#after all that’s the business/realm that i work in primarily!

[aceofthyme]

for the bttf asks: 😊🎵🖋️🕰️

thank you for the ask my dear friend!!

😊if you could be best friends with one of the characters, who would you choose and why?

I think we all know it would be Doc. Aside from my desperate desire for father figures Those who know me know that I’m very much a science person and that I get up to wild things all the time (like that one time I created a low-powered taser out of items in my purse…or when I built a morse code machine…or all of the chemistry experiments I do in my spare time…I could go on…) and I feel like Doc would not only appreciate that but that we’d have some great project feedback energy. Fluid dynamics (rather than the physics of standard motion or quantum physics) was always my strong suit in the realm of physics, but I was always good at chemistry, and at the very least musical!Doc mentions that chemistry isn’t his strong suit, so that would be a fun little pairing (although of course anything that isn’t Doc’s ‘strong suit’ is still probably leaps and bounds better than the average person). I’m rambling at this point but the summary here is that I think we’d bounce well off each other intellectually and our personalities aren’t super far from each other. I think any of my friends can vouch for the fact that I have a very similar manic energy when I’m in the throes of it y’know?

🎵if you have listened to the musical soundtrack, which song is your favorite and why?

I have not only listened to it but seen it live (four times now! don’t start me on the fact that they’re closing on Broadway I will cry). It’s incredibly difficult to pick a favorite song, so I’ll narrow the criteria a little bit—my favorite song to listen to is different than my favorite song to sing! My favorite song to listen to is probably It Works, but part of that is because I love Doc so much (admittedly it’s also because I laugh when I think about Roger almost ‘falling’ off of the DeLorean when he tries to climb up on it). The ‘who are the girls?’ bit is one of my favorite parts of the show, and I’ll take a moment to talk about that. Back to the Future is a musical that knows it has solid comedic moments. It knows that it breaks some of the walls of normalcy, that it sometimes breaks the fourth wall, that it is built on a framework that allows for a bit of the ridiculous and the fun—and it takes that and embraces it, which is so important for a show like this. You have to be able to have fun with yourself, and know that there’s a little bit of ridiculousness going on, for it to work. I believe this is talked about a bit in the book on the creation of the musical, but it’s absolutely true; this is a show that knows what it is, and that is a major key to success not only in the formation/logic of a show but in connecting with your audience. I’ve now gotten very far away from the question oops My overarching point here is that the reason why the musical works (hah) is because of moments like in It Works, but it’s also just fun for me to put that on while I’m driving and pretend to do the choreo. While driving. The spirit’s there, anyhow,

(I enjoy singing Pretty Baby because I’m a filthy little soprano okay)

✒️you are hired to write/draw a new bttf comic, and it can be about whatever you want. what in the bttf universe would you want to expand on?

Aw man what a great question! Firstly, definitely write, we all know I cannot draw. Secondly. Wow. Okay. There’s a lot here to think about, and this makes me glad that I’ve actually read the comics. I would love to just see…some normal-ish stuff? I know that’s broad, but what I mean is that…I know it’s hard to have a storyline without stakes. You have to have something to push the plot along, to entice the reader, et cetera et cetera. That being said, I’d kind of love to just see Doc and Marty hanging out and being friends, y’know? I’d also love more about Doc’s childhood, or Doc and Clara things, but the friendship between Doc and Marty is so important to me, I’m always down for more of that!

🕰️if you were to insert yourself into the trilogy, what year would you come from?

Hahahaaaaa okay for me personally, the logical answer is the present (2024), but if I like…had the choice of what era I was from (I’m…assuming that’s what this means? I have low comprehension sometimes) that makes the choice a lot harder! I’m a fan of the 1920s and 1940s (the latter in a sense of “I have Jewish generational trauma” okay) but I’m also a massive history nerd and at least one of my alters would absolutely rock with being from like 1860. I think I’m too wild to come from any time earlier, I’d probably be labeled a witch or something. Kind of interested to see what era people would think I belong in, though?

[burr-ell]

Sometimes Things That Shake Up the Status Quo are Worse

I keep seeing people insisting that Exandria "can't return to the status quo, which was bad", but rarely do they say anything in support of that argument beyond "the Primes pick and choose favorites!". And while I'm not confident the show itself won't try to make that claim, the reality is that it just isn't borne out mechanically or narratively. Laying aside that non-Divine Soul sorcerers exist (like, and I'm just spitballing here, Aberrant Mind Ruidusborn), the gods work primarily through the on-the-ground efforts of clerics and paladins—people who have actively and consistently put in the work to devote themselves to the divine. This is a setting where resurrection magic, which relies on divine power, has been intentionally made more difficult than it is in DnD rules-as-written. Even clerics only get access to Divine Intervention at level 10 (when they've already spent a long time devoting themselves to their deity) and up until level 20 the chances of it actually working are vanishingly small—and level 20 clerics are both hard to come by and ultimately still limited.

In the rare event that the Prime Deities choose to bless someone who isn't a cleric or paladin, it's someone who has a good reason to have gotten their attention. Vax offered his life during a divine ritual in the burial site of the Raven Queen's most devoted champion and then actively committed himself to her cause. Yasha was an aasimar being mind-controlled by a devil who wound up at a divine altar and chose to worship Kord after he freed her. Orym is the devoted widower of someone who is in Melora's realm and was present at a ritual in a temple associated with Melora, and one of his companions prayed at a shrine to Melora on his behalf. Vex was directly in front of Pelor, had taken a leadership position in one of his sacred cities, and had received a vision from him directly—and even then, she had to earn it. Scanlan also had to earn the right to Ioun's favor and complete a trial, and had previously shown qualities and values that she believed were fitting of her champion. Fjord was a companion of a devoted cleric of Melora who had sought her help in keeping Uk'otoa sealed and made requests of her on Fjord's behalf, and Fjord also chose to meditate and then became a paladin devoted to her.

And in Exandria, if you don't want to follow a god, you don't have to. Percy, Keyleth, Grog, Beau, Veth, Caleb, Essek, most of Bell's Hells, the average commoner in the various cities the parties have traveled to—whether they outright dislike the gods as a whole or just don't have an interest either way, they're all capable of thriving with or without them, and indeed their problems are almost entirely caused by mortals. It's especially egregious when you consider that cities like Avalir were around during the Age of Arcanum, when the Prime Deities physically walked Exandria, and people like Laerryn, Patia, Zerxus, and Lacrytia Hollow—openly disdainful of the gods or even trying to create feats of magic to get on their level—were continuing business as usual. The previous god of death not only willingly abdicated in favor of a mortal during this time, but outright helped her do the job!

The Prime Deities can't win. If they didn't give anyone any power at all, they'd be viewed as selfish. If they'd stayed on Exandria after the Calamity, they'd be foolish and reckless. They're simply not capable of intervening and helping everyone, so they're labeled capricious. If they leave Exandria, they're abandoning not only their refuge and home, but also the people who need and rely on them. You can argue that "no one should have that much power" all you want, but I think it's exceptionally silly to take an argument meant to criticize the wealthy and powerful of our world (whose only unique quality is ultimately that they got lucky) and apply it to fictional deities (beings who are powerful by their very nature) who, while flawed, also think they're too powerful. They tried to protect Exandria from themselves and the Betrayers while still using their power to do right by the people there, and for the most part it was working just fine.

The "status quo" from before all this was and still is the best compromise available. No one has managed to sell a better one that doesn't amount to "cater to my blorbos and my self-indulgent idea of revolutionary politics, which may or may not also ultimately circle back to my blorbos". I think that's pretty telling.

[bratpak]

FLORIAN SANICO is the young, hot, and not rich CEO of ACIDIC RECORDS. He only acquired Acidic Records after his stepfather's passing in 2020. Being born in the Philippines in 1988 to a single mom, Florian grew up primarily raised by his grandparents until his mom found her future husband when Florian was just seven years old. Florian's stepfather would embody the term "the father that stepped up," immediately taking on the father role in Florian's life that the little boy so desperately wanted. When he was ten years old, Florian's father, a South Korean man, would relocate the family to South Korea for his work and to provide a better life for them, which he most certainly did. While in South Korea, Florian would attend the most expensive international school and the most prestigious universities there, obtaining degrees in business management, marketing, psychology, and international business.

Money has never been an issue for Florian if you can't tell.

Acidic Records was a mere side quest for his father, only housing underground indie soloists and producers. They never did anything noteworthy until Florian was appointed CEO in 2020, immediately opening auditions for their training program. Florian has always believed KPOP was where the money was, and his father was just too old to handle the times.

He was...almost right!

With the debut of BRATPACK in 2022, Florian found it much more difficult to break into the KPOP market than planned, initially losing a lot of money in the BRATPACK venture. However, with the group's rapidly rising success and album sales, Florian might not be such a failure after all.

ALMANDA SUMMERS is the alias of the creative director of BRATPACK. No one knows who she is or has ever seen her face. No one can find anything about this woman; seriously, she is a mystery.

Besides her Twitter account.

Almanda, believed to be a woman in her late twenties, is very active on Twitter and Instagram, often posting pictures of her visions for the group and commenting on recent events in the KPOP realm. Though she is quite loved by the fandom, some people believe she is an instigator and gets BRATPACK into drama they would've never gotten into if Almanda just turned her phone off.

Either way, her constantly running mouth doesn't derail her from being one of the most known and sought-after creative directors in KPOP at the moment. Bringing forth aesthetics and ideas the genre has never seen before or has left untouched for too long in her opinion, Almanda is an icon and legend in the making.

TONYA FUKUI is a former African-American—Japanese supermodel whose career was cut short due to a cheating scandal that had her dubbed "Japan's Hottest Homewrecker " for well over a decade now. Though her modeling career was done, she went behind the scenes and started working as a stylist for high-end clients, turned Jpop acts, and turned Kpop acts. Truly, she was just chasing where the money went to fund her purse addiction.

