#after action review

[idontknowknit]

Conduct a Personal ‘After-Action Review’ to Improve Your Productivity

[deimosatellite]

[absolutebl]

This Week in BL - It's the Dog Days of BL Again

Organized, in each category, with ones I'm enjoying most at the top.

May 2024 Final Week

Ongoing Series - Thai

Wandee Godday (Sat YT) ep 5 of 12 - The side couple is so damn pouty and adorable. So far as Yak and Dee are concerned, I love that they kept up with the cosplay stuff and didn’t just drop it as a one off. I'm just genuinely enjoying seeing how much fun they have together and watching them accidentally falling in love with each other and trying not to.

Linguistic corner!

I don’t normally watch any BTS stuff, but for reasons known only to my serotonin-seeking brain, I’ve been watching a few for this show. And I MUST talk about the way Great speaks Thai. It’s so different from all of the other Good GMMTV Boys. He’s way more casual. Not rude, but definitely not as formal or as polite as any of the actors around him. It’s difficult to describe but just LISTEN to the way he hops registers and pronouns pretty consistently. Sometimes in the same sentence. He even softens his polite particles. I've never heard an actor do that out of character. It’s fascinating. I wonder if it has to do with the fact that he is older (then most of his costars) and comes outta the Bangkok club scene, and was older when he joined GMMTV. Frankly, it’s the closest I’ve ever seen on TV to the way people actually talked in Bangkok. 

My Stand-In (Thai Fri iQIYI) ep 6 of 12 eps - honestly these two shows are neck and neck for my favorites running right now and Wandee got the edge because it left me smiling, but yesterday, Stand-In would have come out on top. Such a great show. It’s so sinister. So not romantic. Which makes me feel like... it's not really a BL. And, yet, I DO NOT CARE. Because I’m enjoying its little evil soul so much. “Poor Joe” is pretty much all that goes through my head the whole time I'm watching, and I'm enjoying poking at that pain.

We Are (Weds iQIYI) ep 9 of 16 - I love all of the 3rd wheels. Kluen is kinda great. And I’m not just saying that 'cause I have a crush on Title, it’s because Kluen is so open and genuine. (Unless they fuck up his character.) I even enjoyed the backstory for Fang and Tan. Honestly, the friendship group is the reason to watch this show, they’re great and funny, and make everything enjoyable. It’s a soap opera, like Only Friends, but gentle with its characters and us watchers. Which is what I really want from my BL. I don’t want all of this Friend Zone backstabbing bullpuckie. 

Knock Knock Boys (Thurs Gaga) eps 1-2 of 12 - I like it, frankly more than I expected to. It’s a bit slow moving, but the characters are interesting and the dynamic of everybody living in the same house together is fun. I haven’t seen this style of housemates centered Thai BL in years. I identify FAR too closely with the crass-talking bug-killing pansexual. On a completely different note, I really hope Best and Seng have an NC scene together. Last week I would never have said that, but now I think they have good chemistry. Am I crazy?

Only Boo! (Sun YouTube) ep 8 of 12 - They are sickeningly sweet boyfriends, and Moo is such a brat and so demanding. It’s charming. There was even a little bit of dancing together which I’m sure made @heretherebedork happy. Dancing okay but NO SINGING. 

Ongoing Series - Not Thai

At 25:00 in Akasaka AKA 25 Ji Akasaka de (Japan Thurs Gaga) ep 7 of 10 - Asami's past was cool to see. I enjoyed that his character finally got fleshed out and given some solidity. However, it felt like it came a little too late. Even though I know this is the way Japan tends to roll with BL timing. I wanted to like him sooner then this. Now I'm not really that invested.

Living With Him AKA Kare no Iru Seikatsu (Japan Thurs Gaga) ep 8 fin - It was an extremely good and very satisfying ending for a JBL, which we cannot expect, so I'm disposed to dole out top marks for that. Also we definitely have a new contender for Namgoong award for best wingman. (Japan's favorite: the bespectacled variant.)

Summation:

Kindly Ryota goes to uni and ends up rooming with his former childhood bestie, Kazuhito. Kazuhito doesn’t have a girlfriend for, as it turns out, cute roommate reasons. Same director as Old Fashion Cupcake, the framing is gorgeous and it is a stylish piece. As a friends to lovers cohabitation narrative this was a classic 2000s sweet yaoi. I enjoy that kind of tradition out of Japan even if it (and the characters) come off as a little slow as a result. Still, it's nice to get a traditional BL out of Japan that is satisfying, not slapstick, AND did not hurt us. 8/10 recommended

Blossom Campus (Korea Thurs Gaga & iQIYI) ep 5-6fin - gonna have to wait until next week, for mysterious hotel wifi reasons.

It's airing but...

You Made My Day (Thai YT) ep 1 of 5 - mini series staring the I Will Knock You couple Tar & Bom, started but I couldn't find it. I also didn't try very hard.

The Time of Fever AKA Unintentional Love Story 2 (Korea movie) trailer released to Korean theaters 5/25. HoTae & DongHee, side couple from Unintentional Love Story are back! Same actors, same character names. I love them. I NEED TO SEE THIS. How?

OMG Vampire (Thai Sun ????) ep 2 of 10 - yeah I can't find it. Comments from last week suggest this is not my thing anyway, but Lee Long Shi very much IS my thing, so... maybe I'll put it on hold for a bit and y'all can let me know.

In case you missed

VBL (Taiwan) is released 'Special Episode' epilogues to their 4 2023 series on Gagaoolala, Viki & Viu - watch each on the respective shows' page: You Are Mine, VIP Only, Stay By My Side, Anti Reset.

