#like illustration as a course was fine
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Itâs horrible how my design course has killed my enjoyment in creativity because all they want is finished pieces founded in nothing but a spontaneous mark just to hang at some concrete art gallery or to sell to some âjoin our revolutionâ comfy business-casual company with a prison cell wellness room. Iâm not saying that itâs ânot artâ âcos thatâs a different post altogetherâ itâs that the ethos behind this particular formula for art education is ruining the way we think about creation.
Design courses (and other art courses Iâve heard?) are no longer teaching artists or designers techniques, drawing skills, art fundamentals and allowing them to find their own voice so much as they are only instructing how to tic boxes alongside pushing corporate and classist motivated style/methodology bias aimed at producing workers, not creatives, not to mention providing Adobe with endless funds for their despicable scam programs. Thatâs it. My creativity is only a means to money for them, and if they can extract the process of creation from me without the complex creative intimacy involved in it, they know they can churn out products and services faster and itâs concerning some lecturers donât seem to be aware this is what theyâre teaching? Like theyâre buying into industry propaganda?
And the whole time itâs sold to you like you can be some trailblazer when the irony is theyâre usually either prepping you for cubicle work or for some misguided high horse creative team pumping out design solutions completely divorced from the reality. Iâm tired of all the talks about sustainability in a vacuum with no conversation about nuanced designs that factor in broader social and economic perspectives which lack thereof is leading to sustainable products being sold at a price only able to be afforded by wealthier people who are causing said economic and social problems and contributing to the rapid obsoletion of trades and crafts. Lecturers and speakers donât seem to think thatâs any of our concern and should just worry about producing the design for the hypothetical Bluetooth powered organic hairbrush or using the twigs to make the pattern for the ÂŁ85 fabric square.
Like? Can I please make something that actually resonates with people outside the circle jerk of egotistical creatives and corporations? Something charming and maybe idk something that doesnât make me want to tear my miserable portfolio in half with my teeth? And theyâre like Mm nope sorry it has to be an extreme close up of a mark making abstract leaf you made from a recycled trash bag inspired by a stalled urban space which we will force you to price at ÂŁ100 during your exhibition 5 people will bother to attend and no youâre not allowed any other style cos this isnât the Dark Ages :///
I think the worst thing my lecturer ever said was, while looking around the room of our class work reduced down to a series of cubes and splatters and abstract typography, âWow, I love how you canât tell what anyoneâs [main artist discipline] is!â Like awww conformity at the expense of a personâs individuality to make pieces for airport hallways and rich peopleâs living rooms wow so cool heehee like girl thatâs not good?? Why on Earth are you complimenting us for that? Like I get it, I thought this course would boost skillset as an illustrator (as we were told), turns out the degree is really not for me, fair enough to anyone thinking that, but forcing students to produce modern abstract art because you think itâs the ONLY Logical Pathway for the future of design, judging them intensely for doing a different style, and thinking producing financially inaccessible art + design is the solution to things like climate change and community severance is an objectively bad take.
#needed to get that off my chest itâs been sitting in my drafts and itâs still true#genuinely hate just about everything Iâve produced on this course#like illustration as a course was fine#this one is just depressing#had to almost completely reinvent my art after first year cos this Forced Style threw me off so bad#I am Scared for the future of creativity in academia#wrote a 10000 word essay (for fun) about why the corporate bullshit is contributing to the downfall of art#so needless to say I have my dissertation for my honours already#ok to rb#illustration#design
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Beautiful trans man for the lads :3
#gave him a halo towards the end cause why not lol#thot about angel wings then realized im not drawin all that#art#digital art#drawing#illustration#artists on tumblr#trans man art#top scar art#the top sacrs are kinda hidden maybe ill draw a piece that features them better#but i made them like stylized lol#artwork#could the body hair be drawn better? shore. couldi have looked at myself as a ref? absolutely. did i? eh sorta kinda#i like glanced at my arms and wa slike yeeah this is probably fine#the thing is some people stylize body hair really nice but idk how to do that lol#anyways need to draw dudes wearing short shorts so i can draw leg hair lolol#and ladies too of course of course#ill try my best i am mostly an artist that draws portraits lol#lgbt#transgender
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I did a thingâŠagain.
Just realized that yaâll need to click for better quality for some reason this post looks especially bad đ€
#OKAY so this piece is a little old#I think I posted it on my twitter (of which I do not use anymore) and nobody really cared for it#WHICH IS FINE#I donât make art for others I do it for me#BUT I know for a fact that some of you will definelty like this so Iâm posting it on here as well#I added a WHOLE new just standing still sketch of Killer and a bunch of doodles to make it more fun#but technically the orginal piece was just the âin murder mode leaning over oneâ#which I could post seperately if yaâll wanna see that idk??#ya know without the extra image of him and the doodles so its looks less like a collage#ANYWAYS back to the art I REALLY like how I drew Killer in this#LIKE HE LOOKS SO GOOD#ITS CRAZY#so pretty so lucious so cute#Iâm literally obessed with drawing flame lighting#everything looks pretty in a nice warm glow#so yeah#he be standing#he be killing#hes killer#OH and all the doodles are of course easily apparent the rest are his trivia#oda thinks his flower is a snow drop#that boy would be a chef in a real world au#and one of his hobbies is playing the drums#so if yaâll didnât know that now you do#i also like to think how I wrote his name is how he signs his name#killer one piece#kid pirates#illustration#digital art#one piece
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gif of my process for a current wip that i have been fighting for the last week or two
its hard cultivating the same patience i had for longer pieces--ive trained myself to get things done quickly because i was frustrated with how long it took for me to finish things, now im circling back to where im frustrated with my lack of patience and trying to fix it LMAO
anyways--this scene is from a previous campaign, in which llany is kicked out of ulthuan and stripped of his title of loremaster of the white tower of hoeth
sucks to suck my guy
#whfrp#warhammer fantasy#warhammer fantasy roleplay#illustration#ttrpg#digital art#tabletop rpg#wip#wip sketch#rough sketch#unfinished#now IF this was a piece i was getting commissioned for#i would be more diligent and patient with myself#bc im doing it for someone else and getting paid#but since this is a personal project i just dont have the patience for it and i WANT to have the patience for it#its like cooking#for other people im fine cooking a three course meal w desserts and appetizers#putting my heart and all into every step of the proces#but cooking for myself???#instant noodles#maybe with an egg if im feeling fancie#if i even eat at all#AAAAAAAAAAAUGH
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What do you feel about OCs? And do you have any?
I am fine with them! I even have a kny oc but i never posted It here ahah
They re nice and creative, some people are really good at giving them characters traits
#oF COURSE I AM NOT OK WITH OC CREEPS#the other are super fine I like knowing about them#also one of my closest firends loves making oc and her are super amazing and intersting#i dont made them a lot#i am more a prompt artist than a creator#i mean i am supposed to be an illustrator so
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Explaining my art project ideas especially to teachers is soooo. Awful. Makes them sound so stupid. Just trust me itâll make sense when itâs FINISHED. I prommy
#or it wonât#teachers never tend to understand students work#plus once again illustration vs fine art#illustration doesnât have a meaning the same way fine art does#schools have got to stop expecting them to be the same#illustration is so much more commercial and narrative and like. for fun !#and it relies on a backstory that not everyone will be privy to#and I think people expect it to only have value if they understand the story#versus like. itâs expected for people to not know everything about fine art#fine art is like *deep* and you have to spend time with it to understand it and blah blah blah#but people wonât give that kind of attention to stylized illustration because what. itâs a different style?#itâs not realistic or stereotypically artsy ?#sigh#once again annoyed by the fact that I as an illustration major have to go through fine art rituals to graduate#illustration is not usually meant to be seen in a stand alone gallery#why are you making me do this#die#of course you donât understand it you donât know the story hell I donât know the story Iâm just making up one off characters and situations#because god forbid fanart be professional or worthwhile#teachers just canât seem to accept a little anime girl in a big world#ever heard of slice of life. ugh.#there is no story. there is no meaning#thereâs even tons of historical precidence#rather famous and important painters whos work was about nothing other than a guy existing in his day to day life#looks at the beaneater by carracci.#thatâs just a guy eating beans. looking at you eating beans#are you gonna tell me fucking Annibale Carracci mundane genre paintings were meaningless#Iâm exploding you with my mind#the woes of Art School for a guy who just wants to draw silly characters n stuff for funny video games and cartoons#this got long. whoâs knows if it makes sense. my final tag. goodbye
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sooo i dropped from art school because i don't have the possibility to spend like more than 10h a day in the city and come back in bus at night every single day bc of my mental/physical health and i'm depressed because i enjoy studying art but i don't have the money or health to keep doing it right now and it makes me feel like im a failure tbh
#it was even my last year but i cant keep going like this#it's draining me#im looking for online courses so i can get a degree in either illustration or animation#mostly animation bc i've been studying illustration for 2 years and i want to try something new#but im exhausted tbh i didnt wanna drop i just couldnt keep it up anymore#anw#rant#i'll be fine
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#mumbling in the tags#it is so ridiculous that my after effects refuses to recognize photoshop layers just because i dont have opengl#i dont even know what is opengl of course BUT layers are like. the fundamental thing about how any of this shit works#illustrator layers get there just FINE#i hate adobe so much. so happy for Not Paying Them ever embefore nore ever in the future
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The sequel, in which I was hit by a hurricane again that wreck'd most of my town but its ok because I have now flown across the globe to Yokohama and escaped the complete and total power outage of my area
Im glad you didn't die in a hurricane but this is exactly what Mine Yoshitaka would do
The grindset cannot be sacrificed for anything
#I had a language course scheduled this Oct and the hurricane happened to hit right before my flight like good god#just made it here though; quick post that I lived even if i'll be too busy for the forseeable future to keep posting much#plus i also start teaching online this month on top of the illustration job n language course oughh#either way ! i survived all is well#my house is fine too the roof peeled off a little in the storm but insurance will cover it
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"Waiting, waiting... Ooooh!"
Here comes a proper concept illustration of Odysseusâ wifey!
Since Penelope is very underdeveloped in Epic, itâs hard to pin down what her personality is in the musical, so Iâve drawn a lot of inspiration from the original Odyssey and added some of my own ideas. Initially, I liked the idea of portraying her as a graceful queen, someone who always smiles despite how rudely the suitors treat her. But then I realized I really liked using visual language to show how Odysseus remembers Penelope from his sweetest memories.