Tonya has worked with groups such as AESPA, NCT 127, NCT DREAM, RED VELVET, SHINEE, EXO, GOT7, STRAYKIDS, NMIXX, BLACKPINK, and many, many more. If you liked an outfit your favorite idol wore, Tonya most likely designed it for them.

Now, she primarily spends her time styling BRATPACK as she claims they let her be as creative as she wants. After years of being a punching bag for the general public, Tonya is finally adored again, mainly just people on BRATPACK Twitter, but hey! It's a start.

AUGUSTUS MOON is the main producer of BRATPACK. He began working in the KPOP industry at just seventeen years old when he and his sister, Autumn Moon, fled America and went to South Korea to get away from their abusive parents. Though Augustus has had some solo releases himself and has garnered a small following, he much prefers sticking behind the scenes as he says, "KPOP is not for me. I hate dancing." even though his Tiktok page will contradict that statement.

Augustus was born in 1995 in Chicago. He doesn't speak much about his time in America, deeming it "a test on if he really wanted to live or not" and saying his life only really started when he moved to South Korea and started making music.

Before exclusively working with Acidic Records and BRATPACK, Augustus would work with a wide variety of KPOP acts and make an even wider variety of songs. Some are phenomenal, and some are the worst things you've ever heard. Not every track can be a winner!

AUTUMN MOON is the main producer of BRATPACK and a part-time soloist. At sixteen, she fled America with her brother and moved to South Korea to get away from her abusive parents. Autumn and Augustus are glued at the hip. You'd swear they're twins by how in sync they are with one another.

Unlike her brother, Autumn is a soloist as well as a producer. However, she has seemingly put her own music career on the back burner to focus on BRATPACK and motherhood. That's right! Actual mother! Autumn has a nine-year-old son, Eunji, who she adores and loves dearly. She married her long-time boyfriend and PRIORITY member, Jang Kiha, last summer and is currently pregnant with their first child.

Autumn has been very open about her love for music and how happy working with BRATPACK makes her. Between her very fulfilling personal life and flourishing career, Autumn has attracted her own fanbase, calling her "Life Goals" and starting the trend of autumnism, where people try to live their lives like Autumn's.

Though her solo career, which only caught her attention once she decided to hang it up, has been put on halt, Autumn is very happy with where she is in life and adds a layer of hope to the BRATPACK team.

[johannestevans]

Happy Thursday!

It's been a busy three weeks for me, and I've primarily been updating various serials, with one or two other bits in between.

My Most Popular P`ieces in January 2024:

Top NonFiction: Woe, Boypussy Be Upon Ye: Transing Characters in Fanfic & Fanart

What’s the deal with envisioning your blorbos as transgender?

Read on Medium in Prism & Pen / / Read on Patreon/ / Read on Tumblr

Top Fiction: Window Trap

Jean-Pierre makes an unwise decision, and gets caught amongst the wrong crowd.

Rated E, 3.9k, trans M angel gangbanged by Greek gods, mostly by Hermes (Aetos Talaria). Doros is also here — Doros and Jean-Pierre both being characters in Powder and Feathers.

Dubious to non consent here after some pure hubris, with a gangbang, large insertions, come inflation, deepthroating, spitroasting, predicament bondage with Jean-Pierre stuck in a wall, humiliation, degradation, dirty talk, masochism, stomach bulges.

Read on Medium / / Read on SubscribeStar / / Read on Ao3

New Works Published

Erotic Short: The Captain's Clerk

A new sailor is curious about the captain’s kept man.

Just a short taste of something. 1.2k, rated E, M/M. Adapted from a TweetFic.

Read on Medium / / Read on Patreon

Fashion Guide: Finding Your Style, Part I: Shape & Silhouette

A deep dive into deciding on your own personal fashion and tailoring your clothes to fit.

Read on Medium / / Read on Patreon / / Read on Tumblr

Serial Update: Rescue Dogs Chapter Seventeen

Cecil Hobbes finally gets Valorous King to try a new adventure: therapy. Cecil Hobbes, an ex-PE teacher disgraced and looked down on in his hometown, has a new partner: Sir Valorous King, a knight of the realm, once a child of prophecy, and Cecil’s stalker. A few months into their relationship, Cecil finally convinces Valorous to see a therapist, on the condition that Cecil attend one himself.

Read on Medium / / Read on WorldAnvil / / Read on ScribbleHub / / Read on Ao3

Serial Update: Prophet's Cry Chapter Five

Prophet Shulman, Administrative Secretary at the Middlesbrough branch of Friar Holdings, has been on the verge of divorce for the past twenty years, almost ever since he got fucking married. Fucking his boss might make him as bad as his husband, but what the fuck's the point in trying to be good anymore? Meanwhile, Vance Vixen, recently emerged from his own divorce and also the closet, when not fucking his Admin Secretary in the stationery cupboard, begins a delicate romance with a bartender named Gideon Shulman.

Read on Medium / / Read on Ao3 / / Read on ScribbleHub

Serial Update: An Uncommon Betrothal Chapters Sixteen and Seventeen

Alexos Fox is of course quite sad when the long-time butler of his household, the man who all but raised him, retires. He is not at all prepared for the old man’s replacement: his exceedingly attractive and painfully tempting nephew, Harry Sutton. Alexos, overcome with feelings that are simply too much to repress, tries his best to avoid him, but it seems that Mr Sutton has more than his employment on his mind as he attends his new employer with keen and concentrated focus. Erotic romance with a big emphasis on period-typical homophobia, repression, power dynamics, and so on.

Read on Medium / / Read on WorldAnvil / / Read on Ao3 / / Read on ScribbleHub

Star Trek: Deep Space Nine Fanfic: Interpersonal Studies

Garak and Julian work to get the measure of one another, each of them trying to see what's hidden under the other man's skin. Once upon a time, Julian imagined he might do better on a planet other than Earth, that he was a sort of modern-day changeling child, abandoned on a planet he wasn't fit for. It cut at the time that it wasn't true - it cuts all the deeper when, some years down the line, Earth sees fit to abandon him to someone else's planet after all.

Read on Ao3

[iamthunderhearmehowl]

BG3 AU Circle of Decay: Dammon Headcannons

hey hi it's me, again, currently dying from food poisoning at 1am

So I was sitting in my office thinking about how much I love this Tiefling and I realized. . . . .as a character you probably never want to hear that from ANY writer, because that means you'll get emotional damage for breakfast.

🌟 These headcannons are for a BG3 AU called "Circle of Decay", all the content for this AU can be found here -> (Link)

General

So we all know that Dammon and Karlach are kind of an item/ its kind of like puppy love - that being said, I dont think the game eludes to it being more than that

BELIEVE ME I WANT THAT TO HAPPEN - ahem - but in this AU it does not happen

Karlach is so busy that Dammon is just doing his own thing and perfecting his craft - he's not the best blacksmith in Faerune for no reason, and while I'm sure he would wait on her - people just be on different paths, you know?

While his main shop is in Baulder's Gate - he will ocassionally go to the rebuilt town of what was once the shadowfell realm - to sell and work on more items

Since the town's form of payment is primarily services and goods and not money - he does get some pretty sweet kickbacks and of course clients who can pay will get their armor and weapons done at a faster rate

His blacksmithing there is not permenant - they just needed someone with services there every once in a while until the town could officially get their own. Think of it as his 2nd base, his vacation forge, 2nd store location if you will.

The Night They Met

When he met Faeryl - the man was like Oh Shit

The poor girl was half naked / covered in blood and hyperventaliting in the corner of his forge

"I'm so sorry. Please don't freak out. I didn't have anywhere else to hide and I don't want my father knowing. "

He asks her if he should grab the local healer and she quickly responds "No. Please don't. The locals already don't like me and they especially won't after this. I don't want to give my father anymore grief "

He brings her a blanket and a dish with warm water and a rag. He kindly asks if he can clean up the cuts and wounds on her back

As he wipes the blood off of her right shoulder he's almost taken aback - The Symbol of House Vandree is branded there in her skin.

"Please don't tell anyone" she's almost crying. He calms her down and assures he wont - perhaps he could walk her home.

"Where are you staying at? I could deliver you to your father"

"Oh. Yeah I'm staying at the old MoonRise Towers "

"Oh you and your father are staying with Halsin?"

"Uh haha technically? Halsin IS my father"

"Oh you must be one of the adopted children"

"I wish. I would've had a less traumatic childhood. Also, I'm 90 years old - so I'm not a child"

Dammon just looks at her for a second. His brain is malfunctioning. It's currently in the endless loading screen circle and playing weird dial up noises. "I didn't know Halsin had biological children"

"Yeah neither did he, nor I - Quiet frankly when that weird mummy said something I thought he was playing a joke"

"But. . . you're drow? Also you have the marking of House Vandree - one of their slaves?"

"Wow you look more confused and scared than I am, and I'm the one who just accidently murdered a family of deer. Look, It's a long, long story. I also hate to ask this - but I'm not too keen on heading back home and getting a lecture"

Dammon aggrees to let her stay for the rest of the evening - only walking her home after all the villager's had fallen alseep and gotten over the commotion of finding deer entrails near town

He does want an explanation of what all is going on if she's going to stay - so she spills everything.

He seems to be charmed by her - she's wrapped herself up in the blanket and has curled up on a cushion next to the fire. The cup of tea he's given her looks so large in her hands

Since that day - she visits him in the morning to bring him honey buns, cinnamon rolls, etc. More or less it's an excuse to see him.