My Biker 2 (Thai movie trailer) suposedly released somewhere, search me.

The Time of Huannan (Taiwan movie) went to theaters, not sure if we will get this, and it may not be BL.

And here's a 2023 that I missed and finally watched:

After Sundown AKA Saengrawi

ZeeNunew vehicle from 2023, recut into a movie on YouTube. It's from Mandee and horror, yet I enjoyed it more than I thought I would.

Pronoun use is ter/chan or rao (no nai or pom) because of the historical setting + softness of the relationship.

It's oddly sweet and wholesome, for a ghost story. Phloeng and Rawee enter into an arranged marriage for confusing prophetic reasons and a twisted fate, solving a mystery of the past that is haunting Phloeng's family and harming Rawee. Honestly, it makes no actual sense, but it's kinda historical, and very pretty, so I enjoyed it more than I should. 8/10

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

June Releases

6/7 My Love Mix-Up (Fridays Thai Adaptation not sure where this will air) - I do love G4 and I did like the original and maybe this time these characters will actually kiss? I'm actually fine with this pick-up. I kind of enjoy seeing different countries remake the same IP. Especially if it's IP I'm mostly unfazed by.

6/7 The Last Time (Thailand Fridays YouTube?) - Convoluted story of loss and possible reincarnation or something?

6/9 Love Sea (Thailand Sundays MAME warning iQIYI - New characters to the Mameverse. While travelling, a writer has a one night stand with a very irritating man. YES I WILL TRASH WATCH THIS. Drinking will happen on Sundays I guess. (Look, I do usually travel on weekends, so it may end up being Monday Mame Trash - which jives.)

6/14 Let's Eat Together Aki and Haru 2 AKA Aki wa Haru to Gohan wo Tabetai 2 Haime! (Japan movie Gaga?) - Continues the (frankly) lackadaisical story from part 1.

6/15 Sunset Vibes AKA SunsetXVibes (Thailand Saturdays) Star Hunter and MosBank on iQIYI so if nothing else it's gonna be a wild and sexy ride. A one night stand but "uh-oh he’s my boss," adapted from a web series. I’m game. Maybe it’ll have a better story than Big Dragon? Maybe it will have a plot? We can but hope.

6/26 The Rebound (Thai Weds VIU?) - MeenPing are back in their 3rd BL together, a basketball based romance (Meen was a national basketball player, so yay for that). I like this pair better than most (I still do miss Meen with Est but Est has a fantastic looking new BL coming from GMMTV so yeah...) Anyway I'm up for a sports romance starring a man who, yah know, actually played that sport so... I'm game (pun intended).

(Speaking of, why can't Est be a merman? This... I ask you?.)

Why You? (Khmer movie - Billed as a horror romance BL this is supposed to release this month.

THIS WEEK’S BEST MOMENTS

In my world we call this smug. (Only Boo!)

LOOK AT HIS ARM?! This has been your Goodness Gracious Great Guns Of Huge 2024 moment.

(All Wandee Goodday)

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity

@rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in it's infinite wisdom doesn't like too many tags.

There's these tricks, remember.

[godmademeinmspaint]

Going to say this now even though I barely post here::::: Adaptations are never meant to be a 1:1 recreation of the original source material. The goal is never to recreate the exact same experience in a different format, the whole point of remaking something in a different format is to make something new.

I don’t understand why people are out here acting like the new Netflix ATLA walked onscreen, shot the original with a 44 and declared itself the new ATLA. I’m not saying you can’t criticise anything about it or any other adaptation, I just think a lot of people need to remember that an adaptation that gives you the same experience and explores the exact same themes and doesn’t elaborate on or look at things in different angles would be utterly pointless.

[tonikogemmie]

April 14th, 2024: Sunday's Engrossing Gem

A nightmare apocalyptic scenario happens upon humanity in the form of what seems to be upper beings—gods even—settle in major human population zones. A gripping story between the new fucked up people molded from this disaster, the 'gods' themselves and how these humans plan to take back their cities and exterminate the invasive species of surreal monsters. And there may be no one else more involved in all of this than Kamikura Waka and the strange man she runs into when she tried to meet the gods.

After God by Eno Sumi

アフターゴッド

TYPE: Manga

TAGS: Drama, Psychological, Action, Fantasy (Urban), Supernatural (?), Thriller (?)

DEMOGRAPHIC: N/A

STATUS: Ongoing

RATING: Mature. Its about everything short of sexual violence and assault, really it isn't insensitive or anything, just nuts. themes of suicide. pseudo cannibalism.

Perhaps this is why this story would be to your liking:

This is some real ass blocks of text philosophy. Though it is usually delivered through the mouths of outsider creatures so in a way I think it is lot more interesting and despite their supposed alienness from humans, their interpretations might not be too off.

(Strangely enough, this manga is quite funny if your sense of humor is a little off like mine. The dialogue has some crazy spunk. Yeah the characters are pretty hot too. If you ask me, the subtext also looks pretty queer sometimes.)

Also take this as just my interpretation, I really think this manga is about unorthodox expressions of love. Deeply engrossing is the interpersonal relationships that are abnormal, and these people's plea for their existence. To me, reading this manga means we have to bear witness to humans who can no longer live normally.

