#all aboard" part

[fieriframes]

[I CAN'T BELIEVE I JUST SAID THE "ALL ABOARD" PART. OKAY, SO THE SAUCE IS DONE. WE'RE GONNA PUT IT ON THE CHICKEN. SO WE MAKE SURE THAT THE SAUCE GETS ON THE FLESH.]

[a-plethora-of-midnight-roses]

Wanna know the best part?

TRIPLE BATTLES

They should hlget Tsu a gray coat and become the subway triplets

time to gaslight the depot agents

[twinterrors29]

Jedi Padawans have the classic sitcom bag-of-flour baby assignment to ensure they're prepared to look after young ones in emergency situations

this assessment is not one of the many canceled or postponed during the war

which means that when Ahsoka is abruptly deployed dirtside along with her Master, Grandmaster, and the 501st, she had to scramble to find an appropriate babysitter for her sack of flour

desperate, she tossed it to Commander Cody, who was staying aboard the Negotiator to oversee the campaign, with only a frantic list of the required steps to take care of it while she was gone

when she returns several days later, Cody has painted the sack 212th gold and constructed a sling to carry it around on his front while he keeps his hands free for work

judging by the rank pins attached to the front, the sack of flour is now a lieutenant

once Obi-Wan's heart eyes abate enough, though, it becomes clear to him that Cody and the 212th troopers have not understood that the sack of flour is not, in fact, a literal Jedi tubie

and none of the Jedi or their siblings in the 501st have the heart to correct them, so they let them keep the thing, stomping on the feet of anyone who tries to ask too many questions about their new mascot

once the war ends, Obi-Wan discreetly replaces the sack with a Jedi chrecheling in the middle of the night, having resigned himself to raising another too-young-Padawan

Reva, for her part, is all to happy to gleefully coat herself in flour for the occasion

[medeaied]

lillian's affair and the judge being the biological father of the majority of her children is a cornerstone of her character as well as a large plotpoint in meg and i's au and dynamic - it's also important that i talk about it here as well.

i would like to begin this by saying that it was not love; nor was it an obsession on the judge's part. i view the judge as a man who likes to 'chase and conquer' women before inevitably getting bored with them - lillian is the wife of his neighbour and work rival; the affair is a snub on archie chiefly from tur.pin's point of view, even if it has not been revealed to archie at all. at its core, the affair was one of convenience for lillian given how lonely she felt in her own marriage; and naturally fizzled out over time as her duties as a mother grew ( and even so, they have the MOST divorced aura when around each other ).

the affair began in early 1825 when archie was sent away for work nearly a year after lillian had given birth to elizabeth. circuit judges are often shuffled around the court system; and archie was no exception to the rule. lillian, who had always felt sidelined in the marriage, felt even more alone after the birth of her child and was struggling with bonding with elizabeth given her own post-partum depression. being alone in the house with a child she was expected to interact with did drain lillian - she is a social woman by nature and did not like being stuck in the house; especially now that her husband was away. it was all too easy for the judge to give lillian the attention she craves - and lillian encouraged it. it was sporadic and inconsistent, even at its height - only occurring when archie was away for work and the window of opportunity was there - and became a way for lillian to 'get back' at archie for the percieved abandonment, and for a way for the judge to humilate archie. by the time christopher was conceived in june of 1828, it was beginning to fizzle out given lillian's new responsibilities surrounding her soon to be 4 young children - and stopped altogether after christopher's birth in 1829; with the judge growing bored and lillian too busy to entertain any advances from anyone.

currently? as i said, they have the aura of a divorced couple despite never marrying. lillian has kept proximity to the judge only to serve her interests ( again, she feels the estate and title should pass to her youngest son and has plans to make that happen ); and he sure as hell does not respect her ( or any woman, actually. ) - their relationship is one of mutually assured destruction. they each have the power to unleash a scandal that would ruin the other - but at the cost of ruining themselves as well.

[skzdarlings]

the ride ; skz ; chan x reader

original ask: requested by @rosequartsz : chan with the prompt ❛ i want to fuck you so badly. ❜ like the reader is the same age as jeongin so chan kinda feels bad but at the same time he wants to corrupt the reader so bad cushsisjsis

+

original ask: requested by anonymous : Chan and ❛ please. make me feel good. no one else can like you. ❜ ❛ have a little trust in yourself, i know you can take it. ❜

pairing: bang chan/reader content info: friends to lovers, chan is a little older than reader, reader is not actually that innocent but pretends to be and they both get off on it lol. some not very safe driving lol keep ur eyes on the road. car sex, dirty talk, teasing, corruption play, puuuuure smut. word count: 2400 words.

masterlist. part of the valentine’s day stories series. credit to prompts. requests are closed.

enjoy!

-

“That’s not fair,” Jeongin says.  “I called dibs.”

“Too bad.”  You stick your tongue out at him.  “Learn to run faster, loser.”

Jeongin scowls, once more relegated to the backseat of Chan’s car.   You are sitting pretty in the passenger seat for the fourth day in a row and Jeongin is playfully annoyed about it. 

You and your twin brother have been racing into Chan’s car since high school.  You are both at university now, but Chan still offers the occasional lift.  With storm season making public transit a bigger hassle than it’s worth, Chan has been offering more rides. 

Just because of the weather.  Not any other reason.  Of course.      

You smirk, casting a side-glance into the driver’s seat.  Chan is smiling at Jeongin through the rearview mirror, looking less like Channie, the boy of your teenage fantasies, and more like Bang Chan, the man of your adult dreams.  He is wearing a baseball cap and leather jacket, his whole demeanour oozing an effortless masculinity, the bearing of a competent man who knows he can do anything. 

And still, despite his well-earned cockiness, he has an undoubtedly shy side.  When he looks at you, the tips of his ears flame an embarrassed, fiery red, and his dimpled smile is almost boyish in its sweetness. 

“Right then,” he says.  Then, like the endearingly cheesy goofball he is, he adds, “All aboard, ready for takeoff!” 

“Jeongin,” you say, blinking innocently at your twin through the mirror.  “You have your presentation notes, right?  You don’t want to forget them.”

Jeongin double-checks his bag but you already know he won’t find them.  You deliberately took them out and placed them on the kitchen counter.

“Damn,” he says, quickly unbuckling his seatbelt.  “I thought I put them in here.  Sorry, I’ll be right back.” 

Jeongin practically flies out of the car and up the driveway, leaving you and Chan.  It happens quickly, before Chan can even compute it.  You can see the gears turning in his head, but you are faster, sighing melodramatically while gathering the hem of your skirt. 

“Silly boy,” you say.  “What should we do while he’s gone?”  You draw your skirt up your thighs just enough to tease the skin of your upper thighs. 

Chan is staring there with his mouth open, his words evaporating on his tongue.  He clears his throat after a second, ripping his gaze away.  He looks across the dashboard and laughs, a shy, awkward laugh. 

“Your brother will be back in a second,” Chan says.  “Let’s not get ahead of ourselves, yeah?”

He is white-knuckling the steering wheel, like all his restraint is being poured into that physical grip.  Even so, it is not hard to pry his hand off the wheel.  You know a stronger, more belligerent shove could not bend a determined Bang Chan, but the softest touch from your gentle hands will have him breaking in seconds.   

You are slow, casual despite your racing heart, guiding his hand onto your knee.  He makes a little noise that turns your whole body to pure, liquid heat.  You make a similar sound, a faint whimper in the back of your throat, as you slide his hand up your thigh. 

“Channie,” you say, your too-sweet, too-innocent voice part of your acting, but your breathlessness undoubtedly real. 

“Don’t—”  His voice breaks and he clears his throat.  “Don’t say my name like that.  You know—”  

“What do I know, Channie?” you ask, blinking at him with wide eyes while you curl his fingers around your thigh.  You bring your legs together, holding his hand between them.

He visibly swallows, throat bobbing.  The redness has spread from his ears down his neck. 

“We’ve talked about this, baby girl,” he says, his tone stricter, taking on that darker edge that makes your heart – and everything else – gush.   “We’ve been good so far, okay?”   If stolen kisses, open zippers, and groping touches count as good.  “You’re my – you’re my friend.  You should be like a little sister or something to me… yeah?  Yeah… Yeah!”  He shakes his head, pulling himself out of the distraction caused by you unzipping your jacket.  He squeezes your thigh, a firm, warning grip.  “Don’t make this so hard,” he says. 

“What’s hard for you, Channie?” you ask, reaching into his lap and touching his thigh, then higher, finding the evidence of his words.  A shiver moves across his shoulders, his breath catching as you cup your palm around the bulge in his jeans.  “Is it something I can help you with?”  You lick your bottom lip then smile. 

“Oh,” he says.  His eyes crinkle with amusement but there is a score of different emotions on his face, all of them smoldering.  “You really wanna play that game, huh?” 

There is no chance for an answer because Jeongin returns, hopping into the car with his notes.  You and Chan separate, looking out the dashboard window.  You pat your hot skin and try to slow your racing heart. 

Sensing the oddly silent tension, Jeongin narrows his eyes and looks between you.  Eventually, his expression sours like he smells something bad. 

“Oh my god,” he says, then punches Chan in the shoulder.  “Are you fucking my sister!”

“What!” Chan says, getting redder by the second.  “Jeongin, how could— I wouldn’t— I don’t—”

“What, you don’t fuck?” Jeongin asks, then laughs until he is wheezing.  “You can do better, man.”

“Jeongin, shut up!”  You reach back to smack at him, rubbing your hand all over his stupid face and messing up his hair while he wails in protest.   

“All right, all right!”  Chan says, breaking you up.  “Let’s just… let’s just go, okay?  Okay.” 

“Yes, daddy,” you say, mostly out of spite. 

Chan squeaks. 

Jeongin pretends to gag then slumps against his window.  

“I’m gonna need to start taking the bus,” he says, morose.

-

Fortunately, thanks to the impromptu revelation of your shenanigans, it does not take much convincing for Jeongin to find another ride home.  When Chan pulls into the campus parking lot to pick you up, you approach his vehicle with a grin and a wink.    

You slide into the passenger seat, smoothing down your skirt while he sighs.  It sounds more amused than frustrated.    

“Where’s your brother?” he asks. 

You shrug with theatrical exaggeration. 

“Right,” Chan says, starting the car.  “Got it.”

He puts a hand on your headrest to leverage himself, looking out the rear window as he reverses the car.  That proximity alone gets you hot, the temptation to grab him already strong.  You play a patient game, as always, stealing glances and suggestive smiles while he drives. 

Halfway home, you put a hand on his knee.  At first your touch is innocent, tracing slow circles on the denim, then you get a little more brazen, fingertips brushing up his thigh. 

“Baby,” he says in that warning voice, eyes on the road.  Holding the wheel with one hand, he uses the other to stop your wandering ascent. 

“Yes?” you ask with all that faux-innocence.  Rather than fight his touch, you guide his hand to your lap, placing it on your knee. 

Unlike this morning, he does not play nice.  You make a startled, high-pitched sound when he immediately dives under your skirt, his rough palm pressing down where you are already aching.   Your thighs slam shut out of instinct but his hand is where it wants to be, his fingers curled around your pussy in a proprietary touch. 

“What’s wrong?” he asks, his voice playfully mean.  He grinds the heel of his palm against your throbbing clit.  He never takes his eyes off the road.  “Isn’t this what you wanted?”  

“I don’t know what you mean,” you say, though you cannot help but rock yourself against his hand. 

“Mmm,” he says, patting your pussy then stroking your thigh, guiding your legs open again.  “We’ll see about that.” 

You keep your eyes ahead too, pretending not to notice when he glances at you.  Then you gasp because he reaches out and tugs the zipper on your hoodie.  You instinctively clutch it, wearing nothing but a bra underneath, having taken off your other layers to surprise him.  He is the one surprising you, a secret sexy menace under all that shy sweetness.  He unzips the hoodie halfway then reaches past the material to squeeze a handful.  Your body practically sings under his touch. 

“Channie,” you say, breathless again. 

“Don’t worry, baby,” he says.  “Channie’s gonna take care of you, yeah?  Always.” 

“Take care of me how?”  Your question toys with that false innocence, the little game that gets you both hot, but there is genuine curiosity there too.   This game has been escalating slowly over time.  You want more and you are starting to get desperate. 

Chan looks at you.  His gaze moves over your mouth then your body, your skirt rucked up and breasts practically spilling out of your hoodie.  He swears, looking back at the road with that red blush on his ears again. 

