#all old romantic songs

[lululeighsworld]

it was literally their moment and they just let us watch

(if you need me i'll be marinating in this for the foreseeable future)

[notbecauseofvictories]

very strongly feel that moist/adora is the only actual romantic relationship terry pratchett ever wrote.

[fizzytoo]

"I will die a better man with you in my life / I can't wait to tell the world that you're my wife!" (♪)

[death-by-mercury]

𝘊𝘩𝘪𝘤𝘰, 𝘋𝘪𝘢𝘯𝘦, 𝘏𝘦𝘢𝘷𝘦𝘯 ❤︎

𝘚𝘦𝘷𝘦𝘯𝘵𝘩 𝘏𝘦𝘢𝘷𝘦𝘯 1937

[daisyachain]

The nature of time is that (culturally) Christian Euro/Anglo colonial consumers (hereafter white ‘people’) fetishize the idea of being ‘close to nature’ or ‘primitive’ or ‘savage’ and latch on to the idea that there are groups of people in the world who are somehow bestial or who have some kind of special powers from holding animist beliefs/beliefs that acknowledge the body as opposed to the Christian belief that the body is a kind of useless appendage to a person. We see this across decades from the 19thC to today in the racist fetishization of indigenous people across the globe, particularly residents of the Americas, Australasia, and southern/eastern Africa.

White consumers use a warped conception of other cultures to live out the fantasies that the Christian soul/body stuff engenders. You keep getting told that your emotions and physical sensations are the devil’s work? You want to get in touch with those physical sensations, but you don’t want it to interfere with your worldview? Simply project them on to a convenient group of people with slightly different conventions from you. Imagine how cool it would be to be 100% physical sensation (especially those pesky violent and/or sexual urges) and no mental burden, then unleash that in a way that causes millions of deaths worldwide via the dehumanization of entire nations of people just trying to live their lives. White consumers love a Proud Warrior Race Guy.

Flash forward to the 2010s, it’s generally considered impolite to spread the same propaganda that justified the genocide and dispossession of many different groups of people. However white culture hasn’t changed that much and normal human activities still need to be explained away to maintain the veneer of white intellectualism that has been used to justify white violence for years and years. You can’t just stomp around and clap your hands and dance badly, you’ve got to project it somewhere else.

But wait! There’s a community of people considered ‘tribal’ and ‘savage’, considered violent and bestial, who were never colonized! It’s…the Norse. Fetishizing early medieval North Sea raiders can’t be cultural appropriation, see, they’re white! It’s not offensive to replace an entire culture with white (male) ideas of what’s cool if that culture is totally unassociated with colonizer stereotypes and is in fact a culture of colonizers!

And that’s my theory on why there are so many Norse-inspired folk bands/video games/tv shows/memes/literally anything in the 2010s. VSaga not counted because that manga has been running since 2003 and is actually well-researched and comes out of a culture with a similar but distinct tradition of racism. The Euro storytelling tendencies of needing some kind of violent avatar have taken on ye anciente Norseman now that people care a little bit about the gallons of blood used to sketch other ethnic stereotypes. Done and dusted. Except the other side is that the fetishization of early medieval Norse culture is literally just white supremacist 101 and a lot of artists don’t step around that nearly as carefully as they should

[judasofsuburbia]

eat your young song of the mf YEAR!!!! screaming about all of this so true so TRUE

[tamaharu]

okay thats interesting! in the SF try-outs during the song "legally blonde" she sings about how she cant be legally blonde, while in the official version AND THE DEMO she sings about letting her be legally blonde. which means that at some point they changed the lyrics around, and then changed them back! laurence o'keefe.... nell benjamin.... what occurs in your twisted minds

[two-eyedmemoriesinmind]

Close your eyes and I'll kiss you,

Tomorrow I'll miss you;

Remember I'll always be true.

And then while I'm away,

I'll write home every day,

And I'll send all my loving to you.

[creamecream]

“You’re a loser, baby,

A loser, goddamn baby,

You’re a fucked up little whiny bitch,

(Hey!)

You’re a loser, just like me,

(Thanks, asshole)

You’re a screws loose boozer,

An only one-star reviews-er,

You’re a power-bottom at rock bottom,

But you got company,”

Nori belongs to @abyssnighthawk

[enobariasteeth]

“The Bonnie & Clyde musical is problematic!! It romanticizes criminals!!”

Okay, but have you considered Jeremy Jordan with a southern accent?

[infizero]

been rewatching a ton of spongebob recently (via reaction videos but nonetheless) and one thing thats stood out to me is how fucking aroace spongebob is. like its actually crazy.

like i cant think of a single time (in the first four seasons ive seen again at least) where he was shown or even implied to be attracted to literally anybody, even when the other people around him are. i mean like the valentines day episode shows him giving valentines to everyone and no one's (not even sandy's, The Girl's) really read as romantic. the plot of the episode literally revolves around his extravegant gift to PATRICK being delayed and how patrick gets so upset over spongebob's perceived lack of a gift that he literally goes insane.

and in any bit where spongebob's even remotely like letting out hearts or ACTING like someone in love, its always humorously towards a non-person, like the krusty krab or something. he genuinely reads as so aroace and its actually fucking awesome

[francesderwent]

one of the weirdest things about *waves hands vaguely in the direction of my relationship* this whole experience. is this time around? there really isn’t a Taylor Swift song that captures it for me.