And of course, this art is no joke! Aside from the stunning spreads and a complex monstrosity designs, I always love art that can convey discomfort. It's so beautiful and ill-inducing, their expressions and being. It feels a touch away from horror, if only because the art isn't there to scare you, but to itch at your gut. Yes... this is the kind of manga that gnaws you from your innards with anticipation, thrill and maybe like a secret third thing.

Well! I’m off to read some more!

ENGLISH LICENSE (though if you 🏴‍☠️ I'm not against you):

This is also a new development with the official English, an unannounced hiatus all of a sudden. While it is behind by a manageable 2 chapters, we're still awaiting news on if the English publication is continuing.

The author also has a non-negligible amount of untranslated works under her belt, so I am sure to look into that.

Alright alright, enough from me. Happy reading.

[doverstar]

hey. hey Wuthering Heights is not a romance. it is not romantic. it is tragic. please don't aspire to finding a man like Heathcliff. either try emulating a person like Nelly or Cathy or else put the book down and go outside, thank you

[pumpkinsouppe]

I totally could’ve missed it but did Justine ever apologize to Sebastian? Bc although I now understand her actions I still don’t like that she also manipulated Sebastian when she was one of the only adults who knew how badly Blaise talked about his son. She knew he was bad and 2-4 for sure was not the first time she ever heard him talk about Sebastian that way. I’m assuming bc she heard so much about him being an idiot that’s why she took advantage of him and used him for her own benefit, even if the goal was to take down an evil.

This is like the one issue I have with aai2, Sebastian looks up to Justine so much he copies her movements similar to Kay and Edgeworth yet we never get to see that heart to heart. It was EDGEWORTH himself who had that heart to heart with Sebastian. Which I do love although I’m so mad Sebastian didn’t return for aa5 or 6 after being mentored by Edgeworth for 7 years, such a shame I’m so sad about that.

Idk Sebastian deserves a big apology from Justine, she encouraged his behavior that Blaise instilled in him and used it for her own benefit knowing that it would only hurt Sebastian in the future.

[wonderfulworldofmichaelford]

Michael After Midnight: The Films of Quentin Tarantino

There are few directors out there as ridiculously praised and extremely controversial as Quentin Tarantino. He’s done nothing his whole career but release films that garner critical acclaim and massive fanbases due to the stellar acting and writing within his films, but at the same time he’s been relentlessly criticized for his excessive use of racial slurs, his excessive homages to the point of plagiarism, and his habit of inserting his fetishes into every single one of his movies. What fetishes do I mean? Let’s just say his films have a lot of sole, and it would be no easy feet to go toe-to-toe with how in your face he is about what he likes.

While the man does have his problems (don’t get me started, I’m here to review movies, not gossip) and his style certainly isn’t everyone’s cup of tea, I’ve found myself enjoying his work a lot ever since I was a teenager, and his films are what pushed me into checking out a lot of more obscure films in the exploitation genre; in particular, I’m a pretty big fan of blaxploitation thanks to Tarantino’s work, and I doubt I would’ve ever checked it out if not for his constant homages. I can’t really hate a guy who helped make me aware of Pam Grier, can I?

What’s most impressive is that out of his ten films there’s not one I would say is genuinely “bad.” Sure, there’s at least one I think is a boring, middling affair, and there are a couple of heavily flawed but still solid films, but there isn’t a single awful movie in his filmography. That’s honestly pretty impressive, especially considering the sort of weird throwback films he makes. After finally sitting down and watching Once Upon a Time in Hollywood recently, I decided it was finally time to bite the bullet and do what was a long time coming on this blog: Review Tarantino’s movies. And then I just decided, hey, why not review them all at once, as an homage to Schafrillas Productions and his director rankings? Oho, see, I can homage things too!

To be clear here, I’m only reviewing the films Quentined and Tarantined by the man himself; the “Tarantinoverse” is a bit more expansive than his own filmography, as True Romance (which he wrote) is canon and Machete, Machete Kills, From Dusk Til Dawn, Hobo with a Shotgun, Planet Terror, Thanksgiving, and the Spy Kids movies are all part of the “show within a show” side of his world, but those are all topics for another time. Right now, it’s all Tarantino baby! Now let’s get on to the actual ranking, and pray that I don’t put a foot in my mouth with these opinions.

10. Once Upon a Time... in Hollywood

I feel pretty safe in calling this Tarantino’s worst film. It’s not necessarily awful or anything, it has good qualities to it, but it takes every problem Tarantino’s style has and cranks it up to 11.

The film is long and dialogue-heavy, with lots of that classic Tarantino writing, but while individual scenes are good such as when Leonardo DiCaprio’s character is filming a scene with a little girl or Brad Pitt’s character goes to the ranch the Manson Family are holed up at they never really feel like they congeal into a cohesive narrative, instead feeling more like a long string of vignettes. This is especially bad in regards to Margot Robbie’s Sharon Tate, whose numerous scenes really add nothing to the movie but constant looming reminders that Helter Skelter is going to happen and lots of shots of Robbie’s feet. The excessively padded runtime is so bad that when you finally get to the part where the tables are turned on the Manson Family, a historical twist that should feel fun and cathartic, it comes off as too little, too late instead.

It’s really a shame the film is so meandering, because in almost every other aspect it really shines. Every actor is giving it their all; Pitt and DiCaprio are absolutely fantastic, Robbie brings charm even to her filler role, and every single bit part actor is fully committed and leaves a mark. Standouts include Dakota Fanning as the de facto head honcho of the Family when Manson is out and Mike Moh as Bruce Lee in a scene that is at once deeply disrespectful to one of history’s greatest action stars and also very funny. This is a film you can tell everyone involved gave a shit about.