“Fuck,” he says.  “I want to fuck you so badly.  You have no idea.” 

His words have a raw, honest edge.  He swallows, hard.  You feel like one tightly coiled ball of tension, ready to snap apart. 

“Please,” you say in that breathy voice.  “Make me feel good.  No one else can like you.” 

You do not make it all the way home.  There is a nearby lookout point at the park, a shrouded parking area that has undoubtedly seen its fair share of hook-ups.  Chan parks there and you dive at each other like randy teenagers.  You climb into his lap, bumping everything on the console on your way, the honking the horn with your backside for good measure.  It makes you both giggle.

Then your laughter is swallowed by hot, desperate, open-mouthed kisses.

“Mmm,” you hum against his lips.  You push his hat off his head and sink your fingers in his curly hair.  “Channie, please,” you say. 

He cups the back of your neck, holding your head where he wants it so he can kiss you thoroughly.  His ravishing touch leaves you shaking with need, rocking against him to no relief. 

“Poor baby,” he says with a little laugh, squeezing your neck then drawing his hand down the curve of your chest.  He unzips the rest of your hoodie.  His mouth follows the same path as his hands, down your chest and back up again. 

He is working you up, deftly and swiftly, using just a few well-placed throat kisses, a few flicks of his fingertips across the sensitive peaks of your breasts.  He seems so composed under you, other than the flush to his complexion, the heat to his skin that has him shedding his leather jacket.   You feel completely undone, half-naked and writhing in his lap.  Your hands tangle together, fumbling around his belt. 

“Let me,” he says.  He gets his belt open and his fly undone, then his hands are on you.  He doesn’t just tug your panties to the side but rips them apart, snapping the seams like they’re nothing.  Then those strong fingers are inside you, finding just how wet and ready you are for him.  He makes a low, guttural sound, thumping his head against the headrest.  “Fuck, baby girl,” he says.  “You know what you do to me?” he asks. 

“I dunno, Channie.”  You pout and bat your eyelashes.  “You better show me.” 

He laughs.  He holds your hips and moves you, positions you where he wants you.  You are pressed so close together, chest-to-chest, so you cannot see when he finally enters you.  But you feel it, hot and hard and filling you, stretching you, almost painful but burning so good.  You slap a hand to the roof of the car, eyes closing as you moan. 

“S-so much,” you say, because it feels like you have been sinking forever and he is still not all the way inside. 

“Yeah, I know, baby,” he says.  His thumb is expertly circling your clit while your whole body seems to soften, changing to fit him, like you were made for this moment.  “That’s it,” he says.  “Have a little trust in yourself.  I know you can take it.”

His thrusts are small, his hands guiding your hips over him, grinding him deep inside you.   Then you are clutching his shoulders, moaning into his neck as he fucks you slowly and steadily.  It is everything you needed and not enough, only spurring more desire.  You know you will need him again, the way he needs you.  Just the way he says your name as he holds you, as he fucks you, as he takes you apart and puts you together again.   It feels like that when you come, when he fucks you through it, saying your name and praising you. 

“Good girl,” he says, barely above a breath.  “That’s it, baby. Just like that.”

When he gets close, he pushes the seat back.   You get on your knees between his legs and take him in your mouth.  He comes with a low groan and another breathless slur of your name.  Then you are back in his lap and his hands are everywhere, clutching you possessively to his chest.  You are both breathing hard, riding the slow come-down of your frantic desperation. 

“Fuck,” he eventually says.  He seems shy again, giggling as he looks at you with a blush on his face.  “We, uh, we just did that, in the car, uh wow, yeah, I, uh—”

“Channie,” you say with a laugh of your own, grabbing his face and kissing him.  He smiles into the kiss, returning it with the same tender softness. 

You kiss for a long time, ignoring the world around you.  Eventually you have to crawl back into your seat and mostly redress yourselves, still smiling and giggling at each other the whole time.  Your phone was buzzing in your bag so you finally check it, rolling your eyes at the message there.   

You show it to Chan who laughs, blushing again, but nods. 

“Right,” he says, “We should probably go get him.”

You laugh too, sending an emoji with its tongue sticking out in response to Jeongin’s message that reads:  My ride fell through.  When you are done not-fucking each other, can you come back and get me?  Thanks.  Sluts.   

[jennaflare]

So Disco Elysium is the only game you've ever really liked

I get it! It's a phenomenal game with superb art and writing, and its themes are consistent and deeply explored. It sets a high bar for video games. But there are other really, really fantastic games out there. This is a list that is 100% my own taste of things that aren't necessarily similar, other than the fact that they're really fucking good. (A lot of these are on sale for the Steam Summer Sale until July 11 2024!)

In Stars and Time

In Stars and Time is a time loop game where you play as Siffrin, the rogue of a party at the end of their quest to save the day by defeating the King, who is freezing everybody in time! But something is wrong: every time you die, you loop back to the day before you fight the King. You're the only one who remembers the loops, so it's up to you to figure out why it's happening, and how to break out.

In Stars and Time is a heart-wrenching dive into mental health, friendship, and love. It's about feeling alone, and how awful it is when the people who love you don't notice (and how awful it is when they do). It's about falling deeper and deeper into your worst self and your worst tendencies, and how to come back from it.

The creator also did one of my favorite Disco Elysium comics ever, which is only tangentially relevant but worth mentioning.

Roadwarden

In Roadwarden, you play as the titular Roadwarden for an undeveloped and "wild" part of the kingdom. Monsters roam the forests and roads, and it's your job to keep people safe. On paper, anyway. Your real mission is to find out what is of value in the area, and how to take it from its people. How well you perform this task is up to you. It's an oldschool text-based RPG, and I take a lot of notes by hand when I play.

Roadwarden explores exploitation and industrialization by making you look in the face of your potential victims. You can only learn what your bosses want you to report on by getting close to the residents, after all. There are mysteries to be solved, secrets to be gathered, and hearts to win.

The Longing

The Longing is an adventure-idle game where you play as the solitary servant of a sleeping king. Your task is to wait for him, for four hundred days. Time in the game passes in realtime (for the most part). There are caves to explore, books to be read, and drawings to make.

The Longing is about loneliness and depression. It's about whether or not you decide to stay in that hole, and if you do, what you do with yourself while you're there. Maybe you'll wander. Maybe you'll stare at a wall. Maybe you'll just sleep until it's all over.

Papers, Please

Papers, Please casts you as a newly hired customs officer in a country that is rapidly tightening its borders as its fascist government tightens its fist. This game is stressful. Sometimes you intend to help out the revolutionaries when they asked, but then you got so stressed out trying to make your quota so you can feed your family and pay your bills that you didn't notice the name of the person they were hoping to contact while going through their papers. Sometimes someone puts a bomb in front of you and expects you to defuse it. Sometimes someone suggests you steal people's passports so you can get your family out, and with the horror you see daily, the idea tempts you more than you'd like.

Papers, Please is all about hard choices and testing your moral fortitude. Everything you do has consequences. Being a good person in this game is hardly ever rewarded, but not in a way that feels overly cynical. Papers, Please asks you what kind of person you want to be and what you're willing to sacrifice to get there.

The Return of the Obra Dinn

From the creator of Papers, Please, The Return of the Obra Dinn is a game where you play as an insurance investigator for the East India Trading Company. The ship the Obra Dinn has just floated back into port, its entire crew missing or dead. It's your job to figure out what happened aboard the vessel. For insurance reasons.

I don't know how to go into the themes of this too deeply without giving away too much, but the mechanics of the game itself make the game worth playing. You have a magic stopwatch that allows you to go back to the moment of a person's death, allowing you to try and figure out who (or what) killed them, and how. And the soundtrack is extremely good.

Outer Wilds

In Outer Wilds you play as an unnamed alien, and it's your first day going to space! Your planet's space program is pretty new still, so there's still lots to explore and discover on the planets within your system. There are ancient ruins from a mysterious race that once lived in your system, long before your species began to record history. Why were they here? Where did they go? How are they connected to the weird thing that keeps happening to you?

The fun of Outer Wilds is in the discovery and answering your own questions. The game never tells you where to go, and it never outright tells you anything. There are clues scattered through the system, and it's up to you to put them together and figure out your next steps. It's about the way that life always goes on, no matter what, even when it seems like the end of everything, forever. I'd recommend NOT reading anything else about this game. Just go play it. Seriously, the less you know, the more fun this is.

If on a Winter's Night, Four Travelers

In If on a Winter's Night, Four Travelers, you explore the circumstances of the deaths of four individuals.

This is a short one that took me about two and a half hours to play. If for no other reason, play it for the stunning pixel art. The game explores sexism, racism, and homophobia in the Victorian era and leans heavily into horror themes. Best of all: it's completely free!

Pentiment

Pentiment takes you to the 16th century, where you take the role of Andreas Maler, a journeyman artist working on his masterwork in the scriptorium of an abbey. When someone is murdered, Andreas takes responsibility for finding the culprit.

The game is set over 20~ years and you get to watch how Andreas' actions affect the village in various ways (who's alive the next time you come by, have people gotten married and had children...). It's an exploration of how the past affects the future, and what parts of that past we choose to keep or discard. It has beautiful art, and fans of both Disco and Pentiment often compare them.

Other games you might wanna check out

Night in the Woods, Dredge, Oxenfree, A House of Many Doors, Inscryption, Slay the Princess, Citizen Sleeper, Chants of Sennar, Loop Hero, The Cosmic Wheel Sisterhood, The Pale Beyond, Where the Water Tastes Like Wine, Elsinore, Her Story, Before Your Eyes, Pathologic (not delved into above because the venn diagram of Pathologic fans and Disco fans is basically a circle)

[choochooboss]

Battle Subway Brawl! (Feat. Cynthia & Wally!)

The subway bosses have invited the two Pokémon champions to have the full Battle Subway experience. In exchange they get to test the power of mega-evolutions!

My contribution to the @battle-facility-zine! This digital zine focuses on all battle facility leaders in the whole Pokémon series (including spinoffs!) and it’s totally FREE! Please check it out for more amazing Pokémon/submas content (both art & fics)!!

This is my first time being part of a zine project and I’m glad to say was a great experience! The whole thing was well organised, the arrangers were nice and easy to communicate with & kept us well informed, and the other contributors were happy to give feedback!

This comic is my continuation for Pokémon Masters EX event ”All Aboard The Victory Train”! Cynthia visits Unova regularly to see Caitlin and compete in Pokémon World Tournament but for some curious reason hasn’t been to the Battle Subway. The twins must feel anxious about it!

As a side note, during my character research @skyreptain pointed out to me that in Wally’s room in ORAS there is a globe with pins in both Sinnoh and Unova, but it isn’t addressed any further. What could this mean?

I wish I could’ve included many more ideas in here but cramming a battle between 8 characters within 4 pages was already quite the challenge so I had to cut off quite a bit (and I had to rush some parts unfortunately). I hope the result is still entertaining!

Thanks for reading!!

[critterbitter]

I halt the train to bring you some STICKERS!

But hark! They are not the only stickers that are available! Check out:

Hosted by @cecilioque !

These bad boys are a limited run and for 20 bucks you too can have 50+ stickers, and at least half of them would be about the funny train men! The other half of this sticker pack is about Unova (and we all love and cherish Unova).

Here’s a bonus archeops, getting bribed to the photoshoot.

