartment, and how I've tried but the door is locked. She said it's the same across most of the dorms, probably to prevent people from jumping off. I replied, that's probably not it, I mean, look at the Sine building (the Sinegal building is massive, with a vertical cut through the 6 floors, allowing for a 6-story drop to the ground below) and look at the student center (a similar construction, with 3 massive floors for an equivalent 7-story drop).
Immediately, she said "huh." It took her a second to realize that I didn't mean "look at these buildings, they're so pretty, who would want to kill themself?" I instead meant "Jumping from these buildings is so much easier than going to a random rooftop."
She followed with "Oh." After a pause (I couldn't see her facial expression, I was trying not to look at her because I get distracted by how cute she is), She added "These are a fair distance away, though."
I almost countered: "You think that's gonna stop people? It doesn't stop me." I'm glad I didn't. That would have been a fuckup of major proportions. Instead, I stopped myself, and said "That's where my expertise ends."
What a dumbass thing to say. I'm trying to dissuade analysis on her part, but I say something that needs a follow-up, without following up. That's not where my expertise ends. I am much more involved in these decisions than anyone should be. I shouldn't have implied I have any experience in the first place. That's fucking stupid.
The conversation stagnated. We eventually moved on to other things. Having been distracted by JH's... everything (cute, small, nice), I failed to remember her struggles with suicidal ideation in the past. I don't know how long ago it was, but it was still something she'd been through. I wish I could have related to her out loud, but I can't risk anyone finding out.
I'm just stupid. Myopic. Too focused on shit that I can't get, like more friendship with JH. I'm slowly coming to terms with the fact that she does not want to be better friends with me. She's fine where we're at, and I'm not, and I'm too pussy to risk our already slim friendship for an even slimmer chance it could be more. Yeah, I want to fuck her, yeah, I want to cuddle her, but she's just a really fun person to talk to. I'll take what I can get, even if I'm left starving.
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fideidefenswhore · 9 months ago
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"Mr. Page received your letter directed unto my lady Anne, and delivered the same. There is yet no answer. She gave kind words, but will not promise to speak to the King for you." Cromwell to the Cardinal.
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incorrect-ikevamp-quotes · 2 years ago
Conversation
Sebastian: What do we say when making bread?
Arthur, glumly: That's the dough rising.
Sebastian: And what do we NOT say?
Dazai, sadly: That's the yeast fucking.
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Person A: Do you want a beer? I’m paying.
Person B, going through the restaurant’s menu: No. Ugh, where’s the good stuff?
Person A, half jokingly: I thought you were an alcoholic.
Person B: Exactly. I’d need at least, like, four beers — without food — to get slightly buzzed, and my stomach can’t fit over 2 beers in it. I’m small. I’ll have a rum, neat.
#source: me#incorrect quotes#incorrect quotes ideas#incorrect quotes prompts#tw: drug mention#tw: drugs#i used to be so small when all i did was heroin and ketamine. since i started drinking (i only started drinking every night because the-#-opiate withdrawal was so fucking bad alcohol was the only thing that kept my legs from kicking all night long and my skin from feeling-#-like it was on cold wet fire somehow)#anyway. when all i did was opiates ™ i was like 45 kg and i’m 165 aka 5’5 like i looked like a sickly model#now it’s only been a month drinking and not doing morphine or some shit and i already gained 12 kg it’s insane i’m like almost 60 kg now#i’m queueing this for a month from now so hopefully it’ll have been 2 months when this gets posted#and like i say i’m an alcoholic cause i don’t think it’s normal to drink like 5 nights a week but i’m not chemically dependent on it like i-#-was with opiates like i’m sober half the time. ive never done surgery while drunk for instance. there was this one time i had just had 4-#-shots in the bathroom in secret cause i was having a panic attack and didn’t know what else to do but anyway.#and they asked me if i wanted to close up on a tubal ligation and i passed on the opportunity even though i was Fine bc idk i just didn’t-#-feel good ab it. which is more than i can say for my professor tbh#like some other medical intern said ‘wow it must be so hard having to be On Call 24/7. like i bet u can’t even drink’#and he said ‘oh come on surgeons have lives too. in fact i drank more than a few beers just a few hours ago lol’ and proceeded to cut-#-someone open#anyway. yeah. i don’t get drunk at work yk#felt like i had to make that clear
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foxpunk · 10 months ago
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"no brand is actually good--" true. "--or better." now hold on a minute.
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mieczyhale · 2 years ago
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i typed out these tags in my last reblog but it didn’t / doesn’t feel right to attach my personal... not opinion really, but also kinda?? i guess?? to it. so a sc of the tags are going under the read more
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melxncholyman · 2 years ago
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“J’ai vu l’ombre d’un cocher Qui avec l’ombre d’une brosse Frottait l’ombre d’une carrosse.”
— The Brothers Karamazov, 1.1.4
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zvaigzdelasas · 4 months ago
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The announcement of the strike comes as all Palestinian forces decried the assassination and stressed that it will not deter the Palestinian people from continuing the struggle against the occupation.
A video was posted on social media from Hebron showing closed shops on Wednesday morning in a way to show protest over the killing of Ismail Haniyeh.[...]
Reuters quoted an Iranian source who confirmed that Iran's Supreme National Security Council held an urgent meeting and it is studying a strategy to respond to the assassination of Haniyeh in Tehran.
The meeting in Iran was held in the headquarters of Supreme Leader Ali Khamenei, in the presence of the commander of the Quds Force of the Revolutionary Guards.
31 Jul 24
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endiness · 4 months ago
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Debunking misinformation about Netflix's The Witcher (Part 1)
[Part 1] [Part 2] [Part 3] [Part 4] [Part 5] [Part 6] [Part 7]
"Henry Cavill is a massive fan of the books and the games and he quit the show because the writers wouldn't stick to the books and he just cares about the source material so much."
Henry Cavill not only did not know that the books existed when he started pursuing the role of Geralt, but he actually thought that the books were based off of the video games (and he still didn't bother to read them) and he didn't learn that the games were actually based off the books until Lauren told him (even though the first thing in the game credits is that they're based off the books); as of 2021, he as only read the full series once — right before he was cast in 2018; while he has played TW3, he has only played a little of TW2 (and I've never found any evidence that he's played the first game); and he also has not played the DLC for TW3.
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Henry Cavill also started heavily pushing the narrative that he's just such a massive fan of the books and how important adhering to the source material is to him during the press for S2 to deflect from how it was due to his acting choices of cutting Geralt's lines and either saying nothing or just grunting instead that Geralt's characterization — who is much more verbose in the books — was book inaccurate in S1:
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He also lied about the situation and tried to act like Geralt was never originally written as being verbose and blamed the lack of dialogue on Yennefer and Ciri's prominence, which cannot be true as confirmed by Lauren:
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And tried to act like the lines he was cutting weren't that important anyway so it wasn't really a big deal, which also cannot be true as confirmed by Joey:
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He also started pushing the narrative that adhering to the source material is so important to him and it's 'tricky' to do that with Lauren's vision, but his definition of "Lauren's vision" is the show being an ensemble piece with Yennefer and Ciri at the forefront (like the books) and the show in general heavily centering around women (like the books):
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So the idea of him caring so much about "book accuracy" is, in fact, not accurate to the books at all as his problems were the prominence of women in the show when Ciri is the main character of the main book series, which the show started adapting from S2 onwards (which is when Henry Cavill started to complain about wanting "book accuracy" in the first place), and when women are very prominent, central, key figures in the books and they often drive the plot forwards.