Faeryl ends up visiting him in the middle of the night every so often when she can't sleep - he's normally up still working anyways

Emotional Damage Headcannons

Faeryl does NOT initally tell him that she's pregnant with is child - she's in disbelief. As far as she knew she couldn't conceive - Fey'ri are normally born when Sun Elves and Tieflings interbred.

As far as she knows she was Drow/Wood Elf - it never occured to her that she had Sun Elf in her blood, although she does have noble blood

One day he notices that Faeryl hasn't come to visit in about 2 days - which was unusual

He heads to Halsin's home to see if she's okay; Mol, Arabella, Halsin, and Greta are all in the kitchen looking STRESSED

They explain that Malice and Alistair came for her and took her back home to Menzobarranzan - forcefully - they fucking just kidnapped her and threatened to slaughter the whole town; she didn't have a choice

Halsin is pacing - worried, he explained that she can't hide her belly for long. It's already starting to show a little bit

Dammon is like "Um what?!"

Gretta sits him down at the table "She hasn't told you? She's carrying your babe."

If he were standing up his knees wouldve buckled and he wouldve hit the ground

The man wants to grab a sword and run towards the underdark - but Mol stops him and points out that hes NOT a fighter (MF ACT 2 WAS SO STRESSFUL BECAUSE HE KEPT WANTING TO JOIN IN ON THE FIGHTS AND HIS ASS KEPT DYING - I RELOADED LIKE 17 TIMES)

If House Vandree were to find out that they have a possible Fey'ri in their possession it's over - they're killing her and taking the babe. The child would be the perfect killing machine - Infernal Blood, Noble Blood, Magic Abilities

Eventually it plays out to where they do get a hold of Dammon and force him to forge Armor for House Vandree (for an upcoming war)

they only allow him to see Faeryl for a mere few minutes before they tear them apart

Anyways - that's all i have for tonight <3 I am currently in the process of writing some scripts to voice act so stay tuned for that.

[synergysilhouette]

Some changes I'd make to Bayonetta's story

For so long, I was pretty disappointed by the story aspect of Bayonetta, and fans would essentially tell me that the game was more designed for gameplay rather than story content. As someone who plays for story (primarily), I didn't understand why we were given such a cool concept if it would be phoned in. This made me want to make some changes.

Bayonetta 1. Explain more info on the culture of the witches/sages. I imagine that if they're gender-specific, then they typically procreate with humans (or maybe other supernatural creatures; that'd be cool) and the daughters of sages and sons of witches are left with their human parents. 2. Show more of Bayonetta's past, not just her friendship with Jeanne. 3. Make it so that Jeanne, Bayonetta, and Balder aren't the only witches and sage in the world; make the clans go into hiding following the war and having suffered many casualties, secretly plotting against each other. This will be important in B3. For most of this game though, Bayonetta is battling other sages, along with a few witches who want to control/recover the Eyes of the World. 4. Give us other creatures to contend with outside of angels and demons, ones that stay within the human realm. 5. Make Luka actually matter. I like him, but his whole "revenge for my father" thing doesn't really work because nothing he does will ever harm Bayonetta or Balder. Maybe make him a human immune to demon/angel attacks, or one of the other species I mentioned? Maybe the king of fairies like Lukaon?

Bayonetta 2 1. Let Loki actually be a force to be reckoned with. While he can stand his own against some angels, he can't do anything against bosses, which is pretty underwhelming, given his power. Plus I'd probably nix the amnesia arc; it's Bayonetta 2.0. And maybe make him a bit less brash; Bayonetta is just as cheeky as him, but much more sophisticated. Make him a bit more charming to match his mischievous side. 2. Remove young Balder, but involve more witches/sages to discover/recruit/battle against. It'd be mostly witches if we go to Inferno, though Loptr has recruited/brainwashed sages. We can still get more flashbacks of Bayonetta's life, though! 3. Have most of the game take place in Inferno, resulting in the 80% witch/demon and 20% sage/angel battle and recruit ratio. 4. Have Bayonetta battle against Sheba following her journey into Inferno, either because the demon/witch alliance is fluctuating, or because some sages are on Bayonetta's side at this point. 5. Have something between Luka and Bayonetta form here, assuming they're still going to go the romantic route in B3. 6. Show Bayonetta and Jeanne in their daily lives. Having Jeanne as a high school teacher would be so cool, along with seeing if they have friends outside of their battle group.

Bayonetta 3 1. Untether the multiverse story. It comes out of nowhere, with no buildup from the other games. Instead have Singularity incite another war between sages and witches, hoping to wipe them all out, noting that his ability to traverse other universes after destroying ours. He'd also be scoping out sons of witches and daughters of sages to reveal their true identity and manipulate their pain and hatred. I'm essentially nixing the sci-fi stuff; he's a supernatural being, not an artifical human. Maybe mention that he uses Purgatorio in order to traverse through different multiverses. The battle would be Bayonetta and allies against witches and sages in equal measure--though perhaps certain bosses include the sons of witches and daughters of sages who are hurt for being cast aside. 2. Give Viola a better design. Granted, everyone except Jeanne has a rather drab color scheme, but Viola's whole look is too busy! Personal preference. I also like the idea that Loki/Aesir is the one who brought her to present day. 3. Allow Bayonetta/Luka/Jeanne to take on different forms; even if they're not traversing the multiverse, I like the idea of them calling upon their alternate selves' powers to save their universe. 4. Make Viola Jeanne's daughter. I'm mainly saying this because of their hair similarity, but I like the idea that the next generation has to do with Jeanne rather than her Umbra sister. Her father is undisclosed. Kinda like the idea of Luka asking Bayonetta if Viola is hers and we get a callback to "raising children vs making a baby" from B1. 5. The story ends with the decimation of both clans--seemingly. In reality, the witches and sages now integrate themselves into society largely made up of the Umbran Warlocks and Lumen Sages (daughters), continuing to influence them, though the sage vs witch war has made them want to focus on rebuilding themselves rather than picking fights, sparking hope for unity (albeit separate unity, similar to before).

[knight-of-the-round-belly]

Hell yeah! Would love to hear about your ocs!

Oh damn, I was dead for a while, and didn't realize there's such a demand. Alright anon, for you, I'll share some. I have way too many to list all of them, but here's the most used ones. I don't think I'll post pictures yet because I'm very selective on where I post art I commission, but maybe later. Posted under read more because of length.

Leona MacAonghis - My first ever vorish OC, and has a special place in my heart. She's a goliath fighter that started as a D&D character but later got used on other things, and I am in the process of trying to write a story featuring her. She's a typical excitable young hero that tries to do good and help everyone, even if her appetite often gets in the way. Her mentor is extremely disapproval of predators so she couldn't develop her natural abilities when studying under him, but he eventually accepts that part of her, and after she strikes off on her own she starts to train her very high vorish potential too. Physically, she's 2.75 meters (9 legs) tall, with fair skin, green eyes and a red ponytail. Her body type is muscular and curvy with healthy amounts of body fat, and like most of my OCs she has sharp teeth because why not.

Seraph - Lazily named seraph oc, the excuse is that her true name is impossible for mortals to comprehend. She's para-causal in nature and her true form can't exist in the material world, but she can interact with the material realm through an avatar body she creates. She has no physical sex, but chooses to present herself and identify as female. Seraph serves a deity that spends most of it's time in solitude, minding it's own business, so most of the work managing it's realm of creation falls onto her and her fellow celestials. After several billion years of service in the highest planes, she eventually got bored, and curiosity drives her to explore the universe, where she learned from the entities and phenomena she encounters. Most of all she gains an appreciation for mortals, and yearns to understand them, and get close to them in any way she can. She ends up also learning a few vices, primarily gluttony, and has gotten addicted to eating. She solves most of her problems with her mouth, and also prefers to learn about new things by ingesting them. Seraph has a tragic and lengthy backstory in one of her iterations, but I'm too lazy to go into it here.

Lurk/"The Knight" - my self-insert persona and the character in the PFP, a large knight in full white plate armour carrying a greatsword. Mostly exists to be eaten by women I find attractive, including my own or my friends' ocs, but occasionally I do serious stuff with him. Has no concrete backstory.

Betty - former enforcer bot that grew a personality, rebelled, and transed her gender. Now mostly serves herself, but will occasionally still protect her city from threats to fund her illegal body modifications. Purposely replaced her normal batteries with a matter assimilation reactor that acts as a digestive system, and feeds primarily on humans and their property. Because I'm a degenerate and also she exists in a superhero setting, she will sometimes eat a giant monster however, and can temporarily grow larger to fight them because I like mecha stuff.

I have a lot more, but I got lazy. I'll share about them later, this post is already very long overdue.

[madamescarlette]

oh wise friend and mutual, how do you find inspiration again when you feel discouraged? despite having lovely friends and the distraction of a silly little crush, last semester of college is leaving me feeling beat up so I figured I'd ask for some advice <3

My dear, I've been turning this question over and over in my head this weekend because I want to be able to answer this as precisely as I'm able to.

First of all, I want to tell you that you are very much not alone in this feeling- my second-to-last semester was actually my hardest, in terms of work AND material, and I felt so pulled in all directions and told that I had to try my best in each class and work harder in each individual one than any of my others, all of them clamoring for my attention at once. I'm thankful for it in its own way, because I think I got the intended effect- my soul grew in leaps and bounds more in those five months than maybe any other semester of my life, but the growth was at the cost of a terrible aching and scathing of my soul, and that was very very hard to deal with.

I think primarily whenever I'm trying to deal with overexposure to being busy, I have to go back to the basics and ask myself- why do I want to do this? What is it that is so important to me that I have to accomplish this, even if it is at great cost to myself?

