#all actors who don't know us that well all think we want to kill them or sth

[heritageposts]

if you support israel right now, you're supporting the extermination of the palestinian people.

it really is that simple.

this isn't a 'complicated conflict,' it isn't a situation that 'requires nuance,' it's not a 'geopolitical event' that requires us to condemn the 'bad actors' on 'both sides.'

it's a genocide.

there is no 'nuance' to be had here. it's a genocide, committed by the israeli state against the palestinian people, and it's happening right now as we speak. you don't have to infer anything: israel has openly, with next to no pushback from so-called liberal democracies, cut off gaza's access to water, food and electricity. that's more than two million palestinians denied even the basic necessities for life. a million of them, children.

what is that, if not a genocide?

and that's only the latest escalation. we could go all day, listing the atrocities the palestinian people have been subjected to. the killings, the beatings, the children sexually abused in detention center, all the hospitals and ambulances being blown up, videos of palestinians being heckled by settlers as they're driven from their homes, israelis gathering on hilltops to cheer as their military drops bombs on gaza...

but all westerns want to talk about, is hamas.

because the murder of palestinians by the IDF is status quo; it doesn't affect them. what's one more dead palestinian but a statistic? but if hamas has killed a handful of israelis — if they've go as far as to even kill babies — then that justifies the extermination of two million palestinians, children and infants included.

westerns will even say that the palestinians brought it on themselves; that they should have know that a drop of israeli blood requires a river in return.

and just so we're clear, you don't have to like hamas. but when you equate hamas with the IDF, when you derail every conversation by demanding a condemnation of 'both sides,' or when you, god forbid, agree that israel is justified in dismantling hamas — which, as israel themselves have outlined, will involve the complete destruction of gaza and the murder of hundreds of thousands of civilians — then either wake up, or own up to the fact that you're a participant in the extermination of the palestinian people.

do you think i'm being harsh? then imagine how it's like living under constant aerial bombardment. with no food, no water, no electricity. constant air-raid sirens. a bomb, dropping every minute. never knowing a moment a peace, always wondering if today is going to be your last day, if you and your family are still going to be here tomorrow.

could you stomach living in gaza, for even a day? i doubt it.

and still, now, on the eve of what might be the ground invasion of gaza — with one million palestinians being told to flee, with nowhere to go — i'm getting messages from people who demand my sympathy... for israel.

well, you're not getting it.

i'm not even humoring your hand-wringing.

if you live in israel, and you're one of the ones who've turned a blind-eye to the suffering of the palestinian people, if you've fought for the IDF or tacitly supported them, if you've callously called upon the memory of the holocaust thinking the death and suffering of your ancestors would wash the blood of your own hands....

then yeah, i think you deserve every single hamas rocket lobbed at you and so much more.

[mermaidsirennikita]

I gotta say this is also very unsuprising casting when you think about it. Like as soon as the shock had worn off I was like...yeah of course she cast them.

Oh yeah, it does make sense because Emerald isn't about what's good for the project, Emerald is about what makes Emerald happy. Which is why I fundamentally can't get into her creatively.

Because of course, any creative has their aesthetic, their sensibility, their work. And I respect that, as a creative.

But you also have to kill your darlings. And we think of that in the writing sense most often—cut that sentence, that scene, that chapter if it doesn't truly serve the work. Scrap the whole thing and start over if it's truly not what it should be.

I'm a STRONG believer in that, to be fair. Brutal. Maybe too much so? Lol. Or I'd have a book out by now.

But anyway, it applies to every type of creative work, imo. You don't cast someone because YOU like them, particularly in an adaptation of a work as iconic as Wuthering Heights. You cast them because they are right for the role.

Heathcliff and Cathy, especially Heathcliff, are two of the most groundbreaking and influential characters in literature of the past 3 centuries. Heathcliff's lack of proximity (for his era) to whiteness is particularly central to the role, and I don't know anyone who seriously takes this work apart and isn't like... actively racist... who interprets Heathcliff as white. It's so crucial to his character that he is "other" in his society.

It's just TRULY a shame to me that she not only cast someone as subpar as Elordi, but someone so, so white. Like, I wouldn't want a white actor I love to play Heathcliff. And this is a fabulous role for a man of color, too.

The last adaptation did cast a man of color, but it was frankly not a very high profile project and not well done.

(I also think it would be compelling to cast a man of Roma descent OR a man of Asian, specifically South Asian descent because the text literally uses a contemporary term for Indian men to describe him... Though Nelly also speculates that he has Chinese heritage, and there are definitely some implications that he could be descended from presumably African enslaved people. The latter I could definitely see being an interpretation when you factor in the speculation that he's Mr. Earnshaw's illegitimate child. I think there's always this idea that "catch-all" terms were probably being used to describe Heathcliff's appearance, but I've thought for a while that I would personally most love to see a Roma actor or a South Asian actor play him.

But like. Literally any other than a white guy.)

This will be much more high profile, with way more attention, and it just really sucks that Emerald decided to use it to push one of her faves. It tells me that she has very little respect for the text. On what planet would anyone, even in the 1800s, look at Jacob Elordi and think that he was anything other than a white guy.

And again, I think Margot is way too old to play Cathy, and honestly doesn't read in any way as Cathy to me. I say that as someone who, again, considers her a very strong actress when she's in her element. I just. Ugh.

[evilminji]

Not my usual Fandom BUT...

You know what would be and always is fascinating/interesting/hilarious? For want of a nail type, "tiny change or little action spiral into great and sweeping change" type fics! ESPECIALLY when combined with my dearly beloved Self Insert troupe!

Because? I DO so love the Self Insert! Not so much for the "I can fix it" or power fantasy, as the ability to wander... a stranger in a strange land. Both familiar yet removed. Known to us yet... not. The major actors, major events, certainly. But the lives of the average person?

The noodle shop owner? The ship salesman? A janitor?

We know nothing about this strange new world from their point of view. What secrets can be found in this or that little shop, well off the common path. And it is FASCINATING! Especially if the Insert wasn't particularly FAMILIAR with the source material. Knew enough to get by, perhaps, too know they are in danger... but not enough to twist events to their favor. Assuming they even had the type of personality to TRY such things.

No, no...

What I? Want to see?

What I think would be FASCINATING?

Is a TRUE carry over. Adult mind to adult mind. Someone settled in their ways. Not bold and terribly adventurous, not willing to recklessly seek out danger and pain. No. They know they are going to die. They know they HAVE died. They are now a Jedi. And can feel the Force... and?

It just... helps.

They let go. Yes, perhaps some plans to protect the younglings. If they can. But their ultimately IS no death, only the Force. It is scary, they acknowledge, frightening even. But they... find calm. Acceptance.

They meditate. Open themselves up to the Force and give up their worry and fears, their regrets. All the terrible burdens they brought with them from their past life. It's honestly a bittersweet sort of relief. Ironic, that such a troubled age should be their most peaceful.

Of course... opening yourself up like that? Reaching out so deeply and with such conviction? It's like painting a "hey! I'm right here! I'm definitely going to listen if you say something to me!" Sign on your forehead, where the Force can see it.

So? It DOES.

But unlike Anikin? The Insert isn't a Fighter. So the Force doesn't tell them to fight. After all, every part has its place in the grand machine of Life. Every actor their place on the stage. Sometimes? To change the galaxy? All you need is someone to be on the right planet, at the right time, ready to hold a door open for the right person.

And that's it.

Not everything needs be grand sweeping actions. It can, instead, be the quiet drip drip drip of medicine applied behind a Sith Lord's back. To undo the damage he has wrought. So when comes the time for his plans to unfold? He does NOT find the support he was counting on to succeed. Instead he finds resistance.

But HOW? How would such a thing be DONE? By a YOUNGLING no less?

A youth with no power? Be it social, political, or physical? AND beneath the Sith Lord's very nose? Without being STOPPED? With said youngling being KILLED? Quite simply! Easily, in fact! By embracing the purest of the Light!

Fun.

Who among us, does NOT know of the parasocial relationship? The feeling of knowing someone, considering them "good" and "something like a friend" dispite never once having spoken to them? Being FOND of them? Wouldn't YOU not defend them? If someone sought to HURT them? KILL them? You KNOW them so very WELL don't you? This person speaks LIES about them!

And what of the Adorable Youngling? Small and Cute? Look at their little cheeks and tiny hands! How precious! Why, we have watched them GROW! They are practically family!

But where does the FUN I speak of come into this? Simple. The Holonet. Crechemaster's trying to corral an adult in the body of a child. The Insert is BORED. At peace, yes. But you can really only meditate so many hours of the day. Lessons only take up so much and class work the same. They aren't at an age where the SERIOUS lessons begin yet.

So they have too much free time.

..........have you heard about "Video Game #55? It's apparently got more Video AND Game then ever!" Intriguing~ But, oh. Playing it ALONE it BORING. And playing with... well, INFANTS, is... an exercise in patience. Plus it's probably not appropriate for them. Hmmmmm..... you KNOW.... Insert really DOES miss? Watching Let's Plays over breakfast/lunch...

