#again idk if this is intentional lol

[fideidefenswhore]

the tudors (2007-2010) / wolf hall (2009) / henry viii & the king's men (2020) / eustace chapuys to the emperor (june 1535) / the other boleyn girl (2008) / the downfall and execution of a tudor queen (2023) / eustace chapuys to the emperor (april 1536) / henry viii, stratford festival production (2019) / wolf hall (2009) / elizabeth i & her enemies (2017) / the mirror & the light (2020) / becoming elizabeth (2022) / the mirror & the light (2020) / the tudors (2007-2010) / the mirror & the light (2020) / the tudors (2007-2010)

[tmos-time]

i think eridan would be mildly baffled by superliminal but appreciate it for the ways it parallels the stanley parable. so eridan and sollux can sweetly kiss in the somnasculpt dreamscape as a treat for @erisolweek <3

[notyourdaisybuchanan]

Rewatching The Bear 2x03 is actually crazy and feels so clarifying because like...

The ep starts with Carmy speaking at Al-Anon about fun, and how maybe he needs to have more of it. He acknowledges that fun is complicated for him because as a kid his family tended to ruin things for him, even though this was often unintentionally done. He says that he thinks if he had more amusement or enjoyment in his own life then it would be easier to provide that for other people. (Big note here that part of the purpose OF a restaurant is to provide amusement and enjoyment for people. Then add in Luca's conversation with Marcus in 2x04 about how the best food comes from being open and inspired, and spending time in the world. So Carmy having fun could theoretically make him better at his job.)

Anyway, Carmy gives that spiel at Al-Anon. Then we get a brief interlude of Syd looking at articles about recent restaurant closings and being stressed.

And then we're immediately back with Syd and Carmy cooking together in his kitchen. She fucks up a dish again, and he suggests they stop cooking and do a palate reset.

Like... this all happens within the first five minutes of the ep. This man has been musing about how he needs to have more fun.... and then he suggests spending the day eating in the city with Syd..... ergo that's his definition of fun. This is literally him making an attempt at doing something for amusement or enjoyment!! He planned this!! I fully believe he had this idea even before Sydney fucked up the dish. This man said I need to have more fun and you know what would be fun? Spending the day with my business partner eating delicious food. So he sends her home with plans to meet in an hour.

And then. AND THEN. Claire calls. First of all when she asks if he's busy, he looks at the white board and the very first thing on the To Do list is "call fridge guy" so like. lmao. I love foreshadowing. And he literally is busy!!! Not with unpleasant tasks to do but with something FUN. Something fun that he planned FOR himself.

And what is it that Claire asks him to do? Is it something fun? No. She asks him to HELP HER MOVE her mom. Like, the least fun task in the history of anything, the thing that people historically HATE being asked to help with. And he doesn't look excited about it! He looks torn. He looks...weird idk. Like ohhhh it's actually so crazy that Carmy bails on a truly fun day with Sydney in order to do a manual labor favor for Claire.

This is so ripe for analysis you simply cannot tell me it doesn't mean anything.

Carmy thinks about how he needs more fun, plans a fun day for himself, and then, when someone he tried to avoid asks him to do a not fun favor, he says yeah, I'll do that instead.

[wavesoutbeingtossed]

not to beat a dead horse but there's something kind of illuminating and warmie yet sad about the fact that Taylor's parents are attending Travis' game with her and regularly. I know the "you never saw--" joke is old, but the idea that [redacted]'s family did actually occasionally attend events with Taylor (including at what it seems may have been a difficult time), but after a certain point she herself didn't/couldn't attend his in turn, never mind her family, and it's just a testament to how different things are now, how different her life is, and frankly how integrated their family life has become. Idk I'm just really happy for popstar bestie because I feel like this is probably everything she ever wanted and didn't know she could have at one point.