But for me, it’s not enough for me to really love the film. I like a lot about the movie for sure, but I just hate how nothing ever really comes together in a satisfying way. Maybe if a bit of the fat was trimmed I would have a higher opinion of the movie, but as it is three hours of vignettes (even well-acted ones) is truly excessive. It’s mid at worst, but for Tarantino that’s still pretty shocking when everything else he’s done is above average at worst.

9. Death Proof

This is a truly underrated film, but frankly, it’s easy to see why it is that way. This half of the double feature that was Grindhouse is a throwback to films that were actually two movies spliced together, and it has all the issues that entails. The first half of the film is a more grounded, dialogue-heavy buildup to a terrifying conclusion, while the second half is a wild and crazy action and stunt showcase, and the two halves feel at odds with each other…which is by design, but still.

This might be a hot take, but I find the slow burning first half to be the superior part of the film. As much as I love Tarantino’s insane action films, Kurt Russell’s portrayal of the sinister Stuntman Mike is just just utterly gripping; he is easily one of the best villains in Tarantino’s filmography. The whole first half establishes him really well, building up the anxiety until he finally gets to show the girl he leaves with just how well he death proofed his car. He’s just so damn cool.

And then comes the second half where he’s reduced to a bit of a chump. And this probably wouldn’t be nearly as bad if the protagonists up against him were compelling, but they’re not. They’re a bunch of girls who are boring at best and relentlessly unpleasant at worst; the fact they leave behind one of their friends to an uncertain (but likely unpleasant) fate at the hands of a creepy redneck is especially appalling. Beatrix Kiddo they ain’t.

This is a wildly uneven film, so I can see why it didn’t find its audience right away, but I think these days it had garnered a minor cult following. If you can handle the flawed second half, this is still a really good movie with a captivating villain performance that more than makes up for its shortcomings, but I definitely can’t justify putting it any higher on this list.

8. Inglourious Basterds

Oh, this might be a controversial one. This movie is the same sort of beast as OUATIH, which is why I have it so low, but with one crucial difference: It does everything better. Yes, this movie is long and a bit meandering, but it always feels like it’s moving towards a final goal. Yes, it ends with a history-altering plot twist, but this one might be the most cathartic one of all time. And yes, there’s gratuitous feet shots, but at least they’re in plot-relevant scenes.

Of course, the best thing about the movie is the villain, Hans Landa. Christoph Waltz’s big American breakout is one of the most compelling villains of the 2010s, a charismatic, cunning, self-serving Nazi bastard who you really want to see get what’s coming to him. I might be inclined to call him the best Tarantino villain of all time.

I think what weirdly brings the film down is the titular Basterds themselves, and not because they ultimately feel superfluous to the plot; it’s the same sort of thing as Raiders of the Lost Ark, them being absent wouldn’t have changed much but we also wouldn’t have much of an exciting adventure. My issue is that Brad Pitt aside they are just not interesting or compelling at all. You really need to work hard to sell attempted filmmaker Eli Roth as the ultimate Jewish badass, and the film doesn’t really deliver. If only Adam Sandler took the role as was the original vision; we really were robbed. It’s all the worse because it cuts away from the actual compelling plot with Shosanna for these schmucks.

To be clear, I don’t think this is a bad film by any stretch of the imagination, but I find it falls short of the hype around it. I’ve seen it described as movie with a lot of great scenes that never really comes together to be a great movie, and I mostly agree with that assessment; there’s so much to love here, but also so much I don’t care about. It’s definitely worth watching but it’s also where you can see the seeds for the problems with OUATIH planted.

7. The Hateful Eight

This isn’t a Tarantino film held in a particularly high regard; it’s not exactly hated, but it’s not what anyone would call their favorite either. Its contentious nature boils down to something apparent right in the title: Every character in this movie is a fucking asshole. It can be genuinely hard to get invested in these people when they’re a big collection of liars, killers, sadists, criminals, racists, and rapists.

Now, if you can stomach these nasty characters, what you’re left with is “John Carpenter’s The Thing… but a Western!” And I have to admit as a huge fan of The Thing, this is a very solid reimagining of the concept in a grounded setting. I do wish there was any character to root for here, but watching a group of people slowly tearing each other apart in a claustrophobic, isolated setting is still fun to watch. I don’t think it’s nearly as good or insightful as Carpenter’s movie, but very few movies are.

This is definitely a movie I can see people hating more than the previous two films, but I feel like this movie is more consistent than Basterds or Death Proof. Those movies have higher highs, but this movie never hits the lows they do, and even if his character is a massive asshole Samuel L. Jackson is always great to see in a Tarantino flick. Plus that brief appearance from Channing Tatum is great, especially with how it ends. This is a very solid film, but “very solid” is about as high as the praise I’ll give it will get.

6. Reservoir Dogs

Tarantino’s directorial debut, and boy is that readily apparent. It does a good job at establishing hallmarks of his style, like the sorts of conversations his characters have, their love of racial slurs, non-linear storytelling, and his trend of casting himself as a douchey minor character. It does everything fairly well, and I’d go as far as to call it one of the best directorial debuts ever… and that’s about it, really.

Like this is a very good film with strong performances—Michael Madsen and Steve Buscemi being the standouts—but it definitely feels less refined than his later works with the same style. His sophomore film just completely blows this one out of the water, to the point it’s hard to muster up the interest to revisit this as opposed to watching Pulp Fiction for the hundredth time. It’s not that this film is bad; it’s just that Tarantino’s later films do what this one does better.

