#all for v different reasons

[greatgoddyke]

time to make your choice only you can be the one

[tangledinink]

For the Swanatello fam: what does everyone miss most about Donnie during his lake-induced absences?

for donnie, leo will gladly give every scrap of patience and grace and gentleness he has. he doesn't mind explaining things. he doesn't mind telling his brother the same things over and over. he doesn't mind it when donnie forgets or doesn't understand or needs his help to remember or process things.

but he misses the banter. the back-and-forth. the stupid fights and pranks and 'you said's' and 'i told you so's.' and, perhaps a bit selfishly, he misses when he didn't always feel like he had to be the bigger person for him. he misses when he still had the space to be childish and immature and petty towards his twin, and it wouldn't hurt either of them the way it tends to now.

[ swanatello ]

[batshikns]

RAHHHHHHHHHHH.

[natasha-in-space]

So I'm replaying Ray's After ending rn, and it got me thinking that what I adore so much about Rika as an antagonist is just how damn scary she can be. I always found those who cause harm with good intentions (at least in their point of view) much scarier than those who hurt you with pure intention on hurting you. I think the best example of it is this CG in particular:

Look at that. Such a loving, gentle expression on her face. Probably kissing his forehead. Because she loves him. Heck, without any context, this CG looks even sweet, if you think about it. And yet, all that is while Saeyoung is forcefully sedated on a powerful concoction of drugs even a trained agent like him can't do anything about (and Saeyoung WAS definitely trained to deal with this sort of thing, hence it's mentioned that this is a 'special' kind of drugs). He looks miserable. Bags under his eyes, his expression pained and troubled, even his hair is paler than usual. All that as a direct result of her actions. But she's utterly blind to it. What's scarier, is that she knowingly shuts off her understanding of what's really happening. She's not oblivious to it at all. She just chooses not to see it that way. Simply because she doesn't want to.

Rika is the type of antagonist that will cup your cheek into her warm hand with the most loving of smiles on her face, all while you are getting elixir poured down your throat. Even whispering to you that you're doing great, that the pain will soon pass, and that she can't wait to see you reach the happiness she knows you deserve. I won't be surprised if she even cried genuine tears of compassion during some ceremonies for her believers. All while being the sole reason behind their suffering.

And that's... God, that's terrifying to me. I love that about her.

Rika Kim, they could never make me hate you

[fluffypotatey]

y’all help i’ve got two hangster x twister aus haunting my brain and one is mostly silly and fun while the other is angsty Bradley character study

[deduction-substitute]

Something funny about the possibility of Lucky Guy being just that. A guy. Went to the manor with his closest friend for fun, only to end up in a hellhole all alone

The other survivors and hunters have all these complicated and rich backstories of why they came to the manor and Lucky just thinks to himself that he shouldn't have taken anything for granted back then. Worrying about his thesis and rushing to class looks so much easier now that he's in a game of life and death

He feels stupid for having gone to the manor. Test his luck? Yeah right. Lucky was too selfish. And now it cost him everything.

The first time the survivors and hunters finally step out of the manor, he doesn't believe it at first. The others celebrate, feeling like a huge burden has been lifted off of their shoulders.

Only Lucky stands to the side, staring at the phone in his hand. So many missed messages and calls.

(What was once cloth and cotton has turned into flesh and blood.)

Emma tries to call Lucky over to celebrate as well. Lucky looks up from the screen, and the gardener tries not to blanch at the dead look on his face. His eyes look tired.

"I need to get home."

And he still has that thesis to worry about.

[s0fter-sin]

i’ve stopped expecting interesting animation from bones. the star and stripe fight is cool but like every other fight/moment in mha, it’s only cool bc the source material itself is cool; bones does nothing to elevate the manga

they rarely try to experiment with colour and style. i saw so many colourings of the moment star and stripe made a giant version of herself out of the air; people made her look like a cosmos, like it reflected and bent the sky around her, doing so many inventive things and for the anime to just make her an outline against that godforsaken sky? i’m disappointed

but people will take me saying i’m disappointed and spin it to me saying the fight was bad. it wasn’t, just like most fights and moments in the anime aren’t bad but that’s all bc horikoshi knows how to draw. they never do anything beyond that; they never try and adapt it. whether it’s bc of time, direction, budget, or what have you, they will never do something truly inventive with their colouring

i’ve said this before and i’ll say it again, it’s not just that the sky is blue; it’s what the blue sky represents and that is an unwillingness to broaden their colour palette or atmosphere to support the changes in the tone of the story. the story isn’t just “will midoriya get into his dream high school and achieve his dream job?” it’s child abuse and societal systems and their dysfunctions, it’s racism and morality and is it right to try and save someone who’s determined to destroy the world just bc they are also a victim?

look at the finale of atla, a show that mirrors the narrative tone of mha; it starts out bright and colourful and vibrant to match the happy and small stakes nature of the story and as the tone of the story changes, the environment changes to reflect that. the siege of the north pole? everything goes blood red when the moon spirit is threatened, then goes completely desaturated when it is killed with only fire bending having any colour. the day of black sun? uses a solar eclipse to change the lighting. the entire sozin’s comet fight? has red skies and lighting to show the threat

bones abject refusal to change anything about the art itself is a detriment to horikoshi’s complex narrative

[sundial-bee-scribbles]

trying to psych myself up to finally do oc refs by doing fandom-related refs instead: volume 1

wanted to update my yuma from whatever tf this au is so he was a bit more unique... takes inspo from a lot of different things while also trying to be its own sorta thing? which is fitting given the au ;)

bonus chibi now that i'm also figuring out how tf to do chibis lol:

[moeblob]

Deacon loves two things: Ymber and digging himself a grave.