For a degree, that might be a really simple answer- you might want to finish it because you want to get employed, which is perfectly fine! It's a stepping stone for you. It might be to make someone proud of you, which is also completely worthy! For me, it was always important that I finish my degree as kind of a proof of life, for me in my teens who couldn't imagine it, but it was also just because I loved what I studied, and I was good at it, when I am so rarely good at most things. I wanted to be able to prove something tangible of the faith of the people who've believed in me so far, myself finally included in the end.

It might sound silly and simplistic, but just being able to put your finger on what your motivator is to cross the finish line has been extremely helpful to me in my own life, as just an initial way to get yourself off the ground floor and able to start feeling your way back to hope again. This is also less of a clean-cut opinion; usually when I've tried to approach this before, I'll make a list of my reasons out on paper, sleep on it, and read it again in the morning to see if I still feel the way that I did when I wrote it, and if not I revise it. But for me, usually I have a hidden realm of energy that I can tap back into once I understand my motivations and reasons for sticking to something with loyalty, and when I make them concrete and real, I can attack my work with renewed focus.

Another part of this, one that I found very rarely discussed in my realm of academics at least, was what I like to call the enrichment zone of our brains. Often when I go through a time that's beating me up, I end up more like a workaholic than anything else; something weird happens in my brain, and I figure that if I keep working and never stop, there's no possible way I can ever fail. This, while being the result of some silly fear-goblin in my brain, is usually what leads me to my shrimp pose crouched over my desk, blinking awake after five hours to my brother asking me if I want to eat something, or in a more concise way is what I call when my brain wins over my soul.

For whatever reason, there's something to do with my specific hyperfocus problem that makes it very easy for me to go haaard in one direction and try to prevent failure by ignoring everything about myself and diving into my work. While this can work for a very short amount of time, burning the candle at both ends shows a decline in quality of your health very quickly (trust me) and thus your work, and so one thing I have to adhere to is- I have to do things that tether me to the world, to tangible things.

This might look very different according to your tastes; but the bottom line is, you have to do things that tie you to something real and existent in your world, else you start scratching the sides of your enclosure and nobody's happy! Especially in our schooling nowadays that is almost entirely conducted via projectors and computer screens, you need things that are far away from mortal ambition and are just little things to scratch the itch of your brain.

For me, the things that tie me down are a huge grab-bag of different things because I have a million interests that I cycle through throughout the eras of my life. That thing for me right now is keeping a journal that I write in every day, even if it's a single sentence. Another thing is reading physical books, which when I really, really need to read I tend to put my phone on the other side of the room and listen to one of those library ambience videos so my brain has a bottom line of action going on to keep me engaged. But probably the thing that fulfills this part of my brain most when I'm busiest is cooking. I got very, very into cooking about four years ago as a way to bond with my brother, so for me it's filled with many good memories, but it's also a very tangible way for me to care for myself, to be able to go through the motions of something I know that will result in something good. Feeding just yourself is also sometimes hard to justify when you are busiest and most empty-feeling, so I would counsel you that even the act of going to get food with someone is something that always makes me feel more alive, more here, so I hope you can act on that whenever you need it too.

(It would be remiss of me to not also mention textile crafts, which are my mother's main way of dealing with her brain goblins, but as I kind of lost my textile abilities big time during the busiest years of my education, I'm not sure how applicable they are! But they are an excellent way to ground yourself also.)

But! Since you specifically asked about inspiration, I want to tackle that. I wouldn't say that there's any one good way to be able to inspire yourself to keep going forwards, and I myself am always failing at this (I am Very Cowardly at heart, let me tell you!) but since I am a writer foremost in my heart, let me go back to that. There's a post that goes around a lot that talks about how each poet has one emotion that they draw on for their body of work, and I think about that a great deal, because I think actually that often changes for a person across their life. For me in this particular iteration of myself in the past few years, I know that the emotion that drives what I create is wonder, and in response to that wonder, gratitude. I mention this because I believe that wonder is what is often missing from our lives once we get used to a place, and we've made a place for ourselves in them.

After getting over the threshold of something being new, we like to settle in, and then the things that used to scare and frighten become normal, and then they become plain and part of the scenery of the life you're living. But from what I can tell, wonder is able to transform the everyday things in our lives from what they are to what they mean, and when we do that we say thank you to those things for existing, for allowing us to be near them and to witness them.

The thing that makes me wonder, more than anything else, is always going to be music, and it's why I will always be counting the seasons of my life by what I listen to. To be able to claw my way through the hard parts of life, I have to decorate that time with something that helps me put some lyrics in my pocket to process all of it, and help it find its way to be enfolded into my life, my memory. More than anything, I think what helps me keep creating is learning to wonder, to be in awe of things as much as I possibly can, to try and create space for that in myself and try to treat it well when I do experience it. There's a trick to it, but once you try to pay attention to the things that make you wonder, they become very clear- walks around my campus while skipping to my music often made me wonder, as does listening to a symphony in person, or when I made my friends laugh all at the same time, or moments when I walked into a room and smiled at somebody, and they smiled in return.

More than anything, when you are going through something harsh, it's my belief that to make something unbearable bearable, you have to find a way to make something in that time that you'll miss. I have a perennial, sometimes unbearable habit of looking for moments of beauty in times that make me miserable, making it so that I miss them even when I was living it I was praying for it to be over, and while I think that goes too far in the wrong direction I still would say that if you try to record the good things about life as you're going through it, even if it's as simple as taking a picture of something you eat that you love, or the sun in the evening, that's what makes life bearable.

Hold onto your friends, they're what makes life survivable, and they make it survivable because they make it meaningful- other people are the biggest source of wonder in the world, plus I absolutely would not have finished my degree had I not had my friends to work with, the powers of parallel play are never to be underestimated. Even if you are only being near someone else who is as confused as you are as to what to do, in my experience that is a huge relief to know that they're at the same level as you. Friends are what make the little stupid pinprick pains of school bearable!

I also had a rule during my year of online school, which while it was an incredibly lonely time was very rarely full of solitude because eeeeveryone was constantly talking to one another, that I would have one hour every night to turn off my computer and my brain and do whatever I wanted. I used to have dance parties at 11PM before I went to bed, twirling and jumping around my room because that was what I needed to do to stay present! And I think that in itself is an incredibly useful tool is surviving something that seems to sap all your strength- make sure you are not ignoring yourself, but give yourself the time as often as you can to let your mind wander, let it dream. Like that one post says, you're your oldest childhood friend, so make sure you're phoning in to say hello!

Beyond all of that, keep your eyes peeled for the evidence that people believe in you, because it's everywhere- even if it's just your friends waving at you, or the cashiers that wish you good day, or the chit chat of people before and after test taking, I do believe we're all cheering for you to do this (and if they're not, I'll fist fight them). I believe in you! And I hope that you can find the force in your heart to be able to believe, too.

Sleep as much as you're able, eat well, make sure the tiger in your brain is kept happy, listen to some tunes and look at streetlights, eat dinner with a pal, and I know you'll get through this, my darling.

Best of luck, and much love <3

[gravestars]

THE STAR WILL SHINE AND THEN IT WILL FALL, AND YOU WILL FORGET IT ALL -- a multimuse sideblog featuring fandomless original characters, as wished upon by puffin. low & inconsistent activity. private + primarily friends only / must be following @shdwtouch. dark, mature, & potentially triggering content present. wished upon by puffin. they/she. 21+. discord available. follows from @shdwtouch || other sideblogs: @skaliikas @dunerook

rules.

quick info / rules

this is going to be a lowkey and casual rp blog, intended to be a space where I can discuss and explore my original characters. expect neither consistent activity nor muse presence; simply put, I will be here as I have muse and energy, focusing on the characters I have inspiration for. activity and muse will vary greatly.

with the above in mind, I am always willing to discuss my kids. please feel free to request a muse or ask questions, it is NEVER a bother (in fact, I love to talk about my ocs) and actually helps me cultivate inspiration and learn about them ! I encourage you to reach out if a muse catches your interest, even if I'm not actively talking about them / they aren't super present on the blog.

you MUST be following my main, @shdwtouch, to interact. if you're following me there then you'll probably be receiving stuff from my sideblogs anyway.

some characters are rated 18+. this is not meant as an age restriction, but I do want people to know that those characters involve mature content, usually relating to graphic violence or suggestive themes.

I am open to shipping ! some of my characters have "canon" relationships (wystan, ruarc, and chey), but please know that I am always down to discussing ships and dynamics, even for muses that are "taken". please do not by shy !

a lot of these characters are still in development to some degree, so I want one thing to be clear: I am hella gay for affiliated characters and lore. if something resonates and you want to explore an idea please let me know ! I am willing to workshop my lore (to a degree !) to fit with other peoples lore and adapt to make something cooperatively. which is to say, lets discuss ships and dynamics, pre-determined or otherwise ! lets claim mains ! roleplay is about building something with your partners and I would be ecstatic to be able to do that with you !

muse list + info under the cut

high activity (info to be added)

[18+] wystan blackwood. he/him. 42. mercenary & private security specialist.

indiana rask. he/him. 29. ex-spy.

yew. she/they. age unknown. selkie & pirate.

zhu dai. she/they. age unknown. spirit of rebellion & chaos.

very low activity / as I have muse

hecate ahearne. he/him. 47. ex-military doctor, current veterinarian working for his family & at a private clinic. youngest son of orion mac eacharin, scion of the mceachern horse breeding business. heir to an ancient family legacy & gifted with powerful magic, hecate is a "dreamer" capable of traversing the realms of the fae. following in the footsteps of his oldest sister, he leads another life in the fantasy medieval world of anaisywa as a healer & battlemage.

ruarc eld silje. he/him. 45. the eldest child in a family of adoptive and foster siblings, he spent his youth selectively mute but grew into a capable and compassionate man. after high school he joined the navy, proposed to his high school sweetheart, and would have had a normal life if he hadn't trained for the SEALs and succeeded. instead he left his fiance a single mother and his family with a body to bury, only to return three years later, cybernetically enhanced and more machine than man. his career continued, until he was eventually given his own special operations team outside of the military and handpicked by him. it became the home of many misfits, reformed criminals, government conspiracies, and the best kept military secrets.

