#after saying i had no words

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[ducktracy]

if you find yourself asking "how shall i spend the next one minute and 52 seconds?", i implore you to turn to the Wansa-kun opening for the most joyful way to fill the time. isn't this wonderful

[billysgirllol]

"no..." she quickly interjected, "that isn't what i meant. i meant i-" i was just trying to say, i'm scared to lose you. but the words get caught in her throat when this sudden announcement he's leaving bombards her out of nowhere and causes bambi eyes to go wide. like a deer caught in headlights, all that she registers from that is he's going far away from here. "what? you're leavin'? here?" it was a shock, because of the way they'd grown up together. they always said their calling was their love for horses and all l.ucy g.ray has ever known b.illy b.onney as this cute little cowboy since the first second she saw him. even though, they both had expressed love for performing arts. it just didn't seem like everything was right in the world if billy was anything other than dedicated to his love for horses and being on their farms. like her. they had talked about it so many times, she just didn't expect this giant twist to erupt out of nowhere. "i mean... that's... that's wonderful. i'm proud and real happy for you." she always knew he was exceptionally smart and this is an amazing opportunity, she wasn't selfish. but they were like peanut butter and jelly, inseparable, attached at the hip. she wasn't grasping how she was just going to not have him around anymore. "if that's where you're goin'... why did you do that anyway?" kiss her. wasn't that just cruel? what if she hadn't had fear of ruining their bond and acted on what her heart really wanted to do? what then? he was just going to abandon her?

continued.

[izuizzy]

“First Word” 💙💙

made a comic to express the relief and joy sonic felt when talia finally spoke for the first time once she became more comfortable. [read from left to right]

[suntails]

totals ur drama

[radioactive-earthshine]

NGL I have STRONG opinions about digital releases omitting the letters to the editor section of older comics. I feel like the letters are a part of comic history and should be aggressively preserved.

[hyakunana]

"Were you even listening? How many reports, Ikora? How many times did I tell you what I saw?"

[my-darling-boy]

It’s horrible how my design course has killed my enjoyment in creativity because all they want is finished pieces founded in nothing but a spontaneous mark just to hang at some concrete art gallery or to sell to some “join our revolution” comfy business-casual company with a prison cell wellness room. I’m not saying that it’s “not art” —cos that’s a different post altogether— it’s that the ethos behind this particular formula for art education is ruining the way we think about creation.

Design courses (and other art courses I’ve heard?) are no longer teaching artists or designers techniques, drawing skills, art fundamentals and allowing them to find their own voice so much as they are only instructing how to tic boxes alongside pushing corporate and classist motivated style/methodology bias aimed at producing workers, not creatives, not to mention providing Adobe with endless funds for their despicable scam programs. That’s it. My creativity is only a means to money for them, and if they can extract the process of creation from me without the complex creative intimacy involved in it, they know they can churn out products and services faster and it’s concerning some lecturers don’t seem to be aware this is what they’re teaching? Like they’re buying into industry propaganda?

And the whole time it’s sold to you like you can be some trailblazer when the irony is they’re usually either prepping you for cubicle work or for some misguided high horse creative team pumping out design solutions completely divorced from the reality. I’m tired of all the talks about sustainability in a vacuum with no conversation about nuanced designs that factor in broader social and economic perspectives which lack thereof is leading to sustainable products being sold at a price only able to be afforded by wealthier people who are causing said economic and social problems and contributing to the rapid obsoletion of trades and crafts. Lecturers and speakers don’t seem to think that’s any of our concern and should just worry about producing the design for the hypothetical Bluetooth powered organic hairbrush or using the twigs to make the pattern for the £85 fabric square.