Lastly, S3 was the closest adaption of the books out of all the seasons so far, so the idea that he quit after S3 because the writers just weren't respecting the source material and the show wasn't following the books doesn't make any sense anyway.
"Henry Cavill is the only reason why the show was even close to the source material at all."
I've not only never seen any evidence of this, but if anything, I've seen the exact opposite: Henry Cavill was either directly responsible for or at least contributed in some way to a lot of things that went against the books or didn't happen in them.
As I already pointed out, he cut Geralt's lines in S1 and either said nothing or just grunted instead which is inaccurate to Geralt's characterization in the books. Here's another quote from Joey affirming that:
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(Just to note: During the press for S1, he frequently talked about how the games inspired his performance as Geralt — sometimes talking about them even more than the books despite how the show is based off of the books, not the games — and it wasn't until S2 press that he suddenly changed his tune and started talking about how important adhering to the source material ie the books is to him. He also only started advocating for a more book accurate Geralt because he got dunked on by reddit for his book inaccurate performance in S1.)
He didn't want to play Geralt and Jaskier's friendship as directly as in the books and buddy-buddy with each other:
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He didn't want to have any kind of conflict in Geralt and Ciri's relationship in S2 — at least on Geralt's side of things:
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Nor play Geralt struggling with fatherhood at all — all of which led to the domino effect of Yennefer's betrayal:
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Eskel's death (which in itself also led to things like Vesemir trying to create new witchers and Lambert's attitude toward Ciri):
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And Voleth Meir being the big bad of the season:
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He didn't want Geralt and Triss to even just platonically find comfort in each other in S2 — which is what happens in the books:
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He nixed a sex scene between Geralt and Yennefer in S2 because he didn't think it'd be in character of them to have sex after reuniting which, uh, is absolutely in character of them:
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While this is an incredibly inconsequential change, given the prevalence of this idea that Henry Cavill is such an ardent defender of the source material ie the books and how much he wanted the show to adhere to them, I do think it's important to note that he pushed for — and got — more signs into the show even though by his own admission that is more of a game thing than a book thing and he got it into the show for the explicit purpose of catering to game stans:
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This is also another incredibly inconsequential change, but again, given how prevalent the idea of Henry Cavill pushing for perfect source accuracy is, I do just want to point out that he would wear his armor 24/7 to make it look worn down:
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Even though it is canon in the books that Geralt will buy himself brand new clothes, so the idea that Geralt's clothing has to look worn down and can't be brand new is not actually book accurate.
"Lauren wanted to make Roach's death a joke."
Just to address this point specifically, Lauren wanted to make a meta reference about how all of Geralt's horses are named Roach. That in no way, shape, or form means that she wanted to make Roach's death into a joke or even that the scene had to be played comedically. This is what Lauren had to say about the subject and the 'joke' in question (which, js, actually fits the tone of the books more):
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And as far as the "Henry Cavill is the only one who cared about the source material and he's the only reason why the show even stuck to the books at all" front goes... Henry Cavill did change the dialogue in this scene to a book quote/reference; however, the quote in question ("Enjoy your last walk across the meadow and through the mist. Be not afraid of her for she is your friend.") is not something that Geralt himself says and the line/scene from the books foreshadows Geralt's ending in them.
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So, at least imo — especially taking into account the incredibly high standard the fandom has set for Henry Cavill as the #1 defender of the books — I don't think this change was actually book accurate especially given the narrative significance of that exchange in the books.
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felassan · 4 months ago
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Compilation of snippets from the DA:TV acting talent panel at SDCC (Dragon Age: Meet the Heroic Companions of Thedas) today (July 26th). DA:TV spoilers under cut.
Huge props and tysm to the users who live-tweeted and clipped this panel, you are heroes 🙏💜!!
The panel was moderated. In attendance were John Epler, creative performance director Ashley Barlow, and the actors of Lucanis, Neve, Emmrich, and Harding - Zach Mendez, Jessica Clark, Nick Boraine, and Ali Hillis respectively.
The panel ended with a Q&A session.
(BioWare have stated that a recording of the panel will be made available at a later date.)
Edit/update: I've now been through this post and tidied it up :)
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Here are some pictures from the panel [source]
Here are some more pictures from the panel [source]
In this Twitter thread there are also some video clips of parts of the panel [source]
BioWare tried to avoid spoilers in the panel [source]
Key points/summary of DA:TV: hunting Solas, found family companions, stop the elven gods [source]
When auditioning the companions, BW were specifically looking for character chemistry [source]
BW used motion capture for the game [source]. Mo-cap was mentioned a lot in the panel [source]
Lucanis sees assassination as a job. His mind is as dangerous as his knives and he is also "kinda hilarious" [source]
There was mention of other Crows [source]
Zach Mendez read Tevinter Nights like three times [source]
A clip of the actors doing mo-cap was shown [source]. Photos of Zach mo-capping for other characters was shown [source]
BioWare said that Zach brought a certain darkness to Lucanis [source]
Zach is excited for the romance and is looking forward to the stats [source]
Zach mentioned that he used his own relationship with his brother in his portrayal of Lucanis [source] (surely this means ILLARIO.. ?👀)
Zach played a lot of darkspawn originally while auditioning [source]
Ali Hillis really welcomed Zach into the DA family [source]
Neve is from Minrathous. She has fun banter and is a cynical detective with a heart of gold. They want to show a rebellious side of Tevinter [source]
Jessica Clark loves Neve's loyalty, dedication, and different vision of Tevinter
Neve is fighting for the people [source]. Jessica: "She is really really fighting for those people, and she loves those people. So, yes, she's cynical, and yes she's kind of tough and brusque and all these other things, but when they say there's a heart of gold, there really, like, to have that kind of a passion and dedicate your life to something like that, I think that's definitely my favorite part about her" [source]
Jessica loves how much Neve loves Docktown and its people [source]
Neve sees a different vision for Tevinter than what has previously been depicted in the series [source]
The actors were separate from one another while recording lines but still bonded really well and organically [source]
There are several Veilguard gc [source] (groupchats?)
Ali is an angel and very supportive of the new cast [source]
Emmrich is a "stone cold silver fox" (this is a quote from the panel moderator) [source]
BioWare knew the reaction they would get about Emmrich from the fandom [source]
Nick Boraine feels like he's been preparing for Emmrich all his life. He's obsessed with death (as a comfort and not scary) and enabling people to transition into death. He is attracted to this aspect of the character [source]
"You're gonna need a dictionary for Emmrich" for all the magic spells [source]
"Interesting how this character caught fire compared to the other sexy characters" [source] (I think this was said wrt Emmrich?)