[watchoutmorrisey]

I've literally never edited before LOL

Shout to @altcvnningham for inspiring me

They really have a way with words wow

[blog--witch]

Seth Rollins sacrificing his body at wreslemania mention Seth coming out in a black vest black pants black T-shirt…… girl last time I saw u in a similar getup u were hitting your brothers in the back w a chair……

[nerdyqueerr]

sometimes i think a little bit about how the Wyrm's ultimate Evil Ploy on Elora was to grant her heterosexual marriage and then not only does she turn that down but she and two lesbian knights defeat the evil AND THEN the Power Of Love comes in to save the heterosexual marriage guy but its literally just the power of his sister saying hey come back i miss you. and, dear readers, i find myself going insane a little

[pigeonsareevil]

Idk about all of you but it never sat right with me when people portrayed Dutch as evil, manipulative and money driven ever since begining. I mean pre-canon pre-gang begining.

I think if it really was that way there would be no way the gang would trust him that much and that blindly after making so many bad and dangerous decisions. I know from expierience that emotional manipulation can go far but not that far. I simply cant see the younger him as the giant asshole that he becomes during the second game. I believe that, in order to achieve this level of trust and loyalty he mustve really loved all of them.

In a way, i think he also loves them during the course of the second game in his own, twisted way. I think he truly wanted to get them out of the trouble he caused, but had no idea how, and with his own paranoia and whispers about traitor in the gang, he kept making desperate decisions that in the end, resulted in even more trouble and suffering.

Now, i know there were no traitors in the gang (not counting Micah) and if he got his head out of his ass he would probably realise that but sometimes i think about how he mustve felt, thinking that someone that he loved, raised and gave so much to, would turn back on him and the rest of their family, let them die for a pile of cash, not even realising he himself was doing exactly that, but that feeling alone would be enough to drive someone crazy.

Combine this with the grief he mustve felt for the fallen members and the fact that none of this has ever happened before Blackwater, he must have thought that him failing and showing weakness would be the reason someone would betray him and it would explain his insane plans and attempts at regaining control over the situation, only realising just how wrong he had been when he saw Arthur dying at his feet.

Im not apologising him and DEFINETELY not trying to paint him as innocent. He did manipulate Arthur and many others during the game but i think it came from a different place then just wanting money. And of course he wanted the money, his greed was one of the many reasons the gang ended the way it did but there were deeper reasons as to why he wanted them so desperately, besides just for the sake having them and i choose to believe it was because he really wanted to provide and have enough for his family to live comfortably.

I just think the way he acted during the second game was, as tragic as that sounds, mostly out of fear of losing the people he saw as his family. Not even realising it would be that fear that would eventually kill them all off.

[perenlop]

im not trying to say the anime was revolutionary or anything for this because its still definitely there, but i’m reading trivia from the kirby wiki for each episode, including the ones i skip, and in the kine episode, it says that its only one of three episodes that concerns romance in any meaningful way? like kine’s crush comes up semi-often, but besides that, there’s fumu’s crush on vee (the trans coded character !! and no matter how you read that episode it still comes across as queer), and that one whispy episode with lovely which explicitly ended poorly… i guess there are the established married couples like parm/memu, but besides that, there’s not much romance going on, and what is there either ends with nothing happening or has queer tones.

again, its not revolutionary or anything. escargoon is still a queer coded villain who gets treated like shit for it, and i hesitate to call vee intentional genuine trans representation considering how the episode plays out (and its using a fairly popular trope), but for the early 2000s, that’s… kinda neat? like even the kirby games had attempted to give kirby a love interest twice by this point. i remember sorta latching onto the lack of het romance/teasing in this show when i was younger.

[brittlebutch]

Desperately trying to make sense of Alex's motivations in Season Two and you know, I do eventually have to wonder if maybe Alex wasn't actually lying in the majority of those tapes.