Like? Can I please make something that actually resonates with people outside the circle jerk of egotistical creatives and corporations? Something charming and maybe idk something that doesn’t make me want to tear my miserable portfolio in half with my teeth? And they’re like Mm nope sorry it has to be an extreme close up of a mark making abstract leaf you made from a recycled trash bag inspired by a stalled urban space which we will force you to price at £100 during your exhibition 5 people will bother to attend and no you’re not allowed any other style cos this isn’t the Dark Ages :///

I think the worst thing my lecturer ever said was, while looking around the room of our class work reduced down to a series of cubes and splatters and abstract typography, “Wow, I love how you can’t tell what anyone’s [main artist discipline] is!” Like awww conformity at the expense of a person’s individuality to make pieces for airport hallways and rich people’s living rooms wow so cool heehee like girl that’s not good?? Why on Earth are you complimenting us for that? Like I get it, I thought this course would boost skillset as an illustrator (as we were told), turns out the degree is really not for me, fair enough to anyone thinking that, but forcing students to produce modern abstract art because you think it’s the ONLY Logical Pathway for the future of design, judging them intensely for doing a different style, and thinking producing financially inaccessible art + design is the solution to things like climate change and community severance is an objectively bad take.

[froschli96]

You know what, fuck it, I have to speak my truth! (this is gonna be a rant, so anyone who actually likes assassin's creed revelations and/or the secret crusade, be warned or maybe don't read this at all)

remember how altaïr talks to king richard at the end of ac1, and richard is like "[humans] come into the world kicking and screaming, violent and unstable. it is what we are. we cannot help ourselves."? and how altaïr answers "no. we are what we choose to be." and how that ACTUALLY has meaning bc he himself was "violent and unstable" at the beginning of the game but he has learned and is now CHOOSING to be a better person who cares about others and humanity at large? remember how his calmness and gentleness was something that he ACQUIRED over the course of the story?

and remember how in revelations they then suddenly had a PRE-AC1 altaïr say about the first of his targets "no man should pass from this world without knowing some kindness." and be all wise and calm and collected during a nice little chat with al mualim, who suddenly acts all fatherly? (like, this is suddenly supposed to be a positive relationship? what??)

also, during the confession the target says to altair: "you put too much faith in the hearts of men, altaïr. [...] humans are weak, base, and petty." and altaïr answers: "no. our creed is evidence to the contrary." KJASJFJDKL???? like, it’s almost insulting how close this exchange is to the one with richard. you know, the one that was actually earned after a whole game of character development. like WTF??? cool congrats now that development means nothing. like, apparently that was just altaïr reverting BACK to being the exemplary assassin who understands and believes in the creed that he was apparently just born as. (i also hate how having a young inexperienced altaïr saying this implies that altaïr's faith in humanity is a sign of naivete instead of a sign of the wisdom he has gained after being confronted with counter arguments for a whole game, and also something that distinguishes the assassins from the templars who use humanity's supposed wickedness to justify controlling them like in AC1, but whatever)

altaïr’s development in AC1 mattered BECAUSE he is not NATURALLY a good person, it actually said something about humanity's capacity for both bad AND good and how humans don't have to be forced to be good through mind control bc they can by their own free will choose to be better when taught how and when allowed the freedom to grow. but no. apparently altaïr has just always been calm, wise and gentle. and he just sort of forgot about that during AC1 bc…. ? bc of adha?? bc of abbas???

oh don’t get me started on the whole abbas thing. (it doesnt even make sense that abbas is so hung up about his father and "his family’s honor", like what about the whole point of al mualim not allowing parents to be close to their children bc it would make them weak? like, my dude, you’re not supposed to HAVE any family aside from the brotherhood)

they used the throwaway character that had like 5 lines and made him into altaïr’s main antagonist in revelations… like, abbas wasn’t supposed to be this ONE dude who had personal beef with altaïr, he was just supposed to show how while altaïr’s revered by many, a lot of his brothers also hate him, bc 1) altaïr is a shitty person at this point and 2) bc there’s no real feeling of community and family in this version of the brotherhood, but just a pervasive sense of competition and jealousy — these assassins don’t care about their goal of safeguarding humanity bc they’re too hung up on petty squabbles and divided by rivalries (you know, the things that made malik hate altaïr even before solomon’s temple and that he overcomes in the end which enables him to forgive and to reconcile with altaïr so they can work together and stop al mualim? (you ever just think about "we are one. as we share the glory of our victories, so too should we share the pain of our defeat. in this way we grow closer. we grow stronger." and cry? bc i do. all the time. malik, the man that you are))

and now abbas is altaïr’s childhood best friend turned lifelong enemy?? like, bowden bent over backwards to come up with an explanation for why altaïr is an arrogant ass at the beginning of AC1, when the explanation is right there: he was raised to kill without asking questions and was constantly praised for how good he is at murder, which resulted in him becoming arrogant and disregarding human life. like, it doesn’t have to be some shakespearean family feud type shit. and guess what, this "simple" explanation actually plays into the story’s themes, who’da thunk!

