#all background assets are also by me :3

[drreadnought]

SandWing model turnaround

[wyvernity]

wip posting just to get something out there, and it's def a mixed bag!! the only thing more inconsistent than my posting schedule is my art style RIP

[actmale]

I went through all the Splatoon website and downloaded every* asset I could get

Don't ask me why I did this... I hardly know either

[aquilamage]

[Image Description: a set of five edited bug fables screenshots from the pre-battle zommoth encounter. The first is the same as in-game, Kabbu saying "W-What is that!? Something's coming!" The second is of zommoth appearing on screen with its sprite edited to be various shades of pink and yellow, wings the same pattern as Leif's (but still with the purple blight magic stuff in the chest area.) The next three images have the sprite edited in the same way.. The third image is of Leif's saying "...Wh, Rkejrm-m-Muse!? Kjdrira, mebsrgr...!!!" The next is Kabbu saying "Muse!? Leif, that's..." The final is Vi saying "T-That doesn't make any sense!" End ID]

I thought about one of my fucked up and evil au ideas for five minutes again, so I decided to spend like fifty hours making a thing about it. Basically what if Muse went back into Snakemouth later to try to rescue Leif or at least bring back his body and got caught by the roaches.

Putting just the edited sprites under the cut if you wanna see those without the lab mood lighting:

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[merrycrisis-if]

Merry Crisis everyone!

Thank you for being an absolutely wonderful, lovely community. I'm so grateful to everyone who has played/read the IF, left a comment or message, given me super detailed, amazing beta-testing feedback or all the other ways you've supported the IF.

Happy holidays! <3

Amazing festive graphics specially created for Merry Crisis and the holiday season by @crxwes. (Thank you again, you are the best!! <3)

Wanted to share some progress on the text-based IF and the visual novel assets!

Text-based IF:

Writing of the new chapter (where Nat arrives in Singapore and when one has a final date with Shay/Qiu before needing to commit in the following chapter) is complete, and has been sent off to beta-testers!

Release dates:

Ko-fi supporters, non-beta-tested version - 28 Dec Ko-fi supporters, beta-tested version - 1 Jan Public release - 7 Jan

Visual novel:

Progress for writing and art has been steady! I have a team of super amazing, talented artists (@crxwes, @gncrezan, Silvia and Fie). Some amazing characters and backgrounds have been created so far! Here's a sneak preview :)

Shout-out also to @dumplingcatho (for the wonderful character portraits), and @snowthornes (for helping with the coding). Y'all are awesome.

[temmiesky]

a friend told me to do this so i did and it is VERY temilliott coded ‼️🦀💥

I might've drawn elliott a little bit too dramatic here but that's okay because he is melo-dramatic after all teehee :3

Imagine reusing assets from my previous comic ahahah (got too lazy on the background LOL)

Also please excuse for how i drew feet in there (i can't draw toes help)

OG comic:

[celestialalpacaron]

Ayo, someone by the name of Curly-B-Blog is redlining art of yours from 2020 (while pretending that it's actually Sai Scribble's work), and kind of being a dick about it. just thought you should know.

You know, originally I was just gonna brush it off, but then I went back to look at my old SU art from 2020 and did so much self reflection from then till now.

I think this was around the time I was just learning how to do perspective and tried to use the perspective tool on Procreate for the first time? :0 and I remember telling Sai “Sai I have this STUPID idea, I CANT believe it this stupid joke it’s so DUMBBBB, it’s living rent free in my BRAIN I SWEAR THIS IS GONNA BE SO STUPID DCIUWHEFIUWHIRFUIW4F” and being super excited to show her the finished product. People still think Sai created the Cursed Skin Gloves comic and I think it’s hilarious wjhwnuhwijwuiw

The comic was received very well and it made LOTS of people laugh and I’m still proud of this comic to this very day! :D and tbh if it wasn’t for my obsession for Sai’s Switcheroo AU I never would have found my passion in comic work! (love you you stinky hoe @saiscribbles 🩷)

HOWEVER…. I definitely still had lots to learn! I wasn’t very good at perspective at the time I’ll admit, but I was definitely having lots of fun learning :3

And throughout the past 4 years, ALOT has happened.

I graduated from college with TWO fancy pieces of expensive papers in Visual Development in Animation and Illustration learning from Will Kim and Jeff Soto, and as a I was working with the funny voice man Cougar MacDowall as a comic/story artist and reached in total around 7 million views for my fan series FNAF Security Malware Breached (it was even #21 on the trending list around the time of my birthday 🩷 what a lovely gift), had an insane opportunity to work with Mike Geno and with the voice cast from The Amazing Digital Circus for a fan song as a background and character asset artist, Vivienne Medrano liking and sharing my silly Overlord Husk AU comics, currently on my route to getting my certificate from Aaron Blaise’s Character design program and graduating from Marc Brunet Art School, and now I am completing my first year as professional colorist and art assistant for my storyboard and comic mentor Michelle Lam, aka Mewtripled! (Also I’ll be heading out to Lightbox Expo 2024 on October 26 with Michelle and the team so if y’all ever wanna meetup hahahajaj wink wink wink wink wink)

So you can say I learned ALOT and I enjoyed every minute of what I do :D I try to be humble about my accomplishments because blah blah being humble good yes yes but this time I wanna be selfish and say HELL YEAH I DID ALL THIS!!! AND IM SO EXTREMELY PROUD OF MYSELF FIUGEIURGERGGRS

Now here’s my most recent comic page that I posted like 2 days ago without the text.

