#adam cracknell

[darthbenn]

excuse me everyone I have BREAKING NEWS Adam Cracknell had a hat trick tonight!!!!

[pierrelucdisaster]

Every old man in North American pro hockey said today is retirement day huh

[goalhofer]

Where every player played during the 2012-13 NHL lockout: St. Louis

ECHL: Ryan Reaves (Orlando Solar Bears) HockeyAllsvenskan: Patrik Berglund (Västerås I.K.) KHL: Vladimir Tarasenko (K.K. S.K.A.) SEL: Alexander Steen (Modo Hockey) Liiga: Kris Russell (Turun Palloseura) & Kevin Shattenkirk (Turun Palloseura) Czech Extraliga: Roman Polák (H.K. Vítkovice Ocel), Vladimír Sobotka (H.K. Slavia Praha) & Chris Stewart (Bílí Tygři Liberec) Eishockey-Bundesliga: Matt D'Agostini (S.C. Riessersee), Jaroslav Halák (E.H.C. Lausitzer Füchse) & Chris Stewart (E.T.C. Crimmitschau) AHL: Jake Allen (Peoria Rivermen), Ian Cole (Peoria Rivermen), Adam Cracknell (Peoria Rivermen), Brian Elliott (Peoria Rivermen), Chris Porter (Peoria Rivermen) & Jaden Schwartz (Peoria Rivermen) Didn't Play: David Backes, Barret Jackman, Andy McDonald, Scott Nichol, T.L. Oshie, David Perron, Alex Pietrangelo & Wade Redden

[saintlucyrepresents]

Adam Birkan Shell

Adam Birkan photographed the commercial production for Shell Helix Ultra motor oil in Bangkok. Adam shot behind-the-scenes imagery, capturing cinematic scenes of athletes gearing up to take on their next challenge. Adam’s still's happened alongside the broadcast spot production, “Shell Heartbeat,” directed by Simon Cracknell

Agency: The Gate Worldwide Director: Simon Cracknell DOP: Andrew Strobridge Talent: Rodtang Jitmuangnon

See more of Adam Birkan’s Commissions and Portrait portfolios online. 

[ulkaralakbarova]

