#again the ringer

[nine-frames]

Neues vom Hexer (Again the Ringer), 1965.

Dir. Alfred Vohrer | Writ. Herbert Reinecker | DOP Karl Löb

[veryslowreader]

Again the Ringer by Edgar Wallace

Neues vom Hexer

[crueldesire]

the carnivorous lamb, agustín gómez arcos / dead ringers (1988) dir. david cronenberg

[calmlb]

every time i look at this scene all i can think about is this excerpt from dark era 😭😭

[wlwanakin]

CONJOINED.

the symposium by plato / attack of the clones (2002) dir. george lucas / “da selby pt 2” by hozier / interview with the vampire (2022) s1e7 “the thing lay still” / revenge of the sith (2005) dir. george lucas / revenge of the sith by matthew stover / wuthering heights by emily brontë / “claw machine” by sloppy jane and phoebe bridgers / wild space by karen miller / hannibal (2013) s3e6 “dolce” / dead ringers screenplay by norman snider and david cronenberg / dead ringers (1988) dir. david cronenberg / children’s hospital of philadelphia

[nightswatchdisbandmentera]

I do think it’s quite interesting how GRRM’s ideals of a good king are confronted and challenged in Jon’s storyline.

Jon is undoubtedly a good person. And he has the capability to be a good king. But being a good person in the world of ASOIAF is not always rewarded. And being a good king is easier said than done.

“They say the king gives justice and protects the weak.” She started to climb off the rock, awkwardly, but the ice had made it slippery and her foot went out from under her. Jon caught her before she could fall, and helped her safely down. The woman knelt on the icy ground. “M’lord, I beg you—”

“Don’t beg me anything. Go back to your hall, you shouldn’t be here. We were commanded not to speak to Craster’s women.”

“You don’t have to speak with me, m’lord. Just take me with you, when you go, that’s all I ask.”

All she asks, he thought. As if that were nothing.

“I’ll … I’ll be your wife, if you like. My father, he’s got nineteen now, one less won’t hurt him none.”

(Jon III, ACOK)

The situation with Gilly at Craster’s Keep is a perfect example of how difficult it is to give the king’s justice in certain situations. Jon wants to help Gilly, he even feels guilty and horrible for choosing not to, but he cannot so easily offer his help because he is a man of the Night’s Watch.

What’s interesting about this conversation is that Gilly addresses and appeals to Jon as she would a king. She places herself as the weak party and Jon as the king who is expected to protect the weak. She kneels to him, as one kneels to a king, and addresses him as “M’lord”; ironic because Jon is just a bastard, who is now a member of the Night’s Watch. Much has been said about this exchange, and fandom often gives Jon a lot less empathy than he deserves. The truth is that he is in a very terrible situation, notwithstanding the character development that is to come regarding his perception of the wildlings.

But I’m looking back at GRRM’s quote about how being king gives one wealth and power and ability to do something, anything. This is something that Jon absolutely lacks in this situation. He may have been symbolically positioned as the rightful king by the narrative, but that doesn’t mean he has any actual power to enact change within the narrative itself. If Jon were nearly as callous about this whole situation as this fandom wants us to believe, he wouldn’t feel so guilty about refusing to help Gilly as he does later on. P.S: I also want to note that Sam is often lauded for being the one to help the girl, “unlike Jon”…except, Sam only does so when the chaos that follows the mutiny and Craster’s death gives Gilly the opportunity to flee. Sam understood that he had no power to help Gilly early in ACOK and that’s why he sent her to Jon. But he also overestimated just how much Jon would be able to do at that moment. Jon may have been the Lord Commander’s steward, but that didn’t give him the ability to go against Mormont (especially when the LC himself was turning a blind eye to Craster’s vices).

It’s then interesting how this situation of a young girl trying to flee a precarious situation is repeated later on in ADWD and this time, Jon manages to help her. Except the difference is that Jon is the Lord Commander now, not just the LC’s steward. What he couldn’t do for Gilly in ACOK, he can do for Alys even though that too places him in a tough situation.

“Why not the king? Karhold declared for Stannis.”

“My uncle declared for Stannis, in hopes it might provoke the Lannisters to take poor Harry’s head. Should my brother die, Karhold should pass to me, but my uncles want my birthright for their own. Once Cregan gets a child by me they won’t need me anymore. He’s buried two wives already.” She rubbed away a tear angrily, the way Arya might have done it. “Will you help me?”

“Marriages and inheritance are matters for the king, my lady. I will write to Stannis on your behalf, but—”

Alys Karstark laughed, but it was the laughter of despair. “Write, but do not look for a reply. Stannis will be dead before he gets your message. My uncle will see to that.”

“What do you mean?”

“Arnolf is rushing to Winterfell, ’tis true, but only so he might put his dagger in your king’s back. He cast his lot with Roose Bolton long ago … for gold, the promise of a pardon, and poor Harry’s head. Lord Stannis is marching to a slaughter. So he cannot help me, and would not even if he could.” Alys knelt before him, clutching the black cloak. “You are my only hope, Lord Snow. In your father’s name, I beg you. Protect me.”

(Jon IX, ADWD)

We’re seeing a repeat of Gilly and Jon here. Alys is now the weak and helpless maid and Jon, who is still a brother of the Night’s Watch, is once again made to play the role of a king.