BW had a great time recording with Nick, he is a very consistent actor [source]
Nick and Matt Mercer have never met [source]
Manfred plays off of Emmrich. "I set the tone" [source]
What has Harding been doing in-between DA:I and DA:TV? She's been working closely with Varric and the Inquisition remnants. She and Neve already met in the comics [source]
Ali vividly remembers the beginning of voicing Harding, she says it's brilliant writing. She really thought of Harding's personality and traits. She's so happy to be back [source]
wrt the Covid-19 pandemic and the year 2020, BW had to pivot with working remotely and were able to push through their projects. [source]
"[Harding] chasing Solas for a decade..." "that was a great relationship that [you] developed... and now I'll stop talking now". Ali was excited [source]
John Epler talked about how companions may but heads, and won't be predictable [source]
There are thousands and thousands of lines and so many characters to meet [source]
Zach "unfortunately has been around the DA Reddit before recording as Lucanis" [source]. He feels inspired by all the fans and cannot wait for us to play it [source]
[new textblock due to character limit!]
John Epler on Emmrich: "I mean honestly, I will say, like, we expected a great reaction to Emmrich. Went beyond what we expected for sure. But it’s been fascinating to see, because again, Emmrich is this character, he’s more of the professorial, more, he brings a wisdom and kind of a calmness to the group, so even when things are at their worst, there’s that one person in the group who is kinda like, ‘okay, y’know, we've got, let's figure it out, let’s take a deep breath’. And just his journey through his character arc, and his interactions with the others, it’s been fantastic to see. Even just finding opportunities for him to bounce off the other characters, you know, the way he talks to Bellara, the way he talks to Neve, it’s all so different, but it’s also just, again, based around this core of this warm, kind-hearted, professorial necromancer. Which, again, is not something you see a lot of in media. I mean, usually, necromancers are depicted in a very specific way. But it’s been, it's awesome to see how Emmrich has grown and just, really one of the most, one of my favorite experiences has been just working with Emmrich’s writer, working with Emmrich as a character." [source]
All the actors are excited about the dialogue and narrative, and for us to explore DA:TV [source]
Ali says that we will really find ourselves in this game [source]
During the recording process, the actors all hear the previous person's recording and react or respond to it [source]
Due to Covid-related lockdown, a lot of recording was done over Zoom, and the writers besides Ashley Barlow (creative performance director) would jump in on the call to talk about the previous person’s lines [source]
A question was asked about the background factions. "Characters not causes". [source]
You can work with the Grey Wardens in the game (for example) [source]
The actors all met this weekend. They are an "un-chosen" family [source]
Zach stood in for multiple characters for mo-cap, for example he was Assan [source]
Lucanis has a heart but is stubborn and stuck in his ways. Zach is excited for fans to help his character open up as the story progresses [source]
Jessica is incredibly honored to join the DA universe. She is new to voice acting for video games. “This is play pretend. Playing Neve allowed her to step into her power.” [source]
A question was asked on what their first exposure to fantasy was, and do they implement this into the acting? John talked about Lord of the Rings and how every media you experience will seep out into your work [source]
Ashley didn't want the dialogue to sound modern [source]
Zach loves Theseus and talked about the symbolism in DA [source]
Jessica loves Greek mythology and lore [source]
Nick talked about The Hobbit and how he would dress up in big boots and a cape when his mother would read to him [source]
Ali recently went to Greece and felt like she saw DA everywhere [source]
A question was asked - "From your companion's perspective, which previous companion would you romance?" Zach kind of has a thing for The Iron Bull, saying "oh that awakened something inside of me". He also likes Dorian. Jessica was too overwhelmed to answer. Nick was also overwhelmed by the question, but thinks Solas is sexy [source] [source]
Ali fangirled over Lucanis and Emmrich [source], prefers Emmrich [source]
A question was asked - "Is DA:TV and DA:I streamlined together?" [paraphrased]. Answer: DA games are not as streamlined as Mass Effect and act almost as standalones [source]
The cast were asked about which aspect of their character is their favorite. Ali loves the little quirks about Harding. "Lucanis is a good cook!?" ** Neve is very dry and pretty closed off about it. For Emmrich, it's the "exploration of the idea of death and necromancy" [source] (** FINALLY CITATION for this? :D)
A question was asked: "How do you decide to introduce the lore in each game?" BioWare answered that it depends as they build each game. They always know the base lore, and see opportunities through game mechanics and characters. They try not to infodump [source]
A question was asked: "Any favorite party banter?" Ashley Barlow said to listen for "hand to bone combat" [source]
The game takes place approximately 10 years after the end of DA:I. You start the game hunting for Solas. The game is built on some core principles: be who you want to be in a world worth saving and with characters that matter. The companions are always at the heart of DA and they are at the heart of this game too. [source]
The moderator asked John Epler about what is bringing this party of people ("this rogues' gallery") together. John: "I mean, it's the end of the world, and each character that you bring into your party understands that the world is ending, that they need to stop that, and you're really building, what I would say is, more of a found family. These are characters who may not start off liking each other, may not even start off liking you, but over time they grow to understand the importance of what they're doing and just, how critical it is to stop the elven gods" [source]
"He is kind and has some spectacular lines. He is a natural nerdy scientist. He loves learning." [source] (Emmrich? ^^)
Ali didn't realize that Harding was such a beloved character. She thanked fans for bringing this character back [source]
Ali is super excited that the game is releasing. She said that there has been an evolution to Harding's character and that she's been chasing Solas for like a decade at this point [source]
Jessica loves the writing in the game [source]
Nick loves its narrative [source]
Ali said that this game is going to take you into a world that will blow your minds [source]
On Manfred: Nick was asked what it was like having another character to bounce off of. He said "Oh man! I mean, that is such a hard question, because Matt and I have never met, and we worked completely separately, and, I, I mean I know that the rapport is really great, but it's in the ether, I mean it is just, the magic that these guys create, telling us how to respond, how to do that, but it's, I can't wait to meet Matt" [source]
BW still said that the game's release window is Fall 2024 [source]. Nothing more specific was given [source]
There are also more snippets here in this Tumblr post, go check it out!