Because of all the trauma he experiences on his journey, Penelope becomes more of an "end destination" for him, a symbol of hope. To Odysseus, once he gets back to Penelope, everything will be fine. In his visions or memories, Penelope with a warm smile, little bit soft on the edges. But the real her, the one we meet in The Challenge, looks tired and constantly angry, except, of course, when she thinks about Odysseus. This contrast helps the audience see that she has changed as well, both in how she looks and how she acts, compared to how Odysseus idealizes her.
I also really like the idea that the reason Penelope didnât kick out the suitors wasnât out of respect for some tradition that puts her in a position of servitude and compromise. Instead, itâs because Zeus himself came down and told her that if she kicked them out, he would smite Odysseus or Telemachus. That interpretation does fit how Epic the musical portrays Zeus so.....
This puts her in a position where she endures all of this to protect the ones she loves, rather than just following a tradition that don't even respect her due to she is a woman.
Also, funny thing, my first drawing of her was that reveal shot from the Thunder Bringer animatic!
And of course, she gets a veil! Similar to Hera and Circe! This choice is rooted in the tradition where married women wore veils, or at least something to cover their hair, when male guests entered their home. If Penelope walked around without a head covering in front of the suitors, it would signal that she was available, which is literally the opposite of what she wanted, donât you think?
That said, I think Iâll design her veil a little differently. The one I drew here is kind of just a test.
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After watching Cinderella (the original animated movie, which was my favorite as a child), it strikes me how it solves many common problems people have with this fairy tale. Like:
Why did they try to identify the mystery girl using her shoe size? Because the bullheaded king's only clue to her identity was the shoe the Grand Duke picked up off the steps.
Why didn't the prince recognize her by her face? Because his father wouldn't involve him in the process at all, and wasn't the one going around trying to find her.
Why did the prince want to marry a lady he only met that night? Because his father was going to force him to marry someone, and he genuinely liked this woman.
Why did Cinderella want to marry a man she only met that night? Because marriage was her best and most secure way to freedom. Fucked up, but you can't say it's unrealistic for the setting of a fairy tale. She also genuinely liked him.
If they're using the slipper to find her, wouldn't it be more sensible to search for the person with the other slipper? Yes. The King is purposefully nonsensical and the Duke is purposefully terrified enough of him to carry out his orders to the letter. Furthermore, they end up doing that in the end anyway, because the Duke's glass slipper is shattered, and Cinderella brings out the one she has to prove her identity.
Why didn't the stepmother and stepsisters recognize Cinderella at the ball? Because they were dancing too far away, and then left the party to dance in private, which was possible because the King wanted very badly for his son to hit it off with someone and tried to arrange the best conditions for that to happen.
Why didn't Cinderella save herself? Because in real life, abuse victims should not have to shoulder that responsibility, and usually can't. In real life, you need and deserve an external support system. Asking for help, in this kind of situation, is very important. She is saved by others because she is loved. Because she is not alone. Because she has friends who love her, and want her to be happy and safe and free. Because in real life, people who want to help someone who is suffering are like the mice. We can't pull out miracle solutions, but we can provide companionship and if we're in the right place at the right time, we can help the person find a better life.
Why didn't the fairy godmother save Cinderella from her abusive household, or try to help her sooner? Because she's magic, and magic can't solve your problems. Quote: "Like all dreams, well, I'm afraid it can't last forever." This (and Cinderella's dream of going to the ball) is a metaphor for pleasurable things in bad circumstances. An ice cream won't get rid of your depression, but it will provide you with momentary happiness to bolster you, as well as the reminder that happiness in general is still possible for you. Cinderella doesn't want to go to the ball so she can get away from her stepmother and stepsisters, or so she can meet someone to marry and leave with. She wants to go to the ball to remind herself that she can still have things she wants. That her desires matter. This is important because the movie does a very good job of illustrating Lady Tremaine's subtle abuse tactics, all of which invisibly press the message that Cinderella doesn't matter. While going to the ball and fulfilling her dreams may not be a victory in the material sense, it is still a victory against Lady Tremaine's efforts.
Why is Cinderella's choice to be kind and obedient framed as a good thing, when you are not obligated to be kind to your abuser? This one walks a very fine line, but I think the movie still makes it make sense. Lady Tremaine never acknowledges her cruelty. She always frames her punishments of Cinderella as Cinderella's fault. Cinderella is interrupting, Cinderella is shirking her duties, Cinderella is playing vicious practical jokes. Cinderella is still a member of the family, of course she can go to the ball, provided she meet these impossible conditions. Lady Tremaine's tactics are designed to make Cinderella feel like she must always be in the wrong and her stepmother must always be in the right. If Cinderella calls her stepmother out on her cruelty, or attempts to fight back, Lady Tremaine can frame that as Cinderella being ungrateful, cruel, broken, evil, etc. If Cinderella responds to her stepmother's cruelty defiantly (in the way she's justified to), she's not taking control out of Lady Tremaine's hands. Disobedience can be spun back into her stepmother's control. She wants Cinderella to be angry and sad and show how much she's hurting. So since Cinderella is adapting to her situation, she chooses to be kind. Not only because she naturally wants to be and it's part of her personality, but because it is a form of defiance in its own way, and it allows her to keep a reminder of her agency and value. Her choice to be kind is her chance to keep her own narrative alive: she is not obeying because her stepmother wants her to and she has to do what her stepmother does, but because she wants to. It's a small distinction, but one that makes all the difference in terms of keeping her hope and identity. (Fuck, I wrote a whole paragraph about how this doesn't mean you can't be angry at people who hurt you or that you need to be kind to deserve help, and then deleted it by accident. Uh. Try again.) Expressing anger and pain is an important part of regaining autonomy and healing. Although it is commendable to be kind while you are suffering, it is NOT required for you to get help or be worthy of help. If Cinderella's recovery was explored beyond "happily ever after" she would need to let herself be angry and sad to heal. Cinderella is not only kind because it comes naturally to her, but because it's her defense against the abuse she's suffering. Everyone's story and experiences are different, and one does not invalidate the other.
Bonus round for answers that aren't part of the movie:
Why didn't Cinderella run away? Where would she go? Genuinely, in hundreds-of-years-ago France, where would she go if she snuck out of the window with a change of clothes? With her step-family, she's miserable and abused, but she's fed, clothed, and in no danger of dying or being taken advantage of by anyone other than her stepmother and stepsisters. Even if she escapes and manages to find financial security, her stepmother might be able to find her and get her back.
Why didn't Cinderella burn the house down with them inside it/slit their throats in the night/poison their food/etc.? Because that's a revenge fantasy, and this story is a fantasy about being saved. There's nothing wrong with making Cinderella into a revenge fantasy. That's perfectly fine, as long as you acknowledge that the other type of fantasy is also a valid interpretation. (I mean, the original fairy tale features the stepsisters getting their feet mutilated and all three of them getting their eyes pecked out, so go for it.)
Why isn't Cinderella more proactive in general? Because she's a child who has been abused for the back half of her life, who has had to be focused on survival because. you know. she's an abused kid.
How did she dance in glass slippers? Gotta agree with you there man, that's weird.
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just alhaitham realizing he wants a baby with you... cw: pregnancy, children
alhaitham is in the middle of reading, spending his lunch hour tucked away in a quiet corner puspa cafe when he feels a poke at his arm.
he slides his headphones off, looking over to see a child standing next to him, clutching something to her chest.Â
âexcuse meâ mister scribe sir?â Â
the scribe sighs, tucking his book away. âjust alhaitham is fine.â
the child blushes furiously. âoh, um, mister alhaitham sir, my teacher says that your job is reading. could you read this for me please?âÂ
that was an incredibly juvenile description of his job, but he doesn't correct her. the girl slides what alhaitham recognizes as the childrenâs book that tighnari had written (and collei had illustrated) to teach the basics of forest safety. the storytelling was mediocre and the illustrations were average, but he supposed they were sufficient enough for children who had no higher education.
alhaitham glances at the clock. he still has a half hour left of his break, and he was nothing if not an advocate for educating young minds.
â
âthe lesson is to always be prepared when traveling through the rainforest,â alhaitham explains, closing the book. âthereâs always a high probability that youâll run into fungi, especially if you're on foot like little cyno was. youâd do well to add a variety of antitoxins to your first aid kit.â
the girl considers this, brows pulled into a furrow as she sips at the sunsettia juice heâd ordered for her.Â
âwhy didnât little cyno just go around the fungi when he saw them? then he wouldn't have gotten the sports.â
âthe spores,â alhaitham corrects. âbut your point stands. common sense is perhaps the most effective survival tool.âÂ
children, with their inquisitive and imaginative minds, were adequate problem solvers. they didn't overthink things, instead utilizing a simple, pragmatic way of thinking.Â
he wouldn't mind raising a little scholar of his own with you.Â
heâd thought a normal amount about having a child before. typical musings, like when he would have one (after school, after securing a decent job). or what their names would be (esfir for a boy, laila for a girl). who would bear his children (the only person heâd ever considered was you).
but these arenât idle musings anymore. this time, the idea hits him full force, quickly spiraling into a hope. a dream for the future.Â
a boy with his eyes and your smile. a girl with your hair colour and his nose. how youâd raise them together, how theyâd grow to be intelligent, inquisitive, creative, and endlessly compassionate. Â
âsweetheart, there you are!â a relieved voice exclaims.Â
the girl sitting across from him perks up as her mother runs up to the table, her smile widening. âmama! mister alhaitham read me a book!â
âi'm so sorry she interrupted your lunch, sir,â the frantic mother looks sheepish as she apologizes, but alhaitham dismisses it with a wave of his hand.Â
âitâs alright. if anything, this experience has been rather enlightening.âÂ
_____
âthat's quite the stack,â you comment mildly when your husband enters the bedroom with an armful of textbooks. âwhich new topic have you been intrigued with this week?â
alhaitham sets the books down on the nightstand and answers, âconception.â
his answer is spoken simply, casually, like heâs talking about the weather and not one of the most life-altering decisions you could make as a couple.Â
âconception,â you repeat slowly. âlikeâŠâ
âyouâre a doctor. youâre aware of the biological process behind it.âÂ
âof course i am,â you say, suddenly feeling flustered. âi justâ weâve never talked about this before, haitham.â
your husband sighs, walking around to your side of the bed and sitting by your legs. âwellâŠi want to talk about it.âÂ
seconds pass. seconds that almost feel like a lifetime as you watch each other, looking for any unspoken signs of hesitation.