[eightmakesonebraincell]

ateez as pirates who fall for you (hyung line)

read maknae line here

genre: pirate!ateez x gn!reader (fem!reader for hongjoong), fluff, angst, crack, and as always - a brainrot of every pirate trope to exist

length: 10.4k

c/w: heavy and mature themes - mdni, explicit language (swearing, insults), death, violence, blood & injuries, weapons, illegal acts (piracy, ransoming, verbal abuse, abduction), alcohol, pet names

a/n: maknae line will come yes but who knows when 🤷‍♀️ work has been really testing my dopamine vibes this year 😔👎 thank you @sorryimananti-romantic for keeping a detailed hitlist for me ♡

hongjoong

pov: you're a royal princess rescued by him

“captain, are you sure we can’t toss her overboard?”

jongho and hongjoong watch as wooyoung’s face falls after you pointedly ignore his attempts to make conversation once again

for someone who is technically their guest aboard the arriba, it seems as though you are hellbent on being as difficult as you can be

“unfortunately, we can’t,” hongjoong grouches to the younger, “not unless we want to exchange our payment for a hefty bounty on our own heads”

when jongho sighs, the captain squeezes his shoulder in comfort and adds on, “trust me, i’ve thought about it too”

hongjoong and his crew are privateers - pirates in theory, but technically excused so long as they have their letter of marque to state that they are authorised to attack other vessels

rescuing a royal princess was never explicitly part of the contract, although he thinks that not rescuing you would have pretty much been equivalent to a blatant show of insubordination

you had been taken ransom by one of the merchant ships the arriba had been plundering

needless to say, they had been close to tossing you overboard too; your kingdom had never paid for your ransom

the lack of response from your parents wasn’t anything you weren’t expecting but it’s a sore spot nonetheless

so it’s certainly hard for you to play friendly when you’re quite literally shucked off from stranger to stranger faster than a hot potato

san tugs wooyoung closer towards him and gently says to you, “he’s just trying to be nice - we all are”

the movement doesn’t go unnoticed by you

“i don’t need your pity,” you answer, the only sentence you have spoken today

you’ve lived two decades of your life pretending you don’t see the pitying gazes of your maids and butlers

you certainly don’t need pity from these people - pirates no less

“it’s not-” wooyoung starts to say

but the captain steps in before he can defend himself

“if this is how you’re always acting, i’m starting to see why your kingdom never paid for your ransom”

had hongjoong been less preoccupied by your words, he would have realised that your tone is candid, as if it is only natural for the people around you to pity you

but he’s clouded with his mindset as captain, unable to stand by idly while his own crew put up with your attitude, and so the words come out anyway - shards of shrapnel that bury themselves into your heart

there is only a fleeting second when your eyes dilate with hurt

you conceal it immediately, replacing it with a steely gaze, yet the image has already seared itself into hongjoong’s mind

“maybe you should throw me overboard, then,” you counter, “i’m sure my family will thank you for it”

and even if you have completely neutralised your expression, no one misses the wounded tone of your voice before you disappear down into the lower deck

mingi lets out a low whistle after the resounding slam of the hatch closing

“you fucked up, captain”

hongjoong doesn’t need anyone to spell it out for him

the heavy feeling in his stomach is telling enough

it isn’t until the moon has long since risen that you emerge through the hatch again

you had bypassed the sleeping quarters to the hold, wedging yourself between barrels of grain until you were sure no one would find you

not that they would have tried to anyway - seonghwa had told them all to give you some space

you had run your finger up and down the sides of the barrels repetitively for hours on end, mind simultaneously void and filled with thoughts

the walls you had built around yourself kept you safe, but it had started to become awfully lonely after a while

when it had become a little too suffocating in the hold and you guessed that most of the crew was asleep, you had softly padded back up the stairs and across the main deck

you now sit on the foredeck where the endless expanse of the sea stretches out in front of you, closing your eyes and letting the swaying of the ship lull you into tranquillity

tonight, the moon winks down fondly upon the waters

hongjoong watches you from the quarterdeck

he’s seen you sit at the front of the ship on many nights when you should really have been asleep

he wonders if you’ve always looked so small and fragile with your knees drawn up to your chest, or whether it’s because the flash of hurt in your eyes and voice is still fresh in his mind

“go, captain,” yunho murmurs from where he’s at the helm, “it’s a quiet night”

hongjoong startles at having been caught gazing, clearing his throat and dragging his eyes away

“why should i, if she’s just going to ignore me?” he scoffs

but he knows he’s just being petty at this point and his chest churns in agreement

“maybe,” yunho hums softly in response. “did seonghwa ever give up on you, though?”

it’s rhetorical - hongjoong knows the answer better than anyone

the captain doesn’t say anything but after several beats of silence, he sighs and makes a move to the foredeck where you are

yunho smiles to himself

you and hongjoong may be more similar than his captain realises

your shoulders stiffen when the sound of hongjoong’s footsteps approaches

you’re not sure what to expect and you don’t exactly want to find out and risk getting hurt

but having spent all day swimming alone in your thoughts, you do want to show that you feel apologetic because admittedly, you were being an ass too

getting up to walk away when he’s taken the first step certainly won’t help your case

you hold your breath in awkward silence as he settles down beside you, leaving a respectable distance between your hunched figures

only now is hongjoong realising that he hasn’t actually thought about or decided on what he wants to say to you

but he can feel the confusion rolling off of you in waves, so he grits his teeth and says fuck it

“i won’t apologise for defending my crew, but i’m sorry for how i did it and for what i said”

he hopes you know he is sincere when he continues, “we all have our prickly edges. i can’t fault you for yours”

compassion is a foreign concept to you and so you’re a little stumped for words

hongjoong isn’t sure whether your silence is a good or bad thing, but you have yet to stand up and walk away from the conversation

“there’s only about a week left until we reach port and we’ll leave after you make it back to your kingdom and we receive our payment. i’m not asking for you to be friendly, but let’s at least be civil with each other until then,” he says

you want to nod, agree, anything

and yet you can’t seem to make your head move or the words to come out of your mouth

rome was not built in a day. but neither did its walls fall in a day

hongjoong doesn’t push for an answer when instead, you ask, “how many people have you actually tossed overboard before?”

he resists the urge to laugh at your question, suddenly endeared by the fact that you’re still bothered by his very empty threat

“none, but my offer still stands. you’re welcome to be my first,” he deadpans

you let out a snort and although you quickly turn your head away, hongjoong sees the hint of amusement in your eyes

no further words are exchanged between the two of you and you do not acknowledge him when he eventually stands to rejoin yunho at the helm

but it’s a start

and as with any relationship, be it friend, foe, or lover, there is always that

a beginning.

hongjoong isn’t really expecting much to change immediately so he doesn’t pay you much mind when you walk into the mess hall the following morning

you hesitate at the entrance when you see most of the crew are already present, the conversation you had with hongjoong last night replaying at the forefront of your mind

you chew on the inside of your mouth

wooyoung stops mid-conversation at the scrape of a plate on the table, looking up to find you sliding into the seat beside him with a tight-lipped smile

to your surprise, he greets you with enthusiasm and immediately drags you into the conversation

hongjoong watches as you slowly warm up and add one or two comments of your own in between bites of your hardtack

and when he catches your gaze after staring for too long, he gives you a smile to convey his appreciation; to acknowledge your efforts

you return it with a small smile of your own and unbeknownst to you, it stays on your face for the rest of the day

slowly, there become more and more reasons that elicit a smile out of you

you still sit out on the foredeck when everyone else has gone to sleep, but on most nights, hongjoong will join you even if just for a while

the two of you are content to sit side by side with nothing but the steady pulse of the ocean and intermittent creaks of the ship’s hull to break the silence of the night

tonight though, you find curiosity burning through you

“what’s it like?” you ask

“being a pirate?” he clarifies

you shrug vaguely, unsure yourself either, “being a pirate. being at sea. sailing with your crew”

he takes a moment to gather his thoughts - not because he doesn’t know what to say, but because there is too much he wants to say

when hongjoong answers, his voice rumbles softly from within his chest, tender and heartfelt

“there’s a sense of freedom that you can’t obtain when you’re bound to land and society. sailing the waters, the only limits are those of the open seas and of your own compass… the sunrises, the storms, the moonlight - it all becomes part of your home”

hongjoong leans back to rest on the palms of his hands, tilting his gaze up towards the twinkling sky

he reflects, “you experience brotherhood and gain a family that is worth multitudes more than the treasures you can accumulate, even if you were to live as a pirate for several lifetimes”

you’re enraptured by his words, like poetry that swirls off the pages of a book and drifts into your very soul

“i may be the captain of this crew, but they make me who i am. without them, i am nothing”

his words wash over you and unearth vivid memories

“that’s what the queen always says to me,” you reveal

a small smile starts to grace hongjoong’s face, but it falls just as quickly when he hears your next words

“that without her - without her title - i am nothing”

it’s funny, how the same phrase can hold such different meanings; can evoke such different emotions

you don’t elaborate any further, but hongjoong doesn’t think he needs you to in order for him to understand

he just wishes he had more time to show you that your mother is wrong

he can’t though

tomorrow they reach port and you will return to your rightful place in the palace

“tell me more about your crew,” you attempt to change the topic, “how did you all find each other?”

so hongjoong tells you

he talks for hours and hours and you listen all the while with a heavy heart, clinging onto his every word

on your final night, you two stay like that until the stars disappear and the horizon becomes streaked with the pale hues of sunrise

after the ship docks mere hours later, only hongjoong accompanies you to your kingdom after goodbyes are exchanged

wooyoung doesn’t take it well, and you find yourself holding back tears of your own as you are let through the palace doors with the captain by your side

but you blink them away when you approach the throne room because vulnerability is not an emotion you are willing to display

“y/n”

the queen addresses you curtly when you enter, and hongjoong wonders for a split second whether he has brought you back to the wrong kingdom

he knows your mother does not treat you fondly, but it’s still staggering to see it before his very own eyes

the monarch glances distastefully over him before her eyes flicker back to you

“i did not expect your return,” she states

your eyes remain impassive as you merely answer, “neither am i delighted to be back”

hongjoong recognises this look

he’s seen it when you first boarded his ship; he’s seen it when your hackles were raised

he’s seen it in himself, when he had been a teenager filled with nothing but growing resentment, before he had met seonghwa

your mother sneers, “then you should have made yourself useful and stayed with the pirates. as a whore or a dog, whatever it took.”

hongjoong has understood you since learning of your demons, but right now, he is you

he sees fifteen-year-old kim hongjoong, standing before a couple who are his parents only by title

he sees fifteen-year-old kim hongjoong, who doesn’t know what he has done that deems him undeserving of love

he sees fifteen-year-old kim hongjoong, all alone with no one to take his hand

“or really, you should have died on the ship”

hongjoong is close enough to you to hear the small hitch in your breath at your mother’s final jab

he may not have had someone to save his younger self, but he can do that now

he can be the person he so desperately needed years ago

and so he does just that.

hongjoong grabs your hand and drags you out of the palace

no one stops the two of you from leaving and he is unsure whether his heart hurts for you or sings with relief

you can only stutter in shock as you try to keep up, “hongjoong, what about your payment?”

his determined steps do not slow down, even as he looks back at you with a sure smile, “i told you before. some things are worth more than money”

the comforting squeeze of his hand conveys that you are worth more than any amount of money

the form of the arriba grows bigger in the distance and you think you can see the movement of excitement on deck when the crew spots your figures

hongjoong has slowed down his steps, but he has yet to let go of your hand

“and you deserve to know that. welcome to the crew, y/n”

to a family and love that you never had

you think you like the sound of that

“thank you, captain”

seonghwa

pov: you're a royal navy officer in disguise

you lay awake in your hammock, listening to the soft snores of the crew members around you

sleep doesn’t come easy to you anymore

particularly tonight

you contemplate whether it’s worth the risk to simply not show up

you know what the consequences are if they capture you - a slow and painful death - but you’re unsure whether you want to put ateez on the line too

your ship is currently docked for the night, having made a port stop at alcarres following one of the crew’s wishes to retire the pirate lifestyle and settle in the small town

their last night with ateez had been celebrated with sloshing rum and rowdy jigs, something you had found strange

there’s none of that in the royal navy

when one leaves, it is shameful and through one of three options only; old age, crippling injury, or…death

you had asked seonghwa, the quartermaster, why he and the captain were so accepting when crew members left as they wished

he had simply smiled and answered, “better a small but loyal crew than a large and unpredictable crew”

his words are like a sharp stone in your shoe as you finally slip out of your hammock and make your way off the ship

as ordered, you head to the tavern addressed

you salute the person in front of you and ease into your seat with a formality only when he disregards you

“admiral jang”

“you’re late,” the royal navy officer raises an eyebrow

“sorry, sir. i had to make sure everyone was asleep”

it’s not exactly the truth, but no one needs to know that you had spent an hour in your hammock questioning your morality

he ignores your excuse, jesting as he asks of your captain, “has the pirate king found the chart’s whereabouts yet?”

the charts

centuries ago, a crew of experienced sailors had travelled the six great seas and created the original navigational charts

the charts had become scattered and lost over time, but its value only increased exponentially as more and more sailors became victims to the sea trying to map its waters to the same detail and accuracy as the original charts

of the six originals, only the whereabouts of five are known, with most of them within the possession of the royal navy

it’s rumoured that hongjoong - the pirate king - has his hands on two of them and is currently tracking down the lost chart of the aurorian sea

the only sea that has yet to be chartered after its original map due to its dangerous and unpredictable sailing conditions

you know that your next words can hold an inexplicable amount of possibilities

“not yet. the last lead didn’t get him anywhere. turned out the last of the ahn clan had passed a decade ago”

his lips flatten at the lack of worthwhile information

“where’s the captain headed to next, then?” he probes

for a split second, the thought of lying crosses your mind

you can’t provide a different location - it would be much too obvious and would raise immediate suspicions

but you could give him a different time frame

after all, it’s not uncommon for navigational routes to be one to two weeks off should the waters be unpredictable enough

you find the truth spilling out of you anyway once you’re looking into his stone-cold eyes

“vlasgar. in about three weeks’ time”

for a moment, time stands still as your heart pounds and you attempt to slow your breathing, the officer staring back at you calculatingly

then he finally hums in satisfaction

you think that he is going to dismiss you, but as you make a move to leave, he leans back in his seat

the split second of hesitation was enough

“remember where your loyalty lies, y/n”

the air feels cold with the underlying threat

seonghwa’s words flit through your mind

better a small but loyal crew than a large and unpredictable crew

you swallow, “of course, admiral”

and then you’re dismissed with a nod

the unsettling feeling follows you all the way back to the ship and every miniscule creak of the floorboards underneath you seems to be amplified in the silence

you let out a short gasp of surprise when you’re about to climb back into your hammock, only to see seonghwa blinking blearily at you

“couldn’t sleep ‘gain?” he mumbles

you choke out a response, “yeah”

“i’ll make you tea b’fore you sleep ‘morrow,” his words slur with sleepiness

“okay,” you whisper

but you know it won’t make a difference

after all, there’s no remedy for guilt

it continues to fester the next day, as you linger outside the captain’s quarters

you can’t remember why you had come down to the lower deck, but it doesn’t matter now, not with seonghwa and the captain discussing what you think is related to the aurorian chart

“do you think he’s still in vlasgar?”