Fulj hates one thing: Deacon.

[v41entine]

Can I just sayyyy....... I'm not fully up on da4 news but from what I have seen...... I'm getting super strong volition/saints row flashbacks

[liesonthefloordramatically]

tired of having a gender at work; I don't want my colleagues to perceive me anymore

[tojisun]

hi!! just wanted to say that i’m in love with your bimbo!reader and simon pairing!! my favorite was the sonny angels one ❤️🎄

omg thank u so so much sweetheart!! i love them too soooo bad <33

shes such a sweet girl n simons so enamoured n honestly thats all the plot, n yet i cant stop writing for it ughhhdhehrh

AND I LOVE THAT ONE TOO!! i saw honey’s ask (@actuallyhiswife) and screamed into my pillow bc of how soft it was!!! simon carrying the sonny w him??? ugh i love it sm i might just buy a sonny angel for me atp ☝🏼😔

thank u kindly again sweet luv and take care <33

[wesavegotham]

The different parts of Gotham War not lining up at all in terms of plot, character motivation and characterization is bad enough, but now that DC is suddenly trying to explain when other titles like Detective Comics and Batman and Robin are taking place in relation to Gotham War it gets even worse because now all of these storylines make so much less sense too.

[skitskatdacat63]

I translated seb's car names to Latin right? The next step of mental illness is to assign all the different Holy Roman Emperors' Latin mottos to drivers LMFAO

[waitingforsecretsouls]

I'll always maintain that (Crown Prince!) Fëanáro gave his sons names befitting Princes and future Kings of the Ñoldor, as (King!) Finwë himself did for his sons. They're basically dynastic names and given how his sons are Princes and it's the schema he and his half-brothers were named for as well, it's difficult for me to see anything wrong with that. These people are royalty afterall, which means they're figures of public and to a certain extent political life by matter of birth.

It always seemed to me that father-names are the official names used for the political sphere (honestly something like titles almost), at least among the Finwëans (not least because their fathers tend to be the members of the royal family while their mothers marry in). Something I feel supported by the announcement of it in an official ceremony (Essecarmë), and which makes the contrast between the Fëanorians general tendency to prefer their mother-name and their half-brothers/cousins general preference for father-names very interesting (Obviously you can argue that it's simple personal preference or speculate about parental relationships (such as is canonically the case in at the least Fëanáro's case, though it's also still partly a political statement in its own right), but the point of this post is to go a little more political).

The Fëanorians are heirs to Finwë as the Elder House, but alone out of their wider family they're not primarily or even tangentially associated with one of the royal residencies. Rather, they spend their time travelling Aman to its outermost edges, and when not busy with exploration, are guests in Aulë or Oromë's Halls. They do not seem to have been involved in "politics" at all, prior to the Unrest, much less established in Tirion. In light of the abovementioned hypothesis regarding father-names political associations, the primary use of their mother-names serves to contribute to this air of an already rather casual conduct and presentation (see also Maitimo's comparatively 'casual' epessë (compared to eg. Artanis' or Gil-Galad's) in use specifically among close family, or the Ambarussa's nicknames (Given how they're not described as epessë) of 'First- and Second-Russa', which is not even mentioning the Fëanorians shortened father-names which could be considered potential 'nicknames' as well and even if not certainly imply a certain disregard for formality).

I'd argue that their unique status as not only descendants from someone confirmed to be neither royalty nor nobility nor associated with Tirion in any particular way in Nerdanel (which is not to claim that all Ñoldor of Tirion were career-politicians as a matter of course), but also the general fact of a less official and courtly daily environment and social contacts, e.g. seen in both Fëanáro's and Maitimo's notably close relationship to Nerdanels father Mahtan, both via kinship but moreso shared close relations with Aulë (with whom the Sons of Fëanáro additionally likely would have had closer contact growing up than Finwë, given aforementioned shared close association with Aulë and his halls yet Fëanáro explicitly not associated with Tirion as residency and noted to be living apart from the Finwë and Indis family unit even prior to founding his own family-branch) would have played an additional role in the development of their more informal manner (not that I see them as incapable of courtly manners, mind you (+ given Fëanáro's 'let them sa-si' comment were weaned on linguistic discourse at the very least, so no slouches in the academic department as well (Carnistir becoming economist prime in Beleriand as just one of the more concrete examples)) , they just canonically are very frank and to the point. Something I can see working favourable in the establishment of their many cross-cultural alliances in Beleriand).

