#all of this originated from a time when magic was different than we know it anyway because it was pre-veil
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spiritsglade · 2 days ago
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for the character ask game i would loooove to hear you go off about essence :))
[character ask game!!]
oh birdie you knew exactly what you were doing when you sent this in didn't you.
My first impression
I think I probably ran into her first in fic but I don't actually remember anything in that regard. First impression with the comic was that this was a character with a pretty design but somewhat... confusing of a storyline.
My impression now
God her canon portrayal is so annoying and inconsistent I SWEAR. Jason and her misunderstanding and misinterpretating what's going on and immediately jumping to kill each other has happened EVERY TIME and what is the point!!! Her backstory and motivations are so opaque and the flashbacks to their time together in the All-Caste keep on dangling the promise of an interesting story in front of me and then not delivering. Lobdell and Tynion IV when I GET YOU--
However I've thought about her too much and now I have brainworms. She is the side character I have adopted as my own. I understand her better than her creators ever will <3 (I have extrapolated a lot of conclusions from like 3 panels out of all her appearances. It is working out for me.)
Favorite thing about that character
The concept for her character. Particularly as a daughter to Ducra and one of the original Untitled. The fact she's been banished from the All-Caste apparently for not being willing to give up her "dark powers" when Ducra did? That's so interesting to me. It could be such a good parallel to how Jason's moral code causes a rift between him and Bruce. Tell me more. Lobdell you will surely explore this further, won't you? Lobdell aren't you gonna-- LOBDELL
Least favorite thing
Can I complain about Lobdell again. I will not. Instead I will complain about how her little like... intro narration box? You know the thing where comics will give you a little line to tell you who a character is if you don't know them already. Hers is that she's the "last human descendant of the All-Caste" which is just WRONG? She is the DAUGHTER OF THE UNTITLED. She is like, objectively not human at this point. JASON is the last human descendant of the All-Caste, maybe. Y'know, the first human they've taken in in over a century and the first in millennia to survive a cleansing? Y'know, that guy?? Also she literally reinstated the All-Caste at this point in the timeline why are we calling her the last human descendant. She's literally they're leader right now. I'm so mad I'm so mad I'msofmkgekmreklgm
Also I really don't like that her Blood Blades draw only the blood of the guilty or whatever like it does to Artemis in RH:O #45. Or the whole capturing souls thing in #35. I hate it I hate it I hate it girl please go back to fighting people with your smoke magic.
Favorite line/scene
I overall think the scene in RH:O #35 was bad but I do particularly like her lines here.
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I have never wanted to lead the All-Caste... I am a soldier. Heart and soul.
Oh girl. Girl you are never escaping the legacy of your mother. Ignore the fact that Ducra is literally still alive even though we established that she died in the first issue and her ghost vanished back in RHatO v1 #27 I'm not mad.
Favorite interaction that character has with another
Her fight with Kori in RHatO v1 #22
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I think using Tamaranean tech like this is very clever!! Essence is immortal, ancient, and very powerful, but alien tech was also a weakness for her back in Issue #7 and I think that's a nice touch.
Also the fact that Kori literally summoned her to try to talk and help Jason and they end up trying to kill each other for several pages is so funny to me. Like. In the next volume Essence also fights Artemis and possesses Isabel like... girl are you jealous that he's seeing other women? Is that what this is?
I think the thing with the amnesia arc where all of Jason's friends were trying to help him from different angles and with incomplete information and in the process fucked over each other's attempts forever could have been really interesting if written well.
Close runner-up:
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Right before this Essence says:
We need to talk, Mother. About the great darkness that looms over all that lives. About a mistake you must at long last rectify.
It's giving the "I think we're gonna have to kill that guy" meme to me. And that was entertaining. These are the depths I need to sink to find hope.
A character that I wish that character would interact with more
ISABEL ARDILA. Genuinely fucking impressive that Lobdell managed to write them literally sharing the same body and have them not interact at all. I don't even know how he did it. He deserves an award. How does Isabel feel about this arrangement? How does Essence feel?? Like Issy you chose on purpose to pick up the sword again and keep letting Essence use your body in RH:O #49. Let's talk about that--no we're not going to? We have to move on and do Duela's arc and Red Hood: The Hill now? Oh. Oh okay. That's fine then.
Anyway I think they could turn the bodysharing into a beautiful symbiotic relationship if they tried. Essence/Isabel as a ship is slept on I swear.
Another character from another fandom that reminds me of that character
Jerboa III/Boa from Wings of Fire. Her mother (Jerboa I) was an animus (basically a dragon that can do whatever magic except raise the dead) who created her and then basically kept editing her personality and existence for like 2,000 years so she could have the ideal daughter. Obviously this is very fucked up. Eventually Boa catches onto this, betrays Jerboa I and kills her, but not before Jerboa I curses her. We don't talk about what happened to Jerboa II. (We know that she "went wrong" and Jerboa I "disposed of" her.)
Do you see the vision. Ducra implanting "pure life" in Essence's body. Banishing her when Essence railed against what Ducra wanted for her. Essence's entire life being dedicated to this fight against the Untitled. Like we are very much getting into headcanon territory with Essence when I make this connection but Boa manages to escape her mother and also the entire fucked up legacy of animus magic and I think that is lovely for her. Manifesting that for Essence.
She's also Hornet from Hollow Knight just a little bit. To me.
A headcanon about that character
She is more headcanon than actual canon substance to me at this point. Um. She has mommy issues re: Ducra. Her banishment from the All-Caste was because Essence refused to purge the "dark magic" (The essence of the Well of Sins she carried in her, the bond that tied her to the other Untitled that Ducra had long cleansed from herself.) They'd been having disagreements since the beginning of time that just happened to be what finally made it boil over. I'm still a little vague on this but I think Ducra setting up the All-Caste and the truce with the Untitled had some long term negative consequences for the world (like how in RHatO #5 the Untitled in Middleton, Colorado had the townspeople under its thrall). Essence doesn't want to spend the rest of eternity waiting for the day the Untitled inevitably decide to take over the world, but Ducra is all 'this is your duty' about it. Also remember that the Untitled are Ducra's siblings and Essence's aunts/uncles.
Anyway Jason's admittance into the All-Caste was the trigger for Essence acting out against Ducra properly for the first time. Him being this fresh new perspective so hellbent on vengeance really helped her realize that she wanted more from her life than to be another soldier in Ducra's war against her siblings.
Do you see the parallels I'm shoving in here between her and Jason. I am just saying.
A song that reminds of that character
Alas I must expose myself as a non-music listener. I'm sorry. Random Gods from the Rain World soundtrack that's the best I can do.
An unpopular opinion about that character
Honestly I don't think anyone cares about her enough for there to be popular opinions but uhh. I think this panel is incorrect about her and Jason's relationship.
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Boy and girl are always there for each other.
Are they? Are they??? God I wish they were. Goddammit.
Anyway. I think Essence building the All-Caste was actually the most boring fucking direction to take her character but I can't even be that mad because she was barely a coherent character to begin with. However, her recruiting for the All-Caste... where the fuck is she gonna get these recruits for this secret old as time warrior monk sect?? Why exist at all when all the Untitled are allegedly wiped out (i.e. the entire reason the All-Caste existed in the first place)?? Escape from the shadow of your family's legacy come onnn Essence you can do it I believe in you!!! AUGH.
Favorite picture
Shoutout to RH:O #35 for having some really pretty panels of her.
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ANYWAY THAT'S IT FOLKS. If you actually read all of my inane ramblings, um. Thanks! I'm normal about Essence.
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mabaris · 17 days ago
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Aren't emissaries confirmed to do Blight magic which doesn't require any fade connection (or "mana") the same way even Blood magic does? It's why even Dwarven Wardens can use the Power of Blood abilities. The Archdemon does Blight magic too iirc, and not regular magic
yeah! what I had written down was “basically blood magic” so what I’m saying is, it’s literally in their blood like you point out. maybe “blight magic” is a corrupted form of stone magic, which is also carried through blood (which is why lyrium, titan blood, has magical properties). and all wardens can access it because the joining uses lyrium. and the blight also could possibly be influenced by thoughts and ideas because it’s born from a dream
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inbarfink · 1 year ago
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When talking about the distinction between Simon Petrikov and the Ice King,  it’s important to remember that originally, the Crown wasn’t trying to turn Simon into Ice King -
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It was trying to turn him into this guy.
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At the time, the Ice Crown - or rather the Wishing Crown - was programmed with Gunther’s wish to become Evergreen. So everything related to making the current wearer like Evergreen is a very direct result of the Crown’s Magic. The physical changes -
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And the obsession with the name ‘Gunther’ -
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And maybe some of the irritability and anger issues -
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That is something the Crown is very directly forcing unto its current wielder. 
But everything else?
Ice King, personality-wise, was not much like Evergreen at all, or even like Gunther's view of him. And Ice Finn of the Farmworld Universe was also pretty different from the both of them.
At the time, I remember people assumed Ice Finn’s behavior is more indicative of what the Crown is actually trying to do with its wielders. That Ice King is so different because of Simon’s subconscious resistance against the Crown - while Finn’s much younger and dumber brain is a lot susceptible to the Curse’s influence to become some sort of mad world-conquering emperor of ice and snow. 
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But, with the context of the Crown’s actual backstory. That doesn’t seem very likely anymore. I think what’s actually happening there is that the Crown is just trying to make its wielder an Ice Wizard on par with Evergreen (who was the Actual Goddam Ice Elemental) and that means pumping the wielder’s brain so full of Magic, Madness and Sadness to a level that is bound to overwhelm anyone.
And Simon’s and Farmworld Finn’s very different behaviors after putting on the crown is indicative, more than anything, of how their psyche reacts to Madness and Sadness in general. You know, Finn has a very proactive and kinda aggressive personality - and you add Crown-induced-Madness-and-Sadness and a compulsion to use Ice Magic as much as possible and you get all of…. this 
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Meanwhile, for Simon, the compulsions of the Crown originally filtered exclusively via the language of protection 
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As his madness always manifested as romantic obsession 
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And using goofy humor to try and deny the pain he’s going through 
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Because that’s how Simon’s mind specifically reacts to being flooded with so much Madness and Sadness.
That’s why there’s so many parallels between Ice King and the sort of mistakes and screwed-up stuff Simon does right now! He’s even kidnapping people again!
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Because the Madness and Sadness of Ice King might’ve been induced by the Crown, but now Simon has plenty of personal home-grown Madness and Sadness inside him - and it’s no surprise that Curse-Induced or not, his mind reacts to it in a sorta-similar way. (Although obviously not as intensely, again, there was a LOT of MMS in the Ice Crown).
Now as for Ice Thing, and the fact that he seems to be actually rather well-adjusted under effects of his version of the Wishing Crown. I mean... not by the time of the 1000+ Era, but that’s literally eons in the future and also maybe more Gibbon’s fault. Even if the Crown will eventually take some sort of toll on him, for now he seems to be doing pretty well considering his wish. I mean, there's still some sort of Loss of Identity stuff going on
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But everything we've seen of Ice Thing (in the present day, at least) shows him as a friendly and cheerful individual that gets along well with others. A far cry from how maladjusted every single wielder of the Ice Crown acted.
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At the very least, if there's any notable amount of Sadness in him, we really haven't seen it yet.
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There might be several factors here:
First things first, I should acknowledge the possibility that it’s just that Orgalorg’s eldritch brain is better at intaking all that MMS juice. That could play a part, but I think it’s probably more important, at least thematically, to look at the distinction between ‘I wish to be Evergreen’ and ‘I wish to be Ice King’. 
First in the sense that while Ice King was occasionally mean to Gunter at times - he was generally much kinder than Evergreen ever was for ‘his’ Gunther. So, like, pretty much the one Personality Flaw of Ice King that you can directly link to the Ice Crown’s attempt to mimic Evergreen is the occasional anger issues.
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And how they relate to Gunther’s view of Evergreen, so grumpy and controlling and constantly saying ‘NO!’
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(Both Finn and Simon’s demonstrable not-crown-induced trauma responses can make them pretty short-tempered as well. So I’m not going to say this is purely the effects of the Crown. It still probably plays some sort of factor at why the wielder of the Ice Crown is Like That).
And that is not a factor in how Gunter views Ice King. For him, Ice King was a doting and loving father figure - so if the Crown was ever trying to implement any sort of specific negative personality traits, this is absolutely no longer a factor. Because the original Ice Crown was a reflection of Evergreen’s abuse, and now Ice Thing is a reflection of Ice King’s fatherly love.
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Which is, itself, probably an echo or remnant of Simon’s own strong parental instincts. 
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Secondly, while the Crown was trying to make the Ice King just as powerful as Evergreen…. Ice King was obviously not as powerful as Evergreen. Because he was already a second-rate copy of the Ice Elemental’s power, and because Ice King was often just too doofy to use his powers correctly and probably because some remnant of Simon’s original sensible self is subconsciously holding his powers back.
Either way, being ‘like Ice King’ as Gunter sees him requires less Magic than being ‘like Evergreen’ as Gunther saw him - and therefore less Madness and Sadness. Leading to the wearer or, um, the eater being a lot more well-adjusted from the get-go.
And I think that the implication that Ice Thing has fused with the Crown, so there's never going to be another poor sap who puts on the Crown and gets Ice King'd. But if there is one somehow... at least the process is going to be less mentally detrimental that time around?
Maybe one day Simon could look back and appreciate how much he (or Ice King, or both of them, or however you want to look at the situation) is responsible for basically neutralizing the Crown that ruined his life in the first place.
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suugarbabe · 3 months ago
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Origin Stories
summary: baby first year matty arrives at hogwarts and the first person he interacts with seems to not know him at all. matty is unsure how to feel when someone treats him like just another person instead of the dark lords son
warnings: fluff, little bit o angst, sad baby matty
an: something my hubby @musingsofahufflepuff and i have been yapping about constantly, there's more where this came from, and yes...it will continue to hurt you
Knees pulled to his chest, he sat at the window watching all the happy and excited parents dropping their children off for their first time at Hogwarts. It was Mattheo’s first time too, but instead of parents dropping him off he had Feindre, his house elf.
Feindre had gotten him there early enough for Mattheo to be one of the first students on the train and stayed long enough for Mattheo to see Feindre give a gentle wave before snapping his fingers and disappearing from the platform.
That’s what he’d been doing for the last half hour; watching family after family give loving hugs and cheek kisses and bidding their children farewell. Even Mr. Nott had come with his wife to see Theo off, giving a firm squeeze to the skinny boy's shoulder and a curt nod. 
The whistle blew overhead and Mattheo leaned his head back, closing his eyes and willing himself to think of at least one positive thing that may come for him this year. He’d be away from his mother; that was a plus. As far as Mattheo was aware even she couldn’t get onto the grounds without the proper permissions; that gave Mattheo at least four months free from torture.
As the train started to pull from the station he heard the train car door slide open, an entirely too excited voice suddenly speaking to him, “D’you mind? Every other car has four or so kids in it.” Mattheo shrugged his shoulders, not even opening his eyes to look.
He knew he didn’t recognize the voice. His cousin Draco’s was a little higher pitched, whiney. Theo’s was slower, like he had to think about each word before he said it. This voice was more neutral, but seemed to be speaking quickly, like they had so many thoughts and feelings they couldn’t get them out quick enough. 
“S’kinda weird we had to walk through a wall to get on the platform, right? Magic is so cool.” Mattheo peered an eye open, chancing a glance at the person across from him. It seemed as if you were vibrating, sitting cross legged on the seat across from him, hands braced on either side as your knees held a steady bounce.
Your smile was nearly splitting your face; Mattheo couldn’t decide if your question was indicative of a muggle upbringing or just the first born for your family. “So what house do you want to get into? I was doing some light reading in one of our textbooks, Hogwarts: A History, and I think any of them will be good.” 
Definitely muggle, Mattheo thought to himself as you kept talking, “I know that Hufflepuffs are very loyal, Ravenclaws are super smart I guess, Slytherins apparently are really clever and I read that Gryffindors are supposed to be just the bravest.” The scoff leaves Mattheos throat quicker than he could control.
“Well do you think differently? I know I can talk a lot but I’m also a good listener.” Mattheo lifted his head up at this, now choosing to stare at you with a quirked brow. You continued to press regardless, “What house do you think you’ll be in?” Mattheo stared out the window once more, watching the highland mountains pass by, “I already know my house.” This statement piqued your interest, “What do you think it is?”