They've never MADE one... but they know they general script and idea? And for Some Reason? It feels like a GREAT way to pass the time! Yeah! Let's do THAT! And so the Force nudges. Tiny. Seemingly inconsequential. The Master's try to shut it down, Insert is stubborn and refuses, they talk it out. Because they are Jedi and authoritarian force is not their way. Is it frustrating? Perhaps. But the only cure for ignorance is knowledge.

They ultimately compromise. Insert get to keep their little game thing, THEY make sure Insert is compromising Temple security, putting themselves in danger, talking to dubious strangers, or other such perils. It is? A FASCINATING view into the secretive world of the Mysterious Jedi for most of the galaxy. All lead by an adorable Youngling playing games.

Of course, such a silly, ridiculous thing is BENEATH Palpatine's concern. Fun and games? Not even formal or official ones? The child doesn't even represent the jedi. They represent no one. Clearly not a threat, right?

WRONG.

Because one game? Leads to another. Leads to being recommended another. Leads to "hey check out this music". Leads to "how was your day?" Leads to chatting about Jedi philosophy... as simplified for small children. Easy to understand and then complained over like it's maths homework. And... huh.

You guys really liked when I talked about X? Well, I don't know much about it... buuut? I could probably FIND someone or go to the archives? Make a video? I'll make a poll. Vote down below?

Untouchable and distant? Nah. Jedi play "Crafting Game 73" and whine about their Crechemates being JERKS for eating the last dessert. Jedi, in their head's, are small adorable younglings and the amused adults meditating the back ground who watch over them. EVERYONE knows the Jedi. The Jedi are on our datapads. Are our friends. We've totally met them.

Parasocial relationships.

Or maybe that's just me? I just... God I REALLY want to see how they'd react to a initiate who just? Won't stop fuckin making Let's Plays of all things. Just? WHY. HOW? WHY AND HOW?! No, NO don't you shrug at me and run of, youngling! Get back here! What "skill issue"? Which skill? Initiate!!!

@hdgnj @hypewinter @babbling-babull @the-witchhunter @mutable-manifestation @lolottes @leftnotright @legitimatesatanspawn @nerdpoe @spidori

[halfbloodgf]

Can we talk about the fact that Severus Snape left everyone, both the characters and the readers, like this: 🤡🤡

I mean, no one knew wtf was going on with him. One moment u think he's bad, the next u think he's good. And then u think he's the villain again. But then he gives his memories to Harry and we all realize that he was the fucking hero all along.

In hp1, we think it's Snape who was trying to steal the philosopher's stone, or who tried to knock Harry off his broom. But then comes the end, and we find out that he stopped Harry from falling (saved his life) and was protecting the stone...🤡

We still hated him in hp 2 and 3...

In hp4 Harry suspects that Snape had the Dark Mark, and ends up discovering that he did. There's even the scene that Harry sees: Igor Karkaroff accuses Snape in court in front of the Wizengamot, saying he was a Death Eater, and we're all like😯😃 (finally know the truth!!). But then Dumbledore defends him😐🧍🏻‍♀️, and no one, not Karkaroff, not Harry, not us readers, understand anything. We don't know whether to trust him or not. So, again...🤡

In hp5 everything is confusing with him. We don't know if he wants to help Harry (occlumency lessons) or not. He calls Voldemort "Dark Lord" (only Death Eaters do), we see his worst memory, which, again, leaves us bewildered and not knowing what the hell to think of him now. Harry himself doubts that his father was a good person, even wondering if James didn't force Lily to marry him, and empathizes with Snape. Then the whole thing with the prophecies, and Harry trying to warn Snape about Sirius and his supposed kidnapping. The Order arrives to save Harry and his friends, which suggests that Snape warned them.

But along comes hp and the Half-Blood Prince, Snape appears to be helping Draco Malfoy with what the Lord entrusted him with —The scene where Bellatrix accuses him, tells him that she doesn't trust him, and then she is surprised:

In the books:

[...]Do you really think that the Dark Lord has not asked me each and every one of those questions? And do you really think that, had I not been able to give satisfactory answers, I would be sitting here talking to you?”

She hesitated. “I know he believes you, but…”

“You think he is mistaken? Or that I have somehow hoodwinked him? Fooled the Dark Lord, the greatest wizard, the most accomplished Legilimens the world has ever seen?”

[...]

“And through all this we are supposed to believe Dumbledore has never suspected you?” asked Bellatrix. “He has no idea of your true allegiance, he trusts you implicitly still?”

“I have played my part well,” said Snape.

In the movies:

The line where he says “Dumbledore is a great wizard”, Snape is actually being smug and subtly saying he’s such a good actor (I mean, come on, the man deserves a fucking Oscar), he’s managed to deceive Voldemort so well that he has revealed his grand plan to him. He practically seems to be laughing at the double meaning of his own words, mocking and lying to the black sister's faces like the fucking boss he is. The way he's literally drinking a glass of wine while laughing at the Dark Lord. The whole scene is just excellent.

So at the end of hp6, Snape reveals to us that he was the half-blood prince for whom the fucking book is named, ends up murdering none other than ALBUS DUMBLEDORE, and we all learn that all this time his true loyalties were with the dark side...🤡

Oh no, wait! Hp7 arrives, Voldemort kills Snape :0 (Yes!), gives his memories to Harry, and Harry sees his memories and... (NOO😦😨😰😭💔💀). We found out he wasn't the bad guy. That, in fact, he was IN LOVE WITH HARRY'S MOM —"always" still hurts :')— That all this time he was our ally...🤡🤡🤡🤡🤡🤡🤡🤡🤡

He practically played with all of us, with LORD VOLDEMORT, the Death Eaters, the Order of the Phoenix, Harry... well, WITH EVERYONE IN THE ENTIRE WIZARDING WORLD. And he did it as if he were:

Harry fucking Potter named one of his sons after him, which must have made a lot of people roll in their graves (James and Sirius out of anger, Snape out of laughter).

This mf literally woke up one day and said: "okay, here begins my reputation era bitches.😎 Let's leave a few of them looking like🤡🤡"

PD: Sorry if something is written wrong, english is not my language.

[fivelila]

The other side of everything

I think all of you have read the repeated sentences about what's wrong with Fivelila. So I thought I'd write my thoughts on it and maybe some of my headcanon.

1) Age gap

Problem: Ritu is 15 years older than Aidan. Five and Lila have an age difference in both directions, mentally he is much older and physically she is older.

My take: About the age of the actors, I'll say this much - the opposite is so common and many people don't find it strange. For example, did you know that Julia Roberts was 23 when her film Pretty Woman came out and that Richard Gere is 19 years older than her? And I haven't noticed anyone being disgusted by how that's possible. I could find some more extreme differences, but I don't think I want to.

Aidan is 21 and yes, he did TUA when he was younger, but a lot of people still think he's a kid. But no, he's not. Deal with it.

My headcanon: Lila is older than she looks. And that's thanks to the Handler and the work she does for the Commissions. Does any of us know how long has she lived somewhere outside of time? Sounds like another possible parallel to me.

2) Lila was cheating on Diego

Problem: Lila was unfaithful to her husband.

My take: Lila made it clear that she wanted a break with Diego and wanted to reconsider their marriage. Yes, the circumstances ended up being pretty wild, but it was more than obvious that she wasn't happy in the marriage. Among other things, it was over six and a half years for her before anything happened with Five. There are countries where such a long separation between spouses could also help to bring about an immediate divorce if necessary.

I also think that the only thing that connected them the most was their children and not that they were compatible as partners. A completely natural thing that happens really often in real life when someone builds a relationship on desire, which they mistake with love.

3) Five is homewrecker

Problem: Five is the reasons why his brother's family fell apart.

My take: It's not true. Five was not the reason that Lila and Diego had problems in their marriage. Yes, she was still his brother's wife and that's a bit morally grey, but their situation was complicated enough (as I wrote in the previous point) and it's completely understandable. By the way, don't people like this family precisely because their morals are often a bit grey? I guess that's probably only true sometimes, huh?

4) Five cheated on Dolores

Problem: Five was unfaithful to Dolores

My take: Sorry, but this is the biggest piece of shit ever. If someone prefers a relationship that Five made up in his mind just to keep himself from going crazy and heal his trauma, then our fandom isn't the one that's wrong. By the way, if Dolores was real and played by Rachel Delduca, she's definitely older too! I couldn't find the exact age, but it's pretty obvious that she's older than Aidan.

5) Five killed Lila's parents

Problem: Five was the killer of Lila's family and Handler could have kidnapped her. Her family may be alive, but it won't change the past.

My take: Yes, this is about the only thing that could never work in another story. Lila gets her family back, but it doesn't change what happened to her. Still, I think even she knows very well what it's like to work for the Commission and what it was like when an order came down. Handler bears most of the blame, even though she wasn't the one who killed them.

My headcanon: I don't think Lila had clean hands either, though we never really saw that much in the story. Still, even she could have been the murderer of some random parents of some random kids because that was her job. For example, she killed several people on the Commission to get access to past records in the barn, so it would be a bit hypocritical for her to blame others for actions that she herself had done before.