That’s pretty freakin wild to me, I can’t believe I used to draw Steven Universe art like that back in 2020 LOL LIKE GUYS I DREW THIS!! WITH!!! MY HANDS!!! IS THAT NOT INSANE!!!???

Anyways moral of the story:

Learn from everyone and everything! Yes, even then mean ones too! If you can learn to work with anyone, I promise you’ll get to where you want to be faster. People can be a little mean on the internet, but that shouldn’t stop you from being where you want to be in the future. I’m so EXTREMELY grateful for all the opportunities and to all the kind professionals who were willing to give me a chance. Seriously, I’m so graciously thankful for everything, and I hope everyone here will support me and my silly little comics I will do now and in the future!

And one more thing:

Don’t be a jerk. Be to be nice to everyone :D nothing good comes out when you’re bad to everyone.

[cal-kestis]

HOW TO: Make an iPhone Layout + Downloadable Template

Hi! I've gotten a few messages asking for a tutorial on my iPhone gifsets — but instead of only doing a tutorial (that would probably be triple the length this one already is), I decided to turn my layout into a template with all the bits and bobs! In the "tutorial" under the cut, I'll share everything you'll need, a free template download, and quickly go over how to use this template. :)

Disclaimer: This template uses Video Timeline and this tutorial assumes you have a basic to intermediate understanding of Photoshop.

PHASE 1: THE ASSETS

1.1 – Download fonts. These are the fonts used for all assets I've included in my template: – SF Pro or SF Pro Display (Regular, Medium, Bold): Either version works, they look nearly identical. You can download directly from https://developer.apple.com/fonts/ or easily find it via Google – Bebas Neue: Free on Google Fonts, Adobe Fonts, and dafont – Times New Roman (Bold): Should be a default font in Photoshop

Make sure to download and install any of the fonts you don't already have before opening my template. That way, once you open the template file, all the settings (font size, weight, spacing, color, opacity, etc.) are as intended.

1.2 – Download my template. Before you use my template, all I ask is that you don't claim or redistribute it as your own and that you give me proper credit in the caption of your post. Making these iPhone gifsets takes me a longgg time and turning this layout into a template took several hours too.

DOWNLOAD TEMPLATE VIA KO-FI ← This template is completely free to download (just enter $0), but if you feel inclined to tip me, I appreciate you! 💖

BTW this template also includes some of my frequently used icons!

NOTE: If, for some reason, you open the template and see the pop-up shown below, click "NO" — otherwise, the fonts will be all messed up:

And if you see this triangle with an exclamation point by a text layer, don't double-click it — it'll mess up the font as well:

PHASE 2: THE GIFS

I'm just going to briefly go over gif sizes and my recommendations. Also, keep in mind when grabbing your scenes, you'll want all of these gifs to be the same amount of frames.

2.1 – Background Gif: 540 x 540 px. I recommend this size so you have a good amount of visibility for the gif behind the iPhone wallpaper. I also recommend making this black and white (or in my case, black and white with a slight blue tint — idk I just like the way it looks) so the wallpaper coloring can stand out.

2.2 – Wallpaper Gif: 230 (w) x 500 (h) px. Keep in mind the very narrow dimensions of the wallpaper! And also keep in mind that you'll have a bunch of apps and widgets covering the image. I try to use wide shots (or layer my clips into looking like wide shots). Also, keep in mind your color scheme for your set and your character's aesthetic! I tend to focus on one or two colors for the wallpaper.

I usually position the wallpaper to the side with 20px bumpers, so there's lots of space to see the background:

2.3 – Large Photo Widget Gif: 201 (w) x 96 (h) px.

2.4 – Small Photo Widget Gif: 94 x 94 px.

PHASE 3: THE TEMPLATE – "IPHONE" FOLDER

In this section, I'll try to quickly walk you through how to use this template and some bits that may require extra instructions. I'll be going through each folder from top to bottom.

3.1 – Status Bar. Time, Service, and WiFi are pretty self-explanatory. In the Battery folder, you can use the shape tool to adjust the shape layers labeled "Fill (Adjustable Shape!)" to customize the battery level.

3.2 – Message Notification. Again, these are pretty self-explanatory. I've already masked the circle for the contact photo, so you can simply import any photo and use the transform tool to shrink it down. The circle is 24x24 px. If you don't want to use a photo, there's another folder called Default Initials.

If your message text can't fit the text box, the message should end with ellipses which is how iOS caps off long texts.

3.3 – Blurred Banner (IMPORTANT) This folder is easy to miss because there's only one placeholder layer in there. On iPhones, the area behind a banner notification and the dock get blurred (including the wallpaper and any apps).

What to do: Make a duplicate of the apps in Row 1 and/or widgets that intersect the message banner, convert them all into one smart object, apply a Gaussian Blur filter (Radius: 3.0 pixels) on the smart object, and move the smart object into this masked folder!

(There's another masked folder in the Wallpaper folder for the dock which I'll go over in that section.)