Mattheo used all his mental energy not to roll his eyes, “I’ll be a Slytherin, my family has only ever been Slytherins.” You seemed to sit up straighter then, your tone getting more excited, if that was even possible, “So you’re from a family of wizards then? That’s so cool, what’s it like?”
He stared at you incredulously, “You being serious?” You simply tilted your head, smile never leaving your face, “Both of my parents are normal, erm, non-wizards? I don’t know what you guys call them but that’s what they are.” 
Mattheo wore an unimpressed look, “Shocker…never would have guessed by your raging enthusiasm.” You laughed softly, “I know, right. Mum cried for like an hour when I got my letter.” Mattheo sat up straighter then, eyes widening. He could feel his heart rate pick up slightly, a tinge of sweat beading on the back of his neck, “Why, because she was disappointed, was she mad? Where did you hide after she stopped crying?”
You looked at him with confusion, shaking your head and a small bit of concern in your tone, “What? No, because she was just so happy for me…” Mattheo shrank into himself, pulling his knees back up to his chest, “Right, yeah, a’course.” 
You fiddled with the hem of your sleeve, “So, ehm, do you know people who are coming to Hogwarts then? I don’t know anyone…well, except you now. What, erm, what was your name again?” Mattheo visibly stiffened. You could just be being polite, asking for his name like he was just any other student. Or his reputation precedes him even with muggle-born first years and you’re just too scared to tell him that you already know about him, his father, what he’s done. “Mattheo…erm, Riddle.” You nodded, “Cool name! I’m y/n y/l/n.”
Mattheo can’t help the quizzical look that takes over him at how breezily you move on and introduce yourself. How can you not be afraid of him, of his name. Not that he wants you to be, but if you’ve been reading as much as you say, surely you’ve heard of what his father has done. 
But all of it seems nonexistent as you start talking again, “Do you think we’ll have to wear those little cone hats I’ve seen in the textbook? They’re not very fashionable are they? And I’m sure you wouldn’t want to wear one either.” Mattheo took the bait, “Why would you think I wouldn’t want to wear one?”
You shrugged, smiling a little shyer than before, “Well because of your hair. If I had curls as pretty as yours I wouldn’t want to have to cover them up all the time.” The heat on Mattheo’s cheeks was nearly instantaneous, then he started to feel a bit of rage, “Are you making fun of me?”
You shook your head fiercely, “Oh no, no way! I figured you got complimented on your hair all the time.” Compliment? You were complimenting him. Why would you do that? What were you playing at? Mattheo was fighting an internal battle, not understanding why you were being so nice to him and trying desperately to understand the new feeling fluttering in his chest at your compliment. 
Thankfully the door to the train car opens and a jolly looking woman displays a trolly full of sweets and snacks in the doorway; the perfect distraction.
“Anything from the trolly, dears?” You’re excited once more, leaving your seat to get a closer look at the sweets. You turn towards Mattheo, “What’s your favorite candy? I’ve never heard of any of these before…chocolate frogs, cauldron cakes, fizzing whizzbees-” 
“The last one’s good I- erm, I think you’d like those,” Mattheo watched as you asked the trolly witch for one pack of cauldron cakes and two fizzing whizzbees. “That’ll be two galleons and a sickle, dear,” the trolly witch smiled kindly at you.
You pulled a handful of wizard coins from your pocket looking slightly confused. Mattheo cleared his throat, “Two gold ones and a silver one.” You nodded, taking the coins he described and exchanging them for your sweets. Sitting back down across from him you began opening your cauldron cakes.
You placed one on top of one of the fizzing whizzbees pack and then held it in front of you towards Mattheo. “What’re you doing?” he asked, finding your behavior rather odd, even for a muggle. You only smiled in return, “This is your half silly.” 
Mattheo hesitantly took the sweets, “Why would you share with me?” You sat back, taking a bite of the cauldron cake and humming in satisfaction, “Why wouldn’t I share with you?” you spoke around a cheek full of cake, “These are really good by the way.”
Mattheo felt a weird pang in his chest, something he didn’t recognize. It was almost like an adrenaline rush but he wasn’t in danger this time; his skin felt hot all of a sudden, his blood rushing to his ears. He pulled subtly on his curls on the side of his head, not sure exactly what he was trying to cover up. You didn’t take notice regardless, too engrossed in the foreign treat of your new world. 
The next few hours are filled with you making conversation, mostly one sided but you don’t even seem to notice. You’re the most at ease person Mattheo has ever met, finding interest in the smallest of things.
You talk about your family, and you do so with so much admiration and what Mattheo can only assume is love that he finds himself starting to get jealous. He does his best to shove that feeling down, like he does with most feelings. You’re the first person in his life that doesn’t seem to know him, his family, what that entails and he’d be damned if he let something like jealousy mess that up.
You try to ask him about his life, but he’s keeping it brief, somewhat deflective. He tells you that his father is not around, not dead but…working. He doesn’t know a good way to explain that his father has bits of his soul everywhere and your lack of knowledge on magical existence seems like that bit of information would cause your already highly wired brain to short circuit.
When you ask about his mum he stiffens involuntarily, “She’s, erm, passionate about me following in my father’s footsteps. Bit of an anger problem sometimes if I disagree about it.” You nod, a small frown on your face but seemingly understanding to not push the subject of his mothers anger further, “What’s your dad do?”
Mattheo’s eyes go wide, panic starting to spread through his body. He can feel himself starting to sweat as he looks out the window, trying to come up with an answer that’s not the truth when he sees his saving grace, “Look, Hogwarts.” 
If you’d had turned your head any faster Mattheo was sure it would have rolled off your shoulders and onto the car floor. Whatever he had anticipated Hogwarts to look like, his imagination could never have done it justice; and Mattheo hid in his imagination often at home.
Your nose was nearly pressed to the window, “Wicked.” Mattheo felt the corners of his mouth pull into a smile, half wishing the two of you never had to leave the train and could just stay here, in this bubble where you don’t know the horrible truths that come with being associated with him. 
As the train slowed to a stop, a whistle blew and the two of you noticed a flurry of students starting to clog the aisle between cars. “Guess that’s our cue,” you stood up, looking towards Mattheo and waiting for him to do the same. “You coming?” you opened the car door, looking back at him. “Erm, yeah. Yeah okay,” Mattheo pulled the hood of his cloak up and you gave him a curious look.
“Heard it’s supposed to be a bit chilly on the ride up to the castle,” he shoved his hands in his pockets, now staring down at the floor. You shrugged it off, only turning to join the plethora of students once you knew Mattheo was following behind. 
You couldn’t help but marvel at the giant man that led the pack of first years to what looked like ancient wooden boats. You looked everywhere you could, trying to drink in the whole experience; whereas Mattheo kept his head down, hood up and eyes on the bottom of the boat. If he did this long enough, maybe no one but you would know who he was until he was being sorted.
Once docked by the castle the pack of you were led through the castle by an older, stern looking witch. She had introduced herself as Professor McGonagall. As she led you through the castle you kept tugging on Mattheo’s sleeve. Every so often he would peek from the side of his hood and give you a half smile. 
Once in front of what you learned to be the Great Hall, McGonagall stopped all of you, giving a quick speech. “Once inside you will all be sorted into your houses. Once your house has been announced please make your way to your house table. Banners above will lead you to the correct one. During each breakfast and lunch you will be able to mingle with other houses. However, dinners are strictly restricted to your own house tables.” You turned to Mattheo, whispering, “This is so exciting!” Mattheo gives an undignified hum with a small nod as the doors to the great all open, he can feel his heart rate quicken as all the older students turn to watch the group of first years file in. Will people notice him? Can he hear them whispering his name? 
His automatic negative thoughts are interrupted by you gripping his arm lightly. Immediately he flinches away and you begin apologizing, “Oh, I’m sorry Matty, I didn’t mean to scare you.” Mattheo shook his head, hoping his cheeks weren't flushing at the nickname you decided to don on him, “N-no, sorry. S’just I- erm, have this thing about people grabbing me…sorry.”
You shake your head as if to dismiss his apology as unnecessary, “S’my fault, I just get so excited. Look up there, it’s the sorting hat, I read about it in the same textbook as the houses; that’s what’s gonna tell us where we go.” 
Mattheo could feel his stomach knotting. He knew he would be sorted into Slytherin; the blood in his veins guaranteed it. But, Merlin, did he hope you were sorted there too. It would be nice to have an actual friend there with him, not just his irritating cousin and the sons of his father’s loyal followers.
He was pretty sure they were only nice to him out of fear. Did you want to get sorted with him too? Did you consider him a friend? You were already far too nice to him; far too nice for your own good he thought. There’s no way you actually got sorted into Slytherin; it‘d be a bloody miracle. 
Too lost in his worries spinning over and over in his head he seemed to have missed everyone before him getting sorted, being pulled from his thoughts for the second time that evening by Professor McGonagalls booming voice speaking his name, “Mattheo Riddle.”
A hushed whisper seemed to fall over all of the students and even some of the professors at the head table. Mattheo gave you a worried glance, but you only smiled encouragingly back at him. Either you didn’t notice the whispers, or you didn’t care; Mattheo wasn’t sure which option had him feeling that same weird pang in his chest that he felt on the train. 
He needn’t push his way through the crowd of first years as they seemed to part willingly for him. He slowly climbed his way up the steps and pulled himself up onto the stool, legs dangling in front of him. The professor placed the sorting hat atop his head.
It felt two sizes too big, falling down and covering his eyes, now encasing him in darkness. It was actually much better this way, Mattheo would rather pass than watch the judgment in everyone’s eyes, especially if they came from yours. “Hmm, Riddle, eh?” the hat spoke loudly, much to Mattheo’s dismay, “Well there’s simply no question then is there. Why of course it's…SLYTHERIN!” 
The slytherin table broke out into cheers, but they seemed to be the only students to do so apart from your clapping in the first year crowd. The hat was pulled from Mattheo’s head and he searched for your face. He found you beaming, giving him a double thumbs up as he made his way down the steps and toward his house table.
He clocked his cousin Draco immediately, platinum hair sticking out like a traffic cone. His cousin tried to greet him, along with the others at the table. But Mattheo ignored them all, turning instead to face the stool you would soon be sitting at and be told your fate. 
When your name was finally called Mattheo sat up straighter, nearly leaning forward as if that would help him hear more clearly. As you made your way onto the stool you looked over at the Slytherin table. Making eye contact with Mattheo you gave a quick wave. Warmth spread throughout his body and he found himself giving a small wave back.
The whining pitch of Draco’s voice appeared on Mattheo’s right, “Who is that, cousin?” Mattheo watched as you took a deep breath in as the hat was placed on your head, full of pride he made the statement, “That’s my friend.” Draco was obviously confused, “I didn’t know you had any friends besides us.”
Mattheo turned his sights away from you briefly to stare Draco in the eyes, “You’re not my friend. You’re my cousin, I’m forced to be around you. And if you keep talking I’ll hex out your tongue so I never have to hear your annoying voice again.” Draco held his hands up in defense, scooting over slightly on the bench. 
Turning back to you Mattheo watched as your legs bounced excitedly, just as they did on the train and Mattheo found himself smiling. This smile slowly dropped as the hat began to narrate the internal battle you seemed to be having with it.
“You want to be Slytherin, is that so? Mmm…curious, curious indeed. I do sense a bit of cunning, but your loyalty is much stronger. Better be…HUFFLEPUFF!” The tables throughout the hall cheered for you as they did every other student being sorted. Your smile never faded but Mattheo felt like his whole world was collapsing. 
There was a pain in his side that felt like someone was hexing him with a stinging jinx and his breaths were becoming more shallow. Usually he only felt like this when being punished by his mother, but in that case she was likely actually cursing him.
It seemed like the massive walls of the great hall were closing in on him as he saw you being greeted by the students at your house table. Everything from the last few hours was going to be thrown away in an instant. They would all tell you who he was, what he was, why you should hate him. And surely you’ll believe them, won’t you? Then he’ll be alone once more.
As if to twist the knife that was already being pushed between his ribs, Draco’s irritating voice was coming from next to him again, “Well cousin, guess they’re not your friend any longer.”
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reidrum · 3 months ago
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stargazing | s.r.
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A/N: this was a request and the concept itself makes me sick so here’s this, spencer reid i will fight your demons for you get behind me
summary: in which you attempt to heal a little part of spencer, one star at a time
cw: just fluff and comfort, fear of dark, can be read as gn!reader
wc: 1.1k
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Learning about Spencer was a privilege, if you had to describe it. He would most likely say the same about you if he was asked, but god does he not know the marvel of discovering the inner workings and tinkerings that is Spencer Reid.
You knew he loved magic because of the child-like wonder and imagination it brings him. He always reads old literature in their native language because he believes the translated ones muddle the original intent. He refuses to wear matching socks because he loves when kids point out they’re mismatched and he gets to act all silly with them.
And tonight, you’ve learned yet another one. Spencer Reid is afraid of the dark.
It’s a logical fear to have, hell you still sleep with a nightlight and stuffie every night too. But for Spencer, it was different. The darkness didn’t just remind him of the unknown, it reminded him of places he’d been, places he spent countless nights trying to forget about but latch onto him like a blood sucking leech.
When you found out about it, it was completely unintentional. It happened at a movie night about a week ago, it was getting too late for you to drive back home so Spencer offered you to stay over and head back in the morning. After he’d given you a change of his clothes he went and got settled on the bed, and you went over to the light switch to turn it off.
“Wait!” you hear Spencer rush out, “Do you mind if we…keep it on?”
“You sure? I thought you were really sleepy.”
He looks at you nervously, “I—I am, it’s just…” he trails off.
It takes you a few seconds to understand what he really means, a look of recognition washing over your face while Spencer’s fills with guilt.
“It’s okay, we can keep it on.” you say lightly, walking back over to get under the covers with him. You cozy up next to him and look up, “I didn’t know you were…”
“I don’t really talk about it, I’m sorry.” he whispers, his voice still holding what sounded like shame to you.
“Spence, it’s okay you don’t need to explain to me. Just want you to be comfortable, okay?”
He nods one last time before sinking his head down onto his pillow, and through his lashes wishes you good night. It really broke your heart to see Spencer be so affected by something that made him feel scared and self conscious. You just wish you could do something to help him feel better.
Lucky for you, you knew Spencer really well.
The next movie night you came prepared with a surprise of your own, hoping it would ease Spencer’s anxieties a little as he tried his best to rest.
“You look excited. More than you usually are when I pick an old Russian movie.” he remarks with a soft smile, opening the door wider for you.
“While I am very excited to watch Catch 22 in Russian, I brought something for you!”
He looks at you quizzically, “What? You didn’t need to bring anything, you know that—”
You wave him off and bound over to the couch, “Come sit, I’ll show you.”
Spencer shuts the door and sits next to you as you produce an opened package from behind your back, “Okay, I hope you don’t take this the wrong way,”
“Always a great way to start a sentence.” he quips.
“Stop! I’m being serious,” you lightly thwap him on the shoulder, “Okay, I couldn’t stop thinking about how you told me you’re afraid of the dark, and I’m really happy that you felt comfortable enough to tell me, but it also made me really sad to think about you alone in your room not feeling okay…so.”
Before Spencer can even respond you pull out the contents of the opened package and lay it in your lap, beginning to work on opening the outer plastic. His brows furrow slightly, “What is that?”
You smile, “Well I was going to get you a cool nightlight, I saw some sick Tardis ones or even a pumpkin shaped one. Which I can still get if you want or if you hate this…” you finally get the last plastic off and pull out what’s inside, “But I got you these.” you hold them out for him to see.
Spencer gazes over your hands and asks, “Stars?”
“They’re glow in the dark stars,” you say matter of factly. You hold one out for him, watching him cup his hand around his eye to shroud the star in darkness and see its glow, “I used to have them on the ceiling and walls in my room when I was little.”
He smiles fondly thinking about a tiny you in a tiny bed, staring up at the stars on your ceiling as you try to fall asleep. You continue softly, “I was thinking we could put these up in your room and make little astronomically correct constellations on your ceiling. The intention is that whenever you look up you can remind yourself of the stories of the constellations to help you fall back asleep. But whenever you’re feeling afraid or scared, you can look up and see Ursa Major or Cassiopeia reminding you that you’re safe.”