If you have any other thing I should discuss, please post it in the comments, I'll do another post about it.

[brf-rumortrackinganon]

What I don't think I've said before is that my agency is a law enforcement agency and we do similar investigations to this

I work on the side of law firms coming in to do internal investigations - particularly in the UK. You obviously know what you’re talking about, but I just want to reaffirm for the anon and other readers that it’ll take months.

Organisations sometimes unknowingly open Pandoras box when they start an investigation like this, because all kinds of misconduct they had not known about must now also be dealt with. That makes the deadlines even more squishy.

Would love to have your take on the national security aspects to the PoW’s diagnosis and continued treatment. I bet H&M is going to want to find out more information too, which fits in nicely on your recent posts around him being a security risk (I’m the Pegasus anon and highly enjoyed them).

Very old ask from March 22nd.

So now knowing that Kate actually did have cancer, was seriously ill, and was also downplaying her diagnosis and condition, that changes my thinking a little.

I do think one of the reasons they've been very careful with Kate's diagnosis and treatment is because of the national security impact. For instance, if Kate's actual treatment was publicly known - she goes to chemo on these days, she's being treated at this hospital, her drugs are X, Y, Z - then a bad actor or a threat can absolutely do some damage. They can taint the medical supply, they can call paparazzi to the hospital, they can sneak cameras into the treatment center, they can stage an emergency that takes resources away from the oncology unit.

If the type of cancer Kate had or the chemo treatment she was undergoing meant she needed to be a on a specific diet and if that was known, then obviously someone could try to send her a tainted gift basket or they have a spoiled product that they give to a known Wales associate (like a Turnip Toff or a Middleton friend) and they pass it on to Kate (which is how Pippa used to merch sometimes, in early Cambridge days) who doesn't suspect anything because that person is cleared by RPOs. And this is something that the BRF is actually concerned about - I read somewhere once that they don't accept food products or food gifts and if any is given to them on walkabout or engagements, it's immediately tossed.

Now let's think about that hack/unauthorized access to Kate's medical files back in March. What could someone do with that information? Well, aside from her diagnosis, her symptoms, her treatment plan, they could learn who her doctors and care team are and go after them - stalk them, harass them, blackmail them, endanger their families, etc. They might also learn where Kate's pharmacy is or other private medical information like maybe if she had any miscarriages, what other medications she might be on, what her allergies are, her parents' medical history, etc. and all of that is something that a bad actor can exploit to their advantage, everything from exposing Kate to her allergen to killing her doctor and assuming their identity to treat her.

Not to mention the fact that anyone who goes through a major operation like Kate did in January and who goes through chemo becomes incredibly immunocompromised. All they have to do is get someone with COVID or a flu or shingles or some other kind of biotoxin or contagious illness next to Kate and her condition worsens.

(Just a quick aside her to remind everyone that someone who's immunocompromised from chemo the way Kate is isn't going to be frolicking in the woods with people who aren't in her bubble. Michael and Carole are in the video because they're in Kate's health bubble. Charles and Camilla aren't in the video because they aren't in Kate's bubble and they're not in Kate's bubble because Charles has his own bubble because he's also immunocompromised from his own cancer and his own treatment and no one wants to risk Charles or Kate getting worse because of something "crossing over" from one person's treatment into the other's.)

And what happens if you take Kate out of the picture? We're not killing her here - we're just saying she becomes incapacitated or sidelined in some way. But take Kate out of the picture, now all of a sudden you have the entire future of the monarchy at risk. William becomes vulnerable. George becomes vulnerable. Charlotte and Louis become vulnerable. We're not talking about their physical security or their physical well-being here; we're talking about their mental and emotional health and as we've seen in Harry, that -- in the hands of the wrong person -- becomes incredibly dangerous. And since William is the next king and George the future king, that 100% is a matter of national security.

It is all farfetched, it does sound Bondian, but that's what national security is. It's considering every single possibility that could happen, assessing how likely it could happen and what kind of impact would come from it happening, and mitigating as much of that as possible.

So how do you mitigate the threat to national security posed by Kate's health crisis? You don't tell anyone the specifics. You keep it private. You downplay it to the best of your abilities.

Now, specific to the Sussexes, and why William and Kate (or even the RPOs or even the BRF) wouldn't want them to know the whole truth of her condition and health, it's absolutely all the shadiness that the Sussexes are involved with. There's rumors of Russian support. We know they have microphones and Netflix cameras with them all the time. We know that the Sussexes are boundary-stomping privacy invaders who blab about every tiny morsel of information they get - or don't get. We know that the Sussexes want to be King and Queen of people's hearts, King and Queen of culture, and the actual King and Queen of the UK, the realms, and the Commonwealth.

If something happens to Kate, then Harry and Meghan aren't even waiting in the wings; they're already running on stage with their plastic crowns. And I think they know that, because without Kate, William's attention turns 100% to the children, which leaves an opening for Charles to bring Harry back and we know that Harry won't come back without Meghan. So if Harry and Meghan are both back, then they become even bigger red flags to the monarchy and the BRF because they're also bringing the damage of the last 5 years - grudges from 2018/2019, the alleged Russian supporters, Oprah, Netflix cameras, Sussex Squad, all their crony kiss-ass reporters, etc. Bad, bad, bad news all around. You might as well turn the Buckingham Palace throne room into a gift shop now because the second Harry and Meghan are back in, they're selling the monachy to the highest bidder - but will it be Oprah? Will it be Netflix? Will it be any Russians? Will it be Nacho? Will it be QVC and the Home Shopping Network? Will it be Penguin Random House?

So not telling Harry and Meghan anything about what Kate's doing isn't just national security best practices; it's complete and total self-preservation of the monarchy for George. Because if Meghan was able to do that to Harry, imagine what she and Harry can both do to William and George together when William and George's world has been totally rocked and shattered.

Edit: added some clarification. I mention COVID here as an example of someone with an illness who could seriously worsen an immunocompromised person's health. I'm not debating COVID vaccinations, protocols, or precautions and any more comments/replies about COVID will be removed.

[drewsephrry]

i spend the whole day watching part 2 and i...am shocked?

spoilers from here on now...

so for anyone that hasn't finished it yet, maybe scroll..

okay so i was honestly expecting larissa to be alive (not the hollis theory) but then i saw the dead body and was like oh, maybe not then!

jj deserved better parents, either way. i wanted to beat groff's ass throughout all of this

rafe's proposal was....i was screaming, crying, throwing up!! i wanted to be sofia so badly in that moment...

and then the writers had to fuck them up! i mean, it doesn't make sense, making her one of the main cast this season just for this to happen? very upset, calling my lawyers!!

topper and ruthie and even kelce can suck a d i c k!!

sarah being pregnant, honestly i expected that from the first part and we had all heard the rumors, seen the theories

rafe and sarah making up!!!!!!! again, cried so fucking much, especially when they hugged

rafe teaming up with the pogues was very unexpected but he had his arc redemption for sure now. kind of worried when they get back to obx and shoupe possibly arrests him for the murder of peterkin and god knows what else

jj's death, again i expected it after rudy posted the thank you stories and if i am being honest i don't think the writers decided to kill one of their most loved characters, but it was rudy who made that decision. we can't know for sure, of course, but that's just my guess. he didn't seem very into it in the interviews or the premiere or while filming..idk that just might be me

and okay, i thought that he would die, but i didn't expect groff to be the one to kill him. like yeah, he was a bad guy, murdered his wife, but killing jj too, after he gave him the crown?

and my poor baby kiara, madison portrayed her feelings so fucking well. give that girl a raise!!!

cleo and pope!!!! that's it. love them

sarah and john b were the fucking cutest! madelyn and chase are so professional, because if i did all those scenes with my ex......

AND WE GOT BARRY BACK. I MISSED HIS LITTLE ACCENT!!!

i am so sad that s5 won't have jj and his iconic one-liners. i am extremely sad s5 is the last season too, but i completely get it from everyone's perspective, the writers', the actors', netflix's. i cannot wait to see what they will make for us and we still get about 2 years with our cast that has now become a family

okay that's all. tomorrow i will probably rewatch just for funsies. hope you had a good time hearing my rant, watch s4 pt2 and you can send me anything you'd wanna talk about it!!! love you all, p4l -jo 🤍

[zvtara-was-never-canon]

What do you think about Maiko's ship? I think it was a relationship created by the creators to make it clear that the zuthara was not going to happen and that I don't like the zuthara.

I think you're greatly overestimating how much the writers thought about Zutara. No, they didn't like the ship. Yes, it was popular regardless. But neither Bryan nor Mike seemed to be the type to pull a Joss Whedon and practically use the characters to shame the fans for liking the wrong ships (on top of verbally abusing the actors for the crime of doing their job too well). All we ever got from them was:

1 - One episode in which they poke fun at EVERYTHING - the show itself and it's tropes (Katara crying about hope non-stop, Zuko's hair, HONOR, "Did Jet just die?"), the fandom's opinions and fanfics (the characters skiping the great divide, Katara liking bad boys), their original plans (Toph being a guy), industry shit (the episode itself being a recapt episode, Aang being played a girl as reference to lots of little boy characters being voiced by women). So yeah, Zutara gets made fun of in this, but so does everything Avatar-related.

