#albert zimmermann

[life-imitates-art-far-more]

Albert Zimmermann (1808-1888) "Forest Road"

[illustratus]

A mountain landscape with creek by Albert Zimmermann

[lux-vitae]

Die Memnonkolosse II (The Colossi of Memnon II) by Albert Zimmermann (1808-1880)

[everythingandeverywhere]

[ourstaturestouchtheskies]

art history moodboard – strange trails by lord huron

Procession in the Fog – Ernst Ferdinand // Sawn Oak – Ivan Shishkin // Lake in Fog – August Cappelen // Forest Road – Albert Zimmermann // The Hunter in the Forest – Caspar David Friedrich // Forest Interior – Berndt Lindholm // Morning Mist in the Mountains – Caspar David Friedrich // Forest Interior – Berndt Lindholm // Waft of Mist – Caspar David Friedrich 

[compneuropapers]

Interesting Papers for Week 8, 2024

Sensory prediction error drives subconscious motor learning outside of the laboratory. Albert, S. T., Blaum, E. C., & Blustein, D. H. (2023). Journal of Neurophysiology, 130(2), 427–435.

Working memory load impairs transfer learning in human adults. Balter, L. J. T., & Raymond, J. E. (2023). Psychological Research, 87(7), 2138–2145.

Objects sharpen visual scene representations: evidence from MEG decoding. Brandman, T., & Peelen, M. V. (2023). Cerebral Cortex, 33(16), 9524–9531.

Specific patterns of neural activity in the hippocampus after massed or distributed spatial training. Centofante, E., Fralleoni, L., Lupascu, C. A., Migliore, M., Rinaldi, A., & Mele, A. (2023). Scientific Reports, 13, 13357.

Hormonal coordination of motor output and internal prediction of sensory consequences in an electric fish. Fukutomi, M., & Carlson, B. A. (2023). Current Biology, 33(16), 3350-3359.e4.

Subcortico-amygdala pathway processes innate and learned threats. Khalil, V., Faress, I., Mermet-Joret, N., Kerwin, P., Yonehara, K., & Nabavi, S. (2023). eLife, 12, e85459.

Neural mechanisms underlying uninstructed orofacial movements during reward-based learning behaviors. Li, W.-R., Nakano, T., Mizutani, K., Matsubara, T., Kawatani, M., Mukai, Y., … Yamashita, T. (2023). Current Biology, 33(16), 3436-3451.e7.

Monkeys exhibit human-like gaze biases in economic decisions. Lupkin, S. M., & McGinty, V. B. (2023). eLife, 12, e78205.

Widespread coding of navigational variables in prefrontal cortex. Maisson, D. J.-N., Cervera, R. L., Voloh, B., Conover, I., Zambre, M., Zimmermann, J., & Hayden, B. Y. (2023). Current Biology, 33(16), 3478-3488.e3.

Synaptic variance and action potential firing of cerebellar output neurons during motor learning in larval zebrafish. Najac, M., McLean, D. L., & Raman, I. M. (2023). Current Biology, 33(16), 3299-3311.e3.

Novelty and uncertainty differentially drive exploration across development. Nussenbaum, K., Martin, R. E., Maulhardt, S., Yang, Y. (Jen), Bizzell-Hatcher, G., Bhatt, N. S., … Hartley, C. A. (2023). eLife, 12, e84260.

Ants combine object affordance with latent learning to make efficient foraging decisions. Poissonnier, L.-A., Hartmann, Y., & Czaczkes, T. J. (2023). Proceedings of the National Academy of Sciences, 120(35), e2302654120.

VIP interneurons in sensory cortex encode sensory and action signals but not direct reward signals. Ramamurthy, D. L., Chen, A., Zhou, J., Park, C., Huang, P. C., Bharghavan, P., … Feldman, D. E. (2023). Current Biology, 33(16), 3398-3408.e7.

A stochastic model of hippocampal synaptic plasticity with geometrical readout of enzyme dynamics. Rodrigues, Y. E., Tigaret, C. M., Marie, H., O’Donnell, C., & Veltz, R. (2023). eLife, 12, e80152.