3.4 – Apps Turn off the yellow guide if you don't need it to keep things aligned and turn off layers you don't need by clicking the eye icon. Replace the "App" placeholder text with your app name, change the color or gradient of the square to compliment your color scheme, and add your custom app icon overlay!

If you can't find an app icon you need from the ones I provided, flaticon.com is a great resource. Also, if you can only find the filled version of an icon, check out this tutorial for how to make any text or shape into an outline.

Also, each app folder has 4 notification bubble options (1-4 digits). Again, you can toggle these on and off as you need!

3.5 – Big Widgets I like using these when my wallpaper has A LOT of negative space to fill. I included the Photos and Books widgets in my template, but there are lots of widgets available on iPhones. You can check some of the other ones I've done here, or if you have an iPhone, simply try adding some widgets to your phone!

There are also widgets bigger than these, but they would take up half of the phone screen which is why I don't use them for these edits.

3.6 – Small Widgets The only thing I'll say about these — because they're pretty straight forward — is there are a lot more weather themes than I included in my template. Also, if you set your character's phone to evening, the weather widget will show a dark background (sometimes with stars), so keep that in mind.

Speaking of, I've included Light Modes and Dark Modes for, I think, every applicable widget.

3.7 – Page Dots These barely perceptible dots indicate that your character has more pages of apps than shown in your gifset (so if an anon tries to come at you, you can just say "it's on the next page of apps" /j /lh)

3.8 – Dock Again, the dock has notification bubble options and I've included the default app designs, custom filled designs, and custom outlined designs for iMessage, Phone, Email, and Safari (there's also a FaceTime alternative if that's how your character rolls). These are usually the apps people keep in their Dock, but this is fully customizable too. So, if your character is, like, super obsessed with Candy Crush or something and needs it in thumb's reach — you can put it in the dock.

3.9 – Wallpaper This whole folder is masked already to a 230x500 px rounded rectangle.

Inside, you'll find another "Blurred Portion" folder for the area behind the message banner notification and the dock.

What to do: Duplicate your gif layer and place it in this folder, remove any sharpening filters, and apply a Gaussian Blur filter (Radius: 3.0 px). Be sure to add any coloring/adjustment layers ABOVE this folder and your original sharpened gif layer.

PHASE 4: EXPORT

We made it!

I hope this template makes it super easy for you to recreate this layout! If you decide to try it out, feel free to tag me with #usernik.

If you notice anything wonky about the template, kindly let me know so I can fix it! And if you have any questions about how to use this template, please don't hesitate to send me a message! I just ask that you try to be specific in your question so I'm able to answer you the best I can!

[sweet-evie]

I have so many thoughts and headcanons about the Gojo clan... You have no idea. 😭 Also, I'm talking out of my ass and everything I say is fictional and from pure imagination... Don't take it seriously.

The Gojo clan may or may not span 40 generations based off of how long ago Suguwara Michizane lived...

and ummm... That's a lot of generational wealth 🤯.

Imagine if you married into that -- married Satoru Gojo. You're automatically the highest-ranking woman in the family, on top of having access to all that money. 😆

Listen, some of the world's richest families like the Rockefellers currently span 7 generations and they're worth billions of dollars.

Damn I really need a full backstory on the 3 major clans. I need to know how rich they are and how they maintained and/or grew that wealth until the modern day.

There's plenty of drama and info on the Zen'in clan. We get crumbs and pieces about the Kamo clan...

But info on the Gojo clan is close to nada, and I WANT TO KNOW MORE ABOUT THEM DAMMIT! I'm so thirsty for more worldbuilding in JJK, you have no idea.

At this point, just seeing Satoru's parents would make me happy.

I have a headcanon that Gojo's family, apart from being sorcerers and political powers in the jujutsu community, are probably mixed bags of company shareholders, politicians, lawyers, philantropists, etc.

Yeah, it's said that the Gojo clan is a one-man army that consists of Satoru Gojo, but I interpret that as Satoru outshining every other family member -- especially every other practicing sorcerer in the family. (There's simply no surpassing the wielder of the Six Eyes and the Limitless technique).

The Gojo clan is a sorcerer clan first and upper tier members of Japanese society second.

Some of Satoru's male relatives are probably Shinto and Buddhist monks. The point is to have a foothold in influential religions among non-sorcerers.

I like to think that maybe one sorcerer in the clan has Limitless... maybe his grandpa, but the man was never as efficient with it as Satoru Gojo.

Maybe the majority of the sorcerers in the Gojo clan fight with Grade 1 cursed tools and good-old hand-to-hand imbued with cursed energy. Maybe other cursed techniques exist within the Gojo clan too... It's all just overshadowed by Satoru.

I also think the Big 3 actually tend to keep to themselves (e.g., the Zen'ins having their own military unit). Their spawns don't ALL go to Jujutsu High, do they? It's a choice for them rather than a necessity. Like, Jujutsu High was established primarily for sorcerers who come from "somewhat normal" backgrounds, unlike people from the Big 3. Satoru was born into jujutsu sorcery and it's the only life he's ever known, whereas people like Suguru who come from non-sorcerer families are brought into Jujutsu Tech to learn about what it means to be a part of jujutsu society, and to teach them that they're not, you know, mentally ill because they can see curses.