When Queen Elizabeth’s reign is threatened by ruthless familial betrayal and Spain’s invading army, she and her shrewd adviser must act to safeguard the lives of her people. Credits: TheMovieDb. Film Cast: Elizabeth I, Queen of England: Cate Blanchett Sir Walter Raleigh: Clive Owen Sir Francis Walsingham: Geoffrey Rush Sir Christopher Hatton: Laurence Fox Amyas Paulet: Tom Hollander Elizabeth Throckmorton: Abbie Cornish Robert Reston: Rhys Ifans King Philip II of Spain: Jordi Mollà Mary, Queen of Scots: Samantha Morton Anthony Babington: Eddie Redmayne Calley: Adrian Scarborough William Walsingham: Adam Godley Archduke Charles: Christian Brassington Count Georg von Helfenstein: Robert Cambrinus Dr. John Dee: David Threlfall Spanish Minister: Vidal Sancho Ursula Walsingham: Kelly Hunter Lord Howard: John Shrapnel Torturer: Sam Spruell Cellarman: David Sterne Admiral Sir William Winter: David Robb Courtier: Jonathan Bailey Walsingham’s Servant: Steve Lately Woman with Baby: Kate Fleetwood Infanta Isabel of Spain: Aimee King Annette: Susan Lynch Mary Walsingham: Kristin Coulter Smith Queen Elizabeth’s Waiting Lady #1: Hayley Burroughs Queen Elizabeth’s Waiting Lady #2: Kirsty McKay Queen Elizabeth’s Waiting Lady #3: Lucia Ruck Keene Queen Elizabeth’s Waiting Lady #4: Lucienne Venisse-Back Laundry Woman: Elise McCave Margaret: Penelope McGhie First Court Lady: Coral Beed Second Court Lady: Rosalind Halstead Manteo: Steven Loton Wanchese: Martin Baron Walsingham’s Agent: David Armand Sir Francis Throckmorton: Steven Robertson Ramsey: Jeremy Barker Burton: George Innes Mary Walsingham: Kirstin Smith Old Throckmorton: Tim Preece Dance Master: Benjamin May Royal Servant: Glenn Doherty Dean of Peterborough: Chris Brailsford Executioner: Dave Legeno Spanish Archbishop: Antony Carrick Marriage Priest: John Atterbury First Spanish Officer: Alex Giannini Second Spanish Officer: Joe Ferrara Courtier: Alexander Barnes Courtier: Charles Bruce Courtier: Jeremy Cracknell Courtier: Benedict Green Courtier: Adam Smith Courtier: Simon Stratton Courtier: Crispin Swayne Mary Stuart’s Lady in Waiting: Kitty Fox Mary Stuart’s Lady in Waiting: Kate Lindesay Mary Stuart’s Lady in Waiting: Katherine Templar Courtier (uncredited): Morne Botes Young Boy (uncredited): Finn Morrell Tyger Salior (uncredited): Shane Nolan Film Crew: Screenplay: William Nicholson Director of Photography: Remi Adefarasin Editor: Jill Bilcock Original Music Composer: A.R. Rahman Original Music Composer: Craig Armstrong Set Decoration: Richard Roberts Stunts: Peter Pedrero Stunt Coordinator: Greg Powell Casting: Fiona Weir Stunts: Rob Inch Stunts: Andy Smart Additional Camera: David Worley Costume Design: Alexandra Byrne Supervising Sound Editor: Mark Auguste Production Design: Guy Hendrix Dyas Supervising Art Director: Frank Walsh Director: Shekhar Kapur Screenplay: Michael Hirst Editor: Andrew Haddock Art Direction: David Allday Set Costumer: Martin Chitty Sound Re-Recording Mixer: Steve Single Scenic Artist: Rohan Harris Stunts: Ray Nicholas Art Direction: Andy Thomson Art Direction: Jason Knox-Johnston Production Manager: Mark Mostyn Stunts: George Cottle Stunts: David Anders Stunts: Peter Miles Visual Effects Supervisor: John Lockwood Stunts: John Kearney Stunts: Paul Kennington Stunts: Nick Chopping Costume Supervisor: Suzi Turnbull Hairstylist: Morag Ross Art Direction: Phil Sims Music Editor: Tony Lewis ADR Recordist: Robert Edwards Stunt Double: Abbi Collins Script Supervisor: Angela Wharton ADR Editor: Tim Hands Art Direction: Christian Huband Visual Effects Supervisor: Richard Stammers Stunts: Rowley Irlam Assistant Art Director: Helen Xenopoulos Foley Artist: Mario Vaccaro Visual Effects Supervisor: Steve Street Property Master: David Balfour Greensman: Ian Whiteford Foley Editor: Andrew Neil Stunts: Gordon Seed Sound Re-Recording Mixer: Tim Cavagin Dialogue Editor: Sam Auguste Scenic Artist: James Gemmill Unit Publicist: Stacy Mann Camera Operator: Ben Wilson Visual Effects Editor: Aled Robinson Stunts: Paul Herbert Hairstylist: Do...

[titobeauvi]

Hockey Questions

#7, 20, 21

7: What jerseys do you own:

(previously answered)

20: Have you ever seen or touched the Stanley Cup:

I have not! Maybe the Stars will bring it home this year and I can lol

21: Have you met any players? When and how?

I've met a few! I've been to a couple Stars practice sessions and afterwards they sometimes come out to the parking lot on their way to their cars and fans line up and get autographs and photos. At one session I met Tyler Seguin, Adam Cracknell, and Antoine Roussel (got autographs from each of them too). I also met Tyler at a meet and greet event he had at a Rally House (sports gear store).

Also lastly I used to work at Six Flags and the Stars STHs usually get a night every year where they buy out the park and get free admission and get to meet the players. I worked a couple of those nights and saw players at their stations but I didn't get in line or anything. I had to settle for waving at and saying hi to Kari Lehtonen on the back of a golf cart one year.

[normalaboutdntm]

Production photos, song list, set design sketch, final pages

[ID: two rehearsal pictures. The first is Aimee Atkinson sitting and leaning forward as she sings toward a pianist. The second is the ensemble variously sitting or standing around the rehearsal room.]

[ID: the songlist. Act 1: Where is the Justice?, They're Only Human, Change the World, Hurricane, Kira, I'm Ready, We All Need a Hero, The Game Begins, There Are Lines, Secrets and Lies, Hurricane (Reprise), Change the World (Reprise), Where is the Justice? (Reprise). Act 2: Where is the Justice? (Reprise), Mortals and Fools, Stalemate, I'll Only Love You More, The Way Things Are, Where is the Justice (Reprise), Mortals and Fools (Reprise), Honor Bound, Playing His Game, Borrowed Time, When Love Comes, The Way Things Are. A note at the bottom says "Death Note: The Musical in Concert was first performed on Monday 21 August 2023 at the London Palladium and opened at the Lyric Theatre on 7 September 2023." End ID]

Notably this list doesn't include The Way It Ends or Requiem even though they were both included in the show. I'm inclined to believe this is a mistake as there are some other mistakes throughout the program (and even on this page, the final The Way Things Are isn't listed as a reprise).