[source, two]
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yeah-thats-probably-it · 8 months ago
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#doesnt bertie do something similar with his vocabulary lapses and the numerous instances of 'if x is the word i mean'#bertie is writing his stories after the fact just like jeeves - he could look it up. he doesnt. in jeeves in the offing bertie gets a word#wrong ergo dahlia doesnt understand what he means and bertie reacts as though it were self-evident that dahlia couldnt have understood him#even if he'd used the right word: 'you are probably not familiar with the word but its one i've heard jeeves use'#if we assume that that is how bertie looks at the world then he doesnt have to look it up - to bertie people like him (people who will read#his writings) dont know words like jeeves does and therefore it is unneccessary to be 100% sure which word he means - noone else would know#and while jeeves doesnt include literary allusions in his narration he very much establishes himself as an authority in that area#except he does it through bertie - he is writing a guide addressed to new valets and right at the beginning he quotes emerson at bertie#who is immediately portrayed as the guy who cant remember the name of the play he saw the evening before. jeeves is absolutely showing off!#there are three foreign words set in cursive in the first paragraph alone! but the difference is while he may be showing off he - just as#you said - has nothing to prove - he is already the authority and here hes just establishing another way in which a valet#has to keep the upper hand
@noandnooneelse's tags for further discussion about jeeves as a narrator but responding in the tags because that's the most superior method of communication
you guys ever notice how in his dialogue when he's in bertie's presence, jeeves uses quotations and references constantly, but in his THOUGHTS during "bertie changes his mind," he doesn't use any? this is obviously because he doesn't care if we the audience know he knows shakespeare, but he will languish and die if he doesn't get to dazzle bertie with his wit and knowledge every five seconds
#the point about emerson and foreign language phrases is interesting!#according to the thompson book this story is the FIRST time jeeves uses foreign language phrases#and also his habit of quotation wasn't firmly established yet#along with the fact that there was a previous version of the story where jeeves' writing style was less formal i wonder#if we couldn't look at it as a writing exercise to help wodehouse fine-tune the character#still though i think the quotation and french words at the beginning immediately help to establish the point jeeves is trying to prove#which like you said is about valets needing to keep the upper hand and employers needing to be managed#he's very deliberate (you could say even heavy-handed) throughout the story about characterizing bertie#as a helpless child who doesn't know what's good for him#look at the words he uses just in the first couple paragraphs! “moody.” “petulant.”#this is the way you describe a toddler who's just been told not to put something in their mouth#it's crazy i never really thought about jeeves' reliability as a narrator before now bc the spin he's putting on the story is very clear!#we open on bertie having an outburst. we know nothing of the days leading up to this other than he's been “moody”#and jeeves seems disinterested in how long bertie's been discontented or why so his narration makes it appear#like this outburst was a random tantrum over nothing that came out of nowhere and that bertie is just cranky bc he's been sick#then he uses the emerson quote which is immediately followed by bertie making it obvious that he doesn't know who emerson is#and this characterization keeps up throughout the story. jeeves takes a patronizing view toward bertie's soft-heartedness#like b is in a position to fall for the little girl's sob story because he's in a “highly malleable frame of mind” after seeing a movie#bertie doesn't know the term “en masse” and needs jeeves to provide it. he's bamboozled by jeeves' technobabble about the car#“he appeared distraught poor young gentleman” like he's not trying to be subtle#bertie is a sweet but pitiful and dimwitted creature who's utterly helpless without super-valet jeeves' benevolent guiding hand#and in the end he sees that jeeves is right and falls back in line#so i feel like from a doylist perspective the quotations in this story are wodehouse deciding to take jeeves' character in a new direction#but from a watsonian perspective jeeves is demonstrating his absolute mastery and superiority over his employer to his audience#who are meant to take this as an instructional guide/aspirational model for the sort of dynamic they should cultivate w their own employers#(and they can trust jeeves' teaching because look how smart he is. he knows emerson)#anyway all this and i didn't even talk about your first point yet which also makes total sense#it's the same sort of thing as bertie attributing quotations he heard from jeeves to jeeves. “not mine. one of jeeves's.”#like he looks at the world through such a heavy jeeves filter that he can't fathom jeeves not being the source of all wisdom and knowledge#and if you're not on jeeves' level or in regular close proximity to him you obviously can't be expected to know anything lmao
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cavegirlpoems · 2 months ago
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Violet Core Approaches
So. My close friend and collaborator Sarah Carapace has been working on Violet Core - a ttrpg about dykey mecha pilots in space - for the past few years, and that work is approaching its fruition. It's about to get kickstarted pretty soon, and I got a preview copy of the game ahead of that. So, preview/review I shall.
Disclaimers: I'm close friends with Sarah, was involved in some of the early playtests, and might end up doing a stretch goal for the game. So, I am of course wildly biased in Sarah's favour. Still, even if I wasn't, I figure this'd be my jam.
TL,DR: This game is really really good, back the kickstarter. For more details, read on.
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The Basics:
Violet Core is set in the Nemesis System, an alternate scifi version of the solar system. The game follows the lives of spacers cut off from their home planet, Cerulea, as they face an oncoming disaster as escalating waves of comet-storms hit the system and everything starts to come apart.
Our characters are mech pilots for one of three factions of spacers - The Reach, The Homebound, and The Cosmic Embrace - each with their own perspective on what to do about the looming disaster. It's generally agreed that they need to escape, but where to and how is a source of conflict.
All three factions and their approaches have their merits. Although the Reach are positioned as more heirarchical and organised than the other two, all three are clearly scrappy tenacious punk-ish survivors who've been rejected and exiled to space by the dickhead bourgoisie of their home planet, Cerulea.
Luckily, you get to pilot X-10s, giant personalised mechs powered by a mysterious psycho-active (psychic?) crysteline core. This lets you get up to all the various activities you just pictured when I said that.
Tonally, it's Sarah Carapace through-and-through. Everything is purple and blocky, with CRT monitors and snaking cables and spray-paint. Riot Grrl mashed up with retro scifi mashed up with cosmic weirdness.
On The Humble D4
The game uses the oddity of dice - the humble D4 - as its main dice, with D8s scattered in here and there. It's a choice I really like, giving the game a feel that's a little angular and off-centre. It's a simple choice, but it does a lot to set it apart. I can't sum this up better than Sarah does, so I'll just quote her:
d4s are the most cursed of all dice.
They are awkward to roll.
They are pointy and can/will stab you.
Femininity is pointy, painful and powerful and so are these odd little polyhedrons.
Also, There is no standardised style for d4s. When you roll them, the result is the number displayed upright, either on the top or bottom. It varies from die to die.
Which I think gives you a good sense of the tone of the whole game, y'know?
The game cares about dice as physical objects deeply. Players can use the emotional connections between their characters to donate bonus dice to another character's rolls: the game suggests that when you do, you should pass her your physical dice, and use the motion of how you do it (including potentially how your hand touches hers as you hand them over) as a way of expressing the connections between characters, which is a fucking genius bit of design.
Anyway. Who do you play as?
Some sort of dykey space-gal x-10 pilot. To define who you are, you pick three things: the faction you belong to, your pilot type, and the X-10 you pilot. I'll go over each in quick succession.
Your faction determines your political alliance and likely goals, and the culture you grew up in, and each faction has access to a different set of X-10s. You pick between:
The Reach: the most organised and strict faction, and the oldest. Strict, heirarchical, and high-tech. You play here if you want to have a good The Man to chafe against, or to be that The Man for somebody else. The Reach are working on engineering humanity to be able to survive the coming disaster and thrive in space, and building a vast engine - the Overlock - to enable this.
The Homebound: the most rough-and-ready faction. A large population of working-class gals, and with too few resources to go around. They're working on repairing a giant machine, The Sling, to transport their people to another star system and flee the coming disaster. Unfortunately, The Sling and The Overlock are both adaptations of the same machine...
The Cosmic Embrace: the weirdo faction. The smallest, most mystic, and overall hippy-est. Short on space, people, and resources, but not on idealism and enthusiasm. They're poking the weird shit of the setting, and getting results. A little culty. In the playtest I was in, I played Cosmic Embrace, obviously.
Notably, you can have PCs all be in the same faction, or be split between them. If split, there's lines of conflict, but also room for alliances and subterfuge. PCs can, and might well, switch faction in play.