Quick side note, I imagine Jujutsu Tech as the bridge between the branch of the Japanese government that is aware of the existence of curses and the jujutsu society as a whole. It just kind of makes sense that way, especially when you consider where their funds to pay people come from -- not from thin air, that's for sure. I mean, how else do the higher-ups get the funding to pay their actively practicing sorcerers, especially the special-grades? Does jujutsu sorcerer pay roll come from citizens' tax money?

Also... On top of Satoru Gojo having access to his clan's generational wealth and assets, how much is he getting paid as an instructor at Jujutsu Tech? Is that salary separate from his special-grade sorcerer salary? Is he technically working 2 full-time jobs?

Man is rolling in cash...

Anyway, I want to circle back to the point that Satoru Gojo is the most active sorcerer in the Gojo clan when it comes to interacting with the higher-ups and being a constant presence in Jujutsu Tech. Obviously, his fingerprints are all over Jujutsu society politics as well.

I headcanon that Satoru comes from a big family, actually. Satoru is an only child, but I imagine lots of cousins and aunts and uncles and distant relatives, and the Gojo estate is probably one massive compound where most of the family lives. Like, they can live in that huge ass ancestral property if they want too... There's plenty of room.

The clan also likely owns several other properties and probably small temples or shrines across Japan. They have one ancestral seat and other properties. That goes for the Kamo and the Zen'in clans as well.

That real estate portfolio be popping.

As for actual size, think Heian estate in ancient Japan big. It's expansive.

Maybe the sorcerers in the family would be fond of living in the Gojo estate. The others, especially the ones who hold positions in the government or the military or who have public-facing jobs have their own homes registered under their own name, and not... you know... registered under the family with the clan head.

Another headcanon is that the clan head is capable of assigning properties and other clan assets to family members if he chooses to. Satoru Gojo can give away houses if he wants too, like a nobleman or European feudal lord. But for real, the Gojo clan might have been part of the nobility in ancient Japan, only losing their noble titles after the Imperial family changed the rules around the 1940s.

Speaking of, it's probably not a reach to assume, that the clan head has his fingers in many many honey pots. 🍯 That is to say, Satoru Gojo has access to more money than he can spend in a single life time. And after he's passed, maybe the money just goes back to the surviving members of the clan.

I need to know Satoru Gojo's net worth.

I think each of the Big 3 has their own hierarchy and their own family politics. Again, the Zen'ins are a prime example...

For the Gojo clan, I headcanon that there's a small council of elders -- people way older than Satoru. Satoru's own father is probably part of that. Put his grandfather and a couple of uncles and aunts in there too.

How do they work? I imagine it's pretty similar to how the Small Council functions in Game of Thrones. Like, there's someone in charge of managing finances, someone who keeps an ear on clan politics, someone who has a foothold in the national military, etc.

I imagine they have a bi-weekly gathering. They offer counsel, but the final decision in any dilemma they discuss always falls to the clan head -- Satoru Gojo.

I also headcanon that Satoru has a penthouse somewhere in Tokyo -- a place he considers as his own residence, away from clan politics and the rest of his probably snobby family.

But Satoru is always busy, so his penthouse is way too clean. It looks like no one lives there.

This is the vibe of the penthouse... I have his penthouse in my Sims 4 game.

Speaking of snobby... The Gojo's clan general reputation? I would say... They're intellectual people, some of them are likely obsessed with history, and rigid and formal when it comes to observing traditions. I imagine they have a tendency to be really elegant.

Whenever the Zen'ins look at them, the stereotypical thought is, "Look at those pompous, snobby, jackasses."

In the succeeding years since December 7, 1989, the Gojo clan's sense of pride has only grown, because well... The most powerful and strongest sorcerer of the modern age came through their lineage.

Needless to say, Satoru Gojo is the pride and power of the Gojo clan.

Satoru's parents were practicing Grade 1 sorcerers... really active in the field, and Satoru's grandfather was Clan Head for a time.

Satoru's mom retired from fieldwork after she married Satoru's dad and after she got pregnant and became a mom. I love my headcanon that she's a shrewd politician and is all about maintaining good standing with the elders while doing intelligence gathering. The woman maintains a network, so she's always in-the-know.

Satoru doesn't make it easy for his mom especially when he goes around and does what he wants. e.g., Becoming a benefactor to Megumi, saving Yuji and Yuta, etc. She's actively working to cover his tracks wherever she can.

Satoru's mom is actively looking for a wife for him, for obvious reasons. The plan never came to fruition because of the Shibuya incident and Ch #236.

Satoru's father is more politician than actively practicing sorcerer by the time Satoru was studying in Jujutsu Tech. He's all about maintaining solid relations with the other clans, the elders, and collaborating with the branch of Japanese government that knows of the existence of jujutsu sorcery. He probably works with the Japanese government too.

Satoru Gojo visits the family estate once in a while... for other business, but primarily for hearings and clan meetings. It's peculiar to look at during these meetings because Satoru is the only person in that room who isn't wearing traditional clothes. Like, I headcanon that he shows up in casual attire, or his Jujutsu Tech uniform, complete with the blindfold.

His mom probably tried to talk him into wearing traditional clothes for these meetings when he was younger, but it just never stuck. Satoru is Satoru, after all.