Spencer is not often left speechless, but he’s come to learn that anything’s possible with you. He is not able to process that you took it upon yourself to find a solution to something that’s been plaguing his sleep for years, something that he didn’t even know could be fixed. A few tears escape from his eyes before he can help it, followed by a quick sniffle that brings your attention back to his face.
“Oh Spence,” you breathe out, “I’m sorry, I didn’t mean to upset you.”
“No, no I’m not upset,” he pulls his sleeve to wipe his eyes, “The exact opposite, actually. This…is the most thoughtful thing anyone’s ever done for me.”
You smile softly, “I just wanted to help. You deserve to rest and feel safe in your own space. If I can help with that in any way, I will.”
For the fear of crying again in front of you, Spencer grabs you and pulls you close to his chest, the smell of his laundry detergent and cologne overwhelming your senses so much you almost miss the muffled ‘Thank you’ whispered into your hair.
You press a small kiss to his chest, right on his heart before standing up and gathering the stars in your hands, “Okay, so which constellation are we doing first?”
All the love inside of him is about to burst as he looks at you about to walk into the bedroom, “Have I ever told you about the story of Perseus and Andromeda?”
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yourfavoritehouseplant · 1 year ago
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I watched James Somerton's final video, and all I got was this 6 page document
As soon as I learned his final unreleased video was on Revolutionary Girl Utena, I knew I had to hate watch it. I didn't know that I'd spend the following 4 hours making a comprehensive doc on everything I hated about it. But here we are.
The TLDR (is this too long to be a TLDR?)
The intro section, as well as Part 2, are directly plagiarized from wikipedia. The rest is unclear.
He makes a “haha this show is so weird right guys” joke 10 different times
He reads Anthy as so emotionally stunted she literally has to be taught how to think for herself, and believes that being the rose bride makes her feel good
He says that his reading is ‘vastly different” from the rest of the community, before boldly stating that this is because he sees it as a “deeply allegorical and symbolic story”
He sees the sexual abuse as “not to be taken literally”
Insists that the show be separated into parts that are strictly literal and strictly allegorical for the entirety of parts 3 and 4, before making the contradictory move of analyzing characters as allegories during part 5
The only characters that get dedicated sections are Akio and Dios, who he doesn’t believe are the same person. 
He says Dios gets his powers by “deflowering women”
He calls Akio, known child predator, a chaotic bisexual
Uses 14 year old SA survivor Anthy’s passive personality to make a joke about her being a bottom
His final point is that Utena was the real prince all along
There are no citations
Anyway, full version for people who hate themselves under the cut. With time codes, because I cite my sources.
Part 1: Intro
This entire section is almost exclusively quoted from the Wikipedia article for Revolutionary Girl Utena. Words have been changed, but the order at which certain topics come up is not. Highlights include:
0:56 In his introduction of Be-Papas, lists the founding members in literally the exact same order as Wikipedia.
1:40-2:00 His list of Be-Papas previous works is lifted entirely from wikipedia, only with the words changed. This leads to a strange moment at 1:52 where he claims Be-papas ‘lent their talents to’ Neon Genesis Evangelion, a show which started production at least a year before Be-papas was founded. On the wikipedia article for Utena, this is instead referring to the previous work of Shinya Hasegawa and Yōji Enokido
4:23 he uses a quote by Yūichirō Oguro describing the production as a “tug of war”. He seems to have lifted this in its entirety from Wikipedia, as he does not cite the actual source it is from (the box set companion book, btw)
As for James Somerton originals, at 0:44 he claims that out of all magical girl series,”none to my knowledge have been more discussed and dissected than the 1997 series Revolutionary Girl Utena” He will go back on this at 5:05, where he states that “Sailor Moon takes the lion’s share of discussion” in regard to influential magical girl anime
Part 2: Part 1
(At least I know I’m not funny, unlike James Somerton)
Speaking of which. Here is every single time he makes a “wow this show is sooooo weird you guys” joke: 6:00, 8:50, 10:40, 10:58, 13:46, 17:07, 24:16, 30:34, 41:19, 48:01
Here’s every time the punchline to the joke is the existence of Nanami, a character who he otherwise completely disregards: 10:56, 12:05, 16:22, 42:40
6:16 Claims that the “Apocalypse saga” and “Akio Ohtori saga’ are two names for the same several episodes, depending on the release. This is untrue. Instead, different releases either only have the Apocalypse saga, or split the episodes into an Akio Ohtori saga and then the Apocalypse saga. 
7:58 Claims Utena intervening on Anthy’s behalf begins the first duel. While this happens in the movie, Touga intervenes in the scene he uses clips from (like literally right after the shot he uses in the video). Utena only gets drawn into the duels when Wakaba’s love note to Saionji is posted. Youtuber Noralities’ Utena video also gets this wrong, which makes me wonder if this was copied.
9:09 Claims Akio’s “End of the World” moniker is actually more closely translated to “Apocalypse”. In reality, the translation moves away from a more apocalyptic reading, with 世界の果て (Sekai no hate) apparently translating closer to “the furthest reach of a known world” or “edge of the world”. (Love the implications of this translation, but I digress)
9:10 As can be assumed from the previous point, this means I can’t find any sources that point to them not using the title “apocalypse” for religious reasons
10:10 Uses Anthy’s extreme passivity under her Rose bride persona to make a top/bottom joke. I’m gonna repeat this in case you’re just skimming. He uses a trait that likely stems from years of abuse, (possibly exaggerated by the persona Anthy uses to manipulate people), and uses it to call her a bottom. 
He also just doesn’t seem to understand how the whole point of Utena constantly telling Anthy that she's just a normal girl who should make more friends is framed as Utena imposing her will on Anthy, just as much as the previous Engaged have done. 
11:54 Apologies in advance for my most “um, actually!” point yet, but technically his statement that Anthy stops being host to the Sword of Dios is wrong. Akio literally pulls a sword out of her chest in the final duel. It's a more evil-looking sword of Dios, granted.
13:02 !!! CANTARELLA SCENE ALERT !!! He interprets it as them fighting over Akio?? Which like. I will allow people to have their own interpretations of vague and symbolic scenes. I will. I swear. This is not technically incorrect. It just makes me want to eat my own intestines.
14:44 Bad Anthy take #1: He states Anthy “is emotionally stunted to the point where she needs people to make decisions for her because she does not know how to think for herself” This ignores several moments of Anthy clearly making her own choices throughout the show, including the suicide attempt Somerton mentions about a minute prior. This also strips Anthy of what little agency she has throughout the story, usually exerted through messing with Utena or Nanami. (The fact that she repeatedly makes choices that contribute to her own abuse is, in my opinion, one of the most interesting parts of her character, and it's a shame that Summerton’s ‘reading’ of the story completely disregards that)
Additionally, he once again reads Utena ‘urging Anthy to think for herself” in the first arc as an unambiguously good move, and not as something critiqued in the show.
14:52 Summerton reads the Swords of hatred as symbolizing men’s hatred specifically. Again, I’m trying not to completely disregard differing interpretations to a show like Utena, but this feels very simplistic, especially considering the harm we see aimed towards Anthy by other women
16:42 Here he claims that his reading of the story seems to be “vastly different” from the bulk of Utena discourse. What is this reading? That the show shouldn’t be read literally. Or, in his words, “[we can interpret] Revolutionary Girl Utena as a deeply allegorical and symbolic story about the struggles of coming of age amidst widespread institutional corruption in a high school and which describes a passive culture of inaction in regard to brazen instances of domestic exploitation in which there is not only a question about the caporeality of the events transpiring but also which events can be taken for granted and which events are meant to signify abstract sociological institutions.” The idea that he believes this is in any way a new reading of the material honestly baffles me.
Part 3: Part 2
17:48 through 18:50 differently quotes the Wikipedia article for postmodernism. He even makes a joke at 17:55 about Wikipedia. Please kill me. 
The first three themes he lists at 19:11 are just the three main themes listed on the Revolutionary Girl Utena Wikipedia page. What was that about a “vastly different” reading, James?
You’re gonna have to take my word for it, but this section is so short because it's just him talking about the various ways the story can’t be taken literally. He does, ironically, call this a hot take.
Part 4: Part 3
Here’s where the reading falls apart folks
At 23:15, he states that some things in Utena are allegorically coded, while others are to be taken literally. This is true. However, he seems to take this to mean that some parts of the show are Strictly Literal, while others are Strictly Allegorical for things going on in the Literal World. 
This is apparently why he prefers the Anime to the Movie, where there basically is no separation between the Literal and Allegorical
This take is bizarre to me for several reasons, but here is my favorite. At several points, he mentions how Revolutionary Girl Utena is a work of Magical Realism. Magical Realism is literally defined by its blending of the “literal” and “allegorical”, the mix of fantastical elements in a mundane, realistic setting. This idea of the impossibility of a blurred line, that Utena must either have lore where the magic is all real and means nothing, or dedicated allegory segments quarantined from the rest of the story, is contrary to the very idea of Magical Realism.
I can’t help but wonder if Somerton took his mentions of Magical realism from a previous work, due to how little it is consistent with his final argument. Either way, this section suggests a great lack of creativity in his analysis, a shame for such a creative work.
24:36: Shiori slander, for those who care
After this he gets really worked up about people assuming symbolism in everything, even when the author ‘doesn’t make it clear something is symbolic’. He shuts down a reading of a shot in the Lord of the Rings. Miley Cyrus is there? Very The Curtains Were Blue of him. 
28:22 Claims that Wakaba is the key to telling where the Strictly Literal segments end and the Strictly Allegorical segments begin. He states that, under this lens, deeply personal moments of character suffering such as all of the sexual abuse and Anthy’s suicide attempt (which he literally cites) should be read as symbolic and be “approached with uncertainty rather than confusion”. (28:24-29:13)
This also somewhat falls apart when you consider Wakaba is the jeep in the movie's car chase
And then he rants about people not liking his Attack on Titan video for a bit. Since its potential symbolism also doesn't follow hard enough rules to be symbolism. Once again, the separation of “fact vs allegory” I haven’t watched AOT, so that's all I’ll say.
Part 5: Part 4
Thank god this part is short. Much like Dios’ on-screen presence.
32:55 Makes the extremely bold claim that Dios is not Akio. As in, never even became Akio. because Dios is Strictly Allegorical.
Just to be a pedant, this is pretty explicitly disproven in the show
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Confusingly, both earlier and later he will address these two as the same character. 
33:04 he also explains the root of Akio’s name in a tone that suggests this is supplemental information and not like. Literally something he explains out loud in the show?
Part 6: Part 5
This section is nearly entirely about Akio Ohtori. I would like to note that him and Dios are the only characters with dedicated segments.
38:30 The part where he states that Dios gets his powers from deflowering women.
38:46 Claims, once again, that Akio’s abuse of Anthy “may not be literal”. 
38:59 “the instance of exploitation here is used because assault has deep roots as indicating that akio's gender is the source of his imbalance”  THE ASSAULT IS ABOUT AKIO NOW???
39:45 Bad Anthy take #2: “Anthy’s conformity to the Rose bride is based around the fact that she feels good being subservient because this is the only thing in her life that has ever brought her any kind of positive reward”. This is a direct quote. Anyway, I can’t think of any instances in the show where Anthy’s subservience gives her a positive reward, except maybe when she’s intentionally using it to manipulate others. As for her feeling good being the rose bride. She tries to commit suicide. Dude.
Side tangent, but isn’t this exactly what Akio says during the final 2 episodes? That Anthy enjoys being a witch? Is the main villain, who consistently says things during that very episode that are blatantly false, our source of information for this take? I guess so, since this is the dedicated Akio section.
At 40:20 he decides to introduce the concept of Anthy, Akio, and Utena as stand-ins for wider concepts, which is antithetical to his approach in analysis beforehand
Part 7: Part 6
42:40 he finally acknowledges that he’s been spending too much time talking about Akio, and literally no time on characters like Nanami
46:10 states that Utena’s exclusive motivation “is to protect Anthy from the predatorial intentions of the other dualists”, which disregards the fact, which she states herself, that she was largely participating in the duels and protecting Anthy to feel like a prince
48:04 The part where he says that Akio has ‘chaotic Bi vibes’ in regards to him sleeping with Touga, who is 17 and implied to be a long-term victim
Part 8: Part 7
54:01: His concluding point is that Utena was the real prince all along. 
In true Somerton fashion, the video then ends over a scrolling wall of patrons, with not a single citation in sight.
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originalwinnerfanfish · 6 months ago
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Well, it was a big piece of work, hah
I took a break from RW and decided to draw something nostalgic
Actually I've been stuck with this idea for two years now and I'm glad I finally found the strength to do something about it. Thanks for inspiration from one good man)
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Long story short
In this AU autobots and deceptions are two unions of different tribes: mudwings, seawings and sandwings for the firsts and icewings, nightwings, rainwings and Pantala tribes for seconds. Skywings doesn’t exist anymore (because we need someone who takes place of predacons).
People are just people or scavenger if you prefer. And instead of whole cosmos it’s just two mainlands.
- Optimus Prime - I kinda like tfp Optimus. So formidable, powerful and mysterious but really gentle at the same time. And mud/sea combo works here in the best way. As the representation of two main tribes union and strong father/brother figure for team members.
I also think he might be an animus (but don’t use his magic often, especially for killing someone)
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- Ultra Magnus - Pure Icewing already will be great for him, but I gave him part of seawing so he could be more like an Optimus. But instead of being softer and warmer, Magnus is more cold and pragmatic version of him. A character who sees other dragons not as close allies and friends but as ordinary soldiers.
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- Ratchet - Yeah, the seawing would fit him better, but i just don’t know how to make the colors work here sooo… he’s a weak-fire mudwing. Like a skywing, but mudwing. Why not. Make sense with his lack of guns in origin. I think he’s design can be better, and maybe I’ll remake it.
I love his arc of recognizing people as equals and especially his interactions with Raphael. I think Ratchet often read him scrolls about history and magical artifacts.
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- Bulkhead - No surprises here - mudwing fit him perfectly. I think that the Wreckers could been a big and strong mudwing troops, and Bulkhead was a bigwings in such a one. He is lost a lot of his siblings during the war, and therefore tries with all his might to protect the new members of his family. I absolutely adore his relationship with Miko and Jackie, so for me he’s one of the cutest character, and I tried to make his forms round and soft.
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- Bumblebee - I know that majority draw him as a hivewing, but in that case the most logical for him will be a night/sandwing. Literally, autobots get their own Sunny)
I think in this version with his lack of a voice he could communicate using sign language or some variation of aquatic.
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- Arcee - Also nothing special - she is a seawing. I originally wanted to give her a helmet but it was too hard to draw. Just like Sunny she was born pretty small and now even younger dragons can be bigger than her. I’m pretty sure she is old enough to have seen Bumblebee when he was a dragonet, so she's literally like an older sister to him.
Actually she really gives me a Queen Glory vibes with her sarcasm and dangerous beauty, so rainwing might fit her as well.
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- Smokescreen - I used to think he was just a cringe, but now I realize he's a pretty interesting and realistic character. Like Ultra Magnus, I wanted to make him look like Optimus, only this time Smoke is more of a younger and much more irresponsible version of him. I think in this version (being part rainwing) he's trying to mimic Optimus's coloring using same red, blue and pale-gray shades.
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- Wheeljack - The scruffy boy! I think in this version he could be Bulkhead's "adopted sibling", so they are really close to each other. And, because he spent most of his life with Bulkhead, it's harder for him to get close to other tribes and dragons.
Painting scales to keep canonical colors is kinda cheating, but for this dude it totally works. He should have a pretty bright appearance with all those scars and bright spots.
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Cliffjumper - Ohoh… this poor guy. I didn't even think of putting him here, but I like his smug face too much. Even making his scales darker than the original, it's still too brightly colored for mudwing. He probably jokes about it a lot, saying that his ancestors were skywings.
I really like his dynamic with Arcee, and it's a shame we haven't seen much of their relationship. I think I need to do something cute about that.
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athenamikaelson · 6 months ago
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Klaus Mikaelson x Soulmate!Reader x Elijah Mikaelson Pt. 11
Word Count- 3.8k
Warnings- Mentions of Suicide(Damon trying to die because of his wolf bite), swearing, death, blood, gun/gun-shot wounds, smaller chapter but big things happening cliffhanger ending
“Yes, Elena. Once again, I’m fine. I have to go run an errand and then I’ll see you guys at the square. OK? Toodles!”
