#alfonsocuaron

[tvrundownusa]

tvrundown USA 2024.11.15

Friday, November 15th:

(exclusive): Cobra Kai (netflix, season 6B available, next 5 eps), "It's All Country" (hulu, music reality docu-series of Nashville stories, all 6 parts)

(movies): "The Night Before Christmas in Wonderland" (APrime|hulu, animated, 80mins), "An Almost Christmas Story" (dsn+, Alfonso Cuarón animated short premiere), "La Palisiada" (FilmMovement+, Ukraine investigative drama, 2hrs+)

(streaming weekly): SILO (apple+, season 2 opener), Before (apple+), La Maison (apple+, season finale), Angel of Death (MAX, season 4 finale), The Great British Baking Show (netflix), The Creep Tapes (AMC+|Shudder, horror franchise spinoff premiere, first 2 eps)

(also new): "Jake Paul vs. Mike Tyson" (netflix, UFC boxing match, live in primetime), "Christmas with the Singhs" (HALL, original movie, 2hrs)

(hour 1): S.W.A.T. (CBS), Happy's Place (NBC) / . / Lopez vs. Lopez (NBC), Shark Tank (ABC), Sweetpea (Starz, season 1 finale), Wizards Beyond Waverly Place (disney, 60mins), The Last Cowboy (CMT, competition reality, season 5 opener, 40mins)

(hour 2): Fire Country (CBS), Fat Joe Talks (Starz), The UnBelievable with Dan Aykroyd (HIST, season 2 opener)

(hour 3): Blue Bloods (CBS), Three Women (Starz, limited series finale), Real Time with Bill Maher (HBO), Scare Tactics (USA) / . / Hysteria! (USA, ~75mins)

(hour 4 - latenight): Hysteria! (USA, contd), The Graham Norton Show (BBCAm|AcornTV|AMC+), "It's Florida, Man" (HBO)

[reflections-in-t]

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Apple TV+で配信中の

『Disclaimer 夏の沈黙』が

すばらしい

全7話のうちの5話までを昨夜

一気に。明日の6話と来週の7話で

完結なのだけれども、もどかしい

ディスクレーマーを直訳

すると“免責事項”

ジャーナリストとして活躍する

主人公、ケイト・ブランシェットの

若かりし日の過ちが時を���て

幸せな生活に影を落とす…というのが

おおまかなプロット

それを現代の英国と過去のイタリアの

場面を交錯させながら物語に秘められた

謎を解き明かしていくという

サスペンスフルなストーリー

脚本と監督を名匠アルフォンソ・キュアロンが

カメラをエマニュエル・ルベツキが担当し、

これは『ROMA/ローマ』や『ゼロ・グラビテ

ィ』とおなじ組み合わせ

雨のロンドンや室内での巧みな

ズーミング、海岸や水面、日没時の光の

とらえ方など他に類をみないほどの

美しさでため息がでる

構成もキャストも非の打ちどころのない

すばらしさで、おもわずのめり込む

ドラマであることはまちがいなく

にしても過激な性的描写をひかえていた

はずのApple TV+がR18指定とはいえ…

ep.3は激しすぎるかも

.

.

#Disclaimer

#夏の沈黙

#ディスクレーマー

#CateBlanchett

#ケイトブランシェット

#KevinKline

#ケヴィンクライン

#AlfonsoCuaron

#EmmanuelLubezki

#R18

#AppleTV+

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[dogsinfilms]

Roma (Alfonso Cuarón, 2018)

[emmawatsonupdates]

#HappyHarryPotter20thAnniversary

Emma Watson at the 'Harry Potter and the Prisoner of Azkaban' Tokyo press conference [June 28, 2004]

Photos & Video at emmawatson-updates.com/2004/06/hp3-tokyo-press-conference.html

[fugandhi]

“Children of Men”

I have always appreciated the movie “Children of Men” for various reasons. Aside from the technical aspects of the film and it’s obvious brilliance - I’ve always found this story to be immensely important with it’s sobering social commentary.

I do not know what the future holds for humanity in real life as we know it, but I do certainly pray it does not share any resemblance to the dystopian imagery of this bleak & tragic story. Oh! and if you have NOT seen this movie - this video is spoileriffic so yeah - don’t ruin it for yourself.

Love this film - my favorite thing Clive Owen has done (that I’ve seen thus far) and same for director Alfonso Cuarón (although I haven’t seen all of his work either). Absolutely Brilliant!