After Satoru Gojo passes away, I like to imagine the Gojo clan takes a bit of a backseat. It's probably the wiser course of action too, considering everything that's happened in Japan after October 31, 2018.

[I know some people think he's the only survivor of the Gojo clan, but you gotta think of the fact that he learned about Hollow Purple from some people. Someone taught him FBE as a kid.]

[thunderxleafart]

The odd duo of the Skarloey, here's MightyMac! :D If there's two things that I'm an absolute sucker for it's a) Sibling (or sibling vibe) characters, and b) Secondary/background characters that don't have a ton of development. And this funky little double-fairlie fits right in! xD So here's a little doodle of them!! ^^ Separate pictures and headcanons below the cut ~

~ Headcanons ~

-Pronouns for both are He/Him They/Them -Their original name was Little Giant, but they eventually adopted the names Mighty and Mac, then later started going by "MightyMac" as it was easier. (Though unless you're addressing them both, which is relatively common, they do prefer their individual names.)

-They are the only known Double-Fairlie that has two distinct personalities (double-fairlies are typically one engine just with two faces, similar to the Culdee Fell engines).

-They were originally loaned to the Skarloey just to help with the Summer Rush, and after a disastrous first day, the two learned from their mistakes and ended up becoming quite an asset to the railway. So much so that Mr. Percival did end up keeping them permanently.

-They mostly do goods work, hauling heavy slate trains and the like, but do enjoy a passenger run every now and then.

-Mighty is older then Mac, though it's not entirely clear why. -They used to believe that they looked exactly the same; they were quite shocked to find out that they did not, in fact, look much alike at all LOL

-They do not like turntables at all. (Especially not after the turntable fiasco on their first day xD)

-They each have control over their respective "half" of the engine, but absolutely no control over the other half. This has made cooperation an absolute must for them, but they still have petty squabbles every now and then.

-Mac is more of the "leader" of the duo, tending to take charge more then Mighty. Even when he's not riding in front, he'll usually be the one telling Mighty where to go and what to do.

Mighty is generally reserved and gentle, not super talkative, but always happy to listen and help out however he can. He cares deeply for others but can be quite hard on himself. He also has no sense of direction whatsoever and often turns to Mac for guidance more then vice versa.

Mac, on the other hand, is very extroverted and will absolutely talk all day if you let him. He's more calculated and logical compared to Mighty, but can get a bit agitated when dealing with more complex or "illogical" things. Feelings are not his strong suit and he can be quite blunt, but he genuinely mean well.

Aaaand that's it! I think I've done enough rambling for one day x"D If you made it all the way through, I'd love to hear y'alls headcanons/theories/thoughts etc. on this odd little duo! :D I think there's a lot to explore with them and would love to see what others think!! But that's all for now! Enjoy! <3 ~~~~~~~~~~~~~~~~ Art (c) Me! MightyMac (c) TTTE

[t00thpasteface]

UPDATE 6/16/2024: TABLET IS FUNDED!! Digital commissions will reopen as normal. This page is to remain up as an archive and for possible future reuse.

These will work similarly to my digital commissions, only with a far quicker turnaround time and less emphasis on super fine polishing, hence the seriously slashed prices. LIMIT 3 CHARACTERS for halfbody; LIMIT 2 CHARACTERS for fullbody!

For purchases, questions, examples, and absolutely anything else you may be wondering about:

ADD ME ON DISCORD @ shebbz (preferred method!)

EMAIL ME at toothpaste.commissions@gmail.com

or message me here on Tumblr!

To futher entice you, I'm offering COUPONS! Redeem at checkout to get a discount on any purchase of a halfbody or fullbody:

$2 OFF if i've drawn this character before

$5 OFF for a drawing of a ship i ship

Coupons DO NOT stack; limit one per purchase!

CURRENT SLOTS:

closed for now!

SEE BELOW for what I will/won't draw (same rules as my digital commissions), as well as terms, conditions, and more:

Buyers will receive their artwork privately at full resolution in .PNG format. All commissions are signed and dated.

All commissions will also be posted here on my Tumblr, at a smaller resolution with a prominent additional watermark, after the buyer has received and approved the final piece. The buyer may be tagged in the post, or may choose to remain an anonymous.

Payments will be through PayPal. I will give you my PayPal once I agree to your commission. All payments are due up front in full.

Payment

After being completed, the commissioned artwork will be sent to you, the buyer, in .PNG format through email to ensure a near-lossless file. Alternate delivery methods are available upon request.

You must pay the entire price in advance, but only if we decide to go through with the commission.

Termination

You may cancel the commission at any time and receive a full refund of your payment until the commission is completed and sent. If I have already sent you the completed .PNG file of the commission, you are no longer able to request a refund for any reason. 

I may cancel the commission at any time and fully refund your payment if I feel I am being coerced into drawing something I am uncomfortable with, but I will not cancel a commission without giving several clear warnings first.

Rights

You may use the commission for any personal or educational purposes, including most social media profiles. You may repost the commission to social media or other websites as long as I am credited by clearly linking my Tumblr. You may use the commission for an icon, header, background, etc. on your personal (i.e. not business) social media profile as long as I am credited.