2 - ONE con in which they were being dicks about how "People who like zutara will end up in abusive relationships." One isolated incident SEVENTEEN YEARS AGO.

3 - Freaking fanservice. They full on let the other writers in the team throw zutarians some bones every now and then.

Outside of that, they don't even talk about Zutara unless directly asked about it. Almost like... they don't take it that seriously. Almost like... they know that, as showrunners, they don't have to "justify" zutara, or any ship, not happening, they can just... not make it happen.

If their goal was to make Zutara basically a ship that the narrative kind of "forbids" from happening, they wouldn't have made Katara forgive and befriend Zuko. They wouldn't have made him risk his life for her. They would have made it clear that these two genuinely DESPISED one another even after Zuko's redemption.

If they just wanted a last-minute ship to make people "forget" Zutara, they could have always just brough Jin back in the finale since she was popular with fans, even zutarians. If Mai was just a "road-block" to Zutara, they wouldn't have made the audience spend tons of episodes in book 2 just seeing her do her thing without Zuko being involved in any way, nor explained to us her traumas on The Beach.

Mai was a well-written character that would make sense to pair up with Zuko, and thus Bryke and the other writers did exactly that. Maiko was not their attempt to "kill" Zutara - you don't have to kill something that was already dead on arrival.

Kataang/Maiko are only zutara's rival ships in the fandom. In the show zutara was never a possibility, therefore it was never rival of ANYTHING. Something being popular in fanon doesn't mean canon is obligated to bow down to it. Bryke didn't do shit to "deal with" zutara because it was never a threat to them - it was, and still is, completely irrelevant in their eyes.

[gleefullypolin]

My top 10 ships

I haven't done this in forever, and I was bored and didn't feel like working so.....felt like an appropriate thing to do instead.

My top 10 ships!

#1 Polin - Bridgerton

Did you really anticipate anyone else being at my top spot? Friends to lovers....Swoon! They have my heart, soul, and life. I literally love a girl who knows what she wants and a man who loves the fuck out of her like no other so this is like porn and comfort. Give me everything tonight and more!

#2 Captain Swan - OUAT

If you aren't going to give me friends to lovers, I'll move over to Enemies and find my kind because holy hot out of hell, there is nothing better than Captain Hook and his smolder winning over Emma Swan. Fuck that man can burn! Years after that show ended and I can still sit in them and ruminate and catch myself on fire.

#3 Clois - Smallville

There have been a lot of different Lois and Clark's out there, but none have been Erica Durance and Tom Welling. I've never been so happy and angry with a show in all my life. I used to wish so much against Lana Lang that I am embarrassed my own behavior. But I truly loved the banter and way these two brought these characters to live. It was marvelous.

#4 Reylo - Star Wars

Being a Reylo shipper was like being sentenced to death and hell all at the same time for many years. We were bullied, tortured, shat on, and then given everything we wanted in 30 seconds only for them to fucking KILL HIM after a sacrifice. I have never both smiled, cried, and then curled into a ball in a theater so quickly that I wanted to die before. Even my family ridiculed me. It was torture but I still live there. I still ship it and you cannot make me stop!!

#5 Fitzsimmons - Agents of Shield

The brilliant science couple put through so much that even they thought they were cursed. Pushed to find each other across time and space, kidnapped into a matrix, forced to fight one another, half the couple killed, duplicate versions of themselves, but champions of the hug, star crossed and so full of love. Friends to lovers, he fell first, she fell harder and GOD I LOVE THEM YOUR HONOR!

#6 Starpollo - Battlestar Galactica

A couple who knew how to tear out my heart, throw it to the ground, and then trample it with their feet to ashes. While Lee and Kara were not destined to end up together, they damn sure made it hard not to want them to find a way. They truly loved each other more than anyone they were with in the show, but guilt always found a way to fuck that up for them. God it hurt to love you two.

#7 Romanogers - Marvel Universe

Let's talk crack ships because oh how they break your heart. But it is glorious. This one is mine. I will forever love Nat and Steve and I will live in the space and time that they were on the road together living their lives without a banner. Because you can't tell me what they got up to! I refuse to believe you! But let's not talk about how it all ended because my heart still hurts and I don't like to talk about it!

#8 Finchel - Glee

Since I'm already ripping my heart out, let's go all the way with it. Finchel has always been that ship that tears my heart to shreds. I was all in from the characters to the actors and I'll never honestly get over it. I'll probably always bleed Finn and Rachel, Cory and Lea. And I'll never be able to talk about it to normal people. It was something I lived, breathed, and honestly part of me died with. So I think that's enough of that.

#9 Caryl - The Walking Dead

You can call this whatever it is, some say crack ship, I say...otherwise. It's my ship of ships for TWD. It's my coming home ship. Because that's what they are to each other. They are love. No one tell me otherwise, I live there, I love there. So do they. Deal with it.

#10 Roschel - Friends

Look, say what you want, but I stayed home on Thursday nights just to watch whether they would or wouldn't. Nothing grabbed me like these two. They were lobsters, they were on a break, I didn't give a fuck what it was, only that they had me in a chokehold and that's what I realized what shipping was. Because dammit, I wanted whatever feeling it was. And thus the 9 people above because the passion I sought. So bless it, they needed to be here.

And there you have it, my top 10 ships! Hope you enjoyed! Feel free to add your own :)

[ai-megurine]

HOTD S2 episode 2 "Rhaenyra the Cruel" reaction

• This OST! Djamin Rawadi is a god

• Can we appreciate Aegon's friends? Staying with him despite the state of madness he's in and closing the door to make sure he has some privacy

• oh so that shot of Aemond was him realising that he was the target!!!!

• I'm sorry I'm not that sympathetic to Alicent's tears? I just wish we could see more of Helaena grieving. I love the dress though

• ALICENT B&C IS NOT ABOUT YOU

• Otto shut up.

• Get Tom an Emmy, an Oscar and every single award in the world. His "what?" of disbelief to Otto stuck with me, dunno why

• In love with Larys' entrance. No one notices him until he speaks, he's in the background. Perfectly suits him

• "Bitch Queen of bastards" lmfao

• Love that the Council is shutting up and just letting Aegon rant. They're all scared of him in a way

• Who knew I'd ever be happy to see Larys?

• "I'll kill him myself" feed him to Sunfyre pls. Or Shrykos

• Aegon losing it every time Otto speaks is such a mood

• Jasper Wylde has a lign! Who knew.

• "We know our enemy!" with the little hand thingy was funny, I'm sorry

• Tyland!!

• "you're already seen as weak" oh fuck you Otto

• Why would anyone think that Rhaenys committing mass murder means Rhaenyra should be Queen???

• Aegon "my little son's body" broke me.

• Alicent calling Aegon "my darling" was sweeter than I thought.

• oh so Helaena can be a spectacle but not you??

• HELAENA MY LOVE

• LET ME HUG YOU

• DAEMON WHEN I CATCH YOU

• BALERION HIMSELF COULDN'T PROTECT YOU

• Oh my lord she's holding Jaehaerys' clothes 😭😭😭

• She's grief personified I can't breathe

• Phia is an angel

• THE TEAR ON HER CHEEK

• AAAAAAAAAAAAAAAH the "I don't want them closer I don't know them" breaks me. She's my angel, I will fight the world for you

• ALICENT WHO CARES YOU'RE BANGING COLE. IT HASN'T BEEN 24 HOURS SINCE JAEHAERYS DIED

• "This is for my boy" AAAAAAAAAAAAAAAH.

• The toy horse 😭😭😭😭

• The music is so good

• (when did they have the time to make all the uniforms and banners??? Sewing ladies have been doing overtime)

• Blood IMMEDIATELY giving up all the information was low-key funny but it really showcases who he is. A big bully who uses his strength to hurt people weaker than hip (women and children) but the second he's caught? He folds like a coward.

• Lmfao Larys' face. Even he was like "damn dude I didn't even start"

• Who the fuck is the herald? I thought Otto would be the one doing this

• OH MY GOD THEY SEWED THE HEAD BACK?????

• ANGEL, BABY, I LOVE YOU

• DAEMON I WILL KILL YOU MYSELF

• The little circlet on his bead 😭😭😭😭

• why barn owls on the shroud? I mean it's Helaena and she's flawless so I like it anyway

• So the death of Jaehaerys has FINALLY been acknowledged as kinslaying as well

• Blood's face when he understands that Aegon is coming and that it's going to be painful

• Noooooo, I wanted more pain for Blood

• Oh no my girl being so overwhelmed. She's in pain 😭😭😭

• Oh Rhaenyra's reaction to B&C

• I mean why wouldn't they accuse you? Like? Bestie? Who would it profit to kill Aegon's heir?

• Is Daemon actually smirking???? This man istg

• Rhaenys immediately knew, this woman is too good for these people

• Rhaenyra's realisation

• "Killing it"??? IT???? WOMAN.