It’s definitely a good film, maybe even great, but there’s clear room to improve. Hell, there wasn’t a single shot of a woman’s feet in the whole movie! Tarantino was slacking.

5. Kill Bill: Vol. 2

Now we’re in to the really great movies. And yes, while it doesn’t keep up the energy of the first film, I would definitely call this a great movie.

Where the first volume was driven by action, this one is more driven by talking, and thankfully the characters are saying a lot of interesting things here (the standout being Bill’s media illiteracy in regards to Superman, which reveals a lot about his character). There’s also the reveal of Beatrix Kiddo’s name as well as her backstory, and there are some standout moments like Beatrix escaping from being buried alive and the tense final conversation with Bill. Overall, the film does a fantastic job at fleshing the story out and expanding our understanding of the characters.

Like I said, though, it just doesn’t keep up the energy of the first film. Budd is great and serves as a more psychological opponent, burying Beatrix alive as a way to test if she has the resolve to finish her quest for revenge, but both Elle and Bill himself are dealt with in a rather anti-climactic manner. It says a lot that O-Ren, one of Bill’s former lackeys, put up a grander and more impressive fight than her boss did. While I do appreciate the more philosophical approach, it’s hard not to be miffed when a duology called “Kill Bill” doesn’t kill Bill in a more grandiose way befitting the character.

Obviously, I don’t think it brings the film down much, and this is still a good conclusion to the story. I just can’t help but feel it could’ve amped things up just a bit, y’know?

4. Jackie Brown

This is probably the weirdest film in Tarantino’s filmography, being an adaptation of a book that lacks a lot of his usual style and features a lot of people he didn’t work with afterwards (like Robert De Niro and Pam Grier). This has led to a lot of people praising it as one of Tarantino’s best works for being unique among his oeuvre… and also a lot of people deriding it for how different it is from his usual style.

I definitely think it’s up there with his best works, but I don’t think it’s the absolute best. It’s sort of like how I see Christopher Nolan’s Batman movies; they’re great films (well, the first two anyway) but I can’t in good conscience hold them up as the best Batman media because they ultimately lack a lot of what makes me love Batman as a character. And this film lacks a lot of what makes me love a Tarantino movie; it’s a fantastic, realistic crime drama, but that’s not really what I’m watching Tarantino for, you know?

Still, its placement on this list should tell you I still see this as a must-watch. Starring Grier alone makes it worth checking out, and it definitely showcases Tarantino has far more range as a filmmaker than you’d expect.

3. Django Unchained

Right from the opening song, you can tell this is going to be an epic movie. Tarantino truly nailed the Western on his first go around, adding his own spin to the genre and making a truly stellar film. However, it’s not without a few issues.

The main cast is fantastic. We have Christoph Waltz as a noble and heroic abolitionist, an atypical role he pulls off flawlessly; Samuel L. Jackson as a sinister house slave who is all about licking the boot that treads on him; and of course Leonardo DiCaprio as a hammy, egotistical slave owner, a stellar villain role that should have nabbed him an Oscar. Even minor roles are great, with Don Johnson appearing as a plantation owner early on and Jonah Hill of all people popping up as a proto-Klansman.

You might notice I didn’t mention Jamie Foxx as the titular Django. That’s because, unfortunately, he’s a bit of an issue with the film. It’s not Foxx’s performance; he makes Django cool and likable, and his awesome trademark Tarantino roaring rampage of revenge in the third act sells him as a truly badass character. No, the issue is the narrative seems to seriously sideline him in favor of Waltz’s character, to the point for large swaths of the film he feels a bit like a side character in his own story. I don’t find it to be a huge issue, but it can be frustrating, especially since this is a very long movie and a few scenes drag on a bit longer than necessary. You really couldn’t give the title character a bit more to do until the last half hour, Quentin?

Still, I don’t think its issues hold it back all that much. This is an incredibly fantastic film whose highs easily overshadow its frustrating lows. Frankly, if any Tarantino movie deserves a sequel, it would be this one; I think Django has a lot of interesting stories in him, and a film where he actually gets to be the central character the whole time would be great.

2. Kill Bill: Vol. 1

This right here is pretty damn close to being my absolute favorite Tarantino film. Where something like OUATIH is all of Tarantino’s flaws compounded into one film, this is all of his strengths together in one film. Fantastically violent action, stellar casting with not a single weak performance, an awesome soundtrack, tons of great homages to the works that inspired it, non-linear storytelling used effectively, and more style in a single frame than some movies have in their entire runtime.

Frankly, I don’t have a lot of issues with the movie, though I kind of don’t like how all the action is front loaded while all the character insight and dialogue gets shoved into the second part. It’s nothing that makes me think less of either film, but I think maybe sprinkling more insight into who the Bride is in this movie and putting some more action in the second part would keep the sequel from feeling a bit anti-climactic. I also wish we got more of Vernita Green, the first assassin we see dispatched onscreen and the one who gets the least characterization; with a third film increasingly unlikely at this point, meaning we won’t ever see her daughter seek her vengeance, it’s a shame we don’t get at least a little more of a look into who she is as a person like we did with Budd and especially O-Ren.

Aside from that, though? This is Tarantino at his best, and Uma Thurman’s crowning achievement as an actress, one that cements her as action royalty alongside the greats like Schwarzenegger, Stallone, and Weaver. There’s just one film Tarantino did that, objectively, is a much better film, and I’m sure as soon as you saw this ranking you knew exactly what it’d be...