[subsequentibis]

i thought i wouldn't like the mink car version of first kiss bc the severe tire damage version whips so much ass but i am not immune to sappy love songs ahouuuu bwuh huu huuuuu

[thedeadthree]

THE PRIMROSE OF PEARLSPIRE — LADY ALVA AMARANTHINE (ASOIAF)

praying for love, paying in naivety.

{TEMPLATE by the dear @unholymilf ♡ | ICONS}

[fideidefenswhore]

🔥 whatever you like

Thanks!

So, there's been a few articles in the past decade or so that express distaste at the comparison of Princess Diana & AB (and a fair amount of umbrage in misc comments on social media at any parallels being drawn whatsoever, generally, I'm not gonna lie, from C/oA stans...Catherine was the Princess of Wales, Catherine was the one that was popular and beloved by the people, I think these are the broader strokes they believe should be associated with her more...that Catherine was the older of the pair does not seem to matter, that Catherine was, like Camilla, the one that knew 'the prince' the longest doesn't matter, because Camilla was Other Woman and AB was Other Woman, and as such they were both hated by the public, they will never see past any other elements of the story/stereotypes than those, esp. because ultimately they believe all the animus directed at both of those women was/is entirely deserved and justified);

But what's interesting is it's not even so much on the grounds that there are always pitfalls in sanctifying people in general, it's generally pearl-clutching about how Diana deserves sanctification, deserves every possible iteration to be made of her life, and AB does not...the answer to the 'moral quandary' presented in the The Times' BSR review, "Anne Boleyn is being rebooted — but was the tragic Tudor queen a whore and a witch or the Princess Diana of the Tudor age?" by Alison W/eir was basically that she wasn't a whore or a witch, but again, her oh-the-humanity answer of "she wasn't a very nice person" and deserved her "unpopularity in her own time", and was so far from Princess Di, woe to those that popularize AB, somehow she omits herself from that list, how stupid they are to ever believe otherwise, etc

The implication of the above is more what's funny to me... she shouldn't be treated as Princess Diana, because Anne 'had a mean streak' (using "words as one would not address to a dog", from a source no less than above reproach than that of an ex-flame)... but, Diana didn't? The woman who pushed her stepmother down a flight of stairs? The woman who confronted her children's nanny with an entirely personal, private (and leaked, to her belief, although it was later revealed it was another doctoring by Bashir) medical document? Diana was sanctified because she died tragically; if she were still alive today, she would almost certainly be "cancelled"; famous (women, particularly...they are generally judged more harshly) people have been cancelled for much less.

And then we have author Vanora Bennett, who did compare them, but not favorably, and rather misogynistically (to other women, as well):

[Anne] didn’t have the knack for self-reinvention that has brought modern celebrities such as Victoria Beckham long-term success, or the tight-lipped compliance that saw Kate Middleton claim her prize after eight years of waiting for Prince William to propose.

If anything, Anne reminds me more of Princess Diana – both of them charming and glamorous, yet unable to maintain smooth relations with the royals around them; manipulative and sometimes vindictive, yet posthumously elevated to icons of victimhood; dying too soon and leaving young children to cope with their tragic legacy.

Unfortunately this assessment has also been given academic gloss, but luckily this has mainly been limited to GW Bernard's asinine, quasi-profound remark that since Diana had sex outside of her marriage, AB probably did, too.

Idk, I've honestly just been thinking about this because I've been thinking about fan reactions as I watch The Crown, puzzled by how Peter Morgan is so good at writing those royals, but so bad at writing these royals...

Because, really, I think there are elements of both Camilla and Diana's stories in AB's? On the surface level, you have ebullient, charismatic, cheated on by her husband, husband dated her sister 1st, (honestly, never not going to be a weird thing, it must have been borne out of...I suppose, both the utterly limited society of 'acceptable' people to interact with for those of extreme wealth and the entitlement and belief you're above such provincial concerns as ‘That's Weird’), which is probably what led to that being motif in the Kristen Stewart as Diana movie.

And then, Anne was unpopular, but it was said basically, that...those who knew her, loved her, and those that didn't were, at the least, captivated by her despite themselves.

How much of her contemporary slander was from people that had only ever glimpsed her? I think we forget that when we forget how late the sixth-finger and other misc. deformities were alleged. 'Goggle-eyed whore' is the mark of someone who saw her from enough of an distance that the only feature of note was those infamous, large eyes.

Often people confuse charisma with popularity, very often they go together but they are not interchangeable, not synonymous. Charisma can only take effect within intimate contexts. As such, it's true that Anne had one but not so much the other.

Who knows how she might have fared, popularity-wise, if she'd had the powers of radio, TV, etc at her disposal...they're creative reimaginings out of her control/remit, but she has those now and seems to have done better on that front in immortality than she did in mortality/life.

What we have basically is two elements -- "royal mistress" and "threatening the image of the monarchy", and maybe even a little “marrying for love [when royal]”. These are all broad narrative stripes that are seen as “scandalous”, all seen as disruptive, against status quo, so they are always going to inspire creators. At the end of the day, the hand-wringing over that inspiration rings ... insipid? Naiive? Take your pick. 

[yardsards]

i think the main thing that a lot of artists (in)famous for being frequently used in character playlists (ie lemon demon, the crane wives, the mountain goats, etc.) have in common is that a large chunk of their discography is not love songs and instead about personal subjects or obscure/fantastical scenarios