âitâs up to you,â he finally says, gently placing a hand on your ankle. âitâs your body, youâre the one who would be carrying our baby for nine months. if youâre not readyââ
you don't need to hear the rest, crawling over to cup his face in your hands and press a soft kiss to his lips. âi'm ready. weâre ready.âÂ
his eyes immediately brighten, and he momentarily leaves your grasp to reach across the bed to grab the topmost book from his stack. âthere are certain positions that we can try to increase our chances of conceiving. according to studies conducted in fontaine, this one has an effectiveness of 89.5%. itâs called a mating pressâŠâ
you wish you could say itâs the first time heâs propositioned you with educational literature.Â
âwait, you didnât ask me,â you giggle, threading your fingers through his hair and tugging lightly.Â
he pauses. âwill you try this position with me?â
âno, smartass. ask me to have a baby with you.â
your husband grins, hooking his hands under your ass to pull you into his lap. you gasp as he does so, his head dipping down to the crook of your neck. he says your name, lips brushing the shell of your ear.
âwill you let me put a baby in you, dearest?â
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Overnight Lovinâ
Sakusa Kiyoomi x Reader
cw: smut, alcohol mention, oral sex(f!receving), dumbification, dirty talk, whipped!Kiyoomi, mutually cumdrunk, PnV sex, creampie. Minors do not interact.
wc: 3.2k
This is not your bedroom.
As much as youâd kill for it to be. Silk cotton stuffed duvet a rich maroon in accordance to equally as soft sheets. Carefully shined mahogany floors checkered in wine colored Persian, a bedroom thatâs more fantasy love suite than any commonplace bedroom and fuck if this mattress isnât like heaven to lay on.
But this isnât your bedroom.
You point your nose to the oversized shirt flooding a little under your collarbones. Itâs just a simple horror tee. Dark colored kanji hovering over an illustration of Jason half obscured by cartoon blood and soft to the cotton touch. Itâs big enough to cover a good portion of your thighs that are⊠not dressed with anything. Huh. Yeah, you are- You feel up your modest covering with a quick pat down of your hands. - Completely naked under this. And honestly a little sore. A certain shift of your hips has your pelvic area throbbing back at you like itâs already tapping out, fingerprint bruises on your thighs that feel tender when you poke them; even your tits are sore - nipples perking under your shirt like theyâve already been prodded and played with. Whoever the hell you went home with last night gave you a run for your money.
Come to think of it, what the hell even happened last night? Last you remember you were twisting your hips against a bar stool while your college buddies raved on ecstasy and coke on the dance floor. â A Shirley temple was enough to start your party high without indulging in any illicit drugs, but youâve never been much of a drinker. That fizzy cherry vodka already had you buzzing, a few more of those and who knows whatâll happen.
You bite your lip against the grain of new life and newer feelings of lechery. You look too good and too soft not to be bent over a sink somewhere.
âThat sweet?â His voice turns your fine hairs into goosebumps. âLooks tasty.â
You gaze up at him with doey eyes so filled with mirth that it makes his palms sweat. âIt is.â
You slide your bottom lip through your teeth. Voice as pretty as you are. âYou want a sip?â
Heâs the smell of Dior and vetiver as he lifts the glass cuplet out of your hands. âSure.â
You donât remember who he was or what he looked like but just the memory of his raspy voice turns your sore throbbing into a needy ache. â If the way the sink in his bathroom abruptly stops with a moment of sluggish shuffling, youâre about to find out who exactly it was that rocked your world last night.
Youâre already looking up at him when the door opens with a neat click, his muscled limbs stretch his boxers in a way that can only be described as appetizing.
And then you get a good look at his face.
Oh. Holy shit.
Thereâs⊠Thatâs-⊠How? He looks exactly like he does on his teamâs magazine covers. JSMâs top ten lists, BungeishunjĆ«, and news outlets that brandish his face for a chance at watchability. Heâs even more handsome in person. Trademark resting bitch face does little to dilute how painfully attractive he is and if anything the intimidation factor is a bonus. As well as the fame, the money, and of course his position as one of the top most well known athletes in all of Asia.
His name precedes him, the renowned Olympic volleyball player feels even taller than the humble 6â4 his Wikipedia pages cite him as,
Heâs Sakusa Kiyoomi.
If it werenât for the disorienting confusion you may have screamed. This is the guy who fucked you last night within an inch of your life.
Your voice is a little raspy which is expected, but when you open your mouth your jaw is sore. âOhayĆ Gozaimasu-â
He clears the floor from the bathroom to the bed in just a few footsteps, you can barely react when heâs grabbing you by the jaw and tilting your head up for a better angle.
And then heâs kissing you.
The kiss is slow and sensual, so sultry that you moan a little in his mouth and he breathes into it with a deep hum. Heâs kissing you like he loves you, like heâs crazy about you and like he just canât get enough. The current of the kiss follows a savory kind of spit swapping that turns your inner thighs misty, and he pulls away with a soft smack that all but leaves a gossamer trail.
His thumb rubs circles on the soft of your cheek. âOhayĆ.â
Your heart skips at the little peck he leaves on your lips before finally pulling away.
He runs a large hand through his tousled hair as he moves for a dresser near the vanity. âI ordered us some breakfast that should be here within the hour,â
He pulls out a shirt. âIâd make you some breakfast from scratch but,â Sakusa tugs it over his head. âI figured itâd be cruel to subject you to my cooking this early on.â
You blow a humored breath out of your nose. âI appreciate the sentiment regardless,â
He approaches the bed again and sits himself down across from you, there are love bites on his neck that probably match yours. âI hope you slept well.â He hums. âI slept like a rock because of you, actually.â
Oh god, you donât even wanna know what kind of raunchy shit you were up to last night.
âI slept like the dead.â You crawl up to him, heâs already opening his arms for you. âWhatever you did put me out like a light.â
You fit in his arms so well itâs almost scary, he wraps his arms around you like he might never let you go. âUh, Sakusa-san?â
He furrows. âLast name?â
You smile apologetically. âKiyoomi,â You correct yourself. âI donât⊠remember a lot of last night. We came back here from the club, right?â
âYouâŠ?â Kiyoomiâs eyebrows shoot up incredulously. âYou donât remember?â
âNot a lot.â You shake your head.
He frowns.
But even still his hand rubs fond lines up and down your back, still holding you just as faithfully, and looking up at you like youâre the best thing since sliced bread. âWe marathoned a few drinks and then I had us dropped off at my place. I think⊠we started in the car, and then in my living room, and then the kitchen, the hallway, my bedroom finally; and then after a few hours we finished each other off in the shower. Around five we kissed until you eventually fell asleep.â
Kiyoomi traces the curves of your lips as he gazes fondly. âLast night was the best night of my life, I think. I donât know if Iâve ever been with someone who could make me feel so good.â He proclaims. âI hope itâll all come to you eventually, it was really something special.â
Well with the way heâs been treating you up to this point, itâs not like youâll have a hard time believing that. Every earnest caress and look of adoration, the way his voice timbres into a loving hum, so smooth it makes you shiver. Hopefully those memories do come back at some point. Youâll never live it down if you actually missed the best night of your life.
You muse it with a little pout at the thought of that, Kiyoomi debates leaning forward and sucking your bottom lip into his mouth. âHopefully I do remember then. It sounds like we had a lot of fun,â
Your pout drops after a short moment of consideration and you lean in even closer. The soft tip of your nose grazes in feather strokes as you skim it over his and slowly ease your lips down the path way to his, tasting his shuddering breaths as you hover there for a few painful seconds. But he all but melts when you finally meet. A chaste lingering kiss at first, a few sensuous short ones; you do him the courtesy and suck his bottom lip in your mouth instead. â Letting it snap back before youâre starting a trail down his cheek and kissing up until you're nosing under his jaw, using your loving hand to tilt his head up and give you the access that you seek.
He could buy you a ring right now, he wouldnât even regret it. You don't even remember what you two got up to last night and still youâre caressing him in a way that gives him goosebumps. If you keep this up, he might wind up funding your entire life.
You bring your head up again and pull him into another kiss. Slow and open mouthed, and he damn near purrs when you start pushing your fingers through his hair. âRegardless, you feel amazing.â You whisper against his lips.
God, you might be trying to kill him. âI wouldnât mind a refresher if youâre up for it.â
He sighs through his nose as he ducks his head to burrow himself into the crevasse over your shoulder, already peppering in searing kisses down your throat. âI was hoping youâd say something like that.â
Kiyoomi sucks in a love bite that makes you whimper so pretty. âIâm gonna make you feel so fucking good you canât take it.â
With the way youâre already making a mess in his lap, you believe him.
â
Heâs a good kisser.
Regardless of where his lips end up. Heâs a little messy, a little heavy with tongue, slow when it matters and firm when it counts. Heâs great with his mouth. Surprising since heâs known for being somewhat of a recluse in the opinion of the public eye. Some call him aloof, others call him cold, the majority call him intimidating, but right now what comes to your mind is giving.
The way he spits on your already messy pussy makes your eyes roll.
You inadvertently hump into his face as the combination of his tongue and fingers set the pit in your stomach ablaze. Heâs fucking you with his mouth so thoroughly that the skewlch of your building arousal reverbates throughout the room. You almost feel bad about how much your thighs are all but compressing the sides of his head, but every effort to lighten up on him has him tightening his hold on you to keep him locked against your sloppy cunt.
You hiss through your teeth as your fingers card through his hair. âF-Fuck⊠OmiâŠ!â
Kiyoomi moans against your clit at the wanton sound of your pitched voice. Airy, and breathy, and intoxicating. Heâs grinding himself so desperately into the mattress that heâs sure heâs gone sticky.
The veins in his arms pop as he persistently fucks his fingers into your tight little hole, sloppily sucking your swollen clit as the way you roll your hips into his face drives him crazy. âYouâre gonna make me cumâŠ!â You whimper. âFuck, Kiyoomi!â
That crude mixture of his spit and your cum is starting to form a little puddle under your backside, every bit of you he doesnât get to swallow he doubles his efforts to drink you up sprucely.