Like, we tend to assume that Alex's motivations have been a consistent throughline since the college years, but do we actually know that that's the case? Do we know for sure that Alex was acting in deliberate, calculated ways in 2006; or could it be that he's telling the Truth on those olds tapes when he says he's blacking out and can't remember what's happening to anyone? After all, if we're assuming that Season 2 Alex's motivations are the exact same as his motives in Season 3, then it doesn't make any sense at all that he spend months working with Jay to try to find Amy; Season 3 Alex would have attempted to kill Jay like, on sight just to get things over with as quickly as possible and contain the spread of contamination as best as he could.

But, maybe, if Alex really had been separated from Amy after the events of the 04-04-10 tape, and if he really doesn't know where she is, then maybe that could make things start to make more sense. Maybe he really had been watching Jay's channel, and seeing Jay start going through the same things he went through in college without things devolving into violence and disappearances, and wondered if things maybe could play out differently this time. Maybe he really did send that tape to Jay to ask him for help, maybe he really was just trying to find Amy.

But then, instead of actually being helpful, Jay makes it extremely clear that he's a lot more interested in stalking Alex than he is in finding Amy. Alex asked for help, and instead there's a bunch of masked dudes on Jay's heels that keep attacking him, Jay is breaking into his house, stealing his things, leading the Operator right to him all over again, keeps trying to get other people (namely: Jessica -- if Alex is being honest when he says that his call reassuring her that Amy had been found was an effort to make Sure she stayed away from everything that was happening) involved; and instead of anything getting better, instead of anyone finding Amy, things are just getting worse all over again.

It's not until after the incident at the tunnel that things seem to start rapidly devolving. Rather than a calculated attempt to finally follow through with his need to curb the spread of contamination, this is very clearly an outburst of rage and terror. Alex's "I told you not to follow me" line in conjunction with Jay speculating that Alex didn't know who that guy was, to me, pretty firmly seems to speak to Alex having mistaken that stranger for Jay. From his point of view, Alex knows that Jay and totheark know where he live, have broken in before, he suspects that Jay stole a key to make it easier to get into his house, and he's been followed on the daily for months -- Alex is sitting at the tunnel because he doesn't know where else he can go without being constantly surveilled, hunted, and assaulted. And instead of getting a moment by himself to breathe, Jay followed him out there all over again (it feels like Alex looks directly at the camera in Jay's footage of him from this day; he knew for a fact that Jay was there), and then to make matters worse now 'Jay' won't even keep his distance anymore.

So Alex lashes out. And it's not until afterwards that he looks down and finally recognizes that this wasn't Jay -- it was someone completely innocent. Things have finally reached the low point he was at in college all over again; maybe even worse this time. If Alex doesn't remember attacking anyone in college, but he was at least partially conscious of it this time, then things have reached an entirely new rock bottom, they've reached an absolute point of no return.

He has no idea what happened to Amy, and he's spent months trying to find her with no hint of where she could be; he doesn't know where Jay actually is or what additional trouble he could be causing at this point; he does know that now innocent people are getting caught in the crossfire (in regards to the stranger in the tunnel, and also Jessica now that Jay has her phone number, and the untold number of people Jay got involved when he started posting videos to the Marble Hornets channel); things are spiraling out of control and there's no one left to ask for help. The situation isn't getting better, it's getting worse; things aren't getting easier to handle, they're just getting more out of hand; the negative impact is spreading and who knows how much further it can still go?

So, Alex decides to go scorched earth. He disfigures the body with the rock either to hide evidence or to make sure the guy would actually stay dead and not just get back up to start his own cycle of contamination in a few years. He tries to give Jay one last chance to back off, and Jay instead admits he's been talking to Jessica, acts obstinate and lies about not having Alex's spare key, and then breaks into Alex's house a second time (minimum). If Alex doesn't stop him now, who will? Alex met with Jay planning to kill the others, and then himself, so he could put a stop to this once and for all and keep things from getting any worse than they already were.