You may not use the commission for business purposes or profit off of it in any way, such as using it on icons/banners/promotional materials on a for-profit social media account (ex. Twitch, Etsy, official business Twitter accounts), uploading it to merchandise printing sites (ex. Redbubble, Cafe Press, TeePublic), tracing/spoofing the design in your own creative works, incorporating it into a larger creative project (ex. a book, game, or comic), etc. You may not license the personal/educational usage rights to third parties. You may not edit or repurpose the commission in any way that supports hate groups, promotes hateful or bigoted ideology, incorporates iconography and/or dogwhistles of hate movements, etc., whether implicitly or explicitly.

I reserve full legal ownership of the commission and I may repost it to any site. I may use, edit, and reproduce the commission for any and all purposes. In the event of a cancelled commission, you forfeit all usage rights for the incomplete assets and may not edit or repurpose them in any way.

By commissioning me you agree to these terms and conditions.

[winxwannabe]

Winx Season 9/Reboot Leaks

Okay here's the tea: earlier today a twitter user by the name of Cataclysm_Power started posting a video they claimed was from the new Winx season/reboot. When pressed for further information, they linked to a telegram chat with what appeared to be assets from Rainbow (17 screenshots/2 videos). After some C-grade internet sleuthing, I am here to give my (worthless and possibly wrong) opinion on which ones I think are real and fake.

A note before we jump in: I'm not posting full images on my blog, because again I do think some of these are real and if the leaker is to be believed, they hacked Rainbow to get them. You can look yourself through the telegram link, or others who've posted them on the Winx Club tag. I also think the leaker themselves is scammy because they've tried charging for Miraculous leaks before. Do NOT give them any money if they ask.

Real: Bloom, Stella, and Icy's asset sheets, Bloom Full Body Pose

A lot of these leaks are 3d modelling assets, and these 3 are the ones I'm totally convinced are real.

The biggest clue of their validity is the bottom banner. All 3 sheets have them, along with the same episode code and notes in Italian. They're all also linked to the same person: Pasqualino Masciulli is Rainbow's 3D modelling supervisor, and has been with the company for at least 9 years. He's done videos on Rainbow's youtube channel as well, using his shortened first name Lino. My main point is that's way too niche for someone to fake just to make some convincing leaks, and it would make sense for the assets to be tied to him.

Likewise, there's a full-body frame post of Bloom with fucking ugliest denim leg warmers credited to a g.riccobono. This is likely Giulio Riccobono, who is listed on Linkedin Italy as a Rainbow employee.

Probably Real: Tecna's asset sheet, Bloom's detailed asset sheet

Both of these are likely real but have weird things about them that make me pause. Bloom's more detailed asset sheet is missing the name, date and episode reference on it, and the notes are in English. Tecna's is missing the bottom banner entirely, and there's some weird cutting around her head that makes it look like someone hastily made a png and stuck it on there.

Unsure: Computer File Tab, MD Concept Photos, Videos

There's a screenshot of a folder with both 2D and 3D assets of all the girls. in the files. I'm not sure if this is from a computer at Rainbow or the hacker's personal folder, so it goes in unsure. I do think most of the assets in it are real - it's low res but the eyes on the 2D sketches are so similar to the ones on Rainbow's newer images of the girls I think they have to be connected.

There are also some full body concept photos for Bloom, Aisha, and Stella. They all look pretty legit (as they're updated version of images we've already seen) but Stella's has other images for 'possible pallets' included. She's the only one with it and the images look like they came from a flash dress-up game, and it gives me pause.

Lastly, the teaser videos of Bloom are probably real based on the outfit, animation and that stupid fucking Bloom shelf being in the background, but I'm placing it in 'unsure' because of the bandicam.com logo burned into the top. If it really came from Rainbow and everything else was downloaded, there was no reason for the hacker to not get the raw file. I think it's real, but I don't know if it came from Rainbow.

Something Ain't Right: Group Shot

What gives me pause in the fully-rendered group shot (even though its shown in the computer file tab) is it shows transformation we haven't seen teased and has a 'Lorem Ipsum' placeholder text. Aisha's hair also looks like it was done with AI - the back of her wings clip through the hair, and parts of it look copy-pasted. I'm stupid, it's the end of her braids. The 'Lorem Ipsum' thing still stands, but I'm re-filing this under 'unsure.'

Probably Fake: Darcy and Damien's asset sheets

I'm showing things from here on out because I'm so convinced it's fake please let me be right. Unlike the other character sheets, the ones for Darcy and 'new character' Damien have no bottom banner, are marked as 'Winx Club Season 9' with an outdated Winx logo, and have notes written completely in English. Darcy's has a bit of 3D modelling, but it's too different from Icy's. Maybe they're super early concepts for Darcy, but Damien...go home, buddy.

You're in the Wrong Place: Rainbow Pants Girl

I'm convinced this girl is from a different show and was saved to the 'Winx Club' folder by accident. Different clothing, hair, and shading. May you end up somewhere better than this reboot, Mystery Girl.