Hearing you teeter over the edge makes him feel like heâs following close behind. Your moans are so astonishingly pretty that itâs turning his brain all fuzzy. âFfffuck! Oh fuck. Oh my god, baby! Fuck-! I-IâmâŠIâm cummingâŠ!â
Kiyoomi groans drunkenly into your cunt as it suckles on his fingers, heâs so determined to drink every last drop of your cum that he almost comes off as depraved. Lewdly slurping you up as the way he desperately sucks on your clit makes you whine into the air. Still indulging himself in your mess even as you whimper from overstimulation.
He only pulls away because the way youâre begging for him to fuck you is sending him into a frenzy. âWanâ it so bad, Omi. Please? Do whatever you want to me. U-Use me up!â
âYeah?â Kiyoomi hums into your mouth as you suck yourself off of his tongue. âWant me to use you? Iâll fuck you till you cry, you know.â
Your misty eyes make his heart skip, the way the head of his cock catches your entrance feels like stepping into heaven all over again. âPlease, baby? Give it to me. âWanna feel you inside!â
He gapes a little as he presses himself in, so overwhelmed that his head falls into your shoulder and itâs an effort for him not to outright cry out at how fucking unreal you feel.
He thinks he might just be falling in love with you. Having a pussy like this may just be a hazard for his mental health, thereâs no way heâs letting this slip throughout his fingers. âOh my god,â Kiyoomi chokes. âO-Oh my fucking god.â
âYou feel⊠unbelievable, angel,â He starts his pace. God, fucking you is actually pushing him to the brink of insanity. ââŠoh my fucking-⊠s-so tight! So fucking wet for me, angel⊠holy shitâŠ- youâre so good to me, baby.â
His breathless praises are sending you alight. Heâs so deep in your guts that youâre sure youâd find a bulge if you looked down at where your bodies meet. âSo goodâŠ! So, so good!â
The way you hold each other is so desperate and devoted that it feels biblical. âI can feel you in my stomach, Omi⊠So deepâŠ! Y-Youâre⊠too deep!â
Kiyoomi grunts as he pushes himself in to the hilt and holds himself there for a blissful second. Grinding his hips in shallow circles that make you choke on your tongue, but you barely know the half of until heâs lifting up one of your legs.
And then the other, lifting on his knees till heâs hovering over your pretty face, - and then he starts pistoning.
The way your face contorts from a flustered glimmer of welling tears to a blissed out gape that cutens as your tears fall is enough to make his balls feel tight enough to burst. Never mind how fucking amazing this new angle is, watching you lose your mind under him as those pretty tits move to the current of his thrusts is making his brain feel all cloudy. â Heâs sure the eye contact heâs keeping is transparent in the fact that heâs turned a little love drunk. Ducking his head to press tempered kisses on your throat, but he canât help himself from the way his lips skim up to your ear and his mouth moves without him really thinking about it.
Itâs a pleasure induced haze, heâs sure. But he canât be forgiven for the absolute filthy things heâs saying to you.
âYou hear that?â He drags in a few particularly forceful thrusts that make you sob so prettily for him. âYouâre really soaking me up, huh.â
âIs it that good? You feel me deep in your tummy?â Kiyoomi swivels his hips. âS-Shit. What a pretty fucking noise that just was. Fuck, baby. - Oh, are you crying?â
âToo much?â But even still he presses more of his weight on you until every thrust is hitting you to the hilt. So deep that every other press of his hips forces a yip out of you that makes his face hot. â Heâs really starting to think he might be ruined for anyone else at this point.
âYouâre gânna take it for me anyway though, huh? Slutty baby⊠Youâre gonna let me fuck you brain dead? Fuck you till youâre all stupid for me?â
You sound as far gone as he is. âY- Yes! Yes!â
âYeah, thatâs it, angel. Such a⊠fuck⊠good fucking girl for me.â
You must be close to cumming cause youâre really starting to milk him for all heâs worth. Sucking him back in every time he pulls away and every moment he continues to fuck into you you only get tighter.
Heâs losing his mind. âOhhh fuck. Fuck! I swear to god Iâm gonna break you. Gânna - shit - gonna fuck you till youâre all mine, yeah? H-Holy shit-â
Kiyoomi groans at the way your fingernails start to dig groves into his back. âMhm. Mark me up, angel. Wanna see you all over me when weâre done.â
You grab a helping of his hair and hold on to it for dear life, youâre drooling at this point. âOh my god⊠oh mâ god, Kiyoomi⊠Iâm- Iâm gonna make a mess!â
âYeah?â Which obviously means heâs reaching down to rub messy circles on your clit. âGonna make a mess? Wanna soak me in your pretty cum?â
âGive it to me then, baby. Iâll fill you up so good when you do.â
You croon in his ear and it sounds like gospel.
And then youâre soaking the bed with your cum.
Kiyoomi doesnât let up even as your juices wet down his pelvis and legs. He doesnât stop his punishing thrusts or the rhythm heâs keeping on your clit, still whispering words of filth and praise in your ear, â and it looks like youâve completely lost yourself to the pleasure at this point. The way his name is clipping so desperately off your tongue is making his eyes roll into his head. And itâs just a few more moments of fucking into your spasming pussy till heâs following you off the edge.
âOh god. Oh my god.â He hisses. âMmmh - Oh fuck, baby. Iâm cumming⊠f-fuck! Iâm cumming. Iâm cumming.â
Oh god, even after last night thereâs still so much of it. So much and so hot. Just the feeling of clenching on his hot cum as he continues to fuck into you is sending you over the edge again. God, the sounds youâre both making. Thank goodness his penthouse is big enough to not worry about disturbing any of his neighbors, reinforced flooring probably snuffing out the sound of your debauched love making. Heâs never been the most vocal in bed but youâre making him whine into your ear like a cheap whore. And the sounds youâre making - Fuck, the sounds youâre making, he wouldnât be surprised if he turned his head and found the decorative plants near his terrace sprouting flowers. It shouldnât even be possible to sound that fucking good and feel this fucking amazing all at once.
Kiyoomi doesnât even realize that bed making firm clicks into the wall until he starts to slow up his thrusts. Gradually coming down from his high until his desperate movements become slow and sensuous grinding, still rocking into you even as you settle again in his arms.
He lifts his head to bring you into a lazy kiss, a little sloppy, a little butterfly inducing.
You sigh into his lips. ââŠHoly shit.â
Kiyoomi pulls away to press a few slow kisses into your jaw. âI think I just might be addicted to you.â
âYouâre telling meâŠâ You cross your legs over his back. âIs it too early to suggest we go steady?â
He snorts a little. âAs if Iâm letting you go anywhere after that.â
Kiyoomi raises his back to gingerly kiss you on the lips, so tender it feels loving. Even as he pulls away he seems ailed by it. He is ailed by it. He canât even imagine how heâll fare when he has to get up eventually.
His breath is warm against your lips. The way he speaks to you feels reverent. âYouâre stuck with me now.â
You smile. And he goosebumps. âArenât I lucky then?â
reblog uwu?
#sakusa kiyoomi#sakusa x reader#sakusa smut#sakusa kiyoomi x reader#sakusa fluff#hq sakusa#msby sakusa#haikyuu sakusa#sakusa fanfiction#sakusa scenarios#sakusa x you#haikyuu x reader#haikyuu!!#hq x reader#hq#hq smut#haikyuu fluff#haikyuu smut
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Anyone else but you
fluffy, night in with spencer, he's absolutely SMITTEN with you. no y/n, no gender specifics! (i imagine spencer in the gif attached but any is fine)
Face to face in bed, his hand on your cheek, caressing the smooth skin, eyes wandering over your face as if you were a piece of Roman art. The short glances, smiles, were nothing compared to the way his clear admiration in this form made you feel.
Spencer could feel the warmth of your cheek in his hand, a pink blush covering both of them when his thumb brushes just below your bottom lip. Stifling a laugh, he takes his hand away, slotting it under his own head, between him and the pillow.
"You look beautiful tonight, sweetie.." the tone is doting and warm, as always. He couldn't take his brown doe eyes away from you. From any of you.
If his eyes left your face they would slowly trace down your exposed neck, collarbone, the shirt you wore for bed. Or they would travel up, your messy hair, the way it splayed out against the pillow so elegantly, as if you were painted by Da Vinci. Maybe they'd go both ways, up and then down.
You were silent, but the smile that mirrored his, suddenly plastered on your face after his small but meaningful compliment showed him your appreciation enough. Sometimes you two wouldn't talk, instead, bodies tangled, taking each other in.
Comforted by the sheets, covering both of you, the small gap between you making it dip. Spencer had chosen them when you first moved in together, he knew you loved the stars, and how much you hated white sheets. Stains would show too easily, of course he agreed. So black sheets, it had to be, adorned with small illustrated sparkles, stars and one image of the moon in the top right corner.
They fit you perfectly, that's what he thought at least, as if all of his thoughts were never about you. They were.
He would never admit it, but you knew, maybe you had never known love before him. Maybe you were delusional, reading into the delicate man's looks far too much, constantly reminding yourself: 'hes the profiler here, not me!'. But it was so clear, so obvious in everything he did. Anything he brought home; flowers, jewelry, clothes, usually just a small pastry from down the road.
Every. Single. Last. Gift. Every interaction, already planned out in his head, he knows what you like, what you want, what makes you happy. He feels as though he's made for it, put on this earth just to make you feel good, feel safe.
You wouldn't have it any other way, neither would Spencer. Even when he came home to music he'd never listen to if he was alone, allowing you to take 'selfies' with him although he hates modern technology.
Then of course, letting you hold his hand, even when it's safer to kiss. But you do both anyway, so why does that matter?
#spencer reid#criminal minds#dr spencer reid#spencer reid fanfiction#spencer reid x reader#spencer reid x y/n#spencer reid drabble#dr spencer reid x reader#spencer reid x you#Spencer reid#spencer reid x self insert#criminalminds#spencer reid fluff#fluff
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Flowers
soft! Mattheo Riddle x reader
Summary: You just wanted your boyfriend to buy you flowers. He got a bit confused along the way.
word count: 1.2k
Â©ïž obsessedwithceleste. all works posted here belong to me and should not be reposted or copied in any way or form.