• DON'T YOU FUCKING LAUGH. If you felt any ounce of remorse, you would be screaming in rage about it

• "you have wounded me" BESTIE A CHILD DIED WE DON'T CARE ABOUT YOUR STANDING

• JFC the way she reacted when he broke that glass!!! She's obviously scared, it's definitely not the first time.

• Emma the actor that you are. Rhaenyra looks ready to rip Daemon's head with her bare teeth (which she should do, it would be iconic)

• You are a monster dude

• Oooh that silence

• "because of your virtue" hshshsjsj

• Bestie Viserys named Rhaenyra heir out of grief and guilt

• "You're pathetic" is so iconic, love it

• Baela exists! That coat is atrocious though

• So no risking Jace but Baela is fair game huh? Bitch (and I don't even like Baela). Good scene though

• Behold, Daemon runs away from his family

• HELAENA STILL DOESN'T HAVE A GUARD???? WHAT???? AEGON HAS TWO HE COULD SPARE ONE

• Oh god her and Aegon. Grieving, broken, but unable to connect. I feel like she wanted to reach out in the stairs, but he runs away because he's on the verge of breaking down and be can't have that in public.

• The nodding???

• NOOO THE BED

• I mean, I know it's better but

• Oh god the mattress covered in blood

• The juxtaposition with Rhaenyra being with her son is heartbreaking. The way she realises that this is what Helaena lost, that Jaehaerys was that age

• ALICENT STOP THINKING ABOUT YOU BANGING COLE NO ONE CARES

• Also Cole should be guarding Helaena and Jaehaera

• The religious trauma of consensual sex

• I wished the Alicole storyline would take less screen though, I mean good for them but that mess of a relationship shouldn't overshadow Helaegon's doomism and greek tragedy right now

• Cole needs to stop beefing with the rest of the world, Arryk isn't responsible for it

• Love Arryk for calling out Cole

• LMFAO THE OTHER KINGSUARDS NOPPING OUT. Valid ngl

• YOU'RE MAD SER. Love him

• Cole's hypocrisy is a delight. He's a terrible person, but he's so interesting

• Why don't they use poison though

• Laenor being mentioned? Neat. Him teaching the boys about fishing and Sea Shanty is pretty fun

• Damn that scene is actually good!! A shame I couldn't care less about Baela and Rhaena

• Oh so that's the famous brothel scene?

• Aemond's mummy issues on fill display 🙏🏻

• I love the relationship between him and the madame ngl. Like I know he pays her for it but her gentleness with him seems to be at least partially genuine. Her facial expression when he doesn't look at her are pretty telling

• Hugh Hammer the return! Fuck if I care but hey, I'm not against them developing the Dragonseeds. I wish Nettles was around too. I guess Hugh will join TB after his family's death? Or he'll be a spy for TG? Dunno

• So we know Baela ends up with Alyn, and he looks so much bigger and older than her 😭 Like it makes sense but DAMN

• I genuinely cannot begin to care about Corlys to save my life

• WAIT RHAENYRA DIDN'T KNOW WHO MYSARIA WAS???? THIS IS SO FUCKING FUNNY

• Mysaria being a good character wasn't on my bingo card but I don't dislike it

• Seasmoke following Addam around like a lost puppy is so funny to me. Also his sounds are so cute. I guess Laenor died off screen?

• The focus on the smallfolk is great. It reminds me of Varys' quote about the smallfolk always being the one to suffers.

• Cheese didn't suffer enough and I wish that dog a very nice "find a better owner"

• "Oh, I had them hanged" is so fucking funny.

• Otto is right, though. Like, this was a terrible idea.

• Ooooh mentioning Jaehaerys was a dumb move. You should Aegon isn't going to be rational about it

• Aegon, you can show strength by, you know, USING YOUR DRAGON. Honestly a public execution of Blood would have been better

• Otto's "wtf" face is so funny. I love him. Tom and Rhys are carrying this entire episode. Phia too, but she's less present

• Otto, do you REALLY think Aegon gives a single fuck about Viserys???

• Otto being fired for upteenth time is so funny. This man files for unemployment every three weeks

• Otto's last act of defiance was great

• Yeah, Mysaria isn't exiting the show

• Oh, that's how she'll stay

• Elinda Massey exists!

• I'm glad they didn't make Rhaenyra fight Arryk like some believed. It makes much more sense for her to be genuinely scared for her life. Like, Arryk is a grown ass man in armour and literally one of the best knights of his time

• They deserved better

• Otto unknowingly dissing his daughter's bf right in front of her was peak irony.

• "Petty revenge"? A FOUR YEAR OLD CHILD WAS DECAPITATED

• FUCK YOU ALICENT. Your son isn't "valuable", he's YOUR SON

• DAERON MENTION!!!!!!!! VICTORY!!!!!!!!

• The generational trauma of zero communication 🙏🏻

• Aegon sobbing and breaking down

• Nooooooooooo

• My love

• Let me hug you

• He's so beautiful

• A fallen angel

• CRISTON LEGIT SITTING ON HER BED WAS SO FUNNY LIKE WHAT

• HOW LONG HAVE YOU BEEN WAITING

• ALSO WHO IS GUARDING HELAENA

Conclusion :

Tom is a god, Phia is an angel, I will start a cult for Ramin Djawadi. The acting in general was top notch, but Tom and Phia have ascended to god-like.

Helaegon's doomism and Greek tragedy will be my death, I love them your honour.

The focus on the smallfolk was very good, and I hope they do it for both sides.

[lovecolibri]

The only thing I'm going to say about this (<- probably lying) is that it doesn't matter how Buck felt in that scene. Because Buck isn't real and doesn't actually have feelings. What DOES matter is how it comes across to the audience. And if the vast majority of the audience had an "what the fuck is this and why is it happening like this?" reaction and that was NOT the intention of the scene? Then it wasn't done well.

You should not have to come out after the episode and explain what the scene was supposed to do. If you have to, then you have failed in your job to get across to the writers, directors, and actors what the point and purpose is. And maybe you have failed to take into account what the characters are like, their trauma histories, and how the audience might react given their knowledge of the characters involved.

A lot of people never forgave tay kay for what she did to Bobby in s2, and then having Buck Begins give us this raw, vulnerable version of Buck and his childhood only to have her lash out a couple of eps later calling him "needy" and a bad friend because he asked something of her instead of just being there to give her whatever she wanted? It's no surprise fans and the general audience never got on board with that relationship. Because it wasn't good to BUCK and that's what the audience wants.

I am personally continually BAFFLED that this show gives these moments of gentle teasing and support and validation of Buck's feelings (even when he can overreact a little out of trauma response) to Eddie, and then continually put Buck in romantic relationships with people that don't even seem to LIKE him, much less adore all his quirks and the things that make him BUCK, and most importantly, the things the AUDIENCE loves about him.

It's.....it's almost like Tim isn't even trying. Because the audience isn't SUPPOSED to like these relationships for Buck. Because they aren't the right ones for him. Because we all know who is.

But also, at some point it starts getting questionable as to why the people that love him don't speak up to express concern about him staying in long term relationships with people that are not nice to him. We all know the bait-and-switch of tay kay in s4 being a FOX network call to shut down what Tim wanted to do, and then he left the show with someone who doesn't like, see, or care about Buddie (or really any of the main characters that aren't Angela to live out some revenge fantasy or Buck to live out...other fantasies). So they couldn't very well have all of the firefam desperately asking Buck if he was even happy as he wasted away in that loft all season, or even allow them to be kinda pissed he would choose to be with someone like that who nearly got Bobby killed by not telling someone immediately and interviewing him without consent, but it never sat right with me that it was all just never addressed and they had them breakup on good terms (sorry not sorry but if you think T*mmy isn't nice to Buck, tay kay was worse in every way and thats canon fact).

So I don't have super high hopes that they will address this clear and obvious disconnect with Buck and T*mmy, but considering they made a point to have nearly all their screentime revolve around Eddie, and them not meshing as a couple it would be weird NOT to. Then again, *gestures to all that rambling above*

ANYWAY

The point it, at SOME point the audience does have to be a consideration because without an audience you do not have a show. So Tim needs to shake off the last of the Lone Star cobwebs, get KR the fuck out of the writers room, and make sure his intentions for scenes are ACTUALLY what make it onto the screen, and that what is on screen is stuff that will resonate positively with the audience. Maybe he should rewatch the first 3 seasons of the show himself to get back into the groove.

[welldonekhushi]

Okay guys, I'm back and.. I needed a short break after what happened in the MWIII campaign. Words can't express how shocked I was when I reached the end of the campaign and.. it left me in confusion, denial, depression and anger.

I'm putting a "read more" below because, if there are people who still haven't played MWIII, I'll keep ya guys safe.

Our theories before were constantly revolving that who's gonna die and what worse is going to happen.. it first pointed towards the fate of Price or Gaz. But, turns out we were jinxed. JINXED.