I quickly hung up my phone, just in case Elena decided to ask what errand I was running. How the hell am I supposed to tell her I’m going to try to talk a dying Damon Salvatore off the ledge?
It’s been two days since Demon dropped the bomb that he was dying and then disappeared. He hasn’t answered my calls and whenever I ask Stefan about him he says “I’m working on it.” Not well enough, clearly, because the Bunny Eater called me 30 minutes ago telling me Damon just tried lighting himself on fire and he needs my help talking him down. I’m not sure why I’m the one he called for this since I’ve heard Damon on more than one occasion say he’d rather die than listen to me speak. 
Damon and Stefan have made me keep quiet about this, so no one else but us three knows. Which is why I fibbed a bit on my phone call with Elena. I’m not entirely on board with keeping this a secret. What do the Salvatores think is going to happen when the werewolf bite kills Damon? Just tell everyone Damon went upstate to a farm, just like what parents tell their children when their turtles or dogs die.
Although Damon and I have had our differences, I can admit the thought of him dying doesn’t sit well with me. Especially since he got bit trying to stop the ritual. Even though it didn’t stop it, it did save Tyler and Caroline. Who I guess was replaced by that bitch Jules and some random vampire Klaus had in his back pocket. 
I take a deep breath as I exit my car and walk up to the front door of the Salvatore house. I don’t bother knocking since everyone kind of just lets themselves in when it comes to this place. I’m about to call out for Stefan but within a moment he’s flashed in front of me. 
“Oh good lord,” I clutch my chest in surprise. At this Stefan’s eyes widen and he reaches out to me.
“I’m sorry, Y/n! Is it your heart again? Do you need anything? Here take some of my blood,” Stefan frantically says.
I put both of my hands up and shake them, “Stefan calm down dude, okay? I’m good, you just scared me. I’ve got to start getting you vamps little bells to wear around your necks.”
Stefan slightly laughs but I can still see the weariness in his eyes.
“Really Stefana, I’m good.”
Stefan sighs and nods, “Sorry, I just…with everything going on I’m just…,” Stefan rubs his hand over his face and now I can clearly see the exhaustion and sadness on it. 
I take a step closer and wrap my arms around him in a hug, “It’ll be ok, we’ll figure it out, alright?”
Stefan doesn’t say anything but I feel him nod as he wraps his arms around me tighter as if me hugging him is the only thing keeping him grounded. And after seeing his older brother trying to light himself on fire, it might just be. 
After another moment Stefan releases me and smiles at me but it doesn't reach up all the way. 
“He’s down here,” He says and I follow him down to where Elijah was when he was daggered. 
At the thought of the Original my heart sinks. It’s been three days since I’ve seen or heard from him. Each time I hear my phone ring a small part of me expects it to be him with his stupid posh accent telling me he’s sorry for ghosting me, but every time I answer it’s never him. I’ve tried to distract myself with hanging out with the girls, or Theo, and even the occasional phone call with Jenna who talks to me a lot now about the supernatural since we both learned about it recently. Bonnie and I have also been going through her deceased Gram’s grimoires and things to see if we can find anything on why my chest bled and then magically healed itself, but nothing comes up.  It’s disheartening but Bonnie says she won’t stop searching until she’s found the reason. Our time together has made me realize just how good of a friend Bonnie is. She’s loyal and kind and she’d fight for her friends until her dying breath. Which is sadly something she has already done once. I really like hanging out with her and her teaching me more about her world. I may not understand much about witches but it’s nice to see how excited she gets when she talks about it. 
“Are you going to be good down here by yourself,” Stefan leans down to whisper to me.
“What,” I question now realizing he’s been talking this entire time. 
“I have to go to the square to go speak to Elena but after I’ll be back. Just whatever he says, don’t let him out. Ric should be here soon too. He can take your place when he gets here.”
I do a soldier’s salute and he rolls his eyes as he walks back upstairs. Leaving me and Grumpy down here by ourselves. The door that separates us is big and wooden with a small window that has three metal bars. I look through and frown when I see Damon scrunched up, sitting on the far side of the room. 
“Are you going to eat me if I come in?”
“Drinking your blood would be a fate worse than death,” Damon’s scratchy voice speaks up after a moment. 
I roll my eyes as I unlock the door and push it open, I quickly make my way inside and close it. I lean against the door and cross my arms as I look at the dying vampire in front of me. 
“Stefan really thought you of all people would be the one to talk me off the ledge,” Damon grunts out as he puts his head up to look at me. 
“That’s exactly what I said. I told him you’d be more likely to do it again after hearing me speak,” I laugh out.
Damon’s upper lip twitches for a moment and he lets out a strangled laugh, “You’re not wrong. 
We’re both quiet for a moment before Damon speaks up again, “I’m going to die.”
I take a deep breath and sit down against the door mirroring Damon, “At the moment, yes you are.”
Damon raises an eyebrow at me, “So you’re not going to fill me with fairy tales about some special cure and that by tomorrow I’ll be fresh as a daisy?”
I shrug my shoulders, “Is that what you want me to do?”
Damon stares at me for a moment and then shakes his head, “No, I don’t.”
“Alright then. Works for me. You know, Stefan called me to try to talk you down because he thinks what you did was crazy. But… I understand why you did it.”
This captures Damon’s attention as he stares questioningly at me, “You do?”
I nod as I play with a loose thread on my shirt, “Ya. You’re scared. And in pain. You think this is the only way out, but it isn’t. And I’m not saying that because of some magical cure. I’m saying that because you still have time left to say your goodbyes and to be with those who actually care about you. Even though you’re an actual hellspawn. I know that this is scary, you’ve been alive for over a century and now you’re facing mortality for the first time in years. I would be scared too.”
Damon’s jaw clenches and for a moment I think he’s mad but when I see him turn his head to stare at the wall next to him I realize he’s trying to hide his emotions. 
“Damon you can stare at that wall all you’d like but I meant what I said.”
At the sound of footsteps, I stand up. 
“Ric’s here. Try not to be such an ass to him. You’re kind of like his only friend,” When he doesn’t make any noise about my joke I frown and start to unlatch the door, “I’m glad I met you, Damon. I don’t tell a lot of people that, but it’s true. Thanks for bringing out a fire in me I didn’t know I had.”
Damon says nothing and I quickly wipe a stray tear from my face as I open the door.
“I’m glad I met you too, Y/N. Even though you’re a pain in the ass,” I turn and make eye contact with Damon, and even though the room is dark, I swear I can see small tears building in his blue eyes, “I don’t believe in next lives or whatever…but if they somehow exist, I wouldn’t mind meeting you again in that one, Pukey.”
I let out a small sob as I run over to the seated man and throw my arms over him. He lets out a grunt of surprise and after a moment he wraps his arms around me and I can feel the dampness from his tears on my shirt.
“If you tell anyone about this I’ll kill you,” He tries to threaten but his voice comes out strained so it doesn’t hold much punch.
“Ya whatever, Demon.”
It’s night by the time I get to the square for whatever movie night the town’s having. Elena asked me to come earlier since she says everyone needs a break from all the chaos that has happened. I’m not excited to see how she’s going to react to the news about Damon. But for now, I’m grabbing my fluffy blanket and walking towards my friends and watching this stupid movie.
Jenna, Jeremy, Bonnie, and Caroline all sit together talking as I walk up behind them. 
“Hey guys,” I say and they all spin around to look at me. Bonnie and Jenna both send me warm smiles and waves, Caroline hops up and guides me over to the group talking my ear off already, and Jeremy tries to send me a smile but that dude looks like he would rather be anywhere else. 
“What errand took you so long,” Caroline questions.
“Oh, Theo just needed some help bringing back his football gear and stuff. I guess the coach has been bothering him to get it back for weeks since the season ended,” I say which isn’t a total lie since I did do that after leaving the Salvatores.
“How is Theo,” Jeremy asks. 
Ever since the funeral Jeremy and Theo have been gaming together. When I asked Theo about it,  he said he was doing it out of pity and that someone as cool as him wouldn’t hang out with an emo like Jeremy. But after passing by Theo’s room and hearing him and Jeremy laugh and make fun of each other over call, I don’t think Theo is really doing this out of pity anymore. After moving here and with everything that has happened with our parents it’s been hard for Theo to make friends. Even though he says otherwise. I know he has people to hang out with at school, but it’s all brainless jocks who probably don’t even care to know my brother’s favorite color. He needs a good friend like Jeremy in his life. 
“Theo’s good. Even though he was pissy this morning because he says you cheated last night,” I admit to him as I sit down next to Jenna and Caroline. 
Jeremy shoots me a look of disbelief, “I did not cheat! That jerk! He’s the one who cheated,” Jeremy lifts up his phone and starts angrily texting someone. A someone, who I’m guessing is my brother.
I look around noticing the absence of my best friend, “Where’s Elena?”
They all look at each other wearily before Bonnie grabs my hand, “You might want to prepare yourself for this.”
I look at her confused for a moment and whisper, “Is this about the Damon thing?”
“You knew?!’’
“What?”
“Excuse me?”
“Bro!”
They all yell out and I raise my hands in surrender, “Hey! Stefana and Demon made me keep quiet. They didn’t want to stress anyone else out more.”
“How long have you known,” Caroline asks me and I grimace, “Like… since John’s funeral.”
“Y/N!”
“I’m sorry! I’m sorry! It just wasn’t my place to say.”
They think about this for a moment before nodding.
“Elena went to go talk to Damon and Stefan is off trying to find a cure,” Bonnie says.
“Let’s hope he finds one in time.”
We all quiet down after a moment and go back to watching the movie, but 5 minutes later I feel a tap on my right shoulder.
I shoot Jenna a questioning look as she leans down to whisper to me, “Anything from Elijah?”
I just send her a small shake of my head and she returns it with a comforting smile and a squeeze to my shoulder, “His loss then.”
Over the past few days of Jenna and I talking about the supernatural, we’ve also been chatting about other things like school and relationships. It took me a while to open up but after I did I brought up Elijah. Talking to Jenna about Elijah, and everything that’s happened with him has actually made me feel somewhat better. Jenna’s been more of a mother figure to me these past three days than my own mother has in almost 18 years. 
Out of the corner of my eye, Jeremy quickly stands up, capturing all of our attention. 
He hangs up the phone and turns back to us with a nervous look, “Damon escaped and Elena wasn’t there yet so Ric thinks he’s coming here to see her. Ric says the bite is making him hallucinate so he’s not himself right now.”
“Fantastic,” I mutter to myself and Jenna slightly elbows me and shoots me a disapproving look. 
“If Damon is off the rails, there is nothing you can do to stop him. Let us take care of it,” Bonnie gestures towards herself, and Caroline and I want to groan at this. It’s really starting to piss me off how the supernaturals keep pushing us humans away every time we want to help. Just because we don’t have super strength or heal within a split second doesn’t mean we’re useless.  
“You keep doing this! You left me behind before, and guess what, Elena was still killed,” Jeremy exclaims to his girlfriend, “I’m going to find my sister. You go ahead and try to stop me. Y/N, Jenna, you with me?” 
Jenna instantly nods and I shoot a look at Bonnie and Caroline before walking towards Jeremy, “Let’s go.”
“There he is!” 
I follow behind Jeremy as we see a wounded Damon staring off into space. Jenna left a while ago to go find Ric, leaving Little Gilbert and I to try to find Elena. “Damon,” Jeremy tries catching the attention of the delusional vamp and I watch with caution. 
“Where’s Elena? I need to see Elena now,” He frantically says and I send him a smile as Jeremy walks closer to him.
“Hey, let’s get you out of here first, alright,” Jeremy grabs Damon, who instantly falls into his arms. I go to the vampire’s other side and grab his arms trying to help Jeremy with the deadweight. 
After a bunch of odd stares and murmurs from passersby, we finally get Damon through the crowd and into the empty Grill.
Jeremy drops Damon off at a table and goes to tell Ric where we are. I’m still holding onto Damon's arm as I watch Jere, but turn around when I feel Damon do the same. And I freeze.
“Y/n, move I don’t want to hurt you,” Sheriff Forbes stands in front of us holding her gun and pointing at Damon. 
I go to try to reason to her but Damon flashes away, spooking Liz and all I hear is the sound of a gun and a piercing in my left arm. 
“Oh god,” Liz looks at me for a moment in shock but when she looks behind me her features go straight to fear. 
A strangled sob escapes my mouth as I watch Jeremy fall to the floor, his once-grey shirt turning red, as blood spills from his chest. 
“What the hell did you do,” I scream at Liz as I run over to Jeremy with tears in my eyes.
 I strip off my sweatshirt and place it over his bleeding chest.
“Come on Jeremy, you’re going to be alright,” I sob, “You’re going to be alright Jere,”
Another sob comes from my mouth as Jeremy’s shaking hand grabs mine for comfort. 
“I know this hurts but I have to keep pressure on it, okay. You’re going to be just fine.”
I can hear Liz call for paramedics as she tries to move my hands so she can hold down the sweatshirt.
“Don’t you dare,” I snarl at her and she sits back.
“Jeremy…Hey! Jere,” I shake my head as he closes his eyes. 
Bonnie and Caroline rush up to us and Caroline gently sets me back so she can try to help Jeremy. I sit there with silent sobs as I watch Bonnie tell Caroline that Jeremy’s ring won't bring him back since the sheriff is human. 
Caroline bites into her wrist and places it onto Jeremy’s mouth, “Go on, Jeremy. Drink.”
“What are you doing,” The sheriff questions her daughter even though she is not the one who should be speaking at all right now. 
“I’m helping him.”
I sit there with tears in my eyes as Jeremy doesn’t wake up and I know it’s because he’s dead. The others must realize this too because they all sit back with sobs of their own. The sound of a door opening captures my attention and I look up to see Ric and Jenna staring over at us.
“Bonnie what’s wrong,” Ric asks as he and Jenna run over to us. As soon as they see Jeremy though they halt. Jenna instantly falls to her knees crying and I crawl over to her ignoring the shooting pain in my arm. I grab her into my arms and she instantly latches to me and sobs into my shoulder. 
“I know what I need to do,” Bonnie says aloud as she stands, “I need you to grab him. T-Take him with us.”
“No, no, no, no. You can’t move him. This is a crime scene,” Liz tries denying which has me wanting to smack her. Jeremy’s dead all because of a prejudice she has.
“Mom, just let them go,” Caroline tells her mother and Liz stands up so Ric can grab Jeremy’s body.
“Okay. Alright, come here, buddy. I got you,” Ric says and I hug Jenna tighter.
—-
Bonnie sits in front of us chanting over Jeremy’s body. Candles around us burn hotter as Bonnie shakes her head, “No.”
“What? What is it,” Ric asks.
“They’re angry at me for coming back here. They don’t wanna help.”
I shake my head in denial.
  “Well, they have to.”
Bonnie looks at Jeremy with tears in her eyes, “They said there’ll be consequences.”
“Well, he’s just a kid. Tell’em to shut up.”
Bonnie continues chanting and the witch house starts to shake.
“Emily! I know you’re there. Please help me. I love him.”
Jenna, Ric, and I watch in silent horror as everything stops and Jeremy is still lifeless. Bonnie cries holding him and Jenna crawls over to her dead nephew. 
I look down at Jeremy and let out a sob of relief as I see him flutter his eyes open. 
I sigh deeply as I watch Jenna and Bonnie hug Jeremy. 
“Y/N?”
I turn to Ric who is staring at my arm, I watch as he slowly lifts his fingers and touches my shirt. I fight the urge to groan in annoyance as I look at the fresh blood on his fingers. 
“Anyone want to take me to the hospital?”
“OK, so it appears you’ve lost quite a bit of blood,” The doctor tells me as he tapes gauze over the gunshot wound on my shoulder. I have a gunshot wound. I was shot. What the hell?! Somehow the bullet that killed Jeremy went right through the upper part of my shoulder. 
Ric and Jenna had dropped me off about an hour ago. They insisted on staying, but I told them my mother would be here soon and they should get back to Jeremy. 
“We’re going to have to give you some blood. Do you happen to know what you’re blood type is? It appears that on your medical records, your mother and father’s blood types are listed but yours isn’t.”
I shake my head, “I’ve never had to get blood drawn before so I don’t know.” 
The doctor nods, “That’s fine. We would give you the universal donor blood but for some reason, we’ve had a shortage in blood lately,” I nod along as if I don’t know exactly why that is, “But we’ll take some of your blood and do a test then find out what your type is.”