Maybe it makes a lot more sense if, rather than being a strangely incomprehensible detour on what should have been a straight path, the events of Season Two were the breaking point that put Alex on that path to begin with.

[yutamayo]

omg the cute autistic/mutual friend at the party I was talking ab way back just moved into our building!!! I legit ran into him omw in and exchanged instas he is SO adorable and cute and I love him like I just wanna be around him so like tf I am SO HAPPY

[dancedance-resolution]

i started a supercorp portrait of a lady on fire au like three years ago. i'm never going to finish it, but the writing style is pretty cool, so i want to share it. so um enjoy the prologue and a bit of chapter one?

---

Prologue. Bonnelles, France. 1786.

“First, my contours,” Kara said, her voice soft and level. She looked out upon the dozen or so young women, their eyes darting back and forth from their papers to Kara herself. “The outline,” she continued. The increasingly swift sound of scratching charcoal prompted Kara to further instruct, “Not too fast. Take time to look at me.” She paused. “See how my arms are placed.”

At that moment, Kara saw the painting.

She swallowed and took in a breath; she schooled her expression before letting out the air with a pathetically soft “My hands.” Her students’ gaze followed her verbal direction, now observing as Kara’s fingers curled with remembrance. Their own hands now began to sketch the slope of hers—the slope that had once coaxed breathy moans from a lover, the slope that had once created that very painting in all of its hollow longing.

Kara felt her heart rate accelerating, and her attempts at calming deep breaths only made her shoulders shake unsteadily. “Who brought that painting out?” Her eyes darted around, landing on each possible offender, as she tensed her core and adopted a stern countenance.

Every student dutifully turned to look at the work.

It was an especially young girl who finally lifted her hand. “I brought it. From the stock room. Should I have not?”

Kara’s “no” felt like a brick, its weight threatening to pry tears from her reddening eyes. So Kara took another swallow, a handful of blinks, a few more steadying breaths.

“Did you paint it?” the girl asked innocently. Nia, her name was? She stared at Kara, oblivious to the flood of sound overwhelming Kara’s mind and echoing in the cavern of her heart.

“Yes,” Kara uttered softly, the word barely audible as they fell from her lips. “A long time ago.”

Nia’s head snapped back to examine the painting once more. It stood on an old but sturdy easel, tattooed and scarred but still standing. The artwork itself was brooding, with a white sun bleeding into a dark vignette. Heavy clumps of clouds occupied the sky and caged some of the sun’s rays, so the fire burning behind the woman was bright enough in comparison to create a dragging shadow of her figure. The flames crawled up the back of her windswept dress, bringing sharp tension to an otherwise lulling, melancholy landscape.

“What’s the title?”

The sound of the sea began to swell in Kara’s head. Her lips trembled. Her body unwittingly swayed slightly. “Portrait of a Lady on Fire.”

---

Chapter I. The island of Brittany, France, and the surrounding sea. 1779.

Kara squinted into the distance, her face scrunching up a bit as she desperately tried to shield her eyes from the harsh glare of the sun on the water. For all its gorgeous teals and sparkling peaks, it certainly did make her wish for one of those brimmed hats the rowers were all wearing. With every one of their paced paddles, the cork-like little canoe bobbed haphazardly. Kara rather felt as if she were in the wine glass of a thoroughly drunken Marie Antoinette.

At least she wasn’t prone to seasickness.

She still felt quite unsteady, though, being thrown about and forced to pathetically grab onto the boat’s low walls. She leaned forward, trying to regain her balance and ground herself despite the absence of ground.

The wooden pallet holding her canvas was, apparently, as unstable as she was, and the next thing Kara knew, it had been lurched off of the boat like vomit from a drunkard. Kara watched helplessly as it thrashed among the choppy waves, the sea carrying it a few feet from the boat.

The chief rower met her desperate look with exhausted resignation; he ceased his paddling as Kara shed her overcoat and placed a precarious foot on the edge of the canoe.