[maythedreadwolftakeyou]

Following you was the best decision I've ever made. Where else am I going to learn things like the types of cacti shown in the Anderfels in game are not ecologically accurate? I am being 100% genuine here I love it when you contribute random knowledge in lore discussions, best parts of my day when it happens

LMAO thank you anon this is very kind. the truth is I am simply an ecologist who cannot turn that part of my brain off even when i know better. like i KNOW the reason why there's cacti there is because someone just picked them from a list of vegetation assets to populate the region with but also 😭 😭 😭 ITS TOO WET THEY WOULD DIE

but yeah specifically i double majored in biology and geology in undergrad, then worked in a plant genetics lab during undergrad & the first year after I graduated, then I moved out west to do desert based fieldwork and started adding in a lot of soil science. now i have a masters in soil microbiology and am currently weeping my way through a PhD (dont ask about that one grad school is Hell).

but YEAH MAN specifically i've been living in and researching deserts for the last decade of my life so i'm always extra excited about those in games lmao. I'm the Hissing Waste's number 1 stan they RULE everyone else is just a COWARD who HATES RUNNING ACROSS HUGE MAPS FOR HOURS. have you instead considered taking a job in Death Valley so when you run through the dunes for 10 hours a day in 110º weather you can console yourself with the thought "at least there isn't a phoenix attacking me right now. the worst thing that's happened to me today is falling into a rodent burrow"????? o those were the days. i used to write all my fanfic by headlamp in my sleeping bag while listening to coyotes get alarmingly close, and cursing the moon for how bright everything gets with light colored sand. If there were two moons in real life i WOULD be mad enough to condemn one to the otherside of the earth for 100 years so i could get some sleep too actually.

here have some drylands ive worked in while i'm being nostalgic

worldbuilding is my favorite favorite favorite part of fantasy/sci fi and i know not everyone has my background in how the actual "world" part works. so i don't condemn people who have gone into writing and arts fields for not understanding these things when they build maps but i really cannot turn off the part of my brain that opens a book or game map and instantly sees they have made the rivers 1. go uphill 2. diverge midway through (not a thing) and 3. in places that would make no sense given topography, mountains, etc that would impact weather & rainfall. only my TRUEST AND MOST WIZENED OG FOLLOWERS will remember how much i wept trying to map out the plate tectonics of Thedas in order to explain what the fuck the mountain ranges are doing what they are.

anyway lots of people have followed me in the last couple months so thanks for this excuse to make an intro post with a lil more about me :)

[deoidesign]

if i may ask, is it difficult at all to re-edit/organize the comic pages from the webtoon format to fit the graphic novel format?

on another note, I'm so happy that your kickstarter was funded!!! I love time and time again, im so excited to see this all happen <3

I'll just turn this ask into something of a guide for the process! Because yes, it is difficult, but there are also many ways I have been preparing from the beginning for this very situation to make things easier for me!

I've worked in both print and scroll in the past, and have done this transition once before for a short story, so I already had familiarity both with my goals for print, and struggles with the transition!

How I prepared from the beginning for this transition:

1: My panels are 2500 pixels wide, so they can span my page (which is 8.3x5.8 inches) at 350 DPI (which is print quality)

2: My layers are organized: Text, FX, Foreground, Characters, Background

3: I draw one very large (twice as big as any panel would be, minimum) background for my major locations, as well as drawing furniture assets in isolation. This not only saves me time when making my actual episodes, but it also offers me INCREDIBLE flexibility when making this transition to print.

These 3 things let me pull the character art to the page by itself, scale it up or down to fit my panel, and then fill in the background behind the character.

So, I read the scroll version, decide how many and which panels I want on the page for the pacing (I also keep page spreads and page turns in mind while I am doing this), and then I pull those panels over from the scroll version to the page.

Then, I make the panel borders/page layout that I want, fit the character art into it, paste in the backgrounds, do any art editing that I need, add FX, and then re-do the text!

Sometimes I do need to draw parts that are missing (shoulders or elbows getting cut off is an extremely common one) and sometimes I need to adjust facial expressions, cut panels, or rearrange panels to make things read more clearly. Since it's my comic already, I know how to do these things while maintaining the original intent, but if I were working with someone else's comic I would need to work closely with them to know what can and can't be cut.

(original panel vs an expanded version)

Another common issue is that VERY tall panels will inevitably lose a lot of information when they’re turned to pages. Identify the purpose of the panel (pacing, showing a lot of detail, etc) and then replicate that with your page layout.

examples (in order) are: scene transition, being overwhelmed, suspense, and establishing shot. All of these were a single panel in the scroll version!

Another issue when converting pages is that panel order is a lot less straightforward than when starting from print format. Conversational back and forth that's fine in scroll often messes up the flow of reading in a page (characters facing out, not looking at eachother from panel to panel, etc) and so some creative solutions are necessary to keeping the reading order.

For the first page I had to delete and rearrange some panels, and in the second the dialogue bubbles guide us to read this page in a circle. (dialogue guides through a lot of my pages lol)

And the last really common issue that pops up is that height differences can be really difficult. Usually in print this is solved with clever angles, but I’ve already drawn everything. So, I’ll either resort to vertical shaped panels, panel pop-outs, or editing a character up or down to fit into the panel.

(examples in order)

So, yes, it is difficult! But I have a lot of experience with both formats, and having prepared for this from the beginning I've been able to make the transition a LOT more smoothly than I otherwise could have.

I hope this helps!

And, thank you about the kickstarter! I'm extremely excited I'll be able to print these, the proofs I've received so far look just absolutely stunning and I'm so so so excited to get to send them to people!!!