Youâd never been the type of girl who particularly enjoyed flashy, grand gestures. In fact, the mere thought of all eyes on you as a boy professed his undying love for you made you want to toss yourself off of the astronomy tower. And yet, here you were, watching as Lorenzo Berkshire presented your best friend, Daphne Greengrass, with yet another huge bouquet of gorgeous flowers and wishing your own boyfriend would do the same.
You let out a soft sigh, glancing at your boyfriend whose arm was wrapped securely around your shoulders as the two of you lounged on the sofa in the library. Matteo wasnât a bad boyfriend by any means. Really, you loved the way he showered you in attention, always eager to please. However, he wasnât exactly up to speed when it came to romantic gestures. Normally you didnât mind, but every girl wanted to be treated like a princess sometimes you supposed.
âOh Enz, these are beautiful!â Daphne gushed, giving her boyfriend a peck on the lips as he smiled adoringly down at her.
âAnything for you love,â the boy replies easily, taking the seat next to her, and pulling her in so that she was leaning into him.
âGeez, get a bloody room would you?â Theodore complains as the two cozy up together.
You roll your eyes at your friend. âShut it Theo, I think itâs sweet.â You then turn to your own boyfriend. âYou know Matteo, Enz gets Daphne flowers every week. I wish you did that.â
Matteoâs eyebrows shoot up and he gives you a confused look.
âReally?â He asks.
You nod earnestly. âI think itâd be nice.â
Matteo gives you another concerned glance before shrugging his shoulders.
âAlright, love.â He says, giving your shoulder a soft squeeze.
You smile warmly at the boy, resting your head on his shoulder before continuing your reading for ancient runes.
âIâm proud of you for finally sticking up for yourself, y/n.â Daphne says, placing her bag down as she takes a seat next to you in the Great Hall.
âOh? What chapter did we miss?â Pansy asks from across the table where she and Astoria sat.
You furrow your eyebrows, also confused as to where Daph was going with this.
âIn the library this afternoon, y/n finally got on Mattâs case about how he never does anything romantic for her. I mean, youâve been together for what? Almost a year? And I donât think Iâve ever seen him bring you flowers. Not once!â Daphne says, filling her plate.
âOh. I mean, I really donât mind all that much to be honest. You and Enzo just always look so sweet, I thought itâd be nice for a change. I donât really expect him to do it every week like Enzo does,â you reply.
âSee, but itâs the principle of it all isnât it? Of course I like the fact that Draco is constantly buying me random gifts, but I would be fine without them. Itâs that heâs thinking of me, and taking a bit of time to go out of his way to show me that, yeah?â Astoria says.
You tilt your head, considering your friendâs words.
âI suppose I never thought of it like that,â you tell her.
âWell you should. The bloody bullshit we put up with dating those boys, buying us nice things is really the least they can do,â she replies.
You let out a snort, laughing at your friendâs candidness.
As if to illustrate her point, the rowdy laughter of the boys could be heard from the entrance as they made their way over to your table. You frown as Matteo takes his usual place beside you, seeing a fresh cut on his cheekbone.
âMatteo Bartholomew Riddle.â You sigh, reaching up to touch his face.
âBartholomew? Bloody hell mate, Iâd have to avada myself with a middle name like that,â Draco laughs, plopping down next to Astoria.
He doesnât even flinch as your finger tips make contact with the cut, only sighing as he glares at Draco before looking down at you with his large puppy dog eyes.
âFuck off Lucius. And you know that isnât even my middle name, love,â he says, reaching across the table to steal a roll from Theoâs plate.
âWell you wonât tell me your real one, so Iâll continue making up ridiculous ones until then. Now what on earth did you get up to now, and how many days of detention did you get?â
Matteo frowns, jutting out his bottom lip at you.
âWhat makes you so sure I got a detention?â
You raise an unimpressed eyebrow at the boy.
âThree days. With McGonagall.â
You roll your eyes, shaking your head and turn back to face Astoria whose face practically read âyou see what I mean?â
âMan got into a scuffle with some Hufflepuff. Swear those yellow bastards look unassuming but theyâre demons,â Theo says filling you and the other girls in.
Matteo glares at his friend.
âSnitch,â he mumbles, stuffing the roll into his mouth.
âLike she wasnât going to find out anyway,â Theo replies, brushing him off.
Once again rolling your eyes at your boyfriend, you focus on finishing your meal, listening to the idle chatter of your friends as Matteoâs hand finds yours under the table.
By the following week, you had all but forgotten your request for your boyfriend to bring you flowers. When you saw Matteo enter the Great Hall with a large bouquet of assorted flowers however, a smile grew across your face. Then, your smile wavered slightly, growing into confusion as Matteo made his way to the other side of the table, tapping Daphne on the shoulder.
Daphne and Enzo look back at Matteo with utter confusion as your boyfriend thrusts the flowers towards your friend.
âUh. Here.â He says awkwardly as the two stare up at him with bewilderment.
You blink once. Then twice before Daphne breaks the silence.
âMatteo, respectfully, what the fuck?â She asks.
âLook, I donât know either. Iâm just as confused as you are,â Matteo says, shrugging his shoulders helplessly.
You look incredulously between your boyfriend, the flowers, and finally Daphne before realization hits you and your head drops into your hand. This bloody idiot.
âMatteo. Love. When I said, Enzo brings Daphne flowers every week, you should too, I meant for me. As in, you should bring your girlfriend flowers too,â you say with exasperation. Lord help you.
Matteoâs mouth forms an âoâ before he smiles sheepishly at you, rounding the table and now thrusting the flowers towards you.
âFor you, my lady,â he says proudly.
You let out a laugh, accepting the flowers as your boyfriend takes his seat next to you.
âMatt you are so lucky y/n puts up with your shit,â Daphne sighs, shaking her head fondly at the two of you.
âBut also, ever try giving my girl flowers again and Iâll curse your bed. I know where you sleep.â Enzo adds.
âYeah, yeah, I ainât scared of you Berkshire you big softie.â
âIâll Avada you.â
âIâd write you letters in Azkaban.â Daphne says sweetly as the boys continue to throw threats each otherâs way.
You shake your head at your friendâs antics, smiling softly as your fingers grazed the soft petals of the flowers your boyfriend had finally presented you with.
âThank you Matteo,â you say, briefly interrupting the boyâs loud chattering to place a kiss on your boyfriendâs cheek.
I know this is so short, but Iâve been wanting to write this scene for the longest time, and couldnât find a way to fit it into a longer fic đ«
#harry potter#harry potter universe#slytherin#slytherin boys#draco malfoy#lorenzo berkshire#matteo riddle#theodore nott#matteo riddle x reader#Matteo riddle x y/n#Matteo riddle fanfic#Matteo riddle fanfiction#daphne greengrass#pansy parkinson#astoria greengrass#mattheo riddle#mattheo riddle x reader
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Ralak te Sepawn ieykâitan: Special Episode VIÂ
Labor of Love - Part II
Masterlist ; Rut/Heat/Knotting Info
đ minors, do not interact đ
Hyperlinks are attached to specific paragraphs that when clicked on will lead you to its illustration by Ralak's insanely talented creator @zestys-stuff. Thank you so much for allowing me to play around with your characters!
Characters: Metkayina!Ralak (25) x Sully!Omaticaya!Reader (20) featuring Metkayina!ZuâtĂ© (29)
Warnings: zero smut, angst angst angst, mention of past trauma, expletives, pregnancy, contractions, heavily described labour, blood, mild physical violence, reader is really going through it, ralak is too but he'll be alright i promise, brother!neteyam makes a star appearance, cute family fluff, let me know if i forgot anything
Word Count: 6.5k
Requested: Yes || No
Authorâs Note: Hope you're enjoying your tour in angst town...we're almost finished. You could say we're nearing the final attraction, so continue to keep your seatbelts buckled. lol why am i like this? anyways... please don't hate me for this chapter, and i will try my best to get the next one out quicker so you guys can get some closure lool :)
Synopsis: You didn't plan for things to turn out this way. But no amount of denial can make reality go away...
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And when Ralak sees it, he almost caves in on himself. His mask of indifferenceâof intimidation, cracks. Hell, it shatters. Into thousands of pieces, scattered at his feet. Tonowariâs previous right hand. The banished. His karyu.
Time chips by at a torturous pace. You spend the first hour sitting on the beach, eating some fruit whilst watching what your brothers get up to. Neteyam, of course, is bearing most of the responsibility whilst Loâak and Tuk are taking a more easy approach to the day. Mom and dad made sure to leave them with a list of things to get done whilst theyâre awayânumber one being to keep an eye on their sisters.Â
Number one, check.Â
All that floods your mind is your mate and if heâs okay. You try to process everything heâs said but itâs all too much to wrap your head around. All too new. Your brothers arenât much help either, as they claim to be âout the loopâ as much as you are. You know it's bullshit, and probably just another thing that theyâve been ordered to keep from you so as not to âstress you outâ.Â
Regardless, itâs all you can think about.Â
Until you feel your son do a flip in your womb, big enough to make you gasp. Your hands immediately fly to your belly, feeling around to gauge his position. A pressure begins to grow against your bladder. One so intense it presses into your tailbone too. The pads of your fingers sink into the skin, tapping around as you make out a leg, then a knee. A hand to the left.Â
Is heâŠhead down? You think to yourself.Â
âEverything alright?â Neteyam asks, concern wrinkling his forehead. Â
âHm?â You look up, seeing the outline of his silhouette in front of the sun.Â
âYou okay? YouâreâŠyou look a littleââ
âOh, yeah. Everythingâs fine. Heâs moving a lot today.â You smile, catching Tuk excitedly running over in the corner of your eye.Â
âReally? Can I feel? Please?â She squeals excitedly, falling to her knees in the sand next to you.Â
âOf course, Tuk.â You smile, and place her hand on top of your stomach, right where his foot is. Only a few seconds pass by until your son gives Tuk a strong kick, making her mouth open with glee.Â
âWow! Tey, you gotta feel this!â Tuk exclaims, tugging your brother by the hand so heâs next to you too. Neteyam looks at you, unsure if youâre okay with it. You nod with a gentle smile, tugging his hand over to the other side of your stomach. His hand hovers as he hesitates for a moment, this is his first time feeling his nephew move. He gives you a final look, and gently rests his hand on your belly
A few moments pass and nothing.Â
âAww, he stopped moving.â Tuk sighs with a pout.Â
âPatience, Tuk.â You whisper, feeling him kick on cue. Her face lights up with a beaming smile and Neteyam seems to be in awe with wide eyes and slightly parted lips.Â
âWoah, y/n. Your tummyâs getting hard.â Tuk says innocently, looking at her brother to see if he feels it too.Â
âHm?â You hum, feeling a bit spaced out and achy.  Â
âIt is.â Neteyam lets go and keeps his hands to himself, feeling like heâs invading your personal space. A heat floods your back, and you feel your thighs spasm. You begin to groan, holding your breath until the strange feeling subsides. âHey. You okay?âÂ
You nod, finally release your breath, and hear Tukâs excited voice. âItâs all soft now!âÂ
âAll good.â You smile, but Neteyam doesnât seem convinced at all. âRonal says they are normal. They arenât the real thing. Mom had them with Tuk, remember?âÂ
Neteyams' features soften as he nods, prying his little sister's hands off of you. âEase up now, Tuk.âÂ
âSorry, sis.â She says quietly, ears laying flat to her head.Â
âNothing to be sorry about.â You say as you roll to your side to get up, shamelessly using Neteyam to gain some momentum. âThink itâs time for me to take a walk, though.âÂ
âYes, sure. Where are we going?â Neteyam asks, ready to accompany you anywhere.