[18+] cheyne finlay. he/him 32. an amnesiac thief & grifter, skilled in the art of the con. charming, suave, and self-assured. flirty to a fault, devilishly handsome, and smarter than he looks. all making a dangerous and skilled criminal infamous for various heists and walking out of a maximum security prison not once, but twice. after being caught for the third time he was given the option of "community service", joining ruarc eld sljes team of special op misfits.

frae operia. he/they. 30. half-fae, frae was born blind. but with the help of magic he managed to perfect his love for performance, spending his youth learning to sing, dance, play various musical instruments, perform acrobatics, and do a number of other performative tricks. all which would lend to his career as a renaissance performer, following in the footsteps of his parents. now he travels the circuit as hermes the bard, performing with the help of his magic, though often at the expense of his personal health and wellbeing. friendly, daring, and fun-loving he endeavors to be the best showman, stuntman, and performer.

nikora korrapati. she/they. 25. deaf. a child prodigy turned hacktivist and amateur fixer / handler; she got her start reclaiming her mothers research into hearing aids from a company more interested in making a profit than using the designs to help people. when she isn't working under the guise of her tech-based robin hood persona listener she offers her services to a variety of morally ambiguous clients in an effort to provide "leverage" against corrupt authority.

muse list updated october 12th check blog / muse changes & updates here

[jordanradicalblog]

Radical Blog 2

Okay it’s been a hot minute since I’ve updated this, but here we go.

First, I got my story a lot more patted down. I’ve continued on the mind theme, though I’ve sort of evolved my story into being one that is more about childhood and the fear of growing up. The fear of growing up is something we’ve all felt before and I really want to capture that with this piece. The idea of your cozy childhood being taken away from you and having to contend with the real world is scary.

I spent about a few hours one night with another person in my class named Jora. Together, him and I plotted both of our Radical ideas out. We got a big white board and started writing down as many ideas as we could think of for each of ours and then attempted to streamline them as much as possible. After that I had some time to ruminate on my idea and start putting a script together, which isn’t done but is getting there. It was a very helpful exercise that helped contain a lot of our thoughts.

I’ve been very intimidated by the project and so I’ve been talking a lot with the people within my major who have more experience than me as upper classmen and have been asking them a LOT of questions. I’m trying to take this project day by day, and while it’s a little stressful, I’m trying to be on top of it. I’d like all of pre-production to be done by the end of September. I’ve also been reaching out to a lot of people to get them onto my shoots. It’s been very busy.

I’ve also had a pitch meeting recently and had to do a write up for it. Here is the write up below (the thumbnails might not appear. I have to figure out how to work through that):

Jordan Buterbaugh jab1066@rit.edu

Radical Cinema Workshop

Proposal Worksheet

Working Title: Kiwi

Software, Material, and Technical Needs: General film equipment, sound stage, art/makeup/wardrobe/props, lighting, adobe premiere,

Medium(s): Film, animation

Installation: If I did do an installation, I think it would be viewed in a little pillow fort on a standard screen.

Aesthetic: It will have multiple aesthetics going for it due to the film having different segments. I’d like one segment to be very colorful, light, and poppy as it is mainly in the imagination of a child. I’d like one of the segments to be very dark with a lot of reds used and weird imagery. One of the segments will have a series of random colors and “trippy” images. Finally, there will be a very calming final segment. I’m not sure what it will entail but it will be very soothing and serve as sort of the center of the mind.

Pick a theme(s): I’d like it to mainly be about growing up, with supporting themes like childhood, adulthood, nostalgia, fear, and time

The Written Proposal:

I want to explore the anxieties of growing up through the lense of the human mind. My film will capture the feeling of what it’s like to be a child and realize “I’m growing up.” The moment where your carefree and safe world is being taken away from you and you're forced to contend with the change of the world and how scary it can be. As adults, it’s easy to fall back into the comfort of childhood memories and it can also be depressing to realize we might not ever be able to go back to those comforting safe memories. The world continues to grow and it continues to get scary.

I would like to show this primarily through one character, but at two different ages. One will be a young child version and the other will be the adult version. The child will exist in the realm of imagination. The images will be very storybook-like and colorful. The audience will witness the child playing in a woods like environment. He will be surrounded by animated elements like spaceships and dinosaurs. He will also use his imagination to imagine his life as a lot more crazy than it actually is, like walking across a log over some mud, but having it look like it’s over a massive chasm. To create the crazy environments I plan on overlaying live action elements with digital images, sort of like matte paintings from older days of film. The child will eventually find a mirror in which he will see himself as an adult. The mirror will be the bridge between the adult and child world, in which the adult and child will be able to reflect on themselves through the same lense. 

The adult’s world will be much scarier, with dark visuals and intense imagery. This will be the stark opposite of the child’s world, with trippy imagery as well as graphic gory imagery. It will encapsulate the fear of being alone in the world and the lack of safety and innocence. It will be the dark side of the mind. I have a friend who loves doing gory makeup and is willing to help with this sequence. I also plan on using lots of shadows and red light. As for the psychedelic aspect, I’m not entirely sure yet, but I was thinking of playing around with kaleidoscopes and lights. Most importantly, the images shown will pertain to certain traumatic experiences that happen when people get older. Things relating to concepts like heartbreak and death. It will also reflect how the world seems to get more ugly the older you get, with cruelty found in many places.

As for the end of the film, I want the two characters to embrace each other both physically and metaphorically. They’ll be in the center of the mind, which I think will be a white void. I want the adult to physically hug his younger self and the younger self to embrace his older self. Their worlds will unite, mixing the scary adult world with the child’s world. The adult reconnecting with his younger self and the child embracing his future self. As an ending, I’d love for the two to hold hands and walk into a white light showing that the person is ready to embrace the future.

Moodboard:

Thumbnails:

[reginavulturum]

Addendum:

So I recently subscribed to Max and I've been watching "Batman Beyond" in the background while working on other stuff and I came across a few moments from the series that I seemed to have missed in the initial timeline so I figured I should write this addendum to smooth out some rough edges I've discovered.

But first, a word from our disclaimer:

I don't know if I made this clear enough before so I'll try to make things explicitly clear now. The timeline I made exists primarily as a personal reference for my fanfic writings. I've got plans in the works for a Batman Beyond fanfic series and a cohesive timeline for the actual series is essential to those plans. This addendum and the original timeline and even the post about Terry's birthday exist to give my Batman Beyond fanfic writings more structure.

My narrative preferences absolutely influenced how I structured the timeline and the interpretations/assumptions I made about certain information we're given in the series proper. I don't even touch DCAU tie-in material when it comes to canon (I tend to think of the tie-in comics and games and whatever as happening in an adjacent universe). I wasn't aiming for strict, exact adherence to the precise wording of things we're told about the timeline across the DCAU, that's why I outright disregarded the "The Zeta Project" and added my interpretations into parts of the dialogue.

When I feel I have to, I interpret things to make my timeline more cohesive and narratively sensible in a reasonable way without erasing/retconning anything from the series itself. I don't have to do it this way, I choose to because that's my preference. Doing things this way is essential for me when the timeline is important to the fanfic ideas I want to write. Keep all that in mind when looking at the timeline and this addendum.

And now, for our feature presentation:

(1) Disappearing Inque

In "Disappearing Inque", Terry says to Bruce, "It's taken me what? Six months just to get you to show me around the cave." Terry sounds uncertain here so it could be more like 4 1/2 to 5-ish months that he's unconsciously rounding up to 6. We also know that he's been extremely busy during this time so it may be that he's approximating the time based more on how long he feels it's been rather than thinking of what the exact date is that day and how long it's been since he became Batman. This interpretation is within the realm of possibility so this episode can still fit into my timeline.

(2) Earth Mover

In "Earth Mover", Terry mentions he would have been 7 years old ten years prior to the time when that episode occurs. We know the series likely begins before March per episode 4, "Golem", and that episode 27, "Eyewitness" likely occurs in November since that's a typical month for an election and Sam seems to be coming to the end of his campaign. Now to me, it makes sense for those two episodes to have occurred within the same year. That would make "Joyride" (ep. 16) and "Lost Soul" (ep. 17) the perfect place to put Terry's Summer break between the Spring and Fall semesters because he isn't shown in school in those episodes. Considering all of that, it makes sense for "Earth Mover" (ep. 15) to occur near the end of the school year in late May.

My timeline assumes that Terry's 16th birthday occurs shortly before "Rebirth", after the start of his second semester of sophomore year but before Spring break, so if we place his birthday (see I made this post for a reason) around January/February than he's about 16 1/2 by the time of "Earth Mover". In other words, he might unconsciously round 16 1/2 up to 17 first and then subtract 10. This interpretation is reasonably possible so this episode can still fit into my timeline, though I admit it requires some fussing.

(3) Big Time

In "Big Time" Terry says Charlie Bigelow was in prison for three years. Now this one I just plain messed up. I really don't know how I missed this either because I watched "Big Time" while making the timeline, but here we are. I guess I just wasn't paying as close attention to the dialogue as I thought. However, I am too unreasonably committed to my timeline at this point and I make absolutely no apologies. There is a way to interpret this information to fit in with things as I've laid them out.