[ID: The set design sketch by Justin Williams. The stage is split into three sections: a bed on house left, a plush chair in the middle, and a desk on house right. Partial walls behind the furniture wall sport dozens of screens and a backdrop behind everything has scribbles including the rules of the Death Note on the left and a large HA HA HA HA on the right. In front of the central chair, two small staircases facing left and right lead down to the front of the stage. Underneath the sketch is a quote: "Did I hear correctly? / Did it really happen? / Was it simply done / by writing down his name? / Killing indirectly, / pen and ink and paper, / writing is the gun / I only have to aim."]

[Three rehearsal pictures: 1. Three ensemble members standing, all facing the same direction. 2. Joaquin Pedro Valdes singing and clutching the straps of his backpack. 3. Valdes and the ensemble performing a number, probably Where is the Justice?. Valdes stands center stage and many of the ensemble have backpacks and/or notebooks.]

[ID: two rehearsal pictures: 1. the ensemble lined up at the front of the stage, holding books they have ripped out a page from. 2. Dean John-Wilson holding a book or possibly tablet and singing.]

[ID: two rehearsal pics: 1. the ensemble in various poses, watching something to the side. 2. three members of the crew sitting at tables. One is looking at a tablet.]

[ID: a rehearsal pic of Valdes holding up the Death Note while Adam Pascal stands on a chair behind him. Two other members of the production are in the foreground and background. This page also has bios of Nick Winston, Director & Choreographer; Justin Williams, Set Designer; and Katy Richardson, Musical Supervisor, that I will not be typing up as it's not particularly interesting and all this information is available online anyway.]

[ID: Ensemble members look at something offscreen, concerned. This page also includes bios for Ben Harrison, Sound Designer, and Ben Cracknell, Lighting Designer.]

[ID: Text that says, "You're reading in the wrong direction! Whoops! Guess what? You're starting at the wrong end of the programme! In keeping with the original Japanese format, the programme of Death Note: The Musical in Concert has been designed to be read from right to left. Sometimes, English editors of Japanese manga do what's known as "flopping", that is, producing an exact mirror image of all the manga panels on a page, so it can be read from left to right. This may avoid British brain-ache, but many manga creators in Japan feel that this alters their original artistic intentions. To honour them, we are proud to present our programme in an unflopped format. So, turn to the other side of the programme, and let the adventure begin! EDITOR." There is also a diagram showing how to read a right-to-left manga.]

[ID: the back cover of the programme. It is all black except for a mostly-eaten apple.]

Signed programme from the London concert of Death Note the Musical ^.^ It reads right-to-left so this is the front cover!

[ID: a black programme which reads Death Note the Musical In Concert above the show's logo of an apple resting on an open Death Note. Ryuk's silhouette can be seen in a reflection on the apple and while the writing in the notebook isn't fully legible, one can tell it's the rules of using the Death Note. At the very bottom in small text it says copyright Tsugumi Ohba, Takeshi Obata Shueisha, Horipro. There are five autographs in golden sharpie. End ID]

They started selling autographed programmes on Saturday at the Lyric for not much more than the non-signed ones. I can't read the handwriting very well but I'm pretty sure they're signed by Light/Joaquin Pedro Valdes, Rem/Aimee Atkinson), Ryuk/George Maguire, and Misa/Jessica Lee). This particular programme is also signed by Sayu/Rachel Clare Chan, as I met her at stage door and she happened to have a pen. :) I really wish I'd thought to bring one so I could have gotten L/Dean John Wilson's autograph as well (I'm not sure why he didn't sign the programmes - maybe because Carl Mann also performed the role?) but you can't win them all I guess.

More described images of the programme and commentary below the cut. I am only including the "articles" so to speak and excluding the actor bios/ad pages because I don't have it in me to type up every bit of information in here. If you would like to see the extra pages and are willing to write image descriptions, DM me.

[ID: a text box that says "Welcome to Death Note: the Musical at the London Palladium! Tonight, we invite you to immerse yourself in the gripping world of Death Note, a story that has captivated hearts globally. With mesmerizing music, stunning performances and thought-provoking themes, our talented cast and creative team will lead you through a thrilling journey of morality, power and justice.