âIâm going down to the rocks.â You emphasise on the first word, making it clear you need some alone time after being babysat all day. âI think Loâak needs some help with the net.â
Neteyam and Tuk look over to see their brother struggling with a tangled fishing net, and turn back to see that youâre already waddling down the beach.Â
ââ
Suddenly, Ralakâs back inside of his family marui pod on his iknimaya night. Trapped. Small. Powerless. Cornered by a person he once looked up to. A person he trusted. Manipulated by her heatâ her pheromones. A crime punishable by banishment. Forced to give, forced to receive. A betrayal heâll never forget. A face he swore to himself that he would never see again.Â
No wonder they âdemandedâ his presence.
Tonowari and Ronal lose their colour when their eyes land on her. Itâs been so many years. They quickly look over to Ralak, who is seemingly falling to pieces where he stands. The expression on his face is no short of pure shock and⊠terror. Truthfully, the last time theyâd seen such an expression on his face was the deaths of his parents and spirit brother. Jake and Neytiri arenât aware of whatâs going on, but they know it must be serious for Ralak to be soâŠexpressive.Â
They can even see his shoulders heave from how hard heâs breathing, and how his face of terror quickly morphs into something of fury. Tonowari notices the way he tightens his grip on his weapon, and his eyes as they gloss over red with rage. It takes a lot to make this man blind with anger. Tonowari knows if he doesn't step in now that this could turn sour in the blink of an eye.Â
ââ
Two.
Releasing a shaky exhale, you begin your walk back to your siblings. That was the second âpracticeâ contraction youâve had since starting your walk, and your third since coming here with your brothers. Your waddle is becoming more sluggish with each step and the fire in your back is beginning to burn hotter rather than fade out.Â
âNot now, little one.â You whisper as you caress your bump. ââŠplease.âÂ
Weariness sets in as you make it halfway back, making you perch on your knees to take a break. The fire spreads from your back to your thighs, and up your stomach. You brace yourself for the tight feeling, holding your breath in the base of your chest. You grumble a little, swaying side to side until it passes, which thankfully doesnât take more than a few seconds.Â
Three.
Finally making it back to the beach, you see Neteyam and Loâak hauling a few sacks on their backs, with Tuk skipping behind them. You overhear Loâak trying to convince Neteyam to let him be with the other warriors, and Neteyam reminding him of your parents orders. They stop mid sentence when they hear your heavy, muffled footsteps, taking one look at you and knowing that something isnât right. Loâak in particular, to your surprise.Â
âDamn. You look exhausted.â Loâak says, earning a jab in the rib by Neteyams elbow. âWhat? She looks like sheâs about to pass out.âÂ
âYou canât say that to a pregnant woman, skxawng [idiot].â Neteyam hisses.
âItâs fine. Heâs not wrong.â You say, tail dragging low and heavy behind you. Ralak still clouds your mind, and youâre eager to know if heâs back yet. âI want to go home now. I really need to lie down.âÂ
Neteyam just nods, understanding that something deeper is going on. âI will take you.âÂ
âI got it, bro.â Loâak interjects, plunking the sack off his back and onto the ground. Â
âStay with Tuk.â Neteyam orders, clicking for his skimwing.Â
âWhy donât you stay with Tuk?â Loâak snaps back.Â
âGuys. Please?â You sigh, waddling towards the winged beast, throwing a leg over its tough back. âIâll see you tomorrow. Come âteyam.â Neteyam smirks, making the bond with the beast and mounting it in one swift move.Â
As you arrive at your marui, you see ZuâtĂ© at the outside fire pit, concentrating on not burning yet another type of meat-on-a-stick. Hearing your arrival, ZuâtĂ© turns and acknowledges your presence. He puts down the sizzling meat on a leaf, allowing the fire to continue to burn as he begins to make his way over to collect you. Neteyam and him exchange glances and silent greetings, and suddenly the air is thick.Â
âRightâŠIâm going up. Thank you, tey. See you.â You say out of breath, giving him a quick hug.
âLet meââ Neteyam begins.
âNo, Iâm okay.â You cut off your brother, hualing yourself off the tsurak.Â
âRight. KĂŹyevame [see you again soon]. If you need me, send your watchdog.â He speaks clearly, holding you by the wrist to steady you as you get off.Â
âI will, tey.â You chuckle lightly and make your way to the marui. Neteyam waits patiently, making sure you get in safely.Â
ZuâtĂ© is only half way there when you reach the bottom step, already offering his arm for the stairs. You sigh and shake your head, hurriedly climbing the stairs as fast as your swollen ankles will allow it. For some reason, his gesture really annoys you. Your mood is off and you feel queasy and achyâlike your entire body is throbbing.Â
All you want is for everyone around you to stop babying you, and let you be alone for the rest of the day.Â
âI got it.â Your voice strains as you wobble ahead, leaving ZuâtĂ© and your brother behind. Neteyam remains silent for some time, locking eyes with ZuâtĂ©.Â
âKeep a close eye.â Neteyam signs with disquiet wrinkling his forehead. ZuâtĂ© gives him a puzzled look at first, but slowly nods when he successfully deciphers the message. Neteyam nods as well and dives underwater.Â
By the time ZuâtĂ© gets to the bottom step, youâre already at the top, clutching onto the railing as you lean forward in pain. You couldnât even make it into the pod without another hitting you so soon. You take a few deep breaths rather than holding it in, waiting until the tight feeling subsides.Â
Four.
ZuâtĂ© darts up the stairs to your side, offering a hand in support only to be swatted away. âWhat is it?â
âIt is nothing.â You catch your breath and insist that it was nothingâbecause it was nothing, right?
His brows furrow in disbelief, a look of concern washing over his face. ZuâtĂ© allows his eyes to fall to your bulging, veiny belly for the first time, taking in the sight. âYou were in pain.â
âIâm fine.â Youâre short with him, stony eyes staring into his.
âSomeone once told me no good comes from pretending that things donât hurt.âÂ
âWell nothingâs happening until my husband is back. Okay?â You try to remain nonchalant, to believe your own words.Â
He simply stares down at you for a bit, analysing your facial expression. Despite your stone cold facade, he can easily see the fear etched into your features. Fear that this baby may come before Ralaks return and that if you allow yourself to accept reality, then it may really come true. He glances down at your hand still stuck to the side of your stomach and swallows, looking back up to you.Â
âUnderstood.âÂ
âRight. Now...â You huff, contemplating if you should say what you want to say. You feel like telling him to back offâto give you some space. But heâs obviously just making sure youâre okay. â...I need to lie down. Just, keep an eye out forââÂ
âMy brother? Sure. Rest well.âÂ
ââ
âAyâana.âÂ
The Oloâeyktan lets out a lengthy growl, earning a look from the traitor herself.Â
âWaari.â She sings with a grin, shifting her leer to his mate behind him. âRonal.â Her eyes fall to her swollen belly, âYou are expectingâŠagain.âÂ
It wasnât a, âcongratulationsâ either, no. But rather a âI see that you are the most vulnerable.â
Ronal scowls, hissing through her teeth. Tonowari steps in front of his mate, blocking her from Ayâanaâs view.Â
It was one thing to commit kawngkem [a crime; evil deed] and be banished for it, but itâs another to seek uturu with the enemy. She is no longer considered to be among the âbanishedâ, but is now the âenemyâ.Â
Ayâana looks behind Tonowari, not at Ronal, but at the two deeper skinned, slender naâvis. She scoffs, the corner of her mouth pulling into an evil smirk, revealing her sharpened teeth. Tonowaris eyes widen when he sees that sheâs completely adapted to this vile peoplesâ ways by putting a file to her teeth. Her eyes flick past them to the last person, the most important.Â
âRalak.â She slowly moans his name as she peers up at him with sultry eyes, allowing her tongue to glaze over her canines. âSuch a pleasure.â Ralak winces, chest heaving violently as it fills with repulsion and loathing. âAh. I remember you being quiet, but not this quiet. Nothing to say to your karyu?â
ââ
A couple hours have passed and the pain is enough to disrupt your rest. The sunlight dulls with each passing minute, casting a familiar orange hue into the marui. It comes in waves, rippling through you like a bolt of lightning striking the tallest tree in the forest. Making it hard to tell yourself that things are okayâmaking it hard to keep things quiet.Â
âAgh!â You groan suddenly, feeling another jolt of electricity shoot up your spine. It stops you in your tracks, the tracks youâve been burning into the floor with your constant, nervous pacing. You quiet down into a whisper, â...please wait for your sempu [daddy], my child.âÂ
âYouâuhm.â You hear ZuâtĂ© clear his throat at the door, projecting his voice so that you can hear him through the curtain, âYou alright in there?â
âMmnâyes! Fine.â You grate out, making your way back to the bed to lie down. Your feet are so sore.