Just from the dialogue alone it's obvious Terry is giving Max a short, quick version of his and Charlie's history. Since that's the case, than the dialogue could reasonably be interpreted like this, "Charlie was 18 and I was 14 [when we first met]. My folks were breaking up and he and I were being...angry kids. [Over the next several months we went around] Busting windows, shoplifting [and during this time I turned 15 and started my first semester of sophomore year]. Then Charlie decided to prove himself to this big gang and he dragged me along on a heist." In this case, I'm assuming they would've met when Terry started his second semester of freshman year at age 14 with a 15th birthday quickly coming up, while Charlie was in the second semester of his senior year having just turned 18. Terry goes on to say that he and Charlie were caught and while he did 90 days in juvie, "That was a slap on the wrist next to Charlie. He was in prison for 3 years." Terry doesn't necessarily have to mean three 12 month years exactly (she said while obviously coping). The dialogue could be tortured into interpreted as meaning, "He was in prison for 3 years [the rest of 2038, all of 2039, and most of 2040]".

I admit, this interpretation is more me hammering things into place to fit my preferences, but like I said, I'm not going to apologize for that. This interpretation is possible so this episode can still fit into my timeline. Moreover, in "Rebirth", the way Terry and everyone around him acts kind of gives the impression that his time in juvie is fresh in their minds. His anger over not living with Mary and Matt is pretty raw, he's probably been separated from Matt for being a "bad influence" and from the way Terry talks about his mom, it sounds like that separation was Warren's idea not hers. Warren is on edge with him in general, Nelson calls him a "freakjob" just for defending himself against Jokerz, and Terry is acting like he's got something to prove. Narratively it makes more sense and is more satisfying in terms of character development, in my opinion, if his time in juvie was recent at the time of "Rebirth".

The thrilling conclusion:

Will I ever stop writing long, rambling, overedited posts about subjects that aren't really that important in the grand scheme of things? Will my Batman Beyond fanfic series ever see the light of day? Will this blog ever be used for its original purpose of posting about my Star Wars fanfics?

Stay tuned! Same bat-time, same bat-channel!

Batman Beyond Series Timeline

NOTE: I created this timeline based on the idea that Terry doesn't become Batman until the second half of his sophomore year and then I just sort of pieced everything together from there and it worked out pretty well for the most part. If I've messed anything up though, please let me know. I've included some further explanations for my decisions about this timeline as well as some thoughts about how this timeline effects the series after the read more. Also it might be helpful as you read this to have the episode list on hand.

Between January and May of 2039, during the second half of Terry’s sophomore year, he becomes Batman. This time spans from “Rebirth” to “Earth Mover” with Terry becoming Batman before Spring but after he turns 16. This puts his birthday between January and, at the latest, March, assuming the Spring Fling in “Golem” happens right before Spring break. This means that Spring break of 2039 occurs between “Golem” and “Meltdown”.

Summer break 2039 occurs between mid-late May to mid-late August over the time span of “Joyride” to “Lost Soul”

The first half of Terry’s junior year begins in mid-late August of 2039 and ends sometime in late December. This time spans from “Hidden Agenda” to “Final Cut” with Winter break occurring between “Final Cut” and “The Last Resort”.

The beginning of the second half of Terry’s junior year starts sometime in January 2040 until Spring break. During this time, Terry would have turned 17. This time spans from “The Last Resort” to “Zeta”. Spring break occurs after “Zeta” and ends right around the time of “Plague”. The rest of Terry’s junior year occurs in the time span of “April Moon” to “Ace in the Hole” (approx.  mid-late March to mid-late May) with “King’s Ransom” occurring either right before or right after the beginning of Summer break.

Summer of 2040 occurs from mid-late May to mid-late August. “Return of the Joker” happens sometime after “King’s Ransom” but before “Untouchable” with “Untouchable” being the last Summer episode before the new school year.

The first half of Terry’s senior year begins in mid-late August of 2040 and ends in late December. This time spans from “Inqueling” to “Unmasked”. “Out of the Past” occurs in late October. From “Out of the Past to “Unmasked”, the rest of the season takes place between November and early December. The crossover episode with “The Zeta Project”, “Shadows”, has to occur immediately after “Countdown” in either late November or early December with “Unmasked” happening shortly after that.

The “Static Shock” crossover episode “Future Shock” occurs after “Unmasked”, either right before or right after the beginning of Winter break of 2040 in late December.

The "Justice League: Unlimited" episode "Epilogue" occurs 15 years after "Rebirth" when Terry is 31.

1. The Zeta Problem

(a) In the animated series “The Zeta Project”, we’re told that Zeta (see "Going Rogue" section) broke from his programming and went on the run in early August of 2041. This timeline assumes that that date is incorrect along with any other timeline discrepancies caused by that show. “Zeta” can’t be in August if “Plague” is in March.

2. Assumptions and Explanations

(a) I know some people think that Terry’s exchange with the security guard outside Blight’s office in “Rebrith” (“little early for Halloween”/”just in time for Fall”) means that episode occurs in Fall of 2039, but sometimes a joke is just a joke and it makes more sense for the Spring Fling to occur in “Golem” two episodes later if Terry became Batman only a couple of months at most before that dance.

(b) Max likely discovers Terry is Batman towards the beginning of junior year, around late August to early September at most. I and others place this episode in Fall because a poster for a Homecoming Dance is featured in one scene and those usually happen at the beginning of the school year. I think the GAT is probably a General Aptitude Test given at the beginning of each new school year to determine where students are at academically before finalizing class schedules.

(c) In the episode “Revenant”, Terry’s reference to Willie getting out in time for junior prom after two more months in juvie could be read as “just in time for junior prom [at the end of the school year]” not that they’re necessarily two months away from the end of junior year. With Spring break happening nine episodes later, a lot more time than two months would have to pass for Willie to get out just barely in time for junior prom.

(d) The episode “Eyewitness” most likely occurs in November of 2039 since Sam Young is up for re-election as district attorney.

(e) The reason I set “Out of the Past” in late October of 2040 is because in at least one other Batman cartoon, "The Batman" (2004), Bruce's birthday is in October (see "Trivia" section). If you do a quick google search, there's like three other birthdays/months listed for Bruce across the DC multiverse so I just went with the one that was most convenient to my timeline and I make no apologies.

(f) I tend to think that “The Call” had to occur during Thanksgiving break because I can’t imagine Mary would have let Bruce send Terry to Metropolis if he wasn't on break, but that’s just an assumption.

(g) I believe Terry’s training with Kairi began around the start of his senior year and continued through until part 2 of “Curse of the Kobra”. I believe the events we see through most of part 1 of “Curse of the Kobra” occurred over the same span of time that passes between “Inqueling” and “Betrayal”. Mostly I believe this is the case because Terry’s training probably would have taken months and thinking of it this way makes the timline a bit tidier.  

(h) I set “Future Shock” right after “Unmasked” because KOBRA has a new leader (Zander is gone) and I kept it in December on the timeline because Terry looks dressed for cold weather.

(i) In the "Justice League: Unlimited" episode "Epilogue", Terry says that he was 16 when he became Batman. Some people think that means he didn't become Batman until the beginning of his junior year, but it's just as possible he became Batman during the second half of sophomore year if he has a birthday between January to March at the absolute latest (see my first bullet point for why). We know "Epilogue" occurs 15 years after "Rebirth" because Dana says she and Terry have been dating for 15 years and we know they likely didn't start dating until just before "Rebirth" when they were 16.

3. Rebirth Recontextualized

(a) Assuming “Big Time” occurs in September to early October of 2040 and we know Charlie Bigelow spent two years in jail, than he and Terry must have gone to prison sometime in September to early October of 2038. This would’ve been during the first half of Terry’s sophomore year and explains why in “Rebirth” he’s been split up from Matt (his parents think he’s a bad influence) and why things are so tense between him and Warren. If Terry was arrested in September/early October and did 3 months then he might not have gotten out of juvie until around late December/winter break, right before the series starts during the second half of his sophomore year. It seems that between his release and becoming Batman is when he and Dana got together since Mary talks like she doesn’t really know her in “Rebirth”. He’s basically just a couple months out of juvie when he becomes Batman.

(b) The first comic featuring Batman was published in March of 1939, so “Batman Beyond” starting around the same time of year in 2039 is really satisfying. As it happened, it was fairly easy to fit a timeline around that start time without too much finagling.

[natsukisayuriuzumakiuchiha]

Yamcha y Freezer Ao3

When I saw @pen.lilixeesketch's drawings posted on her instagram profile I liked them a lot… however back then there weren't many fanfics/stories related to this unusual couple…

(Instagram profile link: https://www.instagram.com/p/B0rWL1WFV7I/?utm_source=ig_web_copy_link)

However, over time, there were writers who moved us with their words and writings. In Ao3 there are a number of great stories about these two characters.

Here are the 10 links to the stories I've read so many times… I hope you all enjoy them as much as I do.

1.- Half a World Away for @majinpiccolo and SkinsT

Summary:

With Vegeta and Nappa rapidly approaching Earth, Yamcha has been training his hardest to face the oncoming threat. In a night of boredom, he finds Radditz's scouter in Bulma's lab, connecting him to someone that will change his, and their, life forever...

Starts during the Saiyan saga, will progress onwards through to Super.

2.- Survive to Save for SkinsT

Summary:

Frieza is summoned to assist with the invasion from the Demon Realm, as this could be the worst mission ever faced. But he remains very reluctant to take part in the battle. In a twist of events, Yamcha learns exactly why this is.

Takes place in the Xenoverse 2 Universe. Can still be read without playing the game, but there are some minor spoilers.

3.- Dancing Gods for SkinsT

Summary:

Where Beerus once stood, now stands Frieza, and his angel attendant is Yamcha. In Universe 7, things stay the same, but some things change completely. And as always... some things go entirely different than anyone could dream of, even the God's themselves.

(AU story of Frieza as the God of Destruction in place of Beerus, and Yamcha in place of Whis. This will not be a full retelling of DBS, but rather snippets here and there. The focus will be on Yamcha and Frieza primarily, with everything else as a background.)