(like, abbas might not have been a "fleshed out" character in AC1, but he had a specific function and now that function is gone. mr bowden, mr mcdevitt, you know characters are allowed to simply exist to tell us something about their worlds and the systems they live in and sometimes that’s more important and also more interesting than having every single character have a detailed backstory to explain all their behaviors, right?)

with all of this revelations loses all nuance in regards to the levantine brotherhood and also the creed in general. like, altaïr being a master assassin at the beginning despite being a terrible person and not actually understanding the creed is a criticism of the brotherhood and the creed itself. like, it said something about the order that someone like altaïr was able to get that high in rank, simply bc he's good at killing, which also tells us what is considered important in the al mualim era assassin order. when you make altaïr’s arrogance the result of his personal conflicts instead of how we was raised by a brotherhood that only valued one's ability to kill, you lose that characterization of the assassin order itself!

and by suddenly making al mualim a semi good "father figure" you also downplay his manipulation of not only altaïr but all those under his care. (altaïr says something about al mualim being "as a father" to him exactly twice in the codex, but he doesn’t mean by that that he WAS a father to him, what he means is that he was the CLOSEST THING he had bc HE DID NOT HAVE PARENTS, not because his mother died in childbirth and his father was executed when he was young btw, BUT BECAUSE IT WASN’T ALLOWED, like his parents actually lived but weren’t allowed to be close to him, he says he came to view al mualim’s "weak and dishonest" love as enough and even better BECAUSE HE HAD NOTHING ELSE, BECAUSE AL MUALIM ISOLATED HIS ASSASSINS FROM THEIR FAMILIES. al mualim "loved" him bc he was good at killing people for him! hm, i wonder if this could be trying to say anything about cults and indoctrination and the inherent contradiction in fighting for peace and free will by taking children away from their parents and raising them to become killers?? like, altaïr wasn't ~the special orphan boy~ taken in by al mualim bc his father died a hero's death, it was "the way of the order" to have al mualim be the closest thing to a parental figure for everyone to ensure absolute loyalty! altaïr saying al mualim was like his father is not supposed to make you go "oh, he must have actually been a good guy for altaïr to consider him a father", it should make you go "oh that's kinda fucked up that he considers the dude who made him into a killing machine and who manipulated him a sort of father figure"!)

and then in revelations they suddenly portray that relationship as positive and healthy??? like, it would be one thing to give it some nuance by delving into the psychology behind al mualim’s "love" and maybe showing how al mualim did care about altair in a complicated, fraught sort of way (like, you know, there’s a lot of interesting things you could say about al mualim at several points addressing altaïr as "my child" in AC1 and how that parallels Garnier referring to the people he drugged and abused as his "children", and what that says about how the templars view the people who they say they want to save and in whose best interests they supposedly act (in any case, al mualim doesn’t use that phrase because he has any real parental feelings but rather to patronize and to invalidate any objections, like in a "mother knows best" way))

but they even fucking DARE to parallel that relationship with that of altaïr and darim in revelations, by having the reflection in the puddle of darim hugging altaïr showing altaïr hugging al mualim…. like their relationship wasn’t inherently abusive but just tragically cut short because al mualim was just "corrupted by the apple"… like WHAT???? so it’s not the very real problems like grooming, manipulation and indoctrination and the hierarchical structure of the brotherhood itself (all of which are antithetical to the assassin ideology), it was just the evil apple all along. great. that’s DEFINITELY a lot more interesting.

god im sorry i really dont want to spread negativity but this is driving me INSANE. like, somebody please tell me im not crazy bc i feel like somehow most of the fandom is in agreement that revelations and the secret crusade have better storytelling and characterization than ac1.

