#Nordic legends

[opera-ghosts]

"ZU NEUEN TATEN, TEURER HELDE" Götterdämmerung - R. WAGNER Here some Siegfrieds and Brünnhildes.

Peter Cornelius as Siegfried; Copenhagen, 1905

Charles Dalmores as Siegfried; Brussels, 1902

Ejnar Forchhammer as Siegfried; ?, ?

Paul Franz as Siegfried; Paris, 1925

Hans Grahl as Siegfried; Hamburg, 1934

Alois Hadwiger as Siegfried; Coburg-Gotha, 1907

Ottfried Hagen as Siegfried; Munich, 1908

Ernst Kraus as Siegfried; Berlin, ca. 1907

Gorrhelf Pistor as Siegfried; Bayreuth, 1931

Julius Pölzer as Siegfried; Munich, 1932

Erik Schmedes as Siegfried; Vienna, ca. 1910

Josef Schöffel as Siegfried; Karlsruhe, ca. 1921

Hans Tänzler as Siegfried; Karlsruhe, 1910

Jacques Urlus as Siegfried; Berlin ?, ca. 1907

Fritz Vogelstrom as Siegfried; Mannheim, ca. 1909

Hermann Winkelmann as Siegfried; Vienna, 1880

Marie Brema as Brünnhilde; London, 1897

Louise Grandjean as Brünnhilde; Paris, 1908

Felia Litvinne as Brünnhilde with Grane; Brussels, 1902

Katharina Senger-Bettaque as Brünnhilde; Berlin, 1898

Fanni Wahrmann-Schöllinger as Brünnhilde with Grane; Hannover, 1920

Hedwig Reicher-Kindermann as Brünnhilde; Leipzig, ca. 1886

[atrumvox]

The Norse Cosmogony: From Ginnungagap to Ymir and the Birth of the Gods

Introduction

Norse mythology offers us a fascinating vision of the origin of the universe, a narrative rich in symbolism and profound cultural meanings. In a world where the struggle between order and chaos is constant, Norse myths tell us how the cosmos was created from the fusion of primordial elements and how the forces of destruction and rebirth are inextricably linked. This story explores the birth of the Norse universe, the importance of figures like Ymir and Audhumla, and the central role of Ragnarök, the twilight of the gods, in the cyclical nature of existence.

The Birth of Ymir and Audhumla

Before time began, the primordial abyss of Ginnungagap existed between two extreme realms: the icy Niflheim in the north and the fiery Muspelheim in the south. This empty space, Ginnungagap, represented the duality between creation and destruction, between chaos and order—a central theme in Norse cosmology. In the heart of Ginnungagap, fire and ice met, generating an extraordinary phenomenon. From this event, Ymir was born, the first of the frost giants, a colossal creature born from pure chaos, symbolizing primordial disorder.

Alongside Ymir, another fundamental being appeared: the sacred cow Audhumla, born from the fusion of the ice of Niflheim and the heat of Muspelheim. Audhumla is considered so important in Norse cosmology because she not only nourished Ymir, allowing him to survive, but also contributed to the creation of the first god, Buri, symbolizing the ability of primordial forces to generate life and order from chaos. Also born from the fusion of elements, Audhumla played a crucial role in nourishing Ymir with her abundant milk and revealing the first god, Buri, by licking the ice-covered rocks. This seemingly simple act symbolized the slow and gradual creation of the universe from primordial forces—a parallel to other creation myths, such as the Greek myth of Chaos, from which Gaia and other primordial elements emerged.

The Symbolism and Cultural Value of Audhumla

The figure of Audhumla is not only relevant to the creation of Ymir and Buri. Her ability to nourish and give life reflects the values of fertility and sustenance that were deeply rooted in Norse culture. In an era where survival depended on nature and sustenance, the symbol of the cow represented the indissoluble bond between humans and the natural environment. Moreover, the act of licking the ice to bring forth Buri has symbolic meaning related to the creation of order from chaos—a representation of the process of civilization and the origin of the gods who would shape the destiny of the world.

The Birth of Buri and the Creation of the World

With the birth of Buri, the Norse universe began to take shape. He is the ancestor of the Æsir gods, among whom the most famous is Odin, son of Borr. Odin, along with his brothers Vili and Vé, decided to create the world by sacrificing Ymir and using his body to shape the earth, the sky, and the sea. Descriptions of Norse cosmology emphasize the interconnectedness of all these elements. Ginnungagap, as the place of origin, represents the starting point of creation. The roots of the world tree, Yggdrasil, connect all nine worlds—Asgard (the abode of the gods), Midgard (the world of humans), Helheim (the realm of the dead), Jötunheim (the land of giants), Vanaheim (the home of the Vanir), Alfheim (the land of the light elves), Svartalfheim (the abode of the dark elves), Niflheim (the realm of ice), and Muspelheim (the realm of fire)—creating a universe where everything is intimately interconnected.