As well as your faction, you pick your pilot type. There's three broad types of pilots you can be:
Genebuilt, artificially created super-pilots with custom genetics to make them good in space. Divided into two rough types; the Violet Kind (for if you were a successful project, and inhereted mysterious abilities) or the Rat Bitch (for if you... weren't, and mostly just inhereted emotional issues). There's some interesting space to play with the idea of nature vs nurture here, or with the pressure of expectation.
Baseliners, aka normal humans who haven't been genetically engineered or tinkered with. Again, divided into two types; the Shining Star (for if you're keeping up with the best through sheer talent and training) and the Baseline Breaker (for if you're a normal person getting by with determination and adaptability.
And then, lastly, the Returned. People who died - or nearly died - and were brought back. The character creation section only mentions one sort of Rebuilt - the Returned, who have been remade by the power of humans science - but hints that other sorts might exist. And indeed they do, tied to the mysteries of the setting.
I ended up playing a Rat Bitch, who'd seen her best buddy get horribly fucked up in a training exercise and gone awol. It was great fun.
Lastly, your X-10. Each faction has three models of X-10, divided by function: Warriors to be brutal front-line fighters, Rogues to be mobile scout-types, and Witches that do weird shit and fight at range. Out of these, each faction has its own version of each of these archetypes. Some X-10 models are pretty common and mass-produced (like the Ogress, the Reach's warrior-frame), and some are rare or even unique (like the Hag, the homebound's rare and experimental Witch type that can fuck with time and space).
Each X-10 has its own Violet Core, the psychoactive crystal that's at the heart of the mech and gives the game it's name. Thoughts from the violet core filter through to the pilot, and visa versa. If you pilot a Hag for long, you'll start thinking Haggish thoughts, and your own emotions will start to seep into the core. It can get real strange real fast.
Each type of X-10 feels and plays extremely differently, in a way I personally found made your choice of frame a reflection of your pilot's personality. My pilot ended up in a Mermaid - the Cosmic Embrace's version of a Witch frame - that had the ability to shift space around it (her?), and 'swim' out of the normal world into sub-space. Which brings me to...
The Spaces & The Mysteries
As well as the material, mundane world - what Violet Core terms 'top-space' - there are two other spaces that exist.
Sub-space is a serene, empty (is it?) realm that lies below top-space. You can dive into sub-space in the right X-10s, and explore. Time and space are wierd and fluid here. If you dive deeply, you find... things. If you dive too deep, you might not come back the same, or at all. There are mysteries down there. Remember I mentioned there are other types of Returned you might become? Yeah. Remember those Violet Cores that power your X-10s? They're made from something called 'the fingers' found deep down in sub-space. Who's fingers? You see where I'm going with this.
There's also The Violet Realm. This is the psycho-sphere, the realm of dreams and emotions and mystical experiences. The violet core of your X-10 links you to the Violet Realm. You can meditate to experience it, to commune with what's within...
This is a setting with mysteries. There are things to explore, forces and powers beneath the surface. I won't elaborate. Partly because I don't want to spoil the discovery for you, and partly because I don't want to read it all and spoil myself before I can play this again. What I will say is that the bits I did read ahead on give you a lot to explore, and are explained in a way that make how they tie into the wider setting and plot. It's all coming together into something impressive.
Personally, as a player of rpgs (larp and ttrpg) I really enjoy settings which present you with mysteries and mysticism, which let you explore the underlying nature of this universe in ways that are at times rational and at times intuitive or mystical. It's an itch few other ttrpgs have scratched for me. Lacuna and Orpheus were, until now, games that achieved what I wanted; now I get to add a third game to the list in Violet Core.
In case it wasn't clear, this is high praise. This is extremely high praise.
Mechanics
I'm going to assume you're already sold. If you aren't, let me make a statement:
I'm mad I didn't think of these game mechanics.
The core engine is pools of d4s, in a way I believe is drawn from forged in the dark. However, unlike FitD, I really like how VC handles its rolls. Particularly - as I mentioned above - the way players can pull on the connections between PCs to offer each other dice, and the way this affects the game.
The core is pretty simple but has nuance. There are PbtA-style moves - things like Negotiate, or Hurt, or Shield - that trigger when you do a particular thing. You roll, and get a codified result based on the result. When you roll, you get a number of dice depending on how you're going about it. In person, you use your talents; things like Making Out and Using Your Head. In your X-10, you use the X-10's talents, things like Synchronising and Drawing Near. An example: You're piloting a Mermaid, and you see your friend (piloting an Ogress) is about to be struck by spiraling comet shards. To save her, you dive across to pull her out of top-space and into sub-space with you, dipping out of the material world to avoid the hazard. Since pulling somebody into Sub-space with your X-10 is Draw Near, you roll as many d4s as your Draw Near pool, and count how many hits you get. Since you're trying to protect somebody, you take that result and look at the Shield move to see what happens.
It's a simple core that's then built on with more detail, giving it a lot of room for nuance and expression.
Further, there's a neat little system for tracking the emotional connections between PCs and how they escalate over time. As they escalate, you pick statements to describe how you feel, pinning down the nature of the relationship, that will get deeper and more intense the further in you get. And the further in you get, the more potent it is when you hand another player your dice to assist her PC.
In play its such a neat, deep, evocative system that it made me really mad I didn't think of it myself. It's basically perfect.
Sorties, in which our cosmic purple space robots punch each other
Up front. Although your in giant space-mechs with giant space-weapons, combat isn't meant to be lethal and horrid. It's intense, and gritty, and emotional raw, but in the way that a bloody-knuckled fist-fight is, not in the way that a shootout is.
Fights aren't war. They're personal.
There's a lot of dancing metaphors in how the fights are described. You might be sparring or actually seriously going after each other, but either way, a fight is an interplay between two characters at their most intense. That thing where a fight scene serves the same purpose as a musical number? Yeah, that.
So. Each fight between X-10s is a Sortie. A sortie is divided into a series of steps, and at each step you pick an option for how you're fighting;
Lead, to be agressive
Sway, to be fluid and fucky
Follow, to be evasive
Sway hits follow, Follow hits lead, Lead hits sway. Its a rock-paper-scissors cycle. (If you get two Leads, both hit, and if you get two follows or sways, both miss.)
When you hit, you can trigger one of the moves as a result. It can get ugly and painful. It could concievably get vulnerable and emotional.
Critically, you have a limited pool of lead/sway/follow actions (depending on your X-10), that get used up as you use them in steps. IE: if you're piloting a Witch, you can use Sway twice and Lead & Follow once. So, you can count what you're opponent's used up, and predict their moves based on what they've got left. In really long sorties, once you've only got one option left to you, it resets.
A sortie is a sort of dance as you maneuver for the advantageous position, use that to fuck with your oponent, and get your fists bruised.
Damage to your X-10 can bleed through to you. Contact between two X-10s can bleed through to their pilots. Things can get strange, particularly when there's Witch X-10s involved.
I'm gonna quote the book again here:
Not all pilots fight to win. Some pilots fight to hurt.
The Gay Bits
As you might have realised by now, it's a really fucking sapphic game. Not as a focus, but in the way where all our PCs are assumed to be some sort of dykey queer type because that's just the kinda tone we're going for.