The campaign was.. okay but at the same time I felt it was small. Quite rushed. I did have a light of concern over their release date when MWII was currently trending. I was reading others reviews of how they felt about the game and yes, I agree with the same. But I wanna talk about Soap's fate this time..

Soap, who JUST started his journey, like, the one who only appeared in MWII and hoped we would see him more develop in the further games to be just.. killed off? When were they moments away from achieving victory?

So only because it's called MW3 ✌🏻 and you wanted to give us all a nostalgic experience you'll.. give them the original plot treatment? Both Soaps in the Modern Warfare universes.. died under the hands of Vladimir Makarov but in different circumstances.

This is where I got a bit angry at Price because, why didn't you kill Makarov instead of taking him in custody in Verdansk?! That guy is a walking grim reaper, and if Price took that action before, not just Soap but MANY more lives would have been saved. Soap was a man who was ready to take immediate action but always got backed off because of being bound to orders.

The end scene when they took out his ashes.. it broke me. Like, how unexpected this can be? Well, though I know Makarov already gave a warning that he was going to kill him off in the heli scene, but.. it's just not it? Like, honestly, I was hopeful Soap would survive.. it's disappointing for me, as someone who loves him so much, like anything.

So ScarSoap's now an angsty ship? Because let it be for both universes — OG and Reboot, Scarlet's going to be left behind? Welp, I'm more sad now, lol.

Otherwise, the expectations I had for the campaign were somehow, not met to the fullest but let's talk about the good things.

Price killing off Shepherd. YES, THAT'S WHAT I'M TALKING ABOUT. I freaking knew that he was going to die and my prediction called itself right. But, now that Price killed a 4-star General, he's gonna go rogue. You mean, batshit, crazy and unhinged Price on the move?!

Julian Kostov. The man. Bro, like, when he was featured in the reveal trailer, I was just hoping that he'd play the role of Makarov well and guess what? He did! I absolutely loved how he portrayed the man and he looked intimidating and twisted like a true psychopath. Truly, he could compete with the OG!Makarov and it's proven! Hats off to the actor, really <3

Price DOESN'T die. Neither in my beliefs, Farah and Alex. A relief. A pure relief, for real. The trailers showed him passing out but glad he's good in one piece. But, did that happen for the cost of killing Soap? :')

Graves and Shepherd betray each other in the conference, LMFAO! Who knew they were going to turn their backs on each other. Graves really had nothing to do with this, he was just a man following orders.. the problem lies with Shepherd, and always has.

Now, these guys said we're gonna release the "full campaign" on November 10. You mean.. the early access didn't show much of the story? So there's hope? OR NOT? Sigh, I don't want to think about it.. I just don't. I've been delulu, haha

Anyways, these are my thoughts for Modern Warfare III! What do you feel about it, let me know in the comments!

[misterspectacular]

Joker in Arkham Shadow

I'm so glad Joker is a part of Arkham Shadow! Not a big part and we never actually see him, which is sad, but HE'S IN IT! It's actually necessary that we don't see him, or that he doesn't see US, considering we are Batman without the mask and he knows we are Batman based on voice alone. He knows his Bat so well!

The voice actor hasn't been listed yet, but it's Troy Baker, who also voiced Joker in Arkham Origins! (Troy Baker voices Harvey Dent/Two-Face in this game, as well). (Side note, Batman in this game is voiced by Roger Craig Smith who also voiced Batman in Origins.) (Side side note, this is a sequel to Origins.)

Heres the dialogue:

Matches Malone (Batman): *knocks*

Joker: Two bits! Well, look who's finally awake!

Malone: The hell you talking about? you some kind of Joker?

Joker: Hardly knew her! Hehehee... Aah, nothing like an old friend to make the joint feel less solitary.

Malone: Old friend? You got the wrong guy. Yeah, I'm pretty sure I'd remember meeting a freak like you.

Joker: Tut tut, Batsy-Boo! The East End voice might fool the rest of these dimwits, but me? Tsk tsk. Oh, you and I have something special.

Batman: What do you want?

Joker: Right now? A gallon of gas, a book of matches, and a ham sandwich. But I'll settle for a little chit chat. Ever since the last riot down here, it's gotten so dreadfully boring!

Batman: (multiple choice question, this one was selected) How long have you been in solitary?

Joker: Ooh, look who's fishing for leads! Don't tell me I'm a suspect in whatever foul deeds you're investigating.

Batman: You are always a suspect.

Joker: Hehehe, I bet you say that to all three girls. Hehe, unfortunately for you, Sherlock, I've been locked in here ever since you stopped me from exploding the Warden. (Reference to Origins finale) Funny... I didn't think they'd throw me in the hole for FAILING to kill someone. Huh!

Batman: You have no idea what's going on in Gotham?

Joker: I mean, honestly, you finally put the hurt on Gotham's criminal underworld and suddenly there's a brand new rodent stealing your spotlight! Meanwhile, I'm boxed up like --

Batman: Bats are NOT rodents.

Joker: Euggh. Bet you're fun at parties.

CO Robbins (guard?): Shut up in there, will ya?!

Joker: Everyone's a critic! Fine, fine, fine. Aah, I need to get my beauty sleep anyway. Seems like I'm always a little pale ever since SOMEONE dropped me into a vat of acid! Hmm? Hahaha!

Batman: Enough talk for now.

(I love this bit. In ORIGINS, it's shown that Joker actually RECREATED his own memories so that Batman would be included in them. The vat of acid and Batman throwing him in was a made up memory. It's also shown in Origins that Joker PAINTS his face -- he's not pale because he was "dropped in acid". Joker prefers the fantasy and at this point might believe it's reality.)

---

(Next day)

Joker: Knock knock!

Batman: Joker.

Joker: No no no! You're supposed to say, "who's there?" Do you really not know how this goes? Let's try again. knock knock!

Batman: (multiple choice, this one was selected) Who's there?

Joker: What? It's me, the Joker. Oo, they must've hit your head pretty hard before they threw you in here.

Batman: *grunt*

Joker: Oh, don't be like that! Not my fault you walked into it. Now, where were we?

Batman: (multiple choice) Where's the Rat King?

Joker: Beats me! You'd think someone who wanted chaos and destruction throughout Gotham would've jumped at the chance to get ME involved.

Batman: And he hasn't?

Joker: Bats. Really? Do you think I'd be chatting this much with you if I had any other options? It's always work work work! You never ask how my plans for killing sprees are going!

Batman: During the last riot, you left bombs all over the prison. You know where the Rat King is hiding.

Joker: You know, persistence is one of your best qualities, but I'm being honest with ya. I wouldn't know the Rat King's secret lair from a hole in the ground!

CO Robbins: How many times I gotta tell ya?! this ain't a damn social club!

Joker: Oh, cram it up your TYGER hole, Robbins! I don't come to YOUR job and commit unspeakable offenses against helpless victims, do I?! Oh wait, I do. Well, hate to say it, Matches, but he's got a point. We'll chat later.

---

Joker: Psst! Hey buddy, you awake? I haven't heard the screws bustling around in a while. You know what that means?

Batman: That it's time to get out of here.

Joker: That's right! Slumber party! Truth or dare! You go first, but don't ask where any bodies are buried!

Batman: (multiple choice, this one was selected) What do you know about Dr. Quinzel?

Joker: Let's see, Dr. Quin -- Ooh, the blondie? Is she still working here? Well, if you ask me, she could really use a career change. I don't suppose you know anyone who's hiring? Ooo! Maybe she could be your little sidekick! Hahahaha!

Batman: I work alone.

Joker: Oh, come on! The adventures of Batsy and Doctor Ditz! It'll play great woth the teens.

Batman: No.

Joker: Teh. Fine, fine. If you're too uptight to give the girl a chance, well, one man's trash is another man's treasure.

Batman: If you know something about the Rat King, tell me. You could be his next target.

Joker: Oh, heaven forfend! I certainly hope no one breaks me out of solitary to try and recruit me for the Day of Wrath! And they say you're not funny. Thanks for the laughs, Bato! I mean, "Matches". WINK! Now what's next? Spin the bottle? Kind of difficult with a concrete wall between us. Now don't go putting my hand in a bowl of water while I sleep! Hehehehe

Batman: This isn't funny, Joker. People are going to-- (Batman is interrupted by a visitor and so ends the Batjokes interactions)

---

and that's that.

later Batman explores Joker's cell. It says "hahaha" on one wall, and on the wall they were speaking through it says "we're sleeping" and "Kill the bat!"

oh and here's a screen shot of the wall from Batman's side, I had to crop the video because I got a notification during recording haha

[andersons-bayonettes]

Dragon Age: Vows & Vengeance... The podcast that you are...

It's mediocre.

Now, let me explain. Vows & Vengeance was never meant to be an absolute amazing podcast, it's as supposed to make you hyped for Veilguard/show you the companions. A little teaser to bridge the waiting time until release, that it did pretty well.

However. I loved the story of the podcast up until Episode 7-ish. I still liked episode 7, but I could tell it was going somewhere I probably didn't want it to go. Episode 8 was... Episode 8 exists.

But let me actually get to critique it, before bashing it.