I nod and thank him.
“We called your mother but it seems she can’t get out of work and your father didn’t answer. Is there anyone else you’d like to call to be with you?”
My heart hurts as I think about how both my parents couldn’t bother to come to see their own daughter in the hospital, “Um...no thank you. I’m alright.”
The doctor sends me a smile, but he looks almost as hurt about my parents not being here as I am. Tell me about it man. I watch silently as he takes a vial of my blood, tells me he’ll have my results soon, and then leaves. 
Great who the hell is going to drive me home?
I’m awoken by a small shake to my uninjured shoulder. I squint my eyes to see the doctor from before looking down at me wearily. 
At this, I try to sit up but waves of pain stop me.
“Don’t move sweetheart it’ll just rip open your stitches,” The doctor gently pushes me back down. But the look on his face makes me nervous.
“Is everything ok,” I question. 
The doctor is silent before he shows me a blood bag, “I was able to find a match for you, but… your blood type is Type B,” His tone and words confuse me. Wouldn’t he be relieved he was able to find me blood?
“I don’t understand,” I shake my head in confusion.
“I don’t know if I should be telling you this without a parent present. I could be fired,” He says to himself as if he’s fighting some internal battle. 
“Please… what are you talking about?”
The doctor places a hand on my shoulder and frowns at me, “Your mother’s blood type is Type A, and your father’s is Type O,” At the confusion still clearly on my face he sighs, “Genetically those two blood types combinations can only produce Type A and O children. So…”
My entire world seems to come down crashing on top of me as he finishes his sentence.
“You can’t be related, biologically, to your father.”
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tryslora · 3 months ago
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Disability in fiction
This was a tough post to write. 
I saw a post about disability rep, and I kept thinking about it, and wanted to share my own takes on the topic. 
I thought about it for days, trying to figure out how to word it. Then after drafting it, I stuck it in a file for a couple of weeks, trying to decide if I could even post it. This is not a topic that can be boiled down to a simple yes/no kind of answer.
Let’s start with two examples.
1 - I have a short story I started writing (it wants to grow up to be longer, so it’s waiting for time) where my original concept was to write about an older woman who is short and has major chronic pain, and I wanted to dig into fantasy reasons why this pain exists, but at the same time, have her be able to kick ass despite being exhausted and dealing with excruciatingly painful issues.
2 - I once drafted a portal fantasy storyline wherein a young man was transported into a fantasy world, and when he was given a horse to ride, he approached it very warily. He was encouraged to mount, did so, and sat there and exclaimed in shock, “My brain isn’t exploding with snot!” because his allergies hadn’t come with him into the body he had in the fantasy world.
Both stories were designed to be fun, a bit light, maybe even cozy.
So.
In one case, the disabled character remains disabled and kicks ass anyway. And in the other case, the character is magically “healed” and no longer has debilitating allergies that had wrecked his way of life.
This is the difficult part to express: I think both storylines are valid.
Bear with me while I dig into this.
First and foremost: I completely agree that we need more representation in all forms of fiction, especially when it comes to disabled people being able to live their lives. Characters with missing limbs, or non-neurotypical brains, or anxiety & depression, or hearing issues, or sight problems, or chronic pain, or… or… you get the idea. We need all of it, and we need it to not need to be magically healed in order for a story to be considered happy and cozy. Disabled people can be happy, too.
I’m all in for this, and I wouldn’t write the stories I do if I weren’t.
However, there are also moments where I am so exhausted by my body and by everything I deal with inside of it where I do wish for that magical ability to forget that my pain exists. Or for the ability to actually process information in a straight line, or make decisions without writing a hundred lists and accomplishing nothing from them. Or to be able to lie down in a field of grass without regretting it for days while I drip snot and fight sinus-pain-induced migraines.
Sometimes I want to imagine that my life is different.
And that is one of the joys of writing. I can choose to write a story where people like me or the people I know are the heroes/heroines exactly as they are, different abilities and all. Or I can choose to write a story where the problems magically resolve.
Both can be cozy, sweet, and adorable. I can give the character with chronic pain the ability to kick ass, take names, and have a sweet reunion with her ex-girlfriend. I can show all the ways that my disabilities may define how I handle my life differently than someone else, but do not define what I can and cannot do.
But I can also daydream about a life where it’s different, the same way I can daydream about having wings, or being able to teleport. For me, imagining a day with no pain is the same as a day where I can walk through walls. It is absolutely a fantasy, and about as likely to happen.
Here’s the thing: It’s okay to be angry to see what looks like disability being erased. It’s okay to wonder why the author did that, why they magically healed someone instead of letting them be who they were. But at the same time, maybe ask why, and what point of view it’s coming from. Or look a little deeper into the story and how the resolution occurs, and the effect it does have on the character (I suspect that were I to suddenly have a day of no pain, I’d be intensely reckless, given what an idiot I am while IN pain, y’know? And WOW would I regret that later…).
And for authors, think about what you’re writing. WHY is this particular event (keeping disability, erasing it, whichever or both) happening, because the reader will take note of it. They may see things that weren’t intended, but are there as unintentional biases.
Make conscious decisions for why things happen.
Someday I want to get back to both of those examples from the start of this post; I still like both concepts. But I’ll be writing them for very different reasons, and both will be healing my soul in different ways. Different kinds of daydreams. And again, I think that’s valid, too.
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simpforsolas · 2 months ago
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i wrote up this whole rant yesterday about how I didn't find the Solas arc satisfying in this game, and seeing the ama and interviews today, I think I understand why that is lol.
yes, Solas carried this game. Yes i loved every time he was on the screen. yes his arc made me cry. NO it was not satisfying. and i'm just gonna go ahead and copy paste my rant explaining my feelings the best i can.
(i wrote this yesterday before all the revelations)
Solas's writing wasn't successful to me not because I think he was written out of character, necessarily. I think that every individual instance of his character being written on-screen was fine, but to me, his character was missing the wider context that put the isolated actions we saw of him in the game into perspective
The entire point is that the Dread Wolf/Fen'Harel persona that we see is a mask he wears. And that's fine, I like it! But what makes a mask interesting is to see what it's masking, and Rook doesn't really get to see that unless you choose the reedem ending. I guess what I'm getting at is that I craved to see more Inquisition-style Solas, in particular Trespasser Solas who was so remorseful but stuck in his ways, who stuck to his path but said stuff like "I would treasure the chance to be wrong once again, my friend." All these different sides are real sides of Solas, but because the game didn't really show us all these sides then we're left with a lopsided picture and now I have to deal with all these fools misinterpreting him all over the internet
I can still interpret it my way well enough, but the thing is that's my interpretation and it's a valid interpretation of the source material itself, but other people's interpretations are also valid because the game didn't really get more into his motivations other than "it's all mythal." But if you go back to inquisition, you can see how passionate Solas is about his ideals! His banter with other party members and his approval and dialogue you get with him really suggests that he actually CARES about his goal at an idealistic level, it's not just about regret. I like the regret! I like the history with Mythal!! I just wish it was more of something in his backstory that shaped him to who he is today and is something he needed to work through in order to finally see things clearly, instead of being the one magical thing that had to happen for him to get his "redemption"
I'm also rather frustrated that the right answer was just going straight back to the status quo, when we KNOW the veil is falling apart and shattered and an unnatural wound inflicted on the world that turns spirits into demons, prevents the world from achieving the magical/technological wonders it once had, keeps elves from immortality, and creates this fear and class difference between mages/non-mages and people who understand the fade and those who don't. Like when I replayed Origins i was struck by how many plot points are basically "the veil is weak here which means that there are demons here and they killed hundreds of people!!!!!!" Things like that are still going to be a problem hello why was none of this addressed 😭😭😭 I wish we could've validated the problems Solas's plan resolved to fix instead of saying "you just need to move on man this is just you taking your issues out on the world" because it WASN'T THAT
'm also really frustrated that we don't see a SINGLE big plan of Solas's go right because I know my man, I BELIEVE in my man, I know that he was smart and clever and had wins!!! I don't mind him fucking up but when all we ever see of him are major fuck ups it annoys me because COME ON. He's the DREAD WOLF. He knows how to make plans and carry them out. He saved thousands of slaves during his time, he fought and won countless battles, he locked away the Evanuris! Sure things fell apart in the actual veil part but he was able to trick all of them and did succeed in locking them away. The only thing we actually see him accomplish in this game is escaping regret prison, which is instantly seen as less cool because Rook gets out after like five minutes, and taking down the archdemon which was pretty hot but that wasn't about trickery, that was him engaging in straight up physical fighting in his wolf form. Anyway it frustrates me because now people in the fandom can rightly laugh about him being stupid and having bad plans. Yet I can't help but go back to inquisition and listen to his advice, dialogue, etc, and he's always so thoughtful and wise! So i just find it hard to believe that this man is incapable of taking a win. even if he kept all the Ls in this game but they had included a few more wins i wouldn't even be mad but it was literally just a collection of Solas's Ls and it frustrates me because I think he's better than that
i'm just worked up about this because i've been seeing takes about solas from people who used to like him but this game made them hate him, and the fact that the source material from datv as an isolated game actually supports their perspective is driving me insane. cuz if you ask me a lot of solas's character and motivations between dai and datv are actually at odds with each other. even if the surface characterization is absolutely on point, there was just so much context and scope that we're missing in this game. i can't handle it
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signanothername · 3 months ago
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Can we see your version of Swap? Get to know the silly guy a little? What about Ink?
Hell yaaaa I think it’s time I actually gave a bit of a spotlight to the Stars and especially to Swap and Ink
If we’re gonna talk about who would be the most badass of the Stars, it’ll definitely be Swap, the guy is an unstoppable force
My version of Swap would be a variant that went through Killer’s eye stabbing incident, rendering his magical eye completely blind and by extension, later gets a prosthetic eye in his blind side, the loss of his magical eye has definitely affected his magic to a significant extent, he no longer is able to use blue magic, and not just gravity wise but also blue bone attacks, he also experiences phantom pain a lot and deals with severe migraines at times, and obviously had to adjust to living with one eye, getting to minimize depth perception issues
Not only that, but that also gave him problems with how his magic is distributed within his body, and so Swap sometimes struggles with too little magic output or too much depending on the situation
That however, still doesn’t strip Swap’s amazing physical, mental, emotional and magical strength regardless, he’s still very much more than capable on his own, and blue magic or not, he’s not to be trifled with, Nightmare actually sees him as a genuine threat, and that says a lot
The reason Swap ends up with a prosthetic eye is cause he asked for it to be made for him before he went on another mission with the Stars, to make it seem as tho he still has his original eye intact, so the Nightmare gang won’t take his blindness as a leverage in fights by targeting him from said blind side, as far as the Nightmares know, Swap’s eyelight survived Killer’s assault (Killer has a different opinion about that), Dream and Ink are the first to know about the incident and Swap’s blindness outside his own AU, Swap tells them about it after he has his prosthetic
Swap is generally the voice of reason and the one who takes care of Dream, cause while Dream is someone who can take care of himself, he sure isn’t putting much effort into doing so, too preoccupied with his messy life and his relationship with Nightmare to notice how he’s destroying himself
Swap looks out for Dream and tries to be as present as he could, he does not treat Dream like a child or forces him into taking care of himself, but he does nudge him to the right direction, and teaches Dream things that could help him like how to take care of his chronic pain, and later down the line help him with his Autism
Dream never says it out loud , but in a way Dream himself doesn’t understand, Swap is like another sibling to him, like it was always that way, like it’s just natural
Needless to say, Swap and Dream are very close
Swap loves Ink and his intense passion for creation, he might not understand Ink’s views fully, but he doesn’t judge them for it, just keeps a bit of an eye out for any mischief he’s cooking, Ink definitely is an a bit of an enigma to Swap, and he loves them for it
Outside the Stars, Swap is usually in his own AU with his brother dealing with his usual story and resets, the resets however no longer affect him the same way as he’s pretty much a semi-outcode, so when a reset happens, he still retains his memories fully and is able to know that a reset took place
Honey (Swap Paps) on the other hand, does not retain his memories at all, and by extension, isn’t able to truly realize if a reset took place unless he gets hints
Swap and Honey however, are open about the resets to each other, so when a reset happens, Swap does let Honey know, and Honey believes him without a shadow of a doubt, the Swap bros have a very open and healthy relationship with each other
The Swap bros also usually welcome Dream in their house with open arms, and while Honey expresses his reservations about Swap’s adventures as a Star (he’s just a lil worried) he still trusts Swap to take care of himself, in fact, Honey has no right to talk with his sock still on the ground
Swap spends most of his time in his AU in his own house, only getting out with the Stars when Dream comes to tell him he needs help or when duty calls, he does go out with them on genuine adventures too where they explore the multiverse, usually returning with souvenirs and gifts for Honey and his friends in his AU
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Ink is the kinda guy that’s looking for what’s entertaining, if he isn’t entertained, then he’ll find ways to entertain himself, and believe me don’t want them to take it into his own hands
Ink generally has very low social needs and has no desire for connection, it doesn’t mean he has no connections at all, but rather, they’re satisfied by the very few connections he already has, like his friendships with Dream, Swap and Error, and their familial connection with his parents, (with Killer on the way to becoming another friend to them) these few connections are more than enough for Ink, he doesn’t look/long for new connections or feels the need to widen their social circle, Ink getting attached to others is very rare, but not impossible
The few connections they have are genuine, and he does love them, that doesn’t mean their views of them change however, his friends and family are all characters in a script, a never ending game
But not him, they’re above that, they’re real (yes, he’s very much a hypocrite)
He prefers to stay by himself in the doodlsphere, or in the Omega timeline with his parents, otherwise, you might see them traveling across the multiverse just to look for new AUs or stories, he might even go out of his way and travel around with Color, Epic and Delta, as they generally love traveling around, he goes for a little company, then leaves
In the Stars, Ink generally tries to never interfere or actually fight alongside Dream and Swap unless there’s an actual reason to, such as Error messing with the code or trying to erase the AU, which is rare, as Error’s attacks are usually independent of Nightmare’s
He does help with fighting Nightmare off if his quest for negativity messes with the script of an AU (which is usually the case) Ink usually stays on the defensive than the offensive in fights
They find no true joy in fighting, they prefer de-escalation tactics, but with how blunt and brutally honest he is, it usually just ends with it escalating further, he can be an absolute asshole, really inconsiderate, and a downright bitch at times
He acts upon his own interests, seeking what fulfills them not what others expect them to do, that’s why Ink would not allow anyone to interfere with AU scripts, that even includes Swap’s, Dream had tried interfering with Swap’s AU to make it so Swap never has to go through resets again (all from a place of wanting to do good) and Ink never allowed it to happen, it escalated in a fight between Dream and Ink, only to be interrupted by Swap
They and Dream end up in a pretty bad fallout, as during Dream’s younger years, a bit of a younger not fully mature anger riddled Dream couldn’t simply fathom Ink’s views of how the world works, that fallout does hurt Ink deeply and messes a bit with them, triggering his abandonment issues, he would be lying if they said he didn’t want Dream back in their life, but he sees no use in trying to mend something that’s engraved in Dream’s mind, so he just confides in Swap
As the years go by and Dream eventually matures, he comes back to talk to Ink, apologizing and asking Ink if he’d be willing to be friends again, which makes Ink happy, they both become really good friends again
Ink does not act on what’s good or bad, they simply do their job as an AU protector/ guardian just like Dream does, if that means stopping Dream from doing good or Nightmare from doing bad in an AU if it interferes with the script, then he will stand against both of them
His protection of these AUs comes from both a survival instinct and a genuine love for creativity, that’s how their love for creation blossoms through, he views everyone as mere characters in a story, but they find these characters to be beautiful, he finds the storylines they live as perfect the way they are, the way they were intended to be, a product of the beauty of creation, he recognizes the value of the stunning differences in these creations
Ink does help others if they’re asked to, he cares about the few people he loves most and absolutely enjoys the company of others, most of the help he provides is usually in the Omega timeline, making new houses, living spaces and creating essentials for the residents there
Ink and Swap are very sibling coded, they both are a bit hyper about what they love and their passions, they love spending time with each other and going on adventures together
Ink definitely loves pranking the shit out of Swap specifically, and he sure has gotten him in problems so many times, but Swap persists and Ink would be lying if they said he wasn’t impressed with Swap’s ability to withstand the bullshit he puts him through without batting an eye like it’s another Tuseday
He’s insecure about their lack for a soul, sometimes overthinking things and doubting their own emotions and the legitimacy of his love for the few people they do love, he often finds himself going to his parents when these doubts arise, finding saftey within their arms
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Generally, the Stars go through ups and downs in their relationships, Swap being the one to help keep the balance of the team, they still are pretty good friends overall and each of them do look forward to their next adventure together
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thyme-in-a-bubble · 11 months ago
Text
the pained peace treaty
fused with the foe, chapter one
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a/n: oh wow, i have no idea how to introduce this beast of a story except to say hi, hello, welcome! i really hope you enjoy this story, as well as the rest of the trilogy, idk if i've ever gone as in depth and all out with any story as i have with these.
summary: “now, everything is already set into motion, so we don’t have time for any of your theatrics,” not looking you in the eye, he frostily told you, “you are to be married. A carriage has just arrived a few minutes ago to pick you up and transport you to Eflorr.”
warnings: king!steve rogers x reader, fantasy AU (monsters, but not much magic), original fantasy world, enemies to lovers, arranged marriage, slow burn, innocent!reader, abusive father (like super bad. he is a garbage person), wedding, blood, injury
word count: 4813
∼ gentle reminder that feedback, but especially reblogs are the way you support writers on here ∽
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“Your majesty, I must warn you, if, gods forbid, our people come to discover the great lengths you’ve been willing to go in this disagreement over the past two decades, they might start an uprising. And if you keep going, then it’ll turn into a full-blown war and you know our kingdom wouldn’t be able to survive that, not with them. Our city’s walls may be high, high enough to keep out any beasts that may wander this far south, but it wouldn’t keep them out. You know better than most how people from Eflorr are. If you don’t wanna lose your crown, one way or another, then I’d strongly advise that we come up with some peace treaty.”