4.- The entire Redcurrant saga of SkinsT

Summary:

What happens when a former tyrant comes back to life, put on a leash by the God of Destruction and is not the happiest camper, he finds amusement in the most unlikely of people? Set after Dragonball Super.

5.- Take a Deep Breath for @majinpiccolo

Summary:

Becoming a god is the first step in Frieza's plan to take control of all universes, and he's willing to do whatever it takes to reach that goal. But... some of the 'tests' he's been given to prove he's a suitable candidate seem almost like they're more for Beerus and Whis's twisted amusement than anything else. And now they want him to go on a date?! But Frieza isn't one to back down from a challenge, and while he's always been far too busy to worry about romance in the past, how hard can finding someone he can last through one single date with be? The deities have also assigned him some help to guide him through the world of dating- the eternally unlucky in love Yamcha. The human quickly warms up to the task when he realizes this could be the push he needed to finally make his own dreams of finding true love a reality! While the emperor of not caring about other people and the king of failed romance might not be a dream team for this seemingly simple task, they're not going to give up. Sometimes, when it comes to romance, all you need to do is take a deep breath and dive in...

6.- Perfect Stranger for @majinpiccolo

Summary:

When Yamcha wishes for more strength than a human body can handle the dragon instead transforms him into a member of Frieza's race. Hungry for a chance to prove himself and win the respect of his friends he heads out into space, planning to defeat the tyrant once and for all... but things don't exactly work out as he'd expected.

A story about two men, two transformations, two relationships, and how opposites attract.

7.- Restraining Order for JJJJORDAN

Summary:

"He's been tagged with a tracker that will go off when he leaves the atmosphere. Immediately putting him under arrest. And it will stay like that until the one who issued the restraining order lifts it.... and I am just going to tell you up front, that is not going to happen any time soon."

This isn't a full story. but a really small and dumb interaction I wanted to flesh out and share. The idea that Yamcha is legally not allowed to leave the planet, and Bulma is extremely confused on how and why.

You know who, I know who, Yamcha knows who, will Bulma figure it out?

8.- Don't Look Down for SecretWeaponSeven

It was supposed to just be once.

One night together so that Frieza and Yamcha could work through their forbidden mutual attraction.

But they couldn't stop there...

Falling in love can be a tricky thing, however, and it can change people- and this change isn't always for the better. It can be enough to make someone who was already a villain become even more jealous, possessive, and controlling, and it just might be enough to make a hero so single minded that he loses sight of everything else...

A smutty fic that's gonna get a bit dark. Don't say I didn't warn you.

9.- Free Of Charge for NobodyOfRelevancy

Summary:

Yamcha is looking for love, and is unable to resist the most beautiful creature he's possibly ever seen. Strip Club AU.

10.- Watch Your Wording for @majinpiccolo

Summary:

When Yamcha gathered the Dragon Balls and wished for a soulmate to be by his side forever, he got two surprises- first, that his soulmate is apparently a super villain, and second, that the dragon interpreted this wish very, very literally...

At another time post another list of 10 stories of this couple (Yamza forever).

[solarstellarstar]

“Fumika Solar, correct?”

—Standing there presently by the door outside of the homeroom——earlier just a few minutes ago right after a few knocks from him was answered and thus his request towards the main teacher of the homeroom to summon a particular student was then granted, —

—A couple minutes of silence was maintained as he remained postured outside the classroom calmly, throughout the brief process of the order of presence to finally show up eventually in his sight and stand in the height not considered the most common for a female student to have—

—Looking down at her howbeit, from the mere ambience and vibe which he is receiving coming from her sole presence alone --before even judging from her over accesorized of looks and appearance —

—he can easily tell that she isn't one that comes with an ordinary status, and from what he can predict and instinct or primarily assumed for a fact-- she might or might not be someone that works close to an idol--or even be part of the industry itself, for its saying—

—but that still doesn't excuse herself for acting all stuck up and righteous from such a status, much as the reason what had led him all the way from his silent inhabitation in one of his detention room marking the quizzes and assignments submitted by the students which he personally tutor-- —

—The significant frown of displeasure on his face aside from that usual signature blank look of an expression painted as general quotidian was enough the evidence to show that someone had indeed gotten themselves within the realms troubled waters —

—As whether they are considered lucky or not that the person in charge to resolve this matter considered disciplinary violations is him and not the Headmaster himself who first--or rather seconded discovered such a matter of a minor setback of the harmonious and supposedly comfortable environment of a school for everyone without much of the double standards applied, for awhile, he didn't intend to step in in anyway as-- well, quite bias of him for doing so considering the circumstances faced almost mutual-- yet given different positions, not-- —

—But--Well, anyway-- that's up for them to decide ——

—Or should I say in this case, Miss Fumika Solar to decide, whether the ‘destiny’ which she had ended up upon over the consequences of her quite distasteful behavior in school recently—

—is worth a misunderstanding to be justified —

—Or a crime to be condemned with a rational punishment —

“—Come with me.”

—facing such a fidgeting and seemingly unnerving student, he tend not to delay anymore of his precious time especially to linger outside in the hallway full eyes of the inquisitive and of unrelated business darted towards their presence-- —

—turning away, he didn't watch and wait for the other to react as he started heading off himself towards the direction of where one of his empty rooms of detention is situated, expecting the other behind to tag along much as his ears were perceiving of such movement despite not from his eyes, that he look forward to hear without the further of a saying—

—much as she should be doing thereon from this point onward where she had marked herself questionable to a fact to be ended up in such a ‘crime’—

—that is worth a consultation to be conclude with a resolvement for once and for the sake of all——

[Solar's charming smile dissolves upon hearing her full name being called out by someone outside the classroom. She peers out in curiosity and much to her dismay- it was the teacher who many of her own fans loved. A man who had a fair share of his own charms but still had a demanding and critical demeanour, especially when dealing with students that got themselves onto the bad side of school discipline]

[Some of the other students in the classroom made an amused and interested 'ooooh' sound in unison, suggesting that Solar was in fact in trouble. This caused her to frown in annoyance and glared at the people surrounding her in response]

"!!"

[Before she could catch another glance of the man's displeased and intimidating expression, he had already turned around and began to walk off after commanding her to leave the classroom and follow him]

[With all eyes on her plus the nod of agreement from the teacher of the homeroom, the girl had no choice but to follow his order. Her expression screamed, "Geez, can't you just wait for me and slow down?!" as she rose from her seat and carefully pushed through her small circle of fangirls and fanboys to get to the door]

[Unfortunately, her balance slightly falters due to the unusual nature of her strap heels- but Solar's determined to not let any other obstacle humiliate her anymore as she grips to her surroundings for support]

["Whatever could I have done to end up in such circumstances like this?" She thought to herself as all the incidents that occurred in the current day replayed over and over in her mind. From what the idol-in-training could remember, none of her antics atoned for the sudden 'pulling out of class' incident like this. But of course, every little movement of hers was automatically justified in her mindset in order to adapt to this perfect, innocent image she had of herself]

[After she's finally able to match up to the man's speed, despite her shoes hindering her movement, she questions him:]

"What... do you exactly need me for?"

[Her words don't leave her mouth without a tinge of cautiousness and distrust, however.]

[eredeha-a]

this is just a rambly time place portrayal post for kaia spencer to assist with plotting purposes with those who would like to write with / send asks but might not know where to begin! anything is subject to change depending on dynamics but i hope this helps! this post breaks down pre ARR through HW and the others will be posted at a later time!

it should also be noted that kaia’s primary canons are that she’s a companion oc and not a warrior of light, she does have a wol au which absolutely utilizes her canon but certain reactions and experiences might alter if that au is incorporated.

↪ prior to msq events: ( timeline is anything that takes place prior to a realm reborn starting, from childhood to establishing herself as white viola. )

born to the spencer family, a well-known family of various mages ( though they specialize with white mage ); kaia is next in line to become head of the family, following in the footsteps of her mother.

her home is an island just a bit away from limsa.

her family also is well known for alchemy and potions making thanks to her mother, who’s created a successful business off her of personal creations.

she’s made many trips to sharlayan for various extended studies due to her father constantly visiting and having work along with various scholars in attendance.

kaia is betrothed via arrange marriage to a partnering family to rivero, but growing up doesn’t realize this until she’s a young teenager, her attempts to run away from home start there and fail until her early twenties due to not wanting to have her life controlled and planned out for her the way her family sets her up with. 

when kaia finally escapes her home to one of the starting cities on board a delivery airship, she creates an alias for both personal and professional: kaia rivers and the white viola.

the white viola starts to become a well known story around gridania. from stealing key items and gems, to accepting missions for the right price; she leaves behind her name flower as a calling card when she commits her crimes. 

↪ a realm reborn: ( timeline is the start of 2.0 through the events of ARR and the patch content of 2.55. )

white viola is causing problems on purpose. it’s been a few years since her start and various npcs request the wol looks into this.

while she primarily bases her work in gridania, she has branched out to ul’dah and limsa but the other two cities don’t get hit as much in comparison. especially limsa.

kaia’s a bard, she does bard things and teases those around her with her music.

her echo actually permits her to create a tiny visual of what she’s thinking about, it links with her red string of fate like tug that it causes for her.

it’s a fun cat and mouse game when it comes to white viola, but kaia starts to grow more intrigued by the wol and slowly assists with various quests here and there. 