The Theme of Chaos and Order

This mythological story is more than just a narrative about the origins of the universe. It represents the ongoing struggle between chaos and order, a battle that will culminate in Ragnarök, an event laden with cultural significance for the Norse people, as it represents the inevitability of the cycle of destruction and rebirth. During Ragnarök, the forces of Muspelheim and Niflheim will converge once again on Ginnungagap to destroy and regenerate the world, thus emphasizing the cyclical and inevitable nature of existence. This event has deep importance in Norse culture, representing not only the end of the known world but also the hope for rebirth. The legend of Ragnarök has been revisited multiple times in folklore and modern literature, inspiring works such as epic sagas, fantasy novels, and even films, highlighting its enduring relevance in our collective imagination. Ginnungagap is not just the beginning of everything but also a symbol of an endless cycle—a concept reflected in the Norse view of time as an eternal cycle of destruction and rebirth.

The Balance of Forces

The Norse creation myth is thus a profound reflection on the balance between opposing forces. Audhumla and Ymir embody this dichotomy: nourishment and growth on one side, chaos and primordial force on the other. Their connection symbolizes the interconnectedness of all beings, divine and mortal, in a universe where the boundary between order and chaos is always thin and vulnerable. An example of this balance is manifested in the myth of Loki, a deity who represents both chaos and the need for change. Loki often causes turmoil among the gods, but at the same time, his actions lead to new solutions and transformations, highlighting how chaos can be an integral part of cosmic order. This story invites us to consider not only the origin of life but also its fragile beauty and the inevitable return of chaos, which always lurks at the edges of the order established by the gods.

Conclusion

The Norse creation story, with its profound symbolism and interplay of opposing forces, continues to fascinate. Ginnungagap, Ymir, and Audhumla represent not only elements of myth but also archetypes of the struggles and balances that characterize life itself. Recognizing the importance of these stories allows us to reflect on the origins of the universe and the dynamics that still influence the world today and our understanding of it. Have we ever wondered how these ancient struggles between order and chaos might still mirror the challenges of our daily existence?

[starleska]

i am astonished that Tumblr hasn't immediately jumped on Nordic Bunny from Shred Force - look at his design!!!! the guitar-body-head, the lipstick, the cat eyes and tail, the tattered cape and platform boots...serving so much cunt that Disney couldn't even greenlight it 😭🤘

[illustratus]

[overwatchfanskinarchive]

Norse Skins by Elisa Orloff/orloffel

Loki Moira (tumblr/artstation)

Jörð Zarya (tumblr/artstation)

Skadi Mei (artstation)

like and reblog the original posts linked above, not this post

[elderscrollsconceptart]

Ghost of a long dead warrior

Art for The Elder Scrolls: Legends

Art by Nuare Studio

[menthealoh-shots]

The Secret of Kells (2009)

[uwudonoodle]

I had a dream that they released a surprise trailer for a new Zelda game in the Wilds era, and LINK COULD TALK! I was freaking out, and even showed my family (who had no idea what I was talking about).

[staruluv]

Guys give me drawing suggestions 😞🙏 (pls I'm so desperate)

[tenebriism]

@ervaurem spoils me and has forever won my heart for giving me these screencaps. Look at him--- look at his dumb face. Adol, I love you. ( I'm only here to post these and appreciate Shai. Goodbye. )

[fallbabylon]

Jorvik Viking festival finale- York, UK

[opera-ghosts]

„GÖTTERDÄMMERUNG“ R. WAGNER „HAGEN, WAS TATEST DU?“ Siegfried's death

Julius Pölzer as Siegfried; Munich, 1932

Julius Pölzer as Siegfried; Munich, 1932

Josef Kalenberg as Siegfried and Anny Konetzni as Brünnhilde; Vienna, January 1937

Josef Kalenberg as Siegfried and Anny Konetzni as Brünnhilde; Vienna, January 1937

[ossian94]

Árvakr and Alsviðr

Doing them I'll certainly redo Liath Macha and Dub Sainglend. I guess I can't draw if the weather's too warm out XD

After a pause I'll start doing some horses from fiction. Again, I'm open for suggestions and ideas, so don't hesitate to leave them in the comments

The to-do-list (in no particular order):

Shadowfax (Lord of the Rings) Epona (Legend of Zelda) Almathea (The Last Unicorn) Agro (Shadow of the Colosssus) Torrent (Eldenring)

[spiridvard]

⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻

there's a darker shade of courage in the strength i've found             and it's letting loose the savage side of me

⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻

[illustratus]

Nibelungen, Return from Isenstein by Wilhelm Petersen

[overwatchfanskinarchive]

Thor Reinhardt, Hel Moira, Loki Junkrat, Kratos Junker Queen, Ymir Ramattra, and Odin Lifeweaver by random-dude45/Just_a_Guy_Studios (reddit/instagram)