With a strained creak from the boat’s wood, she jumped into the water, dress billowing behind her. Her first gasp for air upon emerging from the water was audible; she could feel the effort in her throat. Her arms moved in laborious little arcs as she slowly made her way towards the floating pallet and finally made a desperate reach for it. Kara’s fingers grasped onto a wooden board, and she pulled herself up onto it with a grunt.

---

The incessant wind upon the sea was certainly not helping Kara. Dripping wet, she wrapped herself up in her overcoat in a pitiful plea for warmth. She held the edges of the garment up to her lips, the sensation of the dry fabric bringing her some comfort as she closed her eyes and left herself to the mercy of the mighty sea.

But the interminable rocking of the feeble boat wouldn’t allow her any rest.

Kara wasn’t very religious, not anymore. Yet, the sight of the cliffs and coast of Brittany moved her to relieved prayer.

---

The sun had already begun to set as Kara trekked up the sandy coast. Her legs ached with every stumbling, unsure step—maybe she was a bit seasick after all—and her hands were tired of having to grip her full skirt to keep it out of her way.

She paused on the rocks, taking a moment to manually wring some of the water out of her skirt. She filled her lungs with an arduous breath before slinging the rope holding the pallet over her shoulder. Next came the fabric sling, which housed her trunk of personal items—she positioned it on her back with careful poise.

The journey up the cliffs and towards the trees was exhausting. Kara’s skirt required repositioning every few seconds, the rope was digging into her shoulder, and the pallet and trunk slammed into her back with each wobbling step. By the time she reached the straight path up to the residence, her breaths were heavy and pained, and the sun was nearly fully hidden beneath the horizon.

A soft light emanated from the windows above the mansion’s door, helping Kara feel a bit more secure as she knocked. A short blonde woman answered her summon and introduced herself with a flat “I’m Eve.” She opened the door a bit wider and gestured with her body for Kara to come in.

Eve held a small candle as she guided Kara up the stairs, the sounds of their shoes echoing through the grand yet starkly undecorated hallway. The walls of the stairwell were cement bricks, and the wrought iron bannister was rather plain and geometric.

They came to a stop in front of a similarly void room, bare save a few heavy curtains and a daybed. The raised panels along these walls matched the white-painted wood of the window frames, and they gave the chamber some elegant character.

While Eve entered the comparatively less intimidating room, Kara stayed back a moment, taking in the shafts of muted blue light from the windows and the contrasting warm glow of leaping flames from the central fireplace.

Eve crouched down to poke at the fire as Kara set down her belongings. “It was a reception room,” Eve explained. “Though I’ve never seen it used.”

The fire crackled pleasantly. “Have you been here long?” Kara inquired.

“Three years,” Eve answered, directing her attention back to the fire.

Kara peeled off her overcoat and draped it along the wainscoting. “Do you like it here?”

“Yes,” Eve said simply as she stood up. She turned to Kara, meeting her eyes now as her hands smoothed over her skirt. “I’ll let you get dry.” And with a nod, she was on her way.

Kara watched her every step.

Once the door closed, she hastily began removing her overskirt. It fell to the dark herringbone floor with an unglamorous thud.

---

There was no method or grace to the way Kara wrapped her hand around the rusting crowbar, but with a few jerks, she’d managed to successfully pry the top off of the pallet.

After setting down the wood cover, Kara extended her hand, letting it fall clumsily onto the slick canvas in front of her. It was still wet, and her hand’s small circular movement caused moisture to pool at her fingertips, as if her touch had beckoned the water. So her hand withdrew, and Kara slid the canvas out from its container. Her eyes danced over the surface as she considered how to dry it, holding it in front of herself like the Communion host of an evening Mass.

---

Kara decided to accompany her drying canvas, which was now positioned next to the fireplace. Stripped naked, she sat in front of the fire and pulled her legs towards herself—she was vulnerable, sitting there bare and in a new environment, and the action made her feel a bit more small, compact, and safe.