Obligatory self promo, if you want to see the kickstarter page and get these four books for yourself, then you can check it out here ^^ It's been funded, so at this point we're just reaching stretch goals and placing orders!

[mister-qi]

Mr. Qi Friendship and Romance Mod: 4/19 Progress Update

It's a working title, I'm trying to come up with something less wordy that still will pop up in Nexus searches.

I wanted to be able to track my progress, mainly for myself, but if you're curious, this is the state of the mod right now:

Writing:

Heart Events - the 2 heart event is fully written (with blocking directions), and the 6, 8, and 10 heart events are outlined. The 4 heart cutscene currently has me a bit stumped; I have ideas, but nothing concrete yet. I definitely now understand why Sam's 4 heart cutscene is him dropping an egg. 14 hearts is on the back-burner as a little treat to myself once I get further into things.

Generic Daily Dialogues - about 1/3 done, probably the highest priority for writing. I'm leaving his vanilla casino dialogue as the two heart dialogue, and the vanilla Walnut Room dialogue as his four heart dialogue, with a few small changes. And, since it's me, I have more marriage dialogue written than anything else...

Day-Specific Dialogues - very few written, lower priority. Hoping to have a lot of these made eventually, and I have plenty of ideas, but they aren't necessary for the core of the mod so they're on the back-burner for now.

Gift Dialogues - all 5 generic gift response dialogues are written, with an additional 22 dialogue lines for specific items/groups of items. I'm also up to around item 530 in figuring out what item corresponds to which dialogue/whether or not he likes it. Certain item groups, like cooked food, still need more lines, however. This is definitely something that should be low priority, but also something I'm really enjoying working on. Some personal favorites so far are-

[if given a fish (hated)]: "Eugh, it's all slimy..."

[if given a legendary fish (disliked)]: "If you must give me one of the rarest fish in the valley, can you at least wrap it so I don't have to touch it with my bare hands?"

And I think that's pretty funny.

Art

Portraits - 3 new portraits finished: "deep frown" "glint" and "glasses-less". I'll probably be messing with "glasses-less" for a looong while; it's first shown at a dramatic moment so it needs to look good. Blushing portraits are next on the docket.

Here's "glint" btw, with a background thrown on so I can have a custom icon. You know I gotta make him do the anime glasses thing a few times.

Sprites - no progress yet. Walk cycle is up next after I finish the blushing portraits. Did you know he doesn't have a walk cycle at all? [1.6 spoilers] in the cheated Summit cutscene where he attacks(?) you, he literally just slides at you very fast. Anyways, I may also change his map sprite a bit as well, since it was drawn to match his old portrait and doesn't actually have the same color scheme as his sprites. Note to self: is it possible to make the sparkles on his outfit prismatic?

Maps - no progress yet. The 6 heart and 10 heart cutscenes both require custom maps, with the 6 heart one being a fully custom asset. 10 heart recycles some existing assets but will still need some custom stuff done as well.

Misc Sprites - in my head, there's a dream version of the 8 heart cutscene that has so, so many unique sprites. Like an incredible amount of stuff. I think it'll kick ass, but also that sequence could be done with a few lines of text. So, for now, it's low priority. But maybe in a few months I'll put out a request for help.

Implementation

Not totally sure how to split this into sections yet, as I'm very much still in the preliminary stages so far. To say that I'm feeling overwhelmed is an understatement; documentation on the wiki swings wildly between "an asset is a file in a video game" and "this is an advanced tutorial. Read these 4 other pages first before continuing."

I've started using Ms. Coriel's NPC Creator which has been good for setting up the basic file structure, but ultimately doesn't cover some of the more complex stuff I want to do. EDIT: Turns out it's completely outdated for 1.6! Had to throw out a bit of work, but I still learned from it so it's fiiine.

I think setting up his "schedule" will be a challenge, in that I don't actually want him to have a real schedule like most NPCs. Not to pull back the curtain too much here, but I want him to "exist" in both the Casino and the Walnut Room simultaneously, which is to say, he does not exist in two places at once in the narrative, just in the code. This will change after marriage, however.

My next goal is to set up placeholder cutscenes for each of the heart events, and then to implement the generic daily dialogues once those are finished.

Final Notes

God, this will be a work in progress for a while, but I'm enjoying it! Definitely enjoying the writing more than anything else, but hey, that's how it be. I've got around 70 lines of dialogue written, a bit of art done, and I've started learning how to actually get stuff in game. I've always been more of a designer than a coder, but it's getting there!

ADDITIONALLY I've decided that if I abandon this project for more than 8 months, anyone is welcome to request my work so far and use it for their own mod. If this blog hasn't posted in a long while, feel free to send me an ask or message! I may say no, however.

Ultimately, I want this mod to exist in some fashion. While there is an existing one, I have a pretty different take on the character and I want to share it with you all! Every line of dialogue, every heart event, every little detail needs to share something interesting about a character and their world. Yet, Mr. Qi is a mysterious guy, and I think some things should be left up to player interpretation. And I think it's crucial to be able to match his tone and voice to the vanilla game, while also expanding on his characterization. It's a fun challenge to write, and I hope the finished product, uh, well I hope it gets finished mostly, but I think it'll be pretty good.

Thanks for reading all this. This is largely just a stream of consciousness for myself, but I hope it's...interesting, or something?