#albert zimmermann

[life-imitates-art-far-more]

Albert Zimmermann (1808-1888) "Forest Road"

[illustratus]

A mountain landscape with creek by Albert Zimmermann

[random-brushstrokes]

Albert Zimmermann - Forest Path (n.d.)

[lux-vitae]

Die Memnonkolosse II (The Colossi of Memnon II) by Albert Zimmermann (1808-1880)

[everythingandeverywhere]

[ourstaturestouchtheskies]

art history moodboard – strange trails by lord huron

Procession in the Fog – Ernst Ferdinand // Sawn Oak – Ivan Shishkin // Lake in Fog – August Cappelen // Forest Road – Albert Zimmermann // The Hunter in the Forest – Caspar David Friedrich // Forest Interior – Berndt Lindholm // Morning Mist in the Mountains – Caspar David Friedrich // Forest Interior – Berndt Lindholm // Waft of Mist – Caspar David Friedrich 

[compneuropapers]

Interesting Papers for Week 8, 2024

Sensory prediction error drives subconscious motor learning outside of the laboratory. Albert, S. T., Blaum, E. C., & Blustein, D. H. (2023). Journal of Neurophysiology, 130(2), 427–435.

Working memory load impairs transfer learning in human adults. Balter, L. J. T., & Raymond, J. E. (2023). Psychological Research, 87(7), 2138–2145.

Objects sharpen visual scene representations: evidence from MEG decoding. Brandman, T., & Peelen, M. V. (2023). Cerebral Cortex, 33(16), 9524–9531.

Specific patterns of neural activity in the hippocampus after massed or distributed spatial training. Centofante, E., Fralleoni, L., Lupascu, C. A., Migliore, M., Rinaldi, A., & Mele, A. (2023). Scientific Reports, 13, 13357.

Hormonal coordination of motor output and internal prediction of sensory consequences in an electric fish. Fukutomi, M., & Carlson, B. A. (2023). Current Biology, 33(16), 3350-3359.e4.

Subcortico-amygdala pathway processes innate and learned threats. Khalil, V., Faress, I., Mermet-Joret, N., Kerwin, P., Yonehara, K., & Nabavi, S. (2023). eLife, 12, e85459.

Neural mechanisms underlying uninstructed orofacial movements during reward-based learning behaviors. Li, W.-R., Nakano, T., Mizutani, K., Matsubara, T., Kawatani, M., Mukai, Y., … Yamashita, T. (2023). Current Biology, 33(16), 3436-3451.e7.

Monkeys exhibit human-like gaze biases in economic decisions. Lupkin, S. M., & McGinty, V. B. (2023). eLife, 12, e78205.

Widespread coding of navigational variables in prefrontal cortex. Maisson, D. J.-N., Cervera, R. L., Voloh, B., Conover, I., Zambre, M., Zimmermann, J., & Hayden, B. Y. (2023). Current Biology, 33(16), 3478-3488.e3.

Synaptic variance and action potential firing of cerebellar output neurons during motor learning in larval zebrafish. Najac, M., McLean, D. L., & Raman, I. M. (2023). Current Biology, 33(16), 3299-3311.e3.

Novelty and uncertainty differentially drive exploration across development. Nussenbaum, K., Martin, R. E., Maulhardt, S., Yang, Y. (Jen), Bizzell-Hatcher, G., Bhatt, N. S., … Hartley, C. A. (2023). eLife, 12, e84260.

Ants combine object affordance with latent learning to make efficient foraging decisions. Poissonnier, L.-A., Hartmann, Y., & Czaczkes, T. J. (2023). Proceedings of the National Academy of Sciences, 120(35), e2302654120.

VIP interneurons in sensory cortex encode sensory and action signals but not direct reward signals. Ramamurthy, D. L., Chen, A., Zhou, J., Park, C., Huang, P. C., Bharghavan, P., … Feldman, D. E. (2023). Current Biology, 33(16), 3398-3408.e7.

A stochastic model of hippocampal synaptic plasticity with geometrical readout of enzyme dynamics. Rodrigues, Y. E., Tigaret, C. M., Marie, H., O’Donnell, C., & Veltz, R. (2023). eLife, 12, e80152.

Sequence anticipation and spike-timing-dependent plasticity emerge from a predictive learning rule. Saponati, M., & Vinck, M. (2023). Nature Communications, 14, 4985.

Statistical inference on representational geometries. Schütt, H. H., Kipnis, A. D., Diedrichsen, J., & Kriegeskorte, N. (2023). eLife, 12, e82566.

High-resolution volumetric imaging constrains compartmental models to explore synaptic integration and temporal processing by cochlear nucleus globular bushy cells. Spirou, G. A., Kersting, M., Carr, S., Razzaq, B., Yamamoto Alves Pinto, C., Dawson, M., … Manis, P. B. (2023). eLife, 12, e83393.

Using occipital ⍺-bursts to modulate behavior in real-time. Vigué-Guix, I., & Soto-Faraco, S. (2023). Cerebral Cortex, 33(16), 9465–9477.

Octave illusion: stimulation frequencies can modulate perception. Whittom, A., Couture, F., Chauvette, L., & Sharp, A. (2023). Psychological Research, 87(7), 2183–2191.

Completeness out of incompleteness: Inferences from regularities in imperfect information ensembles. Zhu, J., Xu, H., Shi, B., Lu, Y., Chen, H., Shen, M., & Zhou, J. (2023). Journal of Experimental Psychology: Human Perception and Performance, 49(9), 1203–1220.