To misquote Sarah's fellow aussie: "This is my book motherfucker, they'll walk be lesbians if I tell them to".
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Pulling It All Together
Tonally, it's a fucking slam dunk. The world bleeds with a very specific atmosphere, a sort of dykey grungey weirdness that draws on old late-80s to early-90s mecha anime, and Heaven Will Be Mine, and weird scifi.
The writing has a really strong voice. Sarah doesn't write like a typical clinical dispassionate ttrpg text, she writes like Sarah. There's little witicisms, emotional bits, slang. It reads like somebody passionately explaining how to play in person.
There's a lot of snippets of in-character text - chat logs, reports, records, recordings - that give you a sense of the sort of people in this world.
The art is all fucking gorgeous. Mostly Sarah art, with some guest spots.
It is extremely purple, so purple its even in the name.
In conclusion:
Listen I am wildly biased because I've been friends with Sarah for yonks, but even if I wasn't I'd be incredibly enthusiastic about this game because:
a) it seems to have been carefully fine-tuned to hit my tastes.
b) it's really fucking good. Really fucking good.
It's an idiosyncratic personal work that also has a huge cosmic scope to it. It fucks around with the medium of dice-based ttrpgs in interesting ways. It's gorgeously written. It's got a setting that makes me want to dive in and explore it.
You should go back the kickstarter when it goes live, and tell your friends about it, and I am not kidding. If this game isn't a wild success there is something wrong with indie ttrpgs. The kickstarter is here, I believe it's due to go live in a couple of days.
If any bloggers are interested in getting a preview copy of their own, hit me up and I can hit up Sarah and we can sort things out.
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bubblergoespop · 6 months ago
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My Top David Quotes
i need this man to hold me while i cry
“Oops.”
“If I gave Milo less than a full month to plan out his outfit, I’m sure he’d kick my ass. If he could reach it.”
“This is omega shit, I’m not built for this.”
“Oh god they’re gonna pet me, oh fuck I didn’t think about that. I’m not some house dog I don’t need— [melts at angel petting him]”
“Is my Angel mad at me?”
“Call me that one more time and you won’t be able to walk tomorrow.”
“If I’m not good enough then go find someone who is, see if I care. No. You know what, no fuck that. I do care. I love you.”
“What? He doesn’t even drink tea, he drinks coffee what are you talking about?”
“Your words carry weight with me, no matter how much or how little you talk.”
“I will not participate in your little gossip session. I am the pack alpha, I have to be above that kind of shit… but yes Amanda and Christian are definitely fucking and yes it is definitely going to get very awkward.”
“No I won’t be able to talk, I become a fucking wolf. I can only make wolf noises..”
“I know I can be rough and nasty. […] But I just need you to know that, no matter what, I have never regretted being with you for a second. I’m proud to call you my mate.”
“He would have loved you, you know. You would have made him laugh.”
“Alpha privileges.”
“You make him happier than I’ve ever seen him before. And he deserves that. So thank you. For taking care of him. [Asher singing in background] Is he…? Oh god, never mind. He doesn’t deserve anything.”
“That phrase is perfectly common, shut up. But… keep talking. Because I like your voice, you snot, and I missed hearing it.”
“You cannot tell when I need something… who am I fucking kidding? Yes you can.”
“I want to fuck you into this bed so hard that the frame breaks underneath us, and then fuck you into the floor even harder.”
“I love my pack but there isn’t a half decent cook in the entire group. [if you listen very closely you can hear Milo’s feral growling in the background]”
“No, I don’t like it when you hold me. Or when you nuzzle my neck. [proceeds to whimper]”
“Those sounds are for me.”
“There’s not much in this world I’d get on my knees for. But for you—always.”
“Where's the troublemaker? Out looking for a bear to fight one on one or something?”
“You’re one of my best friends, Milo. You’re family. And I’m very grateful for you.”
“You hold my heart in your hands, Angel.”
“God, you’re as bad as Ash. Sorry, don’t let me rob you of credit. You’re much worse. I love you too.”
“After all, who am I to say no to my Angel?”
“What am I gonna do with you?”
“Sappy. Yes you are. You’re my sappy, sentimental thief.”
“[scoff] You missed.”
“When I’m with you, I’m not an Alpha. I’m not a friend, I’m not a competitor, I’m… I’m David. And I thought I’d lost him a long time ago.”
“Tell me you didn’t just call that Pokemon ‘Daddy’.”
“Drive safe.”
“I want it to be whatever you want it to be.”
“Breathe. Relax into it. I’ve got you. It’s almost all the way in..”
“Tearing through clothes is fucking hot.”
“And to think, some people believe you’re nice. I like bite. And history says you do too.”
“It was worth every sleepless night. You are worth everything, angel.”
“I’m yours.”
“You’ve always had a way of being a ray of sunshine in my life, whatever the source of the darkness might be, whether that’s stuff from the outside, or stuff from inside of me.”
“Only if you do…”
“I don’t know if I should kill them or marry them.” (he chose marry them)
“You shouldn't be facing this alone. You're family. You're one of us. We love you.”
“We’ve got five minutes before the food gets here, we’ve done more with less.”
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shazzbaa · 6 days ago
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(audio from portal 2!) This is how that dream conversation went right????? au where everythings the same but poor edward is from the west country,
ANYWAY LMAO HI I've been learning animation just to make this!! FOR SOME REASON!!! IT TOOK TWO WEEKS TO ANIMATE. this quote was my IMMEDIATE thought as soon as Poor Edward said "I've had to make ALL the sacrifices for this marriage!" so i just needed to bring it into being outside of my brain. tbh IM PRETTY PROUD OF IT...... anyway sweet dreams samuel!!
[video transcript] [Poor Edward, from below, gesturing with exasperation]: I've done nothing but sacrifice to get us here! And what have you sacrificed? [Cut to Samuel, feeling around him to figure out that he's in a coffin, panicking as the sides start closing in] Poor Edward: Nothing. Zero. [/end transcript]
additional notes:
thren and I both did the riot rather than burning down the orphanage, so instead of burn scars, Edward got his hands broken. He might have new skin but making a fist is still a lil lopsided,
one of the friends in our flondon group has been making an impassioned case for Edward favouring regency-era looks and I must admit ive adopted this into my belief system, so thats leaked into his outfit here. i havent been keeping sam's outfit historically accurate tho so i dont know why i think this is something i need to clarify
this animation was done in Krita, which is a free open-source program that was pretty easy to get the hang of -- Jesse J Jones and Animate with Dermot had tutorials that helped me a lot if anyone else wants to try it!