1. Pulp Fiction

Of course this takes the top spot. Was there ever any doubt? This movie is everything Tarantino is about rolled into one supremely satisfying package.

The cast is nothing short of phenomenal. We have Bruce Willis in his prime, we’ve got John Travolta pulling out of a career slump, we’ve got Uma Thurman and Ving Rhames in roles that put them on the map, and we have a veritable buffet of talent in minor roles, the most memorable of which is Christopher Walken telling a child the delightful story of a pocket watch’s journey home from war. There’s not a bad performance here. But of course the real superstar is Samuel L. Jackson, who gave a career-defining performance as Jules, the baddest motherfucker around (it says so on his wallet).

The great performances wouldn’t matter much if not for the great script, though. The dialogue in this film is unreal with how good it is, with characters having very odd yet also very realistic and natural conversations. Jules and Vince discussing burgers, for instance, is one of the most memorable sequences in the film… and it’s just them driving! Some of the writing is a little contentious (did you really need to have your character say the N-word fifty times, Quentin?), but none of it is really bad.

I will say Tarantino as Jimmy is one of my few issues with the film, but also an issue I kind of like anyway. His acting is a wonky and there is genuinely no reason why he should be spouting off all these racial slurs (even in-universe, since his buddy Jules and his wife are black), but the sheer audacity of the whole thing saves it. Still, I can’t help but feel the scene hasn’t aged as gracefully as a lot of the film, and the amateur performance from Tarantino sticks out all the more because he is standing right next to two of the most talented actors ever.

Another aspect of the film I think has aged pretty poorly is the gay hillbilly rapists, but I don’t think this aspect is as cut and dry as “hey maybe the white director who has little acting training shouldn’t play the guy who says the N-word.” On the one hand, having the only queer characters in your movie being depraved rapists is not a good look, though this was par for the course for the 90s. On the other hand, the movie treats Marsellus getting raped with the same level of deadly seriousness that a woman in that position would receive in a film. That’s a pretty bold, progressive plot point, especially since men getting raped (especially male-on-male) was and still is used as a joke. And watching the movie in a day and age with tons of queer characters in media does soften the blow a bit, because these aren’t the only gay characters you’ll see in fiction anymore. I think it’s important to have discussions about these sorts of archaic portrayals of queers in film, but I don’t think this breaks the movie.

In modern times the film has gotten a reputation as a “red flag” film loved by toxic guys, and I think that’s unfair; is it the movie’s fault dudebros fail to see the movie is a refutation of crime and violence? Think about it: The only person in the film who gets an unambiguously happy ending is the one who has a spiritual awakening and abandons his criminal ways to walk the Earth. Every other major character pays in some way for their continued violent ways: Butch goes through Hell and ends up in exile, Marsellus Wallace gets raped, Mia overdoses and nearly dies, and Vince does die. Hell, there’s an entire segment where Jules and Vince are repeatedly chastised for careless violence causing a huge mess; as you may recall, Jules’ pal Jimmy was not too keen to find Phil LaMarr dead in his garage, and had some choice words to say about it. Stupid people see the blood and slurs and take it at face value, but the narrative itself tells these sorts they’re well and truly fucked because when you live by the sword, you die by the sword.

Of course, my favorite interpretation of the film is that it is espousing the belief that Beatles fans are superior to Elvis ones, as an extension of Mia’s comment in a deleted scene that you’re either an Elvis person or a Beatles person. Vince is clearly an Elvis guy, and he is presented as an unprofessional, careless buffoon who causes numerous issues and ends up dying due to his own inattentiveness; meanwhile, Jules is vaguely implied to be the proverbial “Beatles guy” (he calls the robber in the diner “Ringo”) and escapes the film unscathed. This is even funnier when you consider that one of Tarantino’s first onscreen roles was as an Elvis impersonator in Golden Girls, something that implies he might be an Elvis guy himself, which would make the film the most epic act of self-deprecation ever.

This is one of the greatest sophomore releases from a director ever, and one of the greatest films of the 90s. This film frequently finds its way to the top of “best films of all time” lists, and with good reason; it is, to this day, just that good. I think there’s a temptation to call any of his other films his magnum opus due to just how acclaimed and pervasive in pop culture this film is, but it got that way for a reason. It is a damn good crime story with all sorts of twists and turns and plenty of stuff for viewers to ruminate on and interpret as they please. Hell, I thought I liked Kill Bill more than it until I rewatched it, but boy does this just blow even that masterpiece out of the water.

If nothing else, the film is incredible for one simple reason: Tarantino managed to insert his foot fetish into the film without it feeling as needlessly gratuitous as it is in some later films! Bravo, Tarantino!

[ettadunham]

why does horizon zero dawn, a game that came out 7 years ago and only got a PC port in 2020 has a remaster in 2024??? this is absurd.

[teamhawkeye]

fighting my demons right now to try and not buy Indiana Jones and the Great Circle at launch...

[quicktimeeventfull]

will say it’s always 50/50 if people like me or hate me but hiring managers universally love me because of my natural need to frame every single conversation in terms of its actionable goals

[re-bee-key]

I was able to watch 4 eps of the OPLA last night and I'll get to watch the other 4 tonight when Mom comes home.

And Id just like to say, gosh, its so so so good. Everything I could hope for in a live action.

Especially because, - SPOILERS -, Usopp x Kaya are canon. 😭 ive been shipping them for years and now its officially canon. I smiled so big and kicked my feet when they kissed. Hehe sooooo happy

[absolutebl]

This Week in BL - Multiple Thrupples are Forming

June 2023 Wk 2

Being a highly subjective assessment of one tiny corner of the interwebs. Organized by which ones (in each category) I’m enjoying most.