[gentlyascending]

Albert Zimmermann

[opera-ghosts]

"Stark ruft das Lied; kräftig reizt der Zauber." SIEGFRIED - R. WAGNER Here some Siegfrieds, Mimes, Wanderers and Brünnhildes.

Henny Borchers as Brünnhilde; Breslau, ca. 1900

Francisque Delmas as Wanderer; Paris, 1902

Louise Grandjean as Brünnhilde; Paris, 1902

Pierre-Emil Engel as Mime; Brussels, 1902

Fritz Remond as Siegfried; Karlsruhe, 1904

Fritz Feinhals as Wanderer; Munich, 1906

Zdenka Fassbender as Brünnhilde; Munich, 1906(?)

Marianna Tcherkasskaya as Brünnhilde; Milan, 1909

Paul Kuhn as Mime; Munich, 1912

Julius Lieban as Mime; Berlin, 1912

Hans Breuer as Mime; Bayreuth, 1914

Eduard Habich as Alberich; Bayreuth, 1914

Albert Reiss as Mime; New York, 1916

Karl Koss as Mime; Graz, 1919

Rudolf Bockelmann as Wanderer; Hamburg, 30s

Erich Zimmermann as Mime; Bayreuth, 1930

August Seydel as Mime; Munich, 30s(?)

Anny Konetzni as Brünnhilde and Josef Kalenberg as Siegfried; Vienna, 1934

Karl Kamann as Wanderer; Vienna, 1938

Jaro Prohaska as Wanderer; Bayreuth, 1941

[bubu0h]

In the Solstice of our Hearts by ravingrevolution

Sonnenuntergang am Hintersee in Berchtesgaden (1858) by Albert Zimmermann

[thomasgroetz]

Galerie Max Hetzler, Berlin.

On the left: Wolkenorte (für Walter Zimmermann), 2024.

On the right: work by Albert Oehlen.

[poetry-lair]

I leave behind

my chains

and my fears.

Turning

to the pale moon,

I float

in the night sky

to rejoin

with my companions

and kindred spirits.

“Walpurgis Night (From Goethe’s Faust)” (C): Albert Zimmermann

“Walpurgis Night ” (C): Constantine Nepo

“Nymphs Dancing to Pan’s Flute” (C): Joseph Tomanek

“Walpurgis Night (The Departure of the Witches)” (C): Luis Ricardo Falero

Poem (C): Me

All the rights of the images, effects and GIF belong to their respective owners.

[1five1two]

'Blick Über Die Bucht Von Villefranche-Sur-Mer'. Albert Zimmermann. 1808-1888.

[worldsandemanations]

A mountain landscape with creek by Albert Zimmermann

[docpiplup]

A new upcoming film, Un cel de plom (2023)

@asongofstarkandtargaryen

On April 28, Un cel de plom (Ashes in the Sky), the first fiction film by Miquel Romans that tells the life of Neus Català, one of the last survivors of the Ravensbrück Nazi extermination camp, will be released in theaters. Nausicaa Bonnín (Tres díascon la familia, La luz de Elna) puts herself in the shoes of the historic woman in a free adaptation of the homonymous book by Carme Martí (Amsterdam Publishing House, 2012), specifically in one of its episodes, in the which narrates the return home of this activist in the anti-fascist struggle and a reference to the French resistance.

«This is a story of overcoming, of absences and of struggle for memory, a story of women fighters and dreamers. Neus died in April 2019 at the age of 103 and this film wants to be a tribute to her”, explains Romans, who makes his feature film debut with this film that will have its world premiere on the day April 22 as a film in competition in the Official Section of the BCN Film Fest 2023.

Catalá was born in 1915 in Guiamets. Once the Civil War broke out, she worked in defense of the Republic as a nurse, and finally crossed the border with France along with 180 boys and girls from one of Negrín's colonies. There she joined the Resistance, together with her husband, Albert Roger. Her militancy ended in detention and torture in Limoges prison and she was finally deported in 1944 to the Ravensbrück women's extermination camp. From Ravensbrück she was transferred to the Holleischen labor camp (Czechoslovakia), where she joined a group of women who sabotaged the bullet production factory where the Nazis made them work. They were known as El Comando de Gandulas.

In 1945, with the liberation of the Nazi camps, Neus Català returns to France after being imprisoned by the German army. As she recovers her life in freedom, she recalls the events of when she formed part of El Comando de Gandulas. But the true resistance of Neus Català begins now: the fight for memory.

Cast: Nausicaa Bonnín, Rachel Lascar, Roger Batalla, Iria del Río, Natalia Barrientos, Paula Vélez, Laura Conejero, Quitterie Picamoles, Pep Ferrer, Daniel Horvath, Christiane Dollmann and Fernando Corral.

• Screenplay: Miquel Romans, Lydia Zimmermann

• Photography: Marc Zumbach

• Production: Miquel Romans

Un cel de plom is produced by Principal 2 Films and Comando de Gandulas AIE in co-production with TV3, with the participation of Aragón TV and the support of the ICEC. Filmax will distribute it in theaters.

[korrektheiten]

O sancta Justitia: Höchste Zeit für neue komische Opern!

Ansage: »Das, was für Tenöre – unter anderen Arien – das berühmte “Nessun Dorma“ ist, stellt für die Bässe vergleichbar das “O sancta justitia“ dar, das quasi als Initiation für den Ruf eines wirklich großen Opernsängers gilt. Diese legendäre Bass-Arie aus der Komischen Oper “Zar und Zimmermann“ von Albert Lortzing wird von der Figur des ebenso aufgeblasenen […] The post O sancta Justitia: Höchste Zeit für neue komische Opern! first appeared on Ansage. http://dlvr.it/Sl2ywk «