Obviously the narrative, as it was with Gilly’s situation in ACOK, is saying that Jon is the king because while Alys could’ve pinned her hopes on Stannis Baratheon (who is actually titled), she chose to flee north to Jon the bastard. And what’s interesting this time is that Jon actually helps Alys in whatever way he can. He uses his status as Lord Commander and his dealings with the Thenns to secure Alys’ marriage. He oversteps his bounds as Lord Commander, and the irony is that he starts to act more as a king would.

So it’s interesting to see how the character often marked as the true king by GRRM’s narrative handles the moral obligations that come with kingship. And GRRM is putting Jon through these tests when he doesn’t even have a crown of his own. GRRM often makes Jon prove his worth as a king despite thinking of himself only as a bastard. We see this best when Stannis comes to the Wall.

Surprisingly, Stannis smiled at that. “You’re bold enough to be a Stark. Yes, I should have come sooner. If not for my Hand, I might not have come at all. Lord Seaworth is a man of humble birth, but he reminded me of my duty, when all I could think of was my rights. I had the cart before the horse, Davos said. I was trying to win the throne to save the kingdom, when I should have been trying to save the kingdom to win the throne.” Stannis pointed north. “There is where I’ll find the foe that I was born to fight.”

(Jon XI, ASOS)

It is true that Jon and Stannis are in very different situations. Stannis is aware that he is the rightful king (as Robert’s heir), and he has also heard from Melisandre that he is the prophesied prince. Jon, on the other hand, is a bastard boy completely unaware of his royal birth or his magical destiny. Yet it’s so interesting that it’s Jon the bastard who was actually doing his duty as the king (without even knowing it) whereas Stannis had to be reminded of it. So despite his failings every now and then, Jon does live up to the author’s ideal of a great king.

[pixelatedraindrops]

Yuma Month: Day 23: Hand Holding

“The more I held hands with Halara…the more tired I became…”

Prompt based on yet another fic of mine.

[elektroblues]

Album art for Unsound Methods by Recoil. Design by House at Intro, photography by Merton Gauster.

"Gynecological Instruments for Operating on Mutant Women" from David Cronenberg's Dead Ringers. Photo by Rene Passet. [X]

[johncho]

okay. this is delicious

[sortanonymous]

Sectonia model by @none_ofbusiness on Twitter

[reelaround-deactivated05312024]

movies used to blow my metaphorical dick and balls off sure grandma let's get you to bed

[three-bunnies-in-a-trenchcoat]

PLAYABLE ZELDA? PLAYABLE ZELDA? PLAYABLE ZELDA? PLAYABLE ZELDA IN FOUR MONTHS?

[emisfritish]

The struggle is real.

[allurared]

in the new dead ringers the iconic red surgery room scene is very didactically shown to be a publicity stunt to impress investors and all i could think about is this tweet about last night in soho

[saiyansweetheart45]

New Headcanons for the Sing Hunger Games Idea

Marcus is the youngest victor in Panem's history up to that point, being fifteen when he won his Games. He also proposed to his girlfriend Megan before he left for the Games. Her parents wouldn't give their blessing, but immediately did so when Marcus returned to District 2 and proposed to Megan again. She said yes both times.

Marcus was also a volunteer, but unlike most from District 2, he didn't volunteer because he wanted to. He went in place of one of his brothers.

Johnny knows his father's past, but Marcus never talks about it for good reason, despite being a favorite in the Capitol and as a result, having to return to the Capitol each year for the Games.

Ash is from District 4, and up until the Games, she spends most of her time in a boat on the water, playing her guitar.

Darius is also from District 4, often citing how he'll definitely win the Games if he ever competes, since part of the Games are a reality show/beauty contest. When the pair are chosen as this year's Tributes, Ash often thinks Darius will have to rely on his sponsors since he can't fight.

Rosita is from the Capitol and (reluctantly) one of the Gamemakers. While she is thankful that none of her twenty-five children will ever have to enter the arena, she also feels guilty because of how her job will affect (and in some cases, end) the lives of other people's children.

Jimmy and Porsha are also from the Capitol, with Jimmy being one of the most vocal in his support for the Games. He's also 'good friends' with past victor and current mentor, Marcus.

Gunter is one of the only living victors from District 8. After his Games, like other victors, he had to have a talent for his public image, which turned out to be designing and making clothes, along with dancing. Not only is this something he genuinely is passionate about, but he also has years of practice, having worked in one of the many textile factories before he was reaped into his Games. Dancing is also a way to cope with the traumatic memories of what Gunter endured in the arena.

Meena still bakes, with her family owning and operating their own bakery in their District. While it is still a business, Meena often donates food to hungry families in an attempt to help others in her District. Which breaks the hearts of many when she is ultimately reaped into the Games, including Alfonso, the elephant who admires her from afar and volunteers to help protect her in the arena.

That's all for now, but I am still super excited about this story coming to fruition and I hope you all will be too!

[muirneach]

idk i just hope the tournament organizers see this (and tbh probably inevitably rome also) as a real wakeup call as to how scheduling goes and how they need to give them a goddamn break. i honestly doubt it because i do not think any organizers really give a shit about the actual players (otherwise this would probably not have happened tbh) but i hope they get it together