“min taesoo? it’s hard to say. but i’m sure he’ll have acquaintances still on the island who may have an idea of where he’s gone”

min taesoo

your brain tries to carefully file the name away, knowing that it’s what admiral jang would want to know, but at the same time, your heart tries to pretend it doesn’t know what you have heard so that you can forget about it

you find yourself scratching the name onto a scrap of paper anyway

unbeknownst to you, at the almost-imperceivable sound of your footsteps walking away, the two men behind the doors share a look

the crew sets sail again in the afternoon towards the next destination - vlasgar - and the scrap of paper in your pocket weighs you down so heavily that you feel off-kilter as you absentmindedly follow jongho up into the rigging to unfurl the sails

you’re near the top of the ropes when a sudden wave lurches the boat to starboard

it’s only a small push, really, but with your mind elsewhere, it catches you off guard and you miss your next step

the feeling of your hand dislodging from the sudden drag of your body weight brings you back to the present with a yell of surprise

(whether it’s your own or jongho’s, you can’t remember)

your sailing experience takes over and you try to swing your body back towards the safety of the rigging

you barely manage to grasp the ropes again but your hands slip down with your weight until they hit the next knot, the hot rush of friction threatening your grip

with adrenaline rushing through your body, you shakily climb back down, where there are several pairs of hands waiting to help you down the rest of the rigging

seonghwa’s hands do not leave you even after your feet are planted on the deck again

dread and shame heat the back of your neck and curl around onto your cheeks, knowing that a mistake like the one you had just made - accidental or not - would lead to a punishment like confinement in the lower deck back in the royal navy

except, when an apology starts to form on your lips, seonghwa bursts out in dismay

“y/n, your hands!”

you let out an unintelligible noise as seonghwa gently turns your palms over and you realise that the ropes have grazed some of the skin off

“it’s fine,” you want to say

but you’re silenced when he leads you to the small sick bay on the orlop deck

even if there is no surgeon on board, there is a small chest fastened to the wall that is home to their few and valuable medical supplies

you sit as he fusses over you with alcohol and strips of cloth

although he does a good job of wrapping your hands, your insides start to bleed with how intensely guilt eats away at you, like a maggot deep inside the core of a festering apple

that night as you shuffle towards your hammock to sleep, you flinch when you find seonghwa already sitting in his

he’s fighting the heaviness in his eyes as he carefully cradles something

upon seeing you, he wordlessly hands it to you with a sleepy smile before he finally sags into his own hammock with a content sigh

you look down and the warmth of it seems to burn through the padded dressing that the man before you has tenderly wrapped around your palms

the sensation travels upwards to burn your heart too

because in your hands is a cup of warm chamomile tea

and yet, despite the emptied cup, you find yourself unable to fall asleep

but in the darkness of the sky, with no witnesses other than the waves and sea foam themselves, a small piece of crumpled paper gets tossed overboard that night

the closer their ship approaches vlasgar, the more distant seonghwa notices you become

he worries

seonghwa thinks he worries for the reasons that he should be

he is the quartermaster; entrusted to protect the crew as the captain’s right-hand man

if that means ensuring no one will compromise the rest of his crew, even if it’s you, then so be it

that’s what he justifies to himself as he walks through the cobbled streets of vlasgar, slinking through the shadows as he follows your figure from a safe distance

(in reality, seonghwa worries for the reasons that he is not quite ready to admit yet)

he follows you into the dim bar of a tavern and carefully situates himself where he can watch over you without being discovered

he orders a mug of common ale as you approach someone

the man is dressed in civilian attire, but seonghwa can tell straight away from his demeanour and expression that he is not as ordinary as he appears

it’s confirmed when he hears you say, “admiral jang”

and then he sees it

the small but striking lapel pin on the breast of the man’s coat - the royal navy’s insignia

seonghwa feels for the sash that’s hidden underneath his own jacket and his fingertips meet the cool metal of the pistol tied inside

“you better have updates for me, y/n. what’s the pirate king’s purpose here in vlasgar?”

seonghwa knows he only has about five seconds to make a decision - one that could jeopardise the crew, or one that could jeopardise you

but you surprise yourself and the both of them when you answer steadfastly, “i don’t know, sir”

despite the din of drunker patrons in the tavern, it seems to fall deathly silent

“am i hearing wrong, officer?” the admiral questions with a disbelieving scoff

to your credit, your voice does not waver when you state again, “no, sir. i believe the captain and quartermaster are lying low. they have not revealed anything to me nor the rest of the crew”

seonghwa suddenly understands why you have distanced yourself

the admiral’s jaw tics

“is that so.”

you do not respond, only focusing on the spot between his raised eyebrows as he leans forward across the table

“where does your loyalty lie, y/n?”

neither the admiral nor seonghwa need to hear your answer to know the truth

a small crew may be outnumbered, but they have strength in loyalty and devotion

there’s a glint of movement from underneath the table as the admiral inches something out from his belt

seonghwa makes his decision

you flinch, eyes wide as there’s a deafening gunshot and the table beside you splinters and scatters the tankards of alcohol onto the floor

instantaneously, chaos erupts

there are drunken yells of fright and weapons clumsily brandished, tables upturned and chairs hurled across the room

it only takes one other misfired shot for the tavern to descend into hellfire as customers who were previously drinking together now turn on one another

nobody notices the two pirates dashing out, not even admiral jang, who is busy wrangling two inebriated men off his arms

your composure dissolves the moment you are dragged into an alleyway several streets away and you look up in shock to discover-

“seonghwa?! why are you here?”

“i could say the same about you,” he counters, hardly out of breath

you’re stunned by the fact that he seems completely unfazed by the mess that he has just dragged you out of

something clicks

“was that you? did you know all along?”

seonghwa smiles, “let’s just say you’re not as subtle as you think you are when you sneak around. plus, it’s uncommon for sailors to have the experience that you do without having had some sort of training”

you curse under your breath and wince, “does hongjoong know too?”

the quartermaster nods and you fear the answer to your next question

“then why has he not…why have you not…”

“killed you yet?” seonghwa chuckles. “i’m sure you’ve realised by now how skewed the royal navy’s beliefs are”

you’re quiet

the royal navy has always been cult-like in preaching the ruthlessness and barbarism of pirates, drilling into the officers the belief that pirates are the scum of the sea

but everything that you’ve known has been proven false since you’ve joined ateez; ironically, the pirates are more humane than the royal navy themself

their crew stand at attention whenever hongjoong or seonghwa walk onto the deck - not out of cultivated fear but genuine respect

when jongho is sore and tired from handling the riggings on a particularly rough and windy day, the others will offer to cover for his chores instead of flogging him into submission

and when mingi is divvying up the shares of the provisions and loot, the others will slip an extra bar of soap for seonghwa, the shiniest ring for mingi, or the largest bottle of rum for yunho, because they want to make each other happy

“hongjoong is the pirate king, yes, but a king should not take the lives of others for his own power. a true king uses his power to change the lives of others for the better…like yours…and like mine”

you frown with a jerk of your head

“what do you mean?”

you can’t see seonghwa as a broken man whatsoever

he gives you a weak smile, “i, too, used to be part of the royal navy”

your jaw drops

everything clicks into place - how he had figured out you weren’t just a common sailor and why he hadn’t confronted you about it

the shame and guilt come rushing back over you in a storm that is much too familiar by now

“i’m so sorry, all i’ve done is betray your trust-”

“but that’s what second chances are for, no?” seonghwa cuts you off, playfully flicking your forehead as he reminds you, “and i’m pretty sure you’ve chosen me over the royal navy”

your cheeks grow hot

“not you. the crew,” you mutter

he laughs and it’s a wonderful sound

“come on, it’s late,” seonghwa beckons. “let’s get some sleep”

when he sees that you’re still rooted to the spot, unsure whether you are deserving to go back, he decides for you and moves behind you to gently nudge you forward by the shoulders

you let him guide you

his hands are warm, you note, even through the linen of your shirt

his hands are also pretty, you observe, when he tries to fluff your hammock once you two have crept your way back to the berth

seonghwa helps you up into the hammock and you watch as he climbs into his

his hands are also teeming with love, you realise, when he wordlessly extends his arm nearest to you in a silent invitation

if you both reach out, you can just entwine your hands together from your respective hammocks

the burns on your palms have healed nicely and without the need for them to be wrapped, you can feel every expanse of his hand covering yours

he doesn’t retract his hand and neither do you, even though it’s not the most comfortable position and you both lose feeling of your arms soon after

but you lay in your hammock, drifting to the soft snores of the crew members around you and the soft tug of seonghwa’s fingers in yours

sleep comes easy to you

particularly tonight

as it will for the rest of your life

yunho

pov: you're the crew's navigator

you know it’s going to happen even before it actually does

you can feel it in the air and from the way the baby hairs around your hairline start to frizz

but you never say anything because you wouldn’t trade it for the moment when the first raindrop hits the back of yunho’s neck and he abandons his duty at the helm to drag you out onto the upper deck

(hongjoong only sighs in defeat before he stations himself at the helm instead)

you don’t like the rain

not like yunho does

you are already looking up from the map spread out in the captain’s quarters, a knowing smile on your face just from the sound of his bounding footsteps alerting you of his presence, when yunho appears with the beckon of rain

you pretend to let yourself be dragged to your feet along to his urges of come on!

but then you dash forward towards the hatch with yunho chasing after your bright laughter

in the short span of time that it has taken him to fetch you, the sprinkle of rain has steadily grown and the weathered planks of the deck are already a dark grey

you feel the coldness of the raindrops hitting the crown of your head and the spreading chill as your clothes start to become damp

but that’s not what makes you feel alive

yunho catches up to you easily and then he is snaking his arms around your waist to lift you up into the air

you barely have time to squeal and steady yourself on his broad shoulders before he is spinning the two of you around, the world blurring away as the spotlight shines on him and he is all that you can see

the deck is your stage and the sea is your audience

rain with yunho is twirling hugs, tiptoed kisses and tinkling laughter. it’s soaked shirts and rosy cheeks and the only thing that matters in the moment

you don’t like the rain, but it’s easy to like the rain when it’s with him

(hongjoong lets the two of you be - so obviously and hopelessly enamoured by each other - because when one sees people in love, one cannot help but watch and smile)

the rain eventually peters out and you and yunho must return to your respective duties, but not until you two have changed out of your drenched clothes and sneaked in a few more kisses

a few hours later, you hear the racket above the deck as a ship pulls up beside the arriba and ropes are thrown across from both sides to lash the vessels close together

hongjoong comes down to join you in his quarters, but he’s not alone

behind him is the captain of the silver light, dae jihoo, and his quartermaster, with seonghwa entering last

you note that this crew doesn’t have a navigator of their own

but you suppose that’s one of the reasons why their captain had implored an alliance for this particular raid

the crew of the silver light are wanting to target the prosperity triangle - an area between three large ports that is frequently trafficked by wealthy vessels transporting valuable goods

it’s a raid that would prove difficult for a smaller pirate crew like your own and the silver light, and especially if they have no navigator

but it’s not uncommon for pirates to form temporary alliances for such purposes, and together, your crews have a good chance of plundering a fortune

you nod your head in acknowledgement when hongjoong introduces you to the two pirates as ateez’s navigator

you don’t miss the way jihoo’s eyes seem to linger on you for a second too long before he flashes a crooked grin and gestures towards the navigational map spread out on the oak table

clearing your throat of discomfort, you step forward and flatten the creases out with your hands

“this is the most open spot within the triangle that the vessel we’re after will pass through,” you tap an annotated spot on the chart, “and this is where we are now”

you slide your finger across, “we’ll follow the rhumb line west to avoid the shallower waters and when we can catch the trade winds, it should be smooth sailing from there”

jihoo challenges you, “how can you be sure we’ll catch the ship within the triangle?”

