thinkign… thinking about ougfhghh so much.. thinking so much I can’t do
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got a song stuck in my head and it made me curious:
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i loveeee that inquisition mage coats have their grimoires visibly attached to their belts its sooo cute
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I finally watched the terror so now I understand your posts 😄
WOOHOO WE GOT ANOTHER ONE FELLAS!!
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i really like that fantasy high isn't six* people entering brennan's world. it's seven people working to build and establish a world, and brennan was just the start. he had an idea, he shared it with friends, and said "join me, let's make this something beautiful together."
(*for the people who saw this before the typo fix, i'm sorry 😭 i didn't even realize. i'm very bad at typing.)
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good morning to every transmasc ex theater kid named michael, jeremy, connor, or evan. I know what you are
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thinking about how gorgug + kristen perceive both their own deaths & each other’s, and how that impacts their relationship. bc i feel like freshman year kristen was too caught up in her newfound knowledge of the nature of her own god to truly clock & process gorgug’s internal revulsion of where he went after he died, & freshman year gorgug wasn’t familiar enough with the complexities of other people to truly lock onto the sorrow buried within the chaos of kristen’s upward/downward/sideways spiral until she was seemingly on the other side of it. & i wonder if they’ve ever really talked about it (unlikely), or if they’ve just cracked very few jokes that didn’t land and decided to never quite do the work & dig through that part of their relationship. but there’s a kinship there; kristen specifically singles out gorgug to tell him she died again, and gorgug apologizes that he wasn’t there with her this time. gorgug takes one of the finger bones off kristen’s newly/long-time decayed corpse to have an anchor to something in the world. despite the fact that they were in different places after death, having been together during it means everything.
anyways what i’m trying to say is i think they should talk about it.
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the problem is I’m such a staunch believer in the slow buildup, the earnest enjoyment of meandering through terrible story decisions and weird nothing subplots to build up into a conclusion that explodes out from all that as fantastic storytelling and intrigue based on all that buildup, such that it makes it necessary to get through all that or you’re missing something essential, that I’m also a terrible person to talk to about what makes a story good. I can tell you plenty of what actually makes something tight and well-written and all that technical speak but how could anyone take my advice when I so so so love excruciatingly long unnecessarily complex fumbling and weird nonsense that spirals into, inexplicably, weird nonsense that makes you cry your lungs sore
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I love watching Nick Nocturne videos because every single time it's like "Hey this is better if you watch it yourself so here's your chance to pause the video and go do that" and I'm always like "Hmmm this does sound interesting it's only like 20 minutes I probably should" and then when I ultimately decide I don't care enough to I resume the video and the next sentence is "So here's why the concept you thought was interesting doesn't even make sense in context and also a too-early jumpscare that tells you which 3 tropes we're gonna be beating to death and call it a story."
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i think Topher would hate snowflake day, not because it’s problematic, but because someone made a joke about how the first christopher columbus wanted spices too (or something to that effect) & it triggered his white guilt so badly that now he can’t celebrate and ask snowflake jake for any spices without thinking abt that comparison .
but he’ll just say snowflake day is cultural erasure or sumn because he’d never admit why he actually hates it
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