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narislvr · 7 months ago
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HEY THERE, SUBW4Y GIRL
one-last-stop au ౨ৎ ˖ ࣪⊹ | e.williams x fem!reader
cws? reader wears glasses and is on the bigger side (not mentioned yet but we need more love for chubby readers!!) reader is a college student working at a diner, ellie is a blip in time but reader doesn't know that yet, love at first sight trope but you're both awkward 🧍‍♂️, no use of y/n for reader, this blurb is moreso an intro to the world so not much ellie yet (might be a series if it dies well!!) Spoilers for the book, and will have some direct quotes.
m.list [๋࣭🪻] part 2 [ 🌆 ] palestine-resources & daily click
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"Her eyes are bright and teasing and warm, warm forever-and-ever brown, and august doesn’t know how she could possibly do anything but whatever this girl says." pg 20
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You weren't going to cry.
you weren't going to cry over the shitty smell of pancake batter and honey that wouldn't wash off despite your half hour shower ── the smell bonding to you after working too many late hour shifts at the diner ── and you definitely weren't going to cry over the scorching feeling of the coffee cup leaking small droplets of what you were considering your only energy source onto your hand.
you were already running late for your first morning class of the semester, but if you found your right train on time ── which you've already memorized out of fear of this exact situation ── then you'd still make it before it became too noticeable you were late.
sure, things were already going far worse than you'd hoped for, from having to pick up a late shift the night before at the 24/7 diner you work at, leaving you with four hours to sleep before having to get up and get ready for class, to dealing with a rude barista in the coffee shop above the metro station who couldn't even bother to tighten the lid of your cup.
things were not going great, but you were determined to make things better.
to your dismay however, determination alone wouldn't be enough to turn your luck.
amidst your attempt of carefully closing the lid of your coffee cup, you don't notice the group of teenage kids running your direction until one of them bumped into you with a grunt. the coffee, which had been one source of your annoyance this morning, spills across your top staining the once white fabric of your long-sleeveed shirt an opaque shade of brown, and to add to your already shitty morning, you hear the sound of your phone hit the pavement with a loud crack.
The teenager gives you a quick look up and down, their expression contorting into one of horror as they look at the stain on your top and the state of your phone on the floor behind you. ──if that's the way they look at you, then maybe you shouldn't even try looking at yourself── deciding that you wouldn't fight a fourteen year old, not that you would've anyways, you bend down to pick your phone off the ground, your lips forming a tight frown as you look over at all the various cracks on the screen of the phone you had worked so hard to afford.
despite the feeling of a knot tightening further in the back of your throat, you stayed true to your promise.
You weren't going to cry.
Your train pulls up only a few moments later, and you quickly blink back the tears before stepping aboard. to your luck ──if you even want to risk calling it that── the car wasn't as full as you though it'd be. usually it would be a great thing, not being crowded by people, but right now as you stood holding the handlebar, it really hit you just how disheveled you must look to others. Your hair was frizzy, your eyes were teary, coffee soaked your shirt, and now you smelled like a mixture of coffee, pancakes, and faintly of vanilla body spray.
You were a wreck.
you feel someone move to your side and you cringe slightly, your shoulders stiffening as you kept your gaze on the floor. you hear the unzip of a bag, presumably the person beside you getting something out, and you shift your gaze to sneak a glance at the stranger at your side expecting, but hoping it wasn't, a creep ──it's a subway, you never know what could happen in a 15 minute ride── but to your surprise, you're met with sun bleached black converse and baggy jeans next to your own white converse. Slowly your gaze moves upward, noting the way the person's foot tapped rythmicly the floor beneath it before you get a better look at them.
And fuck do you get a good look at them.
The person who you expected to be some lanky guy, perhaps some skater boy, perhaps a creep ──again, can never be too cautious── was actually... a girl. Round cheeks, with a softly scrunched and freckled nose, a girl so pretty you thought you were hallucinating. Her hair was a dark shade of auburn, half her hair up in a small ponytail while the rest fell a little over her nape. On her head were a pair of old looking headphones connected to a Walkman that stuck out the front pocket of her messenger bag as she searched for something down at the bottom with a small smirk. Did she know you were looking? What was she looking for that had her looking like that?
don't be a creep, you thought to yourself, trying to tear your gaze from her right arm. The sleeves of her faded blue flannel were rolled up just above her elbow, exposing the intricate design of ferns and a ──still in the works── moth on her forearm. don't be a creep, you repeated to yourself in your mind as you look away from the beautiful stranger at your side. Why'd she have to appear exactly when you looked your worst?
"Yikes," She finally says, her smirk still ever present on her face as she looks up to face you now.
The hottest girl you've ever seen just took a look at you and said "Yikes." What the fuck.
You were dumbfounded ──inwardly horrified── and she can't help but chuckle as she finally finds what she was looking for in her bag. It wasn't a mocking chuckle. no. it wasn't something lighthearted, curious, and you swear the temperature had risen in the subway car.
"Here," the girl says, pulling out a burgundy colored scarf and holding it out to you. "You look like you're going somewhere important, so," She gestures vaguely at her neck, "keep it."
You blink once, processing her offer before coming out of your trance and shaking your head, "You─ oh my God, I can't take your scarf."
The girl shrugs. "I'll get another one."
"But it's cold."
"Yeah," She says and her smirk shifts into something unreadable for a split second before your attention is caught by the dimples that had formed on her freckled cheeks. "But I don't go outside much."
You stare for a moment and she does as well.
"Look," She starts, her hands fidgeting slightly with the ends of the scarf, "You can take it, or i can leave it in the seat next to you, and it can get absorbed into the subway ecosystem forever."
She drags out the end of her sentence with a playful lilt, her smirk softening into a grin and in that moment her eyes are bright and teasing and warm. warm forever-and-ever a hazey green, and you don't know how you could possibly do anything but whatever this girl says.
A moment later you give in to her offer and reluctantly take the scarf from her hands. The wool is soft and light in your touch, and when your fingertips brush against the ends where the girl had been fidgeting with it earlier, you feel a pop of electricity. The girl, who had been watching you carefully, laughs under her breath, the sound airy as she reaches out to help you wrap it around your neck in a tender motion. She steps back after a moment, and gives you a look, the same teasing smile as before as she raises a brow at you.
"Anyone ever tell you you smell like pancakes?"
Before you can respond, the train plunges into a tunnel. The car shudders on the tracks, and the girl lets out a small yelp as she almost loses her balance and reaches for the hand rail over your head. It all happened suddenly but the last thing you see of her is an unreadable purse of her lips and the beginning of another tattoo on her left arm as she lifts it before the fluorescent lights flicker out.
The darkness lasted a second, two at most, but when the lights came back on, the girl was gone.
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twobluejeans · 1 year ago
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HEARTBREAK ON TOUR!
charles leclerc x famous!reader
summary: in which the lavender haze has been lifted. or in which america’s it couple splits.
part 11: 1997 y/n’s version promo series masterlist
faceclaim: madison beer
ally’s radio ����: PART 11! i’m sorry for starving y’all, hope this makes up 💀💗.
july 22, 2023
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By Glamour
july 22, 2023 8:16AM
Just a few weeks ago, Charles Leclerc seemed to be shimmering with joy about his relationship with Lola Ransdell. “He’s happier than he’s been in a long time,” one insider told Us Weekly. Friends of Leclerc and Ransdell were texting a New Yorker writer who profiled Ransdell to say, off the record, that “this time, it’s real.” 
Close insiders  were reporting that the Ferrari driver and Youtuber were even planning to share Leclerc’s estate in Monaco, a house he once shared with singing scarlet ex, Y/n L/n.  In a recent youtube video, Ransdell herself told her fanbase, “I’ve just never been this happy in my life, in all aspects of my life, ever before.” 