“I know, I know…” King Ivan leaned back in his gilded throne with a huff, the quality of his voice was as thin as his towering frame, “a trade I think should suffice.”
A different advisor then timidly pipped up, “but our mines ran cold ages ago, what could we possibly offer that would be satisfactory?”
Not lifting his cold gaze, the king stared at a fixed spot on the marble floor as he said, “I know one thing the king lacks that we may be able to provide for him… a wife.”
“A wife–,” both of the men’s eyes grew wide, “but do you mean–, your majesty, she is your only daughter, are you certain this is the fate you want her to have? Those people are barbaric! If one of the dangers that rule the north doesn’t get to her first, one of their citizens surely will. Sire, what if history repeats itself?”
“Then let it do so. In fact, perhaps this could have been her purpose all along and I just didn’t realise it. Couldn’t see past my own rage to grasp how useful she actually could be…”
Sharing a nervous glance, one of the advisors asked, “should we send for her? See if she agrees with the plans?”
“No, I’ll tell her when the time is right. Wouldn’t want her to do anything stupid and ruin the one good thing she could ever provide,” finally lifting his stony gaze, the king commanded, “make the arrangements, I’ll see to it that she doesn’t ruin it.” 
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Deep within the opulent halls of the gilded palace, standing grand and safe behind Ingorn’s tall city walls, twisting up towards the clouds, up in a window in the western tower, there you sat. 
Book in your lap, you leaned back against the small pillow you’d propped behind you to make the wide windowsill more comfortable. Small paper butterflies hung from strings above and some dangled so low that the childhood craft that still decorated your window trickled the crown of your head. Flipping the page, your fingertips brushed down over the illustration that appeared in the agricultural tome you’d found in one of your brothers’ rooms. 
As long as you put it back before Angus returned then you’d probably be good. And if he were to somehow notice, then as long as he didn’t rat you out to your father then it would be alright. Both Angus and a few of the others that were closer to your age, Oliver and Francis respectively, were always a bit of a gamble whether or not they would do such a thing. They didn’t always have the same spirit as the eldest pair of your older brothers, Xavier and Callum. 
You missed them so much your heart ached. The older they got, the longer their diplomatic missions seemed to stretch out, making the quiet palace that much more lonely in your solitude. 
A knock then suddenly boomed at your door, causing you to jump edgily in your seat before you slammed the book shut and nervously stuffed it behind the firm pillow. 
“Come in!” you called out, swiftly straightening out your dress that had crumbled around your legs at the comfortable seat. As the door to your room slammed open, the figure that stood in it caught you by surprise, “Father–, oh, hello,” you straightened your posture that much further at his arrival. 
Skipping over any niceties, King Ivan simply stated, “you need to pack up your stuff.”
Your brows knitted into a fierce furrow, “what?”
“Not everything, of course,” he cast a cold glance around the room though didn’t take a step to enter it, “just the things you are particularly attached to.”
“I’m sorry, I don’t understand,” your head lightly shook from side to side, “where am I going?”
When his eyes finally gave you the time of day, it swiftly dropped to the floor as a heavy sigh flowed from his lips, “why do you have to be the spitting image of her…” the muttering was unfortunately just loud enough for your ears to catch. His disappointment was always just loud enough for your ears to catch. When he entered the room and you moved to get up, he swiftly said, “stay seated, Y/n,” before he planted himself next to you on the wide windowsill, “now, everything is already set into motion, so we don’t have time for any of your theatrics,” not looking you in the eye, he frostily told you, “you are to be married. A carriage has just arrived a few minutes ago to pick you up and transport you to Eflorr.”
“To Eflorr?” your gaze grew wide, “you wish for me to marry someone there?”
“Not just someone, you are to marry their king.”
“I–… I–…” your chest rose and fell rapidly beneath your rosy dress, “but father, you can’t–, I can’t go live with the people who killed mom.”
“We don’t know if they actually murdered her. But I do know that you did,” his glare locked upon you as he let himself seethe, “if you hadn’t been born then she’d still be alive,” the fact that the only thing he blamed more for his late wife’s untimely demise then the kingdom she’d perished in was you, remained a point that the sovereign had never been shy about sharing with you for as long as you could recall, “your duty is to protect and serve this land, this crown,” your eyes naturally fluttered up to gaze at the twisted gold balanced upon his head, “if you don’t go through with this, then those savages will come pillage and ruin your home. You are, regrettably, the very last hope this kingdom has of survival. You have no choice, Y/n. This marriage is the only thing that can stop a war we would never survive,” exhaling slowly, he then dominantly nodded in a concluding fashion, “pack your stuff, you have an hour.”
You felt tears sting your eyes as your bottom lip quivered, “an hour? But–, can’t we wait at least a few days before I leave? Can’t I get a chance to say goodbye to at least one of my brothers? None of them are home yet.”
Regret instantly washed over you as your father’s nostrils flared angrily. Seizing your arm in a bruising grip, he yanked you close as he hissed, “you listen, and you listen carefully, you little brat. You have been the bane of my existence ever since you took your first breath. You took away the love of my life. You don’t deserve a goodbye, you don’t deserve anything. Do you think I got a goodbye when your mother suddenly went into labour on that diplomatic mission? No. All I got was you. Not another son, but a living, breathing reminder of what I lost that day,” your eyes squeezed shut as your cheek tingled at the memory of his strikes, “now, be a good girl and go wet his prick, give him a few babies, do anything he’d fucking please, so that him and his barbaric army doesn’t come here and slaughter everything you know and love.”
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“Your highness, are you cold?” the high-ranking warden sitting across from you in the carriage noticed the shiver that your body couldn’t seem to shake. 
Tearing your eyes off of the scenery along The Emerald Path that the narrow window granted you a view of, you glanced back at the warrior. The brown hair he had practically tied off at the base of his neck blossomed into a dark beard. A bare palm clasped over an inked one in his lap as you met his gaze and said, “no, I’m–…” in truth, you were scared, so scared that you were trembling like a leaf, but you couldn’t tell the foreign king’s advisor that, too much weighted on your shoulders, you couldn’t screw this up, “no,” glancing back out of the window, you only stared a moment at the sparse cottages that slowly came into view on the rolling hills before you turned your head again and let the nauseating nerves control your words, “pardon me, Barnes, is it?”
“Yes, your highness?”
“Sir, how much further till we get there?” your quiet voice echoed within the carriage, “it’s just–, it’s been days.”
“Oh, not long at all,” he shook his head lightly, “actually,” the knight leaned forward in his seat and cast his glance outside, “if you look out the window now, right there,” a small smile tugged at his lips as his finger shot up to point, “that river, that means we’re getting close to Borün city.”
As the river then suddenly curved before the dirt road, the clomping hooves of the horses that hauled the coach resonated as they trotted over a stone bridge. 
Twisting your head, you glanced out to your right and spotted farmlands curve over the rolling hills that swiftly blossomed into thickets and towering flora you’d only assume was the southern perimeter of The Noll Woods. Books about this kingdom had been banned in your homeland for as long as you could remember, but even though you were essentially going in blind, you still weren’t completely ignorant when it came to the dangers that called that sprawling forest its home, not that you were an expert in the slightest, but your brothers had from time to time told you tales of the monsters who dominated in this part. From giant and twisted insect-like creatures, to mischievous pixies, to even the rare dragon, those stories had always been your favourite. Apart from the rare occasion where Callum would share stories with you about your mother. Being the eldest, he was the only one who truly remembered her. 
Instinctively, your fingers fluttered up to fiddle with the opalescent stone that hung from a chain around your neck. In the middle of the milky jewel was a small rune engraved into it. You had no idea what it meant, but your fingers had still traced the carving countless of times before as it had hung from your neck for as long as you could recall. It hadn’t been till you were a ways into your teens that you’d come to discover that it had belonged to your mother. 
Casting your glance out the other side as you passed a tall watchtower, behind the wide city stables unfolded a port town so quaint that it surprised you. Over the small valley of gabled roofs towered a central tree, and beyond all of that, the sparkle of the sea caught your eye, a sight you’d never beheld before, haven not only stemmed from a landlocked metropolis, but also not haven been permitted to leave your room as much as your heart had desired. 
“This is Eflorr?” you asked as the carriage began to roll up the winding path to the stone castle that loomed on the cliff, granting you a new view of how the river that you’d crossed slid through the city and spilt into the ocean.
“This is Eflorr, your highness,” the corners of his lips twitched at the sight of how wide your curious eyes were. 
“It’s–… it’s–…” your stare danced over the lush ivy that climbed the solid towers, “not what I expected…”
“What did you expect?”
Tearing your gaze away from the window, you blinked, “oh, I didn’t mean–,” suddenly worried that your shock had come out sounding rude, “I just–… I don’t know a lot about this land,” in the few tales you’d heard about this place, there had been a running gag that the people of Eflorr had lived so close to the dangerous beasts that called this part of the continent their home that they too had turned into monsters, “it’s just different than I imagined.” 
Ascending the jagged hill and passing through the front gate, it opened up into a wide courtyard before you felt the carriage finally roll to a stop. 
The wagon creaked gently as Barnes stepped out first, though when his boots were firmly on the cobblestone, his frame twisted as he reached an outstretched hand back for you to grasp in support of your own exit. Ever so apprehensively, you slid your own palm into his as your other twisted in your long skirts before you slipped out of the carriage. 
Letting go of his gasp, the soldier's low timbre washed over you as your head tilted back to take in the vast stronghold, “his majesty, unfortunately, couldn’t be here for your arrival as there was a bit of a dryad problem further up north he had to take care of,” you gaze tore away from the fort and fell upon him, “but I assure you he should be back in time for the wedding.”
“Oh, alright,” you breathed, unsure if that fact made you feel better or worse about the entire predicament.
“If you’d like, I can give you a brief tour of the castle,” he offered as he led you towards the main entrance into the castle proper, “or if you’re exhausted after the journey, then I can just show you directly up to your chambers.”
Offering him a polite smile, you nodded, “a tour would be lovely, thank you.”
He only briefly went over the buildings surrounding the courtyard you’d entered into, as they were mainly designed as barracks and various other facilities for the local wardens, though the horses that stuck their heads out of the royal stalls in the corner did catch your eye before you moved on inside. 
Barnes’ voice echoed in most of the chambers he showed you in the castle’s western wing. The vast stained-glass windows that were in the ballroom for instance took your breath away as you saw how the light streamed through them and warmed up the room with glittering little rays of colour. 
Behind the great halls, squeezed in between and connecting the two major parts of the fort, there you crossed through a much more quiet and lush courtyard. The pebble paths that curved around the central fountain too curled around various topiary bushes that were trimmed to perfection like living sculptures. 
Though as your guide showed you the eastern wing that crested over the foaming sea below, your curiosity got the better of you. 
“Hey, Barnes?”
Slowing his leisurely stride, he tilted his head slightly, “yes, your highness?”
“What are dryads?” your brows knit lightly together, “you mentioned there was a problem with them, but what are they?”
“You don’t know?” he glanced over at you, clearly trying to mask his surprise as you shook your head, “oh, well, they are forest spirits, nymphs,” he explained as you roamed deeper down a broad hallway on the second floor, passing many private chambers both to your right and your left, “it’s not uncommon for them to wander and bother the folks who live further up the coast. Have you never encountered one? They are not as uncommon in Obelón as most of the other creatures that thrive this far north.”
“No, I’ve never seen one…” you shook your head as a low sigh flowed from your lips, “never really seen anything…”
“Not much of an outdoorsy person?” he guessed in a light-hearted tone. 
Forcing a smile, you replied, “you could say that…” as you hadn’t been allowed to be one even if you wanted to. Passing a set of double doors that stood wide open, the sight inside made you halt your steps, “is this the library?”
Shadowing you as your feet crossed the threshold, he nodded, “yes, it is,” then pointed back over his shoulder, “and your quarters are right down that hall.”
Numerous grand bookcases stood lined up all the way down to where a tall window allowed the sunlight in and let it stream through the rows. 
“Can I–… would it be alright if I read some of them?” 
“Of course, your highness.” 
“Would you mind showing me which ones I’m allowed to read?” you briefly peeked back at him as a bubble of anxiety fluttered in your belly, “I don’t wanna accidentally read something that I’m not allowed to.”
Barnes then blinked back at you a moment before he uttered, “your highness, you can read each and every one of them if you’d like. Why wouldn’t you be allowed to read whatever you wish? They are yours after all, or will be after the wedding,” the corners of your lips twitched upwards as he then asked, “would you like to peruse the titles now or do you want to see your chambers?”
“Oh, uhm,” you tore your gaze away from the tomes and turned back, “I’ll look later.”
“Alright,” he nodded, extending his inked arm to show you the way. As he pushed the heavy wooden door open to the room at the very end of the hall, his voice rang out once more, “this is the peacock suite,” following him inside, he settled to a stop near the exit for you to explore the space on your own, “you can, of course, change anything you’d like for it to match your taste.”
“Thank you,” you breathed as you slowly made your way deeper into the chamber. It was gently divided with a more formal area towards the front where both tufted couches and a crackling fireplace stood, as well as a set of doors that opened up to a quaint balcony. Towards the left, under a swirling archway, twisted a broad canopy bed up towards the tall ceilings, warm with blankets and furs, and in the corner, by a breezy partition, stood a deep cobber bathtub.
Haven not noticed that he’d moved, you then heard as Barnes creaked the doors to a close, “if you need anything, anything at all, I’ll be right outside.”
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With a loud creak, the heavy double doors opened before you and revealed the grand hall. As soft music gushed out, you nearly didn’t recognise the space from your tour the other day as it was now decorated with vibrant flowers and flowing banners that dropped down from the high ceilings above, as well as being completely packed with a swarm of people. A thin path parted the giddy crowd right down the middle towards the opposing grand door that guards opened simultaneously to yours. 
A shaky breath filled your lungs as you stared at the man crossing over the threshold. The flickering candlelight caught the honeyed shine of the locks that came down to tickle the nape of his neck. A bit darker, his short beard was full and warmed up the bottom half of his gruff features. He sure looked like a man who could slay a kraken with his bare fists, as the soft fur cloak that draped over his shoulders did not conceal his bulky physic one bit. The neckline of his indigo tunic stretched low enough for you to see the concave of his fuzzy chest and the impressive battle scars that broke up the rippling flesh. 
You’d seen the portrait of the king that hung in the hallway that stretched up towards the throne room, but to see him before your very eyes, in flesh and blood and not precise paint, was something else entirely. 
The long and embroidered train of the blue silk kirtle you wore dragged across the store floor behind you as both you and the monarch slowly stepped into the chamber to join in the very middle. 