“they’ll need to sail past the equator and i’m almost certain their ship will be slowed down by the doldrums. we can easily gain knots on them”

he squints at the scribbles you’ve made noting down what you’ve gathered of the wind patterns

you know for a fact that it will mean nothing to him, but whatever he sees must satisfy him because jihoo appears to make up his mind

“when do we set sail?” he directs his question to your captain

“three days from now”

he grunts a noise of affirmation and stands, which hongjoong takes as the cue to see them and the rest of their crew off your ship

you trail behind the group as you all head back to the upper deck

you prepare to emerge from the hatch with a playful wink, knowing that yunho will be craning his neck from the helm to get a glimpse of you, when a sudden holler surprises you out of your thoughts

it’s immediately met with the answering cries of several other pirates - none from your crew - and you hurry to clear the hatch to gain your bearings

you’re thrust right into the throes of battle as ateez are forced to unsheathe their cutlasses to defend against silver light’s sudden attack

having been caught off guard, basically none of your firearms are loaded with gunpowder, rendering them unusable

you will have to make do with the short sabre at your waist

there’s no time to account for the whereabouts and safety of your crew members and you just have to pray that you all make it out of this unscathed

especially yunho

but as ateez retaliate, you all notice something is off about the situation

your crew is very quickly overpowering the other pirates - it was a losing fight for them from the very beginning

it makes no sense to you nor the rest of your crew

the losses of breaking the alliance before the planned raid, much less through betrayal, far outweigh any gains they could possibly make from their choice of action

it makes absolutely no sense

until it does.

you are blocking the swing of a sabre with your own when you are tugged backwards harshly by the collar of your shirt

there’s an angry snarl in your throat as you prepare to turn around, but it’s quickly silenced by the warning shot of a pistol right beside your ear

the cold ring of metal is then pressed to the back of your head

you know that firearms require time to reload and there’s a chance that this pistol is now useless

but, like wooyoung has taught the rest of the crew to do, they may have pre-prepared several pistols and you are not willing to play with fire - especially when you are only the flex of a finger away from death

you vaguely hear someone yell out your name in panic, but you’re not quite sure you hear correctly over the clamour of cutlasses clashing, warcries resounding and your own heartbeat pounding

“stand down or your navigator dies,” the voice behind you thunders

it’s jihoo…and he wants a navigator for his crew

“ateez,” one of your men commands, “lower your weapons”

your crew may make decisions fairly, but in battle, only hongjoong has the power to make commands

yunho has never spoken against his captain or disobeyed orders

until now

the words do not come out of your captain’s mouth but yunho’s

the rest of the members hesitate - they will not stand down unless hongjoong commands them to, yet, they are unsure whether they will be able to follow should he demand them to fight on, even if it means endangering your life

but there is no guarantee jihoo will let your crew go unharmed even after you all surrender, and as the captain, hongjoong must make decisions in the best interest for the crew

“captain!” yunho yells desperately

yunho never yells

“stand down,” hongjoong commands

silver light’s captain steps in closer behind you until you can hear and feel the noise of intriguement that leaves his mouth down the back of your neck

“that your loverboy, hmm?”

he smirks

there’s a false moment of primal relief when the press of the pistol is removed from the back of your head, but it is immediately replaced with fear that is irrevocably worse as he aims it in yunho’s direction and shoots

“no!”

you shriek and pull against the tug of his hold, still fisted around your collar, your pupils blown wide with terror at the sight of the clean hole in the mast right beside yunho’s head

“it’ll be pretty boy’s head next if you don’t come with me,” jihoo coos into your ear

the fight slips out of you immediately

because if you can save him, a life for a life, then you will

even if the sight of mingi holding yunho back from lunging forward when the pistol’s barrel returns to your head makes your heart clench painfully

“y/n, don’t you dare,” yunho pleads, voice filled with anguish

you’re barely given enough time to lock eyes with him and say resolutely, “remember what you said to me,” before you are tugged away to the boarding plank

ateez can only watch helplessly as the planks are removed from over the bulwarks and the last of the ropes are untied, releasing the silver light from their ship for good

jihoo tugs you down the hatch as the ship starts to pull away, and just like that, you’re gone from their sights

“fuck!” yunho shouts furiously, unable to contain his emotions as he turns around and connects his fist with the mast

right where the musket ball had made a hole

his hand pulls away with bloodied knuckles from the splintered wood and the sheer force of his punch

a concerned whine leaves seonghwa’s mouth and he tries to approach the taller, but yunho shakes him off and looks determinedly at hongjoong

“we’re sailing to the banver isle just east of the triangle. we’ll ambush them there”

seonghwa looks between the two, hope flickering in his chest at the potential plan, “you think the silver light are stupid enough to try taking on the prosperity triangle alone?”

yunho chuckles darkly, “they were fucking shitbrained enough to take y/n, so yes”

nobody disagrees and hongjoong smirks dangerously

“ateez, ready the sails for banver isle,” he commands. “prepare for battle”

because not only have the silver light taken you away from ateez, but they have also annihilated the light from yunho’s eyes

gone are his warm brown orbs - they are now black holes thirsty for retribution

there will be lives to pay and even that will not be enough for the void

unaware of what your crew is capable of, jihoo looks down at you with a triumphant leer

“you’ll navigate us to the triangle in three days’ time. don’t even think about lying - you’ve already shown me where the location is”

with an even nod you reply, “of course”

it’s true though - you have absolutely no intention of navigating them somewhere else

because you know yunho will be waiting there for you

amidst chaste kisses exchanged between plush lips cold from the rain, yunho tells you in a brief moment of seriousness

“don’t show them where the real location is,” his breath is warm across your cheeks. “you know the coastal island roughly ten nautical miles away? show them that instead”

you tilt your head to look up at him, “you think they’ll betray us?”

“no,” he reassures you with a deeper, slower kiss, “but we can never be too safe”

and even if your vessels miss each other this time, you have complete faith that yunho will sail to the very ends of the world just to find you

two days before the originally-planned raid, the arriba sails as closely to banver isle as possible without risking running aground

yunho has navigated the ship around the back of the isle so that the form of the rocky terrain conceals them from sight

once the anchor is lowered, the crew members use every ticking moment to make preparations

swords are sharpened and firearms cleaned

mingi distributes the gunpowder and ammunition, which is pre-loaded into muskets, pistols and swivel cannons ready to be engaged

the ship’s sails and riggings are checked and yeosang keeps a keen lookout in the crow’s nest

and it’s as if the world itself can sense the brewing storm that grows inside yunho

the sea is eerily still and silent, but the sky is an omen to something impending, its rolling clouds dark and angry with the threat of rain leering over the waters

yunho doesn’t actually like the rain

he only likes it because it’s with you

rain with you is barefoot dancing, breathless confessions and bashful giggles. it’s drenched locks and fluttering eyelashes and the only thing that exists in the moment

but as the profile of the silver light finally approaches the isle two days later, the heavens split open and you are not by his side

rain without you is falling pinpricks, frigid winds and flaunting mockery and yunho despises it with his entire being

at yeosang’s call of, “vessel approaching from starboard,” up in the lookout, yunho smothers the fervid desire to barrage the other ship with cannonballs like hail from hell; to unleash an inferno that blazes through their hull as he sadistically watches the crew jump for their lives

he stamps out the hunger to shoot the ones that make it into the sea, not to kill, only to maim and induce a long, painful struggle in the open waters until death becomes inevitable - until there is enough blood spilt that it becomes the only stench in the air that stretches across for miles

yunho leashes his monsters with an iron fist

because he will not do anything that could even remotely endanger your life

even if it means that he has to hold back - to sit and wait like prey instead of advancing on the other ship like a predator

at least not yet.

silver light do not know, but this is the calm before the storm

the heavens may be crying, the winds may be howling and the waters may be roiling

but this is nothing compared to yunho

yunho is a tempest of unparalleled rage and their ship is in the eye of his storm

as the bowsprit of the silver light starts to appear around the isle, the members ready their grappling hooks and yunho draws his cutlass with a menacing whisper of unsheathing metal

you are his treasure, and pirates never lose sight of their treasure

today…you return to him

yeosang

pov: you're a tavern keeper

watching the ale reach the brim of the tankard you are holding, you’re about to step away from the barrel when the voice of a patron sounds behind you

“‘scuse me, could i get a mint-”

you look up and turn around in confusion as their voice cuts off

only to have the question taken right from the tip of your own tongue as you’re met with the face of the person you had loved for years

the same person you have spent twice as long trying to forget

eyes searching each other’s in a surprised stupor, seeing kang yeosang standing right in front of you takes you back to those memories that you have tried to remember and simultaneously bury

it thrusts you headfirst into what used to be of your shared love - like the feathery remnants of a dream, so distant from the fingers of your consciousness, suddenly returning to vivid existence when you least expect it

“hey, mint leaf. i’m back”

yeosang at least has the perceptiveness to appear a little apologetic, immediately pulling you into a hug and pressing soft kisses against your hairline uncaring of the other people in the tavern

it’s been several weeks since you last saw him, and whilst he had warned you he would be gone for longer this time, you hadn’t expected it to mean two whole months

he’s a small merchant who also fishes along the coast to earn enough to make ends meets, so he’s often gone for a few days or a week or two

you knew what you were in for when you first made it official with him, but just because you become accustomed to something, doesn’t mean it gets any easier

and he’s never been gone for this long

something must have happened - something good - because he looks alive, cheeks glowing and eyes fiery

“i met the crew”

“the crew?” you ask, hands reaching for the bourbon to prepare him a drink as he lets himself behind the counter to stand beside you in your workspace

he nods excitedly, "wooyoung’s pirate crew, ateez"

you think you know where this is going to go and you hate that your stomach sinks at the thought of what your future may become, because yeosang looks so happy to tell you about this and a happy yeosang is all that you could ask for

“the captain offered me a position as their lookout”

you pick out your next words carefully as you hand him his finished drink - a mint julep with two sugar cubes, just the way he likes it

"aren't…isn't being a pirate dangerous?"