I also think Nerdanel's lack of royal status might have played a role in keeping the mother-names she gave comparatively simple for the most part, making reference to their appearance and disposition (or, in Makalaurë's and the Ambarussa's case, prophetic insight, but even in the latter only because Fëanáro insisted on giving them separate names rather than just 'Ambarussa') in a less pompous or high-brow manner (compared to the mother-names given by noble-born Indis or of equally royal lineage Eärwen to their eldest in particular, Obviously this is more of a general tendecy, as we e.g. also get a prophetic name in Aikanáro, but I stand by Nerdanel keeping it notably simple by comparison).

The Ñolofinwëans in contrast are associated primarily with Tirion via Ñolofinwë, who, unlike Arafinwë, isn't mentioned to have had close contacts and frequent visits to Alqualondë, or primarily travel like Fëanáro and sons. Lack of additional crafts also leaves his later political plotting as only point of reference we get on his potential activities prior, making him a likely career-politician (which coheres with his better PR-management choices in the eventual feud and his kingly ambitions). Ñolofinwë married Anairë, who is most likely a Ñoldor of Tirion, given the lack of additional information on her (that mostly tends to get reserved for noteworthy deviations from "the norm", see also descriptions of hair-colour, where only deviations from the standart dark brown get explicit descriptions, or even regarding Finwëan wives, e.g. Indis, aside from the circumstances of her marriage, most noted for being a Vanyar and Eärwen a Falmari, Nerdanel for falling outside the beauty norms expected of the wife of a prince). Given that we do not get her children's mother-names, it's impossible to tell whether she added similarly ambitious/declaratory touches into them as Indis seemingly did for her sons.

The only child of Ñolofinwë singled out of the bunch during life in pre-Unchaining of Melkor Valinor is their daughter Írissë, for often going hunting in the forests with the sons of Fëanáro (to the point the narration sees fit to clarify that no romance was involved). While undoubtedly a free and adventurous spirit, the likely fact that she lived life in Aman primarily in Tirion would also add a neat layer to her readiness to accompany Turukáno (and eventually return) to Gondolin, the Tirion replica par exellence. While less overtly ambitious than her brothers or father I still propose that she was more comfortable in or at the very least used to the more formal environment of politics and appearances than often credited to her. Leaving its history of development aside, the fact that her father-name has a sindarized form (Íreth) which does not correspond to her Sindarin name actual in use (Aredhel) the argument can be made that her father-name wouldn't have been her preferred Quenya name, but rather her afaik unknown mother-name.

Given that we get no additional information on their whereabouts, it therefore also seems likely her brothers would have primarily been active in Tirion, and indeed later emerge as some of their fathers chief political supporters, Findecáno as primary Ñolofinwëan leader in the first half of the exile, and in Turukano's case commanding an eventual large following in his own right (thus fitting the pattern of favouring their more politically loaded names due to primary involvement in said social sphere).

The Arafinwëans are interesting, due to echoing Ñolo- and Arafinwë, descending from two royal lines, in their case both Nõldor (Arafinwë) and Falmari (Eärwen), yet firmly self-identifying as Ñoldor. Which I'd argue their deliberate use of father-name over mother-name signifies or at the least in effect serves to enhance, in addition to general royal gravitas. Given Melkor's warning to Ñolo- and Arafinwë that:

"Beware! Small love has the proud son of Míriel ever had for the children of Indis. Now he has become great, and he has his father in his hand. It will not be long before he drives you forth from Túna!"

, it also seems like, despite his distance from the family feud and marriage into the Falmari of Alqualondë, in whose company he often shared ("[...]he often sought peace among the Teleri, whose language he learned"), Arafinwë and his family still primarily resided in Tirion rather than Alqualondë. We later also see that at least Findaráto and Artanis out of their siblings harbour grand political ambitions such as ruling their own realms in Middle-Earth (mentioned as their motive for participating in the exile), while of Artanis we furthermore get told of a steep and ambitious participation in Ñoldorin academia (As for Arafinwë, given how Eärwen gave his own mother-name (Ingoldo) to their son Findaráto, it feels safe to say it wasn't the one her husband was primarily using. But in his case I'd even argue that his mother-name was the more explicit political statement, so there was no escaping the drama. As eventually happens, with ruling over the remnants of the Ñoldor-in-Aman. Though, funnily enough, it's Arafinwë rather than Findaráto for whom one can argue for a prophetic rather than strictly political nature of said name, even if I myself do not consider it as such).

Basically, I think that keeping in mind the more official nature of the Finwëan father-names adds fun potential additional layers to the world-building and characters in question.

[brittlebutch]

really is kind of a bummer that my brain’s interest in working on the Evan fic I mentioned in the last one I posted was utterly kneecapped by the airing of an unexpected second season. I don’t Really begrudge them their choice to return to the setting, but it in this specific context it’s a little annoying because I have no desire to a.) learn new character traits or backstories for these characters right now Or b.) interface with other fans who want the new content integrated into the writing and will point out new inconsistencies with the new canon. So it’s looking like there’s a chance I just won’t return to the idea at all. At least not any time soon. SAD!