Sequence anticipation and spike-timing-dependent plasticity emerge from a predictive learning rule. Saponati, M., & Vinck, M. (2023). Nature Communications, 14, 4985.

Statistical inference on representational geometries. Schütt, H. H., Kipnis, A. D., Diedrichsen, J., & Kriegeskorte, N. (2023). eLife, 12, e82566.

High-resolution volumetric imaging constrains compartmental models to explore synaptic integration and temporal processing by cochlear nucleus globular bushy cells. Spirou, G. A., Kersting, M., Carr, S., Razzaq, B., Yamamoto Alves Pinto, C., Dawson, M., … Manis, P. B. (2023). eLife, 12, e83393.

Using occipital ⍺-bursts to modulate behavior in real-time. Vigué-Guix, I., & Soto-Faraco, S. (2023). Cerebral Cortex, 33(16), 9465–9477.

Octave illusion: stimulation frequencies can modulate perception. Whittom, A., Couture, F., Chauvette, L., & Sharp, A. (2023). Psychological Research, 87(7), 2183–2191.

Completeness out of incompleteness: Inferences from regularities in imperfect information ensembles. Zhu, J., Xu, H., Shi, B., Lu, Y., Chen, H., Shen, M., & Zhou, J. (2023). Journal of Experimental Psychology: Human Perception and Performance, 49(9), 1203–1220.

[gentlyascending]

Albert Zimmermann

[opera-ghosts]

"Stark ruft das Lied; kräftig reizt der Zauber." SIEGFRIED - R. WAGNER Here some Siegfrieds, Mimes, Wanderers and Brünnhildes.

Henny Borchers as Brünnhilde; Breslau, ca. 1900

Francisque Delmas as Wanderer; Paris, 1902

Louise Grandjean as Brünnhilde; Paris, 1902

Pierre-Emil Engel as Mime; Brussels, 1902

Fritz Remond as Siegfried; Karlsruhe, 1904

Fritz Feinhals as Wanderer; Munich, 1906

Zdenka Fassbender as Brünnhilde; Munich, 1906(?)

Marianna Tcherkasskaya as Brünnhilde; Milan, 1909

Paul Kuhn as Mime; Munich, 1912

Julius Lieban as Mime; Berlin, 1912

Hans Breuer as Mime; Bayreuth, 1914

Eduard Habich as Alberich; Bayreuth, 1914

Albert Reiss as Mime; New York, 1916

Karl Koss as Mime; Graz, 1919

Rudolf Bockelmann as Wanderer; Hamburg, 30s

Erich Zimmermann as Mime; Bayreuth, 1930

August Seydel as Mime; Munich, 30s(?)

Anny Konetzni as Brünnhilde and Josef Kalenberg as Siegfried; Vienna, 1934

Karl Kamann as Wanderer; Vienna, 1938

Jaro Prohaska as Wanderer; Bayreuth, 1941

[bubu0h]

In the Solstice of our Hearts by ravingrevolution

Sonnenuntergang am Hintersee in Berchtesgaden (1858) by Albert Zimmermann

[thomasgroetz]

Galerie Max Hetzler, Berlin.

On the left: Wolkenorte (für Walter Zimmermann), 2024.

On the right: work by Albert Oehlen.

[poetry-lair]

I leave behind

my chains

and my fears.

Turning

to the pale moon,

I float

in the night sky

to rejoin

with my companions

and kindred spirits.

“Walpurgis Night (From Goethe’s Faust)” (C): Albert Zimmermann

“Walpurgis Night ” (C): Constantine Nepo

“Nymphs Dancing to Pan’s Flute” (C): Joseph Tomanek

“Walpurgis Night (The Departure of the Witches)” (C): Luis Ricardo Falero

Poem (C): Me

All the rights of the images, effects and GIF belong to their respective owners.

[1five1two]

'Blick Über Die Bucht Von Villefranche-Sur-Mer'. Albert Zimmermann. 1808-1888.