Kara set down her candle so she could light her tobacco pipe with the flames. Her large, smoky exhales grounded her, in a way, with the familiar sight and smell acting as a sort of sedative. And she stared forward, expression blank but unmistakably worn.

---

Kara walked barefoot along the cement floor, making her way through the hall and to the pantry room wrapped in nothing but her robe-like smock.

[werebutch]

WSBH chara q’s: (you don’t have to answer all the numbers, just whatever you want to 𖢘)

16/35/51 for Scotch

1/6/55 for Atlas

I LOVE YOU

16. What kinds of people do they have arguments with in their head?

okay i truly think scotch argues with seraph in his head all the time. ALL the time. scotch largely ignores them, and vice versa, because he dislikes them and they know it. seraph is very conflict avoidant lol, and as long as hes not a "threat" they dont care to talk to him about their problems. he probably argues with atlas and jacob (his older brother) too, atlas about more stupid small stuff, and jacob about childhood and life stuff :p

im trying to think of more general groups he would argue with but i cant come up with anything BAHAH. hes not exactly conflict avoidant in the annoying libra way that seraph is, he more just ignores conflict for his friends’ (mostly atlas’) sake. idk if that makes sense LOL

35. What is the smallest, morally questionable choice they’ve made?

hmmm.. smallest? i mean scotch strings eloise along for most of the time pre timeskip. its not a main focus but its definitely important in order to understand scotch as a whole. she and scotch go out for a while, and mid way through that he realizes hes GAY gay. lol. and obviously lying to her about that is pretty questionable after a while. especially since he and atlas have been 👉👌 like the whole time. but she kind of knows. well

something a little bigger would be him encouraging or otherwise turning a blind eye to all the weird stuff atlas is up to. he doesn't know what it's like to be a werewolf, he can't say anything, right? lol.... murder is okay if its a talking dog doing it. scotch enabler supreme. actually when seraph is introduced, he and atlas have a 'joke' (kind of starts being real) about luring seraph somewhere to kill them. obviously doesnt happen and gets abandoned. but i think its important to know about their dynamic LOL

51. What’s a phrase they say a lot?

this guy is kind of goofy. i cant think of phrases rn but he has a specific way of speaking.. you could watch pretty much any old pop punk band interview and kind of get the idea. HAHAH

1. What’s the lie your character says most often?

atlas is a big fan of saying 'its fine' for all situations ever. family in mortal danger? its fine. completely splitting? its fine. arthritis excruciating? its fine. hes one of those people that dont like to deal with the fawning of others unless hes feeling real special. Ends up putting people in more danger a lot of the time. i think eloise is the only fan of communication in this friend group to be honest. i should have made her the main character

he tends to make promises he cant keep as well, but thats more general..

6. What’s their favorite [insert anything] that they’ve never recommended to anyone before?

i have NO idea. i feel like atlas would be a music snob, so maybe his favorite 'super underground' bands. otherwise he'd probably never recommend raw human meat to another human (no matter how much scotch asks -__-).. (he would chicken out anyway)

55. What’s something they’re expected to enjoy based on their hobbies / profession that they actually dislike / hate?

um. so atlas hates working out. he especially hates running, you know, the thing that wolves are known for doing a lot of? unfortunately the lycanthropy came with a side effect of pretty bad arthritis, so that doesnt exactly encourage him. he DOES exercise, a lot since hes pretty much required for his ermm "side job", but he hates it 😸 besides the arthritis it’s mostly because I think it’s silly that he hates it. yay

[4kts]

BEGGING for a Gabriel bot that's like your Raphael one, it's too good, whatever you're putting into them, it's working😭

(I've held long conversations with legit every bot you've made. It's an addiction.)