SPEAKING OF WHICH, can we talk about how, even IF we completely ignore AC1 and treat revelations altaïr as his own character…. the narrative still doesn’t really work?

basically, the whole point of his story in rev is that "he gave his whole life to the brotherhood", this obsession led to him not using his time with his family which has him ending up dying alone in a dark library and this in turn makes ezio reevaluate his life choices…. except. he doesn’t? neglect? his family? or whatever? like, his devotion to the assassins is sort of painted as this tragic flaw that leads to a lonely death bc it supposedly comes at the cost of his family, but… his wife has joined the assassins, (at least) one of his sons is in the brotherhood and even when he goes to protect the assassins against the mongols, he takes his family with him (except for the son who stays behind bc he has a family of his own and who, ironically, ends up dying bc of that)… like, you can’t describe altaïr as a good husband and father in the database and have his son tell him that "everything that is good in me began with you, father" when they say goodbye, and then want to make us believe that he put his family behind the brotherhood and that that is a character flaw that leads to his tragedy.

because you HAVE to have a character’s tragedy be the result of a character flaw. like. that is how tragedies work. otherwise it just becomes tragedy for the sake of tragedy which is… boring bc it has no purpose. and we know it is SUPPOSED to have purpose bc ezIO FUCKING QUITS BEING AN ASSASSIN AFTER WITNESSING IT!

it’s like they want to have their cake and eat it, too — they didn’t want to actually make altaïr a bad husband/father, but still wanted to make his life a tragedy where he loses his family which is why instead they outsource all responsibility to abbas who now has to be the reason for ALL the deaths.

like, they try to make at least maria’s death kind of sort of the result of altaïr’s rashness or whatever but like… these guys KILLED THEIR SON and TOLD HIM THAT ALTAÏR HAD ORDERED HIS DEATH. like, altaïr losing it in response to that is not rash, it’s fucking logical and justified! if anything the scene made me angry at maria for trying to stop him. like, GIRL, he was YOUR son too??? but god forbid we give female characters actual real emotions, she has to fill the role of "voice of reason who dies for altaïr’s man pain" i fucking guess.

like, it’s this weird mix where his tragedy is simultaneously painted as his own fault but also not really bc abbas is the one responsible for all the shit that happens. it just… it just doesn’t really go together.

the only way to make his story make sense narratively and to give it actual purpose is by looking at it in the context of ezio’s story, bc the things he sees in altaïr’s memories are supposed to be a revelation (ha!) to ezio specifically. and i guess that’s maybe the crux of it all — altaïr’s story in revelations was conceived of first and foremost to support ezio’s story and development. which is probably also why many people maybe don’t notice bc, having skipped ac1 and started with ac2, the majority of people mostly care only about ezio and only really appreciate altaïr’s story in as far as it serves to push ezio forward. (tho i’ve also seen a few people say that ezio is also written kind of weird in rev, but i’ve never really been an ezio girly myself so i can’t speak to the truth of that)

like, altaïr dying alone in the library doesn’t really have to make sense for his character, i guess, bc it’s only really supposed to be a cautionary tale for ezio.

so, i guess, for once, they actually had a MAN dying for another man’s character development, which is pretty woke actually. ubisoft, i take everything back jksdsfjhgdsahfhsdhfghfdsgjhsdgjh

[amaranthdahlia]

[chapter 408] extended cut - sewer chase scene

[arrimorr]

Out here stuck thinking about how when Gordon disappeared people made a legend and a Messiah out of him, while when Barney got poofed out of the narrative everyone just forgot about him

[deeva-arud]

Deeva Årud - Club Wear Voice Lines

When Summoned: Lights dimmed, tension building up… Are you ready to feel our rhythm? Summon Line: Playing music with friends is fun, I’m glad to be here even though I’m starting to feel a bit nervous.