[awardseasonblog]

#YTuMamaTambien dir.#AlfonsoCuaron oltre al #PremioOsella al Festival di Venezia 2001 e alla nomination agli Oscar per la miglior sceneggiatura originale ha vinto numerosi riconoscimenti durante l'Awards Season di quell'anno, tra cui il National Society of Film Critics Award, il Los Angeles Film Critics Association Awards, il Critics Choice Award e l'Independent Film Spirit Award come miglior film straniero #AwardsSeasonStory https://www.instagram.com/p/CCdwGwDo8hw/?igshid=lj59v6rwgx4e

[kevrocksicehouse]

In the age of social distancing and the limiting of groups to 50 people or less here is a list of FEMA approved films with 10 or fewer actors in the cast.

Locke. D: Steven Knight (2014). One man (Tom Hardy in his best performance to date) alone in a car, drives to a hospital after blowing up his life. The car is a BMW with lots of communication bells and whistles so he can talk with all of the people he’s betraying, but he is and remains alone.

Before Sunrise. Richard Linklater (1995). Jesse (Ethan Hawke) and Celine (Julie Delpy) meet on a train to Vienna and spend the whole night walking the city streets, talking. It’s like a dream of falling in love.

Who’s Afraid of Virginia Woolf? D: Mike Nichols (1966). Dream, meet nightmare. Elizabeth Taylor and Richard Burton as a couple whose disgust with each other and their marriage is the only thing they’re passionate about. 

Ex Machina. D: Alex Garland (2015). A sci-fi version of a film noir triangle – A rich man (Oscar Isaac still his best performance), his patsy (Domhnall Gleeson) and a robot fatale (Alicia Vikander, who won the Oscar that year but unfortunately not for this).

Gravity. D: Alfonso Cuaron (2013). A two person epic. Two astronauts (Sandra Bullock, George Clooney) have to find their way home from Earth’s orbit when a debris field destroys their ship. Thrilling, claustrophobic and ultimately moving.

[giodraws]

Started a new class @conceptdesignacad with @matt_jones_art . Looking forward to brushing up on skills as well as holding myself accountable and commit to my short films. #filmstudies #storyboard #roma #alfonsocuaron #thumbnails #pen #ink #copicmarkers (at North Hollywood, California) https://www.instagram.com/p/B4JHKe8jKso/?igshid=ztx83vjfyp85

[greatestnorthern]

entry #6: Roma dir. Alfonso Cuarón The first rule of film school is “never write a film about yourself”. Well, Alfonso Cuarón fucking begs to differ. We often tend to forget the importance of “heart” in every screenplay. By “heart” I mean the love of storytelling, and what the story says about the person telling it. Alfonso Cuarón shot, edited, wrote, directed, & produced Roma. This fact, alone, goes to show how much passion was put into the making of this film. It resonates with those willing to experience the journey Cuarón sets for us. That being said, the pacing is truly unique. I’ve rarely seen a film so focused on keeping things slow, but, at the same time, so focused on getting to the point. To show this on “Netflix”, I believe was a very important move by the producers. This made the film accessible to a home audience, emphasising the film’s atmosphere: a “close-to-home” feeling that comes not only within the execution of the film but also with our own personal nostalgia. To watch this film in the comfort of our homes is like looking through a photo-album of yours you’ve never known existed. You start to look at the photos and revisit memories that made you in every way, shape, and form. This film is a VERY personal film. And regardless of whether or not you’ve experienced anything like the events in the film, it rings a bell to us. The audience almost has no choice but to relate & connect with the film. Roma is a film about family, friends, love, pain, abandonment, tragedy, &, most importantly, WATER (no joke Cuarón puts water in all his films: STREAM of consciousness!!!!). #roma #alfonsocuaron #netflix https://www.instagram.com/p/Bsk4ylNltmI/?utm_source=ig_tumblr_share&igshid=mccjr4qxhsku

[unicornioazulx]

THEY ARE SO SO CUTE. #alfonsocuaron #cuaron #roma #art #artcomission #cartoon #romamovie #roma2018 #oscars #oscars2019 #theoscars #theoscars2019 https://www.instagram.com/p/BuUxLcAAA0K/?utm_source=ig_tumblr_share&igshid=xdl4k8a4xrjo

[1001soundtracks]

Roma (2018)