↪ heavensward:  ( timeline is the start of 3.0 through the events of HW and the patch content of 3.56. )

kaia makes her way to ishgard after witnessing the aftermath to the warrior of light during the end of ARR patch, by this point, there’s a familiar back and forth and she decides to hunt them down and officially joins the group as a companion.

her identity ( this is up in the air depending on plotting purposes! ) as white viola is still a secret and not revealed at this time, she manages to sneak away and still carry out certain tasks around the area as a result.

she picks up white mage again, deciding to be a healer.

kaia teases and messes with the elezen trio all the time, whenever she can, it’s a great time for her. ( again, nothing ever is assumed, only plotted with other rpers, if a certain dynamic doesn’t suit your fancy we can always alter it for any npc! )

[the-nysh]

I don't know why, but I have this mental image of the next meeting between Garou and Superallor Darkshine in a very specific way:

"Garou is just minding his business in the HA and then just crosses path with Darkshine...

And he starts screaming in waving his arms around before jumping out of a window (yes, he does not care how high is the building)

And Garou just like through the window following Darkshine's escaping figure through the base with a huge drop of sweat in a side of his head and with an expression like this O____O"

What u think?

With him flipping out in fear/insecurity and leaping out a window, cartoon style?! Oooh, the poor guy... Fighting Garou exposed Darkshine's frail self-image (easily shattered) and while he's a kind soul, he realized he's unfit to work as a hero, cause he primarily fought assured wins to feel better about himself - having extremely poor/vulnerable confidence armed behind a hulking/massive muscle wall of defense. (So Darkshine 'retires' to focus on helping others train & body build more confidence later.) But aaaa;;; this time, beyond just Garou exposing his weakness, Darkshine suffered far worse ptsd from Fuhrer literally (acid) melting away his prized muscle armor. D: That'll probably leave really ugly lasing scars - both emotionally and physically.

So while Darkshine did show a moment reaching out in concern to Garou (when he bowled over in pain, and Darkshine told him to run to escape the collapsing room + falling rubble) whether seeing Garou again triggers a panic attack of all his worst memories remains to be seen (and Garou will have no clue what else he suffered at the hands of the cadres - that'll be beyond his realm, or even his fault/responsibility there, to know what happened)....but I really doubt Darkshine will be in the mood to confront or fight/spar with Garou anytime soon, if anything. Cause after having his self-image repeatedly shattered, Darkshine will primarily be on his own separate road to recovery. :’3 

[hopeshoodie]

Ok so in light of the Independent article (see my tag #fusebox layoffs for more info), I’ve been trying to piece together the sequence of events that lead to FB Going to Shit™. 

All of the below is based on articles, tweets from the staff, and dates from screenshots. Especially with the Matchmaker stuff, I’m using the dates I personally accessed the stories- that might not be accurate to when they were actually released to an international audience, just when my phone updated the app. In hindsight, I’m not a great person to do this because I have a shit memory and don’t keep receipts, so if you have any corrections PLEASE lmk either in the dms or replies. 

In sum, the timeline appears to be:

1. Key players left Fusebox in early 2020. 

The one that people are probably most familiar with is David Gallopim, one of the artists who helped define the S2’s distinct style, leaving sometime before March 2020. He seemed to indicate that there was conflict over the new art style of S3, and released assets he’d designed of Harry in his own style (notably way prettier than Harry looks in-game). 

But probably more important to the direction of the company, Michael Othen, one of the co-founders and former CEO, left in July of 2020 (I had thought it was earlier in the year but according to LinkedIn it was July). It’s much more unclear why he left, but it’s notable because he was a huge force in making the game inclusive of LGBTQ characters. 

So all in all, not a great sign when employees who had a huge hand in creating the content and direction of a game that defined its success jump ship. Especially after the game was seemingly hitting its stride, with the host of Love Island (the TV show) doing a sponsored Let’s Play of S3 and projects in the works like Boat Party and CMM.

2. It seems like Fusebox‘s CEO/executives hired new management, either in 2020 or early 2021. Employees complain that the executives don’t understand what it takes to make a game and are pulling the studio in the wrong direction. It’s unclear if the newly hired execs had experience. 

Wil Stephens, the CEO/founder, has been with FB since its inception but also appears to have only founded game distribution ventures and not worked in any development or employment capacity. If that’s the case, maybe the complaints about lack of experience/knowledge about the mechanics of making games work are about him. If not, then some of the newly hired execs would likely be to blame. 

Paul Virapen, COO, was brought on in November of 2020. He’s worked with Disney’s gaming division, Big Pixel studios, Wooga. The quality of that experience is dubious since he headed up the ‘let’s make apps for Apple watches, it’ll be the next big thing’ department… Lol. Notably also, all of his roles had been in the executive/managerial realm, not the development teams, so the complains might have been about him. THIS IS SPECULATION, but I’m willing to bet that Virapen was a if not THE driving force in switching Fusebox’s focus entirely to matchmaker. All the studios he’s worked with have primarily produced and promoted Match 3 games, and he has a background working with big studios that produce games for large international audiences, not small studios making narrative games for limited audiences.

A new Manager of Finances, Ruth Erskine, was brought on in December of 2020

Rob Goddard, a new producer, was brought in January of 2021

Several key operations positions were filled by existing employees being promoted to management- 2 as far as I can tell. But as a whole it seems like December 2020 was a huge shift in leadership for the upper management while a lot of the other teams expanded but kept their old players as well.

3. At some point in late 2020- mid 2021, the executive team made the decision to switch LITG’s focus from a narrative pass-based game to a Match 3 incorporating romance narrative cut scenes. In early 2021, Fusebox teased more content to come while releasing S3 (seemingly referring to Matchmaker and not S4). In the interim between S3 endings and Boat Party’s release they put out an interview confirming the new game will be Match 3 but did seem to indicate that the plan at that time was for Matchmaker to be a side project with a different development team and not replace the main game. Notably, the LITG writers and artists were reassured that their roles will continue to exist (according to the independent article) as they’re working on S4.

3. In September of 2020, Matchmaker became briefly available in the US. That’s when I first downloaded it, at least. It would be added/removed from the google play store multiple times before having a unilateral release in July of 2021. 

Throughout 2020, Matchmaker is available to Asian audiences solely with LITG S1 getting rolled out in incremental updates. 

Eventually, Beanie Quinn is released (March 2021)

LA Noir is released (May 2021)

Seduction Games is released (late May or June 2021- I got the update and played it June 3rd, but hadn’t opened the app for a month or so. It might have come out before then, which is unfortunate for this timeline since it’s so inextricably linked to the open letter and layoff dates)

LITG S2 is released (only like 20 levels of it) the same month- June 19th for me. Notably, all of these stories are only released to an international audience, with the UK and USA still not having access to the app.

4. At the same time, Fusebox’s internal affairs are pretty quiet from 2020-2021, at least on social media. 

S3 comes out in 2020, Boat Party comes out later in the year and finishes in 2021. Post S3 in October of 2021, a survey goes out gauging player interest in new art styles and representation, which was pretty in keeping with past actions and seemed promising for S4. 

Boat Party features a promising cross promotion implementing irl brands into the game. It’s unclear if enough money was made from this on FB or the sponsor’s end to make that strategy viable, but that might’ve impacted management’s outlook for the profitability of LITG.  

Fusebox teases more content for the summer on Instagram, and then follows up and confirms it’ll be a proper season.

5. More key players leave in early 2021

Ed Sibley is still listed as Narrative Direction on LinkedIn, but he’s not credited as a writer on Season 4 (he was on 3,2,and 1) and started work with NetSpeak games in May of 2021, so we can assume he left around then or at least transitioned away from Fusebox then.

Fred Francis, another writer who had been on the team since S1, turns in his resignation ‘weeks’ before the layoffs were announced in late June. So we can assume he made his exit sometime early June or late May.

6. Prior to the release of Seduction games in May/June, staff expressed concern about the biphobia in Seduction Games. No sources have given a specific time when this took place. They were reassured that the problem would be corrected prior to release, but then the story was released as is to an international audience in June. The article released by the Independent is unclear- there might have been discussion prior to the open letter where staff expressed concerns and then were reassured before the game going live. OR the open letter might have been the first expression of concern by the staff. I tend to think the former, and the open letter was a response to Matchmaker going live with Seduction Games anyways, but I have no proof for that. On May 24th, 31 employees sent an open letter of concern regarding the problematic content in Matchmaker. This letter isn’t public, so we don’t know the scope of the employees' concerns or who the employees were.

7. To resolve the situation, a meeting between the staff and at least the COO (likely more than just him though) was held sometime after May 24th. Allegedly, Virapen was disrespectful to the employees who had questions, refused to answer, and ended the meeting early before any resolution was had by closing his laptop and leaving the room. At least 4 HR complaints were made in the wake of that meeting, we do not know the nature of those complaints. 

8. Some time mid-July (maybe July 26th? A writer tweeted about their job ending soon on that date), employees were made aware that the LITG app would move into ‘sunset mode’. It’s unclear what was communicated, but it seems as though S4 will be heavily delayed or cancelled altogether and no future seasons would be made. Writers begin to post about looking for work on Twitter

9. June 30th- The majority of Fusebox writing staff announce on twitter they’re out of work. In addition to the entire writing staff, unity engineers and producers are also let go.

10. July 5th - Fusebox executives respond to an article by MCVUK with a statement asserting they were “consulting with [their] employees on a proposed change to its business model” that would focus on producing Matchmaker content. They also expounded that the move was to secure “cash injections and and continued support from respected investors across the media and gaming industry”

11. July 6th- Fusebox announces that S4 will be delayed from the summer release date and that there is no fixed release date. 

12. August 2nd- three jobs are posted to Fusebox’s careers page on their website, one being Head of Narrative Content. In the job listing, it specifies that they’ll be maintaining existing properties as well as new ones, and that because of the co-development model (re:fusebox outsourcing Matchmaker to another studio) the new Narrative Lead must collaborate with external content creators.

Hopefully posting this timeline gives players a better understanding of how radically Fusebox has changed in the course of 2021 (and how royally they screwed over the people who made LITG what it is). Again, please let me know if you have receipts showing dates are different or things to add.