"As we make history at the iconic London Palladium with what will be the first ever English language performance of Death Note, we thank you for joining us on this unforgettable adventure.

"Prepare to be spellbound as the curtain rises, the music swells and Death Note unfolds before your eyes. . .

"Enjoy the show!

"Carter Dixon McGill Productions"

After the text box is a rehearsal picture. Light sings wearing a backpack and two femme actors who are also singing stand in profile next to him, holding books and wearing backpacks as well. Someone stands behind JPV almost completely blocked by him. End ID]

Two things to note here: the use of the manga font and the welcome message that specifies the Palladium. The rest of the programme mentions both the Lyric and the Palladium, so I'm not sure if the absence of the Lyric here is a mistake or if they wanted to preserve the original intent of the message, which is that the first performances at the Palladium were a really big deal.

[ID: A rehearsal pic of Light holding up the Death Note while L, Ryuk, and other cast members look on. A text box says " A message from Horipro, the original producers of Death Note: The Musical.

"The project to adapt the internationally acclaimed manga Death Note, published by Shueisha and created by Tsugumi Ohba (original story) and Takeshi Obata (illustrations), into a musical, began in 2011. Composed by Frank Wildhorn, who has collaborated with our company on numerous productions since Jekyll & Hyde in Tokyo in 2001, and directed by the renowned Japanese director Tamiya Kuriyama, Death Note: The Musical had its world premiere in Tokyo in 2015. Since then, it has garnered passionate, enthusiastic fans and has been performed multiple times in Japan and South Korea.

"Currently, HoriPro is presenting Harry Potter and the Cursed Child and School of Rock in Tokyo. Over the years we have had the pleasure of bringing numerous wonderful works born in London, such as Mary Poppins, Matilda and Billy Elliot, to Japan. It brings us immeasurable joy to now introduce a production originating from Japan to audiences in London.

"To everyone witnessing the start of Death Note: The musical as it ventures into the world, we express our heartfelt gratitude.

"We hope you enjoy the show!

"Yoshitaka Hori, HoriPro Group Chairman, President & CEO" End ID]

[ID: the panel from the manga of Light's heart attack. Text box that says, "Death Note Between Entertainment and Culture by Filippo Cervelli

"When Death Note originally appeared as a manga in 2003, it took its audience by surprise. The story of the genius high-school student Light Yagami chancing upon the magic titular Death Note, giving him the power to kill everyone on the planet just by writing their name on its pages, was a compelling tale interweaving magic with the urban Tokyo everyday environment. Dissatisfied with the judicial system, Light takes the matters of justice into his own hands, placing himself above the law and embarking on a journey to purge the world of evildoers. From this enticing premise Death Note then evolves into a psychological thriller, epitomised by Light's cat-and-mouse battle with his main antagonist, the brilliant and mysterious detective L. The numerous panels alternating the two characters playing mind games against each other, brilliantly written by Tsugumi Ohba and vividly drawn by artist Takeshi Obata, have left a long-lasting impression on the manga's readers. And yet, together with the compelling drama and carefully crafted dialogues, Death Note also struck a powerful chord in its audience, because no reader could remain insensitive to the simple yet fundamental question it asked: "What would you do if you had the power to change the world?" end ID]

[ID: the manga panel where Soichiro has just fired an empty gun at Light in the car and Misa and Light both look terrified but relieved. There are two pull-out quotes that say "Death Note has sold more than 30 million copies worldwide, making it one of the bestselling manga of all time" and "Death Note has successfully shown that manga aimed at 'kids' can treat very serious matters, too." The rest of the article reads: "Not only was Death Note a successful story, the context of its publication was conducive to its great impact. Japan's comics industry is heavily focused on serialisations in dedicated magazines, of which there exist a plethora, divided by frequency of publication (weekly, biweekly, monthly, etc.) and genre. Death Note was in fact published in weekly instalments in Shonen Jump, Japan's most popular and iconic manga magazine which, in its 55 years of history, has published global hits such as Jojo's Bizarre Adventures (1987-2004), Dragonball (1984-1995) and the more recent Demon Slayer (2016-2020) and One Piece (1997-). While the popularity of Shonen Jump contributed to the visibility of Death Note, it also placed the story in an unusual context. As the above examples show, Shonen Jump is famous for action, comedy and sports manga catered to an audience of mainly adolescent boys. Although the categorisation does not of course preclude readers outside of this demographic, Japanese magazines do take their target audiences into serious consideration when choosing their contents. It was therefore striking that a manga not based on humour, romance or battles, which focused instead on murder and psychological thrills, could find a space among the pages of Jump. However, this supposed misplacement worked in the manga's favour, inducing in readers a sense of wonder and curiosity towards a new publication that seemed so different from its neighbours. In the end, with a serialised run of three years (2003-2006), later collected in twelve volumes (plus one with extra contents), Death Note has sold more than 30 million copies worldwide, making it one of the bestselling manga of all time. It has successfully shown that manga aimed at 'kids' can treat very serious matters, too.

