the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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Alfred's Boy Part 5
@donesodone said:
I just wanted to know. Is there a continuation of Alfred's Boy in the Works? If not, that's fine. I just love it and want to see it continue.
Bruce didn't realize how quiet Danny indeed was until Wes appeared. He suspected, of course, that no child was removed from their home by a super secret ex-spy if it wasn't a terrible, horrible reason, but still, he was shocked to see the difference.
Alfred's foster son had a weight around him, wearing his sadness like a depressing cloak. It was apparent that Danny was just tired. As if though he hadn't gotten a good night's rest in a long time, even when he was moving about and doing his chores like nothing was amiss.
Bruce will admit that he hadn't realized that Danny was so sad. He had no previous reference to compare him to, so he assumed that the boy was naturally reserved.
If he's honest, he also thought it was impressive how Danny could take anything in stride without so much as a blink.
Finding out his boss was Batman? Another Tuesday.
Tim's photo album of him? Danny appreciates the art behind photography.
Damian burst into his room, covered in bleeding wounds, he just had to have Danny bind? He took lessons from Alfred and appreciated the change to practice.
What he failed to realize was through all those events, Danny had had a lukewarm reaction, as if he had forgotten how to enjoy things.
Now, however, watching him with Wes, he realizes that Danny is naturally bubbly. He smiled wide, talked a lot with his hands, and while the same sass he had seen before was still there, there was more ease in him wielding it.
"Fun Fact: Tango was initially invented to be done between two men, " He hears Wes say, as Bruce walks by the viewing room the two boys were in.
Unable to help himself, Bruce peeks into the room, fighting the urge to lecture Danny. The reason for the lecture is that Danny is currently sitting in Wes's lap, his back to Wes' chest, and both are staring at the book "Useless Information" in Wes' hands.
Not dating his ass.
"So what you're saying is: Tango is gay," Danny affirms, cuddling into the blankets tucked around him, and leaning further into Wes. "The dance of our people."
Wes hums, "If only we could dance."
"Boys." He calls because he really wants to step between them, but Bruce is already doing that against his kids, and he is done being the civilian in Jason's novels. "Would either of you like to go to an opera tonight? I have some box seat tickets a close friend gave me, but I had other plans and didn't want them to go to waste."
Bruce didn't, but a little white lie wouldn't hurt anyone. He could easily buy them before the kids got to the opera house.
Wes's eyes practically sparkled. Bruce knew they would; he heard Wes play some songs from three famous operas the other day while Danny was showering. "Opera with box seats!? I love to go!"
Danny grimaces, clearly not that big of a fan. "Now look what you did, Master Bruce."
"Please, can we go, Danny?" Wes whines, "I'll let you haunt me if we go."
Danny cracks a smile, and Bruce is stunned by its softness. Had he not noticed how empty Danny's smiles have been until now? "Okay, Okay, we can go. But if I fall asleep you can't complain."
"How could anyone fall asleep at the Opra?"
"Easy. It's boring." Steph snips, leaning on the door frame. Bruce hadn't realized she was there. He frowned in her direction, not missing how Wes rolled his eyes.
"Hello, green-eyed monster. How are you this evening?" He said, making Steph eyes narrow. Danny was swinging his head between them, looking confused, but before he could ask, Wes continued, "Want to go with us? Danny needs more people to cuddle, and my visit has an expiration date."
Steph looks taken back, but her whole face breaks into the largest smile Bruce has ever seen on her face in a while when Danny nods, seemingly embarrassed. "It would be nice to have more cuddles. I, ugh, realized I was going too long without them."
Hmm, that's the fifth time the two have mentioned cuddling since yesterday. Bruce knows he ignored Wes's entrance when he got here yesterday, but maybe he should look into it.
If Alfred allowed, of course.
"I'll go get ready!" Steph shouts, racing down the hall. There is a brief pause before a loud "Hey, watch it!" and quick, distant "Sorry, Jason!"
His second oldest stridden into the room, grumbling at the giant front stain on his shirt. A half-empty cup in his hand lets Bruce know Steph bumped into him, making him spill his precious soda.
"Can't get any peace around here," Jason mumbles.
"I can clean that for you, Master Jason." Danny is quick to say, standing up from his seat. Wes lifts his arm to let Danny wiggle out of his grasp, but Jason only shakes his head.
"Nah, it's fine, kid." With one hand, Jason yanks the shirt over his head. Wes drops his book, and Danny's face goes very red. Bruce has a moment of utter horror, but Jason doesn't seem to notice, throwing the ruined shirt over his shoulder. "I was going to shower after some reading anyway. What are you crazy kids up to?"
"O-Oprea," Danny shutters, staring up at Jason with strange emotion in his eyes. Wes looks like a deer caught in headlights beside him.
Jason's face brightens. "No way! I love the opera."
"You do?" We gasped.
"Yeah, though, I'm more of a play guy myself. I love the theater. Once a drama kid always a drama kid." Jason winks and, oh no, Wes looks to be swooning. What's worse, Danny seems to be swooning too.
"Want to come with?" Wes blurts, and Jason considers the invitation carefully before shrugging.
"You know what? Yeah, I love to. Let me go take my shower then get ready. It's at what time?"
"Seven," Bruce answers, stepping in when both boys seem unable to get their tongues to work. Jason nods, and then a wicked smirk grows on his face.
Bruce is instantly weary.
"Let's make this a family event. You guys don't mind, right?" Jason turns back to the boys, shaking their heads like bobble figures.
"The more, the merrier, Master Jason."
"Perfect" Quick as a whip, Jason pulls out his phone and sends a quick message. He leaves the room, but not before calling over his shoulder "I'll meet you in the main doorway at six-thirty."
Bruce's phone buzzes. He pulls it out, reading the message: Hey losers, Danny wants to see the Oprea. The really romantic one. Do any of you want to join us?
He feels a headache coming on. Especially with Wes and Danny looking at each other with shocked open mouths, looking like they were wordlessly expressing how attractive they thought Jason was.
Tim comes sprinting down the hall. Bruce is unsure what he is doing, seeing as his hair is wrapped in a towel, but he is wearing half of a chicken costume as he runs by. "I want to go, I want to go, I want to go! Don't leave without me!"
Wes squints at the open door hallway before laughing that strange, impish laugh of his. "This place is a riot."
Danny pauses before that same soft smile blooms on his face, and Bruce's heart melts. "Yeah, I like Wayne Manor too."
Maybe Danny isn't as happy as before, but maybe one day he will be. Bruce would be content with that.
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