Ongoing Series - Thai

Step By Step (Tues WeTV & Gaga) ep 8 of 10 - Emotional blackmail from the ex notwithstanding, I guess it’s Pat’s turn to break hearts. I have to say Up was really well cast in this part - extremely believable. Well done all around. Jeng is so smitten, so awkward, so cautious, yet so sharp when it comes to a seme confrontations. I LOVE how sensitive Jeng is to the fact that he has a one-sided crush but also deluded by how much he wants the fantasy of the relationship. The agonizing roller coaster we watch him go through in this ep did a lot of work to elevate and expand his character. (Oh hi Green!) Poor Pat: thinks he’s teasing his straight boss, is actually slow dancing with future husband. Happens to the best of us. 

La Pluie (Sat iQIYI) ep 8 of 10 - Don’t kiss someone else. Just argh. Dumb plot divice. I expected better of you LP. Everyone is so overdramatic and overreacting. I wonder if (in addition to all of the other tropes this narrative is scrutinizing) it’s examining bisexual identity through Pat + his ex? Like, this episode is actually about trusting the bisexual to choose his gay lover when he has the so called “option of being normal.” That soulmate is an allegory for gayness & identity & choice (and whether we even have a choice in who we love and are attracted to) and the interplay all of this has with one's own perception of self and other's perception of you… Or am I giving it too much credit? Meanwhile... l flipping adore the love triangle twist, and really wonder if they’re gonna have the guts to take this aspect to its inevitable triangular conclusion. Such a good show. 

Be My Favorite (Fri YouTube) ep 4 of 10? - Screw all y’all, I’m eloping with Pair & Max. We forming a thrupple and pretending Jittirain doesn’t exist. Trash watch here. 

Luminous Solution (Sat Gaga) ep 4 of 6 - I love the high school boys so much it’s scary: flirting, biting, frankness, roughhousing + lap sitting! Also messy high school gay triangle. Gah. All of this for little-old me?! I was mad every time we jumped forward in time (to the adults) or whatever the hell is going on. Thank goodness this is only 6 eps. 

Ongoing Series - Not Thai

 Love Tractor (Korea Weds iQIYI) eps 3-4 of 8 - I LOVE IT SO MUCH. IT IS EVERYTHING. SHUT UP I AM FERRIL FOR THE BEAUTIFUL CITY BOY & HIS YOUNG FARMER. Come on. Korea. Have mercy? Plus some language play? Slayed. Right... the episode; This show reminds me so much of a Korean style Restart After Come Back Home. I’m not even slightly mad about it. It’s the BL I didn’t even know to ask for. Soap opera tumble and baby in hospital is SUCH a princess moment and I am living for it. Although the reversal is even cuter, princess turns out to be a caring tsundere Dom. And then obligatory water-hose frolicking! Oh, stop, you. (Allegory much? i being to think hose spraying is just another way of BL saying... well... hose spraying) AND “there is only one bed but they slept together on the floor together anyway”. These boys are hitting all my favorite tropes. BL please never lose your sense of childish wonder. And... the hose spraying is nice too.  

Tokyo in April AKA Shigatsu no Tokyo wa (Japan Thurs Gaga) ep 1 of 8 - Based on a NSFW yaoi, this is a reunion romance that takes place in an office. Look, this is a weird little 2nd chance at love that reminds me a bit of Our Dating Sim. But it’s more traditional yaoi office romance with evil boss and inter-departmental politics. The leads are cute childhood (almost) sweethearts and I adore it unreasonably already. 

Vian the series (Vietnam YouTube ) ep 6 of 12 - Vertical video prod is stupid. I’m sorry young people. Stop it. BUT the cuddling is cute. Christ BV can kiss. Is there anyone he doesn’t have amazing chemistry with? Oh the sunshade trope I haven’t seen that one in forever. Also clearly his character has a type, and that type = ultra-bitch. 

Stupid Genius (Vietnam Fri YouTube) ep 2 of 6 - It’s fine. 

Naked Dinner AKA Zenra Meshi (Japan Fri Gaga) ep 9 of 12 - Oh dear. Baby is hurt and rejected. Faen fatal knows her competition is a boy, she also knows what jealousy looks like. But this baby has his own boy. This is all feeling rather Thai BL. There’s even an ep 11 of DOOM coming up next.

It’s Airing But ...

House of Stars (Thai Mon iQIYI) 12 eps - I bounced at ep 3. Will binge if told it is worth it at end.

Stay (Pinoy YouTube) 7 eps - It’s mostly in English and set in LA so I’m not bothering but the first one did drop.

Ever After (Pinoy ????) - I got nothing.

Takumi-kun Series 6: Nagai Nagai Monogatari no Hajimari no Asa (Japan Sun ????) 10 eps - NO ONE ASKED FOR THIS and no, I have no idea where to get it, why would I? (Say it with me everyone: Oh Japan, must you?*)

Boys Love Omegaverse (Japan ????) - honestly tho? Who tf cares? You’ll still tell me if you find it, because inquiring minds... Irony of this airing at the same time as Takumi-kun. Full circle much, Japan?

Ended This Week

Tin Tem Jai special showed up on Gaga as ep 11 & 12 under the original show. (Indebted to spies reporting in.) Also on YouTube. What was that I just watched? Did I watch something? Was there anything? I suppose the bathtub scene was cute. Subs are bonkers. Seriously. Do. Not. Bother.