I listen to Podcasts a lot. Some of them Lore Podcasts, other Story Podcasts, with or without narration, talk podcasts, amateur and professional. This one felt like it wanted to be professional - while not quite being there - but still felt amateur enough to be a little off-putting. I don't mind most voices (including Nadia's, I think she's fine.) yet tge acting/writing was sometimes whacky at best. I felt like most voices were just way too similar. I often, especially at the start, got confused who is speaking. It got better, of course, but you don't want your listeners questioning who of your main characters is speaking.

Additionally, the podcast was meant to bring some characters closer to you, it was supposed to be a "hey, look at this, this is what they will be like, are you excited yet?" Kinda thing which worked for some. Mainly, the episodes featuring Lucanis, Emmerich and Taash did a really excellent job characterising them. I am ABSOLUTELY down to see more of them. Bellaras was fine, could be better, could be worse. The episodes with Davrin and Neve were... Not well for characterisation. And don't understand me wrong, you get to meet them, yes, but while most characters showed multiple layers, Neve and Davrin both just seemed like you just met them. I forgive them for the Lace Harding episode because we already know her from Inquisition.

Now, I don't mind Solas not showing up often. I think it's fitting. At the end of Inquisition, they out a heavy emphasis on the fact that if Silas doesn't want to be found, you can not find him. He was supposed to be that sliver of danger lurking all around, but where exactly, you'd never know. Thus, Nadia chasing Solas for weeks was absolutely fitting. Even if I think it's funny how Silas's plans have been ruined twice now by people he used as a pawn, doing something he didn't anticipate.

The ending was very, very, very lackluster. The funeral was nice, the demon battle was okay. I don't understand why they had to squeeze in this "I've been haunting you since you were little" crap, it was absolutely and entirely unnecessary. It's sad we spend so much time wanting Nadia & Elio to be back together, rooting for them to finally get a happy ending and all we get is "I killed him, anyways, lemme kille you now". One last talk maybe would have been nice, or let the demon, in one last attempt to stop Nadia, transform back into him. I know it's cliche, but it's cliche because it works.

Or, have the demon kill Elio in front of her. Let's say teh demon used Elios connection to Nadia to cross over, let him kill Elio and the ending would have been a lot cleaner in my opinion. Semantics and personal preferences aside, if they ever make another Podcast, I do hope they find someone who has experience in how to do them. The actors were good. They absolutely were, I assume it's a directing issue.

All in all it was a decent podcast. It has a lot of issues, but it also has a lot of good aspects, makingbit overall, well, like i said, mediocre.

[archivalofsins]

The Prisoners (All the characters who label themselves as prisoners in their "Thank You" messages.)

The People they're imprisoned with (All the characters who don't label themselves as prisoners in their "Thank You" messages)-

I highlighted where they say prisoners under the cut with a few more fun facts-

Haruka, Futa, Mu, and Kotoko all don't put their names on their thank you messages. Mu only puts her song title on hers in Japanese but she has English lyrics from the song highlighted on their as well. Shidou states that this is Milgram Season 2 before putting the title of his song/contribution then signing his full name like an actor would.

Something when coupled with Jackalopes statement in the second trial commencement notice-

Along with Shidou blatantly stating,

"Please listen to me, Es. I've killed people. Lots of them as well. It was for such a selfish reason too. I'm a fine specimen of what a genuine murderer ought to be."

It's really suspicious and funny to think of the implications behind how he signed his thank you message. Especially since in the same interrogation Es notes,

"In comparison to all the interrogations thus far, this one has been progressing far too smoothly. It feels somewhat unsettling."

All of that is a really interesting thing to think about when put all together. At least I think so.

(Star here though Gunsli assisted me with sorting this out some- I find the idea of Shidou being a mole very amusing. It would recontextualize the fact that he's a doctor within Milgram.

Giving the impression that Shidou's inclusion was more of a failsafe, in the event that something like Kotoko jumping her fellow prisoners occurred. It's incredibly convenient that Milgram happened to incarcerate not just one but two people who seem to understand first aid.

Considering Shidou's statements about Amane,

22/10/24 (Shidou’s Birthday)

Amane: ……Kirisaki Shidou. How long do you plan on continuing this foolish behaviour?

Shidou: I wonder what you might be referring to there. I’m just doing what I need to do. If anything, I’d be happy if you would lend me a hand.

Amane: I warned you. I can no longer turn a blind eye to this wickedness taking place right in front of us. You’re bringing ruin unto yourself. Do you understand?

Shidou: No, I don’t understand. It’s my job as an adult to teach you that throwing a temper tantrum isn’t going to make everything go your way. If it’s a test of endurance you want, I’m happy to oblige, Amane.

This idea would also recontextualize his immediate response to the events between trial one and two being to tell Es,

"I think we should put an end to Milgram as a whole. Both for our sake and for yours."

Along with his confusion when Es responds with,

That's impossible.

"Why?!" I can't think of any method of stopping it... or any way to get out. "...!" Milgram won't end just because I want it to. That's all I know. It won't end until your judgment has been completed. That's the crux of it. "Your...the same as us, aren't you?"

Ultimately Shidou recognizes that Es is pretty much in the same position as they are. However, under this framing Shidou would be aware that Milgram is an experiment that can be stopped at any time but not aware of who could stop it or how to himself.

This would give more context to him proposition Es in trial one as well,

During the first trial's proposition being asking for the death sentence off the bat:

"That’s just my personality. I just simply don’t think bad of it—this place, I mean." You mean, Milgram? "Yeah, this place will put me to death." What? "I might not get a golden opportunity like this again, so I’ll get straight to the point. Es… You decide how the prisoners will be dealt with, right?" Yeah. That’s right. "The death penalty is what I’m hoping for. Thank you in advance." I won’t have that. The lot of you can’t decide what your own treatment will be. Only I as the prison guard have the authority to do so. "Exactly. You as the prison guard have the right to do such a thing, Es, so that’s why I’m asking you for this favour."

The "unflappable" attitude that Shidou has here can be read as opportunistic complacency with the idea of him being a mole in mind. This mindset is also alluded to within his MVs, a prime example being where he sits down smiling to himself in Throw Down.

Furthermore, this highlights the progression of his view of Es and how much power they wield within Milgram as a whole. Going from the first presumption of Es having the ability to decide the prisoners' treatment to outright asking them to stop Milgram in trial two. Though, he is swiftly corrected about how much administrative power Es has, as pointed out earlier.

On top of that Shidou is the first of the prisoners to bring up the concept of someone dying due to Milgram and the death penalty at all.

Even going as far as to state,

"Hm… But, this place does smell of the dead though. I’m sure that some sort of death will lie at the end of Milgram."

If Shidou is a mole put into the experiment by Milgram then him asking Es for this could be framed as him raising the stakes. It could even be something management told him to do so the audience would know there was a chance of their actions leading to someone's death. Along with why he's genuinely perturbed when someone else almost dies despite stating he knew some sort of death lied at the end of Milgram from the start.

It's definitely an odd change going from kill to we have to make this violence stop before someone actually dies. Yet, it would make a bit more sense if he thought he was in on the lie but began to find out this was more out of control then he thought. He could still very much be a murderer and they just let him be in on it because he wanted to die anyway so didn't see the harm in using him in this way before he does.

This would also play on this line in Undercover well,

"Even with accusations full of faults and mistakes. You will for sure, with a smile for sure- Be pleased and satisfied."

Because regardless of how this plays out he'd still get what he wanted at the end of the day.

Along with fit the line referring to Shidou too,

"“UNDER” Which way will you throw down your weight? To be the deceived, or the deceiver."

This would also explain why Kazui would refer to Milgram as a prison game in his second voice drama,

"If that happens this prison game would probably come to an end as well." - "So this is unpleasant, hurling slurs of “hostage game”, you do know that it’s up to me?"

I asked @doctorbunny about Kazui's wording here and he said,

He says 監獄ごっこ kangoku gokko kangoku meaning prison and gokko meaning pretend/make believe

The one person known to talk to Shidou the most out of the prisoners and work alongside him. Now what would give him the impression this was all pretend.

Like some sort of a-

20/05/25

Mikoto: ……I’ve really got caught up in some trouble, huh. What even is this place? It’s probably a TV reality show or something. …but to think someone in this day and age would try to do a project that could land them in so much trouble. Uh……

Mahiru: Ah…… I’m Shina Mahiru! You can just call me Mahiru. And you are……?

Mikoto: Kayano Mikoto. I’m fine with just Mikoto too. Ahh, I’m glad there’s someone here who’s easy to talk to…… It’s nice to meet you, Mappy.

Mahiru: ………… ……Mappy???

20/05/31

Mu: Hey, Mikoto-kun, aren’t you scared of this place……? You can’t think of any reason you ended up here, right……?

Mikoto: Ahh, yeah. Of course, it’s not like I’m not scared at all. But just between you and me…… I still haven’t dropped the thought that this could all just be a TV show. I mean, I really haven’t ever murdered anyone. ……and if that is the case, we’re definitely being monitored. For like a prank setup or something. Wouldn’t it be super uncool and embarrassing to get angry or lash and have it shown on prime time?