The enchanting music stopped as you reached one another and the parted paths to either exit slowly closed as the crowd gathered and enclosed around the sacred vow that was about to ensue. 
Parting the sea of people like a divine force, an elderly woman, with a braided grey mane so long that it hit the floor, stepped up beside the both of you. 
“People of Eflorr,” the crone’s calm voice boomed, “today marks a day of unity, a day of peace, and most of all a day of love. Like a seed planted in the soil, tonight we will all witness this relationship blossom and go on the journey of growing into a magnificent tree, with roots strong enough to endure any storm, to propagate new seedlings that will watch over and shade our kingdom when yours have fallen.” 
Looking to the king, she handed him a small dagger from her belt and spoke, “blade across skin,” and he reached out for your right hand, “strike out your seedling’s love line,” your breath hitched as you felt him slice the top of your palm. Crimson blood trickled down onto his own hand as yours rested atop it, “and claim it as your own,” he flipped the blade around and handed it to you, before presenting you his own palm, open in yours. He didn’t even blink as you hesitantly pierced the calloused skin and traced the line already adoring his broad palm, “weave your lines together, so they become the same,” he then moved to clasp your hands together, his wide grip engulfed yours completely. Your teeth sank into just the faintest bit of your bottom lip at the fresh sting of your wound as it bled into his, “and may this scar serve you as a reminder, of the vow you made on this momentous day.” 
And as the last of the matron's words flowed from her lips so did the roar of celebration that erupted throughout the crowd as the festivities of the night bloomed at an instant.
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The feast had been nothing short of immaculate. Countless of dishes had been spread out on the crowded banquet tables ranging from the savoury braised legumes to the sweet and shiny pies. It was an impossible task to try and taste every one of them, but an excuse you still used to stay glued to your seat and not get up and mingle with the boisterous gathering of strangers. 
As a stark contrast, you thought you only noticed the king take two bites before he rose to greet some latecomers who had arrived. Laughing and chatting with the sea of people, he hadn’t offered you a single word, barely even a brief glance the whole night. Though your gaze still followed him from your seat up at the high table as he moved through the crowd like they were all his dearest friends. 
When the moon had floated up to be high in the sky, clearly visible on the other side of the stained glass, your head had dropped down into a propped-up palm as a deep yawn forced its way out of your frame. 
“Are you tired, your majesty?” a deep timbre suddenly found your ears, a specific tone that caused your spine to straighten out at once. 
Whipping your head to your right, your weary eyes grew wide as you saw the king again at his seat, “no, I’m alright,” you hastily coughed out, “I’m so sorry for behaving like that in your presence. This party is exquisite.” 
“It’s alright, you can yawn,” you suddenly felt the need to look away now that his ocean stare was finally fixed upon you, “it’s late, I was about to retire for the night as well, so I can only imagine how you must feel. If you’d like, I could escort you back to your chambers. I’m not sure how familiar you’ve become with the castle since you’ve arrived, but even I can still get lost when the corridors are this dark and I’ve indulged in perhaps one too many goblets of wine.”
A flutter of nauseating nerves rushed within your belly, but even so, you still pushed through and forced a smile, “if that’s what the king desires, then sure, you can escort me.”
It was your wedding night. You knew what was about to happen. 
Or, actually, you didn’t quite know what the marital act entailed, but you were sure a man such as Steve had enough of an understanding to take charge. All you knew was what little you’d been told. To strip down naked, not whine or scream, and do as he tells you. 
The soaring butterflies within you only grew more ferocious as you followed his long stride throughout the castle. Out of the ballroom and through a cold stone hallway, when you crossed the bridge that linked the two wings over a part of the cliff that descended dramatically, you nearly doubled over the parapet to empty your stomach over the town of Borün that blossomed below. 
But with a shaky intake of breath, your fist closed around the silk of your skirt as you settled yourself and forced your feet to keep moving. Even as you passed the threshold into the eastern part of the castle, you still shadowed the monarch up the many steps until his broad palm held the door to your chambers open for you to enter. 
The fire had been lit while you were gone, and the room was encased in the warm glow. 
“Did, uh…” you heard the door close behind you as the king attempted a bit of small talk, “did you have a nice time tonight?” 
“I did, your majesty,” you kept your answer brief out of fear that he’d hear the tremble to your tone. 
Slowly turning his back to you, his gaze washed over the room, “are you pleased with your bed chambers?” he settled to face the balcony, the door slightly ajar to let the night breeze seep through and rustle the sheer curtains, “because if you don’t like it, if you’d rather have a view of the town then the sea, then that’s an easy problem to fix.” 
“I think the view is just fine from here, but thank you,” you answered politely as you gathered up the last bit of your courage and reached back to undo the long row of buttons that went down the spine of the light blue dress. 
When the silky garment dropped to the floor, the quiet rustle was enough to draw the king’s attention.
First offering you just a quick glance over his shoulder, he then swiftly whirled around completely, “what are you doing?”
Weaving your fingers in the thin material of your chemise, you blinked back at his stunned features, “I’m sorry, am I doing it wrong?” sure that he could already see everything through the sheer, white fabric. 
His feet didn’t move as he asked, “what are trying to do?” before he averted his gaze to the stone floor. 
“Well,” you uttered quietly, “it’s our wedding night.”
“Oh…” was all he breathed. 
“To be transparent, I’m actually not quite sure what’s to happen, but I do know it’s something,” reaching up, you took the gold and twisted circlet, that crowned your head, off and carefully sat it down on the side table to your left, “I don’t know the details, I just know that I should strip down. Do you know what we’re supposed to do?”
“Fuck,” he cursed, briefly squeezing his eyes shut, “yes I do, but, your majesty, please, keep your clothes on,” his gaze flickered back to you as you slowly began to hike up the last layer. 
“Why?” your fingers froze, “isn’t it a tradition here for us to–”
“Well, yes, but–…” he let out a strained sigh before slowly stating, “I’m gonna go.” 
A chill crawled up your skin, “…oh, I see…” you uttered quietly as he crossed the room, “did I do something wrong?”
Halting in the doorway as he ripped it open, “no, you–…” but the rest of his words crumbled as his gaze settled upon you one last time, instead letting a low sigh flow from his lungs, “sleep well,” and added nearly subconsciously just before the door slammed shut, “goodnight, dove.”
Even though a wave of relief washed over you, a sting of hurt also followed suit as the king left. 
Had you done something wrong, or did he just find you that repellent, that hideous, that he refused to perform his marital duties?
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© 2024 thyme-in-a-bubble 
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cherrifire · 11 months ago
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Please share your thoughts on the other 5 cutie marks, I'd love to hear!
Hi everypony! I got like 20 asks for the Dogwarts cutie mark lore so I'm here to speak my truth!
Before we start, I would like to write a quick reminder that a pony's cutie mark is not always their "special talent", but can also represent who they are, their personalities, and a possible destiny. Different cutie marks have different meanings and interpretations, but they're not just about representing what you're good at.
That being said, let's start with the cutie mark design I'm proudest of!
Ren's Cutie Mark
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Ren's cutie mark is of a sunrise and looks pretty simple at first glance but there was a lot of thought that went into this one.
First of all, I bet you're wondering why a sunrise? Well, in the show, it is pretty typical for unicorns with great magical abilities to have one relating to space (examples being Twilight Sparkle, Sunset Shimmer, Starlight Glimmer, and Sunburst). And I figured since I wanted Ren to fall into a similar position of potentially becoming an alicorn, I gave him a cutie mark following the same trend. And I chose a sunrise to reflect the way Ren seems to glow when he enters a room. The way he carries himself is very warm and bright it just catches your eye in a similar way the sun would.
Also, Ren wears sunglasses. So a sun-themed cutie mark seemed appropriate.
Additionally, there are a couple of smaller details I want to point out too. Like the sun rays, if you look at them for a moment you'll see they're shaped like little crowns! I of course had to put a crown in thanks to how much Ren likes to play royalty, so I snuck it in there. And then the red spots underneath could both be interpreted as the sun reflected over water or blood. (But of course, this is a kid show AU so there wouldn't be any blood in Ren's destiny, just a fun reference to the red king and his whole thing about blood dyeing the snow red)
Martyn's Cutie Mark
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I explained this one in an earlier ask but I thought I'd explain it again here for anyone who didn't see it!
Martyn's cutie mark is of a chopped log and a small stick.
This one is mostly a play on the name "Littlewood" but has other meanings too. As a character, Martyn tends to travel and explore quite a bit. In the Life Series specifically, he is usually the last one to find a permanent base and even then doesn't spend a lot of time in one place. Always on the move. Additionally, he's more of a wild card compared to other characters, always trying to be as unpredictable as possible.
The smaller detail here is the little swirl on top of the log is the same as the one on his Minecraft skin's shirt.
BigB's Cutie Mark
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Cookies! Cookies! Cookies! BigB's cutie mark is of 3 cookies where one is trying to eat the others. There are also a few sprinkles there made to look like action lines.
We all know BigB loves cookies so of course I had to give him a cutie mark with cookies in it. For this one, I decided to follow the cutie mark trend of "symbol/item important to the pony duplicated 3 times" (examples being Fluttershy, Applejack, Rarity, Pinkie Pie) but I added a bit more creativity to it with the top on trying to eat the others to represent just how tasty they are 😋
Additionally, rather than the first cookie trying to eat the others, you could interpret it as opening its mouth to talk. Because BigB can not keep a secret to save his life! In Double Life when he started "secret soulmates" with Grian, he didn't last a day without opening his mouth. He told Ren about it immediately because he felt bad for keeping things from him.
Also worth quickly mentioning: People pointed out in my original post that they don't think BigB would be the element of honesty because of his behaviour in Secret Life. But that's just Secret Life. I think Secret Life to BigB was like that episode of My Little Pony where Discord makes the main 6 act the opposite of their true element. BigB was just going through a weird phase of telling very obvious lies because a book told him to.
Skizz's Cutie Mark
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Skizz's cutie mark is of a lightning bolt from a couple storm clouds hitting the ground.
I think this is the cutie mark with the least thought put into it, unfortunately. There was still though just not as much as the others. The big thing I thought was fun was I made the lightning bolt shaped like an "S" to stand for Skizzleman. But other than that, this cutie mark sort of has the same meaning as Rainbow Dash's cutie mark. Quick like lightning, loud, bold, dangerous, and powerful.
Impulse's Cutie Mark
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Impulse's cutie mark is of a lit-up lightbulb.
I absolutely crowded this cutie mark with the letter i. If you look closely, there are 6 of them. Impulse's design also has an i-shaped pattern on the belly if you look closely enough. But that's more of a fun easter egg and doesn't exactly reflect Impulse as a character.
There are a couple of reasons I chose a lightbulb for Impulse, the first and probably most obvious is that he's a redstone guy! He's a technical guy who likes to work smarter, not harder. So I figured the My Little Pony equivalent would be a light bulb/electricity. The second reason for the lightbulb is that it's usually used as a visual representation when characters have that "eureka!" moment in cartoons. When someone has a brilliant idea a little lightbulb turns on above their head. So since Impulse is the ideas guy, I figured a lightbulb would work for his cutie mark.
Etho's Cutie Mark
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Etho's cutie mark is of a snowflake with a missing branch.
I promise there is more to this cutie mark than just "Canada is cold" even if that's part of the reason I wanted to give him a winter-themed cutie mark. While it is fun to make a nod to Etho being Canadian, I thought a winter-themed cutie mark would be fun to represent how he sometimes presents himself. Cold and a bit mysterious. I think deep down once you get to know him, those attributes melt away, but for people who have never met him, he may be intimidating that way.
I'll be honest, I don't watch a lot of Etho content, but I do have a few friends who identify as Etho girlies so I did my research. I was told in his Minecraft Let's Play World, that he has a snowflake build somewhere. I believe they said it was an iron golem farm? (Please correct me if I'm wrong) but I thought that was perfect for the cutie mark. And if you're wondering why there's a branch missing, it's because one of my friends said he was incapable of finishing builds sometimes so I thought that would be fun to include.
-=+=-
Alright. Rant over. To celebrate, here are a few pony doodles so I can put this post in my art tag.
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powdermelonkeg · 1 year ago
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Archwizard Gale lore???
Okay, SO! My personal headcanons for Gale's powers, both as archwizard and Chosen of Mystra, are based upon the following:
D&D makes a distinction between "archmage" and "archwizard," with the former being a spellcaster dedicated to the arcane arts and either: the counsel of royalty, a lich tyrant, or a reclusive hermit, all with multiple apprentices, and the latter being "an arcane spellcaster of extremely high power who successfully claimed a floating enclave," that specification coming from the time of Netheril.
Gale is NOT royal counsel, NOT pursuing lichdom, NOT a hermit (willingly), does NOT have apprentices when he first makes the claim, and does NOT have a floating enclave.
Despite these, he still claims "archwizard" as a title. This is significant, especially from Waterdeep, where the most powerful wizards in the world gather, including Laeral Silverhand (another of Mystra's Chosen, immortal to a degree, and Open Lord of Waterdeep) and Vajra Safahr (current Blackstaff and Archmage of Waterdeep).
Bonus points for his significance, he is Gale of Waterdeep. His personally chosen moniker marks him as outstanding among Waterdhavians. There might be a handful of people named Gale in Waterdeep, but there is only one Gale of Waterdeep. This is further backed up by Lorroakan recognizing him, with his only reason for Gale being lesser than someone who supposedly figured out immortality being that Gale was Mystra's discarded lapdog.
Gale is skilled in all manner of magic. This is confirmed directly in his epilogue, where you can question him about his choice teaching the School of Illusion, and he says that he wanted to teach ALL the classes there, but the staff told him no. That includes schools you wouldn't normally associate with him, like Divination and Necromancy.
Based on all of that, I've decided that "archwizard," as Gale means it, is a term referring to a wizard who's multiclassed into all their subclasses.
Does this make him overpowered? Yes. But he's an archwizard, prodigy, and Chosen, he's MEANT to be within the bounds of his own lore.
In addition, I also believe him to be an untrained Storm Sorcerer, based upon the following:
Sorcerers and wizards differ in that sorcerers know magic intrinsically, while wizards study it to use it.
When talking to Halsin as Origin Gale, you can tell him that as a baby, you summoned a whole pack of rabbits. Presumably, baby Gale was NOT reading and comprehending arcane textbooks.
Gale has an intrinsic understanding of the Weave, by his own admission, saying he could compose it rather than just control it. He was also casting third level spells like Fireball at eight years old.
Gale's theme is all about storms: his name is Gale, he occasionally says "A rough tempest I will raise" in combat, almost all his official art has him controlling lightning, and his robe is thunder purple. This continues into God!Gale's design, where he has literal glowing lightning bolts framing his eyes, and his outfit is lightning blue.
K'ha'ssji'trach'ash: On his own, the mephit is pretty self-contained; it's a magma mephit capable of revealing the true form of a True Ressurection scroll. However, the key to getting him to do this is to respond to the question "what is my name" in Ignan with the correct answer. After which, K'ha'ssji'trach'ash says "T'i n'uthrantha m'ahthra Gale." We don't know what this means, but it's clear that he's talking to us, about Gale, possibly thanking us or asking us to pass a message along. This implies that he doesn't speak Common, or else he would, because we answered correctly. Why do I bring this up? Storm Sorcerers have an innate ability called Wind Speaker, which allows them to speak Primordial (including Aquan, Auran, Ignan, and Terran). Thus, Gale can speak to/understand K'ha'ssji'trach'ash, despite his known/studied languages being Common, Celestial, Giant, and Draconic.
Because he's untrained, and rather than Storm Sorcery being just a Lv1 flavor bit that does little, I've decided that Gale has access to the class features of Storm Sorcery without access to its spell slots or Metamagic, that way it's reflective of his power without training.
With both of these conclusions, both archwizard and sorcerer, I've decided to pick and choose which class features are from which iteration of both classes, because BG3 and official D&D have a few key differences that were mostly changed for gameplay reasons. I've then taken those and added more flavor to them, based on the already-given flavor of D&D and effects of BG3, doing away with the mechanical side of things for storytelling reasons.
On top of this, because the maximum level you can reach in BG3 is Lv12, and we know that the Orb consumes "the greatest of [his] talents," I've decided that the Orb consumes any ability beyond Lv12 until its removal.