âHungry?â He asks, food in hand in the case you were.Â
ââm not.â You try to speak up, but youâre still in the height of the contraction.Â
He grits his teeth, leaning into the frame of the marui door. âI didnât burn it this time.âÂ
You wish you could laugh, but you canât even muster up the strength to raise your voice.
ZuâtĂ© lingers at the door quietly, knowing plain as day that you werenât okay. â...what about water?âÂ
âNo...Iâve got.â You say at a normal volume, finally released from the constraints of your pain.Â
You begin closing your eyes in hopes that sleep may find you, even if it's just for a few minutes. ZuâtĂ© remains at the door for a moment longer, feeling so helpless and useless. He sinks back to the floor, putting down the meat and picking up a new, special piece to weave.Â
Weaving passed the time, distracting him from the tiny sounds that managed to escape your mouth.Â
Until night fell, and those tiny sounds morphed into deep, lengthy groans and high pitched wails.Â
ââ
âLet us begin.â Tonowari speaks over Ayâana, averting all attention back to their leader, another female that goes by the name of âVarangâ.Â
Sheâs almost grey in colour, embellished with a red headpiece that resembles something of an ikrans wings. Her eyes narrow as she looks straight at Tonowari, standing close to his height.Â
âLet us.â She hisses with a smile, leading Tonowari to a smaller, private room sectioned by a leather curtain. She motions to Ayâana to accompany her, leaving the rest of her men to stay with the others. Tonowari lets out a soft grunt, and grits his teeth. He knows he must choose, but his mate is heavy with child and Jake has no interest in leaving his mate in such a place alone. Therefore, he must choose his right handâRalak. He motions with a quick tilt of his head, prompting Ralak to clutch his weapon close to his chest and follow closely behind.Â
ââ
âY/n.â ZuâtĂ©âs at the curtain again, half considering to pull it back and come in on his own terms. But he would never invade your privacy like that. And by the sounds of it, things are picking up. âDo you need the healer?â
âNo!â You shout out of breath, wobbling to the door with a hand clutching your stomach. You lean all your weight against the wall, knowing heâs on the other side waiting. âNo healer.âÂ
Youâre drenched in sweat, sliding down the wall to sit on the floor. He hears your back slide against the surface, and he mirrors your movements, sitting on the floor too. Only a wall sits between your backs, separating you two.Â
âYouâre in labour.â ZuâtĂ© speaks, his poor attempt at urging you to face reality.
You know that. Of course you know that. But you donât want it to be trueâyou didnât expect it to happen this wayâyou didnt want it to happen this way. You take a few deep breaths, concentrating on breathing through the remainder of this horrible feeling. And when itâs finally over, you rest your head against the wall and close your eyesâleaving silence to fill the air.Â
Where are you, Ralak?Â
ââ
The room is much smaller than the one they were in, equipped with some sort of table or workbench with a few spears and bows mounted on the wall. Ralak stands quietly behind Tonowari, as does Ayâana to Varang.Â
As they negotiate the terms of the treaty, Ayâana keeps her eyes locked onto Ralak with a smug look on her face. Her hungry eyes wander, shamelessly taking in every inch of the man before her, surprised by how much he has changed. Heâs much bigger, more filled out in his warrior attire. His musclesâmore defined, thicker. His skinâcalloused and scarred. Inked, unlike before.
And as her eyes trail down the line between his abs they lay upon the six stripes that peak out over the band of his loincloth. Her eyes widen and glisten with greed before darting back up to his face, meeting his eyes that bore into her fearlessly.Â
Whatâs worse is that she can see that his mind is elsewhere.Â
That his mind runs on you. Youâre all heâs been thinking about since he stepped off the reef. He feels deep in his heart that something isnât right back home. That you need him. That perhaps, youâre calling for him right now, swollen and heavy with his child.Â
And it bothers her.Â
âIt is decided, then.â Tonowari speaks in a confident tone.
âYes, it is.â Varangâs smile is uncanny as she unsheaths a small, double edged knife from her hip.Â
She grabs Tonowari by the hand, placing the blade in the middle of his palm, and closes his fingers around it. She rips it from his hand, drawing blood, and then hands Tonowari the knife and gives him her hand. He returns the unsettling act, slitting her palm. She keeps a smile on her face, locking hands with him until their blood combines and drips to their feet.Â
Supposedly, it is a method of establishing some level of trust between the two. Where each has the ability to do much greater harm, but makes the deliberate choice not to. Then, when blood has been drawn, it is mixed by bringing the hands together, sealing the treaty.Â
âBound by blood.â Varang whispers, letting go of his hand to bring hers to her mouth for a taste.Â
She sighs and smiles, popping a thumb in her mouth before gesturing to him that they leave. Tonowari fights the flinch on his face, disturbed by her behaviour. Ayâana stays back, watching the two leaders exit the room. But as Ralak is about to leave behind Tonowari, Ayâana calls for him.Â
ââ
Another couple agonising hours pass, and youâre constantly changing positions in hopes of finding some relief. Desperation sets in, making you beg the great mother herself to guide you through this. To bring your mate back home. But thereâs still no sign of his return. The night dew settles on all the surfaces around you. Pacing no longer helps, leaving you to take refuge in your bed, panting and shivering.Â
No matter how much you twist and turn, your stomach only tightens more. Deep groans rip past your lips to cope with the feelingâthe pain shooting through your core. Beads of sweat roll off your body at an alarming rate, soaking the sheets on your bed. You feel him move further down, his head now sitting plush in your pelvis, creating an immense pressure thatâs almost unbearable. His feet press into your ribs, and with each strained breath you begin to yearn for your mate more and more. For his comforting touch. For the bond. Â
âRalakâŠâÂ
ââ
âRalak.â She sings, making him stop dead in his tracks. âA word.âÂ
His ears tuck back and he looks at Tonowari, who gives him a begrudged nod. Ralak sighs and turns around, fixing his mask of indifference tightly to his face. He remains silent, his hand practically bonded to his spear.Â
âStill tight lipped, hm? Come now, tak. That is no way to treat your karyu.â She speaks in a condescending tone, approaching him warily.Â
Ralak nearly takes the bait, a heat growing in his chest so hot it makes his jaw tense. How dare she call herself that? To taint such a word? He swallows, taking a single, deep breath to recenter himself as he looks away from her.Â
âI have to admit.â She steps towards him, the crown of her head meeting the bow of his shoulder. âYou have grown into a fine man. You are taller than me now.â Â
Ralak just looks down at her, still as stone, his mind consumed with the fact that he could be on his way home to you but thisâŠvile creature is keeping him away. But he will do what he needs to keep you safe, even if it means to tolerate this for the time being.Â
With no reaction, Ayâana grows frustrated and begins circling him, a single finger tracing around his body.Â
âYou knowâŠMy body still yearns for you.â She speaks with a sultry voice, stopping at his side and bringing herself to the tips of her toes to whisper in his ear, â...especially when Iâm in heat.â
For a second, Ralak succumbs to her tactics, the ones she used to use on him years ago. A memory, forcibly resurfaced, reminding him of the way she whispered in his ear on that night. It makes him feel so small. Impotent. But only for a second. Ralak recoils, stepping back to create distance between them. He towers over her, dwarfing this small, lanky woman, regaining his confidence and power.Â
âIs that all?â He growls, looking her dead in the eyeâfacing his past with no fear.Â
Facing the reason why he lived in a bottle before he met you. You. You. He can feel you. He can feel you yearn for him and heâs ready to come home to you. For this to be over.Â
Heâs too focused on you to even notice Ayâanaâs face of shock. Shock to know that sheâs been releasing her pheromones this entire time and heâs been completely oblivious to them. Which only means one thing.Â
âYouâre mated.â She gasps.Â
And heâs back.Â
Staring at a mirror now that he is, too, in a state of shock. Ralakâs heart leaps out his chest, beating so hard that Ayâana can hear it. How could she know that? He watches as a grin spreads across her face, ear to ear. She knows sheâs got him now, despite the jealousy bubbling inside her. She could use this to her advantageâit didnât matter to her that heâs called for, after all.Â
âUsing tsaheylu for such useless things.â She bellows a wicked laugh, which fades out when she sees an even more serious look on his face. A look that tells her heâs trying to mask something more, something deeper. âOh? Is there more to it?â The twitch of his brows and quick flare to his nostrils reveals the truth. âI have to know. What is it, hm?â She nears him once more, two fingers walking up his chest. âCome now, you were never this hard to read.âÂ
Ralak remains silent, focusing on slowing his heart rate.Â
âIs she ill?â She asks as she searches his eyes, fingers grazing across his quivering jawbone. âNo, no. Itâs not that.â She sighs, stepping closer and closer until his back hits the wall. He moves his head away from her touch, still looking her in the eyeârefusing to be the first to break eye contact. Her eyes light up and her ears stand tall.
âShe carries your child, doesnât she?â Her eyes gloss over green with envy. âPregnant.â
Ralak swallows his spit, the lump in the column of his throat quickly undulating.Â
âThere it is. I knew you would make strong babies.â Her hand slips down his chest, slithering over his abs and down to the twine of his loincloth, causing him to jolt. âRalak.â She moans his name slowly, âOh, Ralak. The last I see of you, you were barely covered in this vile ink with no one at your sideâŠand now you are mated and a father to be.â Her fingers tickle the raised skin on his most intimate tattoo. âI have always longed to be bred by you.â Her fingers attempt to burrow themselves under the band of his loincloth.
âEnough.â He lets out a deep growl, shoving her away, dropping his weapon in doing so. She loses and quickly regains her balance in a few seconds, throwing herself on him. He grabs her by the wrists, restraining her with ease so that she canât come any closer to him.Â
âPerhaps we need to renegotiate the terms so that you are a part of them, yes?â Her voice is full of desperation, trembling as she strains against him. âHow does that sound numeyu? You know we have a population problem, right? We could all use you.â
âI have no interest in being your stud.â Ralak spits, forcefully shoving her away, causing her to stumble back and for her head to hit the table.Â
He moves quickly, picking up his spear off the ground and heading for the door. She lunges at him, dagger unsheathed from her hip and armed in her hand, whilst her other arm snakes around his throat to pull him onto the ground.Â
During the struggle, Ralak drags her off his back, resulting in a nasty gash from his collarbone and down his shoulder blade. He hisses from the burn, instantly assuming an offensive stance to plunge his spear through. Ayâana returns the hiss, crouching with her bloodied dagger ready to strike. Â
âI will kill you.â Ralak threatens, nearing the pointed tip closer and closer to her chest. âAnd I will take great joy in doing so.â Â
âIs that right?â Ayâana hisses, tail wagging in excitement with unsettling smile spread across her face. She looks as if sheâs toying with him. As if sheâs playing a game and sheâs winning. âLet me have a taste of you.âÂ
âNĂŹtam! [Enough!]â Tonowari roars as he yanks back the curtain, instantly averting Ayâanaâs attention to him. Perhaps it was her roots calling her to respond to her true leader. Varang appears beside him with a scowl stained on her face, displeased with her subordinate. One more move and the treaty wouldâve already been broken.Â
âEasy, Tak.â Tonowari murmurs, and Ralak relaxes into position next to him, blood trickling down his chest and back.Â
âCome with me.â Varang snarls at Ayâana, seizing her by the queue.