“not as dangerous as you might think, actually. they’ve been showing me the ropes the last couple of weeks and…and i think i want to join them. officially”

there it is

the forked end of the road

you wonder how far two people can keep walking with their hands intertwined before the distance becomes too great and they have to let go

his words become a little muddled when he goes on to tell you about how they divvied up their recent loot to include his share too

how he’s gained more money than he’s made from the last two years of working as a merchant and fisherman combined

if he joins his old friend and his crew, he could earn enough to buy his parents a proper house; earn enough to build you your very own tavern

you want to tell him that you don’t need the tavern, just him, but you also know just how important his family is to him

his filial desire to take care of his parents was one of the very reasons you fell in love with him in the first place

before you can say anything though, the tavern keeper is interrupting to let you know that your shift is over

yeosang immediately perks up and herds you out of the place, claiming that there is a new fishing spot he discovered that he has to show you

and so you sit while he rows his modest boat, only the splash of his oars disturbing the peaceful stillness that has settled over the waters as the sun dips below the horizon

the waning light casts a soft, warm glow over him, like a gentle kiss against his skin and birthmark

if angels graced the earth, there would be one sitting right in front of you

“i missed you, mint leaf,” he confesses, gaze shyly averted. “i thought about you when i was gone”

“did you think about showing me this place?” you feel a little breathless

he nods, “every single night”

and that’s enough for you

it feels like everything is okay again

it doesn’t matter if you’re standing at a forked road

you think that perhaps, for him, you can walk on an unpaved path - just so that you can keep holding his hand

“y/n”

yeosang’s voice is deep

the word sounds foreign to your own ears but you don’t dwell on it

(because if you do, you’ll wonder whether it’s because you’ve forgotten the sound of his voice or because you want to hear him calling you something else)

“what would you like to order?” you ask

(because it’s easier to pretend that he’s just another patron than to admit that he used to be all that you ever knew)

yeosang fumbles a little but then regains himself, “oh, um- just a mint julep, please”

you turn your back to him to prepare his drink, hands reaching for the barrels lined along the bottom shelves without needing to look

you’ve made this drink too many times to count

half of those times were in the safety of the darkness that midnight offered; when the tears could flow freely without anyone seeing

it’s only when you start to mix his cocktail that yeosang realises he didn’t ask for his sugar cubes, but he figures the drink will taste bitter tonight either way so he opts to watch you instead

he wishes that he could walk past the counter like he used to and wrap his arms around you

he wishes that he could whisper endearments into your ears and press them against your lips

he wishes that he could show you that he still loves you

“do you still love me?” your voice wavers with hurt as you stand in front of him

he’s finally back after being gone for four months this time and you hate this conversation as much as he does, but it was bound to happen eventually

yeosang pleads, “more than anything”

“then why does it hurt so much? loving you…and being loved by you”

he doesn’t have an answer

but god be damned if he doesn’t try to find a way to fix things

“tell me, mint leaf, what can i do?”

you blink back your tears furiously, having already made up your mind while he was still at sea

“let’s break up”

because in the end, unpaved paths have too many rocks, too many thorns and too many arched roots; they were never meant to be walked along

you pass yeosang his finished drink without another word and then move further down the counter to serve a different customer

his eyes linger on you wistfully before he tears them away from you

it’s a good thing his hair has grown long enough to cover his face when he looks down

because his eyes start to grow wet at the sight of the mint julep you have made him

with two sugar cubes in it, just the way he likes it

perhaps, once you’ve loved somebody, you never really stop loving them

yeosang shows up again the next day and seats himself at the bar

you don’t serve him though, actively avoiding his end of the counter and letting another of your staff tend to him

he orders his usual but he leaves out his request for additional sugar cubes

it feels wrong for him to order it from someone that isn’t you

but you’re watching out of the corner of your eye as the worker mixes the bourbon, sugar and water, topping it with a few mint leaves and then sliding it across the counter for him

you let out a little sigh, half amused, when he takes a small sip and smacks his lips together at the bitterness

you take two sugar cubes and drop it unceremoniously into his pewter cup before you realise what you’re doing

yeosang immediately seizes the opportunity to talk to you

“my crew’s docked for the fortnight…” he waits to see if you’ll respond. you don’t, but you also don’t move away, so he continues. “we’re making some repairs to the hull and sails before our next raid”

you have half a mind to walk away after you reply, “i didn’t ask” 

he forges on regardless

“we’re going to work with another crew for this one. it’s going to increase our chances of a successful raid because-”

your voice comes out a little harsher than you mean for it to when you hiss again, “i didn’t ask”

yeosang’s mouth closes as he pulls away slightly, back straightening

then he says in a softer voice, “i’ve been doing well. wooyoung still takes care of me, even though i’m not new to the crew anymore. i also saw my parents today and they’re happily retired now…”

you don’t stop him from talking this time

because how many sleepless nights have you spent sitting outside your tavern looking up at the stars; how many times have you served a mint julep to a patron and accidentally added sugar cubes; how many moments have you been consumed by the thought of him, simply wondering if he is living well?

this is everything that you have ever wanted - yeosang in the flesh letting you know that, yes, he has been well

but it is also everything that you have ever feared - that he has been well even without you

you don’t know what to feel

“my parents asked about you,” he says gingerly. “how have you been?”

his voice is barely audible, as if he is afraid of what you might say

or perhaps, afraid that you might not say anything at all

“good. excellent,” you force a small smile, your eyes still focused on the mint leaves floating in his drink. you don’t think you can look at him. “i own this place now”

his body loses its tension, cheeks rounding as he looks at you with genuine relief

“that’s…that’s really good to hear”

his words sting

you are unsure if it stings your ego or if it picks at the wound in the shape of the person you have lost

but it hurts to know that he has worried over you in the exact same way you have over him, the whole time you two have been apart

you’re suddenly overwhelmed by the realisation and hot tears well in your eyes almost immediately

your bottom lip starts to crumple so you rush into the back room to escape

“y/n!” yeosang calls out after you, alarmed

when you don’t stop, disappearing into the storage, he jolts up from his seat and follows

your body shudders with every heaving breath you take, unable to stop yourself from crying even harder when you feel him tug you into his chest

you try to pull away but his sturdy arms tighten around you

yeosang refuses to let you go once more

“i hate you,” you sob, struggling against his hold as you hit his chest weakly

he hushes comforts against the crown of your head, soothing noises as he endures your fists

“you have every reason to”

yeosang holds back tears of his own

he feels your body gradually losing its fight, sinking into his embrace instead, hands desperately holding him close

your voice is so impossibly small when you tearfully confess, “but i still love you”

“oh, mint leaf,” he brushes the stray locks of hair away from your face and cradles your jaw tenderly, “i still love you, too”

he presses a soft kiss against your forehead, pulling away once only to reaffirm, “so, so much”

when he kisses you again, his lips taste salty against your own, but nothing has ever tasted sweeter than this

your breath no longer stutters but the tears continue to run down your face because your heart finally feels right after all these years apart

and yet-

you pull away

“we can’t do this”

yeosang feels his heart shattering

“why not? i don’t understand,” he whimpers

“you know why,” you say distressingly, “my life is here, yeosang. i can’t just leave and return whenever i want. but you, on the other hand? you can. you go where your crew goes - you belong with them”

“but my heart belongs to you. please, y/n,” he begs

his arms are still wrapped around you and you feel his desperation as his fingers cling onto you like a lifeline

you look earnestly into his bloodshot eyes, your own vision blurry, “yeo, you’re not the one who gets left behind here. you’re not the one who waits weeks, months, years on end, just hoping that the next person to walk in is the person that you want to see”

he wants to plead that he waits to see you, too, but he knows that he’s the one who leaves, too

“you’re the right one for me - the only one for me - but it’s not the right time,” you tell him gently

slowly, his arms lower themselves from around you

“it wasn’t the right time then and it isn’t the right time now,” he repeats, “then when is the right time for us?”

you shoot the question right back at him, “when is the right time for someone whose life is to sail the world?”

neither of you know the answer

nobody does, because loving a pirate has no certainties

but yeosang doesn’t give up

“if we can’t ever be sure, why don’t we just make it the right time ourselves?”

you caress his cheek sweetly, and despite having stepped away from you earlier, he leans into your hand, starved of your loving touch and affection

“yeosang…what if we’ve already had it? what if…meeting each other was already it? what if we’re just meant to love from a distance, not side by side?” your voice is poignant but resolute

he brings up a hand to cover yours, still warm and tender against his wet cheek

how is it that he can be touching you yet simultaneously feel worlds apart from you

“okay,” he accepts with a whisper

if loving you silently is the only way he gets to love you, then he will choose it in a heartbeat over losing you entirely

he thumbs away the remainder of your tears

“can i kiss you? one last time?” he asks

you nod

“one last time”

your lips slowly meet, slotting together as they find their home in each other’s dips and curves

his hands cradle the small of your back and neck and your own hands rest against his chest

the kiss you share is steady, longing and bittersweet

it conveys everything that you want to say to each other, and even then, it is hardly enough

thank you

i’m sorry

i love you

goodbye…

you can feel your eyes burning up again, but you focus on the feeling of yeosang’s lips against yours instead

because you know that the moment one of you pulls away, that is it forever

in the world of love, there are people who are ill-fated

they meet the right person, but at the wrong time

and then there are people like you and yeosang

not ill-fated, but star-crossed lovers

the right person…

but just not meant to be

[doyoulikethissong-poll]

Metallica - Enter Sandman 1991

"Enter Sandman" is a song by American heavy metal band Metallica. It is the opening track and lead single from their self-titled fifth album, released in 1991. It evolved from a guitar riff that guitarist Kirk Hammett wrote, after being inspired by Soundgarden's 1989 album Louder Than Love. The title is a reference to the Sandman, a character from Western folklore who makes children sleep.

The single was released on July 29, 1991, two weeks before the release of Metallica. The album debuted at number 1 on the Billboard 200 in the US and nine other countries, and sold over 22 million copies worldwide, allowing "Enter Sandman" to become "one of the most recognizable songs of all time in rock". The single peaked at number 16 on the Billboard Hot 100 chart and at number 5 on the UK Singles Chart. In addition to the nominations received by the album as a whole, the song was nominated for Best Rock Song at the 34th Grammy Awards in 1992. It was voted Song of the Year in Metal Edge's 1991 Readers Choice Awards. The music video won Best Hard Rock Video at the 1992 MTV Video Music Awards and was nominated for Best Cinematography and Best Editing.

Motörhead covered "Enter Sandman" in 1998, and received a nomination for the Grammy Award for Best Metal Performance at the 42nd Annual Grammy Awards. "Enter Sandman" is used in the polka melody "Polka Your Eyes Out" for "Weird Al" Yankovic's 1992 album Off the Deep End. The song was also sampled by British electronic duo Utah Saints and American rapper Chuck D on their track "Power to the Beats". It was covered by Weezer as part of The Metallica Blacklist tribute album. It was also used by NASA mission control CAPCOM B. Alvin Drew to wake up space shuttle astronauts aboard STS-123. The song was selected for Mission Specialist Robert L. Behnken by his fiancé.

"Enter Sandman" received a total of 81,1% yes votes!

[jooieluvr]

*in the voice of the store guard/manager from Elf*: better have fun re-reading the last part cause tomorrow morning, 8AM, Part 10 of ICLY is coming out

^^ I am quite literally Buddy in this GIF!!! So excited!!!! It’s like Christmas is coming early - oh wait - it is😭🥰🫂

I Can't Lose You Part 10 Dropping

Hello Everyone!,

Part 10 is dropping tomorrow at these times around the globe:

NEW YORK,USA- 12/22/2023 5:00pm

LOS ANGELES,USA- 12/22/2023 2:00pm

Seoul,South Korea- 12/23/2023 7:00am

Melbourne,VIC,Austrailia- 12/23/2023 9:00am

See you there!

CATCH UP BELOW!

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[theladyofmanyfandomsfanfiction]

Imagine refusing to wear a boiler suit while travelling with Law…

Part 1 | Part 2

“Absolutely not.” You said while scowling at the jumpsuits that were expected to be worn by the Heart Pirates. Bepo had offered an orange one but you made a face and pushed it away assuring the bear that while he looked great in it, you wouldn’t.

“I’m a Straw Hat. I’d rather drown in the sea before wearing a uniform.”

Law had been leaning against the rails while watching the scenario play out. The Polar Tang was still docked as the crew restocked supplies. You had been helping load some crates when the matter of dress code came into the mix and you absolutely refused to entertain the thought.

“It’s mandatory.” Law stated. It was a simple request that he expected for his crew - wear appropriate gear while aboard the submarine. “While you’re staying with us, you’ll follow the rules just like any other member.”

Crossing your arms, you threw him a scathing glare as if silently challenging the man. You took a step forward and pressed a finger into the tattooed skin of his chest. You were so furious that you missed the way he jumped at the touch.

“I’ll follow every command while I’m confined to this vessel. But if you want me wearing something that hideous, you’re going to have to undress me yourself.”

Bepo squeaked in surprise at the directness. Shachi and Penguin lowered their heads to conceal their smiles while most of the crew were bustling on the dock.

The expression that fell over Law’s face was priceless, amusing anyone who was in vicinity at the time. His mind betrayed every controlled thought as a great many images flashed before his eyes - of him peeling back each layer of clothing until you stood nak- stop yourself! Law willed almost having to bite his own tongue to bring himself back.

Out of the Straw Hats, you and Robin troubled him the least. But between you and Robin, you made him stumble the most and he never knew why.

When the man recollected himself, you were still standing before him, arms crossed. Still daring him to make you wear the uniform.

Law couldn’t find a way to respond that wouldn’t prompt another retort from you so he stepped back, turned on his heel and exited the conversation entirely.

“Do what you want.” He said and then disappeared into the ship.

Bepo lowered his paws, eyes wide. “He didn’t shout or punish you.” He realised and looked to Shachi and Penguin who were also quite bewildered.