Groooovy!!: We’d be delighted to see you at our next show. Spotting a familiar face among the crowd is always nice. Home: “Let’s rock and roll”, as some would say. Home Idle 1: I joined the Pop Music Club on my second year. Perhaps it’s quite a drastic change from my previous club but… it’d be a lie to say I’m not enjoying my time here. Home Idle 2: Most of the time I’m the one suggesting we should practice, but somehow Lilia, Cater and Kalim always distract me with all these unknown snacks and gadgets. Sometimes I have the feeling they do it on purpose… Home Idle 3: I need to warm my hands, it’s hard playing an instrument when they’re cold. Home Idle – Login: *humming Piece of My World* Ah- sorry, I didn’t see you there. Can I help you with something? Home Idle – Groovy: I’ve been playing violin and other instruments since I was a kid. My family has always had a connection with music and I’ll gladly continue this legacy. Conveying your thoughts and feelings through sounds is quite satisfactory. Home Tap 1: My first concert with them? Since it was the first time I’d be playing in front of many people, I knew I’d have a hard time trying to look at the audience. Cater noticed and told me to look at him so I could feel less overwhelmed… Let’s say I didn’t expect him to be so literal. His clones substituted the audience because no one came to see us. Home Tap 2: Hm, my violin? Indeed, it’s not the same one I use at Mostro Lounge. An electric violin is more suitable for the club’s activities. I’m surprised you noticed it. That means someone’s been paying too much attention to the musician playing ambience music… That was a joke. Home Tap 3: Kalim and I joined the club in the same year so I got to see how much he’s improved his drumming technique. It’s impressive. Certainly, Lilia’s been an excellent teacher to him. Home Tap 4: I like the idea of having customized masks for our performances. Maybe I should mention it once we have enough funds. Home Tap 5: I recently accepted to do some vocals just for our club sessions. You can come see us, but please refrain from telling everyone else. At the moment, I only feel comfortable singing for a few people. Home Tap – Groovy: When it comes to a band like this many wouldn’t think of a violinist, but that actually gives songs an interesting feeling, don’t you think? Duo: [DEEVA]: Ready for a shocking performance, Cater? [CATER]: Ready as ever, Dee-chan!

[s0fter-sin]

thinking about the way ghost doesn't hesitate to start killing shadows when graves betrays them but soap only takes one hostage

you can almost hear the voice in his head telling him it doesn't have to be this way; they can still talk it out

"i'm calling shepherd"

his first instinct when confronted with betrayal is to play it by the books; to go up the chain and sort it out democratically. that goes against everything we've seen him do; he’s quick to drop his enemies and bucks authority at every chance except for the one time he's confronted with the barrels of his allies' guns

he wants a peaceful resolution; for the first time we've ever seen, he doesn't want violence to be the answer

there has to be another fix, a solution that doesn't end with him killing the same men he's been working with; his friends

nothing's happened yet

it doesn't have to go this way

but ghost has been betrayed before. he knows the way this ends; either with him six feet under or his enemy

he doesn't hesitate

it's only when they knock alejandro out that soap shoots; when they spill the first blood and cross a line they can never come back from

only when ghost orders him to run and he has to cover his retreat

and somewhere along the line, between civilians’ screams and taunting voices, between his shaking breath and ghost steady in his ear, that naivety is stripped away; his trust turned to teeth that he uses to sink into throats of men he'd have given his life for

"be careful who you trust, sergeant; people you know can hurt you the most"

he's learned the price of trust

just like ghost did

but unlike ghost, he has someone to guide him through the aftermath

"good advice, It"

[redthemarten]

I could also make a set with every single Fontainian character in a different disco pose for this, but let's face it, I'm too lazy

(this were very quick sketches to pin down the general idea pls don't mind the crooked handwriting)

[bitchslapblastoids]

do you remember exactly where you were when basically im gay dropped? are there other d&p videos/content that you’ve had that experience with? am reminiscing and curious

[panharmonium]

funniest and most heartwarming thing i rediscovered on my rewatch is when karin roasts sakura about poisoning naruto and then kakashi, who loves all of his kids very much and understands their behavior and isn’t upset with them about their choices but has also been under ABSURD amounts of stress for all of season 10, just bursts out laughing ❤️