âNight has fallen. We will take our leave.â Tonowari speaks roughly, trying his hardest to contain his anger as he rests a careful hand resting on Ralakâleading him out the room.
âIn another ten years, Oloâeyktan.â
Tonowari grunts as he and the rest push past the swarming ash people. As soon as theyâre far enough, he stops Ralak and has Ronal safely look at his wound. Itâs weeping and open, prone to a nasty infection if not dressed immediately. She unclasps her medicine pouch from her hip, and retrieves a small bottle of iridescent liquid, a viscous concoction of herbs, and a needle and thread.
âCome, son.â Tonowari speaks softly, ripping the cork from the small bottle with his back teeth and spitting it on the ground. âThat vonvĂ€â.â
Ralak sits on the nearest rock, elbows propped on his knees and head hung low to hide his face. Jake and Neytiri observe in silence, cringing as Tonowari douses the gash with the liquid as Ronal prepares the needle and thread.Â
Ralak groans, biting down tooth on tooth.Â
Tonowari leaves a little left in the bottle, offering it to Ralak who is visibly trying to keep it together. He plucks the bottle from Tonowariâs hand and knocks it back, puffing out a sigh.Â
âKeep still.â Ronal orders, driving the wooden needle through his skin.Â
Ralak grumbles, letting his head hang between his knees and his hair fall forward. At this point Neytiri looks away, but Jake canât. His eyes are plastered to the scene unfolding before him as he recognizes his son-in-lawâs strength and perseverance.Â
âThat should hold until we are back.â She declares, gathering her supplies and stuffing them back into her pouch.Â
âIrayo [thank you], Ronal.â
âYouâre strong, boy.â Jake mumbles, patting Ralaks back as he gets up. âAnyone care to explain what the hell happened back there?âÂ
Ralak just shakes his head, leaving Tonowari to speak for him. âI will explain on the way back. You all have someone waiting for you.â
Ralakâs ears spring up at the thought of you, giving him a burst of energy to spring to his feet, gather his gear and lead the trek himself. The women walk behind him, concerned about his wound. Tonowari and Jake are left at the back, sharing a look before they begin their journey.Â
ââ
âFuck. Fuck.â You pant, looking down at your trembling hands that sink into the bed through double vision. You sway from side to side, trying to take steady, deep breaths, but the pressure between your legs is starting to make you panic. The possibility that you may have to do this alone is quickly becoming a reality.Â
ZuâtĂ© is the one doing the pacing now, unable to sit still in his spot for much longer. He has long abandoned his woven pieces, burning lines into the patio floor as he walks back and forth outsideâconflicted on his next move.Â
He doesnât want to go against your wishes and call a healer without you requesting it. But he must keep his word to Ralakâto keep you safeâwhich means calling for a healer. He chews on the toughened skin on his thumb, listening to your continuous whimpers and whines. By the sounds of it, youâre in active labour now, ready to give birth at any moment.Â
ââ
A few hours have passed since they started the trek back home. Everyone has fallen into new positions that work for them. Ralak, eager to be at his pregnant mateâs side, leads the pack, clearing the path for the others. Jake and Neytiri stay not too far behind him, keeping a vigilant eye on their surroundings. Tonowari and Ronal are far at the back, linked together as she trudges on despite her extreme weariness.
âLet us take another break.â Tonowari speaks quietly to his mate, hand on her stomach. They share a look, speaking to one another with their eyes. She doesnât want to hold up the group much more than she already has.Â
âNo. We are almost thereâugh!â Ronal lets out a sudden groan, clutching her stomach as she doubles over.Â
Everyone stops dead in their tracks, turning around with wide eyes. Tonowari supports her, and carefully walks her over to a nearby fallen log, lowering her down onto it. She takes a few deep breaths as Neytiri and Jake rush over to her.Â
âIs it time?â Neytiri asks, crouching down next to her. Ronal nods once, completely in tune with her body and aware of exactly whatâs happening.
Which is why she insisted they continue, or else she wonât make it back in time. Ralak watches at a distance, his face contorting with sheer worry. No, borderline distress. He looks almost mortified, but not for the reasons that one may think. They all know why, it's obvious. If Ronal is in labour,
âŠthat means you probably are too. Â
âGo ahead.â Ronal pants, beads beginning to form at her temple.Â
But Ralak doesnât move. He canât move. Heâs at conflict with himself. An internal battle of knowing that he should stay and help, even though he really wants to goâneeds to go.Â
âWe got it, son. Go to her.â Jake huffs as he helps Tonowari lift Ronal to carry her. âGo on!â He shouts, prompting Ralak to look to his father figure for approval, to which he meets him with a quick nod before averting his attention back to his labouring mate. And with Neytiriâs soft smile of reassurance, Ralak takes a few steps back before turning his heel and booking it home.Â
ââ
âHaahâŠholy fuckâholy fuck.â You moan, feeling another contraction start up and the pressure between your legs intensify.Â
This one has you on your hands and knees, clutching the bed head so hard your nails dig into the wood. Itâs undeniable now. This baby is coming whether you like it or not. And as the contraction reaches its peak, you scream.Â
âZuâtĂ©!â It pains you to cry out for his name and not your mates. Hearing your callâyour permission to enterâhe finally bursts through the door and rushes to your side.Â
âIâm here, Iâm here.â Heâs out of breath and on edge.
âI thinkâoh godâI think the babyâs coming!â You cry out, swooping your hand between your legs to try and feel whatâs happening.Â
âShit. Like now? Like right now?â ZuâtĂ© panics as he watches you, hands hovering around you, unsure of what to do.Â
âI d-donât know! IâI donâtâI want Ralak! Fuck, fuck. I want lak!â You cry out in sheer agony. âI want my mate. I-I need him!âÂ
âY/n. Eywa.â Desperation is potent in his voice now.Â
The fact that youâre calling out for his brother means the time has come and he feels like a fool to have let this get this far without stepping in. He swallows and takes a breath to calm down, just as your contraction ends and leaves you sobbing on your knees.Â
âIâm getting the healer.â He says firmly, turning his heel to leave but you grab his wrist before he can walk away.Â
âNo! Donât leaveâŠPlease donât leave me alone.â You beg, fear glossing over your eyes until it spills onto your cheeks once more. He looks at you with furrowed brows, lamenting for you. Now heâs really conflicted, because this meansâŠitâs him or no one.Â
âAh, shit. Shit. Uhm.â He rakes his fingers through his scalp, thinking about his next move. Heâs seriously considering going regardless, able to see the situation for what it is.
âPlease, ZuâtĂ©.â You plead weakly, slowly lowering yourself onto your behind and off your knees, leaning back into the bedhead.Â
âOkay, okay.â He nods and you let go of his wrist, immediately using your hand to support your stomach. You let your eyes close, theyâre swollen and heavy. âUhâright, right.âÂ
For some reason he canât stop repeating himself twice. Perhaps itâs his way of keeping grounded. He heads straight for the bucket of water and rag to bring it over to you. He dips the rag into the water, and wrings it out. You barely open your eyes at the sound of the bucket making contact with the floor, and see that heâs nearing you with a damp cloth and raised brows. Heâs waiting for your go ahead.Â
âYes.â Your voice is hoarse and trembling.Â
ZuâtĂ© begins to wipe away the sweat thatâs dripping in your eyes, your forehead, neck and chest. Dipping the rag back into the water, he wrings it out once more and wipes down your shoulders and arms. You canât help but sit there and close your eyes, allowing him to do it all, exhausted.
Feeling something press against your lips, you open your eyes in a daze. ZuâtĂ© holds a cup of water to your mouth, and you drink ardently, gasping for air and closing your eyes when itâs emptied. Sleep calls to you, taking you as you barely manage to mutter out a weak, â...thank you.âÂ
ZuâtĂ© calculates another five minutes before your next contraction, giving him enough time to fetch a fresh pail of waterâsomething absolutely necessary for the birth. He leaves you sat up against the bedhead, rag on your forehead as you sleep. But not even three minutes go by before he hears your languid moan.Â
Abandoning the bucket, he rushes back into the marui, finding you standing and holding onto the marui stilt with one hand as the other tugs at the strap of your top. Seeing you try to undress has him stopping in his tracks and turning his head to look away.Â
âY/nââ
âUghhaaââ You grunt, untethering the knot of your top. Your body is trying to get comfortable for the birth of your son now, and these pieces of cloth feel suffocating. âGet out!â
With that, ZuâtĂ© turns and retreats back to the patio, hands on his head as he begins to make his plan. If he flew on his skimwing, he could make it to the village and back with a healer in about ten minutes. But would that be enough time? What if you didnât have ten minutes? Your pained groan turns into a howl and it makes his ears twitch.Â
By the sound of that, you might not even have five minutes.Â
âCome on, baby brother. Donât make me do this. Please. Donât make me go back in there. Oh shitâIâm going to have to go back in there, arenât I? Eywa. Eywa. OkayâItâs okay. I can do this. Childbirth. Itâs just childbirth. Right? Right.âÂ
ZuâtĂ© tries to convince himself that heâs capable of this despite this not being what he signed up for.Â
âOkay, Toto. Just do it. Go in there.â ZuâtĂ© sounds breathless as he speaks to himself, turning around to face the door. He hears your whimper and his jaw tightens. âShit. Okay. Right.â
Just as he raises his hand to pull back the curtain, he hears a winded voice.Â
âBrother.â
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