You huffed. “Good. His grip around here is like a damn vice.”

Ikkaku walked by with a barrel and smiled at you. “He’s had to be otherwise we’d be sunk by now.”

Unfolding your arms, you forced all the tension away. Well, as best you could. You looked out onto the open seas and missed your home aboard the Thousand Sunny.

“He seems like he overreacts.” You muttered. Almost instantly the crew around you belted out in laughter clearly familiar with their captains dramatic ways.

Part 1 | Part 2

~ More imagines here ~ (for more One Piece)

A/n: I’m finally up to Law and Kid in the Sabaody Arc! Let’s go!

[suzukiblu]

excerpt from in-progress "timebending with Zuko" fic

Zuko wakes up and everything hurts.

Most specifically, his scar hurts.

That . . . doesn’t make sense, he thinks, and reaches for it automatically. A strong hand catches his wrist before he can touch it, which seems–fair, yes. Probably a good idea, anyway, because spirits does it hurt. Just . . . so much.

“Uncle?” he asks reflexively, attempting to open his eyes. It’s surprisingly difficult. And Uncle is in Ba Sing Se, of course, but he’s on his back on a futon or bedroll or something similar and someone’s sitting beside him and his head is swimming and he’s injured, clearly, so options for who said “someone” might be are limited, really.

So it’s not Uncle, obviously, but . . .

“Nephew,” Uncle says, very quietly, and Zuko . . . blinks.

At least, half-blinks. The one eye’s in too much pain to open.

The ceiling is metal, he notes absentmindedly. That’s . . . odd. He was in the palace, wasn't he?

“What happened?” he asks, vaguely bemused. Uncle pauses in a very concerning way, and Zuko has about three heart attacks about just how badly he doesn’t want to know what he’s about to say before–

“The Agni Kai,” Uncle says, very carefully. “Do you remember it?”

Zuko frowns–just with the one side of his face, because again, his scar hurts right now. To the point that his whole body feels wrong, does his scar hurt right now.

“Um–which one?” he asks, because there’s been about a dozen this month alone, and frankly he’s getting really sick of fighting them at this point but if the old guard of nobles are just going to keep dragging everything out like this–

“With your father, Nephew,” Uncle says, very carefully.

Zuko . . . blinks.

“Oh,” he says, vaguely perplexed. Uncle never talks to him about that. “Yeah, I remember that. What about it?”

“Do you remember what happened?” Uncle says.

“The part where I disgraced myself or the part where he burned my face?” Zuko says, because it’s so fucked up and awful and horrible that he can’t even get upset about it anymore, except when he’s really upset about it. But if Uncle’s bringing it up, presumably he has a good reason to be, so . . . “Or the whole ‘go find the Avatar who no one even believes exists anymore or you can never come home again’ part?”

“. . . all of that, yes,” Uncle says, still sounding very careful. Zuko frowns a little–again with just the one side of his face–and then looks over at him. His body still feels weird and wrong, but . . .

But . . .

They’re on a ship, he realizes. A Fire Nation one.

Well, explains the metal ceiling.

It doesn’t explain why Uncle is wearing red armor and a topknot like he hasn't in years, though, or why he looks so unspeakably sad.

“Um,” Zuko says, and attempts to sit up. His head immediately starts swimming even worse, and Uncle catches his shoulders and keeps him pinned against the . . . futon? Looks like a futon, yeah. “Where are we, exactly?”

“We are aboard a ship,” Uncle says. “I . . . may have slightly commandeered it.”

“. . . you paid for it, right?” Zuko asks, a little skeptical at that idea.

“Yes, Nephew, I did,” Uncle says, giving him a very tired, pained smile. Zuko doesn’t feel much better, seeing it.

“Is someone dead?” he asks, because he can’t think of anything else that would make Uncle look that way.

“Ah–no, no one has died,” Uncle says.

“Then what’s wrong?” Zuko asks warily.

“. . . you are injured, Nephew,” Uncle says, slowly. Zuko frowns, bemused. “And your father . . . I did not know he was going to do this. I am so sorry.”

Zuko . . . pauses. Looks around the room again, and then realizes: he knows this room, doesn’t he. He knows this ship.

This is the same ship he woke up on after the Agni Kai.

“Hold that thought, Uncle,” he says, then lifts his hands and looks at them. They . . . well, they are his hands, obviously.

But they’re not his hands, obviously.

“Huh,” he says, frowning in bemusement at them; turning them around like he half-expects them to stop being a thirteen year-old’s or something equally ridiculous. They don’t. They are very definitely a thirteen year-old’s hands.

Specifically, his thirteen year-old hands.

Huh.

“You don’t have to be sorry,” he says after a moment, putting his hands back down and glancing back to Uncle, who’s obviously the more important concern. “It wasn’t your fault.”

“I took you into that meeting,” Uncle says, his voice tight. “And I watched the Agni Kai. And I did nothing to stop any of it.”

“I know,” Zuko says. “But it wasn’t your fault.”

“It was,” Uncle says, his smile a sad and terrible thing. “You were there because of my actions. My mistakes.”

“You’re not the one who wanted to sacrifice all those soldiers,” Zuko says. “Or the one who decided to throw fire at my face.”

“You were there because of me,” Uncle repeats, his voice tight and his smile no less terrible. It occurs to Zuko, briefly, that Uncle must be thinking of Lu Ten.

He only ever looks like that when he’s thinking about Lu Ten, so . . .

“Uncle,” he says. “Really. It’s not your fault.”

“Nephew,” Uncle says, and his voice is somehow even tighter. Zuko tries to get up again, and his head swims again, and Uncle moves to stop him again. This time he grabs onto Uncle’s wrists and uses them to pull himself up, and then . . .

Well, then he’s sitting up, at least.

So that’s something.

He tilts his head and his hair slips into his eyes. It’s loose, and long. Not shaved on the sides yet, like he wore it the last time he was thirteen. He supposes he should cut it, but then again, why should he? He's not changing anything, after all.

Except for this conversation, he supposes, because that went very differently last time.

. . . hm.

"Uncle," he says one more time, and reaches out for him. Uncle doesn’t seem to understand what he’s trying to do, so he has to reach out a little farther, and then Uncle makes the connection and leans in and lets him wrap his arms around him and alright, yes: that’s better, Zuko thinks, and clings to him.

Just a little, perhaps, but . . .

Yes. He clings to him.

Uncle wraps his arms around him in turn, very carefully, and makes an awful sound.

“My boy,” he chokes. “I’m so–I’m so–”

“I forgive you,” Zuko lies, because of course there’s nothing to forgive.

But of course Uncle doesn’t understand that, does he.

[ltwilliammowett]

Glossary of Nautical Terms - as used in the late 18th and early 19th centuries

Aft: at or towards the stern or after part of a ship, the opposite of bow.

Aloft: overhead, or above.

Athwart: across.

Bank: a rising ground in the sea, differing from a shoal, because not rocky but composed of sand, mud or gravel.

Becalmed: to halt through lack of wind.

Bow: the foremost end or part of a ship, the opposite of stern.

Bowsprit: a large mast or piece of timber which stands out from the bow of a ship.

Burthen: the older term used to express a ship's tonnage or carrying capacity. It was based on the number of tuns of wine that a ship could carry in her holds, the total number giving her burthen.

Chase, to: to pursue a vessel in wartime with the aim of capturing, acquiring information from her, or destroying.

Colours: the name by which the national flag flown by a ship at sea is known, used to determine nationality.

Dead reckoning: a system of navigation where the position of a ship is calculated without the use of any astronomical observation whatever.

Fair wind: a wind favourable to the direction a ship is sailing.

Fathom: a measure of six feet, used to divide the lead (or sounding) lines in measuring the depth of water; and to calculate in the length of cables, rigging, etc.

Fore: the forward part.

Hail, to: to call to another ship.

Helm: the instrument by which the ship is steered, and includes both the wheel and the tiller, as one general term.

Jib: a triangular sail set by sailing ships on the boom which runs out from the bowsprit.

Jury-mast: a temporary makeshift mast erected to replace a mast that has been disabled or carried away.

Jury-rudder: a makeshift arrangement to give a ship the ability to to steer when she has lost her rudder.

Keel: the lowest and principal timber of a wooden ship - the single strongest member of the ship's frame.

Knot: the nautical measure of speed, one knot being a speed of one nautical mile (6,080 feet) per hour. As a measure of speed the term is always knots, and never knots an hour.

Landfall: the discovery of the land.

Land-locked: sheltered all round by the land, so that there is no view of the sea.

Lead: an instrument for discovering the depth of water, attached to a lead-line, which is marked at certain distances to measure the fathoms.

Lee: the side of a ship, promontory, or other object away from the wind; that side sheltered from the wind. It is the opposite side to windward.

Lee shore: a coastline on to which the wind blows directly - consequently it can be dangerous as the wind tends to force the sailing ship down on it.

Leeward: with the wind; towards the point to which the wind blows.

Letter of Marque: a commission issued in Britain by the Lord High Admiral or Commissioners of the Admiralty authorizing the commander of a privately owned ship to cruise in search of enemy merchant vessels. The letter of marque described the ship, her owners and officers, the amount of surety which had been deposited and stressed the necessity of having all prize vessels or goods seized condemned and valued at a Vice Admiralty Court for the payment of 'prize money'.

Lie-to: to prevent a vessel from making progress through the water - achieved by reducing sail in a gale. The objective is to keep the vessel in such a position, with the wind on the bow, as to ensure that heavy seas do not break aboard.

The Line (or 'Crossing the Line') Sailing across the Equator. Nautical tradition where seamen celebrate the crossing of the equator by dressing up and acting out a visit by King Neptune. Those who have not previously crossed the line are summoned to the court of Neptune for trial, followed by a ritual ducking (in a bathing tub of seawater) and sometimes lathered and roughly shaved.

Mainsail: the principal sail of a sailing vessel.

Mizzen (or mizen): the name for the third, aftermost, mast of a square-rigged sailing ship or of a three-masted schooner.

Muster: to assemble the crew of a ship on deck and call through the list of names to establish who is present and accounted for.

Muster-book: the book kept on board a vessel in which was entered the names of all men serving in the ship, with the dates of their entry and final discharge from the crew. It was the basis on which victuals were issued and payment made for services performed on board.

Pintle: a vertical metal pin attached to the leading edge of the rudder; it is fitted into the metal ring or 'gudgeon' bolted to the sternpost of a vessel. This provides the means for hinging the rudder on the sternpost and allows a rudder to be swung or turned as desired (by use of the tiller); where necessary (ie. when the rudder needs to be removed or repaired) the pintles can be unshipped quickly and the rudder detached.

Port: the left-hand side of a vessel as seen from the stern; also a harbour or haven.

Privateer: a privately owned vessel armed with guns which operated in time of war against the trading vessels of an enemy nation. Each privateer was given a a 'letter of marque' which was regarded as a commission to seize any enemy shipping as a 'prize'. The name 'privateer' has come to refer to both the ship and the men who sailed in her.

Prize: name used to describe an enemy vessel captured at sea by a ship of war or a privateer; also used to describe a contraband cargo taken from a merchant ship. A 'prize court' would then determine the validity of capture of ships and goods and authorize their disposal. 'Prize' in British naval history always acted as considerable incentive to recruitment with many men tempted to join the navy in anticipation of quick riches.

Prize Court: Captured ships were to be brought before prize courts where it was decided whether the vessel was legal prize; if so, the whole value was divided among the owners and the crew of the ship.

Prize Money: the net proceeds of the sale of enemy shipping and property captured at sea - these proceeds were distributed to the captors on a sliding scale from highest rank to lowest seaman.

Road or Roadstead: a stretch of sheltered water near land where ships may ride at anchor in all but very heavy weather; often rendered as 'roads', and does not refer to the streets of a particular port city but rather its anchorage, as in 'St Helens Roads', the designated anchorage for shipping located between St. Helens (Isle of Wight) and Portsmouth, or 'Funchal Roads' at the island of Madeira. (see Elizabeth Macquarie's 1809 Journal).

Quarter: (1)the direction from which the wind was blowing, particularly if it looked like remaining there for some time; (2)the two after parts of the ship - strictly speaking a ship's port or starbord quarter was a bearing 45° from the stern.

Ship: from the Old English scip, the generic name for sea-going vessels (as opposed to boats). Originally ships were personified as masculine but by the sixteenth century almost universally expressed as as feminine.