AA.VV. "Roma" es una película extraordinariamente bella y ambiciosa. Fotografiada, editada y dirigida por el propio Cuarón, deviene instant classic del cine latinoamericano. Mexicanísima y a la vez universal. Mucho resonó en mí aquel libro formidable de Bryce Echenique, "Un mundo para Julius", donde también se explora la relación entre patrón/servidor en un ambiente acomodado. Pero no es aquí la Lima de los 50 sino Ciudad de México en 1970 y 1971, que acaba de vivir Tlatelolco y el Mundial. Y aunque hay cuatro niños, toda la historia se cuenta desde el punto de vista de Cloe, la muchacha india que sirve en casa de Doña Sofía. Cuarón se adentra en el mar profundo de la memoria (la suya y la de la ciudad y el país de aquel entonces) y logra que lo íntimo y lo público se traduzcan en una historia neorrealista, visceral, que igual que aquel cine italiano incluye dosis de tragedia. A medida que avanza, la meticulosidad con la que se describen ambientes y comportamiento social va adquiriendo mayor espesor dramático pero también ese tono surrealista en el que Fellini fue maestro. Alcanza al fin un clímax que me tomó por sorpresa y resultó insoportable. Salvando esa escena, de la que se podría discutir su duración, el resto son todas loas para esta historia de mujeres resilientes en las que ya no importa la clase sino la capacidad de sobreponerse. Idealmente hay que verla en pantalla ancha. Solo en una sala de cine se apreciará el formidable trabajo de sonido y la belleza de su fotografía. Admite verla más de una vez, así que viene bárbaro tenerla disponible en casa. No hay una sola pista de sonido compuesta para la película. Cuarón buceó en el cancionero pop hispanoamericano de los 50s/70s, pero incluyó también los hits del momento, que suenan en radios portátiles, fiestas, parques de diversiones, tocadiscos, autos y en la calle. Nunca la música toma un protagonismo total, siempre es algo que está muy abajo en la pista de sonido, detrás de un colchón de sonidos urbanos.

[jb-reviews]

I’m conflicted. I didn’t love this movie as much as I thought I would. After it was over I read reviews to see if I missed why everyone else loves it. I didn’t; I just didn’t enjoy it. Alfonso is at his best in terms of directing and that cinematography is some of the best I’ve ever seen. However the story is really personal, maybe a little too much. There’s a very slow paced narrative and I’ve enjoyed tons of movies like that, this one just has a very uninteresting, uncharismatic actress leading it all. I was bored at times, but that beach scene near the end was so beautiful and powerful it almost made me forget everything I disliked about it. Almost. Cuarón’s 5 year period between Gravity and this film was too long, hopefully his next film comes sooner and I enjoy it more. ⭐️⭐️ ½

[freegreatmovies]

Reacting to Alfonso Cuarón winning Best Cinematography for Roma during a commercial break. When we cut back to the Oscars it’s a Mary Poppins Returns musical number. #alfonsocuaron #bestcinematography #oscars2019 #gordonwillis #cinematography #cinematographer #thegodfather #marlonbrando #academyawards #academyawards2019 #romamovie #vitocorleone #theprinceofdarkness #francisfordcoppola #cinematographers (at Dolby Theatre) https://www.instagram.com/p/BtzF6SsFAwk/?utm_source=ig_tumblr_share&igshid=1pxlcz63b911v

[anitaembrollos]

@romacuaron inspiration 💖 mi favoritaaaa!! Late late para el #viernesdeilustracion 71 | 365 . #romamovie #alfonsocuaron #anitaembrollos #designbadass #astronauta #illustragram #vdi #mexican power #Roma #illustration_best #space #adobeideas #dailydesignpick #creativewomangang #digitalart #simplecooldesign #womenwithpencils #womenofillustration #illustrationnow #illustration_daily #adobephotoshop #printisnotdead #heartbeats #sketchbook #365rounds #digitalwork #molotow #illustration #miniso #milagros #corazon #graphicdesigndaily #illustrationhowl https://www.instagram.com/anitaembrollos/p/Burmoetl8NR/?utm_source=ig_tumblr_share&igshid=1wb5yzivx6o6t

[laksanardie]

Congratulations to @alfonsocuaron for winning Best Directing - Roma 2018 Shooting 4 bulan gak sia sia ya om. Mantap #Oscar #oscars2019 #academyawards #alfonsocuaron #roma #romamovie #cleo #mahershalaali #donshirley #tonylip #viggomortensen #blackpanther #blackkklansman #emmastone #oliviacolman #greenbook #bestpicture #wpap #vector https://www.instagram.com/p/BuSwN6TnlIz/?utm_source=ig_tumblr_share&igshid=1bcu7wrni3djd

[gorefilmmaker]

INSPIRATION! Love seeing my favorite directors win awards. #alfonsocuaron #roma #romacuaron @alfonsocuaron @romacuaron https://www.instagram.com/p/BsUT8QVlEC8/?utm_source=ig_tumblr_share&igshid=nccku79vbuos