You're in luck because someone in my g.forms requested a Gabriel bot ✧～(ゝᴗ ∂ )

I'm still working on it! But the prompt is kinda similar with Raphael's where he also kidnaps u lolololol

But... If you want, you can also request ANOTHER Gabriel bot ( • ̀ω•́ )✧

Aside from that, I'd like to say thank you so much for chatting with my bots 🙇‍♀️💕 it means a lot! And I mean, A LOT!!! 😭🙏

I remember bullying the shit out of the Raphael bot while i was still tweaking with it 😭 so im glad he's still good

And long conversations?! U gotta show me the best moments u shared with the bots 👀 im curious!!

[hassianlovebot]

i've seen some people talk about einar's romance dialogue and how it feels offputting and rude to him but i'm gonna be honest,,, i never really saw it that way?

like i do agree that the player's dialogue options Suck compared to the other romances. something about it just feels really childish and definitely not as,,, "serious" or even committed as the other romance dialogue options. that being said, it never felt patronizing toward him.

to me, it feels like the player is just. being human. while einar is being galdur. the player doesn't get mad at him for not understanding certain jokes or not showing affection in the same way. and einar doesn't get uncomfortable with the player being human, making human jokes, or showing human affection. they're just Being Human and sharing their humanness with einar. which einar, while not always understanding of it, is completely used to and Does understand and enjoy it later on in the 3-4 levels. not that he didn't enjoy it before, but once you get closer to him, he Does understand more of the jokes and even joins in on certain ones (like the catch one!).

idk man it just always felt like the player and einar are just sharing their perspectives, personalities, and culture with each other. and of course there is the chocolate thing where he says he doesn't need it and the player has to learn what he actually wants from the relationship (ie spending time together). and there are still jokes that he ends up taking seriously, which yknow, that's kind of what i meant when i said the player's options often feel very childish compared to other ones. but it just never came off as patronizing to me, especially since einar repeatedly says that he enjoys spending time with the player and engaging in their "togetherness".

like to me it always felt like he enjoys learning about new things, even if he doesn't want to participate. like at the maji market when he says that while he doesn't understand the hotpot game, watching it fills him with "oneness". he enjoys learning about human and majiri culture and seeing them just be themselves! none of his dialogue implies that he's uncomfortable with the way the player shows affection (there Is something to be said about the dialogue options only ever showing one form of it,,, but tbf they can't put in 50+ options to cover the minutia of human brains lol)

idk i want to be clear im not shitting on anyone else's opinion on this!!! there's room for all perspectives here. i just wanted to share! i've seen SO many people say that romancing einar feels patronizing and like. i've just never seen it that way ! and it always confuses me when i see it akjhgd tbf i think some people are also neurodivergent (same lol) and don't appreciate the dialogue options that einar doesn't understand because in real life it Does feel patronizing when someone does it on purpose even knowing you won't get it. but for me, einar being galdur and not a neurodivergent human/majiri is an important distinction. he shows multiple times that he enjoys learning about human cultures and perspectives, that he enjoys talking to the player even when they don't understand each other, and that he's capable of understanding the player's jokes and sarcasm once explained to him. he Likes that they're different !

einar seems to enjoy the player acting "human" with him because he gets to learn about them! and he wouldn't want them stifle their true personality just to please him! einar is alllll about being true to yourself, your beliefs, your oneness, etc. he wants the player to understand him and his affection, but he also wants to understand the player's personality and affection. he wants them to share each other's "quirks". and don't get me wrong, i do wish there was more we could do to share in his way of affection (especially if his way is our way,,, like i'm Not flirty or jokey like that irl at all and i'd love to have more options where it really is just "hi i enjoy parallel playing with you :)))" lol) and that the dialogue options were less jokey or at least more affectionate/serious but idk,,, i think for me, i've just always seen einar as someone who wants to know and appreciate everything about the player, even the things he doesn't Immediately understand. he wants the player to explain things and share their culture with him SO bad

[sundial-bee-scribbles]

@justgoji