Shoal: a bank or reef, an area of shallow water dangerous to navigation. Sounding: the of operation of determioning the depth of the sea, and the quality of the ground, by means of a lead and line, sunk from the ship to the bottom, where some of the sediment or sand adheres to the tallow in the hollow base of the lead.

Sound: (1) to try the depth of the water; (2) a deep bay.

Sounding: ascertaining the depth of the sea by means of a lead and line, sunk from a ship to the bottom.

Soundings: those parts of the ocean not far from the shore where the depth is about 80 to 100 fathoms.

Spar: a general term for any wooden support used in the rigging of a ship - includes all masts, yards, booms, gaffs etc.

Squall: a sudden gust of wind of considerable strength.

Starboard: the right-hand side of a vessel as seen from the stern.

Stern: after-part of a ship or boat.

Tack: the nautical manouevre of bringing a sailing vessel on to another bearing by bringing the wind round the bow; during this manouevre the vessel is said to be 'coming about'.

Tide of Flood: the flow of the tidal stream as it rises from the ending of the period of slack water at low tide to the start of the period of slack water at high tide; its period is approximately six hours.

Trade Winds: steady regular winds that blow in a belt approximately 30 N. and 30 S of the equator. In the North Atlantic the trades blow consistently all year round, from the north-east; in the South Atlantic they blow from the south-east, converging just north of the equator. The meeting of the trade winds just north of the equator created the infamous 'doldrums', where sailing ships could be becalmed for days or weeks waiting for a wind to carry them back into the trades.They were known as trade winds because of their regularity, thereby assisting sailing vessels in reaching their markets to carry out trade.

Under way: the description of a ship as soon as she begins to move under canvas power after her anchor has been raised from the bottom; also written as 'under weigh.'

Voyage: a journey by sea. It usually includes the outward and homeward trips, which are called passages.

Watch: (1) one of the seven divisions of the nautical day; (2) one of two divisions of the seamen forming the ship's company.

Wear: the nautical manouevre of bringing a sailing vessel on to another tack by bringing the wind around the stern.

Weather: in a nautical sense (rather than a meteorological) this is the phrase used by seamen to describe anything that lies to windward. Consequently, a coastline that lies to windward of a ship is a weather shore; the side of a ship that faces the wind when it is under way is said to be the weather side a ship, etc.

Weigh: to haul up.

Weigh anchor: the raising of the anchor so that the ship is no longer secured to the sea or river bottom.

Windward: the weather side, or that direction from which the wind blows. It is the opposite side to leeward.

Yard: (1) a large wooden spar crossing the masts of a sailing ship horizontally or diagonally, from which a sail is set. (2) a shortened form of the word 'dockyard, in which vessels are built or repaired.

Sources: JEANS, Peter D. Ship to Shore: a dictionary of everyday words and phrases derived from the sea. Santa Barbara: ABC-Clio, 1993.

The Oxford Companion to Ships & the Sea. (ed.) Peter Kemp. Oxford: Oxford University Press, 1976.

[cloudzoro]

Kink Discovery | One Piece ♡

✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧

individual reaction/headcanon scenarios on kink discovery with op characters!

masterlist | one piece masterlist

part 1 | part 3

✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧

genre: smut (minors dni)

characters: beckman, buggy, crocodile, kid, killer

cw: fem!reader, size kink, beckman is significantly bigger than reader, sub-ish buggy, overstimulation, masturbation, inappropriate workplace relationships.

✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧

Beckman - size

Benn Beckman is a big man, but he had never thought much about the size difference between the two of you. You both love each other, and that's all he cares about; the differences between you weren't ever something he focused on. At least, not until his captain points it out.

“How the hell are you still walking right after being with him for so long?” he asks. You, not being afraid of your captain, yell at him for asking an inappropriate question and storm off. The question lingers in Beckman's mind for the rest of the day.

Later that night, when you're both in bed, and he's got you pinned beneath him, he focuses on the way your poor tight pussy struggles to take him at first. You whine at the stretch, whining that he's too big. He sees a little bulge form in your lower stomach, and when he realises that's him, he snaps. He presses down as he grinds his cock inside of you.

“you feel that, doll? That's me in there,” He growls. You can't give him a coherent response, instead offering a scream of his name that he doesn't even bother covering up. “It's ok, sweet girl. I know you can take me,” he says, pushing your legs up to your chest and starting a fast, punishing pace.

✩♬ ₊˚.☁️⋆☾⋆⁺₊✧

Buggy - praise

One thing Buggy's always been good at is oral. He's always ready to drop to his knees, hold your things open and devour you like you're his last meal.

One late night aboard the Cross Guilds ship, Buggy is lying in bed with you. He's got your legs spread as far as he can without causing you pain so that he can lick and suck at your clit without obstruction. He licks over your pussy, Indulging himself in his favourite taste. He's used to hearing your moans and whimpers as his tongue works you towards an orgasm, but this time, you say something that grabs his attention.

“Fuck, you're so good.” You moan, hands flying down to grab at his hair. Buggy is momentarily embarrassed, blushing at your words until the pride that's starting to build within him yearns to hear more praise.

“Say that again. Tell me how good I am.”

“You're a good boy. You're so good at eating my pussy. I'm gonna cum” You say, and Buggy almost cums in his pants at your words. Buggy likes hearing you tell him how good he is at making you cum, even if it comes in the form of a ‘good boy’.

✩♬ ₊˚.☁️⋆☾⋆⁺₊✧

Crocodile - panties

When he hired you as his second in command for the cross guild, you both knew it wouldn't stay professional. Or rather, it was never professional in the first place. What started as simple gifts and flowers quickly turned into stolen kisses and fancy lingerie.

He has you in his office, planted on his lap, making out with him until the den den mushi on your desk starts to ring and ruins the moment. Crocodile hesitates to let you go, but he does so, watching you with great interest as you stand up. What he doesn't expect you to do is reach under the skirt of your dress and pull your panties down your legs. He catches them as you fling them at him.

“entertain yourself while I take this call,” you say, and he looks between you and the lace in his hand before shrugging and bringing the lace to his face and inhaling your scent. He wraps the flimsy fabric around his cock and uses it to get off. It's embarrassing how fast he cums, all because of some lace. He tucks the fabric into his pocket as you end the call for future usage. He's already planning the next pair he's going to buy you.

✩♬ ₊˚.☁️⋆☾⋆⁺₊✧

Kid - voyeurism/cuckolding

Kid had been staring so intensely at you and Killer that he didn't even realise Wire was talking to him. Wire gives up on trying to have a conversation with his Captain and gets up to leave.

“Where are you going?” Kid grumpily asks as he notices his friend moving out of the corner of his eyes.

“I can't sit here and watch you eyefuck your girlfriend AND your best friend.” He says, turning to leave. Kid's not going to deny he's eye-fucking you, but he immediately starts protesting the idea that he's doing the same to Killer. Kid tries to forget about Wire's words after calming himself down, but then he sees you lean further into Killer so you can hear him speak, and he realises that he likes the way you look together. Images of you bouncing on Killer's cock flash through his head all his self-restraint flies out the window. He calls the two of you into the captain's quarters, and you two follow quickly. As soon as the door shuts, Kid walks over to a chair at the side of the bed.

“I need you two to fuck”, he says, matter of factly. Both of you look startled, but when you see him palming himself through his trousers, you realise he's serious, and the idea of fucking Killer makes your skin hot.

You turn around to see that Killer has removed his mask and is staring down at you. Killer lifts you and drops you on the bed. He pulls your panties down your legs and then throws them at Kid. Killer unbuckles his belt and lines up his thick cock with your pussy.

Kid won't be able to cum anymore unless he thinks about the sight before him.

✩♬ ₊˚.☁️⋆☾⋆⁺₊✧

Killer - Overstim

“More, please”, you beg as Killer's hips snap into you. His heavy thrusts would launch you up the bed if he didn't have such a strong grip on you. Hearing you beg for more despite already being so close makes Killer smile. You don't have to beg for him, but he appreciates your plea.

You've already cum twice at the mercy of his tongue and then his cock. He's already cum one, covering your pretty ass and back. He's turned you over now, watching as your facial expression twists into something more desperate.

“beautiful” is all he can say as he studies the way you react to him. Killer leans back slightly to watch as your chest rapidly rises and falls with each heavy breath that leaves you, pushed out of you by his fat cock. He notices the trembling in your legs as you get closer and closer to cumming. Then he sees your hands searching for something to grab onto, and he leans back over you. You immediately grip onto his back, nails digging into the skin. He drops his head to your neck, pressing messy open-mouthed kisses to the skin there.

He's completely draped over you, thick cock bullying into your pussy. You're completely overwhelmed by him, and you can't do anything but let your orgasm take over. Your eyes roll back, and your body tenses as you cum with a cry of his name. Killer fucks you through it, in awe of the way your pussy pulses around him and the puddle dripping on the mattress beneath you.

✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧

thank for you reading, I hope you enjoyed!!

there will be a part 3 coming ♡

tag list: @bloodfixnd @sexysapphicshopowner @beachaddict48 @lem-hhn @mythicallystupid

taglist is always open! (if you want to be tagged in specific character's fics pls let me know)

[blood-teeth]

"...and, at the end of it all, this is the truth of you. The truth of your ruinous, shaky hands. The truth of you whole, de-fleshed, flayed. Your bones are harbingers, your fingers methods of decay. You are the mouthpiece for death. You remember the Bhagavad Gita and I am become death, destroyer of worlds. Look at me, you say, I am Time itself, and I must one day destroy your world as I have always done. 

In the light of a long dead star, the last astronaut wakes up. After six decades, the worst has come to pass. The earth is dead, the sun has gone, and the mission to find a new, viable home has failed. There are no more horizons for humanity.

This Grave Calls You Home is a sci-fi thriller set in space after humanity is forced to leave Earth's ravaged surface following nuclear devastation and an environmental collapse. You play as an ER nurse aboard the NEW HORIZON, an immense space station courtesy of THE COALITION OF THE LAST FRONTIER. This colossal facility, a self-contained city in orbit, houses the remnants of humanity. And it is here that your days pass in monotony, caring for the irradiated people born from Earth and the critically ill, trying your best to survive the relentless demands of the Emergency Room and your own deteriorating mental health. When a patrol flagship discovers the ARCADIA-II - a long-forgotten relic from humanity's past - and finds within slumbers an astronaut who had failed at delivering humanity from destruction, the routine of your life is throughly interrupted. As the mystery of the ARCADIA-II and PROJECT ODYSSEY unfold, you learn that your part in this could mean humanity's salvation.

Or you could be its extinction.

YOU WILL LIKE THIS IF YOU LIKE: - INTERSTELLAR - THE LOCKED TOMB SERIES - BLADERUNNER - HEAVEN WILL BE MINE - TIME TRAVEL AND TIME LOOPS - GHOST STATION - ALIEN

THE LAST ASTRONAUT(M/F 25)- ALEX STERN "...my love, i no longer know what it is to be warm." The lone ranger, the last star. The failure of deliverance. Feel their breath against yours, cup their ribcage into your hands to feel the long, dead beat of their heart. You know them, you know them. You swear you do.

THE SCIENTIST (F 23) - OPHELIA VALDEZ "...in the wake of dawn," she says, "it has only ever been you." The General's daughter and the brightest mind the world has ever seen. You brush your fingers along the bone of her brow and marvel at her atoms meeting yours. maybe science is religion, you think. maybe you will bend and lick and worship her taste on your mouth.

THE ENGINEER (THEY/THEM 24) - PUCK GOODFELLOW "is that your real name?" "no," they smile. "nothing has ever been mine own. i belong to you. give me a new name. give me a new life. i am yours." The scent of engine oil and gritted teeth. Place your mouth against their neck and taste the blood of a covenant past. They hold you in their palms; you feel the promise of something greater, something before.

THE BOTANIST (M/F 25) - CAIA / CAIUS CAIN "i am no good at words. i'm good in the dirt and the roots and the trees. darling, you've been in everything i touch." the cool touch of water, liberation at their smile. Take the bite and know what it means to become. Dig your hands deep, deep in the earth and feel what it means to love.

THE MAJOR (TRANS M 27) - JONATHAN STERN "i have given my life to duty, to sacrifice, to obligation. i wish to give it to you, now, instead. it has been an honor serving you." A past marked by violence made by hands meant to touch. To soothe. He holds you tight against his chest and if you close your eyes you can still smell the smoke. He holds you like an apology. Like a prayer.

DEMO (coming soon!) - PLAYLIST - FAQ