"Beyond the numbers, Death Note has left an indelible mark on contemporary Japanese culture. Its great success solidified the reputation of Oba and Obata as one of manga's most appreciated duos, who later produced other hits such as Bakuman (2008-2012), which takes an insider's look into the world of manga publiishing in Japan, and Platinum End (2015-2021), a fantasy manga following the stories a group of contenders who are granted angelic powers in a race to become the next God. Death Note proposes a protagonist who chooses to fight for his values in a society that does not seem to give any solid models of prosperity and fails to ensure individual happiness. While Light's motives might be despicable, his actions ask fundamental questions about right and wrong and about what justice really means, which may not find immediate answers. This is possibly Death Note's deepest strength.

"All these factors have assured Death Note's success. While the original manga is read avidly around the world even today, 20 years after its original serialisation began, the story has also been expanded and adapted into various media. Together with the animated series following the original story, a live-action film version was released shortly after the manga's conclusion in 2006. Split into two parts, the films starred internationally renowned Tatsuya (Battle Royale) and Ken'ichi Matsuyama (Norwegian Wood, Gantz) as Light and L, respectively. The films, featuring a different ending from the manga version, enjoyed such popularity that they spawned a spin-off film in 2008, L Change the WorLd, focusing on the titular awkward and brilliant detective. In 2016, another spin-off film was released. Titled Death Note: Light Up the New World and set ten years after the confrontation between Light and L, it imagines a new case in which six new death notes have appeared. Filmic adaptations have also crossed Japanese borders, with a US-produced film released by Netflix in 2017. The film transposes the story to an American high school setting, changing characters' names accordingly. The TV format has also proved particularly fruitful for Death Note, with the story adapted into a series of 11 episodes in 2015, featuring in the role of L Kento Yamazaki, known to Western audiences as the lead in the Netflix show Alice in Borderland.

"With countless adaptations to other media, including novels, videogames and trading card games, Death Note's cultural impact is still strong. Together with reading the original manga and watching the various cinematic versions, London audiences now have the possibility to enjoy the musical adaptation of the manga series, adding another precious layer to the multimedia experience of this staple of contemporary Japanese creativity.

"Filippo Cervelli is a Lecturer in Modern and Contemporary Japanese Literature at SOAS University of London." End ID]

This is all I can manage tonight. . . I'll be back with more later.

[jakeoettinger]

in honor of the oilers/cracknell signing, here’s tyler with his baby <3 and one of my absolute favorite photos that exist. (from may 2017)

[off-icesituation]

Tyler and the prettiest Cracknell

via Tyler Seguin instagram story 04.24.18

[formerlydyl]

Cracknell with the empty net!

Gulls lead 4-1!!!

[darthbenn]

if Adam cracknell is one of Tyler seguin’s groomsmen….I will die happy

[pierrelucdisaster]

Adam Cracknell, you are the only hot old man I have left please don't leave me!

[goalhofer]

2023-24 Henderson Silver Knights Players By Nationality

American: 4 (Jake Bischoff, Brendan Brisson, Mason Morelli & Gage Quinney) Canadian: 15 (Layton Ahac, Tyler Benson, Matt Boudens, Lukas Cormier, Adam Cracknell, Daniel D'Amato, Mason Geertsen, Brandon Hickey, Jett Jones, Dysin Mayo, Jordan Papirny, Simon Pinard, Mason Primeau & Alex Swetlikoff) Russian: 3 (Daniil Chayka, Denis Grigorenko & Daniil Miromanov) Czech: 2 (Jakub Brabanec & Jiří Patera) Finnish: 2 (Christoffer Sedoff & Jesper Vikman) Slovak: 1 (Jakub Demek) Swedish: 1 (Jesper Vikman)

[beegreeny]

Tyler Seguin ruining my life

[ulkaralakbarova]