[darkmaga-returns]

By Jonas E. Alexis, VT Editor

In the twenty-first century, numerous writers and observers have sought to understand the Jewish question, often presenting legitimate and compelling arguments that the mainstream Zionist media struggle to refute on rational grounds. Over time, these arguments have grown stronger, largely due to the actions of the Israeli regime, the influence of the Israeli lobby in the United States and England, and the unconditional support much of the West has provided to Israel’s genocidal policies. Recently, Susan Abulhawa, one of the most widely read Palestinian writers, delivered a powerful speech at the Oxford Union, where she concluded that Israel operates as an apartheid state, “with 278 votes in favour and 59 against.”[1]

However, a serious examination of the historical record on the Jewish question leads one to Wilhelm Marr, a German journalist and activist who coined the term anti-Semitism around 1879. Marr’s issue was not a lack of insight or observational skill. In fact, Albert S. Lindemann of the University of California argues that Marr’s observations about Jewish activities during his time were accurate. Similarly, biographer Moshe Zimmermann concedes that Marr “is intelligent, analytical, universal, and learned, a man who fought fanatically for his opinions,” and that “there is real originality in his opinions.”[2]

Marr attempted to assess the Jewish question while deliberately excluding the religious dimension from which the central issue originated. He avoided examining how the conflict began between Jesus Christ and Jewish leaders, who came to dominate much of Jewish life through their Pharisaic doctrine. This doctrine ultimately shaped the political and ideological framework of the Jewish question for centuries. The religious conflict that began in the first century led to violent revolutions and attacks against both Christians and Gentiles, eventually resulting in the destruction of the Jewish temple in A.D. 70 and other catastrophic events in the second, third, and fourth centuries and beyond.[3] As historian Stephen Benko puts it in Pagan Rome and the Early Christians:

[naran-blr]

Ernestine von Kirchsberg (1857- 1924) pintora paisajista austríaca. 

Nació en Verona, en el Imperio austríaco.

De regreso en Graz, comenzó a recibir lecciones de arte en 1873 en la Academia de dibujo de paisajes con Hermann von Königsbrunn.

Después de 1881, estudió en la Academia de Bellas Artes de Viena, con Eduard Peithner von Lichtenfels, August Schaeffer y Hugo Darnaut.

Su primera exposición se produjo poco después, en la Künstlerhaus de Viena.

Fue Darnaut quien más influyó en su estilo; una escuela atmosférica de pintura de paisajes peculiar de Austria, conocida como " Stimmungsimpressionismus".

Mientras estaba en Viena, se hizo amiga de Marie Egner y Alfred Zoff, a quien más tarde siguió a Múnich.

Allí, completó su aprendizaje con él y Adalbert Waagen, un estudiante de Albert Zimmermann. También se dedicó a la acuarela y al principio fue más conocida por su trabajo en ese género.

En 1893 recibió un premio en la Exposición Colombina Mundial de Chicago.

Posteriormente expuso con frecuencia en Viena, Berlín, Praga, Graz y otros lugares.

Realizó numerosas expediciones de pintura al Adriático, Estiria, Carniola y el Tirol del Sur.

Murió en Graz.

[worldsandemanations]

A mountain landscape with creek by Albert Zimmermann

[ourstaturestouchtheskies]

art history album moodboard – strange trails by lord huron

The Hunter in the Forest – Caspar David Friedrich // Norwegian Landscape with a Waterfall – August Wilhelm Leu // Sawn Oak – Ivan Shishkin // Lake in Fog – August Cappelen // Codex Runicus – unknown author // Forest Interior – Berndt Lindholm // Procession in the Fog – Ernst Ferdinand Oehme // Forest Interior – Berndt Lindholm // Morning Mist in the Mountains – Caspar David Friedrich // Edge of the Forest – Józef Szermentowski // Wolf – Alfred Wierusz-Kowalski // Landscape Study with a Precipice – August Cappelen // Evening in the Woods – Worthington Whittredge // Waft of Mist – Caspar David Friedrich // Forest Road – Albert Zimmermann