Just weeks later, Leclerc’s and Ransdell’s relationship is over. So how did things go from sparks flying to their last kiss so quickly? Let’s hear from the sources.
Shortly after TMZ first reported the breakup, without a reason, a source had more for Entertainment Tonight. “They are both extremely busy and realized they’re not really compatible with each other,” they said.
That checks out — Leclerc had been off the road when their relationship went public, but the summer season of formula one recently kicked off a marathon in Britain, early July, leaving little time for their rendezvous between Ransdell’s own schedule. 
But immediately, Leclerc’s split looked and sounded like a bit of image rehabilitation given the multiple controversies following Ransdell. Their relationship became controversial as soon as it began, as fans were quick to note that Randell shared uncanny similarities to ex, Y/n L/n.
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Left to right: Ransdell, L/n via instagram
As more insider comments poured in post-split, a narrative seemed to form that their relationship was just a low-key rebound all along.
“It was always casual,” a source told People. “It was never serious,” another told Us. And in an instantly memed quote, another insider told People, “They were never boyfriend-girlfriend or exclusive.” If you read between the lines of the reporting during their relationship, though, this doesn’t seem too far off. 
That source who told Us how much “happier” Leclerc was with Ransdell did go on to add, “It’s hard to tell if they’ll go the distance.” And another seemed to tell People that Ransdell was just Leclerc’s sidepiece while he was away from his main squeeze, the Hungary Grand Prix  itself. “He’s very focused on his job but is enjoying hanging out with Ransdell when he is off,” they said.
Sure, not all the insiders saw things that way. The source who initially confirmed their relationship to the The Sun said Leclerc and Ransdell were “madly in love” at the time. (Maybe they even said as much themselves.) Another had told Us that the couple was “moving fast,” adding, “They really enjoy each other’s company and want to spend as much time together as possible.” And even we saw the public kissing, cuddling, and late nights at Leclerc’s apartment.
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Leclerc and Ransdell spotted at a beach in Malibu last week via@tmz
Nearly every source who confirmed Leclerc’s breakup added that he was just having “fun” with Ransdell. “He wasn’t ready for another serious relationship just yet,” a source told Us, after his previous split from six-year girlfriend Y/n L/n. 
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Leclerc and L/n spotted at the same beach in malibu, just a year before Leclerc revisited the spot with the Australian Influencer via@tmz
Crucially, that source added that his friends weren’t surprised by the split, echoing a detail from that initial ET report. “Charles’s friends want what’s best for him and aren’t shocked that their relationship fizzled out,” the ET source said. “In fact, some of them even encouraged him to break up with her—his family included.”
So, the classic case of friends and family supporting a relationship in the moment even though they can already see the end. Take it from a “Page Six” source: “Everyone who really knows him has been saying all along that this was a fun, good-time thing that would last as long as it lasted and would be no big deal once it was done.”
 That insider went on to call the relationship “a summertime thing,” comparing it to his 2015 fling with Charlotte Siné.
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Leclerc and Sine back in 2015, via @charlottesiine on instagram in now deleted posts.
To this unusually chatty and surprisingly profound insider, this wasn’t even a proper breakup. “It’s a natural evolution of a fun little thing whose moment is over,” they said.
Or, at least, whose moment is over for now. As one of People’s sources added after the split, “Who knows what could happen again.”
SEE MORE RELATED POSTS:
• Lola Ransdell seen leaving Charles Leclerc’s Home crying moments before news of breakup.
• Charles Leclerc and Lola Ransdell have unfollowed each other on instagram
• A look back at Charles Leclerc’s Relationships..so far
TWITTER, july 22
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INSTAGRAM, july 22
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liked by sabrinacarpenter, aarontaylorjohnson, gigihadid, and 8,829,184 others
yourinstagram good in goodbye. single & music video out 7/28. meet me behind the mall.
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y/nserastour GIRL WHAT THE FUCK
lovinghimwasred i understood that reference ☝️
peteparkerml WHAT IS DREW STARKEY DOING HERE???
madisonbaileybabe my favs in one room omg
obxstarkey it’s just a music video 😀 it’s just a music video 😀 it’s just a music video 😀
obxscenes the devil (and kris jenner) work hard but y/n l/n works harder.
drewstarkey so much for summer love
y/nswizzle i just know this song is abt charles..
charlesleclercfan11 y/nswizzle she needs to leave him alone atp like it’s so obvious and embarrassing. she’s just so obsessed and using his name to stay relevant.
yourinstagram charlesleclercfan11 if you listened closely, you'd know my music's about my life, not a single person. but hey, i guess 'obsession' sells records, right?
madelyncline lowkey offended u didn’t chose me as your love interest
yourinstagram madelyncline dw babe you can be it in the next one 💘
libray/n yourinstagram WHAT DO U MEAN NEXT ONE???
TWITTER, july 22
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INSTAGRAM, july 22
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liked by landonorris, bejeweledleclerc, and 789,174 others
tmz_tv #Y/nL/n appears to have confirmed the dating rumors about her and #AaronTaylorJohnson! See video of Y/n and Aaron driving the getaway car from dior’s backstage after party to a private dinner near the singer scarlet’s manhattan apartment.
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landonorris OH SHIT
szasbutterfly the 1997 y/n’s version promo is insane
kardashianclips I dont understand why it's a big thing ...like she's always dating somebody
kanye_ontop she wrote 10 songs that night
goatwest kanye_ontop 1. "London Love Story" 2. "Stage Lights and Tea" 3. "Theatrical Love Affair" 4. "Leading Man" 5. "Behind the Scenes" 6. "Silver Screen Across the Sea" 7. "Cinema Nights" 8. "West End Serenade" 9. "Take One" 10. "Scene Stealer"
salvatoredelrey this relationship is so 2010s coded
bellyxconrad the beginning of another beautiful song for us #your/fandoms/name
user31 maybe y/n should focus on her music and less on her love life. It's getting old 😒
TWITTER, july 22
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ally's radio 📻 : HI GUYS IM BACK! sorry for the two month hiatus 💀 anywyas, SECRETS OUT ATJ IS THE NEW LOVERRR (bless up) (henry was so, so close) drew isn’t going to interfere w the story, just thought it’d be fun to throw him in there bc he’s hot😍. what do we think? also what do we think charles’s reaction is gonna be? lmk bc i’m so curious how y’all think this is gonna play out. i have an idea, but i’m welcome to others ofc.
taglist:@incoherenciass@dakotali@405rry@topaz125@sassyheroneckgiant@hevburn@itsmytimetoodream@ivegotparticulartaste@crowdedimagines @asterianax @haydee5010@scenesofobx@christinabae@magical-spit@dessxoxsworld@myareadsbooks@honethatty12@hopefulinlove@diasnohibng@gentlemonsterjennie1@hummusxx@eugene-emt-roe@taestrwbrry @perjarma @cxcewg@chimchimjiminie16@glow-ish@allywthsr @millyswife@mrsmaybank13@black-swan-blog27 @stargaryenx@lilsiz@ohthemisssery@leclerclvr
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