The story of Florence Foster Jenkins, a New York heiress, who dreamed of becoming an opera singer, despite having a terrible singing voice. Credits: TheMovieDb. Film Cast: Florence Foster Jenkins: Meryl Streep St. Clair Bayfield: Hugh Grant Cosmé McMoon: Simon Helberg Kathleen Weatherley: Rebecca Ferguson Agnes Stark: Nina Arianda Phineas Stark: Stanley Townsend John Totten: Allan Corduner Earl Wilson: Christian McKay Carlo Edwards: David Haig Dr. Hermann: John Sessions Kitty: Brid Brennan Arturo Toscanini: John Kavanagh Mrs Vanderbilt: Pat Starr Mrs. James O’Flaherty: Maggie Steed Mrs Oscar Garmunder: Thelma Barlow Mrs EE Patterson: Liza Ross Baroness Le Feyre: Paola Dionisotti Mrs Patsy Snow: Rhoda Lewis Lily Pons: Aida Garifullina Augustus Corbin: David Mills Carlton Smith: David Menkin Cpl. Jones: Sid Phoenix Pvt. Smith: Tunji Kasim Orlando Adams: Carl Davis Microphone Engineer: Lloyd Hutchinson Elevator Operator: Richard Kilgour Ernest Ziegler: Jonathan Plowright Donaghy: Josh O’Connor Tallulah Bankhead: Nat Luurtsema Colonel: Ewan Stewart Gino: Cameron Cuffe News Vendor: John Guerrasio Edgar Booth Cunningham Jr: Elliot Levey Clifford B. Thornton III: Danny Mahoney Cole Porter: Mark Arnold Film Crew: Writer: Stephen Frears Director of Photography: Danny Cohen Screenplay: Nicholas Martin Producer: Michael Kuhn Producer: Tracey Seaward Editor: Valerio Bonelli Casting: Kathleen Chopin Casting: Leo Davis Casting: Lissy Holm Art Direction: Gareth Cousins Art Direction: Christopher Wyatt Production Design: Alan MacDonald Costume Design: Consolata Boyle Supervising Art Director: Patrick Rolfe Script Supervisor: Sue Hills Music Director: Terry Davies Music Editor: Stuart Morton Music Supervisor: Karen Elliott Assistant Costume Designer: Rosie Grant Costume Supervisor: Marion Weise Camera Operator: Iain Mackay Gaffer: Paul McGeachan Camera Operator: Lucy Bristow First Assistant Camera: Andrew Banwell First Assistant Camera: Iain Struthers Additional Camera: Jason Ewart Special Effects Supervisor: Manex Efrem Visual Effects Coordinator: Jenny King Visual Effects Producer: Noga Alon Stein Visual Effects Supervisor: Adam Gascoyne Visual Effects Editor: Edd Gamlin Sound Effects Editor: Phil Lee Sound Re-Recording Mixer: Dafydd Archard Sound Re-Recording Mixer: Mike Dowson Supervising Sound Editor: Becki Ponting Supervising Sound Editor: Ian Wilson Makeup Artist: J. Roy Helland Hairstylist: Anita Burger Hairstylist: Andrea Cracknell Hairstylist: Beverley Binda Makeup Designer: Daniel Phillips Makeup Artist: Karen Cohen Makeup Artist: Tahira Herold Wigmaker: Ray Marston Digital Intermediate: Rob Farris Digital Intermediate: Patrick Malone Digital Intermediate: Gemma McKeon First Assistant Editor: Karenjit Sahota Stunt Coordinator: Eunice Huthart Stunt Coordinator: Jo McLaren Assistant Art Director: Aoife Warren Original Music Composer: Alexandre Desplat Foley Artist: Andrea King Conceptual Design: Elo Soode Carpenter: Josh Wood Movie Reviews: Reno: **Nothing is greater than to have a supportive life partner by side.** I follow closely what films are announced and what are getting released. Sometimes its common that some films comes out without my knowledge, particularly non-Hollywood English language films. This British film was about a wealthy couple from the New York, especially the husband who tries his best to fulfill his seriously ill wife’s dream to be an opera singer. The problem is she’s not any good. Not just him, but everybody who is close to them and once laughed at her, try to understand them and give their support. But not all the occasion seems to remain the same. So on one such a big event, the disaster strikes and how it affects the couple is the rest of the tale to disclose. A very surprising film. I thought it was just a comedy like it brings small smiles on our face, but I laughed out loud on many occasions. This is definitely a right time, because I felt like it was a music and cinematic version of the American presidential candidate Don Trump. Yep, there not much difference, but still this ...