Mu: Is that what you think……? A prank, huh…… I hope that’s all it is……

Mikoto: Ah! If that is the case, then you’ll probably be super popular since you’re so cute, Mucchan! There’s a lot of girls out there who make their big break coming off reality shows like that!

20/06/15

Mikoto: Hey, it’s kinda a bother having you be so angry and tense all the time. You should stop trying get everyone to pay attention to you. You’re a uni student, right? You can’t act like that once you start working properly.

Futa: Huh!? Shut up. Not like I care what you say. Even though we’re in this shitty situation, you’re just chatting away, it’s stupid. Aren’t you the one who’s acting out of place here? ……also the fact you give everyone nicknames is just gross.

Mikoto: *sigh* It’s more stupid to be taking this all so seriously. I mean, it’s definitely just a reality TV program. There’s no way a real prison exists that’s this lax. Also, I don’t give nicknames to everyone. I don’t give them to young kids like Amane, or to the hard-to-approach types like Shidou-san. I mean, I’m not giving you one, right?

Futa: ……oi, which group are you trying to say I am?

Television show or something.)

This was definitely not supposed to be this long but it was interesting going over all of this with Star and I think it's a fun thing to highlight overall.

[fuckyeahisawthat]

Helloooo i have a lot of thoughts on Furiosa and i liked your "alternate ending" a lot a lot. But here's some thoughts on Pretorian Jack I wanted to share.

Thing is: he's Discount Max and that's bothering me.

First, his role as a 'mentor' to Furiosa: ok, we know she turns out a brooding, badass and stoic adult, but that's because she mimics her brooding, badass and stoic mentor Jack, right? Copies his style, like she does his clothing. Except she is ALREADY badass and stoic at the start of the movie! So there's no progression there, he didn't influence her personality, they are just in sync from the start because they are pretty much the same type of character. And it feels copy-pasted from Fury Road because, again, he's Discount Max, down to the actor's age and general look!

Instead, we could have had a much more unique and different type of character, both in looks and personality. A gangly chatterbox, or a squat fat guy who permanently sings to himself. Maybe finally a POC in these very white movies. And he's still a ruthless badass, just ... not a stoic one. I know Miller hates dialogue, but I enjoy the idea of a guy who is always a source of noise, be it expressive, meaningless chatter or singing, and his mute, fierce teen sidekick. They could have bonded about him getting her to smile or laugh, instead of them bonding by giving each other brooding looks. She could finally have answered his knock-knock joke in their last interaction or something! Sang along to his annoying ditzy at long last. Just, something unique and most of all distinct from the type of relationship she has with Max in Fury Road.

Also, he could have been the one to name her! It felt so weird to me that Furiosa is her given name when her mother is called, of all things, "Mary". 'Ok i'll name my cute babygirl uhhh... Furiosa'. That could have been a part of her story - she refuses to give anyone she encounters her name, she's "the girl", "the pet", until she meets Jack and he gives her a nickname she enjoys and she finally reclaims it when she is brought back to the Citadel. A war name which makes her a part of wasteland culture, not her given one from the Green Place that she keeps as secret as the peach stone.

Ah well. Gonna do some Pretorian Jack fancasts in my head

Okay I probably won't hit every point you brought up but YES, I absolutely feel you on Jack being Discount Max. But I don't think it's because they copy-pasted from Fury Road. I think it's because they tried to do that but failed.

The Max Max movies have a lot of repeated motifs and images, so I wouldn't necessarily have minded young Furiosa having a Max-like figure in her past, even someone similar enough that he's a visual and emotional echo to Fury Road Max Rockatansky. The series does stuff like that a lot.

The problem is that Jack as a character, and her relationship to him, both aren't developed enough for us to really care about them. I really needed to see some intermediate steps in their relationship, in between him offering her a place on his crew and the point where they're willing to risk their lives for one another. It wasn't so much that I needed a training montage that shows her becoming more competent at road war as I needed a teamwork montage that shows them coming to trust each other and work well together. Or something equivalent.

In Fury Road, Max and Furiosa go from trying to kill each other to being willing to die for each other SO seamlessly that it seems sudden, but actually if you break it down, every beat of them cautiously extending more trust to one another is carefully laid out. (There's a fantastic breakdown here about how Furiosa gets Max on her side over the span of just a single sequence of the movie.) And each time the trust is reciprocated and not betrayed, they get a little closer to each other. This is all done with hardly any dialogue. It's done in the language they're both fluent in, which is action. And it takes the entire movie for this relationship to develop to the point where Max is giving Furiosa his blood at the end.

I really needed that from Furiosa and Jack. And I needed it even more in their case because...Max and Furiosa are equals from the word go. Furiosa is in the more powerful position at the beginning, but once they're both fugitives in the Wasteland they are very much in the same boat war rig. And they are shown consistently to be equals in strength and skill at violence. They are also in the Wasteland, where the only thing that counts as power is your ability to survive and physically defend yourself, your resources, and those you care about.

But Jack and Furiosa's story happens within the power structure of the Citadel, a hierarchical society built on violent misogyny and full of interpersonal power dynamics that are ripe for abuse. And while Jack turns out to be a Good Dude, he is a man and he's her superior in rank. In that environment I really really really need to see not just Furiosa earning Jack's respect as a road warrior, but why the hell Furiosa would trust Jack.

(This is connected to my whole complaint about how after hiding her gender for YEARS, Furiosa being the only woman, surrounded by men, in a society literally built on sexual violence, just becomes...not an issue at all once she's part of Jack's crew. Like I didn't need to see anything bad happen to her, but not acknowledging it as a potential risk or fear the characters have in this specific environment feels weird.)

Because look. If a guy with power in a violent system finds out you have been hiding the fact that you're a woman in an all-male environment, and the next thing he does is offer to ~ take you under his wing ~...well, I would be extremely fucking suspicious of that!!! I would not trust that guy at all!!! Because I think the default assumption both by Furiosa and by anyone else at the Citadel would be that there is going to be some quid pro quo expected for this mentorship, and the protection that being Jack's protege provides. So Jack would have to prove that he is Not That Guy before Furiosa would even begin to trust him as a mentor and ally, let alone a close friend or possible romantic/sexual partner.

If you don't have those pieces of their story, then their trust and emotional intimacy (and romantic intimacy, if you read it that way) doesn't feel earned. It seems like they wanted the feeling of the battle-couple, drift-compatible, could-be-platonic-or-romantic-but-it's-definitely-some-kind-of-love Max & Furiosa relationship, but they didn't provide enough space in the narrative for all the character/relationship beats that would sell it.

I wanna address one other thing you brought up in passing, which is racial diversity in the Mad Max movies. The lead actors have not been entirely white (put some respect on Auntie Entity's name) but they've certainly followed the pattern in the Anglophone film world of being disproportionately white. That's not surprising at all, given that every Mad Max movies past the first one has been financed by an American movie studio. A big-budget action film like a Mad Max installment has to have what Hollywood considers "marketable" lead actors attached to it to get financed, and those people are overwhelmingly white.

But I also think there is more racial diversity in the Mad Max universe than some people think; it's just not as immediately readable by a North American or European audience. I remember there being discussion of this when Fury Road came out, in which it was clear that people were reading Megan Gale (who plays Valkyrie and is Māori) and Courtney Eaton (who plays Cheedo and is of mixed English, Chinese and Māori descent) as white women when they are not. (There's a really interesting discussion about that here.) And while it's not immediately obvious with the war boys in Fury Road because, y'know, they literally paint themselves white, if you look closely it's clear they are not all white guys.

I remember discussions about "wouldn't it have been amazing if Furiosa was played by an Indigenous actress" when Fury Road came out. And yes, that would have been incredible! (Although very unlikely for the Hollywood reasons I mentioned above.) But in FMMS, Furiosa's mother is played by an Indigenous actress, Charlee Fraser. And yeah, Furiosa is still played by Anya Taylor-Joy, which I think it's perfectly valid to have a critique of, but that doesn't erase the significance of Charlee Fraser in that role. And my impression is that with FMMS being shot in Australia, they did make an effort to cast more Indigenous actors in supporting and background roles. I think sometimes this racial landscape is just...not as easily parsed by an international audience (I owe a lot of thanks to my antipodean friends for pointing out things that weren't always obvious to me!) but it's still significant within the context of racism and colonialism in Australia and Polynesia. Even Furiosa's mom's name being "Mary," theeee absolutely most generic Christianized name, is something I think you could argue is significant.

Also, FWIW, I love "Furiosa" being Furiosa's birth name. That feels like a significant part of her identity from the Green Place. Because the Green Place is part of the Wasteland. One of the things I love about the Vuvalini we meet in Fury Road is that they are a bunch of grandmas who are just as ruthless and willing to defend their community with violence as anyone else we meet. That is a really crucial worldbuilding detail imo, that even in the idealized Green Place Furiosa remembers from her childhood, you still had to be ready to snap someone in the medulla. So yeah I think if that's the world you live in you would absolutely be naming your kids things like Valkyrie and Furiosa.