Our Dining Table AKA Bokura no Shokutaku (Japan) - pay attention TTJ THIS is how you do a special. But I’m gonna do a series review, here ya go: I was always gonna love the show if they stuck to the manga (which is very dear to my heart). And they did, paralleling it almost exactly. It’s a quiet & cozy little parable of found family alleviating loneliness. Possibly too slow for some but definitely high up there for me with the best of what Japan can do (like Restart After Come Back Home), it’s only flaw (if I dare say such a thing) is that it is not really “romantic.” Lovely & sweet but the romance beats are being used to build a family relationship, not just couple intimacy, it’s OK with me, but not totally BL. 9/10

Next Week Looks Like This:

Starting this Week

6/22 About Us but Not About Us (Pinoy movie from 2022 on Prime) - A professor grieving the loss of his partner meets an ambitious literature student.

6/24 Tie The Knot AKA Under the Same Sky (Pinoy movie on Prime) Trailer - I guess Prime is coming for our Pinoy BL? From OXIN Films (Rainbow Prince), announced for 2022 based on a true story, Briggs's family runs a bridal business but he has never had a chance to fall in love until he meets Shao, a groom to be.

6/24 Why You (Khmer BL ????) - Billed as a horror romance, not sure if this is a movie or a series or where it will air.

6/25 Dinosaur Love (Thai iQIYI) Trailer 5 eps - from Ultimate Troop about a uni student, Rak, whose partner cheats on him with Rak's best friend. This gives bad boy hazer Dino an opportunity to hit on Rak at last. From The Yearbook people so I will not watch this as it airs. After Remember Me? Never again with them.

2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED)

THIS WEEK’S BEST MOMENTS

Step by Step knocked it outta the park this week. 

Stupid Genius (speaking for all BL) 

No baby. Pretty much every human on the planet would react that way. (Love Tractor) 

(last week)

Current Kpop earworm? IVE’s I Am 

[vanillacorpse]

oldboy was such an insane movie. i watched it tonight. the fact that the only thing i’d heard about it was from a video i watched years ago of a couple of film bros hailing its action scenes... lmfao i went into that thinking it would be like john wick. it wasn’t!

[stardust948]

OK so I'm skipping NATLA episode 5 and going straight to 6 because I've heard good things about it. Then I'm done watching the show. It's average at best and honestly going episode by episode feels more like a chore now.

[theskoomacat]

I wrote "i'm not obsessed with anything atm" in that ask game and then lost myself completely in Remedy content not even a day later. clown behavior

Anyway Max Manpaynes 1 and 2 were ok, ppl say 3 was also okay but it's too far from other Remedy stuff so i'm not dissecting it. So here's the easter eggs from MP1 and 2 for people who haven't played them (reverse easter eggs rather because the stuff they were referencing did not not exist yet. what's first, an easter egg or an easter chicken?)

(at this point i realized that i've lost all my screencaps to a power outage. aye killing meself.)

The biggest most obvious thing were the TV shows. I guess the one thing you can trust Remedy to do is to put a fictional TV show in their game. Address Unknown was a wild ride. In MP1 the show is an obvious reference to Twin Peaks, it features the main character, a mental hospital patient, witnessing his double conversing with a backwards-speaking pink flamingo in a place with red drapes.

In MP2 this story evolves: we learn that the main character is tormented by his evil serial killer double, John Mirra, who frames mc for his murders. (hmmm sounds familiar)

(The fact that Sam does "acting" for all the series is the icing on the cake. draw Scratch like this challenge)

He is forced to look for Mirra, following the trail of his murder scenes into an alternate Noir York City, because Mirra has kidnapped his gf. He gets put into that mental institution from MP1's episode and is forced to kill his doctor self-defense and flee. He laments that through killing he has become John Mirra himself - maybe he has been Mirra the entire time. The series ends with him receiving a phone call from himself. (Naturally, the entire series is heavily focused on the concept of mirrors, including citing a poem by the poet Pool on the same topic).

Watching all this made it all click for me because I have seen but have not processed a snippet of an interview with Sam Lake where he said that he enjoyed Twin Peaks season 3: The Return (hello??) that also featured an evil double plot and the mc returning from another dimension after many years. The only thing that is different is that afai remember, evil Cooper was not Cooper himself - unlike how it happens in Address Unknown and Alan Wake 2. So it's extremely fun to see that after 20 years Sam has managed to turn these doodles on the margins into an entire AAA game, love it for him.

Another pretty fun meta moment when Max get heavily drugged:

(There is another note that tells him that he is a computer game character, to his dismay, but I like it less.) I know it was just a typical 4th wall-breaking joke back then but in the context of AW this becomes way cooler.

Other minor stuff that made me go leo_dicaprio_pointing.png:

665 and 667, the neighbors of the beast, are used as codes in both games.

one of the characters seemingly gets shot in the head in the first game, and in MP2 this conversation happens: "I saw you take a bullet to the head." "Maybe it's still there. Keeps me focused." - kind of taking a note of this for AW3.

MP1 constantly references the American Dream, the first part is called that as well - in contrast with the American Nightmare.

The whole thing with "Odin" - no real connection with AW but just fun to see Remedy putting heavy scandinavian mythology symbolism in the game unprompted.

man i can't remember more without the screencaps, this is so tragic. Nightingale was mentioned but iirc with no hidden meaning. here you go.

Anyway, I hope I have at least managed to enlighten the people who haven't heard of Address Unknown because in the context of AW2 this stuff is bonkers