That being said, beyond whatever spells and slots you care to give him, the powers I think Gale has pre-tadpole are:
Abjuration
Arcane Ward: When Gale casts Abjuration spells, residual magic shields him from the worst of incoming hits
Projected Ward: Gale can extend Arcane Ward to someone nearby instead of himself
Improved Abjuration: On short rest, Gale can strengthen Arcane Ward to sustain itself beyond a single hit
Evocation
Sculpt Spells: Gale can control his Evocation spells and keep them from harming allies
Potent Cantrip: Gale can force enemies that resist his cantrips to take half damage from them anyways
Empowered Evocation: Gale's Evocation spells are particularly deadly (based on +INT modifier to damage rolls)
Necromancy
Grim Harvest: Gale can harness the power released when a spell kills a creature to heal himself, UNLESS it's undead or a construct
Undead Thralls: Animate Dead: Gale can reanimate a corpse
UT: Additional Undead: Gale can efficiently harness the power it would take to reanimate one corpse to reanimate two corpses with Animate Dead
UT: Better Summons: Gale's reanimated dead can take more of a beating than others' dead
Inured to Undeath: Gale's been exposed to necromancy enough that he's resistant to necrotic damage, and his life force capacity can't be reduced (this one in particular helps with the "Netherese bile" flowing through his veins)
Conjuration
Create Water: Gale can call forth rain at will (BG3's feature over D&D's to align more with storm sorcery)
Benign Transposition: Teleport: Gale can teleport up to 30ft, and can use that to swap places with an ally
Focused Conjuration: Gale's concentration on conjuration spells can't break due to pain
Enchantment
Hypnotic Gaze: So long as Gale holds eye contact with someone, he can charm them into stopping everything they're doing and staring at him in a daze
Instinctive Charm: Reflexively, Gale can make a split-second charm attempt to redirect an attack at someone directly nearby
Split Enchantment: Gale can efficiently harness the power it would take to enchant one person and instead enchant two targets at once
Divination
Portent: Gale can focus and gain split-second glimpses into the immediate future (such as the next blow about to be thrown in a fight)
Expert Divination: Casting divination comes naturally enough to Gale that he can cast divination spells using a lower spell slot
Third Eye: Gale can increase his powers of perception and gain a very limited Darkvision/Ethereal vision at will, as well as read any language
Illusion
Improved Minor Illusion: Gale can cast illusory effects with incredible ease
See Invisibility: Gale's experience with illusions lets him detect invisibility spells at work, focus on them, and see through them
Illusory Self: Gale can create an identical double of himself reflexively to confuse opponents
Transmutation
Experimental Alchemy: Using transmutation magic, Gale can more efficiently refine potion ingredients, occasionally enough to create a second potion
Transmuter's Stone: Gale can lock some of his transmutation magic into a stone, granting whoever holds it an effect of his choice from the following: Constitution proficiency, Darkvision, extra speed, resistance to acid/cold/fire/lightning/thunder damage
Shapechanger: Gale can polymorph himself once a day without consuming a spell slot (only into beasts with a CR of 1 or less)
Storm Sorcery
Wind Speaker: Gale can speak, read, and write Primordial (Aquan, Auran, Ignan, and Terran)
Tempestuous Magic: Gale can summon gusts of wind around him immediately after casting a spell greater than a cantrip. These winds are strong enough to propel him in flight for ten feet
Heart of the Storm: Gale has resistance to lightning and thunder damage. In addition, whenever he casts a spell that deals lightning or thunder damage, the magic that erupts is stormy and more powerful than other kinds of magic at equal level
Storm Guide: Gale can subtly control the weather around him, causing rain to stop falling in a 20 foot sphere centered on him, or wind to blow in a different direction in a 100 foot sphere centered on him
Feats
These are based on what I, personally, think make the most sense for him pre-tadpole:
Ability Increase: +2 to INT score
Elemental Adept: Thunder: Spells/attacks ignore resistance to thunder, and when a spell he casts causes thunder damage, it can't critically fail
Elemental Adept: Lightning: Spells/attacks ignore resistance to lightning, and when a spell he casts causes lightning damage, it can't critically fail
Okay, so Gale's crazy powerful, right? What could he have possibly lost that's greater than all this?
Well...
Abjuration: Spell Resistance: Gale was in tune enough with the Weave that he could resist spells (as well as gaining advantage on saving throws against them)
Evocation: Overchannel: Gale could deal maximum damage on a 1-5 level spell without ill effect on first cast, but suffered unresisted necrotic damage when using it again
Necromancy: Command Undead: Gale could bring undead made by other wizards under his control
Conjuration: Durable Summons: Gale could give anything he summoned a temporary shield against damage (30 temp HP)
Enchantment: Alter Memories: Gale could make someone unaware they were charmed by him, as well as make them forget something that happened during that charmed period
Divination: Greater Portent: Gale used to be able to predict more split second decisions ahead with ease
Illusion: Illusory Reality: Gale used to be able to pull shadow magic together into illusions and make them, temporarily, real. He can still do a limited version of this, but only via concentration to keep the threads together (hence the "anatomically correct" illusory wizard in the Drow twins scene; shadow magic is NOT the same as the Shadow Weave)
Transmutation: Master Transmuter: Gale could consume magic stored in his transmuter's stone in one go, using it to transmute one object into another, remove curses, diseases, and poisons, raise the dead, or reduce a creature's apparent age by up to 30 years
Storm Sorcery: Storm's Fury: Gale could react with lightning damage when struck physically Wind Soul: Gale was immune to lightning and thunder damage, could fly at a speed of 60 feet, and could reduce his flying speed to 30 feet for 1 hour to make four additional people fly
Yeah. Ouch. And that's not even including his former Chosen abilities.
Gale's Chosen abilities
Silver Fire: Gale could command pure energy of the Weave in the form of silver-white flame, which, at his command, could destroy anything in its path, banish dead magic areas, restore torn Weave, purge external magic and psionic effects from his own body, teleport without error to the last location he used the ability at, or cast spells without verbal, somatic, or material components
Mantle: Gale could cast the dangerous Mantle spell without suffering any ill effects, while other wizards casting the spell would suffer a drain of life force as long as it persisted
Weave Detection: Gale could detect magic's presence without the use of a spell
Weave Tapping: Gale could cast high level spells repeatedly without losing a spell slot, although this was discouraged by Mystra
On the page for Mystra's Chosen abilities, it says that sometimes her Chosen gained an immunity to magic, as well as disease and poison. I don't think Gale was so lucky, however; in the House of Healing, he mentions that he once turned himself in to a hospice in Waterdeep for a "bout of ruddy pox." Him having turned himself in implies he was an adult at the time, and should, therefore, already be Mystra's Chosen.
All that to say: behold, Gale of Waterdeep, in his original splendor. How the mighty have fallen.
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neverheroes · 6 months ago
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Here’s a bunch of stuff in the MM Tales of the TMNT comic-con sneak-peek I thought about too much!
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They’ve cared so much about showing how differently they each react to and process the same situation.
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Through the scene Raph is excited to tear things up and true to every iteration ever tries things his way until it doesn’t work, Don’s flight response pings into analyst mode and you just know he’s figuring out how to break stuff, Mike is thriving in team-mode and keeping them all on track, and Leo flails around like a giant ball of chronic anxiety before figuring out a plan. They’re original formula with gently new toppings and I’m ready for this slice.
Raphael
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This guy! We get so much. He’s rearing to do some fighting that isn’t sparring and be free to do some actual damage. So we know he’s bored fighting is brothers and wants a challenge. He can’t handle this one and in figuring that out is “open to suggestions” which is quite the overlooked Raph quality, he’ll listen he just has to work through that impulsive reactive streak first. He’s strong and knows it, and that robot gets a harder fight. The Raph highlight for me was taking time while fighting to honour the time-old tradition of making fun of Michelangelo. <Sobs in last ronin.>
Donatello
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This kid, man! It’s a long standing opinion of mine that everyone should be more scared of Donatello. His interest in understanding the threat overrides most of his fear. Cerebral af. This is his face most of the time while a robot programmed to obliterate him is directly behind him. On the surface it looks like he’s running away a lot, but he can’t exactly press pause on it to figure out how they work. His gentle heart characterisation is well intact, apologising to the robot when he damages it having already personified the thing. I honestly believe he would take it home like he’d found a new pet if that were an option.
Michelangelo
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What a show of Mikey magic. He’s got the comedy relief on a casual setting with subtle jokes and unintentionally antagonistic observation style. Mike has a tiny attention span but is 100% in every moment and they draw a lot of attention to his speed and agility. He shines doing what Mikey is known so well for; keeping the family together. It was awesome to see him effectively orienting his brothers into the situation, and see them listen to him so readily. He still calls to Leo for guidance when he feels out of control, but we might be in for a more surprising personal arc than ~nobody takes me seriously~ this time around.
Leonardo
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This is a blessing for Leo fans because MM Tales Leo sucks /srs. Not in the way Raph fans say it on Instagram posts, in the way that his flaws are so disparate from other versions that a mastery arc is screaming his nervous muppet name. The giftedness is still sewn in; even flailing around he has more advanced weapon control, is observant enough to be the right level of stressed when a threat shows up, and jumps into strategy finding a vantage point to make a plan like a good little Leo, but instead of our usual Leo trauma ball we (at least for now) get to watch a Leo with the confidence of a processed cheese slice be terrible at things because he’s just some kid…
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Pfffffffahahhhahhahba
The Mutant Mayhem kids are the most realistically green (and by that I mean inexperienced) we've ever seen them and it's continued into Tales. With detaching from source origin and establishing a much more grounded reflection of teen life in the current world, the growth arcs over Tales and the next MM movie have such immense unburdened potential that it really could lead anywhere and I don’t know what to expect.
(Tales of the Teenage Mutant Ninja Turtles will air in August 9th 2024 on Paramount+)
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loveemagicpeace · 1 year ago
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🩵Poetic Neptune🧜🏼‍♀️
🩵Neptune represents the waters that contain all of a person's hopes, dreams, emotions, ideas and potential. With Neptune's help, we break through the current dilemma and dare to dream of a better future. That's when photography was invented, and the first scammers were using it double exposures produced photographs of ghost-like figures that were rumored to be phantom creatures. The development of hypnotism and basic began psychological theories. Neptune idealizes, but they are in his case, ideals based on dreaming about someone or something that would save us from pain separations. Basically, it's a longing to escape from cold cruel reality of the world.
🏠This is shown when we return home after a long, tiring day, close the door to the outside world, and immerse ourselves in a good book, movie, or other activity that takes us away from of the daily grind and at least for us for something time to escape. But Neptune can get lost in this relaxation and returning to the real world or knowing when enough is enough doesn't always go well for him. Then it can happen that we drink more wine than we intended, or that we stay up too long and then don't hear the alarm clock in the morning. Neptune can cause confusion in any given life, opening the way to our dreams and closing the door to reality. Neptune is also associated with addiction.
🧜🏼‍♀️People with a strong Neptune can be very daydreaming and are naturally inclined towards spiritual practices and mystical experiences. Many times they experience the world differently than other people. The planet also represents the longing for a benevolent parent who would protect us from suffering and make everything go well. It is necessary to watch out for longing, because it can quickly make us victims of our own emotions. Neptune's domain also includes daydreaming and longing for a perfect love that will satisfy every need and finally made us happy and complete. People with a strong influence of Neptune do not constantly dream of love that will save them and show them the way.
🩵Neptune can also indicate the constant childlike energy that is with us. Returning to the past and the desire to stay young forever. We idealize our favorite actors and other celebrities because we believe they have the perfect one appearance, relationships and lifestyle. Many of us dream of being famous and also living the perfect life. The realization that ideals are unattainable can lead to intense disillusionment with the world, and Neptune is associated with mood swings and destructive behavior when the truth is not matches our expectations. Neptune is the classic embodiment of the artistic temperament. Neptune is associated with the mysterious realms life, and questions that have no scientific explanation. The planet represents the invisible the laws of matching that bind us together and the inexplicable coincidences that happen in our lives. Theories conspiracies originate from Neptune's murky world, where nothing is quite as it seems and the layers of possibility are many.
🧚🏼‍♀️Neptune in 1st house-The presence of Neptune brings an element of glamour to your outer persona. It gives you a sixth sense with which to navigate the world. your imagination is very big and you can quickly fall into your dream world wherever you are. You can draw a lot of energy from your surroundings. Many times you can create places in your own magical way. You can idealize people's personalities and looks without realizing it. Your personality is very interesting and many times people can't read you or tell exactly who you really are. You have a mysterious nature that quickly charms people. People can see in you someone who is mysterious, spiritual and out of this world. Your appearance is magical and you can look like a cartoon character. Sometimes you don't even seem real to people. You can charm people with your presence and appearance. You can be whoever you want to be and people will believe it and see you that way.
💰Neptune in 2nd house-you can daydream a lot about money, material things, food, enjoyment, music, movies. With Neptune here, you can have a very high confidence in the things you have. Your value can also be high (but that's because you're just delusional about it). You can literally manifest money. This placement can indicate dreams and illusions surrounding wealth and possessions. Individuals with this placement might have a tendency to idealize money or view it through a spiritual lens. You can watch a lot of movies and then have the feeling that this is real life. Life can be a movie. You can also have your own style of music that you listen to and it can quickly take you over.
😶‍🌫️Neptune in 3rd house-a lot of your imagination is in your head. You can imagine all kinds of things. Many times you delve into the thoughts of others. Neptune has no boundaries, and when it is placed in the third house, it can be hard for you to be assertive when dealing with others. Sometimes you find it very hard to talk to others or listen to them because you can draw a lot of energy from them. But you can be very good at telling a story or acting out a scene. Individuals with this placement may have a poetic way of speaking or writing, often conveying deep emotions and abstract concepts. Your way of speaking and thinking can be quite mystical, different and interesting to others.
🎑Neptune in 4th house - you can dream a lot about a perfect home and family. You can idealize your home and imagine exactly the kind of house you would like to have. Whenever you feel lonely, your escape is the place where you feel most comfortable and understood. You can spend a lot of time there. People with this position have a need to have a place in which they can hide from others and which is only theirs. Neptune here suggests a search for the perfect sanctuary, a place of soulful retreat. A spiritual principle can be your inner and outer foundation stone. You can have a very beautiful and spiritual home. Maybe you spend most of your time at home. I also think that many people, when they come to the home, feel like they are in a dream and very comfortable. But you can also feel lonely many times.
🎨Neptune in 5th house-eternal child. You want to live an easy, dreamy life. You can put a lot of your energy into creating, showing your thoughts, feelings and yourself. People with this position draw very well from an early age or have a special ability in things that others do not. Neptune here can also mean that you become recognizable at a young age without even realizing it. You can have several different hobbies, but many times they are related to water. In this position, people have to be careful not to get too carried away by gambling. Because they can become addicted to them or use them to escape. Your escape from the world can also be drawing in which you express your feelings, various hobbies or even romantic affairs (these people can sometimes meet people just to escape from problems). But you can also make people dreamy- with you, they can feel like they are in a movie.
🧁Neptune in 6th house- Individuals with this placement often find themselves drawn to careers that involve creativity, spirituality, or working with the less fortunate. They have a deep desire to offer their services to the world in a compassionate and empathetic manner. You can live in a messy space but you can feel your best in them. The 6th house represents perfection while Neptune represents confusion. Here you can be very delusional when it comes to health and your body, many times you are not even aware of the problems you have. You are self-sacrificing when it comes to work or problems. Many times, however, your escape is the opposite of that. These people usually cannot do work unless it involves art and at the same time they will work better on their own. These people should not take drugs or any substance because they can quickly become addicted and it can affect their health.
🥰Neptune in 7th house- a longing for a perfect union is suggested here and it might be hard for you to see people for who they really are, rather than as you would like them to be. You can dream a lot about the perfect partner/relationship you want to have. You can spend most of your time fantasizing about people you imagine yourself. Your escape can also be an imaginary parterre or a relationship that exists only in your head. Here you have to be careful not to get into a relationship too quickly, because people can turn out to be completely different than they were at the beginning. Neptune can give you the illusion of a relationship that isn't there at all. But u can also meet your soulmate and having the most dreamy relationship. The good thing in neptune is that everything is an illusion and you can get everything you want if you believe in it.
Part 2 is comming🎸🫧🎨
✨Ig- bekylibra